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Send us a textGeorge Feltenstein joins Tim Millard to review the Warner Archive's April Blu-ray releases, a diverse collection spanning from 1950s classics to 2000s comedies that have been restored with stunning new transfers and special features.• Leslie Caron and Mel Ferrer star in "Lily" (1953), a Technicolor gem restored from original 3-strip negatives • Despite studio doubts, "Lily" became a massive success that was later reissued theatrically instead of going to television• "Side Street" (1950) features rare on-location New York City filming with Farley Granger and Cathy O'Donnell• Anthony Mann's noir thriller uses the city as a character, with John Alton's cinematography and a memorable climactic car chase• "Springfield Rifle" (1952) starring Gary Cooper presented restoration challenges as an early Warner Color film• "Just Friends" (2005) with Ryan Reynolds finally gets its first proper U.S. Blu-ray release with all special features• "Clean and Sober" (1988) showcases Michael Keaton's breakthrough dramatic role alongside Morgan Freeman• Glenn Gordon Caron's film about addiction remains relevant today, balancing serious subject matter with moments of hopePurchase Links:LILI (1953) BLU-RAYSIDE STREET (1950) BLU-RAYSPRINGFIELD RIFLE (1952) BLU-RAYJUST FRIENDS (2005) BLU-RAYCLEAN AND SOBER (1988) BLU-RAYReplacement Program Communications Upgraded Audio is available on Just Friends and Clean and Sober Important news : Recently, we upgraded the audio tracks to five releases. These changes were what we call, “running changes” so many customers already have the upgraded Audio. But if you were one of the early purchasers of these titles you may be eligible to receive a free replacement disc that includes the upgraded audio. Clean and Sober “Clean and Sober” (Blu-ray) is eligible for a replacement disc that will include DTS-HD MA 2.0 stereo audio. To know if you're eligible for the replacement, check your purchased disc. If it does not have DTS-HD MA 2.0 stereo you're eligible for a replacement. Just Friends “Just Friends” (Blu-ray) is eligible for a replacement disc that will include all special features and DTS-MA HD 5.1 audio. To know if you're eligible for the replacement, check your purchased disc. If it has only 2.0 audio and one special feature – the trailer - you're eligible for a replacement. To receive your replacement follow these instructions; Email customerservice@moviezyng.com with your request. Be sure to include your original purchase receipt in your initial email to Movie Zyyng. Movie Zyng is working with Warner Bros. and AV Entertainment to facilitate the replacement even if you'veThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
In this episode, Ron investigates one of his favorite TV shows from childhood—The Virginian. Saddle up as he explores the story's origins, and its transformation through literature, film, and radio. The Virginian's evolution from novel to screen shaped a genre. Gary Cooper's portrayal of the character remains a benchmark in Western cinema. What You'll Hear: Ron's memories of The Virginian TV show starring James Drury, and favorite character, Trampus. The History of The Virginian. A literary journey beginning with Owen Wister's 1902 novel, its role in defining the Western genre, and its adaptation into films—highlighting Gary Cooper's iconic performance and his famous line, "When you call me that, smile.” Listen to the 1936 Lux Radio Theater's adaptation of The Virginian, featuring Gary Cooper reprising his role. Learn about one of Hollywood's first gossip columnist, his influence on Tinseltown, and the origin of the term “Oscar." Ron investigates the Virginian's real name—and why it remains a mystery to this day. Thank you for listening to Ron's Amazing Stories—where history, mystery, and classic tales come alive. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:
“OLD HOLLYWOOD's TOXIC TRIANGLE” - 5/19/2025 (088) Hollywood in the mid-20th century was a world of glitz and glamour, a realm where dreams could be made or destroyed in an instant. It was an era when the silver screen crafted illusions of romance and perfection, yet behind the scenes, the personal lives of its stars often unraveled into chaos, scandal, and tragedy. Few stories exemplify this dark side of Hollywood better than the volatile love triangle involving actress BARBARA PEYTON and actors FRANCHOT TONE and TOM NEAL. What began as a passionate romance descended into obsession, violence, and ultimate ruin—forever marking the three as cautionary tales of unchecked desire and self-destruction. In this episode, we explore this explosive love triangle and its aftermath. SHOW NOTES: AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Kiss Tomorrow Goodbye: The Barbara Payton Story (2012), by John O'Dowd; I Am Not Ashamed (1963), by Barbara Payton; “Tone, Payton, & Neal: Hollywood's Most Toxic Triangle,” January 29, 2022, by Burt Kearns, legsville.com; “Blazing Blonde Bombshell: Barbara Payton's Boulevard of Broken Dreams,” January 6, 2021, by Hadley Hall Meares, Vanity Fair; “The Bottle and Barbara Payton,” November 16, 2018, Travelanche.com; “Notes From The Unashamed,” May 19, 2016, by Kim Morgan, sunsetgun.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Once More My Darling (1949), starring Robert Montgomery & Ann Blyth; Trapped (1949), starring Lloyd Bridges & Barbara Payton; Kiss Tomorrow Goodbye (1950), starring James Cagney & Barbara Payton; Dallas (1950), starring Gary Cooper, Ruth Roman, Steve Cochran, & Barbara Payton; Only The Valiant (1951), starring Gregory Peck & Barbara Payton; Dancing Lady (1933), starring Clark Gable, Joan Crawford, & Franchot Tone; Mutiny on the Bounty (1935), starring Clark Gable, Charles Laughton, & Franchot Tone; Detour (1945), starring Tom Neal & Ann Savage; Another Thin Man (1939), starring William Powell & Myrna Loy; Crime, Inc (1945), starring Tom Neal & Martha Tilton; Blonde Alibi (1946), starring Tom Neal & Martha O'Driscoll; I Shot Billy The Kid (1950), starring Don “Red” Barry, Robert Lowery, & Tom Neal; The Great Jesse James Raid (1953), starring Tom Neal & Barbara Payton; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fue una de las actrices más famosas de los años 80 del siglo XX. Sin embargo, a mediados de la década de los 90 dio un portazo a Hollywood y abandonó el cine. Bastantes años después regresaría a él pero desde entonces su presencia en las pantallas ha resultado mucho más discreta. Nos referimos a Debra Winger. La actriz cumple 70 años y nosotros repasamos su carrera en este episodio. El próximo jueves día 15 se celebra San Isidro, la fiesta patronal de Madrid y por tal motivo hemos buscado en nuestra “Enciclopedia curiosa” películas del cine americano rodadas en parte o en su totalidad en la capital de España. Charlamos con las directoras Jone Ibarretxe y Nerea Fálagan, responsables del documental “Esto no es Hollywood” y en la sección dedicada al cine del Oeste tenemos esta semana “El forastero” de William Wyler, con Gary Cooper y Walter Brennan de protagonistas.
Jeff can't thank you all enough for your prayers and wishes for him and his family with the passing of his mother. He would like to thank you with his sincerest apprecitation and gratitude.(2024) National Teacher apprciation day. Entertainment from 1985. Lusitania sank from German sub, Largest Pearl found, Largest Swordfish caught,New Orleans founded. Todays birthdays - Johannes Brahms, Pytor Tchaikovsky, Gary Cooper, Darren McGavin, Robert Hegyes, Eagle Eye Cherry, Breckin Meyer. Eddie Rabbitt died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Teacher teacher - 38 SpecialWe are the world - USA for AfricaSomebody should leave - Reba McEntireBirthdays - In da club - 50 Cent http://50cent.com/The cradle song - Brahms1812 overture - TchaikovskyWelcome back Kotter TV themeSave tonight - Eagle Eye CherryI love a rainy night - Eddie Rabbitt
Send us a textWarner Archive announces six spectacular Blu-ray releases for June, along with new value-priced four-film collections and the Looney Tunes Collectors Vault Vol. 1. George Feltenstein shares details about each release, including the meticulous 4K restorations from original camera negatives that bring these classics to life like never before.• Four-film collections featuring Clark Gable, Gary Cooper, and Elizabeth Taylor are coming in June, with 24 collections planned overall• High Society 4K street date moved to June 10th to ensure "magnificent" presentation with Dolby Atmos and original mono tracks• Looney Tunes Collectors Vault Vol. 1 offers 50 cartoons for just $3 more than the previous single-disc releases• The Citadel (1938) - King Vidor's critically acclaimed drama about the medical profession with Robert Donat and Rosalind Russell• A Date with Judy (1948) - Technicolor MGM musical starring Jane Powell and a 16-year-old Elizabeth Taylor• The Enchanted Cottage (1945) - Fantasy romance restored to its full 92-minute version after decades of circulation in a cut form• Executive Suite (1954) - Corporate drama featuring a stellar cast including William Holden and Barbara Stanwyck, with Oliver Stone commentary• His Kind of Woman (1951) - Noir comedy starring Robert Mitchum and Jane Russell with a scene-stealing Vincent Price• Splendor in the Grass (1961) - Elia Kazan's powerful drama with Natalie Wood and Warren Beatty, now properly restored after years of poor transfersPurchase links:Clark Gable 4 Film Collection releasing June 10thElizabeth Taylor 4 Film Collection releasing June 10thGary Cooper 4 Film Collection releasing June 17th The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
"My Heart is a Hobo" - Bing Crosby; "It Takes a Long, Long Train with a Red Caboose (To Cary My Blues Away" - Peggy Lee; "Mam'selle/Chi-Baba, Chi-Baba (My Bambino Go To Sleep)/Peg O' My Heart" - Bing Crosby;"Home on the Range (parody)' - Bing Crosby & Gary Cooper; "El Rancho Grande" - Bing Crosby, Peggy Lee, & Gary Cooper; "You Do" - Bing Crosby
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We've got a big one for you this week: four main movies plus four Fear and Moviegoing viewings. Our main feature is Stanning for Sten: Anna Sten's three movies for Samuel Goldwyn, Nana (1934), based on (more like inspired by) the Zola novel, We Live Again (1934), with a Tolstoy source, and The Wedding Night (1935), plus a glimpse at one of her later supporting roles in Let's Live a Little (1948), a Robert Cummings comedy vehicle. Goldwyn infamously brought Sten to Hollywood with the intention of creating his own Dietrich-Garbo hybrid and lavished the most prestigious Hollywood talent (Arzner, Mamoulian, Vidor, Gregg Toland, and co-stars like Frederic March and Gary Cooper) and literary source material on her, only to have the public reject her; but we argue that Goldwyn's care didn't go to waste. And in Fear and Moviegoing, we look at the career of actress/director Mai Zetterling, discussing two movies directed by her, and two early films in which she appears (one directed by Ingmar Bergman, the other written by him). Time Codes: 0h 00m 25s: A Few Words About Sten and Goldwyn 0h 08m 02s: NANA (1934) [dir. Dorothy Arzner] 0h 28m 11s: WE LIVE AGAIN (1934) [dir. Rouben Mamoulian] 0h 58m 08s: THE WEDDING NIGHT (1935) [dir. King Vidor] 1h 27m 28s: LET'S LIVE A LITTLE (1948) [dir. Richard Wallace] 1h 39m 20s: FEAR & MOVIEGOING IN TORONTO: Mai Zetterling's Loving Couples (1964) & Scrubbers (1982); Ingmar Bergman's Music in Darkness (1948); Alf Sjoberg's Torment (1944) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In this episode, Peter McCrea, the son of Hollywood legends Joel McCrea and Francis Dee, talks about growing up on their ranch with cattle, chickens, an organic vegetable garden, wood stove cooking, and being exposed to the cycle of life. Living there also featured visits from movie stars Gary Cooper, Spencer Tracy, Katherine Hepburn, and Maurice Chevalier! He also discusses his work creating philanthropic funding and micro financing for global sustainable and organic agriculture. A truly fascinating conversation I know you'll enjoy! Don't forget to follow all of the social media! @Sarandon_Chris on Twitter @TheOfficialChrisSarandon on Instagram Chris Sarandon on Facebook www.chrissarandon.com linktr.ee/theofficialchrissarandonSubscribe on YouTube at https://youtube.com/shorts/-vGUyj0TK-Q
Délidő: A moralizáló western Mafab 2025-03-15 06:31:02 Film Egyébként egy csomó western ilyen, de az, hogy a film utolsó tíz percéig kell várni az első pisztolylövésre, az egy kicsit túlzás. Persze, persze, tudom. Itt pont a főtéma a tehetetlenség drámája és a közelgő leszámolás nyomasztó fenyegetése. Nem a konkrét akció, pisztolyrántás, lövöldözés, ugrálás a tetőkről mindenféle szénakazlakba. Gary Cooper n Koncz Gábor Kossuth-nagydíjas Márkamonitor 2025-03-15 09:48:08 Film Adomány Március 15. Életmű Kossuth-díj Jászai Mari-díj Koncz Gábor Magyarország köztársasági elnöke nemzeti ünnepünk, március 15. alkalmából kitüntetéseket adományozott. Kossuth-nagydíjat kapott: Koncz Gábor Kossuth- és Jászai Mari-díjas színművész, rendező, érdemes művész Magyarország számára kivételesen értékes és példaértékű művészi életműve, páratlan népszerűségnek örvendő színpadi és filmes alakításai, gene Lázár tesók: Elfogynak a zenekarok, ha betiltják az összeset, nem lehet mindig Ákost játszani Telex 2025-03-15 09:37:50 Zene Elítélik a kereskedelmi tévés bohóckodást, és szerintük szomorú, hogy a magyar társadalom ennyire fogékony a rasszizmusra. Lázár Ágoston és Lázár Domokos volt Alinda vendége. Fiatalabb testvérével és autentikus Bartók-előadással ünnepel a Liszt Ferenc Kamarazenekar kultura.hu 2025-03-15 07:30:00 Zene Oktatás egyetem Koncert Zeneakadémia Megalakulásának színhelyén, a Zeneakadémián ünnepel a Liszt Ferenc Kamarazenekar. Itt hozták létre 62 éve az egyetem fiatal muzsikusai az együttest, amely azóta meghódította a világot. A kezdetekben 16 tagú, ma 21 zeneművészt tömörítő kamarazenekar speciális műfajt képvisel, és a születésnapi koncertjük műsora sem lesz átlagos. Eddig sosem látott felvétel a Nemzeti Színház felrobbantásáról Librarius 2025-03-15 10:00:34 Színpad Színház Nemzeti Színház Metró Sosem látott filmfelvétel került elő a Blaha Lujza téri Nemzeti Színház 60 évvel ezelőtti, 1965. március 15-én történt felrobbantásáról – közölte a Nemzeti Filmintézet pénteken. A 60 éve a metró építésére hivatkozva rombolták le Budapest ikonikus épületét, amelyet most segítenek felidézni az Nfi Filmarchívumban feldolgozott filmfelvételek. A tájéko Ingyen megnézheted a Joey-spinoff új részeit a Jóbarátok YouTube-csatornáján in.hu 2025-03-14 20:37:02 Film Humor YouTube Jó hír a Jóbarátok-rajongóknak: sorozat hivatalos YouTube-csatornája közzétette a Joey-spinoff első két epizódját. Ha szeretted Joey Tribbiani humorát és sármját, akkor ezt sorozat neked való. Matt LeBlanc újra a jól ismert okoskodó nőcsábász bőrébe bújik.A Joey sorozat még 2004-ben debütált, de most először vált széles körben elérhetővé. A történe Barabás Évi és Alföldi Róbert újra egy színpadon – országjáró turnéra indultak! rtl.hu 2025-03-15 10:30:46 Színpad Alföldi Róbert Magyar Televízió Barabás Évi és Alföldi Róbert neve régóta összefonódik a magyar televíziózás történetében. Két évtizeddel ezelőtt együtt vezették a Reggelit, most pedig újra közös projekten dolgoznak. Öt évvel a repülőgép eltűnése után tértek haza az utasok, ami akár velünk is megtörténhet Index 2025-03-14 20:22:00 Zene Repülőtér Repülőgép A tudomány jelenlegi állása szerint nehéz a Manifestben látottakra bizonyítható magyarázatot találni. 5 briliáns túlélőthriller, amire egész életedben emlékezni fogsz Igényesférfi.hu 2025-03-15 06:04:04 Film A túlélőthrillerek hőseinek szinte mindig, minden esetben ökölbe szorított kézzel drukkolunk, hiszen a természet kíméletlen erőivel vívnak kilátástalan küzdelmet. A forgatókönyvírók végletesen lecsupaszítják jellemüket, ahogy egzisztenciális küzdelmük egyre kiéleződik. Cenzúrázza a Hunyadit a TV2: Sebestyén Balázs kiakadt Story 2025-03-15 06:00:57 Bulvár Hétvége TV2 Március 15. Sebestyén Balázs Gyerekprogram Családi program Az óriási érdeklődés miatt megismétli a Hunyadi első három részét a TV2 március 15-én délután. Csak épp némi változással lesz látható a szuperprodukció. "A délutáni sorozatmaratont természetesen az idősávnak megfelelően vetíti a TV2, így remek családi program lehet az ünnepi hétvégén a televíziónézőknek" – áll a csatorna tájékoztatójában. Ez a megj Kövek a zsebben – Interjú Kálloy Molnár Péterrel Színház.online 2025-03-15 08:08:00 Film USA Interjú Írország Kálloy Molnár Péter A Kövek a zsebben egy forgatás kulisszái mögé kalauzol minket: egy amerikai film készítésének kellős közepén találjuk magunkat Írországban. A fergeteges folytatást a két főszereplő, esetünkben két statiszta biztosítja, akik úgy mesélik el a történetet, hogy a forgatáson megforduló összes karaktert (férfit és nőt válogatás és kegyelem nélkül) maguk A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Délidő: A moralizáló western Mafab 2025-03-15 06:31:02 Film Egyébként egy csomó western ilyen, de az, hogy a film utolsó tíz percéig kell várni az első pisztolylövésre, az egy kicsit túlzás. Persze, persze, tudom. Itt pont a főtéma a tehetetlenség drámája és a közelgő leszámolás nyomasztó fenyegetése. Nem a konkrét akció, pisztolyrántás, lövöldözés, ugrálás a tetőkről mindenféle szénakazlakba. Gary Cooper n Koncz Gábor Kossuth-nagydíjas Márkamonitor 2025-03-15 09:48:08 Film Adomány Március 15. Életmű Kossuth-díj Jászai Mari-díj Koncz Gábor Magyarország köztársasági elnöke nemzeti ünnepünk, március 15. alkalmából kitüntetéseket adományozott. Kossuth-nagydíjat kapott: Koncz Gábor Kossuth- és Jászai Mari-díjas színművész, rendező, érdemes művész Magyarország számára kivételesen értékes és példaértékű művészi életműve, páratlan népszerűségnek örvendő színpadi és filmes alakításai, gene Lázár tesók: Elfogynak a zenekarok, ha betiltják az összeset, nem lehet mindig Ákost játszani Telex 2025-03-15 09:37:50 Zene Elítélik a kereskedelmi tévés bohóckodást, és szerintük szomorú, hogy a magyar társadalom ennyire fogékony a rasszizmusra. Lázár Ágoston és Lázár Domokos volt Alinda vendége. Fiatalabb testvérével és autentikus Bartók-előadással ünnepel a Liszt Ferenc Kamarazenekar kultura.hu 2025-03-15 07:30:00 Zene Oktatás egyetem Koncert Zeneakadémia Megalakulásának színhelyén, a Zeneakadémián ünnepel a Liszt Ferenc Kamarazenekar. Itt hozták létre 62 éve az egyetem fiatal muzsikusai az együttest, amely azóta meghódította a világot. A kezdetekben 16 tagú, ma 21 zeneművészt tömörítő kamarazenekar speciális műfajt képvisel, és a születésnapi koncertjük műsora sem lesz átlagos. Eddig sosem látott felvétel a Nemzeti Színház felrobbantásáról Librarius 2025-03-15 10:00:34 Színpad Színház Nemzeti Színház Metró Sosem látott filmfelvétel került elő a Blaha Lujza téri Nemzeti Színház 60 évvel ezelőtti, 1965. március 15-én történt felrobbantásáról – közölte a Nemzeti Filmintézet pénteken. A 60 éve a metró építésére hivatkozva rombolták le Budapest ikonikus épületét, amelyet most segítenek felidézni az Nfi Filmarchívumban feldolgozott filmfelvételek. A tájéko Ingyen megnézheted a Joey-spinoff új részeit a Jóbarátok YouTube-csatornáján in.hu 2025-03-14 20:37:02 Film Humor YouTube Jó hír a Jóbarátok-rajongóknak: sorozat hivatalos YouTube-csatornája közzétette a Joey-spinoff első két epizódját. Ha szeretted Joey Tribbiani humorát és sármját, akkor ezt sorozat neked való. Matt LeBlanc újra a jól ismert okoskodó nőcsábász bőrébe bújik.A Joey sorozat még 2004-ben debütált, de most először vált széles körben elérhetővé. A történe Barabás Évi és Alföldi Róbert újra egy színpadon – országjáró turnéra indultak! rtl.hu 2025-03-15 10:30:46 Színpad Alföldi Róbert Magyar Televízió Barabás Évi és Alföldi Róbert neve régóta összefonódik a magyar televíziózás történetében. Két évtizeddel ezelőtt együtt vezették a Reggelit, most pedig újra közös projekten dolgoznak. Öt évvel a repülőgép eltűnése után tértek haza az utasok, ami akár velünk is megtörténhet Index 2025-03-14 20:22:00 Zene Repülőtér Repülőgép A tudomány jelenlegi állása szerint nehéz a Manifestben látottakra bizonyítható magyarázatot találni. 5 briliáns túlélőthriller, amire egész életedben emlékezni fogsz Igényesférfi.hu 2025-03-15 06:04:04 Film A túlélőthrillerek hőseinek szinte mindig, minden esetben ökölbe szorított kézzel drukkolunk, hiszen a természet kíméletlen erőivel vívnak kilátástalan küzdelmet. A forgatókönyvírók végletesen lecsupaszítják jellemüket, ahogy egzisztenciális küzdelmük egyre kiéleződik. Cenzúrázza a Hunyadit a TV2: Sebestyén Balázs kiakadt Story 2025-03-15 06:00:57 Bulvár Hétvége TV2 Március 15. Sebestyén Balázs Gyerekprogram Családi program Az óriási érdeklődés miatt megismétli a Hunyadi első három részét a TV2 március 15-én délután. Csak épp némi változással lesz látható a szuperprodukció. "A délutáni sorozatmaratont természetesen az idősávnak megfelelően vetíti a TV2, így remek családi program lehet az ünnepi hétvégén a televíziónézőknek" – áll a csatorna tájékoztatójában. Ez a megj Kövek a zsebben – Interjú Kálloy Molnár Péterrel Színház.online 2025-03-15 08:08:00 Film USA Interjú Írország Kálloy Molnár Péter A Kövek a zsebben egy forgatás kulisszái mögé kalauzol minket: egy amerikai film készítésének kellős közepén találjuk magunkat Írországban. A fergeteges folytatást a két főszereplő, esetünkben két statiszta biztosítja, akik úgy mesélik el a történetet, hogy a forgatáson megforduló összes karaktert (férfit és nőt válogatás és kegyelem nélkül) maguk A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
The first episode of our season on the awesome movie year of 1941 features the box-office champion, Howard Hawks' Sergeant York. Directed by Howard Hawks and starring Gary Cooper, Joan Leslie, Walter Brennan, Margaret Wycherly and George Tobias, Sergeant York is based on the diaries of real-life World War I veteran Alvin York.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/07/03/archives/sergeant-york-a-sincere-biography-of-the-world-war-hero-makes-its-a.html), Time Magazine, and Herbert Cohn in the Brooklyn Eagle.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at
Your boys are back with a classic old timey western this week. First up, Sean and Parker rank (canonically and objectively) the last 10 movies watched for the show. What will come out in the top spot and how many movies are tied for worst? We also have discuss shocking wrestling revelations, go on politcal rants, get some voicemails, read an actual e-mail and so much more. Then we discuss the award-winning classic, "High Noon" from 1952. Fred Zinnemann's classic recontextualizes the white hate/black hat norms of the western genre and does so in real time! It stars Gary Cooper, Grace Kelly and lots of other cool people. Direct Donloyd. After this, join the Patreon for like 200 bonus episodes. Why not??
EPISODE 76 - “MEMORABLE OSCAR SPEECHES OF THE GOLDEN ERA OF HOLLYWOOD” - 2/24/2025 Winning an Oscar is a dream for most people who work in Hollywood. But you can't just win the Oscar, you have to have a good speech once your name is called and you head to the podium. There have been some great ones — OLIVIA COLEMAN's funny and cheeky speech hit the right tone and who can forget JACK PALANCE's one-arm push-ups or CUBA GOODING's exuberance? There have also been some bad ones — don't we all still cringe a little at SALLY FIELDS' “You like me” speech? As we prepare to celebrate the 97th annual Academy Award ceremony, Steve and Nan look back on some of their favorite Oscar speeches and why they resonate. So put on your tux, don the gown and jewels, pop the champagne, and join us for a fun talk about … well, people talking. SHOW NOTES: Sources: “Five Times The Oscars Made History,” January 20, 2017, www.nyfa.edu; “Hollywood History: How World War II Forced the Academy to Rethink the 1942 Oscars,” April 16, 2021, Entertainment Weekly; “Charlie Chaplin vs. America Explores the Accusations that Sent a Star Into Exile,” October 24, 2023, byTerry Gross, www.npr.com; “The Most Memorable Oscar Speeches in Oscar History,” March 6, 2024, by Shannon Carlin, www.time.com; Wikipedia.com; TCM.com; IMDBPro.com; www.Oscars.org; Movies Mentioned: Stella Dallas (1938), starring Barbara Stanwyck, John Boles, Anne Shirley, & Alan Hale; Gone With The Wind (1939), starring Vivian Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Hattie McDaniel, Butterfly McQueen, Thomas Mitchell, & Barbara O'Neil; How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, & Donald Crisp; Sergeant York (1941), starring Gary Cooper, Joan Leslie, & Walter Brennan; The Devil and Miss Jones (1941), staring Jean Arthur Robert Cummings, & Charle Coburn; Here Comes Mr. Jordan (1941), starring Robert Montgomery, Claude Rains, & Evelyn Keyes; Ball of Fire (1942), starring Barbara Stanwyck & Cary Cooper; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray & Edward G Robinson; Key Largo (1948); starring Humphrey Bogart, Lauren Bacall, Edward G Robinson, Claire Trevor, & Lionel Barrymore; All The King's Men (1948), starring Broderick Crawford, John Ireland, Joanne Dru, & Mercedes McCambridge; Pinky (1949), starring Jeanne Crain, Ethel Waters, Ethel Barrymore, Nina Mae McKinney, & Wiliam Lundigan; Marty (1955); starring Ernest Borgnine. Betsy Blair, Joe Mantell, & Esther Minciotti; The King and I (1956), starring Yul Brenner, Deborah Kerr, Rita Moreno, & Rex Thompson; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, Shirley Jones, Arthur Kennedy, Dean Jagger, and Patti Page; West Side Story (1961), Natalie Wood, Richard Beymer, Rita Moreno, George Chikiris, & Russ Tamblyn; Lillies of the Field (1963), starring Sidney Poitier; In the Heat of the Night (1967)l starring Rod Steiger, Sidney Poitier, & Lee Grant; The Producers (1967), starring Zero Mostel & Gene Wilder; Rosemary's Baby (1968), starring Mia Farrow, John Cassavetes, Ruth Gordon, & Charles Grodin; Faces (1968), starring Gena Rowlands, Lynn Carlin, Seymour Cassel, & John Farley; The Heart is a Lonely Hunter (1968), staring Alan Arkin, Sondra Locke, Cecily Tyson, Stacey Keach, & Percy Rodrigues; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson, Cloris Leachman, & Eileen Brennan; Murder on the Orient Express (1974), starring Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, Martin Balsam, & Jacqueline Bisset; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 75 - “MEHAR BABA BRINGS SPIRITUALITY TO OLD HOLLYWOOD” - 2/17/2025 During the 1920s and 1930s, a spiritual movement swept through Hollywood. It seems the Hollywood elite were about more than just speakeasies, flappers, and decadence. Some were searching for inner-peace and often found it -- at least temporarily -- in these various religious movements that popped up. One spiritual leader who came to prominence was India's MEHAR BABA, who believed that spirituality and metaphysics were interconnected. Stars like MARY PICKFORD, TALLULAH BANKHEAD, and MARIE DRESSLER were admirers. And when Baba visited Hollywood in May of 1932, you'll never believe where he stayed! Get enlightened and listen to this fascinating story of spirituality in Hollywood. SHOW NOTES: Sources: The God Man (1964), by C.B.Purdom; Mehar Baba, www.meharcenter.org “Mehar Baba: A Brief Biography,” www.avatarmeharbabatrust.org; “Pete Townsend Speaks of Mehar Baba,” www.petetoensend.net; “Mehar Baba: The Compassionate Father,” www.ramdass.org; “Highest of the High: Full Message By Mehar Baba with Introduction,” YouTube,com; Wikipedia.com; Movies Mentioned: The Devil and the Deep (1932); starring Tallulah Bankhead, Gary Cooper, Charles, Laughton, & Cary Grant; Love Me Tonight (1932), starring Maurice Chevalier, Jeanette MacDonald, Charles Ruggles, & Myrna Loy; Grand Hotel (1932), starring Greta Garbo, John Barrymore, Joan Crawford, Lionel Barrymore, Wallace Beery, & Lewis Stone; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen To Grandma 4x-xx-xx Guest - Gary Cooper
This week Harrison will review "Love In The Afternoon (1957)" starring Audrey Hepburn and Gary Cooper and directed by Billy Wilder#loveintheafternoon #audreyhepburn #garycooper #billywilder #reelyoldmoviesJoin my Discord!: https://discord.gg/VWcP6ge2Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tipSocial Media Links: https://linktr.ee/reelyoldmovies
We're back with a look at Howard Hawks' 1941 screwball comedy, Ball of Fire starring Gary Cooper and Barbara Stanwyck. How does it compare to other classic comedies of the era? Tune in to find out. We also chat about Kneecap, Snack Shack and A Real Pain. marriedwithclickers@gmail.com
On Ron's Amazing Stories, we're diving into the world of Lux Radio Theater with a classic tale called ‘The Westerner'. It's a star-studded show featuring the legendary Walter Brennan, Gary Cooper, and Dorris Davenport. The story takes us back to the wild west, where we meet Judge Roy Bean, the self-proclaimed ‘Law West of the Pecos'. Now, Judge Roy Bean wasn't your ordinary judge. He was a real person known for his crazy courtroom antics and unique rulings. His saloon-based courthouse and questionable legal methods made him a local celebrity. But despite his unconventional approach, Bean's legacy as a symbol of the wild west lives on. If you're curious about the real Judge Roy Bean, check out this at this link. It's a fascinating glimpse into the life of this wild west icon. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:
Book Vs. Movie: Meet John DoeThe 1922 Short Story Vs. the 1941 FilmFrank Capra's 1941 film *Meet John Doe* is often described as “based on a story by Richard Connell and Robert Presnell.” Unlike Connell's famous short story, “The Most Dangerous Game,” the source material for *Meet John Doe* was based on a short story, “A Reputation,” which appeared in 1922 in Century Magazine. The original work and the final film critique how newspapers—and media moguls—shape public sentiment for their own purposes. Starring Gary Cooper and Barbara Stanwyck, the film was a significant box office success and received an Academy Award nomination for Best Story, with Capra opting for a more hopeful ending than the original. So which did we prefer? The original short story of the Capra movie? Listen to find out!In this ep, the Margos discuss:The works of both Richard Connell and Frank Capra The differences between the short story & 1941 filmThe Movie Cast: Gary Cooper (John Doe,) Barbara Stanwyck (Ann Mitchell,) Edward Arnold (D.B. Norton,) Walter Brennan (The Colonel,) Spring Byington (Mrs. Mitchell,) James Gleason (Henry Connell,) and Gene Lockhart as Mayor Lovett. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:Gary Cooper as “John Doe”Meet John Doe (1941 trailer)“Love thy neighbor.”“John Doe's speech”“John at the bridge”“Last scene”Music by Dimitri TiomkinFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Book Vs. Movie: Meet John DoeThe 1922 Short Story Vs. the 1941 FilmFrank Capra's 1941 film *Meet John Doe* is often described as “based on a story by Richard Connell and Robert Presnell.” Unlike Connell's famous short story, “The Most Dangerous Game,” the source material for *Meet John Doe* was based on a short story, “A Reputation,” which appeared in 1922 in Century Magazine. The original work and the final film critique how newspapers—and media moguls—shape public sentiment for their own purposes. Starring Gary Cooper and Barbara Stanwyck, the film was a significant box office success and received an Academy Award nomination for Best Story, with Capra opting for a more hopeful ending than the original. So which did we prefer? The original short story of the Capra movie? Listen to find out!In this ep, the Margos discuss:The works of both Richard Connell and Frank Capra The differences between the short story & 1941 filmThe Movie Cast: Gary Cooper (John Doe,) Barbara Stanwyck (Ann Mitchell,) Edward Arnold (D.B. Norton,) Walter Brennan (The Colonel,) Spring Byington (Mrs. Mitchell,) James Gleason (Henry Connell,) and Gene Lockhart as Mayor Lovett. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:Gary Cooper as “John Doe”Meet John Doe (1941 trailer)“Love thy neighbor.”“John Doe's speech”“John at the bridge”“Last scene”Music by Dimitri TiomkinFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine
Gary Cooper in The Plainsman https://archive.org/download/ThePlainsman/ThePlainsman-garyCooper.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967
Surprise...it's a bonus episode! Have You Ever Seen #634 is another Ryan solo show. And in it, the monologue is about baseball players, journalists and a lot of liars. Meet John Doe's climax also takes place on Christmas Eve, so Frank Capra's rabble-rouser is timely in that way. It's unfortunate his speech-filled dramedy isn't funnier though, even if it's certainly inspirational. Gary Cooper plays a homeless man who isn't actually suicidal or an idealist, but Barbara Stanwyck had written a newspaper column saying he is...so they run with that lie. Meet John Doe ends up being populist v tycoon (a tycoon who highjacks the movement for his own ends) with a country galvanized by a forgotten man saying all the right things...even if he started out as a fraud. Fire this thing up. Get your java ready for the present-opening tomorrow...and if you haven't already, start making your coffee of choice Sparkplug Coffee. They offer our listeners a onetime 20% discount by using our "HYES" discount code. Go to "sparkplug.coffee/hyes". Rate and review Have You Ever Seen on your podcast app and subscribe to us. Find us on social media. Ryan is @moviefiend51 on Twi-X and "ryan-ellis" on Bluesky. Bev is @bevellisellis on Twi-X & Threads while she's just "bevellisellis" on Bluesky. Email us with your own extensive thoughts about the films we discuss (haveyoueverseenpodcast@gmail.com). And seek our shows out on YouTube (@hyesellis in your browser). Comment there, like the show and subscribe to it.
Send us a textIn this episode, Victoria Riskin, daughter of Oscar-winning writer Robert Riskin and Fay Wray, and award-winning writer-producer Steven C. Smith reveal the impact of director Frank Capra and his friend and collaborator writer Robert Riskin on the early success of Columbia Pictures. We also discuss two audio commentaries they provided for inclusion in the recently released FRANK CAPRA AT COLUMBIA COLLECTION, featuring 20 films in HD, plus nine films in 4K, plus tons of extras, all on 27 discs. Purchase links: FRANK CAPRA AT COLUMBIA COLLECTIONFay Wray and Robert Riskin: A Hollywood MemoirMusic by Max Steiner: The Epic Life of Hollywood's Most Influential ComposerPrepare to embark on an enlightening journey through the legacy of Frank Capra at Columbia Pictures. Learn how Capra's immigrant background and early hardships shaped his storytelling genius, contributing to Columbia's rise as a powerhouse in the film industry. From tackling the transition to sound films to creating financially and culturally significant works, Capra's journey illustrates the power of determination and creativity. Through engaging anecdotes and insights, Steven and Victoria reveal how Capra's collaborations with Robert Riskin gave birth to classics like "It Happened One Night," demonstrating the strength of their partnership despite differing political ideologies during a tumultuous era.Join our conversation as we celebrate the enduring messages of integrity and community values in films like "American Madness" and "Mr. Deeds Goes to Town." The fascinating history of "American Madness" unfolds, highlighting its timely relevance during the Great Depression and its innovative technical directing. Meanwhile, "Mr. Deeds Goes to Town" captures the triumph of the common man, with Gary Cooper's memorable performance and the film's seamless blend of comedy and drama. Through personal anecdotes and reflections, Steven and Victoria underscore the significance of these films, inviting listeners to appreciate the artistry and dedication behind Hollywood's most beloved classics. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv
CW: This episode discusses cinematic sexual violence. Aaron and Carlee from the Hit Factory podcast return from San Francisco to discuss one of Anthony Mann's best films, the psychological western Man of the West, starring Gary Cooper in one of his final performances as a former outlaw who has worked to get away from his sordid past and rebuild his life, only to find himself by circumstance back in league with the very “family” of killers who raised him, in a classic film noir scenario transposed to the Western genre. Jean-Luc Godard hailed Man of the West as the best film of 1958 and in this episode we discuss the psycho-sexual complexities of this western and how it pointed the way to the future of American cinema including the horror genre, how like Michael Mann's Manhunter it implicates the audience by depicting an “audience” within the movie forced to watch sexually-charged violence unfold, and the modernity of the performances by Lee J. Cobb as the crazed paterfamilias of the killers and the singer Julie London as the “saloon singer” held hostage by the gang. We also discuss what this film has to say about violence as the substance that forged Western expansion and which, as we've seen in the wake of Donald Trump's re-election, still courses through the American bloodstream today. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at patreon.com/junkfilter Follow Aaron and Carlee on Twitter, and support the Hit Factory Patreon. Julie London's title theme for Man of the West, un-used in the film itself Trailer for Man of the West (Anthony Mann, 1958)
December at the New Bev is filled with holiday favorites, ultra-rare screenings of the long-unavailable Gary Cooper film The Spoilers (1930), the new cult hit Strange Darling, and a special 35mm run of Robert Eggers' Nosferatu! Sean Fennessey (of The Big Picture Podcast) returns to the show for the 3rd December in a row to talk to Brian and Phil about the month's programming at the theater. Much fun was had! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social
EPISODE 63 - “NOT EVEN NOMINATED: A DISCUSSION ABOUT CLASSIC CINEMA WITH AUTHOR JOHN DILEO” - 11/25/2024 Author JOHN DILEO, film historian and author, has just published his eighth book, Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances. This week, John joins Steve and Nan to discuss his book, as well as his origin story on how he got hooked on classic cinema. Join us for the fun, lively discussion about old Hollywood. And make sure you check out John's book. SHOW NOTES: Sources: 100 Great Film Performances You Should Remember — But Probably Don't (2002), by John DiLeo: Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances (2024), by John DiLeo; TCM.com; Wikipedia.com; IMDBPro.com; Movies Mentioned: Dr. Jekyll and Mr. Hyde (1931); Fredric March & Miriam Hopkins; Mr. Deeds Goes to Town (1936), starring Gary Cooper & Jean Arthur; The More the Merrier (1943), starring Jean Arthur , Joel McCrea, and Charles Coburn; The Best Years of Our Lives (1946), starring Dana Andrews, Fredric March, Myrna Loy, Teresa Wright, Harold Russell, Cathy O'Donnell, Virginia Mayo, and Steve Cochran; Miracle On 34th Street (1947), starring Maureen O'Hara, John Payne, Edmund Gwynn, and Natalie Wood; The Treasure of The Sierra Madre (1948), starring Humphrey Bogart & Walter Huston; All About Eve (1950), starring Bette Davis, Anne Baxter, Gary Merrill, Celeste Holm, George Sanders, Thelma Ritter, and Marilyn Monroe; Ace In the Hole (1951), Starring Kirk Douglas & Jan Sterling; Strangers on a Train (1951), starring Farley Granger, Robert Walker, Ruth Roman, & Pat Hitchcock; Mr. Blanding Builds His Dream House (1948), starring Cary Grant, Myrna Loy, & Melvyn Douglas; Rope (1948), starring James Stewart, Farley Granger & John Dahl; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; From Here To Eternity (1953), starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, & Frank Sinatra; The Bandwagon (1953), Fred Astaire & Cyd Charisse; Seven Brides for Seven Brothers (1954), starring Howard Keel, Jane Powell, & Russ Tamblyn; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, & Shirley Jones; Judgement at Nuremberg (1961), starring Spencer Tracy, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Montgomery Clift, Richard Widmark, & Jusy Garland; To Kill A Mockingbird (1962), starring Gregory Peck, Mary Badham, Philip Allford, Brock Peters; Whatever Happened to Baby Jane (1963);, starring Bette Davis, Joan Crawford, & Victor Bueno; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke & David Tomlinson; The Trouble With Angels (1966); starring Rosalind Russell, Hayley Mills, Mary Wickes & Binnie Barnes; The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, and Katharine Ross; Wiat Until Dark (1968), starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efram Zimberlist, Jr. & Jack Weston; That's Entertainment (1974); The Devil's Rain (1975), starring Ida Lupino, William Shatner, Ernest Borgnine, Tom Skerritt, Eddie Albert, Keenan Wynn, Joan Prather & John Travolta; That's Entertainment II (1976); Ordinary People (1980), starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton, Judd Hirsh, & Elizabeth McGovern; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Brief audio introduces the Lux Radio Theatre's live broadcast from Nov. 2,1936 of the radio version of the film "The Virginian." Film starred Gary Cooper (Photo left) and Walter Huston who both appeared in the radio version...live on stage out of Hollywood. This was quite a treat for radio listeners in 1936. Networks had just newly formed and were able to broadcast programs across the country so EVERYONE with a radio could hear quality programs like this. This track will live in the "Westerns" Playlist.
Contra todo pronóstico y contra la voluntad del imperio mediático llega un vaquero bronco de extraño peinado.“Cualquiera menos El” titulaba el “New Yorker”. De Clooney a Cher amenazaron con abandonar el pais (!).Todas las siglas del universo “woke”, se levantaron como un solo hombre, con perdón. Sólo ante el peligro, con Elon Musk como ayudante, avanzó, cual Gary Cooper entrado en carnes, al encuentro de una tal Kamala Harris, la política “corrección”encarnada.El OK Corral electoral, se saldó con la candidata demócrata mordiendo el polvo.¿Cómo pudo suceder? .¿El Fin de una era?. Las claves en esta edición pero conviene recordar que las itribus indigenas y España llegaron antes y que “el futuro lo tenemos a la espalda” o eso creían ellos, los indios. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.
@TheNathanJacobsPodcast Archetypes, Inspiration, & Christianity | A Reply to Jordan Peterson & Richard Dawkins | Episode 23 https://youtu.be/qjBjTJHbEkI?si=HsWod_CYpa2rmtKu @CultCinemaClassics Meet John Doe (1941) Gary Cooper & Barbara Stanwyck | Romance Comedy | Full Movie https://youtu.be/3ZOV4YhquXI?si=ZcDVvskK_9lUKC5K @MarkDParker On-Ramp Radio -- The Power of Empathy -- S1, E1 -- Special Guest, Chad the Alcoholic https://youtu.be/9gL55_7BDNc?si=iA62gDfGfHTIpF_E Paul Vander Klay clips channel https://www.youtube.com/channel/UCX0jIcadtoxELSwehCh5QTg Bridges of Meaning Discord https://discord.gg/jwwz5BDH https://www.meetup.com/sacramento-estuary/ My Substack https://paulvanderklay.substack.com/ Estuary Hub Link https://www.estuaryhub.com/ If you want to schedule a one-on-one conversation check here. https://calendly.com/paulvanderklay/one2one There is a video version of this podcast on YouTube at http://www.youtube.com/paulvanderklay To listen to this on ITunes https://itunes.apple.com/us/podcast/paul-vanderklays-podcast/id1394314333 If you need the RSS feed for your podcast player https://paulvanderklay.podbean.com/feed/ All Amazon links here are part of the Amazon Affiliate Program. Amazon pays me a small commission at no additional cost to you if you buy through one of the product links here. This is is one (free to you) way to support my videos. https://paypal.me/paulvanderklay Blockchain backup on Lbry https://odysee.com/@paulvanderklay https://www.patreon.com/paulvanderklay Paul's Church Content at Living Stones Channel https://www.youtube.com/channel/UCh7bdktIALZ9Nq41oVCvW-A To support Paul's work by supporting his church give here. https://tithe.ly/give?c=2160640 https://www.livingstonescrc.com/give
October 22, 1950 - Dennis Tries to Borrow Fifty Thousand Dollars. Jack is getting ready to fly to New York for his first ever TV episode. References include the song "Swing Low, Sweet Chariot", Duz soap, Lifesavers mints, SMU, comedian Fred Allen and actor Gary Cooper.
Jacob, Tate, and Sage are joined by friend of the show, Kaden for Jacob's most recent pick, High Noon from 1952, starring Gary Cooper and Grace Kelly. This movie was directed by Fred Zinnemann. GD4AM: 71/100 IMDb: 7.9/10 Metacritic: 89/100 Letterboxd: 4.0/5 RT: 95% A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at "high noon" when the gang leader, an outlaw he "sent up" years ago, arrives on the noon train. This movie is currently streaming on Amazon Prime and MGM+. NEXT MOVIE REVIEW: The Thing (1982), which is currently streaming on Peacock, AMC+, and Amazon Prime.
Hello there dear listeners! Welcome back to another episode of Trophy Talk! This is our second show for the month of Spooktober, a favorite among our community, and as such it felt right to welcome to the show Gary Cooper. Gary was one of our first ever listeners and community members and is all around just a great guy. We're happy to be joined by him, and Darryl again (yay!) for this episode discussing what we've been playing during the month of October! Before we can get into the meat and potatoes though, there's rage god offerings, platinum shout outs, and Patron submitted questions to discuss of course! What are our new favorite horror movies or franchises? Would the four of us make a good team if we had to pull of heists or other covert operations together? What's the scariest place we've ever been stuck or stranded? Well the answers to all these questions, plus a ton of others, are just behind the play button. Thank you so much for your support, and for listening!
This is our 31 days of films that have chills & thrills, but Have You Ever Seen's 3rd posting in Scary Movie Month (and our 616th episode overall) is far more funny than it is frightening. Just like Shaun Of The Dead last week, much mirth results from nitwits dealing with reanimated corpses. Mel Brooks' beloved blockbuster is a satire of the classic Universal monster story and he's got his co-writer Gene Wilder leading a fantastic cast. Gene is a riot himself in one of Ryan's Top 10 fave comedies, even if Young Frankenstein turned out to be A LITTLE less of a grin-fest than it's been in the past. The comic highlights remain some of the most-hilarious of all time though, particularly the blind man, "Puttin' On The Ritz" and just about everything Marty Feldman and Madeleine Kahn do. So play some violin to calm Peter Boyle's savage beast as you gulp down this super-duper-like-Gary-Cooper monologue about Young Frankenstein. Holiday or not, you can order from our sponsor, Sparkplug Coffee. Enjoy some with your leftover turkey! Our "HYES" promo code will save you 20% off your next order. Go to "sparkplug.coffee/hyes". Email us (haveyoueverseenpodcast@gmail.com) with your own thoughts about this film or any other we've reviewed. We're reachable on Twi-X too (@moviefiend51 and @bevellisellis...she uses that @ on Threads as well). And our podcasts always go up on YouTube (@hyesellis in your browser). Comment, like, subscribe. Oh, and we'd love a rating and a review on your podcast app.
Daughter of Gary Cooper, Maria Cooper joins Frank Mackay on this episode of The Frank Mackay Show!
The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon. In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon. In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon. In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The image of the sheriff is deeply embedded in American culture – from pacifist Jimmy Stewart in Destry Rides Again and gun averse Roy Scheider in Jaws to those more comfortable wielding power like Gene Hackman in Unforgiven, Tommy Lee Jones in No Country for Old Men, and Gary Cooper in High Noon. In the United States, more than 3,000 sheriffs occupy a unique position in the political and legal systems. Sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and sheriffs can imprison, harm, and even kill members of their communities. Although sheriffs are elected by voters, these elections are usually noncompetitive and low-visibility. Sheriffs enjoy a degree of autonomy not seen by other political officeholders. In The Power of the Badge: Sheriffs and Inequality in the United States (U Chicago Press, 2024), Emily M. Farris and Mirya R. Holman draw on two original surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to argue that the autonomy and authority granted to sheriffs in the United States create an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Drs. Farris and Holman track the increasingly close linkages between sheriffs and right-wing radical groups and demonstrate how sheriffs holding negative views of marginalized groups leads to unequal policing and discriminatory policies that fail to protect marginalized groups – particularly in the areas of intimate partner violence, racial profiling in traffic enforcement, and immigration enforcement. If the sheriff does not like your group, he structures hiring, training, and policy in his office to punish you. Farris and Holman also interrogate the ways in which sheriffs extract resources to maintain and profit from the carceral state. The book contributes to scholarship on local politics, American political development, federalism, political behavior, sociology, criminal justice, public administration and policy, and political extremism. Dr. Emily M. Farris is an associate professor in Political Science and core faculty in Comparative Race and Ethnic Studies at Texas Christian University. Her research focuses on urban and racial and ethnic politics. Dr. Mirya R. Holman is an associate professor at the Hobby School of Public Affairs at the University of Houston. She is an expert on gender and politics, urban politics, and political behavior and has published widely in these areas. Both Emily and Mirya have been cited widely in outlets like the New York Times, The Atlantic, and other important public facing venues. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Welcome to It's A Wonderful Podcast! We're focussed on a very specific output for September on the main show as Morgan and Jeannine take a look at the varying degrees of romance in Old Hollywood in 1941! One of the last of the cycle of true Golden Era screwball comedies on this week's show as Morgan and Jeannine have much to celebrate in Howard Hawks' BALL OF FIRE (1941), written by Charles Brackett & Billy Wilder and starring Gary Cooper, Barbara Stanwyck, Dana Andrews, Dan Duryea, Henry Travers, S.Z. Sakall, Richard Haydn & more! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
EPISODE 51 - “Richard Conte (Star of the Month) ” - 09/02/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** In the great film noir classic Thieves Highway, a gripping drama that takes on the dirty underbelly of the trucking industry, the spectacular RICHARD CONTE plays Nick Garcos, a world-weary, jaded, World War II vet who returns home. After finding his family's produce business in shambles and his father crippled, he seeks revenge against the crooked rival produce dealer who caused his father's accident. In his gripping portrayal, Conte shows his strengths as an actor. With his square shoulders, cleft chin, and intense eyes, Conte gives the impression that he means business. Conte was just as comfortable playing mobsters and street hoods as he was playing charming, sympathetic leading men. He always projected manly strength, and you knew he was no one you wanted to mess with. So say hello to our Star of the Month, RICHARD CONTE. SHOW NOTES: Sources: Bad Boys: The Actors of Film Noir (2003), by Karen Burroughs; “Conte In the Sun,” March 3, 1946, by Thomas M Pryor, New York Times; “A Star Comes Home,” March 3, 1950, by Louis Berg, Los Angeles Times Magazine; “The Role I Liked Best…” May 20,1950, by Richard Conte, Saturday Evening Post; “Richard Conte: Official Biography,” June 14, 1951, Universal Pictures; “Conte Forms Indie Pix, TV Company,” January 21, 1960, Variety; “Conte Has His Own Method,” February 14, 1960, by Don Albert, Los Angeles Times; “Actor Conte, Wife Reveal Divorce,” July 12, 1962, by Harrison Carroll. LA Herald Examiner; “Richard Conte Getting Offers He Can't Refuse As Ideal Mafia Type,” March 14. 1973, Variety; “Richard Conte, Cold-Eyed Movie Gangster, Dies at 61;” April 16, 1975, by Jack Jones, Los Angeles Times; “Richard Conte Dies In Hollywood at 65,” April 23 1975, Variety; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Heaven With A Barbed Wire (1939), starring Jean Rogers and Glenn Ford; Guadalcanal Diary (1943), Starring William Bendix, Lloyd Nolan, and Anthony Quinn; The Purple Heart (1944), starring Dana Andrews and Farley Granger; Captain Eddie (1945), starring Fred MacMurray and Lynn Bari; A Bell For Adano (1945), starring Gene Tierney and John Hodiak; A Walk In The Sun (1945), starring Dana Andrews. Lloyd Bridges, and John Ireland; The Spider (1945), starring Faye Marlowe; 13 Rue Madeleine (1947), starring James Cagney; The Other Love (1947), starring Barbara Stanwyck and David Niven; Call Northside 777 (1948), starring James Stewart and Helen Walker; House of Strangers (1949), starring Susan Hayward; Thieves Highway (1949), staring Lee J. Cobb and Valentina Cortese Big Jack (1949), starring Wallace Beery and Marjorie Main; Whirlpool (1950), starring Gene Tierney and Jose Ferrer; The Sleeping City (1950), starring Coleen Gray Under The Gun (1951), starring Audrey Totter; The Blue Gardenia (1953), starring Anne Baxter; Highway Dragnet (1954), starring Joan Bennett; The Big Combo (1955), starring Cornel Wilde; I'll Cry Tomorrow (1955). Starring Susan Hayward; New York Confidential (1955), Starring Broderick Crawford; Full of Life (1956), starring Judy Holiday; The Brothers Rico (1957), starring Dianne Foster; They Came To Cordova (1959), starring Gary Cooper and Rita Hayworth; Ocean's 11 (1960), starring Frank Sinatra; Who's Been Sleeping In My Bed? (1963), starring Dean Martin; Circus World (1964), starring John Wayne and Rita Hayworth; The Greatest Story Ever Told (1965); Tony Rome (1967); The Lady In Cement (1968); Hotel (1967); Operation Eagle Cross (1968); The Godfather (1972); Shoot First, Die Later (1974); Evil Eye (1975); Violent Rome (1975); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
A truly profound file was released before WWII called “Meet John Doe” starting Gary Cooper and Barbara Stanwyck. It's a story about a special article written and published on the last day of a young journalist who was being fired....
On Ron's Amazing Stories this time we have another one about life in Canada. On episode we played a tale from the series Challenge Of The Yukon. If you haven't listened to it yet, check it out. This time we have a full hour devoted to a story based on the real North West Mounted Police. A Texas ranger sent to Canada to capture a trapper wanted for murder in Texas. It first aired on Lux Radio Theater on April 13, 1942. Also on the show we have a new edition of Not So Important Times In History. What happens when a historical prank on the Royal Navy DOESN'T go sideways? Press that play button to find out. Featured Story - Northwest Mounted Police As I mentioned we have only one story this week. It comes from the OTR series Lux Radio Theater. Lux was the biggest, most important, most expensive program on radio of its time. It ran from 1934 until 1955. Our story is a radio adaptation of the film Northwest Mounted Police. This one stars Gary Cooper in the role of a Texas Ranger who travels to Canada to arrest a trapper who's wanted for murder and who's stirring up the Natives in a rebellion against the Canadian government. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:
Can a movie be better than the story it's based on? Let's take a journey from short story to Academy Award Nominated film, today on The Classic Tales Podcast. Welcome to The Classic Tales Podcast. Thank you for listening. The Vintage Episode for the week is “The Bottle Imp”, by Robert Louis Stevenson. Be sure to check it out on Tuesday. If you have found value in the show, please consider becoming a monthly supporter. Help us to help other folks like you. Please go to http://classictalesaudiobooks.com and become a monthly supporter today. Classic Tales for Children: Volume 1 is now available. It includes the new recording of Pollyanna, bundled together with Winnie-the-Pooh, The Wind in the Willows, and Alice in Wonderland. I thought of titles that would really go well together, so I pulled out all the stops. This anthology is perfect to listen to again and again. You can pick it up at classictalesaudiobooks.com by following the link in the show notes. https://store.classictalesaudiobooks.com/classic-tales-for-children-volume-1-p366.aspx Ok, off the top of your head, what movies are better than the books they are based on? Whenever I consider this, I tend to come back to The Wizard of Oz and Ben-Hur. I think in these two instances especially, they expanded on the original material beautifully, to fit the medium of film. It's a transformative process, to move from story told only in print, to a story told by actors, artists, costumers, directors, set designers, stunt people, special effects artists, and all the other hundreds of people it takes to make a motion picture. I recently discovered I'm going to have to add the film Meet John Doe to my list. Meet John Doe is a film released in 1941, directed by Frank Capra. It stars Gary Cooper, Barbara Stanwyk and Edward Arnold. It was nominated for an Academy Award for Best Story, and it was ranked No. 49 in the American Film Institutes 100 years, 100 cheers list. It entered the public domain in 1969, and you can watch it for free many places on the internet, also on Amazon Prime. The film is based on the story “A Reputation”, by Richard Connell. Connell also wrote “A Friend of Napoleon” that we've heard recently, and is most famous for his short story, “The Most Dangerous Game”. So first, let's hear the story “A Reputation”, and then look at what elements were modified and expanded on to create the acclaimed motion picture, Meet John Doe. Just a heads up – this story deals with suicide. And now, “A Reputation”, by Richard Connell. Follow this link to get Classic Tales for Children, Volume 1, including Pollyanna, Winnie-the-Pooh, The Wind in the Willows, and Alice in Wonderland. Follow this link to become a monthly supporter: Follow this link to subscribe to our YouTube Channel: Follow this link to subscribe to the Arsène Lupin Podcast: Follow this link to follow us on Instagram: Follow this link to follow us on Facebook: Follow this link to follow us on TikTok:
EPISODE 45 - “Forgotten B-Leading Men of the Golden Age of Hollywood” - 07/22/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** Sometimes, there is nothing quite like a good old B-movie. Maybe the production values aren't the best, and maybe the story is grittier than most, but these little gems have provided hours of viewing pleasure to so many. These films also had great leading men in them. Studly, sturdy, reliable actors who might not be GARY COOPER or CARY GRANT or CLARK GABLE, but were handsome and talented and knew how to beat up the bad guys and win over the lovely leading lady. As an homage to the leading men of the B's, this week, we'll take a look at the lives an careers of five of our favorites. SHOW NOTES: Sources: Screen World Presents the Encyclopedia of Film Actors (1965); “Successor To Gable,” by Robbin Coons, September 30, 1943, Big Spring Daily Herald; "John Hodiak Dies Suddenly of Heart Attack,” October 20, 1955, Los Angeles Times; “The Story of Bob Cummings,” September 2, 1950, Voice; “Skip E. Lowe 1987 interview with Robert Cummings,” December 17, 2016, by Alan Eicler, Youtube.com; “Robert Cummings on Honesty,” May 1959, by Bob Cummings, Guideposts; “Robert Cummings Is Dead at 82; Debonair Actor in TV and Film,” December 4, 1990, by Peter B. Flint, The New York Times; “Dennis O'Keefe, Son of Vaudeville Performers Knows The Theatre,” July 7, 1939, The Times (Muncie Indiana); "O'Keefe Achieves Stardom; Seeks Director's Post,” October 12, 1944, Los Angeles Times. “Dennis O'Keefe, Screen Veteran, Is Dead at 60,” September 2, 1968, The Marion (Ohio) Star; “Bill Lundigan's Success Recipe,” March 29, 1942, The Brooklyn Daily Eagle; “The Life Story of William Lundigan,” March 24, 1951, Picture Show; “Actor William Lundigan Dies; Began Career in 1937,” December 22, 1975m by Ted Thackery, Jr. Los Angeles Times; "The Life Story of Alan Marshal,” January 11, 1941, Picture Show; “Alan Marshal, Actor, 52, Dead; Stage and Film Performers Appeared in ‘Wagon Train',” July 10, 1961, The New York Times; Alan.kitmarshal.site; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: JOHN HODIAK: Maisie Goes To Rio (1944); Marriage Is a Private Affair (1944); Life Boat (1944); Sunday Dinner For A Soldier (1944); A Bell For Adano (1945;) The Harvey Girls (1946); Somewhere In The Night (1946); Desert Fury (1947); ROBERT CUMMINGS: The Virginia Judge (1935); Hollywood Boulevard (1936); So Red The Rose (1935); King's Row (1941); Saboteur (1942); Dial M For Murder (1954); DENNIS O'KEEFE: T-Men (1947); Raw Deal (1948); Saratoga (1937); Topper Returns (1941); The Story of Dr. Wassel (1944); Up In Mabel's Room (1944); Doll Face (1945); Brewster's Millions (1945); Cover Up (1949); The Lady Wants Mink (1953); WILLIAM LUNDIGAN: The Lady Fights Back (1937); Three Smart Girls Grow Up (1939); The Old Maid (1939); Dodge City (1939); Santa Fe Trail (1940); A Shot In The Dark (1941); Apache Trail (1942); The Fabulous Dorseys (1947); The Inside Story (1947); Pinky (1949); Mother Didn't Tell Me (1950); I'll Get By (1950); Love Nest (1951); I'd Climb The Highest Mountain (1951); The House on Telegraph Hill (1951); ALAN MARSHAL: The Garden of Allah (1936); After The Thin Man (1936); Night Must Fall (1937); Parnell (1937); Conquest (1937); Dramatic School (1939); Four Girls in White (1939); The Hunchback of Notre Dame (1939); Irene (1940); He Stayed For Breakfast (1940); Lydia (1941); The White Cliff's of Dover (1944); Bride By Mistake (1944); The Opposite Sex (1956); House On Haunted Hill (1959); Day of the Outlaw (1959); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
“I was a theater kid, so I started out writing plays,” says David Zabel. “But I started to think, what does a movie script look like or what does a play look like? Once I had access to those things to see how they worked, I started writing screenplays and had ideas for TV pilots. That pilot opened a few doors of me.” An agent helped him get his first job on the series JAG, which later led to Star Trek: Voyager, Dark Angel, and ER. “It came out of my love for drama and dramatic theory. All of this came for his love to tell stories to live audiences. “That relationship between being a writer, how it's performed, and how it's perceived — where it worked, where it didn't work — I consider that as one of my stronger points as a writer, which is writing for actors.” Working with so many live performances, he started to see where actors needed less lines to portray the same emotions on stage and later in film and television. “If they understand what you're trying to convey, it's better to do it with the greatest economy of language that you can apply.” The same was true in the editing bay. “It's humbling,” he jokes. This economy of language certainly relates to the latest series created by Zabel, The Walking Dead: Daryl Dixon. The spinoff series stars Norman Reedus as Daryl Dixon, where he was arguably the most stoic character on the series. “It was an interesting challenge,” he jokes about the stoic character who is also now in a land where he doesn't speak the language. “I felt like that was a classic American character. This laconic hero, the man without a name that you see a lot in Clint Eastwood, Steve McQueen, or Gary Cooper and people like that.” “I was excited for that kind of storytelling that wasn't so expository. Norman, as an actor, relishes the idea of living in a world without speechifying. That's how he wants to play drama. The challenge is to put people around him who have stories that are compelling, that draw him into their story. He's not looking to get into other people's lives and he's not talking, so people have to be irresistible to him, for him to resonate with them. He's the reluctant hero but he's got a heart that makes him hard to walk away.” As for actors who have been playing characters over a long period of time (about 13 years for Norman Reedus), Zabel says, “You have to lean into the knowledge that they have. It was also true on ER and other shows I've done. We learn each other's rhythms and it becomes symbiotic. That's one of the joys of television, to dance that dance together.” Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on hundreds of interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
When John Wilkes Booth shot and killed President Abraham Lincoln, he broke his left leg in the process, leaping to the stage at Ford's Theater. He and his getaway man on the door of Dr. Samuel Mudd at four in the morning for assistance. Mudd set, splinted, and bandaged the broken leg. The two stayed with Mudd for about 12 hours as the doctor's handyman made a pair of crutches. Within days Dr. Mudd was arrested and charged with conspiracy and with harboring Booth and Harold during their escape. Today, we're revisiting the story of Dr. Samuel Mudd, one of the earliest stories we told on the show. In 1936, a film was made loosely based on Mudd's story called THE PRISONER OF SHARK ISLAND, and two years later, it was adapted into a radio drama starring Gary Cooper as part of the Lux Radio Theater. On this episode, we're playing that program for you.
May 1, 1955 - Jack buys a baseball team. Much of this episode recycled portions of scripts from previous episodes including May 9, 1948 and April 13, 1947. References include George Gobel, Edgar Bergen, Bob Hope, Bing Crosby and Gary Cooper's (misquoted) catchphrase from The Virginian, "And smile when you say that".