Podcasts about Paradise Lost

Not included in the “Paradise Lost” advocacy flicks for the twice convicted killers of 8 year-old Stevie Branch, Christopher Byers, and Michael Moore (ie the West Memphis Three) is Damien Echols jailhouse confession to Jesse Andrew Hurst. Hurst got some of the details mixed up-but the majority of what Echols told Hurst is bone chilling. If Hurst's statement to West Memphis police is to be believed - it's clear Echols was weighing out the evidence against him & delighted that the police never discovered his footprints which were separate from the others according to Echols. Let's talk about it!Show Notes:William Ramsey Investigates “The Lies of Damien Echols” - https://youtu.be/feVzvBolS7M?is=tUY-vb81wn1nC1eoWhat the “Paradise Lost” flicks won't tell you - https://westmemphisthreefacts.comWest Memphis Three Guilty “Oddities” - https://youtu.be/VOCOcw0vRZg?is=2lysqcc1V6QktiQY West Memphis Three Facts on Facebook post 11/22/20 - https://www.facebook.com/share/p/17tm5EGn9d/William Ramsey Investigates "The Storage Locker of Damien Echols and Lorri Davis" -https://youtu.be/4Z1NUd8hhCg?si=vMhzkxKsjg5hhyG8Get access to exclusive content & support the podcast by a Patron today! https://patreon.com/robertaglasstruecrimereportThrow a tip in the tip jar! https://buymeacoffee.com/robertaglassSupport Roberta by sending a donation via Venmo. https://venmo.com/robertaglassBecome a chanel member for custom Emojis, first looks and exclusive streams here: https://youtube.com/@robertaglass/joinThank you Patrons!Beth, Shelley Safford, Carol Mumumeci, Therese Tunks, JC, Lizzy D, Elizabeth Drake, Texas Mimi, Barb, Deborah Shults, Ratliff, Stephanie Lamberson, Maryellen Sudol, Mona, Karen Pacini, Jen Buell, Marie Horton, ER, Rosie Grace, B. Rabbit, Sally Merrick, Amanda D, Mary B, Mrs Jones, Amy Gill, Eileen, Wesley Loves Octoberfest, Erin (Kitties1993), Anna Quint, Cici Guteriez, Sandra Loves GatsbyHannna, Christy, Jen Buell, Elle Solari, Carol Cardella, Jennifer Harmon, DoxieMama65, Carol Holderman, Joan Mahon, Marcie Denton, Rosanne Aponte, Johnny Jay, Jude Barnes, JenTheRN, Victoria Devenish, Jeri Falk, Kimberly Lovelace, Penni Miller, Jil, Janet Gardner, Jayne Wallace (JaynesWhirled), Pat Brooks, Jennifer Klearman, Judy Brown, Linda Lazzaro, Suzanne Kniffin, Susan Hicks, Jeff Meadors, D Samlam, Pat Brooks, Cythnia, Bonnie Schoeneman-Dilley, Diane Larsen, Mary, Kimberly Philipson, Cat Stewart, Cindy Pochesci, Kevin Crecy, Renee Chavez, Melba Pourteau, Julie K Thomas, Mia Wallace, Stark Stuff, Kayce Taylor, Alice, Dean, GiGi5, Jennifer Crum, Dana Natale, Bewildered Beauty, Pepper, Joan Chakonas, Blythe, Pat Dell, Lorraine Reid, T.B., Melissa, Victoria Gray Bross, Toni Woodland, Danbrit, Kenny Haines and Toni Natalie.

We welcome Tony Cho, founder of Future of Cities, visionary developer, and eco-spiritual pioneer. Transforming Miami's urban landscape into a hub for forward-thinking communities, Tony is now steering the global trajectory of regenerative placemaking.In this sharp conversation, Seb and Tony deconstruct the traditional boundaries of business. From embedding nature-first biophilic architecture into urban design to leveraging radical frameworks that treat community as medicine, Tony lays out the definitive blueprint for maximizing conscious enterprise. He delivers a masterclass on mission-driven, long-range scaling, while offering a grounded critique of corporate wellness-washing and explaining why a genuine connection to nature is our ultimate weapon against capitalistic greed.Topics DiscussedRapid-fire reactions to real estate labels and wellness trends.Why regenerative urban development models are highly profitable.Aligning capitalistic growth with conscious intent for positive change.The fundamental principles of eco-spiritual and biophilic architecture.Why authentic human connection beats traditional corporate data.Miami's massive evolution from "Paradise Lost" to a wellness capital.Using personal mindfulness as a tool to navigate high-stakes business.Connect with Tony on InstagramConnect with Sebastian on InstagramSebastianNaum.com

William Ramsey of the William Ramsey Investigates podcast joins Roberta to discuss the breaking news from the camp of the West Memphis Three child killers. Jason Baldwin is publicly bashing fellow twice convicted triple child killer Damien Echols. Baldwin pleaded for help to stop Echols lies. William Ramsey and Roberta Glass have been calling out Damien Echols lies for more than a decade. Why are Echols lies bothering Baldwin now? Does this new public statement have anything to do with the new DNA test results being reported to be released next month? Why does anyone care about these new DNA results when the West Memphis Three have never released the DNA results that they said exonerated them from 2011. Let's talk about it!Show Notes: William Ramsey Investigates “The Lies of Damien Echols” - https://youtu.be/feVzvBolS7M?is=tUY-v...What the “Paradise Lost” flicks won't tell you - https://westmemphisthreefacts.comWest Memphis Three Guilty “Interview with Jason Baldwin Paradise Lost” - https://youtu.be/wyWg8Q2XhNk?is=iGh2u...Daphne Black "WM3 Press Conference" - https://youtu.be/rDtrjHN3KA0?si=s-lzD... WestMemphisThreeGuilty “Oddities” - https://youtu.be/VOCOcw0vRZg?is=2lysq...Arkansas Times “Echols Blasts Baldwin” - https://youtu.be/VOCOcw0vRZg?is=2lysq...WREG “Why Damien Echols and Jason Baldwin Are No Longer Friends” - https://wreg.com/news/why-damien-echo...CNN “Jason Baldwin on Celebrity Support” - https://youtu.be/Qygs2bOyov8?is=wsuMq...Get access to exclusive content & support the podcast by a Patron today! https://patreon.com/robertaglasstruec...Throw a tip in the tip jar! https://buymeacoffee.com/robertaglassSupport Roberta by sending a donation via Venmo. https://venmo.com/robertaglassBecome a chanel member for custom Emojis, first looks and exclusive streams here: https://youtube.com/@robertaglass/joinThank you Patrons!Beth, Shelley Safford, Carol Mumumeci, Therese Tunks, JC, Lizzy D, Elizabeth Drake, Texas Mimi, Barb, Deborah Shults, Ratliff, Stephanie Lamberson, Maryellen Sudol, Mona, Karen Pacini, Jen Buell, Marie Horton, ER, Rosie Grace, B. Rabbit, Sally Merrick, Amanda D, Mary B, Mrs Jones, Amy Gill, Eileen, Wesley Loves Octoberfest, Erin (Kitties1993), Anna Quint, Cici Guteriez, Sandra Loves GatsbyHannna, Christy, Jen Buell, Elle Solari, Carol Cardella, Jennifer Harmon, DoxieMama65, Carol Holderman, Joan Mahon, Marcie Denton, Rosanne Aponte, Johnny Jay, Jude Barnes, JenTheRN, Victoria Devenish, Jeri Falk, Kimberly Lovelace, Penni Miller, Jil, Janet Gardner, Jayne Wallace (JaynesWhirled), Pat Brooks, Jennifer Klearman, Judy Brown, Linda Lazzaro, Suzanne Kniffin, Susan Hicks, Jeff Meadors, D Samlam, Pat Brooks, Cythnia, Bonnie Schoeneman-Dilley, Diane Larsen, Mary, Kimberly Philipson, Cat Stewart, Cindy Pochesci, Kevin Crecy, Renee Chavez, Melba Pourteau, Julie K Thomas, Mia Wallace, Stark Stuff, Kayce Taylor, Alice, Dean, GiGi5, Jennifer Crum, Dana Natale, Bewildered Beauty, Pepper, Joan Chakonas, Blythe, Pat Dell, Lorraine Reid, T.B., Melissa, Victoria Gray Bross, Toni Woodland, Danbrit, Kenny Haines and Toni Natalie.

Damien Echols is a bestselling American author who spent nearly half his life wrongfully imprisoned on death row as one of the West Memphis Three, documented in the three-part HBO series Paradise Lost, as well as director Amy Berg's documentary West Of Memphis. This is not a conversation about true crime... it's a conversation about how meditation, spiritual study and ritual turned his prison stay into a monastery for his spiritual awakening, leading ultimately to not only his release from prison, but one of the greatest love stories ever told, and the secret recipe for forgiveness. LITA PODCAST: hosted, produced, and recorded by Jaymee Carpenter. SOUND MIX: Jonah LevineOPENING SONG: Tripura Subdari by Earthtones Music & Sheela BringiCLOSING SONG: Ocean Of Beauty by Earthtones Music & Sheela BringiInterested in Trauma Counseling/Mentorship with Jaymee?email: lacee@loveistheauthor.com to set up a free consultation,or visit: www.loveistheauthor.com/mentorship SPONSORS: YERBA MADRE ⁠⁠⁠⁠⁠⁠www.yerbamadre.com⁠RAUM GOODS ⁠⁠⁠⁠www.raumgoods.com⁠⁠⁠⁠BOSSANOVA SOAP www.bossanovasoap.com⁠⁠⁠⁠TOTALLY BLOWN ⁠⁠⁠⁠⁠⁠⁠www.totallyblown.us⁠⁠⁠⁠⁠⁠⁠INDIAN LODGE ROAD ⁠⁠⁠⁠www.indianlodgeroad.com⁠⁠⁠⁠THiS SHOW is a LABOR of LOVE. PLEASE SUPPORT IT: ⁠⁠⁠⁠www.patreon.com/loveistheauthorpodcast⁠⁠⁠⁠FAN CONTACT: lacee@loveistheauthor.comON INSTAGRAM:  @loveistheauthor  / @unconventionalgardener

In the late 1980s, the San Francisco Bay Area was the undisputed global epicenter of thrash metal. But deep within the underground, a new generation of metalheads were brewing something far more extreme.In this episode of Riff Worship, we are diving headfirst into the blood, guts, and history behind one of death metal's foundational releases: Autopsy's 1989 debut album, Severed Survival!Join us this week as we break down:How a teenage Chris Reifert crossed paths with Chuck Schuldiner to help create Death's massively influential debut, Scream Bloody Gore, before forming Autopsy.How half the budget for Severed Survival “went up in smoke,” leaving the band just a few days to record with producer John Marshall (Blind Illusion, Metal Church) at Starlight Sound. How Sadus bassist Steve Di Giorgio stepped in at the last minute to deliver the album's devastating, pummeling bass lines. The direct horror influences behind the tracks, including Stephen King's short story Survivor Type, Tim Ritter's Truth or Dare?, and George A. Romero's Creepshow.The story behind Kent Mathieu's original Hellraiser-inspired cover art and Kev Walker's “censored” alternate zombie surgical scene.How Jeff Walker of Carcass helped secure Autopsy a home on Peaceville Records, inadvertently paving the way for legendary labelmates like Paradise Lost, Darkthrone, and At the Gates.From the unrelenting brutality of “Charred Remains” to the sludgy, doom-inspired riffs of “Embalmed,” join us as we celebrate the raw, unfiltered madness that helped kickstart the genre!Recommendations:Abscess / Population ReductionSore Throat - Unhindered by TalentPaul 'Hammy' Halmshaw - Peaceville LifeMastodon - Your Ghost AgainImmolation - DescentEmma Ruth Rundle - These Killing TimesFollow Riff WorshipInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/riffworshippod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/RiffWorshipPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@RiffWorshipPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Official Playlists:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (Spotify)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riffs on Repeat (YouTube Music)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hits from the Crypt (Apple)⁠

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

A Galactic History of this world, Placentia, planet of plenty and rebirth. Ch1: In the Beginning. Ch. 2: Paradise Lost

Genesis 3:20-24

År 1995 var også År 25 efter Black Sabbath, og i dette metalliske sølvbryllupsår anvender vi overskriften “Midtvejs-metalkrise”. Fordi den traditionelle heavy metal var kommet i outsider-rollen, hvor selveste Iron Maiden kom på glatis, mens masser af nye bands og subgenrer piblede frem. Men “krisen” var også, som ordet betyder: et slags vendepunkt på vej for den originale heavy metal. Men mere end noget andet var “hård rock” og “metal” blevet en meget mangfoldig musikkultur i både udtryk, attitude og alder. Hvor en ny generation i 1995 dyrkede bands som Fear Factory, Paradise Lost og albumdebutanterne Down og Rammstein, mens gamle, ikoniske navne som AC/DC, Motörhead, Black Sabbath og Ozzy stadigvæk holdt sig rimeligt relevante i året. Dette metalliske og multi-agtige midt-90'er år bliver gennemgået af studievært Jens "Jam" Rasmussen og de tre faste studiegæster: Steffen Jungersen, Michael Stützer Hansen og Michael Denner. Nedslagspunkter: - Trommeslager Phil Rudd er tilbage i AC/DC, som swinger igen på det nye album “Ballbreaker” og på turneen, der bringer os over til et par vilde shows i Mexico City. - Mikkey Dee tilfører ligeledes swinget i Motörhead på albummet "Sacrifice". Jungersen-jublen er vedblivende. - King Diamond udgiver albummet “The Spider's Lullaby”, mens bandets ex-guitarist Michael Denner har fokus på den næste Mercyful Fate-plade, der skal “bisses lidt op”. - En ung Michael Poulsen debuterer i bandet Dominus med sortklædt death metal og dybe dødsgrowl på albummet “View to the Dim”. - To generationer i fælles metal-indsats: Black Sabbath hyrer Bodycount-guitaristen Ernie C som producer på “Forbidden”, hvor frontmand Ice-T gæster. Sabbath-bassist Geezer Butler og bandet G/Z/R udsender albummet “Plastic Planet” med Burton C. Bell (Fear Factory) som sanger. - Ozzy udgiver “Ozzmosis”, som bliver hans sidste relevante album i en længere periode, mener Steffen Jungersen. - Blandt årets bedste album: Down med “NOLA” og Fear Factory med “Demanufacture”. - Interessante debutanter: Svenske Opeth og tyske Rammstein. - Hvad har D-A-D og Rob Halfords band Fight til fælles? De inspireres begge (i nogen grad) af tidens tunge rocklyd á la Soundgarden. - Vi rapporterer fra årets mest metalliske koncertdag i Donnington, England, hvor Metallica lufter nye numre og Skid Row-sanger Sebastian Bach headbanger løs med studieværten. - Iron Maiden udgiver album nr. 10 , “The X Factor”, men træffer et fatalt valg i den nye vokalist Blaze Bayley, beklager Steffen Jungersen og Michael Stützer med én stemme. - Paradise Lost udgiver det forrygende hovedværk “Draconian Times”, som ender samtale-seancen og hele dette afsnit i fuld begejstring. Kæmpe tak til vores studiegæster, Steffen Jungersen, Michael Stützer og Michael Denner, supervisor Jan Eriksen, og til dig, der valgte at lytte med! Vi er tilbage med 1996-afsnittet om cirka et par uger. Idé, tilrettelæggelse, research og produktion: Jens "Jam" Rasmussen Ass. produktion og supervision: Jan Eriksen Foto: Jens “Jam” Rasmussen

Bienvenue dans ce 108ème épisode de LDNS ! LDNS, c'est quoi ?Ce sont les initiales de LA NUIT DES SORTIES mais aussi de LES NEWS DE LA SEMAINE, LNDS c'est le format news de la nuit des sorties.Disney, Netflix, Warner, Paramount, Universal, on analyse l'actualité de l'industrie du cinéma sous toutes ces coutures !Au programme :L'ODYSSEE va battre des records ?: 0:00WARNER/HBO (JIMMY OLSEN, PARADISE LOST…): 5:29MARVEL/DISNEY (L'AGE DE GLACE, PIRATES…): 14:16Les autres trucs (NETFLIX, DOCTOR WHO…): 20:52Chronique BOX-OFFICE !: 30:43Acast: https://shows.acast.com/650efd10f66c690011960c1aSpotify: https://open.spotify.com/show/1UydxAKx8fGt2v8dHbPtLUApple Podcasts: https://podcasts.apple.com/us/podcast/la-nuit-des-sorties/id1709018669Deezer: https://www.deezer.com/fr/show/1000297301Youtube: https://www.youtube.com/@LaNuitDesSortiesTwitch: https://www.twitch.tv/lanuitdessortiesTwitter/X: https://x.com/LanuitdesortiesBlueSky: https://bsky.app/profile/lanuitdessorties.bsky.socialTiktok: https://www.tiktok.com/@la.nuit.des.sorties Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On this episode of DC on SCREEN, Jason and I discuss the final trailer for Supergirl, the clip of Kara and Kal meeting for the first time, the newly-revealed armor Lex will be using to fight the man of steel in Man of Tomorrow, updates on The Batman, Part II, Batman: Caped Crusader, and Paradise Lost among other things!SupergirlSupergirl Final TrailerKara Meets Kal-El ClipSupergirl Curses!?Man of TomorrowWhen Does Man of Tomorrow Take Place?New Look at Lex in Iconic Armor"I Am Your Overlord!"The Batman, Part IISebastian Stan on Playing Two-FaceBatman: Caped CrusaderSeason 2 Starts July 31DC TeaLearn Who is Writing Paradise Lost!Which Two Big Villains Are Coming to the DCU Soon?Teen Titans Film Debunked So Far.

Kristian Harloff breaks down the biggest movie and TV news stories of the day, including a disappointing box office start for Masters of the Universe. With weak opening numbers and a disappointing CinemaScore, can the live-action He-Man movie recover, or is this another major setback for a beloved franchise? Kristian dives into what went wrong, audience reactions, and what the future may hold for Eternia on the big screen. Plus, new details emerge about James Gunn's expanding DCU as a potential title for a Superman spin-off series is revealed, Wonder Woman's Paradise Lost series finally gains momentum with a creative team and possible release window, and Sophie Thatcher addresses rumors linking her to the role of Rogue in Marvel Studios' upcoming X-Men reboot. Topics include: Masters of the Universe box office discussion He-Man movie opening weekend analysis Masters of the Universe CinemaScore reaction James Gunn's Superman spin-off updates Paradise Lost Wonder Woman series news Sophie Thatcher responds to Rogue casting rumors Kristian Harloff reactions and analysis #MastersOfTheUniverse #HeMan #Superman #DCU #WonderWoman #ParadiseLost #XMen #Rogue #Marvel #JamesGunn #KristianHarloffShow SPONSORS: KA'CHAVA: Go to https://kachava.com and use code KRISTIAN for 15% off your first order. CASHAPP: Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #CashAppPod Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Cash App Green features, Savings, Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures.  

Most of the bands (or their labels) in this episode have done something for Ukraine. Please buy music from Ukrainian artists and/or donate to your preferred Ukrainian Charity and/or to United 24 (https://u24.gov.ua). Слава Україні! Героям слава!Slava Ukrainai! Slava varoņiem!Glory to Ukraine! Glory to the Heroes! DJ Moose Played: Intro – 00:00Oui Plastique – Linger – Forever will be over before you know it – 00:30Incirrina – Find – Trace – 03:01Propter Hoc – Chronophobia – Dramaturgy – 07:12The City Gates – Sign Coven Sign – Chimera – 12:33DEATĦ B¥ LØVE – Forest – 444 – 15:43 Micro with DJ Moose – 19:25 Modern Ideas – Modern Ideas – This Is How It Hurts – This Is How It Hurts – 19:56Memory Index – Hyper Violence (Kay-Chi Rmx) – Erosion – 25:31Candy Whips – (We Don’t Need This) Fascist Groove Thang – (We Don’t Need This) Fascist Groove Thang [Heaven 17 cover] – 30:47The Joy Thieves – The Cleaner Came – Apocalypse Pending – 34:58Hunter As a Horse – Obey – Paradise Lost – 38:07 Micro with DJ Moose – 41:43 Mildreda – End of the Line – Realities – 43:10Schkeuditzer Kreuz – Keep Dancing – Fresh Graves Mix – Keep Dancing (single) – 47:27ANTIVOTE – In The Caves – Shine Bright Like A Demon – 51:17Starsign – 06_Clear Horizon – Silver Linings – 55:30 The original unmodified image used for this episode by Nastia Petruk on Unsplash or Listen to The Gothic Moose – Episode 660– Mostly Bands Supporting Ukraine byDJ Moose on hearthis.at Here is the link to download this episode in MP3 Note: After about a year, episodes may no longer be available here or elsewhere. Shows are sometimes missing from Youtube due copyright restrictions. Use the handy built-in player:

Nik leads us into the darkness in a new series about the early albums from Deicide! We hit Nik's sanctified "Natural Hat Trick" of a band, song, and album title all present on "Deicide!" Remember to like and subscribe to our channels, including:‪@GhostCultMag‬ ‪@talkingthetalkwithdon‬ ‪@GhostCultLive‬ References: Elvis, Cum, Vinyl merges, Pink Floyd, Milwaukee things for Keefy, is Gridncore not also Death Metal, Uncle Ted, Rob Halford, Paradise Lost has put out a record this year, Keefy's prom, KISS, new Escape From New York movie, sub-3 minute songs, the thrash/NWOBHM influence on Old-School Death Metal, metal and potatoes metal, and more! Buy Don's shirts and support his weed habit! https://southeastofheaven.threadless....Check out our latest series on @acdc :    • AD⚡DC  For Rock and Metal news: https://www.ghostcultmag.comFor vinyl porn:   / glacially_musical  For Don-related stuff: https://www.southeastofheaven.com/To support the Pouredcast: https://linktr.ee/GlaciallyMusicalPou... Invest In Vinyl, mylar inner sleeves https://amzn.to/3pPLQaA Timestamp: 0:00 Intro ✅ Greetings! 1:19 Beer ✅ Nik - Busch, Don - Apple Juice, Keefy - Liquid Death 2:34 Swear ✅ Don! 2:48 Vinyl ✅ Nik - George Benson, Don - Skid Row + Danzig, Keefy - Harm's Way (RIP Bo Lueders) + Fit For An Autopsy + Internal Bleeding 12:37 News✅ The MAGA-led USA 250th concert is canceled, NHL and NBA finals, Pink Floyd saxophonist Dick Parry died, Milwaukee Metalfest, new Mastodon song and tour. 17:24 Shirt✅ Nik - Metallica, Don - AC/DC, Keefy - Waffle House Fight Club 19:30 Meat✅ Deicide and the early origin of the Death Metal genre, the best heavy albums of 1990, 135:00 ✅ Outro - Please like and subscribe! Tell your friends!

Most of the bands (or their labels) in this episode have done something for Ukraine. Please buy music from Ukrainian artists and/or donate to your preferred Ukrainian Charity and/or to United 24 (https://u24.gov.ua). Слава Україні! Героям слава!Slava Ukrainai! Slava varoņiem!Glory to Ukraine! Glory to the Heroes! DJ Moose Played: Intro – 00:00Oui Plastique – Linger – Forever will be over before you know it – 00:30Incirrina – Find – Trace – 03:01Propter Hoc – Chronophobia – Dramaturgy – 07:12The City Gates – Sign Coven Sign – Chimera – 12:33DEATĦ B¥ LØVE – Forest – 444 – 15:43 Micro with DJ Moose – 19:25 Modern Ideas – Modern Ideas – This Is How It Hurts – This Is How It Hurts – 19:56Memory Index – Hyper Violence (Kay-Chi Rmx) – Erosion – 25:31Candy Whips – (We Don’t Need This) Fascist Groove Thang – (We Don’t Need This) Fascist Groove Thang [Heaven 17 cover] – 30:47The Joy Thieves – The Cleaner Came – Apocalypse Pending – 34:58Hunter As a Horse – Obey – Paradise Lost – 38:07 Micro with DJ Moose – 41:43 Mildreda – End of the Line – Realities – 43:10Schkeuditzer Kreuz – Keep Dancing – Fresh Graves Mix – Keep Dancing (single) – 47:27ANTIVOTE – In The Caves – Shine Bright Like A Demon – 51:17Starsign – 06_Clear Horizon – Silver Linings – 55:30 The original unmodified image used for this episode by Nastia Petruk on Unsplash or Listen to The Gothic Moose – Episode 660– Mostly Bands Supporting Ukraine byDJ Moose on hearthis.at Here is the link to download this episode in MP3 Note: After about a year, episodes may no longer be available here or elsewhere. Shows are sometimes missing from Youtube due copyright restrictions. Use the handy built-in player:

In dieser Folge geht's um zwei sehr unterschiedliche Musikgenres, die für uns in den 90ern durchaus von Bedeutung waren. Metal und Britpop waren damals angesagte Genres, die auch für uns eine große Rolle spielten und so haben wir uns ein paar Bands und Alben herausgepickt und reden da mal drüber.Als da sind: The Stone Roses, Moonspell, Blur, Tiamat, Elastica, Paradise Lost, Kula Shaker, Type O Negative, Pulp und Atrocity.Mail an: prost-punk@web.deAbonniert diesen Podcast und folgt uns auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠und / oder ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

When Sisko runs the old Lion in Winter play and Odo lays down karate chops, your hosts go deep on everything from the anatomy of coups to cadet jawlines as we review "Paradise Lost"! This episode really has everything – betrayal, deceit, plucky trickster 'Miles', real coffee, and the true opening moves to a story that is just beginning.

Life keeps happening. Pope Sixtus is the next name on the docket and I will get it out by July. Another fascinating history if not as long as Leo or Gregory. I have promised a former student to read along with her: Crime and Punishment by Dostoevsky, Fathers and Sons by Turgenev, and Paradise Lost by you know who. So I will attempt to drop a few thoughts about that sometime over the course of June. Another topic: Pope Leo's first encyclical. After reading the first ten paragraphs, I am very struck by his distributist (that word is clearly lurking in the background) interpretation of Nehemiah, the story he presents as paradigmatic for human economic effort arranged in a way consistent with human nature and our relationship with God. Surely Bill and I can find some grist to grind there when I get him corralled and back at a microphone.

April 25, 2026 - Equipped 2026 - Day 3 - 6:30PM Session   Has God Said…? - Mike Vestal   The lecture by Mike Vestal examines the nature of sin and Satan's strategy in Genesis 3, framing humanity's fall as “Paradise Lost in Seven Steps.” Sin is portrayed not as a trivial act (like eating fruit) but as a grave offense against God—idolatry, rebellion, and distorted love. The seven steps of Satan's strategy are outlined: surprise, craftiness, speaking to relate, questioning to create doubt, deceiving and contradicting God, enticing with alluring promises, and finally ensnaring and enslaving humanity. In contrast, the latter half presents God's superior, pre-ordained plan of salvation through Jesus Christ, which counters each tactic. God's plan is straightforward and centers on the Word becoming flesh to invite and liberate rather than deceive and enslave. The lecture concludes by underscoring the seriousness of sin and the glory of God's redemptive plan, which enables a right relationship with Him through correct belief, practice, and heart affection.   Duration 30:24  

Slayer vuelve a Buenos Aires y sudamérica; discos de Dimmu Borgir y Vision Divine; aniversario de TYR y reedición de Paradise Lost

It's All Been Trekked Before #470  Season 14, Episode 22  Star Trek: Deep Space Nine #4.11 "Paradise Lost"    Stephen was left unsatisfied by the climax. Olivia James agrees, frustrated at the shift away from emphasizing paranoia. We get into a debate about Best Trek Captain.    Edited by Olivia James, with assistance from Resound.fm   It's All Been Trekked Before is produced by IABD Presents entertainment network. http://iabdpresents.com

This week we're bringing you a conversation Michael Tamblyn had in 2021 with Natalie Zina Walschots about her extremely fun novel called Hench. It's about a world where superheroes are out there saving the day in super ways, while villains, who are a lot like you and me, run organizations bent on taking over the world while also trying to keep scores up on Glassdoor. Natalie's just released a sequel to Hench, and it's called Villain.    [From 2021:] We learned about some of the fantastical worlds Natalie enjoyed exploring as a young reader "often for sheer escapism," as well as the writers she drew inspiration from while starting out as a writer herself, and as a lifelong student of supervillainy: Robert O'Brien's Mrs. Frisby and the Rats of NIMH and Z for Zachariah High fantasy including J. R. R. Tolkien, but also Shannara, Dragonlance, and "anything with a wizard holding an orb on the cover" or "a skeleton holding a sword" Christian Bök, Karen Solie, bp Nichol, and other writers "doing super weird things with language and the structural materiality of language..." Soon I Will Be Invincible "was the first book I read from the perspective of a supervillain." "Paradise Lost is really important to me ... the relationship between Satan the adversary to the world informs the way I write villains." Neil Gaiman's Sandman, where "a character who's a villain in one context becomes the protagonist in another." Vicious by V E Schwab Erin Morgenstern's The Night Circus and various writings of Catherynne M. Valente for their "messed up fairy tale feel."

Dr. Luke Mills joins me to talk about his article "His Dark Materials," as well as C.S. Lewis' nightmare imagery across his fiction. Among other things, we discuss: [2:08] – Welcome & guest introduction: Dr. Luke Mills, Associate Professor of English at Wingate University [2:57] – Dr. Mills's article: "His Dark Materials: C.S. Lewis's Nightmares as Inspiration" [4:10] – What drew Mills to the topic: Lewis's dreams of lions and the writing of Narnia [5:09] – Lewis's diary (All My Road Before Me) and the wolf-and-sheep nightmare (April 27, 1923) [6:13] – Reading of the wolf-and-sheep nightmare [7:07] – Lewis as an author of both heavenly beauty and horror [7:41] – The Unman in Perelandra and Lewis's vivid portrayal of evil [8:39] – How common were nightmares for Lewis? Insects, specters, and a lifelong pattern [10:29] – Lewis near death: vivid dreams and beautiful visions [11:38] – Etymology of "dream" and "nightmare" (Old English roots) [12:07] – Did Lewis think his dreams were spiritually significant? [12:46] – The Dark Tower and J.W. Dunne's Experiment with Time: precognitive dreams [15:21] – Lewis, Tolkien, and their shared interest in time and dreams [16:29] – Lewis's belief in precognitive dreams and his complicated relationship with Dunne's theories [17:22] – The Dark Tower: the chronoscope and alternate timelines [20:01] – Dreams as portals to other realities; Lewis's strong belief in the supernatural [22:07] – Lewis's imaginative receptivity; running toward and away from something [24:09] – Preface to Paradise Lost, letting the "leash slip," and Lewis's portrayal of evil [26:13] – Other nightmare imagery in Lewis: The Last Battle, Perelandra, That Hideous Strength [27:31] – Ransom's strange dream in Perelandra; the Unman as absurdist horror [30:17] – Lewis and the word "un-man": dreams about his dead father and Perelandra's antagonist [32:24] – Lewis's horror of corpses; childhood trauma of seeing his mother's body [34:10] – Zombie squirrels and a digression to Grove City College [37:11] – Are Lewis's nightmares demonic? Dreams of lions before Narnia [38:24] – Lewis, modernism, surrealism, and the via negativa [40:21] – Till We Have Faces: modernist technique and divinely sent nightmares [43:03] – Aslan as terrifying: the scratch in The Horse and His Boy [46:09] – Mark in the Objective Room at N.I.C.E.: nightmarish images turning him toward the good [47:12] – Closing thoughts; terror and the uncanny as paths toward the good [50:07] – Where to follow Dr. Mills; current research on Lewis's library at UNC (including Lewis's marginalia) As always, if you want to get in touch, email me at inklingsvarietyhour@gmail.com Rate the show if you like it and haven't rated it yet.

The Bible tells one magnificent story from beginning to end, with Revelation perfectly mirroring Genesis to show how Jesus restores everything. From the creation of heaven and earth to the promise of a new heaven and new earth, God's plan has always centered on Christ. Jesus wasn't a backup plan—He was there from the very first sunrise and continues preparing a place for us. While we wait for His return, we're called to live in the now of Christ, sharing the gospel and prioritizing our spiritual health. The ultimate joy of heaven isn't gold streets or mansions, but a restored relationship with God Himself.

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Send us Fan MailAngelo, Rhea and Jay are BACK together to discuss The Crash, which follows Mackenzie Shrilla, convicted of murder after driving 100 mph into a wall and killing her boyfriend and his friend. And when cameras caught her father on film basically blessing his teenager's drug use, the internet — and Angelo — had thoughts. Are the parents victims of an unfair documentary, or are they exactly what Angelo says they are: in complete and utter denial? The gang debates where documentaries end and exploitation begins, bringing up The Jinx and Paradise Lost to make the case that sometimes, the camera just catches the truth.THEN: SAG-AFTRA just cut a deal allowing AI synthetic performers if they bring "significant additional value", and members vote June 4th. Rhea's question cuts right to it: who's deciding what's "significant"? A lawyer or an actual creative. Hollywood's future is here, and nobody agrees on whether to panic.ALL THAT PLUS: Hayden Panettiere's memoir, the May upfronts, a reviews The Island on Acorn, and much MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

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Think Hawaii is all pristine beaches and postcard-perfect sunsets? Think again. This week, we're swapping our beach towels for crime scene tape as we dive headfirst into the dark underbelly of the Aloha State. From high-stakes island syndicates to mysteries buried deep beneath the volcanic soil, we're proving that even paradise has a body count. Pack your sunscreen—and your skepticism—because it's about to get shady in the sun.Research links below!SFGate - "The FBI warned Hawaii serial killers were coming. Then one struck."Serial Killer Calendar - "Murders in Paradise"PBS Hawai'i - "The Honolulu Strangler with Robbie Dingeman"Medium - "The Honolulu Strangler"Ke Alaka'i - "The tragic deaths of five women and an escaped murderer known as the 'Honolulu Strangler'"Hawaii News Now - "20 years ago, a killer shattered the morning calm and changed Hawaii forever"khon2 - "Xerox Murders"Star Bulletin - "Carlisle: Uyesugi was in control"Star Bulletin - "Grand jury indicts Uyesugi for first-degree murder"Star Bulletin - "7 dead in Nimitz Hwy. Xerox shooting"Star Bulletin - "Uyesugi's father, brother tell of torment in his head"State of Hawaii vs. Byrab Uyesugi

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Explore the intersection of classical music, mythology, the Great Books, and progressive metal with Symphony X's bassist Mike LePond. Discover how complex musical structures and timeless stories like the Odyssey and Paradise Lost inspire artistic expression and intellectual curiosity. Listen to how heavy metal music has gotten people to read classic literature and led to spiritual conversions.   Key topics: Storytelling through music: The Odyssey and Paradise Lost The role of mythology and classic literature in inspiring art Music as an educational tool and intellectual journey The influence of classical music on progressive metal   Join the FREE Magnus Fellowship: https://magnusinstitute.org/fellowship/ Support AMI: https://magnusinstitute.org/give/   SUBSCRIBE where Podcasts are available: Apple: https://podcasts.apple.com/us/podcast/magnus-podcast-conversations-from-the-catacombs/id1475793300 Spotify: https://open.spotify.com/show/3SuJ0ZDVLrh19Vq1rg6nKK? si=d6ffd631e49b46b3 PodBean: https://magnuspodcast.podbean.com/ Fio: https://www.play.fio.fm/show/MagnusPodcast  Youtube: https://www.youtube.com/channel/UCV00wegjCFjw49tc0y_AMQA

Subscribe today for access to our full catalog of bonus episodes, including 2+ new episodes every month! $5 pledge gets you bonus episodes and $20 enters you in our monthly handmade DVD mailing program "Bootleg Bible Study"!   http://patreon.com/boysbiblestudy Perhaps the best of the 1990s films fixated on pop Christian themes (that we affectionately call "angelslop" or, if more appropriate: "devilslop"), THE DEVIL'S ADVOCATE is a wildly entertaining film that despite being firmly secular, manages to hit a ton of tropes we associate with the Christian film genre. Keanu Reeves stars as Kevin Lomax, a small town defense lawyer with an impressive undefeated winning streak. He's scouted by Al Pacino as John Milton, the head of an acclaimed New York City law firm, who wants to change Lomax's life by adding him to the roster. Eagle-eared viewers may recognize the name John Milton as a reference to the author of legendary Bible fanfiction Paradise Lost. This might be your first indication that Pacino's character is the devil himself, that Reeves's character is about to make a Faustian bargain, and that the legal system is about to be used as an allegory for Christian morality. This is the most 1990s trope imaginable, an era when filmmakers were obsessed with elevating the mundane by showing it as a backdrop between the battle between angels and demons. Another distinctly 1990s decadence is needing the movie to be "smart, sexy, funny" — when THE DEVIL'S ADVOCATE does rarely jump the shark into groan-inducing campiness, it's when the film attempts to flatter the viewer's sense of sophistication. However it's still a welcome nostalgic departure from mainstream movies nowadays that openly market themselves as slop from a trough for the lowest bidder. But it's the smart writing and impressive production design that makes THE DEVIL'S ADVOCATE's heavy handed tropes and conservative morality feel delightfully predictable instead of tediously formulaic. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

On this episode of THE HOT MIC, John Rocha and Jeff Sneider talk 'Michael 2' is in the wokrs but will Antoine Fuqua return to direct it, Jame Gunn's updates on DC with the Authority and Paradise Lost series and that Lanterns trailer fiasco, Michael B Jordan's Battlefield project sparks a bidding war, a Paradise Lost movie is coming from Roger Avary, Disclosure day aliens photos, Django and Zorro team up movie, Jackass, Verity, and One Night Only trailers, Gina Carano's PR puff piece in THR, Rush Hour 4 pushed to Fall shoot over pay dispute, James Bond script is “nowhere near ready”, Devil Wears Prada 2 review, 49.5 % of funding for Paramount merger are foreign investors with 38.5% from Middle East, Top Gun 3 updates and more!#marvel #DC #jamesgunn #michaelbjordan #WB #Netflix #Disney #topgun #tomcruise #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:27 'Michael 2' In the Works, But Will Antoine Fuqua Return to Direct It?13:45 Michael B Jordan and Christopher McQuarrie Battlefield Project Sparks Bidding War23:03 'Resident Evil' Trailer Discussion26:00 Original Blair WitcH Actors Return to EP New Blair Witch Reboot28:40 Roger Avary Making a 'Paradise Lost' Movie Using Ai32:10 James Gunn DC Updates on The Authority, Paradise Lost and LANTERNS Trailer38:43 Brian Helgeland Tapped to Write Django/Zorro Film Based on Tarantino Comic Book42:16 One Night Only and Verity Trailers Talk49:30 Disclosure Day Aliens Footage Could Connect to Close Encounters52:20 James Bond Update Says Script is "Nowhere Near Ready"55:15 The Devil Wears Prada 2 Mini Review57:15 Other Film/TV Reviews1:03:27 THR's Puff Piece on Gina Carano1:05:33 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

On this episode of THE GEEK BUDDIES, John Rocha, Michael Vogel and Shannon McClung discuss James Gunn halting The Authority, Paradise Lost in "Extreme Development", Lanterns Trailer Pulled and Replaced, New Poster Released, Brian Helgeland tapped for Django/Zorro film based on Quentin Tarantino comic book, HOTD S3 Teaser, Ted Lasso S4, One Night Only Trailers Talk, Daredevil Born Again 2x7 Review, Maul Shadow Lord Eps 7 and 8 Review and more! Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #dc #jamesgunn #houseofthedragon #gameofthrones #appletv #tedlasso #Lanterns #Maul #daredevil #disneyplus #johnrocha #michaelvogel #shannonmcclung #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 2:08 James Gunn Halts The Authority, Paradise Lost in "Extreme Development" 16:42 Lanterns Trailer Pulled and Replaced, New Poster Released 22:19 Brian Helgeland Tapped to Write Django/Zorro Crossover 29:14 HOTD S3 Teaser, Ted Lasso S4, One Night Only Trailers Talk 46:52 Daredevil Born Again 2x7 Review 59:40 Maul Shadow Lord Eps 7 and 8 Review FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

James Gunn Gives UPDATES DCU Projects and those projects are, The Authority, Booster Gold, and Paradise Lost. He also hinted at another movie being greenlit soon, and spoke about filming Man of Tomorrow.

Jonathan Geltner and Luke Mills rejoin me to finish talking about The Magician's Nephew.  Meanwhile, Narnian troubadour Matt Wheeler joins us to share "Awake, Awake!"--the first of his seven songs from Narnia! More details to come, but here's a quick summary of what we discuss: Introduction & Reading 0:00 — Opening dramatic reading from The Magician's Nephew (Digory before Aslan) Host & Guest Introductions 2:12 — Pipkin introduces Dr. Luke Mills and Jonathan Gelter; Jonathan's MFA program plug and novel update Story Recap 3:39 — Summary of the book up to the current chapters (Charn, Jadis, Narnia's creation, lamppost origin) Is Narnia "Fallen"? 6:34 — Discussion of Digory's guilt, the nature of Narnia's corruption, and parallels to Paradise Lost and Eden Digory's Culpability 10:37 — Was Digory truly at fault? The enchanted bell, Aslan's judgment, and Jonathan's "defense counsel" argument The Comic Sections: Animals & Uncle Andrew 15:40 — Critiquing Lewis's humor; Barfield's observation about Lewis's "undergraduate" comedy; Tolkien comparisons The Cabby as First King of Narnia 20:21 — Why a working-class Cockney? Anti-urban sentiment in Lewis, WWI's influence, rural vs. city themes, and comparison to Sam Gamgee Lewis, Tolkien & Shared Mythological Ideas 26:53 — Overlapping motifs (singing creation, protective trees, the rings); did Lewis borrow from Tolkien? The Winged Horse & the Garden of Hesperides 27:56 — Aslan's tears scene; the walled garden and its inscription; parallels to Galadriel and the One Ring Trees in Mythology & Religion 29:14 — Sacred trees across world cultures: Norse, Celtic, Greek, Irish paradise mythology, apples, and forests Musical Guest: Matt Wheeler 36:19 — Original song inspired by Aslan's creation of Narnia; discussion of the source passage Jadis Eats the Apple & the White Salt Image 46:05 — Jadis's "white as salt" description; what it conveys about her character and the apple's dark gift Character of Jadis / The White Witch 53:32 — Her name (French "jadis" = "once upon a time"), Lilith parallels, satanic motivation, and the "dem fine woman" ending Allegory, Plot Holes & Medieval Parallels 56:49 — Lewis's inconsistent allegory, Dante vs. Bunyan, and how medieval authors simply didn't care about plot consistency The Ending: Digory's Mother, Uncle Andrew, and Redemption 1:01:27 — The apple healing his mother, Aslan's beatific vision, Uncle Andrew's comic/bittersweet conclusion, and the wardrobe's origin Platonic Themes & the Wood Between the Worlds 1:06:41 — Aslan's Platonism, the multiverse question, ontological status of the secondary worlds, and the reference to Plato in The Last Battle Netflix Adaptation Discussion 1:12:53 — Concerns about Greta Gerwig's adaptation; what changes would actually be welcome; Polly & Digory's relationship Closing Remarks & What's Next 1:18:03 — Wrap-up, acknowledgments, upcoming Silver Trumpet episode

-Join Our Patreon And Over 50 Exclusive Episodes In 2026. All Episodes Ad-Free & Early Access https://www.patreon.com/GeekVerse -Find Our Discord, Podcast/Video Feeds & Social Media In The Link Below! https://solo.to/geekverse TOPICS James Gunn Give Updates On Authority, Paradise Lost, Booster Gold & More! Can Michael Jackson hit a Billion after the huge opening weekend? Box Office 2026 Check InBecome a supporter of this podcast: https://www.spreaker.com/podcast/geekverse-podcast--4201268/support.

April 27, 1667. Blind and impoverished poet John Milton sells Paradise Lost to a printer for £10. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.

In this episode of the Digressio Podcast, Daniel Foucachon and Dr. Joe Carlson explore John Milton's Paradise Lost and Regained as the crowning epic of the English language, and why they deserve renewed attention today. They discuss how to read epic poetry well, the challenges and rewards of Milton's elevated style, and the importance of approaching his work on its own terms rather than through modern distortions. The conversation also addresses common misconceptions about Milton's theology, defending his orthodoxy from later accusations, and contrasts faithful Christian readings with the skepticism often found in mainstream editions. Ultimately, this episode is a call to recover our literary inheritance, equipping families, teachers, and pastors to engage these great works deeply and to build homes rich with books, ideas, and lasting cultural memory.

In this bonus episode from Josh Traylor's Paradise Lost course, Josh shares some wisdom on studying literature. Whether you are interested in studying literature professionally or simply out of an interest in the power of the written word, this presentation will help you get started in an intentional way.Watch the video of this episode and subscribe to my YouTube channel here: https://youtu.be/F3i5ZYKdzOEListen to all THREE Mythic Mind podcasts:Mythic MindMythic Mind GamesMythic Mind Movies & Shows(or become a patron to get all three shows in one ad-free feed)Become a patron of Mythic Mind at patreon.com/mythicmindSupport Josh and purchase his course here: https://www.patreon.com/joshtraylor/shopBecome a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

Wherein Eric and John, following a vanishingly brief look at the early history and development of doom metal, investigate the fragmentation of doom into various sub-sub genres in the 1990s, including death doom (Paradise Lost, My Dying Bride, Anathema), gothic metal (Type O Negative), stoner metal (Sleep, Electric Wizard), and more.Click on the links below for all the music listening/video breaks in this episode:Listening Break #1: Pentagram- "The Ghoul" from Pentagram/Relentless (1985/93) https://www.youtube.com/watch?v=wRIkfMSnED4⁠⁠Listening break #2: Paradise Lost- "Paradise Lost" from Lost Paradise (1990) https://www.youtube.com/watch?v=znqVVjOOMwA⁠Listening break #3: Paradise Lost- "Gothic" from Gothic (1991)https://www.youtube.com/watch?v=TnqXkN1xpO8⁠⁠Video break #1: Type O Negative "Black No. 1 (Little Miss Scare-All" from Bloody Kisses (1993) https://www.youtube.com/watch?v=vFwYJYl5GUQListening break #4: Sleep "Dragonaut" from Sleep's Holy Mountain (1992)https://www.youtube.com/watch?v=_OWwgGYhsBsListening break #4: Lectric Wizard "Funeralopolis" from Dopethrone (2000)https://www.youtube.com/watch?v=ZdlEIlq9nZg⁠Please do consider joining us at our Patreon page! Not only will you gain access to exclusive content, but you'll also get that sense of pure joy that can only come from supporting the world's wackiest, most insightful heavy metal podcast. Link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ http://patreon.com/HeavyMetal101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Contact us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠heavymetal101podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/HeavyMetal101Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/heavy_101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heavymetal101podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New episodes of Heavy Metal 101 are always released monthly on the 3rd Monday of each month!Underscore credits:Come, Sweet Death, BWV 478 by J.S. Bach (performed by E. Schwartz)Atmospheric Doom Metal - ROYALTY FREE [No copyright Music]poweredBYGDKThe Beatles - I Want You (She's So Heavy) [8-BIT]PlayToDieBlack Sabbath - Black Sabbath 8-BitMiles_Metal... 8-Bit Metal, Video Game and Film Covers[FREE] Doom Metal x Stoner Metal Instrumental - "THE LOST WITCH" - Electric WizardNo Copyright MetalAsh Nazg | War Chant of MordorSirRachaFREE] Doom Metal X Slow Heavy Metal - "Slow Burner"Mauricio Mirapalheta SoundMISTRESS OF FLYING | Doom Metal | No Copyright Music | ROYALTY FREE MUSICDark Burden[FREE] Stoner Metal X Doom Metal Instrumental - "Stoner Minimoe"Mauricio Mirapalheta SoundHorror Background Music(No Copyright)Scary Dark Mysterious Music/Horror Trailer Music[Royalty Free]Power Music FactoryParadise Lost - Gothic (8-Bit Version)Squskii[No Copyright Music] The Graveyard | Horror Music | Royalty Free MusicVIVEK ABHISHEKz3r0 - Haunted Mansion | Creepy/Horror background music - COPYRIGHT FREE MUSICz3r0 - Copyright Free MusicRetro Post Punk by Infraction [No Copyright Music] / After DutyInfraction - No Copyright MusicGothic Organ Intense Music | Royalty Free Musicgravitymusic[ROYALTY FREE] 90's Rave Type Early Techno | Acidic Techno | LxftBeat LabRoyalty Free Gothic Metal, PrecipiceIridium MusicFuneral Doom: Aethyr - Ave A - Royalty Free Stoner Doom MetalNon Solus [eklektik underground[FREE] SOUNDS OF SUICIDE

As we continue through Joshua Traylor's Paradise Lost course, Josh discusses Books XI and XII.Watch the video of this episode and subscribe to my YouTube channel here: https://youtu.be/JlNyhYJSWZEListen to all THREE Mythic Mind podcasts:Mythic MindMythic Mind GamesMythic Mind Movies & Shows(or become a patron to get all three shows in one ad-free feed)Become a patron of Mythic Mind at patreon.com/mythicmindSupport Josh and purchase his course here: https://www.patreon.com/joshtraylor/shopBecome a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

Most expats moved to Dubai chasing tax-free income, luxury living, and warm weather — but the war with Iran has exposed the fragile foundations beneath that dream. In this episode, John Odermatt speaks with world-renowned expat consultant Mikkel Thorup about why he left the UAE seven years ago, what he saw coming, and what current residents need to know. Thorup spent nearly a decade in the UAE before recognizing that its dependence on imported food, desalinated water, and hydrocarbon energy made it dangerously vulnerable to regional conflict. He shares firsthand accounts of stranded tourists, canceled Iranian Golden Visas, potential banking disruptions, and the very real consequences of living near active missile exchanges. For those looking for an alternative, Thorup points to Latin America as an increasingly attractive destination — politically shifting rightward, food and water independent, and offering genuine tax-free lifestyles. He closes with practical advice on building an offshore Plan B whether or not you ever physically move, covering banking, holding companies, real estate, and residency strategies. For anyone currently in the UAE or rethinking their global base, this episode offers a sobering and actionable reality check. Chapters 0:00 — Intro & Teaser: War in Iran turns the Dubai dream into a dangerous gamble 1:18 — Sponsor: Fox & Sons Coffee — use code JOHN for 15% off orders of $40+ at foxandsons.com 2:05 — Guest Introduction: Mikkel Thorup, host of the Expat Money Show and leading expat consultant 4:18 — Why Mikkel Moved to the UAE in 2011: Tax-free lifestyle, beaches, connectivity, and growth 5:49 — Visiting Iran: Separating the people from the government 7:02 — The Turning Point: Starting a family and rethinking resilience — food, water, and energy dependence 10:25 — Was Anyone Else Worried? Why most expats weren't thinking about geopolitical risk 12:55 — What's Happening Now: Stranded travelers, hotel chaos, interceptor missiles, and denial 15:47 — Financial Risk: Banking closures, frozen accounts, and canceled Iranian Golden Visas 18:47 — Advice for Expats Still in the UAE: Find the dream elsewhere 19:15 — Where to Go Instead: Latin America — Costa Rica, Panama, Argentina, Paraguay, and more 20:43 — Why Mikkel Chose Panama: Surveying the world and landing in Latin America 21:39 — The Political Shift in Latin America: From socialism to free-market leadership 22:56 — El Salvador vs. Mexico: Safety, rule of law, and what it means for expats 23:58 — How to Work with Mikkel: Comprehensive expat planning from tax to immigration 25:36 — Building a Plan B: Offshore banking, holding companies, real estate, and residency 26:25 — Wrap-Up & Where to Find Mikkel: expatmoney.com | The Expat Money Show (400+ episodes) Links Mikkel Thorup — Expat Money: https://expatmoney.com The Expat Money Show Podcast: Search "Expat Money Show" in your podcast app Sponsor — Fox & Sons Coffee: https://foxnsons.com — Code JOHN for 15% off $40+ Lions of Liberty on Patreon: https://patreon.com/lionsofliberty Lions of Liberty on Locals: https://lionsofliberty.locals.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Most expats moved to Dubai chasing tax-free income, luxury living, and warm weather — but the war with Iran has exposed the fragile foundations beneath that dream. In this episode, John Odermatt speaks with world-renowned expat consultant Mikkel Thorup about why he left the UAE seven years ago, what he saw coming, and what current residents need to know. Thorup spent nearly a decade in the UAE before recognizing that its dependence on imported food, desalinated water, and hydrocarbon energy made it dangerously vulnerable to regional conflict. He shares firsthand accounts of stranded tourists, canceled Iranian Golden Visas, potential banking disruptions, and the very real consequences of living near active missile exchanges. For those looking for an alternative, Thorup points to Latin America as an increasingly attractive destination — politically shifting rightward, food and water independent, and offering genuine tax-free lifestyles. He closes with practical advice on building an offshore Plan B whether or not you ever physically move, covering banking, holding companies, real estate, and residency strategies. For anyone currently in the UAE or rethinking their global base, this episode offers a sobering and actionable reality check. Chapters 0:00 — Intro & Teaser: War in Iran turns the Dubai dream into a dangerous gamble 1:18 — Sponsor: Fox & Sons Coffee — use code JOHN for 15% off orders of $40+ at foxandsons.com 2:05 — Guest Introduction: Mikkel Thorup, host of the Expat Money Show and leading expat consultant 4:18 — Why Mikkel Moved to the UAE in 2011: Tax-free lifestyle, beaches, connectivity, and growth 5:49 — Visiting Iran: Separating the people from the government 7:02 — The Turning Point: Starting a family and rethinking resilience — food, water, and energy dependence 10:25 — Was Anyone Else Worried? Why most expats weren't thinking about geopolitical risk 12:55 — What's Happening Now: Stranded travelers, hotel chaos, interceptor missiles, and denial 15:47 — Financial Risk: Banking closures, frozen accounts, and canceled Iranian Golden Visas 18:47 — Advice for Expats Still in the UAE: Find the dream elsewhere 19:15 — Where to Go Instead: Latin America — Costa Rica, Panama, Argentina, Paraguay, and more 20:43 — Why Mikkel Chose Panama: Surveying the world and landing in Latin America 21:39 — The Political Shift in Latin America: From socialism to free-market leadership 22:56 — El Salvador vs. Mexico: Safety, rule of law, and what it means for expats 23:58 — How to Work with Mikkel: Comprehensive expat planning from tax to immigration 25:36 — Building a Plan B: Offshore banking, holding companies, real estate, and residency 26:25 — Wrap-Up & Where to Find Mikkel: expatmoney.com | The Expat Money Show (400+ episodes) Links Mikkel Thorup — Expat Money: https://expatmoney.com The Expat Money Show Podcast: Search "Expat Money Show" in your podcast app Sponsor — Fox & Sons Coffee: https://foxnsons.com — Code JOHN for 15% off $40+ Lions of Liberty on Patreon: https://patreon.com/lionsofliberty Lions of Liberty on Locals: https://lionsofliberty.locals.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Part 1 of our four-episode series “What Is Man That You Are Mindful of Him? Imago Dei in the Age of AI.” In a world racing toward artificial super-intelligence that threatens to out-think and out-perform us at almost every task, the Catholic Church points us back to an older drama: super-intelligences were here first — and the brightest of them burned with envy when God crowned ordinary flesh-and-blood humans with glory and honor. Drawing from Milton's Paradise Lost, Psalm 8, Genesis 1, and the insights of Aquinas and Suárez on the angelic fall, Greg explores why our worth has never been grounded in tasks or productivity. Even if machines surpass us on every measurable metric, our dignity remains untouched — because it is ontological, rooted in the Imago Dei and God's unchanging call to be fruitful, multiply, and steward creation as His beloved sons and daughters. Whether you're a Protestant pastor quietly investigating Catholicism, a curious seeker drawn to the beauty of the faith, or a cradle Catholic rediscovering its depths, this episode will steady your heart with the ancient answer to the question that still echoes today: “What is man that You are mindful of him?” SUPPORT THIS SHOW Considering Catholicism is 100% listener-supported. If this podcast has helped you on your journey, please become a patron today! For as little as $5/month you get: • Every regular episode ad-free and organized into topical playlists • Exclusive bonus content (extra Q&As, Deep-Dive courses, live streams, and more) • My deepest gratitude and a growing community of like-minded listeners ➡️ Join now: https://patreon.com/consideringcatholicism (or tap the Patreon link in your podcast app) One-time gift: Donate with PayPal! CONNECT WITH US • Website & contact form: https://consideringcatholicism.com • Email: consideringcatholicism@gmail.com • Leave a comment on Patreon (I read every one!) RATE & REVIEW If you enjoy the show, please leave a rating (and even better, a review) on Apple Podcasts, Spotify, or wherever you listen — it really helps new listeners find us. SHARE THE SHOW Know someone who's curious about Catholicism? Send them a link or share an episode on social media. Thank you! Christus vincit, Christus regnat, Christus imperat.  

As we continue through Joshua Traylor's Paradise Lost course, Josh discusses Book X.Watch the video of this episode and subscribe to my YouTube channel here: https://youtu.be/EDTBKyg_6O8Listen to all THREE Mythic Mind podcasts:Mythic MindMythic Mind GamesMythic Mind Movies & Shows(or become a patron to get all three shows in one ad-free feed)Become a patron of Mythic Mind at patreon.com/mythicmindSupport Josh and purchase his course here: https://www.patreon.com/joshtraylor/shopBecome a supporter of this podcast: https://www.spreaker.com/podcast/mythic-mind--5808321/support.

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast includes:Toy Story 5 trailer - Jun 19Jay & Silent Bob: Jays of Future Past comic - Jun 10House of the Dragon S3 trailer - JuneRyan Coogler's X-Files gets pilot at HuluSamuel L Jackson in Frisco KingParamount Skydance wins fight to buy WB DiscoverySchwarzenegger & Christopher McQuarrie team up for King ConanPixar developing another Monsters, Inc. movieDarkwing Duck reboot from Seth RogenStar Wars: Maul: Shadow Lord trailer - April 6Spider-Man: Brand New Day trailer - July 31Stephen Colbert writing Lord of the Rings sequelHarry Potter and the Philosopher's Stone trailer - ChristmasM.A.S.K joins Energon Universe in new comicSony developing animated Venom movieMortal Kombat II trailerPlaymates TMNT x Godzilla mashup Phase 2G.I. Joe rebootBruce Campbell to take time off for cancer treatmentLanterns official teaser - AugustAlien: Earth S2 to start production in MayThe Boys 5th & final season to premiere April 8th Live-action One Piece team to adapt Samurai ChamplooFamily Guy spin-off Stewie gets 2 season orderNetflix officially confirms KPop sequelParadise get S3 orderBloodsport remake from A24Val Kilmer to star in As Deep as the Grave via AIMarvel What If…? 50th anniversary variant coversGlen Powell is Fox McCloudMasters of the Universe trailer - June 5The Last Airbender S2 on Netflix - June 25Supergirl trailer - June 26Masters of the Universe: Legends Unite co-op deck gameNew Doctor Who spin-off Gallifreyan AcademyFans cancelling Dandadan S3 before it premieresKristen Bell to voice Amy Rose in Sonic 4Donald Glover voices YoshiNathan Fillion confirms Firefly animated seriesSonic the Hedgehog 4 teaserTom Cruise directed part of Star Wars: StarfighterStar Wars: Galaxy's Edge – Echoes of the Empire comicAhsoka S2 on course for a 2026 releaseStar Wars Outlaws is huge hit on XBox Game PassKatie Sackhoff says Bo Katan is going nowhereFiloni directed 2d unit of Mando & GroguDetails about two separate Indiana Jones seriesMarvel considering two-films for Secret WarsJames Gunn says Paradise Lost still in development Minions and Monsters trailer - July 1stKevin Smith Bizarro 4-issue origin series - Apr 1Dynamite Entertainment announced The Nightmare Before Christmas comicKPop writers tapped by WB to pen Tim Burton's Attack of the Fifty Foot WomanThe Greatest American Hero comicClayface moved to Oct 23James Gunn wants to fast track the Batman Part 3McKenna Grace cast as Daphne in live-action ScoobyBluey streamed more than Stranger Things finaleKate Winslet is in The Hunt for Gollum - Dec 17 2027Aaron Pierre confirmed to be in Superman: Man of TomorrowBen Kingley joins Sonic 4Hulu has slayed the Buffy reboot seriesStarfleet Academy done after S2Wonder Man S2 is confirmedDune: Part 3 trailer - Dec 18Punisher: One Last Kill - May 5Marvel's Wolverine coming to PS5 on Sept 15Congrats on completing Level 488! Feel free to contact me on social media (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com. All other links are easily findable on linktr.ee/laughitupfuzzball for merch, the Facebook group, etc. I'd love to hear from you. Subscribe to the feed on Spotify, Apple podcasts, Google podcasts, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out!

Merriam-Webster's Word of the Day for March 30, 2026 is: oblivion • uh-BLIV-ee-un • noun Oblivion can refer to the state of something that is not remembered or thought about any more, or to the state of being unconscious or unaware. It also sometimes refers to the state of being destroyed. // After so many days of exhaustingly difficult work, he longed for the oblivion of sleep. // The sandcastles of summer had long since been swept into oblivion by the ocean waves. See the entry > Examples: “... automobiles with manual transmission appear to be on a road to oblivion as technology transforms cars into computers on wheels.” — Michael Diedtke, The Columbian (Vancouver, Washington), 3 Jan. 2026 Did you know? Oblivion asks forgetfulness of us in both its meaning and etymology. The word's Latin source, oblīvīscī, means “to forget, to put out of mind,” and since its 14th century adoption into English, oblivion has hewed close to meanings having to do with forgetting. The word has also long had an association with the River Lethe which according to Greek myth flowed through the Underworld and caused anyone who drank its water to forget their past; 17th century poet John Milton wrote about “Lethe the River of Oblivion” in Paradise Lost. The adjective oblivious (“lacking remembrance, memory, or mindful attention”) followed oblivion a century later, but not into oblivion—both words have proved obdurate against the erosive currents of time.

God's creation was paradise—until it wasn't. The enemy arrived, a lie was told, and sin was chosen. Paradise was lost, but hope remained. Though sin brought consequences, God drew near, not abandoning His people, but promising to rescue them. Genesis 3 Speaker: Kyle Idleman