American actress
POPULARITY
9 episodes with Joan Blondell
3 episodes with Joan Blondell
3 episodes with Joan Blondell
2 episodes with Joan Blondell
2 episodes with Joan Blondell
3 episodes with Joan Blondell
3 episodes with Joan Blondell
2 episodes with Joan Blondell
3 episodes with Joan Blondell
Comedy on Friday the 13thFirst a look at the events of the dayThen, The Chase and Sanborn Hour, originally broadcast June 13, 1937, 88 years ago with guest Joan Blondell. Charlie McCarthy is in trouble with the truant officer again. Dorothy Lamour sings, "Please Make Me Be Good," a new Rodgers and Hart tune, being heard for the first time on the air. Joan Blondell appears in a skit by Colin Clements titled, "Spring." Afterwards, Charlie does his version, titled, "Summer." W. C. Fields has built a better mousetrap. He's then introduced to young Rollo Pepitone. Fields suggests that he "sit down and play with some broken glass." Charlie chats with Richard Rodgers and Lorenz Hart and tells them that his new tune is called, "A Little Of You On Toast" (the name of a new Rodgers and Hart tune). Richard Rodgers plays the piano as Don Ameche sings the tune for the first time on the air. Followed by George Burns and Gracie Allen, originally broadcast June 13, 1944, 81 years ago, broadcasting from the Kansas City War Bond Rally. The last show of the season, a program for the Fifth War Loan. Will George sing tonight at the Kansas City War Bond Rally? The broadcast originates from the Kansas City Municipal Auditorium. (Where I saw my first concert, The Carpenters, in 1971.)Then, The Great Gildersleeve starring Harold Peary, originally broadcast June 13, 1943, 82 years ago, Gildy plans his Honeymoon. Who will be Gildersleeve's best man? Will Gildy get Leila to stick to a budget?.Finally, The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast June 13, 1960, 65 years ago, Chairman of a Committee. Thanks to Adele for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day
This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another Fear and Moviegoing discussion of Now, Voyager, we discuss the Bette Davis melodrama's authentic ties to Transcendentalism and what it means to not have sex for the right reasons. Time Codes: 0h 00m 25s: NIGHT NURSE [dir. William A. Wellman] 0h 31m 33s: BLONDE CRAZY (dir. Roy Del Ruth] 0h 46m 59s: Fear and Moviegoing in Toronto –Irving Rapper's Now, Voyager (1942) at TIFF Lightbox +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Melanie and Ed love watching old movies and dishing on them. This week's movie is WILL SUCCESS SPOIL ROCK HUNTER (1957), starring Jayne Mansfield and Tony Randall, with Betsy Drake, Joan Blondell, John Williams, Henry Jones, Lili Gentle, and Mickey Hargitay, and with a cameo by Groucho Marx. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!
Same Time, Same Station 04/13/2025 Bing Crosby Part 4. “Lux Radio Theater” 11/08/1937 (149) She Loves Me Not. Bing Crosby and Joan Blondell. “Yesterday USA” 01/14/2024 Sunday Night show. Larry, John and Walden with Perry Huntoon and Bing Crosby part 4. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman:
Same Time, Same Station 04/13/2025 Bing Crosby Part 4. “Lux Radio Theater” 11/08/1937 (149) She Loves Me Not. Bing Crosby and Joan Blondell. “Yesterday USA” 01/14/2024 Sunday Night show. Larry, John and Walden with Perry Huntoon and Bing Crosby part 4. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman:
“RICHARD CARLSON: CLASSIC CINEMA STAR OF THE MONTH” (081) - 3/31/2025 Tall, dark-haired, and handsome, RICHARD CARLSON was always a welcomed addition to any cast. From the beginning, when he was playing preppy college students opposite LANA TURNER, to his reign in the 1950s as the King of Sci-Fi thrillers, Carlson brought believability and authority to each role but also a sense of introspective thoughtfulness. You looked into his deep blue eyes and chiseled face and believed him. Whatever he was selling, we were buying. And while he never became an A-list leading man, he enjoyed a long and steady career and enhanced many a mediocre film with his special appeal. This week, we celebrate RICHARD CARLSON as our Star of the Month. SHOW NOTES: Sources: Monsters in the Machine (2016), by Steffen Hantke; Keep Watching the Skies (2009), by Bill Warren; “Richard Carlson: Albert Lea's Other Film & Television Star,” December 24, 2016, by Ed Shannon; “Today's Underrated Actor Spotlight: Richard Carlson,” June 24, 2105, by Bynum, www.thetinseltoentwins.com; “A Tribute To Richard Carlson,' January 9, 2014, www.scififilmfiesta.com; “Richard Carlson, Actor, Dies at 65,” November 27, 1977, New York Times; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: Desert Death (1935), starring Raymond Hatton; The Young in Heart (1938), starring Janet Gaynor, Roland Young, Douglas Fairbanks, Jr & Paulette Goddard; The Duke of West Point (1938), starring Louis Hayward & Joan Fontaine; Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, & Robert Mitchum; These Glamour Girls (1939), starring Lana Turner & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; Beyond Tomorrow (1940), starring Haley Carey & Charles Winning; No, No, Nanette (1940), starring Anna Neagle; The Howards of Virginia (1940), starring Cary Grant & Martha Scott; Back Street (1941), starring Margaret Sullavan & Charles Boyer; The Little Foxes (1941Ol staring Bette Davis & Teresa Wright; The Affairs of Martha (1942), starring Marsha Hunt & Richard Carlson; My Heart Belongs to Daddy (1942), starring Richard Carlson & Martha O'Driscoll; Fly By Night (1942) starring Richard Carlson & Nancy Kelly; Hold That Ghost (1941), starring Bud Abbot & Lou Costello; White Cargo (1942), staring Hedy Lamarr& Walter Pidgeon; Presenting Lily Mars (1943), starring Judy Garland & Van Heflin; The Man From Down Under (1943), starring Charles Laughton & Donna Reed; So Well Remembered (1947), starring John Mills & Martha Scott; Behind Locked Doors (1948), starring Richard Carlson & Lucille Bremer; The Amazing Mr. X (1948), starring Turban Bey, Lynn Bari, & Cathy O'Donnell; King Solomon's Mines (1950), starring Stewart Granger & Deborah Kerr; The Sound of Fury (1950), starring Frank Lovejoy; The Blue Veil (1951), starring Jane Wyman, Charles Laughton, & Joan Blondell; The Magnetic Monster (1953), starring Richard Carlson; It Came from Outer Space (1954), starring Richard Carlson & Barbara Rush; The Maze (1953), starring Richard Carlson & Hillary Brooke; The Creature from The Black Lagoon (1954), starring Richard Carlson & Julie Adams; All I Desire (1953), starring Barbara Stanwyck & Richard Carlson; Riders To the Stars (1954), starring William Lundigan; Appointment with a Shadow (1957), starring George Nadar; The Saga of Hemp Brown (1957), starring Rory Calhoun; Johnny Rocco (1958), starring Richard Evers & Coleen Gray; Tormented (1960), starring Richard Carlson; Kid Rodelo (1966), starring Broderick Crawford & Janet Leigh; Change of Habit (1969), starring Elvis Pressly, Mary Tyler moore, & Richard Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Caballero por un día (The Union Depot, 1932, EE. UU.), de Alfred E. Green, con Douglas Fairbanks Jr., Joan Blondell y Guy Kibbee. Presentación: Nancy Berthier Chick (Douglas Fairbanks Jr.), un vagabundo recién salido de prisión, se encuentra en una estación de tren una maleta que puede cambiar su suerte. Allí conoce a Ruth (Joan Blondell), una corista sin dinero, y los dos se ven envueltos en una intriga criminal en la que cabe el romance, la acción frenética y el melodrama. La estación de tren funciona como un microcosmos tras el desplome del 29. Blondell encarna a la chica dulce al borde de la desesperación y Douglas Fairbanks Jr. a un héroe ambivalente, marginado y rudo, pero a la vez tenaz, con mucho encanto y gran corazón. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto
Agents Scott and Cam become groomsmen at a chaotic Italian shotgun wedding while decoding the fifth Man from U.N.C.L.E. film The Spy in the Green Hat. Directed by Joseph Sargent. Starring Robert Vaughn, David McCallum, Jack Palance, Janet Leigh, Letícia Román, Eduardo Ciannelli, Allen Jenkins, Jack La Rue, Leo G. Carroll, Joan Blondell and Will Kuluva. Make sure to check out Bill Koenig's The Man from U.N.C.L.E. episode guide. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.
Lux Radio Theatre || She Loves Me Not | Come and Get It || Broadcast: November 8, 1937; November 15, 193701:20 ... She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins.[1] Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable. || Starring: Bing Crosby, Joan Blondell, Nan Grey, Sterling Holloway, William Frawley58:00 ... Come and Get It -- Ruthless lumberjack foreman Barney Glasgow (Edward Arnold) will stop at nothing to achieve his goal, to someday become the head of the logging industry in 19th century Wisconsin. His determination to succeed leads him to end his relationship with saloonsinger Lotta Morgan (Frances Farmer) and marry Emma Louise Hewitt (Mary Nash), the daughter of his boss Jed Hewett (Charles Halton), in order to secure a partnership in his business. || Starring: Edward Arnold, Anne Shirley: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :
EPISODE 70 - “COLIN CLIVE” - 1/13/2024 The moment he uttered the iconic line, “It's Alive! It's Alive,” in the 1931classic horror film “Frankenstein, actor COLIN CLIVE secured his place in film history. The handsome, talented British actor went on to appear in several other films, but his life and career were cut short due to his acute alcoholism and other personal demons. This week, we remember and celebrate this beloved horror legend. SHOW NOTES: Sources: One Man Crazy . . .! The Life and Death of Colin Clive (2018), by Gregory W. Mank; James Whale: A New World of Gods and Monsters (1998), by James Curtis; The Wisdom of Colette (1980), by Bennitt Gardiner; Colette O'Niel: A Season in Repertory (1976), by Bennitt Gardiner; “R.C. Sherriff: Soldier, Writer and Oarsman,” November 30, 2020, HearTheBoatSing.com; “Mae Clarke Remembers James Whale,” May 1985, Films in Review; “Jeanne De Casalis, 69, Is Dead,” August 20, 1966, New York Times; “Colin Clive, Actor, Dies In Hollywood,” June 27, 1937, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: Frankenstein (1931), starring Boris Karloff, Colin Clive, & Mae Clake; Journey's End (1930), starring Colin Clive, Ian Maclaren, & David Manners; The Public Enemy (1931), starring James Cagney, Jean Harlow, Joan Blondell, Mae Clarke, & Edward Woods; Christopher Strong (1933), starring Katharine Hepburn, Colin Clive, & Billie Burke; Looking Forward (1933), string Lionel Barrymore, Lewis Stone, Elizabeth Allen & Benita Hume; Jane Eyre (1934), starring Virginia Bruce, Edith Fellows, & Colin Clive; The Girl From 10th Avenue (1935), starring Bette Davis, Colin Clive, & Ian Hunter; The Man Who Broke The Bank At Monte Carlo (1935), starring Ronald Colman, Joan Bennett, Colin Clive, & Nigel Bruce; Clive of India (1935), starring Ronald Colman, Loretta Young, Colin Clive, Cesar Romero, Leo G. Carroll, & C. Aubrey Smith; Mad Love (1935), starring Peter Lorre, Colin Clive, & Frances Drake; Bride of Frankenstein (1935), Boris Karloff, Elsa Lancaster, Colin Clive, Una O'Connor, & Valerie Hobson; History is Made At Night (1937), starring Jean Arthur, Charles Boyer, & Colin Clive; The Woman I Love (1937), starring Miriam Hopkins, Paul Muni, Louis Hayward, & Colin Clive; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Journey into the 5th Dimension as Trivial Theater, Jacob Anders Reviews, Alex Carson and Movie Emporium as we discuss the iconic television show created by Rod Serling. This Week The 5th Dimension discuss Season 5 Episode 24 titled: What's in the Box. The Episode is Directed by: Richard L. Bare and Stars: William Demarest, Joan Blondell, Sterling Holloway and Herbert Lytton. You Can Find Alex Carson at: YouTube: https://www.youtube.com/AlexCarson You Can Find Jacob Anders Reviews at: YouTube: www.youtube.com/JacobAnders YouTube: www.youtube.com/@retrojakexy Twitter @Redneval2 You can find Trivial Theaters content at: YouTube Channel: www.youtube.com/TrivialTheater Twitter: @trivialtheater You can find Movie Emporium's content at: YouTube Channel: www.youtube.com/MovieEmporium Twitter: @Movie Emporium Intro Created by Trivial Theater Music Created by Dan Jensen #TheTwilightZone #MovieEmporium #TrivialTheater #JacobAndersReviews #AlexCarson
Gente viva (Blonde Crazy, 1931, EE. UU.), de Roy del Ruth, con James Cagney, Joan Blondell, Ray Milland y Noel Francis. Presentación: Manuel Hidalgo Un botones avispado y caradura (James Cagney) se las apaña para que una chica de carácter desenvuelto (Joan Blondell) consiga empleo en el hotel. Juntos formarán la pareja perfecta de estafadores: con las ideas de él y la imagen de ella ganarán mucho dinero. Sin embargo, su relación no será así de simple, ya que Anne tiene, por lo menos, tanta personalidad y recursos como él, y mayor madurez. El guion de esta comedia de timos fue concebido para Cagney y Blondell, cuya complicidad despunta entre las siete películas que compartieron, cuatro de ellas como pareja romántica. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto
We're going to the theater! Live radio theater was very popular during the medium's golden age. There were many theater-like shows on the networks. We're going to hear 3 installments of the Screen Guild Theater, which ran from 1939 to 1952 and featured movie stars, primarily in original dramas and sometimes comedies, or in adaptations of movies. All three are from 1939, the first features Judy Garland and Jack Benny. The second stars movie tough guy George Raft. Eddie Cantor, Joan Blondell, and Gene Autry perform on the 3rd show of Screen Guild Theater. Throughout its run, profits from these programs were donated to the Motion Picture Relief Fund, which supported the Motion Picture Country Home for retired actors. More at KrobCollection.com
2+ Hours of VarietyFirst a look at this day in History.Then The Chase and Sanborn Hour, originally broadcast August 13, 1939, 85 years ago with guest Joan Blondell. Charlie McCarthy is planning a hiking trip. Guest Joan Blondell and Don Ameche appear in a Hollywood comedy, "Stardust," by Cyril Kramer. A few seconds have been deleted from the drama. Vera Vague lectures about travel to England. Charlie stages his own version of "Stardust," called, "Fishing Prohibited," or "No Casting Today."Followed by The Jackie Gleason Les Tremayne Show, originally broadcast August 13, 1944, 80 years ago with guest Edgar Bergen. Jackie recounts his youth in Brooklyn. A salute to the state of New York. Edgar (appearing without dummies) describes his plan to introduce a "bachelor girl" dummy in the fall (describing the as yet un-named Effie Clinker). Then The Great Gildersleeve starring Willard Waterman, originally broadcast August 13, 1952, 72 years ago, Gildy goes on a Diet. When his family makes fun of his weight, Gildersleeve decides he's going to diet. Finally Superman, originally broadcast August 13, 1941, 83 years ago, Dr Roebling and the Voice Machine. The voice machine is repaired, and tunes in on plans for murder! Clark Kent is arrested!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCivil defense info mentioned on the show can be found here: http://www.civildefensemuseum.com/docs.html
EPISODE 44 - "THERESA HARRIS: HOW OLD HOLLYWOOD STOPPED HER STAR FROM RISING" - 07/15/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When THERESA HARRIS appears on screen, you cannot take your eyes off of her. Beautiful, talented, and a skilled singer and dancer, she lights up any scene she's in. Despite appearing in over 100 films, she rarely received screen credit and most often played a maid, waitress, or other types of domestic servant. Her parts were small, but her charisma and presence on screen were enormous! As a black woman in the early days of Hollywood, she was limited in the roles she could perform by the restrictive Hayes Code of 1934 and the horrible Jim Crow laws of the South. Still, she is a welcome presence in so many classic films. This week, we look at the extraordinary life and career of the talented THERESA HARRIS. SHOW NOTES: Sources: “Theresa Harris, Credited and Uncredited in Over 100 Films,” March 28, 2024, by Herb Boyd, New York Amsterdam News; “Just a Maid in Movies, But Not Forgotten,” April 21, 2011, by Manohla Dargis, The New York Times; “The Underrated Charms of Theresa Harris,” July 11, 2020, by Constance Cherise, TCM.com; “Theresa Harris: Television and Film Actress of the 1930s,” August 18, 2023, by Jae Jones, BackThen.com; “Actress Theresa Harris Hollywood Vixen Turned Servant,”September 2, 2011, by Veronica Wells, Madamenoire; IMDBPro.com; Wikipedia.com; Movies Mentioned: Thunderbolt (1929), starring Fay Wray and George Brent; Hold Your Man (1932), starring Jean Harlow and Clark Gable; Baby Face (1933), starring Barbara Stanwyck and George Brent; Professional Sweetheart (1933), starring Ginger Rogers, Norman Foster, and Zasu Pitts; Horse Feathers (1932), starring The Marx Brothers and Thelma Todd; Gold Diggers of 1933 (1933), starring Joan Blondell, Dick Powell, Ruby Keeler, and Ginger Rogers; Morning Glory (1933), starring Katharine Hepburn and Douglas Fairbanks, Jr; Flying Down to Rio (1933), starring Delores Del Rio, Gene Raymond, Ginger Rogers, and Fred Astaire; Broadway Melody of 1936 (1935), starring Jack Benny and Eleanor Powell; Banjo On My Knee (1936), starring Barbara Stanwyck and Joel McCrea; Bargain With Bullets (aka The Gangster's On The Loose) (1937), starring Ralph Cooper and Theresa Harris; Jezebel (1938), starring Bette Davis, Henry Fonda, and George Brent; Tell No Tales (1939), starring Melvyn Douglas and Louise Platt; Buck Benny Rides Again (1940), starring Jack Benny, Ellen Drew, Eddie “Rochester” Anderson, and Theresa Harris; What's Buzzin' Cousin? (1943), starring Jack Benny and Ann Miller; Blossoms In The Dust (1941), starring Greer Garson, Walter Pidgeon, and Marsha Hunt; Our Wife (1941), starring Melvyn Douglas, Ruth Hussey, and Ellen Drew; Cat People (1942), starring Kent Smith, Simone Simon, Jane Randolph, and Tom Conway; I Walked With A Zombie (1943), starring Frances Dee, Tom Conway, Darby Jones, and Christine Gordon; The Dolly Sisters (1945), starring Betty Grable, John Payne, and June Haver; Three Little Girls In Blue (1946), starring George Montgomery, Vera-Ellen, and June Haver; Miracle on 34th Street (1947), starring Maureen O'Hara, Edmund Gwenn, John Payne, and Natalie Wood; Out of the Past (1947), staring Robert Mitchum, Jane Greer, and Kirk Douglas; Angel Face (1952), starring Robert Mitchum and Jean Simmons; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Due to a Marlins game Neil has a short show. Moe Howard has a new look. On WQAM it is all Shaq all the time. A young Joan Blondell is behind the Beaded Curtain, faxes, bad callers, and bedtime stories.
Join us this week on Vintage Classic Radio for our "Sunday Night Playhouse" feature, as we revisit a captivating performance from the archives of "Lux Radio Theatre." This week, we present "This Gun For Hire," originally broadcast on January 25, 1943. Dive into the gripping world of film noir with this radio adaptation of Graham Greene's novel, showcasing the dark tale of Phillip Raven, a ruthless assassin with a conscience, played by the iconic Alan Ladd. This drama was based on a film that put Ladd on the map. Alongside him, Joan Blondell stars as Ellen Graham. The plot centers on Raven, a hitman seeking vengeance after being betrayed by his employers. He crosses paths with Ellen Graham, a nightclub singer secretly working as a spy to uncover a dangerous espionage ring. Other in the cast include Laird Cregar, Jack LaRue, Paula Winslowe, Joe Latham, Vicki Lang, Jeff Corey, W.R. Burnett and Arthur Q. Bryan. Tune in to experience the suspense and shadowy intrigue of "This Gun For Hire," brought to life by some of Hollywood's legendary stars in one of radio's most cherished formats.
2+ Hours of Variety and ComedyFirst a look at this day in History.Then The Chase and Sandborn Hour, originally broadcast June 13, 1937, 87 years ago, with guest Joan Blondell. Charlie McCarthy is in trouble with the truant officer again. Joan Blondell appears in a skit by Colin Clements titled, "Spring." Afterwards, Charlie does his version, titled, "Summer." W. C. Fields misses two cues, then chastizes Don Ameche for jumping his cue. Bill Fields has built a better mousetrap. He's then introduced to young Rollo Pepitone. Fields suggests that he "sit down and play with some broken glass." Charlie chats with Richard Rodgers and Lorenz Hart and tells them that his new tune is called, "A Little Of You On Toast" (the name of a new Rodgers and Hart tune). Richard Rodgers plays the piano as Don Ameche sings the tune for the first time on the air. Followed by The Great Gildersleeve starring Harold Peary, originally broadcast June 13, 1943, 81 years ago, Gildy Plans the Honeymoon. Who will be Gildersleeve's best man? Will Gildy get Leila to stick to a budget?Then Jack Benny, originally broadcast June 13, 1948, 76 years ago, Don Wilson's Weight. The program originates from Detroit. Don Wilson "carries a lot of weight" in this town! Finally Superman, originally broadcast June 13, 1941, 83 years ago, Dr Deutch and the Radium Mine. Using a radio-controlled plane to escape, Clark Kent and Jimmy Olsen take over Dr. Deutch's boat after Dr. Browning dies. Thanks to Robert for supporting our podcast by using the Buy Me a Coffee function at classicradio.streamIf you like what we do here, visit our friend Jay atradio.macinmind.com for great old time radio shows 24 hours a day.
Campbell Playhouse || (16) Twentieth Century | Broadcast: March 24, 1939Starring: Joan Blondell, Sam LeveneThe classic/frantic comedy by Ben Hecht and Charles MacArthur, set in a cross-country train. A Hollywood producer and a star clash on rails. Guest is Richard Maney, a real-life press agent who was satirized in the story.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr
THE LEFT HAND ENDEAVOR is what we're calling our jam packed noir month all March long and we're delving into all realms of seedy endeavors. Makes sense that a traveling carnival and freak show might have its own share of sheisters and troubled souls. Stan sees a golden road of fame and fortune through trickery. He'll use up, sleep with and toss aside all those in his path to get what he wants. One day he meets his match and the cries of the chicken loving Geek beckon him. Maybe pretending he could raise the dead was a bit much. We're talking about the strange and unique 1947 noir from the prolific screenwriter and director Edmund Goulding called “NIGHTMARE ALLEY” starring Tyrone Power, Joan Blondell, Coleen Gray, Helen Walker and more. Hear us explain how this whole story can be told in a 10 page Chick Tract. Here's a link to a good quality version of it: https://archive.org/details/nightmare-alley-1947-720p Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
In this episode, we discuss the life of actress Joan Blondell.
Do you love pre-code movies built on the foundation of sex, drugs, and Ann Dvorak? Then Three on a Match (1932) is the film for you! Check out this superstitious and salacious Mervyn LeRoy directed classic featuring a scene stealing Ann Dvorak, Joan Blondell, Bette Davis, Warren William, Lyle Talbot, and Humphrey Bogart. Sara Greenfield and her guest Christina Rice, author of Ann Dvorak: Hollywood's Forgotten Rebel, chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://podcasters.spotify.com/pod/show/sara-greenfield/support
Tell me more, tell me more! Today we are joined by Didi Conn. You Might Know Her From Grease, Grease 2, You Light Up My Life, Raggedy Ann & Andy: A Musical Adventure, The Magic Show, Frida, Benson, and Shining Time Station. We spoke with THEE Didi Conn about her iconic performance in the Grease films as Frenchie, the legacy of the franchise carrying on with Grease Live! and Joan Blondell's shoes, and our age-old question about psoriasis as heart disease. Plus, how Toy Story stole from Raggedy Ann & Andy, standing by for Mercedes Ruehl on Broadway, her horrific experience with Joseph Brooks, and the beauty of the musical The Magic Show. This one was a total thing of dreams. Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: Jacob Elordi is hot to everyone. And Barry Keoghan has the ugly sexy thing down We loved Cailly Spaeny and Lily Gladstone and Erika Alexander Golden Globes were a mess this year Da'Vine Joy Randolph is so good and we are hoping for an Oscar nomination for The Holdovers (don't jinx it) Da'Vine episode of YMKHF Carol Channing and Pearl Bailey special Aloha (2015) was indeed directed by Cameron Crowe, not Alexander Payne Tracy Morgan took Eddie Murphy's advice for The Last O.G. and hired Da'Vine Love Chris Klein in Election Our Oscar nominated guests on YMKHF: Kathleen Turner (Ep #9), Shohreh Aghdashloo (Ep#72), JoBeth Williams (#99), and Lesley Ann Warren (Ep #78) Lily Gladstone is nonbinary Yalitza Aparicio from Roma garnered all kinds of acclaim, and where is she now? Tantoo Cardinal is so good In the Stephen Schwartz musical, The Magic Show starring Doug Henning Starred in the movie, Joseph Brooks You Light Up My Life Joseph Brooks who “wrote” and directed it was a horrible man,. He met a grisly end Her son is autistic and is currently living in The Center for Discovery Autismspeaks.org Played Denise, Benson's new secretary on Benson Didi Conn introduced herself to David Shire as his crush, Charlotte Rampling, who wrote the music for Farewell My Lovely Was the voice of Raggedy Ann in the 1977 Richard Williams animated movie, Raggedy Ann and Andy: A Musical Adventure Joe Raposo wrote all the music for the movie and he had written a lot of music for Sesame Street and The Electric Company (including the “C is for Cookie” and the Sesame Street song) Was a standby and then replacement for Mercedes Ruehl in Lost in Yonkers (1991) with Irene Worth and Kevin Spacey Fonz and the Happy Days Gang cartoon Stacey Jones in Shining Time Station, which she says was horrible for her career Conductors: Ringo Starr, George Carlin, Alec Baldwin The tv show was funded by Amtrak and MTH Electric Trains Thomas movie was filmed on The Isle of Man Of course played Frenchie in the 1978 classic, Grease (director: Randal Kleiser, choreographer: Pat Birch, producer: Allan Carr) Kelly Ward (Putzie) was dance captain for Pat Birch Grease: Rise of the Pink Ladies has been wiped from Paramount+ Tegrin's ad: “The heartbreak of psoriasis” Was there film in the camera for Frenchie's number in Grease 2? Skating with the Stars judge was a dick (start at 3:27) Was Alice Ghostley's Mrs Murdoch gay (watch the dancing) Was waitress in Frida and had Across the Universe (friends with Julie Taymor and worked with her on the stage play, The Green Bird) Lifted out the door on Cagney and Lacey (s6e12). Who had more upper body strength? Both! CGI'd pink ladies guy head on body in Rise of the Pink Ladies Dr Pepper theme song: “I'm a Pepper, You're a Pepper” In My Life one of the worst Broadway shows I've ever seen (it was a huge flop) and he has Tourette's not autism Our interview with Talia Balsam (ep #12) introduced us to You Light Up My Life David Shire (Didi's husband) wrote the Oscar-nominated song for Norma Rae Barry Pearl holds all the Grease secrets
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Gulf Screen Guild Theatre-Variety episode From-New Year's Eve-1939 Host-Roger Pryor Stars-Eddie Cantor, Gene Autry, Joan Blondell & Martha Driscoll. Featuring Oscar Bradley & His Orchestra Eddie Cantor wishes for a new radio show for the new year.
The three sons of an old woman must return home by Christmas Eve in order to save her finances. Ashley, Matt and Will talk about 1947's Christmas Eve, in our penultimate 12 Days of Christmas episode.
Brief audio intro on the history of Lux Radio Theatre and introduction to the "Perfect Specimen" starring Joan Blondell and Errol Flynn... re-creating the roles they played in the 1937 film. Lux Radio Theatre was on the air for 22 years and featured many film stars of the era. Actors loved to do the show as they were well-payed, promoted their films and careers, and did not have to memorize a script or wear costumes and makeup... although I expect with live audiences they wore a "little" makeup! This track will live in the "Comedy" playlist for now.
On this episode I discuss the sleuth comedy, There's Always a Woman (Alexander Hall, 1938) co-starring Melvyn Douglas and Joan Blondell.Resources:James Bawden and Ron Miller, Conversations With Classic Film Stars: Interviews from Hollywood's Golden Age (Lexington, KY: University Press of Kentucky, 2016).Bernard F. Dick, The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures (Lexington, KY: University Press of Kentucky, 2009).Kathrine Glitre, Hollywood Romantic Comedy: States of the Union, 1934-1965 (Manchester, UK: Manchester University Press, 2006).Matthew Kennedy, Joan Blondell: A Life Between Takes (Jackson, MS: University of Mississippi, 2014). Hosted on Acast. See acast.com/privacy for more information.
Don't miss this week's "Saturday Matinee" on Vintage Classic Radio, where we bring these timeless classics back to life for your listening pleasure. Tune in for an unforgettable journey through the magic of radio theater! The Man Who Came for Dinner In this timeless romance originally broadcasted on March 6th, 1945, listeners will be swept away by the story of two souls brought together by fate. When a mysterious stranger unexpectedly arrives in a small town, his presence sets off a chain of events that will change the lives of its inhabitants forever. Love, intrigue, and the magic of radio combine to create a heartwarming tale of unexpected connections and the power of love. Full Cast: John Anderson as John, the mysterious stranger Sarah Mitchell as Mary, the town's librarian James Carter as Mr. Thompson, the town's mayor Emily Adams as Mrs. Johnson, the innkeeper Robert Lewis as William, the local postman Susan Turner as Lucy, Mary's best friend Narrated by William Harrison Twentieth Century Step back in time to March 24th, 1939, and join us for a classic comedy with a stellar cast. Joan Blondell and Sam Levene shine in "Twentieth Century," a hilarious tale of a high-strung Broadway director, a former lover, and a train ride filled with laughter and unexpected twists. As the train hurtles toward destiny, tensions rise, egos clash, and the audience is in for a wild ride on the Twentieth Century Limited. Full Cast: Joan Blondell as Lily Garland Sam Levene as Oscar Jaffe George Stevens as Max Jacobs Betty Collins as Agnes Robert Thomas as Owen O'Malley Rita Simmons as Ida Webb Narrated by Charles Mitchell The Jack Benny Program Join us as we revisit the golden age of radio on January 29th, 1950, with "The Jack Benny Program." In this episode, Jack Benny prepares to embark on a train journey to New York City for a Heart Fund benefit. As Jack navigates the challenges of travel and prepares for his charity event, the comedy flows freely, and the laughs are non-stop. Tune in for a delightful journey filled with humor, wit, and the iconic comedic stylings of Jack Benny and his talented cast. Full Cast: Jack Benny as Himself Mary Livingstone as Mary Eddie "Rochester" Anderson as Rochester Phil Harris as Phil Dennis Day as Dennis Don Wilson as Announcer Mel Blanc as Various Characters Narrated by Frank Thompson Vintage Classic Radio presents "Saturday Matinee". Tune in every Saturday for a mix of comedy, music or romance from the golden age of radio that will keep you entertained.
Join us this week on Vintage Classic Radio's "Sunday Night Playhouse" as we transport you back to the golden age of radio with the captivating radio play titled "Only Angels Have Wings." On February 25th, 1940, audiences gathered around their radios to experience the gripping tale brought to life by an ensemble of talented actors. Dive into the mesmerizing radio play "Only Angels Have Wings," headlined by the brilliant Orson Welles and the captivating Joan Blondell. Presented by The Campbell Playhouse, this radio adaptation took the airwaves by storm on February 25, 1940, enthralling audiences with its gripping narrative. Set in the backdrop of a remote South American airfield, the story follows the charismatic Geoff Carter, portrayed by the incomparable Orson Welles, who serves as the chief pilot and manager of Barranca Airways. This small and struggling company, owned by "Dutchy" Van Ruyter, embarks on perilous flights through the treacherous Andes Mountains pass to deliver airmail. As the clock ticks on a crucial probation period that could secure a pivotal government contract, tension and anticipation fill the air. Enter Bonnie Lee, played by the enchanting Joan Blondell, a piano-playing entertainer who finds herself drawn to Geoff despite his fatalistic view of their hazardous profession. Amidst the danger and uncertainty of their chosen path, love and courage intertwine, forming bonds that withstand even the most turbulent skies. The narrative gains complexity with the arrival of pilot Bat MacPherson and his wife Judy, illuminating old wounds and sparking new rivalries. Amidst personal histories and unspoken emotions, the characters navigate love, sacrifice, and the unrelenting call of the open skies. As the trial period's end approaches and Barranca Airways' fate hangs in the balance, the pilots embark on a daring flight to secure their future. Sacrifices are made, secrets are unveiled, and alliances are forged amidst the clouds and fog. The story culminates in a heart-stopping climax, where resilience and camaraderie conquer the impossible. Relive the magic of vintage radio with "Only Angels Have Wings," a tale that soars through the depths of human emotion and the boundless skies. Join us as The Campbell Playhouse brings this enthralling narrative to life, reminding us that in the face of danger, only the bravest and truest of hearts can truly take flight. Tune in to Vintage Classic Radio this Sunday as we rekindle the magic of vintage radio dramas with "Only Angels Have Wings." Let the enchanting voices of Joan Blondell and Orson Welles transport you to an era where imagination knew no bounds. Experience the thrill of flight, the depth of emotions, and the power of human resilience, all from the comfort of your own home. Don't miss this opportunity to relive a classic piece of entertainment history on our "Sunday Night Playhouse" program. Vintage Classic Radio presents the Sunday Night Playhouse, where we bring to life timeless classics from the golden age of radio between the 1930s and the 1960s.
Vampiresas 1933 (Gold Diggers 1933, 1933, EE. UU.), de Mervyn LeRoy, con Joan Blondell, Warren Wiliam y Ruby Keeler. Presentación: Guillermo Balmori Musical coreografiado por el gran Busby Berkeley, en el que cuatro alegres aspirantes a actrices buscan casarse con un marido rico durante los duros tiempos de la Gran Depresión, tratados aquí con inusitada crudeza en uno de los más famosos números de la historia del género, "Remember my Forgotten Man". El problemático vínculo entre el amor y el dinero, la insinuación de los desnudos femeninos en la coreografía "Pettin' in the Park" y la fuerte determinación de las protagonistas convirtieron a este film en uno de los primeros con metraje alternativo para eludir la censura. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto
Cine en la March: Protagonistas del Hollywood Pre-Code (VIII). Presentación de Vampiresas 1933 (1933) de Mervyn LeRoy. Guillermo Balmori. Vampiresas 1933 (Gold Diggers 1933, 1933, EE. UU.), de Mervyn LeRoy, con Joan Blondell, Warren Wiliam y Ruby Keeler. Presentación: Guillermo Balmori Musical coreografiado por el gran Busby Berkeley, en el que cuatro alegres aspirantes a actrices buscan casarse con un marido rico durante los duros tiempos de la Gran Depresión, tratados aquí con inusitada crudeza en uno de los más famosos números de la historia del género, "Remember my Forgotten Man". El problemático vínculo entre el amor y el dinero, la insinuación de los desnudos femeninos en la coreografía "Pettin' in the Park" y la fuerte determinación de las protagonistas convirtieron a este film en uno de los primeros con metraje alternativo para eludir la censura. El sábado se proyecta el vídeo de la presentación del día anterior. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.
Harken! The mountain's four wise men/women left the summit to discuss Robert Florey's __Smarty_! Released in 1934, the film stars Joan Blondell, Warren William, Edward Everett Horton, and many others. It was filmed in the United States and was distributed by Warner Bros.! Enjoy your bi-weekly trip to Shaolin.
Get ready for another journey back to the pre-code era! Todd is joined by Howard Casner from Pop Art to discuss 1931's Night Nurse, starring Barbara Stanwyck, Joan Blondell, and Clark Gable.
Set sail on Episode 31, Season 2 of the Love Boat, the worlds greatest romantic comedy drama television series of all time! In this episode we follow an all star cast that includes Iris Adrian, Charlie Aiken, Barbara Anderson, Joan Blondell, Gary Collins, Jane Kean, Mary Ann Mobley, BiBi Osterwald and Vincent Price as they deal with devastating disfigurement, rocky reconciliation, incredible illusions, lingering lies, and egregious crotch shots. So pop on a costume and meet us in the Coral Lounge for this very special Halloween episode that just may be our favorite thus far. We also encourage everyone to find our Instagram page Lovin' The Love Boat to enjoy the super cool video messages from Isaac himself Mr. Ted Lange! And much more. Thanks for listening to the podcast and joining us on this voyage and by all means consider subscribing to the show as well as Paramount+ so you can watch the episode with us. We promise you'll be glad that you did. * Attention passengers! If you'd like to see the show continue please consider contributing to our GoFundMe so we can stay afloat and allow us to make good on our promise to have exciting new guests join us on future episodes. It means a lot and will also allow us to keep the show commercial free. Visit our page HERE and give whatever you can. Give any amount and help put us over the
Amanda Krafcik is back on the show for some more Pre-Code mayhem discussing Betty Boop, James Cagney, Joan Blondell, Clark Gable, Jean Harlow, Cecil B. DeMille & more. Follow Amanda on Twitter: https://twitter.com/WMassLiberty Follow James Hancock on Twitter: https://twitter.com/WrongReel Link to Part I: https://wrongreel.com/podcast/wr412-the-glories-of-pre-code-hollywood/ Link to Part II: https://wrongreel.com/podcast/wr447-pre-code-hollywood-part-ii/ Link to Part III: https://wrongreel.com/podcast/wr565-pre-code-hollywood-part-iii/ Link to Part IV: https://wrongreel.com/podcast/wr578-pre-code-hollywood-part-iv-barbara-stanwyck/
The Women (1939) The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released. The film stars Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine, Lucile Watson, Mary Boland, Florence Nash, and Virginia Grey. Marjorie Main and Phyllis Povah also appear, reprising their stage roles from the play. Ruth Hussey, Virginia Weidler, Butterfly McQueen, and Hedda Hopper also appear in smaller roles. Fontaine was the last surviving actress with a credited role in the film; she died in 2013. It is also important to note that even the animals and pets are all female. The film continued the play's all-female tradition—the entire cast of more than 130 speaking roles was female. Set in the glamorous Manhattan apartments of high society evoked by Cedric Gibbons, and in Reno, Nevada, where they obtain their divorces, it presents an acidic commentary on the pampered lives and power struggles of various rich, bored wives and other women they come into contact with. Filmed in black and white, it includes a six-minute fashion parade filmed in Technicolor, featuring Adrian's most outré designs; often cut in modern screenings, it has been restored by Turner Classic Movies. On DVD, the original black-and-white fashion show, which is a different take, is available for the first time. The Opposite Sex (1956) The Opposite Sex is a 1956 American musical romantic comedy film shot in Metrocolor and CinemaScope.[3][4] The film was directed by David Miller and stars June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, and Ann Miller, with Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, and Sam Levene. The Opposite Sex is a remake of the 1939 comedy film The Women. Both films are based on Clare Boothe Luce's original 1936 play. Unlike the 1936 play and the 1939 film adaptation, The Opposite Sex includes musical numbers and features male actors who portray the husbands and boyfriends, whose characters were only referred to in the previous film and stage versions.[6] This alters the structure and tone of the base storyline significantly. Opening Credits; Introduction (.37); Background History (42.13);The Women (1939) Film Trailer (44.51); The Original (48.16); Let's Rate (1:43.07); Amazing Design (1:59.54); Introducing a Remake (2:01.07); The Opposite Sex (1956) Film Trailer (2:01.41); The Remake (2:05.22); How Many Stars (2:44.07); End Credits (2:58.26); Closing Credits (3:00.39) Opening Credits– Epidemic Sound – copyright 2021. All rights reserved Closing Credits: There's Always A Woman – by Kaye Ballard and Sally Mayes Taken from the album Unsung Sondheim. Copyright 1993 Varese Sarabande Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used with Kind Permission All songs available through Amazon Music.
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless, AFN programs were widely enjoyed by the British civilian listeners who could receive them, and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programs available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
"I'm a hustler. I've always been one. But, I love you." The film noir series continues with a look at 1947's NIGHTMARE ALLEY, directed by Edmund Goulding and starring Tyrone Power and Joan Blondell. Rance Collins is back for this discussion-- we talk all about the film and compare it to Guillermo Del Toro's 2021 remake. Links Rance's podcast, The Envelope PleaseNightmare Alley (1947) on YouTube Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions
"I'm a hustler. I've always been one. But, I love you." The film noir series continues with a look at 1947's NIGHTMARE ALLEY, directed by Edmund Goulding and starring Tyrone Power and Joan Blondell. Rance Collins is back for this discussion-- we talk all about the film and compare it to Guillermo Del Toro's 2021 remake. Links Rance's podcast, The Envelope PleaseNightmare Alley (1947) on YouTube Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions
This week’s Nose wants to be found out, same as everybody else. Guillermo del Toro’s sideshow noir, Nightmare Alley, is nominated for four Academy Awards, including Best Picture. It stars Bradley Cooper, Cate Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, and Richard Jenkins, among others. It’s based on the 1946 novel, of which it’s the second film adaptation, after Edmund Goulding’s 1947 version starring Tyrone Power and Joan Blondell. And The Trojan Horse Affair is the fifth podcast from Serial Productions. It’s hosted by Brian Reed (host of S·Town) and newcomer Hamza Syed, and it’s billed as “a mystery in eight parts.” Some other stuff that happened this week, give or take: A Prominent Regional Theater Will Exit Its Stage to Explore Its City Long Wharf Theater, a regional nonprofit on New Haven’s waterfront, is ending a long, bumpy chapter there, hoping to expand access and reduce costs. Hiatus brain: When your favorite show returns, but you can’t remember a thing Famous, but wanting to be forgotten The Problem With the Pandemic Plot Literary novelists are struggling with whether, and how, to incorporate Covid into their fiction. Idris Elba on Plumbing the “Dark Side of Human Beings” and Making Room for Music With a far-reaching slate of movies ahead, including a big-screen adaptation of Luther, the actor is riding high—and ready to take risks. Academy Won’t Air All Categories Live for 94th Oscars Telecast Jerry Lewis’s Costars Speak Out: “He Grabbed Me. He Began to Fondle Me. I Was Dumbstruck”Women first interviewed by the directors behind Allen v. Farrow say the comedy icon sexually harassed—and in at least one case, sexually assaulted—them with impunity. A special collaboration, including a mini doc, between V.F. and the filmmakers. Hugh Jackman’s The Music Man Removes the Classic Show’s Racist Subtext. What’s Left? Harold Hill was a Trumpian figure—but not anymore. Self-loathing Will Kill the Oscars Have We Forgotten How to Forgive? The internet preserves our worst moments so they can’t be forgotten. Social media’s insatiable appetite for punishment ensures that they can never be forgiven. Is this really what anyone wants? Colin Farrell’s Penguin Banned From Smoking in ‘The Batman’: ‘I Fought Valiantly for a Cigar’ Still Tickets Left For The Louis CK Show In Kyiv [Tonight] Some may call stand-up comedy the biggest security risk of all… GUESTS: Theresa Cramer: A freelance writer and editor and the co-founder of Quiet Corner Communications Bill Griffith: Created the syndicated daily comic strip Zippy, and he’s the author of Nobody’s Fool: The Life and Times of Schlitzie the Pinhead Irene Papoulis: Teaches writing at Trinity College The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Eugene Amatruda contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
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