POPULARITY
Categories
Welcome to the Audio Deli! On this Saturday edition of the Fifth Hour Podcast, Ben serves up a 105-year-old Reuben sandwich that helped launch an iconic baseball tradition—all thanks to the mysterious algorithm that somehow decided 40-year-old NBC baseball broadcasts belonged in his life. Along the way, Benny reveals the exclusive tale of his "audition" for Mission: Impossible and the Navy SEALs, as he negotiates a delicate, highly classified late-night operation involving raccoons, skunks, and the cover of darkness. Throw in a little Bibbidi-Bobbidi-Boo, a dash of absurdity, and the kind of original audio content you won't find anywhere else, and you've got another classic ride in the Maller Mobile. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/podcast/the-fifth-hour-with-ben-maller/id1478163837 Engage with the podcast by emailing us at RealFifthHour@gmail.com ... Follow Ben on Twitter @BenMaller and on Instagram @BenMallerOnFOX ... #BenMaller #FSRWeekendsSee omnystudio.com/listener for privacy information.
Episode 216: See Tom Run!Mission Impossible (1996)Welcome to another Not Funny Guys Presents Episode:News: 56:08Library: 1:39:31Main Episode: 1:44:57Next Week: Mission Impossible II (2000)Follow us, like us, comment, share and MORE!!!Questions?Follow us, like us, comment, share and MORE!!!Email us at: NotFunnyGuys.OffTheReels@gmail.comFollow us on Instagram: @not_funny_guys_presents Follow us on Twitter/X: @NotFunnyGuysPodFollow us on BlueSky: @The Not Funny Guys Follow us on TikTok: @nfg.offthereelsFollow us on YouTube: https://www.youtube.com/@NotFunnyGuysPodcastCheck it out!Acast: https://shows.acast.com/not-funny-guy-presents-off-the-reelsFind the episode here: Or on Spotify at: https://open.spotify.com/show/6feiDCgMNynJ8fd6la2zikOr on Apple Pods at: https://podcasts.apple.com/us/podcast/not-funny-guys-presents-off-the-reels/id1677589916Or wherever you get your podcasts.Please follow, like, share, and comment!Not Funny Guys! Hosted on Acast. See acast.com/privacy for more information.
Your mission, should you choose to accept it, is to join us as we celebrate the thirtieth anniversary of Mission: Impossible! Paula from It's a Dean Thing joins Erin to discuss the Ethan Hunt character, some of the film's standout action scenes, the other characters, and our thoughts on the ending. You can follow us on Letterboxd at: https://letterboxd.com/itsafandomthing/Consider supporting us on Patreon: https://www.patreon.com/itsafandomthingpod.For links to our social media, visit our website: https://itsafandomthingpod.com/You can follow Fergie on TikTok: https://www.tiktok.com/@schroederandfergsCover art by Carla Temis.Podcast logo by Erin Amos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia
Hey everyone, this is a Zero episode of an upcoming project David Heath and DB Spitzer are working on. It is an exploration of the sources of Warhammer 40,000, and their sources. Check out this link to buy DB's Books[link] Season 23 bonus episodes 1-25 1 The Imperium of Man Dune, Foundation, Roman Empire in space, religious dystopias Edward Gibbon, imperial decline literature, medieval Christendom, future-history fiction 2 Space Marines Starship Troopers, action-movie super soldiers, power armor, comic-book warriors Heinlein military SF, crusading orders, Spartan myth, warrior monks, fascist hero imagery 3 Astra Militarum / Imperial Guard World War movies, Starship Troopers, British war comics, doomed infantry stories H. G. Wells future-war fiction, Kipling, trench literature, boys' military papers, pulp battlefield fiction 4 Adeptus Mechanicus Metropolis, cyberpunk machine cults, mad scientists, techno-priests Gernsback invention fiction, H. G. Wells, Frankenstein, lost-technology stories, mad-science pulp 5 Adepta Sororitas / Ecclesiarchy Hammer horror, warrior nuns, Joan of Arc cinema, witchfinder movies Gothic novels, martyr stories, saint legends, witch-trial pamphlets, religious melodrama 6 The Inquisition The X-Files, witchfinder films, secret-police thrillers, occult detectives M. R. James-style scholars, Blackwood, Machen, witch-hunter tracts, secret-society fiction 7 Rogue Traders Star Trek, Flash Gordon, space pirates, merchant princes Planetary romance, Edgar Rice Burroughs, Leigh Brackett, C. L. Moore, colonial adventure fiction 8 Adeptus Custodes Golden demigod bodyguards, imperial palace guards, mythic super-soldiers Achilles, Gilgamesh, sacred kingship, Praetorian Guards, immortal companions of god-kings 9 Adeptus Titanicus Pacific Rim, Gundam, giant robot anime, kaiju movies, walking battleships, cathedral mecha Wells' Martian tripods, “The Land Ironclads,” dreadnoughts, siege engines, bronze giants, golems, sacred statues, war-gods 10 The Horus Heresy Star Wars, fallen Jedi, dark lords, civil-war space opera, tragic chosen ones Milton's Paradise Lost, Lucifer's rebellion, Cain and Abel, Arthur and Mordred, Roman civil wars, succession crises 11 Chaos Space Marines Fallen angels, heavy metal villains, corrupted super-soldiers, black knights, rebel legions Milton's Paradise Lost, Moorcock's Chaos, Byronic rebels, cursed champions, Satanic romance, Gothic villains, revenge tragedy 12 Chaos Daemons Hellraiser, Event Horizon, occult horror, possession films, nightmare dimensions Medieval demonology, grimoires, witch-trial literature, Arthur Machen, Algernon Blackwood, occult pulp, weird menace fiction 13 World Eaters / Khorne Conan, gladiator films, berserker metal, chainsaw action horror, grindhouse revenge Robert E. Howard, sword-and-sorcery pulp, berserker sagas, blood cults, Homeric rage, arena spectacle, revenge tragedy 14 Death Guard / Nurgle Zombie plague films, body horror, gross-out comedy, infection horror, fungal rot, swamp monsters Poe's “The Masque of the Red Death,” plague literature, danse macabre, memento mori, corpse folklore, leper saints 15 Thousand Sons / Tzeentch Wizard cults, cursed books, Egyptian sorcerers, cosmic chessmasters, forbidden libraries H. P. Lovecraft, Clark Ashton Smith, E. R. Eddison, mummy fiction, forbidden-book stories, Decadent occultism, Renaissance magic 16 Emperor's Children / Slaanesh Glam rock horror, decadent villains, body modification nightmares, cursed artists, aristocratic monsters Oscar Wilde's The Picture of Dorian Gray, Huysmans, fin-de-siècle decadence, Gothic aristocrats, cursed art, aestheticism 17 Chaos / Imperial Knights Haunted mecha, cursed noble machines, demonic war engines, Gundam, BattleTech, Pacific Rim Gothic castles, cursed armor, haunted inheritance, family-doom melodrama, chivalric romance, sins of the fathers 18 Orks Mad Max, fantasy orcs, biker gangs, football hooligans, British comic violence, slapstick war movies William Hope Hodgson's “The Voice in the Night,” fungus horror, Matango, invasive-species stories, goblins, comic grotesques 19 Tyranids Alien, Aliens, The Thing, bug-war movies, swarm horror, hive minds, biological weapons John W. Campbell's “Who Goes There?”, H. G. Wells' Martians, insect-hive fiction, invasion literature, cosmic naturalism 20 Genestealer Cults Invasion of the Body Snatchers, Alien, cult horror, red-scare paranoia films, sleeper cells Hidden-bloodline stories, secret cult pulp, infiltration fiction, changeling folklore, cuckoo-child fears, apocalyptic sects 21 Necrons The Terminator, killer robots, metal skeletons, space undead, immortal android kings Karel Čapek's R.U.R., robot rebellion, automaton fiction, artificial labor nightmares, mummy pulp, Egyptomania, tomb curses 22 Aeldari / Drukhari Tolkien elves, dying space aristocrats, psychic aliens, dark elves, vampire cities, cruel fairy courts Lord Dunsany, Jack Vance's Dying Earth, fairy otherworlds, decadent elder-race fiction, Atlantis, Gothic aristocrats 23 Night Lords Batman turned inside out, The Crow, slasher films, serial-killer thrillers, torture horror, vigilante movies Conrad's Heart of Darkness, Gothic villains, penny dreadfuls, Jack the Ripper panic, Grand Guignol, Dracula, public punishment 24 T'au Empire / Leagues of Votann Clean anime mecha empire, sleek battlesuits, utopian coalitions, space dwarves, hard-SF miners Utopian SF, technocracy fiction, Cold War futures, missionary empire, company towns, mining-company frontier stories, labor colonies 25 REDACTED Spy thrillers, Mission: Impossible, Tinker Tailor Soldier Spy, The Manchurian Candidate, The Prisoner, The Testament of Dr. Mabuse John Buchan, Joseph Conrad, G. K. Chesterton, Erskine Childers, E. Phillips Oppenheim, Norbert Jacques, invasion-scare fiction, fifth-column paranoia
William Windom was one of Hollywood's most respected and versatile character actors, building an extraordinary career that spanned more than five decades. From memorable appearances on The Twilight Zone, Star Trek, and Mission: Impossible to his beloved role as Dr. Seth Hazlitt on Murder, She Wrote, Windom left an unforgettable mark on television history. In this episode, we explore the life and career of William Windom, tracing his journey from his early years to becoming one of television's most dependable performers. We'll look at his award-winning performances, iconic guest appearances, film roles, and the enduring legacy that continues to delight classic TV fans. Whether you know him from The Twilight Zone, Star Trek, To Kill a Mockingbird, or one of his countless television appearances, there's no denying William Windom's remarkable contribution to entertainment. In this video: William Windom's early life and career His breakthrough television roles His appearances on The Twilight Zone and Star Trek Memorable film performances Murder, She Wrote and his later career His lasting legacy in classic television If you enjoy classic Hollywood, vintage television, horror, science fiction, and legendary character actors, be sure to Like, Subscribe, and Share for more content celebrating the stars who made classic entertainment unforgettable.
Dish is on high alert as we're joined by the ‘food shark'. Fresh off a flight from New York, we're delighted to welcome Simon Pegg. An English actor and comedian, Pegg is loved for his iconic TV and movie roles, be that TV sitcom Spaced, the Mission: Impossible franchise or The Three Flavours Cornetto Trilogy (Shaun Of The Dead, Hot Fuzz, The World's End), in which he stars alongside good pal Nick Frost, who we know as a great onion chopper. Simon joins Nick and Angela to talk about the return of Channel 4's The Undeclared War, which sees him resume his role as Danny Patrick, the Director of Operations at GCHQ. The tense technological thriller, which centres around the threat of cyber attacks and digital sabotage, is available to watch from 21 July. Angela serves Andhra chintakaya chaap, a recipe for a rich and flavoursome lamb chop curry, created by Maunika Gowardhan. This is paired by the Waitrose wine experts with a bottle of Beaujolais Cuvée Des Vignerons Franc. Nicknamed ‘the food shark' by his family, due to his opportunistic approach to dinnertime, Simon is fantastic company. We hear about high-concept dining with Nick Frost, get the final word on eating scones, and Angela learns all about the Tom Cruise cake. We also discover Simon's favourite moment from completing the ‘nerd trifecta'. You can watch full episodes of Dish on YouTube and on Spotify. All recipes from this podcast can be found at waitrose.com/dishrecipes The recipe for Andhra chintakaya chaap was created for Waitrose by Maunika Gowardhan. A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk Dish from Waitrose is made by Cold Glass Productions 00:00 Welcome! 00:41 Let's chat Chef Whites 04:00 A moment for mustard powder! 05:19 Simon Pegg is here! 06:46 Fresh from NYC! 08:30 Simon's food likes 11:15 The perfect way to cook a steak? 13:49 Beware of the food shark! 14:37 Simon's food dislikes 16:25 Simon the barista! 18:49 The great scone debate! 20:23 Nick Frost appreciation 23:30 DJ Pegg! 25:16 Food is served! 27:53 Wine pairing 28:26 The Undeclared War is back! 30:55 The AI era 34:15 Time spent at GCHQ! 35:06 The Nerd Trifecta & the Star Wars set 36:50 Meeting Carrie Fisher & childhood crushes! 40:04 The scale of film productions 44:06 Tom Cruise cakes! 44:59 Fast food quiz 46:20 End of the show question Learn more about your ad choices. Visit megaphone.fm/adchoices
The core ideaIn a world saturated with division, cancel culture, hostility, and information overload, ILLUSION asks a question few are willing to confront: What if the way we form beliefs is the root of our separation? Blending science, archaeology, and philosophy, ILLUSION challenges one of humanity's deepest assumptions: that unity requires sameness. The film explores the idea that beliefs are not absolute truths we discover, but constructs we inherit, absorb, and defend — shaping how we see reality, ourselves, and each other.At its core, ILLUSION reveals a paradox: the more we insist on one singular truth, the more divided we become. What we've been taught as harmony, the need to think alike to coexist, may itself be the illusion. Instead, the film offers a different vision: reality is not built from one perspective, but from many. Like a complex geometric structure, each viewpoint is a necessary angle of a larger whole. True coexistence doesn't come from agreement, but from the ability to hold multiple perspectives at once.More than a documentary, ILLUSION is a mirror — inviting audiences to question whether their beliefs are truly their own, or patterns inherited from the world around them. Because the future of humanity may not depend on becoming one, but on understanding how we are many.Melissa TittlFounder & CEOMy life mission has been dedicated to producing content that helps forward humanity. I have been fascinated by narratives that challenge boundaries and promote critical thinking. This quest led me into a career in production 20 years ago, writing and directing as an investigative journalist. As Head of Content and Development for Gaia, I wrote and developed new story concepts into an expanding, global market. I also wrote and produced TV shows for major networks (Paramount Studios, Netflix, History Channel, Discovery Channel, Travel Channel, among other high-profile networks). Some examples are Ancient Aliens, The Universe, Hangar One and Ancient Civilizations, Chelsea Does on Netflix. I even worked on such films like Star Trek and Mission Impossible.But after over a decade in the entertainment industry, I felt we were producing the same material by asking the wrong questions. FREE SCREENING, July 24, 26, 2026.https://illusion.hathorstudios.com/free-weekend-screeningBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.
Endlich mal wieder eine echte Folge mit echt trockenen Franzbrötchen, echt viel Kaffee und einem echten Double-Feature, das Sebastian, Heiko und Marco von der Hongkong-New-Wave bis ins neblige norditalienische Hinterland führt!Dangerous Encounters of the First Kind / Don't Play with Fire (1980)Regie: Tsui Hark. Ein impulsives Mädchen erpresst drei Schüler, die versehentlich einen Fußgänger überfahren haben, sie bei ihren chaotischen Gewalteskapaden zu unterstützen, bis sich alle Handlungsfäden in einer explodierenden Gewaltspirale vereinen. Ein zynischer Blick auf die sozialen Untiefen Hongkongs 17 Jahre vor der Übergabe an China. Vollgepackt mit filmischen Zitaten, frech ausgeliehener Filmmusik und einer Energie, die beweist, wie hungrig Tsui Hark auf energiegeladenes Kino war.The House with Laughing Windows / La Casa dalle Finestre che Ridono (1976)Regie: Pupi Avati. Ein Restaurator wird in ein abgelegenes Dorf berufen, um ein rätselhaftes Kirchengemälde freizulegen, und stößt dabei auf ein Geheimnis, das das Dorf lieber begraben hätte. Atmosphärisch dicht, gemäldeartig inszeniert und mit einem Schweigen durchzogen, das schwerer wiegt als jede Erklärung.Kurzreviews:Disclosure Day (2025), Mission Impossible – die letzten Teile, Patrick (1978), Bullet in the Head (1990), Forbidden World (1982), No Retreat No Surrender 2 / Karate Tiger 2 (1987), Event Horizon (1997), The Hourglass Sanatorium (1973), Man from the Gutter (1983)Weitere Links zu unseren Websites und Social Mediahttps://linktr.ee/filmkammerEmails könnt ihr uns an filmkammer@buddelfisch.de sendenHört die Filmkammer überall wo es Podcasts gibt!Music: "80s Workout Montage", von CrossGateProductions, lizensiert via Envato
Miało być „Mission: Impossible” z Tomem Cruisem, jest ekologiczna i wizerunkowa katastrofa. Co naprawdę wydarzyło się podczas spuszczania wody z Jeziora Pilchowickiego?W tym odcinku rozmawiamy z Krzysztofem i Tomaszem Czaplickimi, właścicielami agroturystyki „Statek Przystań Pilchowice” i lokalnymi społecznikami. Posłuchaj wstrząsającej relacji o ponad 20 tonach martwych ryb, toksycznych osadach z czasów PRL, które nagle uderzyły w ekosystem rzeki Bóbr, oraz o urzędniczym paraliżu, który na co najmniej dwa lata odciął lokalnych przedsiębiorców od źródła życia. Dlaczego nikt nie słuchał ostrzeżeń mieszkańców? Czy turyści jeszcze kiedyś tu wrócą?
Co naprawdę wydarzyło się na zbiorniku pilchowickim? Czy gwałtowny zrzut wody i tony martwych ryb to efekt urzędniczego błędu, czy jedyny sposób na ocalenie tysięcy ludzi przed kolejną wielką katastrofą?W tym odcinku rozmawiamy z Arturem Zychem, burmistrzem miasta i gminy Wleń. Nasz gość bez owijania w bawełnę komentuje medialną burzę wokół rzeki Bóbr, zdradza kulisy niezależnych badań wody zleconych przez gminę oraz wprost pyta o hierarchię wartości w obliczu zagrożenia powodziowego.Wracamy też do mrocznej przeszłości Dolnego Śląska – usłyszycie o czasach jeleniogórskiej „Celwiskozy”, fenolu parzącym nogi i rzece płynącej wszystkimi kolorami tęczy. Dowiecie się również, jak blisko było, by słynny most nad zaporą wysadził sam Tom Cruise na potrzeby hollywoodzkiego hitu „Mission: Impossible”.Z tego odcinka dowiesz się m.in.:Co jest ważniejsze: ryby czy ludzie? Jak burmistrz odpowiada na najtrudniejszy zarzut ekologów i wędkarzy.Czy woda w kranach mieszkańców jest bezpieczna? Wyniki niezależnych badań fizykochemicznych wody po zrzucie.Kto naprawdę zatruwa Bóbr? Problem oczyszczalni ścieków w bogatych, turystycznych gminach powyżej Wlenia.Dramat nad „kraterem”. Jak gmina i Tauron zamierzają pomóc lokalnym przedsiębiorcom, dla których sezon turystyczny właśnie się skończył.Kulisy Hollywood na Dolnym Śląsku. Dlaczego ostatecznie nie doszło do kręcenia scen do „Mission: Impossible VIII” na pilchowickim moście.Posłuchaj rozmowy o trudnych decyzjach, bezpieczeństwie i ekologii na Dolnym Śląsku!
Gambling Good Guys and Blockbuster Part 3s!Your mission, should you choose to accept it, is join Jeff and Garret for J.J. Abrams' action-packed sequel Mission: Impossible III! Did it save the future of the franchise? This blockbuster entry reset the tone for Ethan Hunt's continuing adventures and celebrates its 20th anniversary this year!This episode is available AD-FREE and extended by 14+ minutes on our Patreon right now! Get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member!Check out our NEW YouTube Channel and subscribe now! Our new series Previously On... is exclusively available over on YouTube to cover your favorite TV shows, and ours!Connect with us on social media and our website!
emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Pom Klementieff, originally episode 521 from 2023-07-12.Original writeup below:An absolute treat of an episode as we meet Pom in full fighting form, ready for a full on packed conversation branching out onto so much of her inspiring career but leaving enough for next time too! Basically - the surface is scratched but the iceberg has much below the surface, to smash a couple of metaophors together. Pom's been involved in a lot of cinema and always delivers huge performances, obviously including Mission: Impossible - Dead Reckoning, but along with the Guardians films, Suicide Squad, Westworld and loads more. Everything including process, hopes and dreams, basketball games with Spike Lee, working with Simon Pegg and Tom Cruise, and SO much more. Seriously - if you don't know Pom yet, get to know. A great one!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.
Skriv til os!Vejret er utilregneligt! og skal nok blive særligt regneligt og så er det altså godt at have noget at henlede sin opmærksomhed på, når man har vundet i UNO og 500 og Ticket to Ride. Film og serier i alle afskygninger er der nok af og i dette afsnit, fortæller vi om de film man måske kunne bruge rigtig mange penge på i biffen, knap så mange på diverse online lejetjenester, næsten ingen med streamingtjenester og så et lille hip hip for Plex, som har en hel masse spændende og gamle film, som ikke nødvendigvis er verdens bedste smag, men til gengæld så kilder de lige i din kult-kirtel. Der er en sidste liste inden en sommerpause med podcasten og så er der en oversigt over nogle af de ting, som udkommer meget snart. God sommer og rigtig god lyttelyst!(00:00:00) Intro(00:13:17) Listen med Mission: Impossible og Mr. Graversen(00:39:04) Hvad vi ellers har set med Fackham Hall til leje, The Death of Robin Hood i biografen, Pillion til leje, X-men '97 sæson 2 på Disney+, House of the Dragon sæson 3 på HBO Max, Nirvanna the Band the Show the Movie og Tammy and the T-rex på Plex(01:20:26) Anbefalinger til kommende udgivelser i biografen, til leje og på streaming(01:36:00) God sommerferieIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd
Alan provides a new Thursday Thought episode. In today's Thursday Thought, Alan shares 3 reasons why being an inventor is little like Mission Impossible. As an inventor, you've chosen an arena where 95 don't profit - and the marketplace is brutal. But success comes from staying in the game and moving forward. Be sure to subscribe to the podcast on Apple Podcasts or wherever you get your podcasts, so you won't miss a single episode. Website: www.alanbeckley.com
A life filled with curiosity can take you further than you ever imagined. I sit down with German journalist, author, entrepreneur and media expert Helmut Stapel to explore how childhood curiosity, world travel, creativity and a willingness to take risks shaped an unstoppable life. From growing up in a village of just 700 people to building an international media company, writing books, producing films and launching a global leadership initiative called The Center, Helmut shares why open-mindedness, passion and persistence matter more than fear. You will hear why he believes every idea deserves a chance, how meaningful relationships create opportunity, and why making the world better begins with each of us. I believe you will enjoy Helmut's thoughtful outlook and practical lessons on creating a life with purpose. Highlights: · 03:05 - Early childhood curiosity becomes the foundation for a lifetime of creativity. · 09:18 - Choosing passion over convention leads to a career that never feels like work. · 17:33 - Building a business with almost nothing proves resourcefulness beats fear. · 25:13 - The vision for The Center offers a new way to bring leaders together. · 43:15 - A humorous book about the pandemic delivers a powerful lesson on questioning information. · 54:31 - Every great achievement begins by protecting an idea instead of doubting it. About the Guest: After completing my training as a media designer, I finished my editorial traineeship at the Nordsee-Zeitung in Bremerhaven/Germany in 1997 and founded successful my media agency, “Stop press & public”, based in Bremerhaven. Through various trainings across all media sectors, I had the opportunity to build up my client base both nationally and internationally. These include contributions for the BBC as well as film work alongside the well-known producer Stratton Leopold (Mission Impossible, Captain America). My journalistic repertoire ranges from short news reports and podcasts to features in words and images. For over ten years, I have been sharing my expertise on the successful construction of narratives, stories and storylines in seminars at colleges and universities worldwide like the University of Cancún in Mexico and German Universities. The range of course content spans storytelling, digital marketing and social media strategies, journalism, photography and PR, as well as scriptwriting for novels and films. All seminars are held in English and German. As author I write fiction, travel, culture, fitness and business book. My works include the novel ‘The Day a Chinese Man Ate a Bat', lighthouse stories, the fitness guide ‘Couch Coach' and the international port book ‘Port City'. In 2024 I started my career as artist with my first internationally recognised concept series WorLds, which was curated for the exhibitions at ArtExpo Paris 2025 and the 24 International Art Fair Venice in 2026. The renowned Magazine FineArtNews published a multi-page feature about my new artistic approach in concept art. In autumn 2026 I will open my first solo exhibition in London with the aim, to let people benefit from the proceeds of my art. As part of the European Group “Speakers Excellence” I give keynote speeches at official events and charity events. With the project THE CENTER I have started together with my wife Daja a worldwide initiative, which will create a new basis of respect and a generation of leaders, with a new understanding of global interconnections in the spirit of a united humanity which takes responsibility for working together rather than against each other. The first events will be held in 2027 in Tuscany/Italy and Switzerland. Ways to connect with Helmut**:** Social Media: http://linkedin.com/in/helmut-stapel-5b3a60b6 https://stoppress.contently.com/ www.facebook.com/helmut.stapel #5000 www.instagram.com/stoppress Homepage: www.stoppress.de Article FineArtsNews: From Journalism to the Canvas of Conceptual Art - FineArtsNews About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson 00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, wherever you happen to be in the world today, I want you to feel welcome at Unstoppable Mindset, that's our podcast name, and I'm your host, Michael Hingson, or if you want, you can call me Mike Hingson. Our guest today is Helmut Steppel, who is a media person, he's an author, he's an artist, he's a lot of different things, he's an entrepreneur, he started his own company. My gosh, I'm jealous, he's done a lot of different things, and I think we're going to have a great conversation over the next hour or so. So, Helmut, I want to welcome you to Unstoppable Mindset. We're glad you're here. Helmut Stapel 01:39 Thank you so much. Thank you so much, dear Mike, and thanks for having me. It's an honor to be here, because as your invitation popped up suddenly, I was a bit surprised about, I think oneself never looks at its own way of living or where we are in the way other people maybe do, and so thank you for having me and your podcast. Michael Hingson 02:02 Well, thank you. I think we'll, we'll have a lot of fun. We have a lot of things to talk about. I appreciate all the information that you sent me, and, and we'll, we got to keep it interesting because it's late where you are. It's after 9o'clock now in the evening over there, so we gotta, gotta make sure it, it stays interesting, so that you don't fall asleep. Helmut Stapel 02:24 Definitely, I try, I try to, I try to. Sorry, in another part of Germany, it's cold outside, it's not dark already, but it's getting to be dark, so it's bad time to say so. But I'm happy to be with you. Michael Hingson 02:39 How cold Helmut Stapel 02:41 is it 14 degrees, something like that. Should, should be more. Everybody's talking about El Nino, and looking at the guy in Mexico, showing pictures of red things. And we have some prognosis regarding summertime coming, some big heat from whatever it is at the moment. I must say it's quite normal and a bit too cold for this year of the time. Michael Hingson 03:05 Well, we'll see what happens. Well, why don't we start? I love to start this way. I ask people to start by telling me a little bit about, in your case, the early helmet growing up, and so on. Let's start with that. Helmut Stapel 03:18 Okay, we can do that question from my side, when does early helmet start, at which age? Because for me, for most fascinating is that for some reason I can remember, at least I can go back to, I think, as when I was one year old. Michael Hingson 03:35 Well, I'll let you start wherever you'd like to start, that certainly is early enough, but you, you tell us what it was like growing up, and all that, and if you remember back to one year old, that's great. Helmut Stapel 03:46 Okay, I grew up in a very, very beautiful landscape, a small village, 700 people living there, called Stuben in Germany, and what I remember is laying as a small child, not be able to walk, and just in a wagon, and staying at the blue sky, the clouds, tree leaves, sometimes people coming big faces. It was my aunt Helga would have figured out later on, and so I remember sounds of bees and hums and roses, the smell of roses. My mother loved roses about all around the houses, and as you see, in this way I grew up in a way where I got used to use all my senses, and I think that was some of the basis for all what followed up, because I started then to have a closer look at my environmental. When I was seven or eight years old in school, I wrote my first text. Later on, I became a journalist, but in this very moment, then I realized, and that, and also the grown-ups, that is maybe some kind of talent because. My first text got a one with a plus, so I think it was eight years old, and so I grew up in a very, very good surrounding. My father was a captain. He took me with his ship to Portugal, to Norway, to Russia in the summer time when we were out of school, so in this way somehow I got in touch with the world very early, very early. I was seven when I went the first time to Portugal, and so I think this was the basis for all what came afterwards till today. You know, I'm 60. Michael Hingson 05:35 What did you think of traveling, and how has that kind of shaped the way you look at life today, Helmut Stapel 05:44 and a lot of ways, and in a positive way, because to say so, I was not aware of how many prejudices I had in my head regarding society, media, whatever it is, since I met the people for real in the countries they were living in, and this is from the USA to Arabian countries to Asia, whatever it is, and suddenly all these influences came to my head regarding the fact, and also then the knowledge that we are all different, we all look different, and we come from different cultures, but at the end, we have all the same needs, and so there's no country where I have ever been to where I felt unsure. There is no country where I didn't met friends, for example, and it was always about being open-minded, and then meeting people who have been open-minded in the same way as I was, and so that's how everything developed. Michael Hingson 06:52 Do you have any countries that you haven't been to that you'd like to go to? Helmut Stapel 06:57 Yes, to turn upside down, where I have been to is from Alaska to Cape Horn, to go to then the Caribbean, the Atlantic, European countries, from Norway to South Africa, then to the Maldives, and go on to the beginning of India to say so. Australia is on my map. I was asked to go there, but then when the war with Ireland and USA popped up, that was so dangerous to go by Dubai by plane to go to Australia. So I will do this next spring, and somehow China is a bit too big for me, I would say, means that I would love to go inside the country to meet people that takes a lot of time, and travel journalism is a lot of people think travel journalism is something where you just stay for six months in the country, or whatever it is, it's different because of money and time, because it's all organized, and that means a big country like China would be great regarding culture, but it's would be a long part in before to have a closer look at where the stories and the people are, so I would be Australia and Japan, I think, and to say so the fastest thing I've ever had to do with Cape Horn, surrounding by zodiac with a dingy seriously, and I made 30,000 kilometers in six days coming from Germany, and I was on three continents and in six or seven different countries, and so this is travel journalism to say, so, Michael Hingson 08:43 wow. Well, I went to New Zealand in 2003 but I never got to Australia. But earlier this year, kind of, my, my wish was granted, and I'll be traveling to Australia later this year. Wow, to speak. It's the first time that I will have been to Australia. I've been to Japan, and I've been to South Korea. I've not been to China either. I think it would be fascinating to go if someday that will happen. I've not been to Germany, I've been to Spain. I'd love to come. Well, all I need are some speaking engagements to get me over there, so you know, if you know anybody who needs a speaker, we're always looking for opportunities to come and speak, but I Helmut Stapel 09:28 can have a closer look for that. Definitely, Michael Hingson 09:30 that would be fun. But anyway, I enjoy traveling. I appreciate that in reality we're all really the same. We may be raised in different cultures, and we think we're a lot more different than I think we really are, and in so many ways, but you, so you went, and you grew up, you went to school, then you went to university, right? Helmut Stapel 09:54 Yes, but in a way that I realized that in that I. Way, and at that time I was about worth 30 years old, because I did my A level at the evening school, while I was working at the same time, and then I figured out that I'm more the practical type of human being, I was not able to sit and to listen to someone and to analyze texts of other people, for I figured out that my brain was, as I was telling you, when I grew up and saw all these things with the sky and the clouds and whatever it was that my brain was meant to produce things by itself, and that it was full of ideas and pictures, and it all had to come out, and so in that way I stopped studying and made a, I was a volunteer, I made an apprenticeship at a newspaper, and became an editor, and so in that way I found my job 30 years ago, which I self employed now for 30 years due, and it's I'm blessed to do that, because since that time I don't work, I have spare time all the time. It's just doing something which I love. Michael Hingson 11:07 Well, and that's kind of important to do, and that that makes it so much more fun when you can do something that you love doing. It doesn't seem like a job anymore. It doesn't seem nearly so difficult to do, because you enjoy it, Helmut Stapel 11:22 definitely, definitely. Also, regarding writing novels, which I started then a few years ago, because sometimes my wife has to hold me back for sitting and writing, because I always love to do that. I do other things as well, but it's something which is really in my mind and my heart. Michael Hingson 11:47 Well, and you mentioned earlier that you and Daddy are getting into a new house. I hope she likes the house. Helmut Stapel 11:54 Definitely, it's our.. it's our.. thank you for asking. It's our dream house, because it's not too big. It's 160 square meters with a cellar and the roof and things like that, and there's enough space, and we have a fireplace, we have a garden, we will have a dog, and so it's like, like a dream came true, because it's a place which is silent, and for me the best thing is that we will have a fireplace in the working room as well, so I love to stay there in winter time, and then suggest to do my work, and she loves that, really, because she also says this is the house she was always looking for, and so we will then have our own home, and this is a dream. Also, Michael Hingson 12:36 do you have any children? Helmut Stapel 12:39 No, personally not. I grew up some children with the women I cared for for 12 or 15 years, but as it is sometimes when the when the young birds have grown up, the mother birds and the grown-up birds are leaving the nest without asking the father bird if he wants to fly with them, and so they flew away, and I stayed a bit concerned, but then I meet Daya, and so I knew where that comes from and what was the sense behind that, because since that time I'm absolutely happy, and I've never been that happy before in my life. Michael Hingson 13:20 Good for you and Daya, that'll, that's great. Well, it's exciting. I have lived in a number of homes. My wife and I got married in 1982 and then she passed away in 2022 And so we, we lived in various places, and we always figured out how to make it work. We had challenges because she was in a wheelchair her whole life, but we, we love to build houses when we could. There were, there were a couple times that we couldn't, but we love to build houses because that way we build accessibility into it, and it doesn't cost to do that. So, Helmut Stapel 13:54 yes, Michael Hingson 13:55 so we, we had a lot of fun with, with that. So, I, I, I can't complain a whole lot. It's worked out pretty well, but I'm glad you guys are getting into a house that'll be pretty exciting. That'll keep you busy, and while you're moving from one house to another, you'll probably find all sorts of treasures that you forgot you even had. Helmut Stapel 14:15 Can can be also some things in some cartoons or in wardrobes or whatever it is, all things I have books of my father as well, instance he was a captain, as I said, and some things are maybe hidden somewhere. Really keen on doing that, for example, as I have a past as a musician as well. When I was 23 I had a record contract with Sony Records, and somehow, regarding private things, this did not come out on the way I wanted it to be. It was for three or four years, but all this musician past is also in some draws line with things or songs. I, I started to compose and. Maybe I start this in our new home next to the fireplace again. There Michael Hingson 15:04 you go. Well, that'll be kind of fun, Helmut Stapel 15:07 definitely. Michael Hingson 15:08 So, when did you found, when did you start your own company? Helmut Stapel 15:12 Ah, that was almost 30 years ago, was in 1997 right? Directly after my apprenticeship as an editor, because I figured out that it's somehow my spirit to be more on my own track. This is also maybe founded because of my father being a captain, because when I was a young boy standing on the bridge, and he asked me if I like to be the captain of the ship, I was seven years old, and I was then asked to guide and to lead this big freight ship to the Biscaya near to Portugal in a stormy day, and I was this feeling of I can go everywhere, I could go everywhere, and so from this moment on, I had the feeling that the chances I create for myself are endless when I give them the chance to appear, and so this is why I decided to become self-employed. Michael Hingson 16:11 Wow, so that, well, it's kind of fun. So, do you, you've decided, though, you don't want to be a captain anymore? Helmut Stapel 16:18 Yes, I've became, I've become a sailor. I had a sailing boat, but I was not about to make this my profession to say so. Right, I'm a seaman as well. I do a lot of cruises, I write about cruises, I work for several magazines. I've just come back from the middle ocean with a nice trip, Explorer One from MSC, it's the Italian shipping company. I visited Sting, the international position, on his vineyard in Tuscany, which was quite an honor. And so there is a lot of connection to being a seafarer. I like cruising, and Michael Hingson 17:00 I've had had fun doing it, and would like to do more of it, even though it's just me now, but I, and I will, I think cruising for me is a great way to take a vacation, because I only have to unpack once, but, but more important than that, you know, unlike being in a timeshare where you, you go and visit places and drive, you know, I'm not going to drive or anything like that. So, I, I like cruising. I think that'll be kind of fun, and I'm looking forward to doing that in the next few years again. But, in the meanwhile, in the meanwhile, as I speak, I get to travel around and meet lots of different people, and that's kind of fun too. Helmut Stapel 17:40 Definitely, I think you're the same as I am regarding that the exchange with people is something which makes oneself feeling alive, because there are so many impulses and things one maybe has never been thinking about, and suddenly some ideas pop up out of this conversation, which is, which is quite great. Michael Hingson 18:06 Well, so tell me about your company that you started 30 years ago. It's been a been going a long time. Tell me about that. Helmut Stapel 18:14 My pleasure, because at it's also about thinking positive about life and not building your own barriers, because at that time I was, I was not a rich man, I'm not today as well, but I had so less money that I was not able to, at that time they were the starting time of computer, I was not able to have an old fax, so I had to ask some friends in the company if I could just creep in the, in the midday break into the office of their chef to send a fax to a company in Munich I wanted to work for, and so it was a bit adventurous, I really had not a lot of money. I found him affirming it in a two room apartment, and the financial department wanted not to give me the tax back, because I said it's not, it's not possible to live in a two room apartment, and in the same way found a firm, and I said, yeah, but I did it, I did it, and so in this way I worked on then working for radio because it did an apprenticeship as well then why I founded my firm and in this way it grew and grew and I did during the time all the work and apprenticeship and all kind of media you can imagine so I can work today for print for radio, I'm doing reportages for online, for TV, and in this way I ended up at the university at the end. Now, after 30 years, again, I think after 20, because since 10 years I work as a teacher as a lecturer at different university on German and English internationally as well. From South America to Japan, because online is a fascinating world where even there are no borderlines, and so I'm really happy that I was able to fulfill this dream, starting as I said, without fear. I always said I just try and never fail, I do it some other way. That's the point. Michael Hingson 20:24 You figure out a way to make it work, Helmut Stapel 20:27 absolutely, with the help of people. For example, that's always important that you meet people which feel some sympathy for you. That's right, just to help you, or they have some contacts. Most important is I think that the passion you feel for your work is readable, is hearable, whatever your media you work for, that people enjoy to follow you. And then the people who just are your employers say, 'Wow, we want to have more of that. So I think this is the point. How it works. So, what's the name of your company? It's Stop Press and Public, and it has a has a history behind that, because the part of Germany where I come from, as you see, my last name is Staple, S T A P E L, and we speak here flat German, which name means that staple is called Stoppel with an O instead of an A, right? And so I took the short form of Stoopel with an S T O P. It's like a stop sign you have in traffic, and so I said, okay, if I have stop, this is cool internationally seen for a marketing point, and I needed some things because I always, in the beginning, also as well thought, and I was sure that I wanted to work internationally, and so I thought that I need something which is short, which is international, and so I said I do it press, and there's something I do which is public, and then it will stop press and public, which is quite great, because I had no idea when I went the first time to the USA. I gave someone my business card. He said, "Whoa, this is the cool agency name, and say, "Why? And he said, "Yeah, regarding that, stop press as a synonym for latest news, stop the printing, stop the Michael Hingson 22:21 presses. Yeah. Helmut Stapel 22:22 Yes, I wasn't aware of that. And so there's really funny, yeah. And this is how that, how that figures out. Michael Hingson 22:30 And what do.. and what does the company do? Helmut Stapel 22:34 I do everything from all topics apart from ice hockey and soccer, because I, to say so, I could write or do some reports about that, but I have, you know, passion for this kind of sports, so I do everything apart from soccer and ice hockey, but also then I'm a photographer as well, so I do reportages all around the world regarding traveling as scientific journalists, as well. I do write for scientific magazines, which gives me a deep insight into topics I had never any idea before, which keeps my brain moving on and moving on, and also connecting different topics, which are maybe normally are not connected, and I do cultural reports as well. I do videos. I work for social media, and I develop social media and marketing companies as well, for big companies all around the wall, for example, the Q, not line England. I did some marketing, and there are others. So, everything which is connected with communication in what way ever is what I do. Michael Hingson 23:54 So, it's a marketing and communications company, which, which keeps you busy. How is it just you, or do you have other people in the company? Helmut Stapel 24:03 No, it's just me, and this is fascinating as well, because after I think 10 years, when I founded the firm, I was at a point from the mass of work, which came from all sides to me, to decide if I stay on my own or if I grew my firm, my company with some clerks regarding Dan becoming bigger, and when I was thinking about that, I had a closer look at my dog, which was a shepherd dog, a German Shepherd dog, and we were close friends, and he was my partner in triathlon, I did 10 years triathlon, and he was my running and my swimming partner as well, and so I looked at him, and at that time, at the day we wanted to go into the forest as we always did, and suddenly I was aware that if I have all this responsibility regarding all the people and getting all the work that they get their money at the. End of the month, and can feed their families, and things like that, that will be such a pressure for me and my small family as well. That I said, now, okay, I don't do that, because I will just lose my freedom, and so I decided to keep it small, and the way that I can normally live, and I'm not a poor man, but I'm not a rich man as well. But I have all the time of the world to organize myself. I can go to for a forest walk whenever I want. I can sleep midday on my couch whenever I want, and that was the point why I'm just on my own. Michael Hingson 25:38 And you can do podcast interviews whenever you want, and podcast conversations whenever you want. Helmut Stapel 25:43 Yes, definitely, Michael Hingson 25:44 that works out pretty well. Well, that's great. So, so what you have a project I think you're working on called The Center. Tell me about that. Helmut Stapel 25:54 Yes, thanks for asking, because this is something which is really on my mind and my heart, because dear Mike, as you asked before, regarding traveling the world, making experiences, meeting people over the years, it came to me and to my mind there are so many things where the world is not going in a direction where it should go just to be a good place for all the people that live on this planet, including all the nature which is on this planet, because without nature we cannot live on this planet, and so I developed the idea, and I'm working on this project, and I think in 2027 we will have the first, the first events is to found a place, which is called the center, because all the structures we were used to for decades, politically, naturally seen society, whatever it is, they are all breaking down, there are no, no, no roots anymore, and people are anxious that everything falls apart, and there's no center anymore, and so the idea was just to create a center where leading people from all kinds of areas, like it's economy, it's philosophy, it's a technical scene, it's astronomy, it's a religious whatever it is, just to take all this knowledge and all these different opinions and to make events for people which are in leading positions to create a feeling of that we are all in a network, because the earth is round, we cannot flee from here. We have to stay here, and we have to work with that. And the point is, when we all take something from the cookie plate and never give back anything on the plate, it will be empty, and if it's empty, no one is a winner, no one is a winner, and so the center is about then giving people the idea when they try to live a life where they give something, and it means not that they should give all their money, which they make to other people, it's about friendliness, it's about health, it's about clean water. It's about giving a warm word, and it's also giving more money as well. If someone's doing a good job, and so making the places where they live a better place, and the way they could do, and in this way giving more space for this message, because people have been treated better, they treat other people better, and it's like you throw a stone in the water, and small waves are coming, and just go. And this is the point. What the center is going to be about. If Speaker 1 28:54 you enjoy Unstoppable Mindset, and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the unstoppable mindset community. Michael Hingson 29:28 Well, and when you throw a pebble into the water, the waves go out to the end, and then they come back, and, and it's a process. It's a process. You're Helmut Stapel 29:37 right, definitely. Michael Hingson 29:38 So, how far along are you with with this? You said in 2027 you think you're going to have the first event, and what, what, what kind of preparations are you making, and how is that going Helmut Stapel 29:50 from the first steps, writing an expose, getting my, and Daya is with me as well, because we like to found this together, just. Putting the first thoughts on paper, writing an expose, getting clear about what should it be about, having the first contacts, meeting people was like creating some kind of magnetic field, because suddenly when we started with that, things came by itself to us, that was fascinating regarding people offering sponsoring the website, for example, I have been to Zurich to an event where I met people I was not aware about, which fit to, for example, than the event character to other people, which one is the former director, the technical director of the NASA, the space agency, there's some kind of neurologist, we would say something, some people who work on brain artificial intelligence, whatever it is, and so I meet a lot of people since then who future researchers, whatever, who will be able, and would love to have events and a speech at the events of the center to be part of creating a horizon for all the people who come there to make sure and clear that in which position we are in the moment we look at earth in the space, because not many people are aware of that, how, how fragile this is, and so with all the knowledge and all the things like philosophy, which, as I said, we will try to implement a feeling of we have an at the people I have to do something, and in this way we are on the way. We have two places where we love to make the events. We came across that in the beginning we would think to concentrate on one place, but then we figured out it's better to have different places, just to have more atmosphere. One is in Switzerland, and the other is in Italy. And we are about to create, then, the program to make sure, as people have to pay for that. This is quite a point. We cannot do it for free, because there are some costs, but to create the program and sending invitations, making advertisements on Instagram, social media, whatever it is, and have a closer look on LinkedIn, how the feedback is, and the point is that without, as I work all my life like that, even if I write a novel or whatever it is, without setting a deadline for something, you will never reach your aim, because you say, yeah, maybe sometime someday. No, we do it in 2027 in summer, and in this way we have some time to move into a new home and our house, and in the same moment, just working with the people who already have said that they want to have a speech there, for example, we also are in touch with Laura Chaplin, which is a niece, you say, so from Charlie Chaplin. She lives in Switzerland. She, she loves to come there too, because she, she's a person who thinks that humor is an important point in life to create some kind of life feeling, and so in that way we are on the way to have then the first event in June or July 2027 and it will be in Switzerland at the Lake of Your Walsh Stetter Zie, near to Lucerne, or in Tuscany near to Lawrence Fierense, Michael Hingson 33:48 that sounds exciting. How large do you think the event will be? Helmut Stapel 33:52 We think about two events in the beginning in a year with maximum of 15 participants, maybe 10, because it will be very intensive, and it's not something to say so, which can be in Germany. We say inflation, inflation, or maybe this is the word in English. It's something that has to grow, as to say so. I have a friend. When I talked to him about that, he said that's too big. You will never, never see and realize how this will work. And I said, no, this is not the idea behind it, because someone has to start the process. All the things which can be big in history of humanity started at one point, and over if it takes centuries, I don't care. Someone has to start it, and if the idea works, it will work inside the people, which carry the idea to other people. And so we start with, I think, two events in a year, and maybe then 10 up to 15 people, max. Simon, Michael Hingson 35:01 well, so 10 to 15 people will be speaking. Is there an audience in addition to that, or it's just going to be an event with those people, and they're going to then take the message elsewhere? Helmut Stapel 35:13 No, the audience will be 10 to 15 people. Got it? Because the idea behind this, that also, because they were thinking about that every every change in society, if you look at human history, started on an unhealthy basis, which means that we're all people who were hungry, they were poor, whatever it is, and they were just fed up with the lives they were living, and said we have to change something, and this always meant war, this meant revolution, whatever it is, and at the end, most of the time, exactly those people became like the people they were talking about before, that they are the vicious people, so we thought about if we want to change something, the best thing is to talk to the people who are able, in their actual, in their current positions, to change something, which is their advantage as well. This is the concept of the center. It doesn't mean that you change when you change your mindset in this way that you lose something. No, it's about the advantage for everyone, and this is the idea behind the center. Michael Hingson 36:23 How did this come to your, to your mind? How do you, how did you create it? What, what caused you to think about doing this? Helmut Stapel 36:32 I have not really an exact idea. It was, it was a, it was a fusion of all the things I was talking about. There was one moment where suddenly all the things I mentioned in the beginning, regarding there's no center, everything is falling apart. I witnessed that, as everyone does on the TV and the radio, on social media, and when this witness, I talk to people, to friends, and also in other countries, and I figured out that this kind of anxiety creeps into the minds and souls of so many people that they got stuck in their lives, and that somehow all this beauty, which is around us, is not seen anymore, and it's just something that it's like the world is going to be getting dark, whatever it is, and we can stop that. And that was the point when that this, when I said someone has to stop that. And then I said, okay, then I'm the one, together with Daya. Michael Hingson 37:39 Well, that'll keep you and I are busy, you know, gives you, gives you something to do, and, and, and I'm sure you'll, you'll create an environment where there'll be a lot of good ideas that will come out of it, which is, of course, what it's all about, right? Helmut Stapel 37:53 Yes, yeah, definitely, because the way we treat each other is the basis for all that, regarding that we both have have an eye on each other, a closer look, that the other one feels good, just asking, do you need something, can I do something, and things like that, and that way we created a process which brings us with the positive energy forward in a very, very exciting and powerful way. Michael Hingson 38:23 Well, and that's, you know, that's always exciting, and it'll be interesting to see where, where this goes, and how the center grows, and how you can use that to influence people. We need to have more of that, I think the whole idea of helping to create and change, well, to change the world and make it a better place, there's always a good thing to do. Helmut Stapel 38:49 Yeah, I think you're definitely right, Mike. Also, then based on the idea that when we start with that in this on the small scale, it doesn't mean that not other people can do the same in other countries, you know. I registered the trademark just to, and the logo, and the and the and the sign, because it makes sense to have something which is steady, and if other people, then, for example, think that they are convinced by this idea, there's, there's nothing which is against the idea, then, that they do is in the country with the same concept as well. So, this is what we hope, that it's for example, I think there's always fascinating friend of mine, he, he's a scientist in mushrooms, and he's so keen on mushrooms, and he's telling about mushroom stories all day long, but the point is, this is the most fascinating living being, because it's under the ground, and it's just no one is seeing how it moves, and it's getting bigger and bigger, and what we eat is just what pops. Up right, and but but it's invisible, and when it comes out, everybody says I had no idea that it's that big, and I think this is the idea about sorry, the center creating a network which grows by itself and has more and more points where the idea pops up, that's the point, Michael Hingson 40:18 yeah, which, which makes sense. Tell me about some of the books that you've written, if you would. Helmut Stapel 40:25 I love to love to, because as I said, when I was eight, I wrote my first essay, which somehow astonished the teacher, and then I wrote my first poems, and short stories was 1312 or 13 years, and then I was aware of the fact that I want to become a writer. What happened was I became a writer in the way that I became a journalist, which took a lot of time, because I'm self-employed, but in the same way I was always keen on writing books, and I wrote several books, I think. Meanwhile, it's seven or eight. The first novel and short story thing, the first novel was 2024 and the short story mixed with with pictures. I'm doing pictures as well. I'm a painter as well, and so this was then 20 years ago, and so this is just the process of developing things. There's a poem book as well, it's called Lemon Land, which is quite interesting with funny poems, and as I'm interested in so many things, there are people asked me to write tourism things about lighthouses, for example. There were people, they asked me to write economic books about how a harbor works. For example, in Germany, we have one of the biggest, or some of the biggest container harbors of the world, the city where I live, Bremerhaven, for example, which is very connected to the USA. We had, I think, 6 million containers a year, and now we are somehow about 3.8 3.6 or whatever it is, and so this is some logistical thing, I wrote a fitness book as well, since I did triathlon 10 years and it was a vegetarian at that time, and so I figured out how that works, and suddenly I started to eat meat again, because then from one day to another it tastes good again for me, and so I wrote a fitness book, as well. It's called The Couch Coach, because I figured out that so many people sitting in front of the TV saying, "Ah, I would like to go to a studio, but it costs so much energy, and I would love to stay in front of my TV. And so I thought to develop a fitness program for people just laying on the couch and making sports, so it works with some, it's not a lot of weight, it's for your food and for your hands, and so within 15 or 20 minutes, you can just exercise your body from the food while you, while you eat pizza and eat Coca Cola. So I also have some diet program in the book, but you're not forced to do this, is this is not this. If you want to become a better man, just have a diet and do sport. No, a lot of people just stop them doing that, because it's exhausting. And so you can decide to change your life, but you can keep on lying on the couch, just having pizza and drinking Coke. It's just about bringing people into the mood of movement, and so I think this is the mixture. Actually, I wrote a travel guide, which maybe can now will come out this year, and it's the first travel guide one has written in this style on this planet. Honestly, there's no book like that. I'm very proud on this, and while I'm looking for someone that publishes it, I already work on my next novel with Willy, a criminal story, which plays on a lighthouse. Daya is very excited hearing the next things I have written, and so these are the writing projects I do work on. Michael Hingson 44:16 So, what's the name of the travel book? Helmut Stapel 44:19 I cannot say this is a secret, it's Michael Hingson 44:23 not out yet. So, yeah, you can't say what's the last book. Oh, go ahead. Helmut Stapel 44:28 The last book is also quite exciting, because it will be published next week on English, and will be available worldwide. It's called The Day a Chinese Ate a Bet, and so, as you can imagine, it's about Corona, and it's the very first book on a journalism basis written in a comedian style, apart from the fact that Corona was not really funny, that that takes all the things which has happened based. Based on a two year research on press releases from US government, the World Health Health Organization, whatever it is, articles, just to make an overview, what happened at what time, and who did say what, because of blaming whom, to bring some light into this chaos in a very funny way, regarding that, the theory and the rumor that Chinese eat beds are just based on one video from an influencer from Thailand who pretended to eat a bed, and so that was an ah, all Chinese eat bats, they produce corona, and so this is why it's called like the day Chinese ate a bad and the main point is the message in this book is not to believe everything people are telling you because they want to influence you and not to ask the question where's the source where's the basis for that and so yeah and it's in one day in Wuhan, a taxi driver who has all the people, there's a billionaire called Phil Bates, you can assume who I mean, and other people who are driving in this taxi one after another, and all this taxi driver gets all the stories and infos, and so he gets more confused and confused and nervous, and so it's a day in Wuhan where it pops up all the people who are connected, maybe with the with the existing of the coronavirus, and they all meet at the end in a final place to say so. And then we have the conclusion, but I won't, I won't spoil that. Oh, you don't want to do Michael Hingson 46:42 that? No, by no means. So, it'll be published in English next week, huh? Helmut Stapel 46:47 Yes, exciting! Wow, Michael Hingson 46:48 that's pretty cool. Helmut Stapel 46:51 I'm really proud on that. Michael Hingson 46:54 Well, so what publisher is publishing it, or how's that working? Helmut Stapel 47:00 I did this by myself. Okay, Helmut Stapel 47:03 yeah, with this book, for example, and have chosen the soil name Arthur Block because it was my grandpa, and I thought Arthur Block is more international than Helmut Staple. It's more, there's more speed behind it. Arthur Block, yay. And as I did my first apprenticeship as graphic designer, I decided, because I'm familiar with books and publishing with the newspaper, I have all the knowledge to publish my book by myself, and I try to, and it's working out good, because I have a lot of five star five five-star ratings on Amazon, and there are some kind of.. we have in Germany, for example, companies like Books on Demand, which then bring this with an ISBN number into all bookshops in the world, and so it was a kind of adventure. I still work on that. Regarding also, thank you for naming this in your podcast, doing some marketing on Google, and things like that. Normal, just have a closer look, how that that works. And so, with the with the travel guide, I'm in touch with Lonely Planet, which is quite known as travel guide, which young people love all around the world, and they are interested, and so looking forward if they really want to. If not, and if no one likes to, I publish it by myself again Michael Hingson 48:35 now. So, will the day the Chinese ate a bat, when that comes out in English form, will that also be available in places like Amazon? Helmut Stapel 48:45 Definitely, I figured out, and this is the exciting part of, at first I had no idea how that works with Amazon and Kindle, and whatever it is, and then I figured out, by it was incidentally, when I created this book at first in German, then I published it on Amazon, and they have an ISBN number as well. And I thought, okay, now I'm in business internationally, and a friend of mine said, okay, I like to buy your book, I go to a bookshop, and he had the title and asked for the book, and they looked into the PC and said there is no book like that, and there is no author like that, and he called me, and I said this is not possible, because I have the ISBN number here from Amazon, and then I figured out that Amazon has an own ISBN number, which doesn't pop up in the international catalogs of bookshops, you need a different ISBN number from the first three numbers, Michael Hingson 49:41 yeah. Helmut Stapel 49:42 Yes, and so I always have to use two channels, it's Amazon with Kindle and things like that, and also the normal book shops who like books on demand, as I said, with the international normal ISBN number. Michael Hingson 49:55 Will there be a an audio version of the book? Helmut Stapel 49:58 Yes, I work. That since I'm a radio moderator as well, and we have a studio at home, and we will have a really pretty studio, and on your house, I love it. I will produce the books as audio versions as well. Michael Hingson 50:13 Well, that'll be exciting. You'll have to let us know when, when the audio version, especially, comes, comes out. That'll be, Helmut Stapel 50:20 I will, Michael Hingson 50:20 that'll be easier for me to read. I mean, I can buy a print book, and I can use optical character recognition to read it, but I'm lazy. I'd rather have an audio version, and I know other people would too. So, that'll be, that'll be exciting when it, when it does come out. Helmut Stapel 50:34 I'll let you know, it's more personally somehow, if you just see the voice of than the author just reading something. Michael Hingson 50:40 Yeah, well, whether it's you reading it or someone, it'll still be good to have an audio version. Now, you have also made a movie. Tell me about the movie. Helmut Stapel 50:49 Yes, I work on that. It's not in the cinema, it's the process I'm still working on, and I'm really proud on that too. Yeah, because it's also, yeah. yeah, realizing what chance you can take to do whatever it is, and as I said, the borderlines you have are the borderlines you put by yourself, and when I figured out that I was going to go to Savannah, USA, and had the chance to have an interview with Stratton Leopold, who is the very, very well-known producer in the USA. He made movies like Mission Impossible, Star Trek. He was involved in Captain America, and things like that. I thought, when I have so many ideas in my head, I just can write two pages down and just ask him if he thinks it's a good story, and so when we had this interview, we're sitting on our own in an old cinema in Savannah, next to the ice shop he's running, he has taken that from his father, Leopold's ice cream, it's really cool because you have all the things from his movies into the ice shop, all the things from Mission Impossible, and this is really cool. And so I was asking him if you could maybe have a closer look at this two page, no, I think it was four pages, and what he thinks about the story, and he said, yeah, for sure, and was quite great a moment in my life, because in the interview he before mentioned how many people give him short things, manuscripts or text, and hope that he's doing something with that, and there, and he said there's so many things he's sorry to say that, but they are not good, and then he was reading my text, and at the end he was looking at me and was like one second, two seconds, three seconds, and then he said this is a good story, and I say, thank you. And then he asked me if he could take it home with him, just have a closer look. He asked me if I had already saved it. I said, no, I didn't. He said, just do. For example, now I'm a member of the American Writers Guild East, so that my text and my scripts are protected and I shifted all my dates behind with the travel journalism because he asked me if I can come back next day and we had a closer tour in Savannah to look for locations where we can just have this movie we were looking for people with money then for script writers and things like that but unfortunately in between, then Corona popped up, and it was then this 2021 22 and 23 in the middle, I think we started to work again on that, but unfortunately, the people who was were before able to give the money, they were gone, and so we are start, we have started from some new point, but with the same energy, and suddenly, because our movie should be named Wish, like the Wish, because it's about wishing something, and it's a mixture between the digital world and the fairy tale world and the reality, to say so, which is quite interesting, and suddenly I walked beneath a cinema in Germany, and I saw this Walt Disney movie, Wish, and I said no, impossible. So there was this title, and we had a conference as well. So we renamed the movie. I cannot tell you how it is named, but we found people with money. Again, we have a script writer, and so we're going in the next process. Then I'm going to contact different companies like Netflix, Walt Disney, and Paramount. At first, the three is enough. And we have in Germany an institution, it's called a Deutsche Film Ferderung. They give money by the state to people who create movies. I'm in touch with them. Helmut Stapel 54:45 The only point is that if you get money from the state of Germany, you have to integrate parts of Germany visual into the movie, so, and this is this is the reason why in Mission Impossible films. Tom Cruise starts from Berlin with a plane or a factory in Hamburg is going to explode, or whatever it is, because they got money from the German state for the production, and we worked on that already, and so this is the point I think. Also, 22 seven will be a very, very fascinating year for me, because we think about having the movie then on the market, it's Michael Hingson 55:27 exciting. Absolutely, well, so what, what, what would you say to someone to help them get motivated to achieve their goal, whatever that might be. Helmut Stapel 55:44 Whoa, as I also teach script writing, there's one point where we start in how this movie script starts. It always starts with an idea, and the idea is only there because you realize something, which has happened, and then you, you stuck to that, and you go on with that, and don't stop developing it till the script and the movie is done, and so it's the same in reaching your life goals. If you have an idea, maybe you have it by itself in your brain, or you are motivated by people, or you want to copy or cover whatever it is, but there are two chances, two channels to say, so you can go. The one is to demotivate yourself, because you say, 'Oh no, I don't think this is quite good. It could be better. There may be some people who might say it could be better, or they think about things what I think, and so then you lose your energy. The other channel is to realize that every everything you're thinking, everything you figure out is unique in the world and the universe, and if you just blow it away, it's gone. And this is such a waste, this is such a waste, and so just take the channel, keep the idea like a treasure, get energy, money, whatever it is, and think about that. Also, a tree is not a tree because it's grown up in 10 seconds, it starts small, and so start small, like I said, with the Savannah cinema thing with Stratton, have a closer look at my script. What do you think? And so then maybe in one and a half year, this movie will then be into the cinema, and also it doesn't matter what other things that are, if you stay to your idea, don't block yourself, and don't forbid you anything regarding thinking how something could work. Test it, as I said, and if it doesn't work, test another way. Thomas Alpha Edison, for example, before he, he was able to have electric light, I think he destroyed 1000 of the gluing, whatever, glooming, whatever, bomb, because the material wasn't right. And then he was asked by some journalist, wasn't that frustrating? And he said no, because then in this way I figured 1000 way out, how it does not work. You find 1000 Michael Hingson 58:36 things that didn't work, you don't have to worry about them anymore. Helmut Stapel 58:39 Yeah, and as I always say, even if you are going to be self-employed, looking for clients, whatever it is, if you are disappointed by yourself or by someone else, take it as a motivation. It's a motivation. It's not the end of the world, it's the start of doing something else. Michael Hingson 58:59 What do you think is the most important thing that you've ever Helmut Stapel 59:04 done. Meeting Daya, of course, I think that's Michael Hingson 59:08 a good answer. Helmut Stapel 59:09 This is one, and during my lifetime, I saved the life of seven people for real, biologically, financially, emotionally, so this is something I'm very proud on, regarding cost, cost a lot of energy to do that, but they are on their way, and they're still here, which is quite great. This is something I wrote, my first novel. Yeah, I saved my mother's life, which is quite a good thing, because she brought me to the world. This is something, and what else? Let me think, because it's such an important question. I think that this is something. Okay, and there was a day when I figured out that it's an important thing to love myself and. That I like myself, and even if there are things which are maybe not quite content with, but that I realized that I'm a worthwhile person in that way. When I give something to other people, and this way I have grown, because I don't expect people to give something to me back. If they do it, it's fine. Then I'm grateful, but in that way I can give a lot of things to other people, and this is, I think, a bit - this is a big gift. Michael Hingson 1:00:30 That's great. Well, if people want to reach out to you, how do they do that? Helmut Stapel 1:00:35 It could be on my homepage, as it maybe appears. Then, after our podcast it's www stop press, what could it be.de stop press or Michael Hingson 1:00:48 de, okay, Helmut Stapel 1:00:49 or even also on on WhatsApp on my mobile phone would work because I love fast conversation and writing emails as well, yeah. Instagram would be a good idea. It's also stop press on Instagram. There are a lot of channels, but I think these are the most important. LinkedIn, for example, also Michael Hingson 1:01:12 stop press again. Helmut Stapel 1:01:14 Yes, Michael Hingson 1:01:15 okay. Well, I hope people will reach out. This has been absolutely fascinating. I have enjoyed it. I hope you have, and absolutely. And it's time for you to go to bed. It's getting late there. It's 10 o'clock. Yeah, I Helmut Stapel 1:01:27 think I will not go to bed. I asked my wife if we have an hour TV watching from the couch and having couch coach training. Well, there you go. Well, Michael Hingson 1:01:36 maybe now she can watch TV again, since we keep the internet free. But I want to thank you for being here, and I want to thank all of you for listening and watching us today. If you'd like, if you'd like to talk to me, any of you, feel free to email me at speaker at Michael hinkson.com that's s p e a k e r at m i c h a e l h i n g s o n.com Hopefully, you will also reach out to Helmut, love to get a review from you, so wherever you're observing the podcast, please give us a review, and if you know of anyone who ought to be a guest, we'd love it if you'd introduce us. We're always looking for people to tell their stories, but Helmut, I want to thank you again for being here. This has been absolutely wonderful. Helmut Stapel 1:02:20 Thank you so much, Mike. It was my pleasure. Comes from the heart, and it was a very, very interesting and great time. And I hope we stay in touch to start some common projects that would be wonderful. Michael Hingson 1:02:30 Let's do it. But I really thank you for being here. Helmut Stapel 1:02:34 My pleasure, Mike. Michael Hingson 1:02:38 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:03:40 Thank
Comme chaque vendredi, un médecin spécialisé répond aux questions des auditrices de Priorité Santé. Cette semaine, nous parlons de l'alimentation et de l'addiction au sucre. On le sait, une consommation excessive de sucre n'est bonne ni pour la santé, ni pour la ligne. Alors comment faire pour s'en passer ? Par quoi le remplacer ? Comment faire face aux fringales qui nous poussent à la gourmandise ? En matière d'habitudes alimentaires, les goûts comme l'appétit vont varier d'une personne à l'autre. Il y a l'attirance pour des textures particulières, le penchant pour telle ou telle saveur et l'on va qualifier certaines personnes de « bec sucré », autrement dit, attirées par les desserts, les bonbons, les fruits, les sodas. Jusque-là, rien d'extraordinaire ni d'inquiétant, sauf quand on ne peut plus s'en passer, que la consommation de sucre augmente et avec elle le poids, qu'il devient de plus en plus difficile de faire preuve de retenue en faisant ses courses, à table. Quels effets sur la santé ? L'excès de sucre présent en effet des risques pour la santé, qui ne se limitent pas – loin de là – au diabète de type 2, autrement dit la dérégulation de la glycémie. Cette consommation excessive peut entraîner des problèmes cardiovasculaires (hypertension artérielle ou pathologie cardiaque), affecter la santé buccodentaire, hépatique et favoriser les inflammations. Des études scientifiques tendent à montrer que le pouvoir attractif du sucre est comparable à certaines substances psychoactives, mais le débat n'est pas tranché pour savoir si l'on peut parler d'une véritable dépendance ou addiction au sucre. Néanmoins, on observe que ce sont les mêmes circuits de la récompense (dopamine) qui sont activés en cas de consommation de produits sucrés. Avec : Binetou Cheikh Seck, diététicienne et nutritionniste à Dakar, au Sénégal. La palabre au féminin de Charlie Dupiot Programmation musicale : ► Prince Nico Mbarga - Sweet Mother ► Young Miko - BIAF 3
Comme chaque vendredi, un médecin spécialisé répond aux questions des auditrices de Priorité Santé. Cette semaine, nous parlons de l'alimentation et de l'addiction au sucre. On le sait, une consommation excessive de sucre n'est bonne ni pour la santé, ni pour la ligne. Alors comment faire pour s'en passer ? Par quoi le remplacer ? Comment faire face aux fringales qui nous poussent à la gourmandise ? En matière d'habitudes alimentaires, les goûts comme l'appétit vont varier d'une personne à l'autre. Il y a l'attirance pour des textures particulières, le penchant pour telle ou telle saveur et l'on va qualifier certaines personnes de « bec sucré », autrement dit, attirées par les desserts, les bonbons, les fruits, les sodas. Jusque-là, rien d'extraordinaire ni d'inquiétant, sauf quand on ne peut plus s'en passer, que la consommation de sucre augmente et avec elle le poids, qu'il devient de plus en plus difficile de faire preuve de retenue en faisant ses courses, à table. Quels effets sur la santé ? L'excès de sucre présent en effet des risques pour la santé, qui ne se limitent pas – loin de là – au diabète de type 2, autrement dit la dérégulation de la glycémie. Cette consommation excessive peut entraîner des problèmes cardiovasculaires (hypertension artérielle ou pathologie cardiaque), affecter la santé buccodentaire, hépatique et favoriser les inflammations. Des études scientifiques tendent à montrer que le pouvoir attractif du sucre est comparable à certaines substances psychoactives, mais le débat n'est pas tranché pour savoir si l'on peut parler d'une véritable dépendance ou addiction au sucre. Néanmoins, on observe que ce sont les mêmes circuits de la récompense (dopamine) qui sont activés en cas de consommation de produits sucrés. Avec : Binetou Cheikh Seck, diététicienne et nutritionniste à Dakar, au Sénégal. La palabre au féminin de Charlie Dupiot Programmation musicale : ► Prince Nico Mbarga - Sweet Mother ► Young Miko - BIAF 3
Today, LIVE, Thaao Penghlis, who at first meeting took my breath away. He continues to. Three Emmy-nominated for Days of Our Lives, I well remember him from my soap-addicted daze. I've been thrilled to discover that aside from being ridiculously easy on the eyes, with a velvet voice, and that sexy accent, he's also deeply spiritual, widely wise, passionate, talented in so many ways, and fun! A delicious human. Thaao's first cinematic starring role was in John Avildson's Slow Dancing in the Big City, followed by Ken Russell's Altered States, with William Hurt, and as Dame Edna's love interest in Les Patterson Saves the World. He also played the lead, Nicholas Black, in the television series Mission: Impossible, and starred in several mini-series, including Tribe, Memories of Midnight, and Under Siege. Taking the part of Victor Cassadine in General Hospital, Thaao gathered such a strong following that ABC received thousands of letters asking that they bring him back after his storyline ended. Before ABC acted, NBC offered him the part of Count Anthony DiMera on Days of Our Lives, keeping him on the popularity charts for four decades and then some. A master traveler, Thaao had his own podcast, The Lost Treasures, and has authored two books, Places: The Journey of My Days, My Lives, and Seducing Celebrities One Meal at a Time. And returns with his new podcast, The Great Escape. Thaao is super smart, sexy fun. I always walk away enlightened, entertained, and warmed to my core. Can't wait to be reunited and get schooled once again. Thaao Penghlis Live on Game Changers With Vicki Abelson Wed, June 24, 5 pm PT, 8 pm ET Streaming Live on my FB, YouTube & LinkedIn
Just as Tom Cruise embarked on his run of Mission: Impossible and Top Gun sequels, he slipped in one of bolder choices too: an R-rated crime caper, based on a true story. Originally called Mena before being retitled American Made, the shoot saw the writer, director and star of the film living in the same house. It also saw wildly ambitious flying sequences, a tragic accident, a challenge when selling the film and a whole lot more.... Please subscribe to this show if you like it and leave a nice review. Support us at www.patreon.com/simonbrew Learn more about your ad choices. Visit megaphone.fm/adchoices
Get ready to turn off the lights and test your nerve as Andy, Ash, and Stu unveil their Top 5 films “not to watch alone in the dark.” From creeping dread to full‑blown panic, these are the moments that make you double‑check the hallway and question every shadow in the room.To steady the pulse, the Short Short Film Film Review takes a gentler turn with the BBC's comedic micro‑short Donkey — a brief palate cleanser before the adrenaline kicks back in.Then the Cruise Cruise shifts gears into pure '90s blockbuster territory as the lads revisit the original Mission: Impossible. Tom ditches the lace cuffs and vampiric brooding for wire‑drops, exploding fish tanks, and the birth of one of cinema's most enduring action franchises. Will Ethan Hunt's first outing still light the fuse for the guys, or does this mission self‑destruct?With the usual blend of silliness, seriousness, and a crucial Scientology Watch update, it's time once again to take Cruise Control.
Subscribe to our channel! Jonathan Moody and John Ward chat about the 2006 spy thriller, "Mission Impossible 3" Follow us on social media: @indiefilmcafe Websites: http://sickflickproductions.com/ http://indiefilmcafe.reviews http://indiefilmcafe.podbean.com http://patreon.com/indiefilmcafe
Cast: Christian H, & Alex Tuna & Tom Caswell GamesPokémon: 537 - SeismitoadOfftopic: The Beach, Mission Impossible, For All MankindGames: 007 First Light, Walkabout Minigolf, The Adventures of Elliot: The Millennium Tales, OoT Remake, Star FoxYouTubehttps://www.youtube.com/unrankedpodcastDiscordhttps://discord.gg/wkvu88KvTVQuestions, Comments, Complaints, Corrections!?Call: 805-738-8692Email@UnrankedPodcast.com Hosted on Acast. See acast.com/privacy for more information.
This week the Bad Dads ride across South America with The Motorcycle Diaries, Walter Salles's 2004 drama starring Gael García Bernal as young Ernesto Guevara and Rodrigo de la Serna as Alberto Granado.Before the main feature, the Dads count down their favourite movie motorcycles, from Arnie's shotgun-reloading Harley in Terminator 2 to Tom Cruise going full Cruise in Top Gun and Mission: Impossible, the Easy Rider chopper, Indy's sidecar, Tron's light cycles, Dumb and Dumber's scooter, John Wick's katana bike fight, Fonzie's Knucklehead and Dan's beloved World's Fastest Indian.What We CoveredTop 5 Motorcycles: a surprisingly rich category covering choppers, scooters, sidecars, sci-fi bikes, stunt riding and Tom Cruise's apparent allergy to helmets.La Poderosa: the battered Norton 500 that carries Ernesto and Alberto until it absolutely cannot, giving the film its comic engine and its road-movie shape.Memory vs rewatch: Sidey remembers seeing the film at the cinema and discovers he had misremembered the pair as having one bike each.Ernesto and Alberto: the Dads enjoy the friendship, the teasing, the appetite for adventure, and Alberto's role as a funny, earthy foil to Ernesto's more serious awakening.A journey through inequality: miners, indigenous communities, poverty, illness and exploitation gradually turn the trip from lads' adventure into political education.The leper colony: the San Pablo section becomes the emotional centre of the film, especially Ernesto's refusal to accept easy divisions between people.Che without the T-shirt: the group discuss how the film shows the conditions that could radicalise someone without reducing Guevara to a poster, slogan or merch logo.Show, don't tell politics: Sidey praises the film for making its points quietly; Reegs notes the documentary-like authenticity; Cris reflects on education, knowledge and the ability to imagine different power structures.Travel as transformation: Dan highlights the idea that any journey like this, at that age and through those conditions, would inevitably change you.Final images: the airport farewell, the real Alberto, the closing text and the real photographs give the film a wistful, reflective ending.Key Quotes / Moments“I thought they had a motorcycle each.”“I need your clothes, your boots and your motorcycle.”“Top five motorcycles. I'm amazed that we've not done this before.”“He's not the same me anymore.”“It doesn't ram his ideology down your throat.”“A strong recommend all round.”VerdictA strong recommend from the Dads. The Motorcycle Diaries is praised as warm, funny, beautiful and quietly powerful — a road movie about friendship, privilege, poverty and the moment a person starts to see the world differently.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
WE dedicate this episode to all the close uncles and every single rat. Watch me binge watch a limited series. We truly spend most of this episode talking about a character in MI1 that does not exist. Ethan: @ethangoose.bsky.social; letterboxd: egeese Wesley: @weswee.bsky.social; letterboxd: babyweswee 00:00 - MI1 51:21 - MI2
Welcome to Dev Game Club, where this week we complete our series on Tom Clancy's Splinter Cell: Chaos Theory. We talk about some of the late levels before turning to our takeaways. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through Battery (B) and Seoul (T) Issues covered: whether Tim is North Korea, Steam Deck support, the intimate level design of Hokkaido, nightingale floors and ninja, ninja kids, level design that wraps around, changing up the levels, timed sections, cool ideas for the space, connectivity, different types of cameras, a frustrating metric challenge, directing the player, contextual movement and tagging, telegraphing metrics, negative design metrics, finding additional story, the set-up for Seoul, contrast against Battery, escalating the dynamic objectives, the "reversal," upping the ante, getting 100%, the whistle, finding a body as a negative stat, deducing player intent, unconscious witnesses, combining states, layering tools and immersive sims, wanting more guidance to the systems and verbs the player has access to, building tutorial stuff last, executing on the tone, dynamic changes to the plan, leaning into the tech appropriately, communicating enemy AI state clearly without UI, the limited reach of this genre. Games, people, and influences mentioned or discussed: BioStats, CalamityNolan, OI Interactive, RealmSoft, Clockwork Ambrosia, Michael Patton, Nathan Hiemenz, Ian Clark, Lian Hearn, Across the Nightingale Floor, Teenage Mutant Ninja Turtles, Team Ninja, Vanquish, Platinum Games, Metal Gear Revengeance, Clover Studios, Fallout 3, Skyrim, Jedi Knight, LucasArts, Kevin Kauffman, Matt Tateishi, Jake Stevens, Knute Rockne, Prince of Persia: The Sands of Time, Mysteries of the Sith, White Men Can't Jump, Woody Harrelson, Star Wars: Rogue One, Hal Barwood, Hitman: World of Assassination, Nintendo, Majora's Mask, SW: Republic Commando, Mission: Impossible, Project: Octavia, DOOM (1993), Alien: Isolation, Kirk Hamilton, Aaron Ever, Mark Garcia. Next time: Psychonauts! Twitch: timlongojr and twinsunscorp Discord DevGameClub@gmail.com
Patrick Smith joins us once again for Shades Cinema! On this episode we dive in to the 1977 Sci-Fi classic Close Encounters Of The Third Kind directed by Steven Spielberg! JM's Album Of The Week: John Williams - Disclosure Day (OST) Bradford's Book Club (Patrick's Pick): A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits - Star Wars, Carrie, Ferris Bueller's Day Off, Mission: Impossible, and More by Paul Hirsch
If you weren't taking deepfakes seriously before, it's too late now to ignore them.According to new research from Malwarebytes, one in three people who use AI every day said it's okay to generate pornography of people without their consent.Nearly 10 years ago, “deepfake” technology provided hobbyists and film editors with artificial intelligence (AI) tools to swap the face of one person onto the body of another. In its infancy, this technology brought silly film experiments like swapping Tom Cruise in Mission Impossible with Keanu Reeves. Today, this same technology produces something far more harmful—fake nude images of teenagers.On the Lock and Code podcast today with host David Ruiz, we are re-visiting an interview from 2024, in which we spoke with a lawyer named David Chiu about his lawsuit against 16 deepfake nude generation websites.The websites named in that lawsuit often needed just one image of a person to generate fake pornography. And while nearly everyone has at least one image of themselves online, even if they had hundreds, the path towards deletion is somewhat understood—start by deactivating and deleting popular social media accounts. But for teenagers today, raised mostly online, and who share images directly with friends and boyfriends and girlfriends and exes, it's likely impossible to remove every visual trace of themselves. Also, they shouldn't have to face this problem alone.The Lock and Code podcast frequently discusses structural problems that require individual management. You have to skirt corporate data collection. You have to find the automated license plate readers in your hometown. You have to review every single message you get with a certain antagonism, to guard yourself against scams.So, it's rare to encounter a solution that benefits more than one person.Chiu serves as the City Attorney for San Francisco, which means his department can file a lawsuit on behalf of not just the people of San Francisco, but also California, and that's what his team did in going after the deepfake websites.Since then, Chiu's department has shut down 10 deepfake nude websites, and it received a settlement agreement from a company called Briver LLC to no longer operate any website that creates nonconsensual deepfake pornography.And, as California goes, so goes the nation.In May of last year, the Take It Down Act became effective as law in the United States, which criminalizes “revenge porn” and AI-generated nonconsensual intimate imagery. The law is not perfect but so far it is being used as intended. Last month, two men in the US were among the first to be charged with violating the Take It Down act for allegedly creating deepfake nudes that, according to the AP, “included both celebrities as well as private women, including recent high school graduates.”Today, we revisit our conversation with San Francisco City Attorney David Chiu about the important fight against deepfake porn and the clear threat that his department found against the public.“At least one of these websites specifically promotes the non-consensual nature of this. So, and I'll just quote, ‘Imagine wasting time taking her out on dates when you can just use website X to get her nudes.'”Tune in today.You can also find us on Apple Podcasts, Spotify, and whatever preferred podcast platform you use.For all our cybersecurity coverage, visit Malwarebytes Labs at malwarebytes.com/blog.Show notes and credits:Intro Music: “Spellbound” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Outro Music: “Good God” by Wowa (unminus.com)Listen up—Malwarebytes doesn't just talk cybersecurity, we provide it.Protect yourself from online attacks that threaten your identity, your files, your system, and your financial well-being with our exclusive offer for Malwarebytes Premium for Lock and Code listeners.
Chacun de nous a une mission dans ce monde. Mais comment savoir laquelle ? Comment comprendre que chaque génération a ses propres difficultés ? En quoi la paresse est-elle le fléau de notre génération ? Pourquoi l'effort est-il indispensable dans le judaïsme ? Réponse à travers des propos du Arizal et de la Guémara, et plusieurs exemples.
Wes up, it's real honk honk hours. Get out your grappling watches, because this mission is impossible. Ethan: @ethangoose.bsky.social; letterboxd: egeese Wesley: @weswee.bsky.social; letterboxd: babyweswee
The Department of Justice just approved the Paramount and Warner Bros. Discovery deal, and it is the biggest media story of the week. In this quick hit episode of Geek Freaks Headlines, Frank breaks down what the $111 billion sign-off actually means, which regulators are still standing in the way, and why he believes this merger is bad news for fans, creators, and the entertainment industry as a whole.This is the largest federal hurdle the deal had to clear, and now that Washington has stepped aside, the conversation shifts to the state attorneys general and overseas regulators who could still slow it down. Frank also lays out exactly which franchises and brands would end up under the same corporate umbrella, from DC and Harry Potter to Star Trek and Top Gun, and makes the case for why all of that consolidation should worry you.0:00 DOJ Approves the $111 Billion Paramount and Warner Bros Deal0:16 The Studios and Franchises Being Combined0:25 Why Frank Thinks This Deal Should Be Stopped0:33 What Comes Next and Final ThoughtsThe DOJ has approved the Paramount and Warner Bros. Discovery deal valued at $111 billion, clearing the biggest federal antitrust hurdle the merger faced.The fight is not over. The California AG, New York, and nearly a dozen other states are still reviewing the deal, along with regulators in the UK and EU.Australia cleared the deal on June 9 and Germany cleared it earlier this year, so international approvals are starting to stack up.The combined company would unite DC, Harry Potter, Looney Tunes, and CNN with Paramount franchises like Star Trek, Top Gun, and Mission: Impossible.Frank's take is that this consolidation hampers creativity and leads to job losses, making it a win for the Ellisons and wealthy investors but a bad deal for everyone else."The DOJ just approved the Paramount and Warner Brothers deal for $111 billion. This clears the federal antitrust hurdle.""In my opinion, this deal has to be stopped. It will hamper creativity. It will be job losses.""This is a big win for them. As we get more information, I'll make sure to share it."For the full breakdown and all our latest coverage, head to GeekFreaksPodcast.com, your home for geek culture news.Follow us and join the conversation:Facebook: https://www.facebook.com/thegeekfreakspodcastThreads: https://www.threads.net/@geekfreakspodcastPatreon: https://www.patreon.com/GeekFreakspodcastWhere do you land on this one? Do you think the state AGs can actually stop the merger, or is this deal already a done deal? Send us your questions and hot takes and we may read them on a future episode.If you enjoyed this episode, subscribe wherever you get your podcasts, leave us a rating and review, and share it with a fellow geek using #Hollywood so more people can join the discussion.Paramount, Warner Bros, WBD merger, DOJ approval, Paramount Skydance, David Ellison, Hollywood mergers, antitrust, media consolidation, Star Trek, DC, Harry Potter, Top Gun, entertainment news, streaming wars, geek culture, film news, Geek Freaks HeadlinesTimestampsKey TakeawaysMemorable QuotesStay ConnectedJoin the ConversationSupport the Show
Luke is excited to watch Tim Heidecker live stream his podcast today. He and Andrew also break their silence on the Scooter Libby scandal of 2003. And they check the TBTL voicemail line, where listeners have stories of found money, Mission: Impossible easter eggs, and Russian HVAC.
Dust off your pagers and grab a Surge soda! This week, Dave and Rob are hopping into the time machine and dialing the coordinates to June 9th, 1996. The box office was dominated by Mission: Impossible, the Macarena was slowly taking over the planet, and the Billboard Hot 100 was a wild mix of legendary hip-hop, R&B royalty, alt-rock, and powerhouse vocalists What makes this specific week so legendary is the sheer, whiplash-inducing sonic contrast sharing real estate on the charts. It was a bizarre and beautiful era where the mournful, rapid-fire hip-hop harmonies of Bone Thugs-n-Harmony and 2Pac's aggressive West Coast swagger sat side-by-side with the pristine, sweeping adult contemporary ballads of Celine Dion and Mariah Carey. Throw in the raw acoustic storytelling of Tracy Chapman, Alanis Morissette's alt-rock bite, and a rising, inescapable bilingual novelty dance craze like the Macarena, and you get a snapshot of a musical landscape that was wildly fragmented yet universally massive Chapters 00:00 - Pagers, Surge, and the Macarena: Welcome to 1996 2:10 - Remembering Peabo Bryson and Our Influencer Status 4:07 - Graduating into 1996's Wildly Fragmented Music Scene 9:22 - Diving Into the Billboard Hot 100: Cuts & Honorable Mentions 13:15 - "5:00" by Nonchalant: A 90s Hip Hop Gem 18:36 - "Sweet Dreams" by La Bouche: Eurodance 1996 22:11 - "Tres Delinquentes": West Coast Latin Rap's Breakthrough 26:37 - "Old Man and Me": Hootie's Underrated Sophomore Album 30:25 - Kicking Off our Best of 1996 Billboard Top 10 31:27 - Everclear's "Heart Spark Dollar Sign": An Interracial Love Story 35:00 - Coolio's "1,2,3,4": A Fun Summer Jam 38:57 - Dishwalla's "Counting Blue Cars": Mid-90s Post Grunge Classic 42:36 - Garbage's "Only Happy When It Rains": A 90s Rock Anthem 46:25 - Lenny Kravitz's "Can't Get You Off My Mind" 49:52 - Goo Goo Dolls "Name": A Chart-Topping Personal Ballad 57:13 - Brandy's "Sittin' Up In My Room": A Teen Infatuation Anthem 59:50 - The Tony Rich Project's "Nobody Knows": Country Crossover Hit 1:05:12 - Tracy Chapman's "Give Me One Reason": A Bluesy Career Revitalizer 1:08:04 - Smashing Pumpkins' "1979": The Quintessential Gen X Song 1:10:08 - Snapple, Clearly Canadian, and Our 1996 Billboard List Review Playlists: Spotify: https://open.spotify.com/playlist/3IEysWlUdIzxLhnrSmu1bx?si=DVgK8cegRq-FqwVtoZGlqQ Apple:https://music.apple.com/us/playlist/billboard-hot-100-june-9th-1996/pl.u-76oN9NpFNz2Y05?ls Amazon: Click HERE to access the Amazon playlist for this episode https://www.billboard.com/charts/hot-100/1996-06-15/ Connect with Totally 80s and 90s Recall Website: https://bleav.com/shows/totally-80s-and-90s-recall/ Email: 80s90srecall@gmail.com Voicemail: (509) 426-4542 Linktree: https://linktr.ee/80s90srecall Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Comme tous les lundis à 7h, Tony et Romaric se retrouvent pour parler d'un sujet, et ça, pour vous bande de chiens ! Aujourd'hui on parle de l'élevage ! Comment trouver un bon éleveur, comme le choisir, les signes qui ne trompent pas etc...Prenez de quoi noter, on va répondre à toutes vos questions !tiktok : https://www.tiktok.com/@espritdoginstagram : https://www.instagram.com/esprit.dog/facebook : https://www.facebook.com/espritdogproyoutube : https://www.youtube.com/@EspritDogHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Hello agents! The GoodTrash Oops All Marathons Year of Marathons continues (that's a lot to unpack)! This month starts a new operation: Cinematic Syndication. And we kick off this new marathon with the 1996 action blockbuster-turned-long running franchise Mission: Impossible. That's right, Brian De Palma and Tom Cruise are on the docket today as we take a look at the simple origins of what has become Cruise's signature IP. How does it hold up? What does it have going on under the hood? Will it blow up in our faces? Tune in to find out. Join us now as Mission Impossible hits the analysis table — this podcast will self destruct in...
Join us for the watch party on YouTube LIVE AT FIVE (PT) on episode release day: https://www.youtube.com/@birdsandbeesdontfck Phil Morris is an actor best known as Jackie Chiles on Seinfeld and John Jones on Smallville who grew up in Los Angeles and Beverly Hills, where the closest thing to sex education was basic health class, a little anatomy, and figuring out the rest through growing up in Hollywood. In this episode we talk about Good Vibes Breakfast Club, the beautiful way community can create space for men to be vulnerable, and why real connection so often happens when people drop the performance and just show up as themselves. Phil shares what it was like growing up in Beverly Hills as the son of original Mission: Impossible star Greg Morris, how early exposure to fame shaped the way he sees the world, and why curiosity, humility, and authenticity matter so much more than status. We also get into marriage, intimacy, what it actually takes to stay connected over decades, and Phil's simple but powerful advice to stay attractive, stay attracted, stay interesting, and stay interested. Phil and I are getting real honest with Reddit stories. Join Patreon and dive in! https://www.patreon.com/cw/birdsandbeesdontfck Get everything you need to Fck Like The Movies _____________________________________________________________ Where to find Phil: Instagram: @thephilmorris Where to find Arielle: Instagram: @birdsandbeesdontfck TikTok: @birdsandbeesdontfck Patreon: https://www.patreon.com/cw/birdsandbeesdontfck Bonus stories found exclusively on Patreon STORY 1: AITA for ignoring my wife for throwing away my late wife video tapes? STORY 2: My 18M son says my brother's wife (30F) crossed boundaries with him and now my family says I'm overreacting (46F) STORY 3: Do I (F 26) tell my boyfriend (M 26) his ex cheated on him? Like my cuffs AND my vibrator necklace? Me too. Get $15 Off Crave Pleasure Jewelry Here: https://lovecrave.com/arielle Episode Cheat Sheet: 02:47 Good Vibes Breakfast Club, car culture, and finding community in Los Angeles 05:14 Male vulnerability, brotherhood, and emotional intimacy during the pandemic 07:39 Why real connection happens when people drop the filter 09:50 Community, commonality, and why we are more alike than we are different 12:10 Why big conversations happen best on a beautiful drive 14:30 Intimacy meetings, relationship check-ins, and how to communicate with your partner 16:54 Emotional intelligence, curiosity, and what makes relationships actually work 19:20 Marriage advice, acceptance, and why you cannot carry someone else's water 21:35 Stay attractive, stay attracted, stay interesting, stay interested 23:52 Novel thinking, personal growth, and accepting the peaks and valleys of life 26:13 Why relationships, friendships, and community all need curiosity and effort 28:28 Good Vibes, masculine friendship, and non-sexual touch between men 30:41 Growing up in Los Angeles and Beverly Hills as Greg Morris' son 31:42 Fame, Hollywood, Beverly Hills, and what Phil learned early about success 34:01 Black representation in Hollywood and being raised around groundbreaking artists 35:25 How community showed up in grief, loss, and the final days of a loved one 37:48 Grace, gratitude, and why pain does not have to define your story 40:05 Falling down, getting up, and deciding how to write your own life 42:27 Career pivots, producing, creativity, and doing the work that actually lights you up 44:48 Why Phil stopped hustling and started creating 47:13 Acting, storytelling, and what comic conventions reveal about human connection 49:40 Leadership, gender dynamics, and domestic labor in relationships 52:03 Growing up with basic sex education, Hollywood freedom, and getting married young 54:22 Marriage, desire, fidelity, and how to stay connected over time 56:43 Long-term relationships, teamwork, and the three energies inside a partnership 59:04 Relationship advice, acceptance, and what it means to stay on the same team
Histoire de 8 minutes racontée par Binyamin BENHAMOU.
Jezebel Sweet: Former Corey's Angel, Jezebel Sweet finally sits in to chat with your boys and share stories with the Goblin Ghoul.Stone Cold Steve Austin: Adrien Skye got Stone Cold got all worked up and ready to come out retirement.Robot Fails: We love a good robot fail and this robot dancing to Billie Jean by Michael Jackson is an all timer.THE BEAR!, FUCK YOU WATCH THIS!, HANDS ON THE WHEEL!, SCHOOLBOY Q!, A$AP ROCKY!, LISSIE!, STREAMATHON!, GOATS!, MILKMAN!, JOBS!, CASH!, HOPE!, BACON!, PASSING THE 8 HOUR MARK!, BIG BLACK DICK DILDO!, JOHNNY APPLESEED!, JEZEBEL SWEET!, ANGEL JACKIE!, WOLFPACK!, 22!, TEAM!, KISMET!, TOUCH OF DESTINY!, NMAN!, MOVED IN!, SNEAK OUT OF THE HOUSE!, COURTNEY ANN!, MARRIED!, CULT!, LEARNED BASS!, GUITAR!, COREY'S ANGELS!, BLONDE GIRLS!, FINALE SPECIAL!, LEGAL REPURCUSSIONS!, RESTRAINING ORDER!, GAG ORDER!, LAPD!, ATTEMPTED MURDER!, STABBING!, MONSTER TRUCKS!, WEED!, DRUGS!, MOLLY!, OXY CONTIN!, ALLEGEDLY!, SATANIC!, TOUR!, TRUE CRIME!, SURVIVOR INSTINCT!, FOUND IN A DITCH!, LAPD!, CONSPIRACY!, ADRIEN SKYE!, CONTRACT!, TAROT CARD!, FUTURE READING!, HERMIT!, LOVERS!, DEATH!, SANTERIA!, CHICKEN BONES!, STONE COLD STEVE AUSTIN!, DEBORAH!, WHAT!?, RETIREMENT!, HAUNTED!, THE ENTITY!, THE KILL SWITCH!, MISSION IMPOSSIBLE!, ROBOT!, MICHAEL JACKSON!, MOONWALK!, BILLIE JEAN!, FAIL!, FALL OVER!, DRAGGED AWAY!, DEAD!, FOX NEWS!, LIZARD MASK!, FLEX PASS OUT!You can find the videos from this episode at our Discord RIGHT HERE!
Joe surprises Greg with his official Mission:Impossible Power Rankings® and Greg is here to listen, mostly agree, and gently push back on the crimes being committed against Ghost Protocol. In this bonus episode, they attempt to settle the only debate that matters in 2026: What is the best Mission:Impossible movie? Can two people remain friends if they disagree (Spoiler: Of course they can.)They wrap up this little episode announcing the next movie they'll cover on Great Bad Movies!This episode contains spoilers for every Mission: Impossible film and an irresponsible amount of confidence.If you'd like to advertise with us or sponsor us, please e-mail greatbadmoviesshow@gmail.comSubscribe to Great Bad Movies wherever you listen to podcastsMore Great Bad Movies online:InstagramGreat Bad Movies WebsiteYouTubeEmail us at greatbadmoviesshow@gmail.com Hosted on Acast. See acast.com/privacy for more information.
Thanks to our partners Promotive, WickedFile, Maverick Shop Owners, and OverdryveIs your shop management system telling you one number while QuickBooks says something else entirely? Are parts credits going unclaimed? And if someone were quietly skimming off the top, would your current process ever actually catch it?In this episode, Hunt Demarest, CPA at Paar Melis & Associates, sits down with Alex Saladna from Wicked File — the AI-powered back office reconciliation platform built for auto repair shops. From the employee who snuck through ceiling tiles to steal cash, to the eight-location shop that cut back office workload by fifty percent overnight, Hunt and Alex break down what's leaking out of your business, why your team can't catch it manually, and how technology has made a once-unsolvable problem into a morning coffee routine.Whether you're a single-location shop hemorrhaging credits you didn't know you were owed or a multi-location owner who's quietly accepted that being remote means accepting losses — this episode is essential listening.What You'll Learn…(03:01) What Wicked File actually does — and why the gap between your shop management system and your accounting software is exactly where the money disappears(06:02) The #1 cause of theft is confidence — why 100% of owners who've been stolen from said it would never happen to them(07:38) Theft stories from the field — Mission Impossible through the ceiling tiles and $2,000 a month in soda nobody ordered(11:58) From 200 invoices to 20 — how 80–90% of parts reconciliation gets automated and what your team can do with the time back(20:09) The 2–3% burn — at $1M in sales that's up to $30,000 walking out the door, and why most owners don't treat it that way(22:36) Why treating your financials as a final score is costing you — and what watching your business like game film actually looks like(28:19) Why the right employees will love this tool — and what resistance to it tells you about your culture(35:16) Bad data makes bad decisions — why it all starts with clean numbers at the invoice levelIf you're ready to stop assuming your vendor credits are being processed, understand why the confidence that "it doesn't happen here" is exactly what makes it happen here, and finally know what's actually leaking out of your back office before it becomes a six-figure problem — this episode is essential listening.Thanks to our partner, PromotivePromotive has over 40 years of recruiting and automotive experience. If you need qualified technicians and service advisors and want to offload the heavy lifting, visit https://gopromotive.com/Thanks to our partner, WickedFileTurn chaos into clarity with WickedFile, the AI for auto repair shops. Transform invoices into insights, protect cash flow, and stop losing parts, cores, or credits to maximize your bottom line. visit https://info.wickedfile.com/Thanks to our partner, Maverick Shop OwnersYou're working on growing a more profitable shop - that's critical. That's exactly what the 24-video Blueprint course by Maverick Shop Owners addresses - customers, sales, profit, people, systems, and freedom. Get free access for our listeners only at https://maverickshopowners.com/blueprintThanks to our partner, OverdryveOverdryve is your AI-powered marketing operating system. It predicts slow weeks before they happen, automatically launches revenue-driving campaigns, tracks ROI down to the dollar, and optimizes performance in real time. Visit https://overdryvemarketing.com/Paar Melis and Associates – Accountants Specializing in Automotive RepairVisit us Online: www.paarmelis.comEmail Hunt: podcast@paarmelis.comText Paar Melis @ 301-307-5413Download a Copy of My Books Here:Beyond the Bays: A Financial Playbook for Auto Repair Shop OwnersWrenches to Write-OffsYour Perfect Shop The Automotive Repair Podcast Network: https://automotiverepairpodcastnetwork.com/Remarkable Results Radio Podcast with Carm Capriotto: Advancing the Aftermarket by Facilitating Wisdom Through Story Telling and Open DiscussionDiagnosing the Aftermarket A to Z with Matt Fanslow: From Diagnostics to Metallica and Mental Health, Matt Fanslow is Lifting the Hood on Life.The Weekly Blitz with Chris Cotton: Weekly Inspiration with Business Coach Chris Cotton from AutoFix - Auto Shop Coaching.Speak Up! Effective Communication with Craig O'Neill: Develop Interpersonal and Professional Communication Skills when Speaking to Audiences of Any Size.Business by the Numbers with Hunt Demarest: Understand the Numbers of Your Business with CPA Hunt Demarest.The Auto Repair Marketing Podcast with Kim and Brian Walker: Marketing Experts Brian & Kim Walker Work with Shop Owners to Take it to the Next Level.
Welcome to Dev Game Club, where this week we continue our series on Tom Clancy's Splinter Cell: Chaos Theory. We cover lots of topics, delving into stealth and AI systems, objectives and their communication, and other thoughts. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Another mission Issues covered: whether it was designed for a controller, graphic fidelity holding up, the fixed function shading pipeline, the crossover between audio and visual meters, what's going on with the light meter, ambient noise affecting how quickly you can move, adjusting eyesight, layering mechanics into a mini-game, sprinklers everywhere, hose extraction, trip lasers, using a body as a laser avoider, a key that isn't a key, interrogation mechanics, consequences for not interrogating, multiple paths to information, forgetting the vision modes, the marketing targets for particular consoles, dynamic mission objectives, motivating spaces through pattern language, having to mark up the world to tell you what's important, a digression into climbing anywhere, "what map?," not wasting space, clockwork levels, a globetrotting set of ops vs single-location games, Brett has a good point, contrasting flavors, just jumping in and having the briefings paper over travel, the attract mode, benefitting pacing. Games, people, and influences mentioned or discussed: XBOX, Pulp Fiction (obliquely), PlayStation 3, Clint Hocking, NOLF 2, Max Payne, Metal Gear (series), Three Men and a Baby, Poltergeist, Eternal Darkness, Mission: Impossible (series), Entrapment, Sean Connery, Catherine Zeta-Jones, Dishonored, Prey, Hitman, Die Hard, Assassin's Creed, Crazy Climber, Cairn, Jusant, Hideo Kojima, Reacher (series), The Gray Man (series), The Hunt for Red October, Quiller (series), Shadowlord-72, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: More TCSCCT! Errata: Apparently there were in fact multiple shader units on the original Xbox, and supported Pixel/Vertex 1.1 shaders. We regret the error. (Fixed function was still a thing, though, I'm just not remembering the details correctly.) Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com
This week on This Can't Be Real with Brad, the world somehow gets even dumber. Brad breaks down the story of a man who missed his flight and decided the logical next step was crawling through the airport luggage conveyor system like a rejected Mission Impossible stuntman wearing Crocs. Then things somehow get worse when a guy fakes a marriage proposal at a restaurant just to avoid paying for half-apps and a burger, emotionally traumatizing an entire Chili's staff in the process.And finally, Brad reacts to a man who walked into a police station — voluntarily — to complain that the drugs he bought weren't good enough. Yes. He essentially treated law enforcement like customer service and wanted a refund on illegal substances.Along the way, Brad goes on hilarious tangents about Crocs, Applebee's half-apps, bad relationship decisions, fake romance operations, and why criminals should maybe stop involving police in their customer complaints. In the end, one story earns the “most bonkers” crown: the fake proposal guy, aka the only man in history to turn emotional manipulation into a dinner coupon strategy
In this episode I chat with visual effects supervisor, second unit director and digital pre-visualisation pioneer David Dozoretz about a career that traces the entire arc of how modern filmmaking shifted from analogue to digital — and how, somewhere in the middle of that shift, pre-vis went from a curious side experiment to a fundamental part of how films get planned and shot. David talks about growing up in Phoenix, falling in love with cinema the day his sister snuck him into the projection booth at the Cine Capri during The Empire Strikes Back asteroid sequence, and how a chance encounter with a Lucasfilm coffee-table book in a university bookstore set him on the path to ILM. He arrived at ILM in 1991 as an intern, became known as "the computer nerd in the art department and the art nerd in the computer department," and ended up bridging the gap between the two as digital began to take over.We get into his first feature — the original Jurassic Park — his year-long apprenticeship in the legendary ILM art department alongside Doug Chiang, Ty Ellingson, Harley Jessup, Mark Moore and Stefan Dechant, and the time he had to split a $1,400 piece of 3D software into two $700 purchase orders to get round ILM's general-manager sign-off threshold. It's a small story but it tells you everything about the era — digital tools were arriving faster than the institutions running things knew what to do with them.A big part of the conversation focuses on the early years of digital pre-visualisation. David did the first major digital previs sequence in mainstream cinema — the train and helicopter sequence in Brian De Palma's Mission: Impossible, the work John Knoll asked him to do that's now credited as one of the reasons the sequence got greenlit. From there he went on to spend four years working with George Lucas on The Phantom Menace, building the entire pod race in previs (a 25-minute version that almost no one has ever seen got whittled down to the 9-and-a-half-minute final), establishing his now-famous three rules of previs (no textures, no motion blur, no shadows) and then immediately having to break all three of them to convey the sense of speed and floating in the pod race itself.There are some lovely George Lucas stories too, including the time George walked into the editing room and reacted to David's droid-factory post-vis with "honestly, I was a little worried about that one — looks like it's gonna work," and the moment when George trailed off mid-sentence trying to describe a desert landscape and David — a 21-year-old kid — finished the thought with "John Ford?", which David thinks is the moment Lucas decided he could trust him. Later in the conversation we move into David's own company, Persistence of Vision, and his work on Titan A.E., Behind Enemy Lines, JJ Abrams' Mission: Impossible III, the 2009 Star Trek reboot (including the previs realisation that Vulcan being orange meant the costumes — originally designed to evoke 70s NASA — had to be completely redesigned) and Journey to the Center of the Earth 3D, where David served as second unit director on the first digital stereoscopic film and the production was effectively beta-testing the cameras Jim Cameron was building for Avatar. We finish on Zafari, David's 52-episode children's animated series rendered almost entirely in Unreal Engine — one of the earliest large-scale uses of real-time rendering in mainstream animation, which saved 30% of the production budget — and on a wider conversation about AI, the future of filmmaking, the importance of human authenticity, and David's lovely closing thought: study the art and history of cinema, study the drawing, not just the pencil. The tools will keep changing. The language won't. Topics coveredGrowing up in Phoenix and the Cine Capri projection-booth moment during EmpireDiscovering The Art of Special Effects book and the road to an ILM internshipJoining the ILM art department in 1991 alongside Doug Chiang, Ty Ellingson, Harley Jessup and Mark MooreBridging the art and computer departments as digital arrived at ILMThe $1,400 / two-$700-purchase-orders workaround for buying 3D softwareWorking on the original Jurassic Park as his first featureDoing previs for the Star Wars Special Editions (the dewback shots, Mos Eisley fly-bys)John Knoll asking him to previsualise the train-and-helicopter sequence on Mission: ImpossibleHow that previs is credited as one of the reasons the sequence got greenlitJoining the new Skywalker Ranch art department under George LucasFour years on The Phantom Menace and the 25-minute version of the pod raceThe three rules of previs (no textures, no motion blur, no shadows) — and breaking all of them to make the pod race workGeorge Lucas reacting to the droid factory post-vis ("looks like it's gonna work")The Jake Lloyd head-turn morph that saved a reshootWhy pod racers go 500 mph in some shots and 2,000 mph in othersThe cinematographer who declared previs "shit" — and was overruled by the studioFounding Persistence of Vision and the move from Lucas to wider HollywoodTitan A.E. and the Don Bluth / Gary Goldman Phoenix animation studioBehind Enemy Lines and pre-vising aerial actionMission: Impossible III with JJ Abrams — the Shanghai building swing and the windmill helicopter sequenceThe Star Trek reboot orbital skydive — and how previs forced a costume redesign because Vulcan was orangeJourney to the Center of the Earth 3D as second unit director, using Jim Cameron's pre-Avatar camerasZafari, Unreal Engine, and saving 30% of an animated TV budget through real-time renderingThe shift from analogue to digital to 3D to real-time to AI — and what stays constantDennis Muren's wisdom on authenticity at the Jurassic Park wrap partyWhy a human premium will remain in an AI-augmented filmmaking worldGeorge Lucas, John Ford and the moment a 21-year-old earned a director's trustThe advice David gives to young filmmakers: study the drawing, not just the pencilSupport the Podcast This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: patreon.com/jamiebenning Watch on YouTube Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: youtube.com/filmumentariesThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links
The Gents trust Ethan one last time and watch the 2025 action/thriller Mission Impossible: The Final Reckoning! :24 - Movies We've Seen (Tommy, Total Recall, Mad Max 2: The Road Warrior) 17:30 - The Mandalorian, Sound Vision Short Film Festival, Daredevil: Born Again, The Boys 38:04 - Mission Impossible: The Final Reckoning (2025) Get bonus episodes on our Patreon! Next episode: Send Help (2026) *Note that this episode won't be until 6/18. There will either be an unlocked bonus episode or something else special in the feed for 6/4, just not our Send Help episode.
IN THE GREY, Guy Ritchie's brand-new spy-action movie, just dropped—and Dan and Tom from SpyMovieNavigator are breaking it all down with zero spoilers. A covert team of elite extraction specialists is sent on a high-stakes mission to recover a stolen billion-dollar fortune from a ruthless tyrant. The question the hosts tackle first: is this actually a spy movie? And then they get to: Is it any good? The cast is stacked. Jake Gyllenhaal and Henry Cavill headline as operatives Bronco and Sid, joined by Eiza González, Rosamund Pike, Carlos Bardem, Fisher Stevens, and Jason Wong. Ed Wild handled cinematography, reuniting much of the team behind The Ministry of Ungentlemanly Warfare. Dan and Tom walk through storytelling, pacing, action choreography, casting performances, and set design. They weigh the strengths against the weak spots—and there are a few of both. Ritchie claims the movie is based on a true story, which adds an intriguing layer to the mission's premise. If you love spy cinema—from Bond to Mission: Impossible—this no-spoilers first look gives you everything you need before you hit the theater. FIVE THINGS TO KNOW · Directed by Guy Ritchie — the creative force behind Operation Fortune, The Man from U.N.C.L.E., and The Ministry of Ungentlemanly Warfare. · Claimed to be based on a true story — Ritchie says the extraction mission depicted in the movie is rooted in real events. · A tight 97-minute runtime — the movie moves fast, using narration and on-screen graphics to pack the story into under two hours. · Carlos Bardem steals scenes as villain Manny Salazar — brother of Javier Bardem (Skyfall's Silva), he delivers a standout performance. · Not connected to The Gray Man series — despite the similar title, IN THE GREY (with an "E") is a completely separate movie and franchise. Tell us what you think: Is IN THE GREY a movie you'll go see? What do you think of our No Spoiler First Look. If you've seen the movie, did we get it right? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com. The more we hear from you, the better the show will surely be! We'll give you a shout-out in a future episode! You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well. Episode Webpage: https://spymovienavigator.com/episode/in-the-grey-no-spoilers-first-look
Best known for his unforgettable turn as Jackie Chiles, the fast-talking, high-powered attorney Kramer turns to in Seinfeld, actor Phil Morris joins us for a thoughtful, funny, and full-circle conversation about legacy, identity, and the unexpected paths that lead to a life in show business!Phil shares how his portrayal of the character, famously inspired by Johnnie Cochran, took on a life of its own, leading to national commercial campaigns and even a memorable Honda spot directed by the Coen Brothers. He recalls his Seinfeld audition, in Jerry's office with Johnnie Cochran's rhythms and intonations fresh in his mind since they shared the same barbershop!But as Jackie Chiles' spotlight brightened, the line between inspiration and frustration blurred, culminating in an unexpected cease and desist letter from Johnnie Cochran himself and an awkward barbershop encounter in which Johnnie had to concede that Phil is very funny!Our conversation also explores Phil's remarkable Hollywood lineage. As the son of Greg Morris, star of the original Mission: Impossible, Phil reflects on how his father's network TV starring role suddenly transformed their family's life, and handed them all the weight of being a uniquely high profile example of black representation on television at the time. He shares how a single appearance by his father on The Dick Van Dyke Show helped pave the way for what would eventually become The Cosby Show, and how his own path into acting began almost by accident while working on set as a production assistant.Phil went on to work alongside his father in the Mission: Impossible reboot, and today continues to bring depth to his roles across mediums, from live action to voice work. A devoted comic book fan with an extensive collection, he discusses how his love of superheroes informs performances like his portrayal of Silas Stone in Doom Patrol.Phil also offers a behind-the-scenes look at the unique process of voice acting, whether collaborating in a room full of actors or performing solo, “opposite” himself, plus the emotional impact of meeting fans at conventions who credit his work with making a real difference in their lives. Then we get into an IMDB Roulette that delves deep into some roles while requiring discretion in discussing others!In current recommendations --Weezy: Movie, Remarkably Bright Creatures in theaters and streaming on NetflixLisa: Netflix documentary series, Should I Marry A Murderer?Path Points of Interest:Phil Morris IMDBPhil Morris on WikipediaPhil Morris on InstagramPhil Morris on FacebookPhil Morris on CameoRemarkably Bright CreaturesShould I Marry A Murderer?
We're doing a bread-and-butter Girlscamp submission episode today: church mission stories. We're chatting about crazy (and sometimes dangerous) companions, bizarre proselytizing run-ins, and what happens when you tell the Mormon missionaries you don't believe in Joseph Smith. Come along for the ride! Crazy Mormon Mission Stories episode STALKED on a Mormon Mission episode Sister Missionary Snapchat ad Join the Girlscamp: After Dark Patreon account here for two bonus episodes per month and more. For more Girlscamp content follow along on Instagram, TikTok and YouTube. For ad inquiries please email girlscamp@saucemediagroup.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Travis Pastrana is a 17-time X Games gold medalist, multi-discipline motorsport champion, and the founder of Nitro Circus. He grew up in a Maryland construction family steeped in military service and contact sports, won his first outdoor national championship at 16, bought a house the same year, and has spent the decades since competing in everything from supercross to rally to NASCAR to base jumping. He has had two knee replacements, a hip replacement, over 30 concussions, and once turned 40 fractures across seven bones in his foot into dust on an X Games landing. We got into what it actually means to make decisions at speed — treating cliffs and trees like traffic cones when everyone else backs off. His Daytona 500 run. The NASCAR race where every teammate crashed out and his daughter read him the riot act for finishing 15th. What happened when a group from a certain Army unit showed up at his place and every single one of them landed a backflip on a dirt bike within two tries. The concussion research that found his brain operates differently than most. His seven-year-old daughter telling him she doesn't want to be the best at anything because the people chasing greatness don't seem happy. And the massive open-air wind tunnel he bought from a Mission Impossible set that he can't afford to power. Join the Cleared Hot Mailing List: https://www.clearedhotpodcast.com Pick up a copy of Drownproof: https://www.clearedhotpodcast.com/book Today's Sponsors: Black Rifle Coffee: https://www.blackriflecoffee.com Firecracker Farm: https://www.firecracker.farm