Podcast appearances and mentions of Roy Scheider

Roy Scheider stars alongside Olympia Dukakis in BETTER LIVING, a comedy about a dysfunctional family dealing with the surprise return of their father. The Mikes aren't crazy about this one, but have you been watching THE PITT? Because you'll be hearing a lot about THE PITT in this episode!

We celebrate Roy Scheider by looking at a few of his 80s thrillers. First up, Roy takes on John Glover, who takes his wife Ann Margaret hostage in 52 PICK UP. Then, he investigates a murder as most therapists do and gets tangled up with Meryl Streep in STILL OF THE NIGHT.

This week, Roy Scheider stars alongside Sonia Braga in MONEY PLAY$, the final film from director Frank D. Gilroy (father of Tony and Dan Gilroy!). It's a Showtime Original Movie about a gambling duo on the run - also starring Jon Polito!

Buckle up for one helluva journey as Wit returns to the show and we chat about William Friedkin's stonecold masterpiece Sorcerer. We laud the theater experience, try and unpack the various themes, and get into it about pacing verse length, all the while, wondering if we would even survive the treacherous journey through the Mexican jungle.

Just when you thought it was safe to go back in the water... It's sequel time! This week we dive in to 1978's JAWS 2. Amity is haunted once again by a terrifying shark, forcing Police Chief Brody (Roy Scheider) to confront the growing danger while others doubt his warnings (again). As tensions rise, a group of young sailors find themselves in a desperate fight for survival. Also this week: Lance's moving woes during a historic storm in Pittsburgh, Ben is curious about bird anatomy, and Roy Scheider really didnt want to do this movie. All this--and a whole lot more--on this week's episode of NEON BRAINIACS! "Open wide OPEN WIDE! SAY 'AAH!" ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Jaws 2 (1975) Directed by Jeannot Szwarc Written by Carl Gottlieb and Howard Sackler Starring Roy Scheider, Lorraine Gary, and Murray Hamilton ----- 00:00 - Intro & Opening Banter 21:44 - "The Shpiel" 38:19 - Film Breakdown 01:35:12 - Brain Bucket & Outro        

Julian, Madeline, and Emilio are joined by Brendan McDonald, the producer of 'WTF with Marc Maron,' to finish off their cycle of New York City movies with a "Close-Up" on the works of legendary cinematographer Owen Roizman. A versatile visual talent ready for whatever came his way, Roizman burst out of the gate with William Friedkin's crime drama "The French Connection" (1971), in which he unforgettably and frantically photographed a plethora of New York locales. This showcase of his skills made him the perfect choice to shoot "The Taking of Pelham One Two Three" (1974), the Joseph Sargent-directed, subway-set thriller infused with workplace humor that indelibly captures a timeless spirit of New York. But Roizman's aptitude also extended beyond the grimy streets and subway tunnels, and rose up to the broadcasting towers of Midtown Manhattan in "Network" (1976), the darkly prescient media satire written by Paddy Chayefsky and directed by Sidney Lumet. Blending their eyes for detail with their lived experience as New Yorkers, the group get into how Roizman's visual sense cemented the iconic status of these films, and why they stand the test of time even as they were made just a few years apart from one another. To hear Brendan discuss movies and other topics regularly, subscribe to the WTF bonus feed, "The Full Maron," for access to The Friday Show and other bonus material. Learn more at https://www.wtfpod.com/If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Is it safe? Alex and Nick break down one of the best paranoid thrillers ever, “Marathon Man.” Stray topics include the remarkable careers of Dustin Hoffman, Roy Scheider, Laurence Olivier, and William Devane, 1976 in film, John Schlesinger's best movies, William Goldman's brilliant source novel, watching “Jaws” for the first time, and debunking the infamous “Why don't you try acting, darling?” story.Part 2 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

GGACP celebrates May's National Dental Care Month by revisiting this discussion of a favorite Gilbert and Frank movie, the classic 1976 thriller "Marathon Man." In this mini-episode: Roy Scheider finds trouble, Dustin Hoffman relies on "the Method," Laurence Olivier attracts a crowd and Danny Kaye comes aboard as a "special consultant"?? PLUS: Frank introduces Gil to "Road to Perdition"! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Stuart and Jacob dive into the gritty underworld of the "French Connection" franchise, comparing the original 1971 classic with its 1975 sequel and the lesser-known 1986 made-for-TV pilot movie, "Popeye Doyle." They explore the evolution of the Jimmy "Popeye" Doyle, portrayed by Gene Hackman, and how his journey shifts from a hard-nosed detective in New York to a fish-out-of-water in France. Is this characterization even right for Hackman? And what of Roy Scheider's character keeping him grounded? What of Hershey's chocolate? But ultimately, what makes the original film a landmark in neo-noir cinema, and how does the sequel falter in its execution? Or do they even care for either of these movies to begin with? And then there's "Popeye Doyle," a film (can we even call it a film?) that raises more questions than it answers.Also featured in this episode are thoughts on Gene Hackman's diverse career and sad passing, a quiz about his iconic roles, Stuart's thoughts on the recent "Sinners", and a debate on the merits of director's cuts. All this and more on They Remade It!Plot Synopsis Timestamps: 19:33 - 29:38----------Socials----------@theyremadeit.bsky.social on BlueSkytheyremadeit@gmail.com

Things come full circle this week as we hearken back to an earlier era of The Complete Works - if you liked CON AIR, boy do we have a movie for you! Not only is a shameless ripoff of CON AIR, but it's implied that it takes place... in the same universe??? Roy Scheider stars alongside Dorian Harewood, Ray Wise, Clint Howard, and a little girl named after a JAWS character in 1998's direct-to-video action movie EVASIVE ACTION!

This week on Shoot the Hostage, Dan and Sarah brave the wasteland of cinema history to grapple with the undisputed heavy artillery of our big old floppy flop season, Tank Girl (1995). Be warned, as is tradition, we swear and spoil. Sarah chose this one and frankly, it feels like some kind of revenge after Battlefield Earth.  Released in 1995 this film doesn't just qualify as a flop, it lives in the flop house and pays rent with lint and disappointment. It somehow made more than Empire Records and Police Academy 7, which, let's be honest, is our primary metric for success. Based on the very British, very anarchic comic book series and directed by Rachel Talalay, this 1990s comic book movie should have been a slam dunk, or at least a solid ground rule double. We get into the nitty-gritty of why this felt like such missed potential. Here's what you can expect from this week's episode: Discussions on Lori Petty as Tank Girl (aka Rebecca) and who else lobbied for the role The uncredited, sophisticated (yet visually questionable) work of Stan Winston Studios on the Rippers The surprisingly great soundtrack curated by Courtney Love Dream casting for a potential reboot Ramblings that connect this film to The Warriors, Scott Pilgrim... and, bizarrely, Roy Scheider in seaQuest DSV. Why this comic book movie adaptation ultimately crashed and burned at the box office If you're searching for podcasts about movie flops or maybe just a podcast reviewing box office bombs, retro comic book films, or trying to understand why a film featuring a kick-ass female lead and directed by Rachel Talalay failed so spectacularly, this is the episode for you. Or maybe you just need someone to talk about the fact they made a kangaroo penis for a movie? Look no further! Season 10 runs until May 26th with 10 episodes this time Would you like to see the full lineup for season 10? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you do have some loose change consider signing up as a paid member. Our £3 a month Patreon tier will grant you access to all of our end of season wrap shows for seasons 1-9 and a minimum of 2 reviews of brand new movies each month. Plus the back-catalogue of reviews from 2023 and 2024.  Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

This week, Sarah and MJ tackle a film that takes broad and abstract inspiration from Jaws: Basic Instinct. They wax poetic about erotic thrillers, Jerry Goldsmith, and their favorite topic, replacing one of the lead actors with Roy Scheider.

You may not have watched it, but damn is this a fine ass Friedkin movie

This week, we're talking about... possibly the most nonexistent movie we've ever talked about. Roy Scheider pops up for one scene in the 1997 comedy THE DEFINITE MAYBE, also known as NO MONEY DOWN! He joins a cast that includes Josh Lucas, Teri Garr, Bob Balaban, Al Franken, and Ally Sheedy!

EPISODE 83 - “TCM FILM FESTIVAL 2025 PREVIEW” - 4/14/2025 It's that time of years again. Time for the 2025 Turner Classic Movies Film Festival, which takes place April 24-27 in Hollywood California. This year, the theme is “Grand Illusions: Fantastic Worlds on Film.” This week, Steve and Nan offer a fun preview of the highlights of the upcoming festival and they discuss the films they are most excited to see, including great titles such as BEN HUR, SUDDENLY LAST SUMMER, GUNFI*GHT AT THE OKAY CORRAL and A GUY NAMED JOE.  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Empire Strikes Back (1980), starring Mark Hamill, Carrie Fisher, & Harrison Ford; The Fabulous Baker Boys (1989), starring Jeff Bridges, Michelle Pfeiffer, & Beau Brides; Cooley High (1975), starring Lawrence Hilton Jacobs & Glenn Turman; Car Wash (1976), starring Richard Pryor, Bill Duke, & George Carlin; Greased Lightning (1977), starring Richard Pryor, Pam Grier, & Beau Bridges; Which Way is Up (1977), starring Richard Pryor & Lonette McKee; Bustin' Loose (1981), starring Richard Pryor & Cicely Tyson; Sgt. Pepper's Lonely Hearts Club Band (1978), starring Peter Frampton & The Bee Gees; The Last Dragon (1985), starring Taimak & Vanity; Krush Groove (1985), starring Russell Simmons & LL Cool J; Beau Geste (1926), starring Ronald Colman; The Freshman (1925), starring Harold Lloyd; Misery (1990), starring Kathy Bates & James Caan; The Rocky Horror Picture Show (1975), starring Tim Curry, Susan Sarandon, & Barry Bostwick; Babe (1995), starring James Cromwell; The Enchanted Cottage (1945), starring Robert Young & Dorothy McGuire; Jaws (1975), starring Richard Dreyfuss, Robert Shaw, & Roy Scheider; Blue Velvet (1986),starring Kyle McLaughlin, Laura Dern, Dennis Hopper, & Isabella Rossellini; We're No Angels (1955), starring Humphrey Bogart & Joan Bennett; Gunfight At The Okay Corral (1957), starring Burt Lancaster & Kirk Douglas; Cape Fear (1962), starring Robert Mitchum, Gregory Peck and Polly Bergen; The Ritz (1976), starring Rita Moreno & Treat Williams; Gunman's Walk (1958), starring Van Heflin, James Darren, & Tab Hunter; Heaven Knows, Mr. Allison (1957), starring Robert Mitchum & Deborah Kerr; The Divorcée (1930), starring Norma Shearer & Robert Montgomery; Talk of The Town (1942), starring Cary Grant, Jean Arthur, & Ronald Colman; Moonlight & Pretzels (1933), starring Leo Carrillo & Mary Brian; A Guy Named Joe (1943) starring Spencer Tracy, Irene Dunne, & Van Johnson; Ben Hur (1959), starring Charlton Heston & Stephen Boyd; Suddenly Last Summer (1959), starring Elizabeth Taylor, Katharine Hepburn, & Montgomery Cliff; Brigadoon (1954), starring Gene Kelly & Syd Charisse; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Roy Scheider pops up for a brief part in Francis Ford Coppola's legal thriller THE RAINMAKER! Based on a John Grisham novel and starring Matt Damon (in his first leading role), alongside Danny DeVito, Jon Voight, Claire Danes, Danny Glover, and more, this was Coppola's final studio film!

Schauspielerin, Sängerin und Tänzerin Nini Stadlmann über ein Leben auf den Bühnen Deutschlands und Österreich - fernab des Alltags. Ein Einblick in ihre Arbeit und hinter die Kulissen eines Bühnenstars! Wir sprechen über überholte Rollenbilder und ihre Workshop Begegnung mit den Schauspielern Gregory Hines und Roy Scheider (was ich natürlich superspannend finde) ! Eine "Stadlmann" kommt nicht alle Tage!

In der aktuellen Folge vom Filmmagazin widmen wir uns dem Paranoia-Thriller „Marathon Man“ von John Schlesinger aus dem Jahr 1976. Der Film mit Dustin Hoffman, Laurence Olivier und Roy Scheider gilt als Klassiker des New Hollywood und verbindet politische Verschwörung, NS-Vergangenheit und persönliche Traumata zu einem düsteren Katz-und-Maus-Spiel. Doch kann der Film auch heute noch begeistern? Wir diskutieren, warum die Story erst spät an Fahrt aufnimmt, wieso der Thriller trotz einiger Längen seine Wirkung entfaltet – und was die ikonische Zahnarzt-Folterszene mit dem Kinopublikum der 70er gemacht hat. Außerdem geht es um Misstrauen gegenüber staatlichen Institutionen, reale Bezüge zur McCarthy-Ära und die Frage, ob der Film seiner Zeit systemkritischer war, als es auf den ersten Blick scheint.

This week, Roy Scheider has been elected to a second term as the president of the United States, this time in the 1997 Dolph Lundgren vehicle THE PEACEKEEPER! It's a film that boldly asks the question, "What if DIE HARD took place in a missile silo?"

This week, Roy Scheider reunites with Gary Busey for another direct-to-video action movie from 1997 - this time also featuring Lorenzo Lamas and Kristen Cloke - it's time for THE RAGE!

This week, we've got a surprisingly solid direct-to-video action movie featuring not one, not two, but THREE pretty incredible car chases! Michael Madsen plays a former stuntman who gets broken out of jail by Keith David and then gets involved in a plot to kidnap the President of the United States - who is, of course, played by Roy Scheider.

We now enter the direct-to-video action thriller phase of Roy Scheider's career, and we begin with the first of two movies he made starring Gary Busey in 1997! Scheider is the villain of the movie, a landmine baron who kidnaps Gary Busey's daughter - it's time for PLATO'S RUN!

A dysfunctional family reunites for the holidays and past secrets finally get revealed. It's time to talk about Roy Scheider alongside Julianne Moore, Blythe Danner, Hope Davis, Noah Wyle and more in 1997's Sundance dramedy, THE MYTH OF FINGERPRINTS!

Popeye's here, Kill Donkeys! It's time for FOOD COURT, your favorite podcast, where we brave the malls and the movie halls so you don't have to! Sean and Mampy watched The French Connection, the classic thriller Directed by William Friedkin and starring Gene Hackman and Roy Scheider. Will the boys get amped on the car chase? Or will they frown because it's over? Tune in to find out! So grab your popcorn, sneak in your snacks, and pop your pepto because it's time to steal a dead man's baguette! Bon Appétit!

Paul and Erin review Mike Leigh's abrasive character study HARD TRUTHS, Matthew Rankin's alternative-history comedy UNIVERSAL LANGUAGE, Paul Schrader's draft-dodger drama OH CANADA, Steven Soderbergh's ghost story PRESENCE and Osgood Perkins' darkly comic horror movie THE MONKEY. Plus: we dig into the David Bowie heist comedy THE LINGUINI INCIDENT, the Roy Scheider helicopter thriller BLUE THUNDER and the Agatha Christie adaptation APPOINTMENT WITH DEATH.

In 1993, Roy Scheider took on a journey to boldly go where no man had gone before... underwater! Yes, it's finally time to talk about the two-part pilot episode to Scheider's TV series, SEAQUEST DSV! We also discuss the turbulent production the show faced over the course of its three seasons.

Physical media never takes a week off but sometimes they sleep in a little. Such as this light week that has Peter Sobczynski and Erik Childress starting off with a stone-cold classic thriller from Criterion upgraded to 4K. Kino has more film noir, a double feature with Agatha Christie AND Bert I. Gordon plus the terrifying presence of Klaus Kinski as a Nazi. There's an animated cat who gives massages and everyone's favorite bear in a rain slicker. 0:00 - Intro 6:53 - Criterion (The Wages of Fear 4K) 13:32 - Kino (Film Noir: The Dark Side of Cinema XXIV, Crawlspace, Endless Night/Picture Mommy Dead 4K) 34:56 - Shout (Ghost Cat Anzu) 39:21 - Warner (Paddington 2 4K) 43:41 - New Theatrical Titles On Blu-ray (Gladiator II, Red One, Kraven the Hunter, Den of Thieves 2, The Count of Monte Cristo) 52:36 – New Blu-ray Announcements CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST

This week, Roy Scheider appears as a mob boss alongside Gary Oldman, Juliette Lewis, Lena Olin, Annabella Sciorra, and more in a movie that was so despised that Jon Bon Jovi wrote a song for it and then refused to let the producers use it - it's time for ROMEO IS BLEEDING!

This week, Roy Scheider plays a small but pivotal supporting role in David Cronenberg's cult classic, NAKED LUNCH! Adapted from the novel by William S. Burroughs, Scheider stars alongside Peter Weller, Judy Davis, Ian Holm, and more in what may be the strangest and one of the last great movie of his career.

A standard college melodrama makes a hard-right turn into an anti-abortion screed in a move that's almost as bizarre as Kirk Cameron's horrible Southern accent. We welcome back Alana Phelan to the show with a movie she really loved as a kid, but viewing it as an adult, a few things suddenly stand out. Starring Kirk Cameron, Jamie Gertz, Roy Scheider, and Tim Quill. Written and directed by Douglass Day Stewart.   Content warning: this episode discusses rape, abortion, and general sexual topics.   The Indiegogo link to Alana and Kevin's book: https://www.indiegogo.com/projects/for-hire-the-price-of-fame/#/

Jaws is a 1975 American thriller film directed by Steven Spielberg, based on the 1974 novel by Peter Benchley. It stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw), hunts a man-eating great white shark that attacks beachgoers at a summer resort town. Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife. The screenplay is credited to Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography.

This week, we've got another early 90's Cold War thriller, and this time it's a John Le Carré adaptation starring Sean Connery and Michelle Pfieffer in the lead roles - Roy Scheider appears alongside them in THE RUSSIA HOUSE!

All of the nearly three hundred episodes we've done so far have been enthusiastic celebrations of artists whose work we admire so greatly that we had to invent a podcast to talk about it. But in this very strange episode, we talk about a film so awful in so many ways that we are baffled by how it came from the same man who directed four unquestionable masterpieces in a row. The Rainmaker (1997) is–and we mean this without irony–a fascinating film that does everything that films like The Conversation and The Godfather Part II avoid. It works on paper: there's Coppola, of course, but also a bestseller as its source material, Matt Damon, Claire Danes, Mickey Roarke, Danny DeVito, Jon Voight, Danny Glover, and (inexplicably) Roy Scheider. But even Sheriff Brody can't kill this beast. Rather than offer a litany of complaints, we talk about the concept of a “shadow movie”: the movie that could have been, the one lurking beneath the film we actually see. This is the only episode in which we don't follow our usual three-part structure, because we didn't know if we'd be releasing this one. But we think that we can learn more about films from even one as terrible as this. If you're interested in the source for Coppola's film, you can find the novel here. Incredible bumper music by John Deley. Please leave us a rating or review, follow us on X and Letterboxd, email us at fifteenminutefilm@gmail.com, and let us know what you'd like us to watch and discuss. Also check out Dan's Substack site, Pages and Frames, for essays about books and films. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

All of the nearly three hundred episodes we've done so far have been enthusiastic celebrations of artists whose work we admire so greatly that we had to invent a podcast to talk about it. But in this very strange episode, we talk about a film so awful in so many ways that we are baffled by how it came from the same man who directed four unquestionable masterpieces in a row. The Rainmaker (1997) is–and we mean this without irony–a fascinating film that does everything that films like The Conversation and The Godfather Part II avoid. It works on paper: there's Coppola, of course, but also a bestseller as its source material, Matt Damon, Claire Danes, Mickey Roarke, Danny DeVito, Jon Voight, Danny Glover, and (inexplicably) Roy Scheider. But even Sheriff Brody can't kill this beast. Rather than offer a litany of complaints, we talk about the concept of a “shadow movie”: the movie that could have been, the one lurking beneath the film we actually see. This is the only episode in which we don't follow our usual three-part structure, because we didn't know if we'd be releasing this one. But we think that we can learn more about films from even one as terrible as this. If you're interested in the source for Coppola's film, you can find the novel here. Incredible bumper music by John Deley. Please leave us a rating or review, follow us on X and Letterboxd, email us at fifteenminutefilm@gmail.com, and let us know what you'd like us to watch and discuss. Also check out Dan's Substack site, Pages and Frames, for essays about books and films. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

This week, Roy Scheider co-stars with Bonnie Bedelia, Arliss Howard, and Andre Bruagher in a surprisingly solid HBO movie from the early '90s. Scheider is hired to photograph a death row inmate as he's being executed, but he begins to discover that there may be more to this case in 1990's SOMEBODY HAS TO SHOOT THE PICTURE!

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIt's The Movie Wire's 2024 wrap up month! This month I will be introducing films that will most likely pop-up during awards time and were skipped over this year. Each week I will be covering a new film, to kick us off after the Golden Globes, here is 3 films that were missed during the show in the last month. A real pain remembering through small gestures in 4 golden globe nominations with one win is A Real Pain Old friends' new enemies and the gloves are about to come off in the best animated film nominee Wallace and Gromit: Vengeance Most FowlAnd finallyTo Listen is to Accept, in 10 golden globe nominations with 3 wins is the Netflix original Emilia PérezWe've got a lot to cover this week so let's jump right in. **Help support the show by leaving a review on Apple podcast or Spotify! **You can now listen to The Movie Wire on YouTube! Listen and subscribe here!Make sure to check out and welcome back my dear friend Dan over at the Casting Views Podcast!Listen HereIf you haven't tuned in, followed, or subscribed to The Cultworthy Cinema Podcast and The Movie Wire's new crossover show Back 2 the Balcony, now is your time, because this week we cover the 1993 Roy Scheider thriller, Blue Thunder. YouTube Support the show

This week, Roy Scheider enters the '90s by almost starting an international incident at the end of the Cold War! Re-teaming with his 52 PICK-UP director John Frankenheimer, Scheider is joined by Jurgen Prochnow and Harry Dean Stanton in THE FOURTH WAR!

Roy Scheider closes out his '80s with a police procedural slasher about a series of murders that tie into Astros baseball games. We brought on resident baseball expert (and horror movie enthusiast) Producer Collin to help us talk about it!

This week, Roy Scheider as a college debate coach, alongside master debaters Kirk Cameron and Jami Gertz - what starts as a college ensemble movie then takes a hard pivot into the kind of thing you'd expect from a Kirk Cameron vehicle. This is LISTEN TO ME!

This week, Roy Scheider co-stars alongside Adam Baldwin as two at-odds assassions in a bleak, nasty thriller from the screenwriter behind THE HITCHER and NEAR DARK - it's time for COHEN AND TATE!

To mark the film's 40th anniversary, we revisit Peter Hyams' 2010 – a brave follow-up to a literal monolith in science fiction film history. In what was then called a 'belated' rather than a 'legacy' sequel, the film adapts Arthur C. Clarke's novel and features a stellar cast of Roy Scheider, Helen Mirren, John Lithgow, Bob Balaban and, returning from 2001: A Space Odyssey, Keir Dullea and Douglas Rain as Dave Bowman and HAL 9000. Yes, it's full of stars. But it is a worthy follow-up that stands on its own? Or is it a pale imitation and a footnote? Find out! Follow us on Tiktok, Facebook, Instagram and Bluesky. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

Bob Fosse's autobiographical musical about how he makes art until he dies is all about a guy who's doing too much and can't cope, yet he's compelled to never stop working. Name an addiction and he's got it. Yet his 8 1/2-esque story---with Roy Scheider playing a heightened version of his director---is a potent one, with all its flashy editing, production design and terrific choreography. We weren't huge fans of the songs in All That Jazz, but these actors sure can dance, especially Ann Reinking (whose name is pronounced "Rine-king"). So...5, 6, 7, 8...put on some black clothes and do your heart-killing morning routine every day as the 627th edition of Have You Ever Seen pieces through All That Jazz. Start your day with Sparkplug Coffee, rather than Dexedrine and a cigarette in the shower. Listeners of this podcast can take advatange of our "HYES" promo code and save 20%. Go to "sparkplug.coffee/hyes". Let us know your feelings about All That Jazz. Emails are good (haveyoueverseenpodcast@gmail.com) and so are hellos on Twi-X (@moviefiend51 and @bevellisellis). Bev goes by that on Threads too while Ryan just recently got on Bluesky (ryan-ellis). Rate and review all our podcasts on your app (also subscribe to our show), but also look for us on YouTube (@hyesellis in your browser). We would love it if you'd comment, like and subscribe.

This week, Roy Scheider stars in an Elmore Leonard adaptation from acclaimed action/thriller filmmaker John Frankenheimer (and reuniting with his OUTSIDE MAN co-star Ann-Margret while he's at it) - it's time for 52 PICK-UP!

This week, Sarah and MJ are joined by three-peat guest, Cordelia Keston for a far ranging chat about one of the wildest movies we have ever covered on the show, Naked Lunch. They talk about the Beat Generation, the jaw-dropping real life events depicted in the film, and stare into the void of what it means to be a creative. Oh, and they talk about a shirtless Roy Scheider, of course.

It's Showtime, Folks! Returning Movie Club champions Gala Avary (The Gala Show, Video Archives Podcast) & Erik Clapp (the mighty Cinema Force & EC Films) join me to talk all things ALL THAT JAZZ, Bob Fosse's groundbreaking autobiographical masterpiece.  Roy Scheider is Joe Gideon (AKA Bob Fosse) who can't get a handle on his all-consuming workaholism, brutal perfectionism, constant philandering, incessant smoking, daily drinking and hourly pill-popping. He's also working all day on a new musical and late into each night on a new film. What could go wrong? Stay tuned for Part 2, coming your way on the next Movie Club Monday For More Gala: The Gala Show Video Archives Podcast With Quentin Tarantino & Roger Avary Now Totally Independent & On Patreon! Instagram For More Erik: Cinema Force on YouTube Cinema Force on Instagram EC Films Craig And Friends Patreon

This week, Roy Scheider tries to stamp out corruption in the Los Angeles Police Department with the help of a militarized helicopter in the 1983 thriller, Blue Thunder. Join us as we discuss our expectations for the movie going in, Malcolm McDowell, and discuss what constitutes 'gratuitous'. Find us on Twitter and Instagram @TCTAMPod and on TikTok @theycalledthisamovie.

For the final episode of Monst-ober Michelle and Seth head to Amity island to fight for their lives against Jaws! Steven Spielberg becomes the first director that we've covered 4 times! Seth loves Roy Scheider! Michelle shares a shark egg! Also: Did Quint do some drawing? What's up with two bottles of wine? The skinny on skinny dipping and of course, AIM screen names. Take the plunge and press play! For all of our bonus episodes and to vote on upcoming episodes check out our Patreon Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram You scrolled this far? That's impressive.

Scheider season travels to the one that hasn't been corrupted by capitalism: SPACE! This episode features Adam Moffett of The Bond We Share talking about 2010: The Year We Make Contact. We discuss its validity as a legacy sequel, whether it works as a companion to 2001, how great the cast is, and Roy Scheider's intensely likeable energy.

When the whole 2001 aftermath has Roy Scheider assuaging his guilt with a wrench, an unexpected offer to join a Russian mission to the Discovery is too tempting for him to pass up. But when he finally gets to space and war breaks out on earth, the two crews have to work together in pursuit of an unambiguously happy ending. Where does Helen Mirren fall on the scale of Russian accents? What's the creepiest thing you could hear on a huge mostly empty spaceship? Which department has very specific messaging on their inspirational poster? It's the episode that appreciates a bit of cold-war bullshit.Support the production of Greatest TrekGet a thing at podshop.biz!Sign up for our mailing list!Greatest Trek is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam RaguseaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestTrek and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social