Podcast appearances and mentions of Charles Dutoit

Concertele sfârșitului de săptămână la Filarmonica George Enescu l-au adus la București pe legendarul dirijor și globe trotter elvețian Charles Dutoit. Pe 27 și 28 februarie, orchestra Filarmonii va cânta alături de violonista Ioana Cristina Goicea, artist în rezidență în Stagiunea 24/25 , în calitate de solistă a Concertului nr. 2, în sol minor, pentru vioară și orchestră, op. 63, de Serghei Prokofiev. Programul va include și faimoasa suită Pasărea de foc (1919) de Igor Stravinski și cunoscuta Simfonie nr. 9, în mi minor, Din lumea nouă, op. 95 de Antonín Dvořák.

durée : 01:28:32 - Relax ! du mardi 07 janvier 2025 - par : Lionel Esparza - Chef d'orchestre suisse, Charles Dutoit s'est produit à la tête de pas moins de 150 orchestres dans le monde, notamment l'Orchestre symphonique de Montréal (1977-2002) et l'Orchestre National de France (1991-2001)

durée : 01:28:32 - Relax ! du mardi 07 janvier 2025 - par : Lionel Esparza - Chef d'orchestre suisse, Charles Dutoit s'est produit à la tête de pas moins de 150 orchestres dans le monde, notamment l'Orchestre symphonique de Montréal (1977-2002) et l'Orchestre National de France (1991-2001)

As an active orchestral harpist, soloist, accompanist, teacher, reiki master and sound healer, with over 25 years experience, I enjoy every opportunity to share this sacred craft. Providing unique customized music of all genres for special occasions, individualized harp lessons, and Reiki-infused sound healings are especially gratifying for me as I experience a sense of shared joy with others. Orchestral experience spans over 20 years, having had the honor of performing under conductors such as Sir Simon Rattle, Michael Tilson Thomas, Edwin Outwater, and Charles Dutoit.Have had the privilege of accompanying singers, instrumentalists, and fellow harpists for various weddings, sound healing, chamber music recitals and concerts. Serves as the current President of our Phoenix Chapter of the American Harp Society. A happy participant/performer in several larger musical organizations as harp needs arise.Completed Usui Reiki training during covid, and have continued to pioneer utilizing harp in healing arts.I am a graduate of Arizona State University, San Francisco Conservatory of Music and Interlochen Arts Academy.https://www.eqharp.comhttps://www.instagram.com/eqharp/?hl=en

"Straszna muzyka" 31.10.2024 r. 1. J.S.Bach - Wariacje Goldbergowskie, Aria i 25,26,27 Walter Abt, Jonathan Goldberg (Gitar Duo). 2. Krzysztof Komeda - Dziecko Rosemary, Mia Farrow. 3. Bernard Herrmann - Suita Psycho, Royal Philharmonic Orchestra, Elmer Bernstein. 4. Camille Saint-Saëns - Dance Macabre, Op.40, Philharmonia Orchestra, Charles Dutoit. 5. Charles Ives, Three Outdoor Scenes: Hallowe'en. 6. Krzysztof Penderecki - Da Natura Sonoris No. 1, Warsaw Philharmonic Orchestra, Antoni Wit. 7. John Williams - Jurasic Park - The Raptor Attack. 8. John Williams - Geisha - The Rooftops Of The Hanamachi. 9. Sting - Moon Over Bourbon Street - Live In Berlin/2010, Royal Philharmonic Concert Orchestra, Steven Mercurio.

Na programu slavnostního koncertu v pražském Rudolfinu bude od 19.30 Dvořákův Koncert pro klavír a orchestr g moll a následně Berliozova Fantastická symfonie. Českou filharmonii bude řídit legendární švýcarský dirigent Charles Dutoit, který nahradí zdravotně indisponovaného Semjona Byčkova. Sólistou bude hvězdný pianista Daniil Trifonov, který se zároveň stává rezidenčním umělcem České filharmonie v nadcházející sezóně.Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na programu slavnostního koncertu v pražském Rudolfinu bude od 19.30 Dvořákův Koncert pro klavír a orchestr g moll a následně Berliozova Fantastická symfonie. Českou filharmonii bude řídit legendární švýcarský dirigent Charles Dutoit, který nahradí zdravotně indisponovaného Semjona Byčkova. Sólistou bude hvězdný pianista Daniil Trifonov, který se zároveň stává rezidenčním umělcem České filharmonie v nadcházející sezóně.

Danes se s podelitvijo pisateljske nagrade Srednjeevropske pobude za mlade avtorje začenja 39. mednarodni literarni festival Vilenica. Tradicionalno srečanje pesnikov, pisateljev, dramatikov in esejistov iz Srednje Evrope se letos posveča tehnološkim spremembam in umetni inteligenci. 72. Ljubljana Festival pa bosta z Orkestrom Slovenske filharmonije sklenila švicarski dirigent Charles Dutoit, prejemnik zlate medalje Kraljeve filharmonične družbe in najslavnejša pianistka sveta, ki še danes, v svojem 84. letu z nezmanjšano močjo in energijo spravlja kritike in občinstvo v zamaknjeno občudovanje njene klavirske spretnosti in glasbene občutljivosti – Argentinka Martha Argerich.

durée : 01:58:16 - Les 90 ans de l'Orchestre National IV : les années 90 et 2000 - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

durée : 00:28:07 - Les 90 ans de l'Orchestre National IV - les années 90 et 2000 (4/4) : les années Masur (2) - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

durée : 00:28:10 - Les 90 ans de l'Orchestre National IV - les années 90 et 2000 (3/4) : Les années Masur (1) - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

durée : 00:28:18 - Les 90 ans de l'Orchestre National IV - les années 90 et 2000 (2/4) : Les années Dutoit - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

durée : 00:28:22 - Les 90 ans de l'Orchestre National IV - les années 90 et 2000 (1/4) : La fin de l'ère Maazel - par : Christian Merlin - Les années 90 et 2000 sont au programme de notre histoire de l'Orchestre National : on y croisera les figures de Charles Dutoit, Kurt Masur, mais aussi de nombreux musiciens dont beaucoup sont encore présents et qui contribuent à l'évolution comme à la continuité de l'identité orchestrale. - réalisé par : Marie Grout

UPPLÄSNING: Ana Gil de Melo Nascimento Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: Ur ”Enkel cellulosa” av Åsa Maria KraftDIKTSAMLING: Enkel cellulosa (Albert Bonniers förlag, 2024)MUSIK: Erik Satie: Gymnopédie nr 3EXEKUTÖR: Montreals symfoniorkester, Charles Dutoit, dirigent

durée : 00:58:17 - Charles Dutoit, maître du son et des couleurs de l'orchestre - par : Aurélie Moreau - Pour Charles Dutoit, chef d'orchestre bâtisseur : « L'homogénéité d'un orchestre s'obtient par des répétitions, pupitre par pupitre, puis collectives. Par le travail libre de chaque instrumentiste, qui doit perpétuellement se dépasser ».

Neil is a renowned percussionist, accomplished music educator, imaginative product innovator, and successful entrepreneur. He is the founder and president of Grover Pro Percussion Inc., a market leader in the design, manufacture, and distribution of world-class percussion instruments.  At the young age of 23, Neil was appointed Principal Percussionist of the Opera Company of Boston, a position he held for seven seasons.  As his career progressed, he found himself in demand for all musical genres, including symphony, chamber music, ballet, opera, and commercial recordings.  Highlights of his collaborations include the Royal Ballet, Bolshoi Ballet, American Ballet Theatre, Dance Theatre of Harlem, Music from Marlboro, Indianapolis Symphony, Boston Musica Viva, and the Empire Brass. He was chosen to record the percussion tracks for Phillip Glass' film soundtrack for Mishima. In addition, Neil appears as a Boston Pops percussionist in the hit movie Blown Away, starring Jeff Bridges and Tommy Lee Jones.  He has toured with Music From Marlboro, Boston Symphony, Henry Mancini, Boston Symphony Chamber Players, and the Broadway production of The Pirates of Penzance.  Since 1977, he has performed, recorded, and toured with the world-famous Boston Pops, where he has made music under the batons of Maestros Arthur Fiedler, John Williams, and Keith Lockhart.  Having performed regularly in the percussion section of the Boston Symphony for over 35 years, he has worked with Maestros Seiji Ozawa, James Levine, Leonard Bernstein, Aaron Copland, Colin Davis, Charles Dutoit, Colin Davis, Neemi Jaarvi, Rafael Fruhbeck de Burgos, Mstislav Rostropovich, and Bernard Haitink. It is noteworthy that Neil has performed in over 1,500 concerts as a percussionist with the BSO & Boston Pops. Neil's percussive talents have been heard by thousands at renowned venues, such as Boston's Symphony Hall, Carnegie Hall, Chicago's Orchestra Hall, and festivals at Tanglewood, Hollywood Bowl, Wolf Trap, Blossom, and Ravinia.  In addition, he has performed for millions of listeners through television and radio broadcasts on the NBC, CBS, NHK, PBS, A&E and NPR networks.  At the request of composer John Williams, Neil joined the multi-media musical extravaganza, “Star Wars in Concert”, serving as Principal Percussionist on two legs of their North American Tour.   Neil Grover has written/co-authored five publications: Four Mallet Primer, Four Mallet Fundamentals, Art of Triangle & Tambourine Playing, Percussionist's Cookbook, and The Art of Percussion Playing, all published by Meredith Music.  Neil's innovative designs and cutting edge manufacturing techniques have set a new standard for the ergonometric functionality of modern day percussion instruments. Neil and his company have been featured in many publications, including: Percussive Notes, Modern Drummer, School Band & Orchestra, Musical Merchandise Review and on two episodes of the Discovery Channel's series How It's Made. Formerly the Chair of the Percussion Programs at both The Boston Conservatory and the University of Massachusetts-Lowell, today, Neil's students occupy leading positions in many top performing, educational and music business organizations. Things That Came Up:  -1:45 Owning ALL the percussion instruments -3:50 The magic of Zelda -6:00 Studied with the same teacher as Dom Famularo -7:00 Studying with Vic Firth  -11:10 “Classical musicians play with their eyes and jazz musicians play with their ears” -12:10 “Talent got you this far, perseverance will carry you through.” -12:45 Took AFM pension at age 65  -13:50 Contracting, composing and arranging as a new life chapter -15:10 Bradley Cooper's “Maestro” -16:35 Being a frustrated stand-up -17:40 Fred Buda: “Playing drum set in an orchestra is like swinging an elephant” -19:40 How union pensions work -26:05 At Tanglewood at the same time as Kenny Aronoff, with Leonard Bernstein conducting! -27:40 Playing bongos for Bernstein's “West Side Story” -30:50 Star Wars Tour: Drum Tech, 7 percussionists, 3 conductors and music from all 6 Star Wars films -38:00 Follow your dreams, no matter what!  -40:00 “The Accidental Entrepreneur” -41:00 The FIRST Grover Triangle  -48:20 Allowing Redmond to help develop the “Studio Pro Series” pop tambourines -54:00 Selling Grover Percussion to RBI Music  -60:40 On screen percussionist in the “Blown Away” film, starring Tommy Lee Jones  -61:30 Authoring Books  -63:30 Aerosmith! Glocks!  -69:30 Neil's favorite axe is the piatti (cymbals)  -74:00 “The Fave 5”  Follow:  www.groverpro.com Email: ngrover@groverpro.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits.  Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:     https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

One of the leading violinists of his generation, Renaud Capuçon is known and loved for his poise, depth of tone, and virtuosity. He has worked with luminaries including Charles Dutoit, Claudio Abbado and Daniel Barenboim, and with all the major orchestras, whether it's the Berlin Philharmonic, the Vienna Philharmonic, the London Symphony Orchestra, and many, many more. He has recorded over 20 albums, and one reviewer labelled him “an uninhibited musician at the peak of his art”. He's in Sydney giving the Australian premiere of the violin concerto composed for him by Camille Pépin, with the Sydney Symphony Orchestra conducted by its chief conductor Simone Young. Renaud speaks about key moments in his career, providing insights into the life a of a top tier musician such as himself. We also hear about his role as artistic director of the Menuhin Music Academy plus the story of his remarkable instrument, played for many years by Isaac Stern. Renaud Capuçon performs Pépin's Violin Concerto La Sommeil a pris ton empreinte (Sleep retains your imprint) with the Sydney Symphony Orchestra under chief conductor Simone Young from 28 February to 2 March, a concert which also includes a performance of Mahler's Symphony no 5.

SynopsisIn St. Petersburg, Russia, on today's date in 1909, Alexandre Siloti conducted the first performance of a new orchestral work by a 26-year-old composer named Igor Stravinsky. The work was billed as Scherzo Fantastique, but Stravinsky's original title was Bees.Stravinsky had just completed his studies with the great Russian composer Nicolai Rimsky-Korsakov, whose Flight of the Bumblebee was already a famous musical depiction, so perhaps he wanted to impress his teacher — or try to outdo him.In 1907, Stravinsky wrote to Rimsky-Korsakov, “Just now [my wife] Katya and I have read Maeterlinck's Life of the Bees, a partly artistic, partly philosophical book that pleased me, as they say, down to my toes.”Maeterlinck's book offered an anthropomorphized description of the life cycle of bees describing “the innumerable agitations of the honeycomb, the perpetual, enigmatic and crazy jiggling of the nurses on the brood chamber … the invading spirals of the queen, the various and incessant activities of the crowd … the comings and goings overwhelmed with ardor.”Stravinsky's scoring includes three harps and multiple woodwinds, but omits timpani, trombones and tuba, resulting in a light, nimble and air-born orchestral sound for his busy bees.Music Played in Today's ProgramIgor Stravinsky (1882-1971) Scherzo Fantastique; Montreal Symphony; Charles Dutoit, cond. Decca 414 409

SynopsisOn today's date in 1932, an all-Maurice Ravel concert was given in Paris by the Lamoureux Orchestra at the Salle Erard. Ravel was on hand, conducting some of his works, including the premiere of his new Piano Concerto in G with pianist Marguerite Long the soloist.The critics were enthusiastic about the music, but less so about Ravel's conducting skills.“Once again,” one wrote, “I wish to protest against the habit, more and more frequently indulged in, of attempting at all costs to bring a composer before the public in a part which he is incapable of filling. Monsieur Ravel is continually brought out as a pianist or as a conductor, whilst he cannot shine in either of these two specialties. ... His Pavane was unutterably slow, his Bolero dry and badly timed, and the accompaniment of the concerto lacked clarity and elasticity. ... But there can only be praise for the composer of all these delicate, subtle works, the orchestration of which abounds in amusing and profound inventions. ... The new concerto,” the review concludes, “is worthy of the other masterpieces we owe to Ravel.”Music Played in Today's ProgramMaurice Ravel (1875-1937) Piano Concerto in G; Jean-Yves Thibaudet, piano; Montréal Symphony; Charles Dutoit, cond. London 452 448

This week on The Sound Kitchen you'll hear the answer to the question about the presidential candidates in the Democratic Republic of Congo. There's “The Listener's Corner” with Paul Myers, Ollia Horton's “Happy Moment”, loads of great music, and of course, the new quiz question, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our team of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English – that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here. Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognised RFI English club, go to the Facebook link above, and fill out the questionnaire!!!!! If you do not answer the questions, I click “Decline”.There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 25 November, I asked you a question about the presidential elections in the Democratic Republic of Congo. In RFI English journalist Melissa Chemam's article “DRC opposition leader Moïse Katumbi officially launches presidential campaign”, she wrote about how many candidates were in the field; among them was a Nobel Peace Prize laureate. You were to tell me his name, the year he won the Peace Prize, as well as why he was awarded the prize.The answer is, to quote Melissa's article: “In total, 25 candidates are in the running including renowned surgical gynaecologist Denis Mukwege, who was awarded the 2018 Nobel Peace Prize for his effort to end sexual violence.”To bring you up-to-date: provisional results released by the country's electoral commission Ceni on 31 December gave incumbent president Felix Tshisekedi more than 73 percent of the vote, with opposition leader Moise Katumbi next in votes, with about 18 percent.  Denis Mukwege, along with the remaining 20 candidates, were either around or under 1 percent.In addition to the quiz question, there was the bonus question, suggested by Morium Nessa Momo from Bogura, Bangladesh: “How can one be easily happy?”Do you have a bonus question idea? Send it to us!The winners are: RFI English listener Rodrigo Hunrichse from Ciudad de Concepción in Chile, who is also the winner of this week's bonus question. Congratulations, Rodrigo!Also on the list of lucky winners this week is a new member of the RFI Surfers Society Bangladesh in Rajshahi, Bangladesh: Shrabonty Shermin. Welcome Shrabonty!There's also Riaz Ahmad Khan, the president of the RFI Listeners Club in Sheikhupura City, Pakistan, and Bezazel Ferhat, the president of the RFI Butterflies Club Ain Kechera in Ain Kechera, Algeria.Last but not least, RFI English listener Santa Khanam from the Friends Radio Club in Naogaon, Bangladesh.Congratulations winners!Here's the music you heard on this week's programme:  “Je cherche après Titine” and “Dark Eyes”, traditional Manouche music arranged by Leo Daniderff and performed by Opa Tsupa; "You Do Something to Me" by Cole Porter, sung by Marlene Dietrich; “Valencia” from Escales by Jacques Ibert, performed by Charles Dutoit and the Montreal Symphony Orchestra; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and “Movin' On” by Carleen Anderson and Marco Nelson, performed by Young Disciples.This week's question ... you must listen to the show to participate.  After you've listened to the show, read our article “Belgium faces election juggling act as it takes over rotating EU presidency” to help you with the answer.You have until 29 January to enter this week's quiz; the winners will be announced on the 3 February podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here. 

Join us as we explore the winter holiday season. We hear from writers Kim Renay Anderson and Rev. Veronica Graves, listen to the ending of The Dead by James Joyce and ruminate over what it is that's so important about these days. Is it just the food? Is it the religious aspects? Is it family? What is it? CreditsThe Lass of Aughrim. Traditional. Performed by Christopher Stevenson. Performance is in the Public Domain. The Dead by James Joyce. Public Domain. Performed by Christopher Stevenson.Humpty Dumpty was Framed by Kim Renay Anderson by DCPL Labs Contract. All rights revert to author.Where are My Keys? By Kim Renay Anderson by DCPL Labs Contract. All rights revert to author.Why Holidays are Important by Reverend Veronica Graves by DCPL Labs Contract. All rights revert by author.Dark Ambient Music (Death And Forever) by TheBoseDeity is licensed under the Attribution NonCommercial 3.0 License.https://freesound.org/people/TheBoseDeity/sounds/395691/Angela, Angela. Irish Christmas Song is licensed under Attribution NonCommercial 4.0 https://freesound.org/people/annabloom/sounds/321250/Irish Whistle.mp3 by Nigelnix is licensed under a Creative Commons Attribution License https://freesound.org/people/nigelnix/sounds/130108/St. John Cathedral female choir 0012.wav by klanbeeld is licensed under a Creative Commons Attribution License.https://freesound.org/people/klankbeeld/sounds/169039/P. I. Tchaikovsky: Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution License.Nutcracker Suite, Op. 71a (Dutoit) Montreal Symphony Orchestra, Charles Dutoit. Public Domain https://archive.org/details/NutcrackerSuiteOp.71adutoit/03Tchaikovsky_TheNutcrackerOp.71-Overture.mp3Moaus Zur by The Max and Frieda Weinstein Archive of YIVO Sound Recordings. Public Domain. https://archive.org/details/moaus-zurSleigh Bells, Long, A.wav by InspectorJ is licensed under a Creative Commons Attribution Licensehttps://freesound.org/people/InspectorJ/sounds/402521/ Ambient Wave Marker 33.flac by Erokia is licensed under Attribution 4.0 Noncommercialhttps://freesound.org/people/Erokia/sounds/586380/Christmas Bells by tripjazZ is licensed under CC0 Public Domain. https://freesound.org/people/tripjazz/sounds/664697/The Kendal Revellers 2015 ~.mp3 by TitusL108 licensed under Attribution NonCommercial 3.0

Chillout Classic w Radiu Spin #29 "Straszny dworzec" z dnia 26 pazdziernika 2023. Audycja w przededniu Halloween oraz dedykowana spotkaniom z kryminalem i horrorem w dniach 4-7 listopada "Straszny dworzec" w Straszynie. 1. J.S. Bach - Aria z Wariacji Golbergowskich, Trevor Pinnock. 2. Bernard Herrmann - Murder from Psycho with special effeckts, Cincinnati Pop Orchestra, Erich Kuncel. 3. Krzysztof Penderecki - De Natura Sonoris No.1, Polish National Radio Symphony Orchestra. 4. Jerry Goldsmith - Face Hugger from Alien. 5. John Williams - The Raptor Attack from Jurassic Park. 6. John Williams - The Rooftops of the Hanamachi from Geisha. 7. John Williams - Temat glowny z filmu Szczeki. 8. Camille Saint-Saens - Danse Macabre, Philharmonia Orchestra, Charles Dutoit. 9. Niccolo Paganini - kaprys nr 13, Gil Shaham, Jonathan Feldman. 10. Hector Berlioz - Symfonia fantastyczna cz. 5 Sabat czarownic, Chicago Symphony Orchestra, Claudio Abbado. 11. Krzysztof Komeda - Kolysanka z filmu Dziecko Rosemary, Mia Farrow. 12. Sting - Moon Over Bourbon Street, Live In Berlin/2010.

durée : 01:33:56 - Relax ! du lundi 30 octobre 2023 - par : Lionel Esparza - Charles Dutoit occupe le poste de directeur artistique de l'Orchestre symphonique de Montréal pendant 25 ans, de 1977 à 2002.

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

durée : 00:16:19 - Disques de légende du lundi 23 octobre 2023 - Charles Dutoit à la tête de l'Orchestre Symphonique de la Radio Bavaroise dirige les Symphonies d'Arthur Honegger

SynopsisFor ballet lovers, the opening of Tchaikovsky's ballet Swan Lake conjures up tutus, but for old-time movie buffs, this same music triggers memories of many black-and-white films of the 1930s. Back then, the eerie opening measures of Swan Lake served as the “main title” music for dozens of old Universal Studios thrillers, including the famous 1931 film of Bram Stoker's novel, Dracula, starring Bela Lugosi.“Ah, the children of the night—what music THEY make…”But on today's date in 1999 at the Telluride Film Festival in Colorado, Tchaikovsky got some competition from Philip Glass. For a special showing of the Bela Lugosi Dracula, Glass wrote a brand-new score. Now, beyond the opening Tchaikovsky, the original 1931 soundtrack had included very little music, and, despite the creepy charisma of Bela Lugosi, the film moved at a ponderous pace. The new Philip Glass score, performed live by the Kronos Quartet, added fresh atmosphere to the familiar old film. In fact, it proved so effective that Glass and the Kronos Quartet took it on a tour, accompanying live showings of the old film in Europe and the U.S.Music Played in Today's ProgramPeter Tchaikovsky (1840 - 1893) Swan Lake Ballet Montréal Symphony; Charles Dutoit, cond. London 436 212Philip Glass (b. 1937) Dracula filmscore excerpt Kronos Quartet Nonesuch 79542

Jesus Ministries, Joan Boney  ...    Exodus 14   19 And the angel of God, which went before the camp of Israel, removed and went behind them; and the pillar of the cloud went from before their face, and stood behind them:   20 And it came between the camp of the Egyptians and the camp of Israel; and it was a cloud and darkness to them, but it gave light by night to these: so that the one came not near the other all the night.  

SynopsisJust about any time is a good time to be in Paris, but chances are, given your druthers, you wouldn't have chosen to be there in 1942. The city was occupied by German troops, and World War II had several more dismal years to grind on.But if you were in Paris on today's date in 1942, you could have visited the Paris Opera for the premiere of a new ballet by the French composer Francis Poulenc called “Les Animaux modeles” or “The Model Animals,” with a scenario based on animal fables by the French writer La Fontaine.Some 20 years earlier, in happier times, Poulenc had made his name with another one-act ballet. That 1924 work was titled “Les biches” or “The Does” and was written for the Ballets Russes of Monte Carlo. That work's scenario described the flirtations and seductions of some bright young things at a house party in the country. “Everything was simple and carefree, sunshine and good humor,” as Poulenc himself put it.Not surprisingly, Poulenc's 1942 ballet was a darker, often grimmer affair, expressing perhaps the quiet desperation of the German occupation, mingled with a fervent hope for better days to come.Music Played in Today's ProgramFrancis Poulenc (1899 – 1963) Les animaux modeles French National Orchestra; Charles Dutoit, conductor. London 452 937

Jesus Ministries, Joan Boney  ...    Exodus 7   1 And the LORD said unto Moses, See, I have made thee a god to Pharaoh: and Aaron thy brother shall be thy prophet.   2 Thou shalt speak all that I command thee: and Aaron thy brother shall speak unto Pharaoh, that he send the children of Israel out of his land.   3 And I will harden Pharaoh's heart, and multiply MY signs and MY wonders in the land of Egypt.   (God is going to do the 10 signs and wonders before all ... and after the 10th, Pharaoh lets the children of Israel go ... but first come the plagues upon Egypt.)   4 But Pharaoh shall not hearken unto you, that I may lay MY hand upon Egypt, and bring forth MINE armies, and MY people the children of Israel, out of the land of Egypt by great judgments.   5 And the Egyptians shall know that I am the LORD, when I stretch forth MINE hand upon Egypt, and bring out the children of Israel from among them.   6 And Moses and Aaron did as the LORD commanded them, so did they.  

Jesus Ministries, Joan Boney  ...    14 Plagues of The Great Tribulation:   Mt. 24  Jesus says:   35 Heaven and earth shall pass away, but MY words shall not pass away.   36 But of that day and hour knoweth no man, no, not the angels of heaven, but MY Father only.  

Jesus Ministries, Joan Boney  ...    Devil says to Jesus:   Matthew 4   8 Again, the devil taketh HIM (Jesus) up into an exceeding high mountain, and sheweth HIM all the kingdoms of the world, and the glory of them;   9 And saith unto HIM,  All these things will I give thee, if thou wilt fall down and worship me.   10 Then saith Jesus unto him, Get thee hence, Satan: for it is written, Thou shalt worship the Lord thy God, and HIM only shalt thou serve.  

Nicolas Fleury has been playing the French horn since he was 8. He's been principle horn of the Aurora Orchestra, the Royal Philharmonic Orchestra and the Bournemouth Symphony Orchestra, and made guest appearances with a slew of orchestras around the world including the Sydney Symphony and London Symphony Orchestras. He's performed live on the BBC, appeared alongside conductors like Charles Dutoit, Neville Marriner and John Gardiner, and he's now settled in Australia as principal horn with the Melbourne Symphony Orchestra. He's made regular appearances with organisations around the country including Musica Viva and the Omega Ensemble. In this conversation, recorded while Nico was in Sydney to perform with the Omega Ensemble, Nico speaks with incredible passion about his craft and the amazing experiences he's had working with the world's top orchestras and conductors.

Not every music student or even professional musician has explored classical music, much like not necessarily every classical musician will know something about jazz or any other genre.  However, each genre has certain pieces that one should know from each genre regardless of your preference.  These are 25 of many possible choices, not necessarily "the best", but some pieces you should recognize by title and composer upon hearing. Musical examples used in this episode: 06:53 P. Tchaikovsky: "Dance of the Sugar Plum Fairy" from The Nutcracker - (Montreal Symphony; Charles Dutoit) 12:49 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Hannes Kästner, organ) 13:15 J.S. Bach: Toccata and Fugue in D minor BWV 565 (Czech Philharmonic; Leopold Stokowski) 17:26 S Barber: Adagio for Strings (New York Philharmonic; Thomas Schipps) 19:48 Beethoven: Symphony No. 5 (Vienna Philharmonic; Carlos Klieber) mvt 1 and 4 24:03 Beethoven: Symphony No. 9 (Berlin Philharmonic; Von Karajan) mvt. 4 and 2 28:33 Brahms: Hungarian Dances 4, 5, 6 (Vienna Philharmonic; Claudio Abbado) 30:56 A Copland: "Hoe-Down" from Rodeo (St. Louis Symphony; Leonard Slatkin) 32:33 F Chopin: Grand Valse Brillante op. 18 (Valentina Lisitsa) 34:22 Debussy: Prelude to the Afternoon of a Faun (Royal Concertgebouw; Bernard Haitink) 36:01 Dvorak: Symphony No. 9 "From the New World" mvt 2 (London Philharmonic; Charles MacKerras) 38:16 Grieg: Peer Gynt and Peer Gynt suite no.1 (San Francisco Symphony; Herbert Blomstedt) 40:13 Handel: The Messiah "Hallelujah" (London Symphony; Colin Davis) 40:43 Handel: Water Music selections (English Chamber Orchestra; Raymond Leppard) 41:30 Holst: The Planets "Mars" - (Montreal Symphony; Charles Dutoit) 42:13 Liszt: Hungarian Rhapsody No. 2 (Marc-Andre Hamelin) 43:22 Mendelssohn: Overture and Wedding March from A Midsummer Night's Dream (London Symphony, Andre Previn) 45:11 Mozart: Overture to The Marriage of Figaro (Academy of St Martin in the Fields; Neville Marriner) 46:16 Mussorgsky: Pictures at an Exhibition - Promenade and Great Gate of Kiev (Berlin Philharmonic; Claudio Abbado) 48:25 Rachmaninoff: Piano Concerto No. 2 (Vladimir Ashkenazy; Moscow Symphony; Kirill Kondrashin) 49:38 Ravel: Bolero (Boston Symphony; Seiji Ozawa) 51:42 Ravel: Daphnis & Chloe (Rotterdam Philharmonic; Yannick Nézet-Séguin) 52:46 Rimsky-Korsakov: Flight of the Bumblebee (Berlin Philharmonic; Zubin Mehta) 53:08 Rimsky-Korsakov: Scheherezade mvt IV and III (London Symphony; Charles MacKerras) 55:06 Schubert: Ave Maria (Barbara Booney) 55:31 R Strauss: Also Sprach Zarathustra (Chicago Symphony; Fritz Reiner) 57:15 Stravinsky: Rite of Spring (from Part 1) (New York Philharmonic; Leonard Bernstein) 58:21 Tchaikovsky: Russian Dance, Arabian Dance, Dance of the Reed Flutes from The Nutcracker (Montreal Symphony; Dutoit)   Do you have a different recording of these pieces that you'd recommend?  Let me know by telling me directly at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact  The blog post that goes with this episode can be found here: https://www.davidlanemusic.com/post/25-essential-classical-pieces-to-know You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

Synopsis In the 19th century, much like today, New Yorkers looking for musical entertainment had a lot to choose from. For example, on today's date in 1871, the options included these three offerings: First: at Lina Edwin's Theater, a musical burlesque entitled “Pluto,” which The New York Times billed as an “Anglicized and condensed” version of Jacques Offenbach's racy operetta, “Orpheus in the Underworld,” with interpolated comic sketches and monologues by the show's star, the Jerry Seinfeld of the day, the ever-popular comedian Mr. Lingard . Second: for the more serious sort, the American staged premiere of Richard Wagner's opera, “Lohengrin,” at the Stadt Theater. The Times noted that Wagner's opera was (quote) “brought out in Germany some 20 years earlier but was unknown here in its entirety until now.” A large audience showed up for the “entirety” of “Lohengrin,” which lasted over four hours and ended around midnight. Finally: at Broadway's Minstrel Hall, directly from Japan, Satsuma's Circus offered the amazing Mr. Yadunochi, who first smoked a pipe, then ate it, then while playing on a flute expelled the pipe's smoke through his instrument; for his finale, Mr. Yadunochi reproduced, as the Times put it “the original pipe whole and unsullied.” Now, THAT'S entertainment! Music Played in Today's Program Offenbach (arr. Rosenthal) Cancan, from Gaite Parisienne Montréal Symphony; Charles Dutoit, cond. London 430 718 Richard Wagner (1813 – 1883) Act 3 Prelude, fr Lohengrin Berlin Philharmonic; Daniel Barenboim , cond. Teldec 81791 Kozaburo Hirai Sonata Kazue Frances Asawa, flute; Kazue Kudo, koto Crystal 316

A clip from each Brass Junkies interview of 2022 along with some brief thoughts on each. TBJ180 Matt Neff of the North Carolina Symphony on getting incredibly nervous in auditions, even two decades into his professional career (2:51) TBJ181 Kevin Newton of Imani Winds on his mental approach to auditions (7:44) TBJ182 Jeff Curnow of The Philadelphia Orchestra on Rolf Smedvig setting the tone for Empire Brass concerts (9:45) TBJ184 International tuba phenom Sergio Carolino on staying away from negative people (11:24) TBJ185 Sylvia Alimena, formerly of the National Symphony Orchestra, on why it's never too early to talk about artistry with students (13:23) TBJ186 Beth Wiese of Appalachian State University on how musicians don't control much but do control how they approach a piece of music (14:40) TBJ187 Jack Burt of the University of Maine on the concept of any performance being just a snapshot (17:28) TBJ188 Joe Dollard, retired Navy Band, on making the case for strengthening the connection between your singing voice and your playing (19:36) TBJ190 Kevin Gebo of the U.S. Army Band "Pershing's Own" on the importance of listening (21:43) TBJ191 Steve Lange of the Boston Symphony Orchestra on the breakthrough he had after experiencing a real low point early on in his career (23:31) TBJ192 William Russell of Boston Brass on the intense moment in a lesson with Mike Roylance that really impacted him (27:01) TBJ193 Billy Hunter of the Metropolitan Opera on using his imagination to help him perform at his best  (30:30) TBJ194 Natalie Mannix of the University of North Texas on the benefits of using a Pomodoro timer when practicing (32:32) TBJ195 Jasmine Pigott on overcoming a less than encouraging teacher early in her career and how she went about learning to improvise (35:41) TBJ196 Christopher Davis on the mindset he brings to subbing with orchestras around the world (38:31) TBJ197 Jonathan Fowler of West Chester University on the importance of regularly checking in with yourself to make sure your goals are still your goals (40:57) TBJ198 Terry Bingham, formerly of the U.S. Army Band "Pershing's Own", on his ability to morph to match any style or any musician and credits listening to lots of different music (43:00) TBJ200 Lance LaDuke, formerly of a lot of things, on being too stupid to quit (45:11) TBJ201 Joe Burgstaller or Arizona State University on teaching students improvisation using a theater technique (48:02) TBJ202 Andrew Dougherty of the U.S. Army Band "Pershing's Own" on exactly how organized he has been for the three professional auditions he has won to date (52:13) TBJ203 Bruce Faske of Arkansas State University on losing his father and how all we have is today (52:23) TBJ204 Pete Sullivan of the Pittsburgh Symphony on the legendary Charles Dutoit messing with Pete's head in his first year with the Montreal Symphony Orchestra (58:02) TBJ205 Kevin Harrison of Axiom Brass on his former teacher, Floyd Cooley, never quitting on him when he was at a difficult point in his life (1:05:10) Become a Patron ► https://www.patreon.com/thebrassjunkies/ Show Notes ► http://www.brassjunkies.com Facebook ► https://www.facebook.com/pray4jens/ Instagram ► https://www.instagram.com/pray4jens/ The Brass Junkies is hosted and produced by Andrew Hitz for Pedal Note Media https://www.pedalnotemedia.com/

Synopsis The American composer Ned Rorem liked to classify music as being either French or German – by “French” Rorem meant music that is sensuous, economical, and unabashedly superficial; by “German” Rorem meant music that strives to be brainy, complex, and impenetrably deep. On today's date the Boston Symphony gave the premiere performances of two important 20th century piano concertos. The first, by Francis Poulenc, had its premiere under the baton of Charles Munch in 1950, with the composer at the piano. Poulenc's Concerto is a light, entertaining with no pretension to profundity. It is quintessentially “French” according to Rorem's classification. The second Piano Concerto, by the American composer Elliott Carter, had its Boston premiere in 1967, conducted by Erich Leinsdorf, with soloist Jacob Lateiner. Carter's Concerto was written in Berlin in the mid-1960s when the Wall dividing that city was still new. Carter said he composed it in a studio near an American target range, and one commentator hears the sounds of machine guns in the work's second movement. Carter himself compared woodwind solos in the same movement to the advice given by three friends of the long-suffering Job in the Bible. Needless to say, Rorem would emphatically classify Carter's Concerto as “German” to the max! Music Played in Today's Program Francis Poulenc (1899 –1963) Piano Concerto Pascal Roge, piano; Philharmonia Orchestra; Charles Dutoit, conductor. London 436 546 Elliot Carter (b. 1908) Piano Concerto Ursula Oppens, piano; SWF Symphony; Michael Gielen, conductor. Arte Nova 27773

durée : 00:23:48 - Disques de légende du mercredi 14 décembre 2022 - Ce disque gravé chez Erato en 1973, sous la direction de Charles Dutoit demeure un pilier de la discographie de Stravinsky encore insurpassé : choix des chanteurs et précision de l'orchestration. C'est notre disque de légende du jour !

In the final episode for 2022, Simon Moore speaks with a man who has been declared by the National Trust to be a National Living Treasure. Roger Woodward has dazzled audiences for over 60 years here and overseas. A champion of Australian composers, he has performed at the invitation of Sviatoslav Richter, Claudio Abbado, Zubin Mehta, Charles Dutoit… the list goes on. Performing from New York to LA, from Beijing to Warsaw, he's also recorded with all the major labels. Based in San Francisco, he's back in Australia to perform with the Ku-ring-gai Philharmonic Orchestra for their 50thAnniversary Concert, at the Concourse in Chatswood, 3pm on Sunday 11th December. In this program, Roger tells some remarkable stories from his long career and what he considers his breakthrough concert, and we hear about his passion for contemporary works, plus the role he played in the 1980s supporting the Solidarity movement in Poland. He also speaks eloquently about the works he shares in this program, and his personal relationships with some of the composers.

Synopsis One of the most popular works of 20th-century orchestral music, “The Planets” by Gustav Holst, had its first performance on today's date in 1918. This was at a private concert at Queen's Hall, London, under the baton of Adrian Boult, who later became one of the most famous interpreters of this work. The first public performance of excerpts from “The Planets” took place in February of 1919, after which it quickly became Holst's best-known composition. The great success of “The Planets” actually dismayed Holst, who feared it would create a demand for more orchestral works in the same vein, and Holst always liked to do something new and different. He never considered “The Planets” anywhere near his best work, but posterity disagrees. Holst's seven-movement orchestral suite is based on the symbolic astrological associations of the planets. Only seven planets are represented because Pluto had yet to be discovered when the music was written. This omission has recently been rectified by a contemporary English composer, Colin Matthews. At the request of conductor Kent Nagano, Matthews composed a “Pluto” movement, which had its premiere performance in England in May of the year 2000. Matthew's new piece has also been recorded, as you might expect, as an occasional eighth planetary appendix to new recordings of Holst's original seven. Music Played in Today's Program Gustav Holst (1874-1934): The Planets –Montréal Symphony; Charles Dutoit, cond. (London 460 606) Colin Matthews (b. 1946): Pluto –Hallé Orchestra; Mark Elder, cond. (Hyperion 67270)

Synopsis On this day in 1918, Russian composer Serge Prokofiev arrived in America to give a recital of his piano works in New York. He told interviewers that despite the revolution in his homeland and widespread conditions of famine, Russian musicians continued to work. Prokofiev himself, however, stayed away from his homeland for years. His opera “The Love for Three Oranges” and his Third Piano Concerto received their premieres in Chicago in 1921. From 1922 to 1932, Prokofiev lived mainly in Paris before eventually returning home for good. Another temporary expatriate composer, Jón Leifs of Iceland, also has an anniversary today, when in 1950, his “Saga-Symphony” was performed for the first time in Helsinki. Leifs was born in Iceland in 1899 and died there in 1968. He studied in Leipzig, where, in his words, he (quote) “began searching whether, like other countries, Iceland had some material that could be used as a starting-point for new music… some spark that could light the fire.” Leif's years in Germany coincided with the rise of the Nazis, who at first found him a sympathetic Nordic composer. When Leifs married a Jewish woman, however, he soon fell out of favor and eventually fled to Sweden with his family. After the war he returned home and today is honored as Iceland's first great composer. Music Played in Today's Program Sergei Prokofiev (1891-1953): Piano Concerto No. 3 in C, Op. 26 –Martha Argerich, piano; Montréal Symphony; Charles Dutoit, cond. (EMI Classics 56654) Jón Leifs (1899-1968): Saga Symphony –Iceland Symphony; Osmo Vänskä, cond. (BIS 730)

The son of Armenian immigrants, Abe was born in Los Angeles, CA and began double bass studies at the age of 9. A frequent guest with the San Francisco and San Diego Symphony Orchestras, Abe has had the unique opportunity to work with the world's leading conductors such as Michael Tilson Thomas, Ricardo Muti, John Adams, and Charles Dutoit. Grammy award winning electric and acoustic bassist, Abo Gumroyan, his early musical influences and how closely they were associated with his family.  Abo also discusses his orchestral work as a  Los Angeles recording session musician for television and film, and skills he's learned from doing those recording sessions.The Jordan Harbinger ShowApple Best of 2018-Learn the stories, secrets & skills of the world's most fascinating pplListen on: Apple Podcasts Spotify

The son of Armenian immigrants, Abe was born in Los Angeles, CA and began double bass studies at the age of 9. A frequent guest with the San Francisco and San Diego Symphony Orchestras, Abe has had the unique opportunity to work with the world's leading conductors such as Michael Tilson Thomas, Ricardo Muti, John Adams, and Charles Dutoit. Grammy award winning electric and acoustic bassist, Abo Gumroyan, his early musical influences and how closely they were associated with his family.  Abo also discusses his orchestral work as a  Los Angeles recording session musician for television and film, and skills he's learned from doing those recording sessions.

In this episode, we look at the soundtrack of the 2020 movie of Jane Austen's Emma written by Isobel Waller-Bridge and David Schweitzer. We look at how each of the main characters are given both a theme and instrument and how these themes interweave with each other. We also explore the choreography of the music to match the comedy shown, as well as how the folk and classical music help tell the story through emotions, lyrics, as well as reflecting location and class. Music included in podcast: "Peter and the Wolf, Op 67, No. 3, The Duck" - Prokofiev: Peter and the Wolf - Saint-Saens: Carnival of the Animals, music by Sergei Prokofiev, performed by Czechoslovak Radio Symphony Orchestra & Ondrej Lenard, 1990 "Cosi Fan Tutte, K. 588: "Sento, Oh Dio, Che Questo Piede" - Mozart: Cosi Fan Tutte, music by Wolfgang Amadeus Mozart, performed by Frank Lopardo, Sir Georg Solti, Chamber Orchestra of Europe, Olaf Bar, Michele Pertusi, Renee Fleming, Anne Sofia von Otter & David Syrus, 1996 "Emma Woodhouse" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma and Mr. Knightley (A Kiss Before They Wed)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley Chases after Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley is Destroyed" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Badly Done, Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Concerto No. 4 in G Major for Piano and Orchestra, Op. 58, II. Andante con moto" - Beethoven: Piano Concerto No. 4 in G major, Op. 58, music by Ludwig van Beethoven, performed by Glenn Gould, Leonard Bernstein & New York Philharmonic, 1961 "The Proposal (Under the Horse Chestnut Tree)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "A Chill Draft about the Knees" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith and Robert Martin Meet on the Road" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Walk to Mrs. Goddard's School" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Piano Trio No. 1 in B-flat major, Op. 99 D. 898, II. Andante un poco mosso" - Schubert: Piano Trios, music by Franz Schubert, performed by Frank Braley, Gautier Capucon & Renaud Capucon, 2007 "Harriet Smith and Robert Martin Meet in the Rain" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Frank Churchill Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Danse Macabre: Op. 40" - Saint-Saens: Danse Macabre, music by Camille Saint-Saens, performed by Philharmonia Orchestra & Charles Dutoit, 1981 "Christmas Dinner at the Westons" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Poor Miss Taylor" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "We Shall Have our Ball" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma is Bored" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mrs. Elton Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022.In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt.Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018. 

Marlon Martinez is a young virtuoso bassist and composer emerging at the center of the resurgent Los Angeles jazz scene. He has demonstrated his virtuosity while touring with a wide range of artists, from rock icon Stewart Copeland to classical trailblazers Quatuor Ebène. Marlon is the protégé of mentor Stanley Clarke and studied with legendary jazz bassist Ron Carter in New York City. He is the music director and composer of his big band, Marlonius Jazz Orchestra. Marlon is a winner of Colburn School's 2020 New Venture Competition and was selected as an artist-in-residence for the inaugural Amplify Series at Colburn School in 2022. ​ In 2010 and again 2011, Marlon was selected to participate in the highly acclaimed Verbier Festival Orchestra in Switzerland. During his membership, he performed under the baton of Charles Dutoit, Valery Gergiev, Neeme Järvi, Rafael Frühbeck de Burgos and Yuri Temirkanov among others. He performed with international classical soloists such as Mischa Maisky, Leonidas Kavakos, Yuri Bashmet, Lisa Batiashvilli, Yuja Wang, and Deborah Voigt. ​ Marlon is currently the bassist for Stewart Copeland and Jon Kimura Parker's epic collaboration Off The Score. Notable tour appearances include the 2015 21C Music Festival with Off The Score, the 2016 Gstaad Menuhin Festival and Academy with Quatuor Ebène and Stacey Kent, the premiere of his composition Jazz Impressions for String Orchestra, No. 1 at the 2016 Festival du Haut Limousin, and "Don't Box Me In: An Intimate Evening with Stewart Copeland" at Long Beach Opera in 2018.  ​ Dedicated to music education and outreach, Marlon is a jazz faculty member of CSArts San Gabriel Valley. He also serves as a double bass coach for the Capistrano Unified School District, and collaborates with the Inner City Youth Orchestra of Los Angeles. With the support of the Colburn School and Billy Strayhorn Songs Inc., Marlon will record educational lectures and performances on the music of Billy Strayhorn, with Marlonius Jazz Orchestra, for Colburn School's Amplify Series in 2022.

In this episode, we look at the soundtrack of the 2009 mini-series of Jane Austen's Emma, written by Samuel Sim. We look at how the main theme tells Emma's journey and how it changes for her love story with Mr. Knightley. We compare the use of the cello for Mr. Knightley and Mr. Elton, look at how the clarinet is used for Emma just as it was in the 1996 movie, and the variety of themes and styles to tell the story and reflect the characters, including the use of electronics for memories. Music included in podcast: "Piano Concerto No. 26 in D, K 537 "Coronation": 1. Allegro" - Mitsuko Uchido - Mozart: Piano Concertos, music by Wolfgang Amadeus Mozart, performed by English Chamber Orchestra, Jeffrey Tate & Mitsuko Uchido, 1988 "Emma Woodhouse was born" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Emma Main Titles" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prelude" - Six Evolutions - Bach: Cello Suites, music by Johann Sebastian Bach, performed by Yo-Yo Ma, 2018 "Knightley's Walk" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Love Story" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Last Dance" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Blind Endeavors" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Without Suspicion" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Seaside" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Dolls" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Expansion Project" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Playing Harriet" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Cello Sonata in C minor, G. 2: III. Allegro" - Boccherini Cello Sonatas, music by Luigi Boccherini, performed by Jesper Christensen, Gaetano Nasillo, Alessandro Ciccolini & Marco Vitali, 2012 "Superior Men" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Mr. Elton" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Violin Sonata in A minor, Op. 27, No. 2: 1. Prelude "Obsession"" - Bach and Beyond Part 1, music by Eugene Ysaye, performed by Jennifer Koh, 2012 "Walk of Shame" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The World has Left Us Behind" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Rescued by the Gypsies" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Secrets" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Danse Macabre, Op. 40" - Saint-Saens: Danse Macabre, music by Camille Saint-Saens, performed by Philharmonia Orchestra & Charles Dutoit, 1981 "Arrival of Little Knightleys" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "It's Snowing and Heavily" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "Biscuits Darling" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "A Ball" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Town Square" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Ship's Cook" - Emma (Original Television Soundtrack), music by Samuel Sim, 2019 "The Bluebells of Scotland" - Raised on Songs and Stories, music by Dora Jordan, performed by John McDermott, 2015 "Piano Sonata No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio" - Beethoven: Favorite Piano Sonatas, music by Ludwig van Beethoven, performed by Vladimir Ashkenazy, 1997 "World of Soundtracks" - title music by Edith Mudge, graphics by Lindsey Bergsma

Synopsis Today marks the birthday in 1879 of Ottorino Respighi, a rare Italian composer more famous for orchestral works than operas. And no wonder – Respighi was a master orchestrator, learning his craft first-hand from the brilliant Russian orchestrator Nicolai Rimsky-Korsakov during the time the young Italian served as principal violist in the pit band of the Russian Imperial Theater in St. Petersburg. One of Respighi's best-loved works is The Pines of Rome. It includes a slow section depicting a full moon shining on the pines growing on the Janiculum hill west of Rome. The music includes the song of a nightingale, played from a phonograph record of an actual nightingale. That record, made in 1910, was the first ever made of live bird song, and using it as part of Respighi's orchestration was cutting-edge stuff in 1924. This recording was made by the Hungarian conductor Antal Dorati, who was known noted for his fiery temper, but Dorati had an equally strong sense of humor, so in the 1950s, when one of his Minneapolis Symphony musicians substituted a Spike Jones once during a rehearsal, of the Respighi piece, Dorati got the joke and laughed along with everybody else. Music Played in Today's Program Ottorino Respighi (1879-1936) – Feste Romane (Montréal Symphony; Charles Dutoit, cond.) London 410 145 Spike Jones (1911 – 1965) – Rhapsody from Hunger (Spike Jones and his City Slickers) RCA 3235

Ignat Solzhenitsyn is recognized as one of today's most gifted artists, and enjoys an active career as both a conductor and pianist. His lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has also partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC's Nightline. Follow Ignat on Twitter here:https://www.twitter.com/isolzhSUPPORT ME ON TWITTER: https://www.twitter.com/cliftonaduncan SUBSCRIBE TO MY SUBSTACK: https://cliftonduncan.substack.com Intro/Outro: https://www.epidemicsound.com/track/s...Support this podcast, as well as small business, by clicking the link below and enjoying some delicious Twin Engine Coffee, our first sponsor!

All of us are made with unique gifts—ultimately so we can bless the world. But how can we discover our gifts and lean into our calling? Join host Richard Dahlstrom as he talks with John Carrington, the Principal Harpist with the Pacific Northwest Ballet Orchestra, the Bellevue Philharmonic and the Auburn Symphony.  Seattle native John Carrington appears regularly with the Seattle Symphony and Seattle Opera where he was Guest Principal Harpist for several seasons. He performs with the Fifth Avenue Theatre Orchestra and has worked as solo harpist on Cunard Line's "Queen Elizabeth 2" performing for its World Cruise on six continents John's classical background includes performances with such conductors as Seiji Ozawa, Charles Dutoit, Leonard Slatkin, Gerard Schwarz, Asher Fisch and John Rutter. His popular music experience is equally notable, as he has shared the stage with Tony Bennett, José Carreras, Josh Groban, Olivia Newton-John, Rita Moreno, Doc Severinsen, and James Taylor, to name a few. In addition, John is a sought-after recording artist, participating in over 200 motion picture soundtracks and including “Mr. Holland's Opus”, “The Wedding Planner,” and several Disney and Hallmark Hall of Fame productions. He's also performed on video game soundtracks including "Halo" and "World of Warcraft." He received his Master of Music degree from the Cleveland Institute of Music after earning his Bachelor of Music from the University of Washington.

We had a discussion with violinist Jonathan Crow. Jonathan Crow has been Concertmaster of the Toronto Symphony Orchestra (TSO) since 2011. Jonathan has also performed as a soloist with most major Canadian orchestras, including the Montreal, Toronto, and Vancouver Symphony Orchestras; the National Arts Centre and Calgary Philharmonic Orchestras; the Victoria, Nova Scotia, and Kingston Symphonies; and Orchestra London, under the baton of such conductors as Charles Dutoit, Sir Yehudi Menuhin, Sir Andrew Davis, Peter Oundjian, Kent Nagano, Mario Bernardi, João Carlos Martins, and Gustavo Gimeno.