Podcast appearances and mentions of Juan Atkins

“God said, give 'em drum machines—and see what happens.” That's the dream Mike Huckaby shared, and it's the heartbeat of God Said Give 'Em Drum Machines, the acclaimed documentary by Detroit filmmaker Kristian Hill that restores techno's true story—deeply rooted in Black Detroit creativity, culture, and resilience. “We had a grocery store on Hastings Street. My grandfather ran numbers,” Hill recalls, grounding his storytelling in generations of Detroit legacy, from his grandmother Mabel White teaching home economics at Kettering and cooking for Aretha Franklin, to DJing with friends like Al Ester and parking cars outside Cheeks while legends like Jeff Mills and Stacey Hale spun inside. The film traces the untold journey of techno's pioneers—Juan Atkins, Kevin Saunderson, Derrick May, Eddie Fowlkes, Blake Baxter, and Santonio Echols—as Hill and his team follow the music from Detroit to Amsterdam, Japan, South Africa, and even Nizhny Novgorod, Russia, where locals called it “the Detroit of Russia” and clubs pulsed with Detroit's sound. “We got the stars,” Hill says, referring to the Belleville Three and others, “but nobody ever tells the story.” Fueled by years of footage and shaped in long, late-night edit sessions, the documentary is not only a cinematic reclaiming of techno's Black roots but a personal odyssey of creative purpose. “It's not just a link. It's an experience,” Hill emphasizes, reminding audiences that this is more than a movie—it's Detroit history set to a beat that moved the world. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

Chris sits down with dance music producer and DJ Kevin Sanderson to discuss his life and career from his early years in New York to moving to Michigan through to teaming up with Juan Atkins and Derrick May in the Belleville Three. How to DJ is a Listening Dog Media production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1994, Fuse opened its doors on the Rue Blaes in downtown Brussels. From early on, this nightclub attracted Detroit techno pioneers Carl Craig, Jeff Mills, and Juan Atkins and cutting-edge French innovators like Laurent Garnier and Daft Punk. Over time, Fuse became one of the most important clubs on the European techno scene and, to celebrate its 30th birthday last year, Koen Galle published Fuse: 30yrs Of Making Noise (AfterClub, 2024). In this recording of a live event, Galle talks to Simon Taylor about the glory days of Fuse and what has made it one of the longest-surviving clubs in Europe – outlasting and predating more famous venues like Trezor and Bergheim in Berlin. Formerly a DJ, Koen Galle founded publishing house AfterClub to uncover stories about Belgium's rich electronic music culture and nightlife.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1994, Fuse opened its doors on the Rue Blaes in downtown Brussels. From early on, this nightclub attracted Detroit techno pioneers Carl Craig, Jeff Mills, and Juan Atkins and cutting-edge French innovators like Laurent Garnier and Daft Punk. Over time, Fuse became one of the most important clubs on the European techno scene and, to celebrate its 30th birthday last year, Koen Galle published Fuse: 30yrs Of Making Noise (AfterClub, 2024). In this recording of a live event, Galle talks to Simon Taylor about the glory days of Fuse and what has made it one of the longest-surviving clubs in Europe – outlasting and predating more famous venues like Trezor and Bergheim in Berlin. Formerly a DJ, Koen Galle founded publishing house AfterClub to uncover stories about Belgium's rich electronic music culture and nightlife.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 1994, Fuse opened its doors on the Rue Blaes in downtown Brussels. From early on, this nightclub attracted Detroit techno pioneers Carl Craig, Jeff Mills, and Juan Atkins and cutting-edge French innovators like Laurent Garnier and Daft Punk. Over time, Fuse became one of the most important clubs on the European techno scene and, to celebrate its 30th birthday last year, Koen Galle published Fuse: 30yrs Of Making Noise (AfterClub, 2024). In this recording of a live event, Galle talks to Simon Taylor about the glory days of Fuse and what has made it one of the longest-surviving clubs in Europe – outlasting and predating more famous venues like Trezor and Bergheim in Berlin. Formerly a DJ, Koen Galle founded publishing house AfterClub to uncover stories about Belgium's rich electronic music culture and nightlife.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

E ae!Welcome to Deep Space Podcast - 15 years! Many thanks for listening. One more episode on early access to Spatial Listeners! It's out now week492 featuring 2nd hour exclusive guestmix by DJ ZEB K (Michigan, USA). Welcome to the podcast once again and thanks for the second exclusive guest mix, bro!Zeb is digital content manager and co-founder from Depth Charge Sessions.Please check all the links to Zeb at:https://www.twitch.tv/djzebk/about Subscribe now for early access to every episode plus for watching the Zeb's video recording mix on the exclusive page:https://deepspacepodcast.com/subscribe Enjoy the week492! Playlist:Artist – Track Name – [Label] 1st hour mixed by Marcelo Tavares1) LAAK - Obsolescence - [Austere]2) Fred Everything - Moonrise - [Lazy Days]3) Moonee - Interpretations - [Omena]4) Luvless - Set Adrift - [Tsuba]5) Ritz - Tomorrow Is Today's Dream (Lo-Fi Mix) - [Piston]6) Juan Atkins & Moritz von Oswald present Borderland - Zeolites - [Tresor]7) Till Von Sein - Keni - [Tilly Jam]8) DaRand Land - Remember The Violets - [Island Issues]9) Stimulator Jones - Night Walk - [Star Creature]10) Interesnye Oschuscheniya - Prosnutsia - [Minor Notes]11) Alex Attias - Perpetual Motion - [Visions]12) Groove Gorynych - Infinite Attraction - [ECOUL SND]13) Benjamin Fröhlich - Changing Energy - [Permanent Vacation] 2nd hour exclusive guestmix by DJ Zeb K (USA)1) Thabang Baloyi - Greyout - [Just Move]2) Mc4Len - Falling - [Just Move]3) Home-Mad Djz - The Power Of GOD - [Selville]4) Clive Arsene & Slctvtones - Expressions (Napsoul Magic Dub Mix) - [Deep Clicks]5) KIDPLUGG - Waterhunt - [Jive Afrika]6) Z.E.N - Shaori (Deeper State) - [Just Move]7) MKJay SA - One Life To Live - [Deep House Cats SA]8) Thabang Baloyi - CSS - [Just Move]9) Mc4Len - Lazy Saturday Afternoon10) Kamosoul - Shadow Warfare (Original Mix) - [DeepHouseCyphers]11) Synth-O-Ven - Enter The Digital (Digital Feel) - [Deep House Cats SA]12) Radic The Myth - Repture - [Laboria Park]13) Manu - Lazy Chords (Original Mix) - [DeepWit]14) The Great One Lose Beles - Bond (Original Mix) - [Ofiamar]15) Thabang Baloyi & Thabang Phaleng - OH! - [Just Move]16) Slctvtones - Keep On Keepin On (Original Mix) - [Deep Clicks]17) Thorne Miller - Just Stay - [Just Move]

With Peter Duggal & collaborators U96, Boris Blank, Thomas Vangarde, Juan Atkins, Anthony Rother, Emil Schult, Peter Hook! More interviews at http://www.popthehistorymakers.comWolfgang Flür, former member of Kraftwerk, who has worked with collaborator Peter Duggal since 2015, is set to release his new album, Times, on March 28, 2025, and a new single with Juan Atkins - the Detroit godfather of Techno, on Tuesday 11th March.If you want to watch this on YouTube go here;Wolfgang Flür drops TIMES. Massive electronic names work with ex-Kraftwerk drummerhttps://youtu.be/uXetTet3kJUTrack Listing;POSH (featuring Juan Atkins) Released Tuesday 11th MarchPLANET IN FEVER (featuring U96 & Emil Schult)CINEMA (featuring Fabrice Lig)FAR AWAYFUTURE ONE (featuring NEWMEN)ÜBER_ALL (featuring Peter Hook & Thomas Vangarde)MAGAZINE (Imppu Rework)PROPERTY (featuring Anthony Rother)TIMESGLOBAL YOUTH (featuring Boris Blank & Emil Schult)SEXERSIZER (featuring U96)HILDEBRANDLIED (featuring U96)MONDAY TO THE MOON (featuring Peter Hook & Thomas Vangarde)Times reflects Flür's evolution, blending his electronic roots with contemporary influences. Hosted on Acast. See acast.com/privacy for more information.

The 2024 Not A Diving Podcast Pledge Drive is now live!Sign up to the Musicality Tier on Patreon by Monday 16 Dec and receive a Not A Diving Club t-shirt!Thank you for your support, it makes this podcast possible. ---We've had a few legends of dance music on the show, but this week we welcome our first member of the Belleville Three.Along with Juan Atkins and Derrick May, Kevin Saunderson crested the first wave of Detroit Techno and birthed a global movement that persists to this day. Under his own name as well as a plethora of alias and groups including Inner City and E Dancer, Kevin made some of the most important tracks of any era of dance music.So of course this is an exciting episode. We talk about the forthcoming E Dancer record, working with his son who is now a member of that group as well as Inner City, as well as getting deep into the early era as well as his breakout success with Inner City.This is a great episode, you're going to love it. If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

durée : 01:28:02 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Au début des années 1980 émerge à Detroit une révolution musicale qui donne naissance à la techno. En 2000, "Surpris par la Nuit" donne la parole aux acteurs de cette révolution. Jeff Mills et Juan Atkinson, entre autres, racontent comment et où ils ont puisé leur inspiration. - réalisation : Massimo Bellini - invités : Juan Atkins; Jeff Mills Musicien; Richie Hawtin; Carl Craig

I stjärnbilden Pegasus ligger en hop med kolliderande galaxer som skapar gravitationsstörningar och instabilitet. En form av galaktisk kannibalism. De olika galaxerna dras allt närmare varandra, och efter ett antal sammandrabbningar kommer de att gå samman i en enda gigantisk galax. Lyssna på alla avsnitt i Sveriges Radio Play. I den sjätte och sista delen om George Clinton blir P-funkens massiva inflytande på populärmusiken uppenbart. När många trodde att P-funken var död gav hiphop den ett nytt liv. Parliament/Funkadelics status var redan hög bland Detroits technogarde. Bernie Worrells lir i nummer som ”Flash light” och ”Unfunky UFO” fick Juan Atkins att spela funk på synthesizers, och så föddes techno. Dr. Dre byggde sin ljudvärld på P-funk. Digital Underground hittade sitt lustiga sväng, och Andre 3000 i Outkast fann friheten.Vid sidan om möten med George Clinton innehåller avsnittet bland annat bitar från Mats Nileskärs intervjuer med Bernie Worrell, Garry Shider, Gary ”Mudbone” Cooper, Bootsy Collins, Malia Franklin (Parlet), Andre 3000, Afrika Bambaataa, Juan Atkins, Paris, James Brown, Abdul ”Duke” Fakir (Four Tops), Money-B (Digital Underground), Flying Lotus och Channel Tres.

Réécoutez l'Happy Hour DJ de Luuk Van Dijk du mercredi 16 octobre 2024 Tracklist : 01. Man-D.A & Keyb T. - House Music (LVD Edit)02. Jovonn & DJ Deep - Back in the Dark03. Visions ft Juan Atkins & Dianne Lynn - Is This Real? (Obsessive Club Mix)04. ??? - Midnight Show (Chris Stussy Edit)05. Luuk van Dijk - Aqui Con Migo (Youandwan Remix)06. S.A.M - Forever Rhodes07. Avon Stringer - Ron Hardy08. Halo - Primitive 09. D'Influence - Hypnotize (M.A.W. Piano Dub Mix) [CLOSE TO ME]10. Stacy Kidd - Jammin' (Luuk van Dijk Edit)11. Dina Carroll - Express (Xpressed Dub)12. Marius Acke - Tell Me - CrucialTraxx 213. Fabien D'Estival et Gregory - Am I Liked?14. Movin' Souls - Non Stop Jugglin' (Hey Gringo) (Original Club Version)15. Smart Alex - Mystery Black Notes16. MK All Stars - Bohemian Rhapsody (LVD Edit)

Linda Štepničková byla už od devadesátých let jednou z nejznámějších dýdžejek v Česku. Bývalá modelka a tanečnice se k elektronické taneční hudbě dostala během svého pracovního pobytu ve Švýcarsku už v polovině 90. let a velmi záhy se postavila i za dýdžejský pult. Podařilo se jí tak zachytit tu nejmasivnější vlnu zájmu o dýdžejskou kulturu, která vrcholila na konci 90. a začátku 00. let a své sety hrála doslova po celém světě. Včetně legendární berlínské Love Parade nebo velkých open air festivalů. Pod jménem Ladida pak vydala i několik alb a singlů především v žánru techno, který ji byl vždy z elektronické hudby nejbližší. O svých vzorech jako Derrick May, Juan Atkins nebo Carl Cox, s některými z nichž se i pracovně potkala, ale také o tom, proč už dnes nehraje striktně pouze z vinylů, hovořila v dalším On Air. Podívejte se na celý rozhovor. ON AIR je talk show hudebního publicisty Pavla Kučery s hudebníky a lidmi z hudební branže. Nový díl je uveřejněn každý týden na YouTube kanálu kytary.cz. Facebook: https://www.facebook.com/onairtalks Přehled starších dílů zde: http://bit.ly/VsechnyOnAirRozhovory Starší díly On Air si můžete poslechnout i ve formě podcastů zde: Spotify http://bit.ly/OnAirRozhovorySpotify Apple Podcasts https://podcasts.apple.com/cz/podcast/on-air #rozhovor​ #ladida #techno

Scopri la storia affascinante della musica techno nel nostro ultimo episodio di "Spazio d'Arte". Esplora le radici del genere a Detroit negli anni '80 con i pionieri Juan Atkins, Derrick May e Kevin Saunderson, e segui il viaggio della techno attraverso l'Atlantico fino ai club di Berlino e Londra. Approfondiremo anche la scena techno italiana, con un focus su Roma e Torino, città che hanno abbracciato e trasformato questo genere musicale con eventi leggendari e festival iconici come il Kappa FuturFestival e il Movement Torino Music Festival. Unisciti a noi per un viaggio sonoro che celebra la creatività, l'innovazione e l'energia della musica techno.

The PUTF Show - Episode 18 / TYGAPAWInstagram: https://www.instagram.com/pickuptheflownyc/TikTok: https://www.tiktok.com/@pickuptheflow https://putf.substack.com/TYGAPAW grew up as Dion McKenzie in Mandeville, Jamaica. Today, the Artist,producer, DJ and label owner resides in Brooklyn, New York, where they have spent thebetter part of a decade uplifting frequencies representative of the Black electronic musicdiaspora. Their sonic palette—informed by the dancehall of their hometown as much asit is the techno emanating from the warehouses of Detroit—has made them anindispensable figure in Brooklyn's electronic music scene.Since 2014, McKenzie has been carving spaces in New York for queer people of colorthrough their queer club night, and now label, Fake Accent. The platform is part of theirbroader mission to forge liberating spaces for marginalized people, particularly Black,queer and trans people, an agenda embedded in the various layers of the artist's work.Early records like the breakthrough EP Handle With Care (2019), Ode To Black TransLives (2020) and their debut album, Get Free (2020) established McKenzie not only asa skillful producer, but further as an emotive storyteller. Through their production, theyare known to weave together stories of queer immigrant life, radical self-preservationand Black communal joy.Their music, much like New York, is a cultural stew made vibrant by influences as localas New York's ballroom community and as distant as Berlin's hard techno circuit. In2021, one of techno's most vital institutions, the Berlin venue and record label Tresor,enlisted MacKkenzie to contribute to their 30th anniversary compilation, where themusician was in the company of techno luminaries like fellow contributors Juan Atkins,K-HAND and Robert Hood. In 2022, McKenzie brought their visionary take on techno tolife with a three-part techno opera, Devil Woman (Obeah Woman)—the first iteration ofwhich premiered at New York's The Chocolate Factory Theater, and Queens Museumbefore the project traveled to Berlin.2023, TYGAPAW's second album love has never been a popular movement, wasreleased on fabric Originals in the spring. This album is a special one for severalreasons: It's the first album the musician produced with hardware rather than Ableton,their first record that features their vocals prominently and it also sees McKenzie trytheir hand at songwriting. In eight tracks that hopscotch across atmospheric techno andEast Coast club, love has never been a popular movement addresses, with unshakableconfidence, fierce self-love and TYGAPAW's journey as a Jamaican reckoning with theirtrans identity.https://www.instagram.com/tygapaw/The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://www.instagram.com/wavdwgs/If you'd like to support this project: https://www.patreon.com/pickuptheflow Hosted on Acast. See acast.com/privacy for more information.

In this episode of "The Truth in This Art," host Rob Lee interviews music producer and DJ Stylo. Stylo shares his journey from a nerdy kid in DC with a background in IT and breakdancing to a passionate music creator influenced by jazz, classical, and techno. He discusses his creative process, emphasizing basslines and rhythm, and his approach to curating immersive musical experiences. The conversation touches on the challenges of staying current in the industry, the significance of Black Music Month, and the importance of diverse musical influences. Stylo also highlights his commitment to storytelling and elevating underrepresented voices in music.Episode Highlight:Introduction to DJ Stylo (00:00:10) Rob Lee introduces DJ Stylo, a music producer and DJ, known for his deep tech style with hip hop influences.DJ Stylo's Background (00:01:49) DJ Stylo shares details about his background, including his work as an IT director and his interest in sci-fi.Influences in Music (00:06:24) DJ Stylo discusses his early experiences with music, including playing piano and trumpet, and his exposure to electronic music as a breakdancer.Staying Current and Finding Inspiration (00:18:47) DJ Stylo talks about staying up to date with new music and finding inspiration, acknowledging the impossibility of keeping up with every new release.Uncovering Musical Influences (00:25:21) The conversation dives into the significance of liner notes, exploring the musicians behind the music and their impact on creative inspiration.Embracing Risks in Creativity (00:35:01) DJ Stylo shares his perspective on taking risks in creative pursuits, emphasizing the daily challenges and rewards of pushing boundaries.Good DJ vs. Great DJ (00:42:23) DJ Stylo discusses the difference between a good DJ and a great DJ, emphasizing the importance of playing music that listeners didn't know they wanted to hear.Connect with DJ Stylo (01:04:16) DJ Stylo shares his social media and upcoming live events, including rooftop performances and reissued music.Key Takeaways:1. Balancing Multiple Passions: DJ Stylo shows us that it's possible to juggle a demanding IT career while pursuing a passion for music.2. Creative Beginnings: Starting with simple elements like drum patterns and basslines can lead to innovative and unique music creations.3. Embracing Eclectic Tastes: Exploring a wide range of music genres can enrich your creative output and broaden your musical perspective.4. Taking Risks in Creativity: Pushing boundaries and embracing daily challenges are essential for growth and innovation in any creative field.Website and Socials:link.v1ce.co.uk/musicofstyloX: @MusicOfStyloInstagram: stylothedj

In Episode #184 of The XS Noize Podcast, host Mark Millar speaks to singer/songwriter and indie-dance pop icon Lisa Moorish about her new album, Divine Chaos. This is Moorish's first new music in 20 years, released on the sister label to Irvine Welsh's Jack Said What imprint. Lisa wanted to work with a female co-producer on this new album and teamed up with Zoe Devlin Love (Alabama 3). Renowned producer Steve Mac brought an extra dimension to the collection's tougher electronic beats. Together, they have delivered many flavours—from dance-influenced tracks to indie electronica—amalgamating Lisa's varied sounds across the decades. Lisa Moorish first made her name in music as a teenager when she had a club hit in 1989 with Rock To The Beat, a track written by Detroit techno luminaries Juan Atkins and Kevin Saunderson that fed into the UK's acid house explosion. She went on to work with the likes of Paul Weller and George Michael before being swept up in the Britpop scene and recording vocals on tracks by some of the biggest bands of that era — Oasis, Blur and Ash. She then started her indie electro-punk band, Kill City, in the early noughties, and they were snapped up by music mogul Alan McGee and signed to his new label, Poptones. In this interview, Lisa discusses the writing and recording of Divine Chaos, duetting with George Michael, the Britpop scene and more.  Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.

"What is it about my music that's touching other people?" One of the forefathers of techno reflects on his legacy, the state of techno music and the city of Detroit live from IMS. Most people in nightlife are familiar with the name Juan Atkins. One of the originators of techno, he grew up in Belleville, a middle-class suburb of Detroit, and would become one of the Belleville Three alongside Derrick May and Kevin Saunderson. This first wave of Detroit techno artists was inspired by the late night emissions of radio DJ The Electrifying Mojo—a late-night presenter who famously mixed different synth music, like Krautrock and the German outfit Kraftwerk—and the writing of futurists like Alvin Toffler, who imagined a different, utopic vision of urban life and technology. In this keynote interview recorded live at International Music Summit in Ibiza, Atkins reflects on his roots and the musical movement that's grown from his first experiments with techno in the '80s. Returning to his adolescence, he unpacks the origins of his electro collaboration Cybotron, his solo project Model 500 (coming to Houghton this year) and his label, Metroplex, which became a blueprint for a hoard of techno imprints that would emerge in its wake. Now 61, Atkins also reflects on the broader impact music has had on his life—he has given lectures on the intersection of physics, music and spirituality—as well as the remaining stones left unturned as he enters the (very much still active) sunset in his career. Listen to the episode in full.

Recorded live at Brussels festival Listen, the veteran talks about leading the birth of acid techno and the sound of proto-techno in Belgium. At the turn of the '90s, Belgium was under the twin influences of early techno and '80s new beat. It was artists like CJ Bolland who helped usher these two sounds together, bridging the low-slung sludge of bands like A Split Second and Lords of Acid with the futuristic chug of Juan Atkins, Jeff Mills and Detroit's first guard. Bolland grew up in Antwerp and was exposed to underground music from his parents, who owned a club. Eventually beginning to produce himself, he helped create the early acid rave sound that would take over Europe. He signed to then-powerhouse label R&S Records with his career-defining single, "Horsepower," in 1991, and from there embarked on a prolific touring career. In this Exchange, he talks to RA's senior producer Chloe Lula live from Listen Festival in Brussels, diving deep into Belgium's unique musical landscape and his thoughts on how it's evolved in response to its position between major techno hubs like The Netherlands and France. A massive gear head, Bolland also shares his favourite tools and reflects on how the state of music-making has changed in the years since he first started his career. Listen to the episode in full.

Il n'y a pas que la trance, la techno à 160 BPM et la house, il y a aussi l'electro. Mais attention, je ne parle pas du mot utilisé à toutes les sauces, je parle de l'electro, genre qui repose sur l'utilisation d'un instrument mythique des musiques électroniques, la TR808 qui renvoie forcément aux pionniers de la techno de Detroit, Drexciya, Juan Atkins, mais aussi à Kraftwerk. C'est en pensant à tout cet héritage que mon invité du jour a abordé la production de son premier album. Son nom, c'est Unklevon, c'est un ancien résident de Tsugi Radio qui accueillait dans son Electric Mansion, une variété d'artistes tous plus passionnants les unes que les autres. L'histoire d'Unklevon c'est aussi celle d'une rencontre avec l'Allemand Boys Noize, véritable partenaire artistique qui l'a signé sur son label. Après plusieurs tournées en Amérique du Sud et du Nord, Unklevon sort vendredi son premier album, UN1C, où il explore ses sons fétiches avec plusieurs featurings de très bonne tenue. Unklevon en mix exclusif à la fin de cette émission, mais d'abord explorons avec lui l'univers de son premier album.

Lassés de la new wave dont ils sont devenus les avatars, les 4 garçons de Depeche Mode sont en 1989 à la recherche d'un nouveau souffle. Ils veulent changer de dimension commerciale et surtout renouveler leur direction artistique. Avec Violator, Depeche Mode fait une entrée magistrale dans les 90s : le disque est sensuel et mystique, sombre et électronique, et contient bon nombre de ce qui deviendra des classiques du groupes, comme “Personal Jesus”, “Policy of Truth”, “World in My Eyes” et bien sûr “Enjoy The Silence”. Dans la discographie bien fournie de Depeche Mode, Violator est l'album qui fait l'unanimité tant auprès des fans et des critiques que des membres du groupe. Vendu à 10 millions d'exemplaires, dont 4 rien qu'aux Etats-Unis, cet album iconique a influencé de nombreux groupes de rock comme Marilyn Manson, Deftones ou Rammstein ainsi que les pionniers de la techno comme Derrick May et Juan Atkins.Dans cet épisode, Olivia vous raconte l'histoire inédite de Dave Gahan, Martin Gore et Alan Wilder. Greg Cook nous emmène aux Puk studios (Danemark) en compagnie du producteur Mark Ellis aka Flood. Fanny, elle, nous fait découvrir l'univers de leur directeur artistique Anton Corbijn et le making of du clip “Enjoy The Silence”. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “World In My Eyes”, “Sweetest Perfection”, “Personal Jesus”, “Halo”, “Waiting For The Night”, “Enjoy The Silence”, “Policy Of Truth”, “Blue Dress”, “Clean”, “People Are People”, “Shake The Disease”, “Enjoy The Silence (Martin L. Gore home demo version)”. Kraftwerk ”Autobahn”, Orchestral Manoeuvres In The Dark “Electricity”, Composition of Sound “Let's Get Together”, Johnny Cash “Personal Jesus”, Nine Inch Nails “Down In It”.Extraits : “Depeche Mode - Just Can't Get Enough - Top Of The Pops - 24/9/81”, “Depeche Mode - Everything counts (101 live at the Pasadena Rose Bowl, 1988)”, “Depeche Mode: 1989-90 If You Wanna Use Guitars, Use Guitars (Documental)”.Radio K7, c'est le meilleur de la musique des années 90s, avec du grunge, de la dance et du RnB. Chaque mois on rembobine leurs cassettes et vous raconte l'histoire inédite des albums qui ont marqué vos 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Greg Cook. Enregistrée chez Fanny Giniès. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio.LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — X : @RadioK7Podcast— Instagram : @radio_k7— Facebook : @Radiok7podcast

Caterina Barbieri, Kali Malone, Moritz Von Oswald and Robert Aiki Aubrey Lowe discuss the role limitations play in the creative process, and whether they can be a source for creativity, if working with limitations helps sharpen one's aesthetics and define one's unique artistic voice, and whether human imagination needs limits to become limitless.Caterina Barbieri is a composer and modular synth artist whose sound draws from electronic, experimental and dance music. Her work is informed by an education in classical guitar and electro-acoustic composition at the Conservatory of Bologna, as well as the Royal College of Music in Stockholm and its famed centre for sound art, Elektronmusikstudion. She has spent a decade since her debut release, Vertical, breaking the rigid structures of electronic music and exploring how sound can induce both metaphysical and psycho-physical responses. Her most recent project, Myuthafoo, further investigates her interest in time, space, memory and emotion, and the links between them.Kali Malone is a composer and organist based in Stockholm. Her compositions are rich with harmonic texture through synthetic and acoustic instrumentation. In 2016 she co-founded the record label and concert series XKatedral, together with Maria W Horn, in Stockholm. Over the last few years she has released the critically acclaimed albums The Sacrificial Code, Living Torch, and Does Spring Hide Its Joy featuring Stephen O'Malley & Lucy Railton.Moritz Von Oswald is a dub techno pioneer producer and percussionist hailing from Berlin. He is the co-founder of production duo and record label Basic Channel. Prior to becoming one of the leading figures in electronic music in the 1990s, he played in one of the last incarnations of Palais Schaumburg. In a career spanning more than 30 years, he has worked with many legendary artists including Juan Atkins, Thomas Fehlmann, Carl Craig and Tony Allen. Robert Aiki Aubrey Lowe is a Brooklyn-based artist, curator, composer and multi-instrumentalist. In 1997, he joined the band 90 Day Men before releasing solo projects under the moniker Lichens from 2004. He has collaborated on projects or provided sound in a featured artist capacity for such films as End of Summer, Sicario, Arrival, Last and First Men with Johann Johannsson and It Comes at Night with Brian McOmber. More recently, Robert has scored Il colpo del cane for Fulvio Risuleo, Candyman for Nia DaCosta, The Color of Care for Yance Ford and Master for Mariama Diallo.

Deep techno music for you. With care and love selected for you by Andrey Sirotkin. This time it's a bit more chilled vibes as sound of this mix goes towards ambien and idm-ish sound from time to time. Welcome and enjoy! Andrey Sirotkin - In The Mix (episode 10) tracklist: 01. Juan Atkins & Moritz Von Oswald - Riod (Original Mix) 02. Plaster - Lazy Tongues (Vincenzo Pizzi Remix) 03. Flembaz - Chocalheiro 04. Surgeon - As You Breathe Here Now 05. Inigo Kennedy - Trickle Down 06. Brankelo - Ghost Town 07. Läserstein - ANS 08. Andrey Sirotkin – Men Do't Cry 09. Valentino Mora - Plasma 10. Robert Hood - Shadows 11. RARÓG - Howling At The Eclipse 12. Dj Nobu - Blue Zone

Detroit dance music thrives on intergenerational connections. In the late '70s and early '80s, the late Ken Collier mixed disco, soul and early electronic dance music in eye-opening DJ sets that left a mark on up-and-coming artists like Delano Smith. Once Smith established himself in the city's explosive techno community, he, in turn, influenced soon-to-be legends like Juan Atkins, Eddie Fowlkes, Jeff Mills, Norm Talley, Mike "Agent X" Clarke and others. Now an elder statesman, Smith is etched into our history books as a crucial contributor to Detroit dance music, both house and techno. He's known especially for the Detroit beatdown sound he pioneered alongside Talley and Clark—slower, sexier records than what Detroit techno is generally associated for. (The trio even put out an RA Podcast under the name in 2010.) It's more recently that Smith has become known as a producer. He started his own label, Mixmode Recordings, and became a regular on Berlin imprint Sushitech, where he released many of his albums, including the jazzy deep house masterclass An Odyssey. His style has evolved over the years to incorporate ambient, dub and more contemporary techno influences. More recently, Smith's career has been sidelined by an ongoing battle with a rare and untreatable form of cancer. He's hosted livestreams throughout his ordeal to keep in touch with his fans. His RA Podcast, which he calls his "Legacy Mix," is a celebration of his favourite sounds: euphoric chords, jacking drums and deep-space melodies, the elements that have and will continue to reverberate through Detroit and beyond. It also marks the beginning of a more hopeful period for Smith, as he gets ready to travel again, especially with his Legacy Detroit series, which celebrates the lineage he's an indelible part of, and always will be. @delano_smith Read more at https://ra.co/podcast/914

Shakespeare in Detroit is celebrating 10 years of creating theatre and helping unleash the creativity of Detroit. Sam White, who heads up the theatre company, joined us to talk about what she's learned over the last decade, what it means to take Detroit with you and always come back home wherever you go, and what Detroit uniquely has to offer. As part of this celebration, they're doing a summer presentation of "Tempest," using the words of Shakespeare and inspired by Techno genius Juan Atkins who is coming to opening night. The show is free and will be on August 11, 12, 13, 18, 19 & 20, 2023 at Campus Martius in downtown Detroit. Learn more about Shakespeare in Detroit and the upcoming program: https://www.shakespeareindetroit.com/tickets  Feedback as always - dailydetroit - at - gmail - dot - com or 313-789-3211 Remember we're on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942?mt=2  And Spotify: https://open.spotify.com/show/1Yhv8nSylVWxlZilRhi4X9  Thanks to our members: http://www.patreon.com/dailydetroit  Or those who do a one-time contribution: http://www.buymeacoffee.com/dailydetroit  

Detroit, 1988. Gli esperimenti musicali dei dj Juan Atkins, Derrick May e Kevin Saunderson hanno bisogno di un nome. ‘Techno! The New Dance Sound of Detroit', sembra adatto per la prima compilation dedicata ad un genere ancora molto amato e ballato in tutto il mondo.See omnystudio.com/listener for privacy information.

Quince's return after an 8-year hiatus is nothing short of electrifying, as he unveils his highly anticipated four-track 'Anthology Of Interest' EP on SoHaSo's offshoot label, NOWHERE. Hailing from Utrecht, this talented producer takes inspiration from the fluid sounds of Detroit techno, infusing it with pulsating rhythms, alluring keyboard stabs, and sultry basslines. Among the EP's standout tracks, 'Space Pilot 3000' shines as a futuristic and jumpy electro track, where the worlds of Drexciya and Juan Atkins collide in a blinding orange supernova. 'Space Pilot 3000' propels listeners into an intergalactic journey with its mesmerizing sonic palette. Quince skillfully blends the intricate elements of Drexciya's otherworldly soundscapes and Juan Atkins' pulsating rhythms to create an irresistibly infectious groove. The track's distinctive character lies in its ability to transport the listener to a vividly imagined future, where cosmic energies converge, and dancefloors pulsate with energy. The buoyant synths and playful melodies intertwine seamlessly, creating a musical tapestry that evokes a sense of weightlessness and wonder. Quince's triumphant return with 'Space Pilot 3000' and the rest of the 'Anthology Of Interest' EP showcases his ability to craft a sonic universe that pays homage to the genre's pioneers while charting new territories of its own. 'Anthology Of Interest' is coming out on May 29 via SoHaSo's offshoot label, NOWHERE. https://soundcloud.com/quincemusic https://www.facebook.com/bramquince https://soundcloud.com/sohaso https://www.instagram.com/sohaso/ www.itsdelayed.com www.instagram.com/_____delayed/ www.facebook.com/itsdelayed

Welcome to Music Around The World. Each week we showcase a collection of artists and their music from different parts of the world. In this episode, we present to you an impressive lineup of artists including Kevin McKay, Philip Fuldner, Andy G, Terr, Vinyl's From The Past and Music News. https://75dc83.p3cdn1.secureserver.net/wp-content/uploads/2023/04/MFAW-EP-90.mp3 Music From Around The World Transcription Intro: 0:00 to 0:14Mason Paine here and this is episode 90 of Music From Around The World. In this episode I will be featuring music from:  Kevin McKay, Philip Fuldner, Andy G, Terr, Vinyl's From The Past and Music News. Kevin McKay: Start – 0:15  to   End – 6:35Based out of Glasgow, Scotland, is Kevin McKay; DJ, producer, and label owner. His career spans over three decades. Kevin sound and style is considered distinctive which has earned him the respect of many influential artists and fans alike. In 1997 he founded the Glasgow Underground. This label is one of the most influential labels in the house and techno scenes during the 90's and early 2000's.  Having a unique blend of classic house music, modern tunes, and the integration of disco and soul samples, it's no wonder that Kevin's name is well known throughout the industry. His style has made him renowned in the music world. Here is a listen to his latest track “Get Busy”. “Get Busy” is out now on Glasgow Underground and its available on all streaming platforms. Kevin throughout his career has worked with a number of producers and DJs like Omid 16B, Romanthony, Mylo and Linus Loves. He has also held residencies at some of Scotland's most popular clubs such as The Arches in Glasgow and London's renowned The End. For the latest on Kevin's upcoming appearances follow him on Instagram at Instagram.com/kevinmckaymusic; that's Instagram.com/K-E-V-I-N-M-C-K-A-Y-M-U-S-I-C Philip Fuldner: Start – 6:37  to  End – 13:03One of the most prominent figures in the world of house and techno music is German based DJ, Producer, and label owner, Philip Fuldner. Some of his most popular tracks are “The Final”, “Miami Pop” and “Never Too Late”. Check out his latest track “Shift”. In addition to creating music and producing he also has remixed tracks for Faithless, Snap! and Jamiroquai. Here is a listen to his latest track “Shift”. “Shift” is out now via Armada Music B.V. and its available on all streaming platforms. In addition to operating his own record label, Rootdown Records, Phillip has gained recognition for his blend of techno and house. His talents have taken him around the globe to countless clubs and festivals. For the latest on Phil Fuldner latest projects visit: Instagram.com/phil_fuldner; that's Instagram.com/P-H-I-L UNDERSCORE F-U-L-D-N-E-R Vinyl's From The Past: 13:05 to 25:42Let's take a brief break for Vinyl's from the past. In this limited run series, I will be exploring the pioneers that have shaped and influenced the EDM we have today. In this episode we will feature A Number of Names. The origins of techno music can be traced back to Detroit in the mid 80's, with pioneers Juan Atkins, Kevin Saunderson and Derrick May. European artist Kraftwek and Yellow Magic Orchestra influenced the sounds of these artists. In 1981, one of the most early and influential techno tracks was from A Number of Names and it was called “Sharevari” . Take a listen to it here. Sharevari was released on Metroplex records. This track used synthesizers and drum machines to create that futuristic sound. Over the last thirty plus years Sharevari has been sampled and remixed by many artists and recognized as an important track when it comes to the development of techno music.  That's it for this Vinyl's from the past, now let's get back to more music. Andy G: Start – 25:43   to   End – 29:59Big room techno DJ and Producer Andy G. This Sydney, Australia native sound and style has earned him tremendous recognition from renowned artists such as Hardwell,

Our guest on Line Noise this week Is Eddie Fowlkes: a man whose handprints are cemented on the Detroit Historical Museum's Legends Plaza as a techno music pioneer; a producer whose first record was released in 1986 and who has been DJing since the 1970s. He told Ben Cardew about clubbing with Frankie Knuckles, his role in Juan Atkins's legendary Deep Space DJ collective and being overlooked for his role in inventing techno.

Our guest on Line Noise this week Is Eddie Fowlkes: a man whose handprints are cemented on the Detroit Historical Museum's Legends Plaza as a techno music pioneer; a producer whose first record was released in 1986 and who has been DJing since the 1970s. He told Ben Cardew about clubbing with Frankie Knuckles, his role in Juan Atkins's legendary Deep Space DJ collective and being overlooked for his role in inventing techno.

As he'll happily tell you, Eddie Fowlkes has been DJing for 42 years. That's a long time for anyone, but especially for someone who never really stopped. From his early records on Juan Atkins' Metroplex record label through to newer releases on his own labels City Boy and Detroit Wax, he's been doing his thing and staying true to himself and his timeless combination of Detroit dance music genres. He doesn't always get his dues alongside his fellow Detroit techno pioneers in the Belleville Three, probably because his sound was always more hybrid, a blend of techno and house that he would come to call techno soul, including on his landmark 1993 album with Moritz von Oswald and Thomas Fehlmann, The Birth Of Technosoul. But Fowlkes is still a force of nature, and a master at mixing too, having four decades to hone his craft. You'll hear that skill on his RA Podcast, which comes in the wake of two more prominent releases, for Rekids and Classic Music Company/Defected, that might help (re)introduce him to a wider audience. Touching on soul, jazz and funk, this is functional but deep stuff played by a master selector, whose hands you can always hear in the mixing—a personal, human touch that defines techno soul. Read more at https://ra.co/podcast/877

This week's entry to the Local Selection Mix Series welcomes esteemed Subject resident Niall Cleary. The massively talented and ever-consistent DJ has put forward a sensational mix featuring 57 tracks with a host of Irish and international talent throughout. Niall has been a key cog in the Dublin techno machine since the early 2000s when nights like Electric City and venues such as Redbox and the old Tivoli Theatre were in their prime. A student of the fast, loop-driven techno from the late 90s, and early 2000s eras, his sets are high energy, full of fast transitions and expert blends. Since late 2009, Niall has been a resident DJ with the renowned Subject events, playing alongside some of the biggest names in house, techno, and electro, as well as appearances at clubs and festivals such as District 8, Index, Twisted Pepper, Life, and Electric Picnic. Niall also holds a residency on Dublin Digital Radio where he plays alongside Mutate Events who host a bi-monthly techno show on Thursday nights where they focus on showcasing emerging and already-established Irish artists. Having played alongside techno stalwarts Dave Clarke, Paula Temple, Surgeon, DJ Bone, Jeff Mills, DVS1, Juan Atkins, Karenn, and more, Niall's pedigree in providing a classy warm-up set is frankly second to none. Niall's skill behind a pair of turntables is not restricted to serving up the starters, as he's been frequently found dishing out peak-time tools at numerous Irish festivals including Life Festival, Electric Picnic, and more. Niall's entry to the Local Selection features a range of brilliant artists that include SHDW & Obscure Shape, Alarico, Truncate, Lars Huismann, Tommy Holohan, Doug Cooney, Aero, Mode_1, Slam, Casper Hastings, and more throughout and just coming in at just over 2 hours in length. Making for a thoroughly enjoyable techno workout. Sorted. Niall Cleary -------------- SC: @niall-c-niall-cleary IG: www.instagram.com/_niallcleary_/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/ We're very excited to announce that we're partnering with electronic music platform Elevator Program, a music production platform and online community, helping producers crack the creative code needed to produce top-quality electronic music. We have a 25% discount available on all courses now when you use the discount FourFour25.

Am 3. und 4. Februar findet in der Berliner Philharmonie "Strom", das Festival für elektronische Musik, statt. Olaf Zimmermann begrüßt in der ersten "elektro beats"-Stunde den Musiker und Kurator Stefan Goldmann als Studiogast. Gemeinsam stimmen sie mit zahlreichen Informationen und Musiken auf das Festival ein. Zu den spannenden Mitwirkenden des 2023er Jahrgangs zählen u.a. Marcel Dettmann, Hauschka & Kai Angermann, Nidia, Juan Atkins, Wolfgang Vogt aka GAS, upsammy, Robert Henke und Stefan Goldmann selbst, der das Festival eröffnen wird. Stunde 2 offeriert dann ausschließlich von Vinyl neue Musik von Gold Panda, Nicolas Bougaieff, Mount Kimbie, Plaid, Ryuichi Sakamoto, Dardust, Jeff Mills, Angelo Badalamenti, To Rococo Rot und Terence Fixmer.

TECH CLUBBERS PODCAST W/ ORLANDO VOORN Orlando is one of the first Dutch techno producers/musicians to establish a vital connection between Detroit and Amsterdam in the early 90ʼs. Orlando Voorn has long been recognized as one of the Netherlandʼs most original and ingenious techno producers in the world of electronic dance music. Voorn began DJing at the early age of 12 years old and later went on to win his first scratch competition at Amsterdam “Club Flor3 P3l3ce”. Amazingly Voorn did this by borrowing records from his competitor. Voorn used many Aliases' back when he started to produce records in order to present various styles of music without limitation to producing only techno. It was a common fad to use fictitious names as it is today. Voorn has never limited himself to one particular style of producing. You could easily say that he is incredibly versatile in switching between many styles that demonstrates him as a well known producer. He did recordings for a legendary Detroit techno and house label KMS Records, an imprint of Kevin Saunderson using yet another alias known as “Fix” where he created a dance floor destroyer track called “Flash” which remains in many DJʼs crates at this moment. “Flash” became a hit in the Detroit clubs first before the record had broken out internationally. Voorn has a well-known history of working with Detroitʼs techno originatorʼs including derrickmay imprint “Fragile” under yet another alias “Complex” entitled “Midi Merge”. His Stunning Album on Rush Hour under his own name "In My World who hit the number one favorite Album of 2016. Not to mention a full collab Album. Frequency vs Juan Atkins in 2017 on OUTER records. In 2018 & 2019 he continues with Amazing output of music. TRACKLIST: Peggy Gou - I Go ( DJ Koze Remix ) [ Gudu Records ] Orlando Voorn - Bulls Eye [ Forthcoming ] Benx - Lets Get Wild ( Orlando Voorn Remix )[ Forthcoming Bouman Records ] Ian Pooly - SP12 [ Electric Mistress ] Dj Embassy - Mopedy Mogageso Orlando Voorn - Clouds of Venus [ Axis ] Lee Holman - Neutr$lise [ Science Cult ] Orlando Voorn - Fix is Back ( Folson & Tate Remix ) [ RF ] Alexander Kowalski - Conflicting Transmissions [ illegal Alien ] Paranoid London - Vi-vi- Vicious Orlando Voorn - March of Freedom [ Kompakt ] DVS1 - Black Russian [ Klockworks ] Amir Alexander - How U make Me Feel_ Orlando Voorn - Reverse Psychology [ TRUST Forthcoming ] Paul Donton & Rob Pearson - This is Naughty ( Orlando Voorn Mix ) [ Bombis ] Phraktal- Transfer ( Orlando Voorn Remix ) [ Bakroom ] Mathew Jonson & Sebastian Mullaert - Pollen For Life Gettoblaster - Servante [ This Beat ] Headbirds - Lastons [ Rhythm Cult ] Josh Wink - Higher State Of Conscious [ Adana ] Joey Beltram - Energy Flash [ R&S Records ] Paul Johnson - I'm Alone Until Show Me ( Mark Broom Edit ) Orlando Voorn - Be With You ( Crackazat Remix ) [ HEIST ] Underground Resistance - Timeline [ UR ] Follow ORLANDO VOORN here: Facebook: https://www.facebook.com/orlando.voorn Instagram: https://www.instagram.com/orlandovoornofficial Soundcloud: https://soundcloud.com/orlando-voorn

Se-Te-Ve est le genre de dj qui a fait ses preuves à Artamis, du lourd donc. Bien que ancré dans la culture locale, Se-Te-Ve puise ses inspirations auprès de légendes telles que Masters At Work, Juan Atkins ou encore Art of Noise. Énergique et envoûtante, sa musique offre un détour […] The post Se-Te-Ve, « A Wax Affair Only » first appeared on Radio Vostok.

Welcome to DRR Podcast 099, this week we welcome Rennie Foster, Canadian House & Techno Wizard based in Vancouver. Rennie Foster has been a well-respected figure in the Canadian music and art community for over two decades. He influenced many as an early pioneer of the Hip-Hop / B-Boy movement, and later the House Music and Techno / Rave scene, participating in the first events in Western Canada during the birth of these now common urban subcultures. He is also very well known within the niche of graffiti art for his early work, having been archived in several published books. Rennie relocated to Tokyo Japan in 2004 and became an important part of the Japanese club scene, playing all over Japan in venues such as Womb, ageHa, and Yellow, maintaining DJ residencies in Tokyo and Kyoto at the Metro club and at the Nagisa Music Festival in Tokyo and Osaka. Rennie was consistently ranked in the top 50 DJs in Japan by LOUD Magazine until re-locating back to Canada in 2011. Rennie is currently a resident DJ at Western Canada's top after-hours club, Gorg-O-Mishin Vancouver, BC, regularly traveling to play as a guest at underground venues across Canada, Detroit, New York,and Paris and has played festivals such as Shambhala and Bass Coast among others. Rennie Foster has released music with Jack White's Third Man Label, classic dance music labels including Transmat, F-Communications, Synewave, Teknotika, Subject Detroit, and is widely recognized for his underground anthem Devil's Water on Rebirth Records. Rennie has remixed, or been remixed by, some of the top names in dance music such as Juan Atkins, James Zabiela and Swayzak. He has released many singles, EPs, and four full length albums. He runs a signature record label RF and continues to produce tough urban house music and stylish techno for cutting edge dance music imprint including Goldmin Music and Skylax Records in Paris and the Detroit based Soiree Records. Track List: 01. The Passenger - Haagenti - RF 02. Shinedoe - Nidra - Intacto 03. DJ Hockey - Dense Particulate - RF 04. Mark Broom - EFX - Rekids 05. Chris Baumann - Oxygain - Soiree Records Int'l 06. Tao Andra - Prevail - RF 07. Dustin Zahn - Wet Hot Heat - Blueprint Records 08. John Hester - Haze - Rekids 09. Daphni - Cherry - Jiaolong 10. Kyle Geiger - Bellhouse 3 - made of CONCRETE 11. Alan Fitzpatrick & Reset Robot - Phantom - UNCAGE 12. Shlomi Aber - Warping - Be As One 13. Adrian Hex - Chrono - Undertone 14. Yan Cook - Olympus Mons - Arts 15. Monobox - Blackwater Canal - M-Plant 16. Rennie Foster - Midnight Sun (Tao Andra Remix) - RF 17. Rennie Foster - Falling Skyward (Gary Martin Remix) - Teknotika Follow Rennie Here: Facebook: https://www.facebook.com/renniefostermusic Instagram: https://www.instagram.com/renniefoster/ Soundcloud: https://soundcloud.com/renniefoster Bandcamp: https://renniefoster.bandcamp.com Subscribe to our weekly email bulletin and follow us on all platfroms here: www.drrlts.ck.page Email: info@drr-lts.com Website: www.drr-lts.com

When Tom Smith sets out to research allegations of racism in Berlin's club scene, he finds himself face to face with his own past in techno's birthplace: Detroit. Visiting the music distributor Submerge, he considers the legacy of the pioneers Juan Atkins, Derrick May and Kevin Saunderson, the influence of Afro-futurism and the work done in Berlin to popularise techno by figures including Kemal Kurum and Claudia Wahjudi. But the vibrant culture which seeks to be inclusive has been accused of whiteness and the Essay ends with a consideration of the experiences of clubbers depicted in the poetry of Michael Hyperion Küppers. Tom Smith is a New Generation Thinker who lectures in German at the University of St Andrews. You can find another Essay from him called Masculinity Comrades in Arms recorded at the York Festival of Ideas 2019 https://www.bbc.co.uk/programmes/m00061m5 and a New Thinking podcast discussion Rubble Culture to techno in postwar Germany https://www.bbc.co.uk/programmes/p07srdmh New Generation Thinkers is a scheme run by the BBC with the Arts and Humanities Research Council to select ten academics each year who turn their research into radio. Producer: Robyn Read

Episode 76 More Black Techno Matters   Playlist   Drexciya, “Digital Tsunami” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Drexciya, “Aquatic Cataclysm” from Harnessed The Storm (2002 Tresor). “Filtered through dimensional waves by Drexciya.” Green Velvet, “Sleepwalking” from Whatever (2001 Music Man Records). Produced, programmed, and written by Green Velvet. Jlin, “Black Origami” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3MB Featuring 'Magic' Juan Atkins, “Die Kosmischen Kuriere” from 3MB Feat. Magic Juan Atkins E.P. (1993 NovaMute). Producer, written and mixed by Juan Atkins, Moritz von Oswald, Thomas Fehlmann. Loraine James, “Let's Go” from Reflection (2021 Hyperdub). Produced by Loraine James. Hand, “Calling” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Loraine James, “Loll” from Detail (2017 Fu Inle Records). Produced by Loraine James. Hand, “Everybody (Tommy Largo Remix)” from Intuition EP (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. Hand, “Aquatics” from Hot Steel. (2020 Trip Recordings). Produced, written, and arranged by K. Hand (Kelli Maria Hand). This was the result of receiving an invite from musician Nina Kraviz who sent out a call to artists to stream one of their unreleased works; all genres are welcome. After the stream took place, the favourite tracks were signed to produce the Hot Steel release. Available on Bandcamp. LTJ Bukem, “Rainfall” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Composed, played, and mixed by LTJ Bukem. Robert Hood. “Kick Dirt” from Raw Music Material - Electronic Music DJs Today (2002 Not on Label). Music by Robert Hood. Robert Hood. “Parade” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. Scan 7, “Dark Corridor” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Scan 7, “Dark Territory” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. Venus Ex Machina, “Blood Moon (Solar Mix)” from Lux. (2021 AD93). Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Mysterium ” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Venus Ex Machina, “Quaraquara” from Lux. (2021 AD93). Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. Jeff Mills, “IOK-1” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “IOK-4” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “The Speed Of Light” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Jeff Mills, “Canis Major Overdensity” from The Universe: Galaxy 1 (2022 Axis). Written, performed, and produced by Jeff Mills. Opening background music: Jeff Mills, “Spider Formation” from The Other Day (1997 Axis). Written, performed, and produced by Jeff Mills. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

In this episode we welcome "gamekeeper-turned-poacher" Steven Daly, who Zooms in from his adopted Brooklyn to tell us about drumming in Orange Juice and his stellar writing career in America.Steven revisits his musical youth in '70s Glasgow and his first encounters with Edwyn Collins and Postcard's Alan Horne. He talks about the creative divergences within Orange Juice, his eventual move into writing for The Face and Edinburgh's Cut magazine, and the decision in the late '80s to base himself in New York. His hosts focus on three of his pieces, written over the course of 15 years for Spin, Rolling Stone and Vanity Fair, with Steven reminiscing about meeting Joni Mitchell and Sugar Hill matriarch Sylvia Robinson.Clips from Steven's May 1993 audio interview with Suede's Brett Anderson and Mat Osman provide a good excuse to discuss the emerging "Englishness" of post-grunge Britain and the abiding fantasy of UK bands "taking America". Staying Stateside, Jasper praises the week's featured artist Lizzo, with reference to pieces about the funk-pop star that stretch back to 2013. Mark then pays tribute to former Miles Davis bassist Michael Henderson, who died on July 19th, and talks us through his favourite library additions from the past fortnight — including pieces about Yoko Ono, Pink Floyd, Juan Atkins and the aforementioned Miles Davis. Barney mentions pieces about Canned Heat and World of Twist, while Jasper concludes the episode with his thoughts on D'Angelo and the great Black-owned record labels...Many thanks to special guest Steven Daly; visit his RBP writer's page for more on him and his writing.Pieces discussed: Orange Juice, Joni Mitchell, Deee-Lite, Sugarhill Gang, Suede audio, Suede, Lizzo profile, Lizzo live, The Year of Lizzo, Michael Henderson, David Dalton podcast, Pink Floyd, Joni Mitchell, Robert Fripp, Juan Atkins, Yoko Ono, Dusty Springfield, Canned Heat, Earl King, World of Twist, D'Angelo, Black Artist-Owned Labels and Sean Paul's teenage obsessions.

Simone talks to Kristian R. Hill and Jennifer Washington - the director and producer of the 'God Said Give 'Em Drum Machines' - a movie about the history and legacy of Detroit techno. They also revisit the MTV Party Zone filmed in Detroit in 1997 which featured more than 30 of the techno legends; Kevin Saunderson, Carl Craig, Kelli Hand, Derrick May, Stacey Pullen, Juan Atkins and many more. 

In this episode we welcome "gamekeeper-turned-poacher" Steven Daly, who Zooms in from his adopted Brooklyn to tell us about drumming in Orange Juice and his stellar writing career in America.Steven revisits his musical youth in '70s Glasgow and his first encounters with Edwyn Collins and Postcard's Alan Horne. He talks about the creative divergences within Orange Juice, his eventual move into writing for The Face and Edinburgh's Cut magazine, and the decision in the late '80s to base himself in New York. His hosts focus on three of his pieces, written over the course of 15 years for Spin, Rolling Stone and Vanity Fair, with Steven reminiscing about meeting Joni Mitchell and Sugar Hill matriarch Sylvia Robinson.Clips from Steven's May 1993 audio interview with Suede's Brett Anderson and Mat Osman provide a good excuse to discuss the emerging "Englishness" of post-grunge Britain and the abiding fantasy of UK bands "taking America". Staying Stateside, Jasper praises the week's featured artist Lizzo, with reference to pieces about the funk-pop star that stretch back to 2013. Mark then pays tribute to former Miles Davis bassist Michael Henderson, who died on July 19th, and talks us through his favourite library additions from the past fortnight — including pieces about Yoko Ono, Pink Floyd, Juan Atkins and the aforementioned Miles Davis. Barney mentions pieces about Canned Heat and World of Twist, while Jasper concludes the episode with his thoughts on D'Angelo and the great Black-owned record labels...Many thanks to special guest Steven Daly; visit his RBP writer's page for more on him and his writing.Pieces discussed: Orange Juice, Joni Mitchell, Deee-Lite, Sugarhill Gang, Suede audio, Suede, Lizzo profile, Lizzo live, The Year of Lizzo, Michael Henderson, David Dalton podcast, Pink Floyd, Joni Mitchell, Robert Fripp, Juan Atkins, Yoko Ono, Dusty Springfield, Canned Heat, Earl King, World of Twist, D'Angelo, Black Artist-Owned Labels and Sean Paul's teenage obsessions.

A look back over 10 years of Bass Agenda: Tracklist: (brackets means track is used for background of interview section) iNFO & 4th Genome - Bass Agenda Intro Robodrum - Eat Sleep Electro Repeat Hadamard - My Education Anthony Rother - Don't Stop the Beat Cyberdine Systems Corp - Program State (Legowelt remix) (Rising Sun Systems - Croissant With Stravinsky) Aphex Twin - Aegispolis (Juan Atkins & Moritz Von Oswald - Electric Garden) Aux88 - You Don't Want None of This Fade II Black - The Calling (reprise) Adult. - A Lack of Comfort Folson and Tate - The Tower Detroit in Effect - The Men You'll Never See (Detroit in Effect - I'm In My Lane) The Martian - The Voice of Grandmother Drexciya - Jazzy Fluids Mariska Neerman - Finding Our Way Back Home Plant 43 - Cavernous Bones Helena Hauff - Electronic Future featuring Paris The Black Fu Cygnus - Volus Murgatroyd (Aphex Twin - Aphex Twin - Syro U473t8+E (141 98) (Piezoluminescence mix)) DMX Krew - Peripheral Visions Kraftwerk - Numbers Afrika Bambaataa and the Soul Sonic Force - Planet Rock The Egyptian Lover - Egypt Egypt (IWDG – In A Lonely Place (Keith Tenniswood remix)) Two Lone Swordsmen - Brootle Inkamera - Superpartners (Photon Photino) Vita - The Ultimate Collapsing Robert Wyatt - Alifib Das Muster - Verhaltensmuster Mumm - Ein Blick In Die Zukunft John Selway - Millennium Sound (Selway New Millennium Version) Interview clip sequence: Dave Clarke on Electro and genres (2014) Anthony Rother on the producer's creative trip (2014) Legowelt on EDM, creative process, and Ageispolis by Aphex Twin (2018) Juan Atkins on music and vibrations (2017) Keith Tucker on quality control (2014) Blak Tony on The Calling (reprise) by Fade II Black (2014) Adult. on music and meaning (2017) Sean Tate on music and purpose (2019) Detroit in Effect on The Men You'll Never See and inspiration (2013) Santiago Salazar aka Seldom Seen on The Voice of Grandmother by The Martian (2013) Stephen Rennicks (Drexciya Research Lab) on the continued importance of Drexciya (2019) Martin and Brian Bonds on what made/makes Detroit special (2021) Mariska Neerman on Finding Our Way Back Home, creativity, and listener interpretation (2021) Plant43 on Scars of Intransigence, Cavernous Bones, and venting emotions through music (2016) Helena Hauff on social media and DJ'ing (2018) Cygnus on Volus Murgatroyd and the creative journey in the mind (2014) DMX Krew on advice for producers and getting pleasure from making music (2014) The Egyptian Lover on Kraftwerk and the evolution/influence of Numbers by Kraftwerk (2013) Radioactive Man on Andrew Weatherall (RIP) (2021) Victoria Lukas (RIP) on her music and Alifib by Robert Wyatt (2013) Das Muster (RIP) on his different aliases and expression of emotions (2015)

The Electrifyin' Filthy Rockwell speaks with Riverwise's managing editor, Megan Douglass, about his passion for music, art, and community. Nominated for a grammy for his production role in Kanye West's “Mercy,” and mentored by greats such as George Clinton, J.Dilla, and Juan Atkins, Filthy's goal is to both mentor younger musicians who come behind him as well as provide them a space where they can learn, create, and be supported. Listen and learn about his beautiful cultural preservation space in downtown Detroit, his activism around the city of Detroit, and a little about Death. The Riverwise Podcast is bringing together Detroit citizens to consider new and forms of resistance to continuing economic and political marginalization in communities of color. For over three years now, the Riverwise collective has created media that depicts local activism and the profound new work being done in Detroit neighborhoods. Through the quarterly Riverwise magazine, Riverwise community conversations, and the Riverwise Writing Workshop, we're developing our collective voice.

Episode 75 Black Techno Matters   Playlist Frankie Knuckles. Baby Wants To Ride. (1987 D.J. International). Vocals by Jamie Principle. South Bronx, New York. Written, produced, and instrumentation by Frankie Knuckles (Francis Nicholls). 6:43 Juan Atkins, “Bassmental” from 3MB Feat. Magic Juan Atkins (1992 Tresor). Detroit. Written, produced, and played by Juan Atkins. 9:01 Dave Angel, “Endless Motions” from 3rd Voyage (1993 R&S Records). Produced, programmed, and written by Dave Angel. 4:28 Green Velvet, “Conniption” from Velvet Tracks (1993 Relief Records). Produced, programmed, and written by Green Velvet (Curtis Alan Jones). 18:17 Robert Hood. “Spirit Levels” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. 5:06 Hand, “I Remember When” from On a Journey. (1995 !K7 Records). Produced, written, and arranged by K. Hand (Kelli Maria Hand), Detroit. 9:15 Scan 7. “Beyond Sound” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. 6:25 Green Velvet. Flash (Original Mix) from Flash (Remixes) (2000 F-111 Records). Produced, programmed, and written by Green Velvet. 5:47 Hand, “Rain-Interlude” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 1:38 Hand, “Riverfront” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 5:52 Outputmessage (Bernard Farley), “REM State” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. 4:33 Hand. “Intuition” from Intuition EP. (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. 4:25 Jlin, “Enigma” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3:48 Loraine James, “To the Left, to the West,” from Detail (2017 Fu Inle Records). London. 6:03 Jeff Mills, “Many Many Worlds” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 4:40 Jeff Mills, The Speed of Light” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 2:44 Venus Ex Machina. “Avril” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 2:23 Venus Ex Machina. “Elephant” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 4:20 Opening background music: Outputmessage (Bernard Farley), “Switch” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

We kick off a busy week of premiers with remix from seminal techno & house producer Dan Curtin, as he remixes Dublin based ZOiD, who has been carving a carving a genre bending sound through electronic and jazz experiments. Metamorphic Recordings has established itself as a household name in the worlds of discriminating house and low-end oriented techno, and the label's 39th release is proof that they aren't slowing down. ZOiD, a Dublin-based electronic and jazz musician, is the artist of choice here, exhibiting his genre-bending style with two sleek and imaginative pieces that serve as the narrative for the ‘Dexaphonic EP.' The originals are in good company, as game pioneer John Tejada contributes a remix on the A side, while label founder Dan Curtin contributes a remix on the B side. ZOiD has carved a slice of Irish dance music history for himself as joins Metamorphic Recordings, his record lyes aside dance music royalty including; Terrence Parker, HMC, Juan Atkins, Ian Pooley, Claude Young, Mark Broom, Blake Bakter, Neil Landstrumm & many more. ZOiD's debut on the influential imprint spans through glistening Chicago influenced house right through to wonky Bleep techno from Leeds, but on this occasion the machines are chiming from the Emerald Isle as ZOiD releases arguably his most accomplished work to date. Dan Curtin's remix of 9713Poochy breathes an alternative lease of life into the original with his unconventional sound. The crisp broken drums create an irresistible groove, allowing the ethereal textures to work their magic. This is classic stuff from one of the greatest. ZoiD / Dan Curtin ----------------------- SC: https://soundcloud.com/z_o_i_d SC: https://soundcloud.com/dan-curtin FB: https://www.facebook.com/zoidioz FB: https://www.facebook.com/dancurtinmusic IG: https://www.instagram.com/zoid999/ IG: https://www.instagram.com/dancurtinx/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

KAPPA FUTUR FESTIVAL 2022 LINE-UP   Hello Everybody Today we will discover what's the line up of Kappa Futur Festival, and how's I going to be.  The award-winning festival is back for its ninth edition at the famous Dora Park, Italy with an extra day added. Running from July 1 to 3, this renowned techno festival will see huge names of the industry perform including, Amelie Lens, Ben Böhmer, Four Tet, Peggy Gou and many more.   Day one will see Belgium's Amelie Lens, Swiss DJAndrea Oliva, Germany's acclaimed Ben Böhmer (playing live), DJ Boris Brejcha and Ibiza-based Chelina Manuhutu — with Four Tet making his Kappa Futur debut. Farrago and Milo Spykers will be going back-to-back, Germany's FJAAK live, I Hate Models, Chicago house DJ John Summit, Michael Bibi and South Korea's one and only Peggy Gou. As well as these huge names, Reinier Zonneveld will be playing live, London-based Syreeta and Spanish DJ Wade plus for the first time Ugandan collective NYEGE NYEGE with HHY & The Kampala Unit, Kabeaushé, Jay Mitta & Anti Vairas, Menzi and Turkana all confirmed.   The next day will see The Blessed Madonna, UK house legends CamelPhat, plus the return of Craig Richards and DJ Derrick Carter. Diplo will be making his debut whilst the influential UK DJ and producer Jamie Jones will return for an exclusive B2B session with The Martinez Brothers. Belgium's Joyhauser, Berlin techno duo Pan-Pot, DJ/producer Ricardo Villalobos, techno from Satoshi Tomiie live, selector Solomun, Sonja Moonear, and Youniverse will also be performing on day two. The last additions for this mega day are Agoria, Carl Craig who presents Paperclip People live. You can also expect sets from French DJ Chloé Caillet, Denis Sulta, Honey Dijon, and the talented duo Tale Of Us.   I really hope the names are correctly pronounced    Day three has the festival-favourite Carl Cox, Rush Hour Music cofounder Antal, DJ Bedouin, Blackchild, and Cybotron fronted by Detroit techno maverick Juan Atkins with an audio-visual show. Catch the leading underground heroes Detlef or watch Fisher plus Mathew Jonson serving up a performance featuring Xx ISIS xX, along with Solid Grooves head Michael Bibi back-to-back with Seth Troxler. Motor City Drum Ensemble's Danilo Plessow, Enrico Sangiuliano, house hero Danny Tenaglia, Dennis Cruz and Helena Hauff. The weekend doesn't end there as Joseph Capriati returns to the KappaFutur stage as does Monika Kruse and Spanish spinner Paco Osuna, plus sets from Chile's Paula Tape, Solardo, PAWSA, and Amsterdam's Young Marco.   ► Are You a Dj? Send Your Video or Dj Set: http://www.trip-records.com/Sets/index.html  ► Subscribe to Trip Records Sets YouTube: http://www.youtube.com/c/TripRecordsSets ► Subscribe to Trip Records Sets Mixcloud: https://www.mixcloud.com/TripRecordSets/ ► Subscribe to Trip Records Sets SoundCloud: https://soundcloud.com/trip_records_sets ---- Send Your Demo, Trip Records is looking for you ! (Send us a private Soundcloud link) ► demo@trip-records.com -----

Episode 025 Dj, Producer and label owner Rennie foster tells us how he got into the electronic music scene and working with well established producers. He explains about his life in Japan and how he broke into the dj scene there. Rennie Foster has been a well-respected figure in the Canadian music and art community for over two decades. He influenced many as an early pioneer of the Hip-Hop / B-Boy movement, and later the House Music and Techno / Rave scene, participating in the first events in Western Canada during the birth of these now common urban subcultures. He is also very well known within the niche of graffiti art for his early work, having been archived in several published books. Rennie relocated to Tokyo Japan in 2004 and became an important part of the Japanese club scene, playing all over Japan in venues such as Womb, ageHa, and Yellow, maintaining DJ residencies in Tokyo and Kyoto at the Metro club and at the Nagisa Music Festival in Tokyo and Osaka. Rennie was consistently ranked in the top 50 DJs in Japan by LOUD Magazine until re-locating back to Canada in 2011. Rennie is currently a resident DJ at Western Canada's top after-hours club, Gorg-O-Mishin Vancouver, BC, regularly traveling to play as a guest at underground venues across Canada, Detroit, New York,and Paris and has played festivals such as Shambhala and Bass Coast among others. Rennie Foster has released music with Jack White's Third Man Label, classic dance music labels including Transmat, F-Communications, Synewave, Teknotika, Subject Detroit, and is widely recognized for his underground anthem Devil's Water on Rebirth Records. Rennie has remixed, or been remixed by, some of the top names in dance music such as Juan Atkins, James Zabiela and Swayzak. He has released many singles, EPs, and four full length albums. He runs a signature record label RF and continues to produce tough urban house music and stylish techno for cutting edge dance music imprint including Goldmin Music and Skylax Records in Paris and the Detroit based Soiree Records. Video Version: https://www.youtube.com/watch?v=NqYzPxzU_uA&t=4135s CONNECT: The music Matters Podcast Instagram: https://www.instagram.com/the_music_m... Patreon: https://www.patreon.com/themusicmatte... Website: www.themusicmatterspodcast.com Treat us to coffee :) https://www.buymeacoffee.com/musicmatteo CONNECT: Rennie Foster Facebook: https://www.facebook.com/renniefostermusic Twitter: https://twitter.com/renniefoster YouTube: https://www.youtube.com/channel/UC2c32WKmZJQoQCGCVagj0mg --- Send in a voice message: https://podcasters.spotify.com/pod/show/raveroompodcast/message

1/2: @__vyvmusic__ 2/2: @ariannadanae REBELLE is an emerging party label and mix series broadcasting deep cuts and notable guest mixes on Data Transmission Radio. Curated and hosted by Arianna Danae, based in Brooklyn, NY. Our guest mix this month is by Vivian Wang. The classically trained merging talent has made quite a name for herself in the NY scene, so far she has shared the stage with artists such as Juan Atkins, Andrey Pushkarev, Lauren Flax. Vivian is also co-founder of Freshly Pressed, an all vinyl party series which benefits a nonprofit music and mentoring organization dedicated to empowering girls and genderexpansive youth. @rebelle-ion T r a c k l i s t // [1/2] Vivian Wang // N/UM - Induction Jay Prouty & David Paglia - Do You Know Keiske At Last - Por Petre Killer Loop - Someone (Juan Atkins Remix) Rico & Sonny - The Beat Traumer - Last Minute Riccardo Villalobos - Hansup (Baby EP) Nate S.U - Cherry on the Run Dennis Quin - Chante ft. Karmina Dai (Silverlining Remix) Marius - Papayas Beaches Fabio Monesi - Love Letter (Dub Mix) Club Winston - Enjoy! Mountain People - Iterate Plush Management. Inc. - Work Bitch (Regfant Refizz) [2/2] Arianna Danae // Omar S - Mystery Man Memo Rex - Tangible Adam Collins - In The Class (Boyle Height Mix) Oshana - Acid Disco Headtrip - Here Comes The Guitars Syzygy - Can I Dream Kings Of The Rising Sun - I Am Ben Fester - Tumbo Rumblin OneOneOne - Pipeline Womack - Cow Girl (Mike Berardi Remix) Fracesco Farfa - Novanta (DJ Tennis Remix) Jovonn - Flutes (165th Street Mix)

In this week's episode, we celebrate Black History Month! I talk about the roots of electronic dance music (EDM) and how they tie back to African American roots. We discuss the origins founders of House music, Techno, and Dubstep that were all created by black men. Dj Frankie Knuckles, DJ, Ron Hardy, and Larry Levan created the genre house music in the 1970s. The Belleville Three is a group credited with inventing the musical style known as Detroit Techno. The group consists of Juan Atkins, Derrick May, and Kevin Saunderson. Digital Mystikz started the genre dubstep as a duo consisting of Mala (Mark Lawrence) and Coki ( Dean Harris) from South London. LINKS RELATED TO THE EPISODE: https://mailchi.mp/3db904c8b690/gethighengagement Follow us on Instagram: https://www.instagram.com/productivitymeetsparty/ https://www.instagram.com/partyperryy/ Intro Song By: https://soundcloud.com/brainwet https://open.spotify.com/artist/2eCMhisSAtYX5jjIeOvnlm?si=XB_bhMr2Q0al8LYG8qAPVg&nd=1 Art Cover By: https://www.instagram.com/freerelief/ --- Send in a voice message: https://anchor.fm/productivitymeetsparty/message

2:06 - First techno record4:25 - The history of the Bellevue Three and the birth of techno07:34 - Experiencing underground music in Detroit10:27 - The original meaning of “progressive”12:28 - The connection between Detroit and techno15:26 - Stacey's one mission20:38 - Staying in and learning to program beats24:43 - Meeting mentors and improving skills31:49 - Defining the second wave of techno33:58 - Moving to Amsterdam37:24 - The Amsterdam scene40:25 - Disaster first European gig43:51 - Returning to Detroit47:33 - Psudenyms51:38 - Radio School residency55:42 - The minimal scene1:00:34 - Developing the techno sound1:02:58 - Essential Mix1:05:38 Travel guide to Detroit1:11:49 - Being veganWhen you talk about the history of underground dance music. You have to talk about Detroit. Stacey Pullen joined Super Progressive to talk about talk about Stacey's school days as a drummer, driving to the Music Institute when he was away at college, meeting his idols, moving to Amsterdam, DJing in Europe, returning to Detroit, what makes Detroit what it is, and being vegan. Super Progressive is a house music podcast dedicated to telling the history of underground dance music. 

Two hours of intergalactic space grooves. Interview with @youandewan: melbournedeepcast.net/portfolio/youandewan/ While his music often sounds like the work of a funky otherworldly being, Ewan Smith (aka Youandewan) – originally from Yorkshire – now makes his hazy, futuristic house and techno from his adopted home of Berlin. Recently dazzling us with his latest stroke of genius known simply as The Brane 001 – the debut release on his new label of the same name is seemingly the first of many glimpses into his unique twist on uptempo Detroit influenced club tracks stacked with sci-fi appeal the likes of early Juan Atkins material. We caught up with the easy going producer, who's also become one of the Voyage Recordings family after his brilliantly dubbed out release for Andy Hart's label last year, and he's mixed up a stellar two hour session of his signature stripped back space grooves and dubby atmospherics.