Podcasts about Paul Newman

Whether he's playing billiards or table tennis, a successful hustler requires no small amount of charisma, something Timothée Chalamet's ping-pong pro undeniably has in Marty Supreme, though it's of a decidedly different flavor than that of Paul Newman in The Hustler. Whether that charisma translates to a character we want to root for as he makes a mess of his own life, as well as those of the people (and one unfortunate dog) around him, is up for debate in our discussion of Josh Safdie's new anxiety attack in movie form. Then we pit Marty's game against Fast Eddie's as we move into Connections to discuss the magic and morality of hustling, charismatic liars and the women who are drawn to them — even when they can see right through them — and whether these men chasing victory on their own terms, and at the cost of everything else, is inspirational or pitiful. Then in Your Next Picture Show, Scott sticks up for The Color of Money, Scorsese's Hustler sequel that can't quite best its predecessor, but still has plenty of swagger all its own.  Please share your thoughts about The Hustler, Marty Supreme, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the final Spoilerpiece of 2025! We take turns talking about our favorite films of the year. Dave (3:02), Megan (19:35), and Evan (39:30) each have a couple surprising choices sprinkled in. We hope you had a great year, and we'll see you in 2026. Don't forget to check out our Patreon! This week we talk about the 1979 Robert Altman sci-fi flick QUINTET, starring Paul Newman.

For my final episode of 2025, it's 'Nobody's Fool' one of my favorite films, and a true comfort watch in keeping with the theme of last week's episode.  Sweet, subtle, well-cast and directed, and slyly much more than it seems, it's both a paen to small-town life and a surprisingly unblinking look at the cost children pay for their parent's mistakes...and for the ones they make all on their own.

The new Marty Supreme follows a table-tennis phenom with the talent necessary to beat the best players in the world, if only he can keep his self-destructive tendencies from getting in the way. Swap out “table tennis” for “pool” in that description and you more or less have Robert Rossen's 1961 drama The Hustler, which we revisit this week not only to bask in the incomparable onscreen charisma of Paul Newman, but also to consider the film's ideas about what makes a winner — and a loser — and its noir-adjacent portrait of the gambling underworld. Then, in place of Feedback this week, we're reflecting on the late Rob Reiner's legacy on screens both big and small, and within an industry he helped shape in countless ways.  Please share your thoughts about The Hustler, Marty Supreme, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we spend a evening with Rui Tendinha — one of Portugal's most recognisable film critics — inside his world of press screenings, late-night cinema gatherings, awards, memories, and contradictions.Being paid to watch movies sounds like a dream job.But behind the premieres, parties, and famous names lies early mornings, brutal honesty, bad films you can't walk out of, and a lifelong obsession with cinema.From childhood notebooks filled with handwritten reviews to encounters with legends like Dustin Hoffman, Anthony Hopkins, Paul Newman, David Lynch and more, Rui reflects on what cinema has given him — and what it has taken away.We follow him through Lisbon on a rainy night, into a tertúlia dedicated to young actors, through conversations about art-house films, B-movies, dream jobs, critics, creators, and how stories shape who we are.  / ruitendinha  Join Club People of Lisbon!Unlock exclusive access to events, behind-the-scenes content, and special offers for just €10/month! Support the ongoing production of our stories and connect with the People of Lisbon community.

Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.

Brad and Bob dive into "The Color of Money," a Martin Scorsese classic starring Tom Cruise and Paul Newman. This episode explores the film's dynamic themes of hustling and transformation, with a special focus on Cruise's early career choices and Newman's timeless charisma. Plus, a solo whiskey review of Bardstown Bourbon Company's Normandie Calvados Brandy Barrel Finish.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Ferdinand wanted to make cars for the people, but the Porsche brand we know is an empire of performance. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [ASAP Commercial Doors Ad] Dave Young: Welcome to The Empire Builders Podcast. It’s the podcast where we talk about empires that were built, businesses, business empires. You know what we… If you’ve listened before, you know… Stephen Semple: Something like that. I get it. Businesses that have done pretty well over the years. Dave Young: They started small. Stephen Semple: They started small. Dave Young: They started small and then they got big. They got so big to the point that you could call them an empire. Stephen Semple: That’s it. That’s the idea. Dave Young: It’s a pretty simple premise. Stephen Semple: That’s it. Dave Young: So as we counted down, Steve told me the topic today and it’s Porsche. Stephen Semple: Yes, sir. Dave Young: Porsche. I’m assuming this is the car. Stephen Semple: The car, yes, the car. Dave Young: Okay. Stephen Semple: The car. Dave Young: And I’m trying to… I know some Porsche jokes, but I probably shouldn’t tell those on this show. I’m trying to think if I’ve ever actually been in a Porsche. Stephen Semple: Oh, well then you’ve got to come up and see me, Dave. Dave Young: You own one. I know you own one. Stephen Semple: Well, I have one. Bernier’s got two. I don’t know how many Steve has. Dave Young: I see how it is. I see how it is. Maybe I will tell my Porsche joke. So you guys that own them, do you call it Porscha? Because some of us just say Porsche. Stephen Semple: Well, if you actually take a look back, that’s the proper German pronunciation as Porsche. Dave Young: Porsche, okay. Stephen Semple: And it’s supposed to not be… It’s not Italian Porsche, right? So it’s Porsche. Dave Young: Porsche, Porsche. Okay, I’ll accept that. I’ll accept that. I’m guessing we’re- Stephen Semple: Well, look, you got to always call a dealership to double check. They’ll tell you. Dave Young: Now, if I had to guess where we’re headed to start this off sometime around the 40s, maybe earlier. Stephen Semple: A little earlier than that, actually. It was founded by Ferdinand Porsche in 1931 in Stuttgart, Germany. You’re not far off. But the interesting thing is where the growth really happened, even though that’s when it was founded, when things really started to happen, was actually post-World War II. Dave Young: That makes sense. Stephen Semple: You’re correct on that. Dave Young: So, it started in 31 and by the time you hit the late 30s and 40s, you’re part of the war machine. Stephen Semple: Yes. Dave Young: Okay. Stephen Semple: So it was founded in 1931, Stuttgart, Germany by Ferdinand. And when we take a look at the history of the business for a very long time, they were a part of the VW group, although they were recently spun off into their own separate business. And there’s a lot of shared history between VW and Porsche. A lot of people make fun of the fact that it’s basically a VW. There’s so much connection. Now here’s the other thing is, there’s a lot of connection in Nazi Germany here as well. And I mean- Dave Young: That’s what I was intimating but trying not to say, but yes, there was definitely. Stephen Semple: And not one of these ones of, “Oh, I’m a business and I got sucked up into the machine.” I mean, very early on. Very early on. Ferdinand was a member of the SS following the war, both he and his son were charged. Dave Young: No kidding. Stephen Semple: He served two years in jail. His son six months. So we’re not talking loose connections here. He was a buddy of Adolf. Let’s just put it out there. And if you remember, going back to episode 21, VW was founded by Nazi Germany. So episode 21 about The Beetle, and Ferdinand was the guy who designed the Beetle. Dave Young: Right, right. I remember you saying that, Ferdinand Porsche. Stephen Semple: And look, Porsche has not always had the success it has today. It’s become pretty big. They do 40 billion EU in sales. They have 40,000 employees. They make 300,000 cars. There was a time that they’re making cars in the hundreds and thousands. It wasn’t that long ago. But let’s go back to Germany to the early 1900s. And if we think about Germany at that time, pre-World War II, pre-World War I, there was lots of history of engineering and science in Germany. More Nobel Prizes in Science was awarded to Germany than anywhere else in the world at that time. Dave Young: Right. Stephen Semple: Germany was a real leader in science and engineering. And the first commercial automobile was made in Germany by Mercedes-Benz. So it’s 1906 and Daimler recruits Ferdinand because Ferdinand had been the winner of the Pottingham [inaudible 00:06:05] Prize, which is the automotive engineer of the year, which is given to new chief engineers and basically allows the person to have this designated doctor engineer honoris causa, Ferdinand Porsche. And he would go around calling himself all of that. Dave Young: Okay. Stephen Semple: And this is an honorary doctorate because he never actually finished college, but he had real engineering chops, Ferdinand. So he moves to Stuttgart, which at the time is a center of car making in Germany, including all the suppliers. And he works for Benz for 20 years. Okay. Now, it’s Germany in the 1930s and 2% of the population own a car in Germany as compared to the United States, which is 30%. Dave Young: In that time? Stephen Semple: In that time. Dave Young: Okay. Stephen Semple: Ferdinand comes up with this idea of we should make an inexpensive car. We shouldn’t be making car for the wealthy. We should make an inexpensive car. The board rejects the idea. Ferdinand leaves in 1929. And in 1931… Kicks around for a few years, and then 1931 starts a consulting firm. Now, this dude knew how to name things. You’re ready for the name of the company? Dave Young: Of the consulting firm? Stephen Semple: Of the consulting firm. Dave Young: Okay. Stephen Semple: I have to read this to get it right. The Doctor Engineer Honoris Causa Ferdinand Porsche Construction and Consulting and Design Services for Motor Vehicles. Dave Young: Now, if I know anything about German, that was all one word that you just said, right? Stephen Semple: Well- Dave Young: No spaces in between any of those words. Stephen Semple: Translated, you’ll see it as Dr. in H period, C period, F period, Porsche, capital G, small M, small B, capital H. Dave Young: It just rolls off the tongue, doesn’t it? Stephen Semple: Now, here’s the crazy thing. Up until 2009, that remained the official name of the company. You actually can find, if you see Porsche’s older than that, that if you look for that, it’ll be stamped somewhere in the car that that’s the manufacturer. Dave Young: They changed it finally because it was just too expensive to- Stephen Semple: It cost too much- Dave Young: Put that many letters in a dye cast. Stephen Semple: Exactly, exactly. Dave Young: Holy cow. Stephen Semple: So it’s 1934 and they land a contract with Germany to design a small affordable car for the people called the Volkswagen. Dave Young: Volkswagen. Stephen Semple: Beetle. Right, there you go. Now, here’s the thing that’s weird. Post World War II, the allies are in trying to rebuild Germany and no one owns VW. VW was owned by the state. So now it’s in the hands of the British and the British and the allies want to create a strong economy in West Germany because it’s now the Cold War. So the big defense to defending against East Germany and the expansion of communism is to really get the economy going in Germany. And so the British government, as we know from episode 21 about the Beetle, approached Porsche who designed it and said, “Help us get this car built.” And this is where it gets just a little bit weird because the son goes in one direction. Ferdinand’s doing his own thing. They both got arrested for war crimes. Son gets out first because he did six months. And his son’s name’s Ferry and his dad is in jail for two years. So between this time where dad’s still in jail and son’s out, here’s one of the things they did towards the end of the war. We don’t know exactly how many, but it was probably about 20 of their best engineers and they moved them out into the farmland of Austria and basically had them working in a barn because they didn’t want to get them arrested or killed, quite frankly. So Ferry gets out and he goes to this barn in Austria and he’s looking around and he goes, “What the heck are we going to do to make some money? Let’s start fixing up cars.” Now, not a huge business fixing up cars. It’s post-war and there weren’t a lot of cars in Germany anyway, but they had to do something. Then the dad gets out of jail and he ends up doing this work with Volkswagen. Now, here’s what’s interesting. And this is where the really tight ties between Porsche and Volkswagen start. The deal that the German government gives Ferdinand, the deal that the allies give Ferdinand is this. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories to Sell Ad] Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: The deal that the allies give Ferdinand is this. We want your help designing and distributing this car. We will give you a royalty for every VW Beetle sold worldwide. Dave Young: Wow, that’s pretty generous. Stephen Semple: Well, no one knew it was going to be such a huge success and basically go for 50 years that car was being built. Dave Young: Right, right. Stephen Semple: So for a long time, the biggest source of revenue for Porsche was royalties on VW Beetle sales. Dave Young: Wow, okay. So it really- Stephen Semple: Isn’t that crazy? Dave Young: It really wouldn’t exist if that deal hadn’t been made. Stephen Semple: May not have, may not have. Now, meanwhile, Ferry, who has design chops of his own and loves cars, started tinkering around with vehicles. And what he started to do was put big engines in small cars. There was all these Beetle parts lying around. He would build a car, this little car, and he’d put a big engine in it. And if you go back in the time, if you go back and take a look in the late 30s, early 40s, and you take a look at Ferraris and things like that, you take a look at the race cars at the time, they were two-thirds engines. They’re these massive engines. So he went the opposite direction. He said, “Well, let’s take a little car and put a big engine in it.” And he’s driving around and he goes, “This is fun.” Because he’s basing it on parts lying around, which is the VW stuff. It’s an engine in the back. This becomes the Porsche 356, which is basically Porsche’s first car. So they start making this car and they wanted to make it somewhat affordable. So the price was $3,750, which would be $42,000 today. And they also wanted to have it as being a daily driver because again, everybody else making performance cars were not daily drivers, had a trunk, bunch of things, daily driver. And this is an important part of Porsche’s DNA. We’re going to come back to this a little bit later, this idea of it being a daily driver. So coming out of World War II, sports cars, industry’s happening and everybody’s got one. MG and Jag in the UK, there’s Ferrari in Italy, you get the idea. Now, one thing I forgot to mention that’s interesting and still today, the government state of Lower Saxony, which is basically would be the state, they still own 20% of Volkswagen. Dave Young: Really? Okay. Stephen Semple: I forgot to mention that. Dave Young: Who are they now? Stephen Semple: Well, Volkswagen’s still around. Volkswagen’s still- Dave Young: No, who is the Saxony? Stephen Semple: Well, it’d be like saying the state of Texas. It’s a state. Dave Young: Okay, it’s just a part of Germany. Stephen Semple: Part of Germany and that government still owns 20% of the company. Dave Young: What a world. Stephen Semple: Now there’s all this stimulus going on in Germany to try to get the economy going. One of the things that they did, there was a really interesting tax rate. There was an interesting tax structure. There was a very high marginal tax rate. Now, ordinary people were taxed at 15%, but the marginal tax rate could go as high as 95%. And the reason why they wanted to do this was create this incentive for reinvestment. So there’s all this… As they’re making money, there’s this heavy reinvestment. And in the early 50s, racing is really exploding. Automobile racing is really exploding, but the lines between professional and amateur is blurry. If you remember, James Dean and Steve McQueen and other actors, Paul Newman, were all racing. Dave Young: Right. Stephen Semple: They’re all racing vehicles. And Jaguar and Porsche were trying to do the same thing in terms of creating this daily driver that you could race. Now in the end, Porsche won, and I think part of it is because quite frankly, they just built a better vehicle. There was a time where the joke with Jaguars was you had to own two because one would always be in the shop and one… And going back to the early DNA, Ferry Porsche was quoted as saying, “We have the only car that can go from an East African safari to race in the Le Mans to take out to theater and then drive on the streets in New York.” Dave Young: Wow, okay. Stephen Semple: And look, today, Porsche still heavily advertises that. They will advertise a Porsche driving through the snow with ski racks on it. And not their SUVs, the 911. This is very much part of it. And if you think about it, this parallels what Rolex did in the early days. You remember from episode 184 with Rolex. Rolex, the Submariner, the Explorer. Dave Young: Target by niche. Stephen Semple: Target by niche and make it tough and something that you could use and wear day to day. So it’s 1954 and Porsche’s selling 588 cars and about 40% of them is in the US. So really what’s making things hum with them is all those Beetle sales. And it’s the ’60s, the Ford Mustang comes out, the Jag E type comes out, the Austin-Healey comes out, and Porsche decides they need a new vehicle. And they were going to do a sedan, a four door sedan. But what they realized was they didn’t really want to compete with Mercedes and BMW. So they looked around at the other German car manufacturers and they said, “You know what? That’s probably not the place to go.” They had designed it up and that project failed. They had also been working on a six cylinder Boxter engine. So Boxter engine, the cylinders are opposed, so they’re like boxing. And the whole idea is that lowers the center of gravity of the weight of the engine. And they had a project that they were working on that that didn’t go ahead. So they stepped back and they went, “Maybe what we should do is just reduce the size of the sedan and put that engine in it.” That’s what they did. And that became the Porsche 901. Except there’s a problem. Peugeot had the copyright for zero in the middle of a bunch of numbers in France. They couldn’t call it the 901 because of that copyright. Dave Young: So they called it- Stephen Semple: So they called it the 911. And that’s now the iconic Porsche car. 1966, they sell 13,000 of these cars. Now, here’s the thing that I think is very interesting. And Porsche, as far as I could figure out, is the only car manufacturer that does this. First of all, they’ve maintained the 911 forever, but even on top of that, Porsche really understands design language. We can all recognize a Porsche. Dave Young: Right. Stephen Semple: We can recognize one from 2020. We can recognize one from 1999. We can recognize one from 1970. Even though they’ve upgraded the technology, they’ve changed the design of the car. They’ve now come out with the Cayman and the Macan and the Cayenne. They’re all recognizable as that vehicle. They’ve done a great job of doing that. I think that was a lost opportunity, frankly, when Tesla came out because they had a clean design slate. Tesla could have done that. But I think that’s really interesting how they’ve managed to maintain, even though they’ll modernize it. In our minds, we still will see one and go, “That’s a Porsche.” Dave Young: Sure. And the great car brands are able to do that. Stephen Semple: Yes. Dave Young: Audi is always going to be an Audi. Volvo is always going to look like a Volvo. And in the Portals class at Wizard Academy, one of the videos that I use to demonstrate that, there’s a language. If you combine specific shapes and specific lines, that all adds up to that brand of car. And so I’ve got an old video that I got when I was in the Motor Press Guild from Audi. It was just a video that was made for journalists with an Audi designer explaining all the lines on the car when they came out with the Q7 and how it still maintained the Audi design language. It was fascinating. Stephen Semple: It is. Dave Young: So Porsche could tell you that and the cool thing is those designers can tell you that. It’s hard for you and I to go, “Well, I can look at it and say, “That’s a Porsche.” But to be able to put it into words that describe it to someone else, is a gift. Stephen Semple: What’s really interesting, my nephew, Jeffrey, he loves Audi’s. That’s what he has. And he’ll even make the comment, he doesn’t like the Porsche’s because you feel like you’re in a bubble. Audis are very square. If you look at the back of an Audi and you look at the rear end of a Porsche, it has hips. But again, he’s even, “They’re great cars, but I like the squareness of the Audi.” So that’s interesting. Dave Young: Audi Audi has a fairly, not perpendicular, but an upright grill more so than a … And that’s part of their design language. Stephen Semple: So the whole DNA of Porsche came from this whole idea of a small car. Dave Young: Big engine. Stephen Semple: Big engine, daily driver, that was the whole idea is, it’s supposed to be a car that you can drive every day. That’s the core, core, core, core principle. That’s why they always have decent sized trunks. I remember when Gary bought his Boxter, one of the things he loved about it is you can actually put two sets of golf clubs in that car. Dave Young: Okay. Stephen Semple: Right? Now, here’s what’s fun. There was a time where when they were really wanting to get things going, they did some great print advertisements. So they had ads like bug killer. Another one was calling it transportation is like calling sex reproduction. Dave Young: Okay. Stephen Semple: Now, two of my favorites, one was not perfect. It would list 20 or 30 races that Porsche won. And if you actually read it, there was two that it didn’t. Dave Young: That they didn’t, “We didn’t win all the races.” Stephen Semple: So not perfect. Dave Young: That could have been driver error. Stephen Semple: That could have been. But Dave, you were going to make some jokes. Porsche’s able to laugh at itself. It actually had an ad that said, “Small penis? Have I got a car for you? If you’re going to overcompensate, then by all means, overcompensate.” Dave Young: I love it, I love it. Well, and that’s always the thing, the jokes are not about the car. Stephen Semple: But they actually ran that ad and I believe it ran in Car and Driver Magazine. I cannot imagine getting that ad approved. Dave Young: That’s amazing. Stephen Semple: And look, their own drivers are like, “Yeah, whatever.” Dave Young: Sure, compensating all I want. Absolutely. I love that story. Well, thank you, Stephen. I love the story of Porsche. Stephen Semple: There you go. Dave Young: And get out there and enjoy it or just buy me one and send it here. Thank you. Stephen Semple: All right, thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app and leave us a big fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

For the fifth time in the history of the podcast, Team Vintage Sand returns to one of its most popular formats: the Hidden Gems episode. As we did in episodes 11, 30, 40, and 53, Michael, John and I each choose one film to discuss that we feel has been underappreciated and overlooked by the madding crowd yearning to see anything besides a prequel, sequel, spinoff, or reboot. And while the episode features three films that could not be more different from one another, the one thing that they do have in common is that they are definitely movies made for grown-up sensibilities. Michael kicks things off by taking us back three decades to Nobody's Fool, a film written and directed by the great Robert Benton and featuring one of Paul Newman's best performances, which is saying something. Benton's script, as well as a ridiculously good cast featuring Bruce Willis, Melanie Griffith, a young Philip Seymour Hoffman and, in her final performance, the matchless Jessica Tandy, remind us of how unfortunate it was that this film, while not exactly overlooked, got lost in the Oscar tsunami that was Forrest Gump. I once again focus on an imperfect but powerful and prescient film, in this case Cary Joji Fukunaga's low-budget debut from 2009 Sin Nombre. Fukunaga tells the story of a young man from Chiapas and a young woman traveling with her uncle and father from Honduras who meet on the treacherous and often terrifying train ride through Mexico to the American border. A decade and a half before the dehumanization of people like Willy and Sayra became government policy, Fukunaga spares us nothing in showing us the humanity, resilience, strength, and decency of these people and why they feel compelled to make this almost suicidal journey just in the remote hope of finding a better life. Finally, John shines the spotlight on City Island, a sweet and gentle comedy from 2009 featuring Andy Garcia and Juliana Margulies as the parents of a family living in the titular unique and lovely section of the Bronx. The father, Vince, played by a charmingly understated Garcia, is a corrections officer with dreams of becoming the next Marlon Brando, and is taking an acting class (and eventually going to an audition) without telling anyone. But that is only the tip of the iceberg when it comes to the secrets this family is keeping from one another. Featuring supporting performances by old pros like Alan Arkin (as Vince's acting teacher who hates pauses) and Emily Mortimer as a friend he makes in the class who may have secrets of her own, the film is a lovely slice of life that contrasts its uniquely placid setting with the universally complicated dynamics of family and of wrestling with both one's past and one's dreams. So please enjoy, go see the many great films that are playing in theaters as the year comes to a close, and have a peaceful and restful holiday!

Bo Svenson: Walking Tall to Here Come The Brides to hanging out w/ Elvis Presley at Graceland!From Hollywood stunts to real-life danger, Bo Svenson shares jaw-dropping stories you've never heard before. Find out how through a series of crazy events he became the Big Swede on Here Come the Brides, what happened when the Dixie Mafia came calling during Walking Tall, his experience viewing death photos of Buford Pusser and the emotional truth behind meeting Elvis at Graceland while shooting Walking Tall. Bo recalls an insane flying stunt he took on his own free will while shooting The Great Waldo Pepper with Robert Redford, leaving the set when Paul Newman visited, a bizarre run-in with Pablo Escobar, and his bond with legends like Mickey Rooney, David Carradine, and a near death story about Clint Walker. This is a raw, wild, and deeply human look behind the scenes of a Hollywood life unlike any other. Thanks so much Bo!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.00:00:00 Introduction00:00:55 Bo talks about the crazy way he got the role of the Big Swede on Here Come The Brides00:08:24 Bo talks about working with Joan Blondell00:09:42 Bo talks about seeing Bobby Sherman many years later00:10:51 Bo talks about being an actor00:12:01 Bo talks about where they shot Here Come the Brides00:13:13 Bo talks about Joe Don Baker and how he the role of Buford Pusser in Walking Tall00:15:40 Bo talks about the love he has for his wife00:17:10 Bo talks about Buford Pusser and his daughter who shot herself00:18:05 Bo talks about a visit he got from the Dixie Mafia00:19:52 Bo talks about being shown the death photos of Buford Pusser00:23:24 Bo explains why they could not film in Buford Pusser's real county00:24:38 Bo tells a great squad car story from Walking Tall00:28:19 Bo talks about returning years later to McNairy County where Buford Pusser 's Sherif Station was for an event00:29:02 Bo talks about the only bizarre time he met Joe Don Baker00:30:29 Bo talks about meeting at Paul Newman's house with Robert Redford00:32:14 Bo talks about meeting Pablo Escobar in Colombia00:38:20 Bo talks about his time in the Marines00:40:00 Back to Paul Newman's house with Mark Harmon00:41:13 Meeting leads to being cast in The Great Waldo Pepper00:43:05 Bo meets with the director, George Roy Hill00:43:49 Bo meets with the famous costume designer, Edith Head00:45:27 Bo talks about his early insecurity as an actor00:46:46 George Roy Hill has a meeting with the Universal Studio Heads and casts Bo in The Great Waldo Pepper00:48:40 Bo tells a crazy story of leaving the set to fly out hearing Paul New man is coming to visit00:51:51 Bo tells an insane story of doing a flying stunt of his own doing in The Great Waldo Pepper00:59:21 Bo talks about his relationship with David Carradine on Kung Fu01:06:31 Bo tells an unbelievable Clint Walker story of how he came back from a near death experience01:12:18 bo talks about how he came to direct Mickey Rooney and his friendship with Mickey01:15:38 Bo tells an emotional story of driving to Meet Elvis at Graceland while shooting Walking Tall01:25:53 Bo talks about shooting The Dirty Dozen with Telly Savalas01:27:35 Mission Impossible and Flipper01:28:51 Pernell Roberts was a best friend of Bo's01:31:11 Bo tells a crude John Carradine story

Lee & Daniel are back on some Redford this week (as well as a return to George Roy Hill and William Goldman!) with "Butch Cassidy and the Sundance Kid" (1969), also starring Paul Newman and Katharine Ross. Poly triads, Western revisionism, and bad white boy Spanish are all things brought up this time around. The hosts also talk a bit about what they've watched as of late. Why not saddle up with us and flee to Bolivia? "Butch Cassidy and the Sundance Kid" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    As mentioned in the conversation, "The Cult of Paul Thomas Anderson", by Broey Deschanel.  Featured Music: "Hirpastay" by Los Catchakis & "Raindrops Keep Falling On My Head" by Burt Bacharach.

From Thrill Slayer To War HeroJump To The AD-FREE Safe House EditionEpisode 459 unlocks the bizarre, true tale of George Harsh, the Oglethorpe "Thrill Slayer," and his partner Richard Gallogly. Bored rich kids trade philosophy for a Colt .45 and a rash of robberies that turn fatal. Harsh's journey spirals from university to death row, then from chain-gang surgeon to hero of the Great Escape. Yeah, Paul Newman's Great Escape was based on that one...Listen to more stories about ROBBERIES GONE AWRYYou can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.Become a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.You can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.We invite you to our other PULPULAR MEDIA podcasts:If disaster is more your jam, check out CATASTROPHIC CALAMITIES, telling the stories of famous and forgotten tragedies of the 19th and 20th centuries. What could go wrong? Everything!For brand-new tales in the old clothes from the golden era of popular literature, give your ears a treat with PULP MAGAZINES with two new stories every week.This episode includes AI-generated content.

En El Piscinazo de esta semana nos lanzamos de lleno al fuego. Por fin Chemi trae su película fetiche: "EL COLOSO EN LLAMAS” Uno de los grandes clásicos del cine de catástrofes —si no el mejor— que reúne un reparto absolutamente espectacular: Paul Newman, Steve McQueen, Faye Dunaway, William Holden… ¡casi nada! Hablamos de cómo este titán del género sigue funcionando de maravilla incluso hoy, con una tensión muy viva, unas escenas inolvidables y ese espíritu setentero que tanto nos gusta. Preparad el extintor, que el programa viene calentito.

Send us a textIn this week's episode, we speak with the infamous Ralph Howard Hansen of the Pegasus Marketing Group. He tells us about his start in motor racing with none other than Tony Hulman. But he also goes on to talk about his close relationship and involvement with Mario Andretti, Paul Newman, Carl Haas, and Sebastian Bourdais. Some fantastic stories and we only scratched the surface! You don't want to miss it!

Michael Osborne, creator of the award-winning podcast Famous and Gravy, joins Genevieve to discuss how stories of the departed become mirrors for the living. The conversation explores how fame shifts across generations, the fleeting nature of memory, and the difference between celebrity and personal legacy. Osborne shares the philosophical framework behind Famous and Gravy, emphasizing empathy, the power of creative expression, and conducting authentic, unscripted conversations. They explore reflections on personal legacies and the importance of listening, both in life and in storytelling. Learn more about Famous and Gravy here, and subscribe to the show on YouTube. Plan your visit to the museum today at nmfh.org and take a journey through over 30,000 square feet of fascinating history. Subscribe to The Final Curtain Never Closes on Apple Podcasts, Spotify, or wherever you get your podcasts. Key Takeaways 1. Fame is generational and fleeting: Osborne illustrates how perceptions of fame differ by age group, using Paul Newman as an example to show how memory fades and morphs over time, making legacy a moving target. 2. Celebrity as a mirror: The show uses dead celebrities’ stories to reflect on cultural values, aspirations, and characteristics, aiming to turn the spotlight back on listeners’ own lives and potential for growth. 3. Empathy over idolization: Rather than celebrity obsession, Famous and Gravy seeks to humanize public figures and encourage empathetic consideration of the complexities behind fame and achievement. 4. Legacy for all: The discussion pushes past the myth that only the famous are remembered. Everyone can create a legacy, and the “second death” occurs when the last living person with knowledge of someone dies, making remembrance universal. 5. Listening as a skill: Osborne reveals that great storytelling, in podcasts and in life, depends on deep listening and authentic connection, not just performance or conversation.See omnystudio.com/listener for privacy information.

EPISODE 116 -  “CLASSIC STAR OF THE MONTH: DICK VAN DYKE” - 12/01/25  Join us as we celebrate the life and career of someone who seemingly personifies joy — on-screen and off.  And maybe that's the secret to his longevity, because he is about to celebrate his 100th birthday on December 13.  Of course, we're talking about the one and only, DICK VAN DYKE, our December Star of the Month. His career spans The Dick Van Dyke Show, Mary Poppins, Chitty Chitty Bang Bang, and beyond. He's danced across rooftops, flipped over ottomans, and shared his personal struggles with alcoholism in order to shine a light on a horrible disease -- at a time when that sort of thing wasn't discussed. From his early years trying to make it in show business, to that breakout moment on Broadway, to becoming one of the most beloved stars on television and film - today, we celebrate the legendary Dick Van Dyke!  SHOW NOTES:  Sources: My Lucky Life in and Out of Show Business (2011), Dick Van Dyke; Columbia Pictures Press Release, (1968), by John C. Flinn; Rogers & Cowan, Inc. Public Relations Biographical Notes on Dick Van Dyke, 1964 “A New Van Dyke Family Blooms in the Desert,” September 17, 1971,  Life Magazine; “Dick Van Dyke Does It All, But In His Own Way,” March/April 1973, by Joseph N. Bell, The Saturday Evening Post; “Dick Van Dyke Tells of Alcohol Problem”, December 7, 1973, by Marilyn Beck, Marilyn Beck's Hollywood, Special Features; “The Serious Side of Dick Van Dyke,” Jan/Feb 1982, by Sally Saunders, The Saturday Evening Post: “Vintage Van Dyke,” October 1990, by Stuart Matranga, TV Time; “Biography Dick Van Dyke,”Dec 14, 1998, by Michael A. Lipton & Champ Clark, People Magazine; “Man With A Mission: Helping the Homeless Makes Dick Van Dyke's Holidays,”Nov 13, 2007, by Debra Beyer, Los Angeles Times; “Mary Tyler Moore & Dick Van Dyke Are Together Again on TV — But They're Not Rob & Laura Anymore,”April 2003, by Sheldon Lessen, Southern California Senior Life; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Bye, Bye Birdie (1963), starring Dick Van Dyke, Janet Leigh, Ann-Margret, Paul Lynde, & Maureen Stapleton; What a Way to Go (1964), starring Shirley MacLaine, Dean Martin, Robert, Mitchum, Dick Van Dyke, Gene Kelly, & Paul Newman; Mary Poppins (1964), starring Julie Andrews & Dick Van Dyke; The Art of Love (1965), starring James Garner, Dick Van Dyke, & Angie Dickinson; Lt. Robin Crusoe, U.S.N.  (1966), starring Dick Van Dyke & Nancy Kwan; Divorce American Style (1967), starring Dick Van Dyke, Debbie Reynolds, Jason Robards & Jean Simmons; Never a Dull Moment (1968), starring Dick Van Dyke, Edward G, Robinson & Dorothy Provine; Chitty Chitty Bang Bang (1968), starring Dick Van Dyke & Sally Ann Howes; Some Kind of Nut (1969), starring Dick Van Dyke, Angie Dickinson, Rosemary Forsyth, & Zohra Lambert; The Comic (1969), starring Dick Van Dyke, Michelle Lee & Mickey Rooney; Cold Turkey (1971), starring Dick Van Dyke, Pippa Scott, & Bob Newhart; The Morning After (1974), starring Dick Van Dyke & Lynn Carlin; The Runner Stumbles (1979), starring Dick Van Dyke & Kathleen Quinlan; Dick Tracy (1990), starring Warren Beatty & Madonna; The Gin Game (2003), starring Dick Van Dyke & Mary Tyler Moore; Night at the Museum (2006), starring Ben Stiller & Carla Cugino; Mary Poppins Returns (2018), starring Emily Blunt & Lin Manuel Miranda; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Redford and Paul Newman reunite for one of the greatest con-artist films ever made and one of the most purely entertaining movies Hollywood has ever produced. In the first episode of our Robert Redford Arc, Four Play dives into The Sting (1973), a film that blends slick plotting, old-school charm, and razor-sharp chemistry between two of cinema's most charismatic stars.  Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at shopmando.com!  Visit https://prizepicks.onelink.me/LME0/FOURPLAY and use code FOURPLAY and get $50 in lineups when you play your first $5 lineup!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this Saturday edition, Mike Pesca reaches into the archives for a 2016 classic with actor and author Jesse Eisenberg. They discuss Eisenberg's short story collection Bream Gives Me Hiccups and the "creek vs. crick" linguistic controversy it sparked, while analyzing why a nine-year-old restaurant critic is the perfect vessel for exposing adult hypocrisies. Eisenberg explains why he prefers writing dialogue to describing sunsets, reveals the existence of a spreadsheet tracking whether he or Paul Newman played a role better, and admits that his anthropology background is just an excuse for professional eavesdropping. Finally, the two perform the radio play "Marv Albert Is My Therapist". Produced by Corey Wara Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

Send us a textIn this episode we look back at three people it is almost hard to imagine not being around. Hulk Hogan, if you are kid in my age range, middle 50s, was as big a star as ever roamed the Earth. He was the catalyst for Professional Wrestling's leap into mainstream society taking it from a cable television novelty, to starring in, what is still today, the largest indoor sporting event in all of history with an attendance of 93,173 to see Hulk Hogan wrestle 7ft 4 inch, Andre the Giant. Huge is an understatement at what an event that was for anyone who was watching it. We honor Hulk Hogan here though, for one of the last things he did in his long and storied career. He spoke at the Republican National Convention in 2024 on behalf of President Donald Trump. At the time, many of the political analyst were saying he was the first Pro wrestler to be involved as an endorser in Presidential Politics. That was far from the truth. Ric Flair had been a big supporter of George H. W. Bush and in 1992 he traveled North and South Carolina with him. We have an episode dedicated to that in our back catalogue from our 1992 Changing of the Guard Series.  We look back at Hulk Hogan with a great deal of fondness, he was a huge part of my childhood. Hulk Hogan was 71 years old.Jim Lovell, helped guide the Apollo 13 Moon mission back to Earth after disaster struck it and an oxygen tank exploded mid mission. The fabulous movie "Apollo 13" starring Tom Hanks and Directed by Ron Howard tells the story, as does an episode in our back catalogue of material. Jim Lovell always came across as a super nice man, known as "smiling Jim" by his fellow astronauts in the 1960s. I was honored to tell his Apollo 13 story during our initial Richard Nixon series. Jim Lovell was also on the first trip to circumnavigate the moon, and was a a part of the crew that took the famous "Earthrise" photo. We have an episode in our series on Lyndon Johnson that covers that mission. Jim Lovell was 97 years old. This year also saw the passing of my Mother, Gloria Bulmer's favorite movie star, Robert Redford. He was "The Great Gatsby." I have seen the movie several times, it was my mother's favorite. Redford was famous for many other huge blockbuster movies too from "All the President's Men" to "Butch Cassidy and the Sundance Kid", to another of my mother's favorite movies, "The Sting" with Paul Newman and Robert Shaw. He was the quintessential movie star. He also has an episode in our back catalogue, when we profiled one of my all time favorite movies, "Casablanca", and along with it another of my favorites, that was one of the few of his movies that flopped, "Havana". I loved the movie and never understood why it did so poorly at the box office. Redford also founded the Sundance Movie Festival, which has helped show some of independent films best work. For that we owe him a great deal of gratitude. Robert Redford was 89 years old. We invite you to comb through our back catalogue for all four of these episodes. https://www.buzzsprout.com/1507867/episodes/9047347   Episode 42 Earthrise the story of 1968's Apollo 8https://www.buzzsprout.com/1507867/episodes/9474650  Episode 58 Richard Nixon the Man that Saved the Union : Apollo 13 Our Finest Hourhttps://www.buzzsprout.com/1507867/episodes/16716829  Episode 349 George H. W. Bush -  1992 the Changing of the Guard: On the Trail with Ric Flair and George Bush (and later Mike Huckabee)https://www.buzzsprout.com/1507867/episodes/16567204  "Casablanc Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

What we have here is a phenomenal classic of the 60s and of Paul Newman's career - Cool Hand Luke. But the question is - will Film Seizure have a failure to communicate this? Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Robert Benton's 1994 cantankerous character holiday dramedy, NOBODY'S FOOL, is our feature presentation this week! We wonder if this is one of the great "holiday season kickoff" films? We also discuss the production's coordinated effort to hide Bruce Willis from the advertising, Jessica Tandy, nudity in a heartwarming story, and the role that Paul Newman described as "the closest to himself he ever played." We also pick our Top 7 Melanie Griffith Movies in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Robert CarradineTake a walk with me down Fascination Street as I get to know Robert Carradine. Bobby is part of the iconic Carradine family. From his father John to his brothers Keith, David, & Michael, to his niece Martha Plimpton, and his daughter Ever Carradine; this family is Hollywood royalty! In this episode, Bobby and I chat about so many of the things he has done. We discuss his first ever film, working with John Wayne, Revenge of the Nerds with James Cromwell and where that laugh came from! We also dive into his twenty year long career as a professional race car driver for Lotus, and the 24 Hours Of Daytona with Paul Newman. Bobby shares stories including using a bull whip to break a cigarette out of Jamie Lee Curtis' mouth! We cover his playing Lizzie McGuire's dad on the entire run of that show plus the movie, and even a weird "Wife Swap" story involving NFL great Terrell Owens. Finally, we chat about his band "The Checks" and his podcast "Party Nerds Pop-Cast". Both of these projects are with his good buddy Richard Gabai. I have checked out the show, and I think it's definitely worth giving a listen. I think you will enjoy it. Bobby graciously lets me play one of the songs by The Checks, and I think you will enjoy that as well. I can't thank Bobby enough for being on the show. Make sure you show him some love!

Mary Greenwell is a makeup artist who has worked with some of the most famous faces in the world including Christy Turlington, Linda Evangelista, David Bowie and Cate Blanchett. Her less-is-more approach has won her plaudits in the beauty industry and she became Princess Diana's makeup artist of choice.Mary was born in Sussex and left school at 16. By the mid-1970s she was living in Los Angeles where she started out on the door at the legendary Joe Allen restaurant, escorting the likes of Paul Newman and Jack Lemmon to their tables. She received her one and only makeup lesson from the award-winning Ilana Harkavi and shortly afterwards created a look for 12-year-old actor Brooke Shields.Mary's big break came when she moved to Paris in 1984 and began working with the original supermodels; Christy Turlingon, Cindy Crawford, Linda Evangelista and Tatiana Patitz. In 1990 she met Princess Diana on a Vogue photo shoot and became her go-to makeup artist and friend.In 2025 Mary was appointed an MBE for services to the beauty and fashion industries and her charity work.Mary lives in London. DISC ONE: Lay Lady Lay - Bob Dylan DISC TWO: I Am Enough - Tallulah Rendall DISC THREE: Suzanne - Leonard Cohen DISC FOUR: Walk on the Wild Side - Lou Reed DISC FIVE: Wish You Were Here - Pink Floyd DISC SIX: Cold Little Heart - Michael Kiwanuka DISC SEVEN: Diamonds - Rihanna DISC EIGHT: Heroes - David Bowie BOOK CHOICE: The Temple of the Golden Pavilion by Yukio Mishima LUXURY ITEM: A bed CASTAWAY'S FAVOURITE: I Am Enough - Tallulah Rendall Presenter: Lauren Laverne Producer: Paula McGinleyThere are more than 2000 programmes in our archive available for you to listen to. We've cast away other hair and beauty experts including the makeup artist Pat McGrath, and hairdressers Vidal Sassoon and Trevor Sorbie. Cate Blanchett, one of Mary's clients, is in our archive too. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

Christopher Atkins joined me to talk about Rye Playland, his high school baseball career; modeling; meeting Claudia Black and running into her 40 later; modeling with Brooke Shields, Phoebe Cates, and Lisanne Frank; showing his swing in Blue Lagoon, Randall Kleiser making him sleep with a Brooke Shields poster over his bed for a week before meeting her; swimming with a professional naked baby; William Daniels; being beaten at The Golden Globes by Timothy Hutton; Child Bride of Short Creek about FLDS; Night of 100 Star; hanging out with Paul Newman, Gene Kelly, Mickey Rooney, and Princess Grace; I Love Liberty; The Pirate Movie; Kristy McNichol and its long cult status; her chewing gun; possible reunion; his hit "How Can I Live Without Her"; appearing on American Bandstand; doing Rock 'n' Roll Summer (1985) with Dick Clark; doing a parody of Nastassja Kinski's snake poster; doing Carson with guest host Joan Rivers; getting treated like the Beatles; A Night in Heaven; Perfect Match; Dallas; having Larry Hagman help you move into your dressing room; doing Circus of the Stars and putting your head in a lions mouth; Beaks; doing two movies as a love interest for Joe Pesci's real life girlfriend; twice doing the Jerry Lewis Telethon; Smoke 'n' Lightning; playing a crew member from Blue Lagoon who died of AIDS in It's My Party; his film Amy; how he got into writing and how he wants to make his own film

Welcome to the podcast. Thanks for listening. If you're enjoying these memories, please subscribe to our channel or Google the Wisconsin Broadcast Association Museum. Today we're stepping into the glittering world of 1960s Hollywood with a guest who lit up both the Silver Screen and the international stage. Born in Germany and discovered while vacationing in Italy, Elke Sommer became one of the most recognizable European stars to conquer Hollywood, starring alongside legends like Peter Sellers, Paul Newman, and Bob Hope. Known for her striking beauty, quick wit, and undeniable charm, she brought a unique blend of sophistication and playfulness to every role, from comedies to thrillers. Beyond acting, Elke is a talented painter, writer, and a woman whose life is as fascinating as her film career.

This week on Movie Mistrial, we're suiting up for one of the slickest cons in movie history as we dive into George Roy Hill's stylish caper classic, The Sting.The Sting is a brilliantly constructed tale of deception and charm, powered by the unbeatable chemistry of Paul Newman and Robert Redford. With its clever plot twists, jazzy ragtime score, and period-perfect style, the film delivers pure entertainment while keeping audiences guessing until the very end.While The Sting is undeniably clever, some critics argue that its cool detachment and light tone can make the stakes feel lower than they should. Others suggest that without the charisma of its leads, the intricate plot might come across as more gimmick than substance.Join us as we peel back the layers of The Sting. Is it a con well played, or does it bluff its way into greatness?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

In this first of a multi-part exploration of William Friedkin's ground-breaking and massively successful adaptation of William Peter Blatty's best-selling novel 'The Exorcist': Friedkin & DP Owen Roizman coming off 'The French Connection' and into 'The Exorcist' Casting travails involving Jack Nicholson, Paul Newman, Jane Fonda, Anne Bancroft, and Audrey Hepburn. Jason Miller and Ellen Burstyn willing themselves into their roles. Studio pushback on the film's prequel, set in Iraq, and Friedkin's demand that they film there despite political upheaval and a lack of an Iraqi film industry. The search for a girl to pay Regan; over 1,000 seen, hundreds screen-tested, before Linda Blair walked into the film production's offices. Special Effects approaches courtesy of Dick Smith and Rick Baker. Soundtrack troubles with Bernard Hermann and Lalo Schiffrin and the saving grace of Mike Oldfield's 'Tubular Bells'. This episode features Friedkin, Blatty, Roizman, and Ellen Bursytn in their own words. Other Friedkin Full Cast & Crew Episodes: The French Connection To Live And Die In LA    

Gäster: Jack Moy, Johannes Brenning, Leon Jämtin För 90SEK/mån får du 5 avsnitt i veckan:4 Vanliga AMK MORGON + AMK FREDAG med Isak Wahlberg Se till att bli Patron via webben och inte direkt i iPhones Patreon-app för att undvika Apples extraavgifter:Öppna istället din browser och gå till www.patreon.com/amkmorgon Relevanta länkar: ...3I/ATLAShttps://science.nasa.gov/solar-system/comets/3i-atlas/ ...Levon Helmhttps://en.wikipedia.org/wiki/Levon_Helm ...iOS 26https://www.youtube.com/watch?v=jGztGfRujSE&t=52s ...Filmstadens nya loggahttps://play-lh.googleusercontent.com/ry3GP_U1tFxYpnRKxU7RVRzzcMbM7C0699XiG5dlqfAy6J1aldLsiAIx57uB9RuwJA ...Coca-Colahttps://1000logos.net/wp-content/uploads/2022/05/Coca-Cola-Logo-history.png ...Kevin Rex om smartphoneshttps://www.sydsvenskan.se/skane/utan-mobilen-blev-mina-tankar-mina-egna-igen/ ...Tom Cruise jackahttps://alexgear.com/cdn/shop/files/Tom-Cruise-Biker-Leather-Jacket.jpg?v=1705950249 ...Peaky Blindershttps://cdn.artphotolimited.com/images/647ddd6dbd40b8de8b992582/1000x1000/the-dark-reign-of-the-shelby-family.jpg ...Paul Newmanhttps://www.gentlemansgazette.com/wp-content/uploads/2019/02/Paul-Newman-in-The-Verdict.jpg https://www.gentlemansgazette.com/wp-content/uploads/2019/02/Paul-Newman-and-Tom-Cruise-in-The-Color-of-Money.jpg https://cdn.sanity.io/images/vxy259ii/production/b77686fb8a0cc3087da4cc2775262fbefca05921-800x800.jpg?auto=format&fit=max&q=75&w=800 ...Elons jackorhttps://www.paragonjackets.com/wp-content/uploads/2024/01/Dealbook-Summit-Elon-Musk-Shearling-Leather-Jacket.jpg https://www.leathercult.com/cdn/shop/files/elonmuskleatherjacket_2.jpg?v=1746511050&width=1946 ...Chesterfieldstudionhttps://proce.vn/wp-content/uploads/2025/04/thiet-ke-noi-that-phong-chu-tich-phong-cach-co-dien-11.jpg ...Lil' Waynes snowboardbootshttps://www.instagram.com/p/DNTC96gAbUa/ ...Helly Hansen-Hip Hoparnahttps://www.instagram.com/p/CvpyJmCOPpg/ ...Jay Zs och R Kellys ytterkläderhttps://www.youtube.com/watch?v=ZEEEKp8_xF4&list=RDZEEEKp8_xF4&start_radio=1...Crazy Townhttps://lastfm.freetls.fastly.net/i/u/ar0/7ce71a5ed5da72971c9e1889e130fd05.jpg ...Predador de Pererecahttps://www.youtube.com/watch?v=vRBu_RLBt1A&list=RDvRBu_RLBt1A&start_radio=1 https://www.reddit.com/r/Brazil/comments/1o7limc/is_predador_de_perereca_about_rape_or_gang_bang/ ...Elaine Eksvärds ursäkthttps://www.instagram.com/p/CTmMHlGM2XB/?img_index=4 Låtarna som spelades var:Hip Hop Drunkies - The AlkaholiksPredador de Perereca - Blow Records, Mc Jhey Alla låtar finns i AMK Morgons spellista här:https://open.spotify.com/user/amk.morgon/playlist/6V9bgWnHJMh9c4iVHncF9j?si=so0WKn7sSpyufjg3olHYmg

Send us a text Get ready to run the ultimate con. In this episode, we dive into the slick, twist-filled world of The Sting — the 1973 classic that paired Paul Newman and Robert Redford for one of Hollywood's coolest capers. We'll unpack how George Roy Hill's direction, Marvin Hamlisch's ragtime score, and that legendary twist ending turned a stylish period piece into a Best Picture winner. From the film's jazzy Depression-era setting to the irresistible chemistry between its stars, we're breaking down what makes The Sting a timeless grift that still plays perfectly over 50 years later. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

Chris is in pain, should the guys comfort him? Matt & Chris discuss Peacemaker. What defines a good cover song? They also discuss My Morning Jacket and live concerts. Jack saw a Paul Newman movie and Nick gives a spoiler free review of Tron: Ares. Lastly, Matt reinvents the Meme Game.Please leave a review on iTunesBecome a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCast

Chris is in pain, should the guys comfort him? Matt & Chris discuss Peacemaker. What defines a good cover song? They also discuss My Morning Jacket and live concerts. Jack saw a Paul Newman movie and Nick gives a spoiler free review of Tron: Ares. Lastly, Matt reinvents the Meme Game. Please leave a review […]

Chris is in pain, should the guys comfort him? Matt & Chris discuss Peacemaker. What defines a good cover song? They also discuss My Morning Jacket and live concerts. Jack saw a Paul Newman movie and Nick gives a spoiler free review of Tron: Ares. Lastly, Matt reinvents the Meme Game.Please leave a review on iTunesBecome a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCast

 “Is saving a school because it was in a famous movie really enough?”That's the thought-provoking question JB and Sandy debate in this episode, as they dive into Austin's battle to preserve Bedachek Middle School—where Matthew McConaughey made his acting debut in “Dazed and Confused.” Joined by Trisha and special guest Steven Pressley from Thunder Pop TV, the crew explores whether cultural history should outweigh declining enrollment and funding challenges, and why local icons matter to a city's identity. But the show is just getting started! Sandy shares his latest obsession with hot yoga, revealing the sweaty truth behind the trend and the gear you never knew you needed. JB and Trisha tease him about his “expert” status after just two classes, and listeners get a hilarious peek into Sandy's yoga prep rituals. Other highlights include:F1 Weekend in Austin: The team breaks down why Formula 1 is such a big deal, from skyrocketing Airbnb prices to the international crowd flooding South Congress. Hear stories about supercars, celebrity sightings, and the wild world of street racing.Celebrities Who Race: JB reveals which stars are legit drivers, from Paul Newman and Steve McQueen to Mr. Bean and Caitlyn Jenner—plus a personal story about talking cars with Jenner herself.Austin's Changing Neighborhoods: The hosts discuss the cycle of school closures and neighborhood renewal, sharing memories of local musicians and the impact of young families moving in.Magicians and Clowns on South Congress: Sandy describes the “sad clown magician” who throws up cards for tips, adding a quirky touch to Austin's people-watching scene during F1 weekend.Notable Quotes:“I need a cute yoga bag.” Sandy“You're going to save a school that's not being attended or failing because it was in ‘Dazed and Confused'? Good luck with that.” Sandy“It gets better!” (the magician's plea as he throws up cards on South Congress) JBGuest Insights:Steven Pressley brings pop culture expertise and local flavor, while Trisha's humor and JB's racing knowledge round out a lively, authentic conversation about what makes Austin unique. Call to Action Love the show? Subscribe to The JB and Sandy Show, leave a review, and share this episode with your friends! Follow us on social media @JBSandyATX and catch every episode on the iHeartRadio app. Your support keeps Austin's stories alive!

Paul Newman was more than just a salad dressing, at one point he was a hockey player-coach for a rowdy Midwest minor league team about to go skates up. With a Disney plot build up and more F-words than Webster's, did this sports dramedy have a fighting chance?  It's the Brain's goal to find out! You can also watch this, and many more episodes in full video on our YouTube channel: https://www.youtube.com/@TheFilmWithThreeBrains

Paul Newman and Robert Redford ride again with Butch Cassidy and the Sundance Kid, a film where outlaws rob trains, the soundtrack does acid, and everyone somehow looks like they've been airbrushed by God. Between the sepia intro and the bicycle ballet, we're wondering how a movie about running from the law manages to feel like a cologne commercial. Elise remembers it from when she was seven, Anthony gets lost somewhere between “Hole in the Wall” jokes and actual geography, and Nick treats the entire script like an HR violation waiting to happen. It's part Western, part buddy comedy, part fever dream about free cold air conditioning and dynamite etiquette. We debate whether crime really does pay, why Paul Newman was legally required to be hot, and how much dynamite is “too much” when you're opening a safe. Also: there's a guy named Woodcock, and that goes about how you'd expect. If you came here for film criticism, bless your heart. If you came to ruin Raindrops Keep Fallin' on My Head forever, well, saddle up. https://www.imdb.com/title/tt0064115/

Once again, we are honoring the work of the late, great Robert Redford. This week, we explore Redford's exploration and appreciation for the gorgeous American West. Not only did he depict this region with beauty in respect and film, he also spent his life protecting it with his environmental activism. We start with Robert Redford and Paul Newman starring in the shape-shifting classic Butch Cassidy and the Sundance Kid. Second, Redford plays the titular character in the gripping and nuanced Jeremiah Johnson. Finally, we dive into on of Redford's directorial works. He explores the beauty of Montana in A River Runs Through It. Let us know what you think of these films and all of Redford's catalogue. Which Robert Redford film is your favorite? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

This is a free preview of a paid episode. To hear more, visit chrisryan.substack.comWhat the hell is going on? Why does the mainstream narrative seem to be increasingly unbelievable? Is decency outdated? Why were Paul Newman and Robert Redford important? Is the future female? Is competence necessary to run a country?

The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey pull off the big con and revisit ‘The Sting' to kick off Redford Month in honor of the late, great Robert Redford. 'The Sting' also stars Paul Newman and Robert Shaw and was directed by George Roy Hill. Producers: Craig Horlbeck, Chia Hao Tat, Ronak Nair, and Eduardo Ocampo This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️  Learn more about your ad choices. Visit podcastchoices.com/adchoices

We had Mike Hale from Your Kickstarter Sucks on to talk about Penis Guys! Is it OK to show off your penis at the gym? How big is Paul Newman's dick flaccid? We read a lot reviews that I am not gonna name in the description There is more Chris at https://www.patreon.com/notevenashow And for more Guys content, streams and SHOCKTOBER: a deep dive into shock jocks you can click patreon.com/guyspodcast, Join us on the Sunday Night Stream every Sunday night at 8:00 EST at twitch.tv/notevenashowand I am on https://bsky.app/profile/murderxbryan.bsky.social  Guys is on Instagram! https://www.instagram.com/guys.pod Guys has a Post Office Box now! PO Box 10769 Columbus Ohio 43201  

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah speak with Meghan Daum, the podcaster behind The Unspeakable and author of a great new collection of essays, The Catastrophe Hour. They talk about writing, Charlie Kirk, young people casting around for meaning, and a very eye-raising report in the New York Times about a recent blockbuster memoir about MDMA-assisted recovered memories of violent sexual assault. It raises some questions!Will this be a tipping point for the publishing industry? We discuss integrity, celebrity, Oprah Winfrey, the challenge of selling books, and how to fact-check memories in the first place.Also discussed:* Tylenol: Latest tool of the Resistance* Are Reddit posts the new sad girl diaries?* That time Meghan observed Turning Point gatherings …* The return of Alex P. Keaton!* Books usually don't have fact-checkers* Sarah's hard lessons when editing personal essays* Incoherence, the theme of our time* Fabulists in the memoir genre like moths to a flame* Toot'n Totum!* “Nancy is Marie Antoinette.”* The 90s are back, and if you invite us to your party, we will totally stand around the kitchen smoking clove cigarettes* “Monchhichi, monchhichi, oh so soft and cuddly”* The truth vs. my truth* How is Meghan's new book like a handgun?* Paul Newman used French eye drops?* NYT reader comments FTWPlus, the John Brown Gun Club, a tragic story of literary shame, more Robert Reford love, and much more!

Megyn Kelly is joined by Matthew McConaughey, author of "Poems & Prayers," to discuss raising kids that aren't entitled, working with his 17-year-old son in the new movie "The Lost Bus," fighting against nepotism, the importance of giving kids a strong foundation, his "conservative early, liberal late" philosophy, the difference between a "good man" and a "nice guy," why it's important to stand up for your values, how faith plays a big role in his life, his friendship with Woody Harrelson, why he looks up to Paul Newman, why politics "could be" in his future, the different leadership roles he's exploring, the big decisions presidents have to make, leaving Hollywood and raising kids in Texas, rebranding himself away from "the rom-com guy," losing their dads early in their lives, McConaughey choosing to go to film school over law school, the confidence he had to go after his dream of acting, and more. More from McConaughey: https://greenlights.com/ SelectQuote: Life insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at https://selectquote.com/megynAll Family Pharmacy: Order now at https://allfamilypharmacy.com/MEGYN and save 10% with code MEGYN10Done with Debt: https://www.DoneWithDebt.com & tell them Megyn Kelly sent you!Chapter: For Free and unbiased Medicare help dial 27-MEDICARE (276-334-2273) or go to https://askchapter.org/kellyDisclaimer: Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and standalone prescription drug plans that have a Medicare contract. Enrollment depends on the plan's contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don't directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all your options.  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's Wrap Party, Zeth is talking about the legacy of Paul Newman, erotic thrillers from the ‘90s, strange burials, Netflix's Black Rabbit, and more. Join the party and get in touch with your recs, your reviews, and any insane story from Hollywood history that you want to tell us! Call or text (617) 906-6638, email disgracelandpod@gmail.com, or reach out on socials @disgracelandpod. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Award season is here, and the Emmys just dropped! Matt and Bob are joined once again by our awards correspondent, Spenser Davis, to break down the highs, lows, and everything in between from this year's telecast. From Nate Bargatze's opening bit to standout speeches, surprise wins, and the ongoing comedy/drama category debate, we ask the big question: did the Emmys actually get it right this year? Then we shift gears to honor the life and legacy of Robert Redford. We revisit his iconic collaborations with Paul Newman, his powerhouse run through The Sting, Three Days of the Condor, and All the President's Men, his Oscar-winning directorial debut Ordinary People, and his later-career gems like All Is Lost and The Old Man & the Gun. Beyond the screen, we explore Redford's humanitarian spirit, the birth of Sundance, and how he lifted others up throughout his career.

Paul Newman didn't race cars to outrun his demons. His past was easily kept at bay, like the World War II memories he didn't want to think about. But like many actors of his generation, the Brando generation, Paul Newman wanted to act like he wasn't acting. And to do that, he had to tap into real emotions. Forgotten memories. Demons and all. Or so said the Method school of acting. So he dug deep and faced his demons–but not before one of those fast cars of his drove him through a hedgerow, a red light, and an altercation with a cop that nearly sent his career off the road before it really began. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok⁠   To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jim Chamberlain met Bruce Meyers in 1963 and began assisting in the design of the iconic Old Red, the first fiberglass dune buggy. By 1966, he was working full-time with Meyers, contributing to the creation of the Meyers Manx buggy and designing the first Sidewinder exhaust system.Encouraged by Meyers, Chamberlain opened his own shop, OC Buggies in 1967, and became a pivitol figure in the growing dune buggy craze. He built the #10 Meyers Manx for Vic Wilson, which won the 1967 NORRA Mexican 1000 race. In 1968, he gained recognition at the first Bug-In and supported several teams in the NORRA Mexican 1000 by entering and racing his wife's stock 1965 VW bus.In 1969, he built a VW convertible for actor Paul Newman and began racing dune buggies at Ascot Park. Throughout the 1970s, he continued to innovate in off-road vehicles and participated in the Pikes Peak Hillclimb and SCORE Riverside Grand Prix.In 2022, he drove the #10 Replica Meyers Manx in the Slow Baja Safari Class of the NORRA Mexican 1000 Rally and showcased it at the 2023 Mint 400 Off-Road Motorsports Hall of Fame exhibit. Now 82, Jim remains an active participant in Meyers Manx Club events, serving as an ambassador for off-road racing.Follow Jim Chamberlain on Facebook:https://www.facebook.com/jim.chamberlain.583Follow Meyers Manx on Instagram:https://www.instagram.com/meyersmanx/?hl=enMentioned in this episode: Slow Baja Vintage Expeditionhttps://www.slowbaja.com/adventuresBenchmark Maps Baja Road and Recreation Atlashttps://longitudemaps.com/products/ba...Support the Slow Baja Podcasthttps://www.slowbaja.com/supportBuy Baja Bound Insurancehttps://www.bajabound.com/quote/?r=fl...

3pm: I Was Thinking: Big Twigs’ Very Rough Day // This Day in History // 1620 - Mayflower departs England // 1967 - The Who literally spark an explosion on national television // 1977 - Presidential sibling Billy Carter gets his own beer // John once crashed Paul Newman’s dressing room

Today Spike Feresten joins us at the table! He's written for your favorite shows including Late Night with David Letterman and Seinfeld - and he's here to talk all things comedy! Tom talks with Spike about his many interests - collecting cars, playing live ball tennis, and designing watches. Enjoy!  Check out Spike's podcast Spike's Car Radio.  Text PAPA to 64000 to get twenty percent off all IQBAR products, plus FREE shipping. Message and data rates may apply.  ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ButcherBox.com/papa to get this limited time offer and free shipping always.  ------------------- 0:00:00 Intro 0:01:02 TomPapa.com 0:01:57 Patreon Shoutout 0:02:27 Pressures of Spike's bread  0:03:10 Seinfeld stopped Tom from golfing  0:05:00 Collecting cars  0:10:10 Paul Newman's flat loafs and Tom's fascination  0:15:29 Comedy writing vs stand up  0:17:00 Playing tennis, live ball 0:25:50 Writing for Letterman, Seinfeld  0:30:50 Writing "Soup Nazi" episode and working with Larry and Jerry 0:40:10 Seinfeld bungalow and Hollywood magic  0:42:00 IQ Bar ad  0:44:05 Butcher Box ad 0:45:41 State of comedy in Hollywood 0:48:48 Fox late night show and cancellation  1:01:02 Colbert cancellation  1:06:12 Podcast - Spike's Car Radio 1:07:20 Personality of people who drive specific cars  1:12:10 Uncomfortable moment  1:14:32 Tom & family past Seinfeld and Spike driving Porsches 1:16:05 Father forcing fist fights 1:20:02 watching Friends and old Seinfeld episodes  1:22:35 Designing watches  ------------------- Tom Papa is a celebrated stand-up comedian with over 20 years in the industry. Watch Tom's new special "Home Free" out NOW on Netflix! Patreon - Patreon.com/BreakingBreadwithTomPapa Radio, Podcasts and more: https://linktr.ee/tompapa/ Website - http://tompapa.com/ Instagram -  https://www.instagram.com/tompapa Tiktok - https://www.tiktok.com/@tompapa Facebook - https://www.facebook.com/comediantompapa Twitter - https://www.twitter.com/tompapa #tompapa #breakingbread #comedy #standup #standupcomedy #bread #seinfeld #latenight Learn more about your ad choices. Visit podcastchoices.com/adchoices

GGACP's celebration of the centenary of big-screen legend Paul Newman (born 1925) continues with this reposting of a 2015 mini-episode, featuring Frank's tribute to Newman's 1982 courtroom drama "The Verdict." Also in this episode: Bogie takes his final bow! Sidney Lumet takes to the road! And Newman takes on the Prince of Darkness! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the centenary of screen icon and philanthropist Paul Newman (born 1925) with this ENCORE of a 2015 episode, featuring Gilbert's critical analysis of Newman's 1963 revisionist western "Hud." Also in this episode: the late, great Sydney Pollack! The cinematography of James Wong Howe! And Gilbert croons the theme song from “The Life and Times of Judge Roy Bean”! Learn more about your ad choices. Visit megaphone.fm/adchoices

(Gestures at a circle) You know, for kids! Mike Mitchell and Nick Wiger of the Doughboys join us for a freewheeling, gut-busting episode about the time Joel Silver gave the Coens a bunch of money to make a “commercial film” and then it ended up being 1994's The Hudsucker Proxy. A sampling of topics discussed: Paul Newman being hot up until the day he died (and possibly after), whether or not this movie has a Sturges protagonist in a Capra film or vice versa, whether or not the previous question even matters, the fact that Griffin has never seen The Wire yet has watched every episode of Greg the Bunny, the amount of baby wipes David has to buy in a month, the extent to which the style of humor in Hudsucker overlaps with that of The Simpsons, and a whole bunch of Yaddle talk for some reason. Read Caity Weaver's Mozzarella Sticks piece from 2014 Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices