Podcasts about Omnisphere

In dieser Folge habe ich Michael Scheuch zu Gast – einen extrem talentierten Hobbyproduzenten, der bereits mehrere Remixes für mich gemacht hat. Kennengelernt habe ich ihn vor vielen Jahren, als er meinen Remix-Wettbewerb gewonnen hat. Heute arbeiten wir regelmäßig zusammen, und in dieser Episode nehmen wir seinen Remix zu meinem Song Intertwined genau unter die Lupe. Michael erzählt, wie er in Studio One arbeitet, warum er Omnisphere und Kick 3 nutzt und welche Tricks er anwendet, um Tracks perfekt in den aktuellen Sound zu bringen. Besonders spannend: Er verrät einen unglaublich genialen Effekt – einen 20-Sekunden-Hall auf die Vocals, den ich selbst noch nie gehört habe! Ein tiefgehendes Gespräch über Sounddesign, Sidechaining und moderne Remix-Techniken. Viel Spaß beim Zuhören!

Welcome to Episode 16 of The Larry Ohh Show! This week we have a special guest that goes by the name, Atto Pilot. He is another FL Studio user and happens to be from the same state as me, so we were able to have him join us in studio for this jam packed episode!We are announcing last weeks winners to the weekly FL Studio course giveaway!Also, THIS week we will be giving away every one of my FL Studio Courses to 5 Producers! (50 hours of content). Just comment the keyword you hear in the podcast and you are entered!This is a weekly podcast where we talk about everything FL Studio and music production!Larry Ohh (Host):https://instagram.com/larryohh https://yahelpme.comJohn Phelps (Co-Host):@ItsJohnPhelps on TikTok@ItsJohnPhelps on IGhttps://itsjohnphelps.comAtto Pilot:https://www.instagram.com/atto_pilot?igsh=c3R2bG41Yzlhd2x0The Boiler Room Studiohttps://theBoilerRoomStudio.com

Today, Dave welcomes synth guru, Jon Audio ( @jonaudio ) and they delve into the world of synthesizers, discussing favorites like Zebra, Omnisphere, and Vital, highlighting the importance of user-friendliness, third-party support, and learning through presets.Watch this episode on YouTube!https://youtu.be/6Jp263rPPbE00:00 - Intro & welcome01:52 - Weekly check-in06:47 - Software synths demystified with Jon Audio09:00 - Overcoming the "fear factor" of programming synthesizers10:42 - What is an oscillator?14:00 - FM synthesis basics15:01 - What is an LFO (Low Frequency Oscillator)?17:50 - What is granular synthesis?19:52 - What is physical modelling synthesis?22:18 - How should people get started with synthesis?26:55 - Jon's "Mount Rushmore" of favorite synths41:29 - Thoughts on synth presets as sounds and learning tools52:00 - Outro and how you can join the 52 Cues communityFind Jon on YouTubehttps://youtube.com/@jonaudioJon's Presetshttps://jonaudio.gumroad.com Join the 52 Cues Album Accelerator – a self-paced program with over 6.5 hours of video content, discussion threads, articles, and resources which guides you through the entire process of creating a production music album. Plus you'll receive a 90-minute, one-on-one session to listen through your album and discuss strategies for library placement. Head over to 52cues.com/accelerator to sign up today!

Ready to take the next step in your personal and professional journeys? OmniSphere is by your side as both paths collide - offering wellness and corporate training courses at just $1 each! Try ‘Startup Success' and ‘The Power of Mind' by clicking https://omnisphere.app/ now! OMNISPHERE APP OÜ City: Tallinn, Estonia Address: Sepapaja 6 Website https://omnisphere.app/ Phone +974-6641-4616 Email info@omnisphere.app

Today's guest is Jeff Roach! Jeff is a phenomenal keyboardist, and arguably one of the best sound design/synth programmers out there.  The man doesn't even own Omnisphere.  That's how much of a badass he is.  Always a great energy in the room, and an incredible ear for music.  If you're looking for clues on how to maintain a consistent career on an instrument that has buried many in its ever-evolving, technological wake- you'll love this episode!Support the showJoin The Band for FREE at studiomusicianacademy.comFor access to exclusive masterclass sessionsInstagramYoutube

My absolutely favorite place to find and create sounds is through a program called Omnisphere and for piano day; which is apparently today they updated their software and gave us a new piano sound, the Double Felt Grand. This is such a delicate, and soft piano that I really have no business trying to perform on. I thought I would give it a go anyway. If you would like to support Piano + Sounds you can do so here. https://www.paypal.com/donate/?hosted_button_id=PVQQXB9N5CCMS

Wir alle nutzen Plugins wie Serum, Vital oder Omnisphere, um bessere Beats zu produzieren. Moritz und Ilan von Noiseworks entwickeln Plugins und haben daraus ein Business gemacht. In dieser Folge sprechen wir über die Audiobranche, Marketing und die Entwicklung von Plugins. Alle Themen in dieser Folge: 0:00 Idee und Unternehmensgründung 5:30 Gainaim und lauter = besser 11:03 Wer steckt hinter Noiseworks 15:46 Wie entwickelt man ein Plugin? 18:14 Maize Sampler und Romplur 19:43 Marketing & Social Media 22:34 Influencer Marketing & White Sea Studio 29:05 Vom Studienprojekt zum Vollzeitjob 30:47 Konkurrenz 34:42 Wie emuliert man analoge Plugins? 37:02 Wie lange dauert die Entwicklung eines Plugins? 40:41 Wie werden Preismodelle entwickelt? 45:20 Angebote, Plugin-Abonnements & Rent to Own 49:15 Wachstum & YouTuber anschreiben 1:02:47 B2B: Zusammenarbeit mit Firmen 1:06:06 Werbeanzeigen 1:07:08 Künstliche Intelligenz & maschinelles Lernen 1:14:47 Aufgaben abgeben 1:17:27 Superbooth 1:18:20 Kostenloses Sound Pack..., SEO & Traffic 1:24:15 Ziele & Pläne für die Zukunft Viel Spaß beim Hören! Heute dabei: FLFlo, Noiseworks Noiseworks: https://noiseworksaudio.com/products/gainaim/ Meine Website: https://www.flooicmusic.com/ Podcast verfügbar auf: Spotify, Apple Podcasts, Google Podcasts und weiteren.

=== WORK IN PROGRESS === Move to the beat. A solo instrument with a sordino suddenly enters. (#290A6) Not mixed. Not mastered. 124 BPM. Fmin Arp in Omnisphere. F9 drums Improved intro & outro Improved trumpet

"The track "Under the train" is based on a recording of an Israeli train in Tel Aviv, recorded by Daniel Rosenhill. In 2020, there were more than 2,000 victims in the European Union related to train accidents. The vast majority of that number are suicides. Idea of full of reverb and delay loops and some sounds from Omnisphere and NI Kontakt synthesizers is to remind us of the grim aspect of trains and raise awareness of suicides - both conversations about it and attempts.  "The whole field recording provided by Rosehill is used three times during this piece - everytime with smaller and smaller delay feedback. The blurred textures of the train recording are becoming more and more concrete. We return from the gloomy atmosphere to a more "real" recording, to also remember that - especially long train trips surrounded by their sounds - are unique and majestic." Tel Aviv train reimagined by Alan Grinde.

This short talk (originally a video), takes a look at the importance of trusting your heart and your highest truth, to unlock the key to Self Realisation. You may not have realised how long you have been subconsciously choosing not to follow your heart, for fear of the repercussions or judgement of others. When you open your heart and identify your true calling, it is profoundly powerful and life changing. Note: The Harp Music in the background is entitled "Opening," courtesy of Tara and Ken Cook, collectively known as "Omnisphere".' For more Self Realisation Resources visit Philip's Website.

Here we are at the end of our journey! How'd I do on my quest to write at least 1 cue per week? What are the lessons I learned along the way? What's next for the channel? I answer all of these questions, as well as unpack an intrigue tension cue featuring my own custom Omnisphere patch on this final, super-sized Week 52 Check-In.Watch this episode on YouTubehttps://youtu.be/LzhVQnbxnCs00:00 – Intro01:56 – Year Recap08:02 – Lesson 1. Find something that helps keep you accountable12:43 – Lesson 2. It's ok to take breaks, but don't procrastinate!16:12 – Lesson 3. Make a Routine18:20 – Lesson 4. Make a Plan21:25 – Lesson 5. Keep the main thing the main thing!26:25 – What's next for the channel?35:21 – Cue Breakdown59:29 – Patreon InformationSupport the channel on Patreon and get access to my weekly music production live streams.https://www.patreon.com/davekropfGet feedback on your cues and book online lessons with Dave:https://davekropf.square.siteJoin us at 52 Cues:http://52cues.com"A Composer's Guide to Library Music" by Dan Grahamhttps://librarymusicbook.com/#productionmusic #podcastJoin our 12-week Mastermind with built-in private lessons, small group accountability and feedback sessions that give you focused, personalized mentorship. So If you're seriously ready to supercharge you career in production music, then head over to 52cues.com/mastermind22 and sign up today! Registration ends September 29, and seats are limited!Support the show

I quantize all of my MIDI, and I'm not ashamed to admit it! On my Week 46 check-in, I discuss quantization and how I keep things from sounding too mechanical as well as unpack a tension cue which incorporates Omnisphere sounds from The Unfinished (https://theunfinished.co.uk) chosen at random!Watch this episode on YouTubehttps://youtu.be/nF9fLYWbfUA00:00 - Intro01:48 - Why I quantize all of my MIDI03:50 - How I keep things from sounding too mechanical14:24 - Cue Breakdown27:03 - Outro & Patreon InformationSerato Samplehttps://serato.com/sampleJoin 52 Cues Community!http://52cues.comSupport the channel on Patreon and get access to my weekly music production live streams. It's just $1/month!https://www.patreon.com/davekropfGet feedback on your cues and book online lessons with Dave:https://davekropf.square.site#productionmusic #podcastJoin our 12-week Mastermind with built-in private lessons, small group accountability and feedback sessions that give you focused, personalized mentorship. So If you're seriously ready to supercharge you career in production music, then head over to 52cues.com/mastermind22 and sign up today! Registration ends September 29, and seats are limited!Support the show

On this week's 52 Cues check-in, I talk about how I use templates to streamline my composing process, plus I unpack a cue featuring all Omnisphere sounds chosen at random!Watch this episode on YouTubehttps://youtu.be/k-IxmnQIsUYMy Logic Pro X Templatehttps://bit.ly/dklpxtemplateJoin the 52 Cues Community!http://52cues.comSupport the channel on Patreon and get access to my weekly music production live streams.https://www.patreon.com/davekropfGet feedback on your cues and book online lessons with Dave:https://davekropf.square.site#productionmusic #podcast00:00 - Intro01:59 - About Using Templates07:26 - My Template16:21 - Cue Breakdown30:22 - Outro & Patreon InformationJoin our 12-week Mastermind with built-in private lessons, small group accountability and feedback sessions that give you focused, personalized mentorship. So If you're seriously ready to supercharge you career in production music, then head over to 52cues.com/mastermind22 and sign up today! Registration ends September 29, and seats are limited!Support the show

On this week's 52 Cues check-in, I talk about how I use templates to streamline my composing process, plus I unpack a cue featuring all Omnisphere sounds chosen at random!Watch this video on YouTubehttps://youtu.be/k-IxmnQIsUYMy Logic Pro X Templatehttps://bit.ly/dklpxtemplate00:00 - Intro01:59 - About Using Templates07:26 - My Template16:21 - Cue Breakdown30:22 - Outro & Patreon InformationJoin the 52 Cues Community!http://52cues.comSupport the channel on Patreon and get access to my weekly music production live streams.https://www.patreon.com/davekropfGet critiques on your cues and book online lessons with Dave:https://davekropf.square.site#productionmusic #podcastJoin our 12-week Mastermind with built-in private lessons, small group accountability and feedback sessions that give you focused, personalized mentorship. So If you're seriously ready to supercharge you career in production music, then head over to 52cues.com/mastermind22 and sign up today! Registration ends September 29, and seats are limited!Support the show

Tirana mosque prayer reimagined by Mark Taylor.  "The final piece was created using 6 fragments of audio taken from the original field recording – all processed and edited within Omnisphere using its extensive granular synthesis and sampling capability."

Jeffrey Bryan - Born and raised in Los Angeles. Was a teen in the 80's pursuing a solo music career, playing clubs like the Roxy, Wiskey-a-Go-Go, Madam Wongs and every where on the famed Sunset strip and beyond. During this time Jeff landed various Films and TV appearances (aka Jeff Fishman) including The Karate Kid and Hot Moves. He is a composer, singer, keyboard player & guitar player. He sang live on The Merv Griffin Show at the age of 15 and was producing music for local shows including the "Not Too Young For Prime Time Players" at the Roxy on Sunset. After being signed to A&M (Almo-Irving Publishing) as a staff writer, Jeff continued to grow as a musician & performer. He has formed many pop-rock groups including the SunLions, with whom he recorded 2 albums and performed in numerous venues, opening for Classic Rock Artists such as E.L.O. and Great White. As a singer, Jeff studied privately with Nate Lam for 6 years and Everette Gordon (Boston Phil Harmonic conductor and Musical Director for the Carpenters) for 8 years. He has worked with John Novello (Niacin and past Musical Director for Donna Summer), Francis Buckley (Grammy award-winning producer/engineer) and has written music for dozens of independent productions including feature films such as Carnal Crimes (HBO) & Reunion (currently winning awards on the independent circuit). He is currently Keyboardist for the band SURVIVOR, past Musical Director and Keyboardist for Clive Farrington (When In Rome), playing with The K-Tel All-Stars and world reknown percussionist C.G. Ryche. In the Studio, Jeff is currently composing music for dozens of Cable TV shows (TLC, DISCOVERY, BRAVO, GAME SHOW NETWORK, including The Bachelor, Pawn Stars, The New Price Is Right and is playing keyboards & writing for new artists. My live rig consists mainly of: Yamaha S90ES Hammond SK2 (B3 clone) 1952 Hammond B3 + Leslie 122 Wurlitzer 200A (circa 1976) Fender Rhodes Suitcase (circa 1973) Roland System 8 GSI DMC-122 with VB3 organ Soft Synths including Omnisphere & Kontakt and lots of other toys... Website: https://www.jeffreybryanmusic.com/ To watch the live video: https://sheblurbs.wixsite.com/sheblurbs/post/let-s-talk-with-jeffrey-bryan --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/sheblurbs/support

Rashid Ajami has released on massive dance imprints such as Anjunadeep, Noir and Ministry Of Sound, and is returning to the dance music industry resurgent after taking time out in the world of entrepreneurship. In this episode of Beyond The Studio, Rashid and Paul reconnect - Rashid was one of the first artists with work with Chapter 24 Records, and DJ'd at label parties early on in the label's life - and find they have far more in common than passing conversations in DJ booths can allow for! Rashid talks about his deep love for Logic Pro, Spectrasonics Omnisphere being at the heart of his creative process, and goes deep into the spiritual game of being a true artist - someone who creates art over an extended period of time, thanks to a patient, consistent, unwavering commitment to the music itself...as that's all that truly matters! You can find out more information and sign up by heading to http://www.transition.studio Subscribe to MYT on YouTube: https://www.youtube.com/makeyourtransition?sub_confirmation=1 Subscribe to Beyond The Studio on Apple Podcasts: https://podcasts.apple.com/gb/podcast/myt-beyond-the-studio/id1545962399 Subscribe to Beyond The Studio on Spotify: https://open.spotify.com/show/2wioBoFfzN1mBmXTXvzRz6?si=CV1WqvjhSy-eI5lo-4xmWw

Music Producers, we had the opportunity to interview the founder of Spectrasonics (Omnisphere, Trillian, Keyscape) about their license and sample agreement (*Which They Updated BTW*). Thanks to your overwhelming response to my video that highlighted some grey area terminology for producers and sound designers, they reached out and are looking to provide us clarity and peace of mind. Eric Persing is the founder and creative director of Spectrasonics. He has produced dozens of the sampling industry's top selling titles and gone on to create the award-winning Omnisphere, Keyscape, Stylus RMX, Trilian, Atmosphere and Trilogy software virtual instruments. --- Support this podcast: https://anchor.fm/curtisskingpodcast/support

This is my entry for the BSE remix competition that took place earlier this year. Unfortunaly I did not win the competition, but I am still satisfied with my work and so I have decided to show you my remix. I have tried to produce a more atmospheric but forward stepping Neurofunk version. I have used all original Audiofiles of BSE`s "Don't you", but added my own drum sound with my MPC Live and a new Bassline with my Bass Station 2. I also have used my Virus TI, Omnisphere, ANA and Massive X for some additional pad- and leadsounds. To be honest i have always misunderstood the vocal in the original, so i have tried to make it a bit clearer in the remix.

This is my entry for the BSE remix competition that took place earlier this year. Unfortunaly I did not win the competition, but I am still satisfied with my work and so I have decided to show you my remix. I have tried to produce a more atmospheric but forward stepping Neurofunk version. I have used all original Audiofiles of BSE`s "Don't you", but added my own drum sound with my MPC Live and a new Bassline with my Bass Station 2. I also have used my Virus TI, Omnisphere, ANA and Massive X for some additional pad- and leadsounds. To be honest i have always misunderstood the vocal in the original, so i have tried to make it a bit clearer in the remix.

This is my entry for the BSE remix competition that took place earlier this year. Unfortunaly I did not win the competition, but I am still satisfied with my work and so I have decided to show you my remix. I have tried to produce a more atmospheric but forward stepping Neurofunk version. I have used all original Audiofiles of BSE`s "Don't you", but added my own drum sound with my MPC Live and a new Bassline with my Bass Station 2. I also have used my Virus TI, Omnisphere, ANA and Massive X for some additional pad- and leadsounds. To be honest i have always misunderstood the vocal in the original, so i have tried to make it a bit clearer in the remix.

Joseph Pepe and Zack Burke are BTWN, a music production duo based out Los Angeles, CA, USA! In this episode, discover their uniquely collaborative approach to production, how to keep minimal arrangements engaging, why using iPhone recordings can boost a song's vibe, and, of course, RC-20. Check it out!You can find out more about BTWN at https://www.btwnmusic.com/You can find BTWN on Social MediaIG: https://www.instagram.com/btwnmusic/Joey's IG: https://www.instagram.com/itsjoeypepe/Zack's IG: https://www.instagram.com/musicbyzacky/You can listen to the track that we discussed in the "Sauce" segment in its entirety here: "I Do" by Molly Moore: https://www.youtube.com/watch?v=6FpvqnYD4UA&ab_channel=MollyMooreAs I mentioned in a previous episode, I've started a Whatsapp group community. If you're interested in joining, please email me at Secretsonics@gmail.com Please include your phone # and tell me a bit about what you do production-wise.ReferencesMike Pepe - https://www.benwallick.com/podcast-episodes/2020/9/27/secret-sonics-065-mike-pepeAngry Mob Publishing - http://www.angrymobmusic.com/team/Dave Harris mastering - https://www.mixonline.com/recording/dave-harris-365474Donald Passman's "Everything You Need to Know about the Music Business" - https://amzn.to/2JEXVtMWilliam Bowser - https://www.benwallick.com/podcast-episodes/2020/10/18/secret-sonics-068-william-bowserNoam Levinberg - https://www.benwallick.com/podcast-episodes/2020/11/1/secret-sonics-070-noam-levinbergAlkeline Trio's "Radio" - https://www.youtube.com/watch?v=QUV-WqhuihM&ab_channel=Nisaras94Melodyne - https://www.celemony.com/en/startVocalign - https://www.synchroarts.com/products/vocalign-pro/overviewAudiomovers - https://audiomovers.com/wp/Kristian Montano - https://www.benwallick.com/podcast-episodes/2020/10/25/secret-sonics-069-kristian-montanoMendy Portnoy - https://www.benwallick.com/podcast-episodes/2020/2/17/secret-sonics-002-mendy-portnoyFocal Alpha 65 - https://amzn.to/3l5mUV3Jackson Wise (Songwriter) - https://www.instagram.com/jacksansan/Molly Moore - https://mollymooreofficial.com/RC-20 - https://www.xlnaudio.com/products/addictive_fx/effect/rc-20_retro_colorSerum - https://xferrecords.com/products/serumMakepopmusic - https://www.makepopmusic.com/Echo Sound Works - https://www.echosoundworks.com/Cymatics - https://cymatics.fm/The Modern Producer (serum packs) - https://www.modernproducers.com/Omnisphere - https://www.spectrasonics.net/products/omnisphere/Kenny Beats - https://en.wikipedia.org/wiki/Kenny_BeatsUA Apollo - https://amzn.to/2U5eb9xThanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

Shout out to everyone whose been tuning in to us from the beginning of the pilot until now. For we have reached the end of the 1st season of LMRWY! To finish off the season, our host calls up an old friend from his rap/early production days, which they haven't spoken for about a year +: Flordia's own Brandon Chapa! Besides reminiscing on the old days of the “Drumvault” with Drew Taylor, Elefan, Kenai & more, Brandon discusses his upbringing, early work with Soulja Boy & 808 Mafia, music scores on some of today's reality tv shows, taking over the producer community with his Omnisphere banks, how his FREE Beats strategy brought positive results, and more! Sponsored by: https://linktr.ee/norivalsshop @brandonchapabeats: https://linktr.ee/BrandonChapasTree https://linktr.ee/Letmerapwityoupodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Darryl "Lil Man" Howell is a music producer and drummer based out of Chicago, IL, USA! You can find Darryl on Social MediaInstagram: https://www.instagram.com/dlemarmusicFacebook: https://www.facebook.com/darrylhowellmusicYoutube: https://www.youtube.com/results?search_query=daryl+howellYou can listen to the song "Movin' On" by Jonathan McReynolds that we discussed in its entirety here: https://www.youtube.com/watch?v=-fKmTfYz6_4As I mentioned in a previous episode, I've started a Whatsapp group community. If you're interested in joining, please email me at Secretsonics@gmail.com Please include your phone # and tell me a bit about what you do production-wise.ReferencesAndy Shoemaker: https://www.benwallick.com/podcast-episodes/2020/7/26/secret-sonics-056-andy-shoemakerAvant (singer): https://en.wikipedia.org/wiki/Avant_(singer)Omar Edwards: https://www.yamahaentertainmentgroup.com/all-access/item/138-omar-edwards-behind-the-keys-with-jay-zNicki Minaj: https://en.wikipedia.org/wiki/Nicki_MinajFreddie Gibbs and the Alchemist: https://en.wikipedia.org/wiki/Alfredo_(album)Andrae' Crouch: https://en.wikipedia.org/wiki/Andra%C3%A9_CrouchBig Magic: https://amzn.to/36RgCUDAaron Sledge - Timeless 2011: https://www.youtube.com/watch?v=nDzJTbrQh3Q&ab_channel=HaronKaisaJonathan Mcreynolds: https://en.wikipedia.org/wiki/Jonathan_McReynoldsThad the Bass Player: https://www.instagram.com/tjmusic21/?hl=enDoe Jones - Brighter: https://www.youtube.com/watch?v=ykEUTNoFhaA&ab_channel=DOEMUSICVEVORob Chiarelli: https://en.wikipedia.org/wiki/Rob_ChiarelliLogic: https://www.apple.com/logic-pro/Sylenth1: https://www.lennardigital.com/sylenth1/Omnisphere: https://www.spectrasonics.net/products/omnisphere/Splice: https://splice.com/Jesse Miller: https://www.instagram.com/jesseraymiller1/?hl=enSufjan Stevens: https://en.wikipedia.org/wiki/Sufjan_StevensThe Social Dilemma: https://en.wikipedia.org/wiki/The_Social_DilemmaMaxwell: https://en.wikipedia.org/wiki/Maxwell_(musician)Camila Cabello: https://en.wikipedia.org/wiki/Camila_CabelloThanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

In this episode Jay and Simon discuss Mexican candy, socially distanced vocal arranging, the Omnisphere plug-in and the importance of mind-set. Like candy? Visit http://www.olerico.com and tell them Jay and Simon sent you!

Lucas Gienow is a songwriter, music producer, and audio engineer based out of Eastern PA, USA! You can find Lucas on Social MediaInstagram: https://www.instagram.com/lucasgienow/You can find Lucas's band Nearly York on Social MediaIG: https://www.instagram.com/nearlyyork/FB: https://www.facebook.com/NearlyYorkMusicYT: https://www.youtube.com/channel/UC1ikZNAFWWgBvO0NzORbcjAYou can listen to the Nearly York's song "Fortune Teller" that we discussed in its entirety here: https://www.youtube.com/watch?v=hjTQpihACnY&ab_channel=NearlyYork-TopicAs I mentioned in a previous episode, I've started a Whatsapp group community. If you're interested in joining, please email me at Secretsonics@gmail.com Please include your phone # and tell me a bit about what you do production-wise.ReferencesCarl Bahner: https://www.benwallick.com/podcast-episodes/2020/8/9/secret-sonics-058-carl-bahnerDustin Richardson (studio 2300): https://www.instagram.com/dbrichmusic/Nearly York: https://www.nearlyyork.com/Sugar Tank Lancaster PA: http://www.thesugartank.com/ Milan Credle: https://www.instagram.com/milancredle/Like Everyone Else EP: https://open.spotify.com/album/76omxTgZA8ZZAZbxsiG7FJSlate VMS: https://slatedigital.com/virtual-microphone-system/Korby Kat Mic: https://vintageking.com/korby-audio-kat-5-systemBrian Rhea: https://open.spotify.com/album/3XkAyllGS2EDEPec7XS7mdBrandon Allshouse: https://www.benwallick.com/podcast-episodes/2020/9/13/secret-sonics-063-brandon-allshouseStudio One: https://www.presonus.com/products/studio-one/Melodyne: https://www.celemony.com/en/melodyne/new-in-melodyne-5Splice: https://splice.com/Omnisphere: https://www.spectrasonics.net/products/omnisphere/Arturia: https://www.arturia.com/products/analog-classics/v-collection/overviewThe making of fortune teller: https://www.nearlyyork.com/fortune-tellerIndepreneur.io: https://indepreneur.io/Strymon Iridium amp sim: https://www.strymon.net/products/iridium/Shift Desktop app: https://tryshift.com/Soundbetter: https://soundbetter.com/Nicholas Di Lorenzo (Mastering): https://www.benwallick.com/podcast-episodes/2020/6/28/secret-sonics-052-nicholas-di-lorenzoRandy Merrill of Sterling Sound: https://sterling-sound.com/engineer/randy-merrill/Dolby Atmos: https://www.dolby.com/technologies/dolby-atmos/Thanks for listening to this episode of Secret Sonics! I hope you enjoyed this episode :) Look out for new episodes weekly. Consider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the new podcast theme music!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co***If you want the show to continue to improve, feel free to fill out a listener survey here: https://forms.gle/BWKmS4YmESYid5rh8 ***Follow along via social media here:Facebook: www.facebook.com/SecretSonicsPodInstagram: www.instagram.com/secretsonics/Feel free to email me at secretsonics@gmail.com with any questions and feedback you might have. I'm open to learning about what topics you'd like to hear about and which people you'd like to hear from. In pursuit of making this podcast truly helpful to anybody looking to improve at music production, all suggestions are truly welcome! Have a great week, stay safe, and dig in!-Ben

The piece of music we're listening to in the background is called Shaylee meets Black Annis. It's a somber soundtrack which I wrote for the fiction podcast The Hidden People. Today, we'll break it down and get into why and how it was made. You're listening to How I Make Music, where behind the scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition, and give composers a chance to share some of the insights into how it was made. My name is Katharine Seaton. I'm a composer and sound designer from the UK, and this is How I Make Music. IN THIS EPISODE 01:07 Welcome Welcome back to How I Make Music Episode 76, Shaylee meets Black Annis by me, Katharine Seaton. Thanks for listening in. The Hidden People is a long format audio drama. In this episode, you'll hear me talk about Shaylee and Black Annis. These are two of the characters in the story. I first got involved with Dayton Writers Movement to make The Hidden People when they were looking for somebody to develop a sound world. I am primarily a musician. Sound design is definitely a second string to my bow. 02:11 Female sound design There was a competition a year and a half ago run by an advertising firm who wanted to get more women into sound design. And the prize was a professional development course. On that course, I found out some new techniques and one of them was the use of contact mics on various surfaces. And they showed us how they put a contact mic on one of those big rubber birthing balls. The result was a creaky groan, sort of...I think it's like a tectonic plates moving under the belly of the earth sound. Maybe because they're underground, they can almost hear the earth moving under the soil. And I thought yes, I've not heard anything like it and I thought it was great. When I got home, I started incorporating these techniques into my composition. I used a contact mic on various items to create the sounds in this score. So rubbed my leather handbag and a blown up balloon with wet hands to get some of those creaking noises. I taped a microphone to my throat to get those swallowing sounds. This was about trying to get the earth swallowing Shaylee up. What do you listen to this piece at the end of this episode, see if you can spot some of those strange sound design elements. 03:55 Inside Shaylee Within the series, there's a character called Shaylee. She's a mentally and physically dexterous survivor. Another character, Black Annis, is based on folklore. In the legend, she's a terrifying figure used by parents to scare their children into behaving. When Shaylee meets Black Annis, she's engulfed by a dark cave, as well as her own feelings of fear and sadness. Shaylee Meets Black Annis involves a lot of bringing the sound design in the series into the music itself. And I was able to use the sound design to try and reflect how she's feeling about that space. So it could be the sound in the actual narrative or it could be musical score because there's that blurring of the boundaries there. 05:00 Influences When I got the initial brief that they wanted to incorporate the folk music that comes from the origins of the folklore, this story is based on, I looked into it. As an English person, I'm quite familiar with British folk music, just through living here and knowing that tradition, so that was all already in my sort of inside my ears. And I think in Shaylee's original theme, the fragments of strings that play under the melody might have been inspired by composers like Benjamin Britten in the first part of the 20th century of English music. Take a quick listen. I did spend some time doing the classic music composer thing of going on to YouTube and just finding what looks like authentic performances. And just listening for a bit and getting into that sound world. The Irish folk music there was a lot of sort of social gathering based music going on there. And the Scandinavian music, which is obviously sort of quite fashionable these days, I think as a kind of inspiration for soundtracks. As it happens, I have a Swedish composer friend, Thomas Gyllin, and I sent him the Black Annis tune as it first came out. And he said it sounded like a Swedish song about a troll! Sounds about right. While I was working on Season One of The Hidden People, I was listening to the album Origin of Symmetry by Muse with my children. And I feel like the music in this cue might have been influenced by the way Matthew Bellamy chooses to bridge tracks with guitar feedback and other sounds, which are more noise than music. Listen to this typical transition between two of the tracks on the album. That's where a lot of this came from. 08:06 Aeolian mode There's a scale which in composition theory is called the Aeolian mode is also known as the natural minor scale. Here's how it sounds. So the chord sequences of these two themes - Shaylee's original theme and the Black Annis theme - interact beautifully because of being both based on this Aeolian mode scale. I wonder if it might have been a subconscious process as I tried to evolve a sound world that feels cohesive across a series. Shaylee's theme is throughout the series, her leitmotif if you like as the one that goes along. And in Episode 20 of season one, which is where this has taken form, it's a flashback. So it's the first time Shaylee meets Black Annis because both of their themes are in the Aeolian mode. They were able to combine really effectively actually, on top of each other. So we had the vocals doing Black Annis and we have the viola playing Shaylee's theme. So that's that's how come there are two things going on in one cue here. It's a very complicated story. 09:44 Classical vocalist I was a classical singer before I got into the creative stuff. And I put some vocals on this track. It's a very different game to singing quietly and with a slight rough edge from singing in a large space and using your voice to project into the acoustic. That was a learning curve for me. So the vocals are doubled and panned, and I believe there's some ping pong delay. So actually, I noticed it's not completely in tune! But I was kind of going through a rough feel. I sing them through twice and I deliberately pan them apart and didn't try to harmonize them too much. And I always like the feel like there are two ladies sort of walking along next to Shaylee whispering nasty stuff in her ear, you know, like, you're gonna die. I like it to feel real. I really detest vocal, particularly choir libraries. Actually, I've never found one that I like, because I just think vocals have to be real. 11:20 Iron Claw fingernails The script for Black Annis specified that her fingernails are made of iron, and she's called Iron Claw sometimes. And so I recorded those metal taps initially for foley and I wanted to record them spatially. I went inside a good cupboard for recording. And I tried various sounds - nails on bricks was one example. I recorded them in stereo, but somehow you do get sort of height and depth information from the acoustics. So when I put them into the music and started adding things like delays, you've got these really interesting spatial characteristics, which I think added something good to the music. And they're also some clicking and ratcheting sounds which I used children's toys to make. The scoop from a toy digger and the whirring sound is the wheel of a toy truck. And I was trying to evoke the idea that they're under the ground and under Black Annis's power, and there are roots from trees growing down and encroaching into Shaylee's space. And so the whole of this episode is underscored based on one rhythm, and that is the rhythm of Shaylee's piano figuration in her original theme in some guys or other, it literally appears in every second in this scene that with a mostly appears on tribal percussion with an iron drum, and this is to represent Black Annis. And that ancient scary mood that comes through in this scene. 13:29 Omnisphere Omnisphere is a software synth with a lot of power and capability to be creative, because it uses organic sound as well as synthesis to create the sounds in there. I used Omnisphere a lot in creating this cue. It's such a wonderful tool and one of the sounds we hear in the music is a patch that I made of a rough patch based on the rubbing a glass and producing that ring. Here take a listen. 14:04 Mixing process Part of mixing involves selecting where sounds will fall in the stereo field left right or center. Only the viola melody and the iron drum are dead center in mono as they most closely represent Shaylee's core feelings sadness and fear. I feel like it cuts through like a sort of knife. And it sort of almost draws together all the other elements kind of like it sucks it in to its gravity well. I mixed this cue specifically to get that engulfing feeling which meant I had to rely a lot on heavy reverb. 15:01 Challenges There were some challenges in making this whole episode. When you've got a long dialogue, it's really could be quite difficult to get the energy pacing, right and underscoring without overwhelming the dialogue and providing more of a backdrop, which is able just to morph. But I feel like in audio drama, every sound you hear is more relevant than it would be in a visual medium, because it could skew the visual picture that the audience is getting. So that was a challenge. 15:38 And the biggest challenge of all was when I had a disk failure halfway through making this episode, and discovered that the cloud backup that I thought was running was not, and we had to retrieve the data. And it was not that relaxing. So always check your backups are running, folks. That's about it for this week's episode. We'll listen to the full track in a moment. But before we do that, thank you for listening to How I Make Music. catch new episodes every Wednesday on Spotify, Apple, or wherever else. We've been listening to music featured in the audio drama called The Hidden People. To hear the full story or to check out my other compositions, follow the links in the show notes. Visit HowIMakeMusic.com for bonus behind the scenes stuff related to this episode. How I Make Music is created by John Bartmann. For audio experiences that keep people listening, contact John Bartmann via the show notes. And now here's Shaylee Meets Black Annis, a dark, sound design-rich folk influenced piece of underscore in its entirety. My name is Katharine Seaton, and thank you for listening to How I Make Music. We'll catch you next week. SHOW NOTES Listen to audio drama The Hidden People https://hiddenpeoplepodcast.com/ Check out other work by Katharine Seaton https://katharineseaton.com/ BONUS Listen to the full suite of music from this episode by Katharine Seaton https://soundcloud.com/katie-seaton-565873597/episode-20-blood-on-my-hands MUSIC & SFX CREDITS Benjamin Britten - Four Sea Interludes from Peter Grimes Reeltime - The Trucks of Bohermore Muse - Hyper Music Muse - Plug-In Baby ABOUT THIS SHOW How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made. Subscribe to How I Make Music https://pod.link/1460793686 How I Make Music https://howimakemusic.com Contact How I Make Music https://johnbartmann.com/contact How I Make Music is created by John Bartmann https://johnbartmann.com

MainStage who?? Ableton Live is the best platform for using keys live. In this episode I explain why the transition to Ableton for keys is easier than you think, why you should do it, and a few things to keep in mind when you do. 

FiYah joins the guys in an epic jam night with the Christmas spirit running rampant. The guys cover the Behringer PolyD, Behringer WASP Deluxe, and the Omnisphere 2.5 plugin. Also a peak at the holiday fair jam by JVonD.

I think I've seen the handle VICMOD bouncing around the internet forever. I've also been listening to the music of Cray for a while, too. But only recently did I actually put 2 and 2 together to realize that this was the same person! I've always like the Cray music for its breadth and honesty - it really sounded like a person's inner voice, rather than whatever a synth might naturally produce. And in talking with him, it is clear that this is his primary objective: heartfelt improvisation and sound design. From his earliest work with a janky 486 computer to his current obsession with Omnisphere (with Buchla, Serge and Eurorack in-between), Ross has exercised almost any machine you can imagine. The result is a person that is looking to be surprised by his environment - and is constantly searching for those surprises. After our chat, Ross was apparently spurred into digging into the archives, and has release the following for the listeners: https://vicmodcray.bandcamp.com/album/geometric-patterns-made-of-love-and-understanding You can also check out the whole VICMOD label catalog here: http://www.vicmod.net/ And, as Ross himself says, check out his work on discogs.com to dig into more of his past: https://www.discogs.com/artist/621720-Ross-Healy Enjoy!

Práctica Demo Fortnite   Nos remangamos para crear una música con características diferentes: la de los videojuegos.      Herramientas como la creación de un ciclo armónico sencillo o la utilización de plugins como el Omnisphere nos ha preparado para poner en práctica el pequeño …

Check out episode 23 where I discuss getting into Collarts which I am really happy about. Getting off your butt and not just sitting in front of your computer for hours on end. I had a bad experience with buying Omnisphere through an account on Instagram - won't ever be doing that again. Also talking about shame and unlocking pain and using melodyne to fix my major off key singing. Movie of the week I talk about is Friday! Plus there is something Gary Vee says that I totally disagree with. Listen now to find out what it is. I love hearing from you so if you have any comments or questions please feel free to contact me on the social media platforms listed below. PLEASE LIKE, SHARE, COMMENT and SUBSCRIBE. LISTEN TO MY PODCAST HERE Anchor: https://anchor.fm/sia-nas iTunes Podcasts: http://bit.ly/DiaryofaHipHopArtist Spotify: http://bit.ly/DiaryofaHipHopArtistSpotify Google Podcasts: http://bit.ly/sisnasgooglepodcast Breaker: https://www.breaker.audio/sia-nas Castbox: https://castbox.fm/channel/id1423820 Pocket Casts: https://pca.st/Gw8w Overcast: http://bit.ly/sianasovercastpodcast PodBean: http://bit.ly/sianaspodbeanpodcast RadioPublic: https://radiopublic.com/sia-nas-GMa2mp Stitcher: http://bit.ly/sianasstitcherpodcast TuneIn: https://tunein.com/radio/Diary-of-a-Hip-Hop-Artist-p1219970 CHECK OUT MY MUSIC Spotify Artist Page: http://bit.ly/sianasspotify Itunes Artist Page: http://bit.ly/sianasitunes YouTube Channel: http://bit.ly/sianasyoutubechannel SoundCloud Songs: https://soundcloud.com/sia-nas SoundCloud Beats: http://bit.ly/sianasbeatsoundcloud FOLLOW ME https://www.instagram.com/sianassongs https://twitter.com/sianassongs https://www.facebook.com/sianassongs https://www.snapchat.com/add/sianassongs SUBSCRIBE Subscribe to my channel to keep up to date with my latest videos. http://bit.ly/sianasyoutubechannel

Huston Singletary is the lead sound designer for preset creation at Ableton. He heads a team of sound designers that create the “sound” of Live. Over the years, Huston has done sound design and preset creation for numerous instruments, including Omnisphere, Novation Peak, Prophet X, and so many more. He documents a lot of his work and experiments on his Instagram page. Today, Ableton has released a free gift created by Huston called Singularities. Singularities is a collection of 40 Instrument Racks Huston built from samples of classic synthesizers. In this episode, Huston discusses his role at Ableton and the team of talented sound designers he has assembled to create the beautiful palette of sounds featured in Ableton Live. He discusses his brand new free pack, Singularities, which is available on Ableton’s site for all versions of Ableton Live 10. Huston generously shares some of his wisdom on designing sounds, programming synths, and working with a well-rounded team of talented sound designers. This one is a real treat for the synth-nerds out there! Enjoy. Listen on iTunes or Stitcher or Google Play Show Notes: Singularities - 40 free Ableton Live Instruments from Ableton, created by Huston. Instagram - Huston has been posting great jams and performances on IG. Bandcamp - Listen to Huston’s music on Bandcamp. Art + Music + Technology - Listen to Huston on Darwin Grosse’s excellent podcast. Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site AfroDJMac.com for music production tutorials, videos, and sound packs. Brian Funk AfroDJMac

8e émission de la 40e session... Cette semaine, jazz spirituel, jazz moderne et space-jazz! En musique: Hannibal and the Sunrise Orchestra ; Nathan Davis ; Albert Mangelsdorff Quartet sur l'album compilation Nicola Conte Presents Cosmic Forest the Spiritual Sounds of MPS  (MPS, 2018, enr. 1975, 1976, 1970);  Makaya McCraven sur l'album Universal Beings  (International Anthem, 2018); Sam Wilkes sur l'album WILKES  (Leaving, 2018); Quinsin Nachoff sur l'album Path of Totality  (Whirlwind, 2018); Medeski Martin & Wood sur l'album Omnisphere  (Indirecto, 2018)...

8e émission de la 40e session... Cette semaine, jazz spirituel, jazz moderne et space-jazz! En musique: Hannibal and the Sunrise Orchestra ; Nathan Davis ; Albert Mangelsdorff Quartet sur l'album compilation Nicola Conte Presents Cosmic Forest the Spiritual Sounds of MPS  (MPS, 2018, enr. 1975, 1976, 1970);  Makaya McCraven sur l'album Universal Beings  (International Anthem, 2018); Sam Wilkes sur l'album WILKES  (Leaving, 2018); Quinsin Nachoff sur l'album Path of Totality  (Whirlwind, 2018); Medeski Martin & Wood sur l'album Omnisphere  (Indirecto, 2018)...

Diego Stocco is a sound designer, instrument builder, and explorer of sounds. Diego is a master at finding music in places ordinary people do not hear it. As an imaginative craftsman, Diego has created a collection of instruments made from natural and found objects, and instrument parts. He uses his otherworldly creations to score films and trailers, design sounds for Spectrasonics, and create his own unique music. His work proves that there is still so much sound to explore in our world. I’ve wanted to chat with Diego for a long time now. In the world of sound designers, he is a superhero. What became immediately clear in our conversation was his passion for his work. Diego makes you want to find new sounds in new places. I’m amazed at how such a well-trained musician can see past what he calls “problems of preconceptions” and explore sound as if it was the first time he ever encountered it. Diego generously shared so much wisdom and insight about his work and sound in general. Listen on iTunes or Stitcher or Google Play Show Notes: Official website - Check out Diego’s body of work. BeHance - Explore more of Diego’s musical and sound design work. Albums - Some of Diego’s music, using his handmade instruments and natural sounds. Made of Sound - The latest audio/visual work, featuring music made with 17 custom instruments. Custom Built Orchestra - Diego’s orchestra of unusually unique instruments. Spectrasonics - Diego is one of the principal sound designer, working on Omnisphere and Stylus RMX. Ennio Morricone - The legendary composer. 3-D Ambisonic Microphones - CDM’s piece on the future of microphones. Thank you for listening. Please consider giving the Music Production Podcast a review on your favorite podcast provider. And don’t forget to visit my site AfroDJMac.com for music production tutorials, videos, and Ableton Live devices. Brian Funk AfroDJMac

MMW’s forthcoming release Omnisphere featuring Alarm Will Sound, is something definitely a little different for our audience and those that love Medeski Martin and Wood, but certainly not for guys themselves. Both John Medeski and Billy Martin are classically trained musicians who while dabbling in the jazz music we’ve been accustomed to hearing from them, always have sought opportunities to work on more complex arrangements. Alarm Will Sound is a chamber orchestra that focuses on contemporary pieces. Since I’m not even close to an expert on Classical music, we asked Billy Martin to come on the show and talk about the project since we’re big MMW fans, and give us an update on other MMW goings on. For more information on MMW visit medeskimartinandwood.com. You can also check our our MMW playlist at tsp.show/ECMMW or our MMW playlist on youtube at youtube.com/thesoundpodcast. Show Notes: **First Song:** 00:45 – Anonymous Skulls **Interview Begins:** 06:41 **Extro Song:** 33:57 - End of the World Party See omnystudio.com/listener for privacy information.

We talk ArduTouch, Touchable Pro the new Tascam Model 24 mixer/recorder, Linsey Pollak's DIY clarinets, Omnisphere 2.5 and doing what you love.

We talk ArduTouch, Touchable Pro the new Tascam Model 24 mixer/recorder, Linsey Pollak's DIY clarinets, Omnisphere 2.5 and doing what you love.

Guest speaker Myles McKeone joins us for a talk about mining cryptocurrency (e.g. Bitcoin), the dark side of Facebook and social media and the death of the Personal Computer. Hosted by Wade Mariano, Tres Finocchiaro and Gunnar Kennedy. #cryptocurrency #crypto #bitcoin #litecoin #facebook #deathofthepc #pcmasterrace

 Приветствую, друзья! Возвращаюсь к своему основному проекту ALIEN. Как и в прошлом году треки будут ориентированы на лёгкое дарк направление, симбиоз фантастики и мистики). Этот год для меня вдвойне юбилейный, и думаю, будет насыщен интересными идеями, а я буду стараться их воплощать в жизнь)).Рад представить свою новую работу). Трек сделан в лучших традициях ранних DELERIUM. Кто знаком с этим замечательным коллективом из Ванкувера, думаю, сразу всё поймёт, ну а кто не знаком, мне кажется, тоже должно понравиться)). Как я уже написал, это лёгкое дарк направление с небольшим мистическим уклоном.Традиционно небольшая тех.справка для тех, кому интересно: в композиции впервые был использован очень классный vst-синтезатор Omnisphere от американской компании Spectrasonics, также были задействованы синтезаторы: Repro-1, Hive и Filterscape от немецкой компании U-he, и ещё были использованы vst-синтезаторы Absynth 5 и Massive от одной из лучших компаний-разработчиков, это нецкая компания Native Instruments.Всем приятного прослушивания и отличного настроение!)) Итак, погружение в мистически-фантастический мир) Буду рад вашим отзывам))).

Bob Wilson is a Grammy-nominated drummer, songwriter, and a founding member of the band SeaWind whose sound defined an era of jazz fusion in the 70’s-80’s.  They were also the precursor to the Jerry Hey Horns, who have set the bar for rhythm and horn section studio recording for generations.  Bob later toured with Billy & Franklin Graham for over 10 years and is currently a producer with the wildly successful music software company Spectrasonics, whose products Omnisphere, Stylus, Keyscape, and more are used every day by A-List music producers and film, tv, and, game composers. He’s got some wonderful stories and advice… here’s Bob Wilson.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

All tracks © Gary P Hayes 2015 album Blue Reverie. Improvisations on guitars, clarinet and omnisphere in Logic.

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