Podcasts about Cabaret Voltaire

Neil Taylor in conversation with David Eastaugh  https://www.roughtrade.com/en-de/product/neil-taylor/document-and-eyewitness-an-intimate-history-of-rough-trade Rough Trade is practically a byword for the history of independent music over the last thirty years. DOCUMENT AND EYEWITNESS: AN INTIMATE HISTORY OF ROUGH TRADE tells the story from the inside of a phenomenally influential record label, through the voices of Geoff Travis, Jarvis Cocker, Robert Wyatt, Green Gartside and many many more. From the early records of Cabaret Voltaire, Kleenex and the Swell Maps, through to groundbreaking releases by The Fall, The Smiths and Scritti Pollitti, on through the collapse of the independent collective and the rebirth of Rough Trade at the turn of the century, this is the definitive, essential account for any serious music fan.

El Sonar estrena cambio de dirección y también de espacios. Este 2026 el Festival de Música, innovación y creatividad inicia nueva etapa aun cuando seguirá con esa esencia curiosa y aventurera que lo ha situado en los primeros puestos de los eventos de vanguardia en el mundo.Charlotte de Witte, Amelie Lens, Skepta, Kettama, Daito Manabe, son algunos de los grandes nombres de un Sonar que como ya es habitual rinde homenaje siempre a los que sembraron semilla, este año The Prodigy y Cabaret Voltaire. Métrika, Anni in the hall o el colectivo Cutemobb son algunos de los artistas locales que se suman a un cartel que presenta más de 100 actuaciones.Fira Gran Via en Hospitalet acogerá los conciertos en un espacio absolutamente concebido para el Festival y donde las últimas tecnologías permitirán descubrir nuevos modelos de shows.La Llotja de Mar será la sede de SONAR+D, una cita que adquiere cada vez más personalidad propia y que explorará las nuevas formas de convivir con la tecnología.Charlamos con Christian Soares y Andre Faroppa, responsables de programación musical y de Sonar +D respectivamente.Escuchar audio

In our previous episode, we went deep into the history of Cabaret Voltaire and their importance to UK industrial and, latterly, dance music. Now, we follow the trail we laid therein by taking a journey through the band's extensive discography, really fleshing out how they went from a Sheffield attic in 1973 to a Patagonian field site recording lizards for David Attenborough. Along the way, we take in televangelists, voodoo, Charles Manson samples, Velvet Underground covers, a near-miss with Todd Terry, and a Taylor Swift pressing-plant mix-up that turned a forgotten ambient track into a viral curiosity decades later.Phil Eaglesham (aka P6 - ex-Stretchheads and De Salvo, current OMO frontman) returns to bestow upon us his encyclopaedic knowledge of the band and British industrial music. We start in 1974 with the lo-fi bedroom experiments of Cabaret Voltaire 1974–76, work through the rough-edged early Rough Trade EPs, the spring-reverb wilderness of Three Mantras and Voice of America, the cult monument that is Red Mecca, and the band's stylistic pivots through Hai!, 2x45, The Crackdown, Micro-Phonies, The Covenant, the Sword and the Arm of the Lord, Code, and beyond. We also pick at the more controversial late chapters, including the major-label years, the slightly-too-late acid house pivot, and Richard H. Kirk's solo reactivation of the name.Along the way, we explore the band as a video production company that happened to make music; their roles as curators and tastemakers via Double Vision; the Burroughs-and-televangelism worldview that made them frighteningly prescient about Reagan-era Christian nationalism; and their unsung debt to Black American music and dub. Chris also offers a wider reflection on what it means to lose the egoless purity of your earliest creative work as ambition and industry pressures take hold.We get deep in the weeds talking about the producers they worked with (Flood, Adrian Sherwood, John Robie, Marshall Jefferson); the labels (Rough Trade, Some Bizzare, Virgin, EMI, Mute); their collaborators and contemporaries (DAF, Wire, Throbbing Gristle, Clock DVA, Soft Cell, New Order, The Shamen); and the bands that lifted from them wholesale (Nine Inch Nails, Ministry, The Rapture, White Zombie, and a generation of Glasgow acts you've heard but can't quite place).It all culminates in us taking a closer look at Eight Crepuscule Tracks, a record that Phil thinks is their best and a very pure statement of what the band can and did achieve. We also settle upon what is perhaps the most important lesson to be gleaned from the Cabs' music: the importance of never compromising on your vision. By entering the belly of the beast and somehow remaining intact, they became one of the rare bands in this corner of music history whom nobody has a bad word for.Highlights00:00 Intro01:18 Welcome Back, Phil02:46 1974–76: Egoless Experimentation04:51 Bedroom Records06:30 Extended Play and DAF07:37 The Velvet Underground Cover08:26 Nag Nag Nag10:20 Van With a PA11:38 Three Mantras12:24 Mix-Up14:50 William Burroughs16:48 Voice of America19:35 Peter Care and Double Vision21:41 Red Mecca24:25 Encyclopaedia Bands27:36 Hai!29:36 2x45 in New York32:07 Sheffield's Family Tree32:55 Chris Watson Leaves36:16 The Crackdown42:23 Micro-Phonies46:38 Covenant, Sword and Arm of the Lord49:48 Drinking Gasoline51:45 Code54:58 Listen Up and Reissues57:12 Groovy, Laidback and Nasty1:00:15 Body and Soul1:03:56 Shadow of Fear1:04:51 The Taylor Swift Accident1:08:27 Richard Kirk's Death1:14:50 Bus Shelter Bashes1:19:58 Sincerity vs Seriousness1:25:00 Debt to Black Music1:29:00 Eight Crepuscule Tracks1:51:00 Why Everyone Loves Cab Vol1:58:36 Coming Soon: Coil?!

Join In The Chat - Episode 6 - Just Fascinated with Cabaret Voltaire & WGT PrePame by LA Industrial

Episode 795: May 18, 2026 playlist: Panasonic, "Uranokemia" (Osasto) 1996 Blast First/Mute Object Hours, "Yellow House" (Solved By Walking) 2026 Three Lobed Christine Ott and Mathieu Gabry, "The crossing" (Aran) 2025 Gizeh Lili Holland-Fricke, "Grief Song" (String It Together) 2026 Scrawl Cabaret Voltaire, "Spies in the Wires (live)" (But What Time Is It Really?) 2026 Memetune Mere of Light, "Barbed Ephemera" (Heat of Ritual) 2026 Lighten Up Sounds Om, "Kapila's Theme" (Variations on A Theme) 2005 Holy Mountain / 2026 Drag City Lawrence English, "Sodium Vapour Halo (alone)" (The Rest Is My Ghost) 2026 Room40 Bright and Early, "Planted A Thought" (Love Is Overtaking Me) 2026 Audika Noveller, "Sunday in Copenhagen" (I Am The Weather) 2026 Experimentia Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Cabaret Voltaire are no one thing. Depending on which corner of the internet you found us from, you might know them as the caustic Sheffield noise act who preceded post-punk, the sinister electro-industrial outfit with a penchant for evangelical samples and anti-fascist agitprop, or the dancefloor-adjacent act who fetched up on Factory's Belgian satellite label and made something close to club music. You're all correct.This week, we have a guide. Phil Eaglesham — P6, former front person of Stretchheads and De Salvo, current singer in OMO, musical walking tour operator, man of broad and alarming musical learnings — is here to help us navigate one of the most complex and wilfully uncommercial bands to come out of the UK, via their transitional compilation Eight Crepuscule Tracks.We trace the band's origins in a Sheffield attic in 1973, chart their debts to dub, Black American music, and the sci-fi soundscapes that shaped a generation of working-class ears, and make the case that Cabaret Voltaire — despite their apparent difficulty — were one of the most industrious and fundamentally political bands of their era. We also get into their time at Western Works Studio, which functioned less like a recording facility and more like the gravitational centre of an entire Sheffield scene; their complicated relationship with Rough Trade; and their connections to Joy Division, Lydia Lunch, Clock DVA, and the bands that would become the Human League and ABC.Along the way, Phil brings original artefacts including a signed 1979 TG/Cab Vol/Rema Rema poster from Tottenham Court Road, and the original 12-inches the album is built from. We also ask what would have happened to Cabaret Voltaire without punk — and conclude they'd likely have ended up an academic footnote rather than a foundational text. Highlights: 00:00 Intro03:56 Meet Phil Eaglesham07:47 P6 — The Name and the Character09:29 Queer Identity in the Industrial Scene12:55 Pseudonyms and Rockism17:44 Cabaret Voltaire: The Basics22:32 Sheffield, Western Works, and the Scene25:18 Rough Trade, The Fall, and Being Prolific29:10 Working-Class Roots and Industrial Culture32:33 Sci-Fi Soundscapes and Electronic Prehistory35:11 Musique Concrète to Cab Vol: How Close Were They?36:13 Dadaism, Situationism, and Confrontational Art38:40 Punk's Effect on Audiences (Not Just Music)40:11 The Counterfactual: Cab Vol Without Punk41:43 Black Music, Funk, and the DNA Nobody Talks About43:39 New Wave, No Wave, and New York Connections46:29 Factory Records, Crépuscule, and the Belgian Connection47:49 Original Artefacts: Posters, 12-Inches, and History50:31 Why Eight Crepuscule Tracks?52:54 Looking Towards Next Week and Outro

Die junge Tessinerin Rosina kommt 1917 nach Uster, um in einer Spinnerei zu arbeiten. Sie verliebt sich in Jakob, der im Dunstkreis des «Cabaret Voltaire» und in sozialistischen Kreisen verkehrt. Ein Stück Schweizer Geschichte, das 1918 zum Landesstreik führt. Wer das Hörspiel am Radio hören will: Freitag, 15.05.2026, 20.00 Uhr, Radio SRF 1 Rosina lebt mit ihrer Familie in Tenero, im Tessin. Es ist das Jahr 1917. Die Familie ist arm. Zu essen gibt es nur wenig. Da kommt das Angebot eines Deutschschweizer Fabrikanten gelegen: Er sucht junge Tessinerinnen, die in seiner Spinnerei arbeiten. So kommt Rosina mit 17 Jahren nach Uster. Im sonntäglichen Gottesdienst lernt sie Jakob kennen, und die beiden verlieben sich ineinander. Durch den jungen Zürcher Anwalt kommt Rosina mit der ihr völlig fremden Welt der Dadaisten und Sozialisten in Kontakt. Die Ereignisse überschlagen sich, und sie findet sich mitten in der turbulenten Zeit des Landesstreiks von 1918 wieder. ____________________ Mit: Anna Galante (Rosina 1), Anna Schinz (Karin), Joachim Aeschlimann (Peter), Margherita Coldesina (Rosina 2), Peter Hottinger (Jakob), Nicola Mastroberardino (Karl Widmer), Dimitri Stapfer (Freund 1), Bella Neri (Zia Olga), Maja Stolle (Schwester Agnes), Heidi Maria Glössner (Oberin), Kamil Krejci (Gast 1/Soldat), Dani Mangisch (Gast 2/Offizier), Andrea Bettini (Kommissar), Leonardo Nigro (Arbeiter/Notar), Franco Di Leo (Firmino), Ferruccio Cainero (Don Giuseppe Torri), Daniel Rohr (Herr Widmer) ____________________ Übersetzung und Musik: Flurin Caviezel – Tontechnik: Franz Baumann, Ueli Karlen – Regie: Karin Berri ____________________ Produktion: SRF 2018 ____________________ Dauer: 51'

It's a punk-flavoured side-project twofer on this week's episode of the podcast, as we discuss industrial-punk supergroup Lard's The Last Temptation Of Reid as well as the only record from Spetsnaz side project Turnbull A.C.'s. We're also talking about the long, long, LONG awaited announcement of a Tear Garden tour, and a fantastic Cabaret Voltaire show.

durée : 00:27:49 - Les émissions culturelles de France Culture - par : Marie Labory - Au programme de ce débat critique, trois bandes-dessinées : "J'ai toujours rêvé d'être un fermier" de Jean Harambat, "La sculptrice" de Quentin Vijoux et "Le Cabaret Voltaire" de Kent et Bocquet. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Catherine Robin Grand reporter et critique de BD à Elle, Victor Macé de Lépinay Rédacteur en chef adjoint du Pèlerin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:07:56 - Les émissions culturelles de France Culture - par : Marie Labory - Haut lieu du mouvement DADA, le Cabaret Voltaire est fondé en 1916 à Zurich. Kent et Bocquet retracent son histoire. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Catherine Robin Grand reporter et critique de BD à Elle, Victor Macé de Lépinay Rédacteur en chef adjoint du Pèlerin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Daniel Dylan Wray on his anticipated first book, Groovy, Laidback & Nasty, the first ever authoritative history of Sheffield music (out today!).Exhaustively researched and spanning almost seven decades, Groovy, Laidback and Nasty features over 150 new interviews with the likes of Richard Hawley, Arctic Monkeys, Pulp, Rebecca Lucy Taylor (Self Esteem), The Human League, ABC and Cabaret Voltaire – along with countless others.The book also delves deep into many of Sheffield's far-reaching cultural roots; from Peter Stringfellow's wild years as a club promoter in the 1960s to Toddla T's teenage breakthrough in the late 2000s, via Warp records, FON and seminal nightclubs such as Jive Turkey, Niche and Gatecrasher, as well as the noughties' so-called ‘New Yorkshire' movement, a controversial rave-meets-religion movement turned cult, and a whole host of stories spanning worldwide pop stardom through to more underground, DIY and leftfield musical excursions.Daniel Dylan Wray is a music and culture writer who lives in Sheffield. Primarily writing for the Guardian, he has also written for outlets including the BBC, Pitchfork, The Independent, The Times, New Statesman, Uncut, The Quietus and countless others. Groovy, Laidback and Nasty is his first book.https://www.instagram.com/ddywray/------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

"But What Time Is It Really?" Because their legacy is so vast, their musical output so singular and their influence so far-reaching, telling you a little bit about Cabaret Voltaire is like telling you a little bit about outer space. A long tine ago, say 1973, in a galaxy far, far away, say Sheffield, England, Richard H. Kirk, Stephen Mallinder and Chris Watson got together to, in their words, make music without musical instruments. What did that mean? Well, it meant innovation because this was not a three-piece banging away in a garage, it was three guys experimenting with tape loops, custom-built kit oscillators, keyboards and wind instruments. Although traditional instruments were included, Cabaret Voltaire were anything but a traditional band. Falling somewhere between performance art and industrial music, Cabaret Voltaire remain one of the most innovative, idiosyncratic and unique bands of all time. Incorporating elements of techno, house, funk, synthpop, electronica and dub, the band's striking soundscapes were massively influential to bands like Depeche Mode, New Order, Skinny Puppy, David J. and Nine Inch Nails. Watson left the band in 1981 but Mallinder and Kirk soldiered on, keeping up Cabaret Voltaire's unbelievable working pace. The band put out fifteen albums in as many years, including classics like Mix-Up, Red Mecca, The Crackdown and Micro-Phonies. Kirk died in 2021 at 65 and to celebrate the 50th anniversary of the band, Mallinder and Watson started touring, put out a live album and will be on the road until year's end, taking their valedictory bow. A journalist, an academic, a studio owner, a producer and a filmmaker whose videos have been exhibited at MOMA in New York, Mallinder remains a busy man and I'll let him tell you all about that. But let me say this: if you listen to Cabaret Voltaire, it's like listening to the future before it happened. Their work is an astounding blend of multi-media and post-punk that eludes the timeline--their records aren't fixed to any point on the map and instead sound like they come from a universe that is at once both distant and familiar. www.cabaretvoltaire.bandcamp.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

This is a dark wave or cold wave mix - inspired by post-punk and early 80s electronic music, mostly European. If you know the Dark Entries label you'll know exactly what you're getting into.It opens gently with Pye Corner Audio & Faten Kanaan and Ghost Culture before getting into the meat of it. The Chromatics' Stroke of Midnight Remix is a good bridge - they're one of the more accessible acts in this world.The centrepiece is DAF's Der Mussolini, remixed here by Giorgio Moroder and Denis Naidanow. The original from 1981 is a landmark record - German industrial disco. This version holds up. Section 25's Looking from a Hilltop and Cabaret Voltaire's Yashar are from the same era and in the same territory - Factory and Rough Trade regulars.Boy Harsher are the most contemporary act on the mix and one of the best working in this style right now. Depeche Mode's Bergsonist remix shows there's still mileage in their catalogue when the right people get hold of it.Bauhaus close it out - which is fitting. They more or less invented this sound.1. Pye Corner Audio & Faten Kanaan — Mirror Lake2. Ghost Culture — Mouth (Dub)3. Chromatics — Tick of the Clock (Visione's The Stroke of Midnight Remix)4. Nommo Ogo — Behold5. Section 25 — Looking from a Hilltop6. DAF — Der Mussolini (Giorgio Moroder & Denis Naidanow Remix)7. Black Asteroid — Sun Explodes feat. Cold Cave (Headless Horseman Remix)8. Depeche Mode — Ghosts Again (Bergsonist's Shadow Mix)9. Boy Harsher — Pain (Radio Edit)10. Black Meteoric Star — 5am Open Air Sunrise (Borusiade Remix)11. Cabaret Voltaire — Yashar (Insurgent Mix)12. Severed Heads — Dead Eyes Opened (Reopened)13. Bauhaus — Here's The Dub

 has recently opened One Closet in the middle of Scariff, a clothes shop aimed at both men and women with reasonable priced clothing ut lineup of events for 10th Anniversary of the Tuamgraney Harp Festival taking place on 17th-19th April 2026 including Art exhibition and Cabaret Voltaire. As featured and Originally broadcast as part of Saturday Chronicle on 11th April 2026 hosted by Geraldine Colleran and broadcast live from the Derg Alliance building Scariff, Co. Clare. Saturday Chronicle is Sponsored by JAMES M NASH AND DERG KITCHEN DESIGN http://dergkitchendesign.ie Message or what's app the studio on 089 2582647 or email sbcrstudio@gmail.com

talking about lineup of events for 10th Anniversary of the Tuamgraney Harp Festival taking place on 17th-19th April 2026 including Art exhibition and Cabaret Voltaire. As featured and Originally broadcast as part of Saturday Chronicle on 11th April 2026 hosted by Geraldine Colleran and broadcast live from the Derg Alliance building Scariff, Co. Clare. Saturday Chronicle is Sponsored by JAMES M NASH AND DERG KITCHEN DESIGN http://dergkitchendesign.ie Message or what's app the studio on 089 2582647 or email sbcrstudio@gmail.com

We've been featuring a lot of artists lately that earned their bona fides pushing the boundaries of what electronic music could do. Well, few did it as ruthlessly as Cabaret Voltaire. From their beginning in the late 70s making "music" that's more creative sounds than tuneful songs, to their evolution over the next several decades stretching genres to suit their muse, the "Cabs" never went pop or sought hits. Frontman (and last original member) Stephen "Mal" Mallinder, joins us this week to discuss the farewell tour they're about to embark on, the new live album, But What Time Is It Really they're leaving as a parting gift to their fans, and the journey they've been on for 50 years. Be sure to catch one of these last shows before they're done forever!  www.facebook.com/CabaretVoltaireOfficial/ www.patreon.com/c/thehustlepod

1916 wurde in Zürich eine bedeutende und unübliche künstlerische und literarische Bewegung begründet: Dada. Zu den involvierten Künstlerinnen und Künstlern gehören Emmy Hennings, Hugo Ball oder Kurt Schwitters. Zum 110 Geburtstag diskutieren wir darüber, was diese auf scheinbaren Nonsense und Zufall gesteuerte Bewegung heute noch bedeutet.

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.With Dawn Ades Emeritus Professor of Art History and Theory at the University of EssexRuth Hemus Professor of French and Visual Culture at Royal Holloway, University of LondonAndStephen Forcer Professor of French at the University of GlasgowProduced by Martha OwenReading list:Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006)Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996)Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015)Ruth Hemus, Dada's Women (Yale University Press, 2009)David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004)Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

This week, Steve pulled from out of the archives of his 80s college radio show, songs that he played on the air in college and probably SHOULD HAVE played on the air during Suburban Underground's run, but never did.  In this show you will hear some familiar artists and some unfamiliar: Eighth Route Army, Mission Of Burma, O Positive, This Mortal Coil, The Things, Miracle Legion, Simple Minds, Ministry, Cabaret Voltaire, Siouxsie & The Banshees, Squirrel Bait, Naked Prey, Shriekback, Volcano Suns, Flesh For Lulu and Devo. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Azahara Palomeque nos habla de Pueblo blanco azul (Ed. Cabaret Voltaire), su segunda novela, en la que las voces de los vivos se barajan con las de los muertos para ofrecer el retrato de una comunidad que tiene un pie en las fosas comunes que dejó nuestra guerra civil, pero los ojos puestos en la esperanza de sus olivos. Luego, Javier Lostalé lee unos versos de Cuaderno del que calla (Ed. La Garúa), la nueva obra del poeta madrileño Francisco José Martínez Morán, que ya atesora una sólida trayectoria reconocida con los premios Félix Grande, Hiperión y el Internacional de Poesía Francisco Brines. En su sección, Ignacio Elguero pone sobre la mesa Psicopompo (Ed. Anagrama), un nuevo capítulo en la autobiografía de Amélie Nothomb que sirve para entender el conjunto de su obra, y Geografía del deseo (Ed. Reino de Cordelia), colección de relatos eróticos escrito a cuatro manos por María José Solano y Jesús García Calero.  En Peligro en la estación nuestro colaborador Sergio C. Fanjul nos recomienda Hijos del optimismo (Ed. Debate), ensayo en el que la empresaria María Álvarez especula con originalidad sobre las causas de la frustración que sufren esas generaciones que parecían llamadas a construir un mundo mejor. Terminamos el programa junto a Mariano Peyrou, que nos pone tras la pista de Kevin Power, poeta inglés que introdujo en España a grandes voces norteamericanas y del que la editorial Perceval Press acaba de publicar su obra reunida en edición bilingüe con traducciones de Carlos Bueno, Andrés Catalán y Nacho Fernández.Escuchar audio

Episode 779: February 26, 2026 playlist: Cabaret Voltaire, "Nag Nag Nag (Live 2025 Single Edit)" (But What Time Is It Really?) 2026 Memetune Gazelle Twin, "Black Dog (Gary Numan and Ade Fenton Mix)" (Shadow Dogs) 2024 Invada I Speak Machine, "Guts of Love ft. Gary Numan" (Guts of Love ft. Gary Numan) 2025 [self-released] Galactic Embrace, "Inflated State (Album Version)" (Inflated State E.P.) 2026 Institute of Spoons Ebo Taylor and Uhuru-Yenzu, "Love And Death" (Life Stories) 2011 Strut Johnny Sais Quoi, "Only One Way To Say" (One Way To Say) 2026 Music From Memory Aja Monet, "hollyweird" (the color of rain) 2026 Drink Sum Wtr Rat Heart, "I H T feat Adam Sinclaire" (Dancin' In The Streets) 2025 Shotta Tapes Sugar Plant, "sunlit rain" (one dream, one star) 2026 KiliKiliVilla Bill Orcutt, "Giving unknown origin" (Music in Continuous Motion) 2026 Palilalia Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

When I was a kid in the 80's, I used to listen to a local radio show called On The Wire, presented by Steve Barker. Steve and John Peel were single handedly responsible for me finding bands and artists like African Headcharge, Sonic Youth, Tackhead, Test Dept, Cabaret Voltaire, Mark Stewart and The Mafia, Keith Le Blanc, Red Lorry Yellow Lorry and so many others. It was so, so thrilling to discover these new artists. And the show is still going, Steve is still going (albeit on Mixcloud because the BBC unceremoniously turfed him off the radio in favour of some shit pretentious show that'll have the listeners running for the hills.Anyway, he tags his shows with the magnificent term of “Undefinable” which makes me just love him even more because I loathe the whole way that genres are used to stereotype and pigeonhole.And this is where – in a long winded way -  my guest, David Roush and his wonderful band Ecce Shnak fit in. Undefinable. Going back to the release of Letter to German Vasquez Rubio around 13/14 years ago to their latest single Katy's Wart from their LP Joke Oso. They are a fascinating kaleidoscope of creative fertility and imagination which I think is one of the most important characteristics to have in the world today and I'm really excited to talk to David about his mindset and how this has helped to shape who he is today.https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

Episode 778: February 17, 2026 playlist: Stereolab, "Cloud Land" (Cloud Land / Flashes In The Afternoon) 2025 Duophonic Maya Shenfeld, "There's Always Another Level" (Cover-Up (Soundtrack from the Netflix Film)) 2026 Thrill Jockey Noemi Büchi, "I was almost there" (Exuvie) 2026 -ous Cabaret Voltaire, "Sex Money Freaks (BBC Session)" (Riley and Coe Session 2025-11-24) 2025 unreleased Andreas Voelk and Scott Monteith, "And All The Clocks Ran Dry Part I (excerpt)" (And All The Clocks Ran Dry) 2026 Room40 Group Rhoda, "White Fur" (Phase 5) 2026 Dark Entries Ben Glas, "Untitled V" ("music* *?") 2026 Room40 Arnold Dreyblatt (with Claudio F. Baroni, Lucie Nezri, Reinier van Houdt), "Descendants: Music for Four Pipe Organs in One Space (excerpt)" (Descendants: Music for Four Pipe Organs in One Space) 2025 Unsounds Nuxx, "Bad" (Bird Brain EP) 2025 [self-released] Ambade Brothers, "(sitar and jalatarang)" (Indian Talking Machine Part Two: Instrumental Gems From The 78rpm Era) 1935 Sublime Frequencies Holodec, "Under Heaven's Weight" (Tru Folk) 2026 Phantom Limb Elizabeth Davis, "Young Ones" (Flowers) 2026 South of North Felsmann + Tiley, "Warum" (Protomensch) 2025 Mute Mary Lattimore and Julianna Barwick, "Temple Of The Winds" (Tragic Magic) 2026 InFine Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Während des Ersten Weltkriegs gründeten junge Emigranten die Künstlerkneipe Cabaret Voltaire, um den Zeitumständen künstlerisch zu entfliehen.

This playlist is 72% vinyl friendly. Not bad. The SL-1300G in 2025. Technics keeping it simple with the design, if not with the spec trying to convince punters they need one. ‘Coreless Direct Drive Motor Achieving Stable Rotation The use of a coreless direct-drive motor with no iron core eliminates uneven rotation of the turntable known as cogging. Also, the twin-rotor construction reduces the bearing load while maintaining high torque and reduces minute vibrations during rotation. Furthermore, the SL-1300G's motor was redesigned to eliminate subtle vibrations that could affect sound quality. To improve rigidity, the same reinforcement pattern as the Reference Class SL-1000R/SP-10R was used for the coil mounting base‘. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. NB: THIS PLAYLIST INCLUDES EXPLETIVES. Lyric of Playlist 148 For the reality… Courtesy of Crooked Man, Jarvis’ by a country mile, but… For the idyll…John Sebastian. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Turn – Waiting For The Sirens’ Call, 2LP – London – 2005 With Barney’s lilting, slightly forlorn vocal, a little gem nearly lost on one of the band’s least successful albums. 05.02 LITTLE NEMO – A Day Out Of Time – Past And Future, LP – Domestica – 2013 Though the track originally surfaced in 1987 on the 500 run, cassette-only format of the (debut) album. Even back then it could have been seen as yet another ‘sound’ out of Europe that seemed to echo the UK alternative/new wave scene of a few years earlier. 08.48 KIM GORDON – Not Today – Play Me, LP – Matador – 2026 Get past the intro – where it very momentarily sounds (to my ears anyway) like the batteries ran out – and Kim Gordon drifts nicely across the wash of sound. 12.03 THE COMSAT ANGELS – The Eye Dance – Sleep No More, LP – Polydor – 1981 Judging by a known set list for late Nov ’81 and the fact the band were then promoting the recently released, above album, this track was likely in the set list for my Bedford Corn Exchange gig promotion earlier that month. Big smiles when I hear them… though I’ve sadly never heard a tape of the Bedford night. 15.40 BUNNYDRUMS – Holy Moly – Holy Moly, LP – Fundamental – 1984 The short-lived, mid ’80s Philadelphian band with a quirky mix of ‘new wave’ vocal and a belting soul vocal bv in the backdrop of a low slung, punk country’ish workout. Maybe it’s the ‘yippee-ki-yay’ and pseudo peddle steel guitar? The band have been here before – and will be again. 21.30 COSTUME – Once I Loved (Original Mix) – Download only – 2021 Claudia Placanica’s slightly disconcerting delivery is always the thing for me! 23.54 THE IRONSIDES – The Web – Changing Light, LP – Colemine – 2023 Cinematically soundtracking the ’70s like a good’un! The Streets of San Francisco and its like… which is apt… as that’s where The Ironsides are from. 28.57 BABY ROSE – Go – Through and Through, LP – Secretly Canadian – 2023 My fave 21st century track of the show, Jasmine Rose Wilson (to her mum and dad) with a quivering indie soul vocal – on this tune anyway – that Anonhi/Antony and the Johnsons could have penned and rolled out, albeit with a slightly different sound, no doubt. And that really is the sleeve, honest. I could be wrong but I reckon it’s a photographer’s dud that someone subsequently had a weird liking for. I struggle to actually look at it! 31.56 THE DRIFTERS – Like Sister and Brother – 7″ – Bell – 1973 I had this single in the mid ’70s but with the years since maybe ‘softening’ the senses, this made-to-measure ballad (with lead vocalist, Bill Fredericks sounding more like Johnny Mathis than I’d have remembered) sounds better now than it did back then but in the world we now live in there will be few if any songs written like this again. I had to run the idea past one of my teenage years mates but I reckon that, along with Jimmy Ruffin’s What Becomes Of The Brokenhearted (and others, no doubt), this was a last-dance-of-the-night/grab-a-girl-type tune at Bedford Rugby Club’s Saturday night ‘discos’. I’m making this actually sound like the ’40s but it was the era and I was in my late teens… and until I find my membership card, this’ll have to do. ‘Swing to Boomerang’ indeed. I don’t think they came back. 34.52 EYELESS IN GAZA – Flight Of Swallows – Back From The Rains, LP – Cherry Red – 1986 The intro to my 1984 Rorschach Testing article below sums up my thinking on Flight back then – and though the track was being played live at the time it was a couple of years before it surfaced on the above album. EIG article, Rorschach Testing, 1984 39.22 JONI MITCHELL – Eastern Rain – Archives – Volume 1: The Early Years 1963-1967, 5CD – Rhino – 2020 Truly a legend, such is the quality of the lady’s songwriting this beaut – from a Folklore Radio broadcast, of March 19, 1967 – never even made it to an official album and though it was covered by others and turned up in Joni live appearances of the time it took until the above retrospective to be released officially. And she’ll be back here quicker than you might be expecting. 43.13 SÓLEY – I Will Find You (Live, at the KEX Hostel in Reykjavik: 30.10.13) – Stream only – 2013 With a whole different tone to Liam Neeson’s ‘I Will Find You’ :), a production from the classy KEXP and a song only found on Sóley’s 5 track, 10″ EP, Don’t Ever Listen. This take however is a far more endearing version. 45.54 NORMA TANEGA – Walkin’ My Cat Named Dog – 7″ – Stateside – 1966 Was Norma ‘indie’ before there was such a thing? Sadly, she died in 2019 but search out a short Youtube interview and snippets piece (and the comments that followed) from a decade or so earlier. It was meant to be included in a proposed documentary that never then got going. 48.06 THE ELECTRIC FLAG – Look Into My Eyes – A Long Time Comin’, CD only – Columbia – 2003 From a handful of tracks that possibly didn’t make the cut for the initial 1968 release of the Chicago soul rock band’s second album, this is one of two that were first added to the above reissue. 50.52 LOVIN’ SPOONFUL – Summer In The City – 7″ – Kama Sutra – 1966 Maybe the best known tune on the show, with a forceful sounding John Sebastian and his/their ‘city’ being New York and its Greenwich Village hub back then. 53.13 THE FORTUNES – Here It Comes Again – 7″ – Decca – 1965 Innocent ’60s ‘pop’ with a classy arrangement, and another the likes of which will never be made again… and certainly not by anybody aiming for the charts. 56.09 THE MINDBENDERS – Groovy Kind Of Love – 7″ – Fontana – 1965 Wayne Fontana at the helm (and co-written by a pre-Sager Carol Bayer, I’ve just noted) I think this might have subconsciously stuck with me enough in its chart days (I was 8), to then make it to my record collection in the early ’70s. It felt then like a great many happily got rid of their records (certainly singles) after just a few years coz every second hand record shop had loads of chart stuff from just the 5-10 years prior. I was too young to have been buying the height of ’60s ‘pop’ during its time but picking it up a decade later was dead easy. Bet this cost me 10p or thereabouts. 58.05 SPUDDHA – Ton – Unreleased demo – 2014 ‘Recorded in a single take with a pair of £100 analog groove boxes (Korg Volcas) and there's no multi tracking, effects or post processing. One of the boxes is a three voice paraphonic synth and the other is an analogue drum machine. ‘At the time I was interested in making big, immersive music with an organic quality with sparse loops and a minimal setup. There's a lot of live tweaking and you will notice that the limitations of the synth mean that 1) only 3 notes can sound simultaneously and 2) the voices interrupt each other. Also presets couldn't be saved… if I didn't record what I was doing I couldn't move onto making something else without losing it all‘. – Spuddha. ‘Spud’ to me. 01.04.46 LONELADY – Hinterland – Hinterland, LP – Warp – 2015 Julie Lonelady groovin’ a tune and lyric that should have been here before now. c/w Julie ‘helping out’… 01.09.32 JONI MITCHELL – River (acapella) 01.13.30 ATRIC & FRIDA DARKO – Hide & Seek – Download only – 2023 ‘Always trying to combine genre fluid compositions, qualitative mixing and to take the whole process with a good sense of humor‘. – Them, via Bandcamp 01.17.26 A CERTAIN RATIO – Knife Slits Water (Peel session, June ’81) – Sextet, 2LP reissue – Factory Benelux – 2013 Yep, with Martha ‘Tilly’ Tilson’s oh-so-right vocal, the slightly epic Knife Slits Water. Very coincidentally, the day ACR recorded the above Peel session (according to the Keeping It Peel site) I saw them live supporting Cabaret Voltaire at Leicester Uni and the day the session was broadcast my diary says I had a long phone chat with Rob Gretton – no idea about what, other than re what New Order were up to at that point. 01.25.11 EARL16 – Changing World (Remix) – , LP – Merge Records – 2001 I caught this on a late night KISS FM radio show. His conscious sounds here taken up a few BPM. 01.30.05 COURTNEY BUCHANAN – R U Conscious (Album version) – 12″ – Conscious – 1993 And speaking of ‘conscious’… ‘Courtney has one of the most soulful, spiritual voices to come out of the UK. His music here combines jazzy acoustic sounds with delicate use of technology on a rhythmic, down-paced head nodder. I various mixes, the track’s ‘conscious’ lyrics and impressive vocals are a fine showcase for this British talent.‘ – Ralph Tee, Record Mirror (Music Week), 3.7.93 01.34.42 DELTA HOUSE OF FUNK – Lovers & Losers – 12″ EP – Go! Discs – 1996 Decided to playlist this before I remembered it was another of Ashley Beedle’s works. So, this is with a big nod to a top lad who’s been going through the health ringer in the last few years. 01.39.38 DRAX – Middle Earth – Drax Two, 12″EP – Trope – 1993 Clear vinyl gentle German techno. 01.44.51 CROOKED MAN – Cunts – Crooked Stile, 2LP – Viscous Charm – 2026 The reimagining here courtesy of Richard ‘Parrot’ Barratt. ‘Jarvis Cocker released Running The World in 2006The line ‘cunts are still running the world' is more relevant than ever… 20 years on and Crooked Man thought it needed to be said againHis razor-sharp reimagining is a call to arms with added electronic biteHe's skipped the niceties and titled it CUNTS.Out today on Vicious Charm today. The track is accompanied by an Agit-Prop video directed by British contemporary artist Dominic McGill, who, armed with a photocopier and a scalpel, has cut & pasted a perfect accompaniment to the song – breathless and furious. They are still running the world. It’s a work of “northern genius”, Jarvis’ words, not ours‘. – Bandcamp. 01.47.21 DESPERATE JOURNALIST – 7 – No Hero, LP – Fierce Panda – 2024 Driving indie rockers ever present on Simon Williams’ Fierce Panda label, with a nod to Jo Bevan’s confident vocals. 01.50.22 GANZHEIT – Motions – ‘Summer Of ’84’ demos cassette, unreleased – 1984 With a couple of this cassette’s tracks now playlisted on 41 Rooms, there are more to come from this lost Bedford-based band. Show 149 will be here March 1. Dec x The post Post Punk Plus Podcast Playlist 148 – Original upload 1.2.26 appeared first on 41Rooms.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Four Tet, "Into Dust (Still Falling)" (Into Dust (Still Falling)) 2025 Text 2. Nina Nastasia, "Happiness" (Songs for a World of Trouble) 2025 [self-released] 3. Benoît Pioulard, "χαῖρε" (Stanza IV) 2025 Disques d'Honoré 4. House of Harm, "Carousel" (Carousel) 2025 [self-released] 5. Illusion of Safety, "More Black Helicopters" (A Braindead Companion) 2025 [self-released] 6. HAAi, "Satellite - with Jon Hopkins, Obi Franky, ILĀ & TRANS VOICES" (HUMANiSE) 2025 Mute 7. Rozet, "I'll Manage" (Head) 2025 Young Art 8. Kinga, "Sexy Boy (7" Remix Edit)" (Sexy Boy) 1989 / 2025 Dark Entries 9. Pneumatic Tubes, "Yellow Green and Gold" (Runner's High) 2025 Belbury Music 10. contagious orgasm, "soft sensitivity" (behind closed doors) 2025 Ant-Zen 11. Hampus Lindwall, "À Bruit Secret" (Brace for Impact) 2025 Ideologic Organ 12. Cabaret Voltaire, "Seconds Too Late" (Seconds Too Late) 1980 Rough Trade * Eine Sendung vom 29. Juni 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

«Je voulais faire quelque chose de poétique, chercher de la hauteur. [...] Avec ces oiseaux, je voulais m'éloigner de mes autres pièces, où il y avait souvent des cris, des blessures ouvertes, [...] je voulais chercher un langage plus aérien, pour aller plus loin sur ce que je voulais dire sur la situation d'aujourd'hui à Gaza.» La pièce Au nom du ciel de Yuval Rozman est une fable qui a pour point de départ des recherches ornithologiques sur les espèces d'oiseaux qui n'arrivent pas à se partager le territoire au Proche-Orient. Elle met ainsi en scène trois oiseaux – un bulbul, une drara et un martinet noir – qui, depuis le ciel de la Cisjordanie, observent la violence et l'absurdité du monde des humains, en tentant de comprendre et d'expliquer l'assassinat d'un jeune Palestinien autiste, Iyad Al-Hallaq, tué en 2020 par un soldat israélien. Le spectacle nous plonge dans une ambiance à la fois grave et drôle, où l'ironie surgit pour mieux désamorcer la tension des sujets abordés, en puisant dans «un langage plus léger».  À lire aussiYuval Rozman, un cœur israélien Invité :  ► Yuval Rozman, auteur, metteur en scène et comédien israélien installé en France depuis le début des années 2010. Formé au Conservatoire national d'art dramatique de Tel-Aviv, il fonde en 2010 sa première compagnie et se fait remarquer dès son premier spectacle, Cabaret Voltaire. Son travail est profondément marqué par son histoire personnelle et par les tensions de la guerre israélo-palestinienne, et explore les questions d'identité, de religion, d'amour et de politique à travers une écriture mêlant «humour acide» et poésie. En France, il crée la compagnie Inta Loulou et un cycle de créations appelé la «Quadrilogie de ma Terre» — Tunnel Boring Machine, The Jewish Hour, Ahouvi et Au nom du ciel — dont Au nom du ciel est le quatrième opus.  ► La pièce de Yuval Rozman se joue jusqu'au 20 décembre 2025 au Théâtre du Rond-Point à Paris, puis du 13 au 17 janvier 2026 au Théâtre 104 à Paris, et partira en tournée en France et en Belgique jusqu'à fin avril 2026. Programmation musicale :  La chanteuse franco-algérienne Souad Massi et son titre Samt, de son album Zagate qui sortira en mars 2026.

«Je voulais faire quelque chose de poétique, chercher de la hauteur. [...] Avec ces oiseaux, je voulais m'éloigner de mes autres pièces, où il y avait souvent des cris, des blessures ouvertes, [...] je voulais chercher un langage plus aérien, pour aller plus loin sur ce que je voulais dire sur la situation d'aujourd'hui à Gaza.» La pièce Au nom du ciel de Yuval Rozman est une fable qui a pour point de départ des recherches ornithologiques sur les espèces d'oiseaux qui n'arrivent pas à se partager le territoire au Proche-Orient. Elle met ainsi en scène trois oiseaux – un bulbul, une drara et un martinet noir – qui, depuis le ciel de la Cisjordanie, observent la violence et l'absurdité du monde des humains, en tentant de comprendre et d'expliquer l'assassinat d'un jeune Palestinien autiste, Iyad Al-Hallaq, tué en 2020 par un soldat israélien. Le spectacle nous plonge dans une ambiance à la fois grave et drôle, où l'ironie surgit pour mieux désamorcer la tension des sujets abordés, en puisant dans «un langage plus léger».  À lire aussiYuval Rozman, un cœur israélien Invité :  ► Yuval Rozman, auteur, metteur en scène et comédien israélien installé en France depuis le début des années 2010. Formé au Conservatoire national d'art dramatique de Tel-Aviv, il fonde en 2010 sa première compagnie et se fait remarquer dès son premier spectacle, Cabaret Voltaire. Son travail est profondément marqué par son histoire personnelle et par les tensions de la guerre israélo-palestinienne, et explore les questions d'identité, de religion, d'amour et de politique à travers une écriture mêlant «humour acide» et poésie. En France, il crée la compagnie Inta Loulou et un cycle de créations appelé la «Quadrilogie de ma Terre» — Tunnel Boring Machine, The Jewish Hour, Ahouvi et Au nom du ciel — dont Au nom du ciel est le quatrième opus.  ► La pièce de Yuval Rozman se joue jusqu'au 20 décembre 2025 au Théâtre du Rond-Point à Paris, puis du 13 au 17 janvier 2026 au Théâtre 104 à Paris, et partira en tournée en France et en Belgique jusqu'à fin avril 2026. Programmation musicale :  La chanteuse franco-algérienne Souad Massi et son titre Samt, de son album Zagate qui sortira en mars 2026.

This week I'm joined by a true trailblazer in the underground electronic and avant-garde scene—Adi Newton, founder of Clock DVA and TAGC. In this episode, we're diving deep into the newly remastered re-issue of White Souls in Black Suits, Clock DVA's groundbreaking debut album that helped define the darker, experimental side of post-punk electronics.Adi takes us behind the scenes, sharing unforgettable stories from the chaos and excitement of past tours and live shows. Plus, we journey back to 1970s Sheffield, where the city's industrial decay sparked a surge of radical creativity. We explore the early days of the electronic scene that shaped Clock DVA—an era of DIY experimentation, boundary-pushing collaborations, and performances with other visionary artists like Cabaret Voltaire.

This playlist is 65% vinyl friendly. Very poor. Scorchio! ‘1960/1970 Vintage Stereo Design Record Player, in bright orange, the emblematic colour of the 1960 and an example of Mod Ultra Space Age Pop Art Raymond Loewy? France French Designer Museum-worthy‘ says the Etsy seller, adding ‘It has a few cracks, one of the speakers has a small tear in the cloth and may need an overhaul, a full check up to see how and if it works and if it is complete… WE HAVE NEVER TRIED TO USE IT AND I DO NOT KNOW IF IT WORKS OR PLAYS.‘ Thank flip it’s down to €4600, from €7100. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. And a bit of a croak in my voice here and there. A temporary glitch, hopefully. Lyric of Playlist 146 Trickery involved but it has to be The Bots! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Ruined In A Day (Reading Festival, 1993) – In Concert – 577, CD – BBC Transcription – 1993 I and my four-year-old, Alice were there, on what was a triumphant return, with the wonderful ‘Ruined’ in amongst new numbers from the band’s then recently released Republic album nobody would have previously heard in a live setting. BBC Transcription Services recordings – produced to service radio stations and usually for a very limited time frame for broadcast – had moved from vinyl to CD but with runs still only in their low hundreds New Order completists would be struggling to own a copy of this one… and I don’t. 04.42 MERIC LONG – A Small Act Of Defiance – Kablooey, LP – Polyvinyl Record Company – 2025 Book-ending a bunch of releases through the years as a member of The Dodos, Kablooey is seemingly Long’s first solo release under his own name since 2006. 07.43 BIOCHEMICAL DREAD – False Kings Of The Earth – 12″ – Pulsolid – 2004 Besides his work with Cabaret Voltaire this 12″ demonstrates there are gaps in my knowledge of Richard H. Kirk’s lengthy discography elsewhere. A copy of ‘False Kings… ‘ however is currently heading my way. RIP, Richard. 13.21 DARKSIDE – One Last Nothing – Download only – Matador – 2025 Including a past member of the 41 Rooms playlist parish, Nicolas Jaar, a US trio currently NOT releasing a 12″, though their Bandcamp visual hints otherwise. 18.32 AGENTS WITH FALSE MEMORIES – Agents With False Memories (extract), CD only – Ash International / Soleilmoon Recordings – 1996 Extract, indeed as Richard H. Kirk promptly returns to show 146 with this four minute snippet from a 53 minute track. 22.34 HUMANIZER – Shinobi – ? – ? – 2000s? Ignoring the slight Liam Gallagher drawl and with zero connection to any Death Metal band of the same name, this might have been Manchester sourced… and maybe with a Peter Hook connection. That’s what I’m vaguely remembering… from over a decade ago. Dunno… A ‘demo’ version, minus vocals, might also get an outing here at some point. 27.08 DIFFERENT GEAR – A Little Bit Paranoid (Extended Mix) * – 12″ – City Rockers – 2002 Courtesy of a ‘Phil Dirtbox’, the vocal is the winner here. 32.59 MERZ – Sorrow In The Sky (Nightingale Vs The Crow) – 7″ b-side – Lotus Records – 2002 The stuff that people sing about… and here with gusto and passion, to boot! 36.55 LUSCIOUS JACKSON – Why Do I Lie? (Sessions at 54th, 11.97) – Stream only – 1997 Vocalist, Jill Cunniff’s tale of lying sounding best live! 40.13 THE POPPY FAMILY – I Was Wondering – 7″ – London – 1971 A bit of a strange arrangement, this one. Albeit with a key change in there – verses with no choruses! Weird and wonderful… and maybe a bit brave in the pop world of the early ’70s, where the only PF track I remember hearing as a young teen was Which Way Are You Going Billy? That won’t be getting a 41 Rooms spin. 42.43 SOPHIE JAMIESON – Camera – I Still Want To Share, LP – Bella Union – 2025 Being over in Brighton recently it seemed appropriate I buy her clear vinyl album from the Bella Union shop and re Camera? It’s the subtle build in Sophie’s vocal and she’ll be here again at some point. 46.59 MARTYN BATES – The Rhyme Of Miracles – Arriving Fire, CD only – Ambivalent Scale – 2014 Martyn instils presence in a tune like few others for me. 50.28 JOSE FELICIANO – First Of May – 7″ b-side – RCA – 1969 ‘Feliciano seems to be on a heavy Bee Gees kick… after ‘Marley Purt Drive,’ he now does ‘First Of May’ and ‘Gotta Get A Message To You.’ And with his highly stylised projection, Jose manages to make them sound totally removed from anything the Gibb brothers originated’. – Disc (edited review of the album, 10 to 23), 15.11.69. As far as I know the Bee Gees tune was only ever released on a 7″ (my ‘format of choice’) for Jose in Mexico, New Zealand, Philippines and Spain and never as an A-side and arranger, Al Capps most probably winced if he ever got to see the NZ pressing below. Strangely, Jose’s very rarely performed the song live. I’ve only noted it three times, including two at London’s Jazz Cafe, in 1996 and again in 1998 and at the former it surfaced nearly under duress. With the audience (maybe unsurprisingly) constantly shouting out for past JF favourites Jose countered, ‘You know there’s a lot of songs you people ask me for that unfortunately… and I’m not being rude, a lot of artists are rude, they do it on purpose, but some of the songs that you ask me to sing, do you know that I haven’t sung them in years and I’ve forgotten the words and rather than make an ass out of myself that’s why I don’t sing them, OK? So, don’t take it personal… I don’t sing those songs anymore. But I’ll tell you what though there’s some that you ask for that I do remember, like this one. I hope that this one will satisfy you.’ That rare sighting was even more surprising considering Jose had taken the rare move of including his own recording of the song when guesting on Brian Matthew’s My Top Twelve for BBC Radio 1 back in June 1974. 54.11 JAPAN – Alien – Quiet Life, LP – Ariola Hansa – 1980 Bedford: Heronscroft, Putnoe, 1980 and Winkles, 1981… with a few Japan gigs thrown in at the time. 58.47 JOHN CALE – Chinese Envoy (M:FANS) – M: FANS, 2 LP – Double Six – 2016 ‘Approached as a reinterpretation of Cale's 1982 improvisational album, Music for a New Society… M:FANS is something of a funhouse mirror reflection of that work, using the basic song-structures of the original album as a starting point and using time, experience and the technological advances of the ensuing years to bring a new focus to the tunes. Some selections are comfortably familiar, while others have a significantly different footprint‘. – KCRW 01.02.32 ICEHOUSE – No Promises (Dance Mix) * – 12″ – Chrysalis – 1990 Fully five years after the track had seemingly done its thing it got an extended outing in Spain. 01.07.58 DAVID BOWIE – This Is Not America (BBC concert) – Bowie At The Beeb, 2CD – EMI – 2000 Part of Bowie’s special set for a small invited audience at the BBC’s Radio Theatre, in London, June 2000. 01.11.29 JOHNNY KEATING – Theme from Z-Cars (Johnny Todd) – 7″ – Piccadilly – 1962 Did I realise the grittier scripts involved here than had been delivered by Jack Warner’s strolling forerunner, Dixon Of Dock Green? Nah, I was five when Z-Cars kicked off but the theme (based on the traditional folk song, Johnny Todd) still brings a fuzzy feel. And Wikipedia will give you the full story on why Everton FC players come out to the tune at home games. 01.13.22 MARC COHN – ‘Walking in Memphis (Mahna Mahna)’ – Stream only – 1990’s? Cohn definitely wouldn’t have seen this coming, as the self proclaiming Mahna Mahna and the Snowths duo upstage him in a short but cheeky mashup (of sorts) I happened on via Youtube a couple of decades ago. I’ll openly admit I was a Muppets fan when they first aired on UK TV back in the mid ’70s and with Statler & Waldorf the stars for me I remember walking my girlfriend of the time, Jill home from work and then running up the hill to my house to record the show. Pre the age of video recorders, at one point there was a stack of ten to twenty AGFA(!!) cassette tapes of the shows in my bedroom. Getting back to Cohn, the fact he’s ‘racing’ a bit here actually adds to the cheeriness and I salute whoever was involved. 01.14.44 BERNARD CRIBBINS – The Hole In The Ground – 7″ – Parlophone – 1962 And like the Z-Cars theme I was five when this was released and I’d have definitely been singing this one in the years close after – and weirdly, although it’s the second tune from ’62 on this show, it’s not the last. 01.16.27 THE BOTS – Fuzzy Math – George W. Bush Greatest Hits, v/artists, CDr only – Spin The World – 2004 I heard this cut and paste work of art somewhere around its ‘release’ and as of 2004… ‘… utilizing the revolutionary Presidential Truth Filter(PTF). The PTF operates like this: All presidential statements are recorded, and made into a huge database. The database is searchable by speech, phrase, keyword, emotional intensity, etc. In parallel, an analysis is made of the historical circumstances of the particular presidency. The question must be asked, what is this man (all men so far…) really all about? What is a defining characteristic of this presidency? The final question which must be addressed by the PTF is, how can we use the assets in the database to concatenate the truth, and make the President speak it? The first attempt was Bushwack, in 1992. This turned into a huge hit before the Presidential election in 1992, though BMI denied that it was ever on the air at all. Through October of that year, stations such as San Francisco’s Live105 were playing it almost hourly. In 1997 Rock The House was a popular download at an early digital music download startup, muzic.com. In 2003 Bushwack2 was released at about the start of the Iraq war. The mood of the song is quite grim, as the truth of those times was interpreted by the PTF. In 2004, the PTF was reprogrammed to emphasize economics and general silliness, and Fuzzy Math was born. We think it’s the best one yet. Judge the results for yourself’. – thebots.net 01.19.26 DREXCIYA – Black Sea – The Journey Home, 12″ EP – Warp – 1995 First heard on either of Colin Faver’s or Colin Dale’s techno shows on KISS FM. Sounds more likely it was the former. 01.24.58 E-DANCER – Heavenly * – 12″ – KMS – 1997 The Inner City (‘Big Fun’) man, Kevin Saunderson with his techno head on. 01.28.51 CHARLES WEBSTER – Your Life * – 12″ – Peacefrog – 2000 Pitched up a bit (‘+3%’ says my file iD) this is a class slice of soulful techno/house. 01.33.11 CHARLOTTE DAY WILSON – Selfish – Download only – Stone Woman Music – 2025 This r&b musician has been around for a decade or so but I wouldn’t have guessed, judging by this slight departure to a ’90s UK garage feel (first half anyway). It suits her. 01.36.48 BENCH – Felice – Bliss, 2LP – Cylinder Recordings – 2000 The fifth appearance on 41 Rooms to date for this pretty much forgotten duo. 01.39.36 BLUE STATES – Your Girl – 12″ EP – Memphis Industries – 1999 First heard on a compilation CD a mate of mine, Sid put together, of fave tracks forwarded by mates of his. Not their own tracks, you understand. 01.43.45 THE MIRACLES – I’ll Try Something New – 7″ – Tamla – 1962 Hellfire! Those breakdown strings mid way are a bit of a jolt! Easy, Smokey! Writer, Robinson’s own version is actually the third to make it to 41 Rooms and his vocal arrangement sounds more like a remake than either Kiki Dee’s ‘straighter’ take or even the Supremes and Temptations stab at the song, when chronologically they both followed this Miracles single. 01.46.14 SMITH & MUDD – Blue River – 2LP – Claremont 56 – 2007 Electronic… downtempo… shuffling… drifting… or maybe flowing. 01.48.38 MERZ – A.M. (Good Morning) * – Single-sided, white label 12″ only – 1995 The second artist to return this show, multi instrumentalist and songwriter, Conrad Merz and his at times very idiosyncratic vocal (‘Many Weathers Apart’, for instance) seem to have trodden their own path through the years. 01.53.45 CRAIG ARMSTRONG (feat ELIZABETH FRASER) – This Love (& The Life That I Have) * – 41 Rooms Soft Mash Up only – Early 2000s I grabbed the extra voice – Virginia McKenna as Second World War spy Violette Szabo, reading the code poem The Life That I Have at the end of the film Carve Her Name With Pride – fully thirty plus years ago and I had a stab at floating it over This Love a long time ago but recently had another go. Aided by Jazz The Glass, we pitched her down slightly and then I took out a chunk of the poem in the second half. Not that it’s going to happen but I reckon it would need the song itself re-arranged/edited to work perfectly but methinks the idea is still a cool one. Show 147 hopefully surfaces Jan 4. Dec x The post Post Punk Plus Podcast Playlist 146 – Original upload 7.12.25 appeared first on 41Rooms.

SPK, along with Throbbing Gristle, Cabaret Voltaire, were pioneers in the early industrial music scene.  Graeme Revell and Neil Hill founded the band in Sydney back in the late 70's and have influences a legion of industrial and extreme music artists.  Graeme returns with his son Robert with the next chapter of SPK with SPKtR, which promises to be the most ferocious incarnation of the band to date.  Additionally, Graeme has released The Ineffable Geometry of Light a novel that is part science fiction and part historical fiction focusing on philosophy and technology.   Intro:    “All the Dark Things” – Mike Hill Outro: “Suture Obsession” – SPK

Durante décadas, Agustín Gómez Arcos fue uno de los autores más leídos en Francia y uno de los más silenciados en España. Era andaluz, homosexual, hijo de republicanos, dramaturgo censurado y novelista radical. Aquí lo borraron pero allí lo celebraron. En Madrid lo condenaron al exilio pero en París lo leyeron en el metro. Rescatamos su figura y su obra a través del documental ‘Un hombre libre', de Laura Hojman y la editorial Cabaret Voltaire, que ha editado sus obras en español. Charlamos también con el historiador Moisés Fernández-Cano, presidente de la asociación MariCorners y con el dramaturgo Paco Bezerra sobre represión y creación en el exilio. Y nos despedimos con entrevista a Sergio Rodrigo, director del documental “Jornaleros: el mal patrón”, el primer true crime sobre migraciones, a cargo de Entre Fronteras y Producciones del K.O. Más información aquí: https://bit.ly/ArcosCC1586 Haz posible Carne Cruda: http://bit.ly/ProduceCC

EEpisode 765: October 23, 2025 playlist: Soft Cell, "Ghost Rider (with JG Thirlwell and Gary Barnacle)" (Ghost Rider (2025 Version)) 2025 Big Frock sugar plant, "Anything" (Anything / Calling) 2025 KiliKiliVilla Tortoise, "Layered Presence" (Touch) 2025 International Anthem Sugar, "House of Dead Memories" (House of Dead Memories) 2025 Granary The Soft Pink Truth, "Time Inside the Violet" (Can Such Delightful Times Go On Forever?) 2026 Thrill Jockey Odonis Odonis, "Come Alive" (Odonis Odonis) 2025 Royal Mountain Mermaid Chunky, "cacila (Justin Strauss en La Piscina Remix Edit)" (cacila (Justin Strauss en La Piscina Remix)) 2025 DFA Arvo Part, "Vater Unser (Arr. for trombone and string ensemble)" (Silentium) 2025 Mississippi Barry Adamson, "Scala Posters (Mondo Bongo)" (SCALA!!!) 2026 Mute Patrick Cowley, "Spellbinding Lover (feat. Jeanie Tracy)" (Hard Ware) 2025 Dark Entries Cabaret Voltaire, "This Is Entertainment" (The Voice Of America) 1980 Rough Trade Nadja, "Dark, No Knowledge" (Cut) 2025 Broken Spine Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Syntec – “Talk To The Upper World (Club Mix)”, 2000. Haujobb – “Antiversion (Remix)”, 1997. Fictional – “Former Occupants”, 2000. ECO – “Abschnitt 3”, 2010. Klinik – “Moving Hands (Tim Schuldt Mix)”, 2001. Velvet Kills – “Blood Money”, 2021. Propaganda – “The Lesson”, 2002. Cabaret Voltaire – “Sensoria”, 1984. Underworld – “Birdstar”, 1993. Mufti – “Bestialic Beat”, 2020. The Populists – “Le Gouffre”, 2019. Apoptygma Berzerk – “Kathy’s Song (Litteraturhuset Versjon)”, 2020. The Wide Eye – “Ascendant (Atomsömn Remix)”, 2020. PolyDROID – “Ode To An Android”, 2016. Website link: https://skullandcrossfades.com/strangled-by-the-look-of-his-eyes

'Los nuevos' del argentino Pedro Mairal (Destino) ya está en la Biblioteca de Hoy por Hoy. El autor de 'Una noche con Sabrina Love' o 'La uruguaya', entre otras novelas de gran éxito, nos presenta en Hoy por Hoy la historia de tres jóvenes (Thiago, Pilar y Bruno) que cruzan la difícil línea que separa la adolescencia de la adultez. Ese momento en el que sales del paraíso y la protección para adentrarte en una realidad hostil en la que hasta la familia más cercana se alía con los enemigos.  Es el momento de enfrentarse a situaciones que en la mayoría de las ocasiones ni has elegido. Es una gran novela en la línea del escritor argentino, de Pedro  Mairal, que además nos ha donado una de sus lecturas más adolescente, 'El guardián entre el centeno'  de J.D Salinger (Alianza). Además de 'Los nuevos' , nuestro bibliotecario Antonio Martínez Asensio nos contó en tres minutos la novela 'Otra vuelta de tuerca' de Henry James (Alianza) y nos recomendó el libro que narrará en su programa "un libro, una hora":  'Las hermanas bunner' de Edith Wharon (Contraseña ). En el capitulo de novedades , el empleado Pepe Rubio nos trajo 'Vaim' de Jon Fosse (Random House), la última novela del que fuese Premio Nobel en 2023. Y ya que hablamos de Nóbel, esta semana hemos conocido  el de 2025 de literatura que ha recaído en el húngaro Laszlo Krasznahorkai  que publica en España con Acantilado y hemos citado algunos de sus libros: como 'Melancolía de la resistencia ', 'Guerra y guerra ' y el último , de 2024, 'El barón Wenckheim vuelve a casa '.  El libro perdido que ha rescatado Pascual Donate, en este caso de un centro de salud, fue 'El espejo de los espías' de John Le Carré (DeBolsillo). Y finalmente los oyentes donaro dos libros y una trilogía: 'El camino' de Miguel Delibes (Austral) , 'yo, el fram' de Javier Cacho (Fórcola) y la trilogía  de Leisla Slimina que conforman 'El país de los otros', 'Míranos bailar' y 'Me llevaré el fuego', las tres editadas por Cabaret Voltaire. 

One of my interests that started well before I started this podcast - so we're talking maybe 8/9 years ago - was what sort of characteristics and attributes do we need as people to get stuff done in a world that was becoming more complex, uncertain, volatile and ambiguous. Fast forward 7 or 8 years to now and that world has changed at a pace that I'm not sure many predicted. One aspect of music that always intrigued me was how bands evolve. I'm not really talking about whether they evolve from one genre to another (although everyone knows that I really hate the notion of genres), but what they need as a band and as people to evolve. And I think curiosity has a big role to play here. That beautiful thing we're born with – you know, like when the next question from a small kid is always gonna be “but why?” - and gets kicked out of us at an early age by the establishment, cos hey, who in the establishment wants curious, challenging thinkers? Brian Amalfitano is with a band that I love dearly and epitomizes curiosity for new ideas, for new ways of doing things and one which in my opinion has a unique open mindedness for experimenting with sound and performance. Their recordings and live performances push sonic boundaries with as much significance as the early output of bands like Cabaret Voltaire, The Pop Group and early PIL in the late 70s / early 80s.And I have to say that they have a particularly unique ability to create an observant and prescient soundtrack that's scarily representative of a decaying world, in a similar vein to what The Dead Kennedys were able to create back in the 80's. In short. Listen to Deaf Club!https://www.iwannajumplikedeedee.comI Wanna Jump Like Dee Dee is the music podcast that does music interviews differently. Giles Sibbald talks to musicians, DJ's and producers about how they use an experimental mindset in every part of their lives.- brought to you from the mothership of the experimental mindset™- cover art by Giles Sibbald - doodle logo and art by Tide Adesanya, Coppie and Paste

This week on The Metro, Rev Jeff Ivins brings you more songs from the 1980s featuring: Eddie Money, Thomas Dolby, Human League, Nu Shooz, Lena Lovich, Colin Hay, Toni Basil, Boomtown Rats, INXS, Belinda Carlisle, Cabaret Voltaire, Bad Manners, ABC, Glass Tiger, Fine young cannibals, and finishing off with Phil Collins.

Episode 749: June 29, 2025 playlist: Four Tet, "Into Dust (Still Falling)" (Into Dust (Still Falling)) 2025 Text Nina Nastasia, "Happiness" (Songs for a World of Trouble) 2025 [self-released] Benoit Pioulard, "Xaire" (Stanza IV) 2025 Disques d'Honore House of Harm, "Carousel" (Carousel) 2025 [self-released] Illusion of Safety, "More Black Helicopters" (A Braindead Companion) 2025 [self-released] HAAi, "Satellite - with Jon Hopkins, Obi Franky, ILA and TRANS VOICES" (HUMANiSE) 2025 Mute Rozet, "I'll Manage" (Head) 2025 Young Art Kinga, "Sexy Boy (7" Remix Edit)" (Sexy Boy) 1989 / 2025 Dark Entries Pneumatic Tubes, "Yellow Green and Gold" (Runner's High) 2025 Belbury Music contagious orgasm, "soft sensitivity" (behind closed doors) 2025 Ant-Zen Hampus Lindwall, "A Bruit Secret" (Brace for Impact) 2025 Ideologic Organ Cabaret Voltaire, "Seconds Too Late" (Seconds Too Late) 1980 Rough Trade Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

The great Swiss city of Zurich is one of the more picturesque, pixel-burning European gateway destinations. Within minutes of exiting Zurich Airport, armed with my trusty Eurail Pass, I was blissfully whizzing into the city centre on a 10 minute train ride. Strolling across the cobbles of this time-honoured city in the crisp spring air, there's so much urban eye-candy to lift the spirit. I sized up the largest clock face in Europe, on the edge of the Limmat River. It's bigger than Big Ben. Riding the skyline, the historic tower of St Peter Church is imbued with a trusty timepiece, as are the oh-so punctual church bells that loudly reverberate across the Old Town from the four historic churches, including mighty Grossmunster Cathedral. No wonder everything runs to time in Switzerland. According to legend, Zurich's 13th-century landmark cathedral was founded by Charlemagne, built on the graves of the city's patron saints, Felix and Regula. It was also the starting place of the Protestant Reformation in Zurich. Culture is writ large in Zurich's Old Town, where the narrow-cobbled streets gave rise to the Dada art movement just over a century ago. I popped into Cabaret Voltaire, at Spiegelgasse 1, which was the birthplace of Dada and the avant-garde artistic movement in 1916. Absinthe is the drink of choice here, among Dada's ghosts. Strolling along Bahnhofstrasse, flanked by chic designer boutiques and swanky department stores, Café Sprungli deserves a pit-stop. This prized Zurich institution is rightly lauded for its heavenly macaroons and hand-crafted chocolates. They are like exquisite works of art – as were the Easter chocolate displays. It's like a bespoke art gallery in chocolate. Don't mind if I do. Further down the street, if feeling a little decadent, make a date with Teuscher for its famed champagne truffles. In a city of water and stone bridges, a top vantage point to survey the elemental landscape, above the twisting lanes of the Old Town, is the Lindenhof. This was the site of a former Roman customs house and fourth-century fort, perched above the water. Alongside soaking up the city vistas, this elevated park with its Linden trees and giant chess sets is the pitch-perfect spot for a cheeky picnic. The vast assortment of guildhalls is core to Zurich's backstory, and they're great fun to explore. In 1336, Zurich's first independent mayor, Rudolf Brun, established the guild laws, effectively shifting power from the abbeys to the merchant nobility. The handsome guildhalls, with all their intricate decorative features, lend themselves to a leisurely inspection. I started at the bakers' guild, in Oberdorfstrasse, before heading over the river's east bank to Niederdorf, to admire the guilds of the carpenters, builders, the food and wine dealers, the textiles and spice merchants, all along Limmatquai. Then, on Munsterhof, you've got mansions of the weavers, saddlemakers, painters and winemakers. In German-speaking Zurich, the street food tradition of wurst remains wildly popular – particularly for lunch. In the Old Town, tuck into some great sausage at Wursteria by Hinz and Kunz. This part-butcher shop and part deli serves up super spicy bratwurst in a fluffy bun. So good! As its name suggests, Cafe Conditorei 1842, on Napfgasse, is an old-school establishment, chock-full of sweet indulgence. Spanning four floors, food lovers can enjoy patisserie, cakes and hot drinking chocolate – they claim to be Zurich's best. On the ground floor of this historic confectioner's store, impressively decorated in neo-baroque style, you'll struggle to find a finer array of patisserie, cakes and tarts. I could have stayed there all day. And yes – the steaming mug of hot chocolate with whipped cream was magnificent. Speaking of chocolate, the Lindt and Sprungli factory has called Zurich home, since 1899. Seven years in the making, Lindt Home of Chocolate, was designed to complement the historic building and serve as a beacon to chocolate lovers everywhere. From cultivation to production, the interactive museum does a sterling job telling the story of Swiss chocolate making, not only about Lindt, but its predecessors. While the maze of white, milk, and dark chocolates is impressive, the Lindt Home of Chocolate also boasts another record: the world's largest chocolate fountain. Standing at about 30 feet tall, even Willy Wonka would be impressed by this show-stopper. Zurich is home to FIFA's world headquarters and in a bid to stop pesky football fans from loitering in the lobby, the FIFA Museum was created nine years ago, in the heart of town. Spread over three floors and loaded with interactive exhibitions, the FIFA Museum examines all aspects of the global game and how it passionately stirs people's emotions. Football is the great equaliser. Along with the original FIFA World Cup Trophy, the museum displays over 1,000 items of exclusive memorabilia and apparel, including the national shirts of all FIFA member associations. The original trophy, which features a gold statuette of Nike, the Greek goddess of victory, holding a cup, was permanently awarded to Brazil after they won the cup for the third time, in 1970. The current trophy contains 5kg of pure gold and its estimated value is over NZ$30m. A highlight amongst the interactive games gallery is the gigantic pinball machine, where you can test your own ball kicking skills. With the next World Cup just a year away and featuring the All Whites for just the third time, add this museum to your check-list. Creating quite a buzz in recent years, Zurich-West has been spectacularly transformed from a once scruffy industrial district. Emerging as a vibrant cultural quarter of trendy eateries and edgy art, factories have been repurposed as theatres and shipyards reimagined as art galleries. Viadukt is an exemplary example of the makeover, with a host of eateries, pop-up shops and art spaces housed inside the arches of the disused, 550-feet long railway viaduct. You'll also find Prime Tower here, a 35-storey skyscraper (Switzerland's tallest), serving up a panoramic treat across Zurich's rooftops, gleaming lake and snow-coated peaks beyond. Take in the sweeping scenery over a drink or two at Clouds Bar – and salute your return to Europe. The locals are very proud of the city's brilliant and bizarre festivals. In August Zurich hosts Street Parade, one of Europe's biggest celebrations of peace, love and electronic music, attended by millions of people. In a couple of weeks, the city grinds to a halt for Seschselauten. This annual April spectacle involves setting on fire a giant straw snowman called the Boogg. The time it takes for the Boogg's head to explode indicates whether it will be a good summer, apparently. The word is Zurich is in for a long, warm summer. Perfectly poised overlooking Paradeplatz, the city's most prestigious address, the Mandarin Oriental Savoy Hotel offers a stylish stay to remember, when in Zurich. Just steps from the city's iconic shopping sweep of Bahnhofstrasse, it's been just over a year since the Mandarin Oriental revitalised what has been Zurich's oldest grand hotel, reaching back to 1838. Elegantly and artfully refreshed, with a boutique hotel vibe, the 80 impeccably redesigned rooms and suites raise the bar on luxury and indulgence. There's four distinctive dining venues including the Michelin-starred Orsini, where the Italian fine dining experience is helmed by acclaimed two-Michelin starred Italian Consultant Chef Antonio Guida. Then there's 1838, the effervescent rooftop bar with its spell-binding panoramic vistas of the city, lake and serrated Swiss Alps. Plus Savoy Brasserie & Bar is a sure-bet for a stupendous breakfast, with an delightfully presented buffet selection, in addition to a la carte menu items. Accommodations take their design cues from the natural palette of Zurich, headlined by the artisanal hand-painted silk wallpapers, inspired by the aqua green and blue hues of the lake and sky, to the mist of the surrounding mountains. Meticulously crafted design elements and materials adorn the rooms. Accents of colour are also reflected in custom furniture and carpets. Principal materials include walnut as a common thread, touches of bronze and brass and enamelled lava together with the comfort of luxurious textiles. Throughout the hotel, I loved admiring the multitude of sculptural lighting fixtures and lamps. I stayed in the Munsterhof Suite, accentuating the sumptuous sense of comfort, glamour and space, loaded with indulgent touches. There's a personal cocktail bar, built-in headboards, sublime marble-clad bathrooms and expansive walk-in dressing areas. As is the case with all Mandarin Oriental properties, you'll soon get a sense of the strong local connection the hotel has with the city. Local artists are proudly showcased with numerous pieces of art to admire, throughout the hotel. Grab a peek at the storied meeting room on the second floor, which is still home to the Guild of Tanners and Shoemakers. These traditional Swiss craftsmen have been meeting here for over a century. Service personifies whip-smart Swiss efficiency and the charismatic staff are highly personable, outgoing and engaging. You'll struggle to find fault with this gorgeous hotel which has mastered the art of fusing contemporary comforts with timeless opulence and celebrating a deep respect for history, tradition and proud sense of place. www.mandarinoriental.com Grab a ticket to ride on the European railway network with a Eurail Pass. For over 65 years, Eurail Passes have enabled flexible borderless rail travel across Europe. 7000 Kiwis purchased such a pass last year, which gives you access to 30,000 destinations across 33 countries, allowing you to chart your own amazing rail adventure. On popular rail routes, it certainly pays to make a seat reservation in advance. Lock in your rail plans ahead of your trip, by booking tickets or a rail pass to suit with Eurail direct. The mobile pass is the way to go. The Eurail app is easy to navigate, packed with helpful information and benefits, network disruption notifications, and enabling you to check timetables, lock in bookings and seat reservations on the go, via your mobile. www.eurail.com Fly to Zurich with Cathay Pacific who operate ultra-contemporary A350-1000s, from Auckland via Hong Kong. The cabin air quality is decidedly better, the aircraft are noticeably quieter and I experienced minimal jet-lag. The extensive CX Entertainment system kept me suitably engaged with excellent movie and box-set selections, live news channels - all in vivid 4K, plus in-flight WiFi is available. www.cathaypacific.com Mike Yardley is our resident traveller and can be heard every Saturday with Jack Tame on Newstalk ZB. LISTEN ABOVE See omnystudio.com/listener for privacy information.

This episode features legendary electronic musician, producer and synth nut Benge.His works with John Foxx and the Maths and Hannah Peel are outstanding, also Wrangler, OMD, Blancmange and Creep Show with Mal from Cabaret Voltaire, John Grant and Phill Winter.He also runs a label - MemeTune Recordings, as well as a YouTube series MemeTune, semi-ironically exploring the history of synthesisers…Ladies and gentlemen - prepare to geek out - meet Benge.If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

Huríes es la novela con la que Kamel Daoud ganó el Premio Goncourt 2024. Un libro que rompe el silencio oficial impuesto en Argelia sobre su guerra civil y que señala la profunda desigualdad en la que viven las mujeres en el país del autor. La novela, lectura clandestina en Argelia, se publica en España en la editorial Cabaret Voltaire con traducción de Lydia Vázquez. Kamel Daoud ha hablado con RNE durante su visita a España.Informa Íñigo PicabeaEscuchar audio

Ce premier épisode s'intéresse à Ubu Roi d'Alfred Jarry, une pièce révolutionnaire qui a enflammé le public dès sa première en 1886. L'écrivain et compositeur Hélios Azoulay partage son analyse des moments où l'art défie les conventions. L'émission nous transporte également en 1916, à Zurich, au cœur du mouvement Dada et du Cabaret Voltaire, où Tristan Tzara et ses contemporains bousculent les normes. Enfin, le scandale du Sacre du printemps d'Igor Stravinsky en 1913 est évoqué comme un tournant majeur de l'art moderne. Une plongée fascinante dans ces événements où le choc et la provocation redéfinissent la création artistique. Réalisation Axelle Thiry. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Host Chuck Da Fonk refuses to argue against the politics of the day and entrenches himself with topical music from Thomas Dolby and Cabaret Voltaire before churning on to the most new music he's offered up in weeks including tracks by Yehan Jehan and Zadi - together as the project titled Quasi Qui, Franc Moody, Perfume Genius, One Half of Bent, Eddie Chacon, Mitch Murder and many more artists with hot fresh releases. Tune into new broadcasts of FSQ, Thursdays from 6 - 8 PM EST / 11 PM - 1 AM GMT. (Friday)For more info & tracklisting, visit: https://thefaceradio.com/fsq///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Roger talks about working with Mal and Richard of Cabaret Voltaire on their 1984 album 'Microphonies'. He also turns the spotlight on Bedford Boys Club, which was a successful alternative / indie music venue in the Home Counties in the early-to-mid-eighties.Intro and outro music by Simon Elliott-Kemp.Artwork by Rionagh.Edited by Nigel Floyd.Sound FX courtesy of Freesound.orgWith particular thanks to:Rock drums - Big Joe Drummer.Kick and bass techno 2 - Frankum.Summer ambience - Klankbeeld.Space blaster - Suonho."Tension" - ERH.Drum loop (120bpm) - Wave Play SFX.Stezzer break-beat (130bpm) - Snapper 4298.Audience cheer - Bee Productive.Reggae bass - Zulu One Drop.Elektro Dub - Geek Horde.808 (120bpm) - Daytripper 13."Mono Creation" - Gis Sweden.Send us a textNever miss an episode.Follow me at: Blue Sky @rogerquail.bsky.socialYouTube https://www.youtube.com/@rogerquailReddit u/TheMoshOfGhostsFacebook https://www.facebook.com/roger.quail.3Instagram https://www.instagram.com/rogerquailRSS feed - https://feeds.buzzsprout.com/289673.rss

'Bad Hombre' de Pola Oloixarac (Random House) es una novela , podría ser un reportaje, pero se impone la ficción que no afecta a los hechos. Podemos darle muchas vueltas al género literario de este libro, pero lo que es seguro es que no va a pasar desapercibido. Pola no se corta y entra de lleno en las polémicas cancelaciones de hombres que tienen que ver más con sospechas que con hechos, con las condenas que no hace falta probar. Ella cree que este tipo de acciones hacen un flaco favor al feminismo. Sabe que su libro es provocador, pero no le importa. Ella narra historias que le han contado hombres y mujeres que son o fueron de su entorno o que se pusieron en contacto con ella. Es una novela con la que acabas discutiendo ¿Pero acaso no es bueno debatir? Seguro que sí. Además de su libro, Pola Oloixarac nos ha donado dos libros que cree que todo el mundo debe leer: 'El mundo deslumbrante' de Siri Husvedt (Seix Barral) y  'Pálido fuego' de Vladimir Nabokov (Anagrama) . Antes, Antonio Martínez Asensio, nuestro bibliotecario, nos trajo 4 libros relacionados con la actualidad: 'Sobre la tiranía: 20 lecciones que aprender del siglo XX " de Timothy Snyder (Galaxia Gutemberg),  'El valle de las flores' de Niviaq Korneliussen (Sexto Piso),  'Hojas de hierba' de Walt Whiman (Alianza) y 'Matar a un ruiseñor' de Harper Lee (Harper Collins). En el capítulo de novedades, Pepe Rubio trajo dos y un premio. Las dos novedades: 'Una vida ' de Alejandro Palomas (Destino) y 'Orbital' de Samantha Harvey (Anagrama). El premio, el Alfaguara 2025 que se acaba de fallar: 'Arderá el viento" de Guillermo Saccomano (Alfaguara). Del programa 'Un libro una hora' de Martínez Asensio nos quedamos con 'La flecha negra' de Robert Louis Stevenson (Alianza Editorial). Y finalmente los oyentes de Hoy por Hoy nos han donado 'El bosque animado' de Wenceslao Fernández Florez (Austral) y 'La verguenza' de Annie Ernaux (Cabaret Voltaire y Tusquets) 

【主播的话】Hi 朋友们，这个长假你去旅行了吗？今年 7 月份，不合时宜受到了瑞士国家旅游局的邀请，在苏黎世和琉森进行了一次深度的艺术和文化之旅。这次的行程以艺术和音乐为主线，也让我们从艺术这个视角更立体地了解了这个国家。瑞士的城市常年被评为世界上最宜居城市，同时它也是欧洲对于移民要求最高的国家。你是否也曾想象过在瑞士旅居一段时间？这期节目我们与旅居瑞士二十多年的艺术行业从业者宋云龙一起，和大家聊聊在瑞士的艺术与生活。在这期节目中你会听到，苏黎世和琉森这两座独特的瑞士城市值得深入游览的文化和艺术景点；从旅行和长居的不同角度如何理解瑞士这个国家独特的历史与文化；瑞士中立国原则的争议及背景；瑞士艺术教育体系的特点以及移民瑞士生活学习的体验。【本期主播】若含：微博@_R若含王磬：微博@王磬【本期嘉宾】宋云龙：居住瑞士超过20年的华人，艺术行业的从业者，导演。【本期剧透】2:29 瑞士小城琉森：古老历史与现代建筑的交融7:03 务实又含蓄的瑞士人10:49 除了“贵”以外没有任何毛病的国家12:50 一个没有战争痕迹的国家14:43 小城达沃斯：国际会议圣地18:26 瑞士建筑与城市的动物形象27:23 苏黎世美术馆新馆：策展背后的历史反思34:27 罗森加特私人美术馆：毕加索与女收藏家40:20 瑞士艺术的百花齐放与外来语言文化影响43:56 云龙：求学经历与瑞士艺术的教育模式50:53 艺术领域的就业与瑞士的职业模式01:00:50 瑞士移民的建议和体验【相关阅读】琉森（又名卢塞恩）：瑞士中部卢塞恩州的首府，位于德语区，位于卢塞恩湖畔。由于其美丽的自然风光和独特的人文情怀成为重要的旅游城市。琉森文化会议中心（KKL）：位于瑞士琉森，多功能的建筑，其音乐厅具有高质量的声学效果，由此被评价为世界百大厅院之一。由法国建筑师让·努维尔设计，于1998年落成。罗森加特私人美术馆：位于瑞士卢塞恩的一座非常特殊的美术馆，三百多件馆藏艺术品全部来自一对父女的收藏，藏品几乎涵盖了23位最著名现代艺术大师，包括毕加索、保罗·克利、塞尚等。博物馆的创始人安吉拉·罗森加特达沃斯：瑞士著名的小镇，以其滑雪胜地和每年举行的达沃斯世界经济论坛而闻名，吸引了来自世界各地的政治和商业领袖。垂死狮子像：位于瑞士城市琉森的一座负伤狮子的雕像。由丹麦雕塑家巴特尔·托瓦尔森设计，用以纪念1792年8月10日在保卫巴黎杜伊勒里宫的战斗中作战的1100多名瑞士雇佣兵。苏黎世美术馆：位于瑞士苏黎世的一座美术馆，收藏自中世纪至当代的美术品，主要为瑞士美术品。是瑞士最重要美术馆之一，其建筑本身也有很高的价值。伏尔泰酒(Cabaret Voltaire)：位于瑞士苏黎世，它是由雨果与他的同伴艾米·翰宁斯，创立于1916年2月5日。其他创始成员有马塞尔·詹科、理查德·胡森贝克、特里斯坦·查拉、和汉斯·阿尔普。达达运动的发祥地。【本期音乐】片头：Kevin MacLeod-BeBop for Joey片尾：Kevin MacLeod-Connecting Rainbows【Logo设计】刘刘（ins: imjanuary)【文字】含之【后期制作】方改则【互动方式】小红书@不合时宜微博@不合时宜TheWeirdo商务合作可发邮件至hibuheshiyi@126.com或私信 hibuheshiyi2会员计划咨询可添加微信：hibuheshiyi2或发送邮件至hibuhehsiyi@gmail.com

Hemos reivindicado la escritura de Agustín Gómez Arcos, autor español exiliado a Francia por el franquismo, porque siempre es buen momento para hablar de él y porque Cabaret Voltaire acaba de publicar todo su teatro, hasta ahora inédito en España. Charlamos con Antonio Duque, actor, director, escritor y amigo de Gómez Arcos, también con Miguel Lázaro, coeditor de Cabaret Voltaire, y con Laura Hojman, directora de cine que prepara una película sobre Agustín. Volvemos a San Sebastián porque presenta película Costa-Gavras y compite con ella, con 'Le dernier souffle', para conseguir la Concha de oro del festival. Seguimos con Muriel Romero, director de la Compañía Nacional de Danza, que ha hablado con nuestra compañera Olga Baeza. Y nos vamos con Martín Llade y una obra inédita de la juventud de Mozart. Escuchar audio