The Raincoat Report

Jeremy and Boss get thrust into the light, learn to eat bugs instead of Chalupas, try the Chili Surprise, go to a sheep show, and reveal more of Ron Jeremy's crimes as they discuss Damon Christian's Eat at the Blue Fox.

Jeremy and Boss destroy their bodies, poison the well, get Ray Dennis Steckler vibes, sneak in to see Redd Foxx, and react with revulsion as they discuss Carlos Tobalina's Las Vegas Girls.

Jeremy and Boss get lost in the woods, defend their gooncaves with their lives, tell the true story of The Beatles on The Ed Sullivan Show, and reminisce about season seven of The Simpsons as they discuss Phillip Schuman and Zachary Strong's Randy: The Electric Lady.

Jeremy and Boss keep going inside people, consider starting a gnomecast, get a hole screen installed, and shrink down to fix a blockage as they discuss Joe Sarno's Inside Little Oral Annie.

Jeremy, Boss, and Tyler learn not to meet their gyros, have interview, research the Air Bud franchise, do some pro-boner work, and keep their eyes on the balls as they discuss John Leslie's Nightshift Nurses.

Jeremy and Boss climb out of the dumpster, wear Hornet Spice, do some salamandering, discover that they're full of venom, and finish their orange peels as they discuss Carter Stevens's The Mount of Venus.

Jeremy and Boss podcast from a hot dumpster, drink hot hornet honey sludge, work for the Department of Genital Envestigation, and rush to the antivenom clinic as they discuss William Lustig's Hot Honey.

Jeremy and Boss make PAWGs at the Olive Garden, give credit to Cake Farts, play four player GoldenEye, and ride a Pearl Jammer as they discuss Anthony Spinelli's Cry for Cindy.

Jeremy and Boss hold a seance, become bottom feeders, talk all the hot goss, nominate a new Pope, and get mail returned from a daemon as they discuss Chuck Vincent's Farewell Scarlet.

Jeremy and Boss reveal the true identity of the Big Bopper, pay tribute (once again) to Weird Al, run over trash, make their own pizza bagels, and look for older buns as they discuss Stu Segall's Teeny Buns

Jeremy and Boss forget to keep their cars wet, avoid getting scammed, suspend their disbelief, and get a classic Tommy Lee Jones as they discuss Bob Chinn's Love Slaves.

Jeremy and Boss furlough their managers, hire pigeons as extras, go on heavy dates, and wander into a wampa's cave as they discuss Doris Wishman's Bad Girls Go to Hell.

Jeremy and Boss make novelty songs, take too much cold medicine, get trapped in pipes, and fail to whistle as they discuss Jacky St. James's The Submission of Emma Marx: Boundaries.

Jeremy and Boss enter the Eagle Vortex, crank their whips, open a heavy petting zoo, and learn accordion as they discuss Carlos Tobalina's Her Last Fling.

Jeremy and Boss celebrate Tobalinuary, lose access to Wordpad, learn that real love is not using that hairspray, and discover there's other holes as they discuss Carlos Tobalina's Carnal Haven.

Jeremy and Boss close the book on Jess January by modeling their lives after David Lynch characters, talking the lifetime of bananas, drinking like Canadians, and burning in Hell as they discuss Jess Franco's The Hot Nights of Linda.

After a longer than intended break, Jeremy and Boss return to celebrate Jess January by trying to record spirits, declaring their own Best Supporting Actress, waking up too early, and playing HORSE as they discuss Jess Franco's Doriana Grey (aka The Marquise de Sade).

Jeremy, Boss, and Stefanie build a Cumcoon, worship Greek Jesus, pitch Himplants, and get bit as they count down their picks for the top films they covered in 2024.

Jeremy and Boss eat an everything bun, get buttered up, meet the dungeonmaster, put on their ponchos, and reiterate once again that white = green as they discuss Henri Pachard's Wet Dreams.

Jeremy and Boss name their favorite pasta, skip out on candle safety class, try to find out who killed Danielle, and get milked by Pygmies as they discuss Carlos Tobalina's My Sinful Life.

Jeremy and Boss learn about lost cities, play with car cigarette lighters, discover a car with a dampness to it, and pressure wash the club as they discuss Felix Daniels's The Night Bird.

Jeremy and Boss discover what loadsmen like, overcome cursed pipes, plan Boss's tomb, and battle heavy birds as they discuss Chuck Vincent's Heavy Load.

Jeremy and Boss avoid windburn, have some rootin' tootin drinks, do their best Billy Joel, and try to streamline the podcast as they discuss Chuck Vincent's Lecher.

Jeremy and Boss harmonize in fear, go ape, start the new Trenchcoat Mafia, end up covered in louse, and spread Ape Fever as they discuss David Sear's Ape Over Love.

Jeremy and Boss wrap up Five Weeks of Fright by buying a Raincoat Theater, getting their thoughts taken away by demons, gassing up a little bit, and discovering the Cone of Power as they discuss J. C. Crickett's Sex Demon.

Jeremy and Boss see faces, stay strapped with a blade, decide that they're like Shania Twain, and steal catalytic converters as they discuss Loretta Sterling's The Rocky Porno Video Show.

Jeremy and Boss continue five weeks of fright, dream of being stabbed, do speedballs, explain the importance of wet shots, and take a trip to the Avian Awards as they discuss Ray Dennis Steckler's Red Heat.

Jeremy and Boss continue Five Weeks of Fright, make a mighty stink, talk kaiju, try to add reichs, turn the saturation up too high, and silence Elmo as they discuss Ray Dennis Steckler's Sex Slaves of the SS and The Secret Love Life of Hitler's Nazis.

Jeremy and Boss identify a gooner problem, ride for miles with friends, encourage listeners to destroy movies, and get the horns as they discuss T.H. Royal's Beetlejism.

Jeremy and Boss sell the world on Goonr, mix up George Payne and Roger Caine, drink Dr. Pepper's diet soda, and blindly lash out as they discuss Radley Metzger's The Tale of Tiffany Lust.

Jeremy and Boss learn about musicals from Weird Al, can't get Lin-Manuel Miranda to return their calls, determine the weight of Lubbock, and ask for ID as they discuss Carlos Tobalina's Sexual Heights.

Jeremy and Boss try to get a teacher replaced, find new places to pee, and debate the work of one of the masters of the 20th century as they discuss Carlos Tobalina's Boiling Desires.

Jeremy and Boss slurp up their slop, identify obscenity, have too much TV talk, and try to understand the Peter Meter as they discuss Richard and Robert Endelson's The Filthiest Show in Town.

Jeremy and Boss bash things with a metal bar, record rod to rod, look for a nice firm cushion, and enjoy crackers like ducks as they discuss Chris Warfield's Purely Physical.

Jeremy and Boss dream of ghouls, refuse to eat Teddy Grahams, raise legal funds to counter a cease and desist, and create a franchise around The Tennis Pro as they discuss Shaun Costello's Midnight Desires.

Jeremy and Boss remind everyone about the Goat Boy assassination attempt, write about Shifters, give their incel listeners a chance to not be evil, and enjoy their new Saw life as they discuss Leonard Kirtman's Reunion.

Jeremy and Boss lick their wounds, believe what they see on television, decide to watch Carnosaur, and wonder about Roger Ebert's thumbs as they discuss Joe D'Amato's Emanuelle and the Last Cannibals.

Jeremy and Boss get attacked by a machine, discuss false memories, come down with Texas Fever, see a carjacking and a horsejacking, and say "ciao" instead of "no" as they discuss Joe D'Amato's Emanuelle in America.

Jeremy, Boss, and Sallie discover that jail food is not good, learn to respect the liquid aloha, mix canned drinks at Raincoat labs, sneak out on visitor's day, and count to seven as they discuss Bitto Albertini's Black Emanuelle 2.

Jeremy, Boss, and Sallie look for J&B whisky, wish for supernatural drama, go frolicking, and drink too much Risha as they discuss Bitto Albertini's Black Emanuelle.

Class is in session for Raincoat Report 201 as Jeremy, Boss, and Stefanie insist they have TVs, make thousands of lizard babies, and go on the Ron Jeremy diet as they discuss Buck Adams's Super Hornio Brothers II.

Jeremy, Boss, and Stefanie drink FAR too much, perform a dramatic reading, win a Radio Tony, battle flies, and play with their organs as they delve into the breakdown of an American marriage.

Jeremy and Boss misremember the dalmatian count, try to get a radio show on Sirius, plan the Raincoat Awards, and reawaken America as they discuss Alan Colberg's All Night Long.

Jeremy and Boss travel through time, frack under Paramount Mountain, identify a succubus, and swap Bobby Astyr and Joe Pesci as they discuss Victor Milt's Sherlick Holmes.

Jeremy and Boss schedule the Raincoat Retreat, dole out lobotomies, get annoyed by Jerry, experience the pleasures of the whip, and worship the power of erotica as they discuss Phillip Marshak's Initimate Lessons.

Jeremy, Boss, and Stefanie go to the land of the setting sun, read love notes, campaign for a Yeezy Porn sponsorship, and hire a houseboy as they discuss Bob Chinn's California Gigolo.

Jeremy and Boss slosh around in the infield, need more than a sheet to handle the mess, witness the return of the oralboros, and get taken by surprise as they discuss Joseph Sarno's Deep Inside Annie Sprinkle.

Jeremy and Boss learn French from Muzzy and Jamie Gillis, have trouble counting maniacs, experience the 1970s version of Cribs, and trust the gooners as they discuss Shaun Costello's Slave of Pleasure.

Jeremy and Boss become victims of corporate torture, cook the books, drink with their pinkies up, and see Waluigi in the wild as they discuss Anthony Spinelli's Expectations.

Jeremy and Boss get hypnotized by Meatspin, name new wave bands, grind a hater's bones to make their bread, and get programmed to kill as they discuss Peter Savage's Hypnorotica.

Jeremy and Boss change their diapers while driving, stay in a horror hotel, hear God tell them to steal, and reinforce ideas with a chair as they discuss Thomas Paine's Corporate Assets.