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3 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
2 episodes with F for Fake
Borges called CITIZEN KANE a "labyrinth with no center" but it was the center of the labyrinth that was Orson Welles, and our final destination in the second half of this tour of the magician's career, after we pass through TOUCH OF EVIL (1958), THE TRIAL (1962), THE IMMORTAL STORY (1968), F FOR FAKE (1975), and THE OTHER SIDE OF THE WIND (2018)... and realize that in his flaws, if not his greatness, Orson Welles was a lot like us. With Darius Csiky of 8pl8s podcast For the full 2 hour episode, and twice as many overall, subscribe to the show at patreon.com/filthyarmenian -- you'll also get regular "smoke break" reports on topics of the day and exclusive access to our coveted live events. Follow us on X/insta @filthyarmenian
Dir kennt Vangelis? Wéi wier et dann elo mat Vargelis: deen éischten hat musikalesch fir Feier gesuergt, den Nicholas Vargelis réckelt Situatiounen an dat richtegt Feier, besser: Liicht. Momentan zum Beispill duerch seng Luucht-Installatioune bei der Expo “Boogie” am Casino an der Ënneschtgaass. Konscht ouni Faarf a Pinsel, mee quasi just mam Schäi vun ale Luuchtenampullen? An dat en plus an enger Expo, déi als rhythmescht Experiment geduecht an deemno ni d'selwecht ass? D'Kerstin Thalau huet d'Boogie-Curatrice Stilbé Schroeder an de Studio invitéiert, fir Liicht an d'Däischtert ze bréngen.
Today's Talmud page, Bava Batra 162, deals mainly with how to make sure your documents aren't forged. But as the history of philosophy teaches us, sometimes a little fakery is necessary for brilliant ideas to break through. Who was the great thinker Johannes de Silentio, and how come you've never heard of him yet know his work? Listen and find out. Like the show? Subscribe to our weekly newsletter. Send us a note at takeone@tabletmag.com. Follow us on Twitter at @takeonedafyomi and join the conversation in the Take One Facebook group. We think that you may also enjoy Liel's new book How the Talmud Can Change Your Life: Surprisingly Modern Advice from a Very Old Book, available directly from the publisher, or wherever you purchase books. Listen to the Testimonies Archive, a partnership between Tablet Studios and the USC Shoah Foundation, for eyewitness audio accounts from Israel in the wake of the Oct 7 Hamas attacks. Check out all of Tablet's podcasts at tabletmag.com/podcasts.
Just as Orson Welles finally bowed out in 1985, we must do the same. This time round Antony and Ghosty pick up Orson's film career from his acting gig in the sublime ‘The Third Man', a couple of returns to Shakespeare territory and a trio of absolute masterworks of his own making, namely ‘Touch of Evil', ‘The Trial' and ‘F For Fake' (plus a couple of other films along the way). Finally we look at interviews, his fall from grace into TV commercials, more comparisons with Marlon Brando and a final summing-up of our feelings about his life and legacy. We (and Orson up there in the clouds) hope that you have enjoyed this latest series and Film Gold will be back before the end of the year for more. In the meantime, please check out Antony's other podcasts (links below) 'Film Gold' is on all the main podcast platforms. Feedback to contrafib2001@gmail.com Facebook https://www.facebook.com/filmgoldpod Twitter https://twitter.com/FilmGold75 Antony's website (blog, music, podcasts) https://www.antonyrotunno.com Antony's John Lennon/Beatles and Psychology/Alt. Media podcasts https://glassoniononjohnlennon.com https://lifeandlifeonly.podbean.com/ Support Antony's podcast work (Film Gold, Glass Onion: On John Lennon and Life And Life Only) at https://www.paypal.com/paypalme/antonyrotunno OR https://www.buymeacoffee.com/antonyrotunno Ghosty's Cliff Richard & The Shadows podcast https://wesayyeah.podbean.com/ Interview clips from Ghosty's radio show https://www.youtube.com/@GhostyTMRS episode links Website for everything Orson https://www.wellesnet.com/ The Third Man theme played by Anton Karas & also The Beatles https://www.youtube.com/watch?v=2oEsWi88Qv0 https://www.youtube.com/watch?v=M1cHZSskXxw Poignant scenes from ‘Touch of Evil' (1958) https://www.youtube.com/watch?v=JTI6rN0Vmes https://www.youtube.com/watch?v=jeccTYUrb_Q Law court scene from ‘The Trial' (1962) https://www.youtube.com/watch?v=eFGlB4a2B1I F For Fake (1973) podcast deep dive https://www.projectionboothpodcast.com/2020/08/episode-482-f-for-fake-1973.html Recommended documentaries about Orson (Arena special, Magician, One-man band) https://www.youtube.com/watch?v=jFqW6b1hfFY https://www.youtube.com/watch?v=brVah-r65pI&t=1s https://dochouse.org/event/magician-the-astonishing-life-and-work-of-orson-welles/ https://www.youtube.com/watch?v=9eoN1m73xXk Simon Callow (Orson biographer x many) discusses him on the ‘Great Lives' podcast https://www.bbc.co.uk/sounds/play/b0b1r3hs Classic Orson interviews (Dick Cavett 1970, Michael Parkinson 1974) https://www.youtube.com/watch?v=9NTOSevzp4w https://www.youtube.com/watch?v=9NTOSevzp4w Orson loses it over frozen peas! https://www.youtube.com/watch?v=tyko_oQ0da8
Orson Welles teach me your ways I am dripless www.patreon.com/generationloss
Eric, Kevin and Ben dive into this wild documentary from legendary actor and weirdo Orson Welles, "F for Fake." Spotify: https://open.spotify.com/show/46c3C827AUwbjV5oEsrhon?si=c191cad0e73d40ee Apple Podcasts: https://podcasts.apple.com/us/podcast/pod-of-dreams/id1611180213
Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics. Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, THE BEAUTY AND THE HORROR (www.weirdosphere.org), starting June 20th. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! RERERENCES Orson Welles, F for Fake (https://www.imdb.com/title/tt0072962/) Gilles Deleuze Cinema 2 (https://bookshop.org/a/18799/9780816616770) Elmyr de Hory, (https://en.wikipedia.org/wiki/Elmyr_de_Hory) art forger Clifford Irving, (https://en.wikipedia.org/wiki/Clifford_Irving) American writer Howard Hughes, (https://en.wikipedia.org/wiki/Howard_Hughes) American aerospace engineer David Thomson, Biographical Dictionary of Film (https://www.penguinrandomhouse.com/books/178394/the-new-biographical-dictionary-of-film-by-david-thomson/) David Thomson, Rosebud: The Story of Orson Welles (https://bookshop.org/a/18799/9780679772835) Pauline Kael, [Raising Kane](https://en.wikipedia.org/wiki/RaisingKane)_ “War of the Worlds” radio drama (https://en.wikipedia.org/wiki/The_War_of_the_Worlds_(1938_radio_drama)) The Farm Podcast, “Horror Hosts, Films & Other Strange Realities w/ David Metcalfe, Conspirinormal & Recluse” (https://shows.acast.com/exclusive-subscribers-shows/episodes/horror-hosts-films-other-strange-realities-w-david-metcalfe-) Orson Welles - Interview with Michael Parkinson (BBC 1974) (https://www.youtube.com/watch?v=6dAGcorF1Vo&ab_channel=FilmKunst) Geoffrey Cornelius, Cornelius (https://mythcosmologysacred.com/wp-content/uploads/2020/09/G.-Cornelius-Chicane.pdf) Victoria Nelson, Secret Life of Puppets (https://bookshop.org/a/18799/9780674012448) Lionel Snell, My Years of Magical Thinking (https://bookshop.org/a/18799/9780904311242) Sokal affair (https://en.wikipedia.org/wiki/Sokal_affair), hoax Werner Herzog, “Minnesota Declaration” (https://designmanifestos.org/werner-herzog-the-minnesota-declaration/)
216 - F for Fake Movie Discussion with Joshua Kennedy Steven and Joahua Kennedy continue their Orson Welles retrospective series with F for Fake! Back on episode 180, we covered Touch of Evil to launch the series. Joshua has directed numerous movies, including his Rondo nominated The Innsmouth School for Girls! Which is currently available on Amazon Prime. You can follow Josh on Facebook at Joshua Kennedy Man of the Arts. Send feedback to DieCastMoviePodcast@gmail.com or leave us a message on our Facebook page. Thanks for listening!
For the latest episode of NostalgiaCast '70s Palooza, Jonny and Darin tackle the faux-documentary / biography / proto-YouTube video essay that is Orson Welles's F FOR FAKE. They talk about the movie as an examination of authorship over art, Welles's (brazen but ultimately unsuccessful) attempts to explode the documentary form, and how a story of charlatans, magicians, and frauds slots into the legendary director's manic career.
Novo ciclo e nova imagem, bem visível por este quadradinho. Depois de já termos trazido mockumentaries, decidimos fugir à ficção e iniciar DOCUMENTA-MOS, ciclo sobre documentários. E a primeira escolha sai logo do baralho, com um filme-ensaio-docudrama-estranhanha do tio Welles, que retrata estas reais e curiosas personagens que encontra em Ibiza, cruzando comentários sobre arte, o seu mercado, autoria e verdade. Coisa pouca, ainda para mais num filme com uma montagem supersónica.
It's December, which means it's time for us to discuss the films of Orson Welles. In this first week, Marco gives us an introduction to the month, and we dig deep into art, film, forgery, and all things Orson, including some talk about the supplemental film The Trial (1962). We went a bit long, as there was lots to cover. So strap yourself in and join us for F for Fake (1973) Next week we continue with Orson Welles Month by watching Chimes at Midnight (1965) You can contact us at mracfilmclub@gmail.com
Brad Garoon & Jake Ziegler go back to 1976 to investigate Orson Welles' curious documentary For for Fake, and Andrei Tarkovsky's ponderous science fiction film Solaris. They talk about the curious structure of F for Fake, Welles' take on art forgery and art ownership in general, and the tumultuous lives of Elmyr de Hory, Clifford Irving, and Howard Hughes. Then they go deep into what makes Tarkovsky's Solaris special, and glance at Steven Soderbergh's 2002 remake of the same name. Other movies mentioned in this episode: The Aviator (2004), Stalker (1979), Solaris (2002), 2001: A Space Odyssey (1968), Annihilation (2018), The Fountain (2006), Angel's Egg (1985), Ghost in the Shell (1995)
Unlike last week's veritable tsunami of info, this week we have a quieter news offering, including a staggeringly expensive 14th Doctor sonic screwdriver replica, more bon mots from Fifteenth Doctor Ncuti Gatwa via Rolling Stone, Gav Rymill noodling with AI to recreate missing episodes (sort of), Doom working through her Day in game form, and the highlight of this week's episode: an interview with skilled Photoshopist and bon vivant Andrew-Mark Thompson, author of “This Is A Fake – A Collection of Unreal Things”! Links: Support Radio Free Skaro on Patreon Doctor Who and the Sonic Screwdriver Rubbertoe Replica 14th Doctor sonic screwdriver Ncuti Gatwa's Rolling Stone UK cover shoot video New instalment of Doom's Day called AI am the Doctor coming soon BFI to show colourized early DW as part of Missing Believed Wiped Gav Rymill testing AI for recons Doctor Who The Sun Makers Original Music Soundtrack Orange Vinyl LP Doctor Who The Visitation Original Music Soundtrack Green Vinyl LP BF Rose Tyler: The Dimension Cannon – Trapped due Sep 2023 BF Doctor Who – Once and Future: The Martian Invasion of Planetoid 50 due Sep 2023 Cybermen: The Ultimate Comic Strip Collection due Sep 1 Interview: Andrew-Mark Thompson This is a Fake!
Few filmmakers are as influential as the great Orson Welles. Few are as infamous. A man of magic, lies and art, Welles brings to light three fakers, one being himself in our first documentary. A documentary that observes the fakeness of art, the fakeness of "experts" and whether or not truth should get in the way of a good story. This week we return to the Criterion Collection with F for Fake!
Odds and Ends: T.J. loves the Metroid series, except for one; Nick has a lukewarm hot take on the newest entry in the Scream franchise; we both went to a screening of The Room and met a special someone there Feature Film: Orson Welles' final feature, F for Fake. Fully flowing filmically for fictional facts. I dunno, did you notice all the Fs there? I had to mention it, because I didn't think it was obvious. Or did I? Am I Howard Hughes? Maybe, he never died, and you can't prove that he didn't. Or did. I've lost the thread here. Uhh, Orson Welles is a lil scallywag and he knows it. Next week's movie: Tiptoes (2002) You can join the conversation every Wednesday at 7pm EST on Twitch and Youtube! Available in podcast form on all your favorite podcatchers! Twitch // twitch.tv/ThereWillBeDuds Crew: TJ // twitch.tv/JSpotJackCheese Nick // twitch.tv/DrFunkPhD Socials: linktr.ee/ThereWillBeDuds YouTube // There Will Be Duds Twitter // @ThereWillBeDuds Facebook // There Will Be Duds Instagram // ThereWillBeDuds TikTok // @ThereWillBeDuds --- Support this podcast: https://podcasters.spotify.com/pod/show/there-will-be-duds/support
This week, Adam and Kevin have two reviews lined up with Infinity Pool and Knock at the Cabin. Other titles discussed include Murder on the Orient Express and Death on the Nile, City of the Living Dead, The Keep, Minari, My Cousin Vinnie, and F For Fake. 0:00 - Intro 1:15 - Infinity Pool review 20:18 - Knock at the Cabin review 35:55 - Watch list 52:40 - New releases web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet facebook: http://facebook.com/filmpulse
Welcome back TWGFT fans and a happy new to you! We are getting it off in fine form with two movies the boys purchased for each other during the holiday season! These two films are very different and are the start to a new and extremely unique year of the show. You'll hear it in the body but we have a new format for how we will be selecting films every other week! 0:00:00 to 0:02:07 Preamble & Music: ...Happy New Year! 0:02:08 to 0:08:28 Opening and The Best Thing You Saw This Week 0:08:29 to 0:11:10 The First Film and "What's that sir did I used to be a magician? Sir I'm still working on it!" 0:11:11 to 0:40:00 The Conversation and Ratings 0:40:01 to 0:43:08 The Second Film and "A Brighter Summer Day!" 0:43:09 to 1:08:05 The Conversation and Ratings 1:08:06 to 1:15:23 What is happening on the next TWGTF and Outro Spoiler Alert: The second movie is 4 hours long. Start with a meal and your weed! Halfway through have a coffee then finish it up strong!
numbers are going to be weird because i'm basing them off of the free feed now F for Fake is finally here, and @MuskTillDawn joins me to talk about our favorite movie it's a long one, and i'm hoping to keep them like this from here on out to subscribe to the mister movies pod cast patreon, go to https://patreon.com/mistermovies
pick a card, any card to subscribe to the mister movies pod cast patreon, go to https://patreon.com/mistermovies
Hey everybody and welcome to another episode of The Wrinkled Rabbit Podcast! This week we're talking about F for Fake, an Orson Wells docu-fiction about fakery of all forms. Next Episode: American Animals YouTube: http://www.youtube.com/c/WrinkledRabbitProductions Twitter: https://twitter.com/WrinkledRabbit Instagram: https://www.instagram.com/wrinkledrabbit/
Docudrama time! We're watching F for Fake (1973), the world's first breadtube essay. We discuss the nature of art, lies, forgeries, markets, and how bad editing is ableism. Readings S3E5: Elmyr de Hory F for Fake - Wikipedia Chokepoint Capitalism | Cory Doctorow's craphound.com
Folks, we've done it. This extra special episode is the first we've recorded IN-PERSON! Is the banter more streamlined? Do we have better conversations about the cat-and-mouse, home invasion thriller that is Wait Until Dark and the documentary on fakery that is F For Fake? Who can say really. I can only say we may have had the most fun we've ever had. Here is our chat LIVE this week and maybe this week only. Follow us on Spotify and Apple Podcasts Follow us on Letterboxd: Ben & Liam Music this week is by our very own Scene Unseen triple threat, Benny Booger :)
In the forty-eighth episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by novelist Samuel Cullado and fellow podcaster Ben Thelen (of the Dead Reckoner Substack) to discuss Orson Welles' final magnum opus about the deceptive truth of film, the lasting materialist immortality of art, and the deconstruction of himself as a performer and artist in F for Fake (1973).
In this special episode, Thomas Flight and Tom van der Linden discuss a variety of experimental documentaries; and classify them into distinct categories to explore what they are, why they are worth watching, and what the best ways are to engage with them.All Light Everywhere (2021); Baraka (1992); Bells from the Deep (1993); Cameraperson (2016); Chronicle of a Summer (1961); Cow (2021); F For Fake (1973); Fata Morgana (1971); Free Solo (2018); Grizzly Man (2005); Gunda (2020); Koyaanisqatsi (1982); Lessons of Darkness (1992); Little Dieter Need to Fly (1997); Machines (2016); Rat Film (2016); Samsara (2011); Seven Up! (1964); Sleep Has Her House (2017); The Truffle Hunters (2020); The White Diamond (2004); Voyage of Time (2015)Start exploring the riches of cinema with an extended free trial of MUBI: mubi.com/cinemaofmeaningListen to our episodes a week early, and completely ad-free, on Nebula by signing up for Curiosity Stream: https://curiositystream.com/cinemaofmeaningCheck us out on YouTube:Thomas Flight: https://www.youtube.com/c/ThomasFlightLike Stories of Old: https://youtube.com/c/LikeStoriesofOldCheck us out on Nebula:Thomas Flight: https://nebula.app/thomasflightLike Stories of Old: https://nebula.app/lsooFollow us:Tom van der Linden https://twitter.com/Tom_LSOOThomas Flight https://twitter.com/thomasflightSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
F for Fake - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A documentary about fraud and fakery. Directors: Orson Welles, Gary Graver (uncredited), Oja Kodar (uncredited) Writers: Orson WellesOja Kodar (uncredited) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links
F for Fake - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A documentary about fraud and fakery. Directors: Orson Welles, Gary Graver (uncredited), Oja Kodar (uncredited) Writers: Orson WellesOja Kodar (uncredited) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links
It seems that fakes are everywhere – very few domains of social life are exempt from concerns about fakes and a general ‘crisis of authenticity'. While fakes are often considered worthless, this talk argues that fakes can signal blind spots in our understanding of health-related matters. This lecture draws on examples from the art world and discussion of fakes in films and what these can tell us about fakes in domains of health and medicine.A lecture by Dr Patricia KingoriThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/watch-now/fakesGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollegeInstagram: http://www.instagram.com/greshamcollege
It's time for a little Orson Welles here on Roll It, as this episode we're discussing his endlessly fascinating and unique documentary, F for Fake. This is definitely a film that stretches your mind and makes you think about the nature of things like truth, fakes, art, and artists. Welles paints a dazzling picture of how lies and illusions can create truth, and sometimes masterpieces. We try to make as much sense as possible rambling about this film, so tune in and if you haven't already, please watch F for Fake. Contact us at rollitpodcast@gmail.com or follow us! Twitter - @RollItPodcast Instagram - @rollitpodcast Music by Ethan Rapp
Today we bring you F For Fake! Don't forget to like and subscribe for more. Our links... TWITTER: https://twitter.com/walkthecinema LETTERBOXD: https://letterboxd.com/walkthecinema/ And for all other links: https://linktr.ee/WalkTheCinema Subscribe for new weekly episodes and comment your thoughts! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In which we run through a BUNCH of movies, some good and some reallllllyyyyy bad. Graphics credit to Luke, @cerealdrawer Follow us on Twitter and IG @paro_pod Recommended film for Episode 73 - F For Fake (1973) 00:12:31 Lord of the RIngs: Fellowship of the RIng Extended Cut 00:22:42 Resident Evil Apocalypse 00:32:16 Battlefield Earth 00:42:40 Easy A 00:49:35 I Saw The Devil (SPOILERS) 01:03:45 Soylent Green 01:22:38 Tag Listener Qs 01:35:14 What is the most offensive film you have seen? 01:43:16 What is the worst feeling to have after a film?
Update on all the films that I have watched between August, 2021 and January, 2022 for my '1001 Movies . . .' Challenge!TheFilmNerd Podcast on: iTunes: https://podcasts.apple.com/us/podcast/thefilmnerd-podcast/id1414106545Spotify: https://open.spotify.com/show/5KajoLqMoHZpbc5BstIH1aTwitter: https://twitter.com/NerdVinceInstagram: https://www.instagram.com/vincentrcook/Letterboxd: https://letterboxd.com/VinceFilmNerd/Music from Uppbeat (free for Creators!):https://uppbeat.io/t/prigida/mellow-bopLicense code: IMNYO2T4TVLFJHNWTimestamps:00:00-03:50 - Intro / 1001 Movies Challenge Update03:51-5:36 - Trainspotting 05:37-07:02 - The Game07:03-08:35 - Any Given Sunday08:36-09:40 - He Got Game09:41-11:07 - Event Horizon11:08-11:53 - Blade11:54-13:03 - Let the Right One In13:04-14:43 - Martyrs14:44-16:21 - The Wedding Singer16:22-18:35 - The Phantom Carriage18:36-20:34 - Rashomon20:35-23:02 - Stalker23:03-25:10 - F for Fake25:11-26:15 - Good Morning, Vietnam26:16-27:58 - Fantastic Planet27:59-29:41 - Outro
In which we go beyond the stars to discover the truth. Graphics credit to Luke, @cerealdrawer Follow us on Twitter and IG @paro_pod Recommended film for Episode 73 - F For Fake (1973) 00:18:18 West Side Story 00:27:58 Mary Mary Bloody Mary 00:36:09 Resident Evil 00:49:07 On The Silver Globe Listener Qs What are your New Years resolutions? - 01:32:17 What movies are really good until the final few moments? - 01:36:36
On the December 30, 2021 episode of /Film Daily, /Film editor Ben Pearson is joined by /Film editor Brad Oman to talk about what they've been up to at the virtual water cooler. Opening Banter: At The Water Cooler: What we've been Doing: What we've been Reading: What we've been Watching:Brad watched Nightmare Alley, Being the Ricardos, The Matrix Resurrections, The Night House, 8-Bit Christmas, and That's My Jam Ben watched F For Fake and Pickup on South Street. What we've been Eating:Brad tried Wendy's Frosty Cereal, Trader Joe's PB&J Snack Duo, Kemp's Peppermint Mocha Holiday Nog, Cocoa Cream Liqueur, Eggo Pop-Tarts, Starburst from the UK What we've been Playing: Also mentioned: Getting In An Off-Road Car Chase With No Time To Die's Expert Stunt Driver Had Me Shaken And Stirred No Time To Die SFX Supervisor Talks Daniel Craig's Driving Skills And Speeding Through An Ancient Italian City [Interview] I'm going to try to create an episode for tomorrow, but in case I run out of time, have a great New Year's Eve! All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word! Thanks to Sam Hume for our logo.
In which our heroes dive deep into the Dirtbag, receptacle of all Patron-submitted questions, on the hunt for “What is the ____ of video games?” format in particular. Questions this week: Dirtbag Benjamin asks: What is your fine barrel-aged Kentucky bourbon of video games, your Mad Dog 20/20 of video games, and your oversized lollipop of video games? (03:23) Dirtbag Eric Eaton asks: What is the Bob Dylan of video games? (05:54) Dirtbag Timothy asks: What is the F For Fake of video games? (07:54) Dirtbag Anonymous asks: What is the Anna Karenina of video games? (09:47) Dirtbag Kiko B asks: What is the Sonic the Hedgehog the Movie of video games? (11:58) Dirtbag John H asks: What is the Shake Shack of video games? (12:26) Dirtbag Per Hasselstrom asks: What is the Satantango of video games? (16:38) Dirtbag Crumbling Zero asks: (19:01) Dirtbag Devils Blush asks: Who is the Carlo Rambaldi of video games? (21:35) Dirtbag Andy Douseman asks: What is the using a shaving brush and shaving soap instead of a electric razor or disposable razor with canned shaving cream of video games? (22:45) Dirtbag UG asks: What is the Neapolitan ice cream of video games? (26:41) Dirtbag Rainbow Battlekid asks: Who or what is the Michael Jordan of Baseball of video games? (27:20) Dirtbag Paul asks: What is the “Weird Al” Yankovic of video games? (29:41) Patrons get to submit questions, but everybody gets to discuss this episode in the forums! A SMALL SELECTION OF THINGS REFERENCED: Halo 2 Feel the Magic XY/XX Final Fantasy VII Super Mario 64 Chrono Trigger Panzer Dragoon Saga Mad Dog 20/20 Under Defeat R-Type Final PUBG Mobile Super Mario Run Castlevania: Symphony of the Night Castlevania II: Belmont's Revenge Kid Dracula Castlevania Judgment Bob Dylan Anthem King's Quest Roberta Williams Star Fox by Dylan Cuthbert F for Fake (1973) Segagaga Citizen Kane (1941) Orson Welles Anna Karenina The Witcher 3: Wild Hunt S.T.A.L.K.E.R.: Shadow of Chernobyl Metro series Alan Wake IL-2 Sturmovik Rig'n'Roll Tetris Hatris Street Fighter: The Movie Peter Jackson's King Kong: The Official Game of the Movie King Kong (2005) Kong: Skull Island (2017) Kung Fu Panda (2008) Nacho Libre (2006) Brütal Legend Shake Shack In-N-Out Burger Kingdoms of Amalur: Reckoning BioShock Bubsy series Battletoads Satantango (1994) Goat Simulator Cow Clicker Euro Truck Simulator series Breathless (1960) Werner Herzog Eats His Shoe (1980) The “Nathan for You” Finale, My New Favorite Love Story By Errol Morris Metal Gear Solid Carlo Rambaldi Stan Winston John Carmack Hollow Knight Final Fantasy VII: Remake - Intergrade Tingle Tuner Asuka 120% LimitOver VIDEOBALL Tim's Instagram picture he talks about, I think Neapolitan ice cream Super Mario Bros. / Duck Hunt / World Class Track Meet Michael Jordan The Last Dance (2020) “30 for 30” Jordan Rides the Bus (2010) Boom Blox “Weird Al” Yankovic Saints Row Family Guy Undertale Arcane Kids Palladium Interactive, Inc. Hosted by Alex Jaffe, with Frank Cifaldi, Tim Rogers and Brandon Sheffield. Edited by Esper Quinn. Original Music by Kurt Feldman.
A cura della 3L dell' ITIS Galileo Galilei di Roma
“Do you think I should confess? To what? Committing masterpieces?” In our latest Single Serving Selection, we're joining librarian and artist, Kit DeForge to turn our critical eyes to the final film directed by auteur Orson Welles, a conventions-defying documentary … Continue reading →
It's often said that movies are magic, but that's another way of saying that movies are a trick. Movies are made when a director stages and/or captures an assortment of scenarios and then, through careful editing, a pile of raw footage is pared down and spliced together to form a narrative. This process is filled with deliberate artifice and its goal is to manipulate its audience in some way. The master craftsmen of filmmaking are able to use the stories they create to slyly influence the people who watch them in ways that have sent innumerable reverberations throughout modern society. Cinema as a medium for misdirection is the stated agenda of F For Fake, the last completed film directed by Orson Welles. This movie began as a straightforward documentary about the life of infamous art forger Elmyr de Hory, but Welles ultimately seized control of the production from original director François Reichenbach and took things in a radically new direction. This happened after it was discovered that Elmyr's biographer Clifford Irving had fabricated a celebrated interview with reclusive aviator/film producer Howard Hughes; tickled by this revelation, Welles wanted to explore the intricacies of charlatanism through the various tricks and gimmicks that populate the filmmaker's arsenal. Among other things, this includes fake news broadcasts, misleading edits, and a few bits of performance art by Welles' mistress Oja Kodar. Largely rejected upon its original release, F For Fake eventually gained an appreciative cult audience and it's occasionally argued as an interesting precursor to the mockumentary and the video essay. Ryan is joined by Cheryl for the discussion about this one; talking points include the movie's stated premise, the important context that F For Fake omits from its narrative, the shadow that Orson Welles casts over pop culture, and the antics of Pablo Picasso. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ryan-valentine3/support
En feat avec Gautier de CHAOS, aujourd'hui, c'est 3 films ! On fera un détour dans le passé avec F FOR FAKE d'Orson Welles, mais surtout dans la compétition RED ROCKET de Sean Baker et le nouveau Jacques Audiard LES OLYMPIADES où vraiment : on est pas d'accord. Du tout. SI TU VEUX SOUTENIR L'ÉMISSION, ACHÈTE DES TRUCS STYLÉS "PARDON LE MERCH" : https://teespring.com/fr/stores/pardon-le-merch _______________________________________________________________________Les chroniqueurs sont SIMON RIAUX, SOPHIE GRECH & MARC MOQUIN. Et c'est présenté par votre serviteur de la chaîne INTHEPANDA, VICTOR. Montage : Norman Tonnelier. See acast.com/privacy for privacy and opt-out information.
EPISODE #315-- GET READY FOR POSSESSOR WITH JAMES KISLINGBURY AND CRUZ FLORES. We also talk a little bit about MOBILE SUIT GUNDAM HATHAWAY (2021) and F FOR FAKE (1975) and other such movies and things. IT'S A GOOD ONE. WE TALK ABOUT EYE GOUGING A LOT. Donate to the cause at Patreon.com/Quality. Follow James on Twitter @kislingtwits and on Instagram @kislingwhatsit or on gildedterror.blogspot.com. You can watch Cruz and Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com).
After escaping from the treacherous jungles of Peru, Chris reunites with Lee as the pair spend some time with one of cinemas great masters as he weaves some interesting tales and theories on trickery and deception.
This episode is on the 1973 film F for Fake. The theme is "fakery". To listen to the B side, subscribe on Patreon: https://www.patreon.com/thelackpodcast
In our 244th episode, we're talking spine #288 in the Criterion Collection: Orson Welles' F FOR FAKE from 1973. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
Frank continues his distaste of Orson Welles with F For Forget about it. Twitter @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi
I go outside to paint for the first time, and have an experience with a cherry blossom tree.Plus, my thoughts on the recent art forgery documentary MADE YOU LOOK, the nature of truth in art, magic, and one of my all-time favorite movies- a better movie about art forgery, Orson Welles' F FOR FAKE. spanostudio.cominstagram twitter Support the show (https://www.patreon.com/painterman)
Welcome back, Doc Suckers. Today Joe and CadaverDad Jef Burnham (CadaverCast) are breaking down Orson Welles’ seminal documentary profile of art forger Elmyr de Hory and it gets pretty wild. They also discuss the nature of art, being artistic frauds, and introduce a new segment: Doc Stars. Support the podcast with 5-star ratings and reviews on Apple Podcasts: tinyurl.com/y8t8k5ag If you want to support the show by sending us a few bucks, you can become a Patron, which also earns you access to exclusive content! www.patreon.com/wordsalad If you’re looking for other ways to support the show, recommend us to a friend! Any and all support is greatly appreciated. You guys keep us going! Email us at WordSaladProductions@gmail.com Check out the Word Salad Radioheads Facebook group: www.facebook.com/groups/WordSalad Follow Word Salad Radio on Twitter: www.twitter.com/WordSaladRadio Follow Joe on Letterboxd: www.letterboxd.com/j4sanders Follow Jef on twitter: www.twitter.com/Cadaver_cast Watch F for Fake here: https://www.youtube.com/watch?v=gIVgUjj6RxU Watch “There are No Film Prodigies” here: https://www.youtube.com/watch?v=1Ei5oatPaCI Intro composed by TeknoAXE https://www.youtube.com/channel/UCtgf00GvfFQVsYBA7V7RwUw Cover Art created by Joe Ketchum Episode edited by Joe Ketchum Other shows featured on Word Salad Radio: 2 Musical Dudes: Hosts break down the highs and lows of musical movies and stage shows. Blockbuster Autopsy: Highly qualified professionals diagnose the cause of death on some of the biggest budget movies and TV corpses around. Commentary Commissary: Host and guests watch movies they enjoy and talk over them. Dick Picks: Where host and guest choose terrible movies to subject the other to and try to defend them. Doc n Roll: An examination of documentary films. Fic/off: 2 writers are given 2 fictional characters to mashup into an original short story. Flux Capacitors: A show analyzing the time travel mechanics in various movies and TV shows. Ghost of Oscar Past: An annual Oscar retrospective looking at winners/nominees from 20 years ago to see if they still hold up. High Five: Host and guest compile top five lists that are related but don’t overlap. The List of Shame: One person tries to guess what a classic film they’ve never seen is about and then tries to convince the other person they were right after watching it for the first time. Loose Canons: Where our cohosts review movies that don’t actually exist, like Jaws 19 from Back to the Future Part II. The Mooby Awards: An annual show where co-hosts rip apart a movie they agree is overrated. Page Turners: A show all about the art of adaptation. Quote Unquote Guilty: All about guilty pleasure movies, tv shows, music, scientific principles, etc. Rock Cops: A Patreon-Exclusive mini-series breaking down every episode of the 90s musical cop drama Cop Rock. Stranger Themes: Co-hosts force each other to make weird analyses of different movies and defend their argument with evidence from the text. Test Pilots: A show about failed TV pilots and where they might’ve gone from here. You-Turn: A podcast dedicated to Word Salad fans! Patrons of the show star in original fan fiction short stories. © 2016-2021 Joe Ketchum
It's nearly April Fools Day, so Dan and Brian decided to visit Orson Welles' prankster quasi-documentary about art forgery. Join as they take a quick stroll through the famed filmmaker's life and drunken outtakes. Dan praises the film's elliptical continuity, and Brian commits fakery of his own by narrating some of the movie's best quotes in a half-decent Welles impression. Music credits: RetroFuture Clean by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4277-retrofuture-clean License: http://creativecommons.org/licenses/by/4.0/
Troy, Steven, John, Tanner, and Brody discuss Orson Welles' editing masterpiece 'F for Fake' (1973). Scores: Troy -- 4.4, John -- 4.3, Steven -- 4.4, Brody -- 3.8, Joll -- 4.1. Recorded 2/6/2021
for our penultimate episode of 2020, be prepared to hear the phrases "greatest film of all time" and "pauline kael" too many times as we reflect on sam's first viewing of CITIZEN KANE at the PCC and netflix's MANK renders emmett considerably upset. we also approached fragments of o. welles' filmography from TOO MUCH JOHNSON to F FOR FAKE and discussed a couple of critical debates about KANE's authorship. bibliography below: 'Too Much Johnson', National Film Preservation Foundation, https://www.filmpreservation.org/preserved-films/lost-and-found-mercury-theater-films Bazin, Andre, "Orson Welles: a Critical View" (trans. Jonathan Rosenbaum, New York, 1978). Carringer, R.L., ‘The Scripts of “Citizen Kane”’, in Critical Inquiry Vol 5. No. 2 (1978), 369-400. Cousins, Mark 'The Story of Film: An Odyssey' (2011) Kael, Pauline, ‘Raising Kane’ in The Citizen Kane Book (New York, 1971). Mulvey, Laura, "BFI Classics: Citizen Kane" (London, 1992). Rosenbaum, Jonathan, ‘I Missed It at the Movies: Objections to ‘Raising Kane’’ in Film Comment, Spring 1972, reprinted in "Discovering Orson Welles" (Berkeley, 2007). 'Sartre and Borges on Welles', The Paris Review https://www.theparisreview.org/blog/2014/08/12/sartre-and-borges-on-welles/ soundtrack features phil graves’ renditions of: ‘the union forever’ by the white stripes ‘citizen kane suite’ by bernard hermann & ‘three keys for the large door’ by phil graves
PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/42744256 What is real? What is fake? What is art? Is there such thing as expertise, and who should be the arbiter? Is there such thing as objective reality? When is a lie more true than the truth? Orson Welles's groundbreaking essay film F FOR FAKE (1973) doesn't provide answers to these questions, so we do our best to fill in the gaps. PLUS: we brainstorm ideas for the inevitable Austin Powers 4.
Kirsten Johnson’s new DICK JOHNSON IS DEAD is a rumination on memory, death, and movie illusion, one that brings the veteran “cameraperson” in front of the lens, alongside her titular father. In that, it’s reminiscent of an earlier essay film with a strongly autobiographical bent, and a similar fixation on what remains after we’re gone: Orson Welles’ F FOR FAKE. In this half of our pairing of the two films, we debate how — or whether — Johnson’s film successfully skirts exploitation of its central subject, before diving into how these two films each tackle matters of authenticity, illusion, and making art in the face of death. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar Please share your comments, thoughts, and questions about F FOR FAKE, DICK JOHNSON IS DEAD, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. **Show Notes** Works Cited: •”’We Think the Audience is Smarter Than Us’: Kirsten Johnson on Making Another Personal and Original Film With ‘Dick Johnson Is Dead,’ by Matt Prigge (filmmakermagazine.com) • “Documentarian Kirsten Johnson on Fake-Killing Her Own Dad (Over and Over) in Dick Johnson Is Dead,” by Rachel Handler (vulture.com) Your Next Picture Show: • Genevieve: Banksy’s EXIT THROUGH THE GIFT SHOP • Scott: Jacques Cluzaud, Michel Debats, and Jacques Perrin’s WINGED MIGRATION • Keith: The Tobolowsky Files podcast • Tasha: Walt Dohrn’s TROLLS WORLD TOUR Outro Music: Oingo Boing, “Dead Man’s Party” Learn more about your ad choices. Visit megaphone.fm/adchoices
Kirsten Johnson’s new film DICK JOHNSON IS DEAD is an unconventional documentary perhaps more at home under the nebulous subgenre known as the personal essay film, a form that was, if not popularized, then at least institutionalized by Orson Welles with 1973’s F FOR FAKE. In preparation for discussing Johnson’s film next week, we spend this week working through how Welles made a highly personal film using someone else’s cinematic scraps, and whether watching the final product is, as one of us puts it, “like picking up a handful of water,” or, as another calls it, simply “miraculous.” Maybe it’s both. Plus, we respond to some recent listener feedback inspired by our episodes on BEING JOHN MALKOVICH and I’M THINKING OF ENDING THINGS. Please share your comments, thoughts, and questions about F FOR FAKE, DICK JOHNSON IS DEAD, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro Music: Belle and Sebastian, “A Century of Fakers” Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome To The Party Pal: The Mind-Bending Film & Television Podcast You Didn't Know You Needed!
In this episode of Welcome To The Party Pal host Michael Shields, with the help of film historian Christian Niedan, delves into the nature of truth, and of art, and of the fine line that exists between deception and entertainment. To do this properly, two documentaries that expose the craft of deception are analyzed. First up, An Honest Liar, a documentary about the world-famous magician, escape artist, and world-renowned enemy of deception, James "The Amazing" Randi. Next, F for Fake is examined, a free-form documentary by Orson Welles where the legendary filmmaker reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Beginning with portraits of the world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripes. Utilizing the content of these two thought-provoking documentaries that expose charlatans and con artists for what they are, and what they are capable of, Michael and Christian expound upon how truly anyone can be deceived while marveling at the profound talents of magicians and con artists. Join in on an episode of Welcome To The Party Pal that serves as a reminder to Question Everything! See acast.com/privacy for privacy and opt-out information.
F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.Learn more about your ad choices. Visit megaphone.fm/adchoices
F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.
F for Fake, the 1973 essay film from Orson Welles is a story of art forgery, the phony autobiography of Howard Hughes, and quite a bit of sleight of hand from our humble narrator, Mr. Welles himself.Peter Flynn and Spencer Parsons join Mike to discuss hoaxes, magic tricks, and the power of editing.
We come together one last time before a bit of a break to discuss Orson Welles’ pivot to youtube essayist in the 70s with F For Fake, and enjoy the lies as much as the truthes. Thank you everyone for your support, we’ll be back soon!Send us any email questions and comments about the movies we cover or movies in general to podcast@abnormalmapping.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.
We are taking a small break from our scheduled 70s miniseries episode, as Ollie is busy in the animation studio for his own film project. So filmmaker Brandon Kahn has come along to talk to Liam about Orson Welles' 1973 docudrama film 'F for Fake', which focuses on art forger Elmyr de Hory's career and investigates the natures of authorship and authenticity, as a basis of the value of art. The podcast seems to copy the art this week as we end up with a big ramble about all aspects of this film and Orson and overlap every narrative that we seemingly can. All this and more on Adjust Your Tracking! Follow us on: Twitter: @adjustyrtrack & Instagram: @betterfeelingfilms
Support the Show for $2 a month and receive all future episodes early at https://sardonicast.com and https://www.patreon.com/Sardonicast. Buy Sardonicast T-Shirts, and other merchandise at teespring.com/stores/sardonicast. Merch: teespring.com/stores/sardonicast Website: https://sardonicast.com Patreon: https://www.patreon.com/Sardonicast Reddit: http://www.reddit.com/r/sardonicast Twitter: https://twitter.com/sardonicast Facebook: http://www.facebook.com/sardonicast Ralph's channel: https://www.youtube.com/user/ralphthe... Alex's channel: https://www.youtube.com/user/IHEOfficial Adam's channel: https://www.youtube.com/user/YourMovi... Alex's Twitter: https://twitter.com/IHE_OFFICIAL Ralph's Twitter: https://twitter.com/ralphsepe Adam's Twitter: https://twitter.com/2gay2lift
The Short Reel: Episode 5 Dillinger is now available on DVD, Blu-ray, and streaming on Amazon Prime. F For Fake is now available from Criterion Collection on DVD and Blu-ray. Kafka is available in an imported, region-free DVD. Bryan Burrough's Public Enemies is currently available in paperback, on Kindle, and as an audiobook. R.D. Morgan's The Tri-State Terror: The Life and Crimes of Wilbur Underhill is available in paperback. ___________________________________________ Have a movie request? A compliment about our delicious snack bar treats, our (mostly) friendly staff and our spotless restrooms? Don't bother filling out a comment card. (Lucy throws those away.) Connect with us via: Twitter: https://twitter.com/AllNightDriveIn Instagram: @allnightdrivein Facebook: https://www.facebook.com/TheAllNightDriveInPictureShow/ E-mail: Allnightdriveinpictureshow@gmail.com Join us every two weeks for another double feature under the stars by subscribing, reviewing, and rating the show on Apple Podcasts, Stitcher, or your favorite podcatcher, or check out The All-Night Drive-In Picture Show YouTube page! We appreciate your patronage and please hang up your speaker, and drive safely!
,,Hvað er list? Hver fær að vera kallaður listamaður og snillingur? Og hvernig metum við listgildi verka?'' eru meðal þeirra spurninga sem Orson Welles spyr í kvikmynd sinni F For Fake (1974). Þetta er framsækið og tilraunakennt heimildardrama þar sem fléttað er saman nokkrum ólíkum sögum um listfalsara, þ.á.m. Elmyr de Hory og Clifford Irving. Við rýnum í umrædda mynd í þætti dagsins með Birni Þór Vilhjálmssyni. ,,Mér sýnist myndin koma fram með tilgátu um það hvernig listaheimurinn virkar og á sama tíma gagnrýnir hún listaheiminn og menningarlega staðla“ sagði Björn Þór meðal annars um athyglisverða kvikmynd Welles. F For Fake er síðasta mynd leikstjórans í fullri lengd og sker sig úr höfundarverki hans. Sjálfur vildi hann meina að ekki væri hægt að flokka hana þar sem hún tilheyrði ,,nýrri kvikmyndagrein''. Myndin er að hluta sjálfsævisöguleg - Welles stillir sjálfum sér upp við hlið loddaranna de Hory og Irving og íhugar almennt fúskara eðli mannsins. Viðmælandi er Björn Þór Vilhjálmsson, lektor í almennri bókmenntafræði og kvikmyndafræði við Háskóla Íslands. Skyndibitinn er píta.
,,Hvað er list? Hver fær að vera kallaður listamaður og snillingur? Og hvernig metum við listgildi verka?'' eru meðal þeirra spurninga sem Orson Welles spyr í kvikmynd sinni F For Fake (1974). Þetta er framsækið og tilraunakennt heimildardrama þar sem fléttað er saman nokkrum ólíkum sögum um listfalsara, þ.á.m. Elmyr de Hory og Clifford Irving. Við rýnum í umrædda mynd í þætti dagsins með Birni Þór Vilhjálmssyni. ,,Mér sýnist myndin koma fram með tilgátu um það hvernig listaheimurinn virkar og á sama tíma gagnrýnir hún listaheiminn og menningarlega staðla“ sagði Björn Þór meðal annars um athyglisverða kvikmynd Welles. F For Fake er síðasta mynd leikstjórans í fullri lengd og sker sig úr höfundarverki hans. Sjálfur vildi hann meina að ekki væri hægt að flokka hana þar sem hún tilheyrði ,,nýrri kvikmyndagrein''. Myndin er að hluta sjálfsævisöguleg - Welles stillir sjálfum sér upp við hlið loddaranna de Hory og Irving og íhugar almennt fúskara eðli mannsins. Viðmælandi er Björn Þór Vilhjálmsson, lektor í almennri bókmenntafræði og kvikmyndafræði við Háskóla Íslands. Skyndibitinn er píta.
Fact is fiction and fiction may as well be truth in this documentary about deception by Orson Welles.
Fact is fiction and fiction may as well be truth in this documentary about deception by Orson Welles. F for Fake uses the stories of two notorious frauds, told by a master hoaxer, to expose the lies that all stories are built upon—even documentaries.
Ladies and Gentlemen. From the cinematic legend Orson Welles; The last completed film he directed he was still alive. The documentary film essay, F for Fake (1973). You Missed it? - Episode 31: Jack's choice Facebook: www.facebook.com/YouMissedIt/ Twitter: twitter.com/ymi_podcast Soundcloud: @youmisseditpodcast iTunes: itunes.apple.com/ca/podcast/you-m…-it/id1300461379 Spotify: open.spotify.com/show/4tp0AdTgfZR…_YTvOkBCfy-ikLQw You Missed it?: A weekly podcast in which five cinephiles watch lesser-known films that were overlooked upon their initial release. Each episode, one of the hosts selects a movie to watch that they feel has not received the credit it deserves; afterwards everyone discusses and offers their opinions and their analyses to determine whether or not the movie is indeed underrated. (EPISODES CONTAIN SPOILERS) Directed by Orson Welles (Uncredited: François Reichenbach, Gary Graver, & Oja Kodar Written By: Orson Welles & Oja Kodar Starring: Orson Welles Oja Kodar Elmyr de Hory Clifford Irving Edith Irving
Post-synchro, l’émission qui écoute le cinéma, rend son petit hommage à Michel Legrand. Au programme, quelques titres cultes, une poignée de compositions plus rares, les extraits des bandes sonores de Une femme est une femme (Jean-Luc Godard), L’Affaire Thomas Crown (Noman Jewison), Breezy (Clint Eastwood), Le Joli Mai (Chris Marker et Pierre L’Homme), La Dame dans l'auto avec des lunettes et un fusil (Anatole Litvak), F For Fake (Orson Welles), Le Messager (Josef Losey), Vivre sa vie (Jean-Luc Godard, encore), L’Amérique insolite (François Reichenbach), Lola de Jacques Demy et puis aussi les voix de Petula Clark, Anna Karina ou encore Shelby Flint. Durée: 55’ Production et animation : Dick Tomasovic
Just in time for Hannukah. Light your menorah, sip the manischewitz and relax to the smooth sounds of this special edition episode of the Documenteers. Another Nashville podcaster joins Bob Sham and he had the pick of the documentary litter. Tyler Mahan Coe steps into the Shamco studio. He's the host of the hit podcasts "Cocaine and Rhinestones" and "Your Favorite Band Sucks" with fellow host Mark Mosley. If for some reason you're listening to the Documenteers podcast without ever hearing of Tyler, then let me just say thank you for your time and love. Also, you should go check those shows out. "Cocaine and Rhinestones" is a very researched podcast about the history of country music. The best podcast of its kind. "Your Favorite Band Sucks" is about Tyler and Mark busting the beans of the most popular bands in pop culture. Some call the show brave. Others call it dangerous. Tyler joins Bob in discussing the most fraudulent "documentary" of all time. Some say it isn't a documentary at all. It's Orson Welles's final, and most fun, film "F for Fake". The film was also co-directed and produced by the grinning Francois Reichenbach. This tale of fakery is choking in charlatanism. Where is the truth? Who is honest? The art forger? The writer? The lady with all the bikinis? Where does Orson get those wonderful clothes? Let's peel the onion. A great film to watch if you're overdosing on documentaries. Special appearance by Fred Durst. Keep on Doccin'®
Welcome back to TMBDOS - They Must Be Decorated On Sight! Yes, It's your hosts Lee, Daniel and special guest Jack Graham giving you the best podcast on decorations of all types. Expect tips, tricks, and news about decoration innovations for all occasions. This week the hosts cover the history of Victorian Christmas decorations. Actually, that was all a lie. The hosts are really here to talk about the late period Orson Welles film "F For Fake" (1974). Daniel and Jack are both big Welles nerds and they dominate the conversation this week as they gush over how brilliant it all is, while Lee sits in the middle trying to sort out his thoughts and trying to avoid being the receptacle for this Welles appreciation bukkake. What the hosts have watched as of late is also covered. "F for Fake" IMDB Find Jack Graham in these places: Twitter Shabogan Graffiti Featured Music: "Lie to Me" by Tom Waits & "Orson's Theme" by the Michel Legrand Orchestra.
Mike (@mumbles3k) and Max (@JMaxHegel) are watching all of Orson Welles’ directorial efforts leading up to The Other Side of the Wind, the director’s new film set to be released over 30 years after his death. Here they discuss the final film Orson Welles directed before his death, F for Fake. The film, which might also be called F is for Fake or About Fakes or Truths and Lies, is a peek into an alternate future, one in which Welles lived and continued to make experimental films like this one (which we might see in his next film). Is this another masterpiece from Welles, or another mess? Listen and decide amongst yourselves!
What if there is no antagonist? It’s time. The Epic Deep Dive(TM) into Antagonists has reached its shuddering conclusion. And for this Part V - by choosing films that have no obvious singular antagonist (and in some cases no obvious narrative either) - Stu and Chas realised there was indeed a final category of antagonists: the films themselves. Where the film (and the filmmaker) are engaging directly with the audience. Where the films are... VERSUS AUDIENCE. The films that led to this “insight” often lie to the audience; talk directly to the audience; misdirect the audience; take the audience on meandering narrative strolls; or make the central character the antagonist to all other characters. Sometimes these techniques power a single scene. Sometimes they take up the whole film. All this to keep the audience compelled in the absence of singular antagonists. And these films are - drum roll, please - OCEAN’S 8, THE SECOND, F FOR FAKE, SANS SOLEIL and FORREST GUMP. As always: SPOILERS ABOUND! Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Watch it on on YouTube. Read the transcript on GitHubor in HTML. Special thanks to our Patreon supporters. If you would like more Draft Zero episodes more often, click here! EPISODE LINKS DRAFT ZERO RELATED EPISODES DZ-52: Antagonists! (Part 4) – vs Systems DZ-51: Antagonists! (Part 3) – vs Nature DZ-50: Antagonists! (Part 2) – vs Self DZ-49: Antagonists! (Part 1) – vs Humans INTRODUCTION: vs Audience [@ 3m 22s] UnListenable: Black Boned Angel - The End UnListenable: Gnaw Their Tongues - L'arrivée de la terne mort triomphante Watch: Stan Brakhage - The Wonder Ring Watch: Stan Brakhage - Mothlight Watch: Manifesto - Trailer OCEAN’S EIGHT screenplay: Gary Ross & Olivia Milch, story: Gar Ross [@ 20m 31s] JustWatch: https://www.justwatch.com/us/movie/oceans-8 THE SECOND written by: Stephen Lance [@ 46m 53s] Stan (Aus): https://play.stan.com.au/programs/1660028 IMDB: https://www.imdb.com/title/tt5636922/ F FOR FAKE written by: Orson Welles [@ 1hr 14m 06s] JustWatch: https://www.justwatch.com/us/movie/f-for-fake SANS SOLEIL written by: Chris Marker [@ 1hr 31m 46s] JustWatch: https://www.justwatch.com/us/movie/sans-soleil FORREST GUMP screenplay: Eric Roth [@ 1hr 48m 55s] JustWatch: https://www.justwatch.com/us/movie/forest-gump WRAP UP AND KEY LEARNINGS [@ 2hr 15m 12s] Watch: Lost Highway - Mystery Man Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero! We are @chasffisher and @stuwillis on twitter. Please considering rating or subscribing to us on Apple Podcasts! or sharing us on the Social Medias! We like finding new listeners. Many thanks to Murirb, Sandra, Paul, Rob, Christopher, Joakim and Khrob for being top-level patrons. They’re good humans.
It's 1973, and filmmaking legend Orson Welles has released his final directorial feature: a film essay on the nature of truth and authenticity. This one's a head-scratcher, but James does a lovely poetry recital halfway through. 01:06 – Plot Synopsis 19:42 – Why We Chose This Film 28:41 – Analysis 54:02 – We Score The Film 01:00:02 – Next Month’s Film
Secrets and lies abound in this episode of Truth & Movies, as in Film Club we revisit arguably the greatest trick Orson Welles ever pulled, the 1973 essay film F for Fake. In cinemas this week, documentarian Mark Cousins pens a personal ode to his filmmaking idol in The Eyes of Orson Welles. And in The Equalizer 2, Denzel Washington and director Antoine Fuqua return to the scene of their hit 2014 vigilante thriller. Michael Leader, Darren Richman and Adam Woodward are on hand to dissect three very different films. See acast.com/privacy for privacy and opt-out information.
Come with us as we dramatize real life with docudramas. What are they? How do they differ from fake documentaries, pseudo-documentaries, and mockumentaries? Does dramatizing documentaries affect the content? Listen to find out! --- Support this podcast: https://anchor.fm/btbfilms/support
“Our works in stone, in paint, in print, are spared, some of them, for a few decades or a millennium or two, but everything must finally fall in war, or wear away into the ultimate and universal ash - the triumphs, the frauds, the treasures and the fakes. A fact of life: we're going to die. "Be of good heart," cry the dead artists out of the living past. "Our songs will all be silenced, but what of it? Go on singing." Maybe a man's name doesn't matter all that much.”
Paula Blair and Andrew Shail are joined by special guest Geoff Poole to talk about his favourite film F For Fake (dir. Orson Welles, 1973, BBFC cert. PG). The discussion includes mentions of suicide and makes detailed reference to parts of the film.Music: commonGround by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703Recorded on 7 April 2018. Edited by Paula Blair using Audacity. Auto-captioned video. Automated transcript. More info: https://audiovisualcultures.wordpress.com/ Early releases and bonus content: https://www.patreon.com/avculturesTip jar: https://supporter.acast.com/audiovisual-cultures-podcast Get bonus content on PatreonSupport this show http://supporter.acast.com/avcultures. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Orson Welles presents a film essay that doubles as a lesson in healthy skepticism.
Episode 150! And what better way to celebrate our sesquicentennial anniversary then getting stuck on a desert island with the wrong movie? Their choices couldn't be any more on brand with Matt picking the 1987 action extravaganza "Masters of the Universe," while Shahir opts for Orson Welles' 1973 essay film "F For Fake". Could Matt and Shahir survive the rest of their lives stranded on a desert island with the others' choice of film for cinematic comfort? The only way to find out is to sit right back and hear the tale of this fateful trip. We'd love to hear what your choices would have been, so send us a message in a bottle to onlymoviepodcast@gmail.com or drift ashore our twitter page at https://twitter.com/onlymoviepod
If you’ll permit us a bit of verse, the Devil whispered behind the leaves: "It's pretty, but is it better than Speed?” Special guest Morgan Hanner-Morfesis throws down on tricksters, hoaxes and forgeries in the extravagant Orson Welles swan song F For Fake. Wanna watch along before listening? You can find F For Fake streaming on FilmStruck, where they offer a 14-day free trial of their Criterion Collection and arthouse film library. Or, watch the 9-minute trailer here to get a good taste for what’s in store: https://www.youtube.com/watch?v=TMkZWWLHGXU In the mood for more art? Definitely check out Morgan’s work on her web site: https://www.morganhannerart.com/ On our next episode we’re gonna tackle Jean Renoir’s seminal escape caper, Grand Illusion. One of the greatest films ever made? Or yet another tally on the growing list of films ranked worse than Speed? Rent it on Vudu, Google Play, or Amazon Video to find out. Interested in winning that vintage vinyl copy of the War of the Worlds broadcast we discussed? Leave us a quick review on Apple Podcasts, and you’re automatically entered to win. We’ll announce the lucky recipient on our Grand Illusion episode. And finally we’d be remiss to not mention our mention of Star Wars: The Last Jedi. We did it for the clicks. TCCIC LYLAS
'Twas the night before Christmas, when all through the bus, Not a creature was speeding, not even us; The explosives were hung by the gas tank with care, In hopes that Keanu soon would be there; Dennis Hopper was nestled all snug in his bed, While dreams of retirement danced in his head And Sandra in her 'kerchief, and Ortiz in his cap, Had narrowly avoided a longshoreman's nap, When out on the freeway there arose such a clatter, Jack sprang from his coffee to see to the matter. Away to the payphone he flew like a flash, "Pop quiz hotshot, now give me some cash." He sprang to his cruiser, blew Jeff Daniels a whistle, And away they all flew like the heat of a missile. But I heard him exclaim, ere he drove out of sight, MERRY SPEEDMAS TO ALL, AND TO ALL A GOOD-NIGHT! --------------------------------------------- PS. Check out Dave’s CSI bomb squad photo, and don’t forget to watch Orson Welle’s F FOR FAKE on FilmStruck for our next episode coming in early January!
Where there were eyes there’s only space, as a mad doctor attempts to heal his daughter’s broken face. Special guest Alex Gootter hops aboard the Speed bus to dissect Georges Franju’s eerie horror gem EYES WITHOUT A FACE. You can watch all three Franju films we discuss on this episode, including JUDEX, EYES WITHOUT A FACE, and BLOOD OF THE BEAST on FilmStruck, who are offering a 14-day free trial of their Criterion Collection and art film streaming service. Next episode’s selection, the Orson Welles “documentary” F FOR FAKE can also be found on FilmStruck. Unfortunately, FACE/OFF and the collected stylings of Andrew Dice Clay must be obtained elsewhere. Shoutout to the talented musician Matt Daniels for his lovely ukulele rendition of Eyes Without A Face featured in this episode. Finally, a sincere thank you and our deepest gratitude to everyone who continues to leave reviews of our podcast and spread the word to friends. We're grateful you take the time to listen!
For our 75th numbered episode, we ask the deep questions, such as: Can a forgery be a work of art? What is the nature of authenticity? And did that crazy story with Picasso actually happen!? Come on, you’re telling me a writer was able to craft such a believable farce as to make us all feel…okay, sorry, digression. Join us for a discussion of Orson Welles’ F for Fake.
Reviews (1:29): Norman, Cardboard Gangsters | Trending Topic (13:04): Fuck You Watch This | Main Segment (29:48): F for Fake
A documentary about some of the world's most famous fakers from one of cinema's greatest fakers. I mean that as a compliment.
In which our intrepid trio tell you the most wild tale of all time but inform you that it was all a sham while discussing this Orson Welles experimental film from 1973. Yay/Nay (9:57) The Man With One Red Shoe • Detective Story • Kubo And The Two Strings • Minimalism: A Documentary About Small Things • Jay And Silent Bob Strike Back • Yoga Hosers • Trailer Hitches (25:56) A Dog's Purpose • Alien: Covenant • The Fate Of The Furious • Main Review (42:40) Spoilers (47:18) We needed to quickly delve into spoilers as this film is nearly impossible to discuss without reaching to the end and overall meaning of the film Email: firsttimewatchers@gmail.com • Twitter: @1sttimewatchers • Tumblr: firsttimwatchers.tumblr.com • Back Catalogue: podbean.com/firsttimewatchers
Courtney Maginnis pops by to talk football, great bodies, and Orson Welles's F for Fake.
Matthew Sweet and guests explore the art of the con.... If you've ever fallen for a scam, you'll be reassured by Maria Konnikova's new book The Confidence Game, in which she explains why most of us are easy prey to con artists. Orson Welles was infamous early in his career for a radio broadcast of HG Wells' War of the Worlds which - it's said - caused genuine panic that aliens were invading earth. For Free Thinking Larushka Ivan-Zadeh discusses Welles's last film, F For Fake, which tells the tangled story of art forger Elmyr de Hory. And Gary Lachman and Kevin Jackson visit a new exhibition about Elizabethan alchemist, philosopher and mathematician John Dee - a mysterious figure who during his long career was sometimes a con-artist, and sometimes the conned.
Gene and James discuss the original film work of Orson Welles in this, the year of his centenary. The programmed pictures are:Citizen Kane (1941) The Magnificent Ambersons (1942) The Stranger (1946) The Lady From Shanghai (1947) The Third Man (1949) Mr Arkadin (1955) Touch of Evil (1958) The Trial (1962) F For Fake (1973) It's a long one. Don't feel obligated to listen all at once. Enjoy! Gene writes about Arkadin here: http://beingandtimelord.blogspot.co.uk/2015/08/the-dossier-found-in-saragossa.html And F For Fake here http://beingandtimelord.blogspot.co.uk/2015/08/for-james-art.html And a little more here http://beingandtimelord.blogspot.co.uk/2015/08/a-for-eigentlichkeit.html
Five essays by five enthusiasts that follow the rise and fall of controversial Renaissance man, Orson Welles. Gatsby expert, Sarah Churchwell on Welles's talent for self-mythologizing and how he compares with fiction's great dissembler, Jay Gatsby.Produced by Gemma Jenkins.
On this episode we fake our way through a discussion on fake art, as inspired by the new Tim Burton film BIG EYES, which chronicles the abusive professional and personal relationship between Margaret and Walter Keane. We then move on to a film where Orson Welles hijacked another artist’s work to much greater critical acclaim in what has been called the first film essay in F FOR FAKE. And finally we do our own follow-up to some news organization called 60 MINUTES as we look at the actual documentary MY KID COULD PAINT THAT. To do all this we perhaps need to bring in an actual artist and thankfully Tressa Bowling from Sequential Spirits joins us to give some much needed perspective.
A look at Orson Welles' F for Fake
Subject:CINEMA #443 - "'The Prestige’/X-Men Time Paradoxes/’F For Fake’/’Hero’/’Maleficent’" – June 1 2014This Week’s Show: The meaning of "Truth"MICRO FOCUS - "The Prestige"FREEZE FRAME - X-Men Time ParadoxesFETHIVAL FLASH - Provincetown (MA) International Film FestivalUNDER THE RADAR - "F For Fake"DEJA VIEW - "Hero" (2002/2004)CURRENT REVIEWS - "Maleficent", "Stand Clear Of the Closing DoorsPLUSIndustry IndepthWhat A Bonehead!A reminder for last week's Save Our Screens and Kickstarter CampaignsMicro Drive-In Dungeon Focus Update - Denny's BACKThe Golden Trailer AwardsViral ViewAn Extreme NewsFlashAND MORE!INTRODUCING "Subject:CINEMA PLUS"!We have finally managed to revive our extended notes booklet starting with this week's show, and we've renamed it "Subject:CINEMA PLUS"! Want tons of info on this weeks' show, including links to the topics therein and more? Then Download it NOW! Word Format PDF FormatDOWNLOAD OUR HUGE 2014 "BOSTON SPRINGS A FETHIVAL" PDF GUIDE, with links to almost 70 films! Complete info on each festival, all of our festival picks, links to Subject:CINEMA reviews and MORE! http://www.mediafire.com/view/22y549mbq4ed35e/2014_-_4th_ANNUAL_BOSTON_SPRINGS_A_FETHIVAL_GUIDE.pdfBONUS MATERIAL _ Last week's Kickstarter infoTo Contribute to the Kickstarter campaign for "Supernatural: 10 Years Of Smiles", go to https://www.kickstarter.com/projects/cyprianrc/supernatural-10-yrs-of-smilesTo Help Amesbury Cinema Pub out in their drive to convert to digital, go to https://www.kickstarter.com/projects/2006550313/digital-projection-for-stage-two-cinema-pubPNRNetworks ShowsSubject:CINEMAPlatinum Roses’ GardenCavebabbleMirrorball MayhemMashed Up MadnessThree Minute WeekendPNRNetworks RadioRadio TKRSubject:CINEMA’s Marquee MixSubject:CINEMA siteseCinemaOneeCinemaBostonIndie Film SpotlightSave Our Screens
http://searchforschlock.com/media/podcasts/sfs-049-fForFake.mp3 Download MP3 Yeah, that's right, we're cheaters: not every movie we watch is bad. Some are downright excellent, but obscure enough to be overlooked by even people who like excellent movies. We like to keep one wonderful movie on the List of Doom, just to keep it interesting, and F For Fake has held that position since Search for Schlock began. Now, at last, we get to watch one of Orson Welles's last great works [in which he is sober]. This one is a documentary about frauds -- a forger who makes tens of thousands of dollars for paintings that take minutes to produce; the forger's even-more-infamous biographer, who wrote Howard Hughes's "autobiography" without his knowledge or input; and Welles himself, a self-styled magician who tells lies for a living. This is a good one, people; get your hands on a copy and watch it before we spoil the ending for you. In sum: Ah, the French! Original post located at searchforschlock.com.
http://searchforschlock.com/media/previews/sfs-049-0-preview.mp3Download MP3Original post located at searchforschlock.com.
Following the recent discovery of a potential imposter at the Moonbase – coupled with our continued enthusiasm for, mainly German, musicians masquerading as, largely Latin American, band leaders – we thought the time was ripe for a show exploring authenticity… … Continue reading →
The story of how an eccentric French shop keeper and amateur film maker attempted to locate and befriend Banksy gets hashed to bit as we review 2010's Exit Through The Gift Shop. We also begin our documentary fest with Orsen Welles glorious performance in his essay documentary from 1973 F For Fake. Then to continue the theme we give you are top 5 films that question or challenge art. Boo ya.
Box Office Poison returns! Mike Sklens couldn't make recording this month, but Karl, Jonny, Evan and Stan are back with tons of movies to discuss, from recent releases like Scott Pilgrim and The Kids Are All Right to classics like F For Fake and Twenty-Four Eyes to not-so-great outings like Across the Universe and Rent. In our second segment, our Movie of the Month for August is the infamous Caligula. Will the gang like the movie as much as Jonny does? You'll have to listen in to find out!
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