Podcast appearances and mentions of spencer parsons

Send us a textIn this episode we meet actor/director/professor Spencer Parsons. We discuss the 1973 neo-noir Charley Varrick. We talk about Walter Matthau and the great antagonist played by Joe Don Baker. Don, Siegel, Andy Robinson, Sheree North and much more. Click and listen!

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, Una Sera a Cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren't so imaginary?Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Once again, we recorded this episode a while back (a number of months ago, in this case) but due to the lamentable state of many things in the US, our episode this week feels eerily timely. For our first Noirvember Substantive Cinema epsiode of 2024, we are looking at one of Samuel Fuller's most celebrated and highly regarded films, Shock Corridor. In the movie, Johnny Barrett, a journalist in pursuit of fame and acclaim, poses as a lunatic in order to infiltrate a mental institution where a murder has taken place. Can he keep his sanity long enough to solve the case and what will be left of him if he can? In our discussion we cover: how Sam Fuller bluntly portrays America's various psychoses (nationalism, racial hatred, and the worship of violent power) in the three eyewitnesses that Johnny needs to interrogate, the legacy of Fuller's work in filmmakers like Martin Scorsese, David Lynch, Spike Lee, and Jim Jarmusch, the role of journalism in a free society, and more! Watch Shock Corridor on the Internet Archive Listen to Mike, Spencer, and I talk about The Naked Kiss, Fuller's follow up to Shock Corridor which also stars Constance Towers. My discussion of Fuller's war films on The Stacks Forty Guns episode of The Criterion Connection Follow Mike's work at Weirding Way Shoutouts Spencer: When the Clock Broke by John Ganz The Surrealism of Friday the 13th Mike: The Good Fairy The Strawberry Blonde Philip: The Snake Girl and the Silver-Haired Witch If you're newer to the show be sure to check out our library of 150+ episodes with folks like Karen Swallow Prior, Jemar Tisby, Tyler Huckabee, Kaitlyn Schiess, Propaganda, Josh Larsen, Stephanie Stalvey, and John Carroll Lynch. Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

Spencer Parsons and Chris Stachiw dive into the world of Bollywood with their discussion of a unique adaptation of Shakespeare's Hamlet set against the backdrop of the Kashmir conflict. With Spencer praising the performances and Chris questioning the deviations from the original story, the hosts offer differing perspectives on the film's narrative choices. Their humorous banter and insightful commentary on the complexities of adapting Shakespeare into Indian cinema make for a captivating and entertaining episode that will leave listeners laughing and pondering the intricacies of tragedy and storytelling in film. Tune in to The Kulturecast for a hilarious and thought-provoking take on this Bollywood twist on a classic tale.

Spencer Parsons and Chris Stachiw dive into the world of Bollywood with their discussion of a unique adaptation of Shakespeare's Hamlet set against the backdrop of the Kashmir conflict. With Spencer praising the performances and Chris questioning the deviations from the original story, the hosts offer differing perspectives on the film's narrative choices. Their humorous banter and insightful commentary on the complexities of adapting Shakespeare into Indian cinema make for a captivating and entertaining episode that will leave listeners laughing and pondering the intricacies of tragedy and storytelling in film. Tune in to The Kulturecast for a hilarious and thought-provoking take on this Bollywood twist on a classic tale.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

Spencer Parsons and Rahne Alexander join Mike to discuss Václav Vorlícek's How to Drown Dr. Mracek, the Lawyer (1975). Co-written by Projection Booth favorite Milos Macourek, the film stars Jaromír Hanzlík as the titular Dr. Mracek, a lawyer who is unwittingly trying to displace a group of water sprites from their homes.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Spencer Parsons and Rahne Alexander join Mike to discuss Václav Vorlícek's How to Drown Dr. Mracek, the Lawyer (1975). Co-written by Projection Booth favorite Milos Macourek, the film stars Jaromír Hanzlík as the titular Dr. Mracek, a lawyer who is unwittingly trying to displace a group of water sprites from their homes.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Samm Deighan and Spencer Parsons join Mike to look at the 1976 Hungarian film from Zoltan Fabri, The Fifth Seal. Set in WWII, the film is a deceptively simple story of five men who meet and drink in an urban watering hole. One of them proposes a bit of a thought experiment which colors the world of his companions and eventually manifests in real life thanks to the fascists, the Arrow Cross Party, running the place.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Samm Deighan and Spencer Parsons join Mike to look at the 1976 Hungarian film from Zoltan Fabri, The Fifth Seal. Set in WWII, the film is a deceptively simple story of five men who meet and drink in an urban watering hole. One of them proposes a bit of a thought experiment which colors the world of his companions and eventually manifests in real life thanks to the fascists, the Arrow Cross Party, running the place.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Philip Marinello and Spencer Parsons join Mike to look at Sam Fuller's 1964 film The Naked Kiss. The film stars Constance Towers as Kelly, a call girl who turns over a new leaf by becoming the best darned nurse a small town hospital that specializes in the care of special needs kids has ever seen. She's torn between two men, the sheriff who thinks she's trash and needs to be run out of town to a nearby brothel and the successful entrepreneur who holds a shocking secret. Constance Towers and Michael Dante (from a Noircon 2022 event) talk about working with Sam Fuller and the making of The Naked Kiss.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Philip Marinello and Spencer Parsons join Mike to look at Sam Fuller's 1964 film The Naked Kiss. The film stars Constance Towers as Kelly, a call girl who turns over a new leaf by becoming the best darned nurse a small town hospital that specializes in the care of special needs kids has ever seen. She's torn between two men, the sheriff who thinks she's trash and needs to be run out of town to a nearby brothel and the successful entrepreneur who holds a shocking secret. Constance Towers and Michael Dante (from a Noircon 2022 event) talk about working with Sam Fuller and the making of The Naked Kiss.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

A request from Patreon donor Vaughn Collmyer, we're discussing Robert Downey's 1970 film Pound, an ensemble piece wherein a group of 18 actors play different breeds of dog... and one lonely, lost penguin… all awaiting their fate in a dog pound.Spencer Parsons, Rob St. Mary, and Mike discuss Downey's film as well as Robert Downey Jr.'s documentary Sr. about his relationship with his father and his father's career.This movie deserves a proper release today!Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

A request from Patreon donor Vaughn Collmyer, we're discussing Robert Downey's 1970 film Pound, an ensemble piece wherein a group of 18 actors play different breeds of dog... and one lonely, lost penguin… all awaiting their fate in a dog pound.Spencer Parsons, Rob St. Mary, and Mike discuss Downey's film as well as Robert Downey Jr.'s documentary Sr. about his relationship with his father and his father's career.This movie deserves a proper release today!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

In today's episode, we talk with Writer / Director SPENCER PARSONS about his experiences with casting his horror feature SATURDAY MORNING MASSACRE, collaboration, commodity fetishism, and Viking funerals!

We near the end of Patreon August, this year focusing on Mickey Rourke, with a film about the cheeriest topic of all, the Troubles, along with being a mobster-goes-straight film, A Prayer for the Dying. Rankin on Bass's Richard Hatem and film professor Spencer Parsons join the show to discuss Rourke's performance, Bob Hoskin's rage, and the usage of the IRA in movies.Starring Mickey Rourke as Martin Fallon, an IRA member who attempts to go straight and leave the life only to find out that getting out of the life isn't that easy. Along the way, he meets Bob Hoskins and his blind niece who attempt to help him leave the life as well. It sounds more interesting than it ends up being. For more Kulturecast episodes and podcasts guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2883470/advertisement

We reach the end of Marrr-ch, a month named for what else but pirate films, with a movie that's as tonally inconsistent as it is entertaining, the big screen adaptation of Peter Benchley's The Island. Northwestern film professor Spencer Parsons stops by to talk all about how he thought this movie was something else entirely but loved its brand of insanity nonetheless.Starring forever stodgy Brit Michael Caine as Blair Maynard, he kidnaps his son and heads for the Bermuda Triangle to attempt and solve the mystery of why so many ships go missing in it. What he and his gun-obsessed son find is inbred pirates led by David Warner hell-bent on pillaging, robbing, and hippie murder. Come for the Caine, stay for the Warner.For more episodes of the Kulturecast along with many more podcasts that are guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

We kick off Marrr-ch, a month named for what else but pirate films, with a film so reviled, so totally unworthy of your time, it's kinda shocking that we talked for over an hour about it: Roman Polanski's Pirates. Film professor Spencer Parsons and Scary Stories We Tell's Jess Byard stop by to talk about possibly the worst film this humble movie podcast has ever covered.Starring Walter Matthau, this bizarre little film is a take on the pirate adventure films of old with very little else in the way of plot, character development, or interesting diaglogue. As least its nice to look at., sort of.For more episodes of the Kulturecast along with many more podcasts that are guaranteed to be your new favorite audio obsession, check out Weirding Way Media at weirdingwaymedia.com.

Czechtember 2022 continues with a look at Ivan Passer's Intimate Lighting (1965). The first feature film from director Ivan Passer, it's the story of Peter, a cello player, who -- along with his girlfriend, Stepa, returns home to his village to stay with his friend Bambas and his family.Spencer Parsons and Matthew Asprey Gear join Mike to discuss this landmark of the Czech New Wave.

Czechtember 2022 continues with a look at Ivan Passer's Intimate Lighting (1965). The first feature film from director Ivan Passer, it's the story of Peter, a cello player, who -- along with his girlfriend, Stepa, returns home to his village to stay with his friend Bambas and his family.Spencer Parsons and Matthew Asprey Gear join Mike to discuss this landmark of the Czech New Wave.

We kick off Czechtember 2022 with a look at Vojtech Jansy's The Cassandra Cat. Also known as “When the Cat Comes,” the film is a fairy tale about a little city which lives under the protective eye of Oliva (Jan Bierch). When he was young he almost ran away with the circus which featured an unusual act of a cat which could show people their true colors… literally. Spencer Parsons and Chris Stachiw join Mike to discuss this wondrous film.

We kick off Czechtember 2022 with a look at Vojtech Jansy's The Cassandra Cat. Also known as “When the Cat Comes,” the film is a fairy tale about a little city which lives under the protective eye of Oliva (Jan Bierch). When he was young he almost ran away with the circus which featured an unusual act of a cat which could show people their true colors… literally. Spencer Parsons and Chris Stachiw join Mike to discuss this wondrous film.

Welcome Spencer to the show as we discuss Psallos' latest album, Philippians

Noirvember 2021 continues with a look at Orson Welles's The Lady from Shanghai. It's the story of Michael O'Hara (Orson Welles), a sailor who falls in with a weird group of people: A gorgeous blonde, Elsa (Rita Hayworth), the titular lady from Shanghai, her husband, Arthur Bannister, a high-powered lawyer, and his partner, Grisby, a…well, he's kind of a weirdo who wants to fake his own death and pin it on Michael.Spencer Parsons and Peter Flynn join Mike to discuss this highly-compromised film.Learn more about your ad choices. Visit megaphone.fm/adchoices

Noirvember 2021 continues with a look at Orson Welles's The Lady from Shanghai. It's the story of Michael O'Hara (Orson Welles), a sailor who falls in with a weird group of people: A gorgeous blonde, Elsa (Rita Hayworth), the titular lady from Shanghai, her husband, Arthur Bannister, a high-powered lawyer, and his partner, Grisby, a…well, he's kind of a weirdo who wants to fake his own death and pin it on Michael. Spencer Parsons and Peter Flynn join Mike to discuss this highly-compromised film.

Gianna D'Emilio and Spencer Parsons join Mike to talk about Aleksei German's Khrustalyov, My Car! (1989). Set against the death of Stalin and the last days of his Doctor's Plot, the film is a dizzying display of filmmaking.Prof. Jonathan Brent discusses the Doctor's Plat while producer Guy Seligmann talks about working with German.Learn more about your ad choices. Visit megaphone.fm/adchoices

Gianna D'Emilio and Spencer Parsons join Mike to talk about Aleksei German's Khrustalyov, My Car! (1989). Set against the death of Stalin and the last days of his Doctor's Plot, the film is a dizzying display of filmmaking. Prof. Jonathan Brent discusses the Doctor's Plat while producer Guy Seligmann talks about working with German.

In the mid-70s, Conan was hired to direct and produce a nature documentary. But he wanted to do something more ambitious. The film he made became one of the most infamous movies ever, but his success came with deadly consequences... This episode contains a content advisory for graphic imagery and strong language. It describes scenes of both human and animal death. This story is not for children and sensitive listeners, please be advised. Special thanks to our film consultants, Spencer Parsons and Todd Wieneke. Produced by John Fecile, original score by Renzo Gorrio, artwork by Teo Ducot Snap Classic

We're doing something a little different for Czechtember 2020 with two commentary track episodes. First up, a discussion of Vojtech Jasný's All My Good Countrymen (1969), a tragic tale of a group of friends in post-WWII Czechoslovakia.Spencer Parsons and Chris Stachiw join Mike to discuss Jasny's lyrical film which was banned by Czech authorities. We also talk about the unofficial "remake", The Moravian Land (1978) and the sequel, Return to Paradise Lost (1999).Learn more about your ad choices. Visit megaphone.fm/adchoices

We're doing something a little different for Czechtember 2020 with two commentary track episodes. First up, a discussion of Vojtech Jasný's All My Good Countrymen (1969), a tragic tale of a group of friends in post-WWII Czechoslovakia. Spencer Parsons and Chris Stachiw join Mike to discuss Jasny's lyrical film which was banned by Czech authorities. We also talk about the unofficial "remake", The Moravian Land (1978) and the sequel, Return to Paradise Lost (1999).

We're doing something a little different for Czechtember 2020 with two commentary track episodes. First up, a discussion of Vojtech Jasný's All My Good Countrymen (1969), a tragic tale of a group of friends in post-WWII Czechoslovakia. Spencer Parsons and Chris Stachiw join Mike to discuss Jasny's lyrical film which was banned by Czech authorities. We also talk about the unofficial "remake", The Moravian Land (1978) and the sequel, Return to Paradise Lost (1999).

F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.Learn more about your ad choices. Visit megaphone.fm/adchoices

F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.

F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.

Can Dialectics Break Bricks? is the 1973 film from Rene Vienet which is a re-dubbing of the 1972 film Crush. The film re-tells re-tells the story of Crush as the story of a bunch of rotten bureaucrats who have oppressed the working class long enough. The workers look forward to a day when the landlords will all hang, priests will be cut in two and the churches will be burned to the ground.Spencer Parsons and Rob St. Mary join Mike to to discuss the Situationist movement, detournement, and its modern implications.Learn more about your ad choices. Visit megaphone.fm/adchoices

Can Dialectics Break Bricks? is the 1973 film from Rene Vienet which is a re-dubbing of the 1972 film Crush. The film re-tells re-tells the story of Crush as the story of a bunch of rotten bureaucrats who have oppressed the working class long enough. The workers look forward to a day when the landlords will all hang, priests will be cut in two and the churches will be burned to the ground. Spencer Parsons and Rob St. Mary join Mike to to discuss the Situationist movement, detournement, and its modern implications.

Can Dialectics Break Bricks? is the 1973 film from Rene Vienet which is a re-dubbing of the 1972 film Crush. The film re-tells re-tells the story of Crush as the story of a bunch of rotten bureaucrats who have oppressed the working class long enough. The workers look forward to a day when the landlords will all hang, priests will be cut in two and the churches will be burned to the ground. Spencer Parsons and Rob St. Mary join Mike to to discuss the Situationist movement, detournement, and its modern implications.

In the mid-70s, Conan was hired to direct and produce a nature documentary. But he wanted to do something more ambitious. The film he made became one of the most infamous movies ever, but his success came with deadly consequences. Special thanks to our film consultants, Spencer Parsons and Todd Wieneke. Producer: John Fecile Original Score: Renzo Gorrio Season 9 Episode 26

This episode’s lineup: 1. REC (2007) directed by Jaume Balagueró and Paco Plaza 2. REC 2 (2009) directed by Jaume Balagueró and Paco Plaza 3. REC 3: Genesis (2012) directed by Paco Plaza 4. REC 4: Apocalypse (2014) directed by Jaume Balagueró 5. Saturday Morning Mystery (2012) directed by Spencer Parsons 6. Night School (1981) […] The post 22 – Possessed Zombies, Paranormal Investigators, and Decapitated Heads appeared first on Sticker Fridge Studios.

audioGruesome Hertzogg & John Gilling Interviews Spencer Parsons is a director and writer, known for I'll Come Running (2008), Once and Future Asshole (2005) andA Common Confusion (1999). See full bio »

audioGruesome Hertzogg & John Gilling Interviews Spencer Parsons is a director and writer, known for I'll Come Running (2008), Once and Future Asshole (2005) andA Common Confusion (1999). See full bio »

1 Peter 4, Spencer Parsons. Sunday, 9-6-2015: "God Disciplines Those He Loves: Our God is a Consuming Fire"

Compiling lists of our top ten songs, favorite ball players or films is always a fun endeavor. Who makes the list? Who did we anguish over having to leave out? We turned to our learned panel of film scholars and critics. Sitting in, Pete Sobczynski of RogerEbert.com and EFilmCritic.com, filmmaker and scholar Spencer Parsons of…

Spencer Parsons is an actor and director, known for Bite Radius (2016), I'll Come Running (2008) and Saturday Morning Mystery (2012). See full bio » --- Send in a voice message: https://anchor.fm/gruesome-hertzogg/message Support this podcast: https://anchor.fm/gruesome-hertzogg/support