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Trans stories are not confined to political rhetoric and headlines. The world of creative writing is replete with narratives that explore complex worlds of gender and how identity intersects with people's lives and relationships. In a new collection of one novel and three stories, bestselling author Torrey Peters's keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of lumberjacks working in an illegal winter logging outfit plan a dance that some of them will attend as women. When the most unlikely of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry, inviting a cascade of obsession, jealousy, and betrayal that culminates on the big night in an exploration of gender and transition. A trio of shorter tales surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. “The Chaser” presents a secret romance between roommates at a Quaker boarding school, and “The Masker” details a Vegas party weekend that turns dark when a young crossdresser must choose between two guides: a mystery man who thrills but objectifies her, or a veteran trans woman who offers sisterhood and cynicism. Peters' talk and work is especially timely surrounding ongoing conversations about trans rights in our nation but is an invitation to any fiction reader. Torrey Peters is the bestselling author of the novel Detransition, Baby, which won the PEN/Hemingway Award for Debut Novel and was named one of the 100 Best Books of the 21st Century by The New York Times. It was also a finalist for the National Book Critics Circle's John Leonard Prize, a finalist for the Brooklyn Public Library Book Prize, and longlisted for the Women's Prize for Fiction. She has an MFA from the University of Iowa and an MA in comparative literature from Dartmouth. Peters rides a pink motorcycle and splits her time between Brooklyn and an off-grid cabin in Vermont. Aster Olsen is the author of the novella Performance Review. She lived most of her life in the gorgeous swampy parts of Florida people don't visit on vacation, but now lives in Seattle, where she spends her time swimming in alpine lakes alongside aquatic insect larvae. A professional scientist, she rejects the binary oppositional positioning of STEM and Art and seeks to collapse and expand imposed categories and narratives to further understanding. Her writing is found in Lilac Peril, Hey Alma, Autostraddle, Inner Worlds, Itch.io, and elsewhere. She is the creator, editor, and publisher of TRANSplants Zine, a zine series about transness and place, and runs the trans open mic reading and art series please (t)read with me. Find more at asterolsen.com. Ebo Barton comes from salt— from the moment before worlds converge. You may have seen Ebo's work in the book Black Imagination and heard in the audiobook read by Grammy and Tony award winner Daveed Diggs. You have also seen Ebo's work online on Write About Now, Button Poetry, and All Def Poetry channels. In 2016, they placed 5th in the World at the Individual World Poetry Slam. In 2017, they co-wrote and co-produced the award-winning play Rising Up. In 2018, they played “Invisible One” in Anastacia Renee's Queer. Mama.Crossroads and reprised the role in 2019. Ebo debuted his first published collection of poetry, Insubordinate, in 2020. As the Director of Housing Services at Lavender Rights Project, and a Washington State LGBTQ Commissioner, Barton's impact transcends artistic endeavors. A leader in arts and activism, Ebo Barton is committed to creating opportunities for others to organize, heal, and rejoice. Corinne Manning is the author of the acclaimed story collection We Had No Rules. Once upon a time, they reimagined the publishing industry with the literary project The James Franco Review (it made sense from 2014-2017). Their creative work and literary criticism are published widely, including in The New York Times. Corinne lives in Seattle and works as a teaching artist through Seattle Arts & Lectures and their own mentorship project Deeper, Wider. Amber Flame is an interdisciplinary artist garnering residencies with Hedgebrook, Baldwin for the Arts, Millay Arts, and more. A former church kid from the Southwest, Flame's first collection of poetry, Ordinary Cruelty, was published in 2017 through Write Bloody Press. Flame's second book, apocrifa, a love story told in verse, launched in May 2023 from Red Hen Press. Flame is Deputy Publisher at Generous Press, a new romance venture publishing inclusive love stories, and Program Director for Hedgebrook, a literary organization serving women. Amber Flame is a queer Black dandy mama who falls hard for a jumpsuit and some fresh kicks. Presented by Town Hall Seattle and Seattle Public Library. Buy the Book Stag Dance Charlie's Queer Books
Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025). *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.
Susan Lieu joins Let's Talk Memoir for a conversation about realizing you're an artist later in life, becoming a multi-hyphinate storyteller, being a mother when you never knew your own, piecing together a family story, feeling plagued by structure, sticking to the throughline, writing residencies, writing down goals, deciding to stop searching for approval from loved ones and getting it for and from ourselves, accepting loved ones as they are, grief journeys, storytelling as closure, and her new memoir The Manicurist's Daughter. Also in this episode: -using a book doctor -mental health stigma and older generations -body acceptance Books mentioned in this episode: -Ma and Me by Putsata Reang SUSAN LIEU is a Vietnamese-American author, playwright, and performer who tells stories that refuse to be forgotten. She took her award-winning autobiographical solo show 140 LBS: How Beauty Killed My Mother on a ten-city national tour, with sold-out premieres and accolades from the Los Angeles Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter, is an Apple Book of the Month, Apple Book Must Listen of the Month, and has been featured on The New York Times, NPR Books, Elle Magazine, LA Times, and The Washington Post. Creator of The Vagina Monologues, V (formerly Eve Ensler) calls The Manicurist's Daughter “a stunning, raw, brave memoir that wouldn't let me go.” She is a proud alumnae of Harvard College, Yale School of Management, Coro, Hedgebrook, and Vashon Artist Residency. She is also the cofounder of Socola Chocolatier, an artisanal chocolate company based in San Francisco. Susan lives with her husband and son in Seattle, where they enjoy mushroom hunting, croissants, and big family gatherings. The Manicurist's Daughter is her first book. Connect with Susan: Website: https://www.susanlieu.me/ Model Minority Moms Podcast: https://modelminoritymoms.com/ Instagram: @susanlieu, @celadonbooks facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Eleanor Vincent joins Let's Talk Memoir for a conversation about trying to save her challenging high conflict marriage, autism in adults and Cassandra Syndrome, what to leave out of a book, self-revelation and honest grappling, the toll of masking autism, emotional abuse, careful framing of those we write about, using a sensitivity reader, support groups for neurodiverse spouses, our narrating personas, writing fearless first drafts, disguising identities and biographical details to protect those we write about, and her new memoir Disconnected. Ronit's upcoming memoir course: https://www.pce.uw.edu/courses/memoir-writing-finding-your-story Also in this episode: -complex trauma -hyperfocus -reading unceasingly Books mentioned in this episode: -The Situation and the Story by Vivian Gornick -Blow Your House Down by Gina Frangello -You Could Make This Place Beautiful by Maggie Smith -This American Ex-Wife by Liz Lenz -Liars by Sarah Manguso -Kristin Lavransdatter by Sigrid Undset -22 Things a Woman Must Know If She Loves a Man with Asperger's Syndrome by Rudy Simone -Books by Anne Patchett Eleanor Vincent's new memoir Disconnected: Portrait of a Neurodiverse Marriage is forthcoming from Vine Leaves Press. It tells the story of her gradual discovery that her husband was on the autism spectrum, and of how she tried to save a challenging high-conflict marriage. Her previous memoir, Swimming with Maya: A Mother's Story (Dream of Things, 2013) has twice been on the New York Times bestseller list and was nominated for the Independent Publisher of the Year award. Her essays have appeared in anthologies by Creative Nonfiction and This I Believe, the literary magazines 580 Split and Dorothy Parker's Ashes, as well as shorter pieces in the San Francisco Chronicle, the Sacramento Bee, and Generations Today. She has an MFA in creative writing from Mills College and is a member of the San Francisco Writers Grotto, Left Margin Lit, and the Author's Guild. She has taught creative nonfiction seminars at Mills College as a visiting writer and been awarded residencies at Hedgebrook, the Vermont Studio Center, and Writing Between the Vines. She lives in Walnut Creek, California. Connect with Eleanor: Website: https://www.eleanorvincent.com/ Book: https://vineleavespress.myshopify.com/products/disconnected-portrait-of-a-neurodiverse-marriage-by-eleanor-vincent X: https://x.com/eleanorpvincent Instagram: https://www.instagram.com/eleanor.vincent/ Facebook: https://www.facebook.com/eleanor.vincent/ LinkedIn: https://www.linkedin.com/in/eleanorpvincent/ Writing the real world Substack: https://eleanorvincent.substack.com/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
The Anatomy of Exile by Zeeva Bukai (Delphinium Books 2025) opens in the aftermath of the 1967 Six Day War, when Tamar Abadi's sister-in-law is killed by what looks like a terrorist attack but turns out to be the tragic end of Hadas's love affair with a Palestinian poet. Hadas and her brother Salim, were born in and exiled from Syria, and now Salim moves his wife and children to the U.S. When a Palestinian family moves into their Brooklyn building and their teenage daughter falls in love with the teenage son, Tamar fears that history will repeat while Salim finds commonality in the family's language and culture. Tamar struggles to separate the two teenagers and grapples with her children, her marriage, and her identity outside of Israel in this novel about love, marriage, history, culture, and politics. Zeeva Bukai was born in Israel and raised in New York City. Her honors include a Fellowship at the New York Center for Fiction and residencies at Hedgebrook, and Byrdcliffe Artist in Residence program. Her stories are forthcoming in the anthology Smashing the Tablets: A Radical Retelling of the Hebrew Bible, and have appeared in Carve Magazine, Pithead Chapel, the Lilith anthology, Frankly Feminist: Stories by Jewish Women, December Magazine where her story The Abandoning (an early version of the first chapter of her novel, “The Anatomy of Exile”) was selected by Lily King for the Curt Johnson Prose Prize, The Master's Review, where she was the recipient of the Fall Fiction prize selected by Anita Felicelli, Mcsweeny's Quarterly Concern, Image Journal, Jewishfiction.net, Women's Quarterly Journal, and the Jewish Quarterly. Her work has been featured on the Stories on Stage Davis podcast. She studied Acting at Tel-Aviv University and holds a BFA in Theater and an MFA in Fiction from Brooklyn College. She is the Assistant Director of Academic Support at SUNY Empire State University and lives in Brooklyn with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Anatomy of Exile by Zeeva Bukai (Delphinium Books 2025) opens in the aftermath of the 1967 Six Day War, when Tamar Abadi's sister-in-law is killed by what looks like a terrorist attack but turns out to be the tragic end of Hadas's love affair with a Palestinian poet. Hadas and her brother Salim, were born in and exiled from Syria, and now Salim moves his wife and children to the U.S. When a Palestinian family moves into their Brooklyn building and their teenage daughter falls in love with the teenage son, Tamar fears that history will repeat while Salim finds commonality in the family's language and culture. Tamar struggles to separate the two teenagers and grapples with her children, her marriage, and her identity outside of Israel in this novel about love, marriage, history, culture, and politics. Zeeva Bukai was born in Israel and raised in New York City. Her honors include a Fellowship at the New York Center for Fiction and residencies at Hedgebrook, and Byrdcliffe Artist in Residence program. Her stories are forthcoming in the anthology Smashing the Tablets: A Radical Retelling of the Hebrew Bible, and have appeared in Carve Magazine, Pithead Chapel, the Lilith anthology, Frankly Feminist: Stories by Jewish Women, December Magazine where her story The Abandoning (an early version of the first chapter of her novel, “The Anatomy of Exile”) was selected by Lily King for the Curt Johnson Prose Prize, The Master's Review, where she was the recipient of the Fall Fiction prize selected by Anita Felicelli, Mcsweeny's Quarterly Concern, Image Journal, Jewishfiction.net, Women's Quarterly Journal, and the Jewish Quarterly. Her work has been featured on the Stories on Stage Davis podcast. She studied Acting at Tel-Aviv University and holds a BFA in Theater and an MFA in Fiction from Brooklyn College. She is the Assistant Director of Academic Support at SUNY Empire State University and lives in Brooklyn with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Eiren Caffall joins Let's Talk Memoir for a conversation about her generational experience of loss, coming out of the shadows about having an ill body, how polycystic kidney disease (PKD) has shaped her and her family's life, writing about the collapse of ecosystems in the Atlantic ocean, seamlessly weaving in narrative, historical, lyrical, scientific, and metaphorical threads, allowing our children to weigh in on stories that involve them, feeling all the places we're still wounded, depicting mother-daughter relationships with complexity, the umpteenth draft, form as key, holding two things in mind at once, reframing and understanding family dynamics, and her new memoir The Mourner's Bestiary. Also in this episode: -remembering wonder and beauty in the face of destruction -idosyncratic craft structures -where we are in our stories Books mentioned in this episode: -Shapes of Native Nonfiction Edited by Elissa Washuta and Theresa Warbuton -Meander Spiral Explode: Design and Pattern in Narrative by Jane Allison -Landmarks by Robert Mcfarlane Eiren Caffall is a writer and musician. Her award-winning memoir, The Mourner's Bestiary, will be published by Row House Publishing in October 2024. Her novel, All the Water in the World will be published by Saint Martin's Press in 2025. An excerpt of her memoir will appear in Elementals: Volume IV. Fire forthcoming in 2024 from The Center for Humans and Nature. Her work on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and three record albums. She received a Whiting Foundation Creative Nonfiction Grant in 2023 for The Mourner's Bestiary, a Social Justice News Nexus fellowship in environmental journalism at Northwestern University's Medill School of Journalism, and a Frontline: Environmental Reportage residency at the Banff Centre for the Arts. She has been awarded residencies at Millay Colony for the Arts, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. She has guest lectured at UCLA, University of Chicago, and other universities across America, taught creative writing for The Chicago Humanities Festival, taught a memoir body and place week-long masterclass for Story Studio in Chicago, and mentored graduate students at The School of the Art Institute of Chicago. Her work has been adapted into the award-winning short film Becoming Ocean, which screened at film festivals across the United States and in Amsterdam and Morocco. Connect with Eiren: Website: www.eirencaffall.com Instagram: https://www.instagram.com/eirencaffall/ X: www.x.com/eirencaffall Substack: https://eirencaffall.substack.com Ronit's Upcoming Online 10-week Memoir Course with the University of Washington: https://www.pce.uw.edu/courses/memoir-writing-finding-your-story Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Send us a textThis week I had the pleasure of having a fascinating conversation with Allison Gregory on this recent episode of Playwright's Spotlight and her approach of writing about historical and mythological characters and exploring outside their known stories. We delved into the philosophy of "when we are", letting the story find us, the power of the #2 pencil and writing longhand, stealing from the best, obtaining the rights to other's works and public domain. We also discuss commissioning adaptations, tried and true material, embracing constructs, and knowing the audience of children's theatre. It's a wonderful chat I hope everyone feels motivated and inspired by. Enjoy!Allison Gregory's work has been produced nationally and internationally for multigenerational audiences by a fusion of professional theaters, academic stages, and nontraditional spaces. She has received commissions and development from the Oregon Shakespeare Festival, the Kennedy Center, South Coast Repertory, Indiana Repertory Theatre, the Playwrights' Center, the Skirball Foundation, Geva Theatre, Seattle Rep, ACT Theater, Orlando Shakes, the National New Play Network (NNPN), Hedgebrook, the New Harmony Project, and Banff Playwrights Lab. Her plays range from satires centering on underrepresented historical figures to contemporary interpretations of mythology, intimate dramas, and exuberant, innovative theatre for young people. Her plays are published by Dramatic Publishing, Playscripts, Concord Theatricals, Smith & Krauss, and Rain City Press and include – Not Medea, Junie B. Jones is Not a Crook, and Judy Moody & Stink: The Mad, Mad, Mad Treasure Hunt.To watch the video format of this episode, visit -https://youtu.be/B9pW5OH7L14Links to resources mentioned in this episode -Child's Play -https://www.childsplayaz.orgSeattle's Children's Theare -www.sct.orgWebsite and Socials for Allison Gregory - Website-www.allisongregoryplays.comFacebook-https://www.facebook.com/allison.gregory.71Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Xochitl-Julisa Bermejo is the daughter of Mexican immigrants and the author of Incantation: Love Poems for Battle Sites (Mouthfeel Press) and Posada: Offerings of Witness and Refuge (Sundress Publications). A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, she's received residencies from Hedgebrook, Ragdale, Yefe Nof, Jentel, and National Parks Arts Foundation in partnership with Gettysburg National Military Park and Poetry Foundation. Her poem “Battlegrounds” was featured at Academy of American Poets' Poem-a-Day, On Being's Poetry Unbound, and the anthology, Poetry Unbound: 50 Poems to Open Your World (W.W. Norton). Her poetry and essays can be found at Acentos Review, Huizache, LA Review of Books, The Offing, [Pank], Santa Fe Writers Project, and other journals. She is the director of Women Who Submit. Inspired by her Chicana identity, she works to cultivate love and comfort in chaotic times. At the heart of Incantation: Love Poems for Battle Sites (Mouthfeel Press 2023) lies an exploration of love in its many forms. Bermejo crafts poems that celebrate the enduring bonds of family, the unwavering strength of compassion, and the necessity for defiance. "Bermejo's Incantation do more than conjure hope for a vague future; they demand accountability and enact the healing we need now," writes award-winning author Carribean Fragoza. These poems dance like flames in rituals of resistance and resilience, casting light on paths that lead to a future unburdened by the chains of misogyny, white supremacy, and state-sanction violence.
The Art of Grief – Hope and wonder in the face of environmental collapse… PART 2: Grief Artfully Expressed becomes a Sacrament of Kinship Caroline re-welcomes last week's guest Eiren Caffall, science writer with the soul of a poet, the author of “The Mourner's Bestiary” “Lyrical reports from the apocalypse” “The Mourner's Bestiary is a meditation on grief and survival told through the stories of animals in two collapsing marine ecosystems—the Gulf of Maine and the Long Island Sound—and the lives of a family facing a life-threatening illness on their shores. The Gulf of Maine is the world's fastest-warming marine ecosystem, and the Long Island Sound has been the site of conservation battles that predict the necessary dedications ahead for the Gulf. Eiren Caffall carries a family legacy of two hundred years of genetic kidney disease, raising a child who may also. The Mourner's Bestiary braids environmental research with a memoir of generational healing, and the work it takes to get there for the human and animal lives caught in tides of loss.” Eiren Caffall is a writer and musician based in Chicago. Her writing on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV Fire, forthcoming in 2024 from The Center for Humans and Nature. She received a 2023 Whiting Award in Creative Nonfiction, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. Her novel, All the Water in the World, is slated for release by St. Martin's Press in early 2025. ErinCaffall.com Caroline W. Casey · www.CoyoteNetworkNews.com · Patreon The post The Visionary Activist Show – The Art of Grief appeared first on KPFA.
Jessica speaks with Susan Lieu, Vietnamese-American author, playwright, and performer. She's the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre. Her debut memoir, The Manicurist's Daughter, is an Apple Book Pick of the Month and Must Listen of the Month, and has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post. She's also the cofounder of Socola Chocolatier; the co-host of the podcast Model Minority Moms; a proud alum of Harvard, Yale, and Hedgebrook; and a mom of a 4-year old boy. https://www.susanlieu.me/ Instagram: @susanlieu, @celadonbooks Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/ Model Minority Moms: https://modelminoritymoms.com/ Socola Chocolatier: https://www.socolachocolates.com/ ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work? From steering relationships at the C-level to piloting conversations with teams and peers, increasing visibility and opportunities in your field, integrating your creative endeavors, or connecting the dots in your personal life — as a parent, child, and partner — Jessica can help you traverse the unknown challenges and situations that arise as a leader. BOOK AN INTRO CALL: https://calendly.com/jessicawancoaching/intro-call-coaching Follow Jessica on LinkedIn Credits Produced and Hosted by Jessica Wan Co-produced, edited, and sound design by Carlos Schmitt Theme music by Denys Kyshchuk and Stockaudios from Pixabay
Susan Lieu is a Vietnamese-American author, playwright, and performer. Her debut memoir, The Manicurist's Daughter (Celadon), has received accolades from The New York Times, NPR Books, Elle Magazine, and The Washington Post, and is an Apple Book Pick of the Month and Must Listen of the Month. Susan is the creator of her theatrical solo show "140 LBS: How Beauty Killed My Mother," which received critical acclaim from LA Times, NPR, and American Theatre. The co-founder of Socola Chocolatier, Susan is a proud alumnus of Harvard College, Yale School of Management, and Hedgebrook. LISTEN TO THIS EPISODE IF: You have experienced intergenerational trauma You want to live a more authentic life You desire to find more boldness and pursue your dreams Follow Susan at: Instagram: @susanlieu, @celadonbooks Facebook: https://www.facebook.com/susanlieuofficial TikTok: @susanlieuofficial LinkedIn: https://www.linkedin.com/in/susanlieu/
Liza talks about her podcast, “Significant Others” and what makes someone devote themselves to making someone else famous, and how no one does it alone, and how empathic she and her husband, Conan, are to the world, and how the trees just might be killing us. Bio: Liza Powel O'Brien has an MFA in Fiction Writing from Columbia University's School of the Arts. Her work has been seen at The Geffen Playhouse, Echo Theater Company, The Blank Theatre, Unscreened LA, Naked Angels LA, Ojai Playwrights Conference, Tennessee Williams & New Orleans Literary Festival, Hedgebrook, and Whidbey Island Center for the Arts. Her podcast “Significant Others” tells stories of those who lived just outside the spotlight of history.
Today, we hear from Colwill Brown whose debut novel, WE PRETTY PIECES OF FLESH, is forthcoming in 2025. We'll be talking about the art of sentences and how Colwill had to wrangle with their own to make the unique voice of the book work.Watch a recording here. This audio/video version is available for one week. Missed it? Check out the podcast version above or on your favorite podcast platform.To find Brown's debut and many other books by our authors, visit our Bookshop page. Looking for a writing community? Join our Facebook page. Colwill Brown is the author of the novel We Pretty Pieces of Flesh, forthcoming in 2025 from Holt/Macmillan (North America), Chatto & Windus (UK & Commonwealth) and Sellerio (Italian trans.). Born and raised in Doncaster, South Yorkshire, UK, Colwill holds an MFA in creative writing from the University of Texas at Austin and an MA in English literature from Boston College. Recipient of a James A. Michener Fellowship, scholarships to the Tin House Summer Workshop and the Bread Loaf Writers' Conference, a 2022 Glenna Luschei Prairie Schooner Award, and top-fifty placing in the 2021 BBC National Short Story Award, Colwill's writing has also received awards and support from Hedgebrook, the Ragdale Foundation, the Anderson Center, and elsewhere. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com
Brad speaks with Dr. Funie Hsu and Chenxing Han about race, heritage, and Asian American Buddhisms. They discuss the ways Asian American Buddhists are often misunderstood in the United States due to the incomplete representation of Buddhism in American culture and the contemporary predominance of Whiteness in Buddhist spaces.Dr. Funie Hsu is currently Associate Professor of American Studies at San José State University and was a former University of California President's Postdoctoral Fellow at the University of California, Davis. Her first book, Instructions for (Erasing) Empire: English, Domestication, and the US Colonization of the Philippines (under contract), demonstrates how English language instruction served to erase the violent reality of US occupation.Chenxing Han (she/her) is the author of Be the Refuge: Raising the Voices of Asian American Buddhists (2021); one long listening: a memoir of grief, friendship, and spiritual care (2023); and numerous articles and book chapters for both academic and mainstream audiences. A frequent speaker and workshop leader at schools, universities, and Buddhist communities across the nation, she has received fellowships from Hedgebrook, Hemera Foundation, the Lenz Foundation, and the University of Michigan. Learn more about APARRI. APARRI's vision is to create a society in which Asian Pacific American religions are valued, recognized, and central to the understanding of American public life. Since 1999, The Asian Pacific American Religions Research Initiative (APARRI) has been a vibrant scholarly community advancing the interdisciplinary study of Asian Pacific Americans and their religions. Producer: Dr. Bradley Onishi: @bradleyonishiAudio Engineer and Musician: Scott Okamoto: @rsokamotoFor more information about research-based media by Axis Mundi Media visit: www.axismundi.usFunding for this series has been generously provided by the Henry Luce Foundation.
Today's book is: The Translator's Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek's dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer's, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator's Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator's Daughter: A Memoir. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also enjoy these Academic Life episodes: The Things We Didn't Know Secret Harvests Where is home? The Names of All the Flowers Who gets believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's book is: The Translator's Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek's dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer's, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator's Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator's Daughter: A Memoir. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also enjoy these Academic Life episodes: The Things We Didn't Know Secret Harvests Where is home? The Names of All the Flowers Who gets believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies
Today's book is: The Translator's Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek's dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer's, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator's Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator's Daughter: A Memoir. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also enjoy these Academic Life episodes: The Things We Didn't Know Secret Harvests Where is home? The Names of All the Flowers Who gets believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Today's book is: The Translator's Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek's dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer's, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator's Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator's Daughter: A Memoir. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also enjoy these Academic Life episodes: The Things We Didn't Know Secret Harvests Where is home? The Names of All the Flowers Who gets believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Today's book is: The Translator's Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek's dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer's, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator's Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity. Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator's Daughter: A Memoir. Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also enjoy these Academic Life episodes: The Things We Didn't Know Secret Harvests Where is home? The Names of All the Flowers Who gets believed? Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
If you're a part of the Seattle arts scene, chances are you've come across Tessa Hulls. She has a hand in many local creative communities, including Seattle Arts & Lectures (where you might have spotted her illustrations on the 2021 Summer Book Bingo Card!), the Seattle Office of Arts and Culture, and the Henry Art Museum. She's also the lead artist in the Wing Luke Museum exhibit “Nobody Lives Here,” which explores the impacts of how the I-5 construction ran right through the Chinatown International District in the 1960s. It's no surprise then that Hulls is passionate about mixing art and historical research, looking at how past events echo throughout daily relationships today. She explores these themes in her debut book, Feeding Ghosts, a graphic novel memoir that tells the story of three generations of women in her family: her Chinese grandmother Sun Yi; her mother, Rose; and herself. Sun Yi, who fled Communist China for Hong Kong, published a celebrated memoir about her persecution and survival, but then later succumbed to mental illness. Determined to face the history that shaped her family, Tessa exposes the wounds that haunt generations and the love that holds them together. Hulls is a self-proclaimed “compulsive genre-hopper,” mixing personal and political histories with travel writing and visual art. This might explain why she's so well-intertwined in Seattle's art scene, using her creativity to build community and create conversations about the impacts of our shared history. Tessa Hulls is an artist, a writer, and an adventurer. Her essays have appeared in The Washington Post, Atlas Obscura, and Adventure Journal, and her comics have been published in The Rumpus, City Arts, and SPARK. She has received grants from the Seattle Office of Arts and Culture and 4Culture, and she is a fellowship recipient from the Washington Artist Trust. Feeding Ghosts is her first book. Putsata Reang is a Cambodian-born author and a journalist whose work has appeared in The New York Times, Politico, The Guardian, Ms., The San Jose Mercury News, and The Seattle Times, among other publications. She is an alumna of residencies at Hedgebrook, the Kimmel Harding Nelson Center for the Arts, and Mineral School, and she has received fellowships from the Alicia Patterson Foundation and Jack Straw Cultural Center. Buy the Companion Book Feeding Ghosts: A Graphic Memoir Third Place Books
Xochitl-Julisa Bermejo was born and raised in San Gabriel to Mexican immigrant parents. She is author of Posada: Offerings of Witness and Refuge (Sundress Publications 2016) and Incantation: Love Poems for Battle Sites (Mouthfeel Press 2023). She considers herself an experiential, witness poet and place, including the SGV, is a regular theme in her work. A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, she's received residencies from Hedgebrook, Ragdale, National Parks Arts Foundation in partnership with Gettysburg National Military Park and Poetry Foundation. Her poem “Battlegrounds” was featured at Academy of American Poets' Poem-a-Day, On Being's Poetry Unbound, and the anthology, Poetry Unbound: 50 Poems to Open Your World (W.W. Norton). She is the director of Women Who Submit and teaches poetry and creative writing with Antioch University, MFA and UCLA Extension. Inspired by her Chicana identity, she works to cultivate love and comfort in chaotic times.Social Media: @xochitljulisa___________________Music CreditsIntroLike it Loud, Dyalla, YouTube Audio LibraryStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroIndecision, Dyalla, YouTube Audio Library__________________My SGV Podcast:www.mysgv.netinfo@sgvmasterkey.com
Jane Wong joins Let's Talk memoir for a conversation about the challenge of reflection in memoir, writing that teems with the specific and particular, capturing the experience of being a chinese american woman on the page, writing about exes and domestic violence, keeping ourselves safe while creating, constellations in our lives, avoiding sentimentality, and her new memoir which she calls a love song to her mother, Meet Me Tonight in Atlantic City. Also in this episode: -how she's never funny in poems -the super secret Jane Wong's been keeping -finding your people Books mentioned in this episode: Seeing Ghosts by Kat Chow Tastes like War by Grace M. Cho Crying in H Mart by Michelle Zauner Dictee by Theresa Hak Kyung Cha The Grave on the Wall by Brandon Shimoda Jane Wong is the author of the debut memoir, Meet Me Tonight in Atlantic City, out now from Tin House (2023). She is also the author of two books of poetry: How to Not Be Afraid of Everything from Alice James (2021) and Overpour from Action Books (2016). She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and Want: Women Writing About Desire (Catapult). A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard's Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, UCross, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. She grew up in a Chinese American restaurant on the Jersey shore and lives in Seattle. Connect with Jane: Website: https://janewongwriter.com/ Get Jane's Book: https://tinhouse.com/book/meet-me-tonight-in-atlantic-city/ Instagram: https://www.instagram.com/paradeofcats — Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Join us for a conversation between former Town Hall Seattle Writer-in-Residence Sarah Salcedo and Washington State Poet Laureate Arianne True. Together, they will discuss how they negotiate the intersections of neurodivergence, art, and artistic careers. After a discussion, there will be a reading of Arianne's poems and a section from the in-progress novel that Sarah began during her Town Hall residency in 2022, which has also been funded by 4Culture. Arianne True (Choctaw, Chickasaw) is a queer poet and teaching artist from Seattle, and has spent most of her work time working with youth. She's received fellowships and residencies from Jack Straw, the Hugo House, Artist Trust, and the Seattle Repertory Theater, and is a proud alum of Hedgebrook and of the MFA program at the Institute of American Indian Arts. She lives near the Salish Sea with her cat. Arianne is the 2023-2025 Washington State Poet Laureate. Sarah Salcedo is an award-winning filmmaker, illustrator, and author. She was the Spring 2022 Writer-in-Residence for Town Hall Seattle and attended both the 2022 Tin House Winter and Summer Workshop for fiction. Her first film, Promised Land, debuted in festivals in 2016. She is currently at work on her next two documentaries with her partner and collaborator, Vasant Salcedo. She has received multiple grants from 4Culture and Artist Trust for her fiction and film work. To learn more about our speakers, or read their work prior to the event, please visit their websites and social media below: Arianne True: Website | Instagram Sarah Salcedo: Website | Instagram
Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair? Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look. Courtney Denelle is the author of IT'S NOT NOTHING (Santa Fe Writers Project, 2022), a novel-in-fragments drawn from her experience of homelessness and recovery, and the forthcoming novel Real Piece of Work, an art world satire that explores image-craft and the unbidden toll of a life lived in persona. Her stories have appeared in the Alembic, Tahoma Literary Review, Southampton Review, and elsewhere. Courtney was also winner of the 2021 Poets & Writers Maureen Egen award, and she has been granted a Hawthornden Fellowship and a MacColl Johnson Fellowship, as well as residencies from Hedgebrook and the Jentel Foundation. Recommended Books: Naomi Klein, Doppelganger Kate Doyle, I Meant It Once Isle McElroy, People Collide Kerri Schlottman, Tell Me One Thing Kimberly King Parsons, We Were The Universe Lucas Mann, Attachments Yiyun Lee, Dear Friend, From My Life I Write to You in Your Life Emily St. John Mandel, Last Night in Montreal Sarah Manguso, Liars Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair? Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look. Courtney Denelle is the author of IT'S NOT NOTHING (Santa Fe Writers Project, 2022), a novel-in-fragments drawn from her experience of homelessness and recovery, and the forthcoming novel Real Piece of Work, an art world satire that explores image-craft and the unbidden toll of a life lived in persona. Her stories have appeared in the Alembic, Tahoma Literary Review, Southampton Review, and elsewhere. Courtney was also winner of the 2021 Poets & Writers Maureen Egen award, and she has been granted a Hawthornden Fellowship and a MacColl Johnson Fellowship, as well as residencies from Hedgebrook and the Jentel Foundation. Recommended Books: Naomi Klein, Doppelganger Kate Doyle, I Meant It Once Isle McElroy, People Collide Kerri Schlottman, Tell Me One Thing Kimberly King Parsons, We Were The Universe Lucas Mann, Attachments Yiyun Lee, Dear Friend, From My Life I Write to You in Your Life Emily St. John Mandel, Last Night in Montreal Sarah Manguso, Liars Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair? Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look. Courtney Denelle is the author of IT'S NOT NOTHING (Santa Fe Writers Project, 2022), a novel-in-fragments drawn from her experience of homelessness and recovery, and the forthcoming novel Real Piece of Work, an art world satire that explores image-craft and the unbidden toll of a life lived in persona. Her stories have appeared in the Alembic, Tahoma Literary Review, Southampton Review, and elsewhere. Courtney was also winner of the 2021 Poets & Writers Maureen Egen award, and she has been granted a Hawthornden Fellowship and a MacColl Johnson Fellowship, as well as residencies from Hedgebrook and the Jentel Foundation. Recommended Books: Naomi Klein, Doppelganger Kate Doyle, I Meant It Once Isle McElroy, People Collide Kerri Schlottman, Tell Me One Thing Kimberly King Parsons, We Were The Universe Lucas Mann, Attachments Yiyun Lee, Dear Friend, From My Life I Write to You in Your Life Emily St. John Mandel, Last Night in Montreal Sarah Manguso, Liars Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Rosemary Candwell's past has exploded into her present. Down-and-out and deteriorating, she drifts from anonymous beds and bars in Providence, to a homeless shelter hidden among the hedge-rowed avenues of Newport, and through the revolving door of service jobs and quick-fix psychiatric care, always grasping for hope, for a solution. She's desperate to readjust back into a family and a world that has deemed her a crazy bitch living a choice they believe she could simply un-choose at any time. She endures flashbacks and panic attacks, migraines and nightmares. She can't sleep or she sleeps for days; she lashes out at anyone and everyone, especially herself. She abuses over-the-counter cold medicine and guzzles down anything caffeinated just to feel less alone. What if her family is right? What if she is truly broken beyond repair? Drawn from the author's experience of homelessness and trauma recovery, It's Not Nothing is a collage of small moments, biting jokes, intrusive memories, and quiet epiphanies meant to reveal a greater truth: Resilience never looks the way we expect it to look. Courtney Denelle is the author of IT'S NOT NOTHING (Santa Fe Writers Project, 2022), a novel-in-fragments drawn from her experience of homelessness and recovery, and the forthcoming novel Real Piece of Work, an art world satire that explores image-craft and the unbidden toll of a life lived in persona. Her stories have appeared in the Alembic, Tahoma Literary Review, Southampton Review, and elsewhere. Courtney was also winner of the 2021 Poets & Writers Maureen Egen award, and she has been granted a Hawthornden Fellowship and a MacColl Johnson Fellowship, as well as residencies from Hedgebrook and the Jentel Foundation. Recommended Books: Naomi Klein, Doppelganger Kate Doyle, I Meant It Once Isle McElroy, People Collide Kerri Schlottman, Tell Me One Thing Kimberly King Parsons, We Were The Universe Lucas Mann, Attachments Yiyun Lee, Dear Friend, From My Life I Write to You in Your Life Emily St. John Mandel, Last Night in Montreal Sarah Manguso, Liars Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In their latest collection of poems, Cave Canem Poetry Prize winner Brionne Janae dives into the deep, unsettled waters of intimate partner violence, queerness, grief, and survival. This event took place on July 6, 2023. “I've decided I can't trust anyone who uses darkness as a metaphor for what they fear,” poet Brionne Janae writes in this stunning new collection, in which the speaker navigates past and present traumas and interrogates familial and artistic lineages, queer relationships, positions of power, and community. Because You Were Mine is an intimate look at love, loneliness, and what it costs to survive abuse at the hands of those meant to be “protectors.” In raw, confessional, image-heavy poems, Janae explores the aftershocks of the dangerous entanglement of love and possession in parent-child relationships. Through this difficult but necessary examination, the collection speaks on behalf of children who were left or harmed as a result of the failures of their parents, their states, and their gods. Survivors, queer folks, and readers of poetry will find recognition and solace in these hard-wrought poems—poems that honor survivorship, queer love, parent wounds, trauma, and the complexities of familial blood. Get Because You Were Mine from Haymarket: https://www.haymarketbooks.org/books/... Speakers: Brionne Janae is a poet and teaching artist living in Brooklyn. They are the author of Blessed are the Peacemakers (2021), which won the 2020 Cave Canem Northwestern University Press Poetry Prize, and After Jubilee (2017). Janae is the recipient of the St. Botoloph Emerging Artist award, a Hedgebrook Alum, a proud Cave Canem Fellow, and a 2023 National Endowment of the Arts Creative Writing Fellow. Their poetry has been published in Best American Poetry (2022), Ploughshares, the American Poetry Review, the Academy of American Poets Poem-a-Day, the Sun Magazine, jubilat, and Waxwing among others. Janae is the co-host of the podcast The Slave is Gone. Off the page they go by Breezy. Amber Flame is an interdisciplinary artist whose work garnered residencies with Hedgebrook, Vermont Studio Center, and more. Her first poetry collection, Ordinary Cruelty, was published through Write Bloody Press. Flame is a recipient of Seattle Office of Arts and Culture's CityArtist grant and served as Hugo House's 2017-2019 Writer-in-Residence for Poetry. Krysten Hill is the author of How Her Spirit Got Out (Aforementioned Productions, 2016), which received the 2017 Jean Pedrick Chapbook Prize. Her work has been featured in The Academy of American Poets' Poem-a-Day Series, Poetry Magazine, PANK, Up the Staircase Quarterly, Winter Tangerine Review, and elsewhere. She is recipient of the 2016 St. Botolph Club Foundation Emerging Artist Award, 2020 Mass Cultural Council Poetry Fellowship, and 2023 Vermont Studio Center Residency. JR Mahung is a Belizean-American poet from the South Side of Chicago and one half of the Poetry duo Black Plantains with Malcolm Friend. They teach, write, and study in Amherst, MA. JR is a 2016 Pushcart Prize nominee, a 2017 Emerging Poet's Incubator Fellow, and the 2018 Individual World Poetry Slam representative for the Boston Poetry Slam. Tweet them about rice and beans @jr_mahung. Cynthia Manick is the author of No Sweet Without Brine, editor of The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry, winner of the Lascaux Prize in Collected Poetry, and author of Blue Hallelujahs. She has received fellowships from Cave Canem, Hedgebrook, MacDowell Colony, and Château de la Napoule among other foundations. Watch the live event recording: https://youtube.com/live/oQzdrRc6y7k Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
This month, host Clara Sherley-Appel talks to poet and educator Xochitl-Julisa Bermejo. A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, Xochitl's writing has been featured in the Academy of American Poets' Poem-a-Day, On Being's Poetry Unbound, and Poetry Unbound: 50 Poems to Open Your World. She has received residencies from Hedgebrook, Ragdale, Yefe Nof, and the National Parks Arts Foundation in partnership with the Getty National Military Park and Poetry Foundation. In 2011, she co-founded Women Who Submit (https://womenwhosubmitlit.org/), a literary organization that uses social media and community events to empower women and non-binary authors to submit work for publication, with Ashaki Jackson and Alyss Dixon, and she currently serves as the organization's director. Xochitl wrote her debut collection, Posada: Offerings of Witness and Refuge (https://bookshop.org/p/books/posada-offerings-of-witness-and-refuge-xochitl-julisa-bermejo/10553534), while living in a house in the shadows of Dodger Stadium in historic Solano Canyon. Today we are discussing her second collection, Incantation: Love Poems for Battle Sites (https://www.mouthfeelbooks.com/product/Incantation-love-poems-for-battle-sites/57), which explores US monuments, memorializes Black and brown bodies murdered by state-sanctioned violence, and shares love poems to family, friends, and dalliances in rituals of resistance and resilience.
Susan Ito began reading at the age of three, and writing stories at the age six. She co-edited the literary anthology A Ghost At Heart's Edge: Stories & Poems of Adoption. Her work has appeared in The Writer, Growing Up Asian American, Choice, Hip Mama, Literary Mama, Catapult, Hyphen,The Bellevue Literary Review, and elsewhere. She is a MacDowell colony Fellow, and has also been awarded residencies at The Mesa Refuge, Hedgebrook and the Blue Mountain Center. She has performed her solo show, The Ice Cream Gene, around the US. Her theatrical adaption of Untold, stories of reproductive stigma, was produced at Brava Theater She is a member of the Writers' Grotto, and teaches at Mills College/Northeastern University and Bay Path University. She was one of the co-organizers of Rooted and Written, a no-fee writing workshop for writers of color. She lives in Northern California.Website: https://www.thesusanito.com/bioMusic by Corey Quinn
The SOREN LIT podcast provides interviews, readings, and art reviews from our latest writers and artists. The podcast is produced by SOREN LIT Founding Editor, Melodie J. Rodgers. SOREN LIT's published work and podcast episodes are also available on the official website: www.sorenlit.com Cynthia Manick. SOREN LIT. Fall 2023. Cynthia Manick is the author of No Sweet Without Brine (Amistad, 2023) which received 5 stars from Roxane Gay, editor of The Future of Black: Afrofuturism, Black Comics, and Superhero Poetry, winner of the Lascaux Prize in Collected Poetry, and author of Blue Hallelujahs. She has received fellowships from Cave Canem, Hedgebrook, MacDowell Colony, and Château de la Napoule among other foundations. For 10 years she curated Soul Sister Revue, a quarterly reading series that promoted poetry as storytelling and featured emerging poets, poet laureates, and Pulitzer prize winners. Manick's poem “Things I Carry into the World” was made into a film by Motionpoems and debuted on Tidal for National Poetry Month. A storyteller at literary festivals, libraries, and museums, her work has also featured in VOICES, an audio play by Aja Monet and Eve Ensler's V-Day, the Academy of American Poets Poem-A-Day Series, Brooklyn Rail, the Rumpus and other outlets. She currently serves on the editorial board of Alice James Books. She lives in Brooklyn, New York but travels widely for poetry. Cynthia Manick's Social Media Website: http://www.cynthiamanick.com/nswb Facebook https://www.facebook.com/cmanickpoet Twitter https://twitter.com/cmanick --- Send in a voice message: https://podcasters.spotify.com/pod/show/melodie-rodgers/message
In the episode we celebrate the co-hostess with the mostess on her 2 book deal with Harper Collins! Anastacia-Renee (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of "Queer Artist of Color Dominate 2021's Must See LGBTQ Art Shows." Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota's Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency.
In this episode, I chat with Jennifer De Leon about teaching, learning, her writing, and how reading fiction helps develop empathy.Jennifer De Leon graduated from Connecticut College with a double-major in International Relations and French, and earned a Master of Arts in Teaching from the University of San Francisco's Center for Teaching Excellence and Social Justice while in the Teach For America program. She went on to earn a Master of Fine Arts in Creative Writing from UMASS-Boston. She has received several awards and residencies from organizations across the country, including the Bread Loaf Writers' Conference, Hedgebrook, Macondo, VONA, Associates of the Boston Public Library's Writer-in-Residence Program, and the City of Boston's Artist-in-Residence Program. De Leon is a winner of the 2016 Walter Dean Myers Grant, awarded by We Need Diverse Books, and named a 2020 Latinx Trailblazer by the Commonwealth of Massachusetts. After a decade teaching in Boston Public Schools, Jenn is now Associate Professor of English at Framingham State University, and instructor in the Creative Writing and Literature Graduate Program at Harvard University.Her stories and essays have appeared in Ploughshares, The Briar Cliff Reviews, Iowa Review, Michigan Quarterly Review, Guernica, and Best Women's Travel Writing to name a few. Jennifer is the author of Don't Ask Me Where I'm From and the essay collection White Space: Essays on Culture, Race, and Writing, and editor of the anthology, Wise Latinas: Writers on Higher Education. Her latest YA novel is Borderless. In 2022 Jennifer founded Story Bridge LLC. Story Bridge programs bring people together from all walks of life to shape, share, and hear each other's unique stories. By the end of the program, every participant walks away with new, unforgettable connections. Jennifer De Leon Borderless, Jennifer De Leon Don't Ask Me Where I'm From, Jennifer De Leon White Space: Essays on Culture, Race, & Writing, Jennifer De Leon All You Have To Do, Autumn Allen Imposter Syndrome and Other Confessions of Alejandra Kim, Patricia Park The House on Mango Street, Sandra Cisneros Support the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links
Jamaica Baldwin zooms into The Hive to talk about her new book, Bone Language. We read some Vievee Frances and talk about the radical acceptance that poetry can bring. Jamaica, a Santa Cruz native, will be in town to read at The HiveLive! on July 18th at Bookshop Santa Cruz. Reading with her, will be the fabulous Francesca Bell. Jamaica Baldwin's debut collection is Bone Language (YesYes Books 2023). Her poetry has appeared in Guernica, World Literature Today, The Adroit Journal, Indiana Review, Poetry Northwest, and The Missouri Review, among others. Her accolades include a 2023 Pushcart Prize, a National Endowment for the Arts Fellowship, a RHINO Poetry editor's prize, and a Glenna Luschei Prairie Schooner Award. Her writing has been supported by Hedgebrook, Aspen Words, Storyknife, Furious Flower, and the Jack Straw Writers program. Jamaica is currently the associate editor of Prairie Schooner at the University of Nebraska -Lincoln where she is pursuing her PhD in English with a focus on poetry and Women's and Gender Studies. She is originally from Santa Cruz, CA.
As past panelists for the Ohio Arts Council Individual Excellence Awards, Traci Brimhall, Melissa Faliveno, and Tanya Rey share what it was like to read and judge applications. They discuss what made an application stand out, how writers can craft the narrative and philosophy statements to good effect, the importance of submitting polished work, the inherent subjectivity of the process, persistence in the face of rejection, and more. About the Panelists: Traci Brimhall's fifth poetry collection, Love Prodigal, will be published by Copper Canyon Press in 2024. She is also the author of Come the Slumberless to the Land of Nod (Copper Canyon Press, 2020); Saudade (Copper Canyon Press, 2017); Our Lady of the Ruins (W.W. Norton, 2012), selected by Carolyn Forché for the 2011 Barnard Women Poets Prize; and Rookery (Southern Illinois University Press, 2010). Her children's book, Sophia & The Boy Who Fell, was published by SeedStar Books in March 2017. Melissa Faliveno is the author of the debut essay collection Tomboyland, named a Best Book of 2020 by NPR, New York Public Library, Oprah Magazine, and Electric Literature and recipient of a 2021 Award for Outstanding Literary Achievement from the Wisconsin Library Association. Her writing has appeared in Esquire, Paris Review, Bitch, Literary Hub, Ms Magazine, Brooklyn Rail, Prairie Schooner, and in the anthology Sex and The Single Woman (Harper Perennial, 2022). Tanya Rey is a queer Cuban-American writer whose work has appeared in Guernica, Granta, The Sun, Roads & Kingdoms, McSweeney's Internet Tendency, The Georgia Review, and Catapult, among others. She holds an MFA from New York University and has received fellowships from The Georgia Review, Rona Jaffe Foundation, San Francisco Writers Grotto, MacDowell, Hedgebrook, UCross, Blue Mountain Center, I-Park, and others. Rey has worked as managing editor for One Story and fiction editor for Epiphany and has taught creative writing at New York University and Writing Pad in San Francisco. Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and a transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Twitter or on Facebook.
First pages are impossible… so we're hearing from authors about how they got them right. In this episode, Jasmin Hakes discusses the first pages of her debut novel, Hula, and how she structured the novel using traditional storytelling techniques from her native island. We also talk about the power of the royal we, addressing the reader directly and therefore challenging them, how to make summary work, and how to manage the revision process with agents and editors who might not know your novel's most important contextual details in terms of place, culture, and time. Hakes' first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Jasmin ʻIolani Hakes was born and raised in Hilo, Hawaiʻi. Her essays have appeared in the Los Angeles Times and the Sacramento Bee. She is the recipient of the Best Fiction award from the Southern California Writers Conference, a Community of Writers LoJo Foundation Scholarship, a Writing by Writers Emerging Voices fellowship, and a Hedgebrook residency. HULA is her debut novel and is an Amazon Editor's pick. It's received starred reviews from Publishers Weekly, Booklist, and Shelf Awareness, and is an Elle magazine 39 Best New books to Read this summer. She lives in California.Thank you for reading The 7am Novelist. This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com
Jasmin 'Iolani Hakes is the author of the debut novel Hula, available from HarperVia. Hakes was born and raised in Hilo, Hawai'i. Her essays have appeared in the Los Angeles Times and the Sacramento Bee. She is the recipient of the Best Fiction award from the Southern California Writers Conference, a Squaw Valley LoJo Foundation Scholarship, a Writing by Writers Emerging Voices fellowship, and a Hedgebrook residency. Dance has always been central to Jasmin's life and creativity. She took her first hula class when she was four years old and danced for the esteemed Halau o Kekuhi and the Tahitian troupe Hei Tiare. She worked throughout college as a professional luau dancer. She lives in California. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dionne Ford is the author of the memoir Go Back and Get It and co-editor of the anthology Slavery's Descendants: Shared Legacies of Race and Reconciliation. Her work has appeared in The New York Times, LitHub, New Jersey Monthly, Rumpus, and Ebony among other publications, and won awards from the National Association of Black Journalists and the Newswomen's Club of New York. In 2018, she received a National Endowment for the Arts Fellowship in Creative Writing. Grants from the Sustainable Arts Foundation and the Geraldine R. Dodge Foundation and fellowships from MacDowell, Yaddo, Virginia Center for the Creative Arts, Hedgebrook and The Cabins at MarthaMOCA have also supported her work. She holds an MFA in Creative Writing from New York University and a BA from Fordham University where she teaches creative writing. Find out more about Dionne and her work here: https://www.dionneford.com/ The Storytellers hosted by Grace Sammon focuses on individuals who choose to leave their mark on the world through the art of story. Each episode engages guests and listeners in the story behind the story of authors, artists, reporters, and others who leave a legacy of storytelling. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to listeners an intimate one-on-one experience with her guests. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On Twitter https://www.twitter.com/GSammonWrites On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ #TheStorytellers #Storyteller #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #BookishRoadTrip #AuthorTalkNetwork #AuthorsOnTheAirGlobalRadioNetwork #author #menoir #slavery #enslavepeople #family #gobackandgetit #fordhamuniversity #NYU #creativewriting #blackjournalists #ebonymagazine The Storytellers is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.
Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia's pre-funk '80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large. In her uniquely embracing and experimental style, Anastacia-Reneé documents and celebrates diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat. Anastacia-Reneé (she/they) is a queer, hybrid writer, educator, retro-flector, artist, speaker, and podcaster. She is the author of Side Notes from the Archivist (2023) and Forget It (2017), and they were selected by NBC News as part of the list of “Queer Artists of Color Dominate 2021's Must See LGBTQ Art Shows.” She was a former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017) Jack Straw Curator, and Arc Artist Fellow (2020). Her work has been anthologized in Teaching Black: The Craft of Teaching on Black Life and Literature; Home is Where You Queer Your Heart; Furious Flower: Seeding the Future of African American Poetry; Afrofuturism: Black Comics and Superhero Poetry, and many others. Their work has appeared in Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Split this Rock, Ms. Magazine, and others. Reneé has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency. Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, Jubilat, Vinyl, The Rumpus, and elsewhere. They are a two-time Pushcart Prize nominee and the recipient of the 2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of we pilot the blood (2021) and ballast (2023). Side Notes from the Archivist
Today, Jane Wong reads from her new memoir, Meet Me Tonight in Atlantic City, and discusses transforming her collection of essays into a non-linear memoir, “Wongmom.com,” working in poetry and prose, “writing up to the present,” writing the hard stuff, tonal shifts, and more! Jane Wong is the author of How to Not Be Afraid of Everything from Alice James Books (2021) and Overpour from Action Books (2016). Her debut memoir, Meet Me Tonight in Atlantic City, is forthcoming from Tin House in May, 2023. She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. Her poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, The New York Times, American Poetry Review, POETRY, The Kenyon Review, New England Review, and others. Her essays have appeared in places such as McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and This is the Place: Women Writing About Home. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, Harvard's Woodberry Poetry Room, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, SAFTA, Mineral School, the Barbara Deming Memorial Fund, Loghaven, and others. The recipient of the James W. Ray Distinguished Artist Award for Washington artists, her first solo art show “After Preparing the Altar, the Ghosts Feast Feverishly” was exhibited at the Frye Art Museum in 2019. Her artwork will also be a part of “Nourish,” an exhibition at the Richmond Art Gallery in 2022. A scholar of Asian American poetry and poetics as well, you can explore "The Poetics of Haunting" project here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jennifer Lunden joins Let's Talk Memoir for a conversation about her experience with ME/CFS and her new braided memoir American Breakdown: Our Ailing Nation, My Body's Revolt, and the Nineteenth-Century Woman Who Brought Me Back to Life, writing about trauma, the long-term effects of adverse childhood experiences on health, misogyny in medicine, using imagery to ground our readers, how she found the right publisher, and what it takes to be a working, published writer. Also in this episode: -capitalism and grind culture -epigenetics -destigmatizing ME/CFS and other autoimmune diseases Books mentioned in this episode: Easy Beauty by Chloe Cooper Jones The Sound of a Wild Snail Eating by Elisabeth Tova Bailey The Two Kinds of Decay by Sarah Manguso The Ladies Handbook for Her Mysterious Illness by Sarah Ramsey Notes from No Man's Land by Eula Biss A Good Country: My LIfe in Twelve Towns and the Devastating Battle for a White America by Sofia Ali-Khan Nickel and Dimed by Barbara Ehrenreich Hope in the Dark by Rebecca Solnit Jennifer Lunden is the author of American Breakdown: Our Ailing Nation, My Body's Revolt, and the Nineteenth-Century Woman Who Brought Me Back to Life. Her writing has been selected for a Pushcart Prize, listed as Notable in Best American Essays, and supported by grants from the Maine Arts Commission, the Money for Women/Barbara Deming Memorial Fund, and the Canada Council for the Arts. Her essays have been published in Creative Nonfiction, Orion, River Teeth, DIAGRAM, Longreads, and other journals. She has received fellowships from Yaddo, the Virginia Center for the Creative Arts, Hewnoaks Artist Residency, Hedgebrook, Monson Arts, and the Dora Maar House in the South of France, and was the 2016 recipient of the Bread Loaf - Rona Jaffe Foundation Scholarship in Nonfiction. A licensed clinical social worker (LCSW) and former therapist, she provides individual and group supervision to other therapists and has also taught social work online for Simmons University and the University of New England. In 2012 she was named Maine's Social Worker of the Year for her campaign to prevent cuts to Maine's Medicaid program. She and her husband live in a little house in Portland, Maine, where they keep several backyard chickens, two cats, and some gloriously untamed gardens. Connect with Jennifer: Facebook: https://www.facebook.com/jennifer.lunden Instagram: https://www.instagram.com/jleelunden/ Website: https://jenniferlunden.com/ Links for book purchase are on this page: https://jenniferlunden.com/american-breakdown/ -- Ronit Plank is a writer, teacher, and editor whose work has been featured in The Atlantic, The Washington Post, The New York Times, Writer's Digest, The Rumpus, American Literary Review, Hippocampus, The Iowa Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named a 2021 Best True Crime Book by Book Riot and was a Finalist in the National Indie Excellence Awards, the Housatonic Book Awards, and the Book of the Year Awards. Her fiction and creative nonfiction have been nominated for Pushcart Prizes, the Best of the Net, and the Best Microfiction Anthology, and her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' Eludia Award. She is creative nonfiction editor at The Citron Review and lives in Seattle with her family where she is working on her next book. More about Ronit: https://ronitplank.com Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd Follow on Instagram: https://www.instagram.com/ronitplank/ More about WHEN SHE COMES BACK, a memoir: https://ronitplank.com/book/ More about HOME IS A MADE-UP PLACE, a short story collection: https://ronitplank.com/home-is-a-made-up-place/ Connect with Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo: Canva Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Deesha Philyaw and Dawnie Walton sit down with Jocelyn Nicole Johnson—author of Ursa's Season Two, Episode 3 story, "Virginia Is Not Your Home"—to discuss her acclaimed debut collection, My Monticello, and the journey of its making. Johnson talks about her writing as a direct response to historical events as they occur, much of her work centering Virginia as home, and grappling with complicated histories, experiences, and ideas around identity. Johnson addresses the themes that occur throughout her collection, such as that of loneliness, belonging, resistance, violence, and salvation. Deesha and Dawnie dive into questions about perspective, voice, character- and world-building, the writing and revision process, and perseverance as a writer: “Control what you can control, which is the writing. Enjoy the writing. Do your best with the writing. What matters is the writing. I just think you want to be thoughtful, but put that thought and care into that part of it, because that's the part that you have the most control.”Reading List: "Virginia Is Not Your Home" (Ursa Short Fiction) My Monticello (Jocelyn Nicole Johnson) My Monticello audiobook (Audible) Corregidora (Gayl Jones) Octavia Butler Nana Kwame Adjei-Brenyah Charles Yu Beloved (Toni Morrison) Danielle Evans Jamel Brinkley The World Doesn't Require You (Rion Amilcar Scott) About the AuthorJocelyn Nicole Johnson is the author of My Monticello, a fiction debut that was called "a masterly feat" by the New York Times, and winner of the Library of Virginia Fiction Award, the Weatherford Award, the Balcones Fiction Prize, and the Lillian Smith Award, as well as a finalist for the Kirkus Fiction Prize, the National Book Critics Circle Leonard Award, the LA Times Debut Seidenbaum Prize, and long-listed for a Pen/Faulkner Fiction Award and the Story Prize. Johnson has been a fellow at TinHouse, Hedgebrook, and the Virginia Center for the Creative Arts. Her writing has appeared in Guernica, The Guardian, Kweli Journal, Joyland, Lit Hub, and elsewhere. Her short story “Control Negro” was anthologized in The Best American Short Stories, guest edited by Roxane Gay and read live by LeVar Burton. A veteran public school art teacher, Johnson lives and writes in Charlottesville, Virginia. Read more from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Episode editor: Kelly Araja Associate producer: Marina Leigh Producer: Mark Armstrong Ursa Short Fiction is supported by our listeners. Share this podcast with a friend—or become a Member to help fund production: https://ursastory.com/join Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join
Amy Wheeler and Paul Kruse, the masterminds behind Play Club, stop by to talk about this new project (prepare for some major name drops) and which of them hails from Melissa's hometown. In this episode, we discuss:What Play Club is, how it works, and why they started itThe education initiatives Play Club has begun and will expand uponWhy Amy knows literally everyone in the theatre community And more!Resources MentionedPlay ClubHedgebrookFresh Fruit FestivalAbout Our GuestsAmy Wheeler is a nationally produced playwright, educator, speaker and nonprofit leader. Wheeler led the beloved Whidbey Island nonprofit Hedgebrook for many years, evolving it into a global community of influential female-identified writers authoring change in the arts, culture and social justice. Celebrating the culmination of her tenure in 2020, Seattle Arts & Lectures recognized Wheeler with the Prowda Literary Champion Award for “demonstrating true commitment to the Pacific Northwest's community of readers and writers.” She holds an Honorary Doctor of Fine Arts from Cornish College of the Arts, an MFA from the University of Iowa Playwrights Workshop, and she studied acting at University of Kansas and in NY. Wheeler's front burner project is The Last Babushka, a musical she's creating with first generation Ukrainian-American composer Natalie Nowytski about women living in Chernobyl's Exclusion Zone. She founded Play Club: A Book Club with a Theatrical Twist, a venture that's growing into a movement. Play Club's community is a cross-generational audience from across the country who are reading, discussing and going to see contemporary plays together. Amy's father Jim passed away during the pandemic. Play Club is imbued with his spirit, love of community and conversation.Paul William Kruse tells Queer love stories. As a playwright and media artist from Western Wisconsin, his work flows from his Catholic roots and ever-evolving experience of family. Paul often writes collaboratively, drawing from his years of experience as a videographer and documentarian. He is a cohort member of Audible's third Emerging Playwrights Fund, and his audio play Once Removed was an official selection aConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).
Deesha Philyaw and Dawnie Walton introduce their first story pick for Season Two, Jocelyn Nicole Johnson's “Virginia Is Not Your Home,” from her debut collection, My Monticello, published in 2021 by Henry Holt and Co. “Virginia Is Not Your Home” follows the life of a woman who is attempting to outrun her namesake, and the story conjures questions of origin, of becoming, and of freedom. There is emphasis on movement and escape, on our names as our homes, and on understanding what it is we leave behind when we go. It interrogates the ways we forget and the ways we remember. The story is performed by January LaVoy, and it's excerpted from the My Monticello audiobook, produced by our friends at Macmillan Audio. Our thanks to them for sharing this story with Ursa listeners. Listen, then come back next week for our conversation with Jocelyn Nicole Johnson. Reading List: My Monticello (Jocelyn Nicole Johnson) My Monticello Audiobook (Audible) Jocelyn Nicole Johnson's website About the Author Jocelyn Nicole Johnson is the author of My Monticello, a fiction debut that was called "a masterly feat" by the New York Times, and winner of the Library of Virginia Fiction Award, the Weatherford Award, the Balcones Fiction Prize, and the Lillian Smith Award, as well as a finalist for the Kirkus Fiction Prize, the National Book Critics Circle Leonard Award, the LA Times Debut Seidenbaum Prize, and long-listed for a Pen/Faulkner Fiction Award and the Story Prize. Johnson has been a fellow at TinHouse, Hedgebrook, and the Virginia Center for the Creative Arts. Her writing has appeared in Guernica, The Guardian, Kweli Journal, Joyland, Lit Hub, and elsewhere. Her short story “Control Negro” was anthologized in The Best American Short Stories, guest edited by Roxane Gay and read live by LeVar Burton. A veteran public school art teacher, Johnson lives and writes in Charlottesville, Virginia. Read more from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Episode editor: Kelly Araja Associate producer: Marina Leigh Episode producer: Mark Armstrong Audio story produced by Macmillan Audio and performed by January LaVoy. Ursa Short Fiction is supported by our listeners. Share this podcast with a friend—or become a Member to help fund production: https://ursastory.com/join/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join
Ayọ̀bámi Adébáyọ̀'s Debut novel, Stay With Me was published in 2017, and is one of those books that I haven't been able to stop thinking about. Her second novel, A Spell of Good Things is releasing in February 2023, and I can say with full certainty that it was worth the wait.In this episode we talk about love amid political turmoil, class, power, womanhood, the complexity of relationships and the messy-ness of family relations, among other things. TW: We also discuss infertility and baby loss, which is a big theme in Stay With Me, so if this doesn't feel like something you want to think about right now, please come back another time that feels better for you :)Ayọ̀bámi Adébáyọ̀ has written for the BBC, LitHub, The Guardian(UK) and others. She has received fellowships and residencies from MacDowell Colony, Ledig House, Sinthian Cultural Centre, Hedgebrook, Ox-bow School of Arts, and Ebedi Hills. She holds BA and MA degrees in Literature in English from Obafemi Awolowo University, Ife. Ayọ̀bámi also has an MA in Creative Writing from the University of East Anglia where she was awarded an international bursary for creative writing. In 2017, she won The Future Awards Africa Prize for Arts and Culture. She has worked as an editor for Saraba magazine since 2009.Ayọ̀bámi is the author of STAY WITH ME, which was shortlisted for the Kwani? Manuscript Project as a work in progress in 2013. After it was published in 2017, it was shortlisted for the Baileys Prize for Women's Fiction, the Wellcome Book Prize and the 9mobile Prize for Literature. It was also longlisted for the International Dylan Thomas Prize. STAY WITH ME was named a Notable Book of the Year by The New York Times and a Best Book of the Year by The Guardian, The Economist, The Wall Street Journal and many other publications. Ayọ̀bámi was born in Lagos, Nigeria.Her latest novel, A Spell of Good Things is published by Canongate Books and will be published in February 2023.If you enjoyed this episode, please follow The Diverse Bookshelf on your podcast platform of choice, and connect with me on social media.www.instagram.com/readwithsamiawww.instagram/thediversebookshelf Support the show
Author Lydia Conklin reads "Pioneer," a story from Rainbow Rainbow, their delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes. Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine.
Hi there, Today I am so happy to be arts calling Monica Macansantos! About our guest: Monica Macansantos (monicamacansantos.com) is a former James A. Michener Fellow for Fiction and Poetry at the University of Texas at Austin, where she earned her MFA in Writing. She also holds a PhD in English and Creative Writing from the Victoria University of Wellington, International Institute of Modern Letters. Her debut collection of stories about Filipinos at home and in the diaspora, Love and Other Rituals, is out from the University of Melbourne's Grattan Street Press. Her work has appeared or is forthcoming in Colorado Review, The Hopkins Review, Bennington Review, The Masters Review, Electric Literature, Literary Hub, and Katherine Mansfield and Children (Edinburgh University Press), among other places. Her work has been recognized as Notable in the Best American Essays 2022 _and the _Best American Essays 2016, and has received finalist and honorable mention citations from the _Glimmer Train _Fiction Open. Her work has also been translated into Czech (_Kuřata v hadí kleci: _Prague, Argo Press, 2020) and Spanish (_Arbolarium, Antologia Poetica de los Cinco Continentes: _Bogota, Colegio Bilingüe José Max León, 2019). She has received fellowships and scholarships from the Michener Center for Writers, Hedgebrook, the Kimmel Harding Nelson Center for the Arts, the I-Park Foundation, Storyknife Writers Retreat, Moriumius (Japan), the Honor Society of Phi Kappa Phi, and the International Institute of Modern Letters. Her completed manuscripts also include a collection of essays entitled Returning to My Father's Kitchen about grief, home, and belonging, and a novel entitled People We Trust about three young people who come of age in Marcos-era Philippines. She is currently working on a second novel, entitled Marian and Anja, about two childhood friends navigating the in-betweenness of their cultural identities in '90s Philippines and 2010s Austin, as well as a second story collection about Filipinos at home, in the US, and in New Zealand. She has lived in Delaware, Texas, the Philippines, and New Zealand, and loves tango, cooking, swimming, and birds. She also loves writing about her late father, the poet Francis C. Macansantos, from whom she inherited her love of writing, laughter, and life. Love & Other RItuals, now available here: https://www.monicamacansantos.com and here: https://bookshop.org/p/books/love-and-other-rituals-selected-stories-monica-macansantos/18834429 Twitter: https://twitter.com/missmacansantos Thanks for taking the time to chat on the show, Monica! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: please consider reviewing the podcast and sharing it with those who love the arts, or are starting their creative journey! Your support truly makes a difference, so check out the new website artscalling.com for the latest episodes! Go make a dent: much love, j
This episode is part of an interview series for Miami Book Fair, where members of Team Micro interview authors appearing at the fair about their work. For more information about their programming and to check out the incredible roster of authors appearing this year, visit miamibookfair.com. And be sure to follow them at @miamibookfair and #MiamiBookFair2022 for more updates. Ingrid Rojas Contreras was born and raised in Bogotá, Colombia. Her first novel Fruit of the Drunken Tree was the silver medal winner in First Fiction from the California Book Awards, and a New York Times editor's choice. Her essays and short stories have appeared in the New York Times Magazine, Buzzfeed, Nylon, and Guernica, among others. Rojas Contreras has received numerous awards and fellowships from Bread Loaf Writer's Conference, VONA, Hedgebrook, The Camargo Foundation, and the National Association of Latino Arts and Culture. She is a Visiting Writer at Saint Mary's College. Dylan Evers is a third culture kid interested in amplifying stories from the margins. She graduated with her MFA from the University of New Orleans and won a few awards for her thesis. When she's not tending to her small children and large dogs, you can find her reading copious amounts of flash and working on her first novel. You can find her on Twitter at @dyl_evers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jordan talks with Lydia Conklin about bucking the conventions of queer storytelling, how a childhood Oregon Trail reenactment led to one of the most memorable stories in Rainbow Rainbow, and the excitement of making big moves in life and art. MENTIONED: * The Oregon Trail (play here) * Revolutionary Road by Richard Yates * Intimacies by Katie Kitamura Lydia Conklin is an Assistant Professor of Fiction at Vanderbilt University. Previously they were the Helen Zell Visiting Professor in Fiction at the University of Michigan. They've received a Stegner Fellowship in Fiction at Stanford University, a Rona Jaffe Writer's Award, three Pushcart Prizes, a grant from the Elizabeth George Foundation, a Creative & Performing Arts Fulbright to Poland, work-study and tuition scholarships from Bread Loaf, and fellowships from MacDowell, Yaddo, Djerassi, Hedgebrook, the James Merrill House, the Vermont Studio Center, VCCA, Millay, Jentel, Lighthouse Works, Brush Creek, the Santa Fe Art Institute, Caldera, the Sitka Center, and Harvard University, among others. They were the 2015-2017 Creative Writing Fellow in fiction at Emory University. Their fiction has appeared in Tin House, American Short Fiction, The Southern Review, The Gettysburg Review, and elsewhere, and is forthcoming from The Paris Review. They have drawn graphic fiction for Lenny Letter, Drunken Boat, and the Steppenwolf Theater in Chicago and cartoons for The New Yorker and Narrative Magazine. Their story collection, Rainbow Rainbow, was published in June 2022 by Catapult in the US and Scribner in the UK. For more Thresholds, visit us at www.thisisthresholds.com Be sure to rate/review/subscribe on your favorite podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices
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