Podcasts about constance saltonstall foundation

Poets Jason Schneiderman, Cate Marvin, R. A. Villanueva, Lynn Xu and Rachel Zucker consider the pleasures, challenges, eccentricities and value of live, in-person poetry readings. These musings are followed by excerpts of the June 6, 2023 reading in Bryant Park (hosted by Jason and featuring Cate, Ron, Lynn and Rachel) and comments from the audience. PODCAST: PLAY IN NEW WINDOW | TRANSCRIPT SUBSCRIBE:APPLE PODCASTS | GOOGLE PODCASTS | AMAZON PODCASTSSUPPORT: PATREON | VENMO: @Rachel_ZuckerLinks, Bios, & Support InfoBryant Park Reading SeriesUniversity of MarylandLibrary of CongressWilliam MeredithKim NovakBMCCKGB reading seriesDavid LehmanStar BlackPaul RomeroSonia SanchezAllen Ginsberg's “Sunflower Sutra”Phllyis Levin Matt YeagerDavid LehmanWill Harris's Brother PoemJosé Oliverez's Promises of GoldMartha Graham CrackerJustin Vivian BondPatty LuPoneBridget EverettKGB Bar ReadingRichard McCann Kinokuniya BookstoreWillam Blake's “Ah! Sun-flower” June Jordan's “Sunflower Sonnet Number 1"June Jordan's “Sunflower Sonnet Number 2"Bios, in order of appearance:Jason Schneiderman is the author of four poetry collections, most recently Hold Me Tight (Red Hen, 2020). He is Professor of English at CUNY's BMCC and teaches in the MFA Program for Writers at Warren Wilson College. His next collection, Self Portrait of Icarus as a Country on Fire, will be published by Red Hen Press in 2024. Cate Marvin's latest book of poems is Event Horizon (Copper Canyon Press, 2022). She teaches at the College of Staten Island, City University of New York and resides in Southern Maine. Her poems have recently appeared in The Kenyon Review.R. A. Villanueva is the author of Reliquaria, winner of the Prairie Schooner Book Prize. New work has been featured by the Academy of American Poets, Ploughshares, Poetry, and National Public Radio—and his writing appears widely in international publications such as Poetry London and The Poetry Review. His honors include commendations from the Forward Prizes and fellowships from the Sewanee Writers' Conference, the Constance Saltonstall Foundation for the Arts, and Kundiman. Born in New Jersey, he lives in Brooklyn.Born in Shanghai, Lynn Xu is the author of And Those Ashen Heaps That Cantilevered Vase of Moonlight (Wave, 2022) and Debts & Lessons (Omnidawn, 2013) and the chapbooks: June (Corollary Press, 2006) and Tournesol (Compline, 2021). She has performed cross-disciplinary works at the MOCA Tucson, Guggenheim Museum, The Renaissance Society, Rising Tide Projects, and 300 S. Kelly Street. She teaches at Columbia University, coedits Canarium Books, and lives with her family in New York City and West Texas. Rachel Zucker is the author of a bunch of books, including, most recently, The Poetics of Wrongness. She is the founder and host of Commonplace and directrix of the Commonplace School of Embodied Poetics. She lives in Washington Heights, NY and Scarborough, ME and is mother to three sons.Please support Commonplace by becoming a patron here!Sign up for “Reading with Rachel,” the newest course in The Commonplace School for Embodied Poetics.

In this episode, writer and teacher Emily Stone talks with Resort founder Catherine LaSota about her life in Los Angeles, the ways her teaching practice has grown and developed during the pandemic, and how there are some things we simply cannot do alone as writers. Emily and Catherine also talk about astrology, aging, and raccoons. Born in New Orleans and raised in Brooklyn, Emily Stone is a writer, teacher, and content alchemist with over 25 years of experience working with authors of all ages to distill the power and impact of every story. She has been awarded residencies at Yaddo, Blue Mountain Center, and the Constance Saltonstall Foundation for the Arts. Emily is also known as the College Essay Whisperer, and she's taught Latin at Saint Ann's School in Brooklyn Heights, fiction writing at Hunter College, where she got her MFA, and drama at Stern College. Emily has taught many wonderful classes at the Resort, on topics like dialogue, plot, scene structure, and more. Her Fiction is Friction course, about writing amazing dialogue, is available for purchase in our online Resort network. It's a self-paced course that includes bonus content on outlining your book. Sign up for Emily's self-paced Fiction is Friction class at The Resort here! Find out more about Emily Stone here: https://www.emilybstone.com Join our free Resort community, full of resources and support for writers, here: https://community.theresortlic.com/ More information about The Resort can be found here: https://www.theresortlic.com/ Cabana Chats is hosted by Resort founder Catherine LaSota. Our podcast editor is Jade Iseri-Ramos, and our music is by Pat Irwin. Special thanks to Resort assistant Nadine Santoro. FULL TRANSCRIPTS for Cabana Chats podcast episodes are available in the free Resort network: https://community.theresortlic.com/ Follow us on social media! @TheResortLIC

In this episode of “Keen On”, Andrew is joined by Elizabeth Greenwood, the author of “Love Lockdown: Dating, Sex, and Marriage in America's Prisons”. Elizabeth Greenwood has taught writing at Columbia University, the New School, and the Fashion Institute of Technology, and has received fellowships from MacDowell, Hedgebrook, the Norman Mailer Center, the Edward F. Albee Foundation, and the Constance Saltonstall Foundation for the Arts, among others. Her work has appeared in The New York Times, O, the Oprah Magazine, Vice, Longreads, GQ, and more. Visit our website: https://lithub.com/story-type/keen-on/ Email Andrew: a.keen@me.com Watch the show live on Twitter: https://twitter.com/ajkeen Watch the show live on LinkedIn: https://www.linkedin.com/in/ankeen/ Watch the show live on Facebook: https://www.facebook.com/lithub Watch the show on YouTube: https://www.youtube.com/c/LiteraryHub/videos Subscribe to Andrew's newsletter: https://andrew2ec.substack.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Who do you trust with your body? In this poem, a man writes about his wife’s life-drawing class. She’s been sketching a naked male model for weeks, and the poet worries, comparing himself, trying to figure out how he feels. This poem moves from anxiety to request to consent to reciprocality. His self-consciousness about sharing his body with someone is transformed into trust and vulnerability.R.A. Villanueva is the author of Reliquaria, winner of the Prairie Schooner Book Prize in Poetry. His honors include commendations from the Forward Prizes and fellowships from Kundiman and the Constance Saltonstall Foundation for the Arts. He teaches at Sarah Lawrence College and lives in Brooklyn.Find the transcript for this show at onbeing.org.

A native New Yorker, Griffis received her BFA from The Rhode Island School of Design and her MFA from the Vermont College of Fine Arts (Montpelier, VT). She has had solo exhibitions at Anna Kaplan Contemporary (Buffalo, NY) the Pamela Williams Gallery (Amagansett, NY), Lizan Tops Gallery and AE Gallery (both East Hampton, NY), Whitney Art Works (Greenport, NY), The Re Institute (Millerton, NY) and 571 Projects (New York, NY). Her work has been included in group shows at Edward Thorp Gallery (New York, NY), White Columns (New York, NY), Bowman/Bloom Gallery (New York, NY), Michael Steinberg (New York, NY), Silas Marder (Bridgehampton, NY), Ille Arts, (Amagansett, NY), Sara Nightingale Gallery, (Sag Harbor, NY) and Boltax Gallery (Shelter Island, NY) among others. Griffis has received fellowships from Le Moulin à Nef (Auvillar, France), Oberpfälzer Künstlerhaus (Schwandorf, Germany), the Constance Saltonstall Foundation for the Arts, (Ithaca, NY), Schloss Pluschow (Mecklenberg- Vorpommern, Germany), The Edward F. Albee Foundation (Montauk, NY) and the Virginia Center for the Creative Arts (Amherst, VA). That Melora’s work depicts the dramatic and mines the psychological is no surprise since she is also a professional actor and performance artist. Griffis is also a graduate of The Neighborhood Playhouse School of Theatre in New York City and has worked extensively in theatre, television, and film. After starring in the feature film blessing, (Sundance Film Festival Spirit Award) with her father Guy Griffis, she moved to Los Angeles, where she attended The Santa Monica College of Design, Art, and Architecture’s mentor program. Melora has written, designed, choreographed/directed, and performed in over a dozen performance art works in New York City and abroad. She visits similar themes that inhabit her painting in her performance work and writing. Doug McClemont, Linda Yablonsky, and the late Robert Long, have written about her work which is psychologically charged and dedicated to authentic expression, drawing on intimate and universal concepts. Griffis’ figurative works lean toward abstraction encouraging the viewer to engage with her paintings prismatically. Melora makes oil paintings as well as mixed media works, both flat and sculptural, that combine found textiles pieced together with intentionally uneven hand stitching in various colored threads. Alluding at once to the fragility of loss and the subsequent process of grieving, it proposes a kind of celebratory mending. Griffis states, "an inherent, intuitive occupancy of an interior psychological world exists [in my work], and I trust in the gravity of the personal paralleling public import." Just as a play pulls back the curtain on a particular physical and psychological locus through set and character, Griffis' work animates the canvas with a similar appetite. Critic Doug McClemont says, "With their (...) dramatic use of color, Griffis' works convey the impression that memories and retellings can be strangely cloaked and yet, nevertheless, poignant." Delving into our shared humanity, Griffis' energetic paintings are personal, provoking an emotional response in her pursuit of truth. Melora lives and works in New York City. Learn abut a recent show here. la mer prière 2018 acrylic, marker, glitter, feathers, hair, sand, leather, latex, mixed fabric, digital print and thread on muslin 56 x 72 in. grief cave 1 (his) 2018 acrylic, glitter, mixed fabrics and thread on muslin 30 x 42 in.

Nydia Blas is a visual artist living in Ithaca, New York with her two children. She holds a B.S. from Ithaca College and received her M.F.A. from Syracuse University in the School of Visual and Performing Arts. She currently serves as the Executive Director of Southside Community Center, a historically Black community center in downtown Ithaca. She uses photography, collage, video, and books to address matters of sexuality, intimacy, and her lived experience as a girl, woman, and mother. Blas delicately weaves stories concerning circumstance, value, and power and uses her work to create a physical and allegorical space presented through a Black feminine lens. The result is an environment that is dependent upon the belief that in order to maintain resiliency, a magical outlook is necessary. She is a recipient of the 2018 Light Work Grant, and her new series Whatever You Like is currently on exhibition at Over The Influence gallery in Los Angeles. Her work is featured in the book Mfon: A Journal of Women Photographers of the African Diaspora. In the Summer of 2018, she will teach a course entitled Photography as a Tool for the Image Text MFA program at Ithaca College. She has completed artist residencies at Constance Saltonstall Foundation for the Arts and The Center for Photography at Woodstock. She has been featured in The New York Times, The Huffington Post, Dazed and Confused Magazine, Strange Fire Collective, Lenscult, Yogurt Magazine, PDN, Fotografia Magazine, and Vogue.   Resources:       Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .  

Lisa Ko is the author of The Leavers, a novel which won the 2016 PEN/Bellwether Prize for Socially Engaged Fiction and will be published by Algonquin Books in May 2017. Her writing has appeared in Best American Short Stories 2016, The New York Times, Apogee Journal, Narrative, O. Magazine, Copper Nickel, Storychord, One Teen Story, Brooklyn Review, and elsewhere. A co-founder of Hyphen and a fiction editor at Drunken Boat, Lisa has been awarded fellowships and residencies from the New York Foundation for the Arts, the Lower Manhattan Cultural Council, the MacDowell Colony, the Helene Wurlitzer Foundation, Writers OMI at Ledig House, the Jerome Foundation, Blue Mountain Center, the Van Lier Foundation, Hawthornden Castle, the I-Park Foundation, the Anderson Center, the Constance Saltonstall Foundation, and the Kimmel Harding Nelson Center. Born in Queens and raised in Jersey, she lives in Brooklyn.

Susan Choi is the author of the celebrated novel A Person of Interest. Her previous novel, American Woman, was a finalist for the 2004 Pulitzer Prize for fiction. She is also the author of The Foreign Student, winner of the Asian-American Literary Award for fiction, and is co-editor with David Remnick of the anthology Wonderful Town: New York Stories from The New Yorker. A recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, she was born in 1969 and lives in Brooklyn.David Friedman was born and raised in Washington, D.C, and educated at Cornell (B.A., English) and Columbia (M.A., English Literature) Universities. Friedman won the 2004 National Poetry Series open competition, selected by Pulitzer Prizewinner Stephen Dunn; his book of prose poems, The Welcome, was published by the University of Illinois Press in 2006 and was nominated for the Pulitzer Prize and National Book Award. He presently lives and teaches in New York.Charity Ketz was born in Roanoke, Virginia and grew up in State College, Pennsylvania. She received her B.A. from Penn State University, an M.F.A. from Cornell University, and has held lectureships at both universities. Her first book of poems, The Narcoleptic Yard, was published this year by Black Lawrence press; she has also published a chapbook, Locust in Bloom. A former fellow at the Virginia Center for the Creative Arts and at the Constance Saltonstall Foundation for the Arts, Ketz is currently a PhD student in English Literature at the University of California, Berkeley.The three read from their work on September 10, 2009, in Cornell’s Goldwin Smith Hall. This interview took place earlier the same day.

Prepare yourself for "transformative and ingenious" work from a highly original and beloved California poet, Rae Armantrout, with graduate poet Charity Ketz. Rae Armantrout?s poetry occupies a key position in contemporary traditions of experimental lyricism. Angular and ironic, unsettlingly humorous and precise, her work applies deft pressure to the idioms of everyday interaction, consumer culture, and dream. Armantrout?s poems are motivated by an ?activating desire for clarity," and yet it is a clarity that refuses easy certainties or disclosures. Instead, her rigorous lyricism works by way of acute juxtaposition and productive contradictions, creating a thrilling ?vertigo effect?** for its readers. Her most recent book, Next Life (Wesleyan UP), pushes through narrative surfaces to arrive at the unexpected complexities subtending both language and event. Her "truly philosophical poetry" consistently reveals a "force of mind that contests all assumptions" (NYT Book Review). Rae Armantrout has published nine books of poetry, including: Up to Speed (Wesleyan 2004), a finalist for the PEN USA Award in Poetry; Veil: New and Selected Poems (2001), also a finalist for the PEN Center USA Award, and The Pretext (2001). In 1998, Atelos Press published her prose memoir, True. She is a professor in the literature department at the University of California, San Diego, where she teaches writing. Charity Ketz is a recent graduate of the MFA program at Cornell and the recipient of fellowships from the Constance Saltonstall Foundation for the Arts and the Virginia Center for the Creative Arts. She has published a chapbook, Locust in Bloom, through Poet's Corner Press, and has poems forthcoming in Black Warrior Review, Colorado Review, DIAGRAM, New Orleans Review, and Artful Dodge.  

Prepare yourself for "transformative and ingenious" work from a highly original and beloved California poet, Rae Armantrout, with graduate poet Charity Ketz. Rae Armantrout?s poetry occupies a key position in contemporary traditions of experimental lyricism. Angular and ironic, unsettlingly humorous and precise, her work applies deft pressure to the idioms of everyday interaction, consumer culture, and dream. Armantrout?s poems are motivated by an ?activating desire for clarity," and yet it is a clarity that refuses easy certainties or disclosures. Instead, her rigorous lyricism works by way of acute juxtaposition and productive contradictions, creating a thrilling ?vertigo effect?** for its readers. Her most recent book, Next Life (Wesleyan UP), pushes through narrative surfaces to arrive at the unexpected complexities subtending both language and event. Her "truly philosophical poetry" consistently reveals a "force of mind that contests all assumptions" (NYT Book Review). Rae Armantrout has published nine books of poetry, including: Up to Speed (Wesleyan 2004), a finalist for the PEN USA Award in Poetry; Veil: New and Selected Poems (2001), also a finalist for the PEN Center USA Award, and The Pretext (2001). In 1998, Atelos Press published her prose memoir, True. She is a professor in the literature department at the University of California, San Diego, where she teaches writing. Charity Ketz is a recent graduate of the MFA program at Cornell and the recipient of fellowships from the Constance Saltonstall Foundation for the Arts and the Virginia Center for the Creative Arts. She has published a chapbook, Locust in Bloom, through Poet's Corner Press, and has poems forthcoming in Black Warrior Review, Colorado Review, DIAGRAM, New Orleans Review, and Artful Dodge.