Podcasts about american boychoir

“I don't have a sound that I'm trying to make the choir fit into. I'm trying to understand and uncover the palette of sounds that are in front of me and then expand our sense of what we can sound like. This happens through the community building process, because the more we honor each individual and allow them to bring themselves into that rehearsal space, then the fuller and richer we are.”Dr. Joel Tranquilla (he/him/his) is a conductor and music educator noted for his versatile musicianship and creative programming. Originally from Fredericton, Joel is thrilled to have returned home to assume the position of Artistic Director of the Halifax Camerata Singers and Chorus Master of Symphony Nova Scotia. Formative choral experiences include touring with the American Boychoir as a boy soprano and singing as a member of the Nova Scotia and National Youth Choirs. He holds degrees from Mount Allison University, the University of Michigan, and Michigan State University where his doctoral research was in the area of Canadian choral-orchestral works.Joel relocated to Nova Scotia in 2023 after spending nine years as the Director of Choral Activities at Trinity Western University in Langley, BC, where he oversaw a program of six choirs and taught various courses within the School of the Arts, Media and Culture. Joel led the TWU Chamber Choir on tours to Ottawa, New York City, China, Hong Kong, Japan, and Taiwan. In addition to his work at TWU, Joel served as the Artistic Director of the Valley Festival Singers in Abbotsford and was the conductor of the award-winning Coastal Sound Youth Choir in Coquitlam. A singing member of the Canadian Chamber Choir since 2007, he was named the ensemble's Associate Conductor in 2013. As such, he contributes to the programming and long-term artistic visioning of that organization. Prior to his time on the West Coast, Joel lived and worked in Windsor, Ontario, serving as the conductor of several local ensembles including the Windsor Symphony Orchestra Chorus. In high demand as an adjudicator and clinician across the country, Joel is a past Guest Conductor of the New Brunswick Youth Choir and the Manitoba Provincial Honour Choir, and was the Assistant Conductor of the 2012 National Youth Choir.Major works conducted include Poulenc's Gloria, Vaughan Williams' Hodie, Ramirez's Navidad nuestra, Mendelssohn's St. Paul, Handel's Alexander's Feast, Requiems by Fauré and Duruflé, Bach's St. John Passion, and Allan Bevan's oratorio Nou Goth Sonne Under Wode. In spring 2023, Joel conducted the premiere of a new oratorio by David Squires and made his Carnegie Hall debut in a program featuring Vaughan Williams' Five Mystical Songs. Joel believes in the power of choral music to build and strengthen community. His wife, Meghan is an audiologist, and they have three precocious children: Everett, Penelope, and Felix.To get in touch with Joel, you can visit the Halifax Camerata Singers website at halifaxcamerata.org or find them on Facebook (@HalifaxCamerataSingers) or Instagram (@halifaxcameratasingers). You can also find the Canadian Chamber Choir at their website canadianchamberchoir.ca, on Facebook (@CanadianChamberChoir) or Instagram (@canadianchamberchoir).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

SUMMARY:Our guest on this episode of Songcraft is musician, songwriter, arranger, and producer Van Dyke Parks. Best known for his work with Brian Wilson on The Beach Boys' legendarily ill-fated Smile album, Parks has released a number of solo albums, scored several films, arranged countless sessions, and worked with a long list of artists, including The Byrds, Randy Newman, Harry Nilsson, Little Feat, U2, Fiona Apple, Joana Newsom, and many others. PART ONE:Scott and Paul chat about why they're approaching this episode a little differently than usual, the saga of The Beach Boys' Smile, and why Paul should stop checking stuff out from the library. PART TWO:Our in-depth interview with the legendary Van Dyke ParksABOUT VAN DYKE PARKSVan Dyke Parks is one of the more unique American musicians, songwriters, arrangers, and record producers to emerge in the 1960s. Born in Mississippi, he attended the American Boychoir boarding school in Princeton, New Jersey, in his formative years. His first career was as a child actor, appearing on over 100 episodes of various TV shows, including his role as “the kid from downstairs” on The Honeymooners. He did theater and appeared in films, including The Swan with Grace Kelly and Alec Guinness, before going on to study music at the Carnegie Institute in Pittsburgh, where he briefly studied with Aaron Copland. In the early 1960s Van Dyke began playing acoustic guitar, and moved to the West Coast where he and his brother Carson performed on the coffee house circuit as a duo known as The Steeltown Two. He landed his first arranging job with “The Bare Necessities” for Disney's The Jungle Book in 1963 before a brief stint as an MGM recording artist in the middle of the decade.  He is perhaps best known, however, for his collaborations with Brian Wilson with whom he worked as a lyricist on The Beach Boys' ill-fated Smile album. The pair revisited their work with the release of Brian Wilson Presents Smile in 2004. Though the Smile recordings weren't released at the time, Van Dyke signed with Warner Bros. Records and, in 1967, released his album Song Cycle, an ambitious debut that incorporated a wide range of traditional American musical influences with experimental recording techniques. He went on to produce the debut albums by Ry Cooder and Randy Newman, and took a job as an executive at Warner Bros. Records in the 1970s. He became enamored with calypso music in that era, releasing a couple of albums as an artist showcasing the genre, and producing The Esso Trinidad Steel Band. Toward the end of the decade he began composing film soundtracks before returning in the 1980s with two albums of original material, Jump!, which explored the Uncle Remus and Br'er Rabbit stories, and Tokyo Rose, which explored the intersection between Japanese and American culture in the context of a trade war. In the 1990s, he and Brian Wilson teamed up once again to release the album Orange Crate Art. His most recent full-length album as a solo artist is 2013's Songs Cycled. The long list of musicians Van Dyke has worked with includes The Byrds, Tim Buckley, Harry Nilsson, Little Feat, Steve Young, Phil Ochs, Frank Zappa, Ringo Starr, U2, Fiona Apple, Joanna Newsom, Skrillex, and many others.  

From 1999- a conversation with Greg Lyne, who at the time was on the staff of the Society for the Preservation and Encouragement of Barbershop Quartet Singing in America. Our conversation was actually about the American Boychoir, which Lyne had sung with when it was known as the Columbus Boychoir. (Sadly, the American Boychoir and its Boarding School ceased operations in 2017.) This interview preceded a performance by the American Boychoir at Carthage College.

Ep. 94: Fernando Malvar-Ruiz, Artistic Director of the Los Angeles Children's Chorus Let's Talk Off The Podium with Tigran Arakelyan Fernando Malvar-Ruiz, internationally regarded choral conductor, clinician and educator, began his tenure as Artistic Director of Los Angeles Children’s Chorus in the 2018-19 season. He has worked with children’s and youth choirs his entire career. From 2004 to July 2017, Malvar-Ruiz was the Music Director of The American Boychoir, leading some 150 performances and up to five national and international tours annually. He prepared the choir for appearances with the New York Philharmonic, Philadelphia Orchestra, Chicago Symphony Orchestra, Berlin Philharmonic and London Symphony Orchestra, among others, working with such conductors as Marin Alsop, Pierre Boulez, Charles Dutoit, Michael Tilson Thomas and Valery Gergiev and artists ranging from cellist Yo-Yo Ma, trumpeter Wynton Marsalis and pop legends Beyoncé Knowles, Sir Paul McCartney and Josh Groban to opera singers Kathleeen Battle and Jessye Norman. He also conducted the choir on six recordings, led its performances on the Academy Awards and a 9/11 Memorial Service, broadcast globally on CNN and was the music director on the film “Boychoir.” Malvar-Ruiz previously served as The American Boychoir’s Associate Music Director from 2000-2004 under James Litton. An expert in the adolescent male evolving voice, Malvar-Ruiz has guest conducted children’s and youth choirs around the globe. He has a master’s degree in Choral Conducting from Ohio State University and completed the coursework toward a doctoral degree in from the University of Illinois. In this podcast we talk about his passion for youth choirs, music education, inspirational mentors, programming, and collaborating with orchestras as a choral conductor. He also talks about his journey to working with choirs and specifically his passion for youth and music education. For more information about the Los Angeles Children's Chorus please visit: https://www.lachildrenschorus.org/ © Let's Talk Off The Podium, 2020

With a Home Alone reboot apparently on the way and Macaulay Culkin's birthday falling this week, we're feeling nostalgic - and so we're celebrating this classic torture-porn Christmas franchise with two requests from the soundtrack of Home Alone 2: Lost In New York! "All Alone On Christmas" by Darlene Love is a memorable jam that features assistance from the E Street Band, while "Somewhere in My Memory" by John Williams is a suitable score performed by the Boston Pops and American Boychoir. Thank you to Brian from Ohio for the requests!

This week isn't a normal podcast. Every now and then we like to do a riffcast. It's just been a while, so we think this only makes it our forth. To be honest, it's more commentary and jokes than riffing, but it's all in good fun so we hope you'll enjoy it.      Movie you'll need: "The Santa Clause"    Intro: "Carol of the Bells" performed by the American Boychoir    Close: "Keep Me Warm (feat. Erin Bowman)" by The Little Estate

The American Boychoir has had an eventful 2014 that's included an appearance in a Hollywood feature film, a visit to the Toronto Film Festival and a December East Coast tour that has the group singing Christmas music in seven different languages. Eleven members of the choir, led by music director Fernando Malvar-Ruiz, visited the WQXR studios early this month to present a selection of carols and songs. The ensemble began with "Mary Had a Baby" and "We Wish You a Merry Christmas." Based in Plainsboro, NJ, the American Boychoir is one of two accredited boychoir boarding schools the United States, the other being the Saint Thomas Choir School in Manhattan. The group, which marked its 75th anniversary last year, is characterized by a unique sound and facility in a wide range of styles. Specifically, unlike the famous Vienna Boychoir, on which it was originally patterned, the American Boychoir uses so-called voices-in-transition. "That's what distinguishes us from almost any other boychoir in the world," said Malvar-Ruiz. "It's the fact that we have changing voices still singing with us. It's adding that new color that makes our sound so unique." This allows the ensemble to fill out SATB (soprano, alto, tenor, bass) choral arrangements (and beyond), as we hear below in these performances. But as 12-year-old chorister Douglas Butler explains, the choir's sound is also the product of hard work, with a school day that stretches from 8 am to 6 pm. "We've tacked an extra three hours at the end of every day for a rehearsal," he says. "We have to learn a lot of music and a lot of times we have to do it quickly" – and by memory. Below: Bach's Domine Deus: The American Boychoir is the centerpiece of a forthcoming film called "Boychoir." Directed by Academy Award-winning film director Francois Girard, it stars Dustin Hoffman and Kathy Bates in a feel-good tale about a troubled boy from Texas who attends the American Boychoir School. Due for national release in 2015, it garnered raves at its Sept. 6 premiere at the Toronto Film Festival. "We did three weeks of filming and a few more weeks of recording the soundtrack," said Malvar-Ruiz. The film was shot at Connecticut’s Fairfield University and in New York, but the American Boychoir School's uniforms, logo and identity are to be used. This is just the latest Hollywood encounter for a choir whose performances have been featured in numerous films and commercials since its founding in Columbus, Ohio in 1937. The choir has been steeped in holiday music throughout its history – at least since its first appearance in a national television broadcast of Gian Carlo Menotti’s opera, Amahl and the Night Visitors, in 1951. Among its performances this month is an appearance at the Metropolitan Museum of Art on Dec. 16. Watch their fourth WQXR performance below and listen to the full segment, with host Terrance McKnight's interview, at the top of this page. Video: Kim Nowacki; Audio: Irene Trudel; Production & Text: Brian Wise

The American Boychoir is regarded as the United States’ premier concert boys’ choir and one of the finest boychoirs in the world. It continues to dazzle audiences with its unique blend of musical sophistication, effervescent spirit and ensemble virtuosity. Its members – boys from grades 4 through 8 – come from 9 states and 4 foreign countries. Anthony McSpadden spoke with conductor, FERNANDO MALVAR-RUIZ, about the group’s performance at the Sandler Center in Virginia Beach.