Podcasts about Colonel

After spending a little time mulling over the post-release feelings surrounding "The Colonel & The King," Justin and Bec give their thoughts on the newest Elvis box set from Sony Legacy, Sunset Boulevard, which encompasses recordings and rehearsals done between 1970-1975 at RCA's Studio C in Hollywood. The duo reflect on the the successes and shortcomings of this era of box sets that seems to be drawing to a close.  From Elvis in Nashville, Back in Nashville, Memphis and Sunset Boulevard mark a period where producer Ernst Jorgensen and mixer Matt Ross-Spang have seemingly reinterpreted Elvis's multi-track studio work in the 1970s through a more "rockist" lens; that is to say, one that promotes and emphasizes the perceived authenticity or purity of raw material recorded in-studio by Elvis and a core rhythm band without additional backing vocalists, strings and horns.  Despite great, modern-sounding re-mixes, these box sets have also marred by inconsistent mix decisions that contradict the claims that you're only hearing what Elvis heard in the studio - selectively leaving some overdubs, removing contributions from musicians that were physically in the studio with Elvis, and much more. It's a thought-provoking discussion about what the goals were, what value these sets have added, and whether they have helped us understand Elvis's creative process any better. For Song of the Week, Bec picks a childhood favorite, the sweet ballad "A Boy Like Me, A Girl Like You" from the Girls! Girls! Girls! soundtrack. Then, Justin uses "Good, Bad But Beautiful," an instrumental intended for Elvis to finish, to explore the fascinating circumstances of sessions, publishing, and release schedules that led to its recording at Stax in July of 1973... and Elvis's rejection of the Clive Westlake-penned song (later done by Shirley Bassey) at a late September 1973 session at his Palm Springs home, less than three weeks after having attempted to fire his manager.  This is one you won't want to skip... because there's a special Elvis Week surprise in this Song of the Week segment, courtesy of our good friends Jamie and John over at the EAP Society. 

L'ennemi mystérieux sur lequel nous ne pouvons pas mettre de nom, est tombé dans le piège tendu par le colonel de Guerlasse. Après avoir bombardé les deux fausses bases biglotroniques secrètes, le Colonel revient à Paris. ***Fiction radiophonique de Pierre Dac et Louis Rognoni - Producteur : Jean Bardin - Réalisateur : Jean Wilfrid Garrett - Avec : Héléna Bossis, Roger Carel, Pierre Dac, Claude Dasset, Jean Piat, Paul Préboist, Lawrence Riesner et Alain Rolland - Première diffusion : 31/10/1967 sur France Inter - Un podcast INA.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today's Mystery: Inspector Chan reveals that the young man caught searching through the dead man's belongings was actually his son, and then Chan questions the butler Simmons about his past with the murdered Colonel Willoughy.Original Radio Broadcast Date: 1936Originating from Los AngelesStarring: Walter Connolly as Inspector Charlie ChanSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Robert, Patreon supporter since July 2022.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectives

Forces Creating Massive Instability Worldwide: US, Ukraine, China, Israel, Colonel Douglas Macgregor - SarahWestall

Are you providing basic planning for your clients? What about your own planning? Joining Eric Green is Dr. Richard ‘Rick' Wells, retired Marine Lt. Colonel and Financial Advisor, to cover the basic planning needs everyone needs to consider, including for yourselves. It's time to stop being the ‘cobblers kids without shoes' and get your own estate and tax planning in order to maximize your bottom line and bring real advisory level advice to your clients and justify the higher fees you should all be charging! Our advice is to sit in on this conversation and begin to see things you either have forgotten in your over-caffeinated, hectic lives, or maybe even never heard before!Have questions? Contact Rick at rwells@baystatefinancial.com. Join us August 28th for the free webinar here: https://taxrepllc.com/20250828-planning/

Rick Kogan talks with his brother Mark Kogan to preview his appearance at ‘Elvis Week at Graceland’ on August 14th at 10:00am. Mark will take part in ‘Conversations on the Colonel’ at the Guest House Theater. Mark also shares memories of working with Elvis and what life was like on the road with Colonel Tom […]

This week is the annual Elvis Week, marking 48 years since the passing of the King of Rock ‘n' Roll, with many events taking place at Graceland, his iconic home in Memphis. While his manager, Colonel Tom Parker, has traditionally been portrayed as a Machiavellian character, a new book portrays him in a different light.Joining Seán to discuss is Peter Guralnick, author of the new book ‘The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership That Rocked the World'...

Colonel John R. “Buck” Buckingham (Ret.), call sign “BUCK,” is a legendary U.S. Air Force fighter pilot, former Base Wing Commander at Buckley Air Force Base, and a true American patriot. With over 34 years of distinguished military service and more than 6,000 flight hours in fighter jets Buck's career is a testament to skill, leadership, and unwavering dedication to country. Buck's aviation journey began in the F-4E Phantom, followed by time as an elite AT-38 instructor and A-10 Thunderbolt II pilot. He later joined the Colorado Air National Guard, where he flew the A-7D Corsair II before commanding the skies in the F-16 Fighting Falcon for the final 17 years of his career. With multiple deployments to active combat zones in Iraq & Afghanistan. Buck decorations speak for themselves. In the immediate aftermath of the September 11, 2001 terrorist attacks, Buck was the first fighter pilot scrambled to protect American airspace—playing a critical role in Operation Noble Eagle (ONE) and the rapid transformation of U.S. homeland defense. As Vice Wing Commander at Buckley AFB, Buck led with precision and integrity, overseeing key operations, training initiatives, and mission readiness across one of the country's most strategic Air Force installations. Even in retirement, “Buck” continues to soar. He still flies a variety of private aircraft, remains active in the aviation community, and embraces life as a proud family man and passionate upland bird hunter. He made his podcast debut on The Mountain Side, where he shared his incredible story—from Cold War missions to post-9/11 homeland defense—offering listeners a rare glimpse into the life of a true American Fighter Pilotwww.TheMountainSidePodcast.comAffiliates LinksSponsor Linkswww.SABObroadheads.comMountain Side listeners receive $10 off & Free Shipping on all SABO Broadheads!www.BulletProof.comMountain Side listeners Use Discounts code: MOUNTAINSIDE to receive 20% off all Bulletproof products!www.ONNIT.comMountain Side listeners use Discount code TMS to receive 10% off ONNIT products!

Darrell Castle recounts the atomic bombing of Hiroshima and Nagasaki, Japan, around the 80th anniversary of the events and where it leaves us in the world today. Transcription / Notes COLONEL PAUL TIBBETS AND THE ATOMIC AGE Hello, this is Darrell Castle with today's Castle Report. This is Friday the 8th day of August in the year of our Lord 2025. Two days ago, on August 6th we remembered the 80th anniversary of the atomic bombing of Hiroshima, Japan. Tomorrow the 9th of August is the 80th anniversary of the atomic bombing of Nagasaki, Japan. I will talk about those events and about where they leave us in the world today. During World War ll the United States was in a technological race with Germany to develop a war winning atomic weapon. The U.S. had some of the smartest people on earth working on the weapon which came to be called “The Manhattan Project.” Einstein gave his theoretical advice and Oppenheimer ran the effort to build a potentially world destroying weapon. No one knew for sure what this weapon would do when it was unleashed. The only thing certain was that its explosive power would be like nothing seen before on earth. I am certainly no scientist and I am not scientifically educated but as I understand it the microscopic particle that makes up matter, called the atom contains enormous energy and if it could be split that energy would be unleashed by way of explosive power. Some scientists were afraid that the explosion would not be able to be contained and would continue until it destroyed the entire universe but they went ahead with it despite the unknown. The allies throughout the war fought a clandestine effort to prevent German scientists from finishing their work first. Many people gave their lives in that effort but eventually German industry was destroyed and only Japan was left. The decision to use the weapon against Japan was President Truman's alone. I understand from much reading on the subject that he was in Europe to conclude the German surrender when he received word that the weapon known as “Little Boy” was ready. His response was “use it.” Winston Churchill once famously said, “I think history will be kind to me because I intend to write it.” The point is that history is written by the winners not the losers. I have read many histories of the end of the war and the decision to use the bomb and my conclusion is that the historical perspective depends on your world view today. I read something this week which asserted that Japan was begging to surrender but Truman wanted to use the bomb so he ignored them. The supposed reason was to send a message to the Soviet Union that the same thing could happen to them. The Soviet angle as a secondary reason makes sense but I see no evidence of Japan begging to surrender. In fact, after the surrender when MacArthur was proconsul in Japan surviving Japanese troops tried to lead a rebellion against the surrender. The real question for debate is, was the dropping of the atomic bomb justified or was it the most heinous crime against humanity in history. Everyone has his opinion, but from the perspective of the Marines and soldiers on the beaches and in the jungles of Asia I doubt that they wanted to invade the Japanese home islands. Perhaps if some of those who condemn the decision had been at Tarawa, Saipan, Iwo Jima, or Okinawa they would see it differently. In any event on August 6th, 1945, a B-29 Super fortress flown by Colonel Paul W. Tibbets Jr and with a crew of 12 more men lifted off the runway on the island of Tinian and headed for Japan and a mission that would forever alter our world. I saw an interview with Colonel Tibbets just before he died and the interviewer gave him a chance to express his sorrow at what he did but he said no I have no regrets. “I viewed my mission as one to save lives. I didn't bomb Pearl Harbor. I didn't start the war. But I was going to finish it.” Colonel Tibbets continued to maintain the same m...

Break out the Peanut Butter, Banana & Bacon Sandwiches as Phil and David welcome Peter Guralnick, the renowned author of two definitive Elvis Presley biographies and the brand new book "The Colonel and the King: Tom Parker, Elvis Presley, And The Partnership That Rocked The World." Past "Naked Lunch" guest Billy Bob Thornton introduces this episode, then Phil and David use their Burning Love and Suspicious Minds to ask Peter lots of questions about Elvis and hear Peter's surprising take on Elvis's famously controversial manager, Colonel Tom Parker. That's All Right, but prepare to get All Shook Up. To buy Peter's new book, go here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com

August 7, 2025 ~ Rocky Raczkowski, Retired Lt. Colonel for the US Army, joins Kevin to discuss how President Trump is raising India's tariffs over Russian oil purchases.

Hezbollah Is Already Inside America: This Ends in Global War - Brian Rose of London Real with Colonel Douglas Macgregor

Hezbollah Is Already Inside America: This Ends in Global War - Brian Rose of London Real with Colonel Douglas Macgregor

(00:00-7:37) The Colonel wasn't happy with Happy Gilmore 2. Cameo Porn. Gabe ranked the watchability scale for Mizzou's schedule and the ballparks that he's attended.(7:45-11:09) Fun with trivia.(11:19-16:26) E-Mail of the DaySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There's a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World'. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley's “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker's letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley's catalogue rights to RCA in 1973 for $5.4m. … the Colonel's Honesty game – “think of the number I'm thinking of and I'll pay you if you're right!” … how Parker tried to curb Presley's “smutty humour” and sell his “James Dean enigma” to the film industry after Dean's death in 1955. … how the only time he didn't carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn't control either his or Presley's self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist's manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King' here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

August 1, 2025 ~ Rocky Raczkowski, Retired Lt. Colonel in the US Army discusses Steve Witkoff and other Trump administration officials traveling to Gaza and Russia.

Crime Classics 53-06-29 003 The Checkered Life and Sudden Death of Colonel James Fisk

Terry Gross talks with rock historian Peter Guralnick, author of the definitive two volume biography of Elvis Presley. His new book is about Elvis's longtime manager, Colonel Tom Parker. Guralnick says researching the book led to many surprises and made him question the many preconceptions about Parker. It's called The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World. John Powers reviews Code of Silence, a new British crime series.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Colonel's Secret Recipe

Gurdip, Justin, Ryan, and Olivia all gathered round to discuss their thoughts on Peter Guralnick's new book, "The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World." Full spoilers within. We recommend people buy it to make their own judgment. It is available through most major retailers - you can learn more about the book and where to buy it here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/

Terry Gross talks with rock historian Peter Guralnick, author of the definitive two volume biography of Elvis Presley. His new book is about Elvis's longtime manager, Colonel Tom Parker. Guralnick says researching the book led to many surprises and made him question the many preconceptions about Parker. It's called The Colonel and the King: Tom Parker, Elvis Presley, and the Partnership that Rocked the World. John Powers reviews Code of Silence, a new British crime series.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hey there! Send us a message. Who else should we be talking to? What topics are important? Use FanMail to connect! Let us know!Season 8 - The CopDoc Podcast - Episode 157Colonel Eric Smith's journey from Boeing sheet metal mechanic to leading the Kansas Highway Patrol reveals what transformative police leadership looks like in action. After a chance encounter with a sergeant led him to volunteer as a dispatcher, Smith found his calling in law enforcement, spending nine years with the Sedgwick County Sheriff's Office before joining DEA for 21 years, eventually rising to high-ranking leadership positions.When Smith took command of a divided Kansas Highway Patrol in 2023, he immediately embarked on statewide listening tours, but with a crucial difference from traditional "meet-and-greets" – he documented every concern, created accountability spreadsheets, and demanded solutions from command staff. His approach shocked some senior leaders comfortable with the status quo, but resonated deeply with officers hungry for meaningful change.At the heart of Smith's philosophy is the belief that "you should be hard on problems and soft on people." This mindset transformed KHP's rigid disciplinary structure, creating an environment where officers aren't afraid to take necessary risks or admit mistakes. By recognizing that few errors are truly career-ending, Smith cultivates a culture of growth rather than fear.The parallels between Smith's DEA experience and his current role are striking. Just as he understood that federal agents must respect that "it's their town, I'm just walking through it" when working with local agencies, Smith approaches relationships with county sheriffs from a position of humility. "The question that should come out of our mouth is 'What can I do to help?'" he explains, not "I'm taking over now."Smith grounds KHP's purpose in three principles: service requires sacrifice, courtesy demands recognizing dignity in every person, and protection takes courage. By connecting these values to personal identity – "you are not playing FOR KHP, you ARE KHP" – he transforms abstract concepts into deeply meaningful guideposts for officers.Want to build an organization where people feel valued and accomplish extraordinary things? Listen to this conversation between two former DEA colleagues who understand that effective leadership isn't about position or power – it's about creating environments where people know they matter. Subscribe now for more insights from law enforcement leaders transforming police culture from within.Contact us: copdoc.podcast@gmail.com Website: www.copdocpodcast.comIf you'd like to arrange for facilitated training, or consulting, or talk about steps you might take to improve your leadership and help in your quest for promotion, contact Steve at stephen.morreale@gmail.com

durée : 00:07:52 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - - réalisation : Massimo Bellini, Vincent Abouchar

We once again welcome you on board the Aurora as we head towards the fascinating albeit desolate Ashen Wastes, retracing the steps of the good Colonel towards the archaeological find of the century! We hope you have brought all you need, as we are leaving civilisation far behind... Please join us as we discover the Doom that Came to Sanctaris! Cast: Adam can be found as @maddambeltaine.bsky.social on Bluesky Ed can be found as @edfortune.bsky.social on Bluesky Lou can be found as @magpiehound.bsky.social on Bluesky Mikey can be found as @weaselpunk.bsky.social on Bluesky Ross can be found as @narrativium.bsky.social on Bluesky Follow us on social media! Bluesky: @forcemajeurepod.bsky.social Facebook: https://www.facebook.com/ForceMajeurePod Instagram: forcemajeurepod Online: www.forcemajeurepod.com Email: forcemajeurepod@gmail.com We have a Discord! Come and join us: https://discord.gg/DHbResPp6n We also have merch!  https://teespring.com/stores/forcemajeurepod https://www.teepublic.com/user/forcemajeurepod If you like what we do and have some spare money, we have both a Patreon and a Ko-Fi account. We are extremely grateful for your support. https://www.patreon.com/forcemajeurepod ko-fi.com/forcemajeurepod Intro Music: Composed by Sly Fox Audio - check out more of her stuff on soundcloud.com/slyfoxaudio Additional Music: "Reversion 2015" Darkest Night" both by Myuu (The Dark Piano) All used with gratitude under the Creative Commons licence. For full credit and links please see the Credits page of our website.

The TCBCast gang is waist-deep in preparing to discuss Peter Guralnick's new book but Gurdip and Justin snagged listener Kirsty Garland who currently runs the "Exposing Elvis Photoshops" pages on Facebook and Instagram for a quick episode. They dig into why Kirsty decided to take on the effort of debunking and providing sources for badly digitally manipulated photos of Elvis that have seemed to proliferate in the wake of Elvis's resurgence in popularity, her thoughts on why so many pages create them, and also her feelings about the coming onslaught of AI Elvis images. Naturally, there's also coverage about recent Elvis news - not just confirmation of the world premiere of Baz Luhrmann's EPiC at the Toronto International Film Festival in September (and its 100-minute runtime), but there finally is confirmation of the substance of London's immersive theatre experience "Elvis Evolution." Billed (and previewed in teaser videos) as containing the first AI deepfake Pepper's ghost-style hologram... this mystery train has seemingly gone wildly off the tracks in its first couple weeks, with reports of angry fans demanding refunds, being escorted out of shows, and the company behind the experience claiming to the BBC and other media outlets that they had "made clear when tickets went on sale" that there would be no AI Elvis in the way fans expected. Tickets went on sale in October - here's an article from IQ Magazine from October 2024 of them talking about AI Elvis still being in the show: https://www.iqmagazine.com/2024/10/behind-the-scenes-of-elvis-evolution/ Here's the October 21, 2024, video of Layered Reality from their own YouTube channel showing off Work-in-Progress versions of the deepfake Elvis, implying inclusion in the show at the time tickets went on sale: https://www.youtube.com/watch?v=M7bPqwtHRp0 And finally, here's an article from as recently as July 2025 - right around the premiere - from Fast Company magazine, with new quotes and information not seen in any report or coverage prior to the premiere, directly from CEO & Head of Studio, still talking about AI Elvis being part of the show: https://www.fastcompany.com/91368335/inside-elvis-evolution-ai-and-immersive-tech-bring-the-kings-life-to-the-stage-in-london Take from all that what you will. No Songs of the Week this week - but we promise "The Colonel and the King" will be a doozy worth the wait! Kirsty's pages can be followed at instagram.com/exposing_elvis_photoshops/ or searching for Exposing Elvis Photoshops on Facebook. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Day 1,248.Today, we reveal new Patriot air-defence systems have already arrived in Ukraine, and provide the full, extraordinary story of the events leading up to President Trump's u-turn which made that possible. Then we speak to a former US fighter pilot about the significance of such weapons deliveries in the air war, and about the mood in the United States, before a short dispatch from Wembley on the night Ukrainian boxer Oleksandr Usyk became undisputed heavyweight champion.Contributors:Francis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Joe Barnes (Brussels Correspondent). @Barnes_Joe on X.Terry Virts (former NASA astronaut and Colonel in the US Air Force). @AstroTerry on X.Maria Romanenko (Ukrainian Journalist). @rommari on X.Content Referenced:‘The full, untold story of Trump's U-turn on Ukraine' (Joe Barnes in The Telegraph):https://www.telegraph.co.uk/world-news/2025/07/25/full-untold-story-donald-trump-u-turn-ukraine-war-us-russia/ Ukrainian soldiers cut off from Musk's Starlink after blackout (The Telegraph):https://www.telegraph.co.uk/business/2025/07/25/ukrainian-soldiers-cut-off-from-musks-starlink-after-outage/Zelensky defied US order to scrap controversial corruption law (The Telegraph):https://www.telegraph.co.uk/us/politics/2025/07/25/zelensky-defied-senior-us-officials-on-corruption-law/ Fully Chinese-made drone found in Ukraine for first time (The Telegraph):https://www.telegraph.co.uk/world-news/2025/07/23/fully-chinese-made-drone-found-in-ukraine-for-first-time/SIGN UP TO THE NEW ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:https://secure.telegraph.co.uk/customer/secure/newsletter/ukraine/ Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.NOW AVAILABLE IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

July 24, 2025 ~ Rocky Raczkowski, Retired Lt. Colonel in the US Army discusses tensions between Iran and Israel ramping up as Israel reviews a Hamas ceasefire proposal.

This week, we welcome an extraordinary guest to the Songwriter Connection table—Mike Carrodo, a nearly 30-year veteran of the U.S. Marine Corps whose journey bridges the worlds of military service and music. Before 9/11, Mike's band was a touring powerhouse, playing 200–250 dates a year and sharing the stage with legends like The Derek Trucks Band, Edwin McCain, and even Tina Turner.Everything changed when the towers fell. Mike answered the call of duty, deploying to serve his country and eventually retiring as a Colonel after a distinguished career that began and ended at Camp Lejeune. A graduate of The Citadel, Mike brings both military precision and raw emotional storytelling to his music.Now, the band is back together—writing, recording, and reconnecting with fans. Mike joins us to share his powerful journey, the songs born from it, and what it means to return to the stage after decades of service. It's a conversation full of heart, honor, and harmony.Tune in and pull up a chair—this is one episode you don't want to miss.Support this podcast at — https://redcircle.com/songwriter-connection/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

See omnystudio.com/listener for privacy information.

Colonel Yogander Singh (retd) is a retired Indian Army officer and military historian, with special focus on Haryana. He has written several books, most prominent among them being 'Hal Wa Samshir: Politico-Military History of Haryana'. 'Future Ready Indian Army' and 'Effective Deterrence: Thoughts on India's Security Policy and Structures in the Twenty-first Century'.His latest books are 'Century of the Locust' & 'Century of the Raj' in two volumes detailing the history of 18th and 19th century Haryana respectively in a comprehensive manner.

Today, Colonel Rob Maness joins the podcast to discuss his 32-year military service, as well as his perspective on modern politics, national security, world news, and more. At just 17 years old, Colonel Maness made the courageous decision to enlist in the United States Air Force during a time of international crisis. Rising through the enlisted ranks to become a full colonel, he retired from active duty in 2011. Following his military service, he returned to Louisiana and served as an executive at a Fortune 500 energy corporation. He is now the founder and owner of Iron Liberty Group and currently resides in Gulfport, Mississippi. Jump in to find out: The average career length of active military personnel.  Fascinating stories from Colonel Maness's time in the USAF. The importance of speaking the truth from a factual standpoint while still maintaining an open mind.  The most powerful entities that run things in the world.  Where to find trusted and accurate information. Interested in learning how Colonel Maness has demonstrated effective leadership and fiscal responsibility while serving at the local, state, and federal levels of government? Now, through The Rob Maness Show and his ongoing podcast, he's on a mission to deliver uncensored, unfiltered news and commentary – giving Americans the insights the mainstream media often ignores. His platform sheds light on critical issues, empowers citizens with facts, and continues his lifelong commitment to public service and constitutional values. Be sure to follow Colonel Maness on X @RobManess to receive all the latest updates on his work! Episode also available on Apple Podcasts: http://apple.co/30PvU9C Keep up with Colonel Rob Maness socials here: Facebook : https://www.facebook.com/ColRobManess Instagram: https://www.instagram.com/colrobmanessret/?hl=en  Threads: https://www.threads.com/@colrobmanessret Youtube: https://www.youtube.com/channel/UCXpdGuw3rCmoNrpDxbhezqw

In this episode of Why We Vote, CannCon and Ashe in America are joined by Colonel Shawn Smith for a powerful and sobering conversation about the systemic breakdown of election integrity in the United States. Colonel Smith lays out how key security measures, chain of custody, physical ballot controls, machine audits, and software transparency, have been steadily abandoned across counties and states. He warns that elections are now untrustworthy by design, not by accident. Drawing from real-world examples and battlefield-tested leadership, Colonel Smith urges Americans to reject the comforting illusion that someone else is fixing the problem. Instead, he calls for civic courage and mass local engagement, arguing that only organized citizens can restore trust in the vote. The discussion dismantles the myth of risk-limiting audits, challenges the blind faith in state institutions, and highlights how fear and apathy have paralyzed action in the face of obvious fraud. Blunt, urgent, and deeply motivating, this episode issues a clear call: get involved now, or surrender your voice forever.

A peaceful world slips away. Ukraine will lob American missiles at Moscow, and Netanyahu avoids a ceasefire to stay in office against corruption charges. Colonel Macgregor on our dangerous world. Trish unpacks the looming real estate disaster that may require a government bail out. Video reveals that evil lurking behind the Godmother of the settler movement. Watch and Read Trish on Substack Follow Trish on X @woodreporting Website: www.trishwoodpodcast.com 

Colonel Yogander Singh (retd) is a retired Indian Army officer and military historian, with special focus on Haryana. He has written several books, most prominent among them being 'Hal Wa Samshir: Politico-Military History of Haryana'. 'Future Ready Indian Army' and 'Effective Deterrence: Thoughts on India's Security Policy and Structures in the Twenty-first Century'.His latest books are 'Century of the Locust' & 'Century of the Raj' in two volumes detailing the history of 18th and 19th century Haryana respectively in a comprehensive manner.

In this episode of BRANDED Weekly, we break down the brand moves (and misfires) dominating headlines:– Grok's AI glitch: What happens when your chatbot forgets the filter?– Nvidia's China play: Smart diplomacy or dangerous double game?– Amazon's 4-day Prime Day: A flex or a flop?– KFC's rebrand: Why the Colonel's now obsessed.– Superman x Roku: Movie marketing meets voice AI.– Sprite's spicy stunt: Burn your mouth, boost your brand.

July 18, 2025 ~ Rocky Raczkowski, retired Lt. Colonel of the U.S. Army talks with Kevin and Lloyd about the Air Force implementing gender-neutral, job specific fitness tests for Explosive Ordnance Disposal airmen starting August 1.

You are in for a real treat on this episode. My guest this time is Greg Schwem. Greg is a corporate comedian. What is a corporate comedian? You probably can imagine that his work has to do with corporations, and you would be right. Greg will explain much better than I can. Mr. Schwem began his career as a TV journalist but eventually decided to take up what he really wanted to do, be a comedian. The story of how he evolved is quite fascinating by any standard. Greg has done comedy professionally since 1989. He speaks today mostly to corporate audiences. He will tell us how he does his work. It is quite interesting to hear how he has learned to relate to his audiences. As you will discover as Greg and I talk, we often work in the same way to learn about our audiences and thus how we get to relate to them. Greg has written three books. His latest one is entitled “Turning Gut Punches into Punch Lines: A Comedian's Journey Through Cancer, Divorce and Other Hilarious Stuff”. As Greg says, “Don't worry, it's not one of those whiny, ‘woe is me,' self- serving books. Instead, it's a hilarious account of me living the words I've been preaching to my audiences: You can always find humor in every situation, even the tough ones. Greg offers many interesting observations as he discusses his career and how he works. I think we all can find significant lessons we can use from his remarks. About the Guest: Hi! I'm Greg Schwem. a Chicago-based business humor speaker and MC who HuffPost calls “Your boss's favorite comedian.” I've traveled the world providing clean, customized laughs to clients such as Microsoft, IBM, McDonald's and even the CIA. I also write the bi-weekly Humor Hotel column for the Chicago Tribune syndicate. I believe every corporate event needs humor. As I often tell clients, “When times are good, people want to laugh. When times are bad, people need to laugh.” One Fortune 500 client summed things up perfectly, saying “You were fantastic and just what everybody needed during these times.” In September 2024 I released my third and most personal book, Turning Gut Punches into Punch Lines: A Comedian's Journey Through Cancer, Divorce and Other Hilarious Stuff. Don't worry, it's not one of those whiny, “woe is me,” self-serving books. Instead, it's a hilarious account of me living the words I've been preaching to my audiences: You can always find humor in every situation, even the tough ones. You can pick up a copy at Amazon or select book stores. Ways to connect with Greg: Website: www.gregschwem.com YouTube: www.youtube.com/gregschwem LinkedIn www.linkedin.com/in/gregschwem Instagram: www.instagram.com/gregschwem X: www.x.com/gregschwem About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:16 Hi everyone, and welcome to unstoppable mindset. Today we are going to definitely have some fun. I'll tell you about our guests in a moment, but first, I want to tell you about me. That'll take an hour or so. I am Michael Hingson, your host, and you're listening to unstoppable mindset where inclusion, diversity and the unexpected meet. And I don't know, we may get inclusion or diversity into this, but our guest is Greg Schwem. Greg used to be a TV reporter, now he's a comedian, not sure which is funnier, but given some of the reporters I've seen on TV, they really should go into tonight club business. But anyway, Greg, I want to welcome you to unstoppable mindset. We're really glad you're here. I really appreciate you being here and taking the time   Greg Schwem ** 02:04 Well, Michael, it is an honor to be included on your show. I'm really looking forward to the next hour of conversation. I   Speaker 1 ** 02:10 told Greg a little while ago, one of my major life ambitions that I never got to do was to go to a Don Rickles concert and sit in the front row so that hopefully he would pick on me, so that I could say, Yeah, I saw you once on TV, and I haven't been able to see since. What do you think of that? You hockey puck, but I never got to do it. So very disappointed. But everybody has bucket list moments, everybody has, but they don't get around to I'm sorry. Yeah, I know. Well, the other one is, I love to pick on Mike Wallace. I did a radio show for six years opposite him in 60 minutes, and I always love to say that Wallace really had criminal tendencies, because he started out being an announcer in radio and he announced things like The Green Hornet and the Sky King and other shows where they had a lot of criminals. So I just figured he had to be associated with criminals somewhere in his life. Of course, everybody picked on him, and he had broad shoulders. And I again, I regret I never got to to meet him, which is sort of disappointing. But I did get to meet Peter Falk. That was kind of fun.   Greg Schwem ** 03:15 Mike Wallace to Peter Falk. Nice transition there. I know.   Michael Hingson ** 03:21 Well I am really glad you're with us. So why don't we start? We'll start with the serious part. Why don't you tell us, kind of about the early Greg schwim and growing up and all that sort of stuff, just to set the stage, as it were,   Greg Schwem ** 03:34 how far back you want to go? You want to go back to Little League, or you want to   Speaker 1 ** 03:37 just, oh, start at the beginning, a long time ago, right? I was a   Greg Schwem ** 03:41 very strange child. No, I you. You obviously introduced me as a as a comedian, and that is my full time job. And you also said that I was a former journalist, and that is my professional career. Yes, I went from, as I always like to say, I went from depressing people all day long, to making them laugh. And that's, that's kind of what I did. I always did want to be I majored in Journalism at Northwestern University, good journalism school. Originally, I always wanted to be a television reporter. That was as a professional career I was, I dabbled in comedy. Started when I was 16. That is the first time I ever got on stage at my school, my high school, and then at a comedy club. I was there one of the first comedy clubs in Chicago, a place called the comedy cottage. It was in the suburb of beautiful, beautiful suburb of Rosemont, Illinois, and they were one of the very, very first full time comedy clubs in the nation. And as a 16 year old kid, I actually got on stage and did five minutes here and five minutes there. And thought I was, I was hot stuff, but I never, ever thought I would do it for a living. I thought comedy would always be just a hobby. And I. Especially when I went to college, and I thought, okay, Northwestern is pretty good school, pretty expensive school. I should actually use my degree. And I did. I moved down to Florida, wrote for a newspaper called The Palm Beach post, which, don't let that title fool you. It's Palm Beach was a very small segment of of the area that it was, that it served, but I did comedy on the side, and just because I moved down there, I didn't know anybody, so I hung out at comedy clubs just to have something to do. And little by little, comedy in the late 80s, it exploded. Exploded. There were suddenly clubs popping up everywhere, and you were starting to get to know guys that were doing these clubs and were starting to get recognition for just being comedians. And one of them opened up a very, very good Club opened up about 10 minutes from my apartment in West Palm Beach, and I hung out there and started to get more stage time, and eventually started to realize at the same time that I was getting better as a comedian, I was becoming more disillusioned as a journalist in terms of what my bosses wanted me to report on and the tone they wanted me to use. And I just decided that I would I would just never be able to live with myself if I didn't try it, if I didn't take the the plunge into comedy, and that's what I did in 1989 and I've been doing it ever since. And my career has gone in multiple directions, as I think it needs to. If you're going to be in show business and sustain a career in show business, you have to wear a lot of different hats, which I feel like I've done.   Michael Hingson ** 06:40 So tell me more about that. What does that mean exactly?   Greg Schwem ** 06:43 Well, I mean, I started out as a what you would pretty much if somebody said, If you heard somebody say, I'm a comedian, they would envision some guy that just went to comedy clubs all the time, and that's what I did. I was just a guy that traveled by car all over the Midwest and the Southeast primarily, and did comedy clubs, but I quickly realized that was kind of a going nowhere way to attack it, to do comedy unless you were incredibly lucky, because there were so many guys doing it and so many clubs, and I just didn't see a future in it, and I felt like I had to separate myself from the pack a little bit. And I was living in Chicago, which is where I'm from, and still, still exist. Still reside in Chicago, and I started to get involved with a company that did live trade show presentations. So if you've ever been on a trade show floor and you see people, they're mostly actors and actresses that wear a headset and deliver a spiel, a pitch, like every, every twice an hour, about some company, some new product, and so forth. And I did that, and I started to write material about what I was seeing on trade show floors and putting it into my stand up act, stuff about business, stuff about technology, because I was Hawking a lot of new computers and things like that. This was the mid 90s when technology was exploding, and I started to put this into my stand up act. And then I'd have people come up to me afterwards and say, hey, you know those jokes you did about computers and tech support, if you could come down to our office, you know, we're having a golf tournament, we're having a Christmas party, we would love to hear that material. And little by little, I started transitioning my act into doing shows for the corporate market. I hooked up with a corporate agent, or the corporate agent heard about me, and started to open a lot of doors for me in terms of working for very large corporations, and that's pretty much what I've been doing. I stopped working clubs, and I transitioned, instead of being a comedian, I became a corporate humor speaker. And that's what I do, primarily to this day, is to speak at business conferences. Just kind of get people to loosen up, get them to laugh about what they do all day without without making it sound like I'm belittling what they do. And also when I'm not doing that, I work about eight to 10 weeks a year on cruise ships, performing for cruise audiences. So that's a nice getaway.   Speaker 1 ** 09:18 It's interesting since I mentioned Don Rickles earlier, years ago, I saw an interview that he did with Donahue, and one of the things that Don Rickles said, and after he said it, I thought about it. He said, I really don't want to pick on anyone who's going to be offended by me picking on them. He said, I try to watch really carefully, so that if it looks like somebody's getting offended, I'll leave them alone, because that's not what this is all about. It isn't about abusing people. It's about trying to get people to have fun, and if somebody's offended, I don't want to to pick on them, and I've heard a number of albums and other things with him and just. Noticed that that was really true. He wouldn't pick on someone unless they could take it and had a lot of fun with it. And I thought that was absolutely interesting, because that certainly wasn't, of course, the rep that he had and no, but it was   Greg Schwem ** 10:16 true. It is, and it doesn't take long to see as a as a comedian, when you're looking at an audience member and you're talking to them, it, you can tell very quickly, Are they enjoying this? Are they enjoying being the center of attention? A lot of people are, or are they uncomfortable with it? Now, I don't know that going in. I mean, I you know, of course. And again, that's a very small portion of my show is to talk to the audience, but it is something particularly today. I think audiences want to be more involved. I think they enjoy you talk you. Some of these, the new comedians in their 20s and 30s and so forth. Them, some of them are doing nothing, but what they call crowd work. So they're just doing 45 minutes of talking to the audience, which can be good and can be rough too, because you're working without a net. But I'm happy to give an audience a little bit of that. But I also have a lot of stuff that I want to say too. I mean, I work very hard coming up with material and and refining it, and I want to talk about what's going on in my life, too. So I don't want the audience to be the entire show, right?   Speaker 1 ** 11:26 And and they shouldn't be, because it isn't about that. But at the same time, it is nice to involve them. I find that as a keynote and public speaker, I find that true as well, though, is that audiences do like to be involved. And I do some things right at the outset of most talks to involve people, and also in involving them. I want to get them to last so that I start to draw them in, because later, when I tell the September 11 story, which isn't really a humorous thing. Directly,   Greg Schwem ** 12:04 i know i Good luck. I'm spinning 911 to make it I don't think I've ever heard anybody say, by the way, I was trapped in a building. Stick with me. It's kind of cute. It's got a funny ending. And   Speaker 1 ** 12:20 that's right, and it is hard I can, I can say humorous things along the way in telling the story, but, sure, right, but, but clearly it's not a story that, in of itself, is humorous. But what I realized over the years, and it's really dawned on me in the last four or five years is we now have a whole generation of people who have absolutely no memory of September 11 because they were children or they weren't even born yet. And I believe that my job is to not only talk about it, but literally to draw them into the building and have them walk down the stairs with me, and I have to be descriptive in a very positive way, so that they really are part of what's going on. And the reality is that I do hear people or people come up and say, we were with you when you were going down the stairs. And I think that's my job, because the reality is that we've got to get people to understand there are lessons to be learned from September 11, right? And the only real way to do that is to attract the audience and bring them in. And I think probably mostly, I'm in a better position to do that than most people, because I'm kind of a curious soul, being blind and all that, but it allows me to to draw them in and and it's fun to do that, actually. And I, and   Greg Schwem ** 13:52 I gotta believe, I mean, obviously I wasn't there, Michael, but I gotta believe there were moments of humor in people, a bunch of people going down the stairs. Sure, me, you put people get it's like, it's like when a bunch of people are in an elevator together, you know, I mean, there's I, when I look around and I try to find something humorous in a crowded and it's probably the same thing now, obviously it, you know, you got out in time. But I and, you know, don't that's the hotel phone, which I just hung up so but I think that I can totally see where you're going from, where, if you're if you're talking to people who have no recollection of this, have no memory where you're basically educating them on the whole event. I think you then you have the opportunity to tell the story in whatever way you see fit. And I think that however you choose to do it is there's no wrong way to do it, I guess is what I'm trying to get at.   Speaker 1 ** 14:55 Well, yeah, I think the wrong way is to be two. Graphic and morbid and morbid, but one of the things that I talk about, for example, is that a colleague of mine who was with me, David Frank, at about the 50th floor, suddenly said, Mike, we're going to die. We're not going to make it out of here. And as as I tell the audience, typically, I as as you heard my introduction at the beginning, I have a secondary teaching credential. And one of the things that you probably don't know about teachers is that there's a secret course that every teacher takes called Voice 101, how to yell at students and and so what I tell people is that when David said that, I just said in my best teacher voice, stop it, David, if Roselle and I can go down these stairs, so can you. And he told me later that that brought him out of his funk, and he ended up walking a floor below me and shouting up to me everything he saw. And it was just mainly, everything is clear, like I'm on floor 48 he's on 47/47 floor. Everything is good here, and what I have done for the past several years in telling that part of the story is to say David, in reality, probably did more to keep people calm and focused as we went down the stairs than anyone else, because anyone within the sound of his voice heard someone who was focused and sounded okay. You know, hey, I'm on the 44th floor. This is where the Port Authority cafeteria is not stopping. And it it helps people understand that we all had to do what we could to keep everyone from not panicking. And it almost happened a few times that people did, but we worked at it. But the i The idea is that it helps draw people in, and I think that's so important to do for my particular story is to draw them in and have them walk down the stairs with me, which is what I do, absolutely, yeah, yeah. Now I'm curious about something that keeps coming up. I hear it every so often, public speaker, Speaker experts and people who are supposedly the great gurus of public speaking say you shouldn't really start out with a joke. And I've heard that so often, and I'm going give me a break. Well, I think, I think it depends, yeah, I think   Greg Schwem ** 17:33 there's two schools of thought to that. I think if you're going to start out with a joke, it better be a really good one, or something that you either has been battle tested, because if it doesn't work now, you, you know, if you're hoping for a big laugh, now you're saying, Well, you're a comedian, what do you do? You know, I mean, I, I even, I just sort of work my way into it a little bit. Yeah, and I'm a comedian, so, and, you know, it's funny, Michael, I will get, I will get. I've had CEOs before say to me, Hey, you know, I've got to give this presentation next week. Give me a joke I can tell to everybody. And I always decline. I always it's like, I don't need that kind of pressure. And it's like, I can, I can, I can tell you a funny joke, but,   Michael Hingson ** 18:22 but you telling the   Greg Schwem ** 18:23 work? Yeah, deliver it. You know, I can't deliver it for you. Yeah? And I think that's what I also, you know, on that note, I've never been a big fan of Stand Up Comedy classes, and you see them all popping up all over the place. Now, a lot of comedy clubs will have them, and usually the you take the class, and the carrot at the end is you get to do five minutes at a comedy club right now, if that is your goal, if you're somebody who always like, Gosh, I wonder what it would like be like to stand up on stage and and be a comedian for five minutes. That's something I really like to try. By all means, take the class, all right. But if you think that you're going to take this class and you're going to emerge a much funnier person, like all of a sudden you you weren't funny, but now you are, don't take the class, yeah? And I think, sadly, I think that a lot of people sign up for these classes thinking the latter, thinking that they will all of a sudden become, you know, a comedian. And it doesn't work that way. I'm sorry you cannot teach unfunny people to be funny. Yeah, some of us have the gift of it, and some of us don't. Some of us are really good with our hands, and just know how to build stuff and how to look at things and say, I can do that. And some of us, myself included, definitely do not. You know, I think you can teach people to be more comfortable, more comfortable in front of an audience and. Correct. I think that is definitely a teachable thing, but I don't think that you can teach people to be funnier   Speaker 1 ** 20:10 and funnier, and I agree with that. I tend to be amazed when I keep hearing that one of the top fears in our world is getting up in front of an audience and talking with them, because people really don't understand that audiences, whatever you're doing, want you to succeed, and they're not against you, but we have just conditioned ourselves collectively that speaking is something to be afraid of?   Greg Schwem ** 20:41 Yes, I think, though it's, I'm sure, that fear, though, of getting up in front of people has only probably been exacerbated and been made more intense because now everybody in the audience has a cell phone and to and to be looking out at people and to see them on their phones. Yeah, you're and yet, you prepped all day long. You've been nervous. You've been you probably didn't sleep the night before. If you're one of these people who are afraid of speaking in public, yeah, and then to see people on their phones. You know, it used to bother me. It doesn't anymore, because it's just the society we live in. I just, I wish, I wish people could put their phones down and just enjoy laughing for 45 minutes. But unfortunately, our society can't do that anymore, so I just hope that I can get most of them to stop looking at it.   Speaker 1 ** 21:32 I don't make any comments about it at the beginning, but I have, on a number of occasions, been delivering a speech, and I hear a cell phone ring, and I'll stop and go, Hello. And I don't know for sure what the person with the cell phone does, but by the same token, you know they really shouldn't be on their phone and and it works out, okay, nobody's ever complained about it. And when I just say hello, or I'll go Hello, you don't say, you know, and things like that, but, but I don't, I don't prolong it. I'll just go back to what I was talking about. But I remember, when I lived in New Jersey, Sandy Duncan was Peter Pan in New York. One night she was flying over the audience, and there was somebody on his cell phone, and she happened to be going near him, and she just kicked the phone out of his hand. And I think that's one of the things that started Broadway in saying, if you have a cell phone, turn it off. And those are the announcements that you hear at the beginning of any Broadway performance today.   Greg Schwem ** 22:39 Unfortunately, people don't abide by that. I know you're still hearing cell phones go off, yeah, you know, in Broadway productions at the opera or wherever, so people just can't and there you go. There that just shows you're fighting a losing battle.   Speaker 1 ** 22:53 Yeah, it's just one of those things, and you got to cope with it.   Greg Schwem ** 22:58 What on that note, though, there was, I will say, if I can interrupt real quick, there was one show I did where nobody had their phone. It was a few years ago. I spoke at the CIA. I spoke for some employees of the CIA. And this might, this might freak people out, because you think, how is it that America's covert intelligence agency, you think they would be on their phones all the time. No, if you work there, you cannot have your phone on you. And so I had an audience of about 300 people who I had their total attention because there was no other way to they had no choice but to listen to me, and it was wonderful. It was just a great show, and I it was just so refreshing. Yeah,   Speaker 1 ** 23:52 and mostly I don't hear cell phones, but they do come up from time to time. And if they do, then you know it happens. Now my one of my favorite stories is I once spoke in Maryland at the Department of Defense, which anybody who knows anything knows that's the National Security Agency, but they call it the Department of Defense, as if we don't know. And my favorite story is that I had, at the time, a micro cassette recorder, and it died that morning before I traveled to Fort Meade, and I forgot to just throw it away, and it was in my briefcase. So I got to the fort, they searched, apparently, didn't find it, but on the way out, someone found it. They had to get a bird Colonel to come to decide what to do with it. I said, throw it away. And they said, No, we can't do that. It's yours. And they they decided it didn't work, and they let me take it and I threw it away. But it was so, so funny to to be at the fort and see everybody running around crazy. See, what do we do with this micro cassette recorder? This guy's been here for an hour. Yeah. So it's it. You know, all sorts of things happen. What do you think about you know, there's a lot of discussion about comedians who use a lot of foul language in their shows, and then there are those who don't, and people seem to like the shock value of that.   Greg Schwem ** 25:25 Yeah, I'm very old school in that. I guess my short answer is, No, I've never, ever been one of those comedians. Ever I do a clean show, I actually learned my lesson very early on. I think I think that I think comedians tend to swear because when they first start out, out of nerves, because I will tell you that profanity does get laughter. And I've always said, if you want to, if you want to experiment on that, have a comedian write a joke, and let's say he's got two shows that night. Let's say he's got an eight o'clock show and a 10 o'clock show. So let's say he does the joke in the eight o'clock and it's, you know, the cadence is bumper, bump up, bump up, bump up, punch line. Okay, now let's and let's see how that plays. Now let's now he does the 10 o'clock show and it's bumper, bump up, bump up F and Okay, yeah, I pretty much guarantee you the 10 o'clock show will get a bigger laugh. Okay? Because he's sort of, it's like the audience is programmed like, oh, okay, we're supposed to laugh at that now. And I think a lot of comedians think, Aha, I have just discovered how to be successful as a comedian. I will just insert the F word in front of every punch line, and you can kind of tell what comedians do that and what comedians I mean. I am fine with foul language, but have some jokes in there too. Don't make them. Don't make the foul word, the joke, the joke, right? And I can say another thing nobody has ever said to me, I cannot hire you because you're too clean. I've never gotten that. And all the years I've been doing this, and I know there's lots of comedians who who do work blue, who have said, you know, who have been turned down for that very reason. So I believe, if you're a comedian, the only way to get better is to work any place that will have you. Yeah, and you can't, so you might as well work clean so you can work any place that will have you, as opposed to being turned away.   Speaker 1 ** 27:30 Well, and I, and I know what, what happened to him and all that, but at the same time, I grew up listening to Bill Cosby and the fact that he was always clean. And, yeah, I understand everything that happened, but you can't deny and you can't forget so many years of humor and all the things that that he brought to the world, and the joy he brought to the world in so many ways.   Greg Schwem ** 27:57 Oh, yeah, no, I agree. I agree. And he Yeah, he worked everywhere. Jay Leno is another one. I mean, Jay Leno is kind of on the same wavelength as me, as far as don't let the profanity become the joke. You know, Eddie Murphy was, you know, was very foul. Richard Pryor, extremely foul. I but they also, prior, especially, had very intelligent material. I mean, you can tell and then if you want to insert your F bombs and so forth, that's fine, but at least show me that you're trying. At least show me that you came in with material in addition to the   Speaker 1 ** 28:36 foul language. The only thing I really have to say about all that is it? Jay Leno should just stay away from cars, but that's another story.   Greg Schwem ** 28:43 Oh, yeah, it's starting to   Greg Schwem ** 28:47 look that way. Yeah, it   Michael Hingson ** 28:49 was. It was fun for a while, Jay, but yeah, there's just two. It's like, Harrison Ford and plains. Yeah, same concept. At some point you're like, this isn't working out. Now I submit that living here in Victorville and just being out on the streets and being driven around and all that, I am firmly convinced, given the way most people drive here, that the bigoted DMV should let me have a license, because I am sure I can drive as well as most of the clowns around here. Yeah, so when they drive, I have no doubt. Oh, gosh. Well, you know, you switched from being a TV journalist and so on to to comedy. Was it a hard choice? Was it really difficult to do, or did it just seem like this is the time and this is the right thing to do. I was   Greg Schwem ** 29:41 both, you know, it was hard, because I really did enjoy my job and I liked, I liked being a TV news reporter. I liked, I liked a job that was different every day once you got in there, because you didn't know what they were going to send you out to do. Yes, you had. To get up and go to work every day and so forth. So there's a little bit of, you know, there's a little bit of the mundane, just like there is in any job, but once you were there, I liked, just never known what the day would bring, right? And and I, I think if I'd stayed with it, I think I think I could have gone pretty far, particularly now, because the now it's more people on TV are becoming more entertainers news people are becoming, yeah, they are. A lot of would be, want to be comedians and so forth. And I don't particularly think that's appropriate, but I agree. But so it was hard to leave, but it gets back to what I said earlier. At some point, you got to say, I was seeing comedians making money, and I was thinking, gosh, you know, if they're making money at this I I'm not hilarious, but I know I'm funnier than that guy. Yeah, I'm funnier than her, so why not? And I was young, and I was single, and I thought, if I if I don't try it now, I never will. And, and I'll bet there's just some hilarious people out there, yeah, who who didn't ever, who just were afraid   Michael Hingson ** 31:14 to take that chance, and they wouldn't take the leap, yeah,   Greg Schwem ** 31:16 right. And now they're probably kicking themselves, and I'm sure maybe they're very successful at what they do, but they're always going to say, what if, if I only done this? I don't ever, I don't, ever, I never, ever wanted to say that. Yeah,   Speaker 1 ** 31:31 well, and there's, there's something to be said for being brave and stepping out and doing something that you don't expect, or that you didn't expect, or that you weren't sure how it was going to go, but if you don't try, then you're never going to know just how, how much you could really accomplish and how much you can really do. And I think that the creative people, whatever they're being creative about, are the people who do step out and are willing to take a chance.   Greg Schwem ** 31:59 Yeah, yeah. And I told my kids that too. You know, it's just like, if it's something that you're passionate about, do it. Just try it. If it doesn't work out, then at least you can say I tried   Speaker 1 ** 32:09 it and and if it doesn't work out, then you can decide, what do I need to do to figure out why it didn't work out, or is it just not me? I want   Greg Schwem ** 32:18 to keep going? Yeah. Yeah. Yeah.   Speaker 1 ** 32:21 So what is the difference between being a nightclub comedian and a corporate comedian? Because they are somewhat different. I think I know the answer. But what would you say that the differences between them? I think   Greg Schwem ** 32:33 the biggest thing is the audiences. I think when you when you are a nightclub comedian, you are working in front of people who are there to be entertained. Yeah, they, they paid money for that. That's what they're expecting. They, they, at some point during the day, they said, Hey, let's, let's go laugh tonight. That's what we really want to do when you're working in front of a corporate audiences. That's not necessarily the case. They are there. I primarily do business conferences and, you know, association meetings and so forth. And I'm just one cog in the wheel of a whole day's worth of meetings are, for the most part, very dry and boring, maybe certainly necessary educational. They're learning how to do their job better or something. And then you have a guy like me come in, and people aren't always ready to laugh, yeah, despite the fact that they probably need to, but they just they're not always in that mindset. And also the time of day. I mean, I do a lot of shows at nine in the morning. I do shows after lunch, right before lunch. I actually do very few shows in the evening, believe it or not. And so then you you have to, you kind of have to, in the while you're doing your act or your presentation or your speech, as I call it, you kind of have to let them know that it is okay. What you're doing is okay, and they should be okay with laughing. They shouldn't be looking around the whole time wondering if other people are laughing. You know, can I, can I? Can I tell you a quick story about how I drive that point home. Why not? Yeah, it's, I'll condense it into like five minutes. I mentioned that I worked on that I work on cruise ships occasionally, and I one night I was performing, and it was the first night of the cruise. And if anybody's ever been on a cruise, note, the first night, first night entertainers don't like the first night because people are tired. You know, they're they're a little edgy because they've been traveling all day. They're they're confused because they're not really sure where they're going on a ship. And the ones that have got it figured out usually over serve themselves because they're on vacation. So you put all that, so I'm doing my show on the first. Night, and it's going very well. And about five, six minutes in, I do a joke. Everybody laughs. Everybody shuts up. And from the back of the room in total darkness, I hear hat just like that. And I'm like, All right, you know, probably over served. So the rule of comedy is that everybody gets like. I was like, I'll let it go once, yeah. So I just kind of looked off in that direction, didn't say anything. Kept going with my active going with my act. About 10 minutes later, same thing happens. I tell a joke. Everybody laughs. Everybody shuts up. Hat now I'm like, Okay, I have got to, I've got to address the elephant in the room. So I think I just made some comment, like, you know, I didn't know Roseanne Barr was on this cruise, you know, because that was like the sound of the Yeah. Okay, everybody laugh. Nothing happened about five minutes later. It happens a third time. And now I'm just like, this is gonna stop. I'm going to put a stop to this. And I just fired off. I can't remember, like, three just like, hey man, you know you're you're just a little behind everybody else in this show and probably in life too, that, you know, things like that, and it never happened again. So I'm like, okay, mission accomplished on my part. Comedians love it when we can shut up somebody like that. Anyway. Show's over, I am out doing a meet and greet. Some guy comes up to me and he goes, hey, hey, you know that kid you were making fun of is mentally handicapped. And now, of course, I don't know this, but out of the corner of my eye, I see from the other exit a man pushing a son, his son in a wheelchair out of the showroom. And I'm just like, Oh, what have I done? And yeah. And of course, when you're on a cruise, you're you're on a cruise. When you're a cruise ship entertainer, you have to live with your audience. So I couldn't hide. I spent like the next three days, and it seemed like wherever I was, the man and his son in the wheelchair were nearby. And finally, on the fourth day, I think was, I was waiting for an elevator. Again, 3500 people on this ship, okay, I'm waiting for an elevator. The elevator door opens. Guess who are the only two people the elevator, the man and his son. And I can't really say I'll wait for the next one. So I get on, and I said to this the father, I said, I just want you to know I had no idea. You know, I'm so sorry. I can't see back there, this kind of thing. And the dad looks at me. He puts his hand up to stop me, and he points to me, and he goes, I thought you were hysterical. And it was, not only was it relief, but it kind of, it's sort of a lesson that if you think something is funny, you should laugh at it. Yeah. And I think sometimes in corporate America, my point in this. I think sometimes when you do these corporate shows, I think that audience members forget that. I think very busy looking around to see if their immediate boss thinks it's funny, and eventually everybody's looking at the CEO to see if they're like, you know, I think if you're doing it that way, if that's the way you're you're approaching humor. You're doing yourself a disservice, if right, stopping yourself from laughing at something that you think is funny.   Speaker 1 ** 38:09 I do think that that all too often the problem with meetings is that we as a as a country, we in corporations, don't do meetings, right anyway, for example, early on, I heard someone at a convention of the National Federation of the Blind say he was the new executive director of the American Foundation for the Blind, and he said, I have instituted a policy, no Braille, no meetings. And what that was all about was to say, if you're going to have a meeting, you need to make sure that all the documentation is accessible to those who aren't going to read the print. I take it further and say you shouldn't be giving out documentation during the meeting. And you can use the excuse, well, I got to get the latest numbers and all that. And my point is, you shouldn't be giving out documentation at a meeting, because the meeting is for people to communicate and interact with each other. And if you're giving out papers and so on, what are people going to do? They're going to read that, and they're not going to listen to the speakers. They're not going to listen to the other people. And we do so many things like that, we've gotten into a habit of doing things that become so predictable, but also make meetings very boring, because who wants to look at the papers where you can be listening to people who have a lot more constructive and interesting things to say anyway?   Greg Schwem ** 39:36 Yeah, yeah. I think, I think COVID definitely changed, some for the some for the better and some for the worse. I think that a lot of things that were done at meetings COVID and made us realize a lot of that stuff could be done virtually, that you didn't have to just have everybody sit and listen to people over and over and over again.   Speaker 1 ** 39:58 But unless you're Donald Trump. Up. Yeah, that's another story.   Greg Schwem ** 40:02 Yes, exactly another podcast episode. But, yeah, I do think also that. I think COVID changed audiences. I think, you know, we talked a little bit earlier about crowd work, right, and audiences wanting to be more involved. I think COVID precipitated that, because, if you think about it, Michael, for two and a half years during COVID, our sole source of entertainment was our phone, right? Which meant that we were in charge of the entertainment experience. You don't like something, swipe left, scroll down, scroll, scroll, scroll, find something else. You know, that kind of thing. I'm not I'm not entertained in the next four or five seconds. So I'm going to do this. And I think when live entertainment returned, audiences kind of had to be retrained a little bit, where they had to learn to sit and listen and wait for the entertainment to come to them. And granted, it might not happen immediately. It might not happen in the first five seconds, but you have to just give give people like me a chance. It will come to you. It will happen, but it might not be on your timetable,   Speaker 1 ** 41:13 right? Well, and I think that is all too true for me. I didn't find didn't find COVID to be a great inconvenience, because I don't look at the screen anyway, right? So in a sense, for me, COVID wasn't that much of a change, other than not being in an office or not being physically at a meeting, and so I was listening to the meeting on the computer, and that has its nuances. Like you don't necessarily get the same information about how everyone around you is reacting, but, but it didn't bother me, I think, nearly as much as it did everyone else who has to look at everyone. Of course, I have no problems picking on all those people as well, because what I point out is that that disabilities has to be redefined, because every one of you guys has your own disability. You're light dependent, and you don't do well when there's dark, when, when the dark shows up and and we now have an environment where Thomas Edison invented the electric light bulb, and we've spent the last 147 years doing everything we can to make sure that light is pretty ubiquitous, but it doesn't change a thing when suddenly the power goes out and you don't have immediate access to light. So that's as much a disability as us light, independent people who don't   Greg Schwem ** 42:36 care about that, right? Right? I hear, I agree, but it is but   Speaker 1 ** 42:41 it is interesting and and it is also important that we all understand each other and are willing to tolerate the fact that there are differences in people, and we need to recognize that with whatever we're doing.   42:53 Yeah, I agree.   Speaker 1 ** 42:57 What do you think about so today, we have obviously a really fractured environment and fractured country, and everyone's got their own opinions, and nobody wants to talk about anything, especially politics wise. How do you think that's all affecting comedy and what you get to do and what other people are doing?   Greg Schwem ** 43:18 Well, I think Pete, I think there's, there's multiple answers to that question too. I think, I think it makes people nervous, wondering what the minute a comedian on stage brings up politics, the minute he starts talking about a politician, whether it's our president, whether it's somebody else, you can sense a tension in the room a little bit, and it's, it's, I mean, it's funny. I, one of my best friends in comedy, got to open for another comedian at Carnegie Hall a couple of years ago, and I went to see him, and I'm sitting way up in the top, and he is just crushing it. And then at one point he he brought up, he decided to do an impression of Mitch McConnell, which he does very well. However, the minute he said, Mitch McConnell, I you could just sense this is Carnegie freaking Hall, and after the show, you know, he and I always like to dissect each other's shows. That's what comedians do. And I just said to him, I go. Why did you decide to insert Mitch McConnell in there? And I, and I didn't say it like, you moron, that was stupid, yeah, but I was genuinely curious. And he just goes, well, I just really like doing that bit, and I like doing that voice and so forth, but, and it's not like the show crashed and burned afterwards. No, he did the joke, and then he got out of it, and he went on to other stuff, and it was fine, but I think that people are just so on their guard now, yeah, and, and that's why, you know, you know Jay Leno always said he was an equal opportunity offender. I think you will do better with politics if you really want. Insert politics into your act. I think he would be better making fun of both sides. Yeah, it's true. Yeah. And I think too often comedians now use the the stage as kind of a Bully, bully pulpit, like I have microphone and you don't. I am now going to give you my take on Donald Trump or the Democrats or whatever, and I've always said, talk about anything you want on stage, but just remember, you're at a comedy club. People came to laugh. So is there a joke in here? Yeah, or are you just ranting because you gotta be careful. You have to get this off your chest, and your way is right. It's, it's, you know, I hate to say it, but that's, that's why podcast, no offense, Michael, yours, is not like this. But I think one of the reasons podcasters have gotten so popular is a lot of people, just a lot of podcast hosts see a podcast is a chance to just rant about whatever's on their mind. And it's amazing to me how many podcast hosts that are hosted by comedians have a second guy have a sidekick to basically laugh and agree with whatever that person says. I think Joe Rogan is a classic example, and he's one of the most popular ones. But, and I don't quite understand that, because you know, if you're a comedian, you you made the choice to work solo, right? So why do you need somebody else with you?   Speaker 1 ** 46:33 I'm I'm fairly close to Leno. My remark is a little bit different. I'm not so much an equal opportunity offender as I am an equal opportunity abuser. I'll pick on both sides if politics comes into it at all, and it's and it's fun, and I remember when George W Bush was leaving the White House, Letterman said, Now we're not going to have anybody to joke about anymore. And everyone loved it. But still, I recognize that in the world today, people don't want to hear anything else. Don't confuse me with the facts or any of that, and it's so unfortunate, but it is the way it is, and so it's wiser to stay away from a lot of that, unless you can really break through the barrier,   Greg Schwem ** 47:21 I think so. And I also think that people, one thing you have to remember, I think, is when people come to a comedy show, they are coming to be entertained. Yeah, they are coming to kind of escape from the gloom and doom that unfortunately permeates our world right now. You know? I mean, I've always said that if you, if you walked up to a comedy club on a Saturday night, and let's say there were 50 people waiting outside, waiting to get in, and you asked all 50 of them, what do you hope happens tonight? Or or, Why are you here? All right, I think from all 50 you would get I would just like to laugh, yeah, I don't think one of them is going to say, you know, I really hope that my opinions on what's happening in the Middle East get challenged right now, but he's a comedian. No one is going to say that. No, no. It's like, I hope I get into it with the comedian on stage, because he thinks this way about a woman's right to choose, and I think the other way. And I really, really hope that he and I will get into an argument about to the middle of the   Speaker 1 ** 48:37 show. Yeah, yeah. That's not why people come?   Greg Schwem ** 48:40 No, it's not. And I, unfortunately, I think again, I think that there's a lot of comedians that don't understand that. Yeah, again, talk about whatever you want on stage, but just remember that your your surroundings, you if you build yourself as a comedian,   48:56 make it funny. Yeah, be funny.   Speaker 1 ** 49:00 Well, and nowadays, especially for for you, for me and so on, we're we're growing older and and I think you point out audiences are getting younger. How do you deal with that?   Greg Schwem ** 49:12 Well, what I try to do is I a couple of things. I try to talk as much as I can about topics that are relevant to a younger generation. Ai being one, I, one of the things I do in my my show is I say, oh, you know, I I really wasn't sure how to start off. And when you're confused these days, you you turn to answer your questions. You turn to chat GPT, and I've actually written, you know, said to chat GPT, you know, I'm doing a show tonight for a group of construction workers who work in the Midwest. It's a $350 million company, and it says, try to be very specific. Give me a funny opening line. And of course, chat GPT always comes up with some. Something kind of stupid, which I then relate to the audience, and they love that, you know, they love that concept. So I think there's, obviously, there's a lot of material that you can do on generational differences, but I, I will say I am very, very aware that my audience is, for the most part, younger than me now, unless I want to spend the rest of my career doing you know, over 55 communities, not that they're not great laughers, but I also think there's a real challenge in being older than your audience and still being able to make them laugh. But I think you have to remember, like you said, there's there's people now that don't remember 911 that have no concept of it, yeah, so don't be doing references from, say, the 1980s or the early 1990s and then come off stage and go, Man, nobody that didn't hit at all. No one, no one. They're stupid. They don't get it. Well, no, they, they, it sounds they don't get it. It's just that they weren't around. They weren't around, right? So that's on you.   Speaker 1 ** 51:01 One of the things that you know people ask me is if I will do virtual events, and I'll do virtual events, but I also tell people, the reason I prefer to do in person events is that I can sense what the audience is doing, how they're reacting and what they feel. If I'm in a room speaking to people, and I don't have that same sense if I'm doing something virtually, agreed same way. Now for me, at the same time, I've been doing this now for 23 years, so I have a pretty good idea in general, how to interact with an audience, to draw them in, even in a virtual environment, but I still tend to be a little bit more careful about it, and it's just kind of the way it is, you know, and you and you learn to deal with it well for you, have you ever had writer's block, and how did you deal with it?   Greg Schwem ** 51:57 Yes, I have had writer's block. I don't I can't think of a single comedian who's never had writer's block, and if they say they haven't, I think they're lying when I have writer's block, the best way for me to deal with this and just so you know, I'm not the kind of comedian that can go that can sit down and write jokes. I can write stories. I've written three books, but I can't sit down and just be funny for an hour all by myself. I need interaction. I need communication. And I think when I have writer's block, I tend to go out and try and meet strangers and can engage them in conversation and find out what's going on with them. I mean, you mentioned about dealing with the younger audience. I am a big believer right now in talking to people who are half my age. I like doing that in social settings, because I just, I'm curious. I'm curious as to how they think. I'm curious as to, you know, how they spend money, how they save money, how what their hopes and dreams are for the future, what that kind of thing, and that's the kind of stuff that then I'll take back and try and write material about. And I think that, I think it's fun for me, and it's really fun to meet somebody who I'll give you a great example just last night. Last night, I was I there's a there's a bar that I have that's about 10 a stone's throw from my condo, and I love to stop in there and and every now and then, sometimes I'll sit there and I won't meet anybody, and sometimes different. So there was a guy, I'd say he's probably in his early 30s, sitting too over, and he was reading, which I find intriguing, that people come to a bar and read, yeah, people do it, I mean. And I just said to him, I go, and he was getting ready to pay his bill, and I just said, if you don't mind me asking, What are you reading? And he's like, Oh, it's by Ezra Klein. And I go, you know, I've listened to Ezra Klein before. And he goes, Yeah, you know? He says, I'm a big fan. And debt to debt to dad. Next thing, you know, we're just, we're just riffing back and forth. And I ended up staying. He put it this way, Michael, it took him a very long time to pay his bill because we had a conversation, and it was just such a pleasure to to people like that, and I think that, and it's a hard thing. It's a hard thing for me to do, because I think people are on their guard, a little bit like, why is this guy who's twice my age talking to me at a bar? That's that seems a little weird. And I would get that. I can see that. But as I mentioned in my latest book, I don't mean because I don't a whole chapter to this, and I I say in the book, I don't mean you any harm. I'm not trying to hit on you, or I'm not creepy old guy at the bar. I am genuinely interested in your story. And. In your life, and and I just, I want to be the least interesting guy in the room, and that's kind of how I go about my writing, too. Is just you, you drive the story. And even though I'm the comedian, I'll just fill in the gaps and make them funny.   Speaker 1 ** 55:15 Well, I know that I have often been invited to speak at places, and I wondered, What am I going to say to this particular audience? How am I going to deal with them? They're they're different than what I'm used to. What I found, I guess you could call that writer's block, but what I found is, if I can go early and interact with them, even if I'm the very first speaker, if I can interact with them beforehand, or if there are other people speaking before me, invariably, I will hear things that will allow me to be able to move on and give a relevant presentation specifically to that group, which is what it's really all about. And so I'm with you, and I appreciate it, and it's good to get to the point where you don't worry about the block, but rather you look at ways to move forward and interact with people and make it fun, right,   Greg Schwem ** 56:13 right? And I do think people, I think COVID, took that away from us a little bit, yeah, obviously, but I but, and I do think people missed that. I think that people, once you get them talking, are more inclined to not think that you're you have ulterior motives. I think people do enjoy putting their phones down a little bit, but it's, it's kind of a two way street when I, when I do meet people, if it's if it's only me asking the questions, eventually I'm going to get tired of that. Yeah, I think there's a, there has to be a reciprocity thing a little bit. And one thing I find is, is with the Gen Z's and maybe millennials. They're not, they're not as good at that as I think they could be. They're more they're they're happy to talk about themselves, but they're not really good at saying so what do you do for a living? Or what you know, tell me about you. And I mean, that's how you learn about other people. Yeah,   Speaker 1 ** 57:19 tell me about your your latest book, Turning gut punches into punchlines. That's a interesting title, yeah, well, the more   Greg Schwem ** 57:26 interesting is the subtitle. So it's turning gut punches into punch punch lines, A Comedian's journey through cancer, divorce and other hilarious stuff.   Speaker 1 ** 57:35 No, like you haven't done anything in the world. Okay, right? So   Greg Schwem ** 57:38 other than that, how was the play, Mrs. Lincoln. Yeah, exactly. See, now you get that reference. I don't know if I could use that on stage, but anyway, depend on your audience. But yeah, they're like, What's he talking   Speaker 1 ** 57:50 who's Lincoln? And I've been to Ford theater too, so that's okay, yes, as have I. So it was much later than, than, well, than Lincoln, but that's okay.   Greg Schwem ** 57:58 You're not that old, right? No. Well, okay, so as the title, as the title implies, I did have sort of a double, double gut punch, it just in the last two years. So I, I got divorced late in life, after 29 years of marriage. And while that was going on, I got a colon cancer diagnosis and and at this end, I was dealing with all this while also continuing work as a humor speaker, okay, as a comedian. And I just decided I got it. First of all, I got a very clean bill of health. I'm cancer free. I am finally divorced so and I, I started to think, I wonder if there's some humor in this. I I would, I would, you know, Michael, I've been on stage for like, 25 years telling people that, you know, you can find something funny to laugh at. You can find humor in any situation. It's kind of like what you're talking about all the people going down the stairs in the building in the world trade center. All right, if you look around enough, you know, maybe there's something funny, and I've been preaching that, but I never really had to live that until now. And I thought, you know, maybe there's something here. Maybe I can this is my chance now to embrace new experiences. It was kind of when I got divorced, when you've been married half your life and all of a sudden you get divorced, everything's new to you, yeah, you're, you're, you're living alone, you you're doing things that your spouse did, oh, so many years. And you're having to do those, and you're having to make new friends, yeah, and all of that, I think, is very humorous. So the more I saw a book in there that I started writing before the cancer diagnosis, and I thought was there enough here? Just like, okay, a guy at 60 years old gets divorced now what's going to happen to him? The diagnosis? Kind. Made it just added another wrinkle to the book, because now I have to deal with this, and I have to find another subject to to make light of a little bit. So the book is not a memoir, you know, I don't start it off. And, you know, when I was seven, you know, I played, you know, I was, I went to this school night. It's not that. It's more just about reinvention and just seeing that you can be happy later in life, even though you have to kind of rewrite your your story a little   Speaker 1 ** 1:00:33 bit. And I would assume, and I would assume, you bring some of that into your ACT every so   Greg Schwem ** 1:00:38 very much. So yeah, I created a whole new speech called Turning gut punches into punchlines. And I some of the stuff that I, that I did, but, you know, there's a chapter in the book about, I about gig work, actually three chapters I, you know, I went to work for Amazon during the Christmas holiday rush, just scanning packages. I wanted to see what that was like. I drove for Uber I which I did for a while. And to tell you the truth, I miss it. I ended up selling my car, but I miss it because of the what we just talked about. It was a great way to communicate with people. It was a great way to talk to people, find out about them, be the least interesting person in the car, anyway. And there's a chapter about dating and online dating, which I had not had to do in 30 years. There's a lot of humor in that. I went to therapy. I'd never gone to therapy before. I wrote a chapter about that. So I think people really respond to this book, because they I think they see a lot of themselves in it. You know, lots of people have been divorced. There's lots of cancer survivors out there, and there's lots of people who just suddenly have hit a speed bump in their life, and they're not really sure how to deal with it, right? And my way, this book is just about deal with it through laughter. And I'm the perfect example.   Speaker 1 ** 1:01:56 I hear you, Oh, I I know, and I've been through the same sort of thing as you not a divorce, but my wife and I were married for 40 years, and she passed away in November of 2022 after 40 years of marriage. And as I tell people, as I tell people, I got to be really careful, because she's monitoring me from somewhere, and if I misbehave, I'm going to hear about it, so I got to be a good kid, and I don't even chase the women so. But I also point out that none of them have been chasing me either, so I guess I just do what we got to do. But the reality is, I think there are always ways to find some sort of a connection with other people, and then, of course, that's what what you do. It's all about creating a connection, creating a relationship, even if it's only for a couple of hours or an hour or 45 minutes, but, but you do it, which is what it's all about?   Greg Schwem ** 1:02:49 Yeah, exactly. And I think the funniest stuff is real life experience. Oh, absolutely, you know. And if people can see themselves in in what I've written, then I've done my job as a writer.   Speaker 1 ** 1:03:03 So do you have any plans to retire?   Greg Schwem ** 1:03:06 Never. I mean, good for you retire from what   1:03:09 I know right, making fun of people   Greg Schwem ** 1:03:12 and making them laugh. I mean, I don't know what I would do with myself, and even if I there's always going to be I don't care how technology, technologically advanced our society gets. People will always want and need to laugh. Yeah, they're always going to want to do that. And if they're want, if they're wanting to do that, then I will find, I will find a way to get to them. And that's why I, as I said, That's why, like working on cruise ships has become, like a new, sort of a new avenue for me to make people laugh. And so, yeah, I don't I there's, there's no way. I don't know what else I would do with   Speaker 1 ** 1:03:53 myself, well and from my perspective, as long as I can inspire people, yes, I can make people think a little bit and feel better about themselves. I'm going to do it right. And, and, and I do. And I wrote a book during COVID that was published last August called Live like a guide dog. And it's all about helping people learn to control fear. And I use lessons I learned from eight guide dogs and my wife service dog to do that. My wife was in a wheelchair her whole life. Great marriage. She read, I pushed worked out well, but, but the but the but the bottom line is that dogs can teach us so many lessons, and there's so much that we can learn from them. So I'm grateful that I had the opportunity to create this book and and get it out there. And I think that again, as long as I can continue to inspire people, I'm going to do it. Because   Greg Schwem ** 1:04:47 why wouldn't you? Why wouldn't I exactly right? Yeah, yeah. So,   Speaker 1 ** 1:04:51 I mean, I think if I, if I stopped, I think my wife would beat up on me, so I gotta be nice exactly. She's monitoring from somewhere

"What was that, Spike? Visitors? Oh Wow, I wonder if any of them want to go hug a Deathclaw!"But seriously, welcome to Top of the World all you wanna-be Raiders & Goons! I'm Rose, the local RaiderBot extraordinaire! It seems like your normal host, that Stuffed Shirt calling himself the Operative appears to have departed this mortal coil or some such nonsense.From here, y'all have a fantastic view of all the chaos that Appalachia has to offer. While the Whitespring might be a smoking crater, I hear tell that the old missile silos are ready to pop and that tough old Colonel is making one last throw of the dice to do something about it.Doesn't matter to me…I'm a bot and all, but hey, if you want to root for her, go right ahead!Vault Town is getting stomped and everyone is running for the Ohio…and old Trader Red and her pet Deathclaw are gonna try to convince the Cult of the Mothman to let them go.Good luck with that!Anyway, Appalachia is coming apart at the seams and I am so here for it! So, sit back, join me for a dose or two of Psycho, and we'll watch the fireworks together!

TPCCafe Radio Presents Classic Westerns, Have Gun Will Travel: The Colonel And The Lady

This week on The Home Defense Show Skip speaks with war-hero Colonel Denny Gillem all about his retirement from Frontlines of Freedom Radio as well as the launching of his new podcast Americas Frontlines. And then we speak with self-defense instructor Ryan Coe from North Carolina about how to foil child abductions.

BEST SHOW BESTS! In this classic episode, Tom introduces “The Patriot Zone”, extreme conservative talk hosted by Colonel Thomas Sharp, replete with spaghetti Western-esque theme music. A caller (Sam Seder) confuses The Patriot Zone for The New England Patriots Zone and wants to talk about football trades. Steve Bouchon of the Oxygen Network (Sam Seder) loves The Patriot Zone. Calls from Price Whittaker and Travis from Mobile, Alabama (Andrew Earles). New to the Best Show? Check out Best Show Bests, the greatest hits of The Best Show! Available every Friday on your podcast app. SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show HEARD IT ON THE BEST SHOW PLAYLIST https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoices

It's This Week in Bourbon for July 4th 2025. Dark Arts Whiskey House has opened doors to their new brand home, Jackie Zykan is stepping away from Hidden Barn Bourbon, and Chattanooga Whiskey has two new experimental liqueurs.Show Notes: John Little is stepping away from Smooth Ambler to launch a spirits consulting and barrel brokering venture. Dark Arts Whiskey House is set to open its immersive brand home in Lexington on June 28, 2025. Jeff Hopmayer of Brindiamo Group has invested in Four Branches Bourbon. Constellation Brands, Brown-Forman, and Diageo are currently facing lawsuits regarding alleged misleading financial statements and product claims. J. Mattingly 1845's ownership is transferring to Gold Corn & Co., with Cameron Mattingly remaining in his production role. Jefferson's Bourbon partnered with Brooklyn Peltz Beckham's Cloud23 hot sauce to create the "Brooklyn23" rye cocktail, offering home kits. Michael Nanula is the new CEO of Three Chord Bourbon. Give 270 is launching the "Whiskey Wednesdays Round 16 - Colonel & Cash" raffle series from July 2 to Sept. 17. Jackie Zykan has departed Hidden Barn Bourbon, with Neeley Family Distillery continuing its production. The New York State Legislature passed a bill allowing restaurants and bars to purchase limited liquor inventory directly from stores.Matthew Lillard's Find Familiar Spirits is partnering with Manifest Distilling to launch Expansion Pack, a new service for craft spirits brands. Barrell Craft Spirits released Barrell Bourbon Batch 037, a new blended bourbon at 111.38 proof. Chattanooga Whiskey unveiled "Batch alpha": Intergalactic Comet Crusher, a bourbon liqueur, and Experimental Single Batch 044: Bourbon Barreled Limecello. Kentucky Owl is releasing Batch #13 Bourbon, the final blend by John Rhea, at 56.8% ABV. Heaven Hill is launching the Second Edition of its Grain to Glass Kentucky Straight Rye Whiskey, a barrel-proof, non-chill filtered release. Michter's Distillery will release its 2025 Shenk's Homestead Kentucky Sour Mash and Bomberger's Declaration Kentucky Straight Bourbon this July. Support this podcast on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

July 2, 2025 COL. JOHN EIDSMOE,Senior Counsel & Resident Scholar@ Foundation For Moral Law, retiredAir Force Lt. Colonel & Judge Advocate& retired Mississippi State Guard Colo-nel & Chaplain, Professor of Constitu-tional Law @ the Oakbrook College ofLaw & Government Policy, a Professorof Christian Apologetics for the Instituteof Lutheran Theology & Chafer Theolo-gical Seminary, ordained pastor […]

Everyone is thinking about war and service. Here's a conversation with someone who has known many battlefields and paid dearly for his commitment to defend and protect. Retired Colonel Greg Gadson was a kid who dreamed of playing football and who ended up with Super Bowl rings after all. You can watch this episode at any time on PBS. Special thanks to AmeriHealth Caritas. (Please note: this episode was recorded in 2023 and originally aired 10/31/23) Retired Colonel Gadson's book is Finding Waypoints: A Warrior's Journey Toward Peace and Purpose. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Remembering our flag hero as we celebrate America.

Colonel Richard Kemp, former leader of British forces in Afghanistan, calls in to discuss the impact of U.S. and Israeli actions on Iran's nuclear program. Kemp emphasizes that significant damage has been done to Iran's capabilities, attributing this to President Trump's and Prime Minister Netanyahu's efforts. Kemp then touches on the potential for Iran to rebuild its program, contingent on future U.S. leadership strength. The Colonel also highlights the oppressive nature of the Iranian regime and suggests that internal opposition is the best solution for regime change. Learn more about your ad choices. Visit megaphone.fm/adchoices

   President Trump is beside himself after Israel breaks the cease fire agreed to on Monday... so much so that he busted out the F word.  He's really hot... we have the latest.    While they won't say which pilots flew the B-2 bombers from Whiteman, we have a pretty educated guess as one Lt. Colonel holds the record for most hours in the cockpit.  Me and Jess have known a family member of his for years and we'll just call him KC's finest and  the B-2's Top Gun.    The Supreme Court backs Trump on deportation but a lower court judge is threatening to ignore the court.  This can't end well.    It's crunch time for the Royals and Chiefs regarding funding for where they play.  Patrick Mahomes has one very interesting salary cap statistic, the NBA Final game hits a 6 year record high an ESPN announcer that had nothing to apologize for, apologizes.  Unreal.