Podcasts about Little Feat

Today on the pod we are beyond excited to be joined by the great Fred Tackett. In addition to being a member of Little Feat, Fred has played with just about everyone you can think of. He was a member of Christian Bob's touring band, did the Lido Shuffle with Boz Scaggs, and strummed along with the Rhinestone Cowboy. But most importantly, for the sake of this show, and this month, he was a great friend of Harry Nilsson's. Fred was generous enough to share a lot of great stories and memories with us over the hour and, needless to say, you don't wanna miss it. 

Step into the world of classic American rock as “Takin a Walk” sits down with a founding member of Little Feat. In this episode, your host Buzz Knight journeys through the origins of the legendary band—born in 1969 when Lowell George left Frank Zappa’s Mothers of Invention and teamed up with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward to create a sound that fused rock, blues, funk, country, and jazz into something utterly distinctive.Bill Payne is a returning guest to the show and he is hear to talk about the bands triumphant new release called "Strike Up the Band, and he takes us behind the scenes into the creative process of the new music which has special guests Molly Tuttle and Larkin Poe and others collaborating on this project. Hear firsthand stories from the early days in Los Angeles, the making of iconic tracks like “Willin’” and “Dixie Chicken,” and the band’s evolution through triumphs, tragedies, and decades on the road. Whether you’re a lifelong fan or new to the Feat, this walk offers an inside look at the creative spark, musical legacy, and enduring spirit that have made Little Feat one of America’s most beloved and influential band. We also want to put in a loud good word for the band to be recognized for their amazing legacy by getting induction into The Rock & Roll Hall of Fame. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Step into the world of classic American rock as “Takin a Walk” sits down with a founding member of Little Feat. In this episode, your host Buzz Knight journeys through the origins of the legendary band—born in 1969 when Lowell George left Frank Zappa’s Mothers of Invention and teamed up with keyboardist Bill Payne, bassist Roy Estrada, and drummer Richie Hayward to create a sound that fused rock, blues, funk, country, and jazz into something utterly distinctive.Bill Payne is a returning guest to the show and he is hear to talk about the bands triumphant new release called "Strike Up the Band, and he takes us behind the scenes into the creative process of the new music which has special guests Molly Tuttle and Larkin Poe and others collaborating on this project. Hear firsthand stories from the early days in Los Angeles, the making of iconic tracks like “Willin’” and “Dixie Chicken,” and the band’s evolution through triumphs, tragedies, and decades on the road. Whether you’re a lifelong fan or new to the Feat, this walk offers an inside look at the creative spark, musical legacy, and enduring spirit that have made Little Feat one of America’s most beloved and influential band. We also want to put in a loud good word for the band to be recognized for their amazing legacy by getting induction into The Rock & Roll Hall of Fame. A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Check out our newest podcast called “Comedy Saved Me” wherever you get your podcasts. Warmly Buzz Knight Founder Buzz Knight Media ProductionsSee omnystudio.com/listener for privacy information.

Monkey House  Banda fundada por Don Breithaupt, pianista, vocalista, compositor, arranjador e produtor canadense. O nome do grupo vem de um livro de 1968 de Kurt Vonnegut.A banda foi formada em 1992, com repertório inovador e tendência jazzísticas compostas por DonDiversos artistas convidados contribuíram com músicas e se apresentaram em seus álbuns, incluindo Drew Zingg, Elliott Randall, Michael Leonhart e Jay Graydon. Steely Dan é uma das maiores influências de Breithaupt. A banda faz pop melódico com um toque sofisticado, com pé no Jazz e arranjos de metais.Seu álbum de estreia, Welcome to the Club, foi lançado em 1992, pelo selo Aquarius, sediado no Canadá. Incluí um cover de uma música escrita por Donald Fagen, do Steely Dan, chamada "Lazy Nina", que foi regravada por Greg Phillinganes em 1984, mas nunca gravada pelo próprio Fagen.Seu segundo álbum, True Winter, pelo selo Marigold, lançado em 1998, contou com a colaboração de Richie Hayward, do Little Feat, e David Blamires, do Pat Metheny Group.Em 2005, foi lançada a coletânea Big Money: Singles Remasters Rarities 1992-2005. Contem treze faixas dos dois primeiros álbuns da Monkey House, além de quatro faixas inéditas, incluindo osingle "Tough Love". Entre os convidados estavam Kevin Breit (Norah Jones), Mark Kelso (Gino Vannelli), além de Hayward e Blamires.Seu quarto álbum, Headquarters, foi lançado em 2012, pelo selo Alma, afiliado ao Universal Music Group, artistas convidados incluíram Kim Mitchell, Rik Emmett, Drew Zingg e Michael Leonhart.Uma antologia de álbuns intitulada Retrospective foi lançada em 2013, que inclui quase tudo o que a Monkey House lançou ao longo de suas duas primeiras décadas. Além de músicas de seus três primeiros álbuns, a antologia de 44 músicas inclui material inédito como "I'm Not That Guy", das sessões do Headquarters, cinco faixas instrumentais e algumas entrevistas.Um sexto álbum foi lançado em junho de 2016, Left, pelo selo Alma/Universal. O título faz referência ao fato deBreithaupt ter feito as malas e se mudado de Toronto para a costa oeste, chegando à região de Los Angeles em fevereiro de 2013.O grupo principal de músicos do álbum são:baterista Mark Kelso, o baixista Pat Kilbride e o guitarrista Justin Abedin, com Breithaupt contribuindo nos teclados e o baixista Peter Cardinali como convidado em uma faixa. Além de Elliott Randall e Jay Graydon, outros convidados incluem os backing vocals David Blamires (Pat Metheny Group), Lucy Woodward (Snarky Puppy), William Sperandei no trompete e o saxofonista Donny McCaslin. Drew Zingg e Michael Leonhart também retornam para contribuir com solos. O álbum estreou na 9ª posição na parada de jazz do iTunes dos EUA, na 2ª posição na parada de jazz do iTunes doCanadá, e alcançou a 24ª posição na parada de álbuns de jazz da Billboard.Discografia:·       Welcome to the Club (1992)·       True Winter (1998)·       Big Money: SinglesRemasters Rarities 1992-2005 (2005)·       Headquarters (2012)·       Retrospective (2013)·       Left (2016)·       Friday (2019)·       Remember the Audio (2022)·       Crashbox (2025)  

Scott Levi Jones, this blue-collar poet was born in South Jersey and as he says, baptized by the local nuclear plant in Salem County. Jones committed to Nashville in 2017 when he scraped together the rent for a single-wide trailer on the outskirts of town. He spent his early 20's working construction while performing in honky-tonks and dive bars all across the Dirty South. Today he resides in a small cabin as a full-time independent musician. The songwriter's lyrical ability has been compared to that of John Prine and Steve Goodman, yet his music reflects the sound of folk rock influences such as The Band and Little Feat. Dur-ing 2020 he released his debut album ‘The Odds of You and Me' recorded at the historic Mu-sic Row studio ‘House of David'. The artist has since released an intimate acoustic EP, ‘The Cabin Worktapes' captured in his living room, along with multiple singles including the viral hit ‘Free Bird' which acquired over 2.5 Million views on instagram alone

OU812 (pronounced "Oh You Ate One Too") is the eighth studio album by American rock band Van Halen, released on May 24, 1988. It is the band's second album to feature vocalist Sammy Hagar, following the success of 5150. Van Halen began work on OU812 in September 1987 and completed it in April 1988, just a month before its release.

Jeden zweiten Donnerstag präsentieren wir an dieser Stelle alte und neue Aufnahmen aus den Bereichen Blues, Jazz, Swing, Rhythm'n'Blues, Soul und Country: Neues von Bob Corritore & Friends, Little Feat w/Larkin Poe und Tommy Castro. (Sendung vom 22.5.)

The sophomore album from Little Feat delivers another magical album from one of the original jam bands out there!

"Some people call me the space cowboy, yeahSome call me the gangster of loveSome people call me MauriceCause I speak of the pompitous of loveI'm a joker, I'm a smoker, I'm a midnight tokerI sure don't want to hurt no one"No jokes here, just great tunes from Dire Straits, Joe Jackson, Seatrain, Little Feat, The Doors, Rolling Stones, Eagles, Motels, Police, B-52's, Kinks, Van Morrison, Poco, The Band, The Knack, Bob Dylan, Rod Stewart, The Who, The Faces, Steely Dan, The G0-Go's, Talking Heads, Charlie Daniels Band and Steve Miller Band...

Pioneering Southern rock troubadours Little Feat have announced the May 9 release of their forthcoming studio LP, Strike Up The Band. As a preview of the set, the band has shared their initial single, "Too High To Cut My Hair," and the official music video, featuring the theatrics of Lily Winwood playing the role of stoned hairdresser to each member of the band that visits her."Too High To Cut My Hair," presents the ensemble's funk capability with the siphoned blues-fueled cadence of Sam Clayton's classic low C to create a roaring introduction to the band's latest project. The track was written by longtime member, Fred Tackett, who had a large part in crafting lines and lyrics across the album. "Fred Tackett shines all over this record, as he always does, but in particular in his writing," bandleader Bill Payne reaffirmed. Payne explains the backstory behind the single via press release: "'Too High To Cut My Hair' is based on a true story where [Tackett] and his wife Patricia were in a hotel room in New Orleans. Fred had asked for a trim, but decided that she was too high to cut his hair. And then he thought, 'oh my god, what a title!'"He continues, "People love the humor in our records, a cherished entree to those when they find it. So I'm happy this song displays that humor, and in full. It's also got the classic Sam Clayton doing his, three octaves below middle C voice in there - Too High To Cut My Hair! Everyone that has heard it has said, 'That's a Little Feat song,' and I know what they mean!"Little Feat sprinkles the collective wisdom of a 56-year-old band across the 13-track record, granting listeners access to their collective prowess and sonic dexterity on songs like "Bluegrass Pines (Ft. Molly Tuttle, Larry Campbell & Teresa Williams), ""4 Days Of Heaven, 3 Days Of Work," "Shipwrecks" and "Midnight Flight." "'Strike Up The Band' really began in the winter of 2019 when I was subbing for Paul Barrere, and he passed away on the day of that first show," says Scott Sharrard, "Continuing through the pandemic shut down (and a lot of practicing and songwriting during that time), to our return to the road in 2021. Then on to our recording field trip to Memphis that resulted in the Grammy Nominated blues album of classic blues covers 'Sam's Place.' That one gave us all the chance to tighten up as a band and re-visit the Rosetta Stone of rock and roll, the blues. We have paid a lot of dues to get here, and all roads have led us to this new album." "When discussing the album with the band and where it sits in our canon," Payne adds. "Our predecessor to this record in my mind was 'Let It Roll.' We are in a similar position to introduce Little Feat once again with this new collection of songs. It is my feeling that, from what we had been playing over the last few years, there's no question the overwhelming majority of fans would accept the album for what it is: an unmistakable iteration of Little Feat that highlights, with great songs and musicianship, the very best of an ongoing legacy, expressly evoking and expanding upon what people think of when they hear Little Feat."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Pioneering Southern rock troubadours Little Feat have announced the May 9 release of their forthcoming studio LP, Strike Up The Band. As a preview of the set, the band has shared their initial single, "Too High To Cut My Hair," and the official music video, featuring the theatrics of Lily Winwood playing the role of stoned hairdresser to each member of the band that visits her."Too High To Cut My Hair," presents the ensemble's funk capability with the siphoned blues-fueled cadence of Sam Clayton's classic low C to create a roaring introduction to the band's latest project. The track was written by longtime member, Fred Tackett, who had a large part in crafting lines and lyrics across the album. "Fred Tackett shines all over this record, as he always does, but in particular in his writing," bandleader Bill Payne reaffirmed. Payne explains the backstory behind the single via press release: "'Too High To Cut My Hair' is based on a true story where [Tackett] and his wife Patricia were in a hotel room in New Orleans. Fred had asked for a trim, but decided that she was too high to cut his hair. And then he thought, 'oh my god, what a title!'"He continues, "People love the humor in our records, a cherished entree to those when they find it. So I'm happy this song displays that humor, and in full. It's also got the classic Sam Clayton doing his, three octaves below middle C voice in there - Too High To Cut My Hair! Everyone that has heard it has said, 'That's a Little Feat song,' and I know what they mean!"Little Feat sprinkles the collective wisdom of a 56-year-old band across the 13-track record, granting listeners access to their collective prowess and sonic dexterity on songs like "Bluegrass Pines (Ft. Molly Tuttle, Larry Campbell & Teresa Williams), ""4 Days Of Heaven, 3 Days Of Work," "Shipwrecks" and "Midnight Flight." "'Strike Up The Band' really began in the winter of 2019 when I was subbing for Paul Barrere, and he passed away on the day of that first show," says Scott Sharrard, "Continuing through the pandemic shut down (and a lot of practicing and songwriting during that time), to our return to the road in 2021. Then on to our recording field trip to Memphis that resulted in the Grammy Nominated blues album of classic blues covers 'Sam's Place.' That one gave us all the chance to tighten up as a band and re-visit the Rosetta Stone of rock and roll, the blues. We have paid a lot of dues to get here, and all roads have led us to this new album." "When discussing the album with the band and where it sits in our canon," Payne adds. "Our predecessor to this record in my mind was 'Let It Roll.' We are in a similar position to introduce Little Feat once again with this new collection of songs. It is my feeling that, from what we had been playing over the last few years, there's no question the overwhelming majority of fans would accept the album for what it is: an unmistakable iteration of Little Feat that highlights, with great songs and musicianship, the very best of an ongoing legacy, expressly evoking and expanding upon what people think of when they hear Little Feat."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Little Feat's legend goes back to 1969! The band has produced ubiquitous hits like "Dixie Chicken" and "Willin'." Their influence stretches across generations. They have endured heartbreak, loss, and lineup changes but the core Little Feat sound has remained true since the beginning. Scott Sharrard joined LIttle Feat in 2019 and has been instrumental in their efforts leading up to the band's latest record Strike Up The Band, which was released on May 9th, 2025.  In addition to his work with Little Feat, Scott was the band leader for the Gregg Allman Band and his band The Chesterfields. The band, and Scott, have lived a fascinating musical life.  The song you are hearing in this episode is "Midnight Flight" from Little Feat's excellent new record.  Listen on: Spotify- Apple Podcasts- YouTube-

This week on RITY... The mini theme is The Life Cycle Of A Cicada... A hit Beatles song inspired by a photo inside the January 1965 issue of National Geographic Magazine... A Little Feat song that was partially written at CVG airport... A song Ace Frehley wrote after being electrocuted... Deep cuts from Joe Walsh, Storyville, The Henry Paul Band, Boston, REO Speedwagon, Blackberry Smoke, and much more! For more info on the show, visit reelinwithryan.com

Spring Writes continues with live literary events through the 11th! Thursday afternoon, Grateful Dead Day is at JEMaginations in Center Ithaca, and Ithakaraoke with a live band at Deep Dive. Friday, Newfield Old Home Days Sam’s Spaghetti Dinner fundraiser at the Newfield fire hall, live music with Take Two at 23 North, Night Eagle presents Professor Louie and the Chromatix at the Savage Club in Lansing, and an evening with Shemekia Copeland at the Smith Opera House. For your Saturday, the Better Together event for mental health at Stewart Park, Tote Bag decorating at the Newfield Public Library, Choral Gems of the 20th Century at St. Paul’s, a Spin the Bottle of the Arts at Lot 10, and Little Feat at the State Theatre. Sunday the 11th is the Ithaca Book & Zine Fair at Buffalo Street Books and an Irish Session hosted by Six Mile Craic at Liquid State Brewing. Monday, a Finger Lakes Fiddle Orchestra concert at the First Baptist Church. Tuesday the monthly GreenStar Gigs kick off with SingTrece at GreenStar Co-op and the Newfield Historical Society annual meeting with author Steve Cotton at the Newfield fire station. Wednesday, Jazz Night at Brookton's Market, Wednesday open mic [...]

For this episode we're joined – all the way from L.A. – by special guest Bob Merlis. The former head of publicity at Warner-Reprise Records in Burbank talks us through his musical odyssey from his Brooklyn childhood to his continuing PR work for the likes of ZZ Top and Carlene Carter. We hear about Bob's start at Record World in late '60s New York and the early '70s pieces he wrote for that trade publication and for Warners' short-lived Words & Music. Our guest then talks about his brief stints at RCA and Albert Grossman's Bearsville Records before touching on key acts and moments in the nearly three decades he spent in Burbank: Little Feat's Lowell George, Jerry Wexler producing Etta James and Warners president Joe Smith roasting the infamous Morris Levy. Clips from Dave Zimmer's 1988 audio interview with Neil Young prompt discussion of that quintessential Reprise artist (and his comrades in CSNY). After Mark quotes from pieces about Elektra Records dropping the MC5 and free-improv guitarist Derek Bailey, Jasper talks us out with reflections on the musical passions of footballer Rio Ferdinand and Houston rapper Chamillionaire. Many thanks to special guest Bob Merlis. For info on Bob's PR work, visit https://mfhpr.com/m-f-h-at-20. Pieces discussed: R&B is B(l)ack and Involved, Jerry Wexler Crosses Tracks for Tony Joe, Todd Rundgren Warps Time, Lowell George Talks About Little Feat, Little Feat Keeps On Truckin', Little Feat: How To Construct a "Critics' Band", Neil Young audio, Elektra Records Kicks Out MC5, Derek Bailey: Themes on Improvisation, The Record Doctor: Rio Ferdinand and Chamillionaire: Change.

176 - Scott Sharrard and Fred Tackett (Little Feat) In episode 176 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarists Scott Sharrard and Fred Tackett from Little Feat. The conversation begins with Fred from Southern California and Scott joins after a few minutes in from Harlem, NYC. Fred tells us about Little Feat's new album “Strike Up The Band” and why a new album now. Fred discusses his association with Little Feat early on while he was working with songwriter Jimmy Webb. Scott then describes his association with Little Feat early on while he was playing with Gregg Allman. They both discuss the gear they used on the new album and the gear they'll be using on the road for the tour that just started. Fred talks about playing with Eric Clapton recently and the friendship Eric has with the band. Fred tells us about tour life for Little Feat and Scott tells us about the responsibility of playing in bands with such legendary guitarists before him. Scott tells us about going to school at the Milwaukee high school for the arts and how that shaped his musical experience. Fred describes how he got from Arkansas to Hawaii and then LA and they both tell us about their side projects. To find out more more about Little Feat and to see their tour dates you can check their website: littlefeat.net Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #ScottSharrard #FredTackett #GibsonGuitar #LittleFeat #StrikeUpTheBand #VintageGuitar #JimmyWebb #GreggAllman #theDeadlies #haveguitarwilltravelpodcast #HGWT . . . . Please like, comment, and share this podcast! Download Link

Little Feat keyboardist Bill Payne and guitarist Scott Sharrard come on the Goldmine Podcast to talk to Goldmine's Chris M. Junior about the new album, "Strike Up the Band," among other things. Learn more about your ad choices. Visit megaphone.fm/adchoices

"In ev'ry day that passes us byI can't help the feelin' that you and IWe won't get to see another day together.Looks like bad weather.Yes it does,And I believe it's gonna rain"Yes a Rainy Spring Sunday in SoCal so please allow me to be your  musical umbrella, Joining us on this weeks Super Sounds Of The 70's are Dire Straits, David Bowie, Little Feat, Aerosmith, Bob Dylan, Neil Young, Mountain, Joe Walsh, Rod Stewart, The Byrds,, Flying Burrito Brothers, Procol Harum, The Doobie Brothers, Steely Dan, Jimi Hendrix, Stephen Stills, The Moody Blues, Alan Parsons Project, Supertramp, Derek & The Dominos and Poco.

On this episode of Lipps Service, Scott sits down with legendary glam metal frontman of Hanoi Rocks – Michael Monroe! The two start by getting into Michael's return to America after several years away, comparing the old to the new NYC, and Northeast music icons like Bruce Springsteen and Joey Ramone. They explore Michael and Hanoi Rocks' various musical influences, including Black Sabbath, Little Richard, Elvis, and Stiv Bators. Michael reflects on his upbringing in Sweden, from living on the streets and surviving to the early days of the band and their early glam looks and expression. He also spills the lowdown on pivotal interactions within his career, including asking Prince to produce the band, producing with Bob Ezrin, and making peace with Vince Neil. To close, Michael talks about the band's last gig and lists his top 5 records everyone should own. Tune into a music history-filled chat with legend Michael Monroe!CREDITS (Instagram handles)Host @scottlippsEdited by @toastycakesMusic by @robby_hoffProduced by @whitakermarisaRecorded at Melrose Podcasts LA Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones, which are Bluetooth-enabled and have three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!Sonos has great gifts for everyone on your list. Visit sonos.com/Lipps to save 20% on select products. 01:50 - Returning to play in America 02:30 - Documentary 05:00 - The old NYC06:30 - Hells Angels 08:15 - Bruce Springsteen 11:30 - Joey Ramone 15:55 - Growing up 16:47 - Black Sabbath 18:00 - Hair metal movement 21:00 - Little Richard and Elvis 22:00 - Sax and harmonica 24:00 - Parents 24:30 - Meeting Hanoi's Andy McCoy 26:12 - Band's interesting early look 27:22 - Living on the streets in Sweden 30:22 - Surviving early on 33:49 - Legacy 34:35 - Razzle 36:00 - Prince producing Hanoi37:20 - Getting signed to CBS and Bob Ezrin producing 39:40 - Oriental best remastered 39:43 - Making peace with Vince Neil 40:00 - Razzle's death 42:00 - Stiv Bators 44:21 - Hanoi's last gig 47:30 - Writing a letter to Nikki Sixx about Razzle 52:15 - AI Stiv Bators 58:12 - Top 5 records everyone should own

Featuring...Little Feat - 4 Days Of heavenThe Stumble - 360 Degree BluesHeavy Drunk And Watermelon Slim - FreshAndrew Duncanson - Feelin' Better NowThe 20ft Squid Blues Band - Ain't SuperstitiousRenovation Blues Band - Back From San AntoneEmma Wilson Band - I Can't Quit You BabySouthern Avenue - Rum BoogieJimi Hendrix - Red HouseAllman Brothers Band - SouthboundCream - White RoomThe Doors - Roadhouse BluesSamantha Fish - Rusty RazorPierce Dipner - Fool's GoldJohn Primer & The Real Deal - WhiskeySaRon Crenshaw - Been A Long TimeEric Bibb - Delia's GoneB.B King Rock Me BabyOli Brown & The Dead Collective Ft. Jo Quail - HauntedThe Too Bad Jims - Alice MaeBlackburn Brothers - Little SisterBlue Milk - Night SweatsBuddy Guy - Feels Like Rain Hosted on Acast. See acast.com/privacy for more information.

I'm super excited to welcome Bill Payne, founding member of @littlefeat_official, for this week's episode!!  For over five decades, Bill has been playing music and delighting fans with his expert piano and keyboard playing, great vibes and amazing songwriting. Bill is also a legendary collaborator and has played on 100s of albums and toured with a legion of amazing bands in addition to his enduring commitment to the music of Little Feat.  He's toured with The Doobie Brothers, James Taylor, Simon & Garfunkel, Jimmy Buffett and Bonnie Raitt just to name a few. Bill is also a noted photographer and author, and is currently working on a memoir documenting a life in music and his passion for collaboration.Little Feat is still going strong -- producing music full-time -- and are excited about the release of their first studio album in 15 years, Strike Up The Band, out May 9. They're hitting the road in May with tour dates throughout the remainder of the year.Bill is a stellar human with a terrific sense of humor — he's a kind soul with a firm grasp of the history of music and his place in that world — and it's truly an honor to share this interview with all of you!!  Enjoy!!Show Notes:New Little Feat album, Strike Up The Band, out May 9!!More info on Little Feat and tour dates, click here For more info on Bill Payne's artistic and creative efforts, click here for Bill's website:  Bill Payne CreativeDon't forget to please leave a review describing what you enjoyed most about this episode!!  Thanks for listening!!  =============================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer  

Programa 425 del 30 de abril, trasmitiendo en España en Sol y Rabia, TNT Radio Rock, El Lokal del Rock y Asalto Mata Radio Rock, en Argentina en Lado Salvaje Radio y en Puerto Rico en Heavy Metal Mansion. Especial dedicado al productor Ted Templeman, con canciones de The Doobie Brothers, Little Feat, Montrose, Allan Holdsworth, Van Halen, Sammy Hagar, David Lee Roth, Robben Ford, BulletBoys, Steve Stevens, Cheap Trick, y Tia Carrere Canciones que escucharás hoy 1.The Doobie Brothers - Jesus is Just Allright, 2.The Doobie Brothers - Long Train Running,3.Little Feat - Cold, Cold, Cold, 4.Montrose - Space Station #5, 5.Montrose - Rock Candy, 6.Allan Holdsworth - Water on the Brain, 7.Van Halen - Eruption, 8.Van Halen - You Really Got Me, 9.Van Halen - And the Cradle Will Rock, 10.Van Halen - Why Can’t this be Love, 11.Sammy Hagar - I Can´t Drive 55, 12.Sammy Hagar - Marching to Mars, 13.David Lee Roth - Yankee Rose, 14.David Lee Roth - Shyboy, 15.Robben Ford - Born Under a Bad Sign, 16.BulletBoys - Smooth up in Ya, 17.BulletBoys - Kissing Kitty, 18.Steve Stevens - Atomic Playboy, 19.Steve Stevens - Soul on Ice, 20.Cheap Trick - Woke up with a Monster, 21.Cheap Trick - Let Her Go, 22.Tia Carrere - Ballroom Blitz

From country twang to electronic trance, our latest mix takes listeners on a journey through an extraordinary range of musical landscapes. Matt and Sam discover unexpected connections between artists spanning five decades, share their surprised reactions to genre departures, and explain why this collection might be their favorite in years.The hosts dive deep into Eric Church's reflective "Hands of Time," exploring how music keeps us youthful despite life's inevitable forward march. They unpack Wet Leg's relatable lyrics about unwanted advances in "Catch These Fists" and The Kooks' poignant reminder to live fully because "you never know when it's going to stop." The conversation takes a more vulnerable turn with Haim's powerful exploration of panic attacks in "Everybody's Trying to Figure Me Out."A surprising highlight emerges in Finneas and Kacey Musgraves' acoustic duet, where Finneas (of Billie Eilish production fame) showcases his remarkable vocal talents. The hosts marvel at Orbital's collaboration with actress Tilda Swinton on a six-minute meditation that functions simultaneously as relaxation aid and dance track.The musical exploration continues with The Black Keys' soul-influenced sound, Little Feat proving their 50+ year longevity, Arcade Fire's signature building compositions, and Charlotte DeWitte's pure electronic experience. https://music.apple.com/us/playlist/sam-april-2025-new-music/pl.u-MBM3INqbr81. Hands of Time - Eric Church2. catch these fists - Wet Leg3. Never Know - The Kooks4. Everybody's Trying To Figure Me Out - HAIM5. Giver/Taker (Apple Music Sessions) - FINNEAS & Kacey Musgraves6. Starry Eyed - Good Neighbours7. Deepest - Orbital & Tilda Swinton8. Babygirl - The Black Keys9. Midnight Flight - Little Feat10. Year of the Snake - Arcade Fire11. Please Don't Move to Melbourne - Ball Park Music12. The Realm - Charlotte De Witte Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

"Well, I'm a-standing on a corner In Winslow, ArizonaSuch a fine sight to see, It's a girl, my Lord In a flat-bed Ford Slowin' down to take a look at me"Take it easy, Take it easyDon't let the sound of your own wheels make you crazy"That's right, crank up your Radio and take an Easter Sunday journey in our Way Back Machine on Super Sounds Of The 70's. Coming along are Little Feat, Maria Muldaur, Steve Stills, Dire Straits, Jefferson Airplane, Crosby, Stills, Nash & Young, Bob Seger & Silver Bullet Band, The band, Ambrosia, Chicago, Bob Dylan, Doobie Brothers, Janiis Joplin, Gypsy, Fleetwood Mac, The Moody Blues, Genesis, Aerosmith, Sons Of Champlin and Jackson Browne...

El domingo pasado Jorma Kaukonen (Jefferson Airplane, Hot Tuna) cumplió 85 años. Y Lowell George (The Factory, Mothers Of Invention de Frank Zappa, Little Feat) hubiera cumplido los 80, pero falleció en 1979. El blues como esencia, la guitarra como instrumento heredado de los grandes Robert Johnson, Muddy Waters, Chuck Berry… Enormes guitarristas ambos con sello muy propio y genial.DISCO 1 JEFFERSON AIRPLANE Embryonic Journey (ESCA) SURREALISTIC PILLOW 1967DISCO 2 LITTLE FEAT Easy To Slip (SAILIN’ SHOES - Cara 1 Corte 1)DISCO 3 JEFFERSON AIRPLANE Good Shepherd ( )DISCO 4 LITTLE FEAT Willin’ (SAILIN’ SHOES - Cara 1 Corte 5)DISCO 5 JEFFERSON AIRPLANE To Many Years (JEFFERSON AIRPLANE - cara 2 Corte 6DISCO 6 LITTLE FEAT Rocket In My Pocket (TIME LOVES A HERO - 3)DISCO 7 JORMA KAUKONEN Roads and Roads (Side A -ÚltimoTrack)DISCO 8 LITTLE FEAT Long Distance Love (THE LAST RECORD ALBUM Cara A Corte 3)DISCO 9 JORMA KAUKONEN Blue Railroad Train (BLUE COUNTRY HEART -1)DISCO 10 LOWELL GEORGE Cheek To Cheek (Cara 2 Corte 1)DISCO 11 JORMA KAUKONEN There’s A Bright Side Somewhere (RIVER OF TIME - 2)DISCO 12 LITTLE FEAT Fatman On The Bathtube (2) WAITING FOR COLUMBUSDISCO 13 HOT TUNA Watch the North Wind Rise (Live Version) (ESCA)Escuchar audio

"There you stood on the edge of your feather, expecting to fly.While I laughed, I wondered whether I could wave goodbye,"As we waved goodbye to Winter, Spring and its promise of renewal arrived Thursday. Please join me on this first weekend of Spring on this week's Whole 'Nuther Thing. Joining us are Earth Opera, Warren Zevon, The Hooters, Tim Buckley, Dr. John, Nilsson, Little Feat, Cream, ZZ Top, Deodato, Orleans, The Beatles, Beach Boys, Led Zeppelin, The Byrds, Bob Dylan, Tears For Fears, Traffic, Deodato, Tom Petty, Simon & Garfunkel, Peter Paul & Mary, Graham Parker and Buffalo Springfield...

The multi-talented singer/songwriting duo from Torquay, UKMidnight 5-6 talk about their releases “When”, “Wishing I Was Gone”, “The Sea”,“Oooo!!” and more! The duo of Simon and Helen met online after the death ofboth of their partners with common music interests including John Martyn,Little Feat, etc., and formed the group in Christmas of  '16; Simon is the lead vocalist/guitaristborn in a military family in Singapore later joining the Navy but by land;Helen is the bass guitarist/vocalist from Southell, West London and worked as aDesign Engineer after leaving college; they have a loyal following on all majorplatforms plus share the stories behind the music! Check out the amazingMidnight 5-6 on your favorite platform today! #midnight56 #singersongwritingduo#torquay #UK #when #wishingiwasgone #thesea #oooo #simon #helen #johnmartyn#littlefeat #militaryfamily #navy #singapore #southell #westlondon#designengineer #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnermidnight56 #themikewagnershowmidnight56

The multi-talented singer/songwriting duo from Torquay, UKMidnight 5-6 talk about their releases “When”, “Wishing I Was Gone”, “The Sea”,“Oooo!!” and more! The duo of Simon and Helen met online after the death ofboth of their partners with common music interests including John Martyn,Little Feat, etc., and formed the group in Christmas of  '16; Simon is the lead vocalist/guitaristborn in a military family in Singapore later joining the Navy but by land;Helen is the bass guitarist/vocalist from Southell, West London and worked as aDesign Engineer after leaving college; they have a loyal following on all majorplatforms plus share the stories behind the music! Check out the amazingMidnight 5-6 on your favorite platform today! #midnight56 #singersongwritingduo#torquay #UK #when #wishingiwasgone #thesea #oooo #simon #helen #johnmartyn#littlefeat #militaryfamily #navy #singapore #southell #westlondon#designengineer #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm#bitchute #rumble #mikewagner #themikewagnershow #mikewagnermidnight56 #themikewagnershowmidnight56

The multi-talented singer/songwriting duo from Torquay, UK Midnight 5-6 talk about their releases “When”, “Wishing I Was Gone”, “The Sea”, “Oooo!!” and more! The duo of Simon and Helen met online after the death of both of their partners with common music interests including John Martyn, Little Feat, etc., and formed the group in Christmas of  '16; Simon is the lead vocalist/guitarist born in a military family in Singapore later joining the Navy but by land; Helen is the bass guitarist/vocalist from Southell, West London and worked as a Design Engineer after leaving college; they have a loyal following on all major platforms plus share the stories behind the music! Check out the amazing Midnight 5-6 on your favorite platform today! #midnight56 #singersongwritingduo #torquay #UK #when #wishingiwasgone #thesea #oooo #simon #helen #johnmartyn #littlefeat #militaryfamily #navy #singapore #southell #westlondon #designengineer #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermidnight56 #themikewagnershowmidnight56Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

"Come down off your throne and leave your body aloneSomebody must changeYou are the reason I've been waiting so longSomebody holds the keyAnd I Can't Find My Way Home"No worries, I have a musical compass that will guide us this afternoon on "Super Sounds Of The 70's". Joining us are Carly Simon, Traffic, Dire Straits, Todd Rundgren, Humble Pie, T. Rex, The Byrds, Eagles, Doors, Faces, Bob Dylan, Savoy Brown, Steve Winwood, Little Feat, Led Zeppelin, Mountain, Frank Zappa, Tom  Petty & The Heartbreakers, The Marshall Tucker Band, Jeff Beck Group, Jethro Tull, Talking Heads, Rolling Stones and Blind Faith.

Visit: www.salty.com.au No ride here to the 50's, just one or two - but OMG it's cool! THE 58's is a genre hopping douse of goodness. Cuts from Mitch Ryder, Samantha Fish, Bob Lanza, Stormcellar, Southern Avenue, Little Feat, Lecia Louise, Steve Mondel, Watchhouse, Wareen Haynes, Richard Thompson, Neil Young, Nathan Beretta, Jen Mize, Lucinda Williams, Esther Phillips, Clayton Doley, Jason Isbell, Otis Namrell, Inspector Cluzo, 63 Deluxe, The Blow Out, Ian Siegal, Endless Boogie. ARTIST / TRACK / ALBUM ** Australia 1. Mitch Ryder / Lilli May / With Love 2. Samantha Fish / I'm Done Running' / Paper Doll 3. The Bob Lanza Blues Band / Upside of Lonely / Breadman's Blues 4. ** Stormcellar / A Little Too Much Is Never Enough / Basilisk 5. Southern Avenue / What Do I Do / Southern Avenue 6. Little Feat / Too High To Cut My Hair / Strike Up The Band 7. ** Lecia Louise / One Man / single release 8. ** Steve Mondel / Long-Haul Flights / Long-Haul Flights 9. Watchhouse / Belly of The Beast / Watchhouse 10. Warren Haynes / Day Of Reckoning / Million Voices Whisper 11. Richard Thompson / Persuasion / Celtschmerz (Live UK '98) 12. Neil Young / Star of Bethlehem / Homegrown 13. ** Nathan Beretta / Drinking Alone / Love Taxman 14. ** Jen Mize / My Buzz / Neon N Nothin' Else 15. Lucinda Williams / Joy / Car Wheels On A Gravel Road 16. Esther Phillips / Flesh, Blood and Bone / Release Me - The Best of Esther Phillips 17. ** Clayton Doley's Organ Donors / Return of the Prodigal Son / Tension! 18. Jason Isbell / Ride To Robert's / Foxes In The Snow 19. ** Otis Namrell / Hard To Breath / Otis Namrell Trio 20. The Inspector Cluzo / The Duck 'Guit' Blues / Gasconha Rocks 21. ** 63 Deluxe / My Favourite Hurricane / 63 Deluxe 22. ** The Blow Out / That Ain't Lovin' Me / Version of You 23. Ian Siegal / Won't Be Your Shotgun Rider / All The Rage 24. Endless Boogie / Occult Banker / Long Island

"Everybody's a dreamer and everybody's a starAnd everybody's in show biz, it doesn't matter who you areAnd those who are successful, be always on your guardSuccess walks hand in hand with failure along Hollywood Boulevard"Please join me and some of our Vinyl Heroes as we get ready for the Academy Awards and our "Celluloid Heroes" this evening with 2 hours of great tunes on this week's Super Sounds Of The 70's. Stopping by are Peter Green, America, Cream, Little Feat, Jackson Browne, Neil Young, Crabby Appleton, Detroit, Free,  Foghat, Tommy James & The Shondells, The Eagles, Supertramp, George Harrison, Pablo Cruise, Crosby Stills, Nash & Young, Grand Funk Railroad, Savoy Brown, The Hollies, Steve Stills, The J. Geils Band, Jimi Hendrix Experience and The Kinks...

148 - Steve Wyreman and Evanne Barcenas In episode 148 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host, James Patrick Regan speaks with Grammy winner Steve Wyreman and Evanne Barcenas, in their conversation they discuss: The name of their band “Effie Zilch”, coined by columnist Herb Cain in the San Francisco Chronicle. Steve discusses his guitar collection and his guitar hunting adventures. Steve and Evanne discuss their how they met in high school in the Silicon Valley area of California and Steve tells us about his musical upbringing. Steve and Evanne tell us how they have contributed to albums by Richard Ashcroft from the Verve (whom Steve tours with) and Miko Marks (who they both tour with in support of Little Feat and Tedeschi Trucks Band) Steve tells us about his disdain for acoustic pickups and di's and the gear he uses with Richard Ashcroft as well as the project with Evanne. The two discuss the venues they're playing although they prefer to record at this point. Steve will be playing with Richard in support of Oasis this summer. They tell us about their record label Redtone records which is a non-profit. The two describe the players and gear on their new album “Multitudes” The two are active on the socials and you can find out more about them on their record label's website: redtonerecords.bandcamp.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #SteveWyreman #EvanneBarcenas #GibsonGuitar #RichardAshcroft #Multitudes #EffieZilch #FenderCustomShop #GuitarHero #MikoMarks #theDeadlies #haveguitarwilltravelpodcast #hgwt #HGWT . . . . Please like, comment, and share this podcast! Download Link

We put Howard Jones on the cover of Smash Hits in 1983 billed as ‘the Most Promising New Act' and, 15 albums and 42 years later, he's about to set out on another tour, a double-bill with ABC. He looks back here at the first shows he ever saw and played which involves …… rehearsing his Live Aid slot backstage to an audience of one: David Bowie. … pioneering the “one-man show” in the early days of Moogs and drum machines. … Emerson Lake & Palmer firing cannons onstage at the Isle of Wight in 1970 (his first gig, aged 15). … rough treatment from the British “pundits”.… school band Warrior – sample track title, Squashed Cat's Intestines.… being in Ringo's All-Starr Band and the ELP number he'd play with Sheila E and Greg Lake. … “bad spectacles, terrible haircut”: early solo gigs in Oxford pubs. … the current tour with ABC: “lifting people's spirits, the best job in the world”. Mentioned in passing: China Crisis, Hendrix, Bill Payne of Little Feat. Howard Jones tour dates here:http://howardjones.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We put Howard Jones on the cover of Smash Hits in 1983 billed as ‘the Most Promising New Act' and, 15 albums and 42 years later, he's about to set out on another tour, a double-bill with ABC. He looks back here at the first shows he ever saw and played which involves …… rehearsing his Live Aid slot backstage to an audience of one: David Bowie. … pioneering the “one-man show” in the early days of Moogs and drum machines. … Emerson Lake & Palmer firing cannons onstage at the Isle of Wight in 1970 (his first gig, aged 15). … rough treatment from the British “pundits”.… school band Warrior – sample track title, Squashed Cat's Intestines.… being in Ringo's All-Starr Band and the ELP number he'd play with Sheila E and Greg Lake. … “bad spectacles, terrible haircut”: early solo gigs in Oxford pubs. … the current tour with ABC: “lifting people's spirits, the best job in the world”. Mentioned in passing: China Crisis, Hendrix, Bill Payne of Little Feat. Howard Jones tour dates here:http://howardjones.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We put Howard Jones on the cover of Smash Hits in 1983 billed as ‘the Most Promising New Act' and, 15 albums and 42 years later, he's about to set out on another tour, a double-bill with ABC. He looks back here at the first shows he ever saw and played which involves …… rehearsing his Live Aid slot backstage to an audience of one: David Bowie. … pioneering the “one-man show” in the early days of Moogs and drum machines. … Emerson Lake & Palmer firing cannons onstage at the Isle of Wight in 1970 (his first gig, aged 15). … rough treatment from the British “pundits”.… school band Warrior – sample track title, Squashed Cat's Intestines.… being in Ringo's All-Starr Band and the ELP number he'd play with Sheila E and Greg Lake. … “bad spectacles, terrible haircut”: early solo gigs in Oxford pubs. … the current tour with ABC: “lifting people's spirits, the best job in the world”. Mentioned in passing: China Crisis, Hendrix, Bill Payne of Little Feat. Howard Jones tour dates here:http://howardjones.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Playlist: part 2 of 2 Catch our new Spotlight Show podcasts only21. The Bates Motel (feat Bad Bob Bates) / Stop the World22. Clarence Tilton / Flyaway Cafe 23. Mike Farris / Snap Your Fingers 24. Bruce Springsteen / Do I Love You (Frank Wilson) 25. Little Feat feat Shaun Murphy / Wang Dang Doodle26. Buddy Guy (feat Eric Clapton) / Everytime I Sing the Blues 27. Blood, Sweat, & Tears / Smiling Phases (Traffic, 1967) 28. BB King / Blues We Like 29. Peter Frampton / The Thrill is Gone 30. Bonnie Raitt / Here Comes Love31. Blue House & the Rent to Own Horns / She Boogaloos 32. Chuck Brown / Stormy Monday Blues 33. Neville Brothers / Ball of Confusion 34. Black Crowes / Papa Was a Rolling Stone Support our Show and get the word out by wearin' our gear 

"Now there's more to doThan watch my sailboat glideBut every day can beA magic carpet rideA little bit of courage is all we lackSo catch me if you can, I'm goin' back"It's been a difficult start to 2025 so please join me as we go back and enjoy music from perhaps simpler times on this week's Whole 'Nuther Thing on KXFM 104.7. Along for the ride are Little Feat, Taj Mahal, Mott The Hoople, Oasis, Joni Mitchell, The Rolling Stones, George Benson, Simon & Garfunkel, Bob Dylan, Led Zeppelin, Leonard Cohen, Lou Reed, Janis Joplin, Lynyrd Skynyrd, Supertramp, Moody Blues, Mark Knopfler, David Crosby, The Beatles and The Byrds...

"I pulled my harpoon out of my dirty red bandanaI was playing soft while Bobby sang the bluesWindshield wipers slapping time, holding Bobby's hand in mine .We sang every song that driver knew.."Let's singalong together, please join us on this year's 1st  musical journey back to the 70's. Hitching a ride are Spooky Tooth, Eric Burdon & War, Little Feat, Tower Of Power, Steve Miller Band, Peter Frampton, Savoy Brown, Foreigner, Marshall Tucker Band, Humble Pie, Fleetwood Mac, Gordon Lightfoot, Rolling Stones, Allman Brothers, Jethro Tull, The Kinks, Lynyrd Skynyrd, The Police, Doobie Brothers, Earth Wind & Fire and Janis Joplin...

PLAYLIST: Pacific St Blues & AmericanaJanuary 5, 2025Podcasts@Happy New Year ya'll! 1. Little Feat feat Shaun Murphy / Wang Dang Doodle2. Koko Taylor / Little Mixed Up 3. Buddy Guy / Let the Door Knob Hit Ya4. Shemekia Copeland / Blame It On Eve 5. Kyshona feat Keb Mo / Carolina6. Cassandra Wilson / Shelter from the Storm 7. Joan Baez / Diamonds & Rust 8. Johnny Cash & Bob Dylan / North Country Girl 9. Willie Dixon / Back Door Man 10. Ted Hawkins / There Stands a Glass 11. Sunnyland Slim / It's You Baby 12. Blind Willie McTell / Statesboro Blues 13. Ronnie Earl & the Broadcasters / Heart of Glass14. John Mayall & the Bluesbreakers / The Death of J.B. Lenoir15. Rory Gallagher / Tatto'd Lady 16. Warren Zevon / Poor, Poor Pitiful Me17. Waylon Jennings/ It's So Easy18. Roy Orbison / Blue Bayor 19. Chuck Berry / Back in the USA20. The Rolling Stones / Tumblin' Dice21. Linda Ronstadt / Long, Long Time

Mark Karan is best known for his extended time on the Grateful Dead scene as lead guitarist for Bob Weir & Ratdog, The Other Ones, Phil & Friends, and Planet Drum. But Mark's musical reach extends far beyond the land of the Dead. His six-string contributions have complemented recordings and tours with Delaney Bramlett, Dave Mason, Sophie B. Hawkins, the Rembrandts, and Paul Carrick. Mark has been a guest for sit-ins with the Allman Brothers, Trey Anastasio, Gov't Mule, Jackie Greene, Levon Helm, Little Feat, and many more. The San Francisco-based singer-songwriter-guitarist has recently been playing well-received live shows with the Grammy Award-winning Dave Alvin in a newly minted interpretive Americana band called “the Third Mind,” touring actively with “Live Dead & Brothers,” an interpretive “mash-up” of “Grateful Dead” & “Allman Brothers” material… touring with the David Gilmour/Pink Floyd inspired “Gilmour Project” & playing nearer to home with his own band, “Mark Karen's Buds.” Mark also recently finished recording and mixing his newest record and is embarking on what is possibly the most personal phase of his career. He joins Vivian to discuss it all.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Esta semana, en Islas de Robinson, Americana cósmica entre 1969 y 1971. Suenan: POCO - "JUST IN CASE IT HAPPENS, YES INDEED" ("PICKIN' UP THE PIECES", 1969) / FLYING BURRITO BROTHERS - "WHEELS" ("GILDED PALACE OF SIN", 1969) / MICHAEL NESMITH & THE FIRST NATIONAL BAND - "THE CRIPPLED LION" ("MAGNETIC SOUTH", 1970) / JERRY JEFF WALKER - "SHELL GAME" ("DRIFTIN' WAY OF LIFE", 1969) / DILLARD & CLARK - "POLLY" ("THROUGH THE MORNING, THROUGH THE NIGHT", 1969) / THE DILLARDS - "PICTURES" ("COPPERFIELDS", 1970) / THE YOUNGBLOODS - "CIRCUS FACE" ("GOOD AND DUSTY", 1971) / LITTLE FEAT - "I'VE BEEN THE ONE" ("LITTLE FEAT", 1971) / WILLIAM TRUCKAWAY - "BREAKWAY" ("BREAKWAY", 1971) / THE BYRDS - "YESTERDAY'S TRAIN" ("UNTITLED", 1970) / NEW RIDERS OF THE PURPLE SAGE - "ALL I'VE EVER WANTED" ("N.R.P.S.", 1971) / GRATEFUL DEAD - "RIPPLE" ("AMERICAN BEAUTY", 1970) / MATTHEWS' SOUTHERN COMFORT - "WHAT WE SAY" ("MATTHEWS' SOUTHERN COMFORT", 1970) / FAIRPORT CONVENTION - "THE DESERTER" ("LIEGE & LIEFE", 1969) /Escuchar audio

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The band co-founded by Lowell George and led by Bill Payne has flourished with their gumbo approach to rock and roll.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bill Payne of Little Feat talks about the band's latest album, his book, touring, recording their first album, Lowell George and more!

Salty Dog's SKYE Podcast, October 2024 After six weeks trawling the wilds of Scotland, Ireland and Britain the Dawg is back on the decks. We have a mess of blues and some roots cuts to cure your ills. Dig these tracks from Katarina Pejak, Buddy Guy, Little Barrie, Chris Russell, Omar N The Howlers, Daryl Roberts, Little Feat, Ann Pebbles, Tom Waits, Julian Sas, Bill Barber, Shemekia Copeland, McNaMarr Project, Waxahatchee, Perry Keyes, Prakash Slim, Layala Zoe, Dr John, Damon Smith N Ezra Lee, Clayton Doley, Jeff Lang N John Butler, Jovin Webb, Magic Sam and the Honey Badgers. ARTIST / TRACK / ALBUM ** Australia 1. Katarina Pejak / Honey Jar / Pearls On A String 2. Buddy Guy / Let Me Love you Baby / Live! The Real Deal 3. Little Barrie / Burned Out / We Are Little Barrie 4. ** Chris Russell's Chicken Walk / Lying To Myself / Chris Russell's Chicken Walk 5. Omar and the Howlers / When Push Comes To Shove / What's Buggin' You? 6. ** Daryl Roberts N Hey Gringo / Bad Luck Won't / Keep On Movin' 7. Little Feat / On Your Way Down / Dixie Chicken 8. Ann Pebbles / Slipped, Tripped And Fell In Love / Greatest Hits 9. Tom Waits / Cold Water / Mule Variations 10. Julian Sas / These Blues Are Killing Me Anyhow / Electracoustic 11. ** Bill Barber N The Holding Cell / Down Bad / At Muscle Shoals 12. Shemekia Copeland / Tough Mother / Blame It On Eve 13. ** McNaMarr Project / Garden of Eden / The Quasar Sessions 14. Waxahatchee / Tigers Blood / Tigers Blood 15. ** Perry Keyes / Cracker Night / Cracker Night 16. Prakash Slim / Kokomo Blues / 8000 Miles To The Crossroads 17. Layla Zoe / Turn This Into Gold / Into The Blues - Live In Concert 18. Dr John / Shave Em Dry / Funky New Orleans 19. ** Damon Smith N Ezra Lee / Been Around Too Long / Been Around Too Long 20. ** Clayton Doley N The Flashy Dashbacks / WOW Factor / Jazz That Makes You Go Wow! 21. ** Jeff Lang N John Butler / Seek High / More Life 22. Jovin Webb / Save Me / Drifter 23. Magic Sam / All Your Love / The Essential Magic Sam 24. ** The Honey Badgers / Shakin' / Shakin'

Join us for an inspiring conversation with singer-songwriter and guitarist Patti Spadaro. Patti shares her journey from the iconic clubs of Los Angeles to her current roots in Pennsylvania, discussing her music, teaching, and passion for empowerment. We delve into her latest single, "Glass Shatters," and explore how her soulful blend of rock, blues, and jam-band styles creates a space for connection and transformation.PATTI SPADARO brings a hopeful outlook to her introspective and heartfelt songwriting. Her guitar style has a soulful, fluid, jam-band feel. She loves to improvise, stretch out during live shows, and reach for musical magic. "Its all about the music and making a connection", says Patti, "bringing people together, letting loose, and being in the here and now".  Her band's live shows create a space where the music opens up into something huge... the whole is greater than the sum of the parts. The music cuts through the everyday and connects right to the core. While living in Los Angeles, Patti released 3 albums and played LA's iconic clubs. She toured up and down the west coast & throughout the southwestern US. Her roots called Patti back to PA to raise a family.  She has two daughters, released 2 more albums, and is continuing to record and perform. Patti also teaches college courses in yoga, meditation, and Mindfulness in Music.Glass Shatters is an inspiring tribute to the strength and resilience of women. It honors our historic first female Vice President, and our continuing quest to break glass ceilings everywhere.  Five women vocalists come together to sing, harmonize and complement each other, with soulful lead guitar work by Spadaro. “When I left PA to attend Musician's Institute in the early 1990's, I was one of 3 women guitar students, in a sea of 700 guys." says Patti. “It wasn't easy being in such a minority. Society has come a long way, but there is still plenty of progress to be made.”  Glass Shatters features Pittsburgh musicians and singers: Patti Spadaro (guitar/vocals), Anne Celedonia (keys/vocals), Cherylann Hawk, Jill Simmons & Alison McTavish (backing vocals), Eric Kurtzrock (drummer/recording engineer), and Ryan Black (bass).THE PATTI SPADARO BAND weave organic grooves with catchy original tunes and spur-of-the moment jamming.  "I like to combine improvisation with good solid song writing" says Patti. "I love to get people up and dancing. Music can open minds and inspire, it can bring people together, even make a difference in the world. It's also a whole lot of fun."  BRINGING ME BACK features drummers Eric Kurtzrock & Jim Donovan (Rusted Root), keyboardist Skip Sanders (The Clarks, Bill Deasy), and Jill Simmons singing harmony (Brown Eyed Women). The album features impressive musicianship and songs that reach deep. Songs about discovering what matters most. Standing up and living life from that place. A place of integrity and love; freedom, joy and passion. WOMEN ON TOP - add Jill Simmons, Cherylann Hawk, Alison McTavish and Andrea Pearl's lead vocals and beautiful harmonies to the mix.  See our Women On Top page for more.Bonnie Raitt, Natalie Merchant, Tedeschi/Trucks, The Grateful Dead, John Mayer, Phish, Little Feat, The Allman Brothers, Michael Franti, Sara Bareilles, Dave Matthews Band, Counting Crows and many more. Patti performs & records with many bands/musicians in the greater Pittsburgh PA area, including: Cherylann Hawk, Bill Toms & Hard Rain, Jill Simmons, Eric Kurtzrock, Pittsburgh Women of the Blues, theCAUSE, The Sun Champs, Lisa Mackney (Dark Star Orchestra), Jim Donovan (Rusted Root), Danny Gochnour & Joffo Simmons (The Houserockers), Alison McTavish (Love Crumbs), SamJAMwich, Steve "pUNK" Cunningham, Mike Tony, Mike "Foot" Hoernig & John “JB” Bigham, Joe Monroe (Ghosthounds), Ms. Freddye, T. Mitchell Bell, Cheryl Rinovato & Stevee Wellons (Soulful Femme), Joe Pinchotti III (Charles Wesley Godwin), Janelle Burdell, Andrea Pearl, Dan Baker, Al&Al, Lindsay Dragan, Ven Kelly, Matt Locy and more.  Patti's opened for many artists, including Melvin Seals and JGB. Patti was the lead guitarist for the ZOOKEEPERS for several years. They recorded two albums together, played many shows in Los Angeles, and toured the western U.S. extensively. The Zookeepers were named one of L.A.'s best bands by KTLA-TV, and performed on "Good Day L.A." and other TV shows. Both of their CDs received radio airplay all over the west coast. Patti opened for guitar legend Eddie Van Halen in Hollywood, and for Little Feat at the El Rey Theatre. She recorded and performed with award winning commercial producer Sherby, and singer/songwriter Roger Len Smith. She recorded "A Step Down From Luxuy", The Mystrals' first CD and toured the southwestern US with them. The Mystrals singer won "Best Vocalist" in the L.A. Music Awards.  Patti is a graduate of Musician's Institute, where she studied with world renown jazz/fusion guitarist Scott Henderson of Chick Corea's band, and blues/roots-rock guitarist Keith Wyatt of the Blasters. She's also worked as a guitar teacher.Patti began her musical journey at 11 years old, playing a beat-up acoustic hand-me-down. Growing up in PA, she soon discovered electric guitar and spent hours learning riffs from her guitar heroes including The Grateful Dead, The Allman Brothers & Stevie Ray Vaughn.  After getting her degree in Physics from Drexel University, she moved to Los Angeles to attend Musician's Institute.https://www.pattispadaro.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

If you're looking for great Heartland Rock, a great choice would be the album Against the Wind.  Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band.  Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums.  The band became the Silver Bullet Band a bit by accident.  They were arguing about what to call themselves, and the manager got tired of it.  When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.  Against the Wind was an immediate success.  It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall."  Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.There are a number of well known hits on this album, and an excellent collection of musicians as well.  In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.Bruce presents this folksy heartland singer songwriter for this week's podcast.. Her StrutWhile not released as a single, this song received some airplau as the B-side to "The Horizontal Bop."  Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.Against the WindBob Seger has written a number of songs about looking back on life, and the title track is an example of this.  Seger was a cross country runner in high school, and he uses running as a metaphor for growing old.  This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.Fire LakeThis track is about taking risks, risking love, and just heading off with a bunch of wild people.  Seger recorded this one at Muscle Shoals Sound Studios.  If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.  You'll Accomp'ny MeThis ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together."  Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts.  It hit number 14 on the Billboard Hot 100. ENTERTAINMENT TRACK:Sleepless Nights by Gram Parsons (from the motion picture "Cruising")Al Pacino starred in this crime thriller about a serial killer targeting gay men.   STAFF PICKS:I Like to Rock by April WineWayne rocks out to start the staff picks with this Canadian band.  April Wine formed in 1969, and have released over 20 albums.  This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!" Take the Long Way Home by SupertrampRob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America."  The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored.  It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.Rock With You by Michael JacksonLynch features a hit from MJ's disco album, "Off the Wall."  Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time.  Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller." I Wanna Be Your Lover by PrinceBruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980.  Prince performs lead and backing vocals, and plays all instruments on this hit.  The end of the track includes an extended instrumental jam which is edited out for the single. INSTRUMENTAL TRACK:Give It All You Got by Chuck Mangioni Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This is a good one. Robert Plant is in amazing voice with lots of oomph. Richie Hayward (from Little Feat) is killing it on drums, Robbie Blunt is a bloody virtuoso with his emotive playing. This is December 13, 1983 at the Hammersmith Odeon, on his Principle of Moments tour. Jimmy Page had four days prior finished up with the ARMS Tour, and was aflame with renewed enthusiasm for his musical future. The energy and fun the pair are having is evident. Jimmy is playing his typical 1983/84 b-bender solo but with some crunch instead of chorus. It's an amazing moment in time. These guys did not typically get along in the 1980's. I play an incendiary Burning Down One Side, and emotive and evocative Big Log, and the showstopper, Treat Her Right with Jimmy Page. What a night.

The oft-referenced friend of the show Ryan Oleskey makes his R4 debut as he joins Hillman, Ian and JD in discussing the 1973 release Dixie Chicken from Little Feat.  Rock On! Theme: Trance by The Steepwater Band used by permission - Follow them at www.steepwater.com or follow @steepwaterbandWebsite: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/