Podcasts about assistant conductor

One of Australia's foremost young conductors, Luke Spicer has appeared as guest conductor of the Tasmanian, Queensland, and Canberra Symphony Orchestras, and as a conductor and music director with Opera Australia. He's also been guest Assistant Conductor at the Bruckner Orchestra Linz, the Saarländisches Staatstheater of Saarbrücken, and with the Sydney Symphony, working with both Simone Young and Vladimir Ashkenazy.In this conversation, Luke reflects on his journey from violinist to violist to conductor, influenced by formative experiences including a pivotal moment in Bathurst. He recounts studying under demanding mentors like Gianluigi Gelmetti, and his early performing experiences, including touring with Opera Australia. Luke Spicer conducts musicians of the Guizhou Chinese Orchestra and the Australia Orchestra for Folk Reimagined: East in Symphony in the Concert Hall of the Sydney Opera House on Monday 7 July and at the Melbourne Recital Centre on Wednesday 9 July.

“Going back for a master's was exhilarating. So many of the things that I had been doing in my studio were corroborated with education. On the flip side, I had a lot of moments where I thought, “I've been doing that wrong. I should change that.” Having had years doing a lot of my own education—I attended conferences and did everything I could to soak up anything available to me—going back to school and having it corroborated and defined was career-changing.”Award-winning coloratura soprano Alisa Toy has an impressive thirty-year performing and teaching career. She currently teaches and performs at Washington State University as a Lecturer of Voice. Internationally, Alisa soloed in Great Britain, Canada, Pakistan, and Italy, including a concert for Pope Benedict XVI with the Rome Symphony Orchestra. Some of her past favorite soloing opportunities include Mozart's Requiem and Coronation Mass, along with multiple performances of Handel's Messiah and Judas Maccabeus. Opera and musical theatre roles include Pamina in Mozart's The Magic Flute, Gertrude in Humperdinck's Hänsel and Gretel, Maria in Bernstein's West Side Story, and Grace in Strouse's Annie.As a choral conductor, Alisa currently serves as the Artistic Director of the Lewis and Clark State College Concert Choir, the Assistant Conductor of the Palouse Choral Society, and previously served as the Artistic Director for the Columbus Choral Society.Memorable performances for her include the world premiere of John Purifoy's Chronicles of Blue and Gray in New York's Carnegie Hall and the world premiere of Benjamin Harlan's The Seven Last Words of Christ in New Orleans. She frequently serves in her church as a soloist, choral conductor, and organist/pianist.Alisa holds a Master of Music in Vocal Performance and Choral Conducting from the University of Idaho and graduated summa cum laude with a Bachelor's Degree in Music Education from Mississippi University for Women. Alisa enjoyed teaching K-12 music for several years in public and private schools and enjoys teaching voice through her private studio, Singingtoy Studio in addition to her appointment at WSU. She is currently working on her Ph.D.To get in touch with Alisa, you can email her at alisa.toy@wsu.edu, find her on Facebook (@toysrusfamily), or follow the SingingToy Studio on Facebook.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

“I don't have a sound that I'm trying to make the choir fit into. I'm trying to understand and uncover the palette of sounds that are in front of me and then expand our sense of what we can sound like. This happens through the community building process, because the more we honor each individual and allow them to bring themselves into that rehearsal space, then the fuller and richer we are.”Dr. Joel Tranquilla (he/him/his) is a conductor and music educator noted for his versatile musicianship and creative programming. Originally from Fredericton, Joel is thrilled to have returned home to assume the position of Artistic Director of the Halifax Camerata Singers and Chorus Master of Symphony Nova Scotia. Formative choral experiences include touring with the American Boychoir as a boy soprano and singing as a member of the Nova Scotia and National Youth Choirs. He holds degrees from Mount Allison University, the University of Michigan, and Michigan State University where his doctoral research was in the area of Canadian choral-orchestral works.Joel relocated to Nova Scotia in 2023 after spending nine years as the Director of Choral Activities at Trinity Western University in Langley, BC, where he oversaw a program of six choirs and taught various courses within the School of the Arts, Media and Culture. Joel led the TWU Chamber Choir on tours to Ottawa, New York City, China, Hong Kong, Japan, and Taiwan. In addition to his work at TWU, Joel served as the Artistic Director of the Valley Festival Singers in Abbotsford and was the conductor of the award-winning Coastal Sound Youth Choir in Coquitlam. A singing member of the Canadian Chamber Choir since 2007, he was named the ensemble's Associate Conductor in 2013. As such, he contributes to the programming and long-term artistic visioning of that organization. Prior to his time on the West Coast, Joel lived and worked in Windsor, Ontario, serving as the conductor of several local ensembles including the Windsor Symphony Orchestra Chorus. In high demand as an adjudicator and clinician across the country, Joel is a past Guest Conductor of the New Brunswick Youth Choir and the Manitoba Provincial Honour Choir, and was the Assistant Conductor of the 2012 National Youth Choir.Major works conducted include Poulenc's Gloria, Vaughan Williams' Hodie, Ramirez's Navidad nuestra, Mendelssohn's St. Paul, Handel's Alexander's Feast, Requiems by Fauré and Duruflé, Bach's St. John Passion, and Allan Bevan's oratorio Nou Goth Sonne Under Wode. In spring 2023, Joel conducted the premiere of a new oratorio by David Squires and made his Carnegie Hall debut in a program featuring Vaughan Williams' Five Mystical Songs. Joel believes in the power of choral music to build and strengthen community. His wife, Meghan is an audiologist, and they have three precocious children: Everett, Penelope, and Felix.To get in touch with Joel, you can visit the Halifax Camerata Singers website at halifaxcamerata.org or find them on Facebook (@HalifaxCamerataSingers) or Instagram (@halifaxcameratasingers). You can also find the Canadian Chamber Choir at their website canadianchamberchoir.ca, on Facebook (@CanadianChamberChoir) or Instagram (@canadianchamberchoir).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Nathaniel Efthimiou, the Assistant Conductor and Music Director for the Jacksonville Symphony Youth Orchestra, joins JMN live from Jacoby Hall. Recently relocated from Boston, he shares how the Symphony and music performance affects the surrounding Jacksonville community, with outreach to youth music programs, education, and more. A JSYO quartet will perform in the lobby prior to this weekend's 75th season opening.

Live recording from an AMA (Ask Me Anything) Panel Discussion on April 3, 2024. The panelists of the sessions were:

Kalena Bovell, a candidate for Salisbury Symphony Music Director, will lead the orchestra in a program called "Musical Inspirations." Bovell made her professional debut as the Chicago Sinfonietta's Assistant Conductor in 2015 and has led performances at the BBC Proms and the Kennedy Center. She also recently had her opera debut at Volcano Theatre where she led a reimagined production of Scott Joplin's Treemonisha making her the first black woman to conduct opera in Canada. On this episode of Piedmont Arts, Bovell talks about discovering her love of conducting and about becoming a poet. Learn more about Salisbury Symphony's Musical Inspirations Pictured: Kalena Bovell by Jamie Pratt Photos.

If you´ve ever wondered how the silence prior to start the Opening Movement is energized and about the experience of the brief but extreme moving moment between the end of the Final Movement and the first clap of the audience's applause in a performance, you won't dare to miss this episode. Euan Shields is a 25-year-old Japan-born American orchestral conductor and cellist, known for his emotionally charged performances and delightful technical skills. In this episode, the Assistant Conductor under Sir Mark Elder for the Hallé Orchestra and Music Director of the Hallé Youth Orchestra, talks about all the imaginary happening while standing on the podium and about the different experiences resulted from playing cello in an orchestra vs. conducting one. Listen this superb cellist and promising orchestral conductor talk about mentorship and the benefits of being brutally honest, why he exchanged words for feelings when marking his scores, how he prepares a performance as an assistance conductor and how he puts his conviction of music's transformational power to society in motion.

Scotland-based American conductor Kellen Gray is Assistant Conductor of the English National Opera and Assistant Conductor of the Royal Scottish National Orchestra. He's attuned to the orchestral repertory, including Bela Bartok, Antonin Dvorak, Aaron Copland, and Ralph Vaughan Williams. He's also passionate about championing African-diasporic composers, and has two critically acclaimed albums - African-American Voices 1 and 2 - with the Royal Scottish National Orchestra. Suzanne spoke with Kellen Gray about his introduction to music growing up in South Carolina, and how it continues to impact his work as a conductor.

Today on Why Music Matters, I spend some time with Fernanda Lastra of the Buffalo Philharmonic Orchestra.  Hired as Conductor Diversity Fellow by the Orchestra in September of 2022, Fernanda quickly made her mark, combining her fiery presence at the podium with a passion for community engagement, overseeing the BPO Kids and Music for Youth programs, working as cover conductor for Maestro JoAnn Falletta, and serving as a member of the BPO Diversity Council.  In recognition of her abundant talent, the BPO extended Fernanda's contract as Diversity Fellow and promoted her to Assistant Conductor of the Orchestra in October of this year.  Born and raised in Argentina, and a graduate of the Penn State School of Music, Fernanda has led orchestras around the US, in Argentina and in Brazil. Along the way, she's gained keen insight into the power music holds to connect us and speak to our better selves.  Welcome to Why Music Matters, Fernanda Lastra!

We begin Part 2 by talking about his time with the San Francisco Ballet and how conducting ballet is so different from conducting orchestras. From there we move on to the New World Symphony and the studying of scores in preparation for rehearsals and concerts, how much time is involved, and the strategy he has for score analysis.

In the Bonus Room we discuss Chad's book, "You Earned a Music Degree. Now What?" This is a book that offers many practical and usable suggestions for students graduating from college and wanting to pursue a career in music. It is indeed a working musicians field guide, and we cover many areas of the book. Students will find this part of the interview not only inspiring but very practical as well.

Chad Goodman is, to quote Christina Wallace from Forbes Magazine, "an entrepreneur bringing innovation to classical music." In his young life, Chad has started his own ensemble, the Elevate Ensemble, worked with the San Francisco Symphony and San Francisco Ballet as a conductor, and is currently a Conducting Fellow of the New World Symphony. So how did he do all of this at such a young age? He gives a lot of clues and practical advice in his book: "You Earned a Music Degree. Now What?" It was a pleasure to speak with him about the many aspects of his career and life.We begin by going back to the start of Chad's career, learning music and also learning the business of music. At a very young age, he founded the Elevate Ensemble. He talks about many of the different aspects of planning concerts, paying musicians, arranging concert venues, and the like. We trace his career to working with the San Francisco Symphony, assisting guest conductors, and how Manfred Honeck was such a profound influence on him.

Tony nominated composer Scott Frankel dishes on Betty Buckley's arriving late and James Lapine's playing favorites--not to mention testy reed players--from his time on the final workshop and original Broadway productions. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices

Australian conductor Paul Fitzsimon has been Chorus Master at Opera Australia since 2019, and has worked as repetituer and conductor with the company since 2012, most recently conducting performances of La Boheme and Don Giovanni at the Sydney Opera House. He was Assistant Conductor of the Melbourne Symphony Orchestra in 2008/09 and has conducted most of the symphony orchestras in Australia, and in Europe has conducted the Frankfurt Radio Symphony, Ensemble Intercontemporain in Paris, and the Hamburg Ballet at the Baden Baden Festival. Highlights in recent years include conducting the national tours of The Marriage of Figaro, The Magic Flute, and Madama Butterfly for Opera Australia, Dvorak's Symphony no. 7 with the Adelaide Symphony Orchestra, as well as a new production of Brian Howard's Metamorphosis for Opera Australia in 2018. Paul majored in piano performance at The University of Melbourne and later completed his orchestral conducting studies at the Universität der Künste in Berlin and through the Symphony Australia Conductor Development Program. He was the recipient of the Brian Stacey Award for Emerging Conductors in 2008.  The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Na'Zir McFadden is the Assistant Conductor of the Detroit Symphony Orchestra and joins Loki to unpack his trajectory to the podium, his plans for the future, and his thoughts and ideas on expanding orchestra audiences. Loki reads from the Lotus Sutra and explains the meaning of his new name, and offers an extremely personal look into his life in the weekly TRILLOQUY.  ★ Support this podcast ★

"Every time on stage when we connect with the choral music and I see the students moved or touched by choral music, that's the moment I fall in love with choral music. The love of choral music is affirmed again and again by the connection you make with these humans and the music."Xiaosha Lin is currently assistant professor and director of choral activities at Whitworth University in Spokane, Washington. Prior to her appointment at Whitworth, she served as Director of Choral Activities at the University of Toledo and Assistant Conductor at Hong Kong Baptist University.Known as a dynamic conductor with her engaging rehearsal approach and expressive conducting, Lin was selected as a conducting fellow in several prestigious programs where she worked with Simon Carrington, Edith Copley, David Hayes, and Lucinda Carver. She was one of the semi-finalists in the national ACDA Graduate Student Conducting Competition in Kansas City, MO. As a chorister, she has performed regularly at the Kimmel Center, Carnegie Hall, and Lincoln Center under the batons of Yannick Nézet Séguin, Alan Gilbert, Simon Rattle, and Jane Glover. Lin is a sought-after conductor, adjudicator, and choral clinician in both the U.S. and China, where she was invited to workshops and clinics for all levels of choirs. She has frequently adjudicated in middle and high school choral festivals in Pacific Northwest and Midwest regions. Lin's international background makes her an open-minded, sensitive, and well-rounded musician and educator. She is committed to creating a diverse and inclusive community through choral music. She recently received the Inclusive Excellence Faculty Award for the 2022-2023 academic year at Whitworth University and currently serves as a member of the Diversity Initiative Committee at WA-ACDA.Lin received her Doctor of Musical Arts in Choral Conducting at Michigan State University, Master of Music in Choral Conducting at Westminster Choir College, Master of Arts in Music at Hong Kong Baptist University (Hong Kong), and Bachelor of Music Education at Xinghai Conservatory of Music (China).   To get in touch with Xiaosha, you can find her on Instagram (@xiaosha_lin) or email her at xlin@whitworth.edu. Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonPracticing Connection: Working together to help families and communities thrive.Jessica Beckendorf and Bob Bertsch host this exploration of personal and collective...Listen on: Apple Podcasts Spotify Teaching While Queer PodcastTeaching While Queer Podcast is a space for LGBTQIA+ educators, administrators, and...Listen on: Apple Podcasts Spotify

It's TONY time once again - the annual celebration of the Broadway community via their awards ceremony - The Tony's - named after Antoinette Perry, an actress, producer and theatre director who was co-founder and secretary of the American Theatre WingThe 2023 awards have been surrounded by some controversy as producers negotiated with the striking writers guild of America for cooperation to present the ceremony. Happily, the awards will proceed as scheduled featuring live performances but in a non-scripted format.The televised performance is an essential marketing tool that can boost sales for those shows nominated and those that are awarded prizes. The ceremony will be broadcast on American network CBS on June 11th. The awards were postponed for approx. 18months in 2020 during the Covid pandemic which made such an event impossible. Audiences have yet to return to prepandemic levels, so such a telecast is understandably needed.Australians are an ever growing presence on the Broadway stage and this year were are cheering for Suzie Miller's production of Prima Facie; a play that  has taken the world by storm. After a commanding production starring Sheridan Harbridge which commenced at Sydney's Griffin Theatre, it landed triumphantly in London's West End starring Killing Eve's Jodie Comer. The production won Best Play and Best Actress at the Olivier Awards. The production opened on Broadway in April, once again starring Comer. Once again conquering box-office and compelling audiences with its visceral storytelling. A recent announcement has informed us that the play will be adapted into a feature film starring Tony winner Cynthia Ervio.Prima Facie is nominated in these categories at the Tonys …Best Leading Actress in a Play - Jodie Comer (first time on stage), Best Scenic Design of a Play - Miriam Buether Best Sound Design of a Play - Ben & Max Ringham, Best Lighting Design of a Play - Natasha Chivers. And Australian Daniel Edmonds is Assistant Conductor on the Best Musical nominee - Shucked!STAGES is joined in this episode by Musical afficiando Mark Humphries who will share his experiences of the Great White Way and offer his own predictions as to where the Tony's may land amongst this year's nominees.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

(First aired on WUTC 4/8/23)We've partnered with the Chattanooga Symphony & Opera for this episode of The Songbirds Radio Hour. Here on Episode 7, we talk with Mexican-American conductor Ismael Sandoval, who is Assistant Conductor of the CSO and Music Director of the CSO Youth Orchestras.We discuss the history of Mariachi and the importance of the tradition in Mexican society. Our special musical guest is Mariachi Aventurero from Dalton, Georgia. Hosted on Acast. See acast.com/privacy for more information.

"I first spend time building trust between me and then ensemble and then having them build trust within the ensemble. If they don't trust me, we won't be able to do a particular level or type of music. We spend so much time learning to work together." - Matthew Gardner"I entered my teaching career with all these ideals about teaching choral music, but what if they don't receive those ideals? There's a certain truth of listening to where your students are in the moment that you're there and then gaining the trust to be able to implement more of your ideals." - Taylor StricklinMatthew Gardner is the choral director at Austin High School in Decatur, AL, where he teaches AP Music Theory and conducts the Chamber Choir, Treble Choir, Tenor-Bass Choir, and Show Choir. He is co-founder of the Huntsville Summer Music program, which provides music education students practical teaching and conducting experience before they begin their careers. Matthew served as coordinator and conductor of the program's chorus and wind band. Matthew is an active performer in professional choral ensembles such as Coro Vocati in Atlanta, GA, Valley Consort in Huntsville, AL, and the Cahaba Chamber Chorale in Birmingham, AL. In addition to his full-time teaching, Matthew is an adjunct instructor at the University of Alabama in Huntsville. He has served as conductor of the UAH Concert Choir as well as the substitute conductor of the UAH Chamber Choir. Matthew also serves as Director of Music Ministries at Valley United Methodist Church in Huntsville, AL. Matthew holds a Bachelor of Arts in Music from the University of Alabama in Huntsville as well as a Master of Music in Choral Conducting from Louisiana State University.Taylor Stricklin is the Choral Director at Vestavia Hills High School. Mr. Stricklin is a native of Birmingham, AL and earned his Bachelor of Choral Music Education degree from Samford University. In the Spring of 2020, he graduated with a Master of Music in Choral Conducting from Louisiana State University, where he served as conductor of Chamber Singers and assistant conductor of the Tiger Glee Club. Prior to graduate study, Taylor taught choral music at Dauphin (daw-fin) Junior High School and Enterprise High School in Enterprise, AL . He currently sings in several professional ensembles, Red Shift, based in Baton Rouge, LA and the Cahaba Chamber Chorale, based in Birmingham. Since the summer of 2018, Taylor has also served as the Assistant Conductor of Iron City Singers, a community choir based in Birmingham. You can find Matthew on Facebook (@matthew.gardner.54) or Instagram (@mcgardner93). You can also find Taylor on Facebook (@tstricklin2) or Instagram (@tstrick17 and @vestaviahillschoir).Choir Fam wants to hear from you! Check out the Minisode Intro episode from September 16, 2022, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

Maurice Cohn is one of the rising stars in the USA. This week on And Other Duties we talk about his role as Assistant Conductor with Dallas Symphony; working with youth orchestras, getting more youth into the symphony hall and building communities, as well as pre concert talks and how valuable they are! We also talk about building our own community, connecting and rooting for each other throughout!

Duo Shen, Chinese conductor living in the US talks to Karen as they share their memories of meeting at the Grand Rapids Symphony Assistant Conductor Finalist audition. Duo, now the Assistant Conductor at Grand Rapids, talks about his journey from China to the US, complications of visas, finance and his journey from violin to the podium. 

Tahu Matheson has worked for Opera Australia since 2007. He became Head of Music for the company in 2017. He studied piano with Kalle Randalu in Germany, and with Oleg Stepanov and Natasha Vlassenko at the Queensland Conservatorium, where he completed his Master of Music. He is a frequent accompanist for international artists including Teddy Tahu Rhodes, Anthony Dean Griffey, Yvonne Kenny and Emma Matthews. His Opera Australia repertoire includes - Conductor of Tosca, L'elisir d'amore, The Magic Flute and The Pearlfishers at Sydney Opera House; Aida on the Beach and tours of Don Giovanni. Tahu was Assistant Conductor of the Ring Cycle, Bliss, Falstaff, Otello, Rigoletto, Carmen, Capriccio, Of Mice and Men, The Barber of Seville, Lucia di Lammermoor, Werther, The Magic Flute, La Bohème, La Traviata, Madama Butterfly, La sonnambula, Orpheus in the Underworld, A Streetcar Named Desire, Billy Budd and Don Giovanni. For other companies Tahu has conducted Kurt Weill's The Seven Deadly Sins for Victorian Opera. This work was paired with the premiere of a new work by four Australian Composers, of the same name, but with updated subject matter and music. Tahu has conducted many concerts including a concert performance of a new opera, Nelson, by Stuart Greenbaum in London, and a performance of Beethoven's Ninth Symphony for 4MBS Radio in Brisbane. He recently made his debut with the Queensland Symphony Orchestra. Tahu performed the Rachmaninov Preludes Op 23 and the world premiere of Ten Concert Studies for Piano, written for him by Edwin Carr (New Zealand International Festival of the Arts – recorded on CD for international release by Kiwi Pacific Records). Tahu has been a soloist in the major concert venues throughout Australia and New Zealand, toured for Musica Viva and Chamber Music New Zealand, and been broadcast on New Zealand and Australian radio and television. Through November and December Tahu Matheson conducts Opera Australia's brand new, Sydney-exclusive open-air event, Opera on Cockatoo Island, with a gritty new production of Bizet's much-loved Carmen, giving visitors a thrilling opportunity to experience world-class opera under the stars with stunning harbour views. STAGES caught up with Tahu at his place of work - Opera Australia - to discover what's in store for audiences attending Carmen, and the gateway through which he discovered his passion for telling big stories on the Operatic stage. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Guest conductor Erina Yashima leads the Charlotte Symphony in a program that includes Beethoven's Triple Concerto and Berlioz's Symphonie Fantastique . Yashima recently finished her tenure as Assistant Conductor of the Philadelphia Orchestra. And she recently started in her new position as First Kapellmeister at the Komische Oper Berlin. She talks about the works on the orchestra program, the differences between American and European orchestras, and the importance of music education in her native Germany. Pictured: Erina Yashima by Todd Rosenberg Photography/ Askonas Holt .

Dr. Pouya Jamshidi was born and raised in Tehran, Iran, where he studied Russian literature and classical music. He played the Trumpet and French Horn in the Tehran Philharmonic Orchestra, advancing to becoming the youngest Assistant Conductor of the Orchestra at the age of 19. Upon immigration to the US, Dr. Jamshidi majored in Cognitive Science and Neuroscience at the University of California-San Diego, where he also conducted neuroscience research. He earned his medical degree from Weill Cornell Medical College in New York City and finished a year of internship in Obstetrics and Gynecology at Weill Cornell New York-Presbyterian Hospital. He then pursued a year of postdoctoral fellowship at the Mesulam Center for Cognitive Neurology and Alzheimer's Disease at Northwestern University, Feinberg School of Medicine. Dr. Jamshidi completed his residency in Anatomic Pathology at University of Chicago- NorthShore. He is now a 2nd-year neuropathology fellow at Northwestern Memorial Hospital in Chicago. Dr. Jamshidi loves spending time with his wife, two sons and his adopted dog, Moca, enjoys international cuisines, and listening to classical music and opera.   Twitter: Pjamshidi_MDhttps://ucsdnews.ucsd.edu/archive/thisweek/2008/05/19_ensemble_con_brio.asp   

Juliano Dutra Aniceto is one of the most significant upcoming conductors of his generation, having worked in the symphonic and in the operatic fields. Currently, Juliano is developing his doctorate studies at The Peabody Institute of the Johns Hopkins University, under the mentorship of Maestro Marin Alsop, where he served as her graduate assistant. Juliano has appeared as guest conductor and music director in operatic productions in the United States and in South America, having conducted the Baltimore Symphony Orchestra, the Peabody Symphony Orchestra, the São Paulo State Youth Orchestra, São Pedro Opera House, the East Carolina University Symphony Orchestra, ECU Opera Theatre, the São Paulo University Symphony Orchestra, among others. Juliano is recognized by his versatility among genres, with 12 operatic and 3 music theater productions in his repertoire, including titles as Humperdinck's Hänsel und Gretel (North Carolina, 2019), Mozart's Die Zauberflöte (Brazil, 2017), Rossini's L'italiana in Algeri, Cimarosa's Il Matrimonio Segreto, Janáček's Katja Kabanová and Věc Makropulos, among others. In 2022, Juliano served as music director and conductor in the recording of the opera Lily, by Garth Baxter. At Peabody, Juliano is the recipient of the “Artistic Excellence Scholarship.” Juliano also serves as the Executive Assistant for the Taki Alsop Conducting Fellowship and as Hugh Hawkins Fellow researcher at The Johns Hopkins University (2021). Juliano has participated in masterclasses with Marin Alsop (his mentor), Kurt Masur, Claudio Cruz, Johannes Schlaefli, Isaac Karabtchevsky, Ernani Aguiar, Martin Schmidt, and Osvaldo Ferreira. Juliano Aniceto was born in São Paulo – Brazil, started his music education in a social program and, from an early age, his talent was recognized: reviews of his concerts, as a flute soloist, classified him as “A soloist with great future” (Invitation to the Classics, Clovis Marques). In 2022, Juliano joins the Hopkins Symphony Orchestra in the position of Assistant Conductor.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

The Rock Hill Symphony Orchestra is one of the newer professional music ensembles in our region having been established in 2017. It kicks off its new season with a concert called "A Musical Tapestry of Folk & Classical Traditions" with guest conductor and Rock Hill native Kellen Gray. Gray currently serves as Assistant Conductor of the Royal Scottish National Orchestra and Associate Conductor of the Charleston Symphony. He talks about the music on the program and the opportunity to conduct in his hometown. He also reflects on his journey as a Black conductor and the importance of diversity, equity, and inclusion in the classical music world.

David Stewart Wiley is the Conductor of the Roanoke Symphony Orchestra and was the Conductor and Music Director of the Long Island Philharmonic from 2001 to 2016. He has been honored by Roanoke City Council as Roanoke's “Citizen of the Year” for his outstanding service and outreach to diverse communities, separate from his professional duties. As a solo pianist, Wiley has performed with numerous major orchestras throughout the United States including Minnesota, Indianapolis, Oregon, Honolulu, Wheeling, and West Virginia, performing major concerti by Baroque to contemporary, often conducting from the piano. He has appeared as both a jazz and classical pianist in Boston's Symphony Hall and in recital and chamber music appearances throughout the U.S. as well as in China, Russia, Romania, Germany, Hungary, Italy, the Czech Republic, and Bulgaria. David Stewart Wiley won the Aspen Conducting Prize, was Assistant Conductor for the Aspen Music Festival, and was awarded a Conducting Fellowship at Tanglewood. He and his wife Leah Marer Wiley (soprano soloist, teacher, and owner of Muevela Fitness) have a son and a daughter who play cello and violin and enjoy travelling, hiking, biking, chess, and making music together.

On this episode, we hear from conductor Brandon Eldredge and soprano Tessa McQueen about Act One of Jake Heggie and Gene Scheer's chamber opera, TWO REMAIN. Act One focuses on the true story of Polish poet Krystyna Zywulska surviving the Holocaust – and the psychological trauma she dealt with the rest of her life. It's based on her searing memoir of 1946, “I Survived Auschwitz.” Brandon and Tessa share more about Krystyna's life, about how challenging it is to perform and interpret a story of this magnitude, and how important it is to keep telling these stories. Brandon Eldredge has built a broad-scoped knowledge and experience as a conductor, pianist, and operatic coach, working across the United States, Germany, and Sweden. He is CCO's Associate Conductor and Chorus Master this summer, working on all three productions. During the year, he is on staff at Virginia Opera as Assistant Conductor and Chorus Master. Soprano Tessa McQueen is a first year Studio Artist in the Bonfils-Stanton Artists Training Program, and in addition to her role of Krystyna Zywulska in TWO REMAIN, she is in the chorus of Die Fledermaus and several opera scenes for the Short Works performances. Tessa received her Bachelor of Music degree in Voice Performance from Oklahoma City University and will begin her Master's degree at Rice University this fall. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at centralcityopera.org.  

In this episode, Director of Music Ministries at First United Methodist Church Stephenville and Assistant Conductor of the Abilene Chamber Singers, Travis Lowery joins us to discuss a variety of topics, including young vs. old and amateur vs. professional ensembles, the benefits of having a performance background, and how to be efficient in rehearsals.Check out the choir at First United Methodist Church:https://www.fumcstephenville.org/For more information about the Abilene Chamber Singers, visit their website:https://www.abilenechambersingers.org/Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

WGTE's Brad Cresswell speaks with conductor Andrew Crust, newly-appointed Music Director of the Lima Symphony Orchestra. Currently the Associate Conductor of the Vancouver Symphony in Canada and former Assistant Conductor for the Memphis Symphony, Andrew launches his official Lima Symphony tenure with a concert on November 26. The program, called Lyrical Exuberance, features music by Copland and Bartok, plus Beethoven's Piano Concerto No. 4 with soloist Awadagin Pratt. The concert will be both broadcast at the Van-Del Drive-In theater in Lima and streamed online. In this conversation, Andrew talks about that upcoming concert, his plans for the future and how the orchestra is adapting under the coronavirus pandemic.

Jonathan Bloxham and I have known each other for 6 years now and I knew he would be perfect to interview - we get along very well and I knew he would be open, honest, and interesting as he has a real passion for what he does. As an example of that, he was very open about his experiences as Assistant Conductor with the CBSO, I discovered how a nightmare set of circumstances meant that his debut at Glyndebourne was very memorable indeed, and we discuss accents, not musical accents either! The festival that Jonathan is the founder of, Northern Chords, can be found here - https://northernchords.com/ If you would like to discover a whole lot more about conductors and conducting, why not subscribe at https://www.patreon.com/amiconthepodium, and, for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 20th April 2022 via Zoom.

In today's episode of the Conductor's Podcast, my guests Michelle Di Russo and Michelle Rofrano provide an elaborate rundown of what it's like working as an assistant conductor, how to land jobs, their experiences collaborating with agents, how they turn down opportunities and their definition of a great assistant conductor. They also answer questions from our audiences! You wouldn't want to miss out on timeless nuggets of wisdom with this episode. Many opera houses in the US have young artist programs that you can audition for – but not for assistant conductors. Preparation is the key. Time management is essential.When working, try to be observant. Look for ways where you can help the conductor.Don't forget to be ready at all times. There might be instances where you need to jump in and help the conductor. If you have to decline an opportunity, be tactful. Be polite, and be professional. Being a good assistant conductor is having the mindset of wanting to help and provide value to the conductor. 

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

There's to be a changing of the guard on concert hall podiums around the country, with a new Maestro preparing to take over as New Zealand's Assistant Conductor-in-Residence. The Auckland Philharmonia Orchestra manages the role but it's a collaboration between the country's main orchestras and Creative New Zealand, in an effort to hone the skills of young conductors within Australasia. The current Assistant Conductor-in-Residence Vincent Hardaker has recovered from Covid in time to wield the baton at this Thursday's APO Great Classics concert, starring 14 year-old violin sensation Christian Li. At the concert will be Vincent's successor, Leonard Weiss, two months later than planned, coming over from Australia because of the pandemic. Lynn speaks with both conductors.

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! William C. White is a conductor, composer, teacher, writer, and performer based in Seattle, WA where he serves as music director of Harmonia, a unique performing ensemble comprised of a chorus and orchestra that concertize as one. For four seasons (2011-15) he served as Assistant Conductor of the Cincinnati Symphony Orchestra. A noted pedagogue, he has led some of the nation's finest youth orchestra programs, including Portland's Metropolitan Youth Symphony and the Cincinnati Symphony Youth Orchestra. Mr. White maintains a significant career as a composer of music for the concert stage, theater, cinema, church, radio, and film. His music has been performed throughout North America as well as in Asia and Europe. His music has been recorded on the MSR Classics, Navonna, and Cedille Record labels. Recordings of his works can be heard at his web site, www.willcwhite.com, where he also maintains a blog and publishing business. Mr. White earned a masters degree in Conducting from Indiana University's Jacobs School of Music, and a BA in Music from the University of Chicago. In 2004, he began attending the Pierre Monteux School for Conductors under the tutelage of Michael Jinbo, later serving as the school's Conducting Associate, then as its Composer-in-Residence. Mr. White is producer and co-host of The Classical Gabfest, a weekly podcast about the ever-changing world of classical music. He hails from Bethesda, MD, where he began his musical training as a violist. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! (Apple Podcasts) Conductor Tiffany Lu hails from Tampa, FL as well as the D.C.-Maryland region. In 2020, she joined the faculty of Sewanee University of the South as Visiting Assistant Professor and Music Director of the Sewanee Symphony Orchestra. Lu currently also serves as Conducting Associate of the Pierre Monteux School and Music Festival (Hancock, ME), Assistant Conductor with the Prince Georges' Philharmonic (Bowie, MD), and Associate Conductor with the Capital City Symphony (Washington, D.C.). During the 2019-2020 season, Lu debuted as guest conductor with Symphony New Hampshire and the Millikin-Decatur Symphony Orchestra. From 2015-2020, she was Music Director of the Wilmington Community Orchestra, and Assistant Conductor with the Capital City Symphony, creating groundbreaking and creative programming. She was also selected as Conducting Fellow for the Allentown Symphony in 2019 and 2020. Tiffany's diverse skill set includes professional work as a performing violinist (Chattanooga Symphony, The Florida Orchestra, Annapolis Symphony Orchestra), music librarian (Sewanee Summer Music Festival, National Orchestral Institute, DC Youth Orchestra Program, and the Music School of Delaware), and recording producer (Smithsonian Chamber Players, Virginia Symphony Orchestra). She also co-hosts a podcast, The Classical Gabfest.​ Lu holds degrees from Princeton University, Ithaca College, and the University of Maryland. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

Assistant Conductor of the Buffalo Philharmonic Orchestra, Artistic Director of the Buffalo Master Chorale and founder and music director of Polaris Orchestra Jaman E. Dunn discusses the difficult truths about America's current housing and real estate crisis, especially for the impoverished communities of color. Polaris Orchestra www.polarisorch.org Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand Spotify Playlist: https://open.spotify.com/playlist/1mJVam8s0zJ91JhhC7Dpd0?si=03f919267eaf4a11 --- Support this podcast: https://anchor.fm/haydnmusicstand/support

Jacob Joyce, Pittsburgh Symphony Assistant Conductor, makes his Heinz Hall subscription concert debut this Saturday and Sunday January 22 and 23 conducting concertos by Corelli and Geminiani, plus Stravinsky sharing the program with his colleague Moon Doh who conducts Bartok. Jacob explains why he loves baroque music and tells us about his work with the Indianapolis Symphony plus his story so far. He also talks about his work with the Pittsburgh Youth Symphony as their new conductor.    

The Winston-Salem Symphony is kicking off its 75th anniversary year with concerts called "Celebrate!" Sharing conducting duties are Karen Ni Bhroin, the symphony’s Assistant Conductor, and Grammy winner JoAnn Falletta, one of the most renowned conductors working in the world today. The two talk about the environment for women in classical music today compared to the past. They also talk about the importance and benefits of expanding the concert repertoire to include works by lesser-known composers. Learn more about "Celebrate" Pictured JoAnn Falletta (photo by Heather Bellini) and Karen Ni Bhroin. JoAnn Falletta Karen Ni Bhroin

Chad Goodman and I had already chatted before we did this interview and I knew he would be a perfect addition to the podcast! Open, funny, and extremely interesting. We discuss the differences between a Cover Conductor, Assistant Conductor, Resident Conductor, and Conducting Fellow, we chat about the future for young conductors and their career paths, and we get extremely nerdy about our shared passion for all things horological! If you would like to join the supporters club for this podcast and find out more about the world of conducting and conductors, why not subscribe at https://www.patreon.com/amiconthepodium, and for a monthly fee starting from just £5 a month, you can access two new series of interviews, group Zoom meetings with other fans of the podcast and myself, a monthly bulletin about the podcast and my own career as well as articles, photos, videos and even conducting lessons from myself. If you listen via Apple podcasts, please do leave a rating and review - it really helps the podcast get noticed and attract more listeners. If you want to get involved on social media, you can via Facebook (https://www.facebook.com/amiconthepodium) or Twitter (@amiconthepodium). This interview was recorded on 21st December 2021 via Zoom.

“Through your own work and discipline and seeking out help, you can conduct any piece you want.”  Understanding yourself and your past not only aids the present and future you, but also your career. In this interview with Assistant Conductor of the Alabama Symphony Orchestra and Music Director of ÆPEX Contemporary Performance, Kevin Fitzgerald, we talk about how the pandemic has shifted his mindset and career, as well as putting his ego in a box to better serve others. In episode 60, we got a little bit of backstory into Kevin's life and past. This episode, we talk about the present and future growth on the horizon for Kevin and his projects.

In this episode, we speak with musician, educator and motivational speaker Greg Fernandes. Greg is an Assistant Conductor for the Boston Children's Chorus and the Founder of the music and mentorship non-profit, The Rose Conservatory. Greg is a passionate and dedicated leader in his community, who strives to help children of all backgrounds harness their potential and creativity positively through the power of music and shared experience.

Hailed for the natural ease of his conducting and the compelling insight of his musicianship, James Gaffigan continues to attract international attention and is one of the most outstanding American conductors working today.James Gaffigan is currently the Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra, recently extended for the third time. Since becoming Chief Conductor of the Luzerner Sinfonieorchester James has made a very significant impact on the orchestra's profile, both nationally and internationally, with a number of highly successful tours and recordings.James is in high demand working with leading orchestras and opera houses throughout Europe, the United States and Asia.In North America he has worked with New York Philharmonic and the symphony orchestras of Philadelphia, Cleveland, St. Louis, Baltimore and Toronto, among others. Born in New York, James was named first prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, in a position specially created for him by Michael Tilson Thomas. Prior to that appointment James was Assistant Conductor of the Cleveland Orchestra, where he worked for Music Director Franz Welser Möst.

I am so fortunate to call Maestro Ken Lam a mentor and teacher of mine, where I played under him at the Brevard Music Center for two summers. Maestro Lam is currently the Music Director of the Charleston Symphony, the Illinois Symphony Orchestra, Resident Conductor of the Brevard Music Center in North Carolina, and Artistic Director of Hong Kong Voices. Lam has conducted all over the U.S. and Asia, leading performances with the symphony orchestras of Cincinnati, Baltimore, Detroit, Buffalo, Hawaii, Memphis, Hong Kong Philharmonic, and the Taipei Symphony Orchestra. Previous positions have included posts as Associate Conductor for Education of the Baltimore Symphony Orchestra, Assistant Conductor of the Cincinnati Symphony Orchestra and Principal Conductor of the Hong Kong Chamber Orchestra. Maestro Lam studied at the Peabody Conservatory in Baltimore, and was the recipient of the 2015 Johns Hopkins University Global Achievement Award. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thefortepodcast/message Support this podcast: https://anchor.fm/thefortepodcast/support

This week, I chatted to Holly Mathieson and found out what she wanted to be before she became a conductor, what being an Assistant Conductor entails and how conducting ballet feels like slalom skiing! A lovely chat and a very interesting path to the podium...

In this episode, Karen reunites with her former classmate from Interlochen Arts Academy, Kevin Fitzgerald, who is now the Assistant Conductor of the Alabama Symphony Orchestra and Music Director and Founder of ÆPEX Contemporary Performance, a new music organization based in Michigan dedicated to promoting the music of underrepresented and underperformed composers. In this interview, Kevin unpacks his journey through school as a trumpet player to his current position as an assistant conductor of a full time symphony orchestra and everything along the way, including a memorable performance of the Mozart Requiem following the shooting at the Pulse nightclub in 2016. Find Kevin online at his website https://www.conductorkfitz.com/ and on Instagram @conductorkfitz.  

Mike Moise's third episode covers a LOT of ground. In addition to lots more Hamilton goodness Mike talks about playing softball with the cast and crew of Hamilton in the Broadway Show League, why A Winter's Ball into Helpless is one of the most satisfying (heyooo!) parts of the show to conduct, and we go INNNNNNNNN on Leonard Bernstein and West Side Story.

In Mike Moise's second ep, we really get into the #TeamMusic of it all. From what he does for his pre-Hamilton piano warmup, to diving into the amazingness of What'd I Miss and The Room Where It Happens, to how he taught himself to play Ableton tracks and saving the show by playing them during a performance, Mike has stories for days! Not to mention the story about Chris Jackson that starts at a Marshalls and ends on the golf course.

Mike Moise, Hamilton's Assistant Conductor, is super fun and full of energy. He started his music career at four years old by plunking out Andrew Lloyd Webber's Phantom of the Opera BY EAR and by the end of his first episode Mike tells us the story of playing Andy Blankenbuehler's Cats for ALW himself. But before that, Mike tells the story of how he had lived in NYC for less than a week before Sir Alex Lacamoire called him in to audition for Hamilton. 

In this podcast interview you'll meet Mario Alejandro Torres, the new Music Director and Conductor for the Bainbridge Symphony Orchestra. Born & raised in San Pedro Sula, Honduras, Mario is a conductor, teacher, and student who also performs on the viola and violin. He currently lives in Seattle, where he is a doctoral candidate at the University of Washington, pursuing a degree in orchestral conducting. Listen here as Mario tells Arts and Artists producer John Fossett about his early years as a young musician in Honduras and his hopes for the Bainbridge Symphony Orchestra. In addition to his new role at the BSO, Mr. Torres is the Music Director of Poulsbo Community Orchestra and Assistant Conductor of the University of Washington Symphony Orchestra. He has played with and conducted orchestras in Honduras, Suriname, Costa Rica and Haiti, and his wife Jenny is an active participant in the Seattle Music Partners Program and the Special Events department of the Seattle Symphony. Credits: BCB Host: John Fossett; BCB audio editor and publisher: Diane Walker; social media: Jen St. Louis.