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Roger goes to the Octagon Centre for the second time, to cheer on and take snaps of his friends in Cabaret Voltaire, who are promoting their recently released new album 'The Crackdown'.Having signed to Some Bizarre / Virgin Records, the Cabs pull out of the stops to impress their hard-to-please home town audience. Intro and outro music: Simon Elliott-Kemp.Artwork: Rionagh.Editor: Nigel Floyd.Sound FX courtesy of Freesound.org, with particular thanks to:Xserra - Call to prayer.Xhale 303 - TR808 pattern, zap synthDavid Bain - radio sweepSuonho - radio scanResaural - deep ambienceProutlip - industrial ambienceOymal Donaldo - guitar feedbackLogic Motion - electro 808 loop (120 bpm)Snapper 4298 - 808 buzzbeat (120 bpm)DJ Duppy - duppy electro beat, commoditize beat (140 bpm)Walter Odington - reese 1 (mono)Mielitietty -Juno ambient soundscapeSyntheway - synth bassBreo 2012 - tension builder Never miss an episode.Follow me at: https://twitter.com/rogerquailhttps://www.instagram.com/rogerquail/RSS feed - https://feeds.buzzsprout.com/289673.rss
Il n'y a pas que la trance, la techno à 160 BPM et la house, il y a aussi l'electro. Mais attention, je ne parle pas du mot utilisé à toutes les sauces, je parle de l'electro, genre qui repose sur l'utilisation d'un instrument mythique des musiques électroniques, la TR808 qui renvoie forcément aux pionniers de la techno de Detroit, Drexciya, Juan Atkins, mais aussi à Kraftwerk. C'est en pensant à tout cet héritage que mon invité du jour a abordé la production de son premier album. Son nom, c'est Unklevon, c'est un ancien résident de Tsugi Radio qui accueillait dans son Electric Mansion, une variété d'artistes tous plus passionnants les unes que les autres. L'histoire d'Unklevon c'est aussi celle d'une rencontre avec l'Allemand Boys Noize, véritable partenaire artistique qui l'a signé sur son label. Après plusieurs tournées en Amérique du Sud et du Nord, Unklevon sort vendredi son premier album, UN1C, où il explore ses sons fétiches avec plusieurs featurings de très bonne tenue. Unklevon en mix exclusif à la fin de cette émission, mais d'abord explorons avec lui l'univers de son premier album.
The Give Me Five Podcast: An Uncultured Look at Pop Culture and Nostalgia
Let me guess, you forgot the Fat Boys existed? We did too. But when we continued down our path of the Summer of 87, we saw that Disorderlies was up next and we let out a collective "oh! I remember them!" So check out our review of Disorderlies, a brief history of the Fat Boys, and yet another trip to Florida in the 80s. Then stay tuned for our question of the week based on The Fat Boys, who are 5 celebrities that are known for their size? The Give Me Five Podcast is on Patreon. For just $5 you could join the fun in our patron only chat, and get early warning of our movie of the week and our top 5 list. There are other benefits too, so check it out here: https://www.patreon.com/Givemefivepodcast Remember if you use our link (https://amzn.to/2KxR8OU) we get a little bit of money towards server costs at no extra cost to you. So go ahead and buy that Nicholas Cage Mermaid Pillow you definitely need. Check out our website at givemefivepodcast.com We have a store! Check out our shirts, mugs, bags and phone cases here: Buy cool crap! We record using Squadcast. Squadcast is an easy to use, stable recording environment that allows you, your cohosts and any guests the ability to record out of the comfort of your own home. Just click the link and start talking with absolutely no lag. You can try it out using our link and it will help us out immensely. https://squadcast.fm/?ref=givemefive And you can always reach us at givemefivepodcast@gmail.com or at our Facebook Page : https://www.facebook.com/givemefivepodcast/ Opening Theme Opening theme: GLOW by DJ Ten (feat LeBrock and ULTRABOSS )
A finales de los 80s en los Estados Unidos comenzó a sonar un R&B hecho a base de samplers de viejos temas funk y bases rítmicas creadas con las TR808 y TR909 y a comienzo de los 90s ese sonido explotó en todas las radios y la MTV, y a ese sonido se le llamó New Jack Swing, (el R&B se mezcló con el Hip Hop, o el Hip Hop se mezcló con el R&B, no se sabe). Durante la primera mitad de los 90s dominó las listas del charts y muchas de esas canciones son clásicos de esa década. En este Podcast podreís escuchar parte de todos aquellos clásicos. TRACKSLIST: 01 - Da Luniz - I Got 5 On It (Single Edit) 02 - Aaliyah - Back & Forth 03 - TLC - Creep 04 - Shanice - I Love Your Smile (Driza Bone Single Remix) 05 - Deborah Cox - One Wish 06 - Warren G - Regulate (ft. Nate Dogg) 07 - Beverly Knight - Flavour Of The Old School 08 - Shola Ama - You're The One I Love 09 - Blackstreet - U Blow My Mind 10 - En Vogue - My Lovin' (You're Never Gonna Get It) 11 - Mariah Carey - Dreamlover (Theo's Club Joint) 12 - Zhané - Hey Mr. D.J. 13 - Toni Braxton - I Belong To You (Rollerskate Radio Mix) 14 - Jade - Don't Walk Away 15 - Montell Jordan - This Is How We Do It 16 - Janet Jackson - If (Short Single Edit) 17 - Tony! Toni! Toné! - If I Had No Loot
A finales de los 80s en los Estados Unidos comenzó a sonar un R&B hecho a base de samplers de viejos temas funk y bases rítmicas creadas con las TR808 y TR909 y a comienzo de los 90s ese sonido explotó en todas las radios y la MTV, y a ese sonido se le llamó New Jack Swing, (el R&B se mezcló con el Hip Hop, o el Hip Hop se mezcló con el R&B, no se sabe). Durante la primera mitad de los 90s dominó las listas del charts y muchas de esas canciones son clásicos de esa década. En este Podcast podreís escuchar parte de todos aquellos clásicos. TRACKSLIST: 01 - Da Luniz - I Got 5 On It (Single Edit) 02 - Aaliyah - Back & Forth 03 - TLC - Creep 04 - Shanice - I Love Your Smile (Driza Bone Single Remix) 05 - Deborah Cox - One Wish 06 - Warren G - Regulate (ft. Nate Dogg) 07 - Beverly Knight - Flavour Of The Old School 08 - Shola Ama - You're The One I Love 09 - Blackstreet - U Blow My Mind 10 - En Vogue - My Lovin' (You're Never Gonna Get It) 11 - Mariah Carey - Dreamlover (Theo's Club Joint) 12 - Zhané - Hey Mr. D.J. 13 - Toni Braxton - I Belong To You (Rollerskate Radio Mix) 14 - Jade - Don't Walk Away 15 - Montell Jordan - This Is How We Do It 16 - Janet Jackson - If (Short Single Edit) 17 - Tony! Toni! Toné! - If I Had No Loot
A música é feita de fragmentos que podem ser deslocados. Melodias, ritmos, acordes, frases e timbres pegam carona em samples, discos, arquivos de MP3 e outras gravações que cruzam o tempo e o espaço. A cada deslocamento, novas escutas e novas paisagens irão colar e descolar os fragmentos, criando novas músicas.
New EP, inspired by the old samples we recorded with fellow Dark Cherry rock band mate, Kyoki. The concept is to mix TR808 beats with acoustic strings and piano, still keep the songs on minimalist level, not to overload the chill beats with harmonies and reverb. Setlist 00:00 Meva Intro (the chill of the violins) 01:46 Can You See the Light 05:05 Typical Egoist 08:43 Anata ▼ Buy me a Latte~ ▼ https://ko-fi.com/lattechillmusic ▼ Latte Chill Website ▼ https://lattechill.wordpress.com/
L'histoire de la Techno par Aurelien Sm'Art. Techno Old School...un titre, un souvenir. Emission focus "machines légendaires"Aurelien Sm’Art - sélection musicale, programmation et chroniques.Jean-Michel Toussaint - chroniques et arrangement.
L'histoire de la Techno par Aurelien Sm'Art. Techno Old School...un titre, un souvenir. Emission focus "machines légendaires"Aurelien Sm’Art - sélection musicale, programmation et chroniques.Jean-Michel Toussaint - chroniques et arrangement.
Quando si dispone di uno strumento amatoriale che ha dei limiti, e si vuole spremerlo fino a farlo diventare professionale è necessario manometterlo al fine di estendere le sue funzionalità.Info sulla batteria elettronica EKO Ritmo 20http://www.polynominal.com/eko-ritmo20/index.html Ad ogni modo mi trovate qui:https://t.me/technopillzriothttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web
Quando si dispone di uno strumento amatoriale che ha dei limiti, e si vuole spremerlo fino a farlo diventare professionale è necessario manometterlo al fine di estendere le sue funzionalità.Info sulla batteria elettronica EKO Ritmo 20http://www.polynominal.com/eko-ritmo20/index.html Ad ogni modo mi trovate qui:https://t.me/technopillzriothttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web
Petko Turner - Technotronica Gucci's Youngster Academy '17 - After Show Milano Wild Style Deep Disco Electro House Music 2 CDJ900, DJM2000, TR808 synced, iPhone Jingles, Zoom H1 1881: Guccio Gucci is born in Florence. 1897: He finds work in the Savoy Hotel, London. In 1921 on the via del Parione in Florence, Guccio Gucci opened a store dedicated to luxury leather goods for horseback riding. These accessories, inspired by a refined esthetic particular to the British aristocracy, became widely popular allowing Guccio Gucci to open two new boutiques in 1938, one of which was on via Condotti in Rome. Throughout the 1950s, Gucci relied on the equestrian world that initially established him as a notable designer. Drawing inspiration from horse saddle straps, the designer matched contrasting colors in his collections, establishing Gucci’s iconic green-red-green stripe, which immediately went down well with customers. With the opening of new stores in Milan in 1949, and New York City and Paris in 1963, the fashion house gained prestige and visibility in the international fashion business. When Guccio Gucci died in 1953, the designer’s sons Aldo, Ugo, Vasco, and Rodolfo followed in their father’s footsteps at the head of the company. Branded with a new logo paying homage to the company’s founder—the double G—the fashion house continued to release iconic pieces throughout the 1960’s: the bamboo bag, the hobo bag, horse bit moccasins , and the Flora scarf designed by Vittoro Accornero on Rodolfo Gucci’s personal request for Princess Grace Kelly. Quickly renowned for its timeless collections, the Gucci fashion house obtained a wide clientele of celebrities from both Cinecittà and Hollywood such as Jackie Kennedy, Elizabeth Taylor, Peter Sellers and Samuel Beckett. The 1970s were marked by the fashion house’s entry into the Far East market. Boutiques were opened in Tokyo and Hong Kong and a new line was created at the heart of the company: ready-to-wear. In 1994, Tom Ford was named as creative director. For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision. After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006. The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Hosted & Edited by Chen YinnRecorded live at Waiting Room 16.11.05Mixed by Edgar WangEdgar Wang王昱權,目前還沒有Dj名,90後出生,剛入行的菜鳥一兵,極度著迷於 80後90初 TR808 與909的芝加哥House sounds. 最喜歡讓舞客跳舞跳到全身是汗,內褲濕透。目前於芬蘭藝術大學就讀,深深的相信underground music 的初衷:不分你我,階級,膚色與性別,只有一起跳舞。最仰慕的DJ 是 Frankie Knuckles, Larry Heard,lil louis,kerri chandler ......太多了說不完。Yu chuan Wang, so far hasn&`&t come out with a legic Dj name yet, who was born in 90&`&s, a rookie in the game, however, extremely obsessed with the early sounds of chicago house. Wang looks up to Frankie Knuckles, Larry Heard,lil louis,kerri chandler.....etc as icon, and shares the same value, which Underground music is about breaking the boundary of classes, skincolors, genders and sexal oritations. He believes If we can dance together then we can make it anywhere.https://soundcloud.com/edgar-wang
Petko Turner - Technotronica Gucci's Youngster Academy '16 - After Show Firenze Technoid Bassed House Music 2 CDJ900, DJM2000, TR808 synced, iPhone Jingles, Zoom H1 Firenze anche Fiorenza nel Medioevo], Florentia in latino) è un comune italiano di 383 083 abitanti, capoluogo della Toscana e centro della propria città metropolitana con una popolazione di 1 013 820 abitanti. È l'ottavo comune italiano per popolazione e il primo della Toscana. La città di Firenze è il cuore dell'Area metropolitana Firenze - Prato - Pistoia, una conurbazione che conta oltre 1 520 000 abitanti Nel Medioevo è stata un importante centro culturale, commerciale, economico e finanziario. Nell'età moderna ha ricoperto il ruolo di capitale del Granducato di Toscana, dal 1569 al 1859, con il governo delle famiglie dei Medici e dei Lorena. Fu capitale d'Italia dal 1865 al 1871, dopo l'unificazione del Paese (1861). Importante centro universitario e patrimonio dell'umanità UNESCO, è considerata il luogo d'origine del Rinascimento ed è universalmente riconosciuta come una delle culle dell'arte e dell'architettura, nonché rinomata come una delle più belle città del mondo, grazie ai suoi numerosi monumenti e musei – tra cui il Duomo, Santa Croce, gli Uffizi, Ponte Vecchio, Piazza della Signoria e Palazzo Pitti. Download for free on The Artist Union
Hosted & Edited by Chen YinnRecorded live at Waiting Room 16.11.05Mixed by Edgar WangEdgar Wang王昱權,目前還沒有Dj名,90後出生,剛入行的菜鳥一兵,極度著迷於 80後90初 TR808 與909的芝加哥House sounds. 最喜歡讓舞客跳舞跳到全身是汗,內褲濕透。目前於芬蘭藝術大學就讀,深深的相信underground music 的初衷:不分你我,階級,膚色與性別,只有一起跳舞。最仰慕的DJ 是 Frankie Knuckles, Larry Heard,lil louis,kerri chandler ......太多了說不完。Yu chuan Wang, so far hasn&`&t come out with a legic Dj name yet, who was born in 90&`&s, a rookie in the game, however, extremely obsessed with the early sounds of chicago house. Wang looks up to Frankie Knuckles, Larry Heard,lil louis,kerri chandler.....etc as icon, and shares the same value, which Underground music is about breaking the boundary of classes, skincolors, genders and sexal oritations. He believes If we can dance together then we can make it anywhere.https://soundcloud.com/edgar-wang
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Impro Trance Acid Album. All tracks composed, performed & produced © GaryPHayes & Phil Hannay 1985. Performed live using a range of TR808, 909, TB303, Yamaha digital mixer, Casio FZ sampler, Akai samplers and vocals played in off 1/4 inch tape!
Kein Song, sondern nur eine Songidee. Schoen daran ist der Sound eines echten Steinway Pianos - interessant ist, dass das Piano immer gut klingt, auch wenn man Dissonanzen spielt / sich verspielt :-) ... und die beruehmte TR808.
Kein Song, sondern nur eine Songidee. Schoen daran ist der Sound eines echten Steinway Pianos - interessant ist, dass das Piano immer gut klingt, auch wenn man Dissonanzen spielt / sich verspielt :-) ... und die beruehmte TR808.