Podcasts about Rourke

HOUR 3 - He's the face that runs the place! B.C. Lions quarterback Nathan Rourke joins The Green Zone to talk about his preparations for the 2026 CFL season and goals for the future. There is no doubt that Canadian quarterback, Nathan Rourke, is the face of the CFL in 2026. Given that he is Canadian, a quarterback and has a ton of talent, many have put him high on their list of CFLers to watch. But there are some that are waiting for Rourke to win a Grey Cup before they put him high on their lists. Are you cheering for Rourke to be great? The Green Zone

Lisa O' Rourke's journey to the top of boxing is an interesting one and far from straightforward. Growing up on a farm in Roscommon, Lisa only started boxing at the age of 15. Since then, it's been a roller-coaster journey - one that involves her sister Aoife, the GAA, plenty of setbacks and ultimately a World Championship title.In this interview, Lisa lets us inside the curtain of what it takes to be a top boxer. Already a world champion and world silver medallist, Lisa is not content and has her sights set on bigger and brighter stages. The 2028 Olympics in LA is the ultimate goal but there are several hurdles to jump before that. Listen to Aoife's story on this week's Young Stock Podcast.Join us at the UCD Lyons Crops Open Evening on Thursday, the 25th of June at 6pm where we will be recording the Irish Farmers Journal Tillage Podcast LIVE. You'll get a tour of cutting-edge research into milling wheat, intercropping, and nitrogen rates. Hear from UCD's Finbar Mulligan on feeding native Irish grain to dairy cows, plus Kevin McDonnell and Tomás McCabe on the season so far. It's a night not to be missed. Register now by clicking the link below Please see link here: https://share-eu1.hsforms.com/1TD2IPxPUTuyqGnuWFnPwQwets9e or www.ifj.ie/tillagepodcastlive Hosted on Acast. See acast.com/privacy for more information.

If you are worried about China taking over due to having better robots than the yanks, I got mixed messages for ya here. This was created using DeepSeek v4 Pro. Remember when DeepSeek could do the same thing as chatGPT but on shitty processors and not much RAM? All those stocks shit themselves? Oh what memories. Would have been a great time to buy NVIDIA stocks. I didn't, if you're asking....It's pretty good but it really didn't follow the instruction in the prompt that Joel Hill is Jack the Insider on the transcript. So that's a minus point. But also, this took fucking ages to generate. It's better than lots of the yankee slop but damn son this took MINUTES. So they might take over if we are patient or whatever. Enjoy the episode. ----------------------------------------------Joel Hill (Jack the Insider) and Hong Kong Jack return for a sprawling episode that tackles two of the biggest stories shaping politics in 2026. The pair open with the jaw-dropping Redbridge poll putting One Nation at 31% of the primary vote — a number that would all but wipe the National Party off the federal map and potentially deliver Anthony Albanese a strengthened majority government by splintering the right. Joel and Jack clash over whether culture-war grievances or material concerns are driving the surge, while drawing historical parallels to Joh for Canberra and the DLP split of the 1950s.The conversation then crosses hemispheres for a tour through UK chaos: Peter Mandelson's leaked dossier exposing a rudderless No. 10 under Keir Starmer, Nicola Sturgeon's estranged husband pleading guilty to embezzling SNP donations on a surreal shopping spree of Lalique salt shakers, seven Dysons, and a motorhome with four miles on the clock, and a deeply troubling police body-cam incident that has reignited the two-tier policing debate ahead of three critical by-elections.The centrepiece of the episode is a sober, hour-long deep dive into the COVID-19 pandemic and what Australia has refused to learn. The Two Jacks lay out the true death toll (perhaps 22 to 69 million globally), the devastating scale of long COVID, the vaccine rollout failures, the absurdities of hotel quarantine with rubbish bags over heads, and why governments and public health officials are desperate to avoid a Royal Commission. They close by asking whether the next pandemic will meet a population that has permanently lost trust in its leaders — and whether we'll simply repeat the mistakes of both COVID and the Spanish flu.Sport provides a lighter coda: the Carlton revival under an interim coach, James Hird's awkward candidacy at Essendon, the expanded 48-team World Cup that nobody seems excited about, and a formidable New Zealand Test side taking on England at Lord's.00:00:25 — Introduction Joel welcomes listeners to Episode 159, recorded 4 June. Today: Australian political news, a check-in on the UK, and a deep dive into the COVID-19 pandemic.00:01:21 — The Redbridge Poll: One Nation at 31% The AFR's Redbridge poll: One Nation 31%, Labor 28%, LNP 20%, Greens 12%. The two-party preferred is now being calculated as One Nation versus Labor — a seismic shift in how Australian politics is measured.00:03:12 — Not Just a Protest Vote Jack argues this is real, not a re-run of Hanson's 1990s flash-in-the-pan. The South Australian state election and the Farrah by-election suggest One Nation support is durable. Joel counters that protest votes can be expressed at the ballot box and that Australians are tiring of pluralism.00:04:09 — If One Nation Succeeds, Labor Wins The cruel irony: One Nation's rise probably delivers Labor government. The National Party could simply disappear. The DLP kept the Coalition in power for decades as an anti-Labor party; One Nation may do the reverse.00:05:46 — Scrutiny and Splintering Joel notes One Nation's policies are "two-sentence fragments" and motherhood statements. When proper scrutiny arrives, the contradictions will surface. Hanson's parliamentary attendance is as poor as imaginable.00:08:22 — The Third Rail Jack argues populists succeed because they discuss what polite society won't: immigration, culture wars, welcome to country rituals. The major parties must engage these topics or cede the ground entirely.00:11:34 — Feeling Unheard The core driver, Jack contends: voters feel sneered at and silenced by mainstream politics. It's not about flag counts, it's about being listened to.00:13:50 — What Actually Drives Votes Joel pushes back: voting determinants are the household economy, migration, climate change — not culture war trivia. Culture wars "don't amount to a hill of beans" at the ballot box.00:14:51 — The DLP Parallel Both agree the One Nation phenomenon most closely resembles the DLP split of the 1950s and 60s — a right-wing fracture that delivered Labor government after Labor government.00:17:18 — The Republic Referendum Lesson Jack recalls the 1999 republic referendum: pro-republicans split between models rather than uniting, scuppering the whole project. Voters will vote their preference even knowing it helps their enemy.00:19:32 — UK Parallels: Accommodate or Fight? Significant figures in the UK Tory party are debating whether to fight Reform or reach an accommodation. Tony Abbott recently said the Liberal Party won't criticise Pauline Hanson.00:21:48 — Joh for Canberra Redux Imre Salusinszky's comparison: this is "Joh for Canberra" all over again. But Joel notes Joh's moment lasted months; One Nation's has already lasted years.00:24:08 — State Election Previews Joel predicts the Victorian state election will be chaotic and peculiar — a government that's been in power too long, an opposition that may not be up to the task, and One Nation peeling votes from safe Labor seats. NSW will give a clearer reading.00:25:44 — Hanson "Ready to Govern" — from the Senate? Pauline Hanson announced she's ready to govern. Joel asks: shouldn't she contest a lower-house seat first? Jack recalls the only precedent: John Gorton became PM while still a senator, but had to be eased into Kooyong.00:28:20 — The Mandelson Dossier: Starmer's Empty Suit Jack's read of the leaked Mandelson documents: ministers don't know what the PM wants, there's zero respect or fear of his authority. Starmer comes across as an empty chair. One minister's text: "Every meeting with Labour MPs — it's all about who can we tax to pay benefits to other people."00:30:50 — Mandelson's Legal Peril Mandelson is under police investigation for misconduct in public office. Could face charges — the seriousness depends on whether it's mere misconduct or genuine bribery for foreign interests.00:31:49 — The Nicola Sturgeon Saga Her estranged husband has pleaded guilty to embezzling roughly £400,000 in SNP donations. The shopping list: six high-end coffee machines, seven Dyson vacuums, Lalique salt and pepper shakers, Montblanc pens, Swiss watches, an iJag, part of a Volkswagen, and a motorhome with four miles on the clock parked at his 92-year-old mother's house. Nicola claims she "didn't go in the kitchen much."00:34:20 — The BBC Interview Laura Kuenssberg's forensic interview with Sturgeon — "not quite Prince Andrew, but not much better." Sturgeon has been cleared by Police Scotland, but her reputation, already damaged by the Alex Salmond trial, is now in tatters.00:35:05 — Will He Go to Prison? £400,000 is a substantial sum. With another £600,000 unaccounted for, a custodial sentence seems likely. The money was ring-fenced for a second independence referendum push.00:36:50 — Money Laundering or Conspicuous Consumption? Joel wonders if the bizarre purchases — multiple watches on the same day — were an amateur money-laundering attempt: buy goods with SNP funds, sell them quietly for cash.00:38:23 — UK By-elections: Makerfield Looms Three by-elections on 18 June, including the critical Makerfield contest. Andy Burnham, Greater Manchester's high-profile mayor, is the tepid favourite. Low turnout could help him return to Westminster.00:39:30 — The Body-Cam Incident A white teenager accused of racially vilifying a Sikh man was stabbed — and police arrested the bleeding victim, not the attacker. Body-cam footage shows the victim saying "I can't breathe, I've been stabbed" while officers dismiss him. Joel calls the footage "just awful."00:41:22 — Two-Tier Policing Jack traces UK policing's overcorrection: after the Macpherson/Lawrence report, guidelines were rewritten so aggressively that they've produced a pattern of questionable enforcement that devastates community trust — and plays directly into Tommy Robinson's hands.00:42:08 — NSW Police on Four Corners Joel recommends the harrowing Four Corners investigation: bashings in custody, false arrests, an officer who threw body-cam footage into Sydney Harbour, and two undercover officers jailed for a savage assault. The problem today is general duties policing, not the specialist squads of the 1980s. Some command areas are far worse than others — a leadership failure.00:44:55 — Victoria Police: Under-Resourced, Not Corrupt Joel shares an anecdote: two divisional vans for 80,000 people in outer-east Melbourne. Tough work being a police officer; even tougher being a good one.The COVID-19 Reckoning00:45:09 — Why This Matters Joel sets the frame: we parked COVID in 2023 with a hangover but never understood what we'd been through. Today's episode aims to crack that problem.00:45:51 — The True Death Toll Officially: 7 million dead. But most countries stopped testing and stopped reporting cause-of-death data to the WHO. Using excess mortality, the real toll is between 22 and 69 million — at the high end, exceeding the Spanish flu.00:47:02 — Long COVID's Shadow Roughly 400 million people globally (6% of the population) have experienced long COVID. In Australia alone, between 200,000 and 500,000 people are living with or have lived with the condition. Second infections can be worse. Emerging links to cardiovascular disease, type 2 diabetes, and accelerated dementia.00:49:43 — The Collective Amnesia Governments worldwide have "a collective embarrassment" about how they handled the pandemic, Jack says. They want it in the history books and forgotten. Joel says this is a grave mistake for public trust — and for public health, given COVID is now a permanent fixture alongside flu season.00:50:50 — Why Excess Deaths Are the Only Honest Metric All other figures are "kind of made up" because attribution methods vary wildly between countries. Excess deaths remain elevated in Australia and most nations.00:51:25 — Children and COVID Bobby Kennedy Jr. removed under-18s from government-supported vaccines in the US. Joel argues this is a disastrous move given mounting evidence that childhood COVID infection leads to higher rates of long-term chronic illness.00:52:47 — Why No Royal Commission? Not just politicians protecting themselves — public health officials and much of the media wanted to avoid scrutiny of their judgments and actions during the pandemic.00:53:32 — The Media's Abdication Jack watched "a lot" of Daniel Andrews's daily press conferences. Only two journalists ever asked pertinent questions: Rachel Baxendale and Leigh Sales. Nobody asked why curfews, why beach arrests, why the disparate impact on tradies and cafe owners while the "laptop class" actually made money working from home.00:56:14 — Andrews's Immense Popularity Joel adds context: Andrews was wildly popular at the time, which partly explains the media's deference — though Jack insists that shouldn't have mattered.00:57:34 — The Curfew Nonsense Curfews were about giving law enforcement the easiest possible environment, Joel says — and should have been acknowledged as such and wound back sooner. Meanwhile, Bondi's wealthy swam en masse while Western Sydney's working-class communities were treated harshly.00:57:59 — The Vaccine Rollout Failure The Morrison government bet everything on AstraZeneca — the non-mRNA, first-available vaccine. Then rare blood-clotting issues emerged (seven deaths, mainly men aged 40–49). Meanwhile, Australia was left waiting for Pfizer and other mRNA vaccines because no other supply deals had been secured.00:59:37 — Omicron Breaks the Pandemic's Back The Omicron variant emerged from South Africa: more infectious but far less lethal. Combined with 95%+ vaccination rates among Australians over 18, it effectively ended the acute phase — though at the cost of entrenched mistrust.01:00:38 — Government Overreach and Broken Trust Jack's core criticism: governments outsourced decision-making to public health officials rather than making political judgments that balanced competing interests. Joel counters that it would have been a "bold move" for politicians with no scientific background to contradict public health advice.01:02:19 — "Just Let It Rip" Was Never an Option The three countries with the highest COVID mortality — Brazil (highest), United States (second), India (third) — were all led by populist governments that largely refused mandates. Letting it rip was devastating.01:03:27 — The ADF Quarantine Scandal Scott Morrison refused to allow ADF quarantine facilities to be used for returning travellers. Instead, people were crammed into hotels with gaps under the doors. Joel recalls the "rubbish bags over heads" episode in Victoria — dark green plastic bags as infection control.01:05:00 — The Inquiry's Recommendations Create a proper Australian CDC. Release expert advice publicly. Better national planning with clear political accountability. And critically: politicians must own the big decisions on freedoms and spending instead of hiding behind experts.01:06:01 — The Next Pandemic There will be another one. If it's a respiratory, airborne pathogen like COVID, similar circumstances will return. Are we ready? Probably not. Will we close the country again? The economic damage — unemployment hitting 7.5% in 2020 — was enormous, even if it recovered to 3.5% by pandemic's end.01:08:06 — Who Was Left Behind? The arts community was inexplicably excluded from JobSeeker and JobKeeper. Meanwhile, the "laptop class" working from home effectively got a 15% pay rise by eliminating commuting costs. Bunnings did very well; so did companies that kept JobKeeper without passing it to employees.01:11:14 — The Human Cost of Lockdowns Public housing towers in Flemington were locked down. Joel recalls one family: an African-Australian single mother with nine children in a two-bedroom commission flat, trapped. Jack calls what happened with schools "disgraceful." But Joel notes the evidence now shows childhood COVID infection has serious long-term health consequences, complicating the retrospective judgment.01:13:59 — Will We Learn Anything? Jack's bleak prediction: the next pandemic is probably far enough away that we'll take no notice of COVID's lessons and make the same mistakes. Joel agrees — we didn't learn from the Spanish flu a century ago either.01:15:51 — Malcolm Roberts and Vaccine Misinformation The One Nation senator claims 70,000 Australians died from COVID vaccines — a figure with no evidentiary support, built by misattributing excess deaths. In reality, mRNA technology is now being deployed as a cancer treatment, showing promise against bowel and pancreatic cancers.01:17:36 — Trust Destroyed If the next pandemic arrives within this generation, governments will face a population that has lost faith. If it takes 50 years, the damage may have faded. Western Australia, meanwhile, locked itself down with negligible deaths and actually loved the isolation — provided the iron ore and LNG ships kept moving.01:20:37 — The Spanish Flu Echo Joel's closing historical note: Australia's response to the Spanish flu in 1919–1921 was nearly identical to COVID — lockdown disputes, police arresting people for not wearing masks, states fighting the newly created federal Department of Health. The whole thing collapsed into acrimony the moment state rivalries flared. A century later, nothing had changed.01:21:48 — Federation as Fatal Flaw Jack adds: the three high-mortality COVID countries (US, Brazil, India) share a feature beyond populist leaders — they're all federations where central government power is limited. When "the emperor is far away and the mountains are high," coordinated pandemic response is nearly impossible.01:23:40 — No Appetite for Truth Jack's final word: nobody wants a proper inquiry. Not politicians, not public health officials, not much of the media. Joel disagrees on the importance — the pandemic's legacy still shapes how Australians think, vote, and trust.Sport01:27:40 — AFL Coaching Carousel Essendon and Carlton both need permanent coaches. Joel asks: is James Hird the right man for Essendon? Jack: 17 other clubs wouldn't give him an interview, but the Bombers may have backed themselves into a corner where appointing him is the only way out.01:28:53 — Merit vs Member Sentiment Rowan Connolly's question: would you take James Hird or John Longmire (five grand finals, one premiership, 60%+ win rate)? The answer is obvious on merit — but members and fans want the fairy tale.01:29:47 — Carlton's Astonishing Revival Three straight wins. Ranked 16th in forward-50 entries a month ago; now second. The game style is unrecognisable — no more bombing the ball to non-existent power forwards. Mitch McGovern's low, flat kick to Patrick Cripps for the match-winner against Geelong was emblematic of the transformation. Seven players aged 21 or younger are now getting games and bringing energy.01:33:18 — FIFA World Cup 2026: Nobody's Excited Expanded to 48 teams, Scotland are going — and a Scot in his 30s told Jack that neither he nor any of his mates (all doing well financially, normally first on the plane) have any interest. Ticket prices are "extraordinary." The final is at MetLife Stadium in New Jersey — which Jack describes as "Waverley on steroids, but even more bleak."01:36:08 — Australia's Draw Socceroos face Turkey first up, then the United States. Jack suggests marketing it as "Gallipoli Round Two." Spain are favourites; England, Brazil, and Germany are in the chasing pack.01:37:06 — Cricket: England v New Zealand, First Test at Lord's Joel runs through New Zealand's likely top seven — Latham, Conway, Williamson, Ravindra, Mitchell, Blundell — noting the first four have all made Test double-centuries. "Just about the best first six in Test cricket." With O'Rourke's express pace and Henry's quality, this is a formidable Black Caps side.01:38:40 — Stump Speech & Next Week Listener mail (including an "exposé of who Jack is") held over for next episode. For the record: Hong Kong Jack's CV includes HSC at Assumption College Kilmore, a stint as a carpenter, a law degree from Melbourne University, stints at Holding Redlich and Slater & Gordon, work as a litigation and immigration lawyer, and an appointment to the Refugee Review Tribunal as a federal cabinet appointee.01:40:39 — Outro Joel thanks listeners for hanging in for an extra ten minutes. Back next week.The Two Jacks is recorded weekly. Send your questions and feedback to the show.

Listen-back to highlights from Dicksboro's Fittest Superstar as broadcast live by CRKC with Liam Kelly O'Rourke and Barrie Henriques.

Captain James Ryan, manager Dessie Farrell and selector Eddie Doyle spoke to CRKC Sport matchday commentator Liam Kelly O'Rourke.

Calling the action from Abbottstown for CRKC Sport were Liam Kelly O'Rourke and Shane Pollard.

I WATCHED THE DEMOCRATIC GOVERNOR’S DEBATE So you didn’t have too. Oof. It was super boring. My claim that it would be a milquetoast bloodbath was spot on. Kyle and Marshall asked softball after softball, never asking about Phil Weiser being Attorney General while crime and drug overdoses skyrocketed while he sued Trump. Never asked Michael Bennet who voted for bloated budget after budget in DC what his budget would look like in Colorado. What a waste of time, but if you think Polis and the Democratic Legislature were bad, wait until one of these guys gets into office. Bennet said he wants a budget destroying public option. They both said they would sign the labor bills Polis vetoes. They kept talking about affordability and then talking about more regulation in the next breath as if they aren’t inextricably linked. We are so screwed. As much as I hate to do this, you need to watch this debate. If for no other reason than see how bad things are going to get. Longtime journalist Chris Rourke is joining me at 1 to talk about it.See omnystudio.com/listener for privacy information.

Was the Poltergeist curse real, or did the world get Heather O'Rourke's story wrong for 38 Years?On February 1, 1988, Heather O'Rourke died at twelve years old. For nearly four decades the world has filled that silence with rumors. She Was Here, the new documentary produced by Brian Pocrass and directed by Nick Bailey, is the first authorized account of what actually happened, told by Heather's mother Kathleen, her sister Tammy, and the people who knew and worked with her.In Episode 279, Christian sits down with producer Brian Pocrass to talk about how She Was Here came together, what it cost to earn the trust of a grieving family that had been burned by Hollywood for nearly four decades, and why he believes Heather's death was completely preventable. Brian is a USC Film School graduate with fifteen years in the entertainment industry who later became an attorney. He calls this his first documentary.At the heart of She Was Here is a question Brian poses to himself as a producer: how much oxygen do you give a lie? Heather's death from a misdiagnosed intestinal condition, treated as Crohn's disease, became, in the tabloid press of the late 1980s, the foundation of what came to be called the Poltergeist curse. Brian's film is a working filmmaker's answer to that question, anchored in legal depositions, family archives, and the testimony of the people who loved her. It is also, as he tells Christian, a film about loss.IN THIS EPISODE, YOU'LL LEARN:Why Heather O'Rourke's family broke nearly four decades of silence to participate in She Was HereHow a misdiagnosis took Heather's life at twelve, and what her mother wants every parent to know about medical decisionsHow the Poltergeist curse rumor started, and why Heather's family is finally telling the real storyWhat it actually takes to earn the trust of a grieving family that has been burned by Hollywood for thirty-eight yearsWhy Brian Pocrass, a USC Film School graduate, returned to filmmaking after a fifteen-year career and a transition to lawHow Brian used his legal background to read sealed depositions from the 1991 lawsuit and uncover the real storyWhy directors like Gary Sherman and stars like Craig T. Nelson and JoBeth Williams broke their "Heather Shield" silence for this filmThe first-hand account of the Poltergeist III set explosion in Chicago, told by an eyewitness who was thereHow Brian defines the "illusion of documentary filmmaking" and the rhythm that holds a non-fiction story togetherThe Steven Spielberg interview Brian could not get, and why he is willing to talk about it publiclyThe documentary Brian could not stop thinking about, his DocuView Déjà Vu pickCHAPTERS00:00 Her Death Was Completely Preventable: The Heart of She Was Here00:29 Welcome to Documentary First with Christian Taylor00:52 Meet Brian Pocrass: USC Film School Grad and She Was Here Producer02:25 The Childhood Crush That Fueled a Documentary07:11 The Tipping Point: Why Brian Made the Film09:48 Earning the O'Rourke Family's Trust After an Initial No12:40 The Full Circle Moment: Setting Heather Free14:52 Did Heather's Mom and Sister Feel Heard15:27 Craig T. Nelson, JoBeth Williams, and the Heather Shield18:43 How the Poltergeist Curse Rumor Was Born22:00 Mystery Guest: A Witness to the Poltergeist III Set23:27 Carolyn Caruso Jollette on Filming Day at Mid America Plaza24:20 The Garage Explosion and the Haunted Salon28:15 Brian Tells the Explosion Story From Heather's Side30:13 The Misdiagnosis: A Death That Could Have Been Prevented33:29 Using a Legal Background to Read the Depositions35:58 The Illusion of Documentary Filmmaking42:37 The Interview Brian Couldn't Get: Spielberg's Gatekeepers44:48 A Documentary Filmmaker's Real Definition of Success47:48 DocuView Déjà Vu: Brian Recommends Adrienne50:24 Documentary First Sign-OffFREQUENTLY ASKED QUESTIONSHow did Heather O'Rourke really die?Heather O'Rourke died on February 1, 1988, in San Diego at twelve years old. The cause was septic shock from an acute bowel obstruction, ultimately traced to a congenital intestinal abnormality that had been misdiagnosed as Crohn's disease. The misdiagnosis is the central tragedy of She Was Here — producer Brian Pocrass calls her death "completely preventable" with the correct diagnosis and a simple surgery. The film's authorized account ends decades of conspiracy speculation about her death.Is the Poltergeist curse real?The "Poltergeist curse" is a tabloid-era rumor that grew from the deaths of four Poltergeist trilogy cast members across the 1980s. Heather O'Rourke's family, who appear throughout She Was Here, reject the curse narrative as a painful misrepresentation of their daughter and sister. The documentary presents the authorized medical and legal record: Heather's death was a misdiagnosed congenital condition, not a curse.Where can I watch the Heather O'Rourke documentary?She Was Here is available to stream on Amazon Prime Video, Apple TV, and Fandango at Home. The 85-minute documentary was released on February 24, 2026, distributed in the United States by Virgil Films Entertainment and internationally by Indiecan Entertainment. It is directed by Nick Bailey and produced by Brian Pocrass, Reese Eveneshen, and Avi Federgreen.What is the She Was Here documentary about?She Was Here is the authorized biographical documentary of Heather O'Rourke, the child actress who played Carol Anne in the Poltergeist trilogy and died at twelve in 1988. The 85-minute film features unprecedented access to her family's diaries, letters, and home videos, plus interviews with Craig T. Nelson, JoBeth Williams, Zach Galligan, Gary Sherman, and Heather's mother and sister. The film's purpose is to recover Heather's life from decades of curse mythology.DOCUVIEW DÉJÀ VU PICKSBrian's recommendation:• Adrienne (2021), directed by Andy Ostroy. A documentary about the murdered filmmaker, screenwriter, and actress Adrienne Shelly (Waitress), made by her husband. Brian was struck by the moment in the third act when Ostroy goes to prison to confront his wife's killer face to face, showing photographs of the milestones his daughter has reached without her mother. Streaming on HBO Max.SPONSORED BYDocumentary First is proudly sponsored by Virgil Films Entertainment, an independent film distributor with more than twenty-five years of experience. Virgil has released Super Size Me, the Oscar-nominated Restrepo, Forks Over Knives, and many other documentary classics. If you are a filmmaker struggling with distribution, visit virgilfilms.com and tell them Christian Taylor sent you.ABOUT BRIAN POCRASSBrian Pocrass is a USC Film School graduate and the producer of She Was Here. After fifteen years working in the entertainment industry across television, film, and digital media, he made a career shift to law and now practices as an attorney at POCRASS & DE LOS REYES, LLP in Los Angeles. She Was Here marks his return to filmmaking, driven by a personal connection to Heather O'Rourke's story that began when he was nine years old.Connect with Brian: Instagram @brianpocrass · LinkedIn linkedin.com/in/brianpocrassABOUT SHE WAS HEREShe Was Here is an 85-minute documentary released on February 24, 2026. Directed by Nick Bailey (based in Waukesha, Wisconsin) and produced by Brian Pocrass, Reese Eveneshen, and Avi Federgreen, the film features interviews with Kathleen O'Rourke, Tammy O'Rourke, Craig T. Nelson, JoBeth Williams, Zach Galligan, Gary Sherman, and other figures from Heather's life and career. She Was Here is distributed in the United States by Virgil Films Entertainment, and internationally by Indiecan Entertainment.Watch: Apple TV · Amazon Prime Video · Fandango at HomeFollow: Instagram @shewasheredocABOUT OUR MYSTERY GUEST: CAROLYN CARUSO JOLLETTECarolyn Caruso Jollette appeared on this episode as Christian's mystery guest with a remarkable first-hand connection to the Poltergeist III production. She was a Chicago Honey Bear during the 1979 to 1980 NFL season, and during that time guest-starred on the Emmy-winning television show You're Never Too Old. After her time on the sidelines, Carolyn opened a full-service salon at Mid America Plaza in Oak Brook, Illinois, the very building where Poltergeist III filmed its underground garage scenes. She was on the first floor when the on-set explosion happened and gives an eyewitness account in this...

On this episode of Remainders we watch the 1987 movie Barfly. Written by Charles Bukowski, Barfly tries to capture the outsider drunk persona of Henry Chiaski, Bukowski's alter-ego, as he lives in L.A. asking the eternal question: who am I? As part of a Mickey Rourke double-feature, we'll check out how Rourke evolved (or devolved) in Hollywood and whether Bukowski romanticizes self-destruction.Other topics include the rest of Rourke's career, existentialism in film, Riot Fest, new physical media by Kino Lorber, and indie-horror movies Obsession and Backrooms beating Star Wars.Songs of the WeekHere's Your Future by The ThermalsMe Against the World by Lizzy BordenRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Davy Fitzgerald speaks to Liam Kelly O'Rourke ahead of the highly anticipated Dicksboro Fittest Superstar event on Saturday, May 30.

Brian Wawryshyn of the BCLionsDen Pawdcast joins Travis Currah and Sheldon Jones to preview the BC Lions ahead of the 2026 CFL season.   00:00 - Open 00:25 - Being a nomadic team to start 2026 01:41 - Engaging the entire province of British Columbia 02:44 - The BC offense taking the next step 04:26 - New faces on defense 06:48 - Veterans on defense 10:13 - Continuity in the front office 11:41 - Holes that they've tried to fill in the offseason 12:43 - How's Sean Whyte looking? 14:08 - Rourke's goal of single digit interceptions 16:47 - The hump to get over for the Lions 19:13 - Mathieu Betts getting off to a fast start 20:13 - Who will handle short yardage for the Lions?   SUBSCRIBE https://www.youtube.com/channel/UCp1-WTbs82THRNHc-RQbCVA    2 and Out Merch: https://2-and-out-cfl.myspreadshop.ca/    Patreon: https://www.patreon.com/2andOutCFLPodcast 

Antrim senior hurling manager and Clare goalkeeping legend Davy Fitzgerald joins Liam Kelly O'Rourke to preview Kilkenny and Dublin's crunch Leinster Championship meeting in Parnell Park on Sunday.***NOTE*** A full interview with Davy Fitzgerald building up Dicksboro's Fittest Superstar fundraiser, scheduled for Saturday, May 30th, will drop here as a podcast on Tuesday.

In this Dailycast episode of Wrestling Coast to Coast, Chris Maitland and Justin McClelland review Beyond Wrestling's WWEID Talent showcase featuring many of the WWEID signed wrestlers, main evented with Evolve Champion Aaron Rourke defending his title against Mike Cunningham, Cappuccino Jones and Sam Hardway Holloway have a great match, lots of weird naming quirks, we learn the definition of Mod, and give our thoughts on the show and where we think WWEID program is headed. For VIP listeners, we go to upstate New York for Awesome Championship Wrestling where Andrade El Idolo defends a Chilean Title against Richard Holiday and the Righteous faced the mismatched team of Wrecking Ball Legursky & Yucifer El.Become a supporter of this podcast: https://www.spreaker.com/podcast/pwtorch-dailycast--3276210/support.

Listen in to a jovial conversation with local Duluth runner Tom O’Rourke as he reminisces on his running career, from starting running after college as a way to kick cigarettes, to running several marathons and chipping down his time, to decades later dipping his toes into trail ultramarathons. Tom was mentored early on by the legendary Dan Conway – listen in to hear stories from the Duluth running scene in the 90’s and 00’s. Tony and Mike talk with Tom about training, balancing work and life obligations with training and racing, and Tom’s favorite parts about being a Duluth running. Tom’s story is taking a full circle moment has he looks forward to more trail-oriented races and getting out into the woods. The three share lots of laughs in this hilarious interview – enjoy the conversation!

durée : 01:00:07 - par : François Bonnet - Le musicien, compositeur et producteur Jim O'Rourke est l'invité du GRM dans L'Expérimentale. Collaborateur de Sonic Youth, Derek Bailey ou Merzbow, il propose une sélection d'œuvres traversant folk orchestral, jazz, minimalisme et expérimentations électroacoustiques. - réalisation : Alexandre Bazin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

With almost two weeks of training camp in the books, Matt and Nik are joined by reigning Most Outstanding Player and Outstanding Canadian Nathan Rourke in Kamloops. Rourke talks about camp life, the ups and downs of daily battles against an improved Lion defence and how he holds himself to a high standard, no matter what happened on the previous play. We also talk more about the Tournament Capital with Tourism Kamloops Director of Brand & Marketing Carmen Herman. We wrap things up with trivia and a little Go For It Or Punt! TIMESTAMPS: ⁣ 0:00 - intro 1:37 - training camp updates 20:04 - Nathan Rourke interview 43:35 - Carmen Herman interview 53:44 - Kowalski's Lions trivia 58:10 - Go for it or Punt

Shawn Roarke of NHL.com joins the show to talk about the biggest storylines of the opening round of the Stanley Cup Playoffs.

Eddie and Rocky talk with Scott Wartman, Tanya O'Rourke, Amara Durham, and more on 700 WLW!

Watch the full episode on our YouTube channel: youtube.com/@mreapodcastWhat if we could build a real estate business that pays us month after month, not just deal by deal?In this episode, we sit down with Justin Rourke and John Martin to break down the real business of property management. They show us how they built a recurring revenue model alongside their sales business, and how that one move opened the door to even more opportunity through construction, roofing, and long-term client relationships.In this practical conversation, we get into the numbers, the people, and the systems with Justin and John. They walk us through how they get paid, how they staff the business, how they win referrals from agents, and what it really takes to manage more than 850 homes. The two also share the hard truth about property management: the industry can create stable income, but it takes time, trust, and a strong operations machine to be successful.If we have ever wondered whether property management could become a real wealth-building arm of our business, this episode gives us a clear look at the model.Resources:Visit: Tower Property Management at towerprops.comOrder the Millionaire Real Estate Agent Playbook | Volume 3Connect with Jason:LinkedinProduced by NOVAThis podcast is for general informational purposes only. The views, thoughts, and opinions of the guest represent those of the guest and not  Keller Williams Realty, LLC and its affiliates, and should not be construed as financial, economic, legal, tax, or other advice. This podcast is provided without any warranty, or guarantee of its accuracy, completeness, timeliness, or results from using the information.WARNING! You must comply with the TCPA and any other federal, state or local laws, including for B2B calls and texts. Never call or text a number on any Do Not Call list, and do not use an autodialer or artificial voice or prerecorded messages without proper consent. Contact your attorney to ensure your compliance.

What if the way we talk about breast cancer needs to change? In this episode of The Confidence Doc®, Dr. Rukmini (Vinaya) Rednam sits down with Dr. Loren Rourke, author of Real Talk, Real Hope: Breast Cancer Your Way, to have an honest and empowering conversation about navigating a breast cancer diagnosis. This isn't just medical information — it's about giving women clarity, support, and the confidence to make decisions that feel right for them. In this episode, they discuss: • Why Dr. Loren Rourke wrote Real Talk, Real Hope • What's missing in the current breast cancer conversation • The emotional reality of a diagnosis • How women can advocate for themselves • Why every journey should be personalized • The message every woman needs to hear If you or someone you love is navigating breast cancer, this conversation offers a perspective that is both real and hopeful.

December 13, 1976. Fairfield, Maine. The daughter of 31-year old Pauline Rourke kisses her sleeping mother goodbye before leaving for school, but when she returns home later that day, Pauline has vanished without a trace. Suspicion turns towards Pauline's live-in friend, Albert Pat Cochran, who frequently fought with her and had developed an odd obsession with the recent murder of another woman from the area named Janet Baxter. Two decades later, Pat is charged and convicted of Janet's murder, but even though he is suspected of being responsible for Pauline's disappearance, there is not enough evidence to implicate him and Pauline is never found. On this week's episode of “The Trail Went Cold”, we explore an unsolved missing persons case involving a victim who has not been seen in nearly 50 years. Additional Reading: https://charleyproject.org/case/pauline-rourke https://www.maine.gov/dps/msp/investigation-traffic/major-crime-units/unsolved/missing-persons/rourke-pauline https://www.newspapers.com/image/849371494/ https://www.newspapers.com/image/856346628/ https://www.newspapers.com/image/665025806/ https://www.newspapers.com/image/855868439/ https://www.newspapers.com/image/856276259/ https://www.centralmaine.com/2017/06/28/man-serving-life-sentence-for-oakland-womans-murder-dies-at-hospital/ https://www.fosters.com/story/news/2017/06/29/police-link-recently-deceased-killer-to-1976-disappearance/20405251007/ https://www.pressherald.com/2017/07/30/a-daughters-enduring-lament-her-remains-are-out-there/ https://www.wabi.tv/content/news/State-Police-Searching-Smithfield-Area-Wells-For-Remains-Of-Missing-Woman-444463513.html https://www.newspapers.com/image/1147332553/ https://www.newspapers.com/image/309356419/ https://www.newspapers.com/image/829806532/ https://www.newspapers.com/image/830077499/ “The Trail Went Cold” is on Patreon. Visit www.patreon.com/thetrailwentcold to become a patron and gain access to our exclusive bonus content. The Trail Went Cold is produced and edited by Magill Foote. All music is composed by Vince Nitro.

In this episode of the CPQ Podcast, Frank Sohn speaks with Rourke McCarron, founder of Kabaido, about building a modern CPQ solution for precision manufacturers. Rourke shares how his experience in the tooling industry revealed a disconnect between sales and engineering teams, which ultimately led him to launch Kabaido in late 2025.  The conversation explores how Kabaido is approaching complex quoting and product configuration for manufacturers that process high volumes of quotes. Rourke explains the company's focus on precision manufacturing, its support for 2D and 3D configuration use cases, and how its platform is designed to help companies move faster from customer request to quote and integration. He also discusses implementation timelines, customer size fit, and why adoption can matter just as much as technical deployment.  A key part of the discussion centers on AI. Rourke talks about KAI, short for Kabaido Applied Intelligence, and describes how AI is being used to support quoting, configurator logic, and integrations with tools such as Excel, Symphony CRM, and Microsoft Dynamics. The episode also touches on Kabaido's MCP-native approach, current growth stage, global team setup, and efforts to obtain SOC 2 Type 2 and related certifications.  For anyone interested in CPQ software, AI in manufacturing, product configuration, quoting automation, or the future of digital sales in complex manufacturing, this episode offers an early look at how a new vendor is approaching the market.

On today’s episode of The Scott Jennings Show, Scott broadcasts live from Washington, D.C., covering breaking news out of Virginia involving a tragic murder-suicide tied to former Lt. Gov. Justin Fairfax, along with continued geopolitical tension as the U.S. naval blockade in the Strait of Hormuz holds and diplomatic efforts with Iran unfold. He’s joined by naval expert Tom Sauer to explain how the blockade works and former Virginia Governor Glenn Youngkin to break down a high-stakes redistricting battle that could reshape the state’s political map. In Hour 2, Scott speaks with Senator Tom Cotton about U.S. leverage over Iran and immigration policy, Noah Rothman on the rise of anti-AI violence, and Congresswoman Elise Stefanik on her new book examining higher education and ideological bias, before wrapping with Meagan O’Rourke on a controversial proposal for government-run grocery stores in New York City and broader economic implications. Call Lear Capital at 800-880-2424 or visit https://LearScott.com https://www.joincrowdhealth.com See omnystudio.com/listener for privacy information.

Eddie and Rocky talk to Patti Newberry, Tanya O'Rourke, Lance Thralkill, Nick Neonakis, and more on 700 WLW!

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Episode Overview In the third instalment of our series on famine and revolution, we pull away the veil of headline numbers to investigate the visceral, human reality of the Great Hunger in Ireland. This is an exploration of a land filling with desperation, where the brutal biological mechanics of what happens when the human body begins to consume itself take centre stage. We examine the fate of a terrified people, facing ruin triggered by a disease that wreaked havoc on already weak economies. From the folklore of the Fear Gorta to the harrowing clinical reports of the era, this episode explores how a society is transformed when it is blindsided by biological disaster and administrative indifference. Key Topics Covered: The Information Vacuum: Comparing our modern “Ocean of Information” to the terrifying silence of the 1840s, where the sickly sweet smell of rot was a mystery without an immediate answer. The Folklore of Famine: Why stories like Hansel and Gretel and the Navajo Dine Bahane carry the genetic memory of starvation, and the specific Irish harbinger of death: the Fear Gorta. The Structural Cage: A deep dive into the Rundale system and Gavelkind inheritance. We look at why the West was trapped in a cycle of subdivision while Ulster was shielded by the “Linen Shield” and Tenant Right. The Biology of Starvation: Using modern metabolic science and contemporary medical records to explain the “Blue Nose,” the “Sunken Orbit,” and the terrifying reality of Autophagy—the body cannibalising its own architecture. The Refeeding Trap: The physiological reason why a crust of bread could become a death sentence for a heart shrunken by atrophy. Conspicuous Consumption: The stark contrast between the “Workhouse Swineries” and the elite social calendar, including the dinner menus of the Cork Harbour Regatta. The Gregory Clause: How a single piece of legislation—the Quarter-Acre Clause—was used to engineer the clearances and force the starving into homelessness. The Ledger of the Dead: Analysis of the 1851 Census and the 20–25% demographic erasure that redefined Ireland forever. SOURCES Historical Research & Modern Analysis Delaney, Enda. (2020, December). “‘There But For The Grace of God Go I': Middle-Class Catholic Responses to Ireland's Great Famine.” The English Historical Review, Vol. 135, No. 577, pp. 1433–1460. Donnelly, James S., Jr. (2002). The Great Irish Potato Famine. Stroud: Sutton Publishing. Guinnane, Timothy W. (1994). “The Great Irish Famine and Population: The Long View.” The American Economic Review, Vol. 84, no. 2, pp. 303–08. Ó Gráda, Cormac. (2013, March). “Eating people is wrong: Famine’s darkest secret?” UCD Centre for Economic Research, Working Paper No. WP13/02. O'Riordan, Edmund. (2018, May/June). “‘Every Delicacy of the Season'—Conspicuous Consumption During the Great Hunger.” History Ireland, Vol. 26, No. 3, pp. 26–29. Poirteir, Cathal (Ed.). (1999). The Great Irish Famine. Dublin: Mercier Press. Woodham-Smith, Cecil. (1962). The Great Hunger: Ireland 1845–1849. London: Hamish Hamilton. Guinnane, Timothy W. “The Great Irish Famine and Population: The Long View.” The American Economic Review, vol. 84, no. 2, 1994, pp. 303–08. JSTOR, http://www.jstor.org/stable/2117848. Accessed 31 Mar. 2026 Scientific & Medical Analysis of Starvation Anabtawi, O., & Valente, B. (2025, August 12). “The science of starvation: This is what happens to your body when it's deprived of food.” The Conversation. Donovan, Daniel. (1848). “Observations on the Peculiar Diseases to Which the Famine of Last Year Gave Origin.” Dublin Medical Press. Keys, Ancel, et al. (1950). The Biology of Human Starvation. University of Minnesota Press. (References derived from the Minnesota Starvation Experiment). Primary Documents & Government Records Devon Commission. (1845). Report from Her Majesty’s Commissioners of Inquiry into the State of the Law and Practice in respect to the Occupation of Land in Ireland. Hansard Parliamentary Debates. (1849). HL Deb 15 June 1849 vol 106 cc285-300. (Correspondence of the Earl of Clancarty regarding Ballinasloe). O’Rourke, Canon John. (1875). The History of the Great Irish Famine of 1847. Ridgway, James. (1847). The Irish Relief Measures, Past and Future. Regional Studies & Files Best, Barbara. (2025). “Local Female Orphans and The Earl Grey Scheme 1848-1850.” Tobin, J. “The Famine in Ballyduff and the evictions of Arthur Usher Kiely.” Ballyduff Archive. University College Dublin. (2024). “Hansel and Gretel's famine folklore origins.” The Cambridge Group for the History of Population and Social Structure. Folklore & Cultural Context Dine Bahane. Navajo creation mythology regarding resource scarcity and survival. Fear Gorta (The Hungry Man). Traditional Irish folklore regarding the personification of hunger. Yoruba Mythology. Oral traditions regarding the “Leopards Famine.” The post EP068 WHEN HUNGER WALKS THE LAND appeared first on AGE OF VICTORIA PODCAST.

Hidden costs behind every great life - download for free here: https://aaronmachbitz.com/cost/ Damon Rourke joins Something For Everybody this week. Damon is a successful entrepreneur with sales and marketing expertise.  In this conversation, we reflect on the challenges and joys of parenthood while balancing a successful business. Damon emphasizes the importance of prioritizing family, defining personal values, and maintaining open communication with children. The discussion also touches on the significance of gratitude, the pressure of responsibility, and the need for self-reflection in order to grow and adapt as a parent and individual.  -

Eddie and Rocky talk with Dan Varroney, Tanya O'Rourke, chat with ABC News, talk with Dr. Jonathan Thorpe, and more on 700 WLW!

You're not broken. You're just still in survival mode.I'm Shardé O'Rourke, LMFT, LPC, LSATP "the Barefoot Therapist". I've spent 15 years helping black folks, veterans, military families, and anyone healing from trauma, toxic relationships, or just... life. This podcast is where we get into the stuff that keeps you stuck and I give you actual tools to move through it.No fluff. No toxic positivity. Just real conversations that help you reflect, unlearn, and rebuild.SHOP MY RESOURCES:

LISTENER DISCRETION IS ADVISED! ADULT THEMES. LANGUAGE. References: Smith, J. E., Cardigan, R., Sanderson, E., Silsby, L., Rourke, C., Barnard, E. B. G., Basham, P., Antonacci, G., Charlewood, R., Dallas, N., Davies, J., Goodwin, E., Hawton, A., Hudson, C., Lucas, J., Keen, K., Lyon, R. M., & Nolan, B. (2026). Prehospital whole blood in traumatic hemorrhage — a randomized controlled trial. The New England Journal of Medicine. https://doi.org/10.1056/nejmoa2516043 Dr. Antevy's Discussion Thread on LinkedIN: https://www.linkedin.com/posts/peter-antevy-md-faems-a9b11726_the-swift-trial-just-published-in-nejm-group-activity-7440071242285625344-1HZP?utm_source=share&utm_medium=member_desktop&rcm=ACoAAF6Ls6YBtNzvNfxmvsyVNOMy6QNK6Bc_pj4

Erin's fresh from a lung drip and talking "juvie stuff" with an ex-cop and Bryan was astounded by the bad wigs at his favorite community theater's production of Steel Magnolias. Erin discusses the U.N.'s Commission on the Status of Women and how the United States was the only vote against the agenda of strengthening access to justice for women and girls by eliminating discriminatory laws and practices. Bryan celebrates Aaron Rourke becoming the first openly gay champion in WWE Developmental history. For all our Heated Rivalry Recaps visit www.patreon.com/attitudesSee omnystudio.com/listener for privacy information.

We had a blast in Houston over the weekend as media partners of the Harris County Democratic Party Convention! Later this week, watch for a recording of all the speeches given in the convention hall - but we start with all of the interviews with lawmakers, thought leaders, candidates and more that we gathered over the course of the day! These are presented in the order we recorded them, between 9am and about 4pm on Saturday March 21.00:40 - Ann Johnson, Houston State Representative, District 13409:53 - Annise Parker, former Houston mayor and candidate for Harris County Judge15:59 - Gene Wu, Houston State Representative for District 137 and Texas House Minority Leader23:49 - Dr. Wil Jeudy, Secular Houston co-founder and Progress Texas board member30:35 - Alejandra Salinas, Houston City Council Member At-Large35:28 - Stephanie Bord, State House District 126 Democratic Nominee40:52 - Tyler Smith, State House District 138 Democratic Nominee45:54 - Josh Wallenstein, State House District 133 Democratic Nominee49:28 - Sara McGee, State House District 132 Democratic Nominee55:46 - Odus Evbagharu, State House District 135 Democratic Nominee1:00:40 - Lauren Ashley Simmons, State Representative for District 1461:07:11 - Lesley Briones, Harris County Commissioner, Precinct 41:10:24 - Beto O'Rourke, former U.S. Congressman and founder of Powered By People1:19:20 - Marquette Greene-Scott, State House District 22 Democratic Nominee1:26:39 - Melissa McDonough, U.S. Congressional District 38 Democratic Nominee1:31:00 - Benjamin Flores, Texas Land Commissioner Democratic NomineeThanks for listening! Learn more about Progress Texas and how you can support our ongoing work at https://progresstexas.org/.

Eddie and Donna talk to David Ferrara, Tanya O'Rourke, Dave Hatter, Dean Regas, and more on 700 WLW!

You're not broken. You're just still in survival mode.I'm Shardé O'Rourke, LMFT, LPC, LSATP "the Barefoot Therapist". I've spent 15 years helping black folks, veterans, military families, and anyone healing from trauma, toxic relationships, or just... life. This podcast is where we get into the stuff that keeps you stuck and I give you actual tools to move through it.No fluff. No toxic positivity. Just real conversations that help you reflect, unlearn, and rebuild.SHOP MY RESOURCES:

Brad Rourke, Executive Chairman of Scottie Resources Corp. (TSXV: SCOT) (OTCQB: SCTSF) (FSE: SR80), joins us to review the final drill results from the 2025 drill program at the Blueberry Contact Zone, and we look ahead to the fully-funded 50,000 metre 2026 Drill Program at the Scottie Gold Mine Project; located in the Golden Triangle of British Columbia.  Once all the data from both the 2025 and 2026 drill programs are analyzed, then an updated Resource Estimate and Feasibility Study will be released next year.   Brad has moved into the role of Executive Chairman, focused on strategic oversight, capital markets engagement, and corporate development initiatives. He has passed the leadership baton to Thomas Mumford, promoting him to CEO, as well as President. Mr. Rourke has been instrumental in assembling the Company's current management team and Board of Directors, attracting high quality investors and strategic partners such as Ocean Partners and Franco Nevada, which facilitated the discovery of the Blueberry Contact Zone, and securing funding for the Company's largest drill programs to date.   Dr. Thomas Mumford brings extensive experience in corporate strategy, capital markets, and resource project advancement, overseeing the Company's recent PEA and drilling execution strategies that have continued to advance and grow the Project while identifying future drill targets that may result in new discoveries. As CEO, he will lead the Company's operational execution, strategic planning, and stakeholder engagement.   Next we focused on the final assay results from the 2025 drill program that were announced over a few press releases in February, and which demonstrated continuity at Blueberry and district-scale upside across the property.  In 2025, Scottie completed its biggest drill season ever, drilling more than 27,300 metres across 126 holes. This included 17 specialized holes (2,300 metres) focused on ground stability and water studies important steps as the project advances toward potential future mine development.   The program delivered the best gold intercept ever recorded on the property, including 30.1 grams per tonne gold over 23.65 metres in drillhole # SR24-364.  Other recent headline holes returned 14.4 g/t Gold over 40.75 Metres in drillhole # SR25-483; 42.5 g/t Gold over 4.40 Metres in drillhole# SR25-381; 141 g/t Gold over 4.55 Metres in drillhole# SR25-470; and 54.6 g/t Gold over 7.05 Metres in drillhole # SR25-473.   Results from the season showed consistent high-grade gold throughout the project.   44% of holes hit more than 2 metres of 5+ g/t gold 30% of holes hit more than 2 metres of 10+ g/t gold 25% of holes hit more than 2 metres of 15+ g/t gold 20% of holes hit more than 2 metres of 20+ g/t gold 11% of holes hit more than 2 metres of 30+ g/t gold   Brad outlined the team at Scottie is now finalizing their interpretation of the 2025 assay results and will outline the 2026 exploration plans in the coming weeks for the 50,000 meter drill program focused on upgrading known ounces from inferred to indicated, as well as testing expansion targets like Wolf, P-Zone, C&D veins, and Domino.   After all the 2026 data comes in the Company will then update the Resource Estimate and complete the workstreams to announce the Feasibility Study.     If you have any questions for Thomas regarding Scottie Resources, then please email us at Fleck@kereport.com or  Shad@kereport.com.   In full disclosure, Shad is a shareholder of Scottie Resources at the time of this recording and may choose to buy or sell shares at any time.   Click here to follow the latest news from Scottie Resources   For more market commentary & interview summaries, subscribe to our Substacks:   The KE Report: https://kereport.substack.com/ Shad's resource market commentary: https://excelsiorprosperity.substack.com/     Investment disclaimer: This content is for informational and educational purposes only and does not constitute investment advice, an offer, or a solicitation to buy or sell any security. Investing in equities and commodities involves risk, including the possible loss of principal. Do your own research and consult a licensed financial advisor before making any investment decisions. Guests and hosts may own shares in companies mentioned.

This is the sixty-seventh and final episode in the Crypto Hipster's Curtain Calls Series, which includes 3–4-minute clips from Seasons 6-8. This compilation draws upon my conversations with:Haden Patrick, Director of Business Operations @ Cordial Systems (6/5/2024, Season 7)Karan Bharadwaj, CEO @ Arithmic (7/3/2024, Season 7)Tim Wang, COO @ Elixir (6/9/2024, Season 7)Michael O'Rourke, CEO and co-founder @ Pocket Network (9/2/2023, Season 6)

There's a Tuesday night writers group that has quietly shaped the careers of some seriously talented people working in Hollywood right now, and CG Garage is slowly pulling back the curtain on it. Sean Rourke is the second member of that group to come on the show, following Andy Cochrane, and his path through the industry is one of the more unlikely and instructive ones you'll hear. He spent 12 years as Head of Editorial at The Third Floor, the previz studio behind some of the biggest films in production, and he got there by being the only person in the building who remembered how to unjam a three-quarter-inch tape deck. What followed was a career built on dying technology, accidental promotions, and a consistent instinct for being exactly where the creative work was happening. Co-host Daniel Thron and Sean dig into what previz editorial actually is and why it attracts the kind of people who want to direct, how audiences have been quietly rewired by streaming into expecting 10-hour stories and now feel cheated by a 2-hour film, and what AI tools actually look like inside a working production pipeline versus the buzzword version that investors keep funding. Sean also teaches Comic-Con Film School, a four-day filmmaking fundamentals class he has run every year for 20 straight years, and makes a sharp case for why film school still matters even when every specific tool it teaches goes obsolete. And if you follow vampire cinema at all, he runs a YouTube channel called The Vampire's Castle, just scored an interview with Jason Patric about The Lost Boys that has apparently never happened before, and is very pleased about recent awards-season developments. Links:  Sean Rourke / The Vampire's Castle YouTube >  Sean Rourke > The Third Floor (Previz) > Andy Cochrane on CG Garage > Ben Hansford (AI educator, USC) on CG Garage >   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)

For decades, breast cancer was spoken about in whispers. Today, it is a survivable disease, and knowledge changes everything.In this episode of The Authority Company Podcast, Joe Pardavila sits down with board certified breast surgeon Dr. Loren Rourke author of Real Talk, Real Hope: Breast Cancer Your Way, for a clear and steady conversation about what a diagnosis truly means in 2026. Drawing from more than twenty years of experience, Dr. Rourke explains how early detection has transformed outcomes, why most breast cancers are not medical emergencies, and how slowing down can help women make the right decisions for their long term health.They break down common misconceptions, from shifting mammogram guidelines to the rise in bilateral mastectomies fueled by fear and social media. Dr. Rourke explains the difference between lumpectomy and mastectomy, what the stages of cancer actually mean, and why anything below stage four is treated with the goal of cure. She also addresses the emotional weight of diagnosis, the damage caused by online misinformation, and why mental health is inseparable from physical treatment.The conversation moves beyond surgery into resilience, body image, hormone therapy, and the importance of building a small, trusted inner circle during treatment. Dr. Rourke shares what patients need most in the first 24 hours after hearing the word cancer, and why honest communication builds the foundation for hope.This is a grounded, human discussion about fear, facts, survival rates, and the strength women discover inside themselves when they never wanted to join the club in the first place.

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. Conflict Accelerates Tech Clay Travis and Buck Sexton discuss the geopolitical consequences of the ongoing conflict. They examine the paralysis of international shipping in the Strait of Hormuz, rising global oil prices, and how extended military engagement could impact U.S. domestic politics—especially with Democrats preparing to tie gas‑price volatility to Trump’s foreign‑policy strategy ahead of the 2026 midterms. They also discuss the administration’s unprecedented stance that President Trump intends to influence the selection of Iran’s next leader following the assassination of the Ayatollah, raising questions about regime change, constitutional monarchy possibilities, and whether Iran’s military factions might accept a U.S.-favored successor. The hosts then explore historical parallels, comparing modern drone‑ and intelligence-driven warfare to conflicts such as the Gulf War and the 2003 Iraq invasion, suggesting that advances in technology have made “boots on the ground” less essential. This leads to a broader conversation about whether internal Iranian opposition could rise up without military backing and why genuine regime change is impossible unless parts of Iran’s armed forces defect. Trump's Texas Tactics Clay and Buck analyze the fallout from the Texas primary and the growing expectation that President Trump will endorse a candidate in the Texas Senate race. They emphasize how critical the Texas seat is to preserving the GOP’s narrow Senate majority and outline the broader 2026 Senate landscape—highlighting difficult Republican battles in Maine and North Carolina, as well as opportunities in Georgia. The hosts examine how a Trump endorsement, whether for John Cornyn or Ken Paxton, signals a deliberate effort to maintain Senate control ahead of potential Supreme Court vacancies. A major portion of the hour is devoted to the explosive controversy surrounding Democratic candidate James Talarico, whose far‑left ideological positions, past tweets, and public comments have become a focal point of criticism. Clay and Buck dissect his rhetoric comparing himself to biblical figures, his claims about “white skin” being a societal contagion, and his promotion of Dr. Fauci memorabilia—framing Talarico as a deeply out‑of‑touch progressive misaligned with Texas voters. They compare him to figures like Jasmine Crockett and Beto O’Rourke, arguing that Democrats continue to misjudge which candidates appeal to mainstream Texans. They also break down the Republican strategic calculus, suggesting that Trump may back Cornyn to avoid draining resources needed for more competitive races across the country. Kristi Noem is Fired President Trump has fired DHS Secretary Kristi Noem, marking the first removal of a cabinet secretary in this administration. Clay and Buck react in real time as Fox News reports the termination and the appointment of Senator Markwayne Mullin of Oklahoma as the new acting head of the Department of Homeland Security. They recount the scandals that contributed to Noem’s downfall—including reports of inappropriate spending, allegations about personal relationships, and a controversial $200 million DHS ad campaign featuring her—describing widespread bipartisan dissatisfaction after her congressional hearing. The hosts speculate on what the leadership change means for border security, immigration policy, and future DHS operations. Nerding Out with Ryan Political data analyst Ryan Girdusky, host of It’s a Numbers Game, to break down the dramatic firing of DHS Secretary Kristi Noem, who was removed just minutes before stepping onstage at an event in Nashville. The hosts analyze President Trump’s official announcement elevating Senator Markwayne Mullin of Oklahoma to DHS Secretary, noting that Noem’s reassignment to “Special Envoy for the Shield of the Americas” signals a clear demotion. The hour digs into the controversies that precipitated her removal—especially the explosive $200 million DHS ad campaign featuring Noem, allegations that she misled Congress, and her attempt to shift blame to President Trump. Girdusky adds further context about long‑simmering internal frustrations over Noem’s self‑promotion, image‑driven leadership style, and political alliances, all of which contributed to her rapid downfall. The conversation then pivots to the 2026 Senate landscape, with a heavy focus on the Texas Senate race. Girdusky breaks down why the Trump team appears intent on securing Texas early, explaining that Republicans must lock down states like Texas, Ohio, Iowa, Alaska, and Montana to maintain Senate control. He critiques Ken Paxton’s underwhelming primary performance and praises John Cornyn’s unexpectedly strong showing, attributing it to disciplined campaigning. The hosts revisit the Democratic nominee James Talarico, highlighting the avalanche of far‑left statements and viral clips that portray him as deeply out of step with Texas voters—comments about abolishing prisons, describing “whiteness” as a moral failing, redefining Christianity through progressive ideology, and advocating extreme abortion policies. Clay, Buck, and Girdusky conclude that Talarico is even more radical than Jasmine Crockett, predicting he will crater in a statewide general election. They emphasize that Democrats are misreading Texas by nominating a candidate shaped by progressive online culture rather than real‑world Texas sensibilities. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuckYouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

Send a textWe look at the new documentary SHE WAS HERE about Heather O'Rourke, the child star of the POLTERGEIST movies, Serena catches up with the 28 YEARS LATER films, untangling the madness that happened at the BAFTAs, and is NIRVANNA THE BAND THE SHOW THE MOVIE an ultimate Toronto movie?

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This week's episode is a conversation with Juliet O’Rourke for her brand new podcast, Gifted with ADHD.  Gifted with ADHD brings together mental health, wellbeing, and a big-picture spiritual understanding of how the mind works, particularly an ADHD mind. In our conversation we go deep into the role of thought and emotion, particularly experiences like boredom, rejection, and restlessness.I recommend subscribing to Juliet's podcast here: https://podcasts.apple.com/gb/podcast/gifted-with-adhd/id1870876412She has some amazing episodes and guests coming up! The post EP392: Breaking Habits and Ending Self-Doubt: My episode on Gifted with ADHD appeared first on Dr. Amy Johnson.

Youtube FacebookBioRock and roll enthusiast Rourke blends classic rock, politics, and compassion into his latest single, “I Can't Breathe,” part of his upcoming album Starstruck, set for release before summer. Writing about real people and real events, Rourke maintains the true spirit of rock while delivering songs that resonate deeply.“My goal is to create a brand of rock that brings the genre back to where it used to be, where the 70s meet the 80s. I want to write songs that stay in your head, the kind you are still hearing an hour later. That's what's missing from rock and roll these days. I want to bring rock back to basics,” Rourke shares.Rourke's musical journey began in his preteen years when he first picked up the guitar. Though he later pursued film school, music eventually became his primary platform for expression. In 2016, after growing frustrated by political debates on social media, he stepped away and returned to his guitar, channeling his emotions into songwriting. What began as personal release quickly evolved into a powerful creative outlet. Within a short time, he had written over 1,000 unfinished songs, setting the stage for what would become Starstruck.Over the past five years, Rourke has dedicated his spare time to developing the album one story at a time. What started as an acoustic demo inspired by Guns N' Roses and classic 70s and 80s rock gradually evolved into a full electric production featuring hard rock, blues, and emotional ballads. The album consists of ten songs accompanied by original artwork, including a cover photo Rourke captured himself while driving through downtown Los Angeles, which became a symbolic reflection of division in America.Working alongside his producer and studio musicians in Los Angeles, the project grew from a simple four song demo into a full band album and immersive musical experience.“I Can't Breathe,” the album's third single, delivers a powerful and emotional message inspired by the death of George Floyd and the broader struggles facing the country. The song takes listeners through five emotional stages of the Black experience, beginning with fear, anger, sadness, and frustration before resolving with hope. “When I first wrote it, I started on acoustic guitar,” Rourke explains. “The outro was added at the last minute because it didn't feel complete without it.”With help from childhood friend Rami Jaffee of Foo Fighters, who performs keyboards throughout the album, Rourke transformed the track into a moving statement piece. Guitarist Richard Fortus of Guns N' Roses also contributes to two tracks, adding depth and intensity to the record.Listeners drawn to socially conscious rock should also explore Rourke's single “Rise,” which he describes as his “Michelle Obama” song. Inspired by her famous quote, “When they go low, we go high,” Rourke turned the phrase into the chorus “When they go low, we rise.” The call and response structure transforms political tension into a soaring rock anthem, drawing comparisons to Bon Jovi and Green Day.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Evelyn O'Rourke, Arts & Media Correspondent, discusses the Michelin Guide Britain and Ireland Awards, ahead of tonight's ceremony in Dublin.

Veteran mining executive Brad Rourke lays out the bullish case for gold development, detailing the rapid transition of Scottie Resources in a $5,000 gold environment. Rourke frames the frenzied energy at the Vancouver conference as a validation of a long-term thesis, noting the venue is "absolutely packed" with investors seeking hard assets.He points to the company's high-grade resource, off-take deal with Ocean Partners, and strategic position in BC's Golden Triangle as signals of a project moving toward production. Rourke argues that the coming era belongs to tangible resources, drawing a clear lesson from his own experience: “Commodities can't print commodities.” He is so convinced that he's directing his own children into the sector. Watch the video to hear his perspective on the Taiwan "hamburger helper" ore story, the 2028 production goal, and why he believes in under-promising and over-delivering.✅ FREE RESOURCESDownload The Private Wealth Playbook — a data-backed guide to strategically acquiring gold and silver for maximum protection, privacy, and performance. Plus, get Daniela Cambone's Top 10 Lessons to safeguard your wealth (FREE)

The Power of Mentorship From Military to Corporate America: Leadership Lessons in From A Supply Chain Leader, Jim O'Rourke Transitioning from military service to corporate America isn't just about landing a job, it's about preparing for a completely different operating environment. In our latest podcast episode, Cameron-Brooks alum Jim O'Rourke shares how humility, mentorship, and leadership frameworks helped him build a successful supply chain career after the military. Why Military Transition Requires More Than a Resume Most officers underestimate what it takes to succeed in corporate America."Humility is important in transitioning," Jim explains. Coming from the military, where rank and experience are clear, the corporate world requires a different approach. You're no longer the expert. You're the learner. This mindset shift is critical for officers moving into leadership-intensive roles like supply chain management, operations, or manufacturing—where understanding team dynamics and business processes matters as much as decision-making ability. The Role of Mentorship in Career Development One of the most valuable aspects of Jim's transition was mentorship. But not just any mentorship: the kind that provides a "safe harbor for growth" and challenges your thinking. "Mentoring is a safe harbor for growth," Jim notes. In corporate America, you need people who can help you navigate unwritten rules, decode organizational dynamics, and develop the critical thinking skills that separate good leaders from great ones. Cameron-Brooks provides this structured mentorship during the transition process. What about after the transition? According to Jim, finding mentors within your company accelerates your career development long-term. Understanding Supply Chain: More Than Logistics For officers considering supply chain roles, Jim breaks down what this actually means. It's not just moving products. It requires leadership-intensive work in addition to the following: - Managing across operations: Managing cross-functional teams across manufacturing, distribution, and planning - Process optimization: Understanding the COGS (Cost of Goods Sold) ladder and how every decision impacts profitability - Strategic thinking: Balancing production needs, customer demands, and financial constraints "Clarity of purpose helps teams succeed," Jim emphasizes. In supply chain, that clarity comes from understanding how your decisions ripple through the entire organization. What Makes Cameron-Brooks Candidates Different In addition to his expertise in supply chain, he has been on the hiring side. When asked what differentiates Cameron-Brooks candidates, Jim pointed to two qualities: 1. Genuine preparation: They've done the work to understand industries, roles, and companies before interviews 2. Intellectual curiosity: They ask better questions because they've been coached to think critically about fit "Cameron Brooks candidates are well-prepared and genuine in their approach," he observes. They're not just looking for any job...they're looking for the right career trajectory. The Importance of Lifelong Learning Jim's final piece of advice? Never stop learning. Whether it's leadership books, industry podcasts, or formal training, lifelong learning is crucial for career advancement. The military teaches you to be adaptable. Corporate America rewards those who continuously evolve. Ready to Start Your Transition? If you're a company-grade or field-grade officer exploring what's next, Jim's story shows what's possible with the right preparation, humility, and mentorship. Listen to the full episode wherever you listen to your podcasts. Ready to explore your options? Email: candidates@cameron-brooks.com  Call: 210-874-1500 Speak with a Coach and Schedule a Personal Marketability Assessment

Send us a textWelcome to Season 6 Episode 5 of That Pretentious Book Club!In this episode the hosts return to discuss famous classic The Prince and the Pauper by Mark Twain—a tale of switched identities, social satire, and boys who definitely should not have been left unsupervised in historic England.Expect big opinions and some debate, as certain hosts were charmed while others were... skeptical. Join us for a wildly entertaining and occasionally ridiculous discussion of this well-known classic.Pour yourself a cup of tea, raise a pinky, and join the club for this discussion of The Prince and the Pauper by Mark Twain!Reserve your spot at a Story Sirens Studio Writing Retreat now! https://storysirensstudio.com/retreatsLearn more or plan a visit to Wheezy's bookstore!https://www.thestoryemporiumandbookshop.com/Support the showFind this episode's book and more by shopping at https://bookshop.org/shop/storysirensstudio to support the club AND local bookstores!Visit us at storysirensstudio.com or find us on social media @thatpretentiousbookclub.Check out sister podcast The Scripturient Society for writers and join our writing group on Facebook! Find Space Aliens, Southerners, and Saving the World by Ash Leigh O'Rourke on Amazon.

They're here! This week, Peaches and Michael are haunting the suburbs in celebration of 1982's POLTERGEIST! In addition to discussing this supernatural classic's critique of Reagan-era capitalism, our hosts delve into the fiercely flawed cleaning skills of Zelda Rubenstein. Joining the conversation is producer/music director Christopher Hamblin, who speaks to the lasting power of the film's iconic Carol Anne – Heather O' Rourke. Then, television personality and ghost huntress extraordinaire Roz Hernandez stops by to dig into Cuesta Verde's paranormal problems. From clown dolls to unmoved bodies, this episode has it all! Go!