Podcasts about New jack swing

Send us a textThis week, Time Pals co-host ShadoSpartan brings back Mini-Episodes and takes hilarious dive into the world of pro wrestling botches — from debut disasters to matches that went completely off the rails.Fellow Time Pal Underscore and Special guest Twitch streamer MrBortman (twitch.tv/mrbortmanttv) cover the infamous Sting vs. Jeff Hardy meltdown, Ted Dibiase Jr iconic excuses, the Thanksgiving fever dream known as The Gobbledy Gooker, and much more!Join us as we react, relive, and roast the madness of our fair sport.#TimePalsPodcast #ProWrestling #WrestlingBotches #Botchamania #Sting #JeffHardy #GobbledyGooker #NXT #NXTShowdown2025 #WWE #TNA #AEW #WrestlingFails #IndieWrestling #WrestlingCommunity #TedDibiaseJr ##MaydayMediaNetwork #Twitch #TwitchStreamer #MrBortman #MaydayMediaNetwork #GeekCast #DadCast #StoneCold #SteveAustin #OwenHart | Take your earholes back to the era of Hammerpants, backwards overalls, grunge, and New Jack Swing! A 90's Music Podcast. Press rewind as we chat with the hitmakers, bringing you closer to the musicians you love.https://www.teepublic.com/user/dopenostalgiaSupport the show

Dan & Billy welcome Naomi Carmack, the host of Dope Nostalgia, to put Halloween Music Videos to the ultimate test—THE NOSTALGIA TEST! “Other people's kids are so creepy.” -Naomi This Spooky Season episode takes Dan, Billy, and their guest Naomi Carmack down a very weird music video path. 5-years ago, Dan & Manny put another five videos to the ultimate test, and so Dan had to really go searching for some real nostalgic gens this time. They dig into videos from The Backstreet Boys, the Ramones, Ozzy Osbourne, Rob Zombie, and DJ Jazzy Jeff & The Fresh Prince. Their spooky conversation covers everything from creepy children, Backstreet never really being gone, the power of Ozzy's absolute insanity, low budget videos vs high budget videos, the Emo spirit of late-80s Ramones, and what exactly is Dragula? Also, they do a deep dive into the Will Smith video for “Nightmare on my Street” and Dan points out the odd Winnie the Pooh bedtime getup that Will Smith is wearing in the video, and is that a shot of his underwear (watch the episode to see this still shot)? All this and more! So, grab your favorite goblins, pour yourself a big glass of something foggy, and get ready to jam out with your favorite nerds.   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Naomi Carmack is the host and creator of Dope Nostalgia, a vibrant podcast that celebrates the unforgettable sounds, styles, and pop culture icons of the 90s. A professional singer for many years, Naomi brings her performer's passion and insider's insight to every episode. With her signature mix of humor, heart, and deep fandom, she takes listeners back to the days of mixtapes, neon jackets, and dial-up dreams. Each episode dives into interviews with beloved artists, one-hit wonders, and behind-the-scenes legends who shaped a generation. Whether she's reminiscing about boy bands, New Jack Swing, or grunge, Naomi keeps the retro vibes alive—one dope conversation at a time.   www.dopenostalgia.com    Approximate Rundown 00:00 Introduction and Guest Introduction 02:16 Naomi's Podcast Journey 03:19 Favorite Episodes and Guests 05:24 Backstreet Boys' 'Everybody' Music Video 15:02 Ramones' 'Pet Cemetery' Music Video 23:35 Ozzy Osbourne's 'Bark at the Moon' Music Video 33:20 A Joy to Watch 33:40 Unanimous Pass and Casual Chat 34:53 Rob Zombie's Music Video 36:59 Analyzing Rob Zombie's Lyrics 46:06 Will Smith's Nightmare on My Street 51:03 Nostalgia and Will Smith's Career 01:01:44 Wrapping Up and Final Thoughts   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Send us a textThis week, co-host Jon shatters his fellow Time Pals' fragile egos with a brutal truth bomb: “Your Favorite TV Character SUCKS!”

Don and Dude get honest about the records that live in their guilty pleasure zone. These are favorites we rarely admit loving but revisit for comfort, catharsis, and cool-defying joy. Get ready for heartfelt hooks, lush harmonies, and surprising confessions.These are the records we play in private, the ones that keep finding their way back onto the playlist, no matter what critics say. From grungy Buffalo alt-rock to glossy New Jack Swing, this episode is all about celebrating what truly moves us.Goo Goo Dolls – Dizzy Up The Girl (1998)Buffalo band's sixth album shows John Rzeznik's transition from punk covers to melodic, alternative rock stardom. Produced by Rob Cavallo, the band delivers earnest lyrics paired with arena-ready production. They found massive success after the breakthrough single “Name”.This record features a blend of punk grit with pop-rock polish. Upbeat riffs, cinematic string arrangements by David Campbell, and vulnerable songwriting all combine to make their sound distinct. Tracks like “Dizzy,” “Black Balloon,” “Broadway,” and “Iris” balance introspection and radio-friendliness. Deep cuts add emotional complexity and raw energy. The album established the Goo Goo Dolls as melodic hit-makers and proved vulnerability and anthems can work together.Color Me Badd – C.M.B. (1991)The breakout debut from this Oklahoma City vocal group became a cornerstone of R&B, pop, and New Jack Swing. Founding members Bryan Abrams, Mark Calderon, Sam Watters, and Kevin Thornton worked with Dr. Freeze, Howie Tee, and Nick Mundy on production. Their blend of doo-wop harmonies, polished synths, and playful sex appeal brought crossover chart success and influenced future vocal groups.This album features slow jams and party anthems with a playful spirit, classic ‘90s radio gold. Signature grooves sample Betty Wright and Lyn Collins, hooks loop through rich harmonies, and the vibe shifts from gospel inspiration to hints of Latin pop. C.M.B. went triple platinum, set a new standard for pop-R&B, and paved the way for a wave of boy bands and vocal groups to follow.Diggin'Dude:Carter Faith – Cherry Valley (2025) This debut blends cinematic country, indie spirit, and strong songwriting, especially on “Sex, Drugs and Country Music.”America – America (1971) A folk-rock classic packed with acoustic warmth, reflective themes, and “A Horse With No Name”.Don:Taylor Swift – The Life of a Showgirl (2025) Upbeat pop and soft rock inspired by Eras Tour moments and high-profile relationships. “The Fate of Ophelia” stands out.Gary Numan – Telekon (1980) A synth-driven, dystopian electronic album that inspired the future of industrial music, highlighted by “We Are Glass”.What album is your secret crush? Tell us on Instagram, Facebook, Threads, and BlueSky at @albumnerds or at albumsnerds.com. Support the show by subscribing, rating, reviewing, and sharing those guilty pleasures.

Story by: Gail NoblesCover Illus.by: Gail NoblesAaliyah's impact on music is clear, especially when we look at the evolution of a genre called New Jack Swing. This genre first popped up in the late 1980s and became known for mixing R&B with hip-hop. Think of it as music that had catchy beats and a fusion of live instruments with electronic sounds. Teddy Riley was one of the main producers behind this style, and artists like Keith Sweat and Bobby Brown helped bring it into the mainstream.Now, let's talk about Aaliyah. She burst onto the music scene in the early 1990s with her first album, "Age Ain't Nothing but a Number," released in 1994. This album had a sound that was very much inspired by New Jack Swing, blending R&B rhythms with hip-hop elements. While she came a bit later than the initial wave of New Jack Swing, Aaliyah took what had been established and added her own flair. Her style became smoother and more polished, appealing to a whole new generation of fans.To give you some context, the movie "New Jack City" came out in 1991, a few years before Aaliyah's debut album. This timeline shows that although Aaliyah didn't start the New Jack Swing movement, she certainly played a significant role in carrying its influence into the future. Her music helped shape R&B throughout the 1990s and early 2000s, ensuring that the legacy of New Jack Swing continued even after its peak. Aaliyah really connected the dots between the past and a new, contemporary sound, making her a crucial part of that musical journey.I'm Gail Nobles. Thank you for listening.Music commentary news.

And More Tribute - You'll Never Find Another Love (New Jack Swing Mix) by NAW-T-BOY

Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Send us a textThis Tuesday, the Time Pals Podcast presents Hobby Hype!, featuring special guest Norell (aka The Hobby Box Hunter)!

Bookings : Bookdjdeemoney@gmail.com & Follow DJ Dee Money Snapchat - DJ Dee Money - www.snapchat.com/add/deejaydeemoney Instagram - @DJDeemoney - www.instagram.com/DJDeemoney Facebook - DJ Dee money - www.facebook.com/DJDeemoney SoundCloud - @DeeJayDeemoney MixCloud - @DJDeemoney

Send us a textThis week, ShadoSpartan wants you to know that not every hard game is hard for the right reasons—some were tough just because of clunky design or straight-up bad programming, not because they were really testing our skill. But what about the games that do get clever with challenging the player? When does harder actually mean better? Is Easy Mode a valid way to go through life?Join the Time Pals as they dive deep into the art of difficulty in gaming:

Today on Travelling Tunes, Rosetta and Milly chat with Dr Kirsten Zemke about all things New Jack Swing! Whakarongo mai nei! Song selections: Bell Biv DeVoe - Poison (1990) Jade - Don't Walk Away (1992) Another Bad Creation - Playground (1991)

Happy Rāmere! TGIF! Today on Friday Brekkie with Milly and Rosetta: Kirsten chats New Jack Swing for Travelling Tunes, PollyHill, Samara Alofa and HALFQUEEN are up to chat about AQUARIES: AGE OF URANUS, and From The Crate with Troy from Southbound! Whakarongo mai nei!

RNB Fire (New Jack Swing Edition) Aug 2025 (Cover: Guy) Ep. #501 http://instagram.com/dennisblaze

Send us a textThis week the Time Pal return from their summer break and are immediately captured by ADHD addled co-host Nickell who turned the Time Pals studio into his own twisted game show. It's Time Pal vs Time Pal as they must answer questions such as:

For this episode of Beyond The Album Cover I have the pleasure of interviewing R&B Singer/Songwriter/Producer Devon Howard. We talk about his upbringing in Baltimore, Entry into the music business as a member of the 90's R&B Group Me 2 U, New Jack Swing, 90's R&B, current project and everything else in between. You don't want to miss this interview!!!! Follow Beyond The Album Cover at all streaming platforms, YouTube channel at Youtube.com/BeyondTheAlbumCover and Facebook at Facebook.com/BeyondTheAlbumCover!!!!

Earnest ‘EJ' Christian alongside music journalists Chris Lacy and Matthew Allen partake in a 10 round draft picking the best songs from the ‘New Jack Swing' era.

60-minutes of old school PARTY anthems!

Join Nnamdi, Stevie Street, and Vijay on the New Jack Swing Podcast as we dive into one of the most iconic R&B remix albums of the '90s—Mary J. Blige's What's the 411? Remix album!Released in 1993, this album took the raw, hip-hop-infused sound of Mary's debut and elevated it with the help of legendary producers like Puff Daddy, Teddy Riley, and The Notorious B.I.G. From club bangers to soulful grooves, this project redefined R&B remixes and cemented Mary's title as the Queen of Hip-Hop Soul.In this episode, we count down our top 10 favorite tracks from the album, breaking down:

Music legends Reggie and Vincent Calloway are the special guests for this episode! From their beginnings in the group Midnight Star, to the hit "I wanna Be Rich", the incredible songwriting and production credits, to their new music, Calloway is an important group in music history. Their hit "Cassanova" for Levert was the first New Jack Swing song to top the Billboard Hot Black Singles chart. Now, Reggie & Vincent are bringing reworked versions of their classic hits, plus a fresh single "Six Pack".

In this episode of the New Jack Swing Podcast, hosts Nnamdi, Stevie, Vijay, and Andrew Knyte delve into Tony! Toni! Toné!'s groundbreaking 1990 album, 'The Revival'. Celebrated for its seamless fusion of R&B, soul, and new jack swing, 'The Revival' solidified the group's place in music history. Join us as we count down our top 10 favorite tracks from this classic album, sharing insights and lesser-known facts about each song.Album Highlights:'Feels Good': This upbeat track became one of the group's most successful singles, showcasing their signature blend of funk and R&B.'It Never Rains (In Southern California)': A soulful ballad that topped the R&B charts, highlighting the group's smooth harmonies.'Whatever You Want': Known for its catchy melody and romantic lyrics, this song remains a fan favorite and a staple in their live performances.Tune in as we explore these tracks and more, celebrating the legacy of Tony! Toni! Toné! and the enduring appeal of 'The Revival'.

New Jack Summer is the introduction episode to our series on New Jack Swing. Throughout this summer we will host episodes examining New Jack Swing and its importance in the landscape of hip hop and music in general.For this first episode Castro, Zilla and Alaska discuss their relationship to the music, what the music meant to the landscape of the time, the divide between Hip Hop and New Jack Swing and some of our favorite songs (which you can find in our playlist that will be added to with every new episode:https://open.spotify.com/playlist/4xrrbJUrKRbsqfm3tRyKYA?si=1abc981c208e4fc1Future episodes:The early yearsThe take overPeak GenreEnd GameSons of New Jack Swing (Early 90s Hip Hop inspired R&B)New Jack Swing TournamentIf you want to hear full episodes it is $1 a month at our patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also upgrade to a higher tier to get exclusive content and video You can find our music here:Zilla Rocca:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/

mélange azimut pour public épicurien....

It's our second time reviewing a Take That album, this time it's 'Nobody Else' from 1995 which was the one they released just before Robbie Williams left the band and then they decided to split up thus ruining the lives of every teen girl in the UK. It's also the one that has Back For Good on it but having not heard anything other than the singles we weren't sure what the rest of the songs on here were going to be like. As it turns out, lots of New Jack Swing. But we also chat about Clutch, Earthling and Scatman John so happy days. As always please do give us a follow on our social media platforms and why not go and give us a nice rating or comment over on Spotify now that you're able to while you're checking out this episode's companion playlist (which contains ALL of the songs we talk about on this one) and our ongoing and sprawling playlist of songs from each album that we do an episode on. And if you want to donate to our PayPal account for the price of a pint or a cup of coffee that is always appreciated as well obviously. Cheers!

Derrière l'icône, le bourreau. Fêtes privées sous contrôle, viols ritualisés, humiliations filmées, compromissions archivées, P. Diddy a transformé son label en une véritable machine à broyer les corps et les volontés. Dans cet épisode, Gaël et Geoffroy plongent dans l'univers glaçant d'un magnat du hip-hop protégé par des policiers corrompus et des élus complices. De la naissance de Bad Boy Records aux soirées “Freak-Offs”, ils décryptent les rouages d'un empire fondé sur la peur, le sexe et le silence et révèlent comment le rap est devenu un levier d'influence politique, où la rébellion se vend et l'impunité s'achète. Musique : Thibaud R. Habillage sonore / mixage : Alexandre Lechaux Le Shop Tous Parano

Le podcast Jams Of The Year consacre à l'année 1967Janvier : Lowell Fulson – TrampLe vétéran du west coast blues revient avec ce classique aux accents proto-funk, qui inspirera Otis & Carla et bien d'autres.Février : The Four Tops – BernadetteUn sommet de soul dramatique signé Holland-Dozier-Holland, porté par la voix déchirante de Levi Stubbs.Mars : James & Bobby Purify – Shake A Tail FeatherReprise survitaminée de doo-wop funk, emblématique de la soul sudiste et de l'énergie des années 60.Avril : The Parliaments – (I Wanna) TestifyPremier vrai succès pour George Clinton, annonçant la révolution funk à venir avec Parliament-Funkadelic.Mai : Linda Jones – HypnotizedBallade bouleversante magnifiée par une des plus belles voix féminines de la soul, disparue trop tôt.Juin : James Brown & The Famous Flames – Cold SweatActe fondateur du funk moderne, entre pulsation rythmique brute et minimalisme harmonique.Juillet : Wilson Pickett – Funky BroadwayReprise musclée du groove de Dyke & The Blazers, enregistrée à Muscle Shoals, qui devient le hit de référence.Août : Jackie Wilson – (Your Love Keeps Lifting Me) Higher and HigherDernier grand succès de Mr. Excitement, porté par l'énergie de la soul de Chicago et la production de Carl Davis.Septembre : Otis Redding & Carla Thomas – Knock On WoodDuo iconique sur une reprise d'Eddie Floyd, extrait du dernier album studio d'Otis avant sa disparition.Octobre : Joe Tex – Skinny Legs And AllSoul rurale et prêche humoristique sur fond de groove sudiste : du Joe Tex pur jus.Novembre : Sly & The Family Stone – Dance To The MusicExplosion de couleurs sonores, manifeste de la psychedelic soul et tremplin vers la liberté artistique.Décembre : The Impressions – We're A WinnerCurtis Mayfield donne le ton de la soul militante avec cet hymne à la fierté noire et à l'émancipation.1967 est une année charnière, où le groove devient plus libre, les paroles plus politisées, et les expérimentations sonores plus audacieuses. Les tensions raciales, la guerre du Vietnam, le mouvement pour les droits civiques influencent les textes, pendant que le rythme s'affirme comme langage universel de résistance.À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux qui illustrent l'évolution des genres. Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Hommage à des légendes disparues en 2025Ce premier trimestre de 2025 a été tragiquement marqué par la perte de nombreuses figures influentes de la scène musicale funk, soul, et R&B. Raphael Melki et Belkacem Meziane ont soigneusement choisi 12 titres emblématiques, représentant chacun des artistes récemment disparus, afin de leur rendre hommage. Voici la sélection de morceaux diffusés dans cet épisode "hors série" :Sam Moore – Stop (1971)12 octobre 1935, 10 janvier 2025Gene Barge – Grits Ain't Groceries (de Little Milton, 1969)9 août 1926, 2 février 2025Irv Gotti – Always On Time (de Ja Rule & Ashanti, 2001)26 juin 1970, 5 février 2025 Jerry Butler – Only The Strong Survive (1969)18 décembre 1939, 20 février 2025Gwen McCrae – Let's Straighten It Out (1978)21 décembre 1943, 21 février 2025Chris Jasper – Caravan Of Love (par Isley/Jasper/Isley, 1985)30 décembre 1951, 23 février 2025Roberta Flack – Compared To What (1969)10 février 1937, 24 février 2025Angie Stone – Green Grass Vapors (2004)18 décembre 1961, 1 mars 2025Roy Ayers – Mystic Voyage (1975)10 septembre 1940, 4 mars 2025Randy Brown – We Ought To Be Doin' It (1980)xx/xx/1952, 5 mars 2025D'Wayne Wiggins – Music Is Power (2000)14 février 1961, 7 mars 2025Stedman Pearson – The Slightest Touch (de Five Star, 1987)29 juin 1964, 10 mars 2025À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Episode 343: JIMMY JAM On this week's episode of the @RoadPodcast, the fellas welcome legendary Grammy Award-winning producer and DJ, Jimmy Jam (@flytetymejam). Jimmy Jam reflects on various milestones in his career, starting with his involvement in the Grammys (01:55), he discusses his favorite new artist (02:40) and the impact of the fires on the awards show (05:34). He breaks down the samples in his production of @JanetJackson's hit songs (18:45), and the crew credits Jimmy with the creation of New Jack Swing (34:60). Jimmy Jam speaks on his early years in Minnesota DJing (42:20), joining Terry Lewis' band (@flytetymelewis) (50:10), and recalls going to junior high with #Prince (@1:05:55). Finally, he talks about getting back into DJing (1:35:10) and which current hip-hop artist he would love to work with (2:20:01).

A child of the 70s, my heart beats to the timeless rhythms of old-school R&B, the electrifying vibes of 80s MTV, and the soulful grooves of 90s New Jack Swing. Growing up in New Bedford, MA, I was inspired by a vibrant local music scene and spent countless nights sleeping on studio floors to hone my craft. Since the mid-1980s, I've been crafting music that echoes the golden eras that shaped me, blending nostalgia with innovation to create a sound uniquely my own.

Music from Guy,Bobby Brown,Potrait,Keith Sweat etc.

Jams Of The Year débute sa 4e saison avec l'année 1994JANVIER - R. Kelly ouvre l'année avec "Bump n' Grind", extrait de son 1er album solo "12 Play". Ce titre devient son premier N°1 aux États-Unis, marquant le début de son ascension. L'album, six fois disque de platine, établit R. Kelly comme producteur de premier plan dans le R&B.FÉVRIER - Carleen Anderson, fille de la chanteuse de James Brown Vicki Anderson, livre "Nervous Breakdown". Ce titre en deux parties mêle folk intimiste et explosions funk, narrant l'histoire poignante d'une mère célibataire au bout du rouleau.MARS - Coolio émerge de Compton avec "Fantastic Voyage". Construit sur un sample de Lakeside, ce titre évoque la dure réalité du ghetto tout en proposant une échappatoire positive, préfigurant le succès mondial "Gangsta's Paradise".AVRIL - SWV propulse "Anything" dans les charts avec un remix featuring Wu-Tang Clan pour la B.O. d'"Above The Rim". Le groupe, initialement sous-estimé, prouve son talent grâce au producteur Brian Alexander Morgan.MAI - Da Brat devient la première rappeuse à obtenir un disque de platine avec "Funkdafied". Produit par Jermaine Dupri, le titre sample "Between The Sheets" des Isley Brothers et rend hommage au funk de Parliament.JUIN - Outkast pose les fondations du son d'Atlanta avec "Southernplayalisticadillacmuzik". Produit par Organized Noise, le titre s'inspire du P-Funk tout en développant une identité sudiste unique.JUILLET - Usher, alors âgé de 16 ans, fait ses débuts avec "Can U Get Wit It". Produit par DeVante Swing de Jodeci et un jeune Timbaland, le titre annonce déjà les prémices d'une future superstar.AOÛT - Zhané marque l'été avec "Hey Mr. DJ", un titre soul aux influences jazzy qui devient un classique des dancefloors. Le duo féminin de Philadelphie, signé sur le label Motown, apporte une fraîcheur et une élégance qui contrastent avec le new jack swing dominant de l'époque.SEPTEMBRE - Jamiroquai livre "Space Cowboy", titre phare de son 2e album. Jay Kay aborde ses démons personnels sur fond d'acid jazz, confirmant le statut international du groupe.OCTOBRE - Paris délivre "Guerilla Funk", fusion militante entre G-Funk et conscience politique. Le titre sample Funkadelic et Parliament, tout en portant un message proche des Black Panthers.NOVEMBRE - Soul For Real, groupe d'adolescents produit par Heavy D, conquiert la première place du R&B avec "Candy Rain", dans la lignée de New Edition.DÉCEMBRE - Brandy clôture l'année avec "Baby", l'un des quatre hits de son 1er album. Produite par Keith Crouch, elle s'impose comme l'une des nouvelles voix majeures du R&B aux côtés de Monica et Aaliyah.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

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NEW JACK

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You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another episode of Trve. Cvlt. Pop! a music podcast. On this week's show, Gaz is stuck and away from the mic, so we've got Dave Fensome of the excellent Pop Collaborate and Listen Podcast to step into his shoes. We talk about recent shows from Nick Cave and The Bad Seeds and Sepultura, the announcement of the Download Festival 2025 and add three more genres to our Mount Rushmore of music. Picking the four definitive acts from the world of Groove Metal, New Jack Swing and the best MC's from the Golden Age of Hip Hop.

In this episode of the Can We Talk R&B Podcast, Ian Von welcomes vocal coach and musician Robert "RAab " Stevenson. They discuss Robert's journey from a family of singers to becoming a sought-after vocal coach for stars. Stevenson shares his early experiences in music, the transition from group performances to a solo career, and the impact of the New Jack Swing era. He reflects on the creation of his hit song 'Foreplay' and the formation of the group 9-1-1, as well as the challenges he faced in the music industry and his eventual shift towards songwriting and producing. In this segment of the conversation, RAab discusses the importance of faith during challenging times, the impact of vocal coaching, and his commitment to mentoring the next generation of singers. The conversation emphasizes the significance of spiritual guidance and the role of quality over quantity in artistic development. In this enlightening conversation, Ian Von and Robert Stevenson delve into the profound influence of church on music, the importance of artist development, and the challenges faced by modern artists in the music industry. They discuss the necessity of preparation and coaching for artists, the joy of helping others, and share personal anecdotes about working with diverse talents like Justin Timberlake, Rihanna, Charlie Wilson Pharrell Williams, Kane Brown, Sza and Dave Matthews. The conversation highlights the significance of nurturing vocal skills and the full-circle moments that define a successful coaching career. ✅ LISTEN, FOLLOW, AND RATE

Frank finally gets the chance to talk (and talk) about New Jack Swing. And we finally get to the bottom of just what Johnny Gill's "Rub You The Right Way" is all about. Original video Johnny Gills legendary Arsenio Hall performance Our mixtape You can find us on Instagram, Facebook, and our website. You can email us at BandFGuiltFree@gmail.com, too. Feel free to rate and review us wherever you listen! Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn.

www.DJRLM.com 7th Edition of the Flashback Fuel series. Flashback to some classic New Jack Swing

Get ready to groove with the ultimate collection of New Jack Swing and classic R&B hits from the 80s and 90s! This mix features legendary artists like Bobby Brown, Bell Biv DeVoe, SWV, Guy, Keith Sweat, Tevin Campbell, TLC, and many more. Perfect for parties, nostalgia trips, or just vibing out, these tracks will take you back to the golden era of R&B. Don't forget to like, share, and subscribe for more throwback mixes!

They said it couldn't last, so we had to prove them wrong... by making an episode of Strong Songs all about Janet Jackson, Jimmy Jam, and Terry Lewis.It's time to go back to the late 80s, when New Jack Swing was all the rage and a budding superstar named Janet sat down with a pair of Minneapolis producers named Jimmy and Terry  to produce some of the most groundbreaking pop music of the decade. This episode takes a look at "Love Will Never Do (Without You)," one of the most complex of their collaborations, and a tune with as many stylistic left-turns as it has orchestra hits.Written by: James Harris III and Terry LewisProduced by: Janet Jackson, Jam & LewisAlbum: Janet Jackson's Rhythm Nation 1814, 1989Listen/Buy: Apple Music | Amazon | SpotifyFEATURED/DISCUSSED:“Casey Kasem's American Top 40 intro from the 1980s, via YouTube“Kiss” by Prince from Parade, 1986“Walking on Broken Glass” by Annie Lennox from Diva, 1992“Like a Prayer” by Madonna from Like a Prayer, 1989“Control,” “Nasty,” and “When I Think of You” by Janet Jackson/Jam & Lewis from Control, 1986"Rhythm Nation" and "Miss You Much" from Rhythm Nation 1814, 1989Emu SP-1200 Beatmaking demonstration by Chief Rugged on YouTubeDiscussion of New Jack Swing, which you can learn more about here“Poison” by Bel Biv DeVoe from Poison, 1990“Alice, I Want You Just For Me” by Full Force, produced by Teddy Riley on Full Force, 1985Estelle Caswell's Vox Earworm video about the Orchestra Hit“The Chain” by Fleetwood Mac from Rumors, 1977OUTRO SOLOIST: Dan NervoThis episode's outro soloist is the fantastic Dan Nervo. Dan plays guitar in the San Francisco Bay Area in bands like Neon Velvet, and also teaches private guitar lessons. Hit him up if you want to get good at guitar: https://www.facebook.com/DanNervoGuitarLessons/----LINKS-----RECAST RECOMMENDATION: "Dawn" by Yebba (featured track: "All I Ever Wanted")SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------AUGUST 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoyRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyAUGUST 2024 HALF-NOTE PATRONSirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans And Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizMichael YorkClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyAlan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Professor of Ethnomusicology at Julliard Dr. Fredara Hadley joins Pop Pantheon for the culmination of our four-part series on the King of Pop. In the final installment, DJ Louie and Dr. Hadley tackle Michael Jackson's music post-Thriller, starting with the signature ‘80s blockbuster Bad (1987) and 1991's successful pivot toward New Jack Swing, Dangerous. From there, Louie and Dr. Hadley unpack Michael's personal and public decline, including the sexual abuse allegations made against him in 1993. Next they discuss his later period work, 1995's combative HIStory: Past, Present and Future, Book 1 and 2001's underperforming Invincible, and reckon with his unbelievably complicated legacy and enduring and seismic impact on pop music and stardom. Finally, they rank Michael Jackson in the Official Pop Pantheon. Listen to Michael Jackson Pt. 1: The Jackson 5 (with Emily Lordi)Listen to Michael Jackson Pt. 2: The King of Pop Rises (With Joseph Vogel)Listen to Michael Jackson Pt. 3: Thriller (with Tom Breihan)Listen to Pop Pantheon's Episode "Do You Still Listen to Michael Jackson and Kanye West? (with Tre Johnson & Kemi Olivia Alemoru)"Listen to Pop Pantheon's Michael Jackson Essentials PlaylistJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreBuy Tickets to our Dance Party Pop Pantheon Present: Main Pop Girls of '24 in NYC on August 2!Come to Gorgeous Gorgeous: Los Angeles at Los Globos in Silver Lake on 8/17Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on Instagram

In this episode, Free Smith of the duo Entouch, known for hits "All Nite" and "II Hype," discusses the group's background and their early days as Touch with house music classics "Without You" and "Love Fixation." He shares insights from his musical education with groups and artists like Unlimited Touch and Kenton Nix of Taana Gardner's "Heartbeat" fame. Smith also talks about his latest endeavors and new house music releases, reflecting on the inspirations that have shaped his career.

DJ Leosaha | NewjackSwing | The BoyzLive!!!!

In this episode, host Rob Lee interviews Bernard Farley, also known as OutputMessage, a self-taught artist and founder of Black Techno Matters. Farley shares his musical journey, influenced by his mother's DJ mix tapes, and his dedication to live improvisation. They discuss the inception of Black Techno Matters, aiming to create a community for black techno artists and reclaim the genre's black roots. Farley and Lee explore challenges in artistic expression, the significance of visual elements in music, and technology's role in democratizing art. Personal insights are shared, including Farley's rule for success, emphasizing contentment and leaving a positive artistic legacy. Episode Content:Authentic Introduction (00:01:17): Bernard Farley presents himself as an experienced artist, passionate about creating and sharing musical and dance experiences.Love for Music (00:08:05): Farley discusses his love for music, influenced by sonic liberation technology, and his focus on live improvisation.Founding Black Techno Matters (00:17:09): Farley explains the origin of Black Techno Matters, addressing the underrepresentation of black artists in techno and promoting diversity in the genre.Techno as Black Music (00:21:56): Discussion on techno's roots in black music, the need for awareness among black communities, and efforts to educate and raise awareness."Blackness is Revolutionary" Playlist (00:25:36): Highlighting the significance of the playlist featuring black artists, showcasing diverse music genres.Jazz Influence and Creativity (00:34:08): Farley draws parallels between jazz and creative expression, embracing varied song lengths and adopting a punk rock approach to innovation.Artistic Identity and Photography (00:36:00): Farley discusses how his photography background influences his music and enhances the overall experience.Rule for Success (00:48:15): Sharing his personal definition of success, emphasizing contentment and leaving a positive impact.

We wrap up Vault Disk 2 of Diamonds and Pearls Super Deluxe and this whole disk was full of hits and stinkers. We make delightful connections, marvel at Prince “trying on” some different sounds, and laugh - join us!Be sure to listen to the end! We have outtakes - by far the most and some of the funniest ever!Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter: @TMATSPodcastEmail: TMATSPodcast@gmail.com

What were the hottest 100 songs in America for this week during the 1980s? Beginning the decade with arena rock bands, moving to new wave and glam rock to ending the decade with R&B and New Jack Swing, the 80s had a wide variety of great music. This week Rob and Dave will check out the top 100 songs for this week during each year of the 80s and select their favorite songs that put together an elite 80s playlist of the most popular songs on the radio. From Pink Floyd to Michael Jackson, Def Leppard to Debbie Gibson we'll dive back into the awesome tunes that made the soundtrack of our lives as we revisit the Billboard Hot 100 for this week back in the 1980s. Apple Podcasts: https://podcasts.apple.com/.../totally-80s.../id1662282694 Google Podcasts: https://podcasts.google.com/.../aHR0cHM6Ly9mZWVkLnBvZGJlY... Spotify Podcasts: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG... Amazon Podcasts: https://music.amazon.com/.../totally-80s-and-90s-recall... YouTube Podcasts:https://www.youtube.com/playlist...   Episode Playlist:  Apple Music: https://music.apple.com/us/playlist/billboard-hot-100-mar-1988/pl.u-11zBPxYtZmL1YD Spotify: https://open.spotify.com/playlist/3begLg246oZ2YE7VFjlg6I?si=-QxqGq3QRTq-QVF8Qou4eQ&pi=u-GTilnjASSTyE Amazon Music:  https://music.amazon.com/user-playlists/c51df286dd2b4e67b3e5ec2e8ead8924sune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_MEojshM168pBhiHHWJ3LatheC   Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall