Podcasts about New jack swing

Despite a career that has sold more than 30 million records and a catalog that could allow him to retire comfortably, Keith Sweat says he keeps working to set an example for his children. He believes his work ethic teaches future generations that success comes through hard work, not entitlement. Known for helping pioneer the New Jack Swing era with his groundbreaking 1987 debut Make It Last Forever, Sweat continues to push himself creatively. While he enjoys a simple life filled with friends, family, and relaxing at home, he's still focused on expanding his musical legacy. Keith revealed that he's currently preparing to release three projects at once—an R&B album, an Afrobeat album, and a Southern Soul album featuring artists like King George, Calvin Richardson, and potentially Anthony Hamilton. Rather than chasing trends, Sweat says he's proving he can succeed across multiple genres while continuing to build on a legacy that has already stood the test of time.

The show celebrates Bobby Brown as he marks 35 years of Don’t Be Cruel, a groundbreaking album that helped define R&B and New Jack Swing, produced multiple chart-topping hits, and sold millions worldwide. See omnystudio.com/listener for privacy information.

Clarence Carter (1936 - 2026)Nous venons d'apprendre le décès du chanteur, auteur, compositeur Clarence Carter.Voici un extrait de l'épisode de Jams Of The Year pour l'année 1968, où nous mettions en avant le titre Slip AwayLe chanteur et guitariste Clarence Carter est aveugle de naissance. Il débute sa carrière en 1961 en duo avec Calvin Scott, un ami d'enfance lui aussi aveugle. En 1965, le duo enregistre aux studios FAME et sortent un single chez Atlantic. Scott est victime d'un accident de voiture et Carter continue seul. Après le succès de Tell Daddy que réadapte Etta James sur Tell Mama, il explose avec Slip away (N°2 R&B et N°6 US). Ce titre sur l'infidélité est inspiré de Steal away de Jimmy Hughes, le premier single enregistré à FAME. Il demande à sa maîtresse de trouver un moyen pour le rejoindre sans que son mari ne le sache. Elle a été coécrite avec ses musiciens de tournée William Armstrong (orgue), Marcus Daniel (basse) et Wilbur Terrell (batterie).Carter aura d'autres succès dont Back door Santa, une chanson de Noël à caractère sexuel et Patches, une jolie chanson en hommage à son père. Il sera un temps marié à Candi Staton, une de ses choristes.Slip Away de l'album This is Clarence CarterSpooner Oldham (keyboards), Tommy Cogbill (basse), Roger Hawkins (batterie), Duane Allman (slide guitar)À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Episode 175 of the R&B Money Podcast brings us a legend. Keith Sweat — singer, songwriter, producer, and one of the architects of New Jack Swing — sits down to chop it up about what the music industry never wanted him to know, and how he figured it out anyway.Keith gets real about his come-up from Harlem, what it actually takes to build longevity in this business, and the deals he took, the deals he passed on, and the lessons that came from both. This isn't just a music conversation — this is a masterclass in entrepreneurship, ownership, and surviving an industry designed to take everything from you.See omnystudio.com/listener for privacy information.

À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres.Janvier – David Ruffin : My Whole World Ended (The Moment You Left Me)Premier coup d'éclat en solo pour l'ex-chanteur des Temptations. Produit par Harvey Fuqua et Johnny Bristol, ce titre devient son plus grand succès des années 60.Février – Booker T & The MG's : Time Is TightIssu de la B.O. du film Uptight, ce chef-d'œuvre instrumental s'inscrit dans le climat social brûlant de l'après-Martin Luther King. Son groove imparable servira plus tard d'introduction culte aux concerts des Blues Brothers.Mars – Dyke & The Blazers : We Got More SoulVéritable soldat de la genèse du funk, Arlester "Dyke" Christian clame ici la fierté noire. Accompagné par les futurs musiciens d'Earth, Wind & Fire, il systématise l'usage du mot "funky" et pose les bases des breakbeats chers au hip-hop.Avril – Jr. Walker & The All Stars : What Does It Take (To Win Your Love)Le saxophoniste au son rauque signe ici un n°1 R&B mémorable. Soutenu par les Funk Brothers de Motown, ce titre démontre la puissance mélodique d'un artiste capable de faire chanter son instrument comme personne.Mai – Clarence Reid : Nobody But You BabeAvant de devenir l'extravagant Blowfly, Reid livre un joyau de la soul de Miami. Très inspiré par le groove des Isley Brothers, le morceau bénéficie de l'appui magistral des Memphis Horns.Juin – Lou Rawls : Your Good Thing (Is About To End)Ami d'enfance de Sam Cooke, Rawls réinterprète cette composition d'Isaac Hayes et David Porter. Sa voix de baryton exceptionnelle transforme ce titre en un succès majeur, annonçant sa future stature de star de la Philadelphia Soul.Juillet – Isaac Hayes : Walk On BySur l'album révolutionnaire Hot Buttered Soul, Hayes réinvente totalement le standard de Dionne Warwick. Accompagné par les Bar-Kays, il crée une fresque orchestrale devenue l'une des sources de samples les plus utilisées de l'histoire du hip-hop.Août – The Glass House : Crumbs Off The TableLancé sur Invictus, le label des transfuges de Motown (HDH), ce quatuor de Détroit brille par une production nerveuse. Le titre est co-écrit par Ron Dunbar.Septembre – The Honey Cone : Girls It Ain't EasyCe trio vocal, incluant la sœur de Darlene Love, est la réponse de Hot Wax aux Supremes. Leur harmonie parfaite et leur sens du tube les mèneront rapidement au sommet des charts mondiaux.Octobre – Donny Hathaway : The GhettoPremier single de l'immense Donny Hathaway, ce titre quasi instrumental devient un hymne intemporel de la soul urbaine. Novembre – The Meters : Look-A-Py PyLes rois du funk de La Nouvelle Orléans livrent un second album produit par Allen Toussaint. Avec un jeu de batterie syncope signé Zigaboo Modeliste, le groupe définit ici l'essence même du groove minimaliste et efficace.Décembre – B.B. King : The Thrill Is GoneLe "King of the Blues" accède à une renommée internationale grâce à ce blues mineur agrémenté de cordes. Ce succès magistral lui vaudra un Grammy et restera sa signature absolue auprès du grand public.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Michael Jackson - The Way You Make Me Feel (Album : Bad)The Way You Make Me Feel est le troisième single de l'album Bad après I Just Can't Stop Loving You et Bad.C'est une composition de Michael coproduite par Quincy Jones. Après avoir incarné le lover et le bad boy sur les deux premiers singles, ce titre le présente comme un coureur de jupons. Dans le clip on le voit suivre une jolie fille dans la rue et la draguer un peu « lourdement ». La chanson sonne presque rythme & blues avec ses harmonies et ses cuivres mais avec une instrumentation électro-synthétique. C'est un immense hit international comme tous les singles de l'album. Celui-ci se vendra à 35 millions d'exemplaires.Jams Of The Year 1987Ecoutez l'épisode dans son intégralité et découvrez les 11 autres artistes que nous abordonsIci : https://smartlink.ausha.co/jams-of-the-year/07-les-jams-de-l-annee-1987Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

Brick Lombardi opens up the vault and the draft week jukebox is stacked. The Packers took a corner — Brandon Cisay out of South Carolina, 52nd overall — and Pack Nation already gave the kid a full tongue twister anthem before he's unpacked a suitcase. 41-inch vertical, 4.41 forty, and a chorus that might require dental insurance to perform.

Brick Lombardi opens up the vault and the draft week jukebox is stacked. The Packers took a corner — Brandon Cisay out of South Carolina, 52nd overall — and Pack Nation already gave the kid a full tongue twister anthem before he's unpacked a suitcase. 41-inch vertical, 4.41 forty, and a chorus that might require dental insurance to perform.

In this episode, Kirk and Paul return to a favorite topic of Kirk's for a sequel to the podcast's New Jack Swing episode (No. 41) from 2018. Watch the videos featured in this episode: https://www.youtube.com/playlist?list=PLwkBtmWrUCYPTdMRXgfmSw6Xr7btYWbPF

Join us LIVE for a special episode as we countdown our Top 10 favorite songs from legendary R&B group LeVert!

À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Bobby Brown - Get Away (Album : Bobby)Troisième album de Bobby Brown, produit en majorité par Teddy Riley. Sur l'album précédent ce sont Babyface, L.A Reid et Daryll Simmons qui composent et produisent mais on les retrouve tout de même sur quelques titres dont les hits « Humpin' Around » (N°1 r'n'b, N°3 US) et « Good Enough ». Riley travaille avec son partenaire Bernard Belle et engage Chauncey Hannibal et Levon Little de Blackstreet pour les choeurs. Les invités sont nombreux : Whitney Houston, The Winans,Chanté Moore, Ricky Bell et des musiciens comme Paul Jackson Jr (guitare), Ricky Lawson (batterie) ou Nathan East (basse). « Get Away » est un hit (N°3 r'n'b, N°14 US) qui contient un sample et des chants empruntés à « (Not Just) Knee Deep » de Funkadelic. C'est un peu une suite de « My Prerogative ». Il chante qu'il fait ce qu'il veut, qu'il doit s'isoler des gens qui lui nuisent. D'ailleurs il chante un moment : « Do what I wanna do, 'cause it's my prerogative... ». D'autres singles sortiront avec un succès plus mitigé : « That's the Way Love Is », « Something in Common » « Two Can Play That Game ».Jams Of The Year 1993Ecoutez l'épisode dans son intégralité et découvrez les 11 autres artistes que nous abordonsIci : https://smartlink.ausha.co/jams-of-the-year/24-les-jams-de-l-annee-1993Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)

When Teddy Riley and Gene Griffin split, Griffin wasted no time trying to recreate the lightning-in-a-bottle success of Guy — starting with the self-titled debut from new jack swing quartet Basic Black. In this deep-dive review, we break down how ambition, imitation, and a changing R&B landscape shaped an album that chased a winning formula… but struggled to stand on its own identity.We explore the standout moments — including the socially conscious “Stupid,” tackling drugs and inner-city violence, and the smooth, 70s-flavored ballad “Special Kind of Fool.” But we also examine why much of the album feels faceless and overly calculated, with tracks like “Nothing But a Party,” “Don't Make Me Fall In Love,” and “She's Mine” leaning heavily into Guy-inspired territory.Was this a misunderstood new jack swing relic… or a textbook case of style over substance? Join us as we revisit the era, the industry politics, and the music itself to decide where Basic Black truly stands in R&B history.

Keith Sweat's “I'll Give All My Love To You” wasn't just a sophomore album — it was a career-defining moment in 90s R&B. Released on June 12, 1990, the album solidified Keith Sweat as a dominant force in New Jack Swing and slow jam R&B, and its impact is still felt today.In this episode, we're joined by special guest Jacci McGhee, acclaimed R&B singer and voice behind the timeless classic “It Could've Been”, as she sits with us to review, reflect, and break down this legendary album from an artist's perspective.The album reached #1 on the Billboard Top R&B Albums chart and peaked at #6 on the Billboard 200, spawning multiple smash records. Keith Sweat scored two #1 R&B singles with “Make You Sweat” and the title track “I'll Give All My Love To You”, both crossing over into the Top 20 pop charts. Fan favourites “Merry Go Round” and “Your Love (Part 2)” also landed in the Top 5 on the R&B charts, rounding out an incredibly strong tracklist.Together with Jacci McGhee, we discuss:

In this exclusive episode, legendary R&B singer Jacci McGhee joins us for a deep-dive review of R. Kelly's iconic 1993 album 12 Play — a project that reshaped 90s R&B, slow jams, and contemporary Black music culture.We break down the sound, songwriting, production, and cultural impact of 12 Play, discussing how the album influenced a generation of artists and helped define the era of grown & sexy R&B. Jacci McGhee brings her industry insight, personal experiences, and musical perspective as we revisit the hits, the deep cuts, and the legacy of one of the most talked-about albums in R&B history.This conversation explores the musical brilliance, controversy, and lasting influence of 12 Play, while placing the album in context alongside other classic 90s R&B records. Whether you're a fan of New Jack Swing, classic soul, or R&B storytelling, this is a must-watch discussion for true music lovers.

It's finally time! I Only Listen to 90s Music presents the most ambitious music debate ever: The 64- Group R&B Bracket. We are ranking the legends from the late 80s to the late 90s to find the definitive G.O.A.T. In this kickoff episode, Darryl Frierson and Scott dive into the New Jack Swing and "We Sangin" regions. We're talking about the dominance of New Edition, the "side chick slaps" of SWV, and why groups like Dru Hill and Mint Condition are the ultimate dark horses .Plus, we take a detour into 90s nostalgia, discussing the "Black Vanna White" Kiki Shepard, the legacy of A Different World, and the fast food items we wish still existed (where did the Taco Bell Seafood Salad go?!) 2:48 - Remembering Apollo Legend Kiki Shepard  5:50 - A Different World Reboot: Lena is Back  12:26 - BRACKET START: The 64-Group Breakdown  13:30 - New Jack Swing Region: New Edition vs. PM Dawn  21:55 - The "We So Pretty" Region: TLC vs. Eternal  42:30 - The "We Sangin" Region: The Jodeci Documentary  52:41 - Is SWV the Ultimate #1 Seed?  1:06:50 - The No Limit Orchestra & Mystikal News  1:12:30 - Fast Food Nostalgia

Teddy Riley sits down with Cam Newton to break down the legacy behind New Jack Swing, working with legends like Michael Jackson, and the real process behind making timeless hits. From getting his first deal at 17 to navigating the music business, Teddy shares untold stories, industry lessons, and the truth about creativity, money, and ownership. He also opens up about the evolution of music, the impact of streaming, and why today's artists are missing key fundamentals. This is a masterclass on influence, culture, and what it really takes to create music that lasts generations. 00:00 — Teddy Riley Got Signed at 17… Before Understanding the Music Business01:02 — How Teddy Riley Met the Industry & Changed His Life Forever02:47 — Teddy Riley Explains New Jack Swing (The Sound That Changed R&B & Hip-Hop)09:20 — How Teddy Riley Made Hit Records (Full Creative Process Breakdown)16:42 — Harlem Roots: How Teddy Riley Came Up Before Fame45:30 — Working With Michael Jackson on Dangerous (Inside the Sessions)47:02 — Why Michael Jackson Is Still the Greatest Artist Ever52:56 — Teddy Riley on Perfectionism & Pressure in the Studio01:04:56 — Virginia Took Over: The Neptunes, Timbaland & Music Industry Shift01:15:45 — Group Breakups: Ego, Money & Why Groups Fall Apart01:27:44 — Teddy Riley Responds to Aaron Hall Copy Claims01:29:20 — Teddy Riley Addresses R. Kelly Project Backlash01:35:13 — Blackstreet Reunion: What Really Happened Behind the Scenes01:39:23 — Verzuz Battle, Legacy & New Jack Swing Tour Plans01:42:29 — Teddy Riley on Family, Legacy & His Final Message

Créé par Raphael Melki et Belkacem Meziane, Jams Of The Year est le podcast dédié aux amateurs de musique funk, soul, rap et R&B. Chaque épisode met en lumière une année spécifique à travers une sélection soignée de 12 morceaux emblématiques illustrant l'évolution des genres et de l'industrie musicale.Janvier – Bobby Brown : Get AwayProduit par Teddy Riley, ce hit fusionne le New Jack Swing avec un sample de Knee Deep. Bobby y réaffirme son indépendance en citant son propre tube My Prerogative.Février – Monie Love : Born 2 B.R.E.E.D.Co-écrit par Prince, ce titre hip-hop house utilise un sample de Maceo Parker pour porter un message sur l'importance de l'éducation et de l'éveil des consciences.Mars – H-Town : Knockin' Da BootsCe classique du slow jam de Houston s'appuie sur le Be Alright de Zapp. Il installe le groupe comme une force majeure du R&B sensuel des années 90.Avril – Terence Trent D'Arby : Do You Love Me Like You Say ?Le single qui marque le retour de TTDA après l'échec de son 2nd albumMai – Tag Team : Whoomp ! (There It Is)Véritable phénomène devenu hymne de stade, ce titre d'Atlanta repose sur une boucle italo-disco de Kano. Il reste l'un des singles les plus vendus de l'histoire du hip-hop.Juin – Tony! Toni! Toné! : If I Had No LootLe trio d'Oakland célèbre ses racines avec une instrumentation "live" et un sample de Teddy Pendergrass. Un manifeste pour une soul moderne, organique et instrumentale. Le groupe qui a popularisé Raphael SaadiqJuillet – Janet Jackson : IfCe titre charnière mêle un riff de guitare rock agressif aux productions léchées de Jam & Lewis. Il redéfinit l'image de Janet dans une ère plus mature et audacieuse.Août – Meshell Ndegeocello : If That's Your Boyfriend (He Wasn't Last Night)Pionnière de la Neo-Soul, Meshell impose sa basse hypnotique et son style radical. Le clip de Mondino en fait immédiatement une icône alternative du funk.Septembre – Tevin Campbell : Can We TalkÉcrit par Babyface, ce sommet du R&B mélodique met en valeur la voix exceptionnelle de Tevin à seulement 17 ans. Octobre – Mint Condition : U Send Me Swingin'Seul groupe auto-suffisant du label Perspective, ils brillent par une fusion jazz-funk rare. Leurs solos et leur break de batterie témoignent d'une musicalité hors norme. Quand le Minneapolis Sound et le R&B se rencontrentNovembre – DJ Jazzy Jeff & the Fresh Prince : I'm Looking for the One (To Be with Me)Teddy Riley apporte sa touche Talkbox et un sample du S.O.S. Band à ce titre mélodieux. Will Smith y déploie un flow fluide sur une production très smooth.Décembre – Salt-N-Pepa & En Vogue : Whatta ManCette collaboration historique réinvente un titre Stax de 1968 en hymne à l'empouvoirement féminin. Un mélange parfait de rap et de voix soul qui a conquis le monde.Aidez-nous en soutenant gratuitement ce podcast !C'est très simple :

Karyn White, an American Grammy-nominated singer, songwriter, entrepreneur, and queen of New Jack Swing, joins us on this episode of Celeb Savant. Karyn takes us on her multi-decade journey in the music industry, as we discuss how important it is to have discipline at the beginning of a music career, about her new music, and the strategy thereof… and we unpack the current music industry landscape. Website - www.karynwhite.me Instagram - @karynwhiteofficial Facebook - @KarynWhiteMusic YouTube - @karynwhiteofficial

In this exclusive episode, legendary R&B singer Jacci McGhee joins us for a deep-dive review of R. Kelly's iconic 1993 album 12 Play — a project that reshaped 90s R&B, slow jams, and contemporary Black music culture.We break down the sound, songwriting, production, and cultural impact of 12 Play, discussing how the album influenced a generation of artists and helped define the era of grown & sexy R&B. Jacci McGhee brings her industry insight, personal experiences, and musical perspective as we revisit the hits, the deep cuts, and the legacy of one of the most talked-about albums in R&B history.This conversation explores the musical brilliance, controversy, and lasting influence of 12 Play, while placing the album in context alongside other classic 90s R&B records. Whether you're a fan of New Jack Swing, classic soul, or R&B storytelling, this is a must-watch discussion for true music lovers.

Don and Dude keep the “I Love the 80s” trip rolling into 1985, when rock grew darker and more spiritual while RB slipped fully into the age of drum machines and neon-lit bedrooms. One of us drops the needle on a brooding British rock record that turns goth shadows and psychedelic guitar into stadium-sized transcendence, while the other sinks into a self-produced Michigan R & B debut where DIY cassette demos, sensual slow jams, and Minneapolis-inspired grooves rewire romance for the electronic era. The AlbumsThe Cult – Love (1985) The Cult's second album finds Ian Astbury and Billy Duffy fusing post-punk tension, psychedelic guitars, and classic rock heft into a moody, hypnotic sound that feels heavy without ever turning hostile. Producer Steve Brown surrounds chiming Gretsch riffs, tribal grooves, and spiritual lyrics with spacious, atmospheric mixes, creating an elemental world where songs like “Nirvana,” “She Sells Sanctuary,” and “Brother Wolf, Sister Moon” chase transcendence more than aggression. Across its eight-minute epics and goth-tinted anthems, the record helps define mid-80s alternative rock by proving that big riffs, ritualistic repetition, and belief can make rock feel massive and mystical at the same time.Ready for the World – Ready for the World (1985) Cut largely in a Flint, Michigan studio and kept in near-demo form, Ready for the World's self-titled debut turns a shoestring, self-produced setup into a sleek blend of synth-funk, electro grooves, and unabashed bedroom RB. Melvin Riley Jr. and company lean on drum machines, DX-era keys, and smooth tenor vocals to deliver everything from slow-burn seductions like “Tonight” and “Human Toy” to the Prince-adjacent smash “Oh Sheila,” which briefly fooled listeners into thinking it was a Minneapolis release. The album's platinum run and crossover chart success show how mid-80s RB could sound futuristic and intimate at once, nudging the genre toward the stripped-down, synth-forward sound that would shape Quiet Storm and early New Jack Swing.Diggin' AlbumsThe Molotovs – Wasted on Youth (2026) A punchy London debut that slams together punk urgency, new wave hooks, and garage grit, tracing modern youth burnout and identity crises over short, shout-along anthems built for sweaty club stages.Mr. Mister – Welcome to the Real World (1985) A polished 80s pop-rock landmark where shimmering synths, big choruses, and studio-perfect performances turn “Broken Wings” and “Kyrie” into FM radio staples with quietly existential streaks.Softcult – When a Flower Doesn't Grow (2026) Canadian twins Mercedes and Phoenix Arn-Horn deliver a grimy, shoegaze-leaning full-length that weds fuzzed-out guitars and hazy vocals to unflinching songs about gender violence, trauma, and systemic misogynyBartees Strange – Magic Boy (2026) A shape-shifting set that pulls folk, emo, hip hop, and indie rock into intimate, guitar-forward songs, reconnecting his early acoustic roots with the expansive, genre-scrambling vision of his later work.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy!” – John Bender, played by Judd Nelson in 1985's The Breakfast Club.

Send a textTime Pals co-host Jon Powell spun the roulette wheel and chose chaos.This week, the Time Pals present “Jon's Genre Smash: Bad Games from Good Developers.”For every legendary studio with wall-to-wall hits… there's that one game. The one that makes you stare at the screen and whisper, “How?”From a roulette wheel with 30 possible game developers, the Time Pals gambled their sanity on absolute disasters. We're talking buggy launches, broken mechanics, rage-inducing design, and the kind of choices that make you question everything.We're looking at the worst games from studios that should have known better — because sometimes even the GOATs drop a steaming pile.The episode is available everywhere you get your podcasts.#BadGames #GameFails #RogueWarrior #Redfall #MDK2 #ApocalypsePS1 #DragonBallEvolution #IkariWarriors #Bethesda #BioWare #Namco #Obsidian #ArkaneStudios #MidwayGames #Neversoft #MaydayMediaNetwork #TimePals #TimePalsPodcast #DadCast #GeekCastTake your earholes back to the era of Hammerpants, backwards overalls, grunge, and New Jack Swing! A 90's Music Podcast. Press rewind as we chat with the hitmakers, bringing you closer to the musicians you love.https://www.teepublic.com/user/dopenostalgiaLegendary SupplementsWelcome to Legendary Supplements, where gaming greatness meets unparalleled performance. Funk the System Funk The System started as a T-Shirt Company idea during the No Kings protests.Dope Nostalgia PodcastNostalgia trips and interviews from a dope era of music.The Hobby Box HunterProviding you informative and creative content on Sports Cards.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

This episode of The Rickey Smiley Morning Show Podcast kicks off with a look at Coco Jones preparing to perform the Black National Anthem, “Lift Every Voice and Sing,” at Super Bowl LX. Jones shared that she’s been leaning on a vocal trick once used by Whitney Houston—eating Lay’s potato chips to keep her voice “oiled” before major performances—as she gears up for one of the biggest stages in sports. Reports also confirm Coco’s performance continues the NFL’s now‑annual inclusion of the Black National Anthem before kickoff, with Jones joining a lineup that includes Charlie Puth and Brandi Carlile during pre‑game ceremonies. Meanwhile, the show addresses online buzz about SZA and country‑hip‑hop artist Shaboozey, with multiple sources confirming that despite months of speculation, the two have never been romantically involved and maintain only a platonic friendship. Later, listeners get a lively segment featuring super‑producer Teddy Riley, whose new memoir Remember the Times chronicles his rise from Harlem to shaping the sound of modern R&B and hip‑hop through the creation of New Jack Swing and collaborations with icons like Michael Jackson, Mary J. Blige, and Jay‑Z. As conversation turns political, the team reacts to Donald Trump’s recent repost of an AI‑generated video depicting Barack and Michelle Obama as apes, which sparked bipartisan condemnation before the White House deleted it, claiming a staffer posted it in error. The episode blends entertainment, culture, and headline news, giving listeners a sharp, humorous, and insightful take on everything happening right now. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Listeners get a lively segment featuring super‑producer Teddy Riley, whose new memoir Remember the Times chronicles his rise from Harlem to shaping the sound of modern R&B and hip‑hop through the creation of New Jack Swing and collaborations with icons like Michael Jackson, Mary J. Blige, and Jay‑Z. See omnystudio.com/listener for privacy information.

À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est le podcast des passionnés de funk, soul, rap et R&B. Chaque épisode analyse une année précise à travers avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Janvier – The Spinners : Mighty Love. Produit par Thom Bell chez Atlantic , le groupe du Michigan s'impose au sommet de la Philadelphia Soul. Ce n°1 R&B met en lumière le talent du lead vocal Philippé Wynne.Février – Earth, Wind & Fire : Mighty, Mighty. Maurice White réunit la formation culte pour l'album Open Our Eyes. Ce titre, arrangé par Charles Stepney , devient leur premier véritable hit national aux États-Unis.Mars – William DeVaughn : Be Thankful For What You Got. Ce technicien autodidacte signe un classique instantané du R&B à Philadelphie. Ses paroles deviendront une référence majeure pour la culture hip-hop.Avril – The O'Jays : For The Love Of Money. Porté par la ligne de basse révolutionnaire d'Anthony Jackson , ce titre de Gamble & Huff dénonce la cupidité en s'inspirant de textes bibliques.Mai – The Hues Corporation : Rock the Boat. Réinventé sur un rythme rumba reggae , ce morceau initialement boudé par RCA installe définitivement le disco au sommet des charts mondiaux.Juin – Curtis Mayfield : Kung-Fu. Mayfield dépeint la réalité du ghetto avec un arrangement cinématographique magistral de Gil Askey. Le titre mêle orchestration de génie et engagement social.Juillet – Average White Band : Pick Up The Pieces. Ces Écossais passionnés de funk décrochent un n°1 US avec cet instrumental devenu un standard mondial. Le succès est terni par le décès tragique de leur batteur juste avant la consécration.Août – Stevie Wonder : You Haven't Done Nothin'. Une attaque politique contre Richard Nixon, enregistrée avec les Jackson 5 aux chœurs. Le morceau rafle le Grammy de la meilleure prestation vocale R&B.Septembre – Disco Tex And The Sex-O-Lettes : Get Dancin'. L'extravagant Monti Rock III crée une revue cabaret-disco sous l'égide de Bob Crewe. Ce hit humoristique joue un rôle clé dans l'acceptation des artistes queers.Octobre – Gloria Gaynor : Never Can Say Goodbye. En transformant une ballade des Jackson 5 en hymne disco orchestral, Gaynor devient la première diva du genre. L'album innove avec un mixage ininterrompu conçu pour les clubs.Novembre – Shuggie Otis : Inspiration Information. Multi-instrumentiste de génie, il réalise seul cet album avant-gardiste dans son studio personnel. Ce projet culte n'est pas sans rappeler le travail d'un certain Prince.Décembre – The Jackson 5 : I Am Love. Entre ballade et funk progressif, ce titre audacieux marque la fin de leur ère "bubblegum" chez Motown. C'est leur dernier succès majeur avant leur départ pour le label Epic.Aidez-nous en soutenant gratuitement ce podcast !C'est simple :

In this powerful and heart-centered episode, Ian Von sits down with R&B legend Christopher Williams for a deep, honest conversation that spans New Jack Swing nostalgia, near-death experiences, spiritual alignment, and a full-circle musical comeback.Christopher opens up about releasing new music in today's R&B landscape, surviving kidney failure and relearning how to walk and talk, and the divine alignment that led to his new single “Good Enough.” He reflects on the impact of his classic hit “I'm Dreamin' and the cultural legacy of New Jack City, while sharing invaluable lessons from the golden era of '90s R&B—and what today's artists can learn from it.This episode is part testimony, part masterclass, and part celebration of a career that's still evolving 36 years later.

Legendary producer Teddy Riley is preparing to release his memoir Remember the Times on February 10, 2026. The book promises an intimate look at his career, from pioneering New Jack Swing to creating era‑defining hits with icons like Michael Jackson, Whitney Houston, and Mary J. Blige. See omnystudio.com/listener for privacy information.

The Rickey Smiley Morning Show dives into a whirlwind of celebrity headlines, beginning with the fiery social‑media clash between Nicki Minaj and Don Lemon. Minaj harshly criticized Lemon for livestreaming an anti‑ICE church protest, using language widely condemned as a homophobic slur, prompting Lemon to publicly fire back and call her “out of her depth,” “ignorant,” and “a homophobic bigot.” Adding to the show's drama recap, longtime Real Housewives star NeNe Leakes has reportedly secured a multi‑million‑dollar settlement in her racial‑discrimination lawsuit against Bravo and is now set to return to the network—an unexpected reconciliation considering her 2022 accusations that the network tolerated a hostile, racially insensitive environment. Meanwhile, the internet is buzzing over Luenell and Al B. Sure, whose affectionate videos and public coziness have sparked widespread dating speculation. Though some fans suspect trolling or a PR stunt, others note the pair’s genuine chemistry, deepening connection, and Luenell’s long history of guarding her private life—making this unexpected pairing even more intriguing. Rounding out the entertainment roundup, legendary producer Teddy Riley is preparing to release his memoir Remember the Times on February 10, 2026. The book promises an intimate look at his career, from pioneering New Jack Swing to creating era‑defining hits with icons like Michael Jackson, Whitney Houston, and Mary J. Blige. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

New Jack Swing kicked the door open in the late 80s and rearranged the furniture. Born at the crossroads of slick R&B vocals and the punchy swagger of hip hop beats, it fused polished melodies with drum machine snap, sampled funk, and a streetwise pulse. Teddy Riley was the mad scientist at the center of it all, wiring together sounds that felt futuristic and familiar at the same time. Artists like Bobby Brown, Janet Jackson, Guy, Keith Sweat, and Bell Biv DeVoe turned dance floors into pressure cookers, where romance, bravado, and pure groove all bounced to the same rhythm When Dave and Rob dive into New Jack Swing, they will be stepping into an era where R&B stopped tiptoeing and started strutting, and they will be picking their personal favorites from the genre along the way. This style dominated the late 80s and early 90s by changing how songs were produced, how artists moved, and how hip hop and R&B talked to each other. Expect a rundown of the songs that defined the sound for them, because New Jack Swing did not just soundtrack a moment, it defined an attitude Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall  Voicemail #: (509) 426-4542    Playlists: Spotify: https://open.spotify.com/playlist/64WiYudzrtZCjE9HfAogdT?si=6gLFbrWjTyqY8kKtNVjn0w    Apple: https://music.apple.com/us/playlist/80s90s-new-jack-swing/pl.u-9N9L1N3s7Y6Wq9?ls   Amazon: https://music.amazon.com/user-playlists/65c1976794114d21a215dc7e68a729b7sune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_XM7iQG0NCCJ79JZDSALnDyMVD

Like the show? Show us some love. We'd love to hear it. The guys discuss and listen to New Jack Swing. They also discuss disgusting smells and Ramos has an incident at CVS. Thanks for Listening!!! https://pundejos.buzzsprout.com/share

When Grammy-nominated Louisiana Zydeco musician Corey Ledet offered to discuss Bruno Mars' multi-platinum third album '24K Magic', TRGMH host and part-time music snob Rob braced himself for a painful week. But Mars' tight, 9-song attempt to capture the sound of the 80s/90s R&B, funk and New Jack Swing he listened and danced to during his childhood - the same music Ledet listened to as a teen growing up in Houston, TX. - quickly won him over. Seriously, if this record doesn't make you feel a LITTLE bit better you might want to seek professional help. Songs discussed in this episode: 24K Magic (Bruno Mars cover) - Vale Acevedo; Alaska Funk (Live in Alaska), Buchanan Ledet Special, Jai Parti Dans La Campagne, This Is All I Want (Live in Alaska) - Corey Ledet Zydeco; Computer Love - Zapp & Roger; 24K Magic - Bruno Mars; The Message - Grandmaster Flash and The Furious Five; Chunky - Bruno Mars; Poison - Bell Biv Devoe; Funky Drummer Pt. 1 - James Brown; Perm - Bruno Mars; Jungle Love - Morris Day and The Time; Love Never Felt So Good (Michael Jackson cover) - Corey Ledet and His Zydeco Band;  That's What I Like, Versace On The Floor - Bruno Mars; Classical Gas - Weird Al Yankovic; Baby I'm Yours - Shai; Straight Up & Down - Bruno Mars; Treasure (Bruno Mars cover) - Corey Ledet Zydeco (Live Jazz Fest 2017); Calling All My Lovelies, Finesse, Too Good To Say Goodbye - Bruno Mars; The Lady In My Life - Michael Jackson; Boudin Man (Live in Alaska) - Corey Ledet Zydeco

What made the music of 90s R&B groups so infectious? This week on One Song, Diallo and LUXXURY welcome 4x Grammy Award-winner Shawn Stockman as they kick off a two-part breakdown of Boyz II Men's legacy with their debut single “Motownphilly”. They discuss Shawn's musical influences, Boyz II Men's early career development, and the New Jack Swing that elevated them to the next level. One Song Spotify Playlist Songs Discussed: “Motownphilly” - Boyz II Men “End Of The Road” - Boyz II Men “I'll Make Love To You” - Boyz II Men “On Bended Knee” - Boyz II Men “One Sweet Day” - Mariah Carey & Boyz II Men “Bears” - Zebra “Love Said Not So” - Bebe & CeCe Winans “Don't Believe The Hype” - Public Enemy “1-4-All-4-1” - East Coast Family “Iseha” - Another Bad Creation “Please Don't Go” - Boyz II Men “I Want Her” - Keith Sweat “Planet Rock” - Afrika Bambaataa & The Soulsonic Force “A Fifth Of Beethoven” - Walter Murphy “It Don't Mean A Thing” - Chuck Brown “Brass Monkey” - Beastie Boys “I Want To Be Free” - Ohio Players “Kool Is Back” - Funk, Inc. “Owner Of A Lonely Heart” - Yes Learn more about your ad choices. Visit megaphone.fm/adchoices

Don and Dude return to Classic Casey Countdowns, this time jumping to December 2, 1989, to trace the stories behind two albums tied to Top 10 hits from Casey Kasem's American Top 40. The episode revisits how Paula Abdul and Alice Cooper helped capture the glossy, hook-heavy sound of the chart's closing weeks of the 1980s.Paula Abdul – Forever Your Girl (1988) Paula Abdul's debut, Forever Your Girl, transforms her from superstar choreographer into full-fledged pop icon, blending dance-pop, New Jack Swing, and bright R&B textures across a tightly produced set. Powered by hits like “Straight Up,” “Cold Hearted,” and “(It's Just) The Way That You Love Me,” the album pairs punchy drum machines and synth hooks with Paula's charismatic, rhythmic vocals, defining late-'80s MTV and Top 40 radio.Alice Cooper – Trash (1989) With Trash, Alice Cooper stages a late-'80s glam-metal comeback, teaming with hitmaker Desmond Child and an all-star cast from Bon Jovi, Aerosmith, Winger, and more to deliver a sleek, hook-loaded hard rock record. From the darkly seductive hit “Poison” to power ballads like “Only My Heart Talkin'” and rockers such as “House of Fire,” the album balances shock-rock attitude with radio-ready choruses for a sharp, 40-minute dose of melodic arena metal.Dude is Diggin':AVTT/PTTN – AVTT/PTTN (2025): A wild, imaginative collaboration between The Avett Brothers and Mike Patton that fuses Appalachian folk warmth with experimental, fuzzed-out art rock, full of soaring harmonies and left-turn arrangements.Faith No More – The Real Thing (1989): The genre-bending breakthrough that introduced Mike Patton and pushed metal, funk, rap, and alt-rock into a strange, thrilling hybrid that still feels adventurous decades later.Don is Diggin':De La Soul – Cabin in the Sky (2025): A mature, soulful return that honors Trugoy's memory while leaning into reflective, optimistic lyricism over warm, eclectic production.Kingfishr – Halcyon (2025): An atmospheric indie-folk debut from an Irish trio that blends big, emotional choruses with cinematic arrangements and nostalgic storytelling rooted in home and landscape.Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing. “If you're going to try to write a hit single, don't be clever, be obvious. Get to the chorus, get to the hook, get to the meat right away.” – Alice Cooper.

Who wrote that song, anyway? Twitter: @RatchetBookClub, @ThatCoolBlkNerd, @Scarfinger, @SpadesTableBecome a Patron at http://www.Patreon.com/singlesimulcastDonate to the show at http://www.buymeacoffee.com/sscast

Who wrote that song, anyway? Twitter: @RatchetBookClub, @ThatCoolBlkNerd, @Scarfinger, @SpadesTableBecome a Patron at http://www.Patreon.com/singlesimulcastDonate to the show at http://www.buymeacoffee.com/sscast

Varn and J play and discuss everything from New Jack Swing to experimental metal. Good times. 

Dan & Billy welcome Naomi Carmack, the host of Dope Nostalgia, to put Halloween Music Videos to the ultimate test—THE NOSTALGIA TEST! “Other people's kids are so creepy.” -Naomi This Spooky Season episode takes Dan, Billy, and their guest Naomi Carmack down a very weird music video path. 5-years ago, Dan & Manny put another five videos to the ultimate test, and so Dan had to really go searching for some real nostalgic gens this time. They dig into videos from The Backstreet Boys, the Ramones, Ozzy Osbourne, Rob Zombie, and DJ Jazzy Jeff & The Fresh Prince. Their spooky conversation covers everything from creepy children, Backstreet never really being gone, the power of Ozzy's absolute insanity, low budget videos vs high budget videos, the Emo spirit of late-80s Ramones, and what exactly is Dragula? Also, they do a deep dive into the Will Smith video for “Nightmare on my Street” and Dan points out the odd Winnie the Pooh bedtime getup that Will Smith is wearing in the video, and is that a shot of his underwear (watch the episode to see this still shot)? All this and more! So, grab your favorite goblins, pour yourself a big glass of something foggy, and get ready to jam out with your favorite nerds.   Email us (thenostalgiatest@gmail.com) your thoughts, opinions, and topics for our next Nostalgia Test! Suggest A Test & Be Our Guest! We're always looking for a fun new topic for The Nostalgia Test. Hit the link above, tell us what you'd like to see tested, and be our guest for that episode!   Naomi Carmack is the host and creator of Dope Nostalgia, a vibrant podcast that celebrates the unforgettable sounds, styles, and pop culture icons of the 90s. A professional singer for many years, Naomi brings her performer's passion and insider's insight to every episode. With her signature mix of humor, heart, and deep fandom, she takes listeners back to the days of mixtapes, neon jackets, and dial-up dreams. Each episode dives into interviews with beloved artists, one-hit wonders, and behind-the-scenes legends who shaped a generation. Whether she's reminiscing about boy bands, New Jack Swing, or grunge, Naomi keeps the retro vibes alive—one dope conversation at a time.   www.dopenostalgia.com    Approximate Rundown 00:00 Introduction and Guest Introduction 02:16 Naomi's Podcast Journey 03:19 Favorite Episodes and Guests 05:24 Backstreet Boys' 'Everybody' Music Video 15:02 Ramones' 'Pet Cemetery' Music Video 23:35 Ozzy Osbourne's 'Bark at the Moon' Music Video 33:20 A Joy to Watch 33:40 Unanimous Pass and Casual Chat 34:53 Rob Zombie's Music Video 36:59 Analyzing Rob Zombie's Lyrics 46:06 Will Smith's Nightmare on My Street 51:03 Nostalgia and Will Smith's Career 01:01:44 Wrapping Up and Final Thoughts   Book The Nostalgia Test Podcast Bring The Nostalgia Test Podcast's high energy fun and comedy on your podcast, to host your themed parties & special events!  The Nostalgia Test Podcast will create an unforgettable Nostalgic experience for any occasion because we are the party! We bring it 100% of the time! Email us at thenostalgiatest@gmail.com or fill out the form at this link. LET'S GET NOSTALGIC!     Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

Don and Dude get honest about the records that live in their guilty pleasure zone. These are favorites we rarely admit loving but revisit for comfort, catharsis, and cool-defying joy. Get ready for heartfelt hooks, lush harmonies, and surprising confessions.These are the records we play in private, the ones that keep finding their way back onto the playlist, no matter what critics say. From grungy Buffalo alt-rock to glossy New Jack Swing, this episode is all about celebrating what truly moves us.Goo Goo Dolls – Dizzy Up The Girl (1998)Buffalo band's sixth album shows John Rzeznik's transition from punk covers to melodic, alternative rock stardom. Produced by Rob Cavallo, the band delivers earnest lyrics paired with arena-ready production. They found massive success after the breakthrough single “Name”.This record features a blend of punk grit with pop-rock polish. Upbeat riffs, cinematic string arrangements by David Campbell, and vulnerable songwriting all combine to make their sound distinct. Tracks like “Dizzy,” “Black Balloon,” “Broadway,” and “Iris” balance introspection and radio-friendliness. Deep cuts add emotional complexity and raw energy. The album established the Goo Goo Dolls as melodic hit-makers and proved vulnerability and anthems can work together.Color Me Badd – C.M.B. (1991)The breakout debut from this Oklahoma City vocal group became a cornerstone of R&B, pop, and New Jack Swing. Founding members Bryan Abrams, Mark Calderon, Sam Watters, and Kevin Thornton worked with Dr. Freeze, Howie Tee, and Nick Mundy on production. Their blend of doo-wop harmonies, polished synths, and playful sex appeal brought crossover chart success and influenced future vocal groups.This album features slow jams and party anthems with a playful spirit, classic ‘90s radio gold. Signature grooves sample Betty Wright and Lyn Collins, hooks loop through rich harmonies, and the vibe shifts from gospel inspiration to hints of Latin pop. C.M.B. went triple platinum, set a new standard for pop-R&B, and paved the way for a wave of boy bands and vocal groups to follow.Diggin'Dude:Carter Faith – Cherry Valley (2025) This debut blends cinematic country, indie spirit, and strong songwriting, especially on “Sex, Drugs and Country Music.”America – America (1971) A folk-rock classic packed with acoustic warmth, reflective themes, and “A Horse With No Name”.Don:Taylor Swift – The Life of a Showgirl (2025) Upbeat pop and soft rock inspired by Eras Tour moments and high-profile relationships. “The Fate of Ophelia” stands out.Gary Numan – Telekon (1980) A synth-driven, dystopian electronic album that inspired the future of industrial music, highlighted by “We Are Glass”.What album is your secret crush? Tell us on Instagram, Facebook, Threads, and BlueSky at @albumnerds or at albumsnerds.com. Support the show by subscribing, rating, reviewing, and sharing those guilty pleasures.

And More Tribute - You'll Never Find Another Love (New Jack Swing Mix) by NAW-T-BOY

Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Bookings : Bookdjdeemoney@gmail.com & Follow DJ Dee Money Snapchat - DJ Dee Money - www.snapchat.com/add/deejaydeemoney Instagram - @DJDeemoney - www.instagram.com/DJDeemoney Facebook - DJ Dee money - www.facebook.com/DJDeemoney SoundCloud - @DeeJayDeemoney MixCloud - @DJDeemoney

RNB Fire (New Jack Swing Edition) Aug 2025 (Cover: Guy) Ep. #501 http://instagram.com/dennisblaze

For this episode of Beyond The Album Cover I have the pleasure of interviewing R&B Singer/Songwriter/Producer Devon Howard. We talk about his upbringing in Baltimore, Entry into the music business as a member of the 90's R&B Group Me 2 U, New Jack Swing, 90's R&B, current project and everything else in between. You don't want to miss this interview!!!! Follow Beyond The Album Cover at all streaming platforms, YouTube channel at Youtube.com/BeyondTheAlbumCover and Facebook at Facebook.com/BeyondTheAlbumCover!!!!

Earnest ‘EJ' Christian alongside music journalists Chris Lacy and Matthew Allen partake in a 10 round draft picking the best songs from the ‘New Jack Swing' era.

New Jack Summer is the introduction episode to our series on New Jack Swing. Throughout this summer we will host episodes examining New Jack Swing and its importance in the landscape of hip hop and music in general.For this first episode Castro, Zilla and Alaska discuss their relationship to the music, what the music meant to the landscape of the time, the divide between Hip Hop and New Jack Swing and some of our favorite songs (which you can find in our playlist that will be added to with every new episode:https://open.spotify.com/playlist/4xrrbJUrKRbsqfm3tRyKYA?si=1abc981c208e4fc1Future episodes:The early yearsThe take overPeak GenreEnd GameSons of New Jack Swing (Early 90s Hip Hop inspired R&B)New Jack Swing TournamentIf you want to hear full episodes it is $1 a month at our patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/calloutculturepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also upgrade to a higher tier to get exclusive content and video You can find our music here:Zilla Rocca:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://5oclockshadowboxers.bandcamp.com/music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Curly Castro:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://curlycastro.bandcamp.com/album/little-robert-hutton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shrapknel.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alaska:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thatrapperalaska.bandcamp.com/

Episode 343: JIMMY JAM On this week's episode of the @RoadPodcast, the fellas welcome legendary Grammy Award-winning producer and DJ, Jimmy Jam (@flytetymejam). Jimmy Jam reflects on various milestones in his career, starting with his involvement in the Grammys (01:55), he discusses his favorite new artist (02:40) and the impact of the fires on the awards show (05:34). He breaks down the samples in his production of @JanetJackson's hit songs (18:45), and the crew credits Jimmy with the creation of New Jack Swing (34:60). Jimmy Jam speaks on his early years in Minnesota DJing (42:20), joining Terry Lewis' band (@flytetymelewis) (50:10), and recalls going to junior high with #Prince (@1:05:55). Finally, he talks about getting back into DJing (1:35:10) and which current hip-hop artist he would love to work with (2:20:01).

Binge all episodes of Jacked exclusively and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/jacked-rise-of-the-new-jack-sound/ now. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around.When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties.Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman.Podcast production by Kevin Bendis.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn't just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around. When showtunes and standards didn't work in the '60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the '70s, it became her best-seller. When the MTV era changed the game in the '80s, she did New Wave synthpop her way—and topped the charts again. In the '90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties. Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman. Podcast production by Kevin Bendis. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices