Podcasts about Hodie

Annuntiamos vobis ex Terra Ignota gaudium magnum. Habemus Papam! Eminentissimum ac Reverendissimum Dominum, Dominum Robertum Franciscum Sanctae Romanae Ecclesiae Cardinalem Prevost qui sibi nomen imposuit Leo XIV. Hodie cum Paloma Girona ex Conclavit Informat (https://www.youtube.com/@Conclave_Informa‬) sine clavibus colloquimur et cervisiam pro salute Sanctitatis Suae bibimus. Ut eius sententia dicit: nos multi in illo uno unum. Salvete in Terram Ignotam Emitido en YouTube el 11 de mayo de 2025: https://www.youtube.com/watch?v=l4N3vj1CXFg __________________________________________ Recuerda darle a suscribirse para no perderte futuros contenidos. Y si te gusta, te animamos a compartirlo con tus amigos y conocidos. Puedes acceder a todas las plataformas de Terra Ignota desde https://linktr.ee/TerraIgnota (Youtube, Spotify, Discord y mucho más). ¡Échanos una mano convirtiéndote en Patrón! pateron.com/terraignota Para adquirir productos del podcast: https://tienda.terraignota.es En https://www.arenashop.es tenéis descuentos usando el código IGNOTEROS

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Hodie in monte – Peter Philips O nata lux de lumine – Thomas Tallis  

O xurado do II Concurso de composición coral "José Mardones", en Vitoria (Euskadi), concedeulle o 2° premio á obra "Hodie"!!! composta polo actual director do coro Concerto tempo de Ferrol, José Antonio García Mato. A presentación oficial en concerto das pezas galardoadas tera lugar no segundo trimestre de 2025 en Vitoria - Gasteiz

“I don't have a sound that I'm trying to make the choir fit into. I'm trying to understand and uncover the palette of sounds that are in front of me and then expand our sense of what we can sound like. This happens through the community building process, because the more we honor each individual and allow them to bring themselves into that rehearsal space, then the fuller and richer we are.”Dr. Joel Tranquilla (he/him/his) is a conductor and music educator noted for his versatile musicianship and creative programming. Originally from Fredericton, Joel is thrilled to have returned home to assume the position of Artistic Director of the Halifax Camerata Singers and Chorus Master of Symphony Nova Scotia. Formative choral experiences include touring with the American Boychoir as a boy soprano and singing as a member of the Nova Scotia and National Youth Choirs. He holds degrees from Mount Allison University, the University of Michigan, and Michigan State University where his doctoral research was in the area of Canadian choral-orchestral works.Joel relocated to Nova Scotia in 2023 after spending nine years as the Director of Choral Activities at Trinity Western University in Langley, BC, where he oversaw a program of six choirs and taught various courses within the School of the Arts, Media and Culture. Joel led the TWU Chamber Choir on tours to Ottawa, New York City, China, Hong Kong, Japan, and Taiwan. In addition to his work at TWU, Joel served as the Artistic Director of the Valley Festival Singers in Abbotsford and was the conductor of the award-winning Coastal Sound Youth Choir in Coquitlam. A singing member of the Canadian Chamber Choir since 2007, he was named the ensemble's Associate Conductor in 2013. As such, he contributes to the programming and long-term artistic visioning of that organization. Prior to his time on the West Coast, Joel lived and worked in Windsor, Ontario, serving as the conductor of several local ensembles including the Windsor Symphony Orchestra Chorus. In high demand as an adjudicator and clinician across the country, Joel is a past Guest Conductor of the New Brunswick Youth Choir and the Manitoba Provincial Honour Choir, and was the Assistant Conductor of the 2012 National Youth Choir.Major works conducted include Poulenc's Gloria, Vaughan Williams' Hodie, Ramirez's Navidad nuestra, Mendelssohn's St. Paul, Handel's Alexander's Feast, Requiems by Fauré and Duruflé, Bach's St. John Passion, and Allan Bevan's oratorio Nou Goth Sonne Under Wode. In spring 2023, Joel conducted the premiere of a new oratorio by David Squires and made his Carnegie Hall debut in a program featuring Vaughan Williams' Five Mystical Songs. Joel believes in the power of choral music to build and strengthen community. His wife, Meghan is an audiologist, and they have three precocious children: Everett, Penelope, and Felix.To get in touch with Joel, you can visit the Halifax Camerata Singers website at halifaxcamerata.org or find them on Facebook (@HalifaxCamerataSingers) or Instagram (@halifaxcameratasingers). You can also find the Canadian Chamber Choir at their website canadianchamberchoir.ca, on Facebook (@CanadianChamberChoir) or Instagram (@canadianchamberchoir).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Hodie mirum in modo non latine sed tandem graece loquimur! nec solae! multa iucunda facta sunt inter conventum Matritensem nomine OURANOS... estisne parati ad linguam Graecam? et ad iucundas insanias nostras?(Nolite curare... revertemur ad linguam Latinam in insequente colloquio)

Today, DJ Bob talks to Melanie Harke, Director of Interactive at Fred Rogers Productions, about the new Donkey Hodie interactive game. “Cousin Hodie Playdate” aids social-emotional learning. The two discuss Melanie's career, accessibility, and the contents of the game.

On this edition of The Arts Section, host Gary Zidek sits down with Lyric Opera general director Anthony Freud, who is retiring after a long career in the arts. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, joins Gary to review a new thought-provoking play that looks at the potential impacts of AI. Later in the show, Gary highlights some programs aimed at kids this summer. He visits a new Bluey experience in Chicago and catches up with the artist behind a new exhibit in Elmhurst that highlights the popular PBS show Donkey Hodie.

Mahigan Saint-Pierre of Kitchen Toad joins us once again to celebrate the feast of our most beloved Saint Expedite! We giggle about our formative experiences with the martyr, reminisce on baking late night pound cakes after our petitions manifested even more quickly than we'd dreamed, and ponder why Mahigan's statue of the saint looks exactly like Mark Zuckerberg. Mahi and B. Key also discuss their brand new collaborative launch, bringing everyone the victory of Today and their enemies the bitterness of Tomorrow. Support us on patreon.com/TheFrightfulHowls and follow us at twitter.com/FrightfulHowls.

Salvete sodales! De novo adsumus ad Latine colloquendum! Hodie lassitudine affectae de re leviore ac paulo magis iocoso colloqui constituimus quare hoc episodion de pelliculis quas nobis aut risum aut lacrimas moveant habete! Speramus fore ut hoc episodion vobis placeat! Placuitne vobis hoc episodion? Estne auctor quem minus legi sed saepius legi oportere censes? Vultisne aliud episodion huius generis audire? Dicatis nobis! Nos certiores facere potestis per Twitter (@lacvolo), Facebook (Latinitas Animi Causa), per situm nostrum habesnelac.com/contact, et per quemcumque locum unde sermones audire soleatis! Si vultis nos sustinere, en patreon nostrum: patreon.com/habesnelac Discite nobiscum!!! Adite: habesnelac.com Omnia nostra apud linktree nostrum inveniuntur: https://linktr.ee/latinitasanimicausa Adite nostrum biosite et plura de nobis discite: https://bio.site/latinitas --- Send in a voice message: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/message Support this podcast: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/support

Salvete sodales! De novo adsumus ad Latine colloquendum! Hodie lassitudine affectae de re leviore ac paulo magis iocoso colloqui constituimus quare hoc episodion de pelliculis quas nobis aut risum aut lacrimas moveant habete! Speramus fore ut hoc episodion vobis placeat! Placuitne vobis hoc episodion? Quae pelliculae vobis risum movent? Lacrimas? Vultisne aliud episodion huius generis audire? Dicatis nobis! Nos certiores facere potestis per Twitter (@lacvolo), Facebook (Latinitas Animi Causa), per situm nostrum habesnelac.com/contact, et per quemcumque locum unde sermones audire soleatis! Si vultis nos sustinere, en patreon nostrum: patreon.com/habesnelac Discite nobiscum!!! Adite: habesnelac.com Omnia nostra apud linktree nostrum inveniuntur: https://linktr.ee/latinitasanimicausa Adite nostrum biosite et plura de nobis discite: https://bio.site/latinitas --- Send in a voice message: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/message Support this podcast: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/support

Hoy comenzamos con un tropo, Hodie parvulorum cunulae (Hoy las cunas de los niños) dedicado a la festividad de los santos inocentes, que recuerda la barbarie del rey de los judíos Herodes I el Grande ordenando la muerte sin piedad de los niños menores, que vivían en Belén y en su entorno. Una masacre de inocentes de hace 2000 años que ocurrió muy cerca del mismo lugar donde hoy, se están cometiendo las mismas matanzas de niños inocentes bajo las órdenes de un nuevo Herodes.Escuchar audio

“I've always loved carols,” Vaughan Williams wrote to Cecil Sharp in 1911. Despite being called a “most determined atheist” by Bertrand Russell at University, and in later life “a cheerful agnostic”, the composer never lost his love for Christmas. It dated back to childhood memories of singing carols from Stainer and Bramley's Christmas Carols New and Old at his home at Leith Hill Place, Surrey. As an adult, his lifelong passion for the Christmas period was demonstrated in his music - the Fantasia on Christmas Carols, On Christmas Night based on Dickens's A Christmas Carol, the cantata Hodie and the nativity play The First Nowell. His passion for collecting folk tunes in various counties of England – armed with a trusty pencil and paper, or at times a phonograph - also led to a plethora of carol settings using these folk tunes, as Vaughan Williams himself said “Every day some old village singer dies, and with him there probably die half-a-dozen beautiful melodies, which are lost to the world for ever: if we would preserve what still remains we must set about it at once.” This week. Kate Molleson explores Vaughan Williams's experiences of Christmas across his life alongside some of his best loved pieces, and the music he wrote to celebrate the festive period.Music Featured:Dives and Lazarus The First Nowell (extract) Trad. The Murder of Maria Marten Five Variants of ‘Dives and Lazarus' Suite for Viola and Small Orchestra – Group 1 The Wasps Overture I Saw Three Ships Come In Willow Wood Folk Songs of the Four Seasons: Orchestral Suite Trad. The High-low well The Holy Well (version 1) Fantasia on a Theme by Thomas Tallis As Joseph was Walking A London Symphony (III. Scherzo) Fantasia on Christmas Carols Symphony 3 (II. Lento) Trad. On Christmas Night Sussex Carol The Lark Ascending Hodie (This Day): The Oxen On Christmas Night (extract) Dona Nobis Pacem (III. Reconcilliation) Trad. Ploughboy's Dream O Little Town of Bethlehem Prelude: 49th parallel Symphony No 5 in D Major (III. Romanza) God rest you merry, gentlemen The First Nowell: IX: In Bethlehem City On Wenlock Edge (V. Bredon Hill) Epithalamion (the bridal day) – Procession of the bride Hodie (extract) Symphony No 7 (V. Epilogue) Trad. Seven Virgins (Leaves of Life) The Seven Virgins The First Nowell: XX. The First NowellPresented by Kate Molleson Produced by Sam Phillips for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for A Vaughan Williams Christmas https://www.bbc.co.uk/programmes/m001t9wp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Learn to sing the Gradual with a step by step approach using solfege with repetitions at sections and clauses then applying the texts. Suitable for beginners.Liber Usualis 1961, page 360 for the score.

Learn to sing the Introit with a step by step approach using solfege with repetitions at sections and clauses then applying the texts. Suitable for beginners.Liber Usualis 1961, page 359 for the score.

Welcome to the Carols of Christmas. Each day leading up to Christmas, I talk about a particular Christmas carol, explaining some of the history and background behind the carol, and then finally, I will sing a verse of it for you. Some will be familiar and some probably not, but they all point us toward the true reason for the season: our Savior Jesus Christ. If you want to learn more about the history of songs other than Christmas songs, please visit my other podcast “Songs for All Seasons.” ⁠⁠https://open.spotify.com/show/0XOKDFCzzO8GuG7RDUQxUr⁠⁠ Season 1 is now available in book form! Order “An Advent Carols Countdown” online: ⁠⁠https://www.amazon.com/dp/1639930477/ref=cm_sw_em_r_mt_dp_Z08NWJRNBRSBQCHN7GVK⁠⁠ Music Credits: We Wish You A Merry Christmas by Yoshinori Tanaka / 田中 芳典 | https://soundcloud.com/yoshinori-tanaka-guitar Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License ⁠⁠https://creativecommons.org/licenses/by/3.0/deed.en_US⁠⁠ The First Noel by Yoshinori Tanaka / 田中 芳典 | https://soundcloud.com/yoshinori-tanaka-guitar Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License ⁠⁠https://creativecommons.org/licenses/by/3.0/deed.en_US⁠⁠ Learn more about me and my other books and podcasts at: ⁠⁠www.authormichaelyoung.com --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-young37/support

The history of music-making in Rome tends to focus on Renaissance polyphony, with an occasional nod to the Baroque thereafter. But thanks to composers like Giovanni Battista Casali (1715–92), choral music continued to flourish in Roman churches and other religious establishments in the eighteenth century, too, until Napoleon's occupation broke many of its traditions. Casali's music, though, is as good as unknown, and this pioneering recording reveals a composer at home in the galant style – with a surprising fondness for the occasional dissonance.Tracks Confitebor tibi, Domine (2:02) Comedetis carnes (2:54) Adiuva nos, Deus (2:18) Improperium expectavit* (2:34) Tantum ergo (3:38) Christum regem adoremus (2:37) Ad te levavi (2:38) Ave Maria a4 (3:38) Exaltabo te (2:50) Hodie nobis de caelo (2:23) Quem vidistis pastores (2:36) Constitues eos (2:13) Ave Maria a8 (4:05) Justus ut palma (2:45) Scapulis suis (3:32) Caro mea, vere est cibus (3:18) Haec dies (2:39) Memoria fecit (Confitebor in D)(2:22) Gloria Patri (Confitebor in D) (3:26) All Except * First RecordingsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Moveable Do welcomes Dr. Z. Randall Stroope to starts off Season Seven!! We talk about growing up on a ranch in the Southwest and the lesson learned from his music teachers while growing up. He also explains how to prepare to conduct an All-State choir. Piece featured on this episode: "Starry Messenger," "We Beheld Once Again the Stars," the third movement of "Hodie! (This Day)," and "Tarantella (Jubilate Agno)." If you'd like to learn more about Z. Randall Stroope and his music, visit https://www.zrstroope.com. For more information about this podcast and access to a full archive of episodes, visit https://sdcompose.com/moveabledo. Keep the music moving! Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo Moveable Do Merch https://www.teepublic.com/user/sdcompose --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

Cosa accade quando la blockchain incontra l'alta orologeria? Succede che nasce il primo orologio abbinato a un NFT: la collezione Ingenieux “Liaison”, creata in collaborazione con il marketplace Hodie NFT. Il primo orologio della serie “Liaison”, il numero 0 di 99, è stato battuto all'asta ad Antiquorum Ginevra il 6 novembre scorso, partendo da una base d'asta di 6 mila euro. Gli altri 99 pezzi della collezione Ingenieux “Liaison” NFT sono prenotabili sul marketplace Hodie NFT e sono disponibili nella boutique Ingenieux di via Bagutta 8, nelcuore del quadrilatero della moda milanese.

Ilsa, Andreas, et Clara una ad Latine colloquendum conveniunt. Hodie de rebus quibus terrentur colloquuntur nam omnes nos aliquid timemus. Quid vos? Quae sunt quae in vos terrorem iniciant? Vosne, ut Clara, araneas times? Vel, ut Andreas, mare altum? Vel, ut Ilsa, locos altissimos? Scribite nobis nam nihil nobis gratius est quam responsa vestra audire! Imago manicularum ridicularum: https://www.amazon.com/Yolococa-Pieces-Finger-Puppet-Hands/dp/B07YHMH4PR/ref=sr_1_8?crid=8AAH7S49YA22&keywords=plastic+hands&qid=1667539031&qu=eyJxc2MiOiI0LjgxIiwicXNhIjoiNC40NiIsInFzcCI6IjQuMjkifQ%3D%3D&sprefix=plastic+hands%2Caps%2C154&sr=8-8 Nos invenire potestis apud: ⏩ Situm Nostrum (Our site): https://www.habesnelac.com/ ⏩ Prosopobiblion (Facebook): https://www.facebook.com/lacvolo ⏩ Pipiatorium (Twitter): https://twitter.com/lacvolo ⏩ Anchora (Anchor): https://anchor.fm/latinitas-animi-causa ⏩ Twitch: https://www.twitch.tv/latinitasanimicausa ⏩ YouTube: https://www.youtube.com/channel/UChSnGEw-_v57_ajRJkfojYg ⏩ Instagram: https://instagram.com/latinitas_animi_causa?utm_medium=copy_link ⏩ Patreon: https://www.patreon.com/habesnelac ⏩ TikTok https://www.tiktok.com/@latinitasanimicausa --- Send in a voice message: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/message Support this podcast: https://podcasters.spotify.com/pod/show/latinitas-animi-causa/support

Suzanne (Don't call her Underdog Lady) & the Curious Case of Donkey Hodie. Suzanne (Not Underdog Lady) has a beef with a PBS animated series Donkey Hodie. She feels that somebody is getting shortchanged and is about to set the record straight. Suzanne Muldowney (Don't call her Underdog Lady) appeared on Howard Stern's TV and radio shows numerous times. (This was Howard Stern Channel 9 TV show from the 90's.) 

http://www.UnderThePuppet.com -  The TV Show Donkey Hodie from Fred Rogers productions expands on characters created by Mr. Rogers and empowers viewers to dream big and overcome obstacles.  Chief Creative Officer for Fred Rogers Productions and Executive producer of the show Ellen Doherty and Donkey Hodie Puppeteer Haley Jenkins join me for an exclusive look at Donkey Hodie on this episode of Under The Puppet. Plus, hear more of my conversation with Ellen and Haley  exclusively on the free Under The Puppet app for iOS & Android! IOS - https://apple.co/2WZ4uZg ANDROID - https://bit.ly/2RwcFev Also, this month you can win a $50 Gift Card to PuppetPelts.com!  Listen to find out how to enter. Transcript of this interview is available to the Saturday Morning Media Patreon Patrons! CONNECT WITH DONKEY HODIE, ELLEN & HALEY: Website - https://pbskids.org/donkeyhodie/ Ellen's IMDB - https://www.imdb.com/name/nm0230566/ Haley's Instagram - https://www.instagram.com/haleynjenkins DISCUSSED ON THE SHOW: Donkey Hodie - https://pbskids.org/donkeyhodie/ Fred Rogers Productions - https://www.fredrogers.org Reading Rainbow - https://www.readingrainbow.org Larry Lancit - https://www.imdb.com/name/nm0484295/ Cecily Truett - https://www.imdb.com/name/nm0874135/ Twila Liggett - https://www.imdb.com/name/nm0509913/ Lancit Media - http://www.lancitdigitalmedia.com The Muppet Show - https://en.wikipedia.org/wiki/The_Muppet_Show Schoolhouse Rock - https://en.wikipedia.org/wiki/Schoolhouse_Rock! Boston College - https://www.bc.edu PBS - https://www.pbs.org Adam Rudman - https://muppet.fandom.com/wiki/Adam_Rudman David Rudman - https://en.wikipedia.org/wiki/David_Rudman Cyberchase - https://pbskids.org/cyberchase/ Paul Siefken - https://www.fredrogers.org/our-people/ Spiffy Pictures - https://www.spiffypictures.com Daniel Tiger's Neighborhood - https://pbskids.org/daniel/ Don Quixote - https://en.wikipedia.org/wiki/Don_Quixote Mr. Rogers Neighborhood - https://www.misterrogers.org Lamb Chop's Play-Along - https://en.wikipedia.org/wiki/Lamb_Chop%27s_Play-Along Sesame Street- https://www.sesamestreet.org Alice Dinnean - https://saturdaymorningmedia.com/2019/01/utp-24/ Joey Mazzarino - https://saturdaymorningmedia.com/2021/08/utp-62/ Stephanie D'Abruzzo - https://www.stephaniedabruzzo.com Mel Campbell - https://www.imdb.com/name/nm13167503/ Peter Linz - https://en.wikipedia.org/wiki/Peter_Linz Paul McGinnis - https://www.imdb.com/name/nm1186970/ Matt Vogel - https://saturdaymorningmedia.com/2020/07/utp-50/ CONNECT WITH THE SHOW http://www.instagram.com/underthepuppet http://www.twitter.com/underthepuppet CONNECT WITH GRANT http://www.MrGrant.comhttp://www.twitter.com/toasterboy https://instagram.com/throwingtoasters/ Art by Parker Jacobs Music by Dan Ring Edited by Stephen Staver Help us make more shows like this one.  Become a patron of Saturday Morning Media and get cool rewards!  Visit www.patreon.com/saturdaymorningmedia for info! ©2022 Saturday Morning Media - http://www.saturdaymorningmedia.com

Hodie, nunc. Porque el pasado, pesael futuro, angustia, cuando ocupa el presente.Mira el presente, recuerda el pasado, observa el futuro y deja de esperar, porque no hay mejor momento para ser felizAgobiarse? Gente de poca fe! A cada día le basta su afán #10minutosconJesús#10minutosconJesús** Ponte en presencia de Dios. Trata de hablar con Él. ** 10 minutos son 10 minutos aunque te puedas distraer. Llega hasta el final. ** Sé constante. El Espíritu Santo actúa “a fuego lento” y requiere constancia.Audios de 10 minutos que te ayudan a rezar. Un pasaje del Evangelio, una idea, una anécdota y un sacerdote que te habla y habla al Señor invitándote a compartir tu intimidad con Dios.Busca tu momento, piensa que estás con Él y dale al play.Toda la info en nuestra web: www.10minutosconjesus.orgdiezminutosconjesus@gmail.comPara recibir cada día tu meditación por Whatsapp pulsa aquí:http://dozz.es/nu36t

Hodie celebratur dies librorum ergo... ecce novum colloquium de libris! Tandem loquimur de libro ubi Romani et Graeci adsunt!Non autem Anna et Lida tantum, sed etiam Rodericus loquitur in hoc colloquio!Non omnia bona sunt... sed, ut semper, utilia inveniuntur ubique in libris! et vos? legistisne an in animo habetis?

Domingo 8ª DE Navidad y San Esteban Cantos tropados para el día de Navidad y su domingo siguiente junto al gradual de san Esteban, Sederunt príncipes en su fiesta, serán los protagonistas de hoy. Escuchar audio

Una antigua grabación de los monjes de Solesmes nos guiará en este día de Navidad donde tendremos además un recuerdo para el benedictino y gregorianista Laurentino Sáenz de Buruaga al cumplirse el tercer aniversario de su fallecimiento. Escuchar audio

Hodie natus est nobis Christus!

durée : 00:09:58 - Hodie Christus natus est - The Boston Camerata - Noël approchant, voilà une bonne occasion de vous présenter cet enregistrement de la chanteuse Anne Azéma et son ensemble, la Boston Camerata. L'album est paru chez Harmonia Mundi et propose une musique de Noël transcendante !

December 5, 2021: “ Personent Hodie” performed by Choral Union, Brass & Peggy Graff by FUMCFW

They say the first cut is the deepest, but there seems to be no depth we can't explore with these wonderful people. In this episode we sit down with Ellen Doherty, Chief Creative Officer at Fred Rogers Productions, and Kristin DiQuollo, Supervising Producer of Donkey Hodie, for a light conversation that totally doesn't immediately delve into topics of self-identity and the necessity of failure for personal growth. We should expect as much at this point from the brilliant and engaging minds over at FRP, but it doesn't make it any less special. Make sure to catch the fantastic new episodes of Donkey Hodie on your local PBS station or the PBS Kids App.

http://www.UnderThePuppet.com - Joey Mazzarino started as a puppeteer on Sesame Street in 1989.  He'd go on to perform characters such as Murray Monster, Stinky the Stinkweed and Horatio the Elephant.  He joined Sesame Street's writing staff in 1991 and would become head writer on the show in 2009.  He also co-wrote the screenplays for The Adventures of Elmo in Grouchland and Muppets From Space.  I talk to Joey Mazzarino about his career in puppetry and writing for puppets on this episode of Under The Puppet. Also, this month you can win a handmade Flat-Footed Frizzle puppet made by David Stephens!  Listen to find out how to enter. Transcript of this interview is available to the Saturday Morning Media Patreon Patrons! MORE ON Joey Mazzarino:WIKIPEDIA - https://en.wikipedia.org/wiki/Joey_Mazzarino IMDB - https://www.imdb.com/name/nm0563505/ DISCUSSED ON THE SHOW: Empire Strikes Back - https://en.wikipedia.org/wiki/The_Empire_Strikes_Back Frank Oz - https://en.wikipedia.org/wiki/Frank_Oz Sesame Street - https://en.wikipedia.org/wiki/Sesame_Street Tisch School of the Arts - https://tisch.nyu.edu Fordham - https://www.fordham.edu Ben Harney - https://en.wikipedia.org/wiki/Ben_Harney_(actor) Camille Bonora - https://en.wikipedia.org/wiki/Camille_Bonora Jim Henson - https://en.wikipedia.org/wiki/Jim_Henson Richard Hunt - https://en.wikipedia.org/wiki/Richard_Hunt_(puppeteer) Of Muppets and Men - https://muppet.fandom.com/wiki/Of_Muppets_and_Men_(book) The Jim Henson Hour - https://en.wikipedia.org/wiki/The_Jim_Henson_Hour Song of the Cloud Forest - https://muppet.fandom.com/wiki/The_Song_of_the_Cloud_Forest Steve Whitmire - https://en.wikipedia.org/wiki/Steve_Whitmire John Kennedy - https://saturdaymorningmedia.com/2020/12/utp-54/ Kevin Clash – https://saturdaymorningmedia.com/2020/10/utp-52/ Carmen Osbahr - https://en.wikipedia.org/wiki/Carmen_Osbahr Craig Shemin - https://muppet.fandom.com/wiki/Craig_Shemin Lisa Simon - https://www.imdb.com/name/nm1016686/ David Rudman - https://en.wikipedia.org/wiki/David_Rudman Colambo - https://youtu.be/CJbMd-kmmcY Jon Stone - https://en.wikipedia.org/wiki/Jon_Stone  Ted May - https://muppet.fandom.com/wiki/Ted_May Jeff Moss - https://en.wikipedia.org/wiki/Jeff_Moss I Don't Wan't To Live on the Moon - https://youtu.be/kIq8jLj5TzU Norman Stiles - https://muppet.fandom.com/wiki/Norman_Stiles 200 Year Old Man - https://en.wikipedia.org/wiki/2000_Year_Old_Man Bobcat Goldthwait - https://en.wikipedia.org/wiki/Bobcat_Goldthwait  Matt Vogel - https://saturdaymorningmedia.com/2020/07/utp-50/ Bernie Broccoli - https://muppet.fandom.com/wiki/Bernie_Broccoli  Filfil - https://muppet.fandom.com/wiki/Filfil  Lin-Manuel Miranda - https://en.wikipedia.org/wiki/Lin-Manuel_Miranda Peter Linz - https://en.wikipedia.org/wiki/Peter_Linz Stephanie D'Abruzzo - https://en.wikipedia.org/wiki/Stephanie_D%27Abruzzo Chris Jackson - https://muppet.fandom.com/wiki/Chris_Jackson Hamilton - https://en.wikipedia.org/wiki/Hamilton_(musical) In The Heights - https://en.wikipedia.org/wiki/In_the_Heights Jerry Nelson - https://en.wikipedia.org/wiki/Jerry_Nelson Jerry Juhl - https://en.wikipedia.org/wiki/Jerry_Juhl Mandy Patinkin - https://en.wikipedia.org/wiki/Mandy_Patinkin Puppets for Puppetry - https://muppet.fandom.com/wiki/Puppets_for_Puppetry Kidding - https://en.wikipedia.org/wiki/Kidding Donkey Hodie - https://www.pbs.org/parents/shows/donkey-hodie Adam Rudman - https://www.imdb.com/name/nm1014204/ Mo Willams - http://www.mowillems.com Unbreakable Kimmy Schmidt - https://youtu.be/nKZo2tVTBpo CLIPS HEARD IN THIS EPISODE:Wet & Dry - https://youtu.be/iRwnSABtExc Stinky - https://youtu.be/YmQqV44FTbg Inside Horatio - https://youtu.be/xd6BIyIOAe4 Murray Had A Little Lamb - https://youtu.be/g9WIjwFrdpE HEAR NEW EPISODES EARLY! GET BONUS CONTENT! DOWNLOAD THE FREE UNDER THE PUPPET APP! IOS - https://apple.co/2WZ4uZg ANDROID - https://bit.ly/2RwcFev CONNECT WITH THE SHOW http://www.instagram.com/underthepuppet http://www.twitter.com/underthepuppet CONNECT WITH GRANT http://www.MrGrant.comhttp://www.twitter.com/toasterboy https://instagram.com/throwingtoasters/ Art by Parker Jacobs Music by Dan Ring Edited by Stephen Staver Help us make more shows like this one.  Become a patron of Saturday Morning Media and get cool rewards!  Visit www.patreon.com/saturdaymorningmedia for info! ©2021 Saturday Morning Media - http://www.saturdaymorningmedia.com

Importância de não adiar as tarefas. Hoje e agora.

It's a beautiful day in the studio for a conversation with two new neighbors; Haley Jenkins and Frankie Cordero, the stars of Donkey Hodie, the new series from the world of Mister Rogers on PBS Kids. Find out about the pressures, personal motivations, practical effects, and behind-the-scenes dancing that make up this delightful new show. All photos, show assets are courtesy of Fred Rogers Productions

When Dmitri's latest invention cuts the Bustrs off from each other, Dmitri, Steve Butts, and Hodie the Clown must take it into their own hands to deal with the dog situation in the hillbilly's apartment.

This week on Moveable Do, Joan Szymko takes us on an adventure of topics including accessibility and universality, African drumming, selecting texts, and an in-depth discussion of Alzheimer's. Featured on this episode: "Nada te Turbe," "Hodie," "River," and highlights from her major work, "Shadow and Light." If you listen carefully, you might even hear a bit of "It Takes a Village." For more information about Joan and her music, visit https://joanszymko.com. For a full archive of episodes, visit https://sdcompose.com/moveabledo. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/moveabledo/support

Wir berichten diese Woche wie es im überlaufenden Binz momentan aussieht. Alex legt ein dunkles Kapitel seiner Vergangenheit offen. Spoiler: Es hat mit dem Dildoking zu tun! Außerdem geht der Asphaltstreit in die zweite Runde. In Axel's Exklusiv-Reportage geht es dann darum, welche Verbindung ein „Business-Netzwerk“ mit den Sons of Anarchy hat. Viele haben gefragt und wir beantworten endlich: Was passiert mit dem Baum von Mordor? An dieser Stelle ein Dankeschön an unsere heiligen drei Königinnen: Schantall, Schanine und Schakelline!

The Hastings College Choir performs Hodie Christus Natus Est.

Hodie, Catherina et Timotheus in culina versantur et caffeam parant. Nuntiolum et carmen quoddam satis iucundum et ridiculosum quoque audietis.

It is not something that we always think about - Human Skills? Sometimes these are called people skills or soft skills. Renata is so passionate about helping young people with the skills that they need to be successful at work and in life that she has created a business called Maxme with a supporting app called Hodie aimed at University students. In this chat with Renata we talk Renata's passion and motivation for helping others and how she has channelled this into an Innovative skills development business and app. We discuss the struggles that it takes to step from uni into a career and how young people are challenged to this especially at the moment with Covid. I also talk to Renata about being a women in business, what women can do for themselves and what owning and running a startup is like. If you are interested in developing your Human skills have a listen. To find out more check out:Maxme: www.maxme.com.auInsta @hodie.appAbout me: My name is Samantha McIntyre and after 30 years in business and technology - from starting out on the helpdesk to getting to and staying in the C suite, being on Executive boards and being a mother and entreprenuer! I am passionate about helping women in their careers. What I have enjoyed the most in my roles is helping those around me succeed - particularly women! I have lead technology teams for some of the biggest businesses and brands in Australia and the world such as Tesco, Loreal, Coles, Woolworths and Sportsgirl.So if you're looking for someone who knows what it is like to be a women in business and technology plus being a mother and an entrepreneur then you've come to the right place.Contact:Website: https://www.lady-leadership.com/LinkedIn: Samantha McIntyre Twitter: sjmcintyre1Facebook: @Samantha McIntyreInstagram: @sammijmac and @lady.leadership

Hello fellow listeners! Have you ever wondered about the time Hodie and the Mag officially met each other? Well we're sorry but you'll have to hear it anyway (unless you choose not to but you shouldn't do that). Anyway this one's fun!

Hodie was a victim of a scam! Well a few actually. The Mag too, but in different ways. You should listen to our stories so it doesn't happen to you. Or just kick back and find our stories relatable.

Hodie de carminibus quae modo excepi dixi. Carmina Latina per se illustrata:CD: https://libreriaaurea.com/es/15564-carmina-latina-per-se-illustrata-cd-audio.htmlMP3: https://www.addisco.nl/webshop/carmina-latina/

Hodie loqui de fide, et fidem bonam placiti. Honor pietatis nostrae res in causas. Ergo homo quidam nobilis appropriare sibi opus nostrae conscientia, faciemus.

Surrexit Christus Hodieby Giovanni Gabrieli (1557-1612) Recorded at Holy Spirit Episcopal Church, 2018 Arranged by Stephen J. Morris for: 4 trombones, timpani, and organ Originally a choral work for 11 voice parts. The text is the basis for our hymn “Jesus Christ Is Risen Today”

Hodie fabulam Semmelweis narro in quá invenit necessitatem manuum lavandarum. Cave me prave dixisse (præter alia menda!) «majocomii» pro «majocomia» anteriori in quádam parte. Opera citata https://graphics8.nytimes.com/images/blogs/freakonomics/pdf/the%20etiology,%20concept%20and%20prophylaxis%20of%20childbed%20fever.pdf https://web.archive.org/web/20120707205101/http://www.med.mcgill.ca/mjm/issues/v01n01/fever.html http://www.jfmpc.com/downloadpdf.asp?issn=2249-4863;year=2017;volume=6;issue=2;spage=198;epage=200;aulast=Raza;type=2 Musica (c) Scott Holmes Music

Hodie dies est VIII mensis Martii, duabus de causis laetus sum.

Hunter Hodie from Locked On Penguins joins Sneaky Joe for some insight on newest Sabre Dominik Kahun, who the Sabres acquired on deadline day. The guys also go over Pittsburgh's chances in the playoffs, & who will be their starting goalie for the playoffs? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hunter Hodie from Locked On Penguins joins Sneaky Joe for some insight on newest Sabre Dominik Kahun, who the Sabres acquired on deadline day. The guys also go over Pittsburgh's chances in the playoffs, & who will be their starting goalie for the playoffs? Learn more about your ad choices. Visit megaphone.fm/adchoices

Hodie dies brevissima est totius anni!

Kerstmuziek van Schütz, Sweelinck, Poulenc, Gabrieli, en Messiaen. Geen sneeuwval, denneboom, arresleebellen of glühwein, ook mooi op welke andere dag van het jaar ook. Met muziek van Hans Leo Hassler, Olivier Messiaen, Giovanni Gabrieli, Heinrich Schütz, Francis Poulenc, Jan Pieterszoon Sweelinck.

Iterum vos interrogo: ubi hodie versor?

Hodie primum ainigma vobis propono: ubi sum nunc?

Hodie pergimus ad res alias res methodologicas explanandas. Explano quid sit quantitas variabilis et quænam sint eventus, expositio et variabilis confundens (si his vocabilis mihi licet utí). Variabilis est aliquid quod metimure de aliquibus. Expositio est genus variabilis et est quod esse causam eventús (sæpe morbi cujusdam) putamus. Possumus hoc pingere sic (si imagines non videntur, vide https://salvisitis.libsyn.com/acroama-iv-de-variabilibus):   Ecce sagitta picta inter eas. Causa putativa depingutur hoc modo. Variabilis confundents est aliquid quod efficit ut associatio appareat inter duas alias variabiles. E.g., si metiti essemus colorem digitorum participantium et an haberent participantes carcinoma pulmonis, associationem inter ea vidissemus; sed hoc est quia fumum tabaci haurire est causa amborum: fumum haurire est variabilis confundens et si hoc etiam metiti essemus, associatio inter colorem digitorum et carcinoma fuisset nihil.   Quando variabiles in investigatione metiti sumus et quæ fuerunt? Ecce positio socialis œconomica per vitam et dolor longus ætate 68 annorum: Nolite oblivisci subcribere et sequi me in Pipiatorio: @SalviSitisPod. Et dicatis quæso quid censeatis! Potestis quoque mittere mihi epistulam electronicam apud matthew.jay.15[at]ucl.ac.uk.   Vincula Investigatio ipsa: Jay MA, Bendayan R, Cooper R, Muthuri SG. Lifetime socioeconomic circumstances and chronic pain in later adulthood: findings from a British birth cohort study. BMJ Open 2019;9:e024250. https://bmjopen.bmj.com/content/9/3/e024250.   Music copyright Scott Holmes Music.

Greetings on this Feast of the Guardian Angels! As a special episode Fr. Fromageot has recoded a tutorial for us explaining how the Latin corresponds to the English prayer we know and love. This is recited every night in our home in English. This tutorial will help you not only learn the Latin but to understand it as well.  Angele Dei,  qui custos es mei, Me tibi commissum pietate superna; (Hodie, Hac nocte) illumina, custodi, rege, et guberna. Amen. It would mean a lot to me if you could leave a review on iTunes; The podcast has been downloaded over 40,000 times and we now have listeners in over 100 Countries. Ratings helps others find this podcast and I would love you to not only help share it by rating it but also by recommending it to your families and friends and also by sharing it on social media. Follow me on twitter @dylandrego or on instagram @dylan.drego and do not hesitate to drop me a line. We are living in dark times (in and outside of the Church) which now more than ever requires you and me, ordinary men and women to fight with all our might for the salvation of souls and our own sanctity. Prayer is the foundation that grounds us as well as the wings that draw us close to God. It is the beginning. Pope St. Pius X's reach was limited by the technology of his day, but what about us? What if we could gather, inspire and call upon a 1,000,000 families to pray the rosary everyday? If you have any prayers you'd like to request, or comments and/or suggestions - please email me at dylandrego@me.com. Know that if you are listening to this, I am praying for you. Please continue to pray with me and for me and my family. May everything you do be Ad Majorem Dei Gloriam. God Love You! Valete (Goodbye) https://itunes.apple.com/ca/podcast/the-latin-prayer-podcast/id1202522527?mt=2 http://dylandrego.podbean.com

Hodie agitur de causis cur investigationem doloris longi suscepimus, præsertim investigationem positionis socialis œconomicæ. Loquor ergo de epidemiolgiá sociali, quæ est provincia epidemiolgiæ quæ res sociales et quomodo salutem afficiant investigat, et de distributione doloris longi. Hæc est prima pars sermonis de illá investigatione; partes subsequentes erunt de methodis et quo invénimus. Estne aliquid quod omisi? Aliquid quod non bene explicavi? Fac sciam, quæso! @SalviSitisPod vel @MattJayResearch. Cavendum est nam bis saltem perperam dixi «dolori longi» pro «dolori longo» et versimiliter insunt alia menda. Ignoscatis! Salvi sitis! Opera: Investigatio ipsa: Jay MA, Bendayan R, Cooper R, Muthuri SG. Lifetime socioeconomic circumstances and chronic pain in later adulthood: findings from a British birth cohort study. BMJ Open 2019;9:e024250. Investigatio Salutis Angliæ (the Health Survey for England). De epidemiologiá sociali: Krieger N. A glossary for social epidemiology. J Epi Comm Health 2001;55:693-700. De positione sociali œconomicá: Galobardes B, Lynch J, Smith GD. Measuring socioeconomic position in health research. Br Med Bull 2007;1-17. De prævalentiá doloris longi apud mares feminasque: Fillingim RB, King CD, Ribeiro-Dasilva MC et al. Sex, Gender, and Pain: A Review of Recent Clinical and Experimental Findings. J Pain 2009;10:447-485. De centesimis Latine reddendis.   Music copyright Scott Holmes Music.

Salvete! This is by far one of the simplest prayers that everyone should learn in Latin - I've recorded it twice giving both the day/night version. Angele Dei,  qui custos es mei, Me tibi commissum pietate superna; (Hodie, Hac nocte) illumina, custodi, rege, et guberna. Amen. It would mean a lot to me if you could leave a review on iTunes; The podcast has been downloaded over 30,000 times and we now have listeners in over 100 Countries. Ratings helps others find this podcast and I would love you to not only help share it by rating it but also by recommending it to your families and friends and also by sharing it on social media. Follow me on twitter @dylandrego or on instagram @dylan.drego and do not hesitate to drop me a line. We are living in dark times (in and outside of the Church) which now more than ever requires you and me, ordinary men and women to fight with all our might for the salvation of souls and our own sanctity. Prayer is the foundation that grounds us as well as the wings that draw us close to God. It is the beginning. Pope St. Pius X's reach was limited by the technology of his day, but what about us? What if we could gather, inspire and call upon a 1,000,000 families to pray the rosary everyday? If you have any prayers you'd like to request, or comments and/or suggestions - please email me at dylandrego@me.com. Know that if you are listening to this, I am praying for you. Please continue to pray with me and for me and my family. May everything you do be Ad Majorem Dei Gloriam. God Love You! Valete (Goodbye) https://itunes.apple.com/ca/podcast/the-latin-prayer-podcast/id1202522527?mt=2 http://dylandrego.podbean.com  

Iūlius in peristȳlō suō magnificō, quod columnīs et signīs deōrum ōrnātur, cum amīcō suō Cornēliō loquitur.“Certē tū vir beātus es, Iūlī”, inquit Cornēlius, “nam vīllam magnificam possidēs cum magnā familiā atque uxōre pulcherrimā.”Iūlius: “Mea uxor nōn pulchrior est quam tua. Tū quoque es vir beātus, Cornēlī, quamquam tibi nōn tanta vīlla atque minor familia est. Neque enim eae sunt rēs quae hominēs beātōs faciunt.”Ad hoc Cornēlius “Ita est ut dīcis”, inquit, “sed vir pauper ā fēminīs dīvitibus nōn amātur neque virgō pauper amātur ā virīs dīvitibus!”Iūlius: “Immō ego adulēscēns dīves virginem pauperem amābam – nec vērō ab eā amābar! Numquam ab eā salūtābar, epistulae ac flōrēs, quōs ad eam mittēbam, ad mē remittēbantur. Itaque trīstis eram ac miser. Parentēs meī multīs modīs mē dēlectāre cōnābantur, optimum cibum mihi dabant, sed ego paulum edēbam et nocte male dormiēbam.”Cornēlius: “Cūr illa virgō pauper tē adulēscentem dīvitem nōn amābat?”Iūlius: “Quia alium virum dīvitem amābat – nec vērō ab illō virō pessimō amābātur, quod virgō pauper erat!”Cornēlius: “Quae erat illa virgō pauper?”Iūlius: “Erat Aemilia, quae nunc uxor mea est ac mē nec ūllum alium virum amat. Hodiē beātī coniugēs sumus.”Cornēlius: “Ego quoque adulēscēns virginem pauperem amābam, neque putābam mē ab eā amārī quia ipse pauper eram. Sed illa mē nec ūllum alium virum amābat – ac nunc uxor mea est. Nōs beātissimī sumus coniugēs, quamquam dīvitēs nōn sumus. Uxor mea mulier est optima ac pulcherrima.”Iūlius: “Uxor tua nōn melior neque pulchrior est quam mea Aemilia!”

Hodie communico paucas res dictu dignas quas didici de colloquio primo (de Arte Notoria scripto) quorum ignarus fueram ubi "octo lepidissima dicta" et colloquium cum Camerario paravimus. Etiam nonnulla subsidia ad aenigma solvendum ostendo. Gratiae Herberto Doting sunt agendae quod ille nos certiores fecit de editione Colloquiorum Latine tantum adnotata, ex qua haec didicimus.

The crew returns to Chronos in an attempt to find fuel for their ship, but they quickly discover that Blake, and the Hodie, are harboring a dangerous secret. Will our intrepid adventurers get their Chromium? Will Elsa fist more aliens? Find out in the next installment of Voyage to the Stars! 

Hodiē māne Mārcus dīcit ‘sē ē lectō surgere nōn posse nec lūdum petere.’“Cūr surgere nōn potes?” interrogat Dāvus.“Surgere nōn possum” respondet Mārcus, “quia aegrōtō. Caput mihi dolet.” Hoc dīcēns puer oculōs claudit et tergum ad Dāvum vertit.Dāvus Iūlium, patrem Mārcī, vocat: “Venī, domine, et aspice tuum Mārcum fīlium, quī dīcit ‘sē aegrōtāre’!”Iūlius intrat et spectat fīlium in lectō iacentem.Mārcus sē vertit et faciem dolentem ostendit; manum ad frontem appōnit et “Aegrōtō, pater” inquit, “Ei, ei! quam dolet caput! Surgere nōn possum.”“Sī aegrōtās” inquit Iūlius, “necesse est medicum vocāre. Is tē sānāre potest.”Iūlius statim servum iubet Tūsculum īre atque medicum arcessere.Post hōram servus cum medicō ad vīllam Iūliī redit. Medicus Mārcum linguam ostendere iubet, et linguam eius rubram esse videt. Tum oculōs et aurēs eius spectat et frontem eius tangit: nec nimis calida nec nimis frīgida est frōns. Deinde medicus manum super pectus puerī impōnit et eum bene spīrāre atque cor eius bene palpitāre sentit; puer pulmōnēs bonōs et cor bonum habet.”“Quid tibi dolet?” interrogat medicus.“Caput et venter dolet” respondet Mārcus.Tum medicus “Ergō” inquit “corpus tuum nimis plēnum est sanguinis. Necesse est vēnam aperīre. Ecce culter meus.” Medicus puerō cultrum suum ostendit.Cultrum medicī vidēns Mārcus “Iam nōn tam male mē habeō” inquit, “Satis bene mē valēre sentiō. Caput iam nōn dolet neque mē ventrem malum habēre putō.”Rīdet medicus. At pater īrātus iubet fīlium suum statim ē lectō surgere atque lūdum petere!

Brian gets a recap from Cody on the latest in consumer electronics and AI at CES 2019. Plus: modern dating tips from Smart Dating Academy founder Bela Gandhi, live music from Hodie Snitch, and more! To kick off the show, Brian gives an update on the partial government shutdown, which somehow becomes a conversation about Cody […]

In this episode of The Public Radio Hour, we learn about ThinkerCon, a global gathering of online educational content creators and hear about what might be the world's first Chemistry Fireworks Show. We'll also preview Lowe Mill's Art After Hours, happening Friday November 16th from 6-8pm. AL.COM Reckon's managing producer John Hammontree stops by to talk about the recent General Election and his article 'Autopsy Report: Democrats On What Went Wrong in 2018'. We'll also celebrate Community Newsroom producer J'Que's one-year anniversary as a volunteer producer, and Dorrie Nutt talks to folks attending the recent Huntsville Community Chorus performance of Hodie at First Baptist Church.   WANT TO CHECK OUT THE CHEMISTRY FIREWORKS SHOW? It happens shortly after 10pm on Saturday November 17th. Just find somewhere that you can see the Saturn V rocket. Don't go to the US Space and Rocket Center since it will be closed! Then, tune your radio to 89.3 WLRH Huntsville Public Radio and listen as the commentators give you a chemistry breakdown of the colors and sounds you see and hear created by each rocket. Have fun!

This is a Special Musical performance of Gaudeamus Hodie by the Chancel Choir and Joyful Noise Children's Choir of Faith Lutheran Church in Okemos, Michigan.

Salvete Amici! Hodie loquor de carmine IV. 11 Horatii, praeter alia. Hoc est secundum podcastum, sed illud ante primum feci, ut conturbem omnes.

Saluete, amici, amicae, uosque omnes qui Latinitati hodiernae fauetis. Illud erit soliloquium e Guiana. Reginaldus loquor. Hodie denuo ad Cornelium Nepotem reuertemur ut uitam Aristidis propius inspiciamus. Ex omnibus uitis quas Cornelius Nepos de excellentissimis imperatoribus peregrinis composuit, ea Aristidi dedicata inter breuissimas dinumeratur. Quae breuitas hodie nobis argumento uisa est ut auctor quamuis res tenuis esset tamen existimaret aliquid dignum in ea fuisse quod inter ampliora referret. Namque mature narrat Aristidem ciuem Atheniensem fuisse necnon Themistocli aequalem quocum de principatu contenderet. Inde facile coniectare possumus uitas utriusque inter se respondere. Ast pauca primum de uiro ipso dicamus ut Nepos eum descripsit: scriptor enim bis indicauit Aristidem insigni abstinentiā fuisse. Idem hanc abstinentiam in capitulo secundo illustrat tribus uirtutibus, quae fuerunt iustitia, aequitas innocentiaque. His usus est Aristides, ut ait Nepos, et domi et militiae. Iustitiā uero significat obseruantiam legum, aequitate recusationem priuilegiorum, innocentiā probitatem intègram. Quod ad abstinentiam spectat, eo uocabulo declārat nullam in uiro fuisse cupiditatem. At Themistocles propter inuidiam multitudinem concitauit ut Aristides ostracismo mulctatus decem annorum exilio Athenis decederet. Tamen poenam totam non dedit sed in ciuitatem populi scito restitutus est cum Xerxes rex Persarum Graeciam inuaderet. Eodem fere tempore pugnae apud Salamina interfuit ubi Persae cladem ingentem subiuerunt. Deinde copiis Atheniensibus praefuit ac cum Spartiatis apud Plataeas Persas magna caede deuicit. Denique Aristīdes qui uirtutibus suis innotuerat, laborauit ut, tanquam Nepos scripsit, "summa imperii maritimi ab Lacedaemoniis transferretur ad Athenienses." Namque ne Persae denuo Graeciam oppugnarent, delectus est ut thesaurum in insula Delo constitueret eoque ciuitas quaeque quotannis quadringena et sexagena talenta conferret . Quamuis magnas pecunias gessisset, nihil sibi lucro apposuit, immo, ut Nepotem recitem, "in tanta paupertate decessit ut qui efferretur uix reliquerit". Ut in initio huius sermonis dixi, ita uitae Themistoclis et Aristidis inter se respondent. Haec coniunctio consistit in illis duobus rebus. Primum uterque ostracismo multatus est, Aristides Themistocle auctore, Themistocles ante quartum annum quam Aristides decessit. Qua mentione Nepos uitam Aristidis concludit eāque illustrat qua ratione duo uiri Athenienses uirtibus diuersis praediti pariterque innocentes eandem poenam subierint. Ex hac ratione profecto materia secundi argumenti hauritur. Etenim Cornelius Nepos cum in primo capitulo de aemulatione Themistoclis Aristidisque loquitur, uirtutes utriusque in unam iuncturam sic comprehendit: "In his autem cognitum est quanto antestaret eloquentia innocentiae." Nec dubium est quin eloquentia ad Themistoclen innocentia ad Aristidis probitatem referenda sit. Praeterea Nepos paulo post addit quod Aristides iam ostracismum metuens intellexerat "reprimi concitatam multitudinem non posse". Inde nos non effugit hic Themistoclen eloquentiā populum concitasse ut Aristiden innocentem ostracismo damnaret, illic eundem Themistoclen quamquam et innocentem et pariter dicendi peritum multis post annis uicissim ab multitudine oppressum exilio decem annorum damnatum esse. Quod insuper ad Aristiden spectat, uirtus eius, i.e. iustitia pro crimine apud uulgus habetur siquidem, ut Nepos narrat, quidam, de Aristide interrogatus, "respondit se ignorare Aristiden, sed sibi non placere quod tam cupide laborasset, ut praeter ceteros, Iustus appellaretur". Hic locus mihi uidetur duplicem uituperationem illustrare in Athenienses illius aetatis. Primum eloquentiam reprehendit, uel ut rectius dicam, abusum eloquentiae quo Themistocles inter alios innocentes intar Aristidis criminari potuit. Deinde ostracismum demonstrat nequiquam poenam idoneam fuisse quippe cum iudicium e suffragiis multitudinis reddebatur neque e probatione rerum. Ac nos quidem dum argumentum porro meditemur, illud pro explorato habebimus quod si iudicia penes multitudinem est et multitudo ipsa eloquentiā potentium ducitur, iustitia debilitata neminem a potentibus protegit utpote quae et aequitas laeditur. Absque iustitia, absque aequitate, potentibus praeualentibus, nullus locus in republica superest democratiae. Ita facile concludemus ubi abusus eloquentiae saeuiat, iudicia penes multitudinem ex existimatione reorum reddantur ac consilia ex populi scitis capiantur, ibi instare demagogiam quae sit uestibulum tyrannidis. Interim finem peruenimus huius emissionis. Gratias uobis ago! Nolite Nepotis neglegere opera ac mementote libertatem fragilem esse. Curate ut ualeatis, amici, amicae, uosque omnes qui Latinitati hodiernae fauetis.

Saluēte amīci, amīcae uosque omnes qui Latinitāti hodiernae fauētis. Illa erit Schola Romāna undécima. Reginaldus loquor. Hodie loquemur de chronologia Reipublicae Romanae a regibus expulsis usque ad Gracchos.. Incipiamus. Quamdiu aetas ea durauit quae ab anno quingentesimo nono cum Tarquinius Superbus, ultimus rex Romae expulsus est, usque ad necem tribuni Tiberii Gracchi, tamdiu Romani regimen politicum sui generis elaborauerunt in quo imperium quotannis binis consulibus electis mandabant. Tunc temporis potentia plebis gradatim creuit donec ciues Romani uniuersi, i.e. patricii plebeique, similibus iuribus fruerentur. Romani, primum undique oppugnati, Italiam occupauerunt, deinde prouincias circum mare mediterraneum sibi apparauerunt. Ast dum haec gerunt, tot diuitias seruosque Romam contulerunt ut differentiae inter pauperes et diuites magnopere creuerint. Inde ortum est discrimen cuius annus centesimus tricesimus tertius ante Christum natum pro initio haberi potest. Deinde Respublica multis tumultibus agitata mutationes per unum fere saeculum subiuit dum Octauus imperium inuaderet, ut in proximā lectione uidebimus. Nunc mentionem faciam nouem annorum quibus regimen consulare institutum usque ad secundum saeculum ante Christum natum oreretur, cresceret, culmen attingeret. Anno quingentesimo nono ante Christum natum, Romani regibus Etruscis expulsis imperium duobus magistratibus electis mandauerunt. Quos singulis annis creatos primum praetores deinde consules uocauerunt. Anno quadringentesimo quinquagesimo, decem ciues, decemuiri dicti, leges primum conscripserunt in duodecim tabulas quae iuris Romani fundamenta forent. Inter annum trecentesimum nonagesimum octauum et annum trecentesimum nonagesimum sextum, dux Camillus Ueiis superatis finem fecit belli Etrusci, quae uictoria initium quoque fuit potentiae Romanae in Italia. Anno trecentesimo nonagesimo, Brennus, rex Gallicus, Romam inuasit suisque militibus dedit diripiendam. Huius grauitatem cladis minuit illa fabula mythologica quā anseres in Capitolio Romanos certiores fecissent hostes appropinquare. Anno ducentesimo septuagesimo secundo Romani Tarentum expugnaverunt cui rex Pyrrhus frustra subsidio uenerat. Hac parte Italiae meridionalis occupatā cultum ciuilem Graecum simul asciscere coeperunt. Anno ducentesimo quadragesimo sexto bellum primum Punicum dictum ortum est inter Romam et Carthaginem. Romani quinque annis post Poenos uicerunt ut Siciliam captam primam fecerint prouinciam Romanam. Deinde Sardiniam Corsicamque expugnauerunt quas imperio maritimo addiderunt. Ab anno ducentesimo undeuicesimo usque ad annum ducentesimum primum perdurauit secundum bellum Punicum quo dux Carthaginiensis Hannibal ab Hispaniā profectus Alpes cum elephantis transiuit ac cum Romanis in Italiā pugnauit. At Carthago postquam a Scipione Africano deuicta est, tributum ingens Romanis soluere debuit. Ab anno centesimo quadragesimo nono usque ad annum centesimum quadragesimum sextum tertio bello Punico saeuiente Scipio Aemilianus Carthaginem expugnatam deleuit ut Africa prouincia Romana facta sit. Interim Mummius Corinthios deuicit ut Graecia Macedoniaque in dicionem Romanorum ceciderint. Tandem anno centesimo tricesimo tertio Scipio Aemilianus, uictor Carthaginis, post pugnam apud Numantiam Hispaniam rebellantem in dicionem Romanorum redegit. Haec paucis uerbis resumamus: Quinto quartoque saeculo ante Christum natum Etruscis depulsis res publica sui iuris facta est. Deinde tertio saeculo cum iam Italiae imperaret, cultum ciuilem Graecorum comperit ac cum Carthaginiensibus bis punauit. Denique secundo saeculo ante Christum natum, Romani Carthaginiensibus, Corinthiis Numantinisque uictis colonias ubique circum Mare Mediterraneum habent ut multae diuitiae Romam affluxerint. Illa quoque mihi uidentur mentione digna quo facilius intelligatis cur annum centesimum tricesimum tertium existimemus praemissa occasus Reipublicae monuisse. Namque cum Scipio Aemilianus Hispaniam domaret, plebs Romana reclamare coepit quod etsi nationes multae longinquaeque uictae erant, plebei pauca recipiebant de praedis rapinisque. Serui enim aurum frumentum omnia quae duces e nationibus deuictis non modo ab ciuibus ditioribus captabantur sed etiam tantam ruinam propter uilitatem Italis inferebant ut ciues iam locupletiores agros pauperiorum redimerent. Itaque Tiberius Gracchus eiusque frater Gaius proposuerunt ut fundi maximi pauperibus diuiderentur iique ipsi suos agros colerent. At Scipio Nasica loco patricio ortus Tiberium necauit quamuis familiaris eius esset. Hoc homicidium illustrat quantum iam inter diuites et pauperes distarent utilitates. Saeculo sequenti bella ciuilia saeuire coeperunt odiumque concordiae ciuili successit usque ad initium imperii. Nunc peruenimus ad finem huius emissionis. Gratias uobis ago. Curate ut ualeatis amici, amicae uosque omnes qui Latinitati hodiernae fauetis.

Saluete, amici, amicae, uosque omnes qui Latinitati hodiernae fauetis. Illud erit soliloquium e Guiana. Reginaldus loquor. Hodie plura denuo de Cornelio Nepote dicam ut de uitā Themístoclis aliquantulum tractemus. Namque uita Themistoclis plures ob illas causas mihi uidetur admodum digna quam propius inspiciamus. Primum omnium si compositionem operis imperatoribus excellentissimis dicati contemplamur, nos effugere non potest hanc uitam, ordine secundam, quatenus opus Nepotis ad nos peruenit, primae uitae a nobis conseruatae, i.e. uitae Miltiadis respondere. Item Cícero, sicut antea diximus, eadem exempla, i.e. Miltiadis Themistoclisque, citat eodem insuper ordine ut haud parui momenti aestimemus plus apud utrumque nobis inuestigandum esse. Deinde, ut aliam causam prodam, oportet me nonnulla memorare: nam de hac prima uita Miltiadi dicata explicauimus quantum paradoxon in eius iudicio infuisset ut Athenienses cúpidi libertatis seruandae talem uirum eumdemque innocentem in uincula publica conicerent. Iterum uero Nepos cum uitam Themistoclis narrat, de iudiciis Atheniensium non solum répetit quam iniuste in Miltiadem saeuissent, sed demonstrat quoque quam Themistoclem simíliter inepte iudicassent. Hic nobis tradendae sunt nonnullae res a Themistocle gestae pro ciuitate Atheniensium. Primum ciuibus suasit ut magistratus pecuniam potius colligerent ad classem aedificandam quam inutile in largitionibus impenderent. Sic operam nauauit ut pecunia publica quae ex metallis redibat, hoc consilio seruaretur. Aedificatâ classe comprobauit se recte fecisse quoniam piratas deuicit ut mare tutum redderet, quod Nepos in capitulo secundo narrat. Classem deinde confirmauit Pythiâ uaticinante ut Athenae moenibus ligneis circumdarentur. Hic sine dubio similitúdinem cum Miltiade inuenimus qui propter oraculum simile classi praefectus ab Atheniensibus colonos ad Chersonesum deduxerat. Deinde Themistocles Persis ex Europā depulsis, dolum parauit ne Spartiatae dominationem totâ Graeciâ retinerent. Itaque cum ciues eius moenia circum Athenas aedificarent et Spartiatae id uetuissent, ipse ad Lacedaemonios profectus est. Ibi, principibus querentibus quod certiores erant facti moenia strui, respondit eos notorias falsas accepisse. Adeo cunctatus est ut opus Athenis exaedificaretur. Haec taliaque facienda curauit ut non modo ciuitatem suam tueretur sed etiam restitueret in imperium. Postea uero Athenienses sese ingratos in Themistoclem praebuerunt. Etenim cum tanta pro ciuitate confecisset, fuerunt qui, propter eandem inuidiam quā Miltiades in uincula coniectus erat, nimiam Themistoclis potentiam pertimescerent. Quam ob rem Athenienses ex testularum suffragiis, quae Graeci ostracismum uocant, illum relegauerunt. At cum procul ab Athenis deuersaretur, Spartiatae, doli memores, absentem criminari coeperunt quod societatem cum rege Persarum fecisset. Utpote qui se defendere non posset, a factione Lacedaemonia deuictus atque ob id capite damnatus, salutem in Persia petiuit ubi rex Artaxerxes eum recepit propterea quod antea patri Xerxi pepercerat. Hic nuper, si meminimus, Miltiadis paradoxon obseruaueramus. Ille ciuis in carcere retentus erat non quod Athenienses laeserat sed quia, quamuis innoxius, rerum potiri ualeret, ita ut régimen democraticum pateretur, sub specie libertatis seruandae, innocentis iura minui. Quod ad Themistoclen spectat, Cornelius Nepos nihil demonstrat nisi aliud paradoxon, quod e ciuitate democraticā éxstitit. Satis enim constat nullam esse rempublicam liberam quin ciues omnes et libertate loquendi et aequibilitate iurum fruatur. Inde iudices debent argumenta libere expressa et ab reis et ab accusatoribus cum aequitate audire ut sententias iustas reddant; sin libertas loquendi repressa est, ut hic Themistocli áccidit cui, relegato, causam suam agere non licet, gratia fauorque sponte alteri factioni dantur etiamsi ciuitati noceant perinde atque in hac uita manifestum est. Itaque Athenienses cum crederent se minuendo potentiam unius ciuis tum aequabilitatem uniuersorum aucturos esse, reapse hostium argumentis fauentes libertatem ipsam totius ciuitatis periculabantur. Praeterea innocentem cogebant ut salutem apud peregrīnos peteret atque inuītus detrimentum ciuitati afferret. Sic Cornelius Nepos per unum exemplum commémorat nullam esse rempublicam liberam quin ciuìtas sine aequabilitate ac loquendi libertate sua iura seruet. Hanc interpretationem de uita Themistoclis ut uerum dicam, non temere audeo... Quodsi ad Rem publicam Ciceronis redimus de qua pluriens similitudines cum Nepotis uitis designauimus, animaduertimus auctorem aequabilitatem ciuiumque iura pro condicione praecipua rei publicae liberae, utputa in libro primo capitulo undequinquagesimo : "Cum lex sit ciuīlis societatis uinculum, ius autem legis aequale, quo iure societas ciuium teneri potest, cum par non sit condicio ciuium?" Alio loco ait Cicero fieri ut aequitas ipsa sit iniquissima, uelut ibidem in capitulo quinquagesimo tertio: "cum enim par habetur honos summis et infimis qui sint in omni populo necesse est, ipsa aequitas iniquissima est." Postremo in capitulo quadragesimo septimo de libertate illud addit: "Qui autem aequa potest esse - omitto dicere in regno ubi ne obscura quidem aut dubia seruitus, sed in istis ciuitatibus in quibus uerbo sunt liberi omnes? Ferunt enim suffragia, mandant imperia, magistratus ambiuntur, rogantur, sed ea dant quae etiamsi nolint danda sint..." Dum haec mirabilia uerba recito, nos ad finem peruenimus huius emissionis. Gratias uobis ago! Nolite Nepotis neglegere opera ac mementote libertatem fragilem esse. Curate ut ualeatis, amici, amicae, uosque omnes qui Latinitati hodiernae fauetis.

Saluete amici, amicae, uosque omnes qui Latinitati hodiernae fauetis. Illud erit Schola Romana e Guiana 10. Reginaldus loquor. Hodie de origine linguae Latinae loquemur. Incipiamus. Cum populi Indo-europaei (i.e. Proto-uillanouiani) Italiam ingressi Latium occupauerunt, suam quoque linguam importauerunt. Lingua Latina, siue sermo Latius, quâ pauci ex regione Latiâ loquebantur, primum cum aliis italicis dialectis uix certabat utputa cum Osca uel Umbrica quae in territoriis uastioribus adhibebantur. Praeterea cum colôni Graeci suâ linguâ in Italia meridionali utebantur tum Etrusci a septentrionibus Romam bello opprimebant. Itaque usus linguae Latinae instar finium Romanorum creuit prout ciuitates uicinae et deuictae et partes imperii factae sunt. Etsi lingua Latina gradatim in provinciis occidentalibus sub imperio Romano se propagauit, tamen incòlae partis orientalis non desierunt lingua Graeca uti. Quomodo pleraeque linguae quae ex Indo-europaeis ortae sunt, utputa Graeca, Russica uel Islandica, sic Latina flexionibus scatet. E uocabulis, uerba coniugantur ut pro modis, temporibus, personis, numeris, uocibusque uarientur. Quod ad nomina, pronomina, adiectiuaque spectat, sunt in lingua Latina tria genera (masculinum, femininum, neutrumque) ac tres numeri quatenus tempora prisca obseruamus, i. e. singularis, pluralis, dualisque quod in raris uocabulis aetate classica superfuit. Item nomina declinatione afficiuntur quae ex sex casibus constat (aut septem cum de uocabulis loca designantibus agitur). Hi sex casus sunt nominatiuus, uocatiuus, accusatiuus, genitiuus, datiuus, ablatiuus. Inde finis cuiusque nominis senis mutationibus cum in singulari tum in plurali adfici potest ut proprie exprimatur quali munere grammatico nomen quodque fungatur. Propter declinationes uocabula in sententiis liberius ordinantur ac stilo auctorum libentius respondet. Nihilominus si ordo communis obseruatur, subiecti initio sententiarum uerbaque in fine ponuntur ut lingua Latina in typologia linguarum interesse dicatur linguis SOV, quia subiecti, obiecti, uerba in tali ordine exprìmi solent. De alphabeto Romani Etruscorum litteras usurpauerunt quas hi sibi a Graecis asciuerant. Litteras quarum nonnullae ad usum linguae Latinae mutatae sunt, dinumeramus uiginti tres: A B C D E F G H I K L M N O P Q R S T V X Y Z De his litteris addam quod: -Forma litterae G exsistit e C atque inuenta est quia lingua Etrusca gutturalibus sonôris carebat. -‎I littera hic uocalem i ut in libris illic consonantem ut in ieiunio exprimit. -‎K deserta est aetate rei publicae nisi in abbreuiationibus uel in formulis priscis. -‎Q nisi in abbreuiationibus semper litteram u antecêdit ut ambae unā pronuntiandae sint. -‎Adinstar i, littera V hic uocalem ut in cucullo illic consonantem ut in uiuo exprimit. -‎Ab aetate Renascentiae, distingui coeptum est inter modos scribendi I/J et U/V litteras. Usus etiamnunc uariat quamuis saepe animaduertamus unam formam litterae i seruari sed duas prout u/v aut consonantem aut uocalem reddit. -‎W addita est Antiquitate exeunte ad sonum wa nominum Germanicorum exprimendum cum littera V iam tanquam in Victoria regina Anglorum pronuntiaretur. De aetatibus linguae Latinae Historia linguae Latinae, quod ad Antiquitatem spectat, diuiditur in aetates tres e quibus distinguuntur: -Latînitas prisca (quae usque ad finem secundi saeculi ante Christum natum perdurat) -Latinitas classica (quae primum saeculum a.C.n. et primum saeculum p.C.n. complectitur) -Latinitas post aetatem classicam (quae usque ad finem Antiquitatis sequitur donec initio medii aeui a septimo fere saeculo in dialectos transformata nostras linguas romanicas hodiernas generaret, utputa Italianam, Francogallicam, Hispanicam, Lusitanicam, Dacoromanicamque) Haec omnia resumamus: Ex Indo-europaeis orta, lingua Latina flexionibus abundat quae uerba coniugationibus nomina, pronomina, adiectiuaque declinationibus affectant. Quam si ad typologiam linguarum referimus, sermonibus SOV apponere oportet quia sententiae Latinae subiectis ineunt uerbisque saepius exeunt. In Italia ipsa lingua Latina linguis italofaliscis propter affinitatem mutuam agreganda est. Romani litteras Etruscorum usurparuerunt quae ex Graecis ortae erant. Ad haec mihi mentione digna esse uidentur illa: Nonnulla enim uestigia linguae Etruscae in uocabulis Latinis remanserunt ut Roma, nomen urbis, quod Rumon, siue Tiberim fluuium Etrusce, mémorat. Fibula quaedam, Praenestina dicta quod ibi reperta est, eademque sexto saeculo a.C.n. confecta, uetustissimam nobis notam inscriptionem habet: Manios med fhefhaked Numasioi. Quod classice dicamus: Manius me fecit Numerio. Experti etiamnunc dubitant utrum tale uestigium genuînum sit necne. Nunc peruenimus ad finem huius emissionis. Gratias uobis ago. Curate ut valeatis, amici, amicae, uosque omnes qui Latinitati hodiernae fauetis.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "Ruminations at Christmas". The Marsh Chapel Choir sings "Hodie beata Virgo Maria" by William Byrd, and "Ach Herr, du Schöpfer Aller Ding" by Heinrich Schütz along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "Ruminations at Christmas". The Marsh Chapel Choir sings "Hodie beata Virgo Maria" by William Byrd, and "Ach Herr, du Schöpfer Aller Ding" by Heinrich Schütz along with service music and hymns.

Saluete amici, amicae uosque omnes qui Latinitati hodiernae fauetis. Illud erit Soliloquium e Guiana. Reginaldus loquor. Hodie plura de Cornelio Nepote dicam. Duos enim locos Ciceroni Nepotique communes tractabimus. Dum uitas a Nepote scriptas lego, mihi notaui plerasque illustrare quales uirtutes qualiaque uitia in democratiâ Atheniensium infuerint. Itaque mihi uenit in mentem opus a Cicerone scriptum sub titulo « De re publica » legere quippe cum auctores ambo haud solum aequales et testes discriminum Rei publicae Romanae primo saeculo fuissent sed quoque argumenta similia tractare decreuissent. Satis autem liquet Marcum Tullium Ciceronem Corneliumque Nepotem necessarios fuisse. Namque, ut nuper comperimus, Nepos in uita Attici explicauit Atticum adeo sese pro amicissimo habuisse ut rebus domesticis eius interesset. Praeterea ut ex eadem uita atque epistularum multitudine quas Cicero Attico misit, constat Atticum a pueritiâ cum maximâ Ciceronis intimitate conuersatum esse. Ad haec addere uelim quod in quadam epistulâ quam Attico misit, Ciceronem Nepotis miseruit quod filius eius uehementer aegrotabat. Unde facile conicere possumus Nepotem in utriusque globo uixisse. Nihilominus iam uelim uobis demonstrare Ciceronem Nepotemque non modo sibi quandam amicitiam conciliasse sed etiam affinitatem litterariam inter eos extitisse. Cuius affinitatis duo argumenta iam praebebo uobis iudicanda. Primo Cornelius Nepos in praefatione libri quem de excellentibus imperatoribus composuit, lectores hortatur ne, ut iam diximus, mores Graecos e consuetudinibus Romanis iudicent. Illum locum recito : « Sed hi erunt fere, qui expertes litterarum Graecarum nihil rectum, nisi quod ipsorum moribus conueniat putabunt ». Quem locum etsi nuper citaui cum de relauismo culturali apud Nepotem uerba feci, tamen hodie iterum usurpare cupio ut illam iuncturam ex eo depromam : « expertes litterarum Graecarum ». Etenim Cicero ipse in suâ Republicâ nobis Scipionem prodidit eundemque suas partes agentem. Nam Scipio nullam aliam opinionem exponit nisi Ciceronis ipsius ut illo loco quem iam recitabo : « Peto a uobis ut me sic audiatis : neque ut omnino expertem Graecarum rerum, neque ut eas nostris in hoc praesertim genere anteponentem ». Hoc sumpsi e capitulo tricesimo sexto. Hoc operis, personae, omnes nobilite Romanâ generatae, ad Laelium congrediuntur Ferias Latinas celebratum. Scipio qui propter res domi et militiae gestas aestimatione summâ fruitur, a ceteris sententiam rogatus, consentit ut explicet qualis status rei publicae sibi optimus esse uideatur. Haec operis pars igitur quae argumento ipsi praecedit, in primo libro posita, locum prooemii tenet. Equidem profecto suspicor illud « expertes litterarum Graecarum » Cornelii Nepotis huic « expertem Graecarum rerum » Ciceronis respondere, quamuis incertum sit utrum alteri responderit. Ast siquidem non audeo ex uno loco suspicionem in sententiam informare, tamen aliud nactus sum quod opinionem meam corroboraret. Namque etsi nonnullae uitae Cornelii Nepotis an nos non peruenerunt, tamen eae quas conseruauimus, ita se habent ut prima de Miltiade secunda de Themistocle tractarint. Hunc nominum ordinem nostrâ interest inspicere cui M. Tullius Cicero in Republicâ denuo respondere uidetur. Hic libri primi capitulum quintum sparsim recito : « Hinc enim et illa apud Graecos exempla, Miltiadem uictorem domitoremque Persarum, (…) uitam ex hostium telis seruatam in ciuium uinclis profudisse et Themistoclem patria quam liberasset pulsum (…) in barbariae sinus confugisse. » Nos effugere nequit eundem nominum ordinem a Cicerone adhibitum esse quam apud Cornelium Nepotem. Si ad haec addimus quod apud utrumque non modo de statu rerum publicarum sed etiam de similitudinibus differentiisque inter Graecos et Romanos agitur, equidem hoc magis suspicor uitas Cornelii Ciceronisque Rempublicam aliquatenus ex intimitate utriusque scriptoris materiam argumentaque communia hausisse. Nunc peruenimus ad finem huius emissionis. Gratias uobis ago, amici, amicae uosque omnes qui Latinitati hodiernae fauetis. Curate ut ualeatis !

Saluete amici amicae uosque omnes qui Latinitati hodiernae fauetis. Illud erit soliloquium e Guiana. Reginaldus loquor. Hodie plura de Cornelio Nepote dicam cuius uitam Miltiadis propius tractabimus. Sicut in pristinis emissionibus explicaui, cum nuper opera Cornelii Nepotis denuo legere constitui, sine morâ animaduerti multa mentione digna uersari apud eum scriptorem quem litterati huius aetatis interdum sententiâ meâ paululum neglexerunt. Hic iam, ni fallor, actum est quomodo personae per uitas excellentium imperatorum inter se responderent ac quo pacto scriptor in eiusdem operis praefatione documentis exemplisque Graecis usus esset ut Romanos ex contrariis figuraret. Ego quidem hodie uobis de uita Miltiadis locuturus sum. Namque Miltiades ciuis Atheniensis fuit, loco nobili generatus modestiâque insignis. Cum Athenienses colonos Chersonesum mittere uellent ac dubitarent quem eis praeficerent quoniam Thraeces ferôces illam regionem tenebant, ferunt ipsam Pythiam Miltiadem designasse. Itaque Chersonesum missus effecit ut colonia cui deis suadentibus ab Atheniensibus praefectus erat, ibi floreret. Nam ut locum Nepotis récitem, « Ibi breui témpore barbarorum copiis disiectis, totâ regione, quam petierat, potîtus, loca castellis idonea communiit, multitudinem, quam secum duxerat, in agris collocauit crebrisque excursionibus locupletauit ». Haud procul, Nepos demonstrat Miltiadem quippe cum rector probus fuisset, in colonia Chersoneso diu permansisse instar regis quamuis accurate Athenis officia praestaret. Recito : « Summa aequitate res constituit atque ipse ibidem manere decreuit. Erat enim inter eos dignitate regiâ, quamquam carebat nomine, neque id magis imperio quam iustitiâ consecûtus. Quin etiam insulas quoque, ut scripsit auctor, « insulas » igitur « quae Cyclàdes nominantur, sub Atheniensium redêgit potestatem ». Idem multas alioquin res ab Miltiade gestas narrat easque tanto memoriâ digniores quod effectae sunt cum Darius, rex Persarum, bellum in Eurôpam intulit. Miltiadis enim operâ Athenienses decémplicem numerum hostium profligauerunt, et, ut denuo scriptorem citem, adeo eos perterruerunt ut Persae non castra, sed naues petierint. Postea, bello confecto, cum insulae Graecae superessent quae bârbaris opem tulerant, Miltiades noster cum classe septuaginta nauium missus est ut eas sub dicionem Atheniensium siue ui siue consilio redigeret. At cum Parii ad insulam quae Paros uocatur, Miltiadem illusisset atque is credidisset classem regiam cum Pariis fore ut oppugnaret, tergum uertere maluit ne ciuitas cladem ingentem acciperet. Haec fuit causa cur Athenas reuersus proditionis accusaretur quod, ut Cornelius Nepos crimen exponit, « cum Parum expugnare posset, a rege corruptus infectis rebus discessisset. » Causa nempe cognita est, neque Miltiades capitis damnatus est, sed pecuniâ multatus. Quae mulcta aestimata est quinquaginta talentorum, uel quantus sumptus factus erat ad totam classem construendam. Miltiades uero qui uir probissimus erat, tantam pecuniae summam soluere non potuit. Itaque in uincula publica coniectus in carcere mortuus est. Attamen Cornelium Nepotem non effûgit hoc crimen non ueram fuisse causam cur Miltiadi tanta poena danda foret. Uobis de hac re nonnullos locos sparsos recitabo inter se contextos : « Athenienses propter Pisistrati tyrannìdem, quae paucis annis ante fuerat, nimiam ciuium suorum potentiam extimescebant. Miltiades non iam uidebatur posse esse priuatus. Namque omnes autem et dicuntur et habentur tyranni, qui potestate sunt perpetua in ea ciuitate quae libertate usa est. Postremo Nepos sic concludit : « Haec populus respiciens maluit illum innoxium plecti quam se diutius esse in timore. » Non dubium est quin innòcens Miltiades fuerit : ille enim non modo Atheniensium iussu diu coloniae Chersoneso praefuerat, sed etiam Athenis rerum potiri minime studebat. Quia res domi et militiae gerere callebat, Atheniensibus, cupidis libertatis seruandae, placuit Miltiadem damnare quod democratiam periclitari posset, uel ut rectius dicam, propterea quod et sciret et ualeret rerum potiri etiamsi minime concupiuisset. In hac uitâ igitur Cornelius Nepos nobis demonstrat quantum periculum in democratiâ Atheniensium infuerit, sicut in omni re publicâ liberâ, quotienscumque populus, tanquam anticipatione fretus, prudentiâ abutitur ac consentit iura priuatorum restringere quasi incolumitatem rei publicae tueretur quamquam nullum facinus perpetratum esset. Siquidem crimen probari non potest, rei tamen facile accusantur alterius criminis ut iudices instrumenta non iustitiae sed regiminis esse uideantur. Nonne hoc paradoxon quo libertas ciuium minuitur ipsius libertatis seruandae causâ, uitia illustrat quibus ciuitates nostrae nuper periculis magnis sollicitatae labôrant ? Num operae pretium est pro democratia omniumque salute iniuste unum hominem condemnare uel innocentem ? Nunc peruenimus ad finem huius emissionis. Gratias uobis ago. Curate ut ualeatis, amici, amicae uosque omnes qui Latinitati hodiernae fauetis.

Saluéte amici, amicae uosque omnes qui Latinitati hodiernae fauetis. Illa erit Schola Romana e Guiana nona. Reginaldus loquor. Hodie de artibus rebusque technicis apud priscos Romanos loquamus. Incipiamus ! Usque ad sextum saeculum ante Christum natum, Romanis pugnandum fuit ut superessent. Itaque paucitas uestigiorum illius aetatis comprobat quanta inopia primi Latii incolae laborauerint. Praeterea oppressi inter culturas clarissimas – hic Etruscos illic Graecos qui colonias in Italia Meridionali condiderant – uix utrosque uicinos aemulari poterant. Cum Etrusci sexto saeculo Latium occupauerunt, Romani cum oppugnarentur, tum demum nomen Romanum defendere coeperunt. De arte aedificandi et architectura ciuîli Romani a Tuscis acceperunt scientiam quâ fornices aedificarent. Quantum nouimus, dum reges Romam tenuerunt, fornicibus non usi sunt nisi ad opera publica e quibus cloaca maxima etiamnunc notissima est. Ea postquam confecta est, Romani paludibus siccandis salubritatem urbi attulerunt. Saepe enim aquae Tiberis imos colles inundabant, paludes alebant nec facile purgabantur. Deinde cum moenia aedificata sunt, portae ex eodem artificio apparatae sunt. Haec enim moenia quae regis Serui Tullii dicuntur, re uerâ sexto saeculo exeunte exaedificata sunt, multis annis postquam rex ea delineauit. Ex multitudine portarum alioquin aestimare possumus quantum urbs inter regum finem et primos rei publicae liberae annos creuerit ; illae fuerunt portae memoria dignae : Collina, Capena, Quirinalis, Fontinalisque. De architectura religiosa Artes Etruscorum in templis quoque compârent. Namque eadem aetate ac Tusci Romam regebant, prima fana triplicibus cellis aedificata sunt. Contra Graecos, Romani aedes in podiis construere solebant quo gradibus ascendendis accederent. Item sicut Tusci, marmoribus alias materias praeferebant utputa figlina, uel imagines e terra cocta fictas. De litterarum cultu Haud dubium est quin Romani litteraturam habuerint quamuis inscriptam. Ast, pro dolor, nonnisi uestigia superfuerunt. Romani enim memoriam scriptis mandare non sôliti sunt priusquam reges expulerunt ; etiam initio rei publicae liberae parum scriptura utebantur nisi necessitate coacti, ut factum est cum medio quinto saeculo ante Christum natum, leges in duodecim tabulas primum retulerunt. Satis constat illos uersus quos Saturnianos dicunt, iam sub regibus fuisse quamuis eorum modos male intelligamus. Quibus secundo saeculo ante C. n. relictis Romani modos Graecos asciuerunt. Ipsi aetate Ciceronis scripta prisca eo minus intelligebant quod ad res religiosas attinebant, uelut exempli gratia carmina Saliorum uel libros sibyllinos quos rex Tarquinius emisse fertur eosque collegium sacerdotum inspiciebat ut oracula inde interpretarentur. De arte musica Romani etiamsi corpus musicorum mature magni momenti fecerunt quia caerimonias sine musicâ celebrare non solent, tamen, quantum nos in parietibus pictis Etruscorum aestimare possumus, uidentur ipsa musicorum arte delectati esse. Namque eis in conuiuiis libebat saltationes mirari quae ad tibias, crôtala, lituos, syringes, lyrasue efficiebantur. Haec omnia resumamus Prisci Romani post humilia initia artes nouas sexto saeculo ante Christum natum ab Etruscis acceperunt. Sic aedificauerunt exempli gratia sub fornicibus Cloacam Maximam atque in podiis templa trinis cellis praêdita. Etsi iam scripturam sciebant, ea uti non solebant nisi de rebus religiosis. Quod ad musicam attinet, musici ubique aderant cum in caerimoniis tum in conuiuiis priuâtis. Nunc peruenimus ad finem huius emissionis. Gratias uobis ago, amici, amicae uosque omnes qui Latinitati hodiernae fauetis. Curate ut ualeatis !

Saluete amici, amicae uosque omnes qui Latinitati hodiernae fauetis. Illud erit soliloquium e Guiana ultimum huius anni. Reginaldus loquor. Hodie de scriptore Romano Cornelio Nepôte uobis loquar. At priusquam argumentum aggrediar, cum Saturnalia appropinquent, cupio uobis finem anni et serenum et iucundum exoptare. In dies magis gaudere nobis licet quod Latinitas hodierna ubique mundi floret. Namque etsi numquam desiimus Latine scribere, tamen multi iam ardent nostra lingua commûni loqui. Neque equidem audeo emissiones enumerare ne quam propter multitudinem obliuiscar. Sed nos effugere non potest oratores hodiernos non solum bonitate loquellae sed uarietate quoque argumentorum praecêllere. Usus Latinitatis uiuae ubique gliscit, e peritorum circulis exit, in scholas feliciter inrêpit. Uirtutes huius rei haud difficile comparent e quibus si unum commodum mihi seligendum fuerit, illud praeter omnia potissimum designem, quod, cum linguam Latinam uiua uoce colimus, non solum uoluptate loquendi fruimur, sed etiam gradatim discimus linguam ipsam aliter considerare ac methodo philologica. Quae res sine dubio liquet : si Latino tanquam aliis sermonibus hodiernis utimur, incipimus haud secus scripta Latina legere atque Anglica, Francogallica, eaque composita ceteris linguis quas in scholis didicimus. Hanc uoluptatem primum expertus sum cum in Islandia vixi. Sicut fortasse scitis lingua Islandica hodierna minime differt ab usu medii aeui ut et sagas antiquas et acta diurna legere nobis pariter liceat. Idem nunc experior dum Latine loquor. Haec fuit causa cur ea mente statuissem scriptores classicos denuo legere ut aestimarem quantum modum legendi mutassem. Tandem igitur ad argumentum huius diei peruenio. Nuper enim consilium cepi opera Cornelii Nepotis in extenso, ut ita dicam, iterum legere. Hic scriptor Romanus initio primi saeculi loco nobili natus est, atque et aequalis et amicus fuit Ciceronis, Âttici poetaeque Catulli. Itaque iure existimare possumus eum documenta Latinitatis classicissimae nobis tradidisse. Sedecim libros composuit de uiris illustribus necnon alia uaria opera. Ex his superfuerunt liber tertius de uiris illustribus, uita Attici, uitaque Catonis. Ferunt stilum Cornelii Nepotis quamuis lingua pura fuerit, insulsum esse. Professores mei in Uniuersitate iterabant Cornelium Nepotem historicum fuisse cui nobis parum fidendum esset quippe cum moribus magis studeret quam rebus gestis. Itaque nonnullos locos magistri plerumque dant discipulis uertendos cum nemo putet Nepotem dignum esse cuius opus totum pellegatur. Nihilominus dum uitas inspicio, mihi notaui nonnulla indicia quibus mihi uideretur nos Nepotem citius iudicasse. Ergo ne uobis molestus sim, tres locos sententia mea mirandos tradam. Primo mentionem facere uelim de uita Hannîbalis. Cuius prudentiam aliasque uirtutes contra Titum Liuium laudat Cornelius Nepos ubique libri. Praeterea sic depinxint ultimas horas Carthaginiensis cum salutem in Prusiae regno petiuisset. Partem recito capituli duodecimi : « Hânnibal enim uno loco se tenebat, in castello quod ei a rege datum erat muneri, idque sic aedificarat, ut in omnibus partibus aedificii exitus haberet, scilicet uerens ne usu ueniret, quod accidit. Huc cum legati Romanorum uenissent ac multitudine domum eius circumdedissent, puer ab ianua prospiciens Hannibali dixit plures praeter consuetudinem armatos apparere. Qui imperauit ei ut omnes fores aedificii circumiret ac propere sibi nuntiaret num eodem modo undique obsideretur. Puer cum celeriter, quid uidisset, renuntiasset omnesque exitus occupatos ostendisset, sensit id non fortuito factum, sed se peti neque sibi diutius uitam esse retinendam. Quam ne alieno arbitrio dimitteret, memor pristinarum uirtutum uenenum, quod semper secum habere consuerat, sumpsit. » Quod ad me attinet, animi non moueri nequeo cum, dum haec lego, imaginor Romanos appropinquare, puerum ruere arcem circumitum ac renuntiare res ita desperatas esse ut Hannibal ueneno sibi mortem consciuerit. Nonne conspicua in Nepote inest calliditas qua tales imagines in animis nostris suscitaret ? Alio loco idem testimonium amicitiae egregium lectoribus tradit. Sic in uitae Attici capitulo decimo tertio. Ibi enim cum explicat quantas pecunias quotmensibus Atticus impenderet ut omnium ordinum homines inuitaret, fatetur : « Atque hoc non auditum sed cognitum praedicamus : saepe enim propter familiaritatem domesticis rebus interfuimus. » Si meminimus Atticum, uirum locupletissimum, procul a ciuili tumultu mansisse atque pecuniâ suâ hominibus factionum omnium opitulatum esse ut fortasse nonnullis uideretur in dubio haesitans uictis uictoribusque morigerari, uel potius blandiri, mihi non displicet suspicari Atticum qui pacem fortunis ingentibus suis sibi concilare soleret, undique ob id uituperari, immo uero ignauiae accusari. Nonne est amicorum inter se auxiliari ? Inde quod haud absurdum credo, facile mihi fingo Cornelium Nepotem uice patroni fretumque optimatum auctoritate Atticum defendere. Itaque, ut testis oculatus, plûrimis argumentis demonstrat Atticum pecunias ingentes soluisse non sibi suisue sed ciuitati bellis ciuilibus lacessitae. Inde Atticus qui ignauus iudicari poterat, uestimentum euergetae induit ; quin etiam philosophus fit, ut sapiens apud Lucretium qui ab litore procellam contemplatur. Praeterea Nepos multis locis explanat Atticum ab uniuersis amatum esse quod omni malitiâ abstineret. Nihilominus pluriens cum fortunis emigrat, amicis inimicisque opem fert e quibus nonnulli sanguine Romano aspersi erant. Hic procul dubio non destino Atticum in ius uocare, sed illud solum cupio manifestum facere Cornelium Nepotem scriptorem memoriâ digniorem esse quam etiamnunc dicitur, propterea quod non tantum imagines apud lectores scite suscitat sed etiam genera litteraria miscet ut opus apologeticum sub specie uitam componendi scriberet. Postremo plura de uitis uirorum Graecorum dicam. Etenim dum has lego, aliquid lepidi animaduerti. Nam cum de uiginti fere ducibus tractet, qui quinto quartoue saeculo uiuentes plerique aequales fuerunt, profecto usu uenit ut iidem in pluribus uitis apparerent. Sic Cononi Atheniensi Lysandroque Lacedaemonio qui alter in sua alteriusque uita partes hostium agunt. Inde oblectamentum lectoribus apparatur, salis plenum, in quo imagines diuersae eorundem uirorum inter se confliguntur. Idem Graece sine dubio faciet Plutarchus. Sed quod ad Latinitatem spectat, Cornelius Nepos fortasse uiam aperuit tanquam Balzac in Comoediâ humanâ apud Francogallos. Haec emissio non fuit thesis de Cornelio Nepote, sed, ut spero, humilis gustatio quâ ministratâ hortor ut opera eius denuo oculisque innocentibus inspiciatis. Nunc peruenimus ad finem huius emissionis. Gratias uobis ago, amici amicae uosque omnes qui Latinitati hodiernae fauetis, atque iterum optimum anni finem uobis exopto. Curate ut ualeatis.

Hodie vobis fabulam ex Apuelii Metamorphoseon libro tertio non recitabo sed aliis verbis narrabo. Est de Lucio eiusque nocturnis periculis. Insunt cum alia tum caedes et latrones.

#christmas #plain chant #nativity

Francis Poulenc (1899-1963)

Thursday of the First Week in Ordinary Time. Hodie means "today", as in, let's get to it now, and not wait with our faith lives. (Preached on Thursday, January 13, 2011, St. Paul the Apostle Church, 59th St. and Columbus Ave., New York City)

Música portuguesa do século XVII para as Matinas de Natal. Obras de D. Pedro de Cristo (†1618), Estêvão Lopes Morago (†dep.1628) e Duarte Lobo (†1646).

Música portuguesa do século XVII para as Matinas de Natal. Obras de D. Pedro de Cristo (†1618), Estêvão Lopes Morago (†dep.1628) e Duarte Lobo (†1646).

Postridie Calendas Decembres. Xeri datum. Huic conventiculo praeter veterani intersunt sodales novi tironicidium ineuntes: Iosephus M. Ruiz et Ioannes Pérez, Xerenses, Hispani. Litteris humanioribus studentes nostram linguam Graecamque in Un. Studiorum Gaditana discunt. Hodie in nostro Circulo actum est de varietate cuiuslibet generis qua quidam textus mutari possit, sicut 'urbs marmorea', qui in Roma Aeterna legitur: Extra forum Ròmànum sunt alia multa aedificia pùblica. Iam veterès règès Ròmàni in valle Murcià, quae inter Palàtium et Aventìnum interiecta est, circum Màximum cònstituèrunt, qUI aCaesare renovàtus plùs quam trecentòs passùs longus est et octògintà milia spectàtòrum capit. Alter circus posteà in campo Màrtiò aedificàtus est et circus Flàminius appellàtus a nomine C. Flàminii, qUI eòdem tempore viam Flàminiam mùnivit; tertius circus tràns Tiberim in agro Vaticano constitùtus a principe C. Caligulà, Non procul a circo Flàminiò Cn. Pompèius consul amplissimum theàtrum marmoreum aedificandum cùràvit cum porticù et nova curia. In curia Pompèià statua Pompèii locàta erat, ad cuius pedés C.Il11ius Caesar a M. Bruto, C. Cassio aliisque senàtòribus necàtus est. Id factum est Idibus Martiìs quarto anno postquam Caesar exercitum Pompei! superàvit in Thessalià ad oppidum Pharsàlum, Post necem Caesaris curia Pompèia a populò Irato incensa est Ecce aliter modo:Sub foro Romano plurima aedificia publica sunt. Antea antiqui reges Romani in valle Murcia inter Palatium et Aventinum interiectâ, circum Maximum struxerunt, a Caesare postea renovatum, plus quam trescentos passus longum et octoginta milia spectatorum capiens. Alterum circum deinde Romani constituerunt in campô Martiô cui nomen Flaminius est, a C Flaminiô, tunc viae Flaminiae munitore; princeps C.Caligula tertium circum constituit in ripâ Tiberis oppositâ, ubi ager Vaticanus patet. Prope circum Flaminium Cn. Pompeius consul curavit ut latissimum theatrum e marmore factum cum porticu aedificatum esset et nova curia quae signô ipsius consulis ornabatur; in eô ipsô locô ad pedes statuae Pompeii, M. Brutus, C. Cassius et alii senatores Caesarem Idibus Martiis interfecerunt, exercitu Pompeii abhinc quattuor annos apud Pharsalum in regione Tessaliae a Caesare superatô. Postquam Caesar necatus est, populus irâ motus curiam Pompeiam incendit.Iterum: Aedificia plurima Forum Romanum cingunt. Olim reges iuxta vallem Murciam Circum Maximum exstruxerunt quem postea Caesar novavit quo plures spectatores reciperet. Muniente viam consule C. Flaminio, eius nomine appellatus est circus alter qui in campo Martio exstructus est. Postquam vero C. Caligula tertium in agro Vaticano trans Tiberim aedificavit, marmoreum theatrum amplum et satis capax perfici iussit Pompeius praeditum et porticu et nova curia quam ornabat ipsius statua a Caesare visa cum mortem obiit a Bruto aliisque vulneratus. Periit enim anno quarto post victoriam in Thessalia adeptam. Curiam autem post Caesaris necem ira populi incendit. IterumAlia multa aedificia publica non in foro Romano sunt. Veteres reges Romani in valle Veneria, quae inter Palatinum et Aventinum est, antea constituerunt circum Maximum quem Caesar plus quam trecentos passus longus augescit et quo octoginta spectatorum milia advenire possunt. In campo Martio postea aedificatus est alter circus, Flaminius appellatus in memoriam C. Flaminii qui eodem tempore viam Flaminiam fecit; princeps C. Caligula trans Tiberim in agro Vaticano tertium circum constituit. Cn. Pompeius consul propius circum Flaminium in amplissimum theatrum marmoreum aedificando versatus est cum porticu et nova curia. M. Brutus, C. Cassius et alii senatores ad pedes Pompeii statuae, quae in hac curia locata erat, C. Iulium Caesarem necaverunt. Id accidit Idibus Martiis quarto anno postquam Caesar Pompeii exercitum in Thesalia iuxta Fharsalum oppidum vicit. Caesare occiso, populus iratus Pompeii curiam cremavit. Dimidiam alteram sessionis partem dicamus ad Erasmi colloquium 'Diluculum' intitulatum legendum et agendum. Praetera sodalis alius nostri Circuli compendium, breviarium exaravit, Hoc est: Ecce colloquii pellicula: