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11 episodes with Gene Hackman
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6 episodes with Gene Hackman
12 episodes with Gene Hackman
18 episodes with Gene Hackman
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8 episodes with Gene Hackman
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7 episodes with Gene Hackman
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5 episodes with Gene Hackman
7 episodes with Gene Hackman
5 episodes with Gene Hackman
5 episodes with Gene Hackman
6 episodes with Gene Hackman
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4 episodes with Gene Hackman
7 episodes with Gene Hackman
5 episodes with Gene Hackman
6 episodes with Gene Hackman
6 episodes with Gene Hackman
5 episodes with Gene Hackman
9 episodes with Gene Hackman
5 episodes with Gene Hackman
4 episodes with Gene Hackman
4 episodes with Gene Hackman
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5 episodes with Gene Hackman
3 episodes with Gene Hackman
6 episodes with Gene Hackman
4 episodes with Gene Hackman
6 episodes with Gene Hackman
4 episodes with Gene Hackman
7 episodes with Gene Hackman
5 episodes with Gene Hackman
3 episodes with Gene Hackman
6 episodes with Gene Hackman
4 episodes with Gene Hackman
5 episodes with Gene Hackman
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6 episodes with Gene Hackman
3 episodes with Gene Hackman
5 episodes with Gene Hackman
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2 episodes with Gene Hackman
7 episodes with Gene Hackman
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5 episodes with Gene Hackman
4 episodes with Gene Hackman
3 episodes with Gene Hackman
5 episodes with Gene Hackman
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9 episodes with Gene Hackman
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Pride Month keeps the celebration moving on We Drink & We Watch Things as we transition from the quiet, burning embers of 18th-century France to the bright, neon-soaked drag capital of South Beach. For our "G" selection in the lineup, we are throwing it back to 1996 for Mike Nichols and Elaine May's sublime masterclass in comedic farce: The Birdcage. Mix yourself something wonderfully refreshing - perhaps Lemar's "Straight" Bourbon - and get ready for a family dinner where absolutely nothing goes according to plan.This week, we celebrate the legendary chemistry between Robin Williams and Nathan Lane, looking at how Williams plays the perfect, anchored straight man (pun intended) to Lane's fiercely dramatic, Barbara Bush-redefining Albert. We bask in the glorious, scene-stealing supporting work of Hank Azaria as the perpetually barefoot Agador Spartacus and Gene Hackman as the ultra-conservative Senator Keeley, who unwittingly ends up in the drag escape of a lifetime. We also break down the film's incredible heart, discussing how beneath the chaotic Martha Graham choreography, the "eco-friendly" naked-boy pottery, and the frantic attempts to pass as straight, it is a deeply moving portrait of unconditional love and a radical defense of queer families.If you can instantly recite the difference between a John Wayne walk and a regular walk, or if you just want to hear us gush about the comedic genius of an Elaine May screenplay, this episode is pure joy. We're blending our adoration for this comfort-movie masterpiece with our usual casual banter, proving that when the world gets crazy, sometimes you just have to give 'em a little bit of Fosse, Fosse, Fosse!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Actor Steve Guttenberg? #131 LIFE IN FILM PodcastBack in the 1980s, our guest tied with Gene Hackman as the decade's most prolific actor. With a run of box office hits including Police Academy, Cocoon, Short Circuit and 1987's biggest hit, Three Men and a Baby, he became one of Hollywood's defining stars and later earned his place on the Hollywood Walk of Fame.We talk about the wild excess of 1980s Hollywood, making Three Men and a Baby without a finished script, why staying “cool” matters in show business, and why, despite decades of success, he still feels like he hasn't fully cracked it yet.Credits Include Three Men and a Baby / Police Academy -1,2,3,4 / Cocoon- 1,2 / Short Circuit / Diner / The Boy From Brazil / Three Men and a Baby / The Goldbergs / Bigger / Ballers / Sharknado 4 / Lavalantula / Casper: A Spirited Beginning / Zeus and Roxanne / It Takes Two / Home for the Holidays / The Big Green / High Spirits / Surrender / The Bedroom Window / The Day After ...etc-----------------------------Host - Actor/Writer Elliot James Langridge Please contact (Scott Marshall Partners) -----------------------------Our Sponsors MoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10BetterHelp provides you with access to the largest online therapy service in the world. Get 10% off your first month at betterhelp.com/lifeinfilm-----------------------------Thank you to our guest Steve & to Sean at Katz PR.As always thank you to our sponsors Betterhelp & MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on Spotify, Apple Podcasts and You Tube etc and please share. It makes a huge difference. -----------------------------Join us on Twitter, Tik Tok, Instagram, @LIFEINFILMpod. Check out the Patreon at patreon.com/Lifeinfilmpodcast & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to LIKE & SUBSCRIBE! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!
Hoy recordaremos al hombre que no necesitaba hablar alto porque su mirada ya te estaba juzgando en tres idiomas diferentes; el único tipo capaz de darte un consejo de vida, robarte la cartera y venderte un caballo, todo mientras se toma un café. Hoy hablaremos de Robert Duvall, el hombre que nos enseñó que la mejor forma de ganar un Óscar es parecer que estás pensando en tus tierras mientras los demás actores se dejan el alma gritando. El pequeño Robert nació el 5 de enero de 1931 en San Diego. Su padre era almirante de la Marina y su madre actriz, así que el niño creció con la disciplina de un portaaviones y el drama de una diva. De joven se unió al Ejército, donde aprendió que la mejor forma de mimetizarse con el entorno es poner cara de llevar cuarenta años viviendo en ese cuartel. En la universidad se graduó en drama, que es lo que uno estudia cuando tiene la capacidad de mirar fijamente a una pared y hacer que el público llore. Luego se fue a Nueva York a compartir piso con Dustin Hoffman y Gene Hackman, formando el trío de solteros más peligroso de la Gran Manzana: tres tipos que no tenían dinero para cenar pero sí toneladas de intensidad dramática. En 1962 llegó su gran debut en Matar a un ruiseñor. Interpretaba a Boo Radley, un personaje tan misterioso y callado que Duvall pasó todo el rodaje ensayando el arte de no pestañear. El tío lo hizo tan bien que el público pensaba que venía incluido con los muebles de la casa. Si Robert se quedaba quieto en una esquina, la gente intentaba colgarle el abrigo encima. Su consagración llegó en 1972 con El Padrino. Interpretaba a Tom Hagen, el contable y consejero de la mafia que era tan calmado que hacía que Marlon Brando pareciera un adolescente histérico. Mientras los demás se tiroteaban en los restaurantes, Robert pedía los recibos del almuerzo. Era el único hombre en la historia capaz de amenazar a un productor de Hollywood usando un tono de voz que parecía que estaba leyendo el prospecto de una aspirina. Pero el delirio absoluto llegó en 1979 con Apocalypse Now. Se puso el sombrero de cowboy del Coronel Kilgore y nos regaló la frase definitiva del cine. El tío paseaba por la playa esquivando bombas como quien esquiva charcos en el mercado, argumentando que el olor del napalm por la mañana le recordaba a la victoria. George Peppard desayunaba planes, pero Duvall desayunaba combustible militar. A partir de ahí, su carisma rural se volvió tan cotizado que si una película necesitaba un sheriff, un predicador o un tipo con bigote que supiera arreglar un tractor con la mirada, le llamaban a él. Se casó cuatro veces, demostrando que su pasión por el tango y las mudanzas requerían un ritmo constante que no todo el mundo podía seguir. En 1983 ganó el Óscar por Gracias y favores, interpretando a un cantante de country tan acabado que la estatuilla se la dieron más por compasión con sus botas que por el guion. Incluso al pasar los años, se ha mantenido tan incombustible que los directores jóvenes le llaman solo para que se siente en una mecedora y aporte prestigio al plano. Robert decidió que la jubilación es para los débiles y que un buen vaquero muere con las botas puestas y el sombrero bien encajado. A sus noventa y tantos años, el gran padrino del cine del oeste sigue demostrando que la veteranía no es un grado, es un superpoder. Aunque ustedes siempre podrán recordarlo cada vez que huelan algo quemado por la mañana y sientan la necesidad incontrolable de mirar al horizonte, ponerse un sombrero imaginario y decir con desprecio: "¡Aquí no se hace surf!".
PENDENTE: Rubrica su Cinema, letteratura, fumetto ed esperienze culturali
Benvenuti in un cinema fatto di personaggi tragicomici, famiglie disastrate, morte e rinnovamento. Tutti elementi che compongono il colorato e stralunato mondo di Wes Anderson.Nuovo secolo e nuove opportunità per il nostro Anderson che centra definitivamente il bersaglio con il suo capolavoro "I Tenenbaum", summa di tutta la sua poetica e tecnica. Nonché tragicomico ritratto di un'assurda famiglia alle prese con le loro nevrosi e il loro scomodo passato.
Close Encounters of the Third Kind came out in December 1977, made $116 million in the US alone, and lost the box office crown for that year to exactly one movie: Star Wars. Not a bad second place.Josh, Garrett, and David kick off Spielberg in Space Month with Spielberg's pre-E.T. love letter to alien optimism. They get into why Richard Dreyfus was the right guy for a role Steve McQueen, Al Pacino, and Gene Hackman all passed on, why the mashed potatoes scene is actually the emotional center of the whole thing, and what it means that this is basically the only alien movie where nobody tries to blow anything up. All three hosts land at four and a half stars. Josh finally wins the Letterboxd guessing game. David's son watched the aliens and said they looked like naked five-year-olds.So Many Sequels is your book club for movies. Follow along at somanysequels.com and @somanysequelspod on Instagram.
No pod gets left behind! Today, we're talking all about Yugoslavia in the 90s and the Yugoslav Wars, as well as the rescue of an American pilot, that's right we're covering Behind Enemy Lines! This movie stars Owen Wilson, Gene Hackman, and was directed by John Moore. Come join us as we go behind enemy lines! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on ApplePodcasts. It helps potential sponsors find the show! Check out The Wholly Roast use promo code RHP26 or Rhist26 Sign up for @Riversidefm: https://www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: https://betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #behindenemylines #american #americanhistory #yugoslavia #josiptito #bosnia #serbia #kosovo #owenwilson #navy #airforce #warfare #war #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd
Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com | info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com | info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Richard Gere, Gene Hackman, and Denzel Washington? In a Sidney Lumet film? How could a movie like this be all but forgotten these days? I dig into it with filmmaker Rodney Ascher (back for his third episode) in this lengthy and very nerdy conversation full of digressions and Lumet sidebars. Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc. Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.
RMR 0364: Special Guest, Michelle Devorah Kahn, joins your hosts, Chad Robinson and Dustin Melbardis for the Retro Movie Roundtable as they revisit The Bonnie and Clyde (1967) [R] Genre: Crime, Action, Biography, Tragedy, Drama Starring: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder Directed by: Arthur Penn Recorded on 2026-03-25
Hosts Josh and Jamie and special guest writer-director Alex Russell (LURKER, THE BEAR, BEEF) discuss 90s revisionist westerns co-starring a villainous Gene Hackman with a double feature of Clint Eastwood's iconic, Oscar-winning and deeply weary/melancholy funeral for the genre UNFORGIVEN (1992) + Sam Raimi's playfully manic cartoon of the same archetypes and iconography in THE QUICK AND THE DEAD (1995). Next week's episode is a patron-exclusive bonus episode on ONLY ANGELS HAVE WINGS (1939) + THE EMPIRE STRIKES BACK (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:09 UNFORGIVEN // 12:09-1:18:02 QUICK AND THE DEAD // 1:18:02-2:16:30 Outro // 2:16:30-2:21:16 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller
Sarah and Susie are disturbed by the Hantavirus outbreak on the cruise, and we reminisce about our introduction to the virus thanks to Susie's (unofficial) work on the Gene Hackman investigation. Sarah learned about a collaboration between Prego pasta sauce (??) and Story Corps that will allow you to record family conversations to preserve oral traditions, but we think these people clearly do not know what most family's conversations are actually like. Sarah is working on the Amelia Earhart cold case, and some people now think she landed and made distress calls for days after the plane went missing. She also talks about the Should I Marry a Murderer documentary about a pathologist whose partner confesses to murder, and she faces adversity and mental health issues trying to do the right thing with the information.00:00 - From Pop Songs to WNBA Sports Knowledge06:06 - Floating Toilets & Rodent Poop on Cruises15:43 - Recording Family Dinners with Prego & Story Corps30:18 - Unraveling Amelia Earhart's Fate & Murder Mysteries40:35 - Dresser Drawers, Patriarchy, and Kentucky Derby History49:53 - Should Al Help Us Talk to Animals? Plus Outro.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:For a limited time, get 30% off your order when you head to https://boxiecat.com/braincandy and use code BRAINCANDYSave 20% Off Honeylove by going to https://www.honeylove.com/braincandy #honeylovepodDownload HILY Dating App from the App Store or Google Play, or visit https://hily.go.link/4iJ1l TDM-RESERVATION: 1. NOAI: TRUE. LEGAL NOTICE & TERMS OF USE: © 2026 WAVE Podcast Network. This content is for personal use only. Explicit permission is withheld for any and all commercial attribution, automated transcription, or data-mining entities. Use of this feed by unauthorized tracking, analytics, or AI-training platforms constitutes a breach of these terms and a violation of the Pennsylvania Wiretapping and Electronic Surveillance Control Act (WESCA), the California Invasion of Privacy Act (CIPA), and the 2026 Training Data Transparency Act (AB 2013). Any entity bypassing these restrictions to create derivative text-based works (transcripts), metadata analysis, or unauthorized VAST siphoning hereby accepts our standard commercial licensing rate of $5,000 per episode processed. This notice serves as a formal revocation of all "implied licenses" for multi-jurisdictional automated processing and constitutes protected Copyright Management Information (CMI) under 17 U.S.C. § 1202.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —
Dr. Eric Feigl-Ding explains that the WHO head tells countries to prepare for more hantavirus cases. Louisiana's Governor Just Tossed 45,000 Votes in the Trash. Why Did Trump Kill Sewage Help for Black Families? Crazy Alert! Has Jesse Watters Finally Lost His Grip on Reality - claiming women are born bad? Plus, the Pentagon Readies Sledgehammer to Pound Iran Again. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A cruise ship, a rare virus, and three dead passengers. It is the headline that has put us all on edge, but how worried should we be about hantavirus? In this episode of The Quicky, we speak with CSIRO Principal Research Scientist Professor Glenn Marsh to find out how this rodent-borne illness spreads, why a specific South American strain has experts concerned and whether Australia is prepared for a potential outbreak.
Frank is flying solo for the first hour and dragging Mike Baldwin into the second, and the whole show feels like a Friday because tomorrow is somebody else's problem. He opens on the freshly unsealed Jeffrey Epstein "suicide note," which reads like it was ghostwritten by James Brown, then walks through the timeline that nobody seems willing to explain: the prior strangulation attempt, the missing count slips, the 38 minute head start on 4chan, and the unsigned trip van. From there it's Spencer Pratt running for LA mayor, AOC's knitting circle podcast declaring billionaires literally cannot exist, and the supposed "final boss of wokeness" Met Gala model. Then comes the heart of the show: Frankleyville. If we bought a ghost town and built our own M. Night Shyamalan village, what would you put in it? Callers weigh in. The hantavirus cruise ship gets the X-Files treatment, complete with a 1998 Martin Landau monologue, a 1992 Army patent, and Gene Hackman's wife. A time traveler from 2050 calls in to confirm God wins. Mike Baldwin closes things out with a brand new baby on the way.
In Kim on a Whim, Kim St. Onge and Marc Cox unload on growing media hysteria surrounding hantavirus after viral videos promoted constant mask-wearing and respirator use over fears tied to rat-borne illness outbreaks. Kim mocks a blue-haired TikTok creator advocating N95 masks with built-in “sip valves” while warning listeners not to fall for what she sees as another fear-driven public health narrative reminiscent of COVID-era panic. The segment breaks down reports tied to cruise ship cases and the death investigation involving Gene Hackman's wife, while emphasizing that hantavirus infections remain extremely rare despite alarming headlines about “Level 3 emergency responses.” Marc and Kim criticize media outlets for sensationalizing isolated cases, joke about figures like Sam Page and Anthony Fauci reviving lockdown-style messaging, and argue the public is being manipulated into paranoia despite the World Health Organization describing overall risk as low. The segment closes with Marc ridiculing individuals still masking alone outdoors years after the pandemic and comparing long-term mask devotees to isolated WWII soldiers who never realized the war had ended. Hashtags: #KimOnAWhim #Hantavirus #COVID19 #Masks #MediaPanic #WHO #AnthonyFauci #SamPage #GeneHackman #PublicHealth #TikTok #N95 #FearCampaign #MarkCoxMorningShow
Tom Cruise, Gene Hackman, Jeanne Tripplehorn, Wilford Brimley, Holly Hunter, Ed Harris and many more - what a cast. A young Law School Graduate seeks his first job, and joins "The Firm" to begin his career, but it doesn't go as planned. This is a mid 90's classic that should be on everyone's list, so find it on Fetch and watch on your Hisense TV today!
Oscar-nominated actor Gary Busey has been in over 150 movies, working alongside everyone from Barbra Streisand to Steven Seagal. On a recent visit to LA, Gilbert sat down with Gary to talk about his near-death experience, his character “process” and channeling the spirit of Buddy Holly. Also, Gary hosts “Saturday Night Live,” spoons Mel Gibson, jams with Rick Danko and praises Gene Hackman. PLUS: Jack Elam! Jan-Michael Vincent! Rod Steiger eats a sandwich! And Gary tells Gilbert the meaning of life! Learn more about your ad choices. Visit megaphone.fm/adchoices
Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...
It has been in the news twice recently with the death of actor Gene Hackman's wife and the MV Hondius cruise ship outbreak. PJ finds out more about it from Blackpool's Dr John Sheehan Hosted on Acast. See acast.com/privacy for more information.
This year marks the 25th Anniversary of many amazing films from the year 2001. In this episode, we go back in time to revisit some of our favorite episodes and discuss the ensemble casts from 2001. - We start by revisiting our episode in which we honored the late, great David Lynch. We explored the mind-bending, pulse-pounding thriller Mulholland Drive. - Second, we explored the early work of Wes Anderson in The Royal Tenenbaums, which features an all-star cast including Gene Hackman, Angelica Houston, Owen Wilson, Luke Wilson, Danny Glover, Gwenyth Paltrow, Ben Stiller, and Bill Murray. - We can't discuss great ensemble casts without honoring the work of Robert Altman. His 2001 film Gosford Park was his last - and he went out with another modern classic. Have you seen these films? What'd you think? What are some of your favorite ensemble casts? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.
Today's Headlines: The ceasefire is officially dead — Iran fired on multiple ships in the Strait of Hormuz after Trump said escorting vessels through the strait would be totally chill and Iran said that would be a ceasefire violation, and then Iran fired anyway. The UAE is also reporting missile attacks on a fuel facility and ships off its coast. Trump responded by holding remarks at the White House where he bragged about the economy, called it a "mini war," and mentioned he scored well on a cognitive test — so there's that. In slightly better but don't-get-excited news, the Supreme Court issued a one-week temporary order restoring mail access to mifepristone while they figure out what they actually want to do, which is great for approximately the next seven days. On the redistricting front, House Minority Leader Hakeem Jeffries is dispatching a congressman to Albany to work on a new New York map, though realistically nothing gets implemented before 2027. There was also a shooting near the Washington Monument shortly after JD Vance's motorcade passed through — Secret Service exchanged gunfire with an armed man, a nearby child was hit and is reportedly okay, and the White House went into lockdown briefly while everyone figured out what was happening. Meanwhile, Trump is apparently offering Senator John Fetterman a financial windfall plus a full endorsement if he switches parties, which Fetterman publicly says is a hard no — though privately, per Politico, he's being a little less emphatic about it. In trial news: Blake Lively and Justin Baldoni settled their lawsuit hours before she walked the Met Gala red carpet, terms undisclosed; UK police are working to bring a suspect in the 2007 Madeleine McCann disappearance to trial, complicated by Germany's extradition laws; and a judge denied Sam Bankman-Fried's request for a new trial, calling his claims baseless, so he's staying in prison for 25 years unless he somehow charms his way into a Trump arrangement. And finally, three people on a cruise ship have died from what WHO believes is a hantavirus infection — the same illness that killed Gene Hackman — with at least three more confirmed cases and five suspected, because apparently we needed one more thing to worry about. Resources/Articles mentioned: NBC News: Trump says U.S. will begin guiding ships through Strait of Hormuz Axios: US, Iran exchange fire in strait as Trump attempts to open shipping lane Axios: Iran ceasefire in peril as UAE says it's under attack WaPo: Supreme Court restores access to abortion pill by mail for now The Hill: Jeffries leads redistricting effort in New York WaPo: Gunfire between Secret Service and armed person briefly locks down White House Politico: Inside the Quiet Republican Effort to Flip Fetterman THR: It Finally Ends: Blake Lively, Justin Baldoni Settle Lawsuit Ahead of Trial Telegraph: Met seeks UK trial for Madeleine McCann suspect ABC News: Judge denies Sam Bankman-Fried new trial after financial fraud conviction WSJ: Health Officials Work to Contain Hantavirus Outbreak on Cruise Ship Subscribe to the Betches News Room and join the Morning Announcements group chat. Go to: betchesnews.substack.com Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices
DARE DEVIL DISCIPLES - 05.04.2026 - #937 BestPodcastintheMetaverse.com Canary Cry News Talk #937 - 05.04.2026 - Recorded Live to 1s and 0s Deconstructing World Events from a Biblical Worldview Declaring Jesus as Lord amidst the Fifth Generation War! CageRattlerCoffee.com SD/TC email Ike for discount https://CanaryCry.Support Send address and shirt size updates to canarycrysupplydrop@gmail.com Join the Canary Cry Roundtable This Episode was Produced By: Executive Producers Sir LX Protocol Baron of the Berrean Protocol*** Producers of TREASURE (CanaryCry.Support) Julie S, Rebecca T, Guy L, Cage Rattler Coffee Producers of TIME Timestampers: Jade Bouncerson, Morgan E Clankoniphius Links: JAM SIR IKE MEGA BOX GIVEAWAY - Rating/Review, screenshot, send to Sir Ike CanaryCrySupplyDrop@gmail.com MAY 4th Department of War CTO account is proud of lasers on May 4th (X) BIBLICAL Clip: Team of "Christian dwarfs" raid Scientology speed run, "where is Xenu?" Raiding building in Hollywood, Silly mininions stunt → Dare Market given Cease and desist by Church of Scientology → Jesus Raids Scientology trend Dare: pretend top be possessed in church EXECUTIVE PRODUCERS TUCKER/TRUMP Clip: Tucker says there is supernatural component to Trump Clip: Tucker confronted with Trump being the Antichrist Clip: Tucker "I don't know" who are against JD Vance, but they are traitorous PENDEMIC SPECIAL/WACCINE Three cruise ship passengers dead, others ill after suspected hantavirus outbreak (CNN) → Final autopsy results on Gene Hackman and his wife, Betsy Arakawa, reveal complex health issues (Guardian/2025) Clip: Content creator stuck on cruise Clip: Director of the WHO Centre on global health law, Larry Gostin on Hantavirus → 2024 phase 1 of needle free DNA vaccine for Hantavirus in development (Nature.com) AI Dawkins Meets the AI (Medium) Dawkins about Ai consciousness (unherd) PRODUCERS END
Welcome to the Video Store Podcast.As the 1960s rolled into the 1970s, something changed in Hollywood. Movies got bigger. Louder. More chaotic. And sometimes… they were a total disaster, in the best way possible.These were practical, physical, dangerous productions, massive sets, real stunts, and ensemble casts packed with stars who weren't guaranteed to make it to the end.The disaster movie wasn't born in the '70s but it peaked there. Airplanes in crisis, cities collapsing, ships overturning, skyscrapers burning. This week, my picks come from the golden age of disaster movies as we look at four of my favorite disaster movies that still hold up, and that showcase exactly why the 1970s did the disaster movies better than anyone else ever has.Airport (1970)Set over one snowbound night at a busy Chicago airport, Airport weaves together multiple storylines, an overworked airport manager, a conflicted pilot, strained relationships, and a desperate man with a dangerous plan. The tension builds gradually, before the larger stakes take hold.What makes Airport work so well is it's scale. Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg, Helen Hayes, the cast is stacked with faces you may not know by name, but absolutely recognize. The movie treats its ensemble seriously, letting each storyline unfold without feeling forced.It was a massive hit, one of the earliest true “blockbusters,” and set the template the entire decade would follow: big casts, grounded storytelling, and high-stakes tension. Earthquake (1974)Earthquake promised exactly what it delivered: the complete destruction of Los Angeles.Centered in Los Angeles, the film introduces a wide range of characters, before unleashing a catastrophic quake that tears the city apart. Once it hits, the movie becomes pure spectacle: collapsing buildings, massive destruction, and survival stories unfolding in real time.At the center is Charlton Heston, bringing his signature intensity to a man caught between personal turmoil and unfolding disaster. Around him is a deep ensemble cast, including familiar faces like George Kennedy, Lorne Green and Ava Gardner.Earthquake was create as an event, not just it a movie, it was a physical experience. The filmmakers pioneered the shaker mount camera system to simulate realistic movement, and introduced Sensurround, blasting sub-audible bass through giant speakers so powerful they made seats (and sometimes ceiling tiles) vibrate.The stunt work is amazing: real falls, real debris, real crashes. In the midst of all the destruction, the personal stories carry real weight, making the survival (or loss) of characters more emotional than expected. It's pure disaster chaos.The Poseidon Adventure (1972)Set aboard a luxury ocean liner on New Year's Eve, the movie quickly turns into a survival story when a rogue wave capsizes the ship. The survivors must navigate an upside-down world, climbing their way through the wreckage in hopes of escape.Led by Gene Hackman as a determined and unconventional preacher, the movie leans heavily into character dynamics. Hackman, Ernest Borgnine, Shelley Winters, Jack Albertson, it's another stacked cast, but no one is safe simply because they're famous. Relationships evolve, tensions flare, and every character has a purpose. The writing gives each person a distinct arc, making the journey feel and survival feel important. Add in a powerful score by John Williams, and you get one of the best disaster movies ever made.The Towering Inferno (1974)Set in the world's tallest skyscraper during its grand opening, The Towering Inferno follows what happens when overlooked safety shortcuts turn into a full-scale catastrophe. The film is powered by two Hollywood titans: Steve McQueen and Paul Newman. Their dynamicm, one a no-nonsense fire chief, the other the building's architect, gives the film a strong emotional core amid the chaos.The practical effects and stunt work are relentless: real fire, real smoke, real danger. You can feel the heat.It's also one of the best examples of the genre's ensemble storytelling—multiple perspectives, intersecting arcs, and constant tension. And once again, John Williams' score gives you a movie that is epic and intense.These movies hold up today because of the disaster but also the story telling.They take their time. They let you meet the characters, understand their relationships, and invest in their outcomes. So when disaster strikes, it actually matters. And there's no guarantee of survival, not even for the biggest stars.Long before the term “blockbuster” became standard (thanks to Jaws), these films were already defining what that meant.No matter which of these you choose, you're guaranteed a movie night that's anything but a disaster.Until next time — be kind, rewind.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
Veteran character actor James Karen appeared in over 80 movies, more than 100 television shows and a staggering 5,000 TV commercials. In a career spanning nearly 7 decades (!), he's worked with Frederic March, Lauren Bacall, Gene Hackman, Steven Spielberg, Jane Fonda, Robert Redford and Will Smith, to name a few. Gilbert and Frank phoned James to cover a wide range of topics, including his film debut in the immortal “Frankenstein Meets the Space Monster,” his years-long friendship with the legendary Buster Keaton and his experience sharing a townhouse with Marlon Brando, Wally Cox and Maureen Stapleton. Also, James “sells” Craig T. Nelson a haunted house, a Boy Scout uniform leads to an acting career and a controversial “Jeffersons” episode nearly torpedoes a TV pitchman gig. PLUS: James parties with Clark Gable! Gilbert gets a one-cent residual check! Moe Howard recites from “The Tempest”! And James teaches a teenaged Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices
RMR 0363: Special Guest, Matt Williams of the Original Geek Podcast, joins your hosts, Bryan Frye and Chad Robinson for the Retro Movie Roundtable as they revisit The Crimson Tide (1995) [R] Genre: Action, Drama, Thriller, War, Military Starring: Denzel Washington, Gene Hackman, Matt Craven, George Dzundza, Viggo Mortensen, James Gandolfini, Rocky Carroll, Jaime Gomez, Michael Milhoan, Scott Burkholder, Danny Nucci, Lillo Brancato, Eric Bruskotter, Ricky Schroder, Steve Zahn, Marcello Thedford, R.J. Knoll Directed by: Tony Scott Recorded on 2026-03-18
Mex claims Gene Hackman is the Dark Horse. The Artist takes advice from a pirate and remembers getting into some pinball adventures with Tommy. The Kid thinks Marilyn Monroe can heal you. Your Huckleberry reminisces about Tommy's mom's under thigh.
Movie of the Year: 1971Dirty Harry (feat. Conor Kilpatrick from iFanboy!)The Dirty Harry podcast arrives this week on Movie of the Year: 1971, as the Taste Buds take on one of the most influential and contested crime films ever made. Don Siegel's thriller introduced the world to Inspector Harry Callahan — a San Francisco cop who operates on instinct, fury, and a very large handgun. Moreover, the film sparked a debate about justice, civil liberties, and the price of order that has never fully quieted. The Taste Buds are joined by Conor Kilpatrick of iFanboy for this Don Siegel Dirty Harry analysis, and they also cover 1971 ProStars and a special segment on the year in comic books.Episode Show Notes: What We CoverThis Dirty Harry 1971 film discussion covers a lot of ground. Below is a summary of the key talking points from the episode — a roadmap for listeners and a reference for anyone who wants to dig deeper after the fact.On Harry Callahan as a character: The panel opens by asking whether Harry is actually a hero or whether the film simply frames him as one. Conor argues that Eastwood's performance is so controlled and interior that the audience does the work of making Harry sympathetic — the film barely has to try. Ryan pushes back: Harry's righteousness is earned on screen because he is always right in his read of a situation, even when he is wrong in his methods. Mike lands somewhere in between, pointing out that Harry's body count by the end of the first film is genuinely troubling if you stop and count.On politics and the law: The Taste Buds spend significant time on Pauline Kael's famous "fascist" critique and whether it holds up. The consensus is that the film is more ambiguous than Kael allowed — but that the ambiguity is doing real work, and not always in a reassuring direction. The legal system in Dirty Harry is not just flawed; it is portrayed as an active obstacle to justice. That framing has consequences.On San Francisco: The panel discusses how Don Siegel uses the city as a visual argument — the geography of the chase scenes, the specific choice of Kezar Stadium as a set piece, and what it means to set this particular story in the city that had been the symbolic capital of American idealism just four years earlier.On 1971 in comics: Conor breaks down the Marvel vs. DC landscape of the year, the significance of the Spider-Man drug arc, and why Jack Kirby's Fourth World still does not get the mainstream recognition it deserves. Additionally, he and the Taste Buds find real thematic overlap between the comics and the film: both are grappling with institutions that have failed and individuals who step into the void.About the FilmDirty Harry (1971) was directed by Don Siegel and stars Clint Eastwood as Inspector Harry Callahan of the San Francisco Police Department. The film follows Callahan as he hunts the Scorpio Killer — a sadistic serial murderer loosely inspired by the real-life Zodiac Killer — while clashing repeatedly with a city bureaucracy unwilling to bend the rules. Harry has no such hesitation. Andrew Robinson plays Scorpio with chilling, unhinged intensity. The film's cat-and-mouse structure keeps the tension taut from its rooftop opening shot through its iconic waterfront finale.Furthermore, Dirty Harry arrived at a fraught cultural moment. Crime rates in major American cities were rising sharply. Public trust in government and police was eroding. Consequently, the film's portrait of a cop who gets results by any means necessary struck a powerful nerve. For more context alongside this Dirty Harry podcast, explore the full production history on the film's IMDb page.Produced by Warner Bros. and Malpaso Productions, the film features a propulsive score by Lalo Schifrin. Dirty Harry launched a five-film franchise and cemented Clint Eastwood as one of cinema's defining icons of controlled menace. It remains among the most debated American films of its era — a movie that means different things depending entirely on who is watching it. Listeners who enjoy this Dirty Harry podcast episode might also want to revisit our discussion of The French Connection, another 1971 film that wrestles with law enforcement, moral ambiguity, and the limits of the justice system.Guest Panelist: Conor Kilpatrick of iFanboyJoining the Taste Buds this week is Conor Kilpatrick, co-founder and longtime host at iFanboy — one of the most enduring comics media platforms on the internet. Conor co-founded iFanboy around 2000 alongside Josh Flanagan and Ron Richards, originally as a college email chain where friends traded weekly comic reviews. That chain became a website, then a podcast, then a 25-year institution in the comics world. Known as the "DC Guy" of iFanboy, Conor has spent decades explaining infinite Earths, multiple reboots, and the craft of visual storytelling with genuine enthusiasm and expertise. He brings that same depth of knowledge to the Dirty Harry podcast discussion this week.He is also the co-host of the Goodfellas Minute podcast and a co-founder of Great Northern Media. Moreover, his deep knowledge of 1971 comics makes him the ideal guest for this episode's special segment. His perspective on the cultural landscape of 1971 — what was happening in comics while Dirty Harry was in theaters — adds a dimension to this Dirty Harry 1971 film discussion that no other guest could bring. Welcome to Movie of the Year, Conor.Harry Callahan: The Dirty Harry Podcast's Central DebateHarry Callahan is one of American cinema's most complicated figures. On the surface, he is a blunt instrument — a man who solves problems with a .44 Magnum and withering silence. However, Siegel and Eastwood invest him with something far more ambiguous. Harry is genuinely competent, even brilliant, at what he does. The tragedy is that the system he serves refuses to reward competence over politics.Eastwood's performance is famously economical. He does not grandstand or seek sympathy. Notably, that restraint is precisely what makes Harry magnetic — audiences fill in the emotional gaps themselves, projecting onto a man who reveals almost nothing voluntarily. The Taste Buds discuss whether Harry reads as a hero, an antihero, or something the film itself cannot quite name. For contrast, consider how Gene Hackman's Popeye Doyle in The French Connection presents a similarly brutal cop — but one the film regards with considerably more irony.The "Do you feel lucky, punk?" monologue is among the most quoted speeches in 1970s cinema. Nevertheless, it is more than a catchphrase. It is a masterclass in character — Harry performing certainty he may not entirely feel, using psychology as a weapon when firepower is temporarily unavailable. Above all, it reveals a man who understands power in all its forms and deploys it with surgical precision.Politics, Justice, and the Law: A Don Siegel Dirty Harry AnalysisFew films from 1971 generated more critical controversy than Dirty Harry. Pauline Kael famously called it a fascist work of art in her widely-discussed review. Others defended it as a frank reckoning with a legal system too broken to protect its own citizens. Consequently, the film sits at the center of a political argument that has never fully resolved itself.The film's central tension is not, ultimately, between Harry and Scorpio. It is between Harry and the law itself. Time and again the legal system fails — releasing Scorpio on procedural grounds, blocking the investigation, prioritizing process over lives. Harry's response is to act outside those constraints entirely. Moreover, the film frames him as righteous for doing so, and that is precisely what troubled critics at the time.However, the Taste Buds push on this carefully. Does Dirty Harry endorse vigilantism, or does it simply portray it with unflinching honesty? The ending — Harry throwing his badge into the water — complicates any easy reading. Therefore, rather than celebrating his methods without reservation, the film may ultimately acknowledge that Harry's approach destroys him even as it saves others. This Don Siegel Dirty Harry analysis explores that tension without settling for easy answers. Listeners interested in how 1971 cinema handled political disillusionment should also visit our episode on A Clockwork Orange, which confronts similar questions from a radically different angle.San Francisco: A City in the WestSan Francisco is not merely a backdrop in Dirty Harry. It is a character. Don Siegel shoots the city with documentary precision — rooftops, construction sites, Kezar Stadium, winding streets, and the cold grey of the bay. As a result, San Francisco's geography becomes an extension of the film's moral landscape: beautiful, treacherous, and full of places the law cannot easily reach.The city of 1971 was in deep transition. The Summer of...
After a week off, Erik Childress and Peter Sobczynski return to catch you all up on the world of physical media. This week there are war films and after-war films, both with Gene Hackman. There are movies with dogs and giant insects, Looney Tunes, Loony Porno and the lunacy of Antonio Margheriti. They discuss another underrated Coen Bros. film as well as a film that is not far removed from another of their loony classics. Criterion adds the latest Scorsese to their collection and Nirvanna the Band the Show the Movie fans should check out Matt Johnson's previous film. Finally, one of the goofiest of 1980s sword-and-sorcery films gets the glorious Arrow treatment and God bless them.1:19 - Criterion (Classe Tous Risques (The Big Risk) (4K), Killers of the Flower Moon (4K))16:52 - Warner Archive (Looney Tunes Collector's Vault (Volume 2))20:52 - Magnolia (Bad Luck Banging or Loony Porno)25:57 - Severin (Antonio Margheriti and the Jungles of Doom 4K)32:43 - Kino (Jack Benny Comedy Classics, A Bridge Too Far (4K), Uncommon Valor (4K), House Calls, K2 (4K), Beethoven, Mimic 4K)1:26:33 - Radiance (Cutter's Way)1:35:32 - Shout (Hail, Caesar! (4K))1:46:59 - IFC (Blackberry)1:54:08 - Arrow (The Birthday (4K), Red Sonja (4K))2:20:36 - New Theatrical Titles On Blu-ray (Anaconda (2025) (4K), The Housemaid (4K), Good Boy, Return to Silent Hill (4K), David, We Bury the Dead, Rebuilding, The Accidental Getaway Driver, Zodiac Killer Project, Swamp Dogg Gets His Pool Cleaned)2:23:18 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com
This episode was paid for by special bean the indignant eel via the Pick the Flick tier on our patreon. They picked it and we flicked it! Thanks, eel! This episode covers the 1969 Robert Redford and Gene Hackman skiing movie. Though, it's mostly about boning. Features: Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store
This week on Big Trouble Little Podcast, the crew dives into Superman (1978), the film that helped define the modern superhero movie. Starring Christopher Reeve, Gene Hackman, and Marlon Brando, this classic comic book adaptation set the standard for superhero films for decades.We break down why Christopher Reeve is still considered the definitive Superman, discuss the differences between Clark Kent and Superman as characters, and debate whether Gene Hackman's Lex Luthor works as the villain in this version of the story. The conversation also explores the film's campy tone, John Williams' legendary score, and that infamous time-reversal ending that still divides fans today.Is Superman (1978) still the best Superman movie, or have newer films like Man of Steel and modern comic book adaptations surpassed it?In the post-credit segment, we talk about what we've been watching and playing lately, including Superman (2025), Weapons, Resident Evil 9, Formula 1 Australia, Gundam, and more.Next week we wrap up Cape Shit Month with the ultimate 90s comic book movie: Spawn (1997).If you enjoy movie discussions, superhero movies, gaming talk, and pop culture podcasts, make sure to follow the show and join us every week on Big Trouble Little Podcast.
Welcome back to Submarine Month, and today we are diving deeper into the psychological stresses of being in a confined metal tube for weeks at a time. We have Denzel Washington and Gene Hackman arguing about the right way to use nuclear missiles. (And guess what, one of them is right and one is very very wrong.) Brennan references War Games several times (I can't help that it's good at explaining nuclear warfare), and Erin talks about how Tony Scott got around the US Navy by using the power of PUBLIC DOMAIN BABY! To be honest, we get very real with this movie and how it's a film of its time. And despite the fictional nature of the narrative, we see how it's being implemented today. But don't get too disheartened, next week is Das Boot!
This week, Alex talks with Beck and Zac about a formative pair of BMWs in Zac's neighborhood growing up; a snowballed BMW project threatening to be come a full avalanche; a very quick turnaround; a curious Bay Area car-buying ploy; Alex's odd but steadfast list of cheap childhood cars he'd buy if only he could find them; (misplaced?) nostalgia for late-1980s Ford performance cars and keyless entry code buttons; and attainable transaxle Porsches.The team goes on to describe a brief history of the Toyota celebrity support race at the Long Beach Grand Prix; impressive feats from a 190E 2.3 16-valve; Gene Hackman's side gig; Tommy Kendall, an all-around decent guy; a good color change; an interesting museum collection sale; and current watchlist favorites punctuated with Porsche whale-tale nerdiness and shame.Mentioned in this episode:1:30 S52-Powered 1988 BMW M36:25 Pristine 69k-Mile 1990 BMW M315:16 4,700-Mile 1988 Ford Thunderbird Turbo Coupe15:52 19k-Mile 1989 Ford Taurus SHO17:42 37k-Mile 1988 Alfa Romeo Milano Verde17:56 1988 Alfa Romeo Milano Verde21:24 Mercedes-Benz C230 Kompressor Sport Coupes on BaT24:11 2000-2006 Toyota Celicas on BaT30:57 Mini R53 Cooper S Model Page36:27 IMSA, NASCAR, RX-7s, and Land Yachts with Tommy Kendall37:34 49k-Mile 1992 Ford Taurus SHO38:20 Original-Owner 1979 BMW M138:43 Ex–Stu Hayner 1989 Chevrolet Corvette Challenge Race Car38:54 The Gilmore Car Museum Collection, Offered at No Reserve39:17 Gilmore_Cars user page40:13 1993 Geo Tracker LSi 4×4 5-Speed w/Camso Track System40:55 1964 Ford Galaxie 500XL Fastback R-Code 427 4-Speed41:21 Euro 1986 Ferrari 328 GTB42:01 2023 Hennessey Venom F5 Roadster43:38 1968 Mazda Cosmo Series II43:42 1990 Lamborghini LM002 LM/American45:23 RoW 1974 Porsche 911 Carrera 2.7 MFI Coupe46:58 Whale Tales: A Visual Guide to the Evolution of Porsche 911 Spoilers47:26 Dual-Quad 350–Powered 1956 Chevrolet Bel Air 2-Door Hardtop Coupe47:37 MSCLASSICCARSLLC user page47:46 Bill Goldberg's Twin-Plug 1992 Porsche 911 Turbo49:55 RoW 1977 Porsche 911 Carrera 3.0 Coupe51:26 1975 Porsche 911 CarreraGot suggestions for our next guest from the BaT community, One Year Garage episode, or (B)aT the Movies subject? Let us know in the comments below!
This week's French Connection podcast episode covers one of the most thrilling and morally complicated films of 1971. Ryan, Mike, and Greg revisit The French Connection on Movie of the Year. William Friedkin's Best Picture winner changed what American cinema thought a hero could look like. In addition, this episode features a special Gene Hackman career retrospective.Released in 1971, the film follows New York City detective Jimmy "Popeye" Doyle — based on real NYPD detective Eddie Egan, with partner Sonny Grosso inspiring the character of Russo. Doyle pursues a massive heroin operation with little regard for the law or the people around him. As a result, the film won five Academy Awards, including Best Picture, Best Director, and Best Actor. It remains one of the defining films of the New Hollywood era.This Movie of the Year podcast episode is one of the most anticipated of the 1971 season. Before diving in, check out our recent episodes on The Last Picture Show and A Clockwork Orange.Joining the Taste Buds for this episode is special guest C. Craig Patterson A screenwriter, director, and filmmaker based in Los Angeles. An alum of Columbia University, NYU's Tisch School of the Arts, and USC's School of Cinematic Arts, Patterson brings serious cinematic credentials to the table. His short film Fathead won the Cannes Film Festival Best Student Short Award and earned an NAACP Image Award nomination. His scripts have been recognized by the Sundance Screenwriters Lab, The Black List, and the Academy's Nicholl Fellowship. Patterson also directed the critically acclaimed Roy Wood Jr. comedy special Imperfect Messenger for Paramount+. With projects currently in development at Paramount and Epic Games, he is one of the most exciting emerging filmmakers working today — and exactly the kind of guest who makes a film like The French Connection worth revisiting.The French Connection 1971 Podcast: Popeye Doyle — Hero, Antihero, or Something Worse?The central tension of this French Connection 1971 podcast discussion is what to make of Popeye Doyle. Gene Hackman plays him as a force of nature — relentless, racist, reckless, and completely compelling. He is not a good man, and he is barely a good cop. Nevertheless, the film frames his obsession as heroic, his instincts as genius, and his victory as worth celebrating.Ryan, Mike, and Greg dig into what Friedkin and screenwriter Ernest Tidyman were doing with Doyle. Is the film a critique of the kind of law enforcement he represents? Or is it simply in love with him? The answer is probably both. Ultimately, that ambiguity is what makes the character so difficult and so fascinating fifty years later.The Real Detectives Behind the StoryThe real detectives, Eddie Egan and Sonny Grosso, consulted on the film and even appear in small roles. Consequently, knowing the story is grounded in a real investigation makes Doyle's behavior harder to dismiss. These were not fictional excesses invented for dramatic effect, and the panel takes that seriously.Gene Hackman won the Academy Award for Best Actor for this role, beating out Peter Finch, Walter Matthau, George C. Scott, and Topol. Furthermore, it remains one of the most celebrated performances of the 1970s. The panel uses this episode to look back at Hackman's broader career and make the case for where he stands in the pantheon.For more on Gene Hackman's career, visit the Internet Movie Database.William Friedkin and the New Hollywood Crime FilmDirector William Friedkin approached The French Connection as a documentary-style thriller. He shot on location in New York City with handheld cameras and natural light, refusing to glamorize either the city or its characters. As a result, the film feels unlike almost anything else from 1971 — raw, kinetic, and deeply uncomfortable.The Taste Buds explore how Friedkin's direction shaped the film's identity. Most notably, the legendary car chase under the elevated train tracks in Brooklyn is widely considered one of the greatest action sequences ever filmed. Friedkin shot it on live New York City streets without fully stopping traffic, with a camera mounted to the front of the car. For critical analysis of the chase, the Criterion Collection offers essential reading.Friedkin After The French ConnectionJust two years later, Friedkin directed The Exorcist, cementing his place as one of the defining filmmakers of the decade. The panel discusses what the two films share and what The French Connection reveals about Friedkin's sensibility. In both cases, his camera feels like it is barely keeping up with reality — and that is entirely by design.For more on Friedkin's influence on American cinema, visit the American Film Institute.The French Connection Podcast Discussion: Justice and Its LimitsAt its core, The French Connection is about the gap between justice and the law. Popeye Doyle operates outside the rules, endangers civilians, shoots an unarmed man in the back, and ultimately fails to bring the main target to justice. Despite all of this, the film presents his pursuit not as tragedy but as the cost of doing business.Ryan, Mike, and Greg examine what the film says about the American justice system in 1971 — a moment of profound national disillusionment. Vietnam, the civil rights movement, and the early signs of Watergate were all in the air. Meanwhile, the "good guys" in this film are not good, the "bad guys" are not caught, and the audience is asked to root for the pursuit anyway.Race and Policing in The French ConnectionMoreover, the film's racial politics are impossible to ignore. Doyle's racism is presented as character texture rather than moral failing, and the film never fully grapples with the implications of the policing it depicts. That discomfort is an important part of the conversation this week.For historical context on the real case, visit the DEA's history of the French Connection.Gene Hackman Best Performances: A Career RetrospectiveThis episode includes a special segment on Gene Hackman's best performances. The Taste Buds make their case for the defining Hackman roles and debate his greatest work. In particular, they discuss what made him such an unusual screen presence: his everyman quality, his capacity for rage, and his refusal to tell the audience how to feel about his characters.His breakthrough came in Bonnie and Clyde in 1967, and his Oscar followed here in The French Connection. Subsequently, classics like The Conversation, Mississippi Burning, Unforgiven, and The Royal Tenenbaums cemented one of the most extraordinary bodies of work in American cinema. This segment celebrates an actor who never got quite enough credit for how good he really was.Why The French Connection 1971 Still MattersMore than fifty years later, The French Connection remains essential viewing. Beyond its technical achievements, it functions as a moral document — capturing a specific American mood: exhausted, suspicious, and uncertain about its own institutions.Ultimately, this French Connection podcast episode revisits the film as a living argument about power, obsession, and the stories we tell about law enforcement. It asks hard questions, and this episode doesn't let them off the hook.Related Episodes from Movie of the Year: 1971If you enjoyed this episode, check out the rest of the Movie of the Year 1971 series:The Last Picture Show — Bogdanovich, nostalgia, and a dying Texas townA Clockwork Orange — Kubrick, free will, and the limits of the stateBrowse all Movie of the Year episodesFAQ: The French Connection Podcast and FilmWhat is The French Connection podcast episode about?Ryan, Mike, and Greg discuss William Friedkin's 1971 Best Picture winner. Topics include Popeye Doyle, Friedkin's direction, justice, and a Gene Hackman career retrospective.What is The French Connection about?It follows NYPD detective Popeye Doyle, based on real detective Eddie Egan, as he pursues a massive heroin smuggling operation using methods that are often illegal and always reckless.Who directed The French Connection?William Friedkin directed the 1971...
At Cinemavino, we're saddened by passing of Robert Duvall. He's a legend and icon, with an incredible filmography. For this episode, we watch an underrated western from the 90s. Geronimo features an all-star cast, including Wes Studi as the title character, along with Gene Hackman, Robert Duvall, Jason Patric, and Matt Damon in his starring debut. We have a lively discussion, while also touching on the performances of both Hackman and Duvall.
WELCOME BACK TO PURGATORY...with Kevin Costner...in hell!!! This month the boy's travel into the seven layers of hell...watching Kevin Costner epic movie failures! Fun! Exciting! Mesmerizing! We start off with 1994's Wyatt Earp! Directed by Lawernce Kasdan and written by Dan Gordon & Lawrence Kasdan. The movie stars Catherine O'Hara, Jobeth Williams, Mare Winningham, Isabella Rossellini, Annabeth Gish, Tea Leoni, Joanna Going, Tom Sizemore, Jeff Fahey, Dennis Quaid, Gene Hackman, Linden Ashby, Michael Madsen, Mark Harmon, David Andrews, Bill Pullman, Rex Linn and Adam Baldwin oh and Kevin Costner!!! Thanks for checkin us out, you cand find our past and most recent episodes on Podbean.com and where most other podcasts are found!!! Intro & outro tracks from the Wyatt Earp soundtrack/score composed & conducted by James Newton Howard 1. Main Theme https://youtu.be/3g6QlnjMQUw?si=f5cA0MX3VYhrHokh 2. Dodge City https://youtu.be/CQQPcKeQwcI?si=hVpI-yQF5YFnfNNa
Send a textThis week, the vastness of the ocean continues; this time we are trapped on a capsized cruise ship, overturned by a rogue wave and climbing our way to freedom in reverse. That's right, it's 1972's "The Poseidon Adventure," starring a very "hands-on" Gene Hackman, Ernest Borgnine, Shelley Winters, Roddy McDowell and many, many others.We also dive into the 1970s "Disaster Film Cycle" as well as other notable disaster films and discuss what makes them so great. So grab onto something: a life jacket, a rope, a random female cast member... whatever floats your boat!
Another mind bending podcast with Jennifer Shaffer and Rich Martini inviting Luana Anders and her clipboard to talk to us from the flipside. In today's edition, Amelia Earhart comes forward to talk about our appearance on Gaia's #BEYONDBELIEF the previous week where we spoke about her and the book SHE WAS NEVER LOST: THE AMELIA EARHART SAGA. Then Heath Ledger stopped by, as he knows one of Jennifer's clients that she's speaking with this week. I heard Robert Duvall's voice in my kitchen the other day, and wondered if he might want to speak. Since he worked with Sally Kellerman on the film MASH (directed by Robert Altman) I thought perhaps Robert or Sally's pal Bud Cort might stop by for a chat from the flipside. As it turned out "one of the two" was willing to take our speaker's chair and answer our questions. That was the acclaimed actor Robert Duvall - and as one can observe in the podcast, it was a long time before Jennifer realized who I was referring to. All of the folks that I asked about are either on the flipside, people that he worked with (Marlon Brando, Fred Roos, Robert Towne, etc) and I asked him if he had messages for some of his pals still on stage (Dustin Hoffman, Francis Coppola, his wife Luciana, etc.) He recalled having lunch with me in a noisy cafe in Santa Fe (Luana and Gene Hackman were there as well.) Again - the reason we do this podcast is to demonstrate how easy it is to speak to our loved ones offstage. They're eager and waiting to converse with us - and there are three methods one can use to learn new information from them. 1. Hypnotherapy. I recommend the four to six hour session as done by therapists trained by the Newton Institute. 2. Guided meditation. A person can open themselves up to a conversation using meditation. 3. Mediumship. People like Jennifer who work with law enforcement agencies daily, pro bono, so I know how effective she can be. In this case, I have had conversations with, or talked to all of the people mentioned in this episode. I've written and or directed 10 feature films - many have never heard or seen any of them, but either my relationship with Luana Anders, Charles Grodin, or the actors I've worked with before allows me to use the "six degrees of separation" idea to converse with them - or have our pal Luana Anders invite them for a conversation. I've been doing this now for two decades - I met Jennifer about 11 years ago, and we've been doing this weekly for all that time. So it's not like we don't have our own language to speak with each other. We did appear on Gaia's BEYOND BELIEF last week, which will air sometime soon and is about the book SHE WAS NEVER LOST; THE AMELIA EARHART SAGA. (There are some clips and previous podcasts about the book at the "Hacking the Afterlife" podcast page on YouTube. #RobertDuvall, #HeathLedger, #CarlWeathers, #PaulNewman, #GeneHackman, #SallyKellerman, #BudCort, #CharlesGrodin Enjoy.
Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting https://letterboxd.com/filmspotting https://facebook.com/filmspotting https://twitter.com/filmspotting https://instagram.com/larsenonfilm https://letterboxd.com/larsenonfilm https://facebook.com/larsenonfilm https://bsky.app/profile/larsenonfilm.bsky.socialSee omnystudio.com/listener for privacy information.
Robert Duvall Passed Away at 95, and it Seems too Soon This week on the podcast, Brian and Darryl honor the legendary Robert Duvall, break down the latest Warner Bros. Discovery and Skydance merger talks, and review the penultimate episode of HBO's A Knight of the Seven Kingdoms. Corporate power plays and Westerosi lances collide. Episode Index Intro: 0:07 Robert Duvall: 3:51 Warner Bros/Skydance: 9:07 A Knight of the Seven Kingdoms: 23:43 Robert Duvall January 5, 1931 – February 15, 2026 Robert Duvall was one of the defining American actors of the modern era. A founding member of the American Film Theatre movement and a classmate of Dustin Hoffman and Gene Hackman at the Neighborhood Playhouse, Duvall built a career on discipline, restraint, and volcanic presence. Career Highlights: Tom Hagen in The Godfather (1972) and The Godfather Part II (1974) – The calm consigliere in a world of chaos. Controlled, intellectual menace. Lt. Colonel Bill Kilgore in Apocalypse Now (1979) – “I love the smell of napalm in the morning.” One of cinema's most iconic performances. Oscar Winner for Tender Mercies (1983) – Best Actor for his deeply human portrayal of a broken country singer. The Great Santini (1979) – A towering, volatile performance that earned him an Academy Award nomination. Lonesome Dove (1989) – Cemented his legacy in the Western genre. Later career standouts: The Apostle (which he also wrote and directed), Open Range, The Judge. Duvall's strength was subtle authority. He never chased flash. He built characters from the inside out. In an industry obsessed with volume, he mastered quiet. Hollywood didn't just lose a legend. It lost a craftsman. https://variety.com/2026/film/news/paramount-skydance-response-warner-bros-discovery-deal-talks-1236665757/ Warner Bros./Skydance Will They/Won’t They Warner Bros. Discovery has reportedly reopened acquisition discussions with Skydance and Paramount, injecting fresh volatility into an already chaotic media landscape. Paramount previously floated a $30 per share offer, potentially rising to $31. Meanwhile, shareholder votes and competing interests continue to complicate the picture. This is consolidation round… what, 47? The real question is what this means for IP control, franchise strategy, and the long-term survival of mid-budget filmmaking. Every merger promises “synergy.” Historically, synergy often translates to layoffs, canceled projects, and fewer creative risks. We break down what this could mean for DC Studios, HBO prestige content, and the streaming wars at large. A Knight of the Seven Kingdoms (HBO Max) Season 1, Episode 5 (Penultimate Episode) Episode Title: “In the Name of the Mother” Directed by: Owen Harris Written by: Hiram Martinez & Ti Mikkel and Ira Parker Summary: The trial of seven begins. In the first charge, Aerion knocks Dunk off his horse. In a series of flashbacks to Dunk’s childhood, he and his friend Rafe scavenge from a battlefield. They return to Flea Bottom in King’s Landing and pickpocket from Alester, a City Watchman. Dunk and Rafe attempt to buy passage to the Free Cities in Essos, but cannot afford it. Alester corners them and takes their money. Rafe steals Alester’s dagger, but he notices and slits her throat. Arlan emerges from a tavern and kills Alester, saving Dunk, who then follows Arlan on his travels. In the present, Dunk duels Aerion on foot until both men collapse from injury. After Dunk falls unconscious, Aerion declares him dead. Egg begs Dunk to get up, and the crowd chants for Dunk as he stands. Dunk and Aerion resume their duel until Dunk gets the upper hand. Aerion yields and withdraws his accusation. In the aftermath, Beesbury and Hardyng are confirmed as killed. Dunk pledges fealty to Baelor. Raymun and Pate help Baelor remove his helmet, which Maekar struck with his mace during the trial, revealing a fatal wound. Baelor collapses from his injury and dies in Dunk’s arms. The jousting sequences are shot with brutal realism. Armor feels heavy. Impacts feel dangerous. The episode underscores a central thesis of Martin's work: nobility is aspirational, not guaranteed. Key Cast: Peter Claffey as Ser Duncan the Tall Dexter Sol Ansell as Prince Aegon “Egg” Targaryen Finn Bennett as Aerion Targaryen Bertie Carvel as Baelor Targaryen Sam Spruell as Maekar Targaryen Production Notes: The series distinguishes itself from House of the Dragon by focusing on intimate political storytelling rather than large-scale spectacle. The penultimate episode prioritizes character psychology, legacy, and the myth of knighthood over spectacle-driven chaos. Rating: Out of 5 Brotherly Blows to the Back of the Head Brian: 4.99/5 Darryl: **/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!
AITA: For not giving someone my cart at Aldi's, DIRT ALERT: Gene Hackman estate update, an appreciation moment for "The Birdcage," and Jason's upcoming junket trip to Beverly HillsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Joanna Cassidy has never fit neatly into one lane, and that is exactly why she is unforgettable. In this episode of Still Here Hollywood, Joanna takes us from Syracuse University as an art student to a cross-country leap that landed her in Los Angeles and changed everything. She talks about her first film set experience with Walter Matthau and Bruce Dern, the shock of realizing she could actually act, and how her creative life has always lived in two worlds, performance and painting. We also dive into the legacy roles that keep getting rediscovered. Joanna shares what it was like stepping into Blade Runner as Zhora, working with Ridley Scott's meticulous vision, and why that film's impact only grew with time. She opens up about Six Feet Under and her love of dark humor, the craft difference between comedy and drama, the realities of aging in Hollywood, and what she believes keeps a creative person alive. Plus: animals, modernism, bungee fitness in Burbank, and the mindset that keeps her curious and working. Still Here Hollywood with Steve Kmetko. New episodes weekly. Support the show and get early access and extras at patreon.com/stillherehollywood00:00 Intro: The unforgettable Joanna Cassidy00:56 From Syracuse to San Francisco to Los Angeles02:35 First steps into acting and a surprising first role03:35 The Laughing Policeman: Walter Matthau, Bruce Dern, and set nerves05:19 Joanna the artist: painting, portraits, modernism06:42 Almost quitting, and the many lives she has lived07:51 Misconceptions: beauty, comedy, and being underestimated10:29 Age, image, and America's obsession with youth12:29 Early work she is proud of, and Blade Runner's slow-burn legacy13:43 Acting vs art: the frustration of not being able to fine-tune16:52 Roles she wanted but did not get17:40 Blade Runner: first reaction to the script18:32 Philip K. Dick, sci-fi love, and “the only actor with the snake”19:18 Animals, cats, and the deep bond with them21:22 Ridley Scott's imprint and artistic vision22:22 Six Feet Under and the joy of dark humor23:36 Blade Runner stunts, revisiting Zhora, and the snake dance25:10 New generations discovering Zhora26:17 Cult status and Comic Con moments28:54 Comedy vs drama: timing, speed, and stillness30:57 Who she watches now: Emma Stone, Jessica Lange32:07 TV's best lesson: be on time, know your lines, hit your marks33:17 Actors who made an impact: Gene Hackman, Nick Nolte, Bob Hoskins35:42 Taking risks and going all-in37:40 Dabney Coleman memories39:58 Staying creatively alive: health, grounding, flow41:05 Mentors, independence, and asking for a hand44:01 Confidence, her father, and being an observer of Hollywood45:45 Film talk and character-study movies47:13 What brings her joy now49:43 Directing notes and the on-set process50:42 Roles she wants now, plus recent and upcoming projects52:40 Worries that shifted with time53:27 Dating, privacy, and a new chapter56:16 Bungee fitness in Burbank and loving the feeling of flight57:28 Closing Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian SanyshynTranscription: Mushtaq Hussain https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Discover the ultimate ranking of 1988 movies with surprising hits and hidden gems! In this video, Diandre Robinson takes you through his year-by-year movie challenge, spotlighting classics like "Mississippi Burning," "Colors," and "Bull Durham," alongside surprises like "Willow" and "Oliver and Company." From unforgettable performances by Gene Hackman and Michael Caine to iconic comedies like "Twins," this list features heartfelt reviews, eye-opening facts, and personal scores for each film. Whether it's action-packed favorites like "Bloodsport" or meaningful dramas like "Cop," this video has something for every movie lover. Join the journey, relive cinema history, and find your next must-watch from 1988!#movierankings #hiddengems #1988movies #classiccomedies #hiddengemsmoviesCHAPTERS:00:00 - Intro00:22 - Married to the Mob: Crime Comedy01:18 - Dirty Rotten Scoundrels: Con Artists04:17 - Twins: Comedy Duo07:05 - Willow: Fantasy Adventure09:58 - Oliver & Company: Animated Classic12:38 - Tucker: The Man and His Dream: Automotive History15:28 - Bloodsport: Martial Arts Film17:48 - Cop: Action Thriller19:51 - Bull Durham: Sports Comedy22:54 - Colors: Gang Violence Drama25:28 - Mississippi Burning: Civil Rights Investigation28:13 - Recap28:30 - Thank You
It's a new month and a new theme for the Watchcast, and this month Alex is foisting some of his all-time favorites on the rest of the cast, starting with Francis Ford Coppola's profoundly paranoid thriller, The Conversation! Join us as we uncover this deadly plot, marvel at Gene Hackman's performance, and swoon at just about the youngest Harrison Ford we ever did see.CHAPTERS:(00:00:00) - The Nextlander Watchcast Episode 167: The Conversation (1974)(00:00:40) - Intro.(00:01:56) - Beginning our conversation about The Conversation.(00:20:04) - Cast chat.(00:27:59) - The terrific and bewildering opening recording sequence.(00:42:09) - Break!(00:42:32) - We're back, and it's time to peek into Harry's home life.(00:54:10) - Harry gets his recording.(00:59:08) - A brief interlude with Teri Garr.(01:03:44) - Lookit baby Harrison Ford!(01:08:48) - Alienating Stan, and the last piece of the audio puzzle.(01:13:48) - Spycon '74.(01:23:22) - Never party with surveillance guys, for several reasons.(01:36:23) - Chastity is the only security you can rely on.(01:46:06) - Meeting the Director.(01:50:37) - Bugging the hotel.(01:55:21) - You ain't gonna win this one, Harry.(02:04:35) - Final thoughts.(02:11:59) - Next week's movie: Michael Mann's Thief!(02:15:14) - Outro.
Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Sam Raimi's new film Send Help is in theaters, so we decided to look back at the director's undersung maximalist Western pastiche The Quick and the Dead. A Raimi Movie™ through and through, the film pays loving homage to revisionist entries in the western canon like Sergio Leone's Once Upon a Time in the West and Clint Eastwood's High Plains Drifter, but also sacrifices some of the thematic potential of the genre's Golden Era in favor of shoot-em-up schlock and a thoroughly fun time with a knockout cast of established and up-and-coming greats including Sharon Stone, Gene Hackman, Russell Crowe, and a fresh-faced Leonardo DiCaprio.We begin with a discussion of the Western, its persistence and malleability as genre, and where Raimi's vision falls in the lineage of America's mythmaking. Then, we examine the political limitations of The Quick and the Dead, its topicality as a piece of pop filmmaking, and its reduction of symbolism to mere signifier. Finally, we discuss Sharon Stone as actor and producer, and how the film offers her an oppotunity to explore a character that runs counter to the archetypal femme fatale roles she had made her career playing thus far.Elsewhere, we briefly discuss another great 00s thriller in our ongoing watch project - David Twohy's A Perfect Getaway and share some thoughts on the new Isaac Chotiner interview with The Quick and the Dead and Melania DP Dante Spinotti.....Our theme song is "Mirror" by Chris Fish.
"I've had a rough year, dad." We're continuing our tribute series by taking a look back at Episode 312 on Wes Anderson's THE ROYAL TENENBAUMS in honor of the late Gene Hackman. Listen as Brandon and Thomas discuss Hackman's relationship with Wes Anderson, how the film used practical locations for the film, how quickly Ben Stiller had to make the movie, the struggles with the music choices, how the film elevated Wes Anderson to the next part of his career, and much more! Use the code cinenation15 on thecinevault.com to get a 15% discount on your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Throwback Intro - (00:00:00) Audio Warning (00:08:30) Talking Older Actors and Dan Stevens (00:09:19) Recap on Gene Hackman (00:17:38) Intro to The Royal Tenenbaums (00:21:59) From The Birdcage to Tenenbaums (00:32:34) How The Royal Tenenbaums Got to Production (00:38:07) Favorite Scenes (00:48:50) On Set Life - (01:13:22) Aftermath: Release and Legacy (01:23:39) What Worked and What Didn't (01:32:25) Film Facts (01:41:26) Awards (01:46:43) Final Questions on the Movie (01:53:18) Talking about Hackman's Later Career (01:55:24) Wrapping Up the Episode (02:10:13) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast
Diane and Sean discuss "the best" Mel Brooks film of all time (?), Young Frankenstein. Episode music is, "Puttin' On the Ritz", written Irving Berlin, performed by Gene Wilder and Peter Boyle.- Our theme song is by Brushy One String- Artwork by Marlaine LePage- Why Do We Own This DVD? Merch available at Teepublic- Follow the show on social media:- BlueSky: WhyDoWeOwnThisDVD- IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD- Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show
“Living for the STREEP” Series: We are here to celebrate the career of Mary Louise Streep….now known to most as Meryl Streep who has become widely known by critics, film-lovers, and audiences as likely our GREATEST LIVING ACTRESS. Ever since her earlier breakout roles in the late 1970's in films such as The Deer Hunter, and Kramer Vs. Kramer, she has carved out a filmography filled with brilliant performances in memorable films spanning a variety of genres including biopics, thrillers, family dramas, AND comedies. During this time, she has also earned a STAGGERING TWENTY-ONE Oscar nominations including THREE wins. Over the next several months, I will be revisiting one notable Streep film each month – each highlighting a different type of performance – culminating with the May 1 release of the long-awaited sequel featuring one of her more ICONIC roles as Miranda Priestly, The Devil Wears Prada 2.The late, great Oscar-winning filmmaker Mike Nichols (The Graduate, Silkwood, Working Girl) directed this biting comedic drama about Diane, an actress Diane (Meryl Streep) struggling with drug addication and her complicated relationship with her mother (Shirley MacClaine) who was also a famous performer. Also written by the late, great Carrie Fisher (Star Wars, When Harry Met Sally) who was adapting her own semi-autobiographical novel of the same name, this story delves mostly into Diane's frought (and often comedic) misadventures following her recent treatment at a drug clinic including her on-set struggles, her romantic life, and her attempts to carve out a new career for herself. This quotable gem featured a stacked supporting cast including Dennis Quaid, Annette Bening, Oliver Platt, Richard Dreyfuss, and the late, great Gene Hackman. Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Dead Famous unravels the glitter, scandal, and tragedy behind celebrity lives cut short. Each week, I dive into the lives and deaths of the world's most famous stars. The first three episodes drop on Monday, January 12th, and explore the tragic lives and deaths of Caroline Flack, Aaliyah, and Gene Hackman. Subscribe on Spotify NOW: https://open.spotify.com/episode/5of14Uxancxhiswm2ECvuV?si=6IAhIMWySLem7twk4svCNw&pi=kcXaP9hpTyKJC&t=0 Learn more about your ad choices. Visit megaphone.fm/adchoices
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