Podcasts about Doris Wishman

This week we're covering an underseen gem from 1970s New York about an artist on a killing spree, Kent Bateman's The Headless Eyes. It's the perfect cocktail of 2 parts Driller Killer, 1 part Any Milligan, and 1 part Doris Wishman.Watch it here: https://www.youtube.com/watch?v=r2zJn9Yp9Oo&t=165sNext Episode: https://www.youtube.com/watch?v=soVPv4mP_9MPride Month Recommendations:Where is My Mind? podcast: https://podcasts.apple.com/us/podcast/where-is-my-mind-podcast/id1750992168Groovy Doom & Drive In Asylum: https://www.instagram.com/groovy_doom/ and https://www.youtube.com/@GroovyDoomEros + Massacre podcast: https://cinepunx.com/podcast-episodes/eros-massacre/Dakota Newt: https://www.instagram.com/dakotanootChristopher Anthony Velsaco: https://www.instagram.com/caver83/Two in the Pinku: https://www.instagram.com/twointhepinku/ & https://podcasts.apple.com/us/podcast/two-in-the-pinku/id1787488448Dream Stalker Blu-ray with our video essay: https://www.terror-vision.com/store/dream-stalker-1991-blu-rayJoin our discord! https://discord.gg/F8WsTzE9qtFollow this podcast on Instagram and Facebook @unsunghorrors.Follow Lance on Instagram and Letterboxd @lschibiLance's shop: https://lanceschibi.bigcartel.com/Follow Erica on Letterboxd or Instagram @hexmassacreLogo by Cody SchibiPart of Someone's Favorite Productions Podcast Network:  https://linktr.ee/someonesfavoriteproductions

The focus of this 60th episode of Edinburgh Film Podcast is Wanda, the only feature film directed by American actor-filmmaker Barbara Loden. Released in 1970, the film is set in rural Pennsylvania and tells of a working class woman (Loden) who leaves her husband and young children for a life on the road. She eventually drifts into a fraught, uneasy relationship with petty thief Norman Dennis (Michael Higgins) as he plans a bank robbery. Joining host Dr Pasquale Iannone to talk about Wanda is Dr Elena Gorfinkel, author of a new book on the film which is part of the long-running BFI Film Classics series. Elena is Reader in Film Studies at King's College London. Specialising in underground and independent cinema, her many publications include the 2017 volume Lewd Looks: American Sexploitation Cinema in the 1960s. Her articles and book chapters include pieces on filmmakers such as Andy Warhol, Doris Wishman, Kira Muratova and Kelly Reichardt. Elena is also the curator of a major season currently running at London's BFI Southbank titled Wanda and Beyond: The World of Barbara Loden. In their detailed, wide-ranging conversation, Elena tells Pasquale about her first encounter with Wanda and how she approached the writing of her new book. Discussion then moves on to the film itself, before turning to the curation process for the BFI Loden season. Wanda (2025) is published by Bloomsbury and is out now. The BFI Southbank season Wanda and Beyond: The World of Barbara Loden runs throughout the month of June. For more details, please see the BFI website.

Find Scooter:https://soundcloud.com/scootermccraehttps://www.facebook.com/scooter.mccrae/Find Rodney:https://rodneyanonymous.comFind Heather:https://www.mondoheather.comFind Dirk:https://vhuspodcast.threadless.comhttps://www.patreon.com/c/vhushttps://www.vh-us.com

Cultpix Radio WCPX 599 - Episode 82 SummaryThis episode brings massive news as Cultpix celebrates four years with the biggest announcement yet: the launch of the Something Weird Channel, a brand-new sister streaming service featuring the complete Something Weird Video catalogue in partnership with Lisa Petrucci.We explore how this new channel emerged following Something Weird Video's decision to discontinue DVD-R production and download-to-own services in October 2024. The Something Weird Channel features approximately 1,000 titles with its own distinct aesthetic, categories, and exclusive content not available on Cultpix.Despite adding enormous value with a second streaming service, the subscription price is actually being reduced from $6.66 to $5.99 monthly. The release schedule includes 50 new films twice monthly, with unique categories covering compilations, exploitation films, and works by legendary directors like Herschell Gordon Lewis and Doris Wishman.Technical developments take centre stage as we talk about the new Android TV and Amazon Fire TV apps that have already achieved nearly 1,000 downloads without promotion. Upcoming features like curated box sets are discussed alongside the new membership pause functionality.Recent Cultpix content gets attention including the popular French erotica collection from Pulse Store, Hungarian Cult Classics Volume 2 featuring a James Bond parody made without having seen any Bond films, and the unique Bronson Canyon theme month celebrating the iconic filming location.The Cannes Film Festival experience features prominently, covering two positive Variety magazine articles, new distribution deals, and the annual cocktail party with special guest director Dan Wolman. The episode concludes with the trademark "Sorry to See You Go" segment, featuring amusing and bewildering cancellation messages from former subscribers.Episode Highlights:Something Weird Channel launch announcementPrice reduction to $5.99 despite doubling contentNew streaming apps availableCannes Film Festival successRecent themed content collectionsTechnical updates and new feature

Jeremy and Boss furlough their managers, hire pigeons as extras, go on heavy dates, and wander into a wampa's cave as they discuss Doris Wishman's Bad Girls Go to Hell.

"We came here for science.  Why are we looking for gold?" Nude On The Moon (1961) directed by Doris Wishman and starring Marietta, William Mayer, Lester Brown and Pat Reilly. Next Time: The Marathon Man (1976)

Frame Fatale es un podcast de películas ¿no canónicas? hecho con amor por Santiago Calori, Axel Kuschevatzky y Sebastián Rotstein. En el centésimo séptimo episodio nos ocupamos de The Amazing Transplant (1970) de Doris Wishman. Podés comentar este episodio o agregar una pregunta que nada que ver enviándonos un correo electrónico a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nolahepodidover@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia, algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

All episodes are made available to Patreon subscribers, the most pulchritudinous and buxom of all audiences, one week before their general release. Support our Patreon: https://www.patreon.com/thepinksmoke It's time to talk tits. We're joined by the peerless Wendy Mays to discuss softcore porn impresario Doris Wishman's breastacular Deadly Weapons, the story of Chesty Morgan hunting down a cadre of creeps and killing them with her massive 73 inch bazooms in a kind of brain-damaged, sleazy The Bride Wore Black knock-off. It. is. a. delight. 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. The Pink Smoke site: www.thepinksmoke.com John Cribbs on X: x.com/TheLastMachine The Pink Smoke on X: x.com/thepinksmoke Christopher Funderburg on X: x.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

The boys deal with a health issue and a hidden enemy, but distract themselves from their waking nightmare by discussing A Night To Dismember (1983), The Beekeeper (2024), and Ghoulies 3: Ghoulies Go To College (1991).Hit us up on Instagram: @stabbypod if you'd like to recommend a movie, have a comment, or would like to share a story about a time you had fallen down a well. Leave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Like a book club but for dissecting obscure thriller, exploitation, and horror movies. Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Linktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACGet the shirt: https://www.big-other.com/shop/p/stabby-stabby-podcast-tee

Dans cet épisode commandé par le LUFF, nous partons à la découverte de la filmographie de cette réalisatrice dont la carrière a accompagné 40 ans d'évolution de l'érotisme, de la pornographie, de l'exploitation, à l'occasion de sa rétrospective croisée avec l'artiste Peggy Ahwesh.

Tits and bits OR The ants have circled the bean sack

1984's Educating Julie, produced by Heritage Video International in collaboration with British Naturism (known at the time as the Central Council for British Naturism) breaks away from many of the typical issues nudist films suffer from, the first video feature made by nudists for nudists, while still holding on to a particular story formula that filmmakers like Doris Wishman stuck to.

Jeremy and Boss get hot and angry, worry about their fingernails falling out, get confused by the Greek alphabet, and identify boats as they discuss Sokrates Kapsaskis and Doris Wishman's The Hot Month of August.

Jeremy and Boss gamble away their family members, get chokeslammed by Mayor Kane, debate cultural appropriation, and get their brains melted by Doris Wishman's Love Toy.

Smut and Django are at the Cannes Film Festival (technically the Marche - Market) to meet with distributors and sign deals. There was a great article in Variety about the latest batch of Cultpix deals, which mean that we have over 250 more films to add later this year, with some real cult classics. This episode is the third devoted to Doris Wishman, focusing on the sun-soaked 'Daylight Years' and early nudist films. As one of the most prolific women filmmakers in the history of American cinema, "writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe."Smut interviews film historian Michael J. Bowen who met and knew Doris, as well as having researched her career for years as her biographer. The films of The Daylight Years are gorgeously restored by AGFA + Something Weird Video. They include:"Nude on the Moon" (1961) - Wishman's dreamlike sci-fi triumph about a trip to a nudist-inhabitet moon."Blaze Starr Goes Nudist" (1962) - The famous burlesque dancer discovers the joy in nudism and escapes down to Florida.  "Hideout in the Sun" (1960) - A crackpot nudie-noir in which two gangsters on the run decide to hide in plain sight at a nudist resort. "Gentlemen Prefer Nature Girls" (1963) - Tom is fired from his real-estate job when his boss discovers that he is a nudist, but he hatches a very nudist revenge plan."Diary of a Nudist" (1961) - Newspaper editor stumbles on nudist camp and commissions young female reporter to write exposé about the sordid lifestyle. "The Prince and the Nature Girl" (1965) - A prince escapes his castle and falls in love with a woman who turns out to be a nudist. Enjoy all these films and the other Doris Wishman films on Cultpix. There is a Spotify playlist of 13 nudie songs from Doris Wisman's films and three clips where you hear Doris speak. 

With the venerable institution Sight and Sound releasing not only its top 100 list but every last film that got a vote, we decided it was well past time to get classy and choose two feature films to watch. Short ones. Ones available on streaming services in New Zealand. And by female directors.  And *that* is how you get Valerie Massadian's NANA and Doris Wishman's BAD GIRLS GO TO HELL discussed in tandem, for the first and last time ever, on the same podcast. 

Smut Peddler and Django Nudo cover two big film topics for the price of one, while also cursing Roku for still not having sorted out the missing Cultpix films. First up is Daimajin, the giant demon god stone statue that comes alive and wrecks destruction on the unjust. Daiei produced no less than three Daimajin films in the span of one year (1966): "Daimajin", "The Return of Daimajin" and "Daimajin Striked Again". They are firmly in the Kaiju tradition and trace their roots to an unrealized sequel to the original Gamera, which will also be shown on Cultpix later this spring. They also have a kinship to the North Korean "Pulgasari" (1985). The plot of the first two are fairly identical, with Daimejin saving peasants from an evil feudal lord, but the third has an added kids-on-a-quest sub-plot that elevates it. Interestingly this trilogy was made the same year as several of the films from Doris Wishman's 'Moonlight' period, that is the second season of her films on Cultpix. This is when the maverick cult director moved from the nudie-cuties of the early 60s to roughies, resulting in darker films, but still with tell-tale Wishman touches, like cut-aways to shoes and lamps.  These hard-nosed, sex-focused noirs stand tall as some of her greatest, most perverted work. AGFA calls them “triumphant DIY treasures”. We are in debt to AGFA, Something Weird Video and Vinegar Syndrome for these remarkable films being available to share with you.Included are "The Sex Perils of Paulette" (1965), a twist on the The Perils of Pauline films in Wishman's first 'roughie'; adultery and betrayal in "My Brother's Wife" (1966), with Wishman's signature downbeat conclusion; the housewife-on-the-run-forced-into-prostitution-classic "Bad Girls Go to Hell" (1965), considered to be   “Wishman's formula perfected,"; the non-cannibal "A Taste of Flesh" (1967), with lesbians and political assassination attempts; a rare male lead in the form of a gigolo in "Too Much, Too Often" (1968); a respectable middle class woman is forced into prostitution in "Another Day, Another Man" (1966) after her husband falls ill; super natural powers over a woman in "Indecent Desires" (1968) leads her to question her sanity. There is also the two Greek film re-edit oddities "The Hot Month of August" (1966) and "Passion Fever" (1969), featuring new dialogue and insert soft-core shots of drama films bought form Greece.  We have a Spotify playlist that is full of musical gems and more from the Doris Wishman films.

Django Nudo and the Smutpeddler discuss this week's theme of 80's American horror films, and why they can only be watched by our North American members. (Clue: rights issues.) But there will also be upcoming themes where the US audience won't be able to watch some films, so it kind of evens out. But, Cultpix's main goal is as always, to be a truly global streaming platform and cult.However, the main theme this week is our prominent guest, filmmaker and artist Robert Flanagan, with both New York and Guatemala as his playgrounds!And more specifically his 1996 film "4 O'Clock", an amazing, no-budget film noir comedy, shot in grainy 16mm!We give him third-degree interrogation, questioning him on the film; the inspirations, the ideas behind it, the budget, the cast, the music, the cinematography, the dialogue, the editing, the props, the legalities of some locations, and New York as a character of its own in the film.And also about the film's recent restoration/makeover from the original 16mm negative!There is mention of Roberto Rossellini, Jean-Luc Godard, Edward D Wood Jr, Tommy Wiseau, European spy movies, Doris Wishman, surf music and lots more!You don't want to miss out on this well-hidden gem, which is finally reaching a global audience, after having been shown theatrically only in New York back in the day.

Welcome to the Nude Year, Junkies! First, two astronauts meet a colony of naked ladies in Doris Wishman's "Nude on the Moon." Next, Junior has it all: sex with his mom AND his sister in "Taboo 2." Finally, a team of collegiate professional wrestlers do weird sex stuff in "Beautiful Wrestlers: Down for the Count." All this plus we recount our Top 5 favorite movies of 2022. Our least favorite movies of 2022, no Nerd Nerds, but yes junk mails featuring Mia Sweetman, Kevin E and the Fallen One. Direct Donloyd.

Django and Smut welcome Kitty back to the Cultpix Studio to look back (slapping alert) in 2022 and ahead to 2023. We start off with what we did over the holiday, mainly the Christmas and Swedish films that were posted, plus a shout out to our three last pod guests: Jimmy, Adrian and Lisa. We go around the proverbial table to pick out personal favourites from the past year, whether film, theme week, podcast guests, event or other. We do an In Memoria of some of the Cultpix greats that passed away in the past year, including funny/sexy Kitten Natividad, "Cannibal Holocaust" director Ruggero Deodato, Tim Lucas' wife, muse and partner Donna and even Olivia Newton John. There is self-congratulation galore as we note how Cultpix has grown over 150% in the past year, even as the like of N****ix lost 500,000 members in UK alone. We count down the top ten most watched film on Cultpix in 2022, all of them with a sexy theme, with a fierce battle for the top medal position between Danish erotica compilation and Swedish erotica compilation, but the winner is a film that 'gives porn a good name.'We look at the top films that people find on Cultpix from sites like Letterboxd, JustWatch and PlayPilot, including "Anita - Swedish Nymphet" (1972), Fleischer Studio's "Superman" serial (1941-1943), and Leni Riefenstahl's "Triumph of the Will" (1935). There is also a good story abput how that last one ended up published on DVD and on Cultpix. A special mention to our biggest fans and members on social media and IRL - would you believe we get letters sent to us? And you won't guess what's in them. A special mention of members Tightsbury, Lee Bailes, Karen R, Dr Retro, John Corbyn, Cousin H, Disapproving Swede and many more. Looking ahead to 2023 we already have lots of theme weeks and films lined up. We will have more theme weeks with Herschel Gordon Lewis and Doris Wishman.  Films from Japan's Daiei studio (NB: Scandinavia only), including Gamera - gigantic flying, fire-breathing turtle; Daimajin – a giant stone statue comes to life; and Zatoichi the blind masseur, gambler and sword fighter. There will be more films by the extremely productive Swedish director Arne Mattsson, who single-handedly started the myth of 'Swedish Sin' with his film "One Summer of Happiness" (1951). We will feature All Channel Films (NB: USA only): Theme week 1: 7 80's horror/slasher/gore films. Theme week 2: A mixed bag of cult movies from 1969-1991, including classics like I Drink Your Blood (1970) and three Vice Academy comedies – basically Police Academy ripoffs. We also have Czech classics (wonderful films from the 60's; vampires, sci-fi and fantasy) and more films from Hungary (Hungarian westerns!!!). That's just a little taster of things to come on Cultpix. It's going to be a fun 2023. Please be sure to get in touch with us, because unlike most DJs, we DO take requests. 

Jeremy and Boss start 2022 with incessant sampling and technical issues, as they mix black and brown and discuss Doris Wishman's Satan Was a Lady.

The Smut Peddler celebrates Doris Wishman – The Twilight Years2022 is Doris Wishman's year. The maverick director was born in 1912 and passed away in 2002, still making movies. She would have turned 110 this year, and it's 20 years since her passing.No one will ever make movies like Doris Wishman. She is one of the most prolific women filmmakers in the history of American cinema, a writer-director-editor who created collisions between surrealism and exploitation that feel like they materialized from an alternate universe.Thanks to Cultpix cooperation with rights holder Jimmy Maslon, and the diligent work of Something Weird Video, AGFA (American Genre Film Archive) and Vinegar Syndrome, we are able to join the celebration, with the first of three theme weeks with a total of no less than 24 newly restored films, starting off with The Twilight Years – a collection of sleazy flicks from the 1970's, that highlights the queen of sexploitation's last era of filmmaking. Followed in the Spring of 2023 by the collections The Moonlight Years (black & white roughies) and the Daylight Years (nudist films).To hold us by the hand and guide us in this week's episode of Cultpix Radio, is none other than our bestest partner and friend, Lisa Petrucci from Something Weird Video! Lisa knows all there is to know about Doris, and then some!Lisa discusses and explains about Doris' personality, filming style, actors, Something Weird Video's amazing Wishman vinyl album, and dives deep into each film of this week's theme.Starting off with the most famous/infamous of all of Wishman's films: “Deadly Weapons” (1974) and “Double Agent 73” (1974), starring the notoriously well-endowed Chesty Morgan. We also get Doris Wishman's own voice from time to time, talking about working with Chesty, and about other films.“The Immoral Three” (1975) is a sequel of sorts to the Chesty Morgan films, but without Chesty. It plays like a female revenge drama.We move on to her gender benders – “The Amazing Transplant” (1970), where a man gets a penis transplant, but the donor was a sex maniac. And “Let Me Die a Woman” (1977), Wishman's only (semi)documentary, about transsexuals and sex change operations, very controversial at the time.Her comedy “Keyholes Are for Peeping” (1972) is a pill hard to swallow, starring “the poor man's Jerry Lewis”, the unbearable Sammy Petrillo, in a mess concocted from various leftovers from the cutting room floor…“The Love Toy” (1971) is a real roughie, which pushes a lot of buttons today, in terms of its controversial theme, and Doris' unsympathetic handling of its subject.From Vinegar Syndrome, we add Wishman's first two hardcore films, which she sometimes denied having directed, and which were made under pseudonym: “Satan Was a Lady” (1975) and “Come With Me My Love” (1976), the world's first “ghost porn” movie?Finally, Doris gets the last word from beyond the grave… and her own Spotify playlist.  

Halloween is upon us. Go buy every single pumpkin spice item you can find, and don't forget the Count Chocula! Oh, and the October ritual is back! It's time for the 18th Annual A-Z of Horror Festival!Part one consists of entries A-H. Gear up for a wild Mexican exploitation ride, with enough evil to set your Satan detector into PANIC mode! Curse the day you meet Alucarda (1977)! A malevolent mound of muck begins devouring everything in a small mountain town, thanks to some updated 80s special effects. Is it an alien entity, or government conspiracy? One thing is for sure, it's The Blob (1988)! If you are running a struggling funeral parlor, killing off local townspeople may seem like a logical solution. But you have to make sure that you actually kill them! Vincent Price, Peter Lorre and Boris Karloff certainly have their problems offing Basil Rathbone in The Comedy of Terrors (1963). Hammer makes an attempt to appeal to groovy 70s kids, by bringing the classic Dracula versus Van Helsing feud out of their regular gothic trappings, and into the modern age. Dracula A.D. 1972 (1972) is such a giggle, man! Doris Wishman filmed this next one during her comeback run at age 89, in 2002. That's probably the most interesting thing about Each Time I Kill (2007), other than John Waters making a cameo appearance! Geena Davis begins to worry about Jeff Goldblum, as he is not quite himself after what seemed like a successful teleportation attempt using his recent invention. Unfortunately, he didn't anticipate what would happen should an uninvited guest join him in the telepod. Things get buggy in David Cronenberg's full-on body horror version of The Fly (1986)! Brad Dourif and James Earl Jones try to outdo each other, spinning spooky yarns around the campfire, in the western-themed horror anthology, Grim Prairie Tales (1990). And an accident strands a family, putting them in a battle for their lives against a desert clan who will eat any kind of meat that they can get their hands on! It's Wes Craven's classic, The Hills Have Eyes (1977)!

Chesty Morgan makes ‘Deadly Weapons' and ‘Double Agent 73', and acts with Donald Sutherland. The post The Trials of Chesty Morgan – Doris Wishman, Fellini, The Law and Me, Part 2 appeared first on The Rialto Report.

In this episode, Brian talks about a trio of titles - first the COCA-COLA KID from Fun City Editions, then BUSTER KEATON RIDES AGAIN and HELICOPTER CANADA from Canadian International Pictures and Lastly a lovely collection of Doris Wishman films from AGFA. Check out these and other Vinegar Syndrome Partner Labels here: https://vinegarsyndrome.com/collections/frontpage-partner-labels This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Hosts Josh and Jamie and special returning guest Eddie Averill (formerly of Extended Clip) discuss two of the all-time great westerns starring the personification of American goodness Henry Fonda in Sergio Leone's operatic and dreamlike ONCE UPON A TIME IN THE WEST (1968) and John Ford's more relaxed and tragic MY DARLING CLEMENTINE (1946). Next week's bonus episode is a patron-exclusive bonus episode on Doris Wishman's BAD GIRLS GO TO HELL (1965) and A NIGHT TO DISMEMBER (1983), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-11:55 ONCE UPON A TIME IN THE WEST // 11:55-1:18:20 MY DARLING CLEMENTINE // 1:18:20-2:26:35 Outro // 2:26:35-2:32:44 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/

In this episode, we discuss LOVE TOY (1968; dir. Doris Wishman).

In this episode, we discuss THE IMMORTAL THREE (1975; dir. Doris Wishman).

In this episode, we discuss LET ME DIE A WOMAN (1977; dir. Doris Wishman).

In this episode, we discuss THE AMAZING TRANSPLANT (1970; dir. Doris Wishman).

In this episode, we discuss DOUBLE AGENT 73 (1974; dir. Doris Wishman).

In this episode, we discuss DEADLY WEAPONS (1974; dir. Doris Wishman).

Hello all you TWGTF fans and fanatics as we welcome you back to another episode of our show! This week Tyler is pulling from a place known as the Something Weird Video! This is quite a group and quite an interesting bit of films to select from! Up first we begin with a movie by the godfather of gore himself Herschell Gordon Lewis with a movie about a group of Yankees who find themselves involved in a southern centennial and smack dab in the middle of Two Thousand Maniacs! For our main attraction Tyler pulls out all the stops and introduces us to a very special filmmaker in Doris Wishman and we delve into the world of sexploitation and see what happens when Bad Girls Go to Hell. Spoiler Alert: This week there are some real moments to both of these films but it must be said that the second film has a huge trigger warning! Also we recorded this on HGL's birthday and that again is just by pure chance!! 0:00:00 to 0:04:54 Preamble & Music: ... You've been Framed!! 0:04:55 to 0:23:23 Opening and the Best Thing We Saw This Week 0:23:24 to 0:26:48 The First Film and "You ever been to a horse race boy?" 0:26:49 to 0:55:59 The Conversation and Ratings 0:56:00 to 0:58:41 The Second Film and "Do you know that bad girls go to hell?" 0:58:42 to 1:24:39 The Conversation and Ratings 1:24:40 to 1:28:10 What is happening on the next TWGTF and Outro

For the month of June, Joel and Andy are spotlighting women filmmakers. They kick things off with special guest Molly Regan. Together, they discuss prolific filmmaker Doris Wishman's 1965 film Bad Girls Go to Hell.

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Peça de Filipa Peraltinha nas Carpintarias de São Lázaro; retrospectiva Doris Wishman; música nova de Iceage.

Something Weird Video was founded in 1990 by Mike Vraney. Based out of Seattle, it takes its name from the movie Something Weird, which was directed by “Godfather of Gore” Herschel Gordon Lewis. In addition to distributing the works of Lewis, they've also distributed films by Doris Wishman (a prolific female director of sexploitation films) and Ed Wood (specifically, The Violent Years and Jailbait), as well as movies starring famed pinup model Bettie Page. Something Weird Video specializes in exploitation B to Z movies. That Basket Case may have the highest production values of their distributed titles says something. But there is something incredibly charming about this little distribution company. If the appeal of exploitation movies is the possibility for us to see what they cannot see anywhere else, then Something Weird Video is every bit as important as Troma Entertainment, Grindhouse Releasing, Blue Underground, Vinegar Syndrome, and Unearthed Films. Their catalogue features everything from schlocky horror to softcore and hardcore pornography. They've made it their mission to preserve the sorts of films that mainstream companies wouldn't bother taking the time to preserve. This doesn't just include bizarre or shocking works, but also kids commercials, rare cartoons, and early films featuring all-Black casts. For this alone, they are a noteworthy company.

This time on The Honeywell Experiment, Thomas Deja and lab monkey, Chris Honeywell head to a nudist colony IN SPACE! It’s the DORIS WISHMAN “classic” – NUDE ON THE MOON filmed at the scenic CORAL CASTLE! Countdown to BOOBIES begins NOW!    

Guitarist Rick Miller and bassist Mary Huff along with Dave Hartman on drums play rockabilly, surf, country, R&B, and Americana from the wrong side of the tracks. Southern-fried favorites with fans and critics alike, Southern Culture’s decades of hard touring and prolific record releases have only sharpened their humor and whet their appetite for rocking. With their latest record, “At Home With Southern Culture on the Skids,” fresh out of the oven, Rick and Mary join the Troubled Men for a meeting of the Troubled Minds. Topics include crime and punishment, a basketball injury, Timothy Hutton, a Buick LeSabre, a van breakdown, Geffen Records, crack, band origins, a coin flip, the Panther Burns, the White twins, the Cramps, Eddie Cochran, AM radio, Virginia, cheap guitars, D.I.Y. recording, a major label deal, “Flirting With Disaster,” Mary Tyler Moore, a wood shop teacher, ‘Dirt Track Date,” the Tonight Show, Ray Farrell, a NASA gig, Hasil Adkins, Miriam Linna, a Campbell’s Soup can, a documentary, Weird Al, a phone message, a Doris Wishman retrospective, “Blood Feast 2,” and much more. Intro music: Styler/Coman Break music: “Camel Walk” from “Dirt Track Date” by Southern Culture On The Skids Outro music: “Run Baby Run” from “At Home With Southern Culture On The Skids” Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram SCOTS homepage SCOTS Facebook

Bad Girls Go to Hell (1965) / Deadly Weapons (1974) This week we're going on a date with the grand dame of the grindhouse as we discuss Doris Wishman's bad girls and deadly weapons

Jeremy and Boss continue to celebrate Five Weeks of Fright by turning off the lights and getting spooky with a double feature of Something Weird favorites - Doris Wishman's Come With Me My Love and William Edwards's Dracula (The Dirty Old Man) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

For the 12th and last episode for this season we talk in-depth to Lisa Petrucci, the heart and soul of Something Weird Video, which pioneered the re-release of cult and genre films. SWV was founded in 1990 in Seattle, Washington state by Mike Vraney, who was a projectionist and collector of 8mm and 16mm girlie loops and films. He started transferring and sharing some of these films to VHS, which earned him a call from David F. Friedman and a lesson in copyright. Thus Mike the film enthusiast/pirate became a legitimate film distributor, publishing the works of directors such as  Harry Novak, Doris Wishman,  Herschell Gordon Lewis and Friedman himself. The name comes from HGL's 1967 film "Something Weird". Petrucci tells us about her background as an artist and collector, moving from Boston to New York ("where I went down a rabbit hole at Kim's Videos") to Los Angeles and eventually to Seattle ("which was like going to Mars,"), completing her journey from high brow to popular and low-brow culture. She recalls how she first met Mike at the Chiller Convention, and how they started working together, until they became a couple and soul mates. Lisa picks her favourite films (tough choice!), including "Monsters Crash the Pajama Party" (1965, coming to Cultpix soon), "She Freak" (1967), "Shanty Tramp" (1967), "Psychedelic Sex Kicks" (1967) and "Wild Hippie Party" (1967), "Teaserama" (1965, also coming to Cultpix soon). Lisa discusses how some of these films can be 'problematic' viewing today, but that they are 'time capsules' of their era. But with cinema screenings of their films you have to think ahead to see if something in the films will offend somebody, "which they will, because Something Weird was set up to be abrasive."Lisa and Smut Pedler discuss how Mike overcame his reluctance to travel to come to Sweden twice and how it led to the birth of Klubb Super 8, which in turn led to Cultpix. How Mike could be demanding, but forced KS8 to "get its shit together." Mike was then diagnosed with lung cancer and Lisa talks movingly about making the most of his last year and days. After Mike's passing Lisa and SWV was lucky to get contacted by Alamo Drafthouse and how Tim League and AGFA - American Genre Film Archive stepped in with a proposal to represent some of the titles. Today SWV has switched to DVD-R distribution, as well as partnering streamers such as Cultpix, Nightflight and The Film Detective.  And we finish by revealing who the new 40 Thieves of cult film are. This the 12th episode marks the end of the first season of Cultpix Radio WCPX 66.6 as we take a brief summer break, but we will be back in late summer/early autumn with more films, guests and banter about our favourite films. Drop us a line at info@cultpix.com with comments and suggestions. Have a great summer and stay cult! #WeAreCultpix

Welcome back to another episode of the GGtMC!!! This week Sammy and Todd cove A Night to Dismember (1983) directed by Doris Wishman and The Night Flier (1997) directed by Mark Pavia!!! We hope you enjoy the show this week and thanks for listening!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Andrew Shearer (@Gonzoriffic) and Matt Comegys go headfirst (this time) into Doris Wishman's grindhouse classic.Do your homework, and have a squiz at the flick here:https://www.youtube.com/watch?v=BAXY5zcA4hIPlease subscribe, review, and rate us on all the podcatchers.  We are at @AuralHygienePod on Twitter and you can search the same on Facebook.  And if you're Scrooge McDuck, throw a bob to out Patreon:https://www.patreon.com/podcastiopodcastiusDig into Andrew's scene by searching "Gonzoriffic" on Instagram:https://www.instagram.com/gonzoriffic/Matt made some tracks a touch less saucy than Humpinstein, but why not groove to this album:https://rovingsagemedia.bandcamp.com/album/i-often-dream-of-the-apocalypseComing Soon: June 4 - Mazes & MonstersJune 5 - Operation HighjumpJune 7 - The Great Chastity ExperimentJune 11 - Future ShockJune 12 - The Wickedest Man in the World

We're back after a short hiatus with the sketchiest podcast around!  This time it is a boobalicious revenge flick from Doris Wishman, the Grand Dame of Stink herself, called Deadly Weapons, and wait 'til you seem them weapons in udder action! Folks, Chesty Morgan just might be the 8th Wonder of the World!  As usual, we serve up only the best, weirdest, and stinkiest sleaze to our favorite listeners! :=8D Don't forget to check out the Sexploitation Sleazecast web page!

En este episodio, José Carlos Cabrejo y Ricardo Bedoya realizan una crítica de "La mujer en la ventana", la película de Joe Wright protagonizada por Amy Adams. Asimismo, comentan algunos títulos que vieron últimamente: producciones de la RKO, películas protagonizadas por Jessica Harper en los años 70 y 80, filmes de Doris Wishman, cintas subidas a la plataforma MUBI, etc. Al final, se recomiendan películas del Festival Al Este, que comienza este 26 de mayo.

Media Monarchy plays Godspeed You! Black Emperor, Doris Wishman, Calibro 35 and more on #PumpUpThaVolume for April 15, 2021. ♬

     Two tales of walks through the darker sides of the street with twists and turns and twists.     A trio of grad students find the most interesting subject for their final project- a slasher killer preparing to make his debut. As their subject leads them through a behind the scenes look at the world of Freddy, Jason, and Michael is there something more going on the crew haven't noticed yet? Will they lose their nerve and tell his target? Will they sell him out to his own personal Loomis? Will they get a real glimpse of what is Behind the Mask: The Rise of Leslie Vernon?     1960s indie auteur Doris Wishman's transitional film to the full on sexploitation she would be best known for. A Boston housewife is attacked by the janitor and accidentally kills him in self defense. Seeing no option but to go on the run, she soon finds herself in a series of emotionally and physically traumatic situations while the dragnet gets ever tighter. Will she find safe harbor? Will the housewife end her days behind bars? A double twisted film where Bad Girls Go to Hell.     All that and Kevin Shudders through the night, Chris mourns a devastating loss, Tyler bathes in the blood of kaiju, and Dave endures new levels of psychological torture. Join us, won't you?Episode 200- Rising Fall

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This week we begin with some films from the cult label Something Weird Video: the revenge drama Johnny Firecloud, and a couple of films from the one and only Doris Wishman. My adventurous guest is Adam Piron, Los Angeles-based programmer for the Sundance Film Festival where he's associate director of the indigenous program. Other movies discussed: Straight Time; Bless Their Little Hearts; The Exiles; and the silent movie The Daughter of Dawn, which led Adam to an incredible personal discovery. Adam is also a member of the Cousin collective, which supports indigenous artists and has a program featured in this year's Documentary Fortnight at MoMA. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

You know that thing where you pay for one and get two! BOGO! We are here for you. We’re giving you one film for free and the second for… free. The best titled film ever created. Hell the best film(s) ever created? One a masterpiece, another a lost masterpiece. John Williams eat your fucking heartContinue reading "A Night to Dismember – Doris Wishman"

The back story of Doris Wishman and A Night to Dismember (1983) is just as interesting, if not more interesting, than the film itself. Join Invasion of the Remake as we investigate, analyze, rethink and remake this infamous grindhouse style, b-horror film from the most prolific female filmmaker of her time. It will be A Night to Dismember! Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Play Music, Stitcher, PlayerFM, Tune In Radio, RadioPublic, BluBrry, Libsyn, YouTube, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

EP342 - Bad Girls Go To Hell (1965) - NEW EPISODE - Mike and Mark are joined by guest co-host and curator to all things Something Weird Video, Lisa Petrucci during this episode.

Nick and Dan dive into the dreamlike Bad Girls Go to Hell, made by Doris Wishman, the queen of Sexploitaiton. Get ready for post-sync-sound, black and white photography, and vaguely Godardian edits in this hallmark 'roughie' that dares to suggest that maybe, just maybe being a woman is pure hell.TIMECODES:00:00:00 / Doris Wishman interview on Conan O'Brien00:02:14 / Theme Song00:03:28 / Show Start - "A Trip to the Drive-In"00:18:10 / Sexploitation overview & FIlm Discussion: "Bad Girls Go to Hell"00:57:00 / Intermission00:58:05 / Film discussion continued01:22:10 / Segment: The A-List Music heard in the show come from: MinutemenApocalypse Cow Audio clip comes from "Episode #9.87" of Late Night With Conan O'Brien (first aired 3/7/2002) Listen to our podcast on Apple Podcasts, Stitcher, Spotify, Amazon, and wherever podcast feeds are pulled. Rate/review our podcast wherever you listen to it, to help us out. We appreciate your support!Follow us on Twitter (at) @projexpod and email us at projexploitation@gmail.com if you want to hit us up with your thoughts, reviews, suggestions, personal fears, social security number, or just want to talk film. We'd love to hear from you.

The Memphis underground filmmaker, documentarian, comic book artist, and sculptor behind Guerrilla Monster Films is celebrating the 25th anniversary of his Cramps-endorsed noir classic, “Teenage Tupelo.” This semi-auto-bio-sexploitation-comedy-drama reimagining the director's origin story is getting the royal treatment, with a new Blu-ray edition, a soundtrack LP, and a book about the movie and the makeshift creative community that came together to make it. Mike has an almost mystical connection to the midcentury pop culture of comic books, drive-in movies and rock and roll. He also has a knack for talking starlets out of their tops. In his words, nudity is the ultimate location. Topics include a new intro, distractions, a blog, a mood swing, Jerry Stiller, Fred Willard, a genetic taint, Tracey's Bar, reopening, “The Sore Losers,” B movies, Doris Wishman, David F. Friedman, Elvis as inspiration, Memphis, Tupelo, self-mythologizing, movie posters, art bootcamp, Scopitones, the Antenna club, casting, art school, leaving home, a comedy obit, “Native Son,” a sculpture, Amy LaVere, a family reunion, historic preservation, classic rock, Fleetwood Mac, the Faces, Kristen Hobbs, the Cramps at Sun Studio, a legacy, willpower, “Cadavera,” a location scam, the MGM backlots, Dr. Nick, an autopsy, death of the dream, making fun, an art school documentary, and much more. Support the podcast in the show links. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Tomb of the Tupelo Twin” by Impala from the soundtrack to “Teenage Tupelo”

The Memphis underground filmmaker, documentarian, comic book artist, and sculptor behind Guerrilla Monster Films is celebrating the 25th anniversary of his Cramps-endorsed noir classic, “Teenage Tupelo.” This semi-auto-bio-sexploitation-comedy-drama reimagining the director’s origin story is getting the royal treatment, with a new Blu-ray edition, a soundtrack LP, and a book about the movie and the makeshift creative community that came together to make it. Mike has an almost mystical connection to the midcentury pop culture of comic books, drive-in movies and rock and roll. He also has a knack for talking starlets out of their tops. In his words, nudity is the ultimate location. Topics include a new intro, distractions, a blog, a mood swing, Jerry Stiller, Fred Willard, a genetic taint, Tracey’s Bar, reopening, “The Sore Losers,” B movies, Doris Wishman, David F. Friedman, Elvis as inspiration, Memphis, Tupelo, self-mythologizing, movie posters, art bootcamp, Scopitones, the Antenna club, casting, art school, leaving home, a comedy obit, “Native Son,” a sculpture, Amy LaVere, a family reunion, historic preservation, classic rock, Fleetwood Mac, the Faces, Kristen Hobbs, the Cramps at Sun Studio, a legacy, willpower, “Cadavera,” a location scam, the MGM backlots, Dr. Nick, an autopsy, death of the dream, making fun, an art school documentary, and much more. Support the podcast in the show links. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Tomb of the Tupelo Twin” by Impala from the soundtrack to “Teenage Tupelo”

•Kult• Doris Wishman hat in ihrer Karriere um die 30 Filme im Alleingang realisiert. Damit hat sie zwischen 1960 und 2002 mehr Filme gedreht als jede andere Regisseurin auf dieser Welt. Dennoch sind Feministinnen nicht wirklich glücklich mit ihr: denn Doris Wishman war die Queen of Sexploitation. // Von Jörg Buttgereit / WDR 2019 / www.hoerspiel.wdr.de Von Jörg Buttgereit.

Doris Wishman was the Queen of Exploitation with a career spanning over 50 years and 28 movies. This week the gang discussed her ONLY unreleased film — Dildo Heaven (2002)! PLUS The greatest female exploitation and horror directors of all time, songs about dildos, letters fro listeners, and so much more! Doris promoting Dildo Heaven on Conan O’Brien https://youtu.be/q-LCPd1ThsI Perhaps call us on our hotline? (724) 246-4669! Check out the Compañeros Radio Network shows: •Movie Melt https://media.zencast.fm/movie-melt •Get Soft with Dr Snuggles https://get-soft-with-dr-snuggles.zencast.website •Songs On Trial https://media.zencast.fm/songs-on-trial Join the Companeros Cutie Club on Facebook! https://bit.ly/2Kp4RdA follow SONGS ON TRIAL on IG for painful bull sh it nearly everyday https://bit.ly/2Ws3xx2

On Friday, July 12th, the Shock Waves gang, Rob Galluzzo, Rebekah McKendry, and Elric Kane, were fortunate enough to host a special screening of the 1988 Mexican horror film DON'T PANIC at the Billy Wilder Theater in Los Angeles in association with the UCLA Film & Television Archive department as part of a month long screening series from AGFA. (The American Genre Film Archive) We're joined by AGFA's Joseph Ziemba, Bret Berg, Sebastian Alvarez del Castillo and Alicia Coombs. We discuss DON'T PANIC, the Doris Wishman catalog, the inner workings of finding and restoring these exploitation films, TAMMY & THE T-REX, and much much more. The screening series is running now through August in Los Angeles, so come on down!

Chez FIN DE SÉANCE, on s'autorise tout ! Même tenter un podcast en total freestyle ! Du coup, pour ce lundi de Pâques, mieux qu'une chasse aux oeufs prenez place à notre traditionnelle soirée "Pinard-Nanar" ! Cherchez le lien... Bref, le principe est simple : on pose nos micros autour des pizzas et des verres de vin chez un de nos amis et c'est parti pour la grosse rigolade entre potes devant deux savouereux nanars ! Elle est pas belle la vie ? Au programme : Supernichons contre mafia (Double Agent 73), curieuse tentative d'un film d'espionnage de Doris Wishman avec Chesty Morgan et son incroyable tour de poitrine de 183 cm cachant un mini-appareil photo ! Puis, on enchaîne avec sans-doute LA plus grande casserole de Francis Huster en pop-star fiévreuse ; le cultissime Parking de Jacques Demy (Les Demoiselles de Rochefort, Peau d'âne) qui revisite - en chansons - le mythe d'Orphée. EXQUIS, on vous dit ! Crédits : "Fin de Séance" est un podcast animé par Thomas Camacho et co-animé par Pierre Delort (FanFootage.fr) avec Ilan Ferry et Julien Munoz (Cinevibe.fr). Enregistré le lundi 15 avril 2019. Générique : Frédéric Delort (@fr-d-ric-delort) 

The Men escape the Ring Room for the Safe House. Any port in a storm. They have the cultural iconoclast, Glyn Styler as their first guest. He plays it pretty close to the vest, but they manage to drag out of him some comments on his origin story. The Men also discuss murder in New Orleans, funeral home yelp reviews, party invitations, whistle girl, train rides to Florence and Madrid, the crushing solitude of a recording studio in England, copping in Copenhagen, convalescent communion, and a chance encounter with Timothy Leary. Here's a link to Glyn Styler's signature song,"You Killed My Love", with a still from his starring role in Doris Wishman's film, "Satan Was a Lady". It's sublime. https://www.youtube.com/watch?v=M6qDZjQcU2g

The Men escape the Ring Room for the Safe House. Any port in a storm. They have the cultural iconoclast, Glyn Styler as their first guest. He plays it pretty close to the vest, but they manage to drag out of him some comments on his origin story. The Men also discuss murder in New Orleans, funeral home yelp reviews, party invitations, whistle girl, train rides to Florence and Madrid, the crushing solitude of a recording studio in England, copping in Copenhagen, convalescent communion, and a chance encounter with Timothy Leary. Here's a link to Glyn Styler's signature song,"You Killed My Love", with a still from his starring role in Doris Wishman's film, "Satan Was a Lady". It's sublime. https://www.youtube.com/watch?v=M6qDZjQcU2g

Welcome to Episode 76 of A Minute To Dismember covering Minute 69 of Doris Wishman's A Night To Dismember. The last minute, the last episode. Thank you for listening. Enjoy.

It's Episode 75 covering Minute 68 of Doris Wishman's 1983 slasher film A Night To Dismember. It's all credits this time. But, we're still going to have fun. Trust me.

It's Episode 72 covering Minute 65 of Doris Wishman's 1983 slasher film A Minute To Dismember! Mary's thrown an ax in a briefcase and she is... outta here! But, where is she going? Listen and find out.

For Episode 68 covering Minute 61 of A Minute To Dismember, which covers Doris Wishman's 1983 slasher film A Night to Dismember, Detective O'Malley finds a man stuffed into a refrigerator. And possibly some other bodies... SPOILER: Vicki is back!!!!

Welcome to Episode 66 covering the 59th minute of Doris Wishman's A Night To Dismember! Mary's demons are pursuing her through the woods! And, Holy Hell, there are a lot of them. Please, listen and enjoy.

It's Episode 65/ Minute 58 of A Minute to Dismember, covering Doris Wishman's slasher classic A Night To Dismember. Mary Kent has killed her family. She's going for a pleasant walk in the woods. I think things are about to go Super Wacky! Enjoy.

Episode 63/ Minute 56 of A Minute to Dismember covering Doris Wishman's A Night to Dismember! The killer is revealed and psychedelic craziness abounds! Please, listen and enjoy.

It's Episode 59 covering minute 52 of Doris Wishman's A Night To Dismember! Things have gotten sloppy... and there's no turning back now.

Welcome to the 8th week of A Minute to Dismember! Join Dan for Episode 57 covering Minute 50 of Doris Wishman's 1983 slasher film A Night To Dismember. When we last left the Kents... Adam and Blanche were wandering around in the dark. The power has gone back on. What will happen next? Please, listen and enjoy.

Doris Wishman had a vision. In Episode 56/ Minute 49 of A Minute to Dismember, we get the third minute in a row consisting of old people wandering around a garage in the dark. And, it all MEANS Something. Maybe we'll never know what but it does. So, enjoy Dan talking about two old people wandering around a garage in the dark. Maybe the lights will go on in this minute? Frankly, I forgot.

Welcome to the 7th Week To Dismember! In this episode (50!), Dan talks about the 43th minute of Doris Wishman's A Night To Dismember. When we last left the Kent Family, Mary was in the middle of a very stabby dream. Listen and find out what happens next...

Welcome to Minute 33 of A Minute to Dismember. Things are about to get sexy, Doris Wishman-style. Listen to find out just how sexy Dan gets while discussing this minute. (Possibly Not Very is a bit of a clue.)

Welcome to Episode 32, Minute 25 of A Minute To Dismember covering Doris Wishman's A Night To Dismember. More of The Kent family are dead! Who did it? Was it you, you jerk? Well, I know it wasn't me. I was at my tailor. Listen and find out!* *No. You won't find out in this episode. But, you'll still enjoy yourself.

What happens in Minute 24 of Doris Wishman's 1983 slasher film A Night to Dismember? Could it be... MURDER?!! I'm 85% certain the answer to that is "Yes." Listen and find out.

It's Episode 28 covering Minute 21 of Doris Wishman's epic slasher film A Night To Dismember! In this episode, we see that burning head in the fireplace again. Then, we have the Kent's sitting down for dinner with ham... and cheese. Enjoy.

It's Dan discussing Minute 17 of Doris Wishman's A Night To Dismember! Warning: Grotesque kissing abounds! Enjoy.

It's Lucky Minute 13 of Doris Wishman's A Night to Dismember. Vickie's groping by ghostly hands has ended. So, she decides to put makeup on that makes her look like a clown and look at a picture of a goofy looking guy. And, Dan talks about it all! Enjoy.

It's Minute 10 of A Night to Dismember and Dan dives right in! Vicki's home after five years. And her siblings just don't like her... But, what's the real problem? It's this: Vicki's living in Doris Wishman's den and it's kind of hideous. Please, listen and enjoy.

Episode 14, Minute 7! Dan's journey through Doris Wishman's A Night to Dismember continues. There's another killing right at the start with a machete (or a knife). Then, the announcement is made: Vicki Kent is getting released from the asylum. What tricks does her brother Billy have up his sleeve? Will Samantha Fox arrive in this minute? And what the heck is going on with the chronology of this film? Tune in and find out.

Dan is at Minute 2 (Episode 9) of Doris Wishman's A Night To Dismember. Let Bloody October begin! In the bathtub! With a great fake wig.

Welcome to Episode 8 of A Minute to Dismember. Dan's coverage of Doris Wishman's A Night to Dismember begins! Properly this time with Minute 1. We meet Detective O'Malley and begin to learn about Bloody October! Doris... take it away! Take us away.

Welcome to Episode -1 of A Minute to Dismember, the minute by minute podcast covering Doris Wishman's 1983 slasher A Night to Remember. The promotional trailer ends... The movie looms. What does that mean for us, Dear Listener? Tune in and find out.

Welcome to the first episode of a brand new podcast covering Doris Wishman's 1983(?) slasher film A Night To Dismember minute by minute. Your host is Daniel R. Budnik who has done more stuff than he cares to list here. (Go to eventuallysupertrain.blogspot.com) This episode covers the first minute of the Promotional Trailer for the movie and features Everyone's Favorite Drunk Uncle! Enjoy.

Episode -5 of A Minute to Dismember begins! We are on the second minute of the Promotional Trailer that Doris Wishman made for her 1983(?) slasher film A Night To Dismember. Things are about to get super screwball.... Doris Wishman-style. Enjoy.

The Third Eye Cinema podcast returns with our (official) 90th episode, as we catch up with one of our very first guests and interviews and discuss his newest venture! Back in late 2011, we'd met with Mike Raso of EI Entertainment, Retro-Seduction Cinema, Shock-O-Rama, Camp Motion Pictures and many more sub-labels of indie film goodness.  Aired as the second week of our brand spanking new podcast in January of 2012, we covered everything from SOV to classic sexploitation directors to the pending decline and fall of home media. Now a good 6 years, nearly 100 podcast episodes (not including nearly 200 episodes of sister podcast At Eye Level and a good 50 of Weird Scenes Inside the Goldmine, among others) and thousands of pages of print reviews of film, music, literature and audio drama later, we've come full circle, once again meeting up with Mike to catch up on what he's been up to all this time, his exciting new Blu-Ray restorations and discoveries of previously lost films in the Joe Sarno archive and partnership with Something Weird video to reissue and restore films from the likes of Doris Wishman and Barry Mahon, the changes and ongoing travails of the home media industry in the nigh decade since and much more! Join us for a Hendrixian "Slight Return", as we circle back, catch up and update listeners on the lay of the land here in mid-2017... Week 90 Mike Raso, Joe Sarno and Film Media - Slight Return  

Hoy Trasnoche no es otro podcast de cine. Es "el otro" podcast de cine. Para los que saben que hay mucho más que los estrenos de la semana. Conducen Santiago Calori y Fiorella Sargenti. En este episodio... En nuestro portarretratos, la Deforme del Día es Doris Wishman. En la sección Mrs. Robinson, trazamos líneas entre Logan (James Mangold), El Protegido (M. Night Shyamalan) , Tráiganme la Cabeza de Alfredo García (Sam Peckinpah) y Quién Puede Matar a un Niño (Narciso Ibáñez Serrador). Recomendaciones Clandestinas: Demon, de Marcin Wrona. Y en el Rincón del Prejuicio: el trailer de Justice League, de Zack Snyder.

Justin and Will discuss the Queen of Sexploitation, her prolific career in a man's world, and her most shocking film of all. Questions? Comments? Drop us a line at importantcinemaclubpodcast@gmail.com If you like the show, please rate and review us on iTunes.

Can your heart stand the shocking truth about Ed Wood? This week's discussion focuses on Tim Burton's 1994 film starring Johnny Depp and Martin Landau about the hapless B-movie director Edward D. Wood Jr.Guests include the film's co-writer, Larry Karaszewski, actor Mike Starr, musician Lydia Kavina, and author Andrew J. Rausch.Rob St. Mary returns for the episode along with composer/musician Steve SholtesErrata:Mike mistakenly credited Roberta Findlay for Doris Wishman's Let Me Die a Woman.Yes, Bela Lugosi played Frankenstein in the 1943 Frankenstein Meets the Wolf Man but definitely not in the more famous and successful 1931Frankenstein.Learn more about your ad choices. Visit megaphone.fm/adchoices

What do nudists on the moon, a double agent with a 73 inch bust and a penis transplant that has a mind of it’s own have in common? The 27 films of the only female exploitation director in the business. Episode 7 is Doris Wishman, Mother of Exploitation.

This week, a listener email gets the Badland Girls talking about the issues: rape revenge movies, the difference between being problematic and having problematic elements, statements in horror movies, and Doris Wishman. We also talk about body acceptance, Eli Roth, and how much we miss watching Lost. There's some frank talk about sexual assault in cinema, so if that's not your thing, consider this a trigger warning.

This week, a listener email gets the Badland Girls talking about the issues: rape revenge movies, the difference between being problematic and having problematic elements, statements in horror movies, and Doris Wishman. We also talk about body acceptance, Eli Roth, and how much we miss watching Lost. There's some frank talk about sexual assault in cinema, so if that's not your thing, consider this a trigger warning.

41) A Night to Dismember (1983)

Something Weird This Way Comes... is a movie podcast about campy and exploitation films from the 30's - 70's. Join our intrepid hosts Roo and Moe as they discuss the Surgically Enhanced -  The Amazing Transplant This barely lucid, nasty sex-mystery with rapes galore bends the laws of logic so severely, a pretzel would seem linear in comparison. To put it simply, this is DORIS WISHMAN's penis transplant movie. When Arthur (JUAN FERNANDEZ, a sometimes Wishman cameraman) abruptly strangles his fiance, detective Bill Barlen (LARRY HUNTER) investigates by interviewing an assortment of nubile young women from Arthur's past. One by one, they recount their violent sexual escapades with amorous Artie as detective Bill stares at their laps. What has turned formerly dorky Arthur into a sex crazed stud-machine who turns rapist at the mere sight of cheap gold earrings hanging from cheap cold women? The protuberant answer is found dangling in the office of Dr. Cyril Meade where Barlen eventually learns the amazing truth about The Amazing Transplant. Jealous of his late friend Felix's prowess with women, Arthur blackmailed the doctor into slicing off his inadequate, little-used cocktail weenie and replacing it with the virile, babe-magnet member of dead Felix. Unfortunately, though sporting the spunky new spurter of Felix, poor Arthur is shocked to discover that he has also inherited Felix's funky fetish -- namely a desire to violently bounce atop any young woman wearing gold earrings -- an authentic phenomenon current medical books also refer to as "dick brain". Seemingly written by a group of Swedish school kids just learning English and edited by a bread slicer, this is one of Doris Wishman's most outrageous, jaw dropping epics. (Though Doris directed it, the director's credit is given to the name of her then husband, Louis Silverman.) With KIM POPE (Sticks and Stones), slimeball supreme Larry Hunter (All Women Are Bad), wall-to-wall sex, and dialogue that always seems to be recited while the camera is looking somewhere else, The Amazing Transplant offers a psychotic look at a world where men think only with their dicks... even if their dicks are borrowed. Believe me, nothing in Miss Wishman's previous works can quite prepare you for this. This Special Edition features a new digitally remastered transfer from the 35mm Wanker-with-a-Wish-List negative, the original theatrical trailer, trailers for Wishman's Deadly Weapons, Double Agent 73, The Immoral Three, and The Love Toy, and a Gallery of Doris Wishman Exploitation Art! Plus: keep your pecker happy with the U.S. Navy's archival short Sex Hygiene, and everything you always wanted to know about schlongs is explained in the short subject, "Penis Facts 1952" ! -- Marc Klapper Come listen to Moe and Roo discuss how much we absolutely LOVE it! If you like camp and silly movies join us on Facebook, you won't regret it! An Extra special thanks to Something Weird Video for supplying movies for episodes and for generally being an amazing company and an inspiration to my movie viewing habits - Moe

Do pussycats go to hell faster than bad girls ? Find out in this episode when Shawn & Chris cover the Russ Meyer classic 'Faster, Pussycat ! Kill ! Kill !' with special guest Andrew Shearer and 'Doris Wishman's 'Bad Girls Go to Hell' with 3 time defending guest host Steven A. Grainger. Can you dig it ?

It's time for another Subject:CINEMA ! On the first of a two week in a row Double Feature weekend, we celebrate The Pink Panther! Plus - a brand new edition of Theater Of Pain featuring one of the best (!) from exploitation director Doris Wishman, and a brand new edition of Cheese And Whine with a 70s Sasquach doc! Subject:CINEMA is brought to you by: eMusic Now with  over TEN MILLION choices for great tunes - and by visiting http://emusic.com/cinema , you will get 35 FREE DOWNLOADS during your 14 day trial! Check it out today! CCS.COM The ULTIMATE source for all the best prices on skateboarding and snowboarding clothes and equipment! All the top name brands - Volcom, Burton, Vans, DC, and all the rest - we've got 'em all right here! And look at what ELSE we've got for you: savings codes! AFCINEMA - Free shipping on orders $30+ AFSUBCIN - 15% off orders $75 or more + Free Shipping Online Only; Some Exclusions May Apply Check out all our great deals in one central spot, right here at MevioCoupons.Com *** E-mail us at subjectcinema@popcornnroses.com Want to take S: C With you? Now you can - SC is now Mobile via iPhone! Check us out today - all the latest S:C podcasts plus EXCLUSIVE features coming soon! Call us with your comments! 1-888-214-9311 TOLL FREE in the US and Canada! Wanna hear us anywhere? Now you CAN! Subject:CINEMA Mobile for iPhone is now here! Get it at iTunes NOW! We hope you'll spread the word about Subject:CINEMA to your friends - we love having all the listeners we can get! And Thanks For Listening!  

The Memphis underground filmmaker, documentarian, comic book artist, and sculptor behind Guerrilla Monster Films is celebrating the 25th anniversary of his Cramps-endorsed noir classic, “Teenage Tupelo.” This semi-auto-bio-sexploitation-comedy-drama reimagining the director's origin story is getting the royal treatment, with a new Blu-ray edition, a soundtrack LP, and a book about the movie and the makeshift creative community that came together to make it. Mike has an almost mystical connection to the midcentury pop culture of comic books, drive-in movies and rock and roll. He also has a knack for talking starlets out of their tops. In his words, nudity is the ultimate location. Topics include a new intro, distractions, a blog, a mood swing, Jerry Stiller, Fred Willard, a genetic taint, Tracey's Bar, reopening, “The Sore Losers,” B movies, Doris Wishman, David F. Friedman, Elvis as inspiration, Memphis, Tupelo, self-mythologizing, movie posters, art bootcamp, Scopitones, the Antenna club, casting, art school, leaving home, a comedy obit, “Native Son,” a sculpture, Amy LaVere, a family reunion, historic preservation, classic rock, Fleetwood Mac, the Faces, Kristen Hobbs, the Cramps at Sun Studio, a legacy, willpower, “Cadavera,” a location scam, the MGM backlots, Dr. Nick, an autopsy, death of the dream, making fun, an art school documentary, and much more. Support the podcast [here.](https://www.paypal.me/troubledmenpodcast) Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast aggregator. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “Tomb of the Tupelo Twin” by Impala from the soundtrack to “Teenage Tupelo”

The Men escape the Ring Room for the Safe House. Any port in a storm. They have the cultural iconoclast, Glyn Styler as their first guest. He plays it pretty close to the vest, but they manage to drag out of him some comments on his origin story. The Men also discuss murder in New Orleans, funeral home yelp reviews, party invitations, whistle girl, train rides to Florence and Madrid, the crushing solitude of a recording studio in England, copping in Copenhagen, convalescent communion, and a chance encounter with Timothy Leary. Click on the link to Glyn Styler's signature song,"You Killed My Love", with a still from his starring role in Doris Wishman's film, "Satan Was a Lady". It's sublime.