Podcast appearances and mentions of Fred Zinnemann

Neste episódio, o politólogo João Pereira Coutinho e o humorista Manuel Cardoso conduzem-nos pelo caminho atribulado da(s) Direita(s), da Revolução Francesa aos dias de hoje.Da liberal à radical, da democrática à tecnocrática, da nostálgica à futurista, a direita não é toda igual. Por isso, há valores e propostas de sociedade em conflito.Assim foi durante as ditaduras do século XX e assim é também hoje, desde logo no seio do Partido Republicano. Enquanto uns são adeptos da globalização, outros defendem medidas protecionistas – não só da economia, mas também da identidade.Certo é que nos últimos anos a direita passou a ser cool e popular entre os jovens. Neste processo, onde ficou a esquerda? Este episódio explora as várias faces da direita contemporânea, com uma participação especial e involuntária de Bad Bunny. Um mapa através dos séculos para compreendermos melhor a atualidade.No próximo episódio viramos à Esquerda.REFERÊNCIAS E LINKS ÚTEISBOBBIO, NORBERTO, «Direita e Esquerda: Razões e Significados de uma Distinção Política» (Presença)DENEEN, Patrick J., «Porque Está a Falhar o Liberalismo?» (Gradiva)FAWCETT, Edmund, «Conservadorismo» (Edições 70)LAND, Nick, «The Dark Enlightenment» (Imperium)PINTO, António Costa, «O Estado Novo de Salazar: Uma terceira via autoritária na era do fascismo» (Edições 70)VERMEULE, Adrian, «Common Good Constitutionalism: Recovering the Classical Legal Tradition» (Polity)YORAM, Hazony, «Conservatism: A Rediscovery» (Regnery)«O Comboio Apitou Três Vezes», realizado por Fred Zinnemann (1952)BIOSMANUEL CARDOSOÉ humorista e um dos autores do programa de sátira política «Isto É Gozar Com Quem Trabalha», da SIC. Faz parte do podcast «Falsos Lentos», um formato semanal de humor sobre futebol. É o autor da rubrica radiofónica diária «Bem-vindo a mais um episódio de», nas manhãs da Rádio Comercial. Contribui semanalmente para o Expresso, desde 2023, com uma crónica semanal.JOÃO PEREIRA COUTINHOProfessor do Instituto de Estudos Políticos da Universidade Católica, onde se doutorou em Ciência Política e Relações Internacionais. É autor dos livros «Conservadorismo» e «Edmund Burke – A Virtude da Consistência». Ao longo de 25 anos tem assinado artigos na imprensa nacional e é colunista do diário brasileiro «Folha de S. Paulo», o maior jornal da América Latina.  

Welcome to It's A Wonderful Podcast!A rather unique series for April on the main show as Morgan and Jeannine explore a selection of movies each having a U.S. State in its title! From Epics, to Westerns, to Epic Western Musicals, it promises to open up even more discovery!Pure Rodgers & Hammerstein musical magic on the main show this week as Morgan and Jeannine get into discussions on the different types of movie musical, the welcome change of a purely spectacle experience, their mutual affinity for Gloria Grahame & singing about beautiful mornings as they talk Fred Zinnemann's OKLAHOMA! (1955) starring George MacRae, Shirley Jones, Rod Steiger & Gloria Grahame!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 1:58 "Un hombre para la eternidad” (1966) de Fred Zinnemann - https://amzn.to/41NXYJx 15:23 "El señor de la guerra" (2005) de Andrew Niccol - https://amzn.to/3Y7rHL6 26:51 «La trampa» (2024) de M. Night Shyamalan - https://amzn.to/3E0Biwy 35:36 Una anécdota sobre Bola de Dragón Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #enriqueviii #nicholascage Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

To start off a new run, I'm looking at the Paranoid Thrillers of the 1970s. Joining me on this series is Joe. We kick things off with the Fred Zinnemann helmed The Day of the Jackal, about the attempted assassination of French President Charles de Gaulle. Links to my socialsBlueskyTwitterInstagramLetterboxdMusic by ANtarcticbreeze_Music from Pixabay Hosted on Acast. See acast.com/privacy for more information.

Hosts Josh and Jamie and special returning guest Will Menaker (of Chapo Trap House and Movie Mindset) discuss the diverse career of Hollywood filmmaker Fred Zinnemann with a double feature of his lavish 1950s western-romance roadshow adaptation of Rodger and Hammerstein's 1940s Broadway musical hit OKLHAOMA! (1955) and his 1970s New Hollywood procedural docufiction adaptation of Frederick Forsythe's best-selling political assassination thriller novel THE DAY OF THE JACKAL (1973). Next week's episode is a patron-exclusive bonus episode on EATING RAOUL (1982) + THE COOK, THE THIEF, HIS WIFE & HER LOVER (1989), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:54 OKLAHOMA! // 09:54-1:13:07 DAY OF THE JACKAL // 1:13:07-2:20:30 Outro // 2:20:30-2:23:20 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Your boys are back with a classic old timey western this week. First up, Sean and Parker rank (canonically and objectively) the last 10 movies watched for the show. What will come out in the top spot and how many movies are tied for worst? We also have discuss shocking wrestling revelations, go on politcal rants, get some voicemails, read an actual e-mail and so much more. Then we discuss the award-winning classic, "High Noon" from 1952. Fred Zinnemann's classic recontextualizes the white hate/black hat norms of the western genre and does so in real time! It stars Gary Cooper, Grace Kelly and lots of other cool people. Direct Donloyd. After this, join the Patreon for like 200 bonus episodes. Why not??

Au sommaire de cette spéciale cinéma d'auteur : Retour sur le coffret World Cinema Project (Les Révoltés d'Alvarado (1936) de Fred Zinnemann & Emilio Gómez Muriel, Prisonniers de la terre (1939) de Mario Soffici, La Loi de la frontière (1966) de Lütfi ö. Akad, La Femme au couteau (1969) de Timité Bassori, Huit coups mortels (1972) de Mikko Niskanen, Transes (1981) d'Ahmed El Maanouni, La Flûte de roseau (1989) d'Ermek Shinarbaev) édité par Carlotta Films ; Le film camerounais Muna moto (1975) de Jean-Pierre Dikongué-Pipa présent dans ce coffret sera abordé en compagnie du réalisateur Eric Bodoulé Sosso, fils d'un des acteurs ; Recension de L'Esprit Coubertin de Jérémie Sein (Blaq Out) ; Chronique de Dissidente de Pier-Philippe Chevigny (Blaq Out) ; Évocation de Tout peut arriver de Philippe Labro (Éditions Montparnasse). Bonne écoute à toutes et tous !

Jaume Segalés y su equipo hablan de cine clásico, de la anulación de las elecciones del ICOMEM y de la muerte. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Memento mori o La celebración de la muerte" La muerte, que generalmente resulta un asunto tabú y difícil de abordar, es un tema habitual en la creación artística y, por supuesto, en las indagaciones religiosas y filosóficas. Hoy hablamos de una propuesta escénica que la aborda sin tapujos. Se trata de un monólogo teatral, en forma de conferencia autoficcionada, escrito e interpretado por el dramaturgo y director teatral franco-uruguayo Sergio Blanco, uno de los grandes autores escénicosdel momento a nivel internacional que en esta obra aborda la compleja, fascinante y misteriosa realidad de la muerte con profundidad, radicalidad y agudeza, sin evocar únicamente el dolor de la que suele ir acompañada. La escenografía se construye con un escritorio y la proyección visual de una serie de imágenes de la fotógrafa uruguaya Matilde Campodónico. Podemos ver "Memento mori o La celebración de la muerte" hoy viernes y mañana sábado (17 y 18 de enero) a las 19:30 en el Corral de Comedias de Alcalá de Henares (Plaza de Cervantes, 15). El ICOMEM anula el resultado de sus últimas elecciones La Comisión de Recursos anula el nombramiento de Tomás Merina como presidente del Ilustre Colegio Oficial de Médicos de Madrid (ICOMEM). La resolución, con fecha del 14 de enero, abre la puerta a la convocatoria de nuevas elecciones tras invalidar la candidatura que resultó ganadora. La decisión ha sido tomada por mayoría de los integrantes de la Comisión por "no cumplir los requisitos" para ser candidato a la presidencia, al estar jubilado. Entrevistamos al presidente en funciones del ICOMEM, el Dr. Manuel Martínez-Sellés. Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre Los ángeles perdidos (The Search). Película estadounidense de 1948 dirigida por Fred Zinnemann. Cuenta la historia de cómo un joven y su madre se buscan el uno al otro en la Europa de la posguerra después de sobrevivir a Auschwitz. Los papeles protagonistas fueron interpretados por Montgomery Clift, Ivan Jandl, Jarmila Novotná y Aline MacMahon.

Em época natalícia, o politólogo João Pereira Coutinho e o humorista Manuel Cardoso reúnem-se para falar de política e religião.Neste episódio, trazem-nos conceitos da teoria política e exploram as razões por trás do declínio da influência da religião no Ocidente.Falam depois da relação entre a fé e a democracia: poderá este regime político conviver com a religião? Alexis de Tocqueville, pensador político e historiador francês do século XIX, defendia que sim, mas estaremos hoje a ficar menos democratas e mais próximos do fanatismo religioso?Mas a dupla vai falar também desta realidade em Portugal. Viaja pelo calor da Primeira República anticlerical e urbana num país fortemente católico e discute a ambiguidade tática de Salazar, com o seu lema ‘Deus, Pátria e Família'.Chegaremos, por fim, à atualidade e às recentes decisões relacionadas com a interrupção voluntária da gravidez, a eutanásia ou o tão falado palco das Jornadas Mundiais da Juventude.REFERÊNCIAS E LINKS ÚTEISBibliografia:Aron, Raymond, «L'opium des intellectuels» (Fayard)Cruz, Manuel Braga Da, «Os Católicos, a Sociedade e o Estado» (UCP)Dusenbury, David Lloyd, «The Innocence of Pontius Pilate» (C. Hurst)Lilla, Mark, «The Stillborn God: Religion, Politics and the Modern West» (First Vintage)Lindsay, A.D., «The Modern Democratic State» (Oxford University Press)Tocqueville, Alexis De, «Da Democracia na América» (Relógio D'Água)Filmes:«Um Homem para a Eternidade», de Fred Zinnemann (1966)«Persépolis», de Vincent Paronnaud e Marjane Satrapi (2007)BIOSMANUEL CARDOSOÉ humorista e um dos autores do programa de sátira política «Isto É Gozar com Quem Trabalha», da SIC. Faz parte do podcast «Falsos Lentos», um formato semanal de humor sobre futebol. É o autor da rubrica radiofónica «Pão Para Malucos», que esteve no ar diariamente na Antena 3 de 2018 a 2021JOÃO PEREIRA COUTINHOProfessor do Instituto de Estudos Políticos da Universidade Católica, onde se doutorou em Ciência Política e Relações Internacionais. É autor dos livros «Conservadorismo» (2014) e «Edmund Burke – A Virtude da Consistência» (2017), publicados em Portugal e no Brasil. 

Jacob, Tate, and Sage are joined by friend of the show, Kaden for Jacob's most recent pick, High Noon from 1952, starring Gary Cooper and Grace Kelly. This movie was directed by Fred Zinnemann. GD4AM: 71/100 IMDb: 7.9/10 Metacritic: 89/100 Letterboxd: 4.0/5 RT: 95% A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at "high noon" when the gang leader, an outlaw he "sent up" years ago, arrives on the noon train. This movie is currently streaming on Amazon Prime and MGM+. NEXT MOVIE REVIEW: The Thing (1982), which is currently streaming on Peacock, AMC+, and Amazon Prime.

Make a defiant stand with us this week, because we're standing our ground against the English court! This week we're watching A Man For All Seasons, a movie about Thomas More and his refusal to betray his faith to King Henry VIII. A Man For All Seasons is from 1966 and was directed by Fred Zinnemann and stars Paul Scofield, Robert Shaw, and Nigel Davenport, and John Hurt! Join us as we talk about this classic! Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on Apple Podcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: https://www.riverside.fm/?utm_campaig... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #comedies #englishhistory #kinghenryviii #thomasmore #amanforallseasons #catholic #protestant #lutheran #oscarwinner #robertshaw #lol #cinema #film #moviepodcast #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

"SENCILLO. PODEROSO. INOLVIDABLE." SOLO ANTE EL PELIGRO | Justicia a Contrarreloj del Héroe que Enfrentó la Caza de Brujas en Podcastwood, tu Podcast de Cine Clásico ¿Qué ocurre cuando un sheriff, recién casado y a punto de abandonar su puesto, se ve obligado a enfrentarse a su pasado? Más allá de un simple western, "Solo ante el peligro" es un reloj de arena que mide el tiempo de un hombre contra la injusticia. En nuestro podcast de cine clásico, sumergirnos en las profundidades de esta obra maestra de Fred Zinnemann significa desvelar capas de significado que trascienden la pantalla. Gary Cooper encarna a Will Kane, un hombre solo ante el peligro, pero también ante la mirada inquisidora de un pueblo que prefiere mirar hacia otro lado. ¿Es Kane un héroe solitario o un reflejo de la paranoia de una época marcada por el macartismo? Exploraremos cómo esta película, rodada en plena caza de brujas hollywoodiense, se convierte en una alegoría política que resuena hasta nuestros días. El tic-tac del reloj, omnipresente en la película, no es solo un elemento narrativo. Es un símbolo del tiempo que se agota, de las decisiones que marcan una vida y de la lucha constante entre el bien y el mal. Analizaremos cómo este motivo central se convierte en un hilo conductor que teje una trama compleja y llena de suspense. Pero nuestra investigación no se detiene en la película original. Nos adentraremos en las secuelas y remakes que han intentado expandir el universo de Will Kane. ¿Han sido capaces de capturar la esencia de la obra original o se han quedado a medio camino? Y, por supuesto, no podemos evitar plantearnos una pregunta fundamental: ¿es aceptable que un hombre de la ley haga justicia por su propia mano cuando las instituciones fallan? Un debate apasionante que nos llevará a reflexionar sobre los límites de la ley, la moralidad y la responsabilidad individual. Si eres un apasionado del cine clásico, de los westerns, de la historia del cine y de las películas que te hacen pensar, este podcast de cine clásico es para ti. Te invitamos a sumergirte con nosotros en el universo de "Solo ante el peligro" y descubrir por qué esta película sigue siendo una obra de referencia décadas después de su estreno. ️ SECCIONES ▪️ Alegoría política ▪️ El regreso de Will Kane: Las secuelas ▪️ El tiempo y el mito del reloj ▪️ ¿Es aceptable que Will Kane haga justicia por sí mismo cuando la ley parece fallar? ➖➖➖➖➖➖➖➖➖➖➖➖ Disfruta de toda la música pinchada en nuestros programas con nuestra lista de reproducción en Spotify: PODCASTWOOD JUKEBOX https://acortar.link/podcastwoodjukebox Durante el podcast, citamos y recomendamos una gran variedad de películas que no te puedes perder. ¡Olvídate de tomar notas!. Accede fácilmente a toda la información en nuestros listados publicados en Letterboxd: LISTAS DE PELÍCULAS CITADAS Y RECOMENDADAS https://letterboxd.com/podcastwood/list/3x01-podcastwood-solo-ante-el-peligro/ ➖➖➖➖➖➖➖➖➖➖➖➖ ¡CONVIÉRTETE EN MECENAS Y ÚNETE A NUESTRA COMUNIDAD DE PERSONAS APASIONADAS POR EL CINE CLÁSICO! ¿Te apasiona el séptimo arte? ¿Quieres compartir tu amor por las películas clásicas con otros cinéfilos?. ¿Te gustaría profundizar en contenidos únicos en torno al cine clásico?. ¡Únete a nuestra comunidad de Podcastwood! ‍ ‍ ‍ ¿POR QUÉ SER MECENAS? Al apoyar a Podcastwood, no solo estarás contribuyendo a la creación de contenido de calidad, sino que también formarás parte de un grupo selecto de amantes del cine. Te ofrecemos: »»»»» Acceso exclusivo a nuestro grupo de Telegram: Conviértete en parte de una comunidad de cinéfilos donde podrás: ▪️ Debatir sobre tus películas favoritas ▪️ Hacer preguntas a nuestros presentadores, Fran Maestra, Gonzalo Cuélliga y Juanlu Uno ▪️ Descubrir nuevas joyas cinematográficas gracias a las recomendaciones de otros miembros ▪️ Sentirte como en casa rodeado de personas que comparten tu pasión »»»»» Contenido exclusivo en ivoox: Disfruta de episodios especiales, monográficos, críticas, análisis personales y debates emitidos en exclusiva para nuestra comunidad. »»»»» Influencia en la programación: ¡Tu opinión cuenta! Ayúdanos a elegir cada mes los temas y las películas que te gustaría que tratáramos en nuestros programas exclusivos. Tendrás la capacidad de proponer tantos temas como quieras y sacarlos a votación para que toda la comunidad podáis disfrutar del contenido que deseáis que materialicemos en un programa especial y dedicado para todos vosotros. Además, ¿Imaginas compartir tu pasión por el cine con Fran, Gonzalo y Juanlu? Ahora es posible. Al convertirte en mecenas, tendrás la oportunidad de interactuar con ellos de forma más cercana y de sentirte parte de un proyecto único. ¡Únete a la familia Podcastwood! ⭐ ¿CÓMO HACERLO? Es muy sencillo, solo tienes que activar el botón azul de "APOYAR" en nuestro perfil de ivoox. ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN ✘ (TWITTER): @podcastwood | https://x.com/podcastwood @fran_maestra | https://x.com/fran_maestra @gcuelliga | https://x.com/gcuelliga @Juanlu_Uno | https://x.com/Juanlu_Uno LETTERBOXD: Podcastwood | https://letterboxd.com/podcastwood/ Fran Maestra | https://letterboxd.com/fran_maestra/ Gonzalo Cuélliga | https://letterboxd.com/gcuelliga/ Juanlu Uno | https://letterboxd.com/rockatanskyy/ INSTAGRAM: podcastwood | https://www.instagram.com/podcastwood/ ✉ CONTÁCTANOS EN: podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️ Producción: Fran Maestra ▪️ Redacción: Fran Maestra ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Juanlu Uno ▪️ Locución: Marta Navas ➖➖➖➖➖➖➖➖➖➖➖➖ Podcastwood | 2024

This week Harrison will review "From Here To Eternity"(1953) starring Montgomery Clift and directed by Fred Zinnemann with special guest David Lowe, The 4KLowedown and Faces For Radio Podcast. #fromheretoeternity #montgomeryclift #burtlancaster #debroahkerr #donnareed #franksinatra #fredzinnemann #reelyoldmovies Theme Song: "The Good For Nothing" starring Charlie Chaplin Released 1914 https://youtu.be/3RKsuoX_bnU Social Media Links: https://linktr.ee/reelyoldmovies Faces For Radio YouTube: https://www.youtube.com/@Faces4Radio Faces For Radio Instagram: https://www.instagram.com/faces.for.radio/ Faces For Radio Spotify: https://open.spotify.com/show/4ogvTVrhHwnJuhwAUWf44D?si=3119551235ed4fe1

Episode 45: We run into a man at the end of his rope, as his past comes back to see to it he never has a future. Gary Cooper, and Grace Kelly star in the classic American western High Noon from 1952, directed by Fred Zinnemann.High Noon trailer.Look to the stars next week where all will be covering 1980's Flash Gordon.Wanna support our other projects @KineticOnslotCircle of Jerks PodcastA Cut Above: Horror ReviewProps due to The Bird Beats for our theme.See omnystudio.com/listener for privacy information.

Film noir aficionados and classic film lovers alike are in for a treat with our latest episode of "The Extras." Join us as George Feltenstein, a true cinema historian, shares his deep knowledge about Warner Archive's June Blu-ray releases. We start off with a gripping discussion on the film noir gem "Act of Violence," exploring its compelling narrative, Fred Zinnemann's expert direction, and the standout performances from Van Heflin, Robert Ryan, and Janet Leigh.Switching gears, we highlight Alfred Hitchcock's rare foray into comedy with "Mr. and Mrs. Smith," starring the brilliant Carole Lombard and Robert Montgomery. Discover the delightful chemistry between the leads and Hitchcock's unique touch on the screwball genre. Next, we celebrate the musical legacy of Ida Lupino with a deep dive into the 1947 film "The Man I Love." Uncover the fascinating story behind the film's original cut and the restoration of its missing six minutes of footage, including the song "Bill" by Jerome Kern, Oscar Hammerstein II, and P.G. Wodehouse. We end with a review of the melodrama "The Shining Hour" (1938) from acclaimed director Frank Borzage and showcasing standout performances by Joan Crawford, Margaret Sullavan, and Fay Bainter.We provide a full review of each film, a detailed explanation of the HD restoration, and background all of the included extras.Purchase links:THE MAN I LOVE (1947)MR. & MRS. SMITH  (1941)ACT OF VIOLENCE (1948)THE SHINING HOUR (1938) The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 42 - “Eva Marie Saint: Star of the Month (July)” - 07/01/2024 Blonde, beautiful, sophisticated, and chic, there was no one in Hollywood quite like EVA MARIE SAINT. This versatile, elegant actress had an incredible emotional range and left an indelible mark on the landscape of film. July 4th marks her 100th birthday of this national treasure and in this episode we take a look at her extraordinary career. Come hear about her incredible life and a career that spanned from live TV to Broadway to film and television where she was directed by all the greats — Hitchcock, Kazan, Preminger, Fred Zinnemann, John Frankenheimer, Paul Bogart — and held her own opposite Hollywood's greatest leading men — Cary Grant, Marlon Brando, Gregory Peck, Paul Newman, Montgomery Clift, James Garner, Bob Hope, and Warren Beatty.  SHOW NOTES:  Sources: Eva Marie Saint: A Journey From Newark to Hollywood's Iconic Heights (2024), by Alexander Harmony; Hitchcock's Heroines (2018), by Caroline Young; Kazan: The Master Director Discusses His Films (1999), by Jeff Young; Hitch (1978), by John Russell Taylor; Destination Hitchcock: The Making of North by Northwest (2000), by Peter Fitzgerald; “As Eva Marie Saint Turns 97, Celebrating Her Seductive Turn in ‘North by Northwest',” July 4, 2021, by Brent Lang, Variety; Robert Osborne interview(s) with Eva Marie Saint, www.TCM.com; “In Search of a Classic Saint Revisits Hitchcock Role,” September 10, 2000, by Gene Triplett, The Oklahoman; “Saint in Hollywood; Forthright Star Actress Illustrates Devotion to Work and Family,” May 10, 1964, New York Times; “All About Eva Marie,” February 22, 2011, Vanity Fair; IMDBPro.com; Wikipedia.com; Movies Mentioned:  On The Waterfront (1954), starring Marlon Brando, Eva Marie Saint, and Karl Malden; That Certain Feeling (1956), starring Bob Hope, Eva Marie Saint, and George Sanders; A Hatful of Rain (1957), starring Anthony Franciosa, Don Murray, and Eva Marie Saint; Raintree County (1957), starring Elizabeth Taylor, Montgomery Clift, Eva Maire Saint, and Rod Taylor; North By Northwest (1959), starring Cary Grant and Eva Marie Saint; Exodus (1960), starring Paul Newman, Eva Marie Saint, and Sal Mineo; All Fall Down (1962), Warren Beatty, Eva Marie Saint, Karl Malden, Angela Lansbury, and Brandon deWilde;  The Sandpiper (1965), staring Richard Burton, Elizabeth Taylor, and Eva Marie Saint; The Russians Are Coming, The Russians Are Coming (1966), starring Alan Arkin, Carl Reiner, and Eva Marie Saint; Grand Prix (1966), starring James Garner, Yves Montand, and Eva Marie Saint;  The Stalking Moon (1968), starring Gregory Peck, Eva Marie Saint, and Robert Forster; Cancel My Reservations (1972), starring Bob Hope, Eva Marie Saint, Forest Tucker, Ralph Bellamy, and Anne Archer; Splendor In the Grass (1981) (TV-movie), starring Melissa Gilbert, Cyril O'Reilly, Ned Beatty, Eva Marie Saint, and Michelle Pfeiffer; Nothing In Common (1986), starring Tom Hanks, Jackie Gleason, Eva Marie Saint, Bess Armstrong, and Sela Ward; I Dreamed Of Africa (2000), starring Kim Basinger, Daniel Craig, and Eva Marie Saint; Because of Winn Dixie (2005), starring Jeff Daniels, Cicely Tyson, and Eva Marie Saint; Don't Come Knocking (2005), starring Sam Shepherd, Jessica Lange, and Eva Marie Saint; Superman Returns (2002), starring Brandon Routh, Kate Bosworth, Kevin Spacey, and Eva Marie Saint; Mariette in Ecstasy (2019), starring Geraldine O'Rawe, Eva Marie Saint, Mary McDonnell, and Rutger Hauser; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A movie about a Saint! Today, Jacob and Tate review 1966's A Man for All Seasons starring Paul Scofield, Robert Shaw, and Orson Welles, a movie about England and King Henry VIII's divorce from the Catholic Church and Saint Thomas More. This movie was directed by Fred Zinnemann. GD4AM: 85/100 IMDb: 7.7/10 Metacritic: 72/100 Letterboxd: 3.8/5 RT: 89% The story of Sir Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarry. This movie is available for rent on most VOD platforms. NEXT MOVIE REVIEW: Wild Tales (2014), which is currently streaming on Hulu.

What do you get when you team 3 STARS - COOPER, HEPBURN, & TAYLOR with 3 all-time great DIRECTORS in WYLER, ZINNEMANN, & MANN?  Three amazing films, of course, in "The Nun's Story," "Friendly Persuasion," & "Devil's Doorway."  George Feltenstein of the Warner Archive joins the podcast to review these three classics from the 1950s that now look better than ever in high-definition Blu-ray.  We go through the superb performances in each film, the keen-eyed direction from these film masters, and the fantastic restoration and package of extras that the Warner Archive has created for each release.Purchase links:THE NUN'S STORY (1959)FRIENDLY PERSUASION (1956)DEVIL'S DOORWAY (1950)  Past Present FeatureA filmmaker appreciation podcast hosted by Emmy-winning director...Listen on: Apple Podcasts SpotifyThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

Em algum momento na nossa vida, todos teremos de escolher entre os princípios que envolvem a nossa consciência e a imortalidade da nossa alma e as tentações deste mundo que podem matar essa mesma alma. Baseado em fatos reais, O filme O Homem que Não Vendeu Sua Alma provoca a seguinte reflexão: tenho algo em minha vida pelo qual estaria disposto a morrer? Imagem: Thomas More na prisão, sendo visitado por sua esposa e filha, por Claudius Jacquand. Trilha sonora: Antonio Vivaldi, “La Notte", Concerto em G menor, RV 439. Felix Mendelssohn, “Variations Sérieuses”, Op. 54, solo para piano.

Film Historians Julie Kirgo and Alan K Rode join the podcast to traverse the dusty trails and moral complexities of the timeless Western "High Noon."  The new 4K UHD release from Kino Lorber is highlighted by their new  audio commentaries and we get a preview of their insights into what makes this film so enduring.  Along the way we explore screenwriter Carl Foreman and the Hollywood Blacklist, why Gary Cooper was the right choice for the part of Marshall Will Kane, Katie Jurado's portrayal as a strong, independent Mexican woman, Fred Zinnemann's direction, Floyd Crosby's cinematography, Dimitri Tiomkin's score, and the wealth of character actors that fill out the movie. Purchase links:HIGH NOON 4KUHDHIGH NOON BLU-RAYHIGH NOON: The Hollywood Blacklist and the Making of an American Classic - BookAlan K. Rode website Julie Kirgo Facebook The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

We wrap up a month of requests… and the year 2023… with a look at Fred Zinnemann's The Day of the Jackal. Based on the book by Frederick Forsyth, the film stars Edward Fox as the titular Jackal, an assassin as cool as a cucumber in a bowl of hot sauce. He's hired by members of the OAS, a holdout group of paramilitary terrorist organization who were holdouts who tried to keep Algeria a French colony. They hire The Jackal to assassinate president Charles de Gaulle in August, 1962.Ian Brownell and Rich Edwards join Mike to discuss Zinneman''s film and the 1997 remake with Bruce Willis and Richard Gere, The Jackal.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

We wrap up a month of requests… and the year 2023… with a look at Fred Zinnemann's The Day of the Jackal. Based on the book by Frederick Forsyth, the film stars Edward Fox as the titular Jackal, an assassin as cool as a cucumber in a bowl of hot sauce. He's hired by members of the OAS, a holdout group of paramilitary terrorist organization who were holdouts who tried to keep Algeria a French colony. They hire The Jackal to assassinate president Charles de Gaulle in August, 1962.Ian Brownell and Rich Edwards join Mike to discuss Zinneman''s film and the 1997 remake with Bruce Willis and Richard Gere, The Jackal.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

Reforma Protestante         CAMBLY  “Investir em você é sempre a melhor opção” Desconto para os ouvintes do SciCast! Acessem agora pelo cupom do Deviante! MAS, corram porque esse é o menor preço da história! Black Friday Cambly: menor preço da história com planos a partir de R$49/mês: scicastBF23    Professor (a) da Semana App do Cambly para iPhoneApp do Cambly para Android Patronato do SciCast: Patreon SciCast Padrim SciCast PicPay SciCast Sua pequena contribuição ajuda o Portal Deviante a continuar divulgando Ciência! Contatos: contato@scicast.com.br https://twitter.com/scicastpodcast https://www.facebook.com/scicastpodcast https://instagram.com/scicastpodcast Fale conosco! E não esqueça de deixar o seu comentário na postagem desse episódio! Expediente: Produção Geral: Tarik Fernandes e Fernando Malta Equipe de Gravação: André Trapani, Marcelo de Matos, Matheus Silveira, Willian Spengler, Anderson Couto Edição: TalknCast Citação ABNT: Scicast #567: Reforma Protestante. Locução: André Trapani, Marcelo de Matos, Matheus Silveira, Willian Spengler, Anderson Couto. [S.l.] Portal Deviante, 24/11/2023. Podcast. Disponível em: https://www.deviante.com.br/podcasts/scicast-567 Imagem de capa: Disputatio pro declaratione virtutis indulgentiarum 95條論綱 Martin Luther 馬丁 路德 Wittenberg: Melchior Lotter d.J., 1522 Sign: RA 92/3237 Referências e Indicações Sugestões de literatura: DELUMEAU, Jean - La Reforma. Col. Nueva Clio - la historia y sus problemas. Barcelona: Editorial Labor, 1985. FEBVRE, Lucien. Martinho Lutero, um destino. São Paulo: Três Estrelas, 2012. LINDBERG, Carter. História da Reforma. Rio de Janeiro: Thomas Nelson Brasil, 2017. LUIZETTO, Flávio. Reformas Religiosas. São Paulo: Contexto, 1998. MICELI, Paulo. História Moderna. São Paulo: Contexto, 2013.   Sugestões de filmes: Lutero, de 2003, dirigido por Eric Till, com Joseph Fiennes e Sir Peter Ustinov Ana dos mil dias, de 1969, dirigido por Charles Jarrott, com Richard Burton e Geneviève Bujold O homem que não vendeu sua alma, de 1966, dirigido por Fred Zinnemann, com Paul Scofield, sobre a vida de Thomas More. Sugestões de vídeos: RESUMO: REFORMA PROTESTANTE (Luteranismo, Calvinismo, Anglicanismo e Contrarreforma) - Canal da Débora Aladim - https://youtu.be/4eHP0WBvU_4 500 anos da Reforma Protestante - Canal Nerdologia - https://youtu.be/QkheKbaDZGs A Reforma Protestante | A HISTÓRIA DO CRISTIANISMO | Episódio 4 - Canal Escola do Discípulo - https://youtu.be/Fx4f1B8kbA0 Sugestões de links: Cinco 'efeitos colaterais' da Reforma Protestante de Martinho Lutero - BBC - https://www.bbc.com/portuguese/internacional-41821603 O que foi a Reforma Protestante? - Revista Superinteressante - https://super.abril.com.br/mundo-estranho/o-que-foi-a-reforma-protestante  See omnystudio.com/listener for privacy information.

Paul and Erin review two films about "countdowns to violence": the revered 1952 Western HIGH NOON, and the 1987 cult teen comedy THREE O'CLOCK HIGH.

Welcome to It's A Wonderful Podcast!! A first time watch of an enormously famous and revered movie on this week's main show as Morgan and Jeannine delve deep into all the emotionally complex human melodrama, the wartime military mentality, behind the scenes stories, and the awards success of the EIGHT Academy Award winning (incl. Best Picture) FROM HERE TO ETERNITY (1953) directed by Fred Zinnemann and starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, Frank Sinatra, and Ernest Borgnine! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Since we started Criteria: The Catholic Film Podcast in May 2020, we've been hosting in-depth discussions of movies from the Vatican's 1995 list of important films. Now, after three years, we've finished discussing all 45 films - and in this episode, together with Catholic filmmaker Nathan Douglas, we're taking a look back at the list as a whole. After discussing how and why the Vatican film list (actually titled "Some Important Films") was made, and putting it in the context of several decades of concern from the highest levels of the Vatican about the social and moral influence of cinema, we talk about our favorite and least favorite films on the Vatican's list, as well as the movies we think should be added in a hypothetical future update of the list. Ultimately, watching through the entire Vatican film list is not only an education in the classics of world cinema, but also gives  important perspective on the strengths and weaknesses of past cinematic engagement with religion, allowing us to see both the potential fruit that could be borne and the dead ends that should be avoided in the Catholic cinema of the future. 0:00 Introduction 11:31 History behind the Vatican film list 43:34 What films should be removed from the list? 1:24:10 Our favorite films on the list 1:55:30 What films should have been included that weren't? 2:34:09 What post-1995 films would we add? 3:00:19 The most Catholic/edifying films on the list Links Pope St. John Paul II's address on the 100th birthday of cinema https://www.vatican.va/content/john-paul-ii/en/speeches/1995/march/documents/hf_jp-ii_spe_19950317_plen-pccs.html "100 Years of Cinema" document from the Pontifical Council of Social Communications with model curriculum https://www.vatican.va/roman_curia/pontifical_councils/pccs/documents/rc_pc_pccs_doc_19960101_100-cinema_en.html Below is the 1995 list by the Pontifical Council for Social Communications, "Some Important Films" (with links to our episode on each film): Religion Andrei Rublev, Andrei Tarkovsky (1969, USSR) The Mission, Roland Joffé (1986, UK) The Passion of Joan of Arc, Carl T. Dreyer (1928, France) Vie et passion du Christ (Life and Passion of Christ), Ferdinand Zecca and Lucien Nonguet (1905, France) The Flowers of St. Francis, Roberto Rossellini (1950, Italy) The Gospel According to Matthew, Pier Paolo Pasolini (1964, France/Italy) Thérèse, Alain Cavalier (1986, France) Ordet (The Word), Carl T. Dreyer (1955, Denmark) The Sacrifice, Andrei Tarkowsky (1986, Sweden/UK/France) Francesco, Liliana Cavani (1989, Italy/Germany) Ben-Hur, William Wyler (1959, USA) Babette's Feast, Gabriel Axel (1987, Denmark) Nazarín, Luis Buñuel (1958, Mexico) Monsieur Vincent, Maurice Cloche (1947, France) A Man for All Seasons, Fred Zinnemann (1966, UK) Values Gandhi, Richard Attenborough (1982, UK/USA/India) Intolerance, D. W. Griffith (1916, USA) Dekalog (The Decalogue), Krzysztof Kieslowski (1987, Poland) Au Revoir, Les Enfants (Goodbye, Children), Louis Malle (1987, France) Dersu Uzala, Akira Kurosawa (1974, Japan) The Tree of Wooden Clogs, Ermanno Olmi (1978, Italy/France) Rome, Open City, Roberto Rossellini (1946, Italy) Wild Strawberries, Ingmar Bergman (1957, Sweden) The Seventh Seal, Ingmar Bergman (1957, Sweden) Chariots of Fire, Hugh Hudson (1981, UK) Bicycle Thieves, Vittorio de Sica (1948, Italy) It's a Wonderful Life, Frank Capra (1946, USA) Schindler's List, Steven Spielberg (1993, USA) On the Waterfront, Elia Kazan (1954, USA) The Burmese Harp, Kon Ichikawa (1956, Japan) Art 2001: A Space Odyssey, Stanley Kubrick (1968, UK/USA) La Strada, Federico Fellini (1954, Italy) Citizen Kane, Orson Welles (1941, USA) Metropolis, Fritz Lang (1927, Germany) Modern Times, Charlie Chaplin (1936, USA) Napoléon, Abel Gance (1927, Italy) 8½, Federico Fellini (1963, Italy) La Grande Illusion, Jean Renoir (1937, France) Nosferatu, F. W. Murnau (1922, Germany) Stagecoach, John Ford (1939, USA) The Leopard, Luchino Visconti (1963, Italy/France) Fantasia (1940, USA) The Wizard of Oz, Victor Fleming (1939, USA) The Lavender Hill Mob, Charles Crichton (1951, UK) Little Women, George Cukor (1933, USA)

It's the Season 5 finale and the ReconCinmation team rewinds back to the glorious 1970s with a review of THE DAY OF THE JACKAL! Jon, David & Brent are looking back at this Fred Zinnemann classic to see how an assassin film from 1973 holds up in today's overcrowded market, the deliberate casting of Edward Fox & Michael Lonsdale (and why they add so much credibility to the film), early memories of the film & so much more! The Jackal spent 71 days, 56 minutes thinking a bullet into the brain of de Gaulle. Three podcasters spent 1 hour, 24 minutes discussing it... it's THE DAY OF THE JACKAL! Twitter/IG: @reconcinemation facebook.com/reconcinemation Cover and Episode Art by Curtis Moore (IG: curt986) Theme by E.K. Wimmer (ekwimmer.com)

Danny Jarabek joins Brian for a discussion of The Day of the Jackal, directed by Oscar winner Fred Zinnemann! They also talk about Zinnemann's extraordinary career and pick his three best films. THE DAY OF THE JACKAL is available on YouTube: https://www.youtube.com/watch?v=fVjBUW6qXDM

Nueva temporada. En el episodio de hoy hablamos sobre «Solo ante el peligro», de Fred Zinnemann, protagonizada por un oscarizado Gary Cooper. Como todas las obras geniales esta película magistral es una historia que va más allá de sí misma. La pequeña historia del Oeste, de un sheriff modesto y apacible, de su mujer-esposa de dos horas, de su antigua amante, de los vacilantes y los cobardes y los bienintencionados y los envidiosos de la ciudad. Es la historia del arranque final de la mujer cuando oye el primer disparo, cuando ve lo que sólo había imaginando; es, finalmente, la historia del triunfo melancólico y del desdén del hombre que se aleja con la mujer, dejando caer al suelo la estrella, sin volver los ojos para mirar a la ciudad que quiso salvar pero no pudo estimar. Hablamos con David, como no puede ser de otra manera, sobre su último libro «Filosofía andante», editado por Ediciones Monóculo y sobre su «Ética para valientes», editado por RIALP. Y con los que pueden hacerse aquí: https://www.edicionesmonoculo.es/libro/filosofia-andante/ https://www.rialp.com/libro/etica-para-valientes_139086/ Recomendaciones libérrimas: —«El salario del miedo», Eduardo Torres-Dulce, editado por Notorious. —«Los miserables», de Victor Hugo. —«Carta de una desconocida», 1948, de Max Ophüls. —«Calvary», 2014, de John Michael McDonagh. —«Harry Flashman», de George MacDonald Fraser, editados por Edhasa. Intervienen: David Cerdá (@davidcerdag) e Iñako Rozas (@inakorozas). Control técnico: Marcos Machado.

On this episode of The Movies Made Us Do It, Durs and Matt discuss Fred Zinnemann's High Noon (1952) Find links to all of our podcasts here: Linktr.ee/dursproductions #HighNoon #Western #FredZinnemann #GaryCooper # #filmreview #MovieReview #FilmPodcast #MoviePodcast #DursProductions #DursProductionsPodcasts

Buy Where Lies the Strangling Fruit:Theme Music by Prod. Riddiman:Films mentioned in this week's podcast:Annihilation (2018, dir. Alex Garland)The Beast from 20,000 Fathoms (1953, dir. Eugène Lourié)The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)Cannibal Holocaust (1980, dir. Ruggero Deodato)Creature from the Black Lagoon (1954, dir. Jack Arnold)The Day the Earth Stood Still (1951, dir. Robert Wise)Destination Moon (1950, dir. Irving Pichel)Fear & Desire (1953, dir. Stanley Kubrick)The Fly (1958, dir. Kurt Neumann)From Here to Eternity (1953, dir. Fred Zinnemann)Gentlemen Prefer Blondes (1953, dir. Howard Hawks)Godzilla Series (1954-current)The Greatest Show on Earth (1952, dir. Cecil B. DeMille)The House of Wax (1953, dir. André de Toth)The House on 92nd Street (1945, dir. Henry Hathaway)How to Marry a Millionaire (1953, dir. Jean Negulesco)Invasion of the Body Snatchers (1956, dir. Don Seigel)Jaws (1975, dir. Steven Spielberg)Mon Oncle (1958, dir. Jacques Tati)Mr. Hulot's Holiday (1953, dir. Jacques Tati)Niagara (1953, dir. Henry Hathaway)Peter Pan (1953, dir. Hamilton Luske, Wilfred Jackson, Clyde Geronimi)Plan 9 From Outer Space (1959, dir. Ed Wood)PlayTime (1967, dir. Jacques Tati)The Robe (1953, dir. Henry Koster)Roman Holiday (1953, dir. William Wyler)Sawdust & Tinsel (1953, dir. Ingmar Bergman)Shane (1953, dir. George Stevens)Stalag 17 (1953, dir. Billy Wilder)Stalker (1979, dir. Andrei Tarkovsky)Star Wars (1977, dir. George Lucas)Summer With Monika (1953, dir. Ingmar Bergman)The Ten Commandments (1923, dir. Cecil B. DeMille)Tokyo Story (1953, Yazujirō Ozu)Ugetsu (1953, dir. Kenji Mizoguchi)War of the Worlds (2005, dir. Steven Spielberg)When Worlds Collide (1951, dir. Rudolph Maté) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Snub Club, our congregation discusses 1959's The Nun's Story. Directed by Fred Zinnemann and starring Audrey Hepburn, The Nun's Story was nominated for eight Academy Awards but won nothing. In this episode, Danny, Sarah and Caleb discuss deconstruction, colonialism, and their excitement for The Nun 2.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: That's All Right by Arthur Crudup

"You shall not bear false witness against your neighbor."Is there such thing as objective truth? Is it ALWAYS better to tell the truth? Are there situations where it's better to lie? (Pls excuse the the background cicadas #straya)This episode covers Part Three, Section Two, Chapter Two, Article Eight of the Catechism of the Catholic Church (pts 2464-2474).Contact the podcast: crashcoursecatholicism@gmail.com.Instagram: https://www.instagram.com/crashcoursecatholicism/.... References and further reading/listening/viewing:John Chapter 8The Acts of the ApostlesPope St. John Paul II, Fides et RatioFulton Sheen, "Revealed Truth", YouTube.Fulton Sheen, "Freedom", YouTube.Opus Dei: "'In Spirit and Truth': Creating Unity of Life (I)""'Where God Wants us': Creating Unity of Life (II)"Thomas A. Kempis, The Imitation of ChristJacques Philippe, Interior FreedomArchbishop Anthony Fisher OP: "Conference on Newman the Prophet: A Saint for Our Times""Conscience, Relativism and Truth: the Witness of Newman" (video)Bishop Conley, "Blessed John Henry Newman and the Search for Truth in the Post-Relativist University"Dr. Alice von Hildebrand, Memoirs of a Happy FailureC.S. Lewis, The Abolition of ManBishop Robert Barron, "Breaking Out of the Prison of Self-Invention", YouTube.Ascenscion Presents, "Why We Should Stop Saying 'My Truth'", YouTube.Catholic Encyclopedia, "Truth"Trent Horn, "Truth and Ice Cream", Catholic Answers."Biography of Blessed Franz Jägerstätter"Erna Putz, Franz Jägerstätter, Letters and Writings from Prisondir. Terence Malick, A Hidden Lifedir. Fred Zinnemann, A Man for All Seasons.

High Noon directed by Fred Zinnemann, starring Gary Cooper, Grace Kelly and Thomas Mitchell. Episode Roundup: The Cowpunchers stan Helen, and could not run out of nice things to say about this classic Western. Stu posits that this film is a good bridge between film noir and westerns. Mel says the real villian is not Frank Miller, but the whole town. Amy is charmed by a young Lee Van Cleef. Send us a note at CowpunchersShow@gmail.com !

The tenth episode of our season on the awesome movie year of 1953 features the Academy Awards Best Picture winner, military drama From Here to Eternity. Directed by Fred Zinnemann from a script by Daniel Taradash (based on James Jones' novel) and starring Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed and Frank Sinatra, From Here to Eternity was nominated for 13 Oscars and won eight, including Best Picture.The contemporary reviews quoted in this episode come from A.H. Weiler in The New York Times (https://www.nytimes.com/1953/08/06/archives/the-screen-in-review-from-here-to-eternity-bows-at-capitol-with.html), Edwin Schallert in the Los Angeles Times, and Mildred Martin in The Philadelphia Inquirer.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1953 installment, featuring our producer David Rosen's pick, 3D horror movie House of Wax.

The ninth episode of our season on the awesome movie year of 1953 features the Venice International Film Festival co-winner, Federico Fellini's I Vitelloni. Directed and co-written by Federico Fellini and starring Franco Fabrizi, Franco Interlenghi, Alberto Sordi, Leopoldo Trieste, and Riccardo Fellini, I Vitelloni shared the top prize at Venice in 1953 with five other movies.The contemporary reviews quoted in this episode come from Campbell Dixon in the Daily Telegraph, Bosley Crowther in The New York Times (https://www.nytimes.com/1956/10/24/archives/the-screen-vitelloni-italian-drama-delves-into-social-problem.html), and K.W. in the Richmond Times-Dispatch.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1953 installment, featuring the Academy Awards Best Picture winner, Fred Zinnemann's From Here to Eternity.

Dana and Tom discuss the Best Picture winner from 1953 for the 81st Anniversary of Pearl Harbor, From Here to Eternity (1953): directed by Fred Zinnemann, written by Daniel Taradash, starring Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, and Frank Sinatra.Plot Summary: In 1941, in Oahu, Hawaii, Pvt. Robert E. Lee Prewitt (Montgomery Clift) is voluntarily transferred after quitting the Bugle Corp upon being replaced as First Bugler. Prewitt reunites with his good friend, Pvt. Angelo Maggio (Frank Sinatra), before meeting with the company commander and Regimental boxing head, Capt. Dana Holmes (Philip Ober). Holmes pressures Prewitt to join the company boxing club, but he steadfastly refuses because of a fight-related tragedy. Holmes' adjutant, Sgt. Milton Warden (Burt Lancaster), cautions Prewitt against opposing Holmes, but Prewitt stubbornly declines to box. Soon, the base is a caldron of action as Holmes makes romantic overtures to Capt. Holmes' wife Karen; Prewitt starts a relationship with Lorene, (Donna Reed) a club hostess, while continuing to endure hassling due to his refusal to box; and Maggio starts a grudge match with "Fatso" Judson (Ernest Borgnine), sergeant of the stockade. Each relationship seems headed for disaster as war in the Pacific looms.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/from-here-to-eternity-1953For the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-list

durée : 00:04:39 - Le cinéma de Thomas Croisière - Aujourd'hui, Thomas Croisière nous parle du film "Le train sifflera trois fois" de Fred Zinnemann.

durée : 01:30:00 - Les Nuits de France Culture - par : Albane Penaranda - Un physique athlétique, d'où provient une voix teintée d'ironie : voilà le regard de critiques sur le jeu et la personnalité du comédien Burt Lancaster, sujet de cette émission des "Mardis du cinéma" de 1991. Autour de Francesca Piolot, les critiques de cinéma retracent dans cette archive de 1991 la carrière du comédien Burt Lancaster, aux Etats-Unis, en Italie et en France. Les invités de ce Mardi du Cinéma déroulent sa filmographie pour restituer toute la complexité de Burt Lancaster : de ces premiers rôles d'athlète, très physiques, vers le personnage de vieil aristocrate dans Le Guépard de Visconti, qui marque un véritable tournant dans sa carrière. Ils évoquent The Killers (Les Tueurs), son premier film en 1946 aux côtés d'Ava Gardner, Tant qu'il y aura des hommes (1953), Bronco Apache (1954), Vera Cruz (1954), Elmer Gantry (1960), Le Train (1964), The Swimmer (Le Plongeon) (1968), Le Guépard (1963), Violence et Passion (1974), Atlantic City (1980). Pour le critique de cinéma Jean-Loup Bourget, Burt Lancaster est un "des très grands acteurs américains", qui a été "tout de suite la star de son premier film". "Il a ce physique très athlétique de comédien américain, un rôle de boxer un peu gangster. Il est impressionnant sur le plan physique, de la musculature, de la stature. Et puis il y a quelque chose dans le visage qui n'est pas simplement brutal, il y a de la force, de la tendresse, de l'ingénuité, une sorte d'innocence, c'est tout de suite un rôle d'une certaine complexité qui laisse apparaître un tempérament." Dans de nombreux films, Burt Lancaster "n'hésite pas à jouer les brutes épaisses, à paraître très méchant." Gilles Gourdon met en évidence l'association de force et de fragilité dans le jeu de Burt Lancaster en observant : "ce qu'il y a de très particulier dans cette voix qui est effectivement une voix assez grave, c'est qu'en même temps il y a une sorte de fêlure et dans le ton toujours un très léger recul, une légère ironie, et ça lui a probablement servi dans ses relations avec Visconti." Dans deux archives, on peut entendre Burt Lancaster évoquer justement la sensibilité de son personnage tragique du prince Fabrizio Corbera de Salina dans Le Guépard de Luchino Visconti. Il parle aussi de son travail de préparation pour jouer dans Le Train aux côtés de Jeanne Moreau. L'émission est ponctuée d'extraits des films Bronco Apache et Vera Cruz de Robert Aldrich, Tant qu'il y aura des hommes de Fred Zinnemann, Elmer Gantry de Richard Brooks, Le Guépard et Violence et Passion de Luchino Visconti, 1900 de Bernardo Bertolucci et Le Train de John Frankenheimer. Par Francesca Piolot Réalisation Josette Colin Avec Gilles Gourdon, Michel Field, Maxime Héraut, Jean-Loup Bourget, Jane Gozzett, Christophe Carrière et Jean-Pierre Troadec et en archives la voix de Burt Lancaster Mardis du cinéma - Burt Lancaster (1ère diffusion : 16/07/1991) Edition web : Véronique Vecten, Documentation sonore de Radio France Archive Ina-Radio France

Escape by Calvin Klein (1991) + From Here to Eternity by James Jones (1951) + Fred Zinnemann's From Here to Eternity (1953) + Buzz Kulik's From Here to Eternity (1979)  with JJBoobyHugger  To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.  09/04/22 S04.178

To help break up those long, lonely weeks between full-length episodes, we've decided to carry over our popular 5 Minute Review Series into the regular season!5 Minute Reviews feature Jason or Ryan reviewing a film from the Esoterica Cinema universe in - you guessed it - 5 minutes. But it's an Esoterica Cinema five minutes which means it'll likely go as long as ten.Our 5 Minute Reviews are short-form and spoiler-free, so anyone can listen whether they've seen the film or not.This week, Ryan looks at the 1952 Western High Noon from director Fred Zinnemann, and starring Gary Cooper.

In Cineversary podcast episode #47, host Erik Martin turns back the clock to commemorate the 70th birthday of one of the most beloved westerns of all time: High Noon, directed by Fred Zinnemann. In this installment, Erik serves as a trusty deputy of sorts to film scholar sheriff Glenn Frankel, the Pulitzer Prize-winning journalist and author of High Noon: The Hollywood Blacklist and the Making of an American Classic. Erik and Glenn explore how High Noon changed the western genre, why it's worth celebrating seven decades later, its cultural impact and legacy, and what we can learn from this study in temporal tension today. Learn more about the Cineversary podcast at anchor.fm/cineversary and email show comments or suggestions to cineversegroup@gmail.com. --- Support this podcast: https://anchor.fm/cineversary/support

The Worthy boys head to a U.S. Army base in Hawaii to prepare for war in Fred Zinnemann's ‘From Here to Eternity'! This episode of Worthy, we debate the progression of sex and relationships in Hollywood film and how the boundaries are slowly starting to expand. 'From Here to Eternity' is a war film not about war but about the men training for the war and their relationships outside of the Army base.  Ben and Jon discuss the film's wonderful use of real life locations and the wonderful lead performances by Clift, Sinatra, and Lancaster. Its achievement of eight Oscars matched the then record held by Gone with the Wind (1939). Sinatra steals the heart of the film but is this a Worthy Supporting performance?  Is 'From Here to Eternity' worthy of the Best Picture award of 1953? Tell us how we're wrong at worthysubmissions@gmail.com If you like this episode and the show, please leave a review! It really does help us. Give us a follow on Instagram at WorthyPodcast and on Twitter @WorthyPod. Subscribe on Spotify, iTunes, or wherever you may get your podcasts!

Scott highlights the glory of Fred Zinnemann films and the best of Bogart and Bacall.

In this episode of Inside the Box, Trevor Berrett and David Blakeslee discuss the first two films -- Djibril Diop Mabéty's Touki bouki and Emilio Gómez Muriel and Fred Zinnemann's Redes -- in Martin Scorsese's World Cinema Project, No. 1. This is the first of three episodes focused on this set.

Se cumplen 25 años del fallecimiento de Fred Zinnemann, uno de los grandes directores del Hollywood clásico, responsable de películas como ‘Solo ante el peligro' o ‘De aquí a la eternidad'. Un aniversario que nos invita a recordar su cine y su figura. Seguimos repasando la carrera internacional de los nominados españoles este año a los Oscar. Javier Bardem es candidato al mejor actor por su papel en la película ‘Ser los Ricardo', lo que supone su cuarta nominación  y la posibilidad de hacer doblete tras la estatuilla que ya ganó en 2008 como actor de reparto por ‘No es país para viejos'. Hemos charlado con el actor Nicolás Gaude que está representando en los escenarios la obra ‘Pura' en la que, entre otras cosas, se habla de esos cines históricos que han cerrado y se han convertido en supermercados o tiendas de ropa. Y en la sección de Jack Bourbon un musical de este siglo: ‘Moulin Rouge' la película de Ewan McGregor y Nicole Kidman.

It's our 400th episode of Spoilerpiece Theatre, so we've cooked up something extra special for you, Spoilerpeeps! After some thank yous and very special announcements (hello Spoilerpiece merch), original Spoilerpiece co-host Kris Jenson stops by (16:00) to talk about Fred Zinnemann's 1952 Western, HIGH NOON from the AFI Top 100 list! Then we have previous guests and friends of the show stop by to talk about spoilers in some of their favorite films. We chat with Max Covill from It's the Pictures (49:03), Andy Crump (56:32), Dede Crimmins (65:48), Charlie Nash from Almost Major (1:12:31), J.C. from Screen Fix (1:21:24), Kristen Halbert (1:34:44), and The Lady-Wan from ScreenRun (1:49:15). And if that wasn't enough, this week's Patreon bonus audio, where we talk about Robin Hardy's 1973 horror film THE WICKER MAN is available for everyone to hear!

durée : 01:30:00 - Les Nuits de France Culture - Par Francesca Piolot - Avec Gilles Gourdon, Michel Field, Maxime Héraut, Jean-Loup Bourget, Jane Gozzett, Christophe Carrière et Jean-Pierre Troadec - Avec en archives, la voix de Burt Lancaster - Extraits des films "Bronco Apache", "Vera Cruz" de Robert Aldrich, "Tant qu'il y aura des hommes " de Fred Zinnemann, "Elmer Gantry" de Richard Brooks, "Le Guépard " et "Violence et Passion " de Luchino Visconti - Réalisation Josette Colin

Book Vs. Movie “Musicals in March” The 1931 Play Green Grow the Lilacs Vs the 1955 Musical Oklahoma!It's “Musicals in March” time here at Book Vs Movie The Margos are very excited to start our annual look at famous musicals and the inspiration for them. This episode is dedicated to one of the most successful Broadway shows of all time and the play Green Grow the Lilacs (1931) written by Oklahoma native Lynn Riggs. Riggs came up with the story of Oklahomans Curly, Laurey, and Ado Annie who live in a part of the world that will change dramatically in just a few short years. (Oklahoma became a state in 1907.) Curly is a cowboy (portrayed on Broadway by Franchot Tone) who is in love with Laurey Williams (June Walker) and the path to their relationship takes twists and turns. In this production, which takes place in 1900, American folk songs are used and sung by Tex Ritter on stage. Soon-to-be revered acting teacher Lee Strasberg played a Syrian “peddler” and just as in the musical, Curley is on trial for accidentally killing a farmhand (here his name is Jeeter.) In the early 1940s, Richard Rogers and Oscar Hammerstein took the original play and infused it with more romance, intrigue, dance, ballet, and some of the most memorable songs in Broadway history. When Oklahoma! originally opened on Broadway (March 31, 1943), it became a massive hit that ran for over 2200 performances and won a special Pulitzer Prize in 1944. Some of the actors who played in the original show include John Raitt, Florence Henderson, Alfred Molina, Celeste Holmes, and Jamie Farr. The story is funnier and more robust than the play and the history-making ballet sequence left people breathless. The 15-minuter performance was choreographed by Agnes de Mille (her first Broadway gig!) and represented the desire Laurey has between Curley and Jud Fry. After running for five years and several revivals for the last 80 years, the funny thing about Oklahoma!--because the TONY Awards did not exist until 1947, it never won any major theatrical awards for the original run. The 1955 film stars Shirley Jones, Gordon McRae, Rod Steiger, and Gloria Grahame and was directed by Fred Zinnemann in 70-mm widescreen (available on Disney+) with most of the outdoor shooting taking place in Arizona. It would go on to become a classic with several Academy Award nominations and was inducted into the National Film Registry in 2007. So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The story behind the original play and the theater world of the 1930s The impact on the culture of the musical in the 1940sThe differences between the film and stageStarring: Gordon MacRae (Curly McLain,) Shirley Jones (Laurey Willaims,) Gene Nelson (Will Parker,) Gloria Grahame (Ado Anni Cames,) Charlotte Greenwood (Aunt Eller,) Rod Steiger (Jud Fry,) Eddie Albert (Ali Hakim,) James Whitmore (Andrew Carnes,) and Barbara Lawrence as Gertie Cummings. Clips used:Oklahoma! themeOklahoma! original trailer“The Persian Goodbye” “Kansas City” Curley kisses LaureyAli Stroker “I'm Just a Girl Who Can't Say No” (2019 TONY Music by Richard RogersBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

En el Berlín de entreguerras, los ciudadanos sobrellevan la semana a la espera del descanso dominical. Un grupo de amigos planea una escapada al campo, pero las cosas se complican entre ellos. Es el argumento de Los hombres del domingo ("Menschen am Sonntag", 1930, Alemania) de Robert Siodmak, con Brigitte Borchert, Christl Ehlers, Wolfganf von Waltershausen, Annie Schreyer y Erwin Splettstösser. Esta "película sin actores", como se autodenomina en sus primeros minutos, contó tras la cámara con el talento colectivo de Robert Siodmak, Edgar G. Ulmer, Curt Siodmak y Fred Zinnemann, así como con un joven Billy Wilder al guion. Con vocación de retrato documental, el film utilizó actores no profesionales en una historia que, no obstante, se mueve en todo momento entre la mirada puramente observacional (e improvisada) y la dramatización meticulosamente escrita.Más información de este acto