Podcasts about requiems

Klaus Böllert zum Ramadan und zur christlichen Fastenzeit, der Uraufführung des Requiems von Werner Parecker.

Safe and Jake are back on the mics to tackle the biggest Saturday of the season so far, with SIX Top 20 match-ups, a huge Top 5 showdown that Safe will be attendance in for up in Princeton, and we provide some Requiems for Tigers and Blue Jays fans as they look to exercise some demons in their rivalry match-ups this weekend. Subscribe to our YouTube page at https://www.youtube.com/@TheCrosseCommission to catch live episodes and join the discussion!

Here are two statements by Dmitri Shostakovich about the same piece, the 8th symphony that we are talking about today: Statement No. 1, Shostakovich's published comments about the symphony when it was first performed in 1943: The 8th Symphony reflects my…elevated creative mood, influenced by the joyful news of the Red Army's victories…. "The Eighth Symphony contains tragic and dramatic inner conflicts. But on the whole it is optimistic and life-asserting. The first movement is a long adagio, with a dramatically tense climax. The second movement is a march, with scherzo elements, and the third is a dynamic march. The fourth movement, in spite of its march form, is sad in mood. The fifth and final movement is bright and gay, like a pastoral, with dance elements and folk motifs. "The philosophical conception of my new work can be summed up in these words: life is beautiful. All that is dark and evil rots away, and beauty triumphs." Statement No. 2, from the disputed book Testimony, published in the 1970s: ‘And then the war came and the sorrow became a common one. We could talk about it, we could cry openly, cry for our lost ones. People stopped fearing tears. Before the war there probably wasn't a single family who hadn't lost someone, a father, a brother, or if not a relative, then a close friend. Everyone had someone to cry over, but you had to cry silently, under the blanket, so no one would see. Everyone feared everyone else, and the sorrow oppressed and suffocated us. It suffocated me too. I had to write about it. I had to write a Requiem for all those who died, who had suffered. I had to describe the horrible extermination machine and express protest against it. The Seventh and Eighth Symphonies are my Requiems. I don't know of a more profound example of Shostakovich's doublespeak, or of his ability to make diametrically opposing statements about the meaning behind his music.  Shostakovich's 8th symphony premiered at the height of World War II, and it was not a hit, unlike his 7th symphony which had swept the world with its seeming patriotic fervor and its devastating condemnation of the Nazis. Shostakovich's 8th is a very different piece, darker, edgier, less catchy, less simple, and certainly less optimistic. It was panned in the Soviet Union by the official critics and was effectively banned from performance in teh Soviet Union from 1948 until the late 1950s. It was also not particularly popular outside of the Soviet Union, as the 7th's popularity and accessibility dwarfed the 8th, though this equation has now flipped, with the 8th symphony now probably becoming slightly more often played than the 7th. As always with Shostakovich, he mixes tradition with his own Shostakovich-ian innovations. The symphony has a Sonata Form first movement, but that movement is longer than the following three movements combined. It has a darkness to light theme from C Minor to C Major, like in Beethoven's 5th and Mahler's 2nd, but whether the ending is optimistic is subject to furious debate. It has not 1 but 2 scherzos, but they are among the least funny scherzos ever written, and it has a slow movement that is surprisingly un-emotional. The requiem Shostakovich speaks of seems to happen slowly over the course of this 1 hour symphony. It is perhaps Shostakovich's most ambiguous mature symphony, and it is also thought of as one of his greatest masterpieces. Today on this Patreon Sponsored episode, we'll dive into this remarkable work, trying to create a framework to understand this huge and demanding symphony. Join us!

“I don't have a sound that I'm trying to make the choir fit into. I'm trying to understand and uncover the palette of sounds that are in front of me and then expand our sense of what we can sound like. This happens through the community building process, because the more we honor each individual and allow them to bring themselves into that rehearsal space, then the fuller and richer we are.”Dr. Joel Tranquilla (he/him/his) is a conductor and music educator noted for his versatile musicianship and creative programming. Originally from Fredericton, Joel is thrilled to have returned home to assume the position of Artistic Director of the Halifax Camerata Singers and Chorus Master of Symphony Nova Scotia. Formative choral experiences include touring with the American Boychoir as a boy soprano and singing as a member of the Nova Scotia and National Youth Choirs. He holds degrees from Mount Allison University, the University of Michigan, and Michigan State University where his doctoral research was in the area of Canadian choral-orchestral works.Joel relocated to Nova Scotia in 2023 after spending nine years as the Director of Choral Activities at Trinity Western University in Langley, BC, where he oversaw a program of six choirs and taught various courses within the School of the Arts, Media and Culture. Joel led the TWU Chamber Choir on tours to Ottawa, New York City, China, Hong Kong, Japan, and Taiwan. In addition to his work at TWU, Joel served as the Artistic Director of the Valley Festival Singers in Abbotsford and was the conductor of the award-winning Coastal Sound Youth Choir in Coquitlam. A singing member of the Canadian Chamber Choir since 2007, he was named the ensemble's Associate Conductor in 2013. As such, he contributes to the programming and long-term artistic visioning of that organization. Prior to his time on the West Coast, Joel lived and worked in Windsor, Ontario, serving as the conductor of several local ensembles including the Windsor Symphony Orchestra Chorus. In high demand as an adjudicator and clinician across the country, Joel is a past Guest Conductor of the New Brunswick Youth Choir and the Manitoba Provincial Honour Choir, and was the Assistant Conductor of the 2012 National Youth Choir.Major works conducted include Poulenc's Gloria, Vaughan Williams' Hodie, Ramirez's Navidad nuestra, Mendelssohn's St. Paul, Handel's Alexander's Feast, Requiems by Fauré and Duruflé, Bach's St. John Passion, and Allan Bevan's oratorio Nou Goth Sonne Under Wode. In spring 2023, Joel conducted the premiere of a new oratorio by David Squires and made his Carnegie Hall debut in a program featuring Vaughan Williams' Five Mystical Songs. Joel believes in the power of choral music to build and strengthen community. His wife, Meghan is an audiologist, and they have three precocious children: Everett, Penelope, and Felix.To get in touch with Joel, you can visit the Halifax Camerata Singers website at halifaxcamerata.org or find them on Facebook (@HalifaxCamerataSingers) or Instagram (@halifaxcameratasingers). You can also find the Canadian Chamber Choir at their website canadianchamberchoir.ca, on Facebook (@CanadianChamberChoir) or Instagram (@canadianchamberchoir).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

If you've ever felt like your city left you before you left your city, Jason McNamara's Ghost Band is for you. Tim and Emmet discuss this post-apocalyptic look at San Francisco. Jason then taps in to explain the inspiration for the book and what happened to artist Vincent Gladnick 2/3 of the way through. Meanwhile, … Continue reading #818 Requiems: “Ghost Band” and “Grimm's Assistant”

Es ist eines der meistgespielten Werke des französischen Spätromantikers, und es ist ein recht ungewöhnliches Requiem: Auf dramatische Ausbrüche wie in den Requiems von W. A. Mozart oder G. Verdi wartet man vergebens. Die Intensität ist bei Fauré nach innen gerichtet, sanfte und ätherische Klangwelten dominieren in dieser rund 40 Minuten langen Totenmesse. «Es besitzt den sanften Charakter, den auch ich habe», sagte der Komponist selber dazu. Und: «Man hat gesagt, dass es keine Angst vor dem Tod ausdrücke; jemand hat es ein ‹Wiegenlied des Todes› genannt. Doch so empfinde ich den Tod: als glückliche Befreiung, als Streben nach dem jenseitigen Glück eher denn als schmerzhaften Übergang.» Der Komponist schrieb eine erste, klein besetzte Kammerfassung 1887-1888 nieder, überarbeitete sein Requiem jedoch noch zwei Male bis zur Fassung für grosses Orchester, Orgel sowie Bariton- und Sopran-Solo, welche erst 1900 uraufgeführt wurde. Sie hat sich dann aber im Konzertbetrieb durchgesetzt. Gäste von Moritz Weber sind die Zürcher Sopranistin und Schauspielerin Claudia Dieterle und der Musikkritiker und Organist Peter Hagmann.

El sonido de Europa, el lamento de un violin según Mauricio Wiesenthal, escritor, viajero, humanista, autor de "El Libro de los Requiems” o el “Esnobismo de las Golondrinas”, invitado especial al sepelio de la bella princesa fenicia secuestrada por Zeus llamada Europa. Asediada por nacionalismos retrógrados, incontrolados movimientos migratorios y sus propias políticas incongruencias. no pasa por uno de sus mejores momentos. Belcantista, renacentista o surrealista la vieja cultura europea, su herencia clásica, el olvido de sus nombres de referencia como Zweig, Wilde, Tolstoi o Cervantes no es ajeno. Invocación, conjuro, llamada antes de que sea demasiado tarde. La barbarie a sus puertas. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

El sonido de Europa, el lamento de un violin según Mauricio Wiesenthal, escritor, viajero, humanista, autor de "El Libro de los Requiems” o el “Esnobismo de las Golondrinas”, invitado especial al sepelio de la bella princesa fenicia secuestrada por Zeus llamada Europa. Asediada por nacionalismos retrógrados, incontrolados movimientos migratorios y sus propias políticas incongruencias. no pasa por uno de sus mejores momentos. Belcantista, renacentista o surrealista la vieja cultura europea, su herencia clásica, el olvido de sus nombres de referencia como Zweig, Wilde, Tolstoi o Cervantes no es ajeno. Invocación, conjuro, llamada antes de que sea demasiado tarde. La barbarie a sus puertas. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Hoy conoceremos con Luis Antequera la historia desconocida de la Pasión de Cristo, Feliciano nos presenta un especial sobre los Requiems y Leonardo Daimiel nos introduce los vínculos que fraguan fraternidad. Luis Antequera presenta la sección de historia, "Hoy no es un día cualquiera". El profesor José Manuel Amaya nos trae un soneto, y R^2, Ruth Ramírez, nos explica lo que hay detrás de la ebullición del agua con sal.

Con Isabel Juarez | En este Antiguallas repasamos un himno medieval de vital importancia para nuestra tradición religiosa: el Dies Irae. La importancia de este poema fue más allá de la fecha de composición en el siglo XIII, y es que se incluyó en la Misa de Difuntos. Por ello, no falta en los Requiems de compositores como Mozart, Verdi, Lully, Biber o Fauré por nombrar los más famosos. No te puedes perder a otros como Luchesi, Legrenzi, Brumel o Hasse.

This episode features Mark Porter, PhD, research associate at the University of Erfurt, in Germany. With a background in ethnomusicology, his current work focuses on Christian musical innovation and changing ecological relationships, based at his university's department for theology and religious studies. We discuss his work at the intersection of music, religion and ecology, particularly in light of his forthcoming book, For the Warming of the Earth: Music, Faith, and Ecological Crisis (due out in June 2024 with SCM Press). Some of the topics covered include climate albums, music and acts of protest, song festivals, ecological Requiems, and the future of ecomusicology. You can learn more about his work on his website: https://markporter.co.uk

Podcast de Cristian Vogel pour websynradio : Third Space Requiems (inédit).“Third Space Requiems” est une trilogie électroacoustique de Cristián Vogel, composée dans les dernières heures de 2023 à la lumière d'événements qui ont profondément marqué son histoire sur un plan intime ou plus universel : Levitationism (0->6'30). Story In Blood (6'30->14'). The Siege of Mariupol (14->19'47).

Eine Sendung über den Beinahe-Mozart-Requiemvollender Joseph Eybler und dessen Bezug zum Stephansdom. Entfernter Cousin der Haydn-Brüder, Mozart-Freund der letzten Jahre und einer der Ersten, die von Constanze Mozart um die Vollendung des Requiems ihres verstorbenen Gatten gebeten wurde. Der geborene Schwechater Joseph Eybler war Anfang des 19. Jahrhunderts eine anerkannte Persönlichkeit in Wien - neben Salieri, Beethoven und Schubert. Doch statt einer Karriere im intriganten Opernmilieu wählte Eybler die weitaus unspektakulärere Laufbahn eines Kirchenmusikers. Hier vermochte sich der als liebenswürdig und geradlinig beschriebene Komponist einen Namen zu machen als langjähriger Regens chori des Schottenstifts, als Musiklehrer der Kaiserkinder und schließlich 1824 als Nachfolger Salieris als Hofkapellmeister. Bis heute halten sich zumindest zwei seiner Werke im Kirchenjahr: die Gradualen "Omnes de saba venient" (Dreikönig) und "Terra tremuit" (Ostern). Die Musikwissenschaftlerin Elisabeth Hilscher berichtet im Interview mit Stefan Hauser wieso ausgerechnet diese beiden Stücke so populär sind, welchen Bezug Joseph Eybler zu St. Stephan hat sowie weitere wissenswerte Details aus dem Leben jenes Mannes, der die Wertschätzung eines Albrechtsbergers, eines Joseph Haydns und eines Mozarts besaß.

Here is episode 207, in which Martin discusses songs which were written to honor 'fallen' grunge icons. Alice in Chains – “Would?” R.E.M. – “Let Me In” Black Label Society – “Layne” 7 Year Bitch – “M.I.A.” Sarah McLachlan – “Angel” Learn more about your ad choices. Visit megaphone.fm/adchoices

Here is episode 207, in which Martin discusses songs which were written to honor 'fallen' grunge icons. Alice in Chains – “Would?” R.E.M. – “Let Me In” Black Label Society – “Layne” 7 Year Bitch – “M.I.A.” Sarah McLachlan – “Angel” Learn more about your ad choices. Visit megaphone.fm/adchoices

Anlässlich des Requiems von Papst Benedikt XVI sind wir nach Rom gereist, haben Interviews geführt und dabei spontan eine Podcastfolge über das spannende, teils umstrittene und aussergewöhnliche Leben Joseph Ratzingers gedreht. Mit Stefanus Atanasius und Martin Iten.

In this episode of The Dark Corner, DJ Evil Dave presents 31 ghostly tunes for Halloween. 1 Graveyard Salamander by The Glow of Streetlights 2 Alone In The Woods by Night Ritual 3 Already Dead by Cutoff:Sky 4 Visions (d.g. Remix) by Soul in Sadness 5 Wraith by Chemical Waves 6 Rosaries and Requiems by Anders Manga 7 Nachtwache by TOTEM OBSCURA vs ACYLUM 8 The Wanderer Between Life And Death by Arts of Erebus 9 Shades of the Departed by Glitch Black 10 Longing by One Nasty Ego 11 Figures and Faces by Cold Therapy 12 HAUNTED by Aux Animaux 13 Everything Fades Away by The Last Hour 14 Fantasmas (Ash Code Remix) by Twin Tribes 15 Die Geister die ich rief by Charon Exkadi 16 Ghosts by Ending The Vicious Cycle 17 Dry as Dust by Bestial Mouths 18 To the Afterlife by Nova Et Vetera 19 Forgotten by skullgirdle & Metusynth 20 Phantoms by Dead When I Found Her 21 In My Memories by Black Tape For A Blue Girl 22 The Beautiful Undead by The Beautiful Dead 23 Shroud by Damsel in the Dollhouse 24 Soul In Isolation by Interiors 25 Shadows by silence in machine 26 La Puta del Cementerio by El Viejo Matadero 27 Invoking The Halloween Spirits by Dimi Kaye 28 The Presence by The Glass House Museum 29 Spectral by Mainesthai 30 Owner of This House Lives Here (Club Mix) by Kant Kino 31 Ouija Board by Fear Incorporated

Synopsis On this day in 1900, the world first heard the Requiem of Gabriel Fauré in its full orchestral version at a concert at the Paris World Exhibition. Faure's Requiem ranks today among his best-known and best-loved compositions, and omits all reference to the terrors of the Last Judgment which appear in the traditional liturgical text, concentrating instead on comforting the bereaved. The Requiem was originally written for chorus and a more intimate chamber ensemble, and was occasioned by Fauré's sorrow at the death of his own father. The American composer Christopher Rouse has written a number of works dealing with the passing of friends and colleagues – works half-seriously, half-jokingly referred to as Rouse's “Death Cycle.” Rouse's Pulitzer Prize-winning Trombone Concerto from 1991 is dedicated to the memory of Leonard Bernstein; his Symphony No. 2, from 1994, contains a tribute to the young composer Stephen Albert, who died in a car crash; and a section of his Flute Concerto from 1993 reflects the composer's shock upon reading an account of the senseless tragedy of a two-year-old child, abducted from an English shopping mall and killed by two ten-year-olds. Los Angeles Times critic Mark Swed has noted that much of Rouse's work is “music of leave-taking… but it is also a music of catharsis, survival and a celebration of being alive.” Music Played in Today's Program Gabriel Fauré (1845-1924) – Requiem (The Cambridge Singers; John Rutter, cond.) Collegium 101 Christopher Rouse (b. 1949) – Symphony No. 2 and Flute Concerto (Carol Wincenc, flute; Houston Symphony; Christoph Eschenbach, cond.) Telarc 80452

Viajero incansable, enamorado de la vida y heredero de la pluma del mítico autor austriaco Stefan Zweig. Así es el escritor Mauricio Wiesenthal, un hombre que desprende literatura por todos sus poros y que afirma sentirse, a veces, un exiliado de su tiempo. Su pensamiento y su estilo literario son herederos del gran legado cultural europeo. Desde muy joven, decidió acumular experiencias para formarse en el oficio de escribir: viajó por toda Europa, se unió a un grupo circense y se embarcó, mochila al hombro, en el legendario tren Orient Express. Su vida entera es una novela que uno puede compartir leyendo sus libros de memorias. Apasionado por la cultura, defensor a ultranza del pensamiento humanista, afirma: “La cultura es cultivo, no lo olvidemos. Si no cultivamos, vamos al desierto”. Además de escritor, autor de ensayos y libros de viajes, Mauricio Wiesenthal ha sido profesor de Historia de la Cultura y conferenciante invitado en numerosas universidades del mundo. Entre sus obras destacan, entre muchos otros, los ensayos ‘La belle époque del Orient Express' (1979), ‘Libro de Requiems' (2004), ‘El esnobismo de las golondrinas' (2007) y ‘Luz de vísperas' (2008). Su último libro, ‘El derecho a disentir' (2021), es un análisis crítico de nuestro tiempo y un bello alegato en favor de la herencia cultural de la vieja Europa.

You think you'll make it to 73, boogerdick? @IDS616 @TheArtist616 FreelanceWrestling.com We love you. This week's song: Anders Manga - 'Rosaries and Requiems'

In episode 140, Martin talks about Favourite Requiems with these five songs:1. Philip Lynott – “King's Call” 2. Santers – “Shot Down in Flames” 3. The Cult – “Sacred Life”4. Alice Cooper – “Desperado” 5. Pink Floyd – “Brain Damage” To connect or learn more about Martin head over to: www.martinpopoff.comThis show is part of Pantheon Podcasts.

In episode 140, Martin talks about Favourite Requiems with these five songs: 1. Philip Lynott – “King's Call”  2. Santers – “Shot Down in Flames”  3. The Cult – “Sacred Life” 4. Alice Cooper – “Desperado”  5. Pink Floyd – “Brain Damage”  To connect or learn more about Martin head over to: www.martinpopoff.com This show is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 140, Martin talks about Favourite Requiems with these five songs:1. Philip Lynott – “King's Call” 2. Santers – “Shot Down in Flames” 3. The Cult – “Sacred Life”4. Alice Cooper – “Desperado” 5. Pink Floyd – “Brain Damage” To connect or learn more about Martin head over to: www.martinpopoff.comThis show is part of Pantheon Podcasts.

In episode 140, Martin talks about Favourite Requiems with these five songs: 1. Philip Lynott – “King's Call”  2. Santers – “Shot Down in Flames”  3. The Cult – “Sacred Life” 4. Alice Cooper – “Desperado”  5. Pink Floyd – “Brain Damage”  To connect or learn more about Martin head over to: www.martinpopoff.com This show is part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1902, the great French composer Gabriel Faure said this: “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience.  As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different." Faure's requiem is part of a long tradition of master composers addressing death through Requiems. Mozart, Brahms, Verdi, Britten, Berlioz, Beethoven(to a certain extent), and many many other composers all tried their hands at the Requiem, some of them keeping to Requiem Mass traditions, and some striking out completely on their own. Most notably, Brahms barely followed the traditional Requiem mass at all, preferring to use his own favorite biblical texts. Faure was also a composer who followed his own beat throughout his life, and perhaps one of his best known works is his modest and humble Requiem, which omits the fire and brimstone of famous requiems like Verdi's, and focuses more on what he called the ‘happy deliverance' of death.  What results is a remarkably inward looking piece, with only 30 or so measures sung at the loudest possible dynamic. It's a piece that only lasts around 35 minutes, and was actually first performed as part of a liturgical funeral service.  Faure's Requiem is music of mysticism and comfort, brilliantly conceived from start to finish in Faure's own unique way. We're going to talk a bit about Faure the man and the composer today, since it ties in so much to how he conceived of this requiem, and then of course, all about the Requiem itself on this Patreon sponsored episode. Join us!

Hören Sie hier die Predigt von Bischof Dr. Stefan Oster SDB anlässlich des Requiems für Bischof em. Wilhelm Schraml am 15. November 2021 in der Basilika St. Anna in Altötting. (Bild: Armin Berger)

In which our heroes analyze the outcome of the 2021 NASCAR championship race before detailing the yearlong highlights, lowlights and potential fixes for the future on behalf of Kyle Larson, Chase Elliott, Denny Hamlin and Martin Truex. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In which our heroes detail the yearlong highlights, lowlights and potential fixes for the future on behalf of Ryan Blaney, Kyle Busch, Brad Keselowski and Joey Logano before previewing the upcoming Xfinity Series championship race in Phoenix. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In which our heroes detail the yearlong highlights, lowlights and potential fixes for the future on behalf of Kevin Harvick, William Byron, Alex Bowman and Christopher Bell before previewing the upcoming race in Texas. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In which our heroes detail the yearlong highlights, lowlights and potential fixes for the future on behalf of Kurt Busch, Tyler Reddick, Michael McDowell and Aric Almirola before previewing the upcoming race in Las Vegas. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ballarat extreme metal outfit Requiem are readying for the July 30 release of their split EP with Adelaide's Shatter Brain by unleashing a monster of a single in Cruelty Of Time. One of three songs Requiem are contributing to the EP, Cruelty Of Time is a brutal slab of epic proportions guaranteed to rot your ears from the inside out. Zacharie Dunks joined HEAVY for a chat about the brutality of Requiems new song and how much further they can take it. "I think that song - we put out an album in 2018 - so that song we ended up writing after that album,” he recalled. “On that album there was lots of long tracks and big long, melodic sections, so it was very long (laughs), so I suppose with this one we wanted to write something a bit more straight forward, to the point and just punchy with a few more riffs. It's still got a bit of a solo section in there then right after that it brings us back around to the riffs and kicks your ass until the end of it." In the full interview Zack talks us through the other two songs that make up Requiems half of the split, how they pushed themselves musically on the EP, what new musical concepts they embraced, the now postponed tour with Shatter Brain, reducing the band to a trio and more.

En clave de Dios (CXLVI): Requiem (Michael Haydn). Dedicamos este espacio íntegramente al Requiem del compositor austriaco Michael Haydn, hermano de Joseph, escrito con ocasión del fallecimiento del conde arzobispo de Salzburgo Sigismund von Schrattenbach en diciembre de 1771, una composición que Wolfgang Amadeus Mozart tomará como modelo 20 años más tarde para su propia misa de difuntos. De hecho, comparamos una de las partes en ambos Requiems, el 'Quam olim Abrahae', sendas fugas de patrones armónicos muy similares.

In this Week's podcast, Kayla has a setback with coronavirus. Our friend, Brittany has graciously stepped in to be a cohost again.   In this week's podcast, we talk about episode 4x06 - Requiems and Revivals. Written by Michael Notarile and Emily Diane Pressley. Directed by Leslie Libman.   Topics: We welcome newest cast members, Conrad Ricamora (How to Get Away with Murder) and Jessica Lewis (Gotham).   -Conic and Billie. Conic baby is suffering from complications. She has anemia. Nic is having PTSD and needing her BFF, Billie. Also, Conrad and Billie have a past   -Double Hand Transplant Surgery. We talk about Andy, a little boy who lost his two hands due to Septic shock and his dream is to play baseball. His "all-star" surgical team including Jake Wong, new plastic surgeon who replaced previous one that left due to Chastain being a public hospital now   - Interview for CEO. Why was there only men being interviewed at first. Kit calling out the governor for this and eventually accepting the position as CEO   - Hints at Jake and Bell's relationship   -Devon and Irving working in the ER dealing with affects of Chastain being a public hospital. working with patient Norman   PATREON: Want to help us keep growing the podcast? Become a patron. Any dollar amount and cancel at anytime. Money will be used for better software, equipment and interviews. (https://www.patreon.com/theresidentpodcast)   No new episode next week. No new Podcasts either.   Upcoming Podcasts   -March 8- Episode 4x07 Discussion - "Hero Moments" -March 15- Episode 4x08 Discussion - "First Days, Last Days"   SUBSCRIBE! -Podbean -Apple Podcasts -Google Podcasts -Spotify -iHeartRadio -YouTube   Contact US! Email- theresidentrulebreakers@gmail.com Facebook- The Resident Rulebreakers Podcast or The Resident Fox Fans Instagram- theresidentpodcast theresidentonfoxfans, kbcountry37 Twitter ResidentPodcast        

In this week's podcast, Kayla is back - but with a PSA about Covid after having spent the last two weeks in quarantine sick with it. * Please be safe about this. I got lucky it didnt get worse than it did, but just be safe about it. It's nothing to joke about. I still have neurological symptoms from it and will for a while. Also, I did all the things recommended and still got it. So, just goes to show how contagious it really is.* - In this week's podcast we talk episode 4x05 - "Home Before Dark". Written by Amy Holden Jones and Andrew Chapman. Directed by Leslie Libman. Episode was dedicated to Amy's late husband Michael Chapman who was an award winning director of photography who had worked with Steven Spielberg and Martin Scorsese. He passed back in September. -  Topics: - CoNic and Nic getting stabbed (we both cried on this episode). Also, Kyle's reaction to learning he has a granddaughter. Matt's acting on this episode deserves an award! The way the whole team rallied around them proves these characters love each other like family. - Minator and how they were handling the changes around them as well as Nic being hurt. The support they showed each other was so amazing. - The hospital closing - we went into this episode knowing the hospital was moving to a public hospital - but seeing it in process of closing didn't change how we felt about it. We love that Marshall came in with the hail Mary and talked to the new governor of GA and got her to agree to the hospital becoming public. - Henry and the suprising solution from a suprising source that saved his life. Cain's suggestion of using glue gave Henry a few more years on his life. - Cain's awake, but trached. He worries about Nic and gives a solution to AJ and Mina on Henry. He ends up at the vent farm because the hospital shut down and he can't breathe on his own. Is this Karma or something else? - Kit and Bell help each other through this ordeal and lean on each other and we love it! - PATREON: Want to help us keep growing the podcast? Become a patron. Any dollar amount and cancel at anytime. Money will be used for better software, equipment and interviews. (https://www.patreon.com/theresidentpodcast) - Upcoming Podcasts - - February 22 - Episode 4x06 Discussion - "Requiems and Revivals" - March 1 - NO PODCAST - Rerun of Episode 4x01 - "A Wedding, A Funeral" is airing this week - so we are taking a break. - March 8 - Episode 4x07 Discussion - "Hero Moments" - Kayla's birthday is on March 7. So, our week off is also so Kayla can enjoy celebrating her birthday. - SUBSCRIBE! - Podbean - Apple Podcasts - Google Podcasts - Spotify - iHeartRadio - YouTube - CONTACT US! - Email - theresidentrulebreakers@gmail.com   - Facebook - The Resident Rulebreakers Podcast or The Resident Fox Fans   - Instagram - theresidentpodcast, theresidentonfoxfans, kbcountry37  - Twitter - ResidentPodcast  - Episode 4x06, “Requiems and Revivials”, airs Tuesday, February 16, 2021 at 8 PM ET on Fox. Please watch live, or on Hulu if you can't. Preferably within a week of airing so it can count in the ratings!! Even the Hulu streams count!! Please watch legally as we need the ratings to get renewal. We will only tell you to watch with a legal source. - Next week: Episode 4x06 Discussion - "Requiems and Revivals"

In this week's podcast, we discuss episode 4x04 of The Resident, Titled "Moving On and Mother Hens" written by Jen Klein and directed by Rob Greenlea.   Topics include -Mina and AJ. The proposal, the "I love you"s, the possible wedding, and how Grayson predicted this season 2   -Kit, Dr. Bell and the stalker. How much character growth Dr. Bell has done, how Kit changed him for the better, Bruce Greenwood's comedic timing, and Grayson's reaction   -Conic. It's a baby girl. Also we talk about the previews for next week's episode   -Devon and his mom. Their shared grief for his dad/ her husband. How much our moms are very much like Devon's mom. Also we note that Manish got honorable mention for "Performer of the Week" from TvLine   -Clementine and Trinity. We discuss Black Lives Matter, Systemic Racism, police brutality and heart attacks in women   Radek talks about what he's been doing since he left the show. He also talks about hopes of returning on The Resident, as well as how The Resident has reminded all of us there will be a time COVID is in the past.   PATREON: Want to help us keep growing the podcast? Become a patron. Any dollar amount and cancel at anytime. Money will be used for better software, equipment and interviews. (https://www.patreon.com/theresidentpodcast)   Upcoming Podcasts February 15 Episode 4x05 Home Before Dark February 22 Episode 4x06 Requiems and Revivals   SUBSCRIBE Podbean Apple Podcasts Google Play Spotify iHeartRadio Youtube    

In part 2 of this extra long episode, our Knights get both Finn and Igdan to open up a little as they try their best to help the people of Odlot. Also, locked doors, bent forks, and crushed dreams!CastDM - Kohl KingBarlowe - Gage DamewoodKavagal - Dale J. MadisonGrif - John JacksonSound EffectsWant to support our brave adventurers? Consider leaving us a review on iTunes. Reviews are the best way to support the show, while also giving us feedback that'll help us grow and get better at what we do. While you're at it, stop by our social media pages to get special bonus clips including sneak peaks, outtakes, and other great content. We also do giveaways and art contest!Chat with us on Discord!Facebook | Instagram | Twitter | TikTok |Twitch | Website

In this episode, our Knights return with Igdan's goods, only to discover a rift has developed between him and Finn. Barlowe attempts to comfort Finn, while Grif and Kavagal attempt to uncover what Igdan is really up to. Also, hurt feelings, broken glass, a shallow grave, and a barrel...with stuff in it. CastDM - Kohl KingBarlowe - Gage DamewoodKavagal - Dale J. MadisonGrif - John JacksonSound EffectsWant to support our brave adventurers? Consider leaving us a review on iTunes. Reviews are the best way to support the show, while also giving us feedback that'll help us grow and get better at what we do. While you're at it, stop by our social media pages to get special bonus clips including sneak peaks, outtakes, and other great content. We also do giveaways and art contest!Chat with us on Discord!Facebook | Instagram | Twitter | TikTok |Twitch | Website

In which our heroes detail the yearlong highlights and lowlights of Chase Elliott, Brad Keselowski, Denny Hamlin and Joey Logano before unveiling the returns from Episode 48's Crew Chief Draft. This episode is sponsored by Extra Life, benefiting Children's Miracle Network Hospitals. Join Extra Life for a 24-hour fundraising drive live on Nov. 20 at 7 pm ET on twitch.tv/roundaboutpro. Visit extra-life.org/team/RoundAboutPro for more details.

Today I am talking to Marrianne Town Smith, a dramatic soprano who found her voice much later than what is the usual trajectory for classical singers. Having had a highly successful career, Marrianne's life in marketing was halted due to changes in her personal circumstances. And then she found singing. In our conversation Marrianne tells about her experiences of stepping into the daunting realm of a music conservatoire in her early forties, she explains of what makes communication a primary skill both in business and in music, and highlights the importance of living life to the full.Marrianne Town Smith started to sing in 2007 as a hobby and distraction from a fast-paced Marketing Management role. Since then she has been on an adventure into opera and classical music, doing as much to learn and grow with a full time job as was possible.  In 2015, she successfully auditioned for a Postgraduate Vocal Studies programme at Trinity Laban and graduated with distinction in 2017.  She has performed many roles in operas and staged scenes at Blackheath Halls Community Opera, Trinity Laban Conservatoire of Music, AIMS international Singing School and City Lit Opera, as well as regularly performing recitals in venues around London and the south east.  She has sung in masterclasses with Susan Bullock, David Gowland and Christa Ludwig.  In 2018 she sang her first opera role with Opera in the Meantime, singing the Witch in Hänsel und Gretel.  In 2019 she covered the roles of Maddalena in Andrea Chenier, and Madeleine Lidoine in Les Dialogues des Carmélites with Midsummer Opera.  She performed her first role with orchestra singing Donna Anna in Don Giovanni in Sicily at the Mediterannean Opera Studio and Festival in July 2019.  In December last year she sang both the Witch and debuted the role of Getrude with Opera in the Meantime's revival production of Hänsel und Gretel.  2020 started with two Requiems and the opportunity to add oratorio roles to her resume, with Verdi's Requiem and the Brahms's Requiem, both conducted by Peter Fender.  And then sadly Covid-19 took over and all other plans for this year have been postponed.  However, she remains optimistic—she has been working away in her garden “She Shack” learning new roles and repertoire.  She is also having online coaching with amazing International singers and stage directors as well as continuing to work with her wonderful teacher Raymond Connell.  Website: www.marrianne.co.ukFacebook: www.facebook.com/marriannetownsmithsoprano

In which our heroes assess the strengths and weaknesses of the four semifinalist teams who failed to make the Championship 4 and analyze the highs and lows of NASCAR free agency before briefly previewing this weekend's race in Phoenix while offering a hint of something bigger... This episode is sponsored by Sunday Scaries, a leading manufacturer of CBD products including gummies, tincture oils, energy shots and more. Positive Regression listeners can receive 25 percent off of their order at SundayScaries.com with coupon code "POSREGPOD" at checkout.

In which our heroes eulogize the seasons of the four teams most recently eliminated from the NASCAR playoffs and offer them fixes for 2021. Then, they discuss why speed hasn't translated to wins on 1.5-mile tracks in their comprehensive Kansas race preview. This episode is sponsored by Sunday Scaries, a leading manufacturer of CBD products including gummies, tincture oils, energy shots and more. Positive Regression listeners can receive 25 percent off of their order at SundayScaries.com with coupon code "POSREGPOD" at checkout.

Predigt von Regens Marc-Anton Hell anlässlich des Requiems seiner Tante: „Unsere tiefe Einsamkeit und die Macht Christi“ Jes 49,14-16a: „Kann denn eine Frau ihr Kindlein vergessen ..? Und selbst wenn sie [es] vergisst: Ich vergesse dich nicht.“ Rom. 6,3-4, 8-9: „Wenn wir nämlich mit der Gestalt des seines Todes verbunden wurden, dann werden wir es auch mit der seiner Auferstehung sein.“ Joh 14,1-7: „Im Haus meines Vaters gibt es viele Wohnungen.“ Abonniert uns auf YouTube: https://www.youtube.com/channel/UCeukeVqmJE_SMuU_tGrzCAg https://www.rmberlin.de

In which our heroes evaluate the four teams recently eliminated from the NASCAR playoffs and offer fixes for the 2021 season before questioning whether Kevin Harvick is fallible and previewing the weekend's race in Las Vegas. This episode is sponsored by Craft Beer Club, the original craft beer of the month club searching for exceptional craft beers from around the country to deliver to your front door. Receive free shipping and up to three free gifts when ordering through beer.posregpod.com, an exclusive link for Positive Regression listeners.

In which our heroes assess the strengths and weaknesses of four teams who failed to make the playoffs and offer fixes for the 2021 season. Also, a consideration of Sam Hornish's NASCAR career and a preview of the playoff opener at Darlington. To become a patron of Motorsports Analytics and Positive Regression, please visit patreon.com/motorsportsanalytics

Oh, thank goodness, it was all merely a dream! And everyone knows dreams are never, ever, ever significant! The city of St. Gilmorg is beset upon by fiendish nightmares that seem somehow all too real, and our heroes smell a rat. Something must be behind these dreams... but the question is what? Or, maybe a better question is how do we stop it? Oh, actually, it'd probably be an even better question to figure out how it's even able to do this in the first place... gah! There's just way too many questions! All we know is that we have to do something... or the dreams that come tonight might be even worse than what preceded them. Tuck yourself in, friends... we're in for some rapid eye movement tonight! Druids get bit. Houses get burned. Doors get knocked. All this and more in this episode of Dice Will Roll, the Gayest Pathfinder Podcast on the Planet, where we ask the hard questions like... is it okay to cook a talking creature if it's like, really rude to you? Patreon: www.patreon.com/dicewillroll Discord: discord.gg/rDhQuVq Reddit: https://www.reddit.com/r/dicewillroll/ BE GAY ROLL DICE NETWORK: https://discord.gg/ExjY3uh Music Via Owlcat Games Theme Song: Kick Shock by Kevin MacLeod Licensed under Creative Commons: By Attribution 3.0 License Ad Music: Local Forecast - Elevator, Airport Lounge, Lobby Time and Bit Quest by Kevin MacLeod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dice-will-roll/support

Carl is back from Nottingham and listening to Ockeghem's requiem while musing about cool pubs, a wild youth, the concept of time and how to control a Swiss cheese plant

Seit rund fünfzehn Jahren hat Howard Arman sich intensiv mit der Fertigstellung der Originalpartitur von Mozarts Requiem beschäftigt. Das Ergebnis kommt am 25. Januar in München zur Aufführung, und zwar im Herkulesssaal beim Gedenkkonzert des Chors des Bayerischen Rundfunks zu Ehren von Mariss Jansons. Vorab hat Howard Arman uns verraten, was ihm bei der Fertigstellung von Mozarts Requiem so durch den Kopf ging.

In which our heroes consider what needs to change for the four teams eliminated from the playoffs following a raucous race on the Roval and whether Ricky Stenhouse is the next Martin Truex. Then, they preview this weekend's race in Dover.

Richard and Eric take a break from their recent heavy lifting to rank the top 5 choral Requiems of all time.  Some surprises are in store if you love the Office of the Dead!  Tomfoolery and skullduggery ensue as the guys go full Requiem.

California’s Witherfall has been on a hell of a ride. This stellar progressive-metal collective came into being when former members of White Wizzard, Jag Panzer, and Circle II Circle decided to do something interesting together. The resulting record, Nocturnes and Requiems, boasted music and songcraft some bands well into their third decade could never dream [...] The post WITHERFALL Talks Scattering Deceased Drummer’s Ashes on Stage: “That Moment Was Super Powerful, Eerie and Beautiful. It Was Our First Show and Adam Was There” appeared first on Sonic Perspectives.

In de maand november worden in de katholieke kerk de doden herdacht, met name op Allerzielen op 2 november. Een gesprek over de verschillende Requiems en de ontwikkeling ervan.

Bernard Cornwell is now one of the world's most popular writers of historical fiction. He's famous for his Sharpe series, about a British soldier during the Napoleonic wars, and for his Last Kingdom books, set in 9th-century Britain. Both have become successful television adaptations, with a third season of The Last Kingdom being filmed for Netflix at the moment. The numbers are pretty staggering: 57 books published, worldwide sales of 35 million. But Bernard Cornwell owes his existence as a writer to a very happy accident. It was 1978, he was in an office in Edinburgh, the lift doors opened, and out stepped a blonde. In his own words, he "fell disastrously in love". But Judy, the woman who stepped out of the lift, was American, and, when he moved to America to live with her, he couldn't get a green card. Unemployed, he decided to write a novel. And so the Sharpe series was born. In Private Passions, Bernard Cornwell reveals his extraordinary childhood among a religious sect called the "Peculiar People". He was adopted, and he tells the story of his search for his birth parents. When he found his mother, her shelves were full of his books. The music he loves now is very much influenced by his lifelong rebellion against this ascetic religious upbringing: he loves Requiems and Catholic liturgical settings. Music choices include Faure's Requiem, Mozart's Requiem, Allegri's Miserere, and songs from Shakespeare. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Here's our packed 'Art of Dying Well' podcast focusing on how music is vital for our well-being. Whether it acts as the soundtrack to our lives or as consolation at a time of grief, music is at the heart of the human experience. First up we speak to Eric Clarke, Professor of Music at Oxford University about how music can actually be an empathiser - almost a person - in how we listen and respond to it. Next it's 'Death Chatter' and we connect via Skype with Sue Kemple from mylastsoundtrack.com - a really useful online memorial tool. Finally we take in 'The View From The Choirmaster's Chair', a slight departure from the spiritual slot, speaking to Martin Foster, Choral Director at St Mary's University College, London. Martin talks to us about Requiems - the music of mourning. Fascinating, knowledgeable, rousing, soothing and inspiring. Enjoy.

I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it. Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it. Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it. Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.   Learn more about your ad choices. Visit megaphone.fm/adchoices

I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide, the book doesn’t gloss over even the most remote B-Side or bands who only fleetingly played a role in the genre. Every entry is carefully researched and expertly written to paint a picture of a music scene that was at once full of some of the most creative and inspirational individuals of a generation and trendy chancers wanting a bit of fame and some quick cash. The Britpop scene flashed before our eyes, yet it still lingers in the collective souls of those that lived it. Authors Jenny Natasha and Tom Boniface-Webb grew up in the nineties and experienced the Britpop scene first hand. They met while they were both band members of the indie rock band the Requiems. Originally hailing from Wales, Jenny experienced the music of the early nineties with her group of girlfriends who saw Oasis perform at Knebworth in 1996. She was given a guitar for her sixteenth birthday, which led her to join various bands in London, where she resides. She currently works at MTV in Camden town. Tom Boniface-Webb was born in southeast England and destined for a life of music. He learned how to play the guitar at fifteen and played in a number of bands throughout the nineties and noughties. Today he is a writer and filmmaker living in New Zealand with his wife. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoondert discusses the step away from the liturgy associated with requiems as way for today's individual to deal with death or violence in their own way. Still, It is clear that the ritual elements of the requiem remains, hence where this contemporary music fits into the sacral landscape is up for debate.

Luigi Cherubini, Charles-Henri Plantade | Requiem C-Moll, Requiem D-Moll |Le Concert Spirituel, Hervé Niquet

Cinco años después de la muerte de Steve Jobs nos centramos en el Google Pixel. Cómo somos de mordaces, qué únicos. Pero no es el único tema del día. Plex Cloud, mucho follow up, y por fin Álex se anima a convertir sus odios en una sección del podcast bajo recomendación de su psiquiatra. Volvemos con los chapters/marcadores en el audio, así que usadlos para saltar a las partes del episodio que más os interesan. Partes (00:00) la app que no existe de Eduo. (00:45) Cinco años de la muerte de Steve Job. (04:27) Follow up: Álex rompió el RSS, downgrading en iOS, pronunciaciones, y sesgos. (20:00) Plex en la nube. (32:30) Google Pixel. (44:01) Ojalá se mueran. (49:20) Outro. (50:20) Tomas falsas. Enlaces Fuera De Series Podcast. La Portada de TIME cuando murió Steve. Overcast. @Jucamola nos habla de la Ley de Wirth. Ley de Wirth. Ley de Moore. Tweet de Aloisius sobre bias. Survivorship bias. Hermione en la mitología. Lista de gente llamada Hermione. Cuento de invierno de Shakespeare. Vídeo: Cómo se pronuncia Hermione en español e inglés. Jacobo (Jacob, Yago, Iago, Jaime, Thiago, Santiago y Diego). Plex Cloud, el media center de Plex que funciona en la nube gracias a Amazon. Plex Cloud beta puts your media server in the cloud using unlimited Amazon Drive storage Plex Pass. Amazon Drive. Amazon Video. Amazon Prime. Google Pixel, sitio oficial. Google Pixel specs. Motorola Nexus 6. Huawei Nexus 6P. LG Nexus 5. Google has ‘no plans’ for more Nexus products. Many Android 7.1 features are Pixel-exclusive, and Nexuses can’t get it yet. Brianna Wu sobre el Google Pixel. Andy Rubin estaría orgulloso. Se esperan 3-4 millones de Pixel vendidos en 2016. Del 0 al 10, ¿qué nota le pones al Google Pixel en diseño? Rick Osterloh. Esperanza de vida (wikipedia). Cachava.

Johann Caspar Kerll, Johann Joseph Fux | Vox Luminis, L'Achéron, Scorpio Collectief: Lionel Meunier

Gabriel Faure's Requiem is a musical setting of the Requiem Mass. Several composers, including Mozart, Brahms and Verdi, have written Requiems and it is a tradition within the Christian Church to hear them performed during the Lenten period, whether in a concert setting or during regular worship services. We trust these words, set to Faure's beautiful composition, will help you reflect on Jesus' journey to the cross and the mercy of God for each of our lives.

Cappella Pratensis strikes again with Ockeghem / de la Rue!