Podcasts about Hyphen

Russell gets his tarot reading live on the podcast! The guest this week is Emma Gannon, the the Sunday Times bestselling author judge for the prestigious 2025 Women's Prize. Between 2016-2023 she hosted Ctrl Alt Delete, one of Britain's most successful industry podcasts. She is seen as many as the quintessential voice of the millennial generation. Emma and Russell talk about fascinating areas of unlocking creativity, making time for all the things you want to do (can you have it all?) and singing nuns. A breezy brilliant hour of chat for you to enjoy while you're walking in this glorious sunshine. If you're reading this when it's raining then just pretend. 

Our friend and student pastor and Hyphen pastor, Regan Matheson, gives practical tips and techniques on how to partner with parents to disciple the students God is giving you. Find all your youth ministry resources at ⁠EducateandEngage.com.⁠

Welcome to episode 208 with Hyphen, who is a rapper, songwriter and political punk. After finishing university, Hyphen found himself working in finance.  He also found himself bored, depressed and drinking to cope. This came to a tipping point when a close friend of his died by suicide and his own mental health was pushed towards breaking point.  Hyphen started to experience his own thoughts of suicide and it was while working through this that he started expressing himself creatively by scribbling words in to a notebook.  These words became poems and raps and then followed songs and these have evolved into his own style of punk, where he addresses racism, politics, equality and all manner of social justice issues and the state of the world in general. In this episode I chat to Hyphen about growing up in Portsmouth, how he ended up in the corporate world, why he started making music and how that music helped him to deal with his mental health struggles. We chat about suicidal ideation, finding authenticity, undoing societal conditioning and how to build true connection through community and shared experience. We also chat about anger and racism, dealing with online hate and how to stay informed without being consumed and overwhelmed. Hyphen's newest single is currently getting played on BBC Radio 1 and it's incredible to see a fully independent artist crossing over, with music that is calling out the bad parts of our society.  I've been a fan of his for a while now and it was wonderful to chat.  I think this conversation went to a lot of places that neither of us were expecting! Follow Hyphen everywhere on @thisishyphen Is music is available on all streaming platforms and his latest single ‘This Might Be It' is out now and he will be on tour around the UK and Ireland throughout May. Get tickets here:  https://linktr.ee/hyphentour?utm_source=linktree_profile_share<sid=8cd61d91-921f-4829-8a48-bb2ba9b9152a You can connect with me on social media @propermentalpodcast or via www.propermentalpodcast.com. You can support the show and help me to keep it independent and ad free by buying a coffee at www.buymeacoffee.com/propermental Another great way to support the show and spread the word is to rate, review and subscribe on whatever platform you get your podcasts from. If you or anyone you know needs to find support in your local area, please go to www.hubofhope.co.uk Thanks for listening!

Hyphen het kragte met die Namibiese Beleggingsbevordering en Ontwikkelingsraad en die Namibiese Kamer van Nywerheid saamgespan om ‘n reeks vergaderings met die bedryf te belê. Die eerste hiervan was in Swakopmund, Lüderitz en Oshakati. Nog slypskole word vir die res van die jaar beplan. Kosmos 94.1 Nuus het met Johannes Shipepe, die sosio-ekonomiese ontwikkelingsbestuurder van Hyphen, gepraat:

This week on the Yellow Brit Road, we celebrate the man behind a thousand tunes, Damon Albarn, and the fact that his band Blur's comeback album (the first time round) The Magic Whip turns 10 this year. What's special about the Magic Whip?, you ask. It's my favourite Blur album, so you just need to suffer through me yapping about it. Okay? Other great music on the show included:Nova Twins, Soft Play and Kate Nash, 1-800 GIRLS, Moonlight Eclipse, MACY, Adore, The Wears, Yazz Ahmed, Snapped Ankles, Morgan Elwy, Volume 11, Livid, TewTewTennau, Local Rainbow, Hyphen, Knats, Robo, The Molotovs, Greentea Peng, Krokodile.Find this week's playlist here. Do try and support artists directly!Touch that dial and tune in live! We're on at CFRC 101.9 FM in Kingston, or on cfrc.ca, Sundays 8 to 9:30 PM! Listen back to full shows in the linked CFRC archive for 3 months from broadcast.Like what we do? Donate to help keep our 102-year old radio station going!Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com, Twitter @⁠YellowBritCFRC⁠, IG @⁠yellowbritroad⁠.PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well.

Welcome back to the LuxeGen Group Chat. In this episode, Sapna and Daisy sit down with Love Island winners Millie and Liam. They spill behind-the-scenes tea, debunk Love Island myths and reveal the key to making their relationship last. Plus, they play a juicy game answering rapid-fire questions, including who's more likely to have a secret finsta. They also dive into the latest celeb drama, Netflix's intense new docuseries Adolescence and debate the dreaded ChatGPT hyphen.Follow us on:Instagram | https://bit.ly/3X0xm27TikTok | http://bit.ly/3jvwlBEPodcast | https://open.spotify.com/show/60SxAVVuD3LrgLdlKuy3uH Panel:Liam Reardon | @liamreardon1 | https://www.instagram.com/liamreardon1/?hl=en Millie Court | @milliegracecourt | https://www.instagram.com/milliegracecourt/?hl=en Sapna Rao | @sapna_rao | https://www.instagram.com/sapna_rao/?hl=en Daisy Reed | @daisreed | https://www.instagram.com/daisreed/?hl=en Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the LuxeGen Group Chat. In this episode, Sapna and Daisy sit down with Love Island winners Millie and Liam. They spill behind-the-scenes tea, debunk Love Island myths and reveal the key to making their relationship last. Plus, they play a juicy game answering rapid-fire questions, including who's more likely to have a secret finsta. They also dive into the latest celeb drama, Netflix's intense new docuseries Adolescence and debate the dreaded ChatGPT hyphen.Follow us on:Instagram | https://bit.ly/3X0xm27TikTok | http://bit.ly/3jvwlBEPodcast | https://open.spotify.com/show/60SxAVVuD3LrgLdlKuy3uH Panel:Liam Reardon | @liamreardon1 | https://www.instagram.com/liamreardon1/?hl=en Millie Court | @milliegracecourt | https://www.instagram.com/milliegracecourt/?hl=en Sapna Rao | @sapna_rao | https://www.instagram.com/sapna_rao/?hl=en Daisy Reed | @daisreed | https://www.instagram.com/daisreed/?hl=en Hosted on Acast. See acast.com/privacy for more information.

Hyphen Hydrogen Energy het sy verbintenis tot plaaslike ontwikkeling demonstreer deur die ondertekening van 'n memorandum van verstandhouding met die Hardap-streeksraad, wat vaardigheidsontwikkeling en kapasiteitsbou sal verbeter. Dit sal spesifiek op die jeug fokus deur gespesialiseerde opleiding te ontwikkel en aan te bied, en sal ook na die Karas-streek uitgebrei word. Kosmos 94.1 Nuus het met Hardap-goewerneur Salomon April gepraat, wat die belangrikheid van die ooreenkoms vir die jeug beklemtoon.

A Note from Jacob: When I started this podcast in November 2019 with Reality TV commentator Brent Wolgamott as the pilot guest, I did not expect to hit episode number 350! Nor did I expect to converse with famed authors and musicians, Emmy-winning journalists, podcast hosts, Reality TV icons, a Tony-winning producer, and viral social media sensations.  I want to thank all my guests who took time out of their schedule to visit the show and their media teams who trusted my platform.  Finally, I want to say “Thank You” to all of you who tuned into every episode. I appreciate all of you!It is an honor and privilege to welcome ventriloquist and entertainer Terry Fator to The Jake's Take with Jacob Elyachar Podcast for the 350th milestone episode.  Terry became a household name when he auditioned for the NBC talent competition America's Got Talent (AGT): Season Two back in 2007, where he showcased his passion for ventriloquism that combined comedy, singing, and celebrity impressions. Thanks to his friends, such as Emma Taylor and Winston, the Impersonating Turtle, fans rallied and crowned him the show's sophomore season winner. Following his AGT success, Terry spent 11 years at his theatre in the Mirage Hotel and Casino, playing in front of millions before moving to the Strat Hotel and Casino for an all-new, multi-media, immersive Vegas production: Terry Fator: One Man, a Hundred Voices, a Thousand Laughs.  In addition to Emma and Winston, they are joined by Elvis impersonator Maynard Thompkins, annoying neighbor Duggie Scott Walker, Vikki the Cougar, Hyphen, and a host of famous singers.Terry started his foundation when he was not performing in Vegas or taking his show on the road. The Terry Fator Foundation's (TFF) primary mission is to raise monies to support military service members, veterans, first responders, and their families through various nonprofit channels.  The TFF aims to align itself with top-rated nonprofits and corporate partners who carry out these support missions to our men and women who serve this great country and their family members.On our 350th episode, Terry Fator spoke about AGT's legacy on TV and in Las Vegas, previewed his new show at the Strat, and discussed the TFF's impact on helping first responders. Plus, I shared some news with Terry that kickstarts Jake's Take with Jacob Elyachar's coverage of AGT's upcoming twentieth-anniversary season.   Let's connect on social media: A) BlueSky: https://bsky.app/profile/jacobelyachar.bsky.socialB) Facebook: https://www.facebook.com/JacobElyachar/C) Instagram: https://www.instagram.com/jacobelyachar/D) Threads: https://www.threads.net/@jacobelyacharE) Twitter (X): https://x.com/JacobElyacharF) YouTube: https://www.youtube.com/@JacobElyacharBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

It's almost been 8 years but the results remain the same: When Thee Marc Rob and I get together in a room magic happens. I was going to do a solo episode breaking down my journey through creating my second album HYPHEN. But if you listened to 217., Marc Rob said pump your breaks homeboy! What follows is a delightful look at myself, told through the lens of one of my best friends. Thank you all for your support and as always, more to come.

Host Jason Blitman talks to Karissa Chen (Homeseeking) about musicals--particularly The Last Five Years' influence on her writing, dreams as well as idealism, the coincidence of reconnection, and the concept of seeking home. Jason is then joined by Guest Gay Reader Paul Lisicky (Song So Wild and Blue) and talk about all things Joni Mitchell. Homeseeking is the January 2025 Good Morning America Book Club selection. Karissa Chen is a Fulbright fellow, Kundiman Fiction fellow, and a VONA/Voices fellow whose fiction and essays have appeared in The Atlantic, Eater, The Cut, NBC News THINK!, Longreads, PEN America, Catapult, Gulf Coast, and Guernica, among others. She was awarded an artist fellowship from the New Jersey State Council on the Arts as well as multiple writing residencies including at Millay Arts, where she was a Mid Atlantic Arts Foundation Creative Fellow and the Virginia Center for the Creative Arts, among others. She was formerly a senior fiction editor at The Rumpus and currently serves as the editor-in-chief at Hyphen magazine. She received an MFA in fiction from Sarah Lawrence College and splits her time between New Jersey and Taipei, Taiwan.Paul Lisicky is the author of seven books including Later: My Life at the Edge of the World (one of NPR's Best Books of 2020), as well as The Narrow Door (a New York Times Editors' Choice and a Finalist for the Randy Shilts Award), Unbuilt Projects, The Burning House, Famous Builder, and Lawnboy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. He has taught in the creative writing programs at Cornell University, New York University, Sarah Lawrence College, and elsewhere. He is currently a Professor of English in the MFA Program in Creative Writing at Rutgers University-Camden, where he is Editor of StoryQuarterly. He lives in Brooklyn, New York. BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.comWATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

Hyphen het 'n memorandum van verstandhouding met die Hardap-streekraad onderteken om die jeug van die streek toe te rus met vaardighede vir die groenwaterstof-sektor. Hardap-goewerneur Salomon April het die belangrikheid van verdere opleiding van die jeug beklemtoon omdat hulle volgens hom weens werkloosheid gedemotiveer is. Toni Beukes, Hyphen se hoof van omgewing, maatskaplik en bestuur, het by die geleentheid gepraat.

Le 14 février, la chanteuse Santa, 33 ans, a remporté la Victoire de l'album de l'année aux Victoires de la musique où elle a livré une performance époustouflante. Ex-chanteuse du groupe Hyphen Hyphen, avec lequel elle a connu il y a quinze ans un succès précoce et parfois déroutant, Santa (Samanta Cotta de son vrai nom) s'est depuis lancée à corps perdu dans la variété française. Après le succès de son titre Popcorn salé, son premier album solo Recommence-moi, est sorti le 24 mai 2024. Depuis, la chanteuse a patiemment travaillé à conquérir son public. Retour dans cet épisode de Code Source sur le parcours fulgurant et atypique d'une chanteuse qui se décrit elle même comme « Queer, hypersensible et intranquille ». La carrière de Santa est racontée par deux journalistes du service Culture du Parisien : Eric Bureau et Emmanuel Marolle, chef du service. Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Pénélope Gualchierotti, Clara Garnier-Amouroux et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Archives : France TV. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Hyphen Thazhath is originally from India and moved to the United States in 2013. He is a One-Man Band extraordinaire and Multi-Instrumentalist who covers a range of genres including Rock & Roll, R&B, Pop, Jazz, Country, and Indian to name a few. Since 2014, Hyphen has called Houston, Texas home.

This week on Own It, we're talking to Randi Matthews of Multi-Hyphen Media. Her agency bills itself as a hybrid of math and magic and specializes in entertainment and influencer marketing along with social strategy. And it's the perfect place for Randi, a former NCAA Division I track and field athlete who came up through the broadcasting and entertainment agency world. We talked about her journey to ownership and experiences along the way, our children and more. The diverse perspectives these agency owners bring to us here are so fascinating and insightful. We're excited for you to learn more about her. Thanks for listening to this episode of OWN IT with Randi Matthews of Multi-Hyphen Media. You can find links to her LinkedIn profile and company website in our show notes at untilyouownit.com.   If you're enjoying Own It, please find it on your favorite podcast app and drop us a rating and review. Those help more people discover the show and join our community.  Also, if you're a female or non-binary agency owner, or you want to own an agency someday, join our growing community at that same address … untilyouownit.com.

A warm welcome back to our Moneda visionaries. In the first week of the Trump administration, several actions have deeply impacted our community, particularly with heightened immigration enforcement and the removal of Spanish-language resources from the White House website. These moves, coupled with the threat of large-scale deportations, DEI order, and the dismantling of environmental justice programs disproportionately affect Latinos. At Moneda Moves, we understand the power of stories, and we are committed to reporting responsibly at the intersection of money and cultura, especially as it applies to our leading entrepreneurial population. The numbers don't lie: Latinos accounted for 36% of all new businesses in 2023, nearly double their 19% representation in the U.S. population. Immigrant Latinos are more than twice as likely to start a net new business compared to the U.S.-born population. The stories we tell matter, and more than ever, they will continue to shape our reality. That's why we started this platform—to ensure that the builders in our communities are seen and heard, especially when our contributions to the American economy and society for a long time went unrecognized in national headlines. Fundamentally, Moneda Moves believes in the inherent value of our community, as humans, but also in critical mass, and in our culture. This commitment remains steadfast.  In conversations with ecosystem builders who are working with underrepresented communities, it has been refreshing to know that we are not alone in this journey. A recent discussion reaffirmed the importance of staying informed, knowing our numbers which undeniably show the impact that we have together and how storytelling has the ability to create change. I highly recommend reading the 2023 State of Latino Entrepreneurship report by the Latino Business Action Network (LBAN) and Stanford Graduate School of Business.  The future is ours to shape, and we will continue to ensure that our stories are told with integrity and respect. This is why we are also joined today by Fernando Hurtado, a former manager of digital video for NBCUniversal Local and the host/producer of Bísness School. Bísness School is a podcast that highlights the stories of Latino-owned businesses and the fact that Latinos are the fastest-growing group of entrepreneurs in the United States. That series won a silver Signal Award in 2024. Fernando has recently launched The Hyphen, a YouTube channel that covers one of the fastest-growing demographics, U.S. Latinos, with deeply researched, visually rich stories.  Beyond podcasting at major networks, Fernando was the lead producer on NBC's My New Favorite Olympian podcast, which was named best sports podcast at the Cynopsis Sports Media Awards.  He's expanded his coverage in this arena to the Paris, Tokyo, and Beijing Olympics for NBCUniversal Local. Hurtado was named to Broadcasting + Cable's 40 Under 40 in 2023. Prior to NBC, Fernando was at ATTN: and Sinclair Broadcast Group as a producer and editor. He is a graduate of the University of Southern California and lives in Los Angeles. He is currently an adjunct instructor of visual journalism and multiplatform Olympic and Paralympic storytelling there.  This journalist's mission is to highlight Latino-owned businesses in English in order to reach younger bilingual audiences who are looking for positive representation in entrepreneurial spaces. In his effort to do so, he has produced over 20 episodes with successful Latino entrepreneurs, including Annie Leal, the owner of the $4M business, I Love Chamoy. It is no surprise that while living in Los Angeles, Fernando, like myself hails from Chicago, which is heavily influenced by Latino-run businesses, in neighborhoods from La Villita to Pilsen and Humboldt Park. In addition to raising awareness about these businesses, he's also sharing what's working for them and what challenges they are facing in the entrepreneurial space so that other Latino entrepreneurs can learn from their stories. This week, Fernando shares how Latino entrepreneurs are using their stories to better market their products, why Latino businesses are seen as too niche or exclusive to other communities, and what trends he's seeing in 2025.  Follow Fernando on Instagram @byfernandoh and his website. Follow the The Hyphen podcast on YouTube, and wherever you listen to podcasts.  Follow the Bísness School podcast on Apple Podcasts, Spotify, and wherever you listen to podcasts.  Follow Moneda Moves on Instagram: @MonedaMoves Follow your host Lyanne Alfaro on Instagram: @LyanneAlfaro Main podcast theme song from Premium Beat. Our music is from Epidemic Sound. Podcast production for this episode was provided by Sarah Tulloch and her podcast production company, CCST.

Dave Lu is a seasoned Silicon Valley technology professional who transitioned from being a successful entrepreneur, Emmy Award-winning producer to a venture capitalist. He established Hyphen Capital, an investment firm dedicated to supporting and empowering Asian American founders by providing early-stage funding and access to a robust professional network.  In this episode, Dave shares his personal journey of overcoming the scarcity mindset that was deeply ingrained in him. He describes how he diverged from the conventional career trajectory, which he found unfulfilling, and highlights the challenges faced by individuals from cultures that stigmatize failure. Dave emphasizes that this cultural aversion to failure can significantly hinder one's ability to take risks and believe in oneself.  Instead of seeking validation from peers or waiting for permission, Dave stresses the importance of proactively creating opportunities. He suggests that this can be achieved by identifying one's unique strengths or "superpower" and developing a personal brand centered around these distinctive abilities.   Lastly, Dave advocates for the power of building relationships and trust as a means to open new doors and advance one's career.

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Avi Shlaim, is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis.  In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Avi Shlaim's earlier books include: Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) The Iron Wall: Israel and the Arab World  (1988). Mentioned in the podcast The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 "“Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael - Victoria Shimon Ballas, Outcast (1991) Samir Naqqash, Tenants and Cobwebs Iraqi Jewish Writers: Banipal 72 Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Avi Shlaim is a celebrated "New Historian” whose earlier work established him as an influential historian of Middle Eastern politics and especially of Israel's relations with the Arab world. Most recently he has turned to his own Iraqi/Israeli/British past in Three Worlds: Memoirs of an Arab-Jew–which he refers to as an "impersonal autobiography." He speaks today to John and his Brandeis colleague Yuval Evri, the Marash and Ocuin Chair in Ottoman, Mizrahi and Sephardic Jewish Studies. Yuval's 2020 The Return to Al-Andalus: Disputes Over Sephardic Culture and Identity Between Arabic and Hebrew explores how fluidity in such categories as the "Arab-Jew" becomes a source of resistance to exclusive claims of ownership of land, texts, traditions, or languages. The three quickly agree that the crucial category for understanding Avi's latest work is that of the Arab Jew: "I am a problem for Zionists, an ontological impossibility....[as] a living breathing standing Arab Jew. A problem for them but not for me." Coexistence for him is not remote, but something that the Iraqi Jewish community experienced and touched on a daily basis. In describing the factors that sped migration from Iraq to Israel in its early years, Shlaim lays bare some evidence for Mossad involvement in three for the Baghdad bombs that hastened the flight from Baghdad. That bombing forms part of the “Cruel Zionism” that Avi sees having gravely damaged the possibilities of Middle Eastern religious coexistence. He also discusses the 1954 Lavon affair, and more generally reflects on the way that Zionism ("an Ashkenazi thing") conscripted Arab Jews into its political formation (This is a topic also discussed extensively in RTB"s conversation with Natasha Roth-Richardson and Lori Allen, in Violent Majorities). True, there is a much-discussed 1941 Baghdadi pogrom, The Farhud. It stands alone in the area and by Shlaim's account was largely a product of British colonialism in Iraq, with its divisive elevation of Christians and Jews over Muslims. Yuval asks Avi to discuss the power (or permission) to narrate stories told from below. Avi's tales of his own mother's resourcefulness and his father's struggles betoken the range of poignant response to what for so many Arab Jews was not aliyah (ascent) but a yerida, a descent into marginality, unemployment, and cultural exclusion. To Avi, a single state of Israel/Palestine seems the best hope to ward off the worst that may come from the accelerated ethnic cleansing of both Gaza and the West Bank, which may lead to a second Nakba. Mentioned in the podcast Avi Shlaim, Collusion across the Jordan: King Abdullah, the Zionist Movement, and the Partition of Palestine (1988) Avi Shlaim, The Iron Wall: Israel and the Arab World (1988) The New Historians of Israel/Palestine. Joel Beinin, The Dispersion of Egyptian Jewry (1998) Alliance Israelite Universelle Salo Baron anatomizes the "lachrymose version of Jewish history"; e.g. in his 1928 “Ghetto and Emancipation: Shall We Revise the Traditional View?” Noam Chomsky called settler colonialism the most extreme and vicious form of imperialism. Recallable Books Avi credits the influential work of Ella Shohat on the idea of the Arab Jew and "cruel Zionism." One pathbreaking article was her 1988 "Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims." but he recommends On the Arab Jew. In her work the hyphen unites rather than divides Arab and Jew. Yehoudah Shinhav, The Arab Jews (2006). Sami Michael Shimon Ballas, Outcast (1991). Michael Kazin, A Walker in the City (1951) and the rest of his New York trilogy. Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Hyphen het in 2021 die tender gekry om die land se eerste groenwaterstofproduksie- en -voorsieningsprojek in die Tsau //Khaeb Nasionale Park naby Lüderitz in die Karas-streek te ontwikkel. Die maatskappy is sedertdien gekritiseer vir sy bedrywighede in die park, aangesien dit deur baie mense as 'n ongerepte gebied beskou word. Mynbou-ontwikkelings vind egter sedert 1908 op die terrein plaas nadat diamante in die gebied ontdek is. Tydens 'n onderhoud met die Gondawana Collections-potgooi het Marco Raffinetti, Hyphen se uitvoerende hoof, gesê dat hulle hul impak op die omgewing wil verminder.

Reaksie word ontvang op die voorsitter van die Groenwaterstofraad, Obeth Kandjoze, wat sê die regering hoef nie sy ooreenkoms met Hyphen bekend te maak nie, want mens maak byvoorbeeld nie die details van jou banklening bekend nie. Dit is ten spyte van openbare fondse wat gebruik word en kommer oor moontlike skuiwergate vir korrupsie. Kosmos 94.1 Nuus het reaksie gekry by Graham Hopwood, die direkteur van die Instituut vir Openbare Beleidsnavorsing, wat sê daar moet deursigtigheid wees in regeringskontrake en Kandjoze se opmerking is belaglik.

Die voorsitter van die Groenwaterstofraad Obeth Kandjoze het hom ten sterkste uitgespreek teenoor diegene wat eis dat die regering se ooreenkoms met Hyphen bekend gemaak moet word. Hy het gepraat by ‘n bespreking oor die sosio-ekonomiese voordele van groenwaterstof in die hoofstad.

Gutzeit, Angela www.deutschlandfunk.de, Büchermarkt

Afrika en ook Namibië ondergaan vinnige ekonomiese ontwikkeling en verstedeliking, en dus 'n toename in energievraag. Die opwekking van elektrisiteit deur fossielbrandstowwe is egter skadelik vir die omgewing. Namibië is tans op pad om deur groenwaterstof-inisiatiewe sy kraglewering te ontkool. Marco Raffinetti, die uitvoerende hoof van Hyphen, het by 'n onlangse mediageleentheid meer oor hernubare energie verduidelik.

We are back. More like BYKE! The Soundboard ISN'T but we had a solution for that, OUR FEARLESS LEADER B-Hyphen as well as the Thought Father THEE Marc Rob both came through to sound off and be a soundboard.Saki has ENORMOUS news and finally explains why he was absent for so long. You're not gonna believe the fine mess he's gotten himself into.Saki, Hyphen and Marc Rob go down the line of things that Saki wasn't here for, including the Olympics, the election stuff, 1000 bottles, Lil Boosie's blunder, the W National BA, Jayson Tatum's status as AI, and sooo much more.We've decided to give you a whole hour and Saki is in his rarest form. If you missed us, we missed you more. We love you, Mutant Miscreants.Support this podcast at — https://redcircle.com/the-shred-head-podcast/donations

Our guest for today's podcast is Dave Lu, Managing Partner of Hyphen Capital, an early stage venture capital firm focused on Asian American founders. Dave is a veteran of the technology industry, having founded two prior companies: Expo and Fanpop, as well as having worked at Apple, eBay, Cisco, Yahoo and Sony. Dave produced the Emmy-winning HBO documentary 38 at the Garden about Jeremy Lin. Amidst the rise of anti-Asian hate during the pandemic, Dave led a movement with an open letter signed by 8,000 leaders including President George Bush and the CEOs of Google, DoorDash, Zoom and others that was published in the Wall Street Journal and launched Stand with Asian Americans. Dave sits on the advisory board of the Smithsonian Asian Pacific Center and the Asian Pacific Fund. Dave received his MBA from the Stanford Graduate School of Business and his BA from the University of Pennsylvania. To say that Dave is a role model would be an understatement.  I applaud Dave for his selfless efforts to help inspire and galvanize change for the AAPI community.    Without further ado, here is our conversation with Dave Lu.

By becoming hyphenated Americans, we have unknowingly allowed a political spirit to cause a deep division in our country.  Dr. Jonny proposes that despite political, social and racial unrest, politicians have intentionally categorized us and have pit us against each other. We can save our children by protecting them from this division, and by demanding that politicians champion Americanism!

Teutsch, Katharina www.deutschlandfunkkultur.de, Lesart

Teutsch, Katharina www.deutschlandfunkkultur.de, Lesart

Talle omgewingsbewustes is in rep en roer oor die vestiging van Hyphen se groenwaterstofprojek in die Tsau Khaeb Nasionale Park naby Lüderitz. Die groenwaterstof-beraad vind hierdie week plaas en verskeie kwessies in dié verband bespreek word. Kosmos 94.1 Nuus het met die plaaslike energiekenner Harald Schütt gesels oor die impak wat die projek op die natuurlike habitat sal hê. Volgens Schütt moet die omgewing opgeweeg word teenoor ekonomiese geleenthede vir die omliggende gemeenskap.

Die eerste opvoedkundige openbare lesingreeks oor groen waterstof en die omgewing het 'n paneelbespreking ingesluit waar sleutelkwessies wat met die projek verband hou, bespreek is. Dit is aangebied deur Hyphen en Fortescue Namibia, in samewerking met Unam en Nust. Die moderator, Denver Kisting, het Toni Beukes, die hoof van omgewing, maatskaplik en bestuur by Hyphen, gevra wanneer die groenwaterstofbedryf in Namibië gevestig gaan word. Beukes het geantwoord dat daar nog geen gevestigde mark vir groen ammoniak is nie, en 'n uitdaging uitgelig.

As I prepared for my mom’s celebration of life service, I prayed for the right words to describe her “hyphen years”—the years between her birth and death. I reflected on the good and not-so-good times in our relationship. I praised God for the day my mom accepted Jesus as her Savior after she saw Jesus “changing” me. I thanked Him for helping us grow in faith together and for the people who shared how my mom encouraged and prayed for them while showering them with kindness. My imperfect mom enjoyed a meaningful hyphen—a life well-lived for Jesus. Not one believer in Jesus is perfect. However, the Holy Spirit can enable us to “live a life worthy of the Lord and please him in every way” (Colossians 1:10). According to the apostle Paul, the church of Colossae was known for their faith and love (1:3–6). The Holy Spirit gave them “wisdom and understanding” and empowered them to “[bear] fruit in every good work, growing in the knowledge of God” (vv. 9–10). As Paul prayed for and praised those believers, he proclaimed the name of Jesus, the One “in whom we have redemption, the forgiveness of sins” (v. 14). When we surrender to the Holy Spirit, we too can grow in our knowledge of God, love Him and people, spread the gospel, and enjoy a meaningful hyphen—a life well-lived for Jesus.

After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation's children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers' works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers' attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.” Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation's children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers' works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers' attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.” Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation's children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers' works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers' attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.” Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation's children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers' works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers' attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.” Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, we take a break from the usual serious conversations and have some fun with our guests, Heaven Mincey and Xander Webster. Enjoy discussions filled with funny stories, rapid-fire questions, and unexpected insights into their lives and ministries. It's a refreshing reminder that joy and laughter are essential parts of our journey. So come relax with us and have a good time.

Announcing a new two book special by me, Emma Gannon, including a free virtual workshop and special intro from Julia Cameron, author of The Artist's Way. **Books are only on sale until midnight on June 4th**Get yours here: poundproject.co.uk/shop/a-year-of-nothingIt's been a year since I last posted on this podcast.Sometimes it's all a bit too much.Have you considered doing nothing about it?For years, I have written about work, wellbeing and productivity. Then I was struck down by chronic burnout and could barely get out of bed. Something had to change.So I bring you: A Year of Nothing, a moving account of why I had no choice but to switch off, go underground, and find joy and wisdom in mundane pleasures.Split over two books and four seasons, I write about dog borrowing, dopamine dressing, learning how to swim (again), choosing to be child free, tuning into nature and much more.Every purchase of this memoir includes three exclusives:- A foreword by The Godmother of creativity Julia Cameron.- Five beautiful A6 prints by artist and illustrator Georgia-Maia Oliphant, one for each season and one just for you (pictured).- An invite to a virtual event on July 4th, where Emma and TPP founder JP Watson will host a Q&A and workshop the book's central question: when you've worked out how to do the most, how do you learn to do nothing?** Print books will be published on June 12th **If you would prefer just to buy the digital edition please click here.Join me at The Hyphen on Substack, a hub for curious readers: thehyphen.substack.com Hosted on Acast. See acast.com/privacy for more information.

In this guest episode of The Therapy Edit, Anna chats to the incredible Emma Gannon about how she took an unplanned year off to address her burnout and enjoyed a year of nothing.As one of the top writers on Substack with The Hyphen, Sunday Times bestselling author Emma Gannon is well known for writing and podcasting about career/wellbeing however her latest book A Year of Nothing, couldn't be more different.In this memoir, release by indie publisher The Pound Project, Emma reveals what happened in 2022 when, despite having an award-winning podcast Ctrl Alt Delete and ‘not even working crazily hard' she suffered a breakdown brought on by existential burnout. Unable to look at a screen or even walk down the road, the famously productive entrepreneur then decided to take an unplanned year off. During this time Emma, who is also happy to speak about being child-free by choice, kept a diary and discovered how the most mundane parts of life were not only full of wisdom but also the most fun to write about and formed the basis of this new book.A Year of Nothing, is available to buy for a limited time only between May 14 and June 4 through The Pound Project website.You can also follow Emma on Instagram

Emma Gannon is a prodigy. From her Sunday Times bestselling non-fiction titles The Success Myth and Multi-Hyphen Method to her award-winning podcast CtrlAltDelete, she easily secured her Forbes' 30 under 30 ranking. Emma's new book 'A Year of Nothing' gives a moving account of why she had no choice but to switch off, go underground, and find joy and wisdom in mundane pleasures. Described as the 'voice of a generation' by Eat Pray Love's Elizabeth Gilbert, she enchants her audience with wisdom and insight. Which she brought to this episode by the bucketload. We adored hearing about why she loves crying, how she doesn't let anger burn her out and how she's still working on her boundaries. SHOW NOTES: A bit more about Emma Gannon... Emma Gannon is a Sunday Times bestselling and award-winning author of non-fiction (The Success Myth) and novels (OLIVE) published by HarperCollins & Penguin. Her new book A Year of Nothing is OUT NOW. A former columnist for The Sunday Times, Emma has written for Vanity Fair, ELLE, Vogue, The Guardian, The Telegraph, Stylist and Harper's Bazaar. Her newsletter The Hyphen is the #5th most popular literature Substack globally. It is one of the first newsletters in the UK to have thousands of paid subscribers. Alongside writing, she hosts creativity retreats in the UK and globally. Emma's new book 'A Year of Nothing' is a moving account of why she had no choice but to switch off, go underground, and find joy and wisdom in mundane pleasures. Split over two books and four seasons, Emma writes with warmth about dog borrowing, dopamine dressing, learning how to swim (again), choosing to be child free, tuning into nature and much more. https://www.poundproject.co.uk/shop/a-year-of-nothing CREDITS: Presenters: Jennifer Cox & Salima Saxton Producer: Jenny Berglund Learn more about your ad choices. Visit megaphone.fm/adchoices

We cannot separate grief from the context in which it occurs. This is true for Nicole Chung whose adopted parents died just two years apart in 2018 and 2020. The world of 2018 was very different than that of 2020. In 2018, Nicole and her mother could grieve for her father, together and in person. In 2020, Nicole was on the other side of the country, grieving for her mother in isolation during the early days of the pandemic. The other context that played a role in her parents's lives and their deaths is the structural inequality that exists in the U.S. economy and end of life care. Nicole chronicles all of this in her new memoir, A Living Remedy.  We discuss: How hard it is to describe people and what they mean to us What it was like to be cut off from more traditional grief rituals during the pandemic Grieving an unexpected vs (more) expected death Learning to distinguish between guilt and regret How grounding her parents' deaths in a larger context helped alleviate some of her guilt The pressures Nicole felt to care for her parents as an only child in a working class family What it costs to die and grieve in the U.S. The unacknowledged grief of being a transracial adoptee Approaching the 4-year anniversary of her mother's death Nicole Chung's A Living Remedy was named a Notable Book of 2023 by The New York Times and a Best Book of the Year by over a dozen outlets, including Time, USA Today, Harper's Bazaar, Esquire, Electric Literature, and TODAY. Her 2018 debut, the national bestseller All You Can Ever Know, was a finalist for the National Book Critics Circle Award, a semifinalist for the PEN Open Book Award, a Barnes & Noble Discover Great New Writers selection, and an Indies Choice Honor Book. Chung's writing has appeared in The New York Times Magazine, The Atlantic, Time, The Guardian, GQ, Slate, Vulture, and many other publications. Previously, she was digital editorial director at the independent publisher Catapult, where she helped lead its magazine to two National Magazine Awards; before that, she was the managing editor of The Toast and an editor at Hyphen magazine. In 2021, she was named to the Good Morning America AAPI Inspiration List honoring those “making Asian American history right now.” Born and raised in the Pacific Northwest, she now lives in the Washington, DC area.  

“Intimacy is about relationships within a person's self, with others, with communities, with nature, and beyond,” writes Alice Wong, founder and director of the Disability Visibility Project and editor of the new anthology, “Disability Intimacy.” When Wong began work on the book, she googled what would become its title — and what was she found was “basic AF” and made her go “Ewwwwww.” That inspired her to commission and collect writing from people with disabilities about what intimacy meant to them. The essays reflect on friendships, parent-child bonds, romantic relationships and disability communities. We'll hear from Wong and some of the anthology's contributors about the intimacy of sharing and disclosing our relationships with ourselves, with others and with disability itself. And we'll hear their stories of “love, care and desire” — and the personal and systemic change that intimacy can bring. Guests: Alice Wong, disabled activist, writer and community organizer; editor, "Disability Intimacy: Essays on Love, Care, and Desire" s.e. smith, freelance journalist whose essay in "Disability Intimacy" is "Skin Hunger and the Taboo of Wanting to be Touched" Yomi Sachiko Young, Oakland-based disability justice activist; dreamer whose essay in "Disability Intimacy" is "Primary Attachment" Melissa Hung, writer, editor and journalist whose essay in "Disability Intimacy" is "The Last Walk"; founding editor in chief, Hyphen - an independent Asian American magazine; former director, San Francisco WritersCorps

This week on Sinica, a discussion of Netflix's adaptation of Liu Cixin's The Three-Body Problem (or more accurately, Remembrance of Earth's Past). Joining me to chat about the big-budget show is Cindy Yu, host of The Spectator's “Chinese Whispers” podcast, one of the very best China-focused podcasts; and Christopher T. Fan, who teaches English, Asian American Studies, and East Asian Studies at U.C. Irvine and is a co-founder of Hyphen magazine. Cindy and Chris both wrote reviews of the show and a bunch of other folks answered the call and contributed their thoughts as well. 6:46 – 3 Body Problem as Chinese IP and audience reception 14:44 – The pros and cons of a more faithful adaptation, comparisons with Tencent's adaptation, [and the Netflix production (process) (? Or keep it separate, 20:17)]23:44 – How the show portrays its Chinese characters and China and audience responses38:14 – Allegorical interpretations and real-world (political?) connections 48:11 – What to look forward to in (possible?) future seasons 51:14 – Chenchen Zhang's humanity/autocracy binary and the 工业党 gōngyè dǎng 57:02 A win for Chinese soft power? Recommendations:Cindy: The Overstory by Richard Powers Chris: Same Bed Different Dreams by Ed ParkKaiser: Kaiser: Run and Hide by Pankaj Mishra; other novels by Pankaj Mishra, including Age of Anger: A History of the Present and From the Ruins of Empire: The Revolt Against the West and the Remaking of Asia; and other novels by Richard Powers, including Galatea 2.2, Operation Wandering Soul, and The Gold Bug Variations See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.