Podcasts about Paul Newman

Anderson .Paak takes his shoes off for the first time as he and Rick get a little… high on music and a new friendship. The two discuss dating, Will Smith, and how wild the wild wild west can be. Take YOUR shoes off (if you're home), pour yourself a glass of Paul Newman's lemonade, and enjoy. When you're done, go to your local AMC theatre and watch K-Pops! — Anderson’s new movie that he wrote, directed, and stars in opposite his son.

Kev and Rob decide to stage this week's episode of the podcast, discussing "The Life of the Stars" (SA) as a piece of amateur theatre in a spare conference room on board the ship. They then reflect on other adventures upon the stage from episodes past, "The Conscience of the King" (TOS) and "Frame of Mind" (TNG).SA 1×08 The Life of the StarsOur Town Our Town at the Welsh National Theatre William Shakespeare Leonard Nimoy “The long way round”: Doctor Who's history with this phrase explained Sylvia Tilly VOY 3×22 Real Life Parrises squares Hologram Janeway Kasq Our Town 2003 Broadway production with Paul Newman as Stage ManagerTheatre Star Trek VI: The Undiscovered Country Star Trek IV: The Voyage Home Star Trek II: The Wrath of KhanTOS 1×12 The Conscience of the KingJames T. Kirk Kevin Riley TOS 1×06 The Naked TimeTNG 6×21 Frame of MindEvery Good Boy Deserves Favor Photo of Patrick Stewart, Brent Spiner, Jonathan Frakes from their production TNG 5×18 Cause and Effect Brannan BragaPRO 1×13 All the World's a Stage(00:00) - Episode 89: Theatre (SA 1×08 The Life of the Stars) (00:34) - SA 1×08 The Life of the Stars (23:53) - Theatre (25:42) - TOS 1×12 The Conscience of the King (41:33) - TNG 6×21 Frame of Mind Music: Distänt Mind, Brigitte Handley

Gilbert and Frank return to the New York Friars Club to sit down with the (VERY!) candid and colorful Danny Aiello about his uphill and unlikely journey from Greyhound bus dispatcher to Oscar nominee. Also, Danny shares his memories of goofing around with Paul Newman, sightseeing with Rodney Dangerfield and singing backup for Bette Midler, and tells us why he's embarrassed by his role in the classic rom-com “Moonstruck.” Also in this episode: Uncle Miltie meets Jack Ruby, Danny jokes about his notoriously fiery temper and Robert De Niro learns to throw a baseball. PLUS: The Pete Best of “The Godfather”! Learn more about your ad choices. Visit megaphone.fm/adchoices

On My Three Sons, Stanley Livingston grew up, with the boomer generation and with television itself. By the time we came to know Stan as Chip Douglas he had logged over ten credits, performing with Paul Newman and Joanne Woodward, Doris Day, Ozzie & Harriet Nelson, Jimmy Stewart, John Wayne, Debbie Reynolds and Gregory Peck!Stan takes us back to his first gig, as a stunt double for Jon Provost on Lassie. Jon couldn't swim yet. Stan got stuck in a muddy pond and turned in a tremendously vivid performance as a kid attempting not to drown.His parents met in Baltimore, where his father ran a burlesque theater and his mom put some vahs in her dance voom. In search of reinvention, they moved to California where Stan and his brother Barry were born and raised. With an ample dose of show biz in his blood, Stan felt at home from the first moment he stepped onto a set.He shares the story of his big break at just six years old on The Adventures of Ozzie and Harriet. Stan was working as a neighborhood kid extra when Ozzie threw him a line and he delivered. Stan appeared on ten episodes of the show, until he landed My Three Sons and his brother Barry took over. (Then following him to MTS!)At age 13, Stan was cast in the epic, star-studded adventure, How the West Was Won under the legendary (and notoriously hot-tempered) direction of Henry Hathaway. He recounts Hathaway's explosive on-set tirades (and how Debbie Reynolds was the only cast member bold enough to take him on and yell back!)  The experience taught him an invaluable lesson: never take what happens on set personally.Stan speaks warmly of William Frawley, who played Bub on My Three Sons. Stan never knew his grandfathers and Bill did not have kids. They adopted each other and truly cherished their bond, on and off screen.And so, it was difficult for Stan to accept William Demarest who came in as Uncle Charley when William Frawley's faltering health made it impossible to get him insured. But Stan did eventually warm to the new Bill who came with his own set of charms.We hear behind-the-scenes stories from the MTS set, including a memorable location shoot aboard a jet at LAX, and how producers enticed movie star Fred MacMurray to television by structuring a schedule that allowed him to shoot all of his scenes for the season in just a few months.We enjoy a warm, insightful look at growing up in classic television and celebrate the mentors who helped shape one of America's most beloved sitcom families. Plus IMDB Roulette spins us back to Old Hollywood and a 'My Three Sons Guest Star Roulette' lightning round! In recommendations --Lisa: The Chair Company on HBOWeezy: Neighbors on HBOPath Points of Interest:Stanley LivingstonStanley Livingston on WikipediaStanley Livingston on IMDBStanley Livingston on FacebookGolden Age Hollywood Show March 28, 2026The Chair Company on HBONeighbors on HBO

This is a re-release of my interview with Robert CarradineRobert Carradine 1954-2026Robert CarradineTake a walk with me down Fascination Street as I get to know Robert Carradine. Bobby is part of the iconic Carradine family. From his father John to his brothers Keith, David, & Michael, to his niece Martha Plimpton, and his daughter Ever Carradine; this family is Hollywood royalty! In this episode, Bobby and I chat about so many of the things he has done. We discuss his first ever film, working with John Wayne, Revenge of the Nerds with James Cromwell and where that laugh came from! We also dive into his twenty year long career as a professional race car driver for Lotus, and the 24 Hours Of Daytona with Paul Newman. Bobby shares stories including using a bull whip to break a cigarette out of Jamie Lee Curtis' mouth! We cover his playing Lizzie McGuire's dad on the entire run of that show plus the movie, and even a weird "Wife Swap" story involving NFL great Terrell Owens. Finally, we chat about his band "The Checks" and his podcast "Party Nerds Pop-Cast". Both of these projects are with his good buddy Richard Gabai. I have checked out the show, and I think it's definitely worth giving a listen. I think you will enjoy it. Bobby graciously lets me play one of the songs by The Checks, and I think you will enjoy that as well. I can't thank Bobby enough for being on the show. Make sure you show him some love!

Episode 102: Slap Shot With Special Guest: Megan Craig (Associate Professor of Philosophy and Art, Stony Brook University) The gloves are off this week on Philosophy in Film as the gang faces off with George Roy Hill's bruising classic, Slap Shot! Set in the fading mill town of Charlestown, the film follows player-coach Reggie Dunlop, played by Paul Newman, as he tries to save a failing hockey team by leaning into spectacle, violence, and the sudden popularity of the Hanson Brothers. What begins as a desperate bid for ticket sales spirals into a question about integrity, entertainment, and what happens when winning becomes secondary to drawing blood. At centre ice, Craig drops the puck with Producer's Notes (), while Alain takes out some teeth with the Beauclair Synopsis (). In Philosopher's Corner, Chris digs into the film's storied history and stitches connections to our hometown. The gang heads to the penalty box for the Round Table () to consider the ethics of aggression, masculinity on ice, and the simmering class tensions bubbling beneath the boards. Reviews sound the final buzzer as we tally the hits, the heart, and whether Slap Shot earns its place in the hall. As always, we explore the philosophical and non-philosophical aspects of the film, because when the crowd wants a fight, someone still has to decide what the game is really about.

El aniversario de esta semana nos lleva a recordar a un director estadounidense de indudable talento pero poco conocido por el gran público: Robert Rossen, autor de películas como “Cuerpo y alma”, “El político” o “El buscavidas”. La actriz que acompañaba a Paul Newman en “El buscavidas” precisamente, Piper Laurie, pone rostro también a la villana de esta semana en nuestra serie “Esos tipos a los que nos encanta odiar”. Se trata de Margaret White, la fanática religiosa que hacía la vida imposible a Sissy Spacek en “Carrie” de Brian De Palma. Charlamos con la actriz Elena Furiase y en la sección dedicada al cine de aventuras tenemos una película ochentera: “Tras el corazón verde”, dirigida por Robert Zemeckis y protagonizada por Katheleen Turner y Michael Douglas.

When a mob enforcer's son witnesses a murder, he is forced to take to the road to survive after his wife and other child are killed.  On the road to safety they find a bond they were missing but a turn of events make that road one that will only end in perdition.  Tom Hanks, Paul Newman, and Daniel Craig star in Road To Perdition. We also discuss things we watched this week including Thunderblots, discuss the Super Bowl trailers for The Mandalorian & Grogu and The Adventures Of Cliff Booth and more.Next week: Star Trek: First Contact is our featured film!

Last year we lost several legends of the silver screen. One of the biggest ones was Robert Redford. For over five decades the man dazzled audiences both in front of and behind the camera. Narrowing the selection down to one film was difficult, we could spend a whole year doing a deep dive of his filmography, but we settled on what is maybe his most iconic role in Butch Cassidy and the Sundance Kid. This film marked the first pairing of him and Paul Newman, as well as director George Roy Hill. Often cited as one of the greatest westerns of all time, how does this embody not only the genre, but Redford's career as a whole? Let's discuss.

Send a textWhat are you known for?Isaiah 58:10: Feed the hungry, and help those in trouble. Then your light will shine out from the darkness, and the darkness around you will be as bright as noon.Support the show

On this episode of the Charity Charged Show, we sit down with Hilary Axtmayer, Chief Program Officer of the Hole in the Wall Gang Camp, to talk about one of the most meaningful nonprofit expansions happening this year.Founded in 1988 by Paul Newman, the Hole in the Wall Gang Camp was created to give children with serious illnesses something they are too often denied: the chance to simply be kids. More than three decades later, the organization is serving thousands of children and families across the Northeast and Mid-Atlantic, and in 2025 it is opening a second residential camp location in Maryland.This conversation goes beyond the headline of expansion. It digs into the origin of the camp's name, the magic of its programs, Hilary's 25-year journey from counselor to executive leader, and the careful work required to scale without losing the soul of the mission.

RUTHERFORD COUNTY, TN - On today’s edition of the WGNS Action Line (Click Play on the Podcast Above), host J. Paul Newman—a retired assistant district attorney w

The Patriots are back in the Super Bowl and super fans Alec Sulkin and Julius Sharpe from Family Guy join Kilby to preview the showdown with Sam Darnold and the Seahawks. And...a wide ranging discussion on movies including the Knives Out series, Bugonia, Paul Newman's best film, Zodiac, that special Wilford Brimley scene in The Firm, The Town vs The Departed, and Mr. Kilborn showcases his popular Albert Finney impression. Plus, the entire podcast is sprinkled with puns. It's The Sulk effect. Orange you glad. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 125 -  “VIRGINIA MAYO: CLASSIC HOLLYWOOD STAR OF THE MONTH” - 2/02/2026  One of the most glamorous actresses in old Hollywood undoubtedly was VIRGINIA MAYO. This peaches-and-cream, midwestern beauty started her career wrangling two men in a horse costume on stage before being discovered by producer SAMUEL GOLDWYN and transformed into a full-blown movie star. Often playing the fantasy girl to leading men like BOB HOPE and DANNY KAYE, her beauty sometimes made people miss the fact that she was a very capable actress — particularly when she played bad girls in films like “The Best Years of Our Lives” and “White Heat.” She was very adept at light comedy, romance films, and drama, appearing in over 50 feature films and many television shows throughout her career. And tune in to find out about Steve's connection to this old Hollywood glamour girl as we celebrate Mayo as our February Star of the Month.   SHOW NOTES:  Sources: The Best Years of My Life (2001), by Virginia Mayo, as told to LC Van Savage; The Forties Gals (1980), by James Robert Parish & Don E. Stanke; “Virginia Mayo's 100th Birthday,” November 30, 2020, by Vanessa Varquez, www.ashroudofthoughts.com; “Virginia Mayo, 84, Stunning Actress of 1940s Romantic Films,” January 19, 2005, Los Angeles Times; Virginia Mayo, Movie Actress, Dies at 84,” January 18, 2005, by Richard Severo, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Follies Girls (1943), starring Wendy Barrie; Up In Arms (1944), starring Danny Kaye & Constance Dowling; Jack London (1943), starring Michael O'Shea; Seven Days Ashore (1944), starring Wally Brown; The Princess and the Pirate (1944), starring Bob Hope & Virginia Mayo; Wonder Man (1945), starring Danny Kaye, Virginia Mayo, & Vera Ellen; The Kid From Brooklyn (1946), starring Danny Kaye, Virginia Mayo, Vera Ellen & Steve Cochran; The Secret Life of Walter Mitty (1947), starring Danny Kaye, Virginia Mayo, Boris Karloff & Ann Rutherford; The Best Years of Our Lives (1946), starring Fredric March, Myrna Loy, Dana Andrews & Teresa Wright; A Song Is Born (1948), starring Danny Kaye & Virginia Mayo; Smart Girls Don't Talk  (1948), starring Bruce Bennett & Virginia Mayo; Flaxy Martin (1949), starring Virginia Mayo & Zachary Scott; Colorado Territory (1948), starring Joel McCrea & Virginia Mayo; White Heat (1949), starring James Cagney & Virginia Mayo; Red Light (1949), starring George Brent & Virginia Mayo; Always Leave Them Laughing (1949), starring Milton Berle, Virgina Mayo & Ruth Roman; Backfire (1950), starring Gordon MacRae, Virginia Mayo & Edmond O'Brien; The Flame and the Arrow (1950), starring Burt Lancaster & Virginia Mayo; The West Point Story (1950), starring James Cagney & Virginia Mayo; Captain Horatio Hornblower (1951), starring Gregory Peck & Virginia Mayo; She's Working Her Way Though College (1952), starring Ronald Reagan & Virginia Mayo; South Sea Woman (1953), starring Burt Lancaster & Virginia Mayo;   Pearl of the Pacific (1955), starring Dennis Morgan & Virginia Mayo; The Silver Chalice (1954), starring Paul Newman, Virgina Mayo * Pier Angeli; Congo Crossing (1956), starring Virginia Mayo & George Nadar; The Big Land (1957), starring Alan Ladd & Virginia Mayo; The Story of Mankind (1957), starring Vincent Price, Ronald Colman & Peter Lorre; Young Fury (1965), starring Rory Calhoun & Virginia Mayo; Castle of Evil (1966), starring Scott Brady & Virginia Mayo; Won Ton Ton, the Dog Who Saved Hollywood (1976), starring Bruce Dern & Madelyn Kahn; Hunted (1977), starring Aldo Ray; French Quarter (1978); starring Bruce Davison; The Man Next Door (1997); starring Karen Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

REP GRIJALVA WITH REPORTS FROM AZ, OR, MN, NC & FROM UKRAINE'S LETHAL NUKES Our Greep Zoom #254 opens with a first-person report from MYLA RESON on the beating of Mr. James, who's since disappeared, to which she emphasizes the need to shut the Palo Verde atomic reactors. Our esteemed US Representative ADELITA GRIJALVA updates us on the latest developments in the US Congress. From DR. MELISSA BIRD we get an on-the-scene report from the streets of Oregon. The great former Charlotte Mayor JENNIFER ROBERTS gives us a mind-bending view of the ICE attacks in North Carolina, and thanks the country as “it's the people who're going to safe us." From HEDY TRIPP in St. Cloud tells us that the resistance in MN is holding strong and that she is facing personal danger of the first magnitude. .From MICKIE LEADER we get an exhortation to study our history's Underground Railroad for saving oppressed citizens. Media mogul DAVID SALTMAN wonders why the government would shut in the middle of this crisis & why our Amendments—2, 4, 9 and others—are being ignored. Solar owner PAUL NEWMAN demands the Democrats obstruct the Republican coup. Outspoken autistic activist CARLY FEIN demands more activism from good people under fire. From NICOLE UNG we hear that two people have been blinded by ICE & a third can thankfully still see. Commentator DONALD SMITH warns that Democrats are saying not to fight the immigration issues. Then, from Ukraine, we spent an hour with DENYS PILAH and OLEH SAVYTSKYL in Kiev. With the Green Party's HOWIE HAWKINS, we dig deep into the horrifying nightmare of Putin's fascist attack. Our erstwhile engineer STEVE CARUSO underscores Russia's ultimate weakness. Co-convenor TATANKA BRICCA underscores Russia's threat to the Arctic, and to the Earth, while we wish Ukraine…and Minnesota…the most powerful solidarity possible. .

Recorded at the American Film Market (AFM) in November 2025 An estranged father and daughter embark on a road trip — each hiding secret motives — but as unexpected detours and the dad's quirky caretaker draw them closer, they rediscover what it means to be a family. Sari Earl - Writer Born and raised in Brooklyn, New York, Sari was a tax attorney who worked for Delta Air Lines before a passion for writing inspired her to shift careers. She is a published author of ten books, seven under the pen name Sari Robins and three under her own name. She also wrote and helped create a documentary short. Now Sari is focused on her most personal story yet, making a film inspired by her father who lived with ALS for over twenty years. The screenplay, Do Over, is a comedy that reflects her dad's indomitable spirit, his humor, and his love of family. Do Over is the Grand Prize Winner of the Table Read My Screenplay Competition Hollywood 2025 and won Best Comedy Screenplay at the Atlanta Women's Film Festival 2025, among others. Motivated by her father's ALS, Sari helped create and co-chairs the accessibility and inclusivity committee at her Temple where she also served as Vice President of Community, led the leadership program and served on the board. Sari also served as President of the Atlanta Jewish Film Festival, the largest Jewish film festival in the world, and is a founding board member. Sari served as Vice President of Film, and Vice President of Leadership at American Jewish Committee, Atlanta, where she continues to serve on the board and is part of the Black-Jewish Coalition and community engagement efforts. Sari served on the board of a mental health non-profit and on the advisory board for an interfaith disability organization. Check out www.sariearl.com Drew Ann Rosenberg - Director Drew began her career in the arts, working in off-Broadway theatre in New York City and as a classically trained singer. She was Assistant Director on 6 Academy Award-winning films and has worked alongside such acclaimed directors as Sidney Lumet, Arthur Penn, Woody Allen, Paul Newman, Jonathan Demme, Rob Reiner, and Abel Ferrara. She's also First ADed 7 movies for HBO and multiple TV series and limited series. Drew's directorial debut, SEX AND A GIRL, aired on Showtime and Lifetime Networks. FOLLOW THE PROPHET was released theatrically. She directed second unit on THE RETURNED, STARKID, and NOW AND THEN. Drew wrote and directed the short film DAYBREAK, which received an LA Emmy. Her short film, AMY'S GIFT, won 5 awards at festivals. DADDY'S EYES, her latest short, won Best in Fest and Best Narrative Short at The Lake Placid Film Festival and the Rome Film Festival. Drew co-produced the feature NINE BULLETS, for Writer/Director Gigi Gaston, starring Lena Headey, Sam Worthington, and Barbara Hershey. Recently, Drew stepped up to direct on the limited series, American Sports Story, Gladiator for FX networks. She's currently in development on two independent features, KINGS ROAD and OUR CLASS, as well as a series derived from her short, DADDY'S EYES. www.drewrosenberg.com Cast: Rob Morrow - https://www.imdb.com/name/nm0001555/ Tu Morrow - https://www.imdb.com/name/nm2358754/ RJ Hatanaka - https://www.imdb.com/name/nm4082552/ Siena Goines - https://www.imdb.com/name/nm0324788/ Dean Cameron - https://www.imdb.com/name/nm0131541/ Maiara Walsh - https://www.imdb.com/name/nm2118666/ Oliver Blank - https://www.imdb.com/name/nm14028470/ Eric Keitel - https://www.imdb.com/name/nm3318078/ JK Anderson - Narrator

(00:00-00:00) They're still not happy down in Miami. Nevin Shapiro audio talking about the money spent on Carson Beck. Chairman filtering emails from home. Snow day at The Village Bar. Uncle Moose's Saucy Pork Steak is struggling in Nashville. Craig Berube with a nasty weight room injury. Producer Joe's gym "accident." School closings.(16:30) Happy birthday, Paul Newman. E-Mail of the Day.(32:00) There's a girl in the YouTube chat but Doug's not convinced. James Carlton is in studio. Mina Kines comments. Hooking up in the comments section. Sure would love to see them feet. Cybering with your brother in a chat room. What happened to Timmy Tom Tom? One of the least anticipated Suber Bowls in a while. The 2003 Rams vs. the Panthers in the playoffs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's episode #4 of the Mark Martin Archive with Matt & Mark discussing, in great detail, the rise of Roush Racing in the late nineties to early 2000's. Charlie Marlow also joins to get Mark's opinion on NASCAR ditching the Roval for a second race on the Charlotte oval. Plus what are Mark's memories of his 2017 NASCAR Hall of Fame induction, and driving in the Rolex 24 with actor Paul Newman of all people? This episode is full of amazing racing stories.#nascar #racing #markmartin Big Rock - Take the Lead by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠

This week in two separate incidents both brothers have managed to bruise themselves, we are getting old. Gavin has listened to another book and Dan is growing the TikTok account. Gavin has had a bad day and Dan brings us a Paul Newman based quiz. We hear about who you think deserves a day of their own and was the oldest man really that old?   This weeks recommendations: Kofi Stone : Flowers Flow Gruff Rhys : Bad Friend Florence Road : Break The Girl   Find us here : www.betherewithbelson.com Email : betherewithbelson@gmail.com Instagram : @betherewithbelson X : @therewithbelson TikTok : @betherewithbelson

National green juice day. Entertainment from 1995. Stewardess falls 33,000 feet and lived, Largest diamond ever found, Michigan became 26th state. Todays birthdays - Louis Zamperini, Paul Newman, Bob Ueker, Jean Knight, Eddie Van Halen, Anita Baker, Ellen DeGeneres, Tom Keifer, Andrew Ridgley. Kobe Bryant died.Intro - God did good - Dianna Corcoran Dianna on SpotifyGreen smoothi hustla - Serfei BoutenkoOn bended knee - Boys II MenGone country - Alan JacksonBirthday - The BeatlesBirthdays - In da club - 50 Cent     http://50cent.com/Just a bit outside - Harry Doyle in Major LeagueMr. Big Stuff - Jean KnightEruption - Van HalenGiving you the best that I got - Anita BakerShake me - CinderellaWake me up before you go go - WhamExit - Dirt Tracks & Gasoline - Jake Dodds     https://jakedodds.com/countryundergroundradio.comHistory & Factoids about today webpagecooolmedia.com

“If he wasn't on the bar car, he wasn't on the train.” Rally Round the Flag, Boys! (1958) Directed by Leo McCarey and starring Paul Newman, Joanne Woodward, Joan Collins, Jack Carson and Tuesday Weld Next Time: Chitty Chitty Bang Bang (1968)

Today, I am pleased to welcome Paul Boutros, Deputy Chairman and Head of Watches, Americas for Phillip, the leading auction house dedicated to collector's watches. Based in New York City, he helped establish and build the watch department since its launch in 2014. In October 2017, he led Phillips's inaugural New York watch auction, Winning Icons, where Paul Newman's legendary Rolex "Paul Newman" Daytona sold for $17.8 million - the highest result ever for a vintage wristwatch sold at auction. Under his leadership, the Phillips New York team as sold many legendary pieces, including a Heuer Monaco wristwatch gifted by Steve McQueen, Marlon Brando's Rolex GMT-Master worn in "Apocalypse Now", Jack Nicklaus' Rolex Day-Date, and Paul Newman's Rolex "Big Red" Daytona, to mention just a few. In December 2021, his team's fifth annual flagship watch auction achieved $35.9 million, breaking the record for the highest watch auction total in U.S. history. A collector of wristwatches since childhood, Paul is a specialist in their authentication and valuation. Frequently appearing on television programs sharing tips on watch collecting, he has hosted talks for investment banks, luxury brands, and magazines. As the former watch columnist for Barron's PENTA, Paul has been published or cited in numerous publications including The New York Times, Wall Street Journal, Bloomberg, Forbes, and Robb Report. Paul serves as a Trustee for the Horological Society of New York, an Honorary Committee Member of the Gerald Genta Heritage Association, and as an Academy Member of the Grand Prix d'Horlogerie de Genève (GPHG). Paul also serves as a strategy consultant to luxury brands through his firm, Boutros Group. To start off, Paul tells us about the exotic world of luxury time pieces. He tells the story of how the luxury watch landscape has evolved and how UHNW individuals and families are viewing watches today as a component of their portfolio's alternative assets allocation. We then talk about what sets unique time pieces apart from the "mere mortal" expensive watches. Paul helps us understand and define what makes a luxury watch a collectible piece.>/p> Paul offers some tips for families and family offices on how to get started, especially if they are new to luxury watch investing and collecting. He goes into detail on how one can find the right watch for their needs and goals. An important consideration in this specialized segment of alternative investments is protecting against fraud and other unique threats. Paul provides invaluable pointers into what UHNW families need to know about how to avoid the risks inherent in the world of luxury watches and how to protect against being taken advantage of. Finally, he describes the important role the family office can and should play in this process. Do not miss this fascinating and deeply insightful conversation with one of the world's leading experts on luxury time pieces and collectible watches.

In this episode of Fraud in the Office, Matthew and Mark unpack the shocking embezzlement case involving Christopher Butler, the former CEO of The Painted Turtle—a nonprofit camp for critically ill children co-founded by Paul Newman. The hosts break down how more than $5 million was allegedly stolen over several years, examining the control failures that allowed the fraud to go undetected.They discuss why strong financial controls, proper segregation of duties, and active oversight are critical in nonprofit organizations, and how lapses in governance can have devastating consequences—especially when vulnerable populations are involved. This episode is a sobering reminder that even the most mission-driven organizations are not immune to fraud without the right safeguards in place.Support the showFind us on all streaming platforms! Check out our sponsor 1Trooper on LinkedIn @1Trooper And don't forget to subscribe!

Alfred Hitchcock directing superstar talents Paul Newman and Julie Andrews in a spy thriller? Torn Curtain should've been a Cold War classic — so what went wrong? With mismatched stars and flat tension, we ask: is Torn Curtain a misunderstood experiment, or just a rare misfire from the Master of Suspense?___Please consider joining our Patreon: https://www.patreon.com/wwibofficialYouTube: https://www.youtube.com/@whywasntitbetterLetterboxd: https://letterboxd.com/wwibpodcastInstagram: https://www.instagram.com/wwib_officialX: https://x.com/WWIBpodcastSubscribe! Rate! Review! Tell a friend!

This week on the Video Store Podcast I am recommending four sequels that understood what they were doing. Not every follow up needs to top the original. Sometimes the smarter move is to change perspective, lean into experience, or admit that the audience already knows the rules. These films take different approaches, but all of them show intent rather than obligation.Bride of Frankenstein (1935)James Whale treats the sequel as a chance to reshape the story rather than extend it. The film is openly stylized, emotionally direct, and comfortable mixing humor with unease. Elsa Lanchester appearing as both Mary Shelley and the Bride signals how self aware the film is from the start. At just over an hour it wastes nothing, and every choice feels deliberate. Universal horror rarely let directors put this much personality on screen, which makes it stand out even now.Psycho II (1983)Instead of chasing shock, this film focuses on Norman Bates after years of confinement. Anthony Perkins plays him with restraint and patience, letting the tension come from uncertainty rather than spectacle. The movie also knows the audience brings baggage with them, and it uses that knowledge carefully. Released at a time when many horror sequels went broader, this one went inward.The Color of Money (1986)Paul Newman returns to Fast Eddie Felson as someone shaped by time and compromise. Martin Scorsese treats The Hustler as history, not a template to be copied. The film is about pride, mentorship, and what it means to keep competing when winning is no longer simple. Newman earned his Oscar here, and it feels tied to the character's accumulated weight rather than a single performance beat.Gremlins 2 The New Batch (1990)Joe Dante uses the sequel to tear the whole idea apart. The film is packed with effects, jokes, and commentary, and it never pauses to justify itself. It openly mocks sequels, corporate culture, and even the audience's expectations. The commitment is total, and that confidence is why it works.These four films do not share a tone, a genre, or a strategy. What they share is clarity. Each one knows why it exists and what it wants to explore next. That is what makes them worth renting again, not as curiosities, but as examples of sequels that made real successful choices.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Rod and Karen are joined by comedian, actor and co-host of The War Report Podcast with Shalewa Sharpe to discuss talking to podcasts, the loss of the porn store, teaching comedy, modern clowning, working on standup albums, trying to be funny on social media, the algorithm knowing you better than yourself as you age, White People News, Ex-CEO of Paul Newman charity for sick kids accused of embezzlement, man tries to run over date, woman tries to run over Dollar Store employee and sword ratchetness. Podjam 3 Tickets: https://events.humanitix.com/podjam3 Patreon: https://www.patreon.com/theblackguywhotips Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @SilkyJumbo Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- https://the-black-guy-who-tips-podcast.dashery.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – https://www.amazon.com/hz/wishlist/ls/1PDD9JUQUNVY5?ref_=wl_share ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – https://www.crowdcast.io/theblackguywhotips Voicemail: ‪(980) 500-9034Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

Butch Cassidy and the Sundance Kid directed by George Roy Hill and starring Paul Newman, Robert Redford, and Katharine Ross.Episode Roundup: This movie was a wild ride with a whole truck load of handsome! Amy points out that moving to Bolivia won't solve all your problems. Stu revels in the "College Dude" energy. Mel is pretty sure that a joke about Atlantic City from 1969 doesn't hit the way the same way in 2026. Work Sucks, Do Crime.

Ils font figure d'exception parmi les couples d'acteurs. Joanne Woodward et Paul Newman sont restés 50 ans ensemble, jusqu'à ce que la mort les sépare. Car pour eux, aimer c'est être fidèle. Dans un milieu où les relations s'essoufflent vite, leur loyauté a été leur moteur. Un podcast Bababam Originals Ecriture et voix : Alice Deroide Learn more about your ad choices. Visit megaphone.fm/adchoices

HERE'S A PODCAST FROM A YEAR AGO - 2025... LAST YEAR'S Happy New Year! Well no time like the present to kick off the new year with a mind bending podcast courtesy of Jennifer Shaffer and Rich Martini.  Jennifer's web page JenniferShaffer.com has links to her "Uncorked" events, or to book with her directly, RichardMartini.com is where one can book a guided meditation with Rich. So the other day in my kitchen (and I don't know why it's the case, but I sometimes get a message or feeling there that someone wants to talk to us) President Jimmy Carter popped into my head. It of course could have been because he'd just passed away - but I try not to judge why someone shows up, or if someone shows up.  I just leave it aside, and see what happens when we start the podcast. And as we often do, I left it up to our moderator on the Flipside, Luana Anders to suggest the topic for the day. And she told Jennifer: "Richard has someone who spoke to him yesterday." Which is accurate.  And just prior to the podcast - literally a minute before, I remembered that happened, and I looked up Jimmy on Wikipedia so at the very least I had some of his background correct. as it is - at some point I call the King of England before Elizabeth "Edward" when everyone knows that's not her father's name. But Jennifer didn't say his name - just pointed out that she was seeing him when Winston Churchill showed up. (For historians out there, the story of Winston sleeping in the White House and seeing a ghost is old news.) As noted, when over the past ten years we have someone Presidential show up (We've had all chats with Hoover, FDR, Truman, JFK, Nixon, Reagan, Bush Sr.. and folks associated with the Presidency - Abe Lincoln, Mary Todd Lincoln, Andrew Jackson, RFK, John McCain - those interviews are in the books BACKSTAGE PASS TO THE FLIPSIDE (books 1, 2 and 3). Some of them are searchable on the podcast - Abe, JFK, RFK, etc... but it wasn't surprising what Jimmy said about seeing Reagan on the flipside, how McCain stopped by - and the legions of people who loved him were there to greet him. Interesting that he said Rosalyn was "with him" frequency wise - he spoke about the regrets he had from his life (associated with war) and the things he was proudest of.  I asked him a question about a film project I've been working on - something only he would know about, the land case in Maine.  Fun to hear him say it's a story "that should be told." He also talked briefly about people off planet - since he saw a UFO back in 1969, and says that the kinds of work they're doing are benevolent... nothing to fear.  The same kind of things I've heard in the research behind CLOSE ENCOUNTERS OF THE FLIPSIDE KIND.  We asked him who he was surprised to see - and he mentioned Winston Churchill and Elvis - who was friends with him. Paul Newman showed up - I wasn't aware of their friendship, but Jimmy talked about Paul's food charity work, and we asked Paul some questions about his journey, including what it was like to welcome his wife Joanne Woodward home.  (Joanne is still on the planet, but has Alzheimers - from the research, multiple conversations with people offstage, our loved ones who have dementia are "90% already home" - so it's normal for them to interact with each other.  As my friend's father Jack Tracey told us in his last weeks of being here, "It's like leaving a leg in the pool."  I didn't mean to imply she is gone - just was asking him what it was like to see her "higher self" on the flipside.) So while one is watching the nation mourn this President, while the nation has a funeral for him, honoring him and his service, be aware that he hasn't disappeared or is gone: he's just not here. Available. Like everyone is. Hope this helps. WE'LL BE BACK NEXT WEEK!

THE MACKINTOSH MAN (1973) rarely gets top billing in Cold War spy cinema—but should it? In this episode of Cracking the Code of Spy Movies, Dan and Tom take a fresh, clear-eyed look at John Huston's subdued espionage thriller starring Paul Newman and James Mason. Overshadowed by flashier spy movies, THE MACKINTOSH MAN instead leans into bureaucracy, moral ambiguity, and procedural realism. The question is simple: does that restraint elevate the movie—or drain it of tension? We break down the movie's place in the evolution of spy cinema, tracing its DNA back to genre heavyweights like THE SPY WHO CAME IN FROM THE COLD, THE IPCRESS FILE, and FUNERAL IN BERLIN. Rather than gadgets and glamour, this movie focuses on tradecraft, false defections, institutional mistrust, and information as the true weapon. Loyalty is provisional, romance is transactional, and victory feels administrative rather than triumphant. Dan and Tom explore the movie's acting performances in detail, from Paul Newman's restrained and often criticized lead turn to James Mason's quietly menacing antagonist, whose civilized threat anchors the movie. They also examine Dominique Sanda's enigmatic role, the strong supporting British character actors, and how John Huston's classical storytelling style "borrows and defangs" familiar spy tropes. The episode contrasts THE MACKINTOSH MAN sharply with James Bond movies, highlighting fundamental differences in ideology, structure, and tone. Where Bond offers agency, clarity, and spectacle, Huston delivers opacity, manipulation, and unease. The discussion also covers reception, pacing issues, production trivia, and real-world influences behind the prison escape and defection plot. Whether you love slow-burn espionage or find it frustratingly opaque, this episode digs deep into what THE MACKINTOSH MAN gets right—and where it loses its edge. A must-listen for fans of serious spy movies and Cold War cinema history. Tell us what you think about our fresh look at THE MACKINTOSH MAN Finally, do you agree with our assessment here?  Are you a fan of this movie?    Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://bit.ly/4jrIWAl

2025 was a great year at The City's Backyard Podcast! We had so many great guests in the arts from musicians to comedians to actors it made it hard to narrow them down to THE YEAR IN REVIEW Part 1 and Part 2 "Best Of" episodes. We loved all our guests from awesome tribute bands to theater executives to a ton of funny comedians and we appreciate every one of them! In Part 2 of THE 2025 YEAR IN REVIEW you will hear edited down versions of episodes with Jackie Martling, Eliot Lewis (Hall&Oates), Melissa Newman(Paul Newman), Greg Walker(Beetle Bailey), Rob Fraboni Sound Engineer, Carmine Appice(Rod&Ozzy) Rosie Flores(Robert Plant tour)!

Welcome to 2026! We start out the year by doing what we do best: Not enjoying a movie that is otherwise being heaped with critical praise! That's right, folks, Evan and Megan didn't really get the critical brouhaha behind THE PLAGUE (2:42). This story about extreme bullying at a water polo camp left them a little cold, and not because the water temperature is a chilly 65 degrees. Dave joins them for WE BURY THE DEAD (21:45), and unconventional the-dead-are-coming-back-to-life tale. This one left Dave cold, but not just because he has a frigid critics' heart. Evan and Megan liked it, and its take on zombieism is different: Not all the dead come back, they don't seem to want to eat you (though a few look like they'll kick the crap out of you), and have things on their minds. Daisy Ridley is excellent in the lead as an American woman in Tasmania looking for her husband, and Brenton Thwaites is solid as a ne'er-do-well trying to do well. Over on Patreon, we watched the 1982 courtroom drama THE VERDICT, starring Paul Newman.

Whether he's playing billiards or table tennis, a successful hustler requires no small amount of charisma, something Timothée Chalamet's ping-pong pro undeniably has in Marty Supreme, though it's of a decidedly different flavor than that of Paul Newman in The Hustler. Whether that charisma translates to a character we want to root for as he makes a mess of his own life, as well as those of the people (and one unfortunate dog) around him, is up for debate in our discussion of Josh Safdie's new anxiety attack in movie form. Then we pit Marty's game against Fast Eddie's as we move into Connections to discuss the magic and morality of hustling, charismatic liars and the women who are drawn to them — even when they can see right through them — and whether these men chasing victory on their own terms, and at the cost of everything else, is inspirational or pitiful. Then in Your Next Picture Show, Scott sticks up for The Color of Money, Scorsese's Hustler sequel that can't quite best its predecessor, but still has plenty of swagger all its own.  Please share your thoughts about The Hustler, Marty Supreme, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn our first episode of 2026, we have a fun conversation with Mark Marshall. Mark has written a book about working on sets with George Lucas, Steven Spielberg, and Richard Donner. Mark shares samples of his stories about these great directors. He also has stories about meeting Mel Gibson, Paul Newman, the kids from The Goonies, and many more. Mark also has directed a feature documentary called Remember the Sultana. This is a rich documentary about the Civil War ship that sank killing hundreds of men. The film is available on Amazon Prime currently. https://www.amazon.com/Goonies-Droids-Killer-Whales-Observations/dp/B0DPLNFVQChttps://www.rememberthesultana.com/Thanks for listening!

Welcome to the final Spoilerpiece of 2025! We take turns talking about our favorite films of the year. Dave (3:02), Megan (19:35), and Evan (39:30) each have a couple surprising choices sprinkled in. We hope you had a great year, and we'll see you in 2026. Don't forget to check out our Patreon! This week we talk about the 1979 Robert Altman sci-fi flick QUINTET, starring Paul Newman.

For my final episode of 2025, it's 'Nobody's Fool' one of my favorite films, and a true comfort watch in keeping with the theme of last week's episode.  Sweet, subtle, well-cast and directed, and slyly much more than it seems, it's both a paen to small-town life and a surprisingly unblinking look at the cost children pay for their parent's mistakes...and for the ones they make all on their own.

The new Marty Supreme follows a table-tennis phenom with the talent necessary to beat the best players in the world, if only he can keep his self-destructive tendencies from getting in the way. Swap out “table tennis” for “pool” in that description and you more or less have Robert Rossen's 1961 drama The Hustler, which we revisit this week not only to bask in the incomparable onscreen charisma of Paul Newman, but also to consider the film's ideas about what makes a winner — and a loser — and its noir-adjacent portrait of the gambling underworld. Then, in place of Feedback this week, we're reflecting on the late Rob Reiner's legacy on screens both big and small, and within an industry he helped shape in countless ways.  Please share your thoughts about The Hustler, Marty Supreme, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.

Brad and Bob dive into "The Color of Money," a Martin Scorsese classic starring Tom Cruise and Paul Newman. This episode explores the film's dynamic themes of hustling and transformation, with a special focus on Cruise's early career choices and Newman's timeless charisma. Plus, a solo whiskey review of Bardstown Bourbon Company's Normandie Calvados Brandy Barrel Finish.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Ferdinand wanted to make cars for the people, but the Porsche brand we know is an empire of performance. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients, so here’s one of those. [ASAP Commercial Doors Ad] Dave Young: Welcome to The Empire Builders Podcast. It’s the podcast where we talk about empires that were built, businesses, business empires. You know what we… If you’ve listened before, you know… Stephen Semple: Something like that. I get it. Businesses that have done pretty well over the years. Dave Young: They started small. Stephen Semple: They started small. Dave Young: They started small and then they got big. They got so big to the point that you could call them an empire. Stephen Semple: That’s it. That’s the idea. Dave Young: It’s a pretty simple premise. Stephen Semple: That’s it. Dave Young: So as we counted down, Steve told me the topic today and it’s Porsche. Stephen Semple: Yes, sir. Dave Young: Porsche. I’m assuming this is the car. Stephen Semple: The car, yes, the car. Dave Young: Okay. Stephen Semple: The car. Dave Young: And I’m trying to… I know some Porsche jokes, but I probably shouldn’t tell those on this show. I’m trying to think if I’ve ever actually been in a Porsche. Stephen Semple: Oh, well then you’ve got to come up and see me, Dave. Dave Young: You own one. I know you own one. Stephen Semple: Well, I have one. Bernier’s got two. I don’t know how many Steve has. Dave Young: I see how it is. I see how it is. Maybe I will tell my Porsche joke. So you guys that own them, do you call it Porscha? Because some of us just say Porsche. Stephen Semple: Well, if you actually take a look back, that’s the proper German pronunciation as Porsche. Dave Young: Porsche, okay. Stephen Semple: And it’s supposed to not be… It’s not Italian Porsche, right? So it’s Porsche. Dave Young: Porsche, Porsche. Okay, I’ll accept that. I’ll accept that. I’m guessing we’re- Stephen Semple: Well, look, you got to always call a dealership to double check. They’ll tell you. Dave Young: Now, if I had to guess where we’re headed to start this off sometime around the 40s, maybe earlier. Stephen Semple: A little earlier than that, actually. It was founded by Ferdinand Porsche in 1931 in Stuttgart, Germany. You’re not far off. But the interesting thing is where the growth really happened, even though that’s when it was founded, when things really started to happen, was actually post-World War II. Dave Young: That makes sense. Stephen Semple: You’re correct on that. Dave Young: So, it started in 31 and by the time you hit the late 30s and 40s, you’re part of the war machine. Stephen Semple: Yes. Dave Young: Okay. Stephen Semple: So it was founded in 1931, Stuttgart, Germany by Ferdinand. And when we take a look at the history of the business for a very long time, they were a part of the VW group, although they were recently spun off into their own separate business. And there’s a lot of shared history between VW and Porsche. A lot of people make fun of the fact that it’s basically a VW. There’s so much connection. Now here’s the other thing is, there’s a lot of connection in Nazi Germany here as well. And I mean- Dave Young: That’s what I was intimating but trying not to say, but yes, there was definitely. Stephen Semple: And not one of these ones of, “Oh, I’m a business and I got sucked up into the machine.” I mean, very early on. Very early on. Ferdinand was a member of the SS following the war, both he and his son were charged. Dave Young: No kidding. Stephen Semple: He served two years in jail. His son six months. So we’re not talking loose connections here. He was a buddy of Adolf. Let’s just put it out there. And if you remember, going back to episode 21, VW was founded by Nazi Germany. So episode 21 about The Beetle, and Ferdinand was the guy who designed the Beetle. Dave Young: Right, right. I remember you saying that, Ferdinand Porsche. Stephen Semple: And look, Porsche has not always had the success it has today. It’s become pretty big. They do 40 billion EU in sales. They have 40,000 employees. They make 300,000 cars. There was a time that they’re making cars in the hundreds and thousands. It wasn’t that long ago. But let’s go back to Germany to the early 1900s. And if we think about Germany at that time, pre-World War II, pre-World War I, there was lots of history of engineering and science in Germany. More Nobel Prizes in Science was awarded to Germany than anywhere else in the world at that time. Dave Young: Right. Stephen Semple: Germany was a real leader in science and engineering. And the first commercial automobile was made in Germany by Mercedes-Benz. So it’s 1906 and Daimler recruits Ferdinand because Ferdinand had been the winner of the Pottingham [inaudible 00:06:05] Prize, which is the automotive engineer of the year, which is given to new chief engineers and basically allows the person to have this designated doctor engineer honoris causa, Ferdinand Porsche. And he would go around calling himself all of that. Dave Young: Okay. Stephen Semple: And this is an honorary doctorate because he never actually finished college, but he had real engineering chops, Ferdinand. So he moves to Stuttgart, which at the time is a center of car making in Germany, including all the suppliers. And he works for Benz for 20 years. Okay. Now, it’s Germany in the 1930s and 2% of the population own a car in Germany as compared to the United States, which is 30%. Dave Young: In that time? Stephen Semple: In that time. Dave Young: Okay. Stephen Semple: Ferdinand comes up with this idea of we should make an inexpensive car. We shouldn’t be making car for the wealthy. We should make an inexpensive car. The board rejects the idea. Ferdinand leaves in 1929. And in 1931… Kicks around for a few years, and then 1931 starts a consulting firm. Now, this dude knew how to name things. You’re ready for the name of the company? Dave Young: Of the consulting firm? Stephen Semple: Of the consulting firm. Dave Young: Okay. Stephen Semple: I have to read this to get it right. The Doctor Engineer Honoris Causa Ferdinand Porsche Construction and Consulting and Design Services for Motor Vehicles. Dave Young: Now, if I know anything about German, that was all one word that you just said, right? Stephen Semple: Well- Dave Young: No spaces in between any of those words. Stephen Semple: Translated, you’ll see it as Dr. in H period, C period, F period, Porsche, capital G, small M, small B, capital H. Dave Young: It just rolls off the tongue, doesn’t it? Stephen Semple: Now, here’s the crazy thing. Up until 2009, that remained the official name of the company. You actually can find, if you see Porsche’s older than that, that if you look for that, it’ll be stamped somewhere in the car that that’s the manufacturer. Dave Young: They changed it finally because it was just too expensive to- Stephen Semple: It cost too much- Dave Young: Put that many letters in a dye cast. Stephen Semple: Exactly, exactly. Dave Young: Holy cow. Stephen Semple: So it’s 1934 and they land a contract with Germany to design a small affordable car for the people called the Volkswagen. Dave Young: Volkswagen. Stephen Semple: Beetle. Right, there you go. Now, here’s the thing that’s weird. Post World War II, the allies are in trying to rebuild Germany and no one owns VW. VW was owned by the state. So now it’s in the hands of the British and the British and the allies want to create a strong economy in West Germany because it’s now the Cold War. So the big defense to defending against East Germany and the expansion of communism is to really get the economy going in Germany. And so the British government, as we know from episode 21 about the Beetle, approached Porsche who designed it and said, “Help us get this car built.” And this is where it gets just a little bit weird because the son goes in one direction. Ferdinand’s doing his own thing. They both got arrested for war crimes. Son gets out first because he did six months. And his son’s name’s Ferry and his dad is in jail for two years. So between this time where dad’s still in jail and son’s out, here’s one of the things they did towards the end of the war. We don’t know exactly how many, but it was probably about 20 of their best engineers and they moved them out into the farmland of Austria and basically had them working in a barn because they didn’t want to get them arrested or killed, quite frankly. So Ferry gets out and he goes to this barn in Austria and he’s looking around and he goes, “What the heck are we going to do to make some money? Let’s start fixing up cars.” Now, not a huge business fixing up cars. It’s post-war and there weren’t a lot of cars in Germany anyway, but they had to do something. Then the dad gets out of jail and he ends up doing this work with Volkswagen. Now, here’s what’s interesting. And this is where the really tight ties between Porsche and Volkswagen start. The deal that the German government gives Ferdinand, the deal that the allies give Ferdinand is this. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories to Sell Ad] Dave Young: Let’s pick up our story where we left off and trust me you haven’t missed a thing. Stephen Semple: The deal that the allies give Ferdinand is this. We want your help designing and distributing this car. We will give you a royalty for every VW Beetle sold worldwide. Dave Young: Wow, that’s pretty generous. Stephen Semple: Well, no one knew it was going to be such a huge success and basically go for 50 years that car was being built. Dave Young: Right, right. Stephen Semple: So for a long time, the biggest source of revenue for Porsche was royalties on VW Beetle sales. Dave Young: Wow, okay. So it really- Stephen Semple: Isn’t that crazy? Dave Young: It really wouldn’t exist if that deal hadn’t been made. Stephen Semple: May not have, may not have. Now, meanwhile, Ferry, who has design chops of his own and loves cars, started tinkering around with vehicles. And what he started to do was put big engines in small cars. There was all these Beetle parts lying around. He would build a car, this little car, and he’d put a big engine in it. And if you go back in the time, if you go back and take a look in the late 30s, early 40s, and you take a look at Ferraris and things like that, you take a look at the race cars at the time, they were two-thirds engines. They’re these massive engines. So he went the opposite direction. He said, “Well, let’s take a little car and put a big engine in it.” And he’s driving around and he goes, “This is fun.” Because he’s basing it on parts lying around, which is the VW stuff. It’s an engine in the back. This becomes the Porsche 356, which is basically Porsche’s first car. So they start making this car and they wanted to make it somewhat affordable. So the price was $3,750, which would be $42,000 today. And they also wanted to have it as being a daily driver because again, everybody else making performance cars were not daily drivers, had a trunk, bunch of things, daily driver. And this is an important part of Porsche’s DNA. We’re going to come back to this a little bit later, this idea of it being a daily driver. So coming out of World War II, sports cars, industry’s happening and everybody’s got one. MG and Jag in the UK, there’s Ferrari in Italy, you get the idea. Now, one thing I forgot to mention that’s interesting and still today, the government state of Lower Saxony, which is basically would be the state, they still own 20% of Volkswagen. Dave Young: Really? Okay. Stephen Semple: I forgot to mention that. Dave Young: Who are they now? Stephen Semple: Well, Volkswagen’s still around. Volkswagen’s still- Dave Young: No, who is the Saxony? Stephen Semple: Well, it’d be like saying the state of Texas. It’s a state. Dave Young: Okay, it’s just a part of Germany. Stephen Semple: Part of Germany and that government still owns 20% of the company. Dave Young: What a world. Stephen Semple: Now there’s all this stimulus going on in Germany to try to get the economy going. One of the things that they did, there was a really interesting tax rate. There was an interesting tax structure. There was a very high marginal tax rate. Now, ordinary people were taxed at 15%, but the marginal tax rate could go as high as 95%. And the reason why they wanted to do this was create this incentive for reinvestment. So there’s all this… As they’re making money, there’s this heavy reinvestment. And in the early 50s, racing is really exploding. Automobile racing is really exploding, but the lines between professional and amateur is blurry. If you remember, James Dean and Steve McQueen and other actors, Paul Newman, were all racing. Dave Young: Right. Stephen Semple: They’re all racing vehicles. And Jaguar and Porsche were trying to do the same thing in terms of creating this daily driver that you could race. Now in the end, Porsche won, and I think part of it is because quite frankly, they just built a better vehicle. There was a time where the joke with Jaguars was you had to own two because one would always be in the shop and one… And going back to the early DNA, Ferry Porsche was quoted as saying, “We have the only car that can go from an East African safari to race in the Le Mans to take out to theater and then drive on the streets in New York.” Dave Young: Wow, okay. Stephen Semple: And look, today, Porsche still heavily advertises that. They will advertise a Porsche driving through the snow with ski racks on it. And not their SUVs, the 911. This is very much part of it. And if you think about it, this parallels what Rolex did in the early days. You remember from episode 184 with Rolex. Rolex, the Submariner, the Explorer. Dave Young: Target by niche. Stephen Semple: Target by niche and make it tough and something that you could use and wear day to day. So it’s 1954 and Porsche’s selling 588 cars and about 40% of them is in the US. So really what’s making things hum with them is all those Beetle sales. And it’s the ’60s, the Ford Mustang comes out, the Jag E type comes out, the Austin-Healey comes out, and Porsche decides they need a new vehicle. And they were going to do a sedan, a four door sedan. But what they realized was they didn’t really want to compete with Mercedes and BMW. So they looked around at the other German car manufacturers and they said, “You know what? That’s probably not the place to go.” They had designed it up and that project failed. They had also been working on a six cylinder Boxter engine. So Boxter engine, the cylinders are opposed, so they’re like boxing. And the whole idea is that lowers the center of gravity of the weight of the engine. And they had a project that they were working on that that didn’t go ahead. So they stepped back and they went, “Maybe what we should do is just reduce the size of the sedan and put that engine in it.” That’s what they did. And that became the Porsche 901. Except there’s a problem. Peugeot had the copyright for zero in the middle of a bunch of numbers in France. They couldn’t call it the 901 because of that copyright. Dave Young: So they called it- Stephen Semple: So they called it the 911. And that’s now the iconic Porsche car. 1966, they sell 13,000 of these cars. Now, here’s the thing that I think is very interesting. And Porsche, as far as I could figure out, is the only car manufacturer that does this. First of all, they’ve maintained the 911 forever, but even on top of that, Porsche really understands design language. We can all recognize a Porsche. Dave Young: Right. Stephen Semple: We can recognize one from 2020. We can recognize one from 1999. We can recognize one from 1970. Even though they’ve upgraded the technology, they’ve changed the design of the car. They’ve now come out with the Cayman and the Macan and the Cayenne. They’re all recognizable as that vehicle. They’ve done a great job of doing that. I think that was a lost opportunity, frankly, when Tesla came out because they had a clean design slate. Tesla could have done that. But I think that’s really interesting how they’ve managed to maintain, even though they’ll modernize it. In our minds, we still will see one and go, “That’s a Porsche.” Dave Young: Sure. And the great car brands are able to do that. Stephen Semple: Yes. Dave Young: Audi is always going to be an Audi. Volvo is always going to look like a Volvo. And in the Portals class at Wizard Academy, one of the videos that I use to demonstrate that, there’s a language. If you combine specific shapes and specific lines, that all adds up to that brand of car. And so I’ve got an old video that I got when I was in the Motor Press Guild from Audi. It was just a video that was made for journalists with an Audi designer explaining all the lines on the car when they came out with the Q7 and how it still maintained the Audi design language. It was fascinating. Stephen Semple: It is. Dave Young: So Porsche could tell you that and the cool thing is those designers can tell you that. It’s hard for you and I to go, “Well, I can look at it and say, “That’s a Porsche.” But to be able to put it into words that describe it to someone else, is a gift. Stephen Semple: What’s really interesting, my nephew, Jeffrey, he loves Audi’s. That’s what he has. And he’ll even make the comment, he doesn’t like the Porsche’s because you feel like you’re in a bubble. Audis are very square. If you look at the back of an Audi and you look at the rear end of a Porsche, it has hips. But again, he’s even, “They’re great cars, but I like the squareness of the Audi.” So that’s interesting. Dave Young: Audi Audi has a fairly, not perpendicular, but an upright grill more so than a … And that’s part of their design language. Stephen Semple: So the whole DNA of Porsche came from this whole idea of a small car. Dave Young: Big engine. Stephen Semple: Big engine, daily driver, that was the whole idea is, it’s supposed to be a car that you can drive every day. That’s the core, core, core, core principle. That’s why they always have decent sized trunks. I remember when Gary bought his Boxter, one of the things he loved about it is you can actually put two sets of golf clubs in that car. Dave Young: Okay. Stephen Semple: Right? Now, here’s what’s fun. There was a time where when they were really wanting to get things going, they did some great print advertisements. So they had ads like bug killer. Another one was calling it transportation is like calling sex reproduction. Dave Young: Okay. Stephen Semple: Now, two of my favorites, one was not perfect. It would list 20 or 30 races that Porsche won. And if you actually read it, there was two that it didn’t. Dave Young: That they didn’t, “We didn’t win all the races.” Stephen Semple: So not perfect. Dave Young: That could have been driver error. Stephen Semple: That could have been. But Dave, you were going to make some jokes. Porsche’s able to laugh at itself. It actually had an ad that said, “Small penis? Have I got a car for you? If you’re going to overcompensate, then by all means, overcompensate.” Dave Young: I love it, I love it. Well, and that’s always the thing, the jokes are not about the car. Stephen Semple: But they actually ran that ad and I believe it ran in Car and Driver Magazine. I cannot imagine getting that ad approved. Dave Young: That’s amazing. Stephen Semple: And look, their own drivers are like, “Yeah, whatever.” Dave Young: Sure, compensating all I want. Absolutely. I love that story. Well, thank you, Stephen. I love the story of Porsche. Stephen Semple: There you go. Dave Young: And get out there and enjoy it or just buy me one and send it here. Thank you. Stephen Semple: All right, thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app and leave us a big fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute Empire Building session, you can do it at empirebuildingprogram.com.

For the fifth time in the history of the podcast, Team Vintage Sand returns to one of its most popular formats: the Hidden Gems episode. As we did in episodes 11, 30, 40, and 53, Michael, John and I each choose one film to discuss that we feel has been underappreciated and overlooked by the madding crowd yearning to see anything besides a prequel, sequel, spinoff, or reboot. And while the episode features three films that could not be more different from one another, the one thing that they do have in common is that they are definitely movies made for grown-up sensibilities. Michael kicks things off by taking us back three decades to Nobody's Fool, a film written and directed by the great Robert Benton and featuring one of Paul Newman's best performances, which is saying something. Benton's script, as well as a ridiculously good cast featuring Bruce Willis, Melanie Griffith, a young Philip Seymour Hoffman and, in her final performance, the matchless Jessica Tandy, remind us of how unfortunate it was that this film, while not exactly overlooked, got lost in the Oscar tsunami that was Forrest Gump. I once again focus on an imperfect but powerful and prescient film, in this case Cary Joji Fukunaga's low-budget debut from 2009 Sin Nombre. Fukunaga tells the story of a young man from Chiapas and a young woman traveling with her uncle and father from Honduras who meet on the treacherous and often terrifying train ride through Mexico to the American border. A decade and a half before the dehumanization of people like Willy and Sayra became government policy, Fukunaga spares us nothing in showing us the humanity, resilience, strength, and decency of these people and why they feel compelled to make this almost suicidal journey just in the remote hope of finding a better life. Finally, John shines the spotlight on City Island, a sweet and gentle comedy from 2009 featuring Andy Garcia and Juliana Margulies as the parents of a family living in the titular unique and lovely section of the Bronx. The father, Vince, played by a charmingly understated Garcia, is a corrections officer with dreams of becoming the next Marlon Brando, and is taking an acting class (and eventually going to an audition) without telling anyone. But that is only the tip of the iceberg when it comes to the secrets this family is keeping from one another. Featuring supporting performances by old pros like Alan Arkin (as Vince's acting teacher who hates pauses) and Emily Mortimer as a friend he makes in the class who may have secrets of her own, the film is a lovely slice of life that contrasts its uniquely placid setting with the universally complicated dynamics of family and of wrestling with both one's past and one's dreams. So please enjoy, go see the many great films that are playing in theaters as the year comes to a close, and have a peaceful and restful holiday!

Bo Svenson: Walking Tall to Here Come The Brides to hanging out w/ Elvis Presley at Graceland!From Hollywood stunts to real-life danger, Bo Svenson shares jaw-dropping stories you've never heard before. Find out how through a series of crazy events he became the Big Swede on Here Come the Brides, what happened when the Dixie Mafia came calling during Walking Tall, his experience viewing death photos of Buford Pusser and the emotional truth behind meeting Elvis at Graceland while shooting Walking Tall. Bo recalls an insane flying stunt he took on his own free will while shooting The Great Waldo Pepper with Robert Redford, leaving the set when Paul Newman visited, a bizarre run-in with Pablo Escobar, and his bond with legends like Mickey Rooney, David Carradine, and a near death story about Clint Walker. This is a raw, wild, and deeply human look behind the scenes of a Hollywood life unlike any other. Thanks so much Bo!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.00:00:00 Introduction00:00:55 Bo talks about the crazy way he got the role of the Big Swede on Here Come The Brides00:08:24 Bo talks about working with Joan Blondell00:09:42 Bo talks about seeing Bobby Sherman many years later00:10:51 Bo talks about being an actor00:12:01 Bo talks about where they shot Here Come the Brides00:13:13 Bo talks about Joe Don Baker and how he the role of Buford Pusser in Walking Tall00:15:40 Bo talks about the love he has for his wife00:17:10 Bo talks about Buford Pusser and his daughter who shot herself00:18:05 Bo talks about a visit he got from the Dixie Mafia00:19:52 Bo talks about being shown the death photos of Buford Pusser00:23:24 Bo explains why they could not film in Buford Pusser's real county00:24:38 Bo tells a great squad car story from Walking Tall00:28:19 Bo talks about returning years later to McNairy County where Buford Pusser 's Sherif Station was for an event00:29:02 Bo talks about the only bizarre time he met Joe Don Baker00:30:29 Bo talks about meeting at Paul Newman's house with Robert Redford00:32:14 Bo talks about meeting Pablo Escobar in Colombia00:38:20 Bo talks about his time in the Marines00:40:00 Back to Paul Newman's house with Mark Harmon00:41:13 Meeting leads to being cast in The Great Waldo Pepper00:43:05 Bo meets with the director, George Roy Hill00:43:49 Bo meets with the famous costume designer, Edith Head00:45:27 Bo talks about his early insecurity as an actor00:46:46 George Roy Hill has a meeting with the Universal Studio Heads and casts Bo in The Great Waldo Pepper00:48:40 Bo tells a crazy story of leaving the set to fly out hearing Paul New man is coming to visit00:51:51 Bo tells an insane story of doing a flying stunt of his own doing in The Great Waldo Pepper00:59:21 Bo talks about his relationship with David Carradine on Kung Fu01:06:31 Bo tells an unbelievable Clint Walker story of how he came back from a near death experience01:12:18 bo talks about how he came to direct Mickey Rooney and his friendship with Mickey01:15:38 Bo tells an emotional story of driving to Meet Elvis at Graceland while shooting Walking Tall01:25:53 Bo talks about shooting The Dirty Dozen with Telly Savalas01:27:35 Mission Impossible and Flipper01:28:51 Pernell Roberts was a best friend of Bo's01:31:11 Bo tells a crude John Carradine story

From Thrill Slayer To War HeroJump To The AD-FREE Safe House EditionEpisode 459 unlocks the bizarre, true tale of George Harsh, the Oglethorpe "Thrill Slayer," and his partner Richard Gallogly. Bored rich kids trade philosophy for a Colt .45 and a rash of robberies that turn fatal. Harsh's journey spirals from university to death row, then from chain-gang surgeon to hero of the Great Escape. Yeah, Paul Newman's Great Escape was based on that one...Listen to more stories about ROBBERIES GONE AWRYYou can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.Become a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.You can pay more if you want to, but rent at the Safe House is still just a buck a week, and you can get access to over 400 ad-free episodes from the dusty vault, Safe House Exclusives, direct access to the Boss, and whatever personal services you require.We invite you to our other PULPULAR MEDIA podcasts:If disaster is more your jam, check out CATASTROPHIC CALAMITIES, telling the stories of famous and forgotten tragedies of the 19th and 20th centuries. What could go wrong? Everything!For brand-new tales in the old clothes from the golden era of popular literature, give your ears a treat with PULP MAGAZINES with two new stories every week.This episode includes AI-generated content.

Send us a textIn this week's episode, we speak with the infamous Ralph Howard Hansen of the Pegasus Marketing Group. He tells us about his start in motor racing with none other than Tony Hulman. But he also goes on to talk about his close relationship and involvement with Mario Andretti, Paul Newman, Carl Haas, and Sebastian Bourdais. Some fantastic stories and we only scratched the surface! You don't want to miss it!

EPISODE 116 -  “CLASSIC STAR OF THE MONTH: DICK VAN DYKE” - 12/01/25  Join us as we celebrate the life and career of someone who seemingly personifies joy — on-screen and off.  And maybe that's the secret to his longevity, because he is about to celebrate his 100th birthday on December 13.  Of course, we're talking about the one and only, DICK VAN DYKE, our December Star of the Month. His career spans The Dick Van Dyke Show, Mary Poppins, Chitty Chitty Bang Bang, and beyond. He's danced across rooftops, flipped over ottomans, and shared his personal struggles with alcoholism in order to shine a light on a horrible disease -- at a time when that sort of thing wasn't discussed. From his early years trying to make it in show business, to that breakout moment on Broadway, to becoming one of the most beloved stars on television and film - today, we celebrate the legendary Dick Van Dyke!  SHOW NOTES:  Sources: My Lucky Life in and Out of Show Business (2011), Dick Van Dyke; Columbia Pictures Press Release, (1968), by John C. Flinn; Rogers & Cowan, Inc. Public Relations Biographical Notes on Dick Van Dyke, 1964 “A New Van Dyke Family Blooms in the Desert,” September 17, 1971,  Life Magazine; “Dick Van Dyke Does It All, But In His Own Way,” March/April 1973, by Joseph N. Bell, The Saturday Evening Post; “Dick Van Dyke Tells of Alcohol Problem”, December 7, 1973, by Marilyn Beck, Marilyn Beck's Hollywood, Special Features; “The Serious Side of Dick Van Dyke,” Jan/Feb 1982, by Sally Saunders, The Saturday Evening Post: “Vintage Van Dyke,” October 1990, by Stuart Matranga, TV Time; “Biography Dick Van Dyke,”Dec 14, 1998, by Michael A. Lipton & Champ Clark, People Magazine; “Man With A Mission: Helping the Homeless Makes Dick Van Dyke's Holidays,”Nov 13, 2007, by Debra Beyer, Los Angeles Times; “Mary Tyler Moore & Dick Van Dyke Are Together Again on TV — But They're Not Rob & Laura Anymore,”April 2003, by Sheldon Lessen, Southern California Senior Life; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Bye, Bye Birdie (1963), starring Dick Van Dyke, Janet Leigh, Ann-Margret, Paul Lynde, & Maureen Stapleton; What a Way to Go (1964), starring Shirley MacLaine, Dean Martin, Robert, Mitchum, Dick Van Dyke, Gene Kelly, & Paul Newman; Mary Poppins (1964), starring Julie Andrews & Dick Van Dyke; The Art of Love (1965), starring James Garner, Dick Van Dyke, & Angie Dickinson; Lt. Robin Crusoe, U.S.N.  (1966), starring Dick Van Dyke & Nancy Kwan; Divorce American Style (1967), starring Dick Van Dyke, Debbie Reynolds, Jason Robards & Jean Simmons; Never a Dull Moment (1968), starring Dick Van Dyke, Edward G, Robinson & Dorothy Provine; Chitty Chitty Bang Bang (1968), starring Dick Van Dyke & Sally Ann Howes; Some Kind of Nut (1969), starring Dick Van Dyke, Angie Dickinson, Rosemary Forsyth, & Zohra Lambert; The Comic (1969), starring Dick Van Dyke, Michelle Lee & Mickey Rooney; Cold Turkey (1971), starring Dick Van Dyke, Pippa Scott, & Bob Newhart; The Morning After (1974), starring Dick Van Dyke & Lynn Carlin; The Runner Stumbles (1979), starring Dick Van Dyke & Kathleen Quinlan; Dick Tracy (1990), starring Warren Beatty & Madonna; The Gin Game (2003), starring Dick Van Dyke & Mary Tyler Moore; Night at the Museum (2006), starring Ben Stiller & Carla Cugino; Mary Poppins Returns (2018), starring Emily Blunt & Lin Manuel Miranda; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Saturday edition, Mike Pesca reaches into the archives for a 2016 classic with actor and author Jesse Eisenberg. They discuss Eisenberg's short story collection Bream Gives Me Hiccups and the "creek vs. crick" linguistic controversy it sparked, while analyzing why a nine-year-old restaurant critic is the perfect vessel for exposing adult hypocrisies. Eisenberg explains why he prefers writing dialogue to describing sunsets, reveals the existence of a spreadsheet tracking whether he or Paul Newman played a role better, and admits that his anthropology background is just an excuse for professional eavesdropping. Finally, the two perform the radio play "Marv Albert Is My Therapist". Produced by Corey Wara Email us at ⁠⁠⁠⁠thegist@mikepesca.com⁠⁠⁠⁠ To advertise on the show, contact ⁠⁠⁠⁠ad-sales@libsyn.com⁠⁠⁠⁠ or visit ⁠⁠⁠⁠https://advertising.libsyn.com/TheGist⁠⁠⁠⁠ Subscribe to The Gist: ⁠⁠⁠⁠https://subscribe.mikepesca.com/⁠⁠⁠⁠ Subscribe to The Gist Youtube Page: ⁠⁠⁠⁠https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g⁠⁠⁠⁠ Subscribe to The Gist Instagram Page: ⁠⁠⁠⁠GIST INSTAGRAM⁠⁠⁠⁠ Follow The Gist List at: ⁠⁠⁠⁠Pesca⁠⁠⁠⁠ ⁠⁠⁠⁠Profundities | Mike Pesca | Substack⁠⁠⁠⁠

Mary Greenwell is a makeup artist who has worked with some of the most famous faces in the world including Christy Turlington, Linda Evangelista, David Bowie and Cate Blanchett. Her less-is-more approach has won her plaudits in the beauty industry and she became Princess Diana's makeup artist of choice.Mary was born in Sussex and left school at 16. By the mid-1970s she was living in Los Angeles where she started out on the door at the legendary Joe Allen restaurant, escorting the likes of Paul Newman and Jack Lemmon to their tables. She received her one and only makeup lesson from the award-winning Ilana Harkavi and shortly afterwards created a look for 12-year-old actor Brooke Shields.Mary's big break came when she moved to Paris in 1984 and began working with the original supermodels; Christy Turlingon, Cindy Crawford, Linda Evangelista and Tatiana Patitz. In 1990 she met Princess Diana on a Vogue photo shoot and became her go-to makeup artist and friend.In 2025 Mary was appointed an MBE for services to the beauty and fashion industries and her charity work.Mary lives in London. DISC ONE: Lay Lady Lay - Bob Dylan DISC TWO: I Am Enough - Tallulah Rendall DISC THREE: Suzanne - Leonard Cohen DISC FOUR: Walk on the Wild Side - Lou Reed DISC FIVE: Wish You Were Here - Pink Floyd DISC SIX: Cold Little Heart - Michael Kiwanuka DISC SEVEN: Diamonds - Rihanna DISC EIGHT: Heroes - David Bowie BOOK CHOICE: The Temple of the Golden Pavilion by Yukio Mishima LUXURY ITEM: A bed CASTAWAY'S FAVOURITE: I Am Enough - Tallulah Rendall Presenter: Lauren Laverne Producer: Paula McGinleyThere are more than 2000 programmes in our archive available for you to listen to. We've cast away other hair and beauty experts including the makeup artist Pat McGrath, and hairdressers Vidal Sassoon and Trevor Sorbie. Cate Blanchett, one of Mary's clients, is in our archive too. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey pull off the big con and revisit ‘The Sting' to kick off Redford Month in honor of the late, great Robert Redford. 'The Sting' also stars Paul Newman and Robert Shaw and was directed by George Roy Hill. Producers: Craig Horlbeck, Chia Hao Tat, Ronak Nair, and Eduardo Ocampo This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Megyn Kelly is joined by Matthew McConaughey, author of "Poems & Prayers," to discuss raising kids that aren't entitled, working with his 17-year-old son in the new movie "The Lost Bus," fighting against nepotism, the importance of giving kids a strong foundation, his "conservative early, liberal late" philosophy, the difference between a "good man" and a "nice guy," why it's important to stand up for your values, how faith plays a big role in his life, his friendship with Woody Harrelson, why he looks up to Paul Newman, why politics "could be" in his future, the different leadership roles he's exploring, the big decisions presidents have to make, leaving Hollywood and raising kids in Texas, rebranding himself away from "the rom-com guy," losing their dads early in their lives, McConaughey choosing to go to film school over law school, the confidence he had to go after his dream of acting, and more. More from McConaughey: https://greenlights.com/ SelectQuote: Life insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at https://selectquote.com/megynAll Family Pharmacy: Order now at https://allfamilypharmacy.com/MEGYN and save 10% with code MEGYN10Done with Debt: https://www.DoneWithDebt.com & tell them Megyn Kelly sent you!Chapter: For Free and unbiased Medicare help dial 27-MEDICARE (276-334-2273) or go to https://askchapter.org/kellyDisclaimer: Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and standalone prescription drug plans that have a Medicare contract. Enrollment depends on the plan's contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don't directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all your options.  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.