Podcasts about Paradise Lost

HAPPY 7th ANNIVERSARY! It's the BEST of 2025, Pt 1 ! The Emporium brings you the music of Bruce Springsteen & The E Street Band, Seth Lakeman, Sam Fender, Dream Theater, Alison Krauss & Union Station, Samantha Fish, The Wildhearts, Suede, Lady Ga Ga and Paradise Lost.

Un 24ème épisode de Radiotropisme basé sur le thème de l’enfant. On retrouve une playlist de 12 morceaux, qui commence par un « grand écart artistique », entre Yves Duteil et Didier Super puis par deux morceaux de rap des années 90 (Oxmo 96 / Démocrates D 94) avant de finir sur une session rock/métal : Korn; Offspring, Paradise Lost, Amenra… Bonne écoute Playlist : Pour les enfants du monde entier > Yves Duteil / Comme un enfant au Brésil > Didier Super / L'enfant seul (live) > Oxmo Puccino / Children crying > The Congos / Save the children > Marvin Gaye / Children of the Korn > Korn & Ice Cube / The Kids aren't alright > Offspring / Children of the damned (live) > Iron Maiden / Fallen Children > Paradise Lost / Children Slave > Carcariass / Children of the eye > Amenra /

In this episode I'm joined by author and Scarlet Imprint founder Peter Grey for a wide-ranging conversation around his book Lucifer Praxis—a work that approaches Lucifer not as a static figure or moral symbol, but as a living current of rebellion, imagination, and spiritual authority.We explore the deep mythic roots of Lucifer and the fallen angels, tracing them from ancient sources and early biblical material—where these beings were associated with the transmission of magic and forbidden knowledge—through their later demonisation under Christianity. Peter explains how John Milton's Paradise Lost radically reshaped the image of Lucifer, transforming him into a defiant figure whose influence carried forward into Romanticism through writers like Blake, Shelley, and Byron, helping to form the foundations of modern Luciferian thought.Our conversation moves through early Christian exorcism and its relation to grimoire magic conjuration and Pauline theology. We also spend time on Peter's argument that the French Revolution of 1789 marked a decisive cultural rupture—a symbolic regicide and deicide that signalled the death of God and the emergence of a modern Luciferian worldview. Paris itself becomes part of this story, reshaped through monuments, symbolism, and revolutionary ritual.Peter also outlines his approach to magical practice and teaching: drawing on ancient traditions while deliberately avoiding rigid systems or prescriptive methods. We discuss the importance of personal gnosis, the risks of over-identifying with deities, and the need for open structures that allow practitioners to find their own way into the spirit world.Show notes:Get the book: https://scarletimprint.com/publications/p/lucifer-praxisJohn Milton - Paradise Lost: https://en.wikipedia.org/wiki/Paradise_LostWilliam Blake: https://en.wikipedia.org/wiki/William_BlakePercy Bysshe Shelly: https://en.wikipedia.org/wiki/Percy_Bysshe_ShelleyLord Byron: https://en.wikipedia.org/wiki/Lord_ByronRomantic poetry: https://en.wikipedia.org/wiki/Romantic_poetryThe Book of Enoch: https://en.wikipedia.org/wiki/Book_of_EnochThe French Revolution: https://en.wikipedia.org/wiki/French_RevolutionLouis XVI: https://en.wikipedia.org/wiki/Louis_XVIThe Spirit of Liberty: https://en.wikipedia.org/wiki/July_ColumnKeep in touch?https://linktr.ee/darraghmason

Is a badmiral trying to Make Earth Great Again? Has Avery Brooks finally found a plot to match the size of his performance? And can he outsmart Not Nick Lacarno from Not Nova Squadron? Either way, Not Leah Brahms may save the day!Happy Gratitude festival, crew! We are gratitudinal for all of you. [Episode discussion begins around 1:15]

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom...

Quinn covers Shades of God, the 3rd album from Death-Doom & Goth Metal pioneers, Paradise Lost.

In this ClimateGenn episode I am speaking with cofounder of the Climate Psychology Alliance (CPA) and author of Paradise Lost, Paul Hoggett. Paul's book was published in 2023 and is more relevant today than it was a couple of years ago, given the ongoing tragedies and violence we are all being subjected to and forced to respond to. "There's that kind of coldness, that cold indifference in the face of inhumanity and suffering is something I think has been a very powerful element in the way in which, for example, oil companies and oil company professionals and executives have functioned."Paul Hoggett - Author of 'Paradise Lost' 2023For more information visit: https://genn.cc/a-blank-and-pitiless-stare-confronting-the-inhuman/Paul refers to the work of the poet WB Yeats, in particular, one poem, ‘The Second Coming' written in 1919 in the aftermath of the first world war. Given its resonance in the context of our lives today, I have pasted below for those who have not read it:Turning and turning in the widening gyreThe falcon cannot hear the falconer;Things fall apart; the centre cannot hold;Mere anarchy is loosed upon the world,The blood-dimmed tide is loosed, and everywhereThe ceremony of innocence is drowned;The best lack all conviction, while the worstAre full of passionate intensity.Surely some revelation is at hand;Surely the Second Coming is at hand.The Second Coming! Hardly are those words outWhen a vast image out of Spiritus MundiTroubles my sight: somewhere in sands of the desertA shape with lion body and the head of a man,A gaze blank and pitiless as the sun,Is moving its slow thighs, while all about itReel shadows of the indignant desert birds.The darkness drops again; but now I knowThat twenty centuries of stony sleepWere vexed to nightmare by a rocking cradle,And what rough beast, its hour come round at last,Slouches towards Bethlehem to be born?Source WikipediaI definitely recommend Paul's book, Pandora's Box too if you want to explore the issues that we discuss in this episode. I have found it fascinating.W.B. Yeats – The Second Coming

Synopsis: Man comes to see the full effect of evil and the desperate need for God's provision of restoration, to which God responds in compassionate judgement and promise of restoration. God calls sinners to confess, declares punishment for sin while giving hope to sinners by making gracious provision for believing sinners. Sermon Text: Genesis 3:8-24

Synopsis: Man comes to see the full effect of evil and the desperate need for God's provision of restoration, to which God responds in compassionate judgement and promise of restoration. God calls sinners to confess, declares punishment for sin while giving hope to sinners by making gracious provision for believing sinners. Sermon Text: Genesis 3:8-24

Two episodes with serious problems. Dan had to watch the 2nd one twice to try to make sense of it!

In order to consider the relationship that we can have with the Lord now, we have to understand what happened to the relationship that once exist between man and God from selected scripture.

Brecht van Hulten in gesprek met theatermaker Elvis de Launay. De Launay maakt indruk met haar debuutvoorstelling zee-tuin-jarman. Daarin vertelt ze over haar dode vader Jan Rot, maar vooral over de Engelse kunstenaar Derek Jarman (1942-1994), voor wie ze op het toneel een begrafenis organiseert. Hij helpt haar het gemis van haar vader te verwerken. In zee-tuin-jarman bevraagt, betreurt en bezingt De Launay in een Mis (voor wie mist) begin en einde, geboorte en dood, hoop en teloorgang. Ze brengt een tuin van taal tot bloei met aangespoelde woorden uit The Waste Land, The Tempest, Paradise Lost, het leven en werk van Jarman en eigen pen.

Quinn dives into the sophomore album from Paradise Lost, Gothic and the Post-Punk/New Wave influences that lead to it's (sub) genre defining sound...

Paradise Lost - Genesis 3 - Pastor Michael Clark12/3/2025

We've entered the room... time to take a gander at the discography of Paradise Lost.

In this episode, Aaron Downs interviews Dr. Betsy Howard of Bethlehem College and Seminary about John Milton's Paradise Lost. They explore characterization, key themes, and advice for a first-time reading of this epic poem.

#TrueCrime #WestMemphisThree #SatanicPanic #Propaganda #WM3 #Satanism #SatanicPanic #TrueCrimeDocumentary #Propaganda #Psyop The West Memphis Three case is a true crime story that has sparked intense debate and discussion, and its importance extends far beyond the realm of satanic panic or true crime. In this video, we explore why the West Memphis Three case is more important than ever, delving into the world of satanic panic, occultism, and the dangers of misinformation. The Paradise Lost documentary series has manipulated hoards of people, but there is still much to uncover. William Ramsey, known for his in-depth investigations on William Ramsey Investigates and Rise To Liberty, examines the West Memphis Three (3) case (aka WM3) and its significance in the context of satanic crime and the occult. By exploring this true crime story, we can gain a deeper understanding of the impact of the manufactured satanic panic and the importance of critical thinking in the face of sensationalized and propagandist media. The West Memphis Three case serves as a cautionary tale about the dangers of not thinking critically, not researching stories yourself, and the importance of seeking truth, making it a vital part of any true crime discussion. GUEST LINKS: Website: https://www.williamramseyinvestigates... Williams X Account: https://x.com/WilliamRamseyIn -------------------------- RISE TO LIBERTY LINKS: Merch Store: https://risetoliberty.store Donate: https://risetoliberty.com/coffee Donate Op 2: https://ko-fi.com/risetoliberty RTL on X: https://risetoliberty.com/twitter RTL On Rumble: https://risetoliberty.com/rumble RTL On Telegram: https://risetoliberty.com/freespeech Beware The Mockingbird: https://bewarethemockingbird.substack.com/

Matt concludes our series, The Story of God, by taking us through Genesis 3:8-24, Paradise Lost

Ce mardi 11 novembre, Marjorie Hache vous a donné rendez-vous pour deux heures de rock riches en émotions et en découvertes. L'émission a débuté à New York en 1977 avec les Talking Heads et leur classique "Psycho Killer", avant de voyager entre les Stranglers, Van Morrison, Jimi Hendrix et les Cardigans. Le coup de cœur du jour revient à Be Your Own Pet, signé sur le label de Jack White, Third Man Records. l'animatrice de RTL2 Pop Rock Station a également célébré les 60 ans de "Rubber Soul", l'album de la maturité des Beatles, avec le titre "Girl". L'album de la semaine, "Cosplay" des Londoniens de Sorry, a poursuivi la soirée avec son univers de pop déstructurée et rêveuse. En nouveauté, Marjorie Hache a mis à l'honneur les Montpelliérains de Headkeyz et leur titre "The Keys". Parmi les autres temps forts : la reprise du jour, "Smalltown Boy" de Bronski Beat revisitée par Paradise Lost, le retour des Dropkick Murphys dans "Foudre" sur RTL2. Talking Heads - Psycho Killer Be Your Own Pet - What A Bitch The Beatles - Girl The Stranglers - Golden Brown The Cardigans - Erase And Rewind The Who - Pinball Wizard Audioslave - Like A Stone Sorry - Echoes Van Morrison - Brown Eyed Girl Dropkick Murphys - Rose Tattoo Stevie Wonder - Free Raye - Where Is My Husband! Paradise Lost - Small Town Boy Cage The Elephant - Ain't No Rest For The Wicked Yeah Yeah Yeahs - Burning Royal Republic - Stayin' Alive ZZ Top - La Grange The Black Keys - Gold On The Ceiling Wet Leg - Mangetout King Harvest - Dancing In The Moonlight The Lemonheads - It's A Shame About Ray Headkeyz - The Keys Jimi Hendrix - All Along The Watchtower Rancid - Fall Back Down Laura Marling - Rambling Man Gorillaz - Dirty Harry The Temptations - Runaway Child Runaway WildHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's November 8th, 1674. The rain drifts softly over London as the light fades early and a blind old poet slips away in Bunhill Fields. This London Calling podcast follows John Milton – born in Bread Street, schooled under St Paul's, hunted near St Bartholomew-the-Great, dictating Paradise Lost in Petty France – through the London of his life and death. We meet “the Lady of Christ's,” the young scholar who became the thunderous voice of English verse; the blind visionary who saw eternity more clearly than most. From the alleys of the City to the stained-glass glow of the Milton Window in St Margaret's, Westminster, it's a portrait of the Londoner who gave the world its most magnificent lines.

Hope you all enjoy our audio commentary for Agents of Shield.

What happens when fear hijacks Starfleet's ideals? In “Paradise Lost,” Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler examine Admiral Leighton's coup, changeling mind games, and the cracks in the Federation's golden image.

What happens when fear hijacks Starfleet's ideals? In “Paradise Lost,” Dom Bettinelli, Jimmy Akin, and Fr. Jason Tyler examine Admiral Leighton's coup, changeling mind games, and the cracks in the Federation's golden image. The post Paradise Lost (DS9) appeared first on StarQuest Media.

Welcome back to Trve. Cvlt. Pop! a podcast all about music. On this week's show, blimey, loads has gone on. Steve and Gaz decide to go rouge and give you three hot takes and strong musical opinions each. There's chat on the best era of Paul Weller, much love for a derided Metallica album, defence of the novelty song, why you really don't need to get political and lots, lots, lots of Nickelback. Plus we look at a lost pop banger from AstonVilla (not that one), we pay tribute to Ace Frehley, Sam Rivers and Dave Ball, all of whom we lost this week, chat about Sam Fender's Mercury Prize win and there are live reports from recent shows by Paradise Lost, Midget and Killswitch Engage and Hatebreed at a packed* Wembley. *Not packed at all.

Our hosts are back on The Literary Life podcast today to continue our series on Bram Stoker's Dracula. This week we are covering chapters 12-17, and in the introduction to this episode, Angelina, Cindy and Thomas discuss the purpose of the Gothic novel in reorienting us to realize there is more to the world than the physical and empirical. As they cover the plot in these chapters, other ideas shared are the effective blending of modern technology with ancient wisdom in fighting evil, the many mythological and fairy tale elements in this story, the contrast between the true woman and the false woman, the parallels to Paradise Lost, and so much more. Be sure to check out all that is happening at The House of Humane Letters and Morning Time for Moms in this season so you don't miss out on all their current offerings! Also, check out the full show notes for this episode on our podcast website at https://theliterary.life/299. 

Many of us set out to read great works of literature, like War and Peace or Paradise Lost, but quite a few will never make it all the way through. The same might be said of Leviticus, a book of sacrifices, instructions and rituals. Join Dr. James Boice on The Bible Study Hour as he explains the deeper meaning of a puzzling book for the modern-day Christian. To support this ministry financially, visit: https://www.oneplace.com/donate/81/29

Following a trip with Jim, the September 2025 New Music Train heads straight for Scotland to pick up New Music OG Steven Routledge. Kevin Porter hops on board just outside of Baltimore and we get the lowdown on new tunes from Paradise Lost, Suede, Golden Apples, Public Opinion and Juliana Barwick feat. Mary Lattimore. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Grab some tissues and your inner rage because today we're getting the verdict in the trial of Jason and Damien.In part one of this series we told you about Stevie, Michael, Chris and the murders that would forever change West Memphis Arkansas, and in part two we covered the satanic panic that led to the arrests of Jason, Damien, and Jessie. In Part three we examined the months leading up to the trials. In part four, Jessie Misskelley was found guilty of the crimes in a separate trial. In part five we heard from the prosecution but today it's all about the defense.In part 6, Damien's defense calls witnesses to the stand (including Damien himself) while Jason's team opts to only call on one witness, a fiber specialist. We hear closing statements from the state and defense as well as clips from the trial, Paradise Lost & Damien's book. We end the episode with the verdict and what it means for Damien and Jason CW: child abuse, child death, self-harmSources: Jenkins, P (1992). Intimate enemies: moral panics in contemporary Great Britain. New York: Aldine de Gruyter. Victor, J (1998). "Construction of Satanic Ritual Abuse and the Creation of False Memories". In DeRivera J; Sarbin T (eds.). Believed-In-Imaginings: The Narrative Construction of Reality. Washington, D.C.: American Psychological Association. Finkelhor, David; Williams, Linda Meyer; Burns, Nanci; Kalinowski, Michael (1988). Sexual Abuse in Day Care: A National Study; Executive Summary (Report). Durham, North Carolina: University of New Hampshire.  Michelle Remembers, Lawrence Pasdar and Michelle Smith (1980) Court Documents: http://callahan.mysite.com/custom.html Murders in West Memphis-  https://www.jivepuppi.com Young WC; Sachs RG; Braun BG; Watkins RT (1991). "Patients reporting ritual abuse in childhood: a clinical syndrome. Report of 37 cases". Child Abuse Negl. 15 (3): 181–89.  Damien Echols, Life After Death Mara Leverit, Dark Spell (with Jason Baldwin) Goleman, Daniel (October 31, 1994). "Proof Lacking for Ritual Abuse by Satanists". The New York Times.  Fraser, GA (1997). The Dilemma of Ritual Abuse: Cautions and Guides for Therapists. American Psychiatric Publishing, Inc Spanos, NP (1996). Multiple Identities & False Memories: A Sociocognitive Perspective. American Psychological Association. pp. 269–85.  McLeod, K; Goddard CR (2005). "The Ritual Abuse of Children: A Critical Perspective". Wood, JM; Nathan, D; Nezworski, MT; Uhl, E (2009). "Child sexual abuse investigations: Lessons learned from the McMartin and other daycare cases" Further Viewing: The Paradise Lost Series- HBO/Max Devil's Knot (film and bookL Geraldo Show - March 16, 1994 TranscriptMaury Povich Show - August 2, 1994 TranscriptCNN - "Presumed Guilty: Murder in West Memphis" - January 14, 2010 TranscriptPiers Morgan Tonight: "West Memphis Three Freed After 18 Years" - September 29, 2011 Transcript Become a supporter of this podcast: https://www.spreaker.com/podcast/broads-next-door--5803223/support.

Get the b-b-buzz as we celebrate the 25th anniversary of Steps poptastic 3rd studio album.Producing 6 UK Top 5 singles (including the #1 ‘Stomp') Buzz marked a huge step up for the group — both musically and visually — featuring co-writes from all 5 members, plus recording sessions in New York and Sweden with some of pop's biggest names, including the one and only Cyndi Lauper.It is responsible for some of the most beloved songs in there discography including ‘It's The Way You Make Me Feel', ‘Here & Now', ‘Summer of Love' and the ultimate album track ‘Paradise Lost'. Join us as we press play on the portable disc man and talk through the album track-by-track.Follow ‘Glitter & Gold: The Original Steps Podcast':Instagram, TikTok & X: @glitterstepspodScott: @scottlove87Shane: @stepmeisterBrad: @bradszmerlingEmail: glitterstepspod@gmail.com Logo & Brand Design: BvrlyCreative Hosted on Acast. See acast.com/privacy for more information.

10-19-25 Paradise Lost - Andrew Fulton by Oneida Gospel Church

Grab your copies of Paradise Lost from Blockbuster because today we're getting a broader understanding of the suspects in the HBO docuseries.In part one of this series we told you about Stevie, Michael, Chris and the murders that would forever change West Memphis Arkansas, and in part two we covered the satanic panic that led to the arrests of Jason, Damien, and Jessie.In part three of our West Memphis Murders series we focus on the time period after the arrests- June 1993 to jury selection for Jessie's trial in January of 1994.We hear from the Paradise Lost filmmakers, the families of the accused and include exercerpts from both Damien and Jason's books as well as clips from Paradise Lost and Devil's Knot as we gain a broader understanding of the work private investigators like Ron Lax and the public defenders appointed in the case did in preparation for trial. We end the episode with a conversation with Brooke's dad, The Honorable Judge Fisher and hear his perspective on Satanic Panic and this case.CW: child abuse, child death, self-harmSources:Jenkins, P (1992). Intimate enemies: moral panics in contemporary Great Britain. New York: Aldine de Gruyter.Victor, J (1998). "Construction of Satanic Ritual Abuse and the Creation of False Memories". In DeRivera J; Sarbin T (eds.). Believed-In-Imaginings: The Narrative Construction of Reality. Washington, D.C.: American Psychological Association.Finkelhor, David; Williams, Linda Meyer; Burns, Nanci; Kalinowski, Michael (1988). Sexual Abuse in Day Care: A National Study; Executive Summary (Report). Durham, North Carolina: University of New Hampshire. Michelle Remembers, Lawrence Pasdar and Michelle Smith (1980)Court Documents:http://callahan.mysite.com/custom.html Murders in West Memphis-  https://www.jivepuppi.comFurther Reading:Young WC; Sachs RG; Braun BG; Watkins RT (1991). "Patients reporting ritual abuse in childhood: a clinical syndrome. Report of 37 cases". Child Abuse Negl. 15 (3): 181–89. Damien Echols, Life After DeathMara Leverit, Devil's Knot  (with Jason Baldwin) Goleman, Daniel (October 31, 1994). "Proof Lacking for Ritual Abuse by Satanists". The New York Times. Fraser, GA (1997). The Dilemma of Ritual Abuse: Cautions and Guides for Therapists. American Psychiatric Publishing, IncSpanos, NP (1996). Multiple Identities & False Memories: A Sociocognitive Perspective. American Psychological Association. pp. 269–85. McLeod, K; Goddard CR (2005). "The Ritual Abuse of Children: A Critical Perspective".Wood, JM; Nathan, D; Nezworski, MT; Uhl, E (2009). "Child sexual abuse investigations: Lessons learned from the McMartin and other daycare cases" Further Viewing:The Paradise Lost Series- HBO/Max Devil's Knot (film and book) Geraldo Show - March 16, 1994 TranscriptMaury Povich Show - August 2, 1994 TranscriptCNN - "Presumed Guilty: Murder in West Memphis" - January 14, 2010 TranscriptPiers Morgan Tonight: "West Memphis Three Freed After 18 Years" - September 29, 2011 Transcript Become a supporter of this podcast: https://www.spreaker.com/podcast/broads-next-door--5803223/support.

Grab your your old cassette tapes, and your deepest sense of injustice, because today we're getting a broader understanding of the 1993 West Memphis Murders and the three little boys who never made it home.On May 5th, 1993, three second graders- Stevie Branch, Michael Moore, and Christopher Byers left their homes in West Memphis, Arkansas for an ordinary bike ride. They were eight years old. They never came back.What happened that night would become one of the most infamous child murder cases in American history.In 1994, three teenagers- Damien Echols, Jason Baldwin, and Jessie Misskelley would be convicted of those murders, in a trial driven by satanic panic, coerced confessions, and a complete collapse of justice.In 1996, HBO aired Paradise Lost and the world saw what had happened in that courtroom. Over the next twenty years, the West Memphis Three would fight for their freedom from behind bars. They'd get it eventually- kind of. But this case? It's not over.There's new evidence. There's new DNA. There's a chance to finally do what Arkansas never did: find out the truth.In part one of this series, we're not starting with suspects. We're starting with Stevie, Michael, and Chris-who they were, what they loved, and what was taken from them.Because before this became a media circus, before it became a cause, it was a tragedy.(originally released in May of 2023, full sources available in show notes)Sources:Jenkins, P (1992). Intimate enemies: moral panics in contemporary Great Britain. New York: Aldine de Gruyter.Victor, J (1998). "Construction of Satanic Ritual Abuse and the Creation of False Memories". In DeRivera J; Sarbin T (eds.). Believed-In-Imaginings: The Narrative Construction of Reality. Washington, D.C.: American Psychological Association.Finkelhor, David; Williams, Linda Meyer; Burns, Nanci; Kalinowski, Michael (1988). Sexual Abuse in Day Care: A National Study; Executive Summary (Report). Durham, North Carolina: University of New Hampshire. Michelle Remembers, Lawrence Pasdar and Michelle Smith (1980)Court Documents:http://callahan.mysite.com/custom.htmlMurders in West Memphis- https://www.jivepuppi.comYoung WC; Sachs RG; Braun BG; Watkins RT (1991). "Patients reporting ritual abuse in childhood: a clinical syndrome. Report of 37 cases". Child Abuse Negl. 15 (3): 181–89. Damien Echols, Life After DeathMara Leverit, Devil's Knot (with Jason Baldwin)Goleman, Daniel (October 31, 1994). "Proof Lacking for Ritual Abuse by Satanists". The New York Times. Fraser, GA (1997). The Dilemma of Ritual Abuse: Cautions and Guides for Therapists. American Psychiatric Publishing, IncSpanos, NP (1996). Multiple Identities & False Memories: A Sociocognitive Perspective. American Psychological Association. pp. 269–85. McLeod, K; Goddard CR (2005). "The Ritual Abuse of Children: A Critical Perspective".Wood, JM; Nathan, D; Nezworski, MT; Uhl, E (2009). "Child sexual abuse investigations: Lessons learned from the McMartin and other daycare cases"further viewing: Devils Knot (2015)Geraldo Show - March 16, 1994 TranscriptMaury Povich Show - August 2, 1994 TranscriptCNN - "Presumed Guilty: Murder in West Memphis" - January 14, 2010 TranscriptPiers Morgan Tonight: "West Memphis Three Freed After 18 Years" - September 29, 2011 Transcript Become a supporter of this podcast: https://www.spreaker.com/podcast/broads-next-door--5803223/support.

Join us as we discuss our favourite releases from September - C4, Castle Rat, Cult Burial, Heruvim, Last Retch, Paradise Lost, Revocation, Species, Violator, Werewolves, plus EP's from Lake Of Maggots, Missing Link & Peeling Flesh.We're also on Youtube - drop us a follow and subscribe for cool interviews and fun shows - https://www.youtube.com/@bangersmoshpodcast

PARADISE LOST? FOUND IT! We continue Slashtober with the 2000's meta slasher BEHIND THE MASK: THE RISE OF LESLIE VERNON! Anneliese and I have a great time talking about this incredibly clever and unique slasher… Enjoy!   Follow Would You Die? on  IG @wouldyoudieshow Twitter @wouldyoudieshow Facebook @  Would You Die? Email wouldyoudiepodcast@gmail.com for business inquiries Follow Austin everywhere @austinmtorres Follow Anneliese everywhere @whimsiwillow   Join us on Patreon! https://www.patreon.com/wouldyoudiepodcast   Subscribe to our YouTube Channel! You can find my short films, Spooky Spotlight hosted by Deanna Hope, and much more!   Visit the FANGORIA store: shop.fangoria.com/wouldyoudieshow Use Promo Code: WOULDYOUDIESHOW The Would You Die? Podcast can also be found on TikTok @wouldyoudiepodcast. Follow Austin on Letterboxd @torresau. Follow me on Bluesky @austinmtorres.bsky.social NEW Music is composed by Josie Palmer Podcast produced by Jeremy Lippitt Podcast graphics created by Crosshook Creative Watch my short film, The Blood Witch, here: https://www.youtube.com/watch?v=7Foz3PeQKJ4 Watch my short film, Spider, here: https://youtu.be/IJlqp9QJ1qo Watch my short film, Ice Scream, here: https://youtu.be/tghxuuJjPxM Watch my short film, Best Day Ever, here: https://youtu.be/WDJbfRl2Qh4 Find Three Y's Men Media here! ThreeYsMenMedia.com

Send us a message! This week on The Waffle Zone:1. Paradise Lost?!2. Ozzy & Iron Maiden books3. Lots of interesting podcast choices4. patreon.com/unclestevesironmaidenzone5. IronMaidenPodcast@gmail.com6. 667. Ways to win8. Senjutsu Talk...Support the show

We weren't made for this broken world. But we were born into it.This week's episode digs into Genesis 3 and what it means to live as a man in a fallen creation. From cursed ground and painful work to spiritual disconnection and misplaced identity, Casey, Travis, and Justin unpack how the Fall reshaped everything—and why recognizing this is essential to living with purpose today.Topics include:Why your identity and purpose feel fracturedWhat happens when you follow God's ways but don't know HimThe difference between natural law and saving faithHow the Fall affects your family, your work, and your legacyHow to process hardship with maturity and biblical clarityKavod Family is a 501(c)(3) nonprofit equipping men to lead their families with truth, strength, and legacy.

The flames of metal burn bright in this episode of MSRcast as Cary the Metal Geek and Sean the Metal Pigeon dive into the latest happenings from the heavy music world! The duo discuss the blistering new Megadeth single, the powerhouse Judas Priest and Ozzy Osbourne “War Pigs” charity collaboration, and the brand-new Ozzy Osbourne documentary on Paramount. They also pay tribute to the late Edward Reekers, talk about Rush hitting the road again, and share highlights from the 70000 Tons of Metal cruise and ProgPower USA 2026 lineup. The conversation continues with discussions on Amorphis, Paradise Lost, and plenty more metal musings that prove the fire never fades. The playlist includes Mors Principium Est, Athorn, Hooded Menace, Manegarm, Wings of Steel, Void, Helstar, and Vintersorg. Explore the metal universe at msrcast.com, your one-stop hub for all things MSRcast. Immerse yourself in podcast archives, interviews, reviews, and more.  Connect with us via msrcast@gmail.com, and stay updated on our socials @msrcast and @themetalpigeon.  Connect with Cary and Sean on Facebook! Be sure to like our official fan page at facebook.com/msrcastofficial for all the latest updates, and join the conversation in our official Facebook group, the Metal Geeks Society—where metalheads and geeks unite! Spread the metal love – share the show, subscribe on iTunes, and leave a review. Enjoy the metal journey, and Keep It Metal!

The gloom and doom of fall are here in full swing! Or at least they ought to be, with the wonderfully goth death/doom sounds of the new album from Paradise Lost, Acension!

For the British writer and cultural critic Olivia Laing, restoring and tending to their backyard garden has prompted complex questions of power, community, and mystery, concepts that they beautifully excavate in their latest book, the fascinating and mind-expanding The Garden Against Time: In Search of a Common Paradise. Whether in their nonfiction works, including the critically acclaimed The Lonely City (2016), their art and culture writing and criticism (2020's Funny Weather: ​​Art in an Emergency), or their novels (2018's Crudo and the forthcoming The Silver Book, out this November), Laing turns an incisive eye to examining what it will take for people—our “temporal selves,” as they put it—to forgo loneliness and isolation, reconnect with nature and one another, and flourish on a planet in crisis.On this episode, recorded in their apartment at the Barbican in London, Laing explores gardening and writing's symbiotic relationship; the act of rebelling against a reactive culture by embracing slowness; and the importance of imagining, in vivid detail, the kinds of utopias we could one day very well live in.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Olivia Laing[4:35] The Barbican[7:39] “The Garden Against Time” (2024)[7:53] Mark Rumary[9:08] Notcutts[14:08] “The Lonely City: Adventures in the Art of Being Alone” (2016)[16:07] Jhumpa Lahiri[18:41] Piet Oudolf[19:21] Middleton Place[19:21] The Sackler family[22:54] “Modern Nature” (1991)[24:07] “Paradise Lost” (1667)[25:40] “The Secret Garden” (1911)[25:40] “Tom's Midnight Garden” (1958)[29:29] “The Garden” (1681)[30:29] “Everybody: A Book About Freedom” (2021) [35:07] “The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma” (2014)[39:57] David Wojnarowicz's "Magic Box"[39:57] Ana Mendieta[40:51] Agnes Martin[43:08] “Funny Weather: ​​Art in an Emergency” (2020) [45:29] “Crudo” (2018) [48:20] “A Dance to the Music of Time” (1951–1975) [50:29] “The Silver Book” (2025)[52:48] Federico Fellini[52:48] Pier Paolo Pasolini[55:17] “News from Nowhere” (1890) 

This is part 2 of our Paradise Lost special and we welcome to the show Gregor Mackintosh, lead guitarist with the band. The film he chose to chat about? Alejandro Amenábar's The Others. A ghostly ghosting ghost flick that loves to ghost. PARADISE LOST

Send us a message! This week on The Waffle Zone:1. Uncle bi bi2. Uncle Roger3. Listener Emails4. Tattooed Magician5. Galactic Drifter6. 667. Bloodied Hopes8. Paradise Lost?!9. A Happy Finlander!10. A Bizarre, Bitter Bill...11. Iron Maiden?! 12. HAPPY BIRTHDAY KIRSTY!!Support the show

Origins | Genesis 3 | Cody Cline

Each quarter, Stig Brodersen sits down with his friend and co-host William Green, author of Richer, Wiser, Happier. Together, they reflect on the lessons and stories that have made them Richer, Wiser, or Happier over the past few months. From investing insights to timeless ideas about how to live well, this conversation is an invitation to join them on the journey toward a more meaningful life. IN THIS EPISODE YOU'LL LEARN: 00:00 - Intro 05:35 - Whether universal truths about a good life really exist 07:43 - What we can — and can't — learn about living well from other people 47:54 - Why happiness often comes more from the absence of negative emotions than from positive ones 50:24 - What William has learned about money and happiness from some of the wealthiest people on earth 01:17:33 - Why spending money on others may increase your own happiness 01:27:29 - Why Stig has deliberately constrained himself from reading new books this past quarter Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Mastermind Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to engage in meaningful stock investing discussions with Stig, Clay, Kyle, and the other community members. William Green's book Richer, Wiser, Happier – read reviews of this book. Check out their episode on being Richer, Wiser, and Happier in Q2 2025, Q1 2025, Q4 2024, Q3 2024, Q1 2024,and Q3 2023. William Green's interview with Hagstrom. Sarah Bakewell's book, How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer. Michel de Montaigne's book, Essays. David R. Hawkins' book, Letting Go. Ray Dalio's book, How Countries Go Broke. Ray Dalio's book, Principles for Dealing with the Changing World Order. Patrul Rinpoche's book, Words of My Perfect Teacher. John Milton's book, Paradise Lost. Virginia Woolf's book, A Room of One's Own. Related ⁠⁠⁠books⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Get smarter about valuing businesses in just a few minutes each week through our newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Intrinsic Value Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Study Billionaires Starter Packs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Browse through all our episodes (complete with transcripts) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try our tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance Tool⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SPONSORS Support our free podcast by supporting our sponsors: SimpleMining HardBlock AnchorWatch Human Rights Foundation Linkedin Talent Solutions Vanta Unchained Onramp Netsuite Shopify Abundant Mines Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

What happens when you mix Keanu Reeves, a scenery-chewing Al Pacino, and a Faustian bargain?Andrew Neiderman's novel was originally going to be adapted in the early 90s, directed by Joel Schumacher and starring Brad Pitt, but casting Satan proved difficult and so the project was halted.Speak of the devil, the O.J. Simpson trial gave new life to this story, and everyone became interested in courtroom drama and corrupt lawyers. The movie was resurrected, with Keanu Reeves choosing it over Speed 2, and the production desperate to entice Al Pacino to play the devil. Maybe they made a deal with the devil? In a bizarre twist worthy of the film itself, a copyright violation lawsuit forced the studio to digitally amend key scenes, proving that even fictional devils face real-world consequences.Inspired by John Milton's Paradise Lost, Dante's Inferno, and the Faust legend woven into late 90s Manhattan, The Devil's Advocate remains a fascinating time capsule of '90s excess while asking timeless questions about the price of success and the susceptibility of human ambition and greed. Have a listen to The Midnight Myth's excellent episode on The Devil's Advocate hereI would love to hear your thoughts on The Devil's Advocate (1997) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle, Aaron and ConnerThis podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

The Devil Within: Paradise Lost: REDUX - Part Two In 1988, Jefferson Township, New Jersey, was thrust into the national spotlight. A teenage boy, Tommy Sullivan, murdered his mother before taking his own life in a crime so shocking it became a lightning rod for the Satanic Panic. Suddenly, everything—from heavy metal music to role-playing games to Catholic school curriculums—was scrutinized as potential gateways to darkness. This episode, Paradise Lost, explores how Tommy's seemingly ordinary suburban life unraveled in just a matter of weeks: his exposure to occult literature, his fascination with extreme music, whispers of rituals in the woods, and a town hall meeting where parents confronted the chilling possibility that their own traditions might have paved the way for horror. Now, four years after this story first aired on The Devil Within, I'm bringing it back as part of our REDUX season—with brand new commentary. Together, we'll re-examine what we thought we knew about the Sullivan case, how the story has evolved since we first told it, and how the MGM+ documentary series Let the Devil In aligns with and expands on each episode of Season One. And while I can't reveal everything just yet, know this: there are stunning new developments, and we'll be unpacking them in our upcoming bonus episode. Follow & Connect     •    Subscribe to MGM+ to watch Let the Devil In — now streaming.     •    Follow us on Instagram: @thedevilwithinpod (https://instagram.com/thedevilwithinpod) & @eviocreative (https://instagram.com/eviocreative).     •    For press & inquiries: info@eviocreative.com.     •    Don't forget to rate, review, and follow The Devil Within wherever you get your podcasts.

The Devil Within: Paradise Lost (REDUX) In 1988, Jefferson Township, New Jersey, was thrust into the national spotlight. A teenage boy, Tommy Sullivan, murdered his mother before taking his own life in a crime so shocking it became a lightning rod for the Satanic Panic. Suddenly, everything—from heavy metal music to role-playing games to Catholic school curriculums—was scrutinized as potential gateways to darkness TDW_E2 . This episode, Paradise Lost, explores how Tommy's seemingly ordinary suburban life unraveled in just a matter of weeks: his exposure to occult literature, his fascination with extreme music, whispers of rituals in the woods, and a town hall meeting where parents confronted the chilling possibility that their own traditions might have paved the way for horror. Now, four years after this story first aired on The Devil Within, I'm bringing it back as part of our REDUX season—with brand new commentary from me, Branden Morgan. Together, we'll reexamine what we thought we knew about the Sullivan case, how the story has evolved since we first told it, and how the MGM+ documentary series Let the Devil Inaligns with and expands on each episode of Season One. And while I can't reveal everything just yet, know this: there are stunning new developments, and we'll be unpacking them in our upcoming bonus episode. Follow & Connect     •    Subscribe to MGM+ to watch Let the Devil In — now streaming.     •    Follow us on Instagram: @thedevilwithinpod (https://instagram.com/thedevilwithinpod) & @eviocreative (https://instagram.com/eviocreative).     •    For press & inquiries: info@eviocreative.com.     •    Don't forget to rate, review, and follow The Devil Within wherever you get your podcasts.

Since the publication of John Milton's epic poem Paradise Lost in 1667, readers and critics have noted the relationship between the poem and the author's political and personal struggles. What has been less prominent - at least until now - is how the poem came to haunt various political struggles over the next four centuries. In this episode, Jacke talks to author Orlando Reade about his book What in Me Is Dark, which looks at twelve readers - including Malcolm X, Thomas Jefferson, George Eliot, and Hannah Arendt - to see how Paradise Lost was understood and used by people immersed in their own revolutionary battles against tyranny and oppression. PLUS author Jodi Picoult (By Any Other Name) stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices