Podcasts about academy of motion picture arts

A few months ago, I interviewed David Leonhardt, author of Ours Was the Shining Future, about the death of the American dream which, he argued, can be dated from on 5 June 1968 when Bobby Kennedy was assassinated. And it's on that infamous date that I begun my conversation with Jonathan Taplin about the rebirth of the American dream. According to the Los Angeles based Taplin, who is now working on a book about an upcoming renaissance of American culture, the vehicle for a revitalized United States will come from a Sixties style explosion of cultural vitality. Bright new music, film and books will create a bright new America, Taplin predicts. I hope he's right.Jonathan Taplin is a writer, film producer and scholar. He is the Director Emeritus of the Annenberg Innovation Lab at the University of Southern California and was a Professor at the USC Annenberg School from 2003-2016 in the field of international communication management and digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese's first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. In 1984 Taplin acted as the investment advisor to the Bass Brothers in their successful attempt to save Walt Disney Studios from a corporate raid. This experience brought him to Merrill Lynch, where he served as vice president of media mergers and acquisitions. In this role, he helped re-engineer the media landscape on transactions such as the leveraged buyout of Viacom. Taplin was a founder of Intertainer and has served as its Chairman and CEO since June 1996. Intertainer was the pioneer video-on-demand company for both cable and broadband Internet markets. Taplin holds two patents for video on demand technologies. Professor Taplin has provided consulting services on Broadband technology to the President of Portugal and the Parliament of the Spanish state of Catalonia and the Government of Singapore. Mr. Taplin graduated from Princeton University. He is a member of the Academy Of Motion Picture Arts and Sciences and sits on the Author's Guild Council and the Board of the American Music Association. Mr. Taplin was appointed to the California Broadband Task Force and the City of Los Angles Technology and Innovation Council. He was named one of the 50 most social media savvy professors in America by Online College and one of the 100 American Digerati by Deloitte's Edge Institute.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

So what's exceptional about America? According to the writer, film producer and scholar Jonathan Taplin, American exceptionalism lies its uniquely global cultural influence. For Taplin - the tour manager for Bob Dylan & producer of Martin Scorcese's masterpiece Mean Streets - this reflects what he calls America's right-brain power which dominated the world in the second half of the 20th century. Today, however, he says, left-brained tech magnates like Peter Thiel and Elon Musk are all powerful and, as a consequence, are triggering an existential crisis of creativity in America. In this age of the algorithm, Taplin worries, the US will be just another unimaginative player in the global race to control the digital economy. Jonathan Taplin is a writer, film producer and scholar. He is the Director Emeritus of the Annenberg Innovation Lab at the University of Southern California and was a Professor at the USC Annenberg School from 2003-2016 in the field of international communication management and digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese's first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. In 1984 Taplin acted as the investment advisor to the Bass Brothers in their successful attempt to save Walt Disney Studios from a corporate raid. This experience brought him to Merrill Lynch, where he served as vice president of media mergers and acquisitions. In this role, he helped re-engineer the media landscape on transactions such as the leveraged buyout of Viacom. Taplin was a founder of Intertainer and has served as its Chairman and CEO since June 1996. Intertainer was the pioneer video-on-demand company for both cable and broadband Internet markets. Taplin holds two patents for video on demand technologies. Professor Taplin has provided consulting services on Broadband technology to the President of Portugal and the Parliament of the Spanish state of Catalonia and the Government of Singapore. Mr. Taplin graduated from Princeton University. He is a member of the Academy Of Motion Picture Arts and Sciences and sits on the Author's Guild Council and the Board of the American Music Association. Mr. Taplin was appointed to the California Broadband Task Force and the City of Los Angles Technology and Innovation Council. He was named one of the 50 most social media savvy professors in America by Online College and one of the 100 American Digerati by Deloitte's Edge Institute.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Jonathan Taplin is a writer, film producer and scholar. He is the Director Emeritus of the Annenberg Innovation Lab at the University of Southern California and was a Professor at the USC Annenberg School from 2003-2016 in the field of international communication management and digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese's first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. In 1984 Taplin acted as the investment advisor to the Bass Brothers in their successful attempt to save Walt Disney Studios from a corporate raid. This experience brought him to Merrill Lynch, where he served as vice president of media mergers and acquisitions. In this role, he helped re-engineer the media landscape on transactions such as the leveraged buyout of Viacom. Taplin was a founder of Intertainer and has served as its Chairman and CEO since June 1996. Intertainer was the pioneer video-on-demand company for both cable and broadband Internet markets. Taplin holds two patents for video on demand technologies. Professor Taplin has provided consulting services on Broadband technology to the President of Portugal and the Parliament of the Spanish state of Catalonia and the Government of Singapore. Mr. Taplin graduated from Princeton University. He is a member of the Academy Of Motion Picture Arts and Sciences and sits on the Author's Guild Council and the Board of the American Music Association. Mr. Taplin was appointed to the California Broadband Task Force and the City of Los Angles Technology and Innovation Council. He was named one of the 50 most social media savvy professors in America by Online College and one of the 100 American Digerati by Deloitte's Edge Institute. HIS NEW BOOK, THE END OF REALITY: HOW 4 BILLIONAIRES ARE SELLING A FANTASY FUTURE OF THE METAVERSE, MARS AND CRYPTO

EPISODE 1685: In this KEEN ON show, Andrew talks to Jonathan Taplin, author of THE END OF REALITY, on how 4 tech billionaires - Elon Musk, Mark Zuckerberg, Peter Thiel and Marc Andreessen - are selling us a fantasy future of the metaverse, Mars, and crypto Jonathan Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese's first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. In 1984 Taplin acted as the investment advisor to the Bass Brothers in their successful attempt to save Walt Disney Studios from a corporate raid. This experience brought him to Merrill Lynch, where he served as vice president of media mergers and acquisitions. In this role, he helped re-engineer the media landscape on transactions such as the leveraged buyout of Viacom. Taplin was a founder of Intertainer and has served as its Chairman and CEO since June 1996. Intertainer was the pioneer video-on-demand company for both cable and broadband Internet markets. Taplin holds two patents for video on demand technologies. Professor Taplin has provided consulting services on Broadband technology to the President of Portugal and the Parliament of the Spanish state of Catalonia and the Government of Singapore. Mr. Taplin graduated from Princeton University. He is a member of the Academy Of Motion Picture Arts and Sciences and sits on the Author's Guild Council and the Board of the American Music Association. Mr. Taplin was appointed to the California Broadband Task Force and the City of Los Angles Technology and Innovation Council. He was named one of the 50 most social media savvy professors in America by Online College and one of the 100 American Digerati by Deloitte's Edge Institute. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

For Episode 337, I am joined by Alyssa Christian, Josh Parham & Dan Bayer. Today we're discussing the best films from Q1 2023 and the recent changes (both new and possibly forthcoming) from the Academy Of Motion Picture Arts & Sciences. We also review the polls, react to the trailers for "Asteroid City" and "Master Gardener," answer your fan-submitted questions, and more! Thank you all for your continued support. Please take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

I was thrilled when Howard Paar agreed to talk with me about his new novel Top Rankin' (out May 11, 2021 on Rare Bird). Howard has had (and continues to have) an incredible career in the music business. He primarily works as a music supervisor for major motion pictures. Click HERE to learn more about Howard's amazing work in music. Top Rankin' is a ska noir novel. I've never read anything quite like it and I loved it for that. It combines so many things that I have a passion for (noir, ska & punk music, etc.) and does it well! When you read Top Rankin' make sure you play it's accompanying Spotify playlist. Fantastic music that follows the narrative of the book! Thanks for listening! Kyler Bingham @saltlakedirt --- "Howard Paar is an award winning music supervisor who was born and raised in London before continuing his career in Los Angeles. He has won Guild Of Music Supervisors Awards in 2016, 2017, 2018 & 2020 respectively for Diary Of A Teenage Girl, 20th Century Women, Before I Fall and Native Son. He is a proud member of the Academy Of Motion Picture Arts & Sciences Class of 2017." (HowardPaar.com)

Jonathan Taplin is Director Emeritus of the Annenberg Innovation Lab at the University of Southern California. He was a Professor at the USC Annenberg School from 2003-2016. Taplin's areas of specialization are in international communication management and the field of digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese's first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. In 1984 Taplin acted as the investment advisor to the Bass Brothers in their successful attempt to save Walt Disney Studios from a corporate raid. This experience brought him to Merrill Lynch, where he served as vice president of media mergers and acquisitions. In this role, he helped re-engineer the media landscape on transactions such as the leveraged buyout of Viacom. Taplin was a founder of Intertainer and has served as its Chairman and CEO since June 1996. Intertainer was the pioneer video-on-demand company for both cable and broadband Internet markets. Taplin holds two patents for video on demand technologies. Professor Taplin has provided consulting services on Broadband technology to the President of Portugal and the Parliament of the Spanish state of Catalonia and the Government of Singapore. Mr. Taplin graduated from Princeton University. He is a member of the Academy Of Motion Picture Arts and Sciences and sits on the International Advisory Board of the Singapore Media Authority and is a fellow at the Center for Public Diplomacy. Mr. Taplin was appointed by Governor Arnold Schwarzenegger to the California Broadband Task Force in January of 2007. He was named one of the 50 most social media savvy professors in America by Online College and one of the 100 American Digerati by Deloitte’s Edge Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

JULIUS AMEDUME’S film education began with black & white film noirs, comedies and musicals screened on TV each afternoon while he was home schooled due to illnesses as a child. Film became his passion and he made his first short film at the tender age of 16. Years later after graduating with a Bachelor of Science degree (BSC Hons) in communication and technology, his passion which was now a hobby transitioned into a career. His first broadcast credit was on CANAL PLUS in Belgium and France for a short documentary about the Cinefondation award at the 2001 Cannes Film Festival. After founding his production company, AMEDUME FILMS, he wrote and directed three short films (THE MEETING ,THE PHONE CALL and THE VIDEOTAPE) and a low budget feature film shot in two continents. These shorts and the feature attracted a number of nominations and won awards including the Festival Vision Award, Best Feature at The 15th Pan African Film Festival 2007 for his feature film A GOAT’S TAIL. Years later he was awarded a Toledo scholarship to study a Masters in Directing Fiction at the National Film & Television School. During his time there, Julius wrote and directed four short films. MARY AND JOHN was nominated for Best Short at the 2009 Rushes Soho Film Festival and a Golden Lion at the 2010 Taipei county film festival in Taiwan. LORRAINE premiered at the 2009 Edinburgh Film Festival and was nominated for Best Short at the 2010 Rushes Soho Film Festival. MR. GRAHAM premiered at The 14th UrbanWorld Film Festival in New York 2010 and his graduation film PRECIPICE Won Best Short at the 19th Pan African Film Festival 2011 and a African Oscar for Best Diaspora Short at the 2011 African Movie Academy Awards (AMAA) in Nigeria. Julius was then one of 18 students from the British, French and Polish film schools who were selected by the MEDIA DESK UK to help develop his graduation film into a feature film. He was then selected out of 3,000+ applicants for 1 of the 12 places offered by Channel 4 to work with writers to create an original series or serial for television. Julius has since directed episodes of BBC’S long running series called Doctors, helped create content and develop an application with the BBC R&D department called Perceptive Media, an application which changes its narrative based on your personality in real time. His latest feature, Rattlesnakes won the Audience Award for Best Narrative Feature at the 2019 Pan African Film Festival and won an Independent Film Production Spirit Award at the 2019 SCREENNATION film and television Awards in London. It’s lead actor was also nominated for best leading Actor and Julius was also nominated for the Micheal Anyiam Osigwe Award for Best African Director Living Abroad at the 2019 African Movie Academy Awards (AMAA) in Nigeria. Among Julius’s most rewarding work is the mentoring young artists and facilitating workshops in school and community centers. He regularly teaches at the National Film and Television School and has been a judge and panelist at a number of different film festivals. In 2019 Julius was invited to become a member of The Academy Of Motion Picture Arts and Sciences. If you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.com Also, you can check out my documentary The People of Brixton, on Kwelitv here: www.kweli.tv/programs/the-peopl…xton?autoplay=true Damien Swaby Social Media Links: Instagram www.instagram.com/damien_swaby_video_producer/ Twitter twitter.com/DamienSwaby?ref_src…erp%7Ctwgr%5Eauthor Facebook www.facebook.com/Damien-Swaby-213805135363397/

JULIUS AMEDUME'S film education began with black & white film noirs, comedies and musicals screened on TV each afternoon while he was home schooled due to illnesses as a child. Film became his passion and he made his first short film at the tender age of 16.Years later after graduating with a Bachelor of Science degree (BSC Hons) in communication and technology, his passion which was now a hobby transitioned into a career.His first broadcast credit was on CANAL PLUS in Belgium and France for a short documentary about the Cinefondation award at the 2001 Cannes Film Festival. After founding his production company, AMEDUME FILMS, he wrote and directed three short films (THE MEETING ,THE PHONE CALL and THE VIDEOTAPE) and a low budget feature film shot in two continents. These shorts and the feature attracted a number of nominations and won awards including the Festival Vision Award, Best Feature at The 15th Pan African Film Festival 2007 for his feature film A GOAT'S TAIL.Years later he was awarded a Toledo scholarship to study a Masters in Directing Fiction at the National Film & Television School. During his time there, Julius wrote and directed four short films. MARY AND JOHN was nominated for Best Short at the 2009 Rushes Soho Film Festival and a Golden Lion at the 2010 Taipei county film festival in Taiwan. LORRAINE premiered at the 2009 Edinburgh Film Festival and was nominated for Best Short at the 2010 Rushes Soho Film Festival. MR. GRAHAM premiered at The 14th UrbanWorld Film Festival in New York 2010 and his graduation film PRECIPICE Won Best Short at the 19th Pan African Film Festival 2011 and a African Oscar for Best Diaspora Short at the 2011 African Movie Academy Awards (AMAA) in Nigeria.Julius was then one of 18 students from the British, French and Polish film schools who were selected by the MEDIA DESK UK to help develop his graduation film into a feature film. He was then selected out of 3,000+ applicants for 1 of the 12 places offered by Channel 4 to work with writers to create an original series or serial for television. Julius has since directed episodes of BBC'S long running series called Doctors, helped create content and develop an application with the BBC R&D department called Perceptive Media, an application which changes its narrative based on your personality in real time.His latest feature, Rattlesnakes won the Audience Award for Best Narrative Feature at the 2019 Pan African Film Festival and won an Independent Film Production Spirit Award at the 2019 SCREENNATION film and television Awards in London. It's lead actor was also nominated for best leading Actor and Julius was also nominated for the Micheal Anyiam Osigwe Award for Best African Director Living Abroad at the 2019 African Movie Academy Awards (AMAA) in Nigeria.Among Julius's most rewarding work is the mentoring young artists and facilitating workshops in school and community centers. He regularly teaches at the National Film and Television School and has been a judge and panelist at a number of different film festivals.In 2019 Julius was invited to become a member of The Academy Of Motion Picture Arts and Sciences.If you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: www.kweli.tv/programs/the-peopl…xton?autoplay=trueDamien Swaby Social Media Links:Instagram www.instagram.com/damien_swaby_video_producer/Twittertwitter.com/DamienSwaby?ref_src…erp%7Ctwgr%5EauthorFacebookwww.facebook.com/Damien-Swaby-213805135363397/

For Episode 140, Will Mavity, Michael Schwartz, Nicole Ackman, Casey Lee Clark & myself discuss the recently announced rule changes for the Academy Of Motion Picture Arts & Sciences, "Avengers: Endgame," the polls, the trailer for And Lee's latest film "Gemini Man" starring Will Smith, answer your fan questions and more! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Bennet Kelley speaks with the author of Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy, Jonathan Taplin . Taplin is the Director Emeritus of the USC Annenberg Innovation Lab, and a former tour manager for Bob Dylan and The Band, as well as a film producer for Martin Scorsese. An expert in digital media entertainment, Taplin is a member of the Academy Of Motion Picture Arts and Sciences and sits on the California Broadband Taskforce and Los Angeles Mayor Eric Garcetti's Council on Technology and Innovation. 

non-spoiler reviews of "Ted 2" and "Me and Earl and the Dying Girl." Hulu movie recommendation. New members for the Academy Of Motion Picture Arts and Sciences.

Eddie Hamilton, ACE is the editor of Top Gun: Maverick, the last 3 Mission: Impossible films, Kick-Ass 1 & 2, and X-Men: First Class, just to name a few. And in my first interview with Eddie (here's part 2 where he talks about editing Maverick specifically), he and I talk about his early career choices and how he was able to become one of the top feature editors in the world…without ever going to film school.With all the unique stories that come with ‘making it' in Hollywood (or any creative career), it's easy to assume the way someone else became successful could never happen for you. Which is why I'm always trying to boil the process down to simple, actionable steps that anyone can follow to get real results. And those steps include:Choosing the ladder you want to climb (with laser-sharp specificity)Learning, honing, and becoming awesome at your craftMaking sure the right people know you're awesome at your craftIn today's conversation Eddie and I talk about his rise from runner to editor in only six months (working in sports journalism of all places), his journey from editing indie films to becoming an “overnight success,” and the various choices that Eddie made - and more importantly didn't make (i.e. what he strategically said ‘no' to), that helped forge his path to the top. Just a quick note this interview is pulled from deep in the archives way back in the Fitness In Post days, but I promise every single one of Eddie's knowledge bombs are just as relevant today as they were when we originally spoke.Want to Hear More Episodes Like This One?» Click here to subscribe and never miss another episode Here's What You'll Learn:Eddie's background and how his love of film began at seven-years-oldHow to recover from rejectionHis first job in post and how he moved up from a runner to editor in only six months!His big break: working with Matthew VaughnEditing with VHS recordersIs grad school worth the time and money?A day in the life of Eddie HamiltonHis focus on diet and exercise while workingThe sacrifices necessary to succeed in this industryHis process for cutting scenesThe meals and snacks he chooses throughout the day...chocolate includedHow easy it can be to get some exercise into your day -- you don't need to do it all!Good eating habits at workStanding vs. sittingHow what you eat can affect your work for the dayThe differences between working in the US versus other countriesIf you want to succeed more than everyone else, you will succeed!Useful Resources Mentioned:Eddie Hamilton Maverick episodeEp11: Making It In Hollywood as a “Creative” (What They Don't Teach You In Film School) | with Norman HollynHow 'Mission Impossible' Editor Eddie Hamilton Skipped Film School & Worked His Way to Cutting BlockbustersHow To Get Ahead In EditingCutting Mission: ImpossibleContinue to Listen & LearnEp175: Defining Your Own Version of Success & Overcoming the Loneliness of Being a Freelancer | with Michael Bauman I Was Tired of Putting My Kids to Bed via FaceTime Every Night. Here's What I Did About It.Ep113: The Importance of Setting Boundaries, Advocating For Yourself, and Asking For Help | with Janace TashjianHow I burned out as a burnout coach (and then bounced back) Dear Hollywood...We Create Entertainment For a Living. We're Not Curing Cancer.Dear Hollywood: We Don't Want to “Go Back to Normal." Normal Wasn't Working.Ep128: How to Have a Successful Career Without Sacrificing Family | with Farrel LevyEp168: Hollywood On the Record: What's REALLY Happening On Set? | with Shay'La Banks and Nickolaus Brown Ep149: How Modern Society Is Damaging Your Brain (and the Simple Steps to Reverse It) | with Dr. Dave JenkinsEp82: Real Talk About Mental Health and Depression | with Michael KammesEp01: Understanding the Link Between Creativity and Depression with Dr. Edison de MelloGuest Bio: Eddie Hamilton Eddie Hamilton, ACE is currently editing the next chapters in the Mission: Impossible movie series. Before that, Eddie cut Paramount Pictures' Top Gun: Maverick, directed by Joe Kosinski, produced by Jerry Bruckheimer, and Mission: Impossible - Fallout and Mission: Impossible - Rogue Nation for director Christopher McQuarrie. Other credits include Kingsman: The Secret Service, Kingsman: The Golden Circle, X-Men: First Class and Kick-Ass for director Matthew Vaughn. After 23 years in the industry Eddie has cut over 20 feature films (both indies and studio movies) in a wide variety of genres as well as TV dramas, documentaries and award-winning short films. His enthusiasm for big screen storytelling is matched only by his total dedication to the craft of film editing, his nerdy technical expertise and his undisputed love of chocolate. He has given presentations on Avid Media Composer editing at NAB and IBC. Eddie is a member of the Academy Of Motion Picture Arts & Sciences, American Cinema Editors and BAFTA, and was on the feature film panel at EditFest London in 2013 and 2018.Show Credits:This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel.The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).

“It's your duty as a professional working with a director & producer that you tell them when it becomes impossible to do the job on your own.”Eddie Hamilton, ACE is the editor of Top Gun: Maverick, the last 3 Mission: Impossible films, Kick-Ass 1 & 2, and X-Men: First Class, just to name a few. And in my second interview with Eddie (here's part 1 if you haven't listened yet), he and I candidly discuss his experience editing Top Gun: Maverick and what drove him to asking for help before it was too late.The grueling work hours required to produce blockbuster content can literally be deadly if you don't care for yourself properly. When your livelihood depends on your creativity, your mental health is no longer a luxury, it's a job requirement. But many of us have spent so many years (maybe our entire lives), ignoring our self-care needs at the expense of our jobs - no matter the cost - we don't actually know how to care for ourselves when the time comes we have no other choice. Eddie recognized early in his career that he would have to take control of his mental health and set boundaries if he was going to survive working in Hollywood at the highest level, but not even that was enough on this job.In this conversation (which as a crazy aside was actually recorded before the pandemic, and I had to wait to release this interview until the film released!), Eddie honestly shares the immense challenges and responsibilities he bared working on Maverick and he gives an inside look into challenges like managing burnout, summoning the courage to ask for help, and whether or not working at the highest level in the business is worth the sacrifices.Want to Hear More Episodes Like This One?» Click here to subscribe and never miss another episode Here's What You'll Learn:How Eddie got started in editing.Eddie went from being his own assistant for his first ten movies to having 7 AE's for Top Gun: Maverick.What a typical day looks like while Eddie is cutting dailies on Mission Impossible and Top Gun: Maverick.Why Eddie had to ask for help on Top Gun: MaverickThe challenge and responsibility of being an editor on high budget films and how listening to Optimize Yourself reminded him to stay healthy.My story of the pressure I felt on Burn Notice when I had to cut a season opening montage with found footage from past dailies.Eddie's healthy habits of running and watching movies keep him fit and creatively informed to do his job well.Fever dreams of close ups of actors in his head wake him up at 3am.The hours Eddie worked when he went on location with the film.When burnout kicked in and he found himself frozen in front of his laptop unable to cut dailies.The foresight Eddie had to mention he was going to need help to the producers early on.Not only could Eddie not keep up to camera in cutting dailies, he couldn't keep up to watching all the dailies.Eddie values having another editor to bounce ideas off of and get immediate feedback.Does Eddie think the work is worth all the sacrifices he make?Eddie insists his team attends all important events in their lives.Why Eddie took a week off to do a personal development course and what changes it brought about in his life.The importance of asking lifestyle questions in job interviews.Eddie sees an appreciation for mental health growing in the past few years.Finding employers that respect your mental wellbeing is essential and should be prioritized whenever possible.Useful Resources Mentioned:Eddie Hamilton previous episodeHoffman ProcessContinue to Listen & LearnEp175: Defining Your Own Version of Success & Overcoming the Loneliness of Being a Freelancer | with Michael Bauman I Was Tired of Putting My Kids to Bed via FaceTime Every Night. Here's What I Did About It.Ep113: The Importance of Setting Boundaries, Advocating For Yourself, and Asking For Help | with Janace TashjianHow I burned out as a burnout coach (and then bounced back) Dear Hollywood...We Create Entertainment For a Living. We're Not Curing Cancer.Dear Hollywood: We Don't Want to “Go Back to Normal." Normal Wasn't Working.Ep128: How to Have a Successful Career Without Sacrificing Family | with Farrel LevyEp168: Hollywood On the Record: What's REALLY Happening On Set? | with Shay'La Banks and Nickolaus Brown Ep149: How Modern Society Is Damaging Your Brain (and the Simple Steps to Reverse It) | with Dr. Dave JenkinsEp82: Real Talk About Mental Health and Depression | with Michael KammesEp01: Understanding the Link Between Creativity and Depression with Dr. Edison de MelloGuest Bio: Eddie Hamilton Eddie Hamilton, ACE is currently editing the next chapters in the Mission: Impossible movie series. Before that, Eddie cut Paramount Pictures' Top Gun: Maverick, directed by Joe Kosinski, produced by Jerry Bruckheimer, and Mission: Impossible - Fallout and Mission: Impossible - Rogue Nation for director Christopher McQuarrie. Other credits include Kingsman: The Secret Service, Kingsman: The Golden Circle, X-Men: First Class and Kick-Ass for director Matthew Vaughn. After 23 years in the industry Eddie has cut over 20 feature films (both indies and studio movies) in a wide variety of genres as well as TV dramas, documentaries and award-winning short films. His enthusiasm for big screen storytelling is matched only by his total dedication to the craft of film editing, his nerdy technical expertise and his undisputed love of chocolate. He has given presentations on Avid Media Composer editing at NAB and IBC. Eddie is a member of the Academy Of Motion Picture Arts & Sciences, American Cinema Editors and BAFTA, and was on the feature film panel at EditFest London in 2013 and 2018.Show Credits:This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel.The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).