Podcasts about Doris Wishman

The ants have circled the bean sack once again with a remixed extended version of our beloved Doris Wishman's nudist films.Podsploitation at its finest feat.Nude On The MoonBlaze Starr Goes NudistHide Out In The SunGentleman Prefer Nature GirlsDiary Of A NudistThe Prince And The Nature Girl

THIS WEEK: Nude on the Moon (1961), Bad Girls Go to Hell (1965) and Deadly Weapons (1974)Pornography is a different beast in the hot Florida sun, where everyone is melting and there's no infrastructure to support a competent film industry.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

Doris Wishman has been called the Queen of Sexploitation, and the most prolific female filmmaker of the 1960's and 70's. But did she ever learn how to make a movie? Today we're joined by Jetta Weinstein, aka theironcupcake, to discuss two peaks of her inimitable brand of trash cinema: 1965's questionably feminist softcore drama BAD GIRLS GO TO HELL, and 1974's bra-busting spy film DOUBLE AGENT 73.You can find more from Jetta at https://letterboxd.com/theironcupcake/Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/unwatchablespod/⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠https://twitter.com/UnwatchablesPod⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠https://www.unwatchablespod.com⁠⁠⁠⁠⁠⁠ Email: unwatchablespodcast@gmail.com

This week we're covering an underseen gem from 1970s New York about an artist on a killing spree, Kent Bateman's The Headless Eyes. It's the perfect cocktail of 2 parts Driller Killer, 1 part Any Milligan, and 1 part Doris Wishman.Watch it here: https://www.youtube.com/watch?v=r2zJn9Yp9Oo&t=165sNext Episode: https://www.youtube.com/watch?v=soVPv4mP_9MPride Month Recommendations:Where is My Mind? podcast: https://podcasts.apple.com/us/podcast/where-is-my-mind-podcast/id1750992168Groovy Doom & Drive In Asylum: https://www.instagram.com/groovy_doom/ and https://www.youtube.com/@GroovyDoomEros + Massacre podcast: https://cinepunx.com/podcast-episodes/eros-massacre/Dakota Newt: https://www.instagram.com/dakotanootChristopher Anthony Velsaco: https://www.instagram.com/caver83/Two in the Pinku: https://www.instagram.com/twointhepinku/ & https://podcasts.apple.com/us/podcast/two-in-the-pinku/id1787488448Dream Stalker Blu-ray with our video essay: https://www.terror-vision.com/store/dream-stalker-1991-blu-rayJoin our discord! https://discord.gg/F8WsTzE9qtFollow this podcast on Instagram and Facebook @unsunghorrors.Follow Lance on Instagram and Letterboxd @lschibiLance's shop: https://lanceschibi.bigcartel.com/Follow Erica on Letterboxd or Instagram @hexmassacreLogo by Cody SchibiPart of Someone's Favorite Productions Podcast Network:  https://linktr.ee/someonesfavoriteproductions

The focus of this 60th episode of Edinburgh Film Podcast is Wanda, the only feature film directed by American actor-filmmaker Barbara Loden. Released in 1970, the film is set in rural Pennsylvania and tells of a working class woman (Loden) who leaves her husband and young children for a life on the road. She eventually drifts into a fraught, uneasy relationship with petty thief Norman Dennis (Michael Higgins) as he plans a bank robbery. Joining host Dr Pasquale Iannone to talk about Wanda is Dr Elena Gorfinkel, author of a new book on the film which is part of the long-running BFI Film Classics series. Elena is Reader in Film Studies at King's College London. Specialising in underground and independent cinema, her many publications include the 2017 volume Lewd Looks: American Sexploitation Cinema in the 1960s. Her articles and book chapters include pieces on filmmakers such as Andy Warhol, Doris Wishman, Kira Muratova and Kelly Reichardt. Elena is also the curator of a major season currently running at London's BFI Southbank titled Wanda and Beyond: The World of Barbara Loden. In their detailed, wide-ranging conversation, Elena tells Pasquale about her first encounter with Wanda and how she approached the writing of her new book. Discussion then moves on to the film itself, before turning to the curation process for the BFI Loden season. Wanda (2025) is published by Bloomsbury and is out now. The BFI Southbank season Wanda and Beyond: The World of Barbara Loden runs throughout the month of June. For more details, please see the BFI website.

Find Scooter:https://soundcloud.com/scootermccraehttps://www.facebook.com/scooter.mccrae/Find Rodney:https://rodneyanonymous.comFind Heather:https://www.mondoheather.comFind Dirk:https://vhuspodcast.threadless.comhttps://www.patreon.com/c/vhushttps://www.vh-us.com

Cultpix Radio WCPX 599 - Episode 82 SummaryThis episode brings massive news as Cultpix celebrates four years with the biggest announcement yet: the launch of the Something Weird Channel, a brand-new sister streaming service featuring the complete Something Weird Video catalogue in partnership with Lisa Petrucci.We explore how this new channel emerged following Something Weird Video's decision to discontinue DVD-R production and download-to-own services in October 2024. The Something Weird Channel features approximately 1,000 titles with its own distinct aesthetic, categories, and exclusive content not available on Cultpix.Despite adding enormous value with a second streaming service, the subscription price is actually being reduced from $6.66 to $5.99 monthly. The release schedule includes 50 new films twice monthly, with unique categories covering compilations, exploitation films, and works by legendary directors like Herschell Gordon Lewis and Doris Wishman.Technical developments take centre stage as we talk about the new Android TV and Amazon Fire TV apps that have already achieved nearly 1,000 downloads without promotion. Upcoming features like curated box sets are discussed alongside the new membership pause functionality.Recent Cultpix content gets attention including the popular French erotica collection from Pulse Store, Hungarian Cult Classics Volume 2 featuring a James Bond parody made without having seen any Bond films, and the unique Bronson Canyon theme month celebrating the iconic filming location.The Cannes Film Festival experience features prominently, covering two positive Variety magazine articles, new distribution deals, and the annual cocktail party with special guest director Dan Wolman. The episode concludes with the trademark "Sorry to See You Go" segment, featuring amusing and bewildering cancellation messages from former subscribers.Episode Highlights:Something Weird Channel launch announcementPrice reduction to $5.99 despite doubling contentNew streaming apps availableCannes Film Festival successRecent themed content collectionsTechnical updates and new feature

Jeremy and Boss furlough their managers, hire pigeons as extras, go on heavy dates, and wander into a wampa's cave as they discuss Doris Wishman's Bad Girls Go to Hell.

"We came here for science.  Why are we looking for gold?" Nude On The Moon (1961) directed by Doris Wishman and starring Marietta, William Mayer, Lester Brown and Pat Reilly. Next Time: The Marathon Man (1976)

Frame Fatale es un podcast de películas ¿no canónicas? hecho con amor por Santiago Calori, Axel Kuschevatzky y Sebastián Rotstein. En el centésimo séptimo episodio nos ocupamos de The Amazing Transplant (1970) de Doris Wishman. Podés comentar este episodio o agregar una pregunta que nada que ver enviándonos un correo electrónico a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nolahepodidover@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia, algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

All episodes are made available to Patreon subscribers, the most pulchritudinous and buxom of all audiences, one week before their general release. Support our Patreon: https://www.patreon.com/thepinksmoke It's time to talk tits. We're joined by the peerless Wendy Mays to discuss softcore porn impresario Doris Wishman's breastacular Deadly Weapons, the story of Chesty Morgan hunting down a cadre of creeps and killing them with her massive 73 inch bazooms in a kind of brain-damaged, sleazy The Bride Wore Black knock-off. It. is. a. delight. 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. The Pink Smoke site: www.thepinksmoke.com John Cribbs on X: x.com/TheLastMachine The Pink Smoke on X: x.com/thepinksmoke Christopher Funderburg on X: x.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

The boys deal with a health issue and a hidden enemy, but distract themselves from their waking nightmare by discussing A Night To Dismember (1983), The Beekeeper (2024), and Ghoulies 3: Ghoulies Go To College (1991).Hit us up on Instagram: @stabbypod if you'd like to recommend a movie, have a comment, or would like to share a story about a time you had fallen down a well. Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Like a book club but for dissecting obscure thriller, exploitation, and horror movies. Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Linktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACGet the shirt: https://www.big-other.com/shop/p/stabby-stabby-podcast-tee

Dans cet épisode commandé par le LUFF, nous partons à la découverte de la filmographie de cette réalisatrice dont la carrière a accompagné 40 ans d'évolution de l'érotisme, de la pornographie, de l'exploitation, à l'occasion de sa rétrospective croisée avec l'artiste Peggy Ahwesh.

Tits and bits OR The ants have circled the bean sack

1984's Educating Julie, produced by Heritage Video International in collaboration with British Naturism (known at the time as the Central Council for British Naturism) breaks away from many of the typical issues nudist films suffer from, the first video feature made by nudists for nudists, while still holding on to a particular story formula that filmmakers like Doris Wishman stuck to.

Jeremy and Boss get hot and angry, worry about their fingernails falling out, get confused by the Greek alphabet, and identify boats as they discuss Sokrates Kapsaskis and Doris Wishman's The Hot Month of August.

Jeremy and Boss gamble away their family members, get chokeslammed by Mayor Kane, debate cultural appropriation, and get their brains melted by Doris Wishman's Love Toy.

Smut and Django are at the Cannes Film Festival (technically the Marche - Market) to meet with distributors and sign deals. There was a great article in Variety about the latest batch of Cultpix deals, which mean that we have over 250 more films to add later this year, with some real cult classics. This episode is the third devoted to Doris Wishman, focusing on the sun-soaked 'Daylight Years' and early nudist films. As one of the most prolific women filmmakers in the history of American cinema, "writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe."Smut interviews film historian Michael J. Bowen who met and knew Doris, as well as having researched her career for years as her biographer. The films of The Daylight Years are gorgeously restored by AGFA + Something Weird Video. They include:"Nude on the Moon" (1961) - Wishman's dreamlike sci-fi triumph about a trip to a nudist-inhabitet moon."Blaze Starr Goes Nudist" (1962) - The famous burlesque dancer discovers the joy in nudism and escapes down to Florida.  "Hideout in the Sun" (1960) - A crackpot nudie-noir in which two gangsters on the run decide to hide in plain sight at a nudist resort. "Gentlemen Prefer Nature Girls" (1963) - Tom is fired from his real-estate job when his boss discovers that he is a nudist, but he hatches a very nudist revenge plan."Diary of a Nudist" (1961) - Newspaper editor stumbles on nudist camp and commissions young female reporter to write exposé about the sordid lifestyle. "The Prince and the Nature Girl" (1965) - A prince escapes his castle and falls in love with a woman who turns out to be a nudist. Enjoy all these films and the other Doris Wishman films on Cultpix. There is a Spotify playlist of 13 nudie songs from Doris Wisman's films and three clips where you hear Doris speak. 

With the venerable institution Sight and Sound releasing not only its top 100 list but every last film that got a vote, we decided it was well past time to get classy and choose two feature films to watch. Short ones. Ones available on streaming services in New Zealand. And by female directors.  And *that* is how you get Valerie Massadian's NANA and Doris Wishman's BAD GIRLS GO TO HELL discussed in tandem, for the first and last time ever, on the same podcast. 

Smut Peddler and Django Nudo cover two big film topics for the price of one, while also cursing Roku for still not having sorted out the missing Cultpix films. First up is Daimajin, the giant demon god stone statue that comes alive and wrecks destruction on the unjust. Daiei produced no less than three Daimajin films in the span of one year (1966): "Daimajin", "The Return of Daimajin" and "Daimajin Striked Again". They are firmly in the Kaiju tradition and trace their roots to an unrealized sequel to the original Gamera, which will also be shown on Cultpix later this spring. They also have a kinship to the North Korean "Pulgasari" (1985). The plot of the first two are fairly identical, with Daimejin saving peasants from an evil feudal lord, but the third has an added kids-on-a-quest sub-plot that elevates it. Interestingly this trilogy was made the same year as several of the films from Doris Wishman's 'Moonlight' period, that is the second season of her films on Cultpix. This is when the maverick cult director moved from the nudie-cuties of the early 60s to roughies, resulting in darker films, but still with tell-tale Wishman touches, like cut-aways to shoes and lamps.  These hard-nosed, sex-focused noirs stand tall as some of her greatest, most perverted work. AGFA calls them “triumphant DIY treasures”. We are in debt to AGFA, Something Weird Video and Vinegar Syndrome for these remarkable films being available to share with you.Included are "The Sex Perils of Paulette" (1965), a twist on the The Perils of Pauline films in Wishman's first 'roughie'; adultery and betrayal in "My Brother's Wife" (1966), with Wishman's signature downbeat conclusion; the housewife-on-the-run-forced-into-prostitution-classic "Bad Girls Go to Hell" (1965), considered to be   “Wishman's formula perfected,"; the non-cannibal "A Taste of Flesh" (1967), with lesbians and political assassination attempts; a rare male lead in the form of a gigolo in "Too Much, Too Often" (1968); a respectable middle class woman is forced into prostitution in "Another Day, Another Man" (1966) after her husband falls ill; super natural powers over a woman in "Indecent Desires" (1968) leads her to question her sanity. There is also the two Greek film re-edit oddities "The Hot Month of August" (1966) and "Passion Fever" (1969), featuring new dialogue and insert soft-core shots of drama films bought form Greece.  We have a Spotify playlist that is full of musical gems and more from the Doris Wishman films.

Django Nudo and the Smutpeddler discuss this week's theme of 80's American horror films, and why they can only be watched by our North American members. (Clue: rights issues.) But there will also be upcoming themes where the US audience won't be able to watch some films, so it kind of evens out. But, Cultpix's main goal is as always, to be a truly global streaming platform and cult.However, the main theme this week is our prominent guest, filmmaker and artist Robert Flanagan, with both New York and Guatemala as his playgrounds!And more specifically his 1996 film "4 O'Clock", an amazing, no-budget film noir comedy, shot in grainy 16mm!We give him third-degree interrogation, questioning him on the film; the inspirations, the ideas behind it, the budget, the cast, the music, the cinematography, the dialogue, the editing, the props, the legalities of some locations, and New York as a character of its own in the film.And also about the film's recent restoration/makeover from the original 16mm negative!There is mention of Roberto Rossellini, Jean-Luc Godard, Edward D Wood Jr, Tommy Wiseau, European spy movies, Doris Wishman, surf music and lots more!You don't want to miss out on this well-hidden gem, which is finally reaching a global audience, after having been shown theatrically only in New York back in the day.

Welcome to the Nude Year, Junkies! First, two astronauts meet a colony of naked ladies in Doris Wishman's "Nude on the Moon." Next, Junior has it all: sex with his mom AND his sister in "Taboo 2." Finally, a team of collegiate professional wrestlers do weird sex stuff in "Beautiful Wrestlers: Down for the Count." All this plus we recount our Top 5 favorite movies of 2022. Our least favorite movies of 2022, no Nerd Nerds, but yes junk mails featuring Mia Sweetman, Kevin E and the Fallen One. Direct Donloyd.

Django and Smut welcome Kitty back to the Cultpix Studio to look back (slapping alert) in 2022 and ahead to 2023. We start off with what we did over the holiday, mainly the Christmas and Swedish films that were posted, plus a shout out to our three last pod guests: Jimmy, Adrian and Lisa. We go around the proverbial table to pick out personal favourites from the past year, whether film, theme week, podcast guests, event or other. We do an In Memoria of some of the Cultpix greats that passed away in the past year, including funny/sexy Kitten Natividad, "Cannibal Holocaust" director Ruggero Deodato, Tim Lucas' wife, muse and partner Donna and even Olivia Newton John. There is self-congratulation galore as we note how Cultpix has grown over 150% in the past year, even as the like of N****ix lost 500,000 members in UK alone. We count down the top ten most watched film on Cultpix in 2022, all of them with a sexy theme, with a fierce battle for the top medal position between Danish erotica compilation and Swedish erotica compilation, but the winner is a film that 'gives porn a good name.'We look at the top films that people find on Cultpix from sites like Letterboxd, JustWatch and PlayPilot, including "Anita - Swedish Nymphet" (1972), Fleischer Studio's "Superman" serial (1941-1943), and Leni Riefenstahl's "Triumph of the Will" (1935). There is also a good story abput how that last one ended up published on DVD and on Cultpix. A special mention to our biggest fans and members on social media and IRL - would you believe we get letters sent to us? And you won't guess what's in them. A special mention of members Tightsbury, Lee Bailes, Karen R, Dr Retro, John Corbyn, Cousin H, Disapproving Swede and many more. Looking ahead to 2023 we already have lots of theme weeks and films lined up. We will have more theme weeks with Herschel Gordon Lewis and Doris Wishman.  Films from Japan's Daiei studio (NB: Scandinavia only), including Gamera - gigantic flying, fire-breathing turtle; Daimajin – a giant stone statue comes to life; and Zatoichi the blind masseur, gambler and sword fighter. There will be more films by the extremely productive Swedish director Arne Mattsson, who single-handedly started the myth of 'Swedish Sin' with his film "One Summer of Happiness" (1951). We will feature All Channel Films (NB: USA only): Theme week 1: 7 80's horror/slasher/gore films. Theme week 2: A mixed bag of cult movies from 1969-1991, including classics like I Drink Your Blood (1970) and three Vice Academy comedies – basically Police Academy ripoffs. We also have Czech classics (wonderful films from the 60's; vampires, sci-fi and fantasy) and more films from Hungary (Hungarian westerns!!!). That's just a little taster of things to come on Cultpix. It's going to be a fun 2023. Please be sure to get in touch with us, because unlike most DJs, we DO take requests. 

Jeremy and Boss start 2022 with incessant sampling and technical issues, as they mix black and brown and discuss Doris Wishman's Satan Was a Lady.

The Smut Peddler celebrates Doris Wishman – The Twilight Years2022 is Doris Wishman's year. The maverick director was born in 1912 and passed away in 2002, still making movies. She would have turned 110 this year, and it's 20 years since her passing.No one will ever make movies like Doris Wishman. She is one of the most prolific women filmmakers in the history of American cinema, a writer-director-editor who created collisions between surrealism and exploitation that feel like they materialized from an alternate universe.Thanks to Cultpix cooperation with rights holder Jimmy Maslon, and the diligent work of Something Weird Video, AGFA (American Genre Film Archive) and Vinegar Syndrome, we are able to join the celebration, with the first of three theme weeks with a total of no less than 24 newly restored films, starting off with The Twilight Years – a collection of sleazy flicks from the 1970's, that highlights the queen of sexploitation's last era of filmmaking. Followed in the Spring of 2023 by the collections The Moonlight Years (black & white roughies) and the Daylight Years (nudist films).To hold us by the hand and guide us in this week's episode of Cultpix Radio, is none other than our bestest partner and friend, Lisa Petrucci from Something Weird Video! Lisa knows all there is to know about Doris, and then some!Lisa discusses and explains about Doris' personality, filming style, actors, Something Weird Video's amazing Wishman vinyl album, and dives deep into each film of this week's theme.Starting off with the most famous/infamous of all of Wishman's films: “Deadly Weapons” (1974) and “Double Agent 73” (1974), starring the notoriously well-endowed Chesty Morgan. We also get Doris Wishman's own voice from time to time, talking about working with Chesty, and about other films.“The Immoral Three” (1975) is a sequel of sorts to the Chesty Morgan films, but without Chesty. It plays like a female revenge drama.We move on to her gender benders – “The Amazing Transplant” (1970), where a man gets a penis transplant, but the donor was a sex maniac. And “Let Me Die a Woman” (1977), Wishman's only (semi)documentary, about transsexuals and sex change operations, very controversial at the time.Her comedy “Keyholes Are for Peeping” (1972) is a pill hard to swallow, starring “the poor man's Jerry Lewis”, the unbearable Sammy Petrillo, in a mess concocted from various leftovers from the cutting room floor…“The Love Toy” (1971) is a real roughie, which pushes a lot of buttons today, in terms of its controversial theme, and Doris' unsympathetic handling of its subject.From Vinegar Syndrome, we add Wishman's first two hardcore films, which she sometimes denied having directed, and which were made under pseudonym: “Satan Was a Lady” (1975) and “Come With Me My Love” (1976), the world's first “ghost porn” movie?Finally, Doris gets the last word from beyond the grave… and her own Spotify playlist.  

Halloween is upon us. Go buy every single pumpkin spice item you can find, and don't forget the Count Chocula! Oh, and the October ritual is back! It's time for the 18th Annual A-Z of Horror Festival!Part one consists of entries A-H. Gear up for a wild Mexican exploitation ride, with enough evil to set your Satan detector into PANIC mode! Curse the day you meet Alucarda (1977)! A malevolent mound of muck begins devouring everything in a small mountain town, thanks to some updated 80s special effects. Is it an alien entity, or government conspiracy? One thing is for sure, it's The Blob (1988)! If you are running a struggling funeral parlor, killing off local townspeople may seem like a logical solution. But you have to make sure that you actually kill them! Vincent Price, Peter Lorre and Boris Karloff certainly have their problems offing Basil Rathbone in The Comedy of Terrors (1963). Hammer makes an attempt to appeal to groovy 70s kids, by bringing the classic Dracula versus Van Helsing feud out of their regular gothic trappings, and into the modern age. Dracula A.D. 1972 (1972) is such a giggle, man! Doris Wishman filmed this next one during her comeback run at age 89, in 2002. That's probably the most interesting thing about Each Time I Kill (2007), other than John Waters making a cameo appearance! Geena Davis begins to worry about Jeff Goldblum, as he is not quite himself after what seemed like a successful teleportation attempt using his recent invention. Unfortunately, he didn't anticipate what would happen should an uninvited guest join him in the telepod. Things get buggy in David Cronenberg's full-on body horror version of The Fly (1986)! Brad Dourif and James Earl Jones try to outdo each other, spinning spooky yarns around the campfire, in the western-themed horror anthology, Grim Prairie Tales (1990). And an accident strands a family, putting them in a battle for their lives against a desert clan who will eat any kind of meat that they can get their hands on! It's Wes Craven's classic, The Hills Have Eyes (1977)!

Chesty Morgan makes ‘Deadly Weapons' and ‘Double Agent 73', and acts with Donald Sutherland. The post The Trials of Chesty Morgan – Doris Wishman, Fellini, The Law and Me, Part 2 appeared first on The Rialto Report.

In this episode, Brian talks about a trio of titles - first the COCA-COLA KID from Fun City Editions, then BUSTER KEATON RIDES AGAIN and HELICOPTER CANADA from Canadian International Pictures and Lastly a lovely collection of Doris Wishman films from AGFA. Check out these and other Vinegar Syndrome Partner Labels here: https://vinegarsyndrome.com/collections/frontpage-partner-labels This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Hosts Josh and Jamie and special returning guest Eddie Averill (formerly of Extended Clip) discuss two of the all-time great westerns starring the personification of American goodness Henry Fonda in Sergio Leone's operatic and dreamlike ONCE UPON A TIME IN THE WEST (1968) and John Ford's more relaxed and tragic MY DARLING CLEMENTINE (1946). Next week's bonus episode is a patron-exclusive bonus episode on Doris Wishman's BAD GIRLS GO TO HELL (1965) and A NIGHT TO DISMEMBER (1983), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-11:55 ONCE UPON A TIME IN THE WEST // 11:55-1:18:20 MY DARLING CLEMENTINE // 1:18:20-2:26:35 Outro // 2:26:35-2:32:44 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/

In this episode, we discuss LOVE TOY (1968; dir. Doris Wishman).

In this episode, we discuss THE IMMORTAL THREE (1975; dir. Doris Wishman).

In this episode, we discuss LET ME DIE A WOMAN (1977; dir. Doris Wishman).

In this episode, we discuss THE AMAZING TRANSPLANT (1970; dir. Doris Wishman).

In this episode, we discuss DOUBLE AGENT 73 (1974; dir. Doris Wishman).

In this episode, we discuss DEADLY WEAPONS (1974; dir. Doris Wishman).

Hello all you TWGTF fans and fanatics as we welcome you back to another episode of our show! This week Tyler is pulling from a place known as the Something Weird Video! This is quite a group and quite an interesting bit of films to select from! Up first we begin with a movie by the godfather of gore himself Herschell Gordon Lewis with a movie about a group of Yankees who find themselves involved in a southern centennial and smack dab in the middle of Two Thousand Maniacs! For our main attraction Tyler pulls out all the stops and introduces us to a very special filmmaker in Doris Wishman and we delve into the world of sexploitation and see what happens when Bad Girls Go to Hell. Spoiler Alert: This week there are some real moments to both of these films but it must be said that the second film has a huge trigger warning! Also we recorded this on HGL's birthday and that again is just by pure chance!! 0:00:00 to 0:04:54 Preamble & Music: ... You've been Framed!! 0:04:55 to 0:23:23 Opening and the Best Thing We Saw This Week 0:23:24 to 0:26:48 The First Film and "You ever been to a horse race boy?" 0:26:49 to 0:55:59 The Conversation and Ratings 0:56:00 to 0:58:41 The Second Film and "Do you know that bad girls go to hell?" 0:58:42 to 1:24:39 The Conversation and Ratings 1:24:40 to 1:28:10 What is happening on the next TWGTF and Outro

For the month of June, Joel and Andy are spotlighting women filmmakers. They kick things off with special guest Molly Regan. Together, they discuss prolific filmmaker Doris Wishman's 1965 film Bad Girls Go to Hell.

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Peça de Filipa Peraltinha nas Carpintarias de São Lázaro; retrospectiva Doris Wishman; música nova de Iceage.

Something Weird Video was founded in 1990 by Mike Vraney. Based out of Seattle, it takes its name from the movie Something Weird, which was directed by “Godfather of Gore” Herschel Gordon Lewis. In addition to distributing the works of Lewis, they've also distributed films by Doris Wishman (a prolific female director of sexploitation films) and Ed Wood (specifically, The Violent Years and Jailbait), as well as movies starring famed pinup model Bettie Page. Something Weird Video specializes in exploitation B to Z movies. That Basket Case may have the highest production values of their distributed titles says something. But there is something incredibly charming about this little distribution company. If the appeal of exploitation movies is the possibility for us to see what they cannot see anywhere else, then Something Weird Video is every bit as important as Troma Entertainment, Grindhouse Releasing, Blue Underground, Vinegar Syndrome, and Unearthed Films. Their catalogue features everything from schlocky horror to softcore and hardcore pornography. They've made it their mission to preserve the sorts of films that mainstream companies wouldn't bother taking the time to preserve. This doesn't just include bizarre or shocking works, but also kids commercials, rare cartoons, and early films featuring all-Black casts. For this alone, they are a noteworthy company.

This time on The Honeywell Experiment, Thomas Deja and lab monkey, Chris Honeywell head to a nudist colony IN SPACE! It’s the DORIS WISHMAN “classic” – NUDE ON THE MOON filmed at the scenic CORAL CASTLE! Countdown to BOOBIES begins NOW!    

Guitarist Rick Miller and bassist Mary Huff along with Dave Hartman on drums play rockabilly, surf, country, R&B, and Americana from the wrong side of the tracks. Southern-fried favorites with fans and critics alike, Southern Culture’s decades of hard touring and prolific record releases have only sharpened their humor and whet their appetite for rocking. With their latest record, “At Home With Southern Culture on the Skids,” fresh out of the oven, Rick and Mary join the Troubled Men for a meeting of the Troubled Minds. Topics include crime and punishment, a basketball injury, Timothy Hutton, a Buick LeSabre, a van breakdown, Geffen Records, crack, band origins, a coin flip, the Panther Burns, the White twins, the Cramps, Eddie Cochran, AM radio, Virginia, cheap guitars, D.I.Y. recording, a major label deal, “Flirting With Disaster,” Mary Tyler Moore, a wood shop teacher, ‘Dirt Track Date,” the Tonight Show, Ray Farrell, a NASA gig, Hasil Adkins, Miriam Linna, a Campbell’s Soup can, a documentary, Weird Al, a phone message, a Doris Wishman retrospective, “Blood Feast 2,” and much more. Intro music: Styler/Coman Break music: “Camel Walk” from “Dirt Track Date” by Southern Culture On The Skids Outro music: “Run Baby Run” from “At Home With Southern Culture On The Skids” Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram SCOTS homepage SCOTS Facebook

Bad Girls Go to Hell (1965) / Deadly Weapons (1974) This week we're going on a date with the grand dame of the grindhouse as we discuss Doris Wishman's bad girls and deadly weapons

Jeremy and Boss continue to celebrate Five Weeks of Fright by turning off the lights and getting spooky with a double feature of Something Weird favorites - Doris Wishman's Come With Me My Love and William Edwards's Dracula (The Dirty Old Man) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

For the 12th and last episode for this season we talk in-depth to Lisa Petrucci, the heart and soul of Something Weird Video, which pioneered the re-release of cult and genre films. SWV was founded in 1990 in Seattle, Washington state by Mike Vraney, who was a projectionist and collector of 8mm and 16mm girlie loops and films. He started transferring and sharing some of these films to VHS, which earned him a call from David F. Friedman and a lesson in copyright. Thus Mike the film enthusiast/pirate became a legitimate film distributor, publishing the works of directors such as  Harry Novak, Doris Wishman,  Herschell Gordon Lewis and Friedman himself. The name comes from HGL's 1967 film "Something Weird". Petrucci tells us about her background as an artist and collector, moving from Boston to New York ("where I went down a rabbit hole at Kim's Videos") to Los Angeles and eventually to Seattle ("which was like going to Mars,"), completing her journey from high brow to popular and low-brow culture. She recalls how she first met Mike at the Chiller Convention, and how they started working together, until they became a couple and soul mates. Lisa picks her favourite films (tough choice!), including "Monsters Crash the Pajama Party" (1965, coming to Cultpix soon), "She Freak" (1967), "Shanty Tramp" (1967), "Psychedelic Sex Kicks" (1967) and "Wild Hippie Party" (1967), "Teaserama" (1965, also coming to Cultpix soon). Lisa discusses how some of these films can be 'problematic' viewing today, but that they are 'time capsules' of their era. But with cinema screenings of their films you have to think ahead to see if something in the films will offend somebody, "which they will, because Something Weird was set up to be abrasive."Lisa and Smut Pedler discuss how Mike overcame his reluctance to travel to come to Sweden twice and how it led to the birth of Klubb Super 8, which in turn led to Cultpix. How Mike could be demanding, but forced KS8 to "get its shit together." Mike was then diagnosed with lung cancer and Lisa talks movingly about making the most of his last year and days. After Mike's passing Lisa and SWV was lucky to get contacted by Alamo Drafthouse and how Tim League and AGFA - American Genre Film Archive stepped in with a proposal to represent some of the titles. Today SWV has switched to DVD-R distribution, as well as partnering streamers such as Cultpix, Nightflight and The Film Detective.  And we finish by revealing who the new 40 Thieves of cult film are. This the 12th episode marks the end of the first season of Cultpix Radio WCPX 66.6 as we take a brief summer break, but we will be back in late summer/early autumn with more films, guests and banter about our favourite films. Drop us a line at info@cultpix.com with comments and suggestions. Have a great summer and stay cult! #WeAreCultpix

Welcome back to another episode of the GGtMC!!! This week Sammy and Todd cove A Night to Dismember (1983) directed by Doris Wishman and The Night Flier (1997) directed by Mark Pavia!!! We hope you enjoy the show this week and thanks for listening!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Andrew Shearer (@Gonzoriffic) and Matt Comegys go headfirst (this time) into Doris Wishman's grindhouse classic.Do your homework, and have a squiz at the flick here:https://www.youtube.com/watch?v=BAXY5zcA4hIPlease subscribe, review, and rate us on all the podcatchers.  We are at @AuralHygienePod on Twitter and you can search the same on Facebook.  And if you're Scrooge McDuck, throw a bob to out Patreon:https://www.patreon.com/podcastiopodcastiusDig into Andrew's scene by searching "Gonzoriffic" on Instagram:https://www.instagram.com/gonzoriffic/Matt made some tracks a touch less saucy than Humpinstein, but why not groove to this album:https://rovingsagemedia.bandcamp.com/album/i-often-dream-of-the-apocalypseComing Soon: June 4 - Mazes & MonstersJune 5 - Operation HighjumpJune 7 - The Great Chastity ExperimentJune 11 - Future ShockJune 12 - The Wickedest Man in the World

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This week we begin with some films from the cult label Something Weird Video: the revenge drama Johnny Firecloud, and a couple of films from the one and only Doris Wishman. My adventurous guest is Adam Piron, Los Angeles-based programmer for the Sundance Film Festival where he's associate director of the indigenous program. Other movies discussed: Straight Time; Bless Their Little Hearts; The Exiles; and the silent movie The Daughter of Dawn, which led Adam to an incredible personal discovery. Adam is also a member of the Cousin collective, which supports indigenous artists and has a program featured in this year's Documentary Fortnight at MoMA. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Can your heart stand the shocking truth about Ed Wood? This week's discussion focuses on Tim Burton's 1994 film starring Johnny Depp and Martin Landau about the hapless B-movie director Edward D. Wood Jr.Guests include the film's co-writer, Larry Karaszewski, actor Mike Starr, musician Lydia Kavina, and author Andrew J. Rausch.Rob St. Mary returns for the episode along with composer/musician Steve SholtesErrata:Mike mistakenly credited Roberta Findlay for Doris Wishman's Let Me Die a Woman.Yes, Bela Lugosi played Frankenstein in the 1943 Frankenstein Meets the Wolf Man but definitely not in the more famous and successful 1931Frankenstein.Learn more about your ad choices. Visit megaphone.fm/adchoices

Do pussycats go to hell faster than bad girls ? Find out in this episode when Shawn & Chris cover the Russ Meyer classic 'Faster, Pussycat ! Kill ! Kill !' with special guest Andrew Shearer and 'Doris Wishman's 'Bad Girls Go to Hell' with 3 time defending guest host Steven A. Grainger. Can you dig it ?