Podcast appearances and mentions of sam fuller

On this episode of the podcast Phillip is joined once again by Sam Panico from www.bandsaboutmovies.com and Groovy Doom's Drive-In Asylum on YouTube. The two discuss Sam Fuller's 1964 masterpiece The Naked Kiss. First Phillip gives the general information about the movie. It's then time for Listener Opinions from Twitter, Instagram, and Facebook. After discussing the movie Phillip reads a New York Times review of The Naked Kiss. They answer the question of whether they noticed anything from this movie that Tarantino might have liked or used in a film. Then it's time to individually rate the movie. Phillip asks whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; The Threat (1949). Sam gives his recommendation for a movie; Fatal Exposure (2025). Phillip then promotes next week's show, when he will be joined once again by Mike Justice to discuss The House on Sorority Row (1982). Thanks for listening.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

Dwayne Epstein is the author of the N.Y. Times bestselling biography, “Lee Marvin: Point Blank,” which was also a finalist in ForeWord magazine Book of the Year competitions. He is the author of the current Amazon bestseller "Killin Generals: The Making of The Dirty Dozen", The Most Iconic World War II Film of All Time.” "Killin Generals" delves into the behind-the-scenes journey of creating "The Dirty Dozen" which became a groundbreaking film due to its unconventional approach to the genre, blending dark humor with action-packed drama. The book and this interview, my second with Epstein, provides an in-depth exploration of the casting process, highlighting the unique selection of actors, including Lee Marvin, Charles Bronson, and Jim Brown, who would come to define the film's success. Epstein tells us about the challenges faced during production, such as the film's anti-authoritarian themes. "Killin Generals" offers a comprehensive look at how the filmmakers and cast transformed a gritty, unorthodox script into a cinematic phenomenon that would influence generations of action films to come.

For the first free episode of 2025, we talked about Sam Fuller's cold war noir classic, Pickup on South Street. Plus, some discussion of cable mash-up movies, Gambit, Nosferatu, and The Order. 00:00 - Pickup on South Street 44:30 - Malcolm in the Middle Sign up for $5/mo to get an extra episode every week https://www.patreon.com/c/Extended_Clip Email us at extendedclippodcast@gmail.com with questions to be answered on the podcast. And don't forget to rate and review us wherever you listen to podcasts!

As shoppers are sacrificing themselves at America's remaining retail stores and half-closed shopping malls in their holy quest for suspect bargains, Bob and Greg celebrate another BLACK FRIDAY by smoking lots of weed and watching BLACK FRIDAY (1940) in this surprise mini-episode. BLACK FRIDAY is a batshit cross between a Universal monster movie and a Warner Bros gangster flick. It stars BORIS KARLOFF as a well-meaning but appropriately mad scientist who transfers the brain of a mobster into the body of a kindly English professor from an upstate New York college (Stanley Ridges??? in a dual role). BELA LUGOSI is underused as a Hungarian mob boss, but a little bit of Bela is better than no Bela at all. Don't try to make too much sense of this one. Just vape and enjoy the craziness from Curt Siodmak, who wrote the Universal monster classic THE WOLF MAN the very next year. Bob and Greg also talk about the new SALEM'S LOT on Max, as well as A RETURN TO SALEM'S LOT (1987) where iconoclastic director SAM FULLER (40 GUNS) stars as a Nazi/vampire hunter--or I should say "NAZI KILLER." Yeah, Sam Fuller, staking Nazi vampires and shooting them with a Luger he took off a slain SS officer. Four stars. This episode was recorded totally spur of the moment, so we couldn't round up the full cast. Please let us know if you want us to do more of these mini-eps. Come back next month for our NOSFERA-TWO CHRISTMAS where MATT ZOLLER SEITZ joins us to pair weed with the 1922 and 1979 versions of the vampire epic in anticipation of the release of Robert Eggers' new version CHRISTMAS DAY. Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com

Once again, we recorded this episode a while back (a number of months ago, in this case) but due to the lamentable state of many things in the US, our episode this week feels eerily timely. For our first Noirvember Substantive Cinema epsiode of 2024, we are looking at one of Samuel Fuller's most celebrated and highly regarded films, Shock Corridor. In the movie, Johnny Barrett, a journalist in pursuit of fame and acclaim, poses as a lunatic in order to infiltrate a mental institution where a murder has taken place. Can he keep his sanity long enough to solve the case and what will be left of him if he can? In our discussion we cover: how Sam Fuller bluntly portrays America's various psychoses (nationalism, racial hatred, and the worship of violent power) in the three eyewitnesses that Johnny needs to interrogate, the legacy of Fuller's work in filmmakers like Martin Scorsese, David Lynch, Spike Lee, and Jim Jarmusch, the role of journalism in a free society, and more! Watch Shock Corridor on the Internet Archive Listen to Mike, Spencer, and I talk about The Naked Kiss, Fuller's follow up to Shock Corridor which also stars Constance Towers. My discussion of Fuller's war films on The Stacks Forty Guns episode of The Criterion Connection Follow Mike's work at Weirding Way Shoutouts Spencer: When the Clock Broke by John Ganz The Surrealism of Friday the 13th Mike: The Good Fairy The Strawberry Blonde Philip: The Snake Girl and the Silver-Haired Witch If you're newer to the show be sure to check out our library of 150+ episodes with folks like Karen Swallow Prior, Jemar Tisby, Tyler Huckabee, Kaitlyn Schiess, Propaganda, Josh Larsen, Stephanie Stalvey, and John Carroll Lynch. Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod --- Support this podcast: https://podcasters.spotify.com/pod/show/thesubstancepod/support

Three time Ms. Noir City Audra Wolfmann joins us once again to look at some of the strangest Westerns ever produced by Hollywood. Both of these films have surprisingly feminist themes while being directed by two of the studio system's true iconoclasts. First, Joan Crawford as saloon keeper Vienna is pitted against Mercedes McCambridge as the sexually-frustrated matriarch Emma Small in JOHNNY GUITAR (1954) for control of an Arizona town, and its two most eligible bachelors: The Dancin' Kid (Scott Brady) and Johnny Guitar (Sterling Hayden). Vienna has had both of them, which Emma has had none, but Emma appears to be more attracted to her feminine rival judging by the intensity of her rages whenever she's around Vienna. Directed by Nicholas Ray, whose best-known film, REBEL WITHOUT A CAUSE (1955), also concerns a love triangle that doesn't conform to the gender norms of the time. Also starring Ernest Borgnine, Ward Bond, and John Carradine, and filmed in striking Trucolor by Henry A. Stradling (Hitchcock's SUSPICION; A STREETCAR NAMED DESIRE). Next, Barbara Stanwyck is the "high ridin' woman with a whip in director Sam Fuller's utterly bizarre FORTY GUNS (1957), a movie as obsessed with dicks as its title would suggest. Three very Earp like brothers played by Barry Sullivan, Gene Barry, and Robert Dix (they couldn't find another Barry?) ride into Cochise County, Arizona and are immediately confronted by the movie's titular 40 guns. Stanwyck is Jessica Drummond, who rules the territory with lead and leather. Incredible camera work here by Fuller and cinematographer Joseph F. Biroc (THE AMAZING COLOSSAL MAN). We discussed Fuller previously way back in our Dark AF episode (S1E7) with THE NAKED KISS (1964). FORTY GUNS also stars Dean Jagger, Elvis' milquetoast dad from KING CREOLE (S2E10), as the milquetoast sheriff. We also ask all the hard questions like why Lady Gaga doesn't want to call the musical JOKER sequel a musical? The answer may surprise you. And please give us good reviews on Apple Podcasts. We could use em. Please check out Audra's amazing podcasts: SPEAKEASILY VS. THE 80s and RETROPHILIA. www.audrawolfmann.net podcasts.apple.com/no/podcast/retr…re/id1598247675 Hosts: Philena Franklin, Bob Calhoun and Cory Sklar Special Guest: Audra Wolfmann Greg Franklin is on assignment OMFYS theme by Chaki the Funk Wizard used with permission "Drink to Forget" by the Hot Patooties used with permission. Thanks Beth! Trailer audio courtesy of Archive.org "Bone Dry" and "Spirit Riders" by Telecasted; "Desert Drive" by Everet Almond; and misc. gun shot sounds courtesy of YouTube Audio Library Horse sounds courtesy of freesound.org neighing horse.wav by soundslikewillem -- https://freesound.org/s/418428/ -- License: Attribution NonCommercial 4.0 Horse galloping (coconut shells) version 1 by alanmcki -- https://freesound.org/s/403025/ -- License: Attribution 4.0 snorting horse.wav by soundslikewillem -- https://freesound.org/s/418427/ -- License: Attribution NonCommercial 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: Hammer Horror with horror blogger Rowan Lee. Still haven't figured out what movies yet because we're stoned.

Premium Member Resources: https://ninjanerd.orgWelcome to the Ninja Nerd Podcast with Zach and Rob! In this episode, we explore the intricacies of hypovolemia and hypervolemia. You'll learn about the causes, symptoms, and treatment options for both conditions. We'll discuss clinical cases to highlight key diagnostic and management strategies, ensuring you're well-prepared for your exams and clinical practice. Whether you're a medical student, resident, or practicing clinician, this episode offers valuable insights to enhance your understanding of volume disorders.Ninja Nerd Website | https://ninjanerd.orgNinja Nerd Podcast | https://podcast.ninjanerd.orgNinja Nerd Store | https://merch.ninjanerd.orgTikTok, Instagram, Facebook @ninjanerdlecturesTwitter @ NinjaNerdSciDiscord | https://discord.gg/TAsV8BGd#ninjanerd #podcast #volumedisordersFuller Butz: A Behind the Scenes Plastic Surgery PodcastBoard Certified Plastic Surgeons Dr. Sam Fuller and Dr. Dan Butz discuss hot topics!Listen on: Apple Podcasts SpotifySupport the Show.

Dr. David Unwin, a UK GP, explores the benefits of a low-carb diet through patient success stories. His collaboration with diabetes.co.uk has helped many achieve drug-free diabetes remission. He emphasizes the importance of understanding sugar intake and its impact on health, advocating for lifestyle changes to achieve better health outcomes. Dr. Unwin also conducts research on the effects of a low-carb diet on various health conditions and promotes sustainable farming practices.“Change your food, change your life!”Dr. Eric Westman and his Adapt Your Life Academy team are on a mission to empower people around the world to transform their health through the science-backed benefits of low-carbohydrate and ketogenic diets.Dr. Westman is an obesity medicine specialist and trusted expert in the therapeutic power of carbohydrate restriction, and clinical research, and has treated patients using low-carb keto diets for over twenty-five years. He makes keto SIMPLE, so that YOU can LOSE weight, REVERSE chronic disease and GET the RESULTS you want.Get started NOW by grabbing our FREE GUIDE – 10 Tips for Starting Keto Right. 

Send us a Text Message.Ever felt a chill after a hearty salad, or craved Brussels sprouts wrapped in bacon? That's the kind of unexpected shift in appetite and body temperature regulation Maria and Tammie are talking about on this episode, where they peel back the curtain on the life-altering journey of bariatric surgery. Their conversation serves up the raw, unspoken truths about post-op life, including why Tammie's water mug is now her most treasured accessory. Their narrative stitches together the fabric of lifestyle readjustments, unwrapping the delicate dance between treating oneself and adhering to a new health-conscious existence.Social dynamics take a front seat as Tammie navigates the post-bariatric world, from the anxiety of standing out in a crowd to the emotional tumult of weight-loss compliments. Maria and Tammie dissect the influence of cultural and familial dining customs that clash with the new reality of smaller portions and the tactics to manage the ensuing social tension. And just when you think you've got it all figured out, they bring to light the post-operative surprises like gallbladder woes, urging open dialogue with your surgeon, and confronting the emotional impact of significant weight loss. Tune in for an honest, heartfelt exploration of the post-bariatric life that goes beyond the scale.Fuller Butz: A Behind the Scenes Plastic Surgery PodcastBoard Certified Plastic Surgeons Dr. Sam Fuller and Dr. Dan Butz discuss hot topics!Listen on: Apple Podcasts SpotifySupport the Show.

Melissa, an expert in medical billing and coding, shares invaluable insights into the intricacies of the field. We discuss the crucial role of education in ensuring compliance and preventing legal issues, explore the impact of technological advancements like e-books on professional training, and gain firsthand knowledge of the challenges and solutions in current practices. Fuller Butz: A Behind the Scenes Plastic Surgery PodcastBoard Certified Plastic Surgeons Dr. Sam Fuller and Dr. Dan Butz discuss hot topics!Listen on: Apple Podcasts Spotify

Screenwriter Jesse L. Lasky, Jr. tells his Hollywood tales as an insider stories and insights sparkling with poetry, humor, and the heat of first-hand observation. The son of the man who produced Hollywood's first feature film, Jesse's book is the history of the film industry, the birth of an artform, and a compelling personal memoir. There are revealing portraits of Lasky Sr., and his partners Samuel Goldfish (later Goldwyn) and Cecil B. DeMille (for whom Jesse wrote 8 films, including “The Ten Commandments” and “Samson & Delilah”) – plus photos of friends and colleagues such as Douglas Fairbanks Jr., Alfred Hitchcock, Harry Cohn, Daryll Zanuck, Nick Ray and Sam Fuller. From dating Jean Harlow to writing for Gary Cooper, and his pals Edward G. Robinson, and Yul Brynner – here are the artists and the conmen, the breathtaking creativity, and the destructive treachery. And it is all described by a very witty man who knew everyone and saw everything - Jesse Lasky, Jr. Whatever Happened to Hollywood? from the SON of its FOUNDING FATHER NEW MONOCHROME EDITION: Available Here DELUXE PRINT EDITION, Kindle & Audiobook: Available Here Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon  

This week Rob and Joe have a look at White Dog (1982) directed by Sam Fuller, and Act of Vengeance (1974) directed by Bob Kelljan. This week is brought to you by the letter "R". We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in White Dog you can rejoin the conversation at the 50:14 mark to avoid spoilers, and Spoiler Territory ends for Act of Vengeance at the 1:27:38 mark. Tyler Parry's article on attack dogs and racism in the US Carol J. Clover, Men, Women and Chainsaws BJ Colangelo on the Shock Waves podcast, 2017 Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Philip Marinello and Spencer Parsons join Mike to look at Sam Fuller's 1964 film The Naked Kiss. The film stars Constance Towers as Kelly, a call girl who turns over a new leaf by becoming the best darned nurse a small town hospital that specializes in the care of special needs kids has ever seen. She's torn between two men, the sheriff who thinks she's trash and needs to be run out of town to a nearby brothel and the successful entrepreneur who holds a shocking secret. Constance Towers and Michael Dante (from a Noircon 2022 event) talk about working with Sam Fuller and the making of The Naked Kiss.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Philip Marinello and Spencer Parsons join Mike to look at Sam Fuller's 1964 film The Naked Kiss. The film stars Constance Towers as Kelly, a call girl who turns over a new leaf by becoming the best darned nurse a small town hospital that specializes in the care of special needs kids has ever seen. She's torn between two men, the sheriff who thinks she's trash and needs to be run out of town to a nearby brothel and the successful entrepreneur who holds a shocking secret. Constance Towers and Michael Dante (from a Noircon 2022 event) talk about working with Sam Fuller and the making of The Naked Kiss.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

PUBLIC VERSION. Filmmaker Lewis Teague (CUJO, ALLIGATOR, CAT'S EYE, THE JEWEL OF THE NILE) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his 60 year career so far! From the Sam Fuller war film that inspired his curiosity in filmmaking… to starting an underground Cinema on the Sunset strip in the 60's… to working in various capacities on films like George Roy Hill's HAWAII (1966) and the seminal documentary WOODSTOCK (1970)… to working with the legendary Roger Corman… to how he brought realism to genre films like ALLIGATOR (1980) and working on back to back Stephen King adaptations with CUJO (1983) and CAT'S EYE (1985)… to getting the call from Michael Douglas to join the big leagues and direct 1985's THE JEWEL OF THE NILE (the ROMANCING THE STONE sequel)… and how a fateful lunch with a certain PSYCHO star changed his entire outlook on the filmmaking business. At 85 years old, Lewis has tons of incredible stories about his Hollywood journey!

The Big Red One (1980), directed by Sam Fuller, is one of the classic World War II movies. The movie is based on Fuller's war years.  A Third Face by Samuel Fuller (Affiliate Link) Reviews MentionedThe Man Who Shot Liberty Valance (1962) - https://youtu.be/emKXc5cn-lw The Cowboys (1972) - https://youtu.be/i5TwV6-rdPo Pickup on South Street (1953) - https://youtu.be/GcP44Gl-Kk0 Scandal Sheet (1952) - https://youtu.be/wfoVhzWOHO0 Major ActorsLee Marvin  Robert Carradine Mark Hamill Sam Fuller (Dir.) - https://classicmovierev.com/samuel-fuller/ My Links My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Affiliates Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ The Equipment I Use for Youtube Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw Say Hi on Social Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev #warmovie #classicmovies  Chapters **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”  

1963's Shock Corridor was director/writer/provocateur Sam Fuller's depiction of the search for truth in a hostile society bent on obfuscating and distorting it.  Set in a mental institution, Fuller's story of a Boston Globe journalist who gets himself committed to solve a murder gets at the hypocrisy and violence that can occur when that search butts up against racism, sexism and preservation of the status quo.  It stars Peter Breck, Conctance Towers, James Best, Gene Evans and Hari Rhodes. Dan and Vicky discuss the indie classic along with alot of recently seen including The Flash, The Blackening, The Boogeyman, Renfield, Peacock's Based on a True Story, Feud: Joan and Bette, and You Hurt My Feelings.   Hit us up on our socials and get your tickets to Dan's new show at Bay Street Theater below: https://www.baystreet.org/ Follow us here: hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

To celebrate Sam Fuller night, Steve speaks with the iconic maverick filmmaker's wife Christa and daughter Samantha who co-produced the terrific documentary "A Fuller Life" (currently on AppleTV+)

EPISODE #382-- We dive back into Sam Fuller's oeuvre with the psych-thriller SHOCK CORRIDOR from 1963. It's a good one and currently available on HBO Max! Get it! We also talk about ALIENS (1986), TERMINATOR: SALVATION (2009), MODERN ROMANCE (1981), and FEELS GOOD MAN (2020). We also talk about the intersection of irony and bigotry, among other things. Big episode. Lots to bite into. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Instagram @kislingwhatsit and @kislingkino on Tiktok. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, please leave us a review on iTunes or whatever podcatcher you listened to us on!

Steve speaks with stage, screen and television actress Constance Towers about her origins in show business, her co-starring role opposite John Wayne and William Holden in director John Ford's Civil War drama "The Horse Soldiers," her subsequent co-starring role in Ford's "Sergeant Rutledge," and her work with maverick director Sam Fuller on "The Naked Kiss."      

Vår serie om Larry Cohen är framme vid vampyrrullen "A Return to Salem's Lot" (1987), en udda, fristående uppföljare till Tobe Hoopers miniserie från 1979, i sin tur baserad på Stephen Kings roman. Här hamnar en hemvändande antropolog (Michael Moriarty) i klorna på ett helt samhälle av vampyrer, men får oväntad hjälp att rensa upp bland blodsugarna av en gammal nazistjägare (Sam Fuller!). Martin Degrell och Jesper Wiking snackar vampirism som metafor, hur länge vampyrer går i skolan och mycket annat. Hemsida: https://martindegrell.com/ Soundcloud: https://soundcloud.com/salong3 Instagram: salong3pod Email: salong3pod@gmail.com

Mary is going in blind to this movie, a rare non-Star Wars film that features Mark Hamill on-screen. It's a semi-autobiographical movie about director Sam Fuller's experiences in World War II as part of the First Infantry Division, which ran the gammut from Sicilian grandmothers cooking them dinner to liberating a concentration camp.

Antes de cruzar el charco rumbo a Hollywood, Wim Wenders adaptó con brillantez el tercer libro de los que dedicó Patricia Highsmith a Tom Ripley. Este amigo americano tiene hechuras de cowboy, Dennis Hopper pasea su sombrero por un Hamburgo gris, portuario y frío. La otra cara de la moneda, Zimmerman – Bruno Ganz- sabe que tiene los días contados, el honrado hasta entonces dueño de una tienda de marcos atisba la oportunidad de dejar una importante cantidad de dinero a su familia, se trata de un encargo, es el juego de Ripley, un marchante de arte de ojos penetrantes. Aún habrá otro otro tipo llamado Minot – Gérard Blain-. Dos extraños de pronto en su apacible existencia. Zimmerman debe aprender a matar. El vínculo cada vez más estrecho entre el ciudadano alemán y el forastero americano desconcierta a la esposa – Lisa Kreuzer-, un recelo comprensible ante las extrañas apariciones de un vaquero con Polaroid. El padre de familia rompe uno de sus marcos en un gesto furioso, está asustado, no es un asesino, sencillamente no sabe controlar el maremágnum en que se ha metido. El espectador va sintiendo esa misma inquietud e intenta atar cabos. Zimmerman mira a los ojos a su víctima en el metro de París, un asesino a sueldo en su primer trabajo. Nicholas Ray, Sam Fuller, Jean Eustache, y otros cineastas irán haciendo acto de presencia a lo largo del film. Ray también estaba gravemente enfermo, pero de verdad, estremece con sus ademanes de galápago pintor, un muerto en vida confinado. Ripley hace creer al mundo que el pintor ya está muerto para que sus cuadros sean más valiosos. Los acontecimientos se desglosan en un montaje hábil, la excelente forma de rodar de Wenders y su colaborador Robby Müller , los trávelins, los picados, los planos fluyen con dinamismo. La banda sonora de Jürgen Knieper recuerda el suspense del Bernard Herrman de Psicosis o Con la muerte en los talones en las escenas de los crímenes, perfectamente hiladas. Esta noche nos dirigimos hacia la playa en una ambulancia… Salvador Limón, David Velázquez. Raúl Gallego y Zacarías Cotán

38. Hi listeners, we are in the twilight zone betwix Noél and the New Year, which is the perfect time to bring you an all new episode. This weeks movies are, Sam Fuller's 1981, highly controversial; White Dog, plus snippings of The Rock's Black Adam and Michael Crichton's Looker, see you all in the new year !!! #cultmovie #blackadam #whitedog

October 19-25, 1968 This week Ken welcomes author of The Twilight Zone Encyclopedia and host of the Podcast "Steven Jay Rubin's Saturday Night at the Movies", Steven Jay Rubin. Ken and Steve discuss being in space, seeing the Twilight Zone for the first time, how 1968 is the sweet spot, not talking for a year, Night Gallery, the lack of product placement in the Twilight Zone, Combat, color TV, The Wild Wild West, writing for Cinefantastique, being a feature film publicist, working on Weekend at Bernie's II, working for Showtime, not knowing director's credits, Clark Gable films, being a contestant on The Joker's Wild, later writing for the Joker's Wild, being on Sale of the Century, taping old movies audio only on reel to reel, Once Upon a Time in Hollywood, growing up in LA, being a baseball fan, Get Smart!, the darkness of today's film, having never seen The Prisoner, Assault on a Queen, Fall Previews, Peyton Place, Laugh-In, Lancer, porpoise vs dolphin, actors in WWII, Russ Meyer being a still photographer on the Twilight Zone, Green Acres, The Olympics, competition shows, reality TV, Star Trek the original series, visiting film sets, Logan's Run, The Wonderful World of Disney, being on the Sony lot when Spielberg was directing Hook, The Entity, ghost hunting, Twilight Zone: The Movie, how The Twilight Zone doesn't work in color, Anne Frank's cat, and the amazing Sam Fuller.

This is not a typical episode of this podcast. Normally, as you probably know, I talk to musicians. And in 2022, we've specifically been talking about fusion, which means a lot of different things to a lot of different people. And we're going to get back to that subject in our next episode, when I have an interview with saxophonist Dave Liebman, who played with Miles Davis in the early '70s and also had his own band, Lookout Farm, which was a very interesting fusion act. But on this episode, we're taking a sharp left turn and talking about movies, and specifically the movies of Walter Hill.Walter Chaw is a critic I read fairly often at the site Film Freak Central. He writes for lots of other places, too, but that's where I see his work the most. And a few months ago, I saw that he had a book coming out all about the work of director Walter Hill. It's called A Walter Hill Film: Tragedy And Masculinity In The Films Of Walter Hill, and it's out now. You can get it from mzs.press.If you're not familiar with his name, Walter Hill has directed two dozen movies, including Hard Times, The Driver, The Warriors, Southern Comfort, 48 Hrs., Extreme Prejudice, Streets of Fire, he directed the pilot episode of Deadwood, he wrote at least portions of the first three Alien movies, he's done a ton of unbelievable work. He's got a new movie out this year called Dead For A Dollar. Most of his movies are very violent, in an action rather than a horror way, but they're also a lot more thoughtful and progressive than you might expect them to be. There's a tremendous amount going on in them in terms of interrogation of masculinity, interrogation of the violence of American culture, interrogation of race and sex and even capitalism, but it's all couched in these really pulpy, violent, action-packed stories that sometimes start out feeling like morality plays but then go sharply sideways. I might compare him to directors like Sam Fuller or William Friedkin or Michael Mann, maybe even Paul Schrader, all of whose work I love, but his track record is better than any of them. I own more Walter Hill movies on DVD or Blu-Ray than movies by any of those other guys. So the minute I heard about this book, I knew I had to read it. And once I read it, I knew I wanted to talk to the author.So I did. We had a really great conversation over this past weekend, and that's what you're going to hear on this episode. We talk about Walter Hill's movies in all their aspects, from their politics to his use of music, which is relatively unique in Hollywood, as you'll learn, and we also talk about the process of writing this book and about some other directors' work, including Ridley and Tony Scott, Rob Zombie, Sam Fuller, Michael Mann and William Friedkin. It's a long conversation, but I think you're really going to enjoy it. MUSIC IN THIS EPISODE:The Blasters, "One Bad Stud" (from Streets of Fire)The Bus Boys, “Boys Are Back In Town” (from 48 Hrs.) 

Our November Special Subject is Sirk Noir-vember: four noir or noir-adjacent movies directed by Douglas Sirk in the late 1940s/early 50s: Lured (1947), Sleep, My Love (1948), Shockproof (1949), and Thunder on the Hill (1951). We discuss to what extent these films can be considered "auteur" works and in what ways they qualify as noirs; Sirk's use of actor personas and his own "acteur" theory; the relative merits of Sam Fuller's and Harry Cohn's ideas about how to end a movie; nun movie tropes; and much more.  Time Codes: 0h 1m 00s:        Sirk in Hollywood 0h 6m 34s:        LURED (1947) [dir. Douglas Sirk] 0h 31m 54s:      SLEEP, MY LOVE (1948) [dir. Douglas Sirk] 0h 45m 02s:      SHOCKPROOF (1949) [dir. Douglas Sirk] 0h 57m 39s:      THUNDER ON THE HILL (1951) [dir. Douglas Sirk]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Salong 3:s Barbara Stanwyck-serie fortsätter med Forty Guns (1957), en rapp westernrulle med spektakulärt Cinemascopefoto i vilken Stanwyck spelar en stenhård och maktfullkomlig markägare i Arizona vars revolvermän sätter skräck i laglydiga medborgare. Men när tre bröder anländer till trakten förändras allt. Martin Degrell och Isak Hammar snackar Sam Fuller, könsroller och pistoler som sexuella metaforer. Hemsida: https://martindegrell.com/ Soundcloud: https://soundcloud.com/salong3 Instagram: salong3pod Email: salong3pod@gmail.com

In this podcast episode, we review the Idris Elba versus a rogue lion thriller, Beast. We also extensively discuss the best post-peak performances by actors working past their prime. Finally, for the streaming homework, we review the 1963 psychological thriller, Shock Corridor, written and directed by Sam Fuller. 

GGACP celebrates the birthday (August 8, 1949) of one of their favorite guests, veteran actor and Academy Award-winning musician Keith Carradine with this ENCORE of an interview from 2018. In this episode, Keith looks back at his frequent collaborations with mentor Robert Altman, reminisces about his friendships with Lee Marvin, Ernest Borgnine and Robert Mitchum, and reflects on the life and career of his dad, horror icon John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: "Love American Style"! Sam Fuller eats a stogie! Kwai Chang Caine hosts SNL! Deconstructing "The Aristocrats"! And Keith wins an Oscar for Best Original Song! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Fuller, managing director at Houlihan Lokey and Miles Otway, partner at Connection Capital, speak with Real Deals about the rise of trade buyers and how GPs are setting themselves up to win assets in competitive processes.

Virgil, J.T., Lisa and Mark welcome Troma Entertainment President and cult film director (THE TOXIC AVENGER, CLASS OF NUKE 'EM HIGH, SGT. KABUKIMAN NYPD, #SHAKESPEARESSHITSTORM and more) Lloyd Kaufman to the podcast, to talk about all the upcoming Tromathon and Tromadance 2022 Film Festival, being held at The Mahoning Drive-In Theater on July 15-17. We also delve divergently into Stan Lee, Sam Fuller, film distribution, Troma NOW and more! Recorded 6/30/22 For tickets to Tromathon and the Tromadance 2022 Film Festival: https://mahoningdrivein.ticketleap.com/tromathon22/ Visit Troma Entertainment online at: https://www.troma.com/ https://watch.troma.com/ https://twitter.com/Troma_Team https://www.tromadirect.com/ https://www.facebook.com/TROMAENTERTAINMENT For exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at: https://www.patreon.com/mahoningdrivein https://www.mahoningdit.com/ https://www.facebook.com/mahoningdriveintheater/ https://www.instagram.com/mahoningdriveintheater/ https://twitter.com/mahoningdit --- Send in a voice message: https://anchor.fm/mahoningdrivein/message

Episode Three - This week we head over the 38th parallel with Sam Fuller's 1951 Korean war film, Fixed Bayonets.Facebook - https://www.facebook.com/ScuttlebuttMovieReviewsInstagram- https://www.instagram.com/scuttlebuttreviews/?hl=enYoutube -https://www.youtube.com/channel/UCwbgZzUyQc--6MUwA_CtFvQPatreon -https://www.patreon.com/Scuttlebuttpodcast

Special guest Justin Wiese of Torn Light Records and the Esquire Theatre in Cincinnati joins us as we go DARK AF. We begin with the inescapable fatalism of director Edgar Ulmer's film noir classic DETOUR from 1945 where Tom Neal as sadsack Al Roberts is thrust into a tragedy of errors as he thumbs a ride across the country. Just when things couldn't get any worse, they do when he hooks up with Ann Savage as Vera, the venom-spitting queen cobra of all film noir. Savage more than lives up to her surname with an intense performance that has our panel of potheads leaning sativa just to keep up with her. Then we go a little Neo-noir but still black and white with two-fisted auteur Sam Fuller's shocking gut punch, The Naked Kiss (1964 with Constance Towers as a vengeful ex-hooker who tries to go straight in a small town only to find that polite society is way more twisted than the sleaziest brothel. This one comes with some haunting dream sequences punctuated by bursts of brutal violence capped off with a message that makes Greg Franklin categorize this as "wokesploitation." Hosts: Bob Calhoun, Cory Sklar, Philena Franklin + the epic return of Greg Franklin of Six Point Harness Studios, who had been away on assignment. Guest starring Justin Wiese. Detour is streaming without ads on Kanopy and Criterion Channel and free with ads on tubi, Roku Channel, and Pluto + there's a blasphemous colorized version on Prime. The Naked Kiss is streaming on Prime, Criterion Channel, HBOMax, Tubi, and Kanopy. Audio clips courtesy of Archive.org.

Please enjoy a heaping helping of film noir with a side of anti-Communism. Sam Fuller’s 1953 “Pickup on South Street” is well-directed, and especially well-acted by Thelma Ritter, Richard Widmark and character actor Murvyn Vye - but you can call him Tiger. There’s a crackerjack score, and a reasonably suspenseful plot, too, and the cinematography is inventive and compelling. Shelly Brisbin with Nathan Alderman.

Please enjoy a heaping helping of film noir with a side of anti-Communism. Sam Fuller’s 1953 “Pickup on South Street” is well-directed, and especially well-acted by Thelma Ritter, Richard Widmark and character actor Murvyn Vye - but you can call him Tiger. There’s a crackerjack score, and a reasonably suspenseful plot, too, and the cinematography is inventive and compelling. Host Shelly Brisbin with Nathan Alderman.

Jason is thrilled to be joined by crime writer Joseph Schneider, author of two (and soon to be three) LAPD Detective Tully Jarsdel novels (links below), to discuss the criminally-underrated Peter Bogdanovich thriller 'Targets', Joseph's novels, 'Once Upon a Time in Hollywood', and much more. 'Targets' was made in 1967 when  Bogdanovich, then working for Roger Corman's B-Picture factory of filmmaking alongside other future legendary directors like Francis Ford Coppola, was given the chance to direct his first feature film provided he used aging horror icon Boris Karloff for two owed days of shooting, used some footage from another Corman/Karloff picture 'The Terror' (starring a young Jack Nicholson in one of his first roles), and kept the budget under $120,000...other than that Corman said, he could make whatever picture he wanted. What Bogdanovich did was make a still-prescient, taut, spare look at a mass shooter in the making.  Interwoven with a b-story involving the Karloff character's quitting of a film industry due to changing times and mores, the two stories collide brilliantly at a drive-in-movie theater. 'Targets' is a stunning indictment of American middle-class detachment, and the debut of one of Hollywood's enduring iconoclast directors.  Bogdanovich (who died this year) lamented in the 50 years subsequent to the film's release that American society's attachment to guns had not progressed at all from the time he made the film.  Threads from this movie connect to other classics like Michael Mann's 'Heat' and Quentin Tarantino's 'Once Upon A Time In Hollywood', another movie about a film star fearing he is past his prime as society changes around him. And in the pod Schneider connects 'Targets' and Karloff and OUATIH's Rick Dalton and Cliff Booth to different types and times of American horror, fear, and violence.  'Targets' is brilliantly directed with impressive directorial control and restraint and features incredible contributions from Hollywood legends like director Sam Fuller, Oscar winner Verna Fields, and Cinematographer Lazlo Kovacs. Watch 'Targets' at any of these streamers. Buy Joseph Schneider's debut novel 'One Day You'll Burn' and its sequel from Amazon Pre-order Joseph Schneider's forthcoming 3rd Tully Jarsdel novel here

For our Xmas 2021 episode, two bittersweet intellectual soap operas about forbidden love and sexual non-conformity in mid-20th century America, Douglas Sirk's All That Heaven Allows (1955), starring Jane Wyman and Rock Hudson, and Todd Haynes' Carol (2015), starring Rooney Mara and Cate Blachett. We talk about the interplay of satire and sincerity in Sirk, romance as a vehicle for self-actualization, coming-of-age story tropes, and how these movies use the expectations set by the holiday season. And in our Fear and Moviegoing in Toronto segment, it's the last of the 20th Century Fox Noirs at the TIFF Bell Lightbox Cinematheque, two great Richard Widmark films: Jean Negulesco's Road House (1948), an Ode to Losers in Love, and Sam Fuller's brutal and lurid Ode to Losers in Life, Pickup on South Street (1953). Happy Holidays and see you in 2022! Time Codes: 0h 01m 00s:                ALL THAT HEAVEN ALLOWS (1955) [dir. Douglas Sirk]  0h 38m 35s:                CAROL (2015) [dir. Todd Haynes] 01h 02m 57s:              Fear and Moviegoing in Toronto – ROAD HOUSE (1948) & PICKUP ON SOUTH STREET (1953)                                                +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com

After a long hiatus, we're back with an episode we recorded on July 24, 2021 with none other than Alvaro Rodriguez—screenwriter of MACHETE, FROM DUSK 'TIL DAWN 3: The Hangman's Daughter, Netflix "Mexanime" SEIS MANOS, indie film THE LAST RAMPAGE, El Rey's FROM DUSK TIL DAWN TV adapt, Showtime's upcoming AMERICAN RUST and more! He also talks Sam Fuller's amazing noir classic PICKUP ON SOUTH STREET, his uber-talented family (Robert Rodriguez is his cousin), and running for the Board of Directors of the WGAw (Writers Guild of America, West). Dude's a great storyteller and more importantly a *great* guy... Alvaro, you've got our vote (once we pay those dues in arrears

Welcome to the show!The Make Your Difference Podcast is for people focused on making their difference and optimising their own and others' wellbeing and learning. If that's you - stay tuned!Today's episode is with Sam Fuller, Founder of The Wellbeing Project. Make sure to listen out for Sam's tips for us all on how to move through this new phase, as lockdown is ending and a "new normal" begins. She also shares:> Why it's important to put wellbeing at the heart of any business> Why she created her own evidence-based model to measure resilience and wellbeing> What organisations need to have in place to support employee wellbeing and resilience> What can be missing when organisations seek to improve employee wellbeing> How lockdown has impacted employee wellbeing and resilience> How to get started with improving wellbeing at your organisation. To find out more about the episode with Sam, visit www.makeyourdifferencehub.co.uk/blog/podcast-sam-fullerTo find out more about marketing and mindset for values-led businesses, visit www.makeyourdifferencehub.co.uk

Richard Niles is re-releasing WHATEVER HAPPENED TO HOLLYWOOD? by his stepfather, screenwriter Jesse Lasky Jr. He has written an informative Foreword and added almost 400 rare photographs. The book tells the story of growing up in the dusty streets of Hollywood when his father produced the first feature film, and started a company that became Paramount. A compelling personal memoir written by a masterful writer, Lasky describes his life as a Hollywood screenwriter for Cecil B. De Mille, Harry Cohn, Nick Ray, Sam Fuller and Alfred Hitchcock, working with Gary Cooper, Anthony Quinn and Yul Brynner, and dating Jean Harlow. Author and film historian Martin Turnbull (https://martinturnbull.com/) interviews Niles about the book, celebrating our 50th episode! This is killer stuff and you only get this with Radio Richard.  LIKE this video! SUBSCRIBE to our social media! DONATE to our PATREON! Pretty Please! YouTube: https://www.youtube.com/user/DRRICHARDNILES?sub_confirmation=1 Podcast: https://radiorichard.podbean.com/ Facebook: https://www.facebook.com/radiorichard2021 Twitter: https://twitter.com/radiorichard3 Patreon: https://www.patreon.com/radiorichard #whateverhappenedtohollywood​ #martinturnbull #richardniles #jesselaskyjr #bookrerelease​ #radiorichard #cecilbdemille #paramount #hollywoodbeginnings #interviews​ #podcasts​ #music​ #podcasting​ #podbean​ #educational​ Radio Richard Theme by Richard Niles ©2021Niles Smiles Music sung by Free Play Duo.

Sam Fuller was hired to adapt a novel that was written by a French diplomat friend of his as an attack on that man's ex-wife Jean Seberg and her anti-racist activism. Sam Fuller attempted to remake this book into an anti-racist movie. This was a fool's errand, and as the NAACP said at the time there were better books from Black authors that took a more nuanced look at racism that could be adapted into a better movie. But Sam Fuller wasn't hired to make that movie, he was hired to make this one. And he made the heck out of it.

"Coming to you from the Theater Brothers Movie House on the hoppin', boppin' Main Street of an up-and-coming American city, it's the Real Butter Radio Hour!" It's Monday, July 27, 1953 and the original Theater Brothers (Hubert, Thaddeus, and Edgar) are rarin' to review their favs from the first half of 1953! On the day the Korean War ends, they look at Disney's problematic PETER PAN, Billy Wilder's prisoner-of-war comedy STALAG 17, and Sam Fuller's Cold War noir PICKUP ON SOUTH STREET! Noir and Neverland! JOIN US for as little as .99 cents a month! Just follow the link: https://anchor.fm/real-butter-buttercast/support Connect with us on Twitter (@RealButterShow), Instagram, and Tumblr. Then join our mailing list: mailchi.mp/d585bc3fb49b/realbutterbuttershow You can listen to The Real Butter™ Buttercast on Anchor, Breaker, Google Podcasts, Apple Podcasts, Overcast, Pocketcasts, RadioPublic, and Spotify! Billy Wilder, #BillyWilder, movies, #movies, film, #film, #Stalag17, Stalag 17, William Holden, #WilliamHolden #Oscar, #OttoPreminger, Otto Preminger, prisoner of war, #POW, #Disney, Disney, Peter Pan, #PeterPan, JM Barrie, author, play, animation, cartoon, #animation, #cartoon, Richard Widmark, Thelma Ritter, #actor, Film Noir, #FilmNoir #Noir, noir, pickpocket, Sam Fuller, Samuel Fuller, fairy dust, real butter buttercast, #Buttercast #RealButter #retro #vintage retro vintage 1953 50s --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/real-butter-buttercast/message Support this podcast: https://anchor.fm/real-butter-buttercast/support

Mynx Devlin goes on an emotional roller-coaster ride. She's a box office sensation working with Howard Hughes and Sam Fuller, she's abandoned by her sponsor, she relishes a night of forbidden love, and she makes an epic cinematic catastrophe that ends in epic betrayal. richlyspun.com

    Phillip was joined again by Brandt, recording the show from Brandt's couch. First though, it's Phillip talking about what he has seen recently; Captain Marvel, Lone Wolf McQuade, Love Gilda, 1977's Suspiria, the documentary Apollo 11, Kelly's Heroes (based on a true incident. The caper was covered in a book called "Nazi Gold: The Sensational Story of the World's Greatest Robbery--and the Greatest Criminal Cover-Up" by Ian Sayer and Douglas Botting), Sweet Virginia, Dark City (1950), The Mummy (1932), Natural Born Killers, Cujo, The Eyes of Laura Mars (1978), Open Windows, Good Times (2017), and Anguish (1987). They start the show by reading comments from instagram about Triple Frontier and Three Kings. Then the read an iTunes review that they got from Talking Poop Podcast. They then talk about their favorite parts of Triple Frontier, how Charlie Hunnam reminds Phillip of Steve McQueen, and how Pedro Pascal reminds Brandt of Burt Reynolds. Then Brandt reviews some movies that he borrowed from Phillip; Zero Dark Thirty, Baby Driver, Way of the Gun, and Gone Girl. Then they dive into Three Kings. They talk about the actor Cliff Curtis, and the director David O. Russell. They read some facts. Then they talk a little about Sam Fuller. It's a fun show. 

      On this episode of the show Phillip is joined again by Brandt and they talk about the movies Dunkirk (2017), Enemy at the Gates (2001), and The Big Red One (1980). Phillip starts the show by making some corrections from this and previous shows. Then he talks about what he has been watching at home and the theaters. Then he gets into the prerecorded show. Phillip and Brandt start by talking about; Paris, Texas, Zorro the Gay Blade, The Legend of the Lone Ranger, Love at First Bite, The Pirate Movie, The Apple Dumpling Gang, Superfuzz, and Lone Wolf McQuade. Then Phillip talks about the Zorro the Gay Blade and Stripes soundtrack. They then talk about Dunkirk, their love of 1941, Kubrick and Nolan being the same kind of film makers (maybe), Phillip reminds Brandt about the documentary on Netflix called The Filmworker, they then discuss their favorite Christopher Nolan scenes. Then talk about Inception, Shudder Island, and The Sixth Sense. They talk about what a great actor and director Kenneth Branagh is (Dead Again, Murder on the Orient Express, Hamlet, and Henry V). Then it's time for Enemy at the Gates. They talk about accents in the film, which leads Phillip to tell a story about K-19 Widowmaker. Brandt talks about WWII propaganda and they both agree on Kingdom of Heaven the Director's Cut being a great film. Then they dive into The Big Red One. Brandt talks about how much better the Reconstruction version is. Phillip talks about how great the director's cuts of Aliens and Alien 3 are. Phillip and Brandt talk about the reality of war and the realism of the movie. Then they discuss Sam Fuller's other work. They talk about a documentary on Sam Fuller that they both saw that made them dive deep into Sam Fuller. The documentary was called Sam Fuller, The Typewriter, the Rife, and the movie camera. (It's on Youtube.) Then Phillip talks about Sam Fuller's I Shot Jesse James, which leads Brandt into talking about The Assassination of Jesse James by the Coward Robert Ford. Phillip then talks about 2 more Sam Fuller movies; Pick Up On South Street and Fixed Bayonets. It's a long show, but it is full of movie talk. write us an email at mycelluloidheart@gmail.com Hope you enjoy.

Season 2 continues with episode 4, in which we return to (dun, dun, dun) Jerusalem's Lot! Our special guest this week is film twitter's "funner and crazier cousin, big screen twitter", Ms. Lexy Myranda! (@lexy_myranda). Lexy drops by to chat about Larry Cohen's wacky 1987 comedy-horror film as well as TWILIGHT, BUFFY, and the driving skills of Mr. Samuel Fuller.Johnny Utah (@terrell_splat) again joins us on the panel as we talk nazis, vampires, puritans, bibles, cows, MANIAC COPS, Michael Moriarity, Sam Fuller, Tara Reid, and shitty sons.Sarah Jane (@fookthis) brings her amazing recommendations, that beautiful maned man MR. TOM NIX drops by for his pics...Also, Russ squashed a tape under the door to Sarah's apartment and we're all a little freaked out...Jim and Mike audition for Mr. Fuller's role, and Joe got so high he sent the wrong the audio over and will return in two weeks for the next episode (VERY NATE DOGG VOICE: Smoke weed everyday)!Find our guests on Twitter at:Lexy Myranda, @lexy_myrandaTom Nix, Not on Twitter because it's toxic AF and I, Mike D., co-sign thisHausu Team:Producer/engineer - Jim Rock Schiller, @RockStifflyRecommendations - Sarah Jane, @fookthisCo-host/business - Sarah Coykendall, @SarahSPLATHOUSECo-host - John Terrell, @Terrell_SPLATWriter - Stephanie Crawford, @scrawfishCo-host - @miked_splatThank you for listening! Share the episode any way you can. Break into your friend's phone and subscribe them to this show; maybe they won't be mad. IDK LMK.Visit us online at www.splathouse.com for news, pics, and videos from our showsWe will be back in two weeks with a episode dedicated to THE BEES (1978)!See you then!

Sam Fuller's Run of the Arrow (1957) tells the tale of O'Meara (Rod Steiger) the man who shot the last bullet of the Civil War. Disenfranchised by Reconstruction, he heads west to live with the Sioux (lead by Charles Bronson). Relevant in 1957 when the U.S. was tearing itself apart over Civil Rights, the film is still as relevant in today's tumultuous times.Filmmaker Samantha Fuller discusses A Fuller Life (2013), the documentary about her father's life, while Christa Fuller offers insight about the making of Run of the Arrow. Paul Talbot, author of Bronson's Loose!: The Making of the Death Wish Films, discusses Charles Bronson's career and the times he played Native Americans in film.Joining Mike are film scholar Cullen Gallagher and Joseph Maddrey, author of The Quick, the Dead and the Revived: The Many Lives of the Western Film.Learn more about your ad choices. Visit megaphone.fm/adchoices