Podcasts about Destry Rides Again

The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon.  In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon.  In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon.  In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon.  In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices

The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon.  In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices

This time around, we chat about the 1939 Comedy Western (Western Comedy?) Destry Rides Again. The Criterion DVD looks amazing but is the film any good? Tune in to find out. We also chat about Incoming, Suze, Please Don't Destroy: The Treasure of Foggy Mountain, His Three Daughters and Biosphere.

We're saddling up on our horses once again as we mosey on down to Old West, but this time with a promise of James Stewart for Sophie. Yessir, we're taking our chances with checking out the 1939 Comedy-Western movie, Destry Rides Again.  As part of the discussion, we also reflect on Jimmy's previous movie roles (particularly ones we've covered), whether there is in fact anything in star power, and most importanly - does this iteration of the Wild West sway Sophie's opinion of the genre at all??   ------------------------------------------------------- Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!   instagram.com/sp_filmviewers twitter.com/SP_Filmviewers  letterboxd.com/SP_Filmviewers Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below: Goodpods: https://goodpods.app.link/pkE7J2T6ykb Podchaser: https://www.podchaser.com/users/sp_filmviewers Apple Podcasts: https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644  Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below: https://patreon.com/spfilmviewers 

Paul and Erin review two classic Western comedies: Mel Brooks' gleefully offensive 1974 spoof BLAZING SADDLES, and the underrated 1939 James Stewart/Marlene Dietrich vehicle DESTRY RIDES AGAIN.

With this podcast, Couch And Coffee Table wrap up their Westerns month. This podcast presents Lux Radio Theatre's adaptation of the 1939 film Destry Rides Again starring Jimmy Stewart reprising his role from the film. Lux Radio Theatre's adaptation of Destry Rides Again starring Jimmy Stewart aired on November 5, 1945. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-perry6/support

Welcome to It's A Wonderful Podcast!! It seems a Westerns series has started on the main show as Morgan and Jeannine have decided to take the next few weeks to celebrate this often-times misunderstood and undervalued genre. We had a rollicking romp last week with Jimmy Stewart's first Western 'Destry Rides Again' and he's back this week too with the final of his five Westerns he made with director Anthony Mann as Morgan and Jeannine talk THE MAN FROM LARAMIE (1955)! A deceptive and subtle movie, visually beautiful yet full of characters straining their true feelings. Tragedy, revenge, romance and a charming stubbornness from Jimmy Stewart make this one particularly special! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Welcome to It's A Wonderful Podcast!! A chaotic, often comedic romp of a Western, but not without it's genuine emotional undertone on this week's main show as Morgan and Jeannine talk DESTRY RIDES AGAIN (1939) starring the inimitable Marlene Dietrich alongside Jimmy Stewart in his first foray into a genre he would become very comfortable in! Another example to show why 1939 was arguably the strongest year in Old Hollywood, it's a movie that comes at a very interesting time in both our leads' careers and see them shine playing off each other with Dietrich playing an evolved version of her past mysterious siren roles and Stewart being the perfect calming presence for the bar-brawling, connivingly corrupt town of Bottleneck, ran not so subtly from the background by the delightfully menacing Brian Donlevy! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

To steal (and completely spoil) Mike's joke from the very end of this episode: we hope that you're ready to listen to three men discuss 3 Women.  Because we're joined this week by Patrick O'Riley from the Vintage Video Podcast, who brings us Shelly Duvall and Sissy Spacek in Robert Altman's mind-bending, identity-shattering, dream of a film.  Or film of a dream? This is, apparently, up for debate. *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing George Marshall's Destry Rides Again (1939).

Howdy! It's time to join WPMT for a celebration of the 1959 Broadway musical "Destry Rides Again," featuring a rare recording of the 1945 Lux Radio Theatre broadcast of the story starring James Stewart and Joan Blondell with Leo Cleary. Shine up that saddle and settle in for this week's premiere, "Destry Rides Again," now available on all major listening platforms.

Welcome to Campfire Classics, a Literary Comedy Podcast!! In a world where EVERYONE has a podcast, you must ask yourself...why aren't we a union yet!? Did you read that in you best Don LaFontaine voice?  I hope so.  Anyway, about the episode. Heather has chosen a story for Ken to read.  It's a Western by the guy who wrote Destry Rides Again.  The story is "Wine on the Desert" by Frederick Schiller Faust, AKA Max Brand, AKA Evan Evans, AKA George Owen Baxter, AKA George Evans, AKA Peter Dawson, AKA David Manning, AKA John Frederick, AKA Peter Morland, AKA George Challis, AKA Peter Ward, AKA Frederick Frost...I'm tired now, what was I saying? Ken reads, and along the way your hosts discuss their favorite listeners, dead wood dick, and sweet sweet revenge cherries. "Wine on the Desert" was published in 1941 under the pen name Evan Evans. Email us at 5050artsproduction@gmail.com. Remember to tell five friends to check out Campfire Classics. Like, subscribe, leave a review. Now sit back, light a fire (or even a candle), grab a drink, and enjoy.

There was only one person in Hollywood who could pull off a top hat and tuxedo as good as Fred Astaire and that was Marlene Dietrich. Despite the fame of Marlene's black tie ensemble, the two movies we will be discussing in this episode will feature the legendary actress in much less formal outfits. The first film, Destry Rides Again (1939), is a Western with equal combination of slapstick and gun toting. Dietrich portrays a cabaret singer in a corrupt saloon in the Wild West where if you just lose your money you've done ok. Jimmy Stewart is also in this film doing a fantastic job as the new sheriff in town who spends more time whittling than shooting. The next film is Touch of Evil (1958), a film noir directed and starred in by Orson Welles as well as Charlton Heston and Janet Leigh. The film begins with what is perhaps the greatest single-take scene in history. Marlene Dietrich, portraying the long-term owner of a brothel frequented by Welles' character, only makes a relatively short appearance in this film. But those few minutes are all she needs to make a glamorous entrance and exit. Available on YouTube, Spotify and Apple Podcasts. We apologise for any disruptions in audio caused by our needing to record remotely to comply with COVID conditions.

Cinco Paul (co-writer of the Despicable Me movies) welcomes special guest Julie Klausner (creator and star of Difficult People) back to the podcast! He makes her watch the 1939 classic comedy-western Destry Rides Again, and she makes him watch Quentin Tarantino's 1997 blaxploitation homage Jackie Brown. What did they think? Check it out on this latest episode of MAKE HIM WATCH IT!

In a year of many cinematic milestones, the comparably modest aspirations of the comedy Western Destry Rides Again still manage to stand the test of time to prove an enduring and vital classic of the Western genre. At the same time luminaries such as John Ford were revitalizing the genre with prestige films such as Stagecoach, director George Marshall and the genre-specializing producers at Universal sought to upend the genre in a notably different manner, flipping the script on typical melodrama plots with a distinct sense of raucous parody that would influence countless spoofs to come. Destry Rides Again remains the zenith of these satiric efforts, though, thanks to its ability to function as a straight Western drama at the same time it parodies its most ridiculous tropes. James Stewart's turn as the charming stalwart sheriff with an uncommon approach to justice sizzles with the enigmatic European allure of Marlene Dietrich in this chaotic Western watering hole, matched by a compelling supporting cast of colorful characters. The film is vibrant and engaging, with a very unique set of sensibilities that remains unmatched by anything to come of the genre ever since. An unforgettable and joyous romp with a litany of comic subversions make Destry Rides Again one of the true paragons of the early wave of Western classics. Timestamps: 0:00 The Enigma of Orson Welles 7:05 Arklight Cinema and Pacific Theaters shut down, as we look to return to the movies SIFF 16:50 Mogul Mowgli 18:58 Little Girl
 21:32 Slalom 25:06 Summer of 85 29:07 Street Gang: How We Got to Sesame Street (29:07) 35:08 Ken Burns' Hemingway 40:00 Marlene (1984) 47:44 Destry Rides Again

A new format, but the same Ducks. We are back at it again. Today, we are talking about Destry Rides Again and Zodiac and the comebacks made because of these films.

Hey you bushwhackers, mosey on up and listen in as the Film Freaks discuss some great, rather underrated Westerns flicks. The Film Freaks love them some Westerns, but classics like “High Noon,” “Shane,” “The Searchers,” etc. have been discussed to death, so we light a campfire, cook up a mess of beans, and discuss some truly wonderful Westerns. Films featured in this episode include “Destry Rides Again” (1939), “Ride Lonesome” (1959), “Day of the Outlaw” (1959), “Hombre” (1967), “The Long Riders” (1980) and “The Sisters Brothers” (2018). Everyone from Paul Newman to Marlene Dietrich to Randolph Scott to Joaquin Phoenix are part of this fun episode. So belly up to the saloon bar, throw back some rock gut, and join the Film Freaks as we ride off into the sunset...

“Amuse-Bouche” – May 9th 2020 Welcome to the most “meh”… I mean “chill” episode of Nightcaps at the Theater with another Amuse Bouche pop culture party! Tune into the Spice Channel, aka our podcast where topics tonight include: Frankenstein birthing techniques, Joe Pesci impressions, making “Whoopi” and more …. we’re so sorry! Thank you for listening, It’s too late fans, Gerard Butler says you are past the point of “No Return!” Since there’s no other place to go, remember to rate, review, listen, and subscribe to our humble little podcast on Stitcher, Podbean, iTunes, Spotify, and More! Shut Up Weeb! – Star Wars: The Clone Wars, The Shivering Truth, and Ghost Stories T.V. Court – Community, La Casa De Papel/Money Heist, The Mandalorian, The Gallery, RuPaul’s Drag Race/Celebrity Drag Race/All Stars Season 5, We’re Here, Hollywood, Nadiya’s Time to Feast, Killing Eve, West World, and What We Do in the Shadows, Movie Phone – Show Boat, Destry Rides Again, and Elvira: Mistress of the Dark Troddin the Boards – Frankenstein, The Phantom of the Opera, Love Never Dies, and Help! I’m Stuck with Cole Escola. Disc Jockeys – Car Seat Headrest’s A Door Less Closed, Fionna Apple, Grimes, Leontyne Price, Kim Petra’s Malibu, Chromatica Art Provided By: John Cafiero @bonehaver420 Music: "Riviera Jazz" Provided By: Crazy G 

Idag pratar vi om Rumäniens nationella kulturdag, HBTQ i opera och nomineringar inför Oscarsgalan 2020. MUSIK I PROGRAMMET Calusul, Dumitru Zamfira Händels Rinaldo med bl a countertenoren Max Emanuel Cencic The girls I left behind me, Vesta Tilley Once knew a fella, ur Destry Rides Again, med Andy Griffith There is no business like show business, Nathan Lane Hello my love, Westlife It’s raining men, The weather girls ሸገር Sheger (Mix), James Lotion

Episode #21 Destry Rides AgainHello movie lovers! - the latest episode of the States & Kingdoms Podcast! Home of the classic-est movies ever !!!This week Sean & Jenna trip over the light fantastic toe and discuss Destry Rides Again.Leave us alone, Mel Brooks!Destry Rides AgainDirected by George MarshallStarring Marlene Dietrich, James Stewart, Charles Winninger, Brian Donlevy, Mischa Auer and Una MerkelStudio: Universal*****States & Kingdoms theme music by Sean Newton Be sure to check out our nascent Instagram presence and follow us there- @statesandkingdomsPlease subscribe! Then leave us a 5 star review if you liked what you heard & share with your film-loving friends! Thanks for listening! Keep it classic movie people… xxSean & Jenna

In this episode, we cover significant films released in 1939 that were not nominated for Best Picture. We also give picks for our personal awards, including our top 10 films of the year. Check out www.gildedfilms.com and follow us on Facebook, Twitter, Instagram, and Letterboxd for more episodes and content. You can also follow Brett, Christian, and Zā on Letterboxd! Beginning - Babes in Arms 5:30 - The Cat and the Canary 13:00 Destry Rides Again 14:30 - The Hunchback of Notre Dame 21:30 - Daybreak 25:20 - Only Angels Have Wings 31:00 - The Rules of the Game 36:30 - The Women 44:20 - Young Mr. Lincoln 52:00 - Other 1939 Films 1:05:30 - Personal Awards

Joining Audrey for this week's REELTalk - She had Broadway roles in Auntie Mame with Gypsy Rose Lee, The Queens with Helen Hayes, The Paisley Convertible with Sam Waterston and Bill Bixby and she’s had over 100 guest starring roles on TV, including: Bonanza, Gunsmoke, Wagon Train, The Virginian, Destry Rides Again, The Real McCoys, McHale ‘s Navy, to name a few… but most remembered for her role as The Mary Tyler Moore Show as Murray’s wife Marie. Award-winning actress JOYCE BULIFANT will be with us to discuss her new book: My Four Hollywood Husbands! AND, highly acclaimed author Dr. ANDREW BOSTOM will be back with us! PLUS, direct from Sweden, former Muslim & Islam Analyst MONA WALTER will be here… In the words of Benjamin Franklin, "If we do not hang together, we shall surely hang separately." Come hang with us...

Singing Guns was aired by Studio One on October 21, 1947 starring Myron McCormick and Gary Merrill. The story is dramatized from the novel Singing Guns by Max Brand, who you may remember created the Western character Destry, featured in several filmed versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books.Singing Guns is about a sheriff, Owen Caradac, who is saved from certain death by the legendary killer Rhiannon, and the two forge a bond that changes Rhiannon's life.This is a top notch story and the acting is outstanding in this one hour western drama.Studio One 471021 26 Singing Guns

Late in the run of his Broadway turn as Tevye in "Fiddler On The Roof", Alfred Molina discusses his role in that much-discussed production, recalls meeting his wife-to-be in the musical "Destry Rides Again" and his culture shock at being plucked from a small London theatre to appear in the film "Raiders Of The Lost Ark", and shares the challenge of his manic monologue in the Broadway debut of Yasmina Reza's "Art". Original air date - November 19, 2004.

Late in the run of his Broadway turn as Tevye in "Fiddler On The Roof", Alfred Molina discusses his role in that much-discussed production, recalls meeting his wife-to-be in the musical "Destry Rides Again" and his culture shock at being plucked from a small London theatre to appear in the film "Raiders Of The Lost Ark", and shares the challenge of his manic monologue in the Broadway debut of Yasmina Reza's "Art". Original air date - November 19, 2004.

Unknown to many, including me, Jimmy Stewart loved radio drama and appeared in almost as many radio broadcasts as he did movies and stage plays. His radio career spanned over seven decades, starting with Yellow Jack in 1934 and ending with his last performance in a Thanksgiving special, which aired on November 22, 1990. He was best known for his appearances in the Lux Radio Theatre, which first broadcast in 1937. Lux Radio Theatre, a CBS showcase, played to a weekly audience of over 36 million people. Hosted by Cecil B. DeMille, programs consisted of feature length films compressed into one-hour radio plays. Stewart starred in such classics as Destry Rides Again, It’s a Wonderful Life, Winchester ’73 and the Philadelphia Story, to name a few.