Podcast appearances and mentions of Gene Hackman

In a series of topic-focused mini-episodes, Gilbert and Frank share their love of unheralded films, underrated TV shows, underappreciated pop songs and often unknown performers, discussing, dissecting and (occasionally) defending their handpicked guilty pleasures and buried treasures. This week: Gene Hackman forays into film noir! Henry Fonda brings order to the Old West! And Gilbert remembers classic movie posters! (but not the name of his own podcast). (Website link: https://www.gilbertpodcast.com/mini-ep-7-night-moves-and-my-darling-clementine/) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Summer Guest House Series!With most of the team on vacation, what better time to invite some friends over to cohost? This week, Jeff welcomes Chuck Bryan and Matt Sargent from Cinematic Flashback Podcast to discuss Gene Hackman, can't-miss heist films, and the brilliance of David Mamet's writing as they celebrate the 25th anniversary of his 2001 crime thriller, Heist!This episode is available AD-FREE and extended by 10 minutes on our Patreon right now! Get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member!Check out our NEW YouTube Channel and subscribe now! Our new series Previously On... is exclusively available over on YouTube to cover your favorite TV shows, and ours!Connect with us on social media and our website!For the absolute best 70s films podcast, check out Cinematic Flashback! 

Hay westerns que cuentan la leyenda. Y luego está Unforgiven, la película que decidió desmontarla pieza a pieza. Una obra maestra que cuestiona el mito del pistolero, la violencia y la gloria del Oeste con una crudeza y una profundidad pocas veces vistas en el cine. En este programa nos adentramos en una de las grandes cumbres del género, dirigida y protagonizada por Clint Eastwood, quien firma una despedida magistral del western clásico mientras construye una de las historias más humanas, amargas y devastadoras de toda su carrera. Analizamos la figura de William Munny, un antiguo asesino que intenta dejar atrás un pasado lleno de sangre, pero que se ve obligado a empuñar el revólver una última vez. Hablamos de la brillante construcción de sus personajes, de la extraordinaria interpretación de Gene Hackman como el despiadado sheriff Little Bill Daggett, del inolvidable Ned Logan de Morgan Freeman y del papel que desempeña el joven Schofield Kid en esta historia sobre culpa, redención y violencia. También debatimos sobre cómo Sin Perdón desmonta los clichés del western tradicional, mostrando un Oeste sucio, cruel y alejado del romanticismo de las viejas películas. Aquí no hay héroes perfectos, ni duelos elegantes al atardecer. Solo hombres marcados por sus decisiones y un mundo donde cada disparo tiene consecuencias. Por supuesto, repasamos su impresionante dirección, su sobria fotografía, su inolvidable banda sonora y el enorme legado que dejó tras conquistar cuatro premios Óscar, incluyendo Mejor Película y Mejor Director. Junto a Mario, Fer y el Mamado Lidel, nos reunimos para analizar una película imprescindible, llena de grandes interpretaciones, diálogos memorables y momentos que ya forman parte de la historia del cine. Porque algunas leyendas nacen con un disparo. Y otras mueren con él.

Hay westerns que cuentan la leyenda. Y luego está Unforgiven, la película que decidió desmontarla pieza a pieza. Una obra maestra que cuestiona el mito del pistolero, la violencia y la gloria del Oeste con una crudeza y una profundidad pocas veces vistas en el cine. En este programa nos adentramos en una de las grandes cumbres del género, dirigida y protagonizada por Clint Eastwood, quien firma una despedida magistral del western clásico mientras construye una de las historias más humanas, amargas y devastadoras de toda su carrera. Analizamos la figura de William Munny, un antiguo asesino que intenta dejar atrás un pasado lleno de sangre, pero que se ve obligado a empuñar el revólver una última vez. Hablamos de la brillante construcción de sus personajes, de la extraordinaria interpretación de Gene Hackman como el despiadado sheriff Little Bill Daggett, del inolvidable Ned Logan de Morgan Freeman y del papel que desempeña el joven Schofield Kid en esta historia sobre culpa, redención y violencia. También debatimos sobre cómo Sin Perdón desmonta los clichés del western tradicional, mostrando un Oeste sucio, cruel y alejado del romanticismo de las viejas películas. Aquí no hay héroes perfectos, ni duelos elegantes al atardecer. Solo hombres marcados por sus decisiones y un mundo donde cada disparo tiene consecuencias. Por supuesto, repasamos su impresionante dirección, su sobria fotografía, su inolvidable banda sonora y el enorme legado que dejó tras conquistar cuatro premios Óscar, incluyendo Mejor Película y Mejor Director. Junto a Mario, Fer y el Mamado Lidel, nos reunimos para analizar una película imprescindible, llena de grandes interpretaciones, diálogos memorables y momentos que ya forman parte de la historia del cine. Porque algunas leyendas nacen con un disparo. Y otras mueren con él.

189. The Quick and the Dead (1995) Hello Excellent Shootists! CW: plot-relevant mentions of assault, parental deathOn the new episode of HWGW, Celso Garcia rides back into town to share his love of the Western genre, praise VHS as a medium, and discuss how even that blind kid can tell Sharon Stone wants to kill Gene Hackman. Plus: Did you know Kevin Costner could have gone pro? Polish your pistols and shine your spurs, it's The Quick and the Dead (1995)! Questions, comments, requests? Write us at: WriteHWGW@gmail.com

A comical and yet sweet (?) action film that may be too much of a cartoon for its own good. Hackman, Aykroyd, and DeLuise star.DISCLAIMER: LANGUAGE AND SPOILERS!LOOSE CANNONSdir. Bob Clarkstarring: Gene Hackman; Dan Aykroyd; Dom DeLuise

Laura's back in the bubble and we're singing and dancing our way to the stage as we talk about The Birdcage.   Content Warnings For homophobia and homophobic slurs, Gene Hackman's and Diane Wiest's characters say some fairly horrible stuff, sex with a minor, marrying a minor, underage drinking, and Val.    Thanks for listening and keep streaming!   Find, follow, support the pod → https://linktr.ee/mystreamingbubble     Don't forget about Twin It to Win It → https://linktr.ee/twinittowinitpod

In what was his second film as the titular Man of Steel, the late, great Christopher Reeve returns as Kal-El, the Son of Crypton who has now settled in Metropolis under disguise as Clark Kent, a nerdy reporter a The Daily Planet who also pines for his fellow reporter Lois Lane played by the late, great Margot Kidder.  As Superman, he is now doing his part to keep the human inhabitants of Planet Earth safe until.....three Kryptonians come calling lead by the aggrieved General Zod (Terence Stamp) who is seeking revenge against Kal-El after his late father had him imprisoned in the previous film.  Together Zod, Ursa (Sarah Douglas), and Non (Jack O'Halloran) begin to wreak havoc on Earth and frigteningly, NO ONE can stop them as they each have similar powers to Kal-El. :o And what results is an intense battle of ONE vs. THREE....can Superman prevail this time around??  Directed by Richard Lester (A Hard Day's Night) taking over from Richard Donner....sort of, this beloved sequel also features returning cast members Gene Hackman, Jackie Cooper, Valerie Perrine, and Ned Beatty.  KNEEL before ZOD!!!!Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Junk Food Dinner is back... for the 700th time! That's right, this month JFD celebrates it's milestone 700th episode! And what better way to commemorate 700 episodes than with three movies from the 1970's? Alright, two movies from the 70's and one move from the early 80's but feels decidedly 70's. Up first, Francis Ford Coppola directs Gene Hackman as a surveillance specialist who gets caught up in the intrigue of the couple he's spying on in 1974's The Conversation, with appearances from Harrison Ford, Frederic Forrest, Cindy Williams and Teri Garr.Next, a decorated WWII solider comes home to his struggling family farm, but soon gets entangled in a revenge plot at the behest of a wealthy gambler in The Farmer from 1977. And finally, a colorful cast of celebrities, including Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis Jr., Adrienne Barbeau and Jackie Chan (among many others) compete in a cross-country road race where wacky hijinks ensue in Hal Needham's Cannonball Run from 1981.All this plus Sean gets smoked out, news about The Devils returning to theaters uncut this year, R.I.P Damon Zex, tips for buying weed at Subway, a new What We Do in the Shadows movie in the works, A24 goes A.I. and so much more!LISTEN NOW!MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

Take off your shoes and don't forget the shrimp, it's time for The Birdcage! Michelle's June pick is one of her childhood favorites, and we discuss the play and French film that this version is based on, Nathan Lane's Albert as the heart of the film, Gene Hackman's incredibly repressed performance, our complicated feelings towards Val and what still works in the film 30 years later. Also: Everyone wants Robin Williams to be their dad! The wedding nobody wants! Christine Baranski! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

This week on FridayFlix, we're heading to South Beach to revisit one of the funniest and most heartfelt comedies of the 1990s: The Birdcage (1996).Join us as we celebrate the incredible performances of Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest, Hank Azaria, and an unforgettable ensemble cast in this hilarious remake of the French classic La Cage aux Folles. We discuss what makes The Birdcage such a timeless comedy, from its razor-sharp dialogue and unforgettable physical comedy to its surprisingly touching message about family, acceptance, and being true to yourself.We also dive into Nathan Lane's career-defining performance as Albert, Robin Williams' more understated comedic role, and how director Mike Nichols balanced outrageous humor with genuine heart. Plus, we revisit some of the film's most iconic moments—including the "I pierced the toast!" breakfast scene, Agador's scene-stealing entrances, the unforgettable dinner sequence, and the hilarious climax that has become comedy legend.Nearly thirty years after its release, does The Birdcage still hold up? We discuss its legacy, its impact on LGBTQ+ representation in mainstream Hollywood, and why it continues to be regarded as one of the greatest comedy films ever made.Email us your thoughts at jkentertainment247@gmail.com.Follow us on Instagram and Facebook @fridayflixpodcast.And don't forget to follow us on Letterboxd at Cinemack89 and KMcanthony.

In this episode of The Thinking Mind, Dr. Alex is joined by Michael Cohen and Jonathan Kirschner, hosts of That '70s Movie Podcast, to discuss Woody Allen's 1988 film Another Woman, starring Gena Rowlands, Ian Holm, Mia Farrow and Gene Hackman.Another Woman is a quiet but devastating psychological drama about Marion Post, a philosophy professor whose life begins to unravel when she overhears the therapy sessions of a younger pregnant woman. Dr Alex, Michael and Jonathan discuss why the film feels like such an “adult” movie, how it explores introspection, repression, memory, regret and the possibility of change. This is a conversation about cinema, psychology, middle age, missed possibilities, and the strange kind of hope that can come from finally seeing yourself clearly.Check out That '70s Movie Podcast:https://podcasts.apple.com/gb/podcast/that-70s-movie-podcast/id1832034357Interviewed by Dr. Alex Curmi. Dr. Alex is a consultant psychiatrist and a UKCP registered psychotherapist.Check out The Thinking Mind Blog on Substack: https://thinkingmindblog.substack.com/If you would like to invite Alex to speak at your organisation please email alexcurmitherapy@gmail.com with "Speaking Enquiry" in the subject line.If you are interested in working with Alex for focused psychological coaching , you can email - alexcurmitherapy@gmail.com with "Coaching" in the subject line.Give feedback here - thinkingmindpodcast@gmail.com Follow us here: Twitter @thinkingmindpod Instagram @thinkingmindpodcast

We go over the Producer's role on a movie set, how Gene Hackman controlled a scene through his acting, and why a movie like Sorcerer would never be made today.Engage!

Unforgiven directed by Clint Eastwood and starring Clint Eastwood, Gene Hackman and Morgan Freeman. Episode Roundup: Enjoy our latest episode before we return in September! The Cowpunchers endure a more tolerable, and non-romantic, outhouse scene. Mel enjoys the classic western one-liners. Stu feels bad about getting what he wants. Amy learns that murder is wrong!?

The Tim Conway Jr. Show Hour 2 (6.19) Conway kicks off the hour with the one and only Neil Saavedra in studio — now officially “Flaco” after dropping 27 pounds in two weeks following bariatric sleeve surgery. Neil breaks down the new world of sipping, portion control, and eating dime-sized bites while Conway reacts the only way Conway can. Then the crew gets into the average weight of men around the world, Neil accidentally absorbing World Cup fever, and Foosh taking “as the crow flies” way too seriously. From crows flying 20 to 30 miles per hour to measuring distance like a “sparrow fart,” the conversation goes full Conway. Later, the Boyle Heights cold warehouse fire reignites for a third time, while Neil reveals he is building a remote-controlled R2-D2 in his shop. That launches the crew into Star Wars talk, Disney buying Lucasfilm, the massive value of the franchise, C-3PO weight loss goals, Andor confusion, and why Popeyes is actually named after Gene Hackman’s character from The French Connection. The hour wraps with yet another Boyle Heights warehouse flare-up, because apparently this fire has more comebacks than a Star Wars sequel. Neil Saavedra, bariatric sleeve surgery, weight loss, World Cup, as the crow flies, Boyle Heights fire, warehouse fire, R2-D2, Star Wars, C-3PO, Disney Lucasfilm, Popeyes, Gene Hackman, Conway Show, funny podcast See omnystudio.com/listener for privacy information.

In this week's episode, we celebrate queer joy in movies with three hilarious films that are widely considered classics among the LGBTQ community. - We start with a bonafide classic. Robin Williams, Nathan Lane, and Gene Hackman star in the side-splitting Mike Nichols film, The Birdcage. - Second, Natasha Lyonne and Clea Duvall wow audiences in the creative and subversive cult gem, But I'm A Cheerleader.- Finally, our audience voted for another cult favorite in the rom-com/spy thriller D.E.B.S. All of these films offer fresh perspectives on the queer experience and bring a welcome sense of joy to their audience. Have you seen these films? Which is your favorite?❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode of The Art of Costume Podcast, our hosts head to South Beach to celebrate the 30th anniversary of The Birdcage. From Albert's dazzling life as Starina and Armand's effortlessly chic nightclub-owner style to the unforgettable fashions of the Birdcage performers, every costume is larger than life. Along the way, we celebrate the iconic work of costume designer Ann Roth, Spencer goes on and on about Christine Baranski, and yes, we absolutely have to talk about Gene Hackman in drag.So pour yourself a pirin tablet and join us for a joyful celebration of one of cinema's most beloved comedies.

In this episode of The Art of Costume Podcast, our hosts head to South Beach to celebrate the 30th anniversary of The Birdcage. From Albert's dazzling life as Starina and Armand's effortlessly chic nightclub-owner style to the unforgettable fashions of the Birdcage performers, every costume is larger than life. Along the way, we celebrate the iconic work of costume designer Ann Roth, Spencer goes on and on about Christine Baranski, and yes, we absolutely have to talk about Gene Hackman in drag.So pour yourself a pirin tablet and join us for a joyful celebration of one of cinema's most beloved comedies.

Pride Month keeps the celebration moving on We Drink & We Watch Things as we transition from the quiet, burning embers of 18th-century France to the bright, neon-soaked drag capital of South Beach. For our "G" selection in the lineup, we are throwing it back to 1996 for Mike Nichols and Elaine May's sublime masterclass in comedic farce: The Birdcage. Mix yourself something wonderfully refreshing - perhaps Lemar's "Straight" Bourbon - and get ready for a family dinner where absolutely nothing goes according to plan.This week, we celebrate the legendary chemistry between Robin Williams and Nathan Lane, looking at how Williams plays the perfect, anchored straight man (pun intended) to Lane's fiercely dramatic, Barbara Bush-redefining Albert. We bask in the glorious, scene-stealing supporting work of Hank Azaria as the perpetually barefoot Agador Spartacus and Gene Hackman as the ultra-conservative Senator Keeley, who unwittingly ends up in the drag escape of a lifetime. We also break down the film's incredible heart, discussing how beneath the chaotic Martha Graham choreography, the "eco-friendly" naked-boy pottery, and the frantic attempts to pass as straight, it is a deeply moving portrait of unconditional love and a radical defense of queer families.If you can instantly recite the difference between a John Wayne walk and a regular walk, or if you just want to hear us gush about the comedic genius of an Elaine May screenplay, this episode is pure joy. We're blending our adoration for this comfort-movie masterpiece with our usual casual banter, proving that when the world gets crazy, sometimes you just have to give 'em a little bit of Fosse, Fosse, Fosse!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Actor Steve Guttenberg? #131 LIFE IN FILM PodcastBack in the 1980s, our guest tied with Gene Hackman as the decade's most prolific actor. With a run of box office hits including Police Academy, Cocoon, Short Circuit and 1987's biggest hit, Three Men and a Baby, he became one of Hollywood's defining stars and later earned his place on the Hollywood Walk of Fame.We talk about the wild excess of 1980s Hollywood, making Three Men and a Baby without a finished script, why staying “cool” matters in show business, and why, despite decades of success, he still feels like he hasn't fully cracked it yet.Credits Include Three Men and a Baby / Police Academy -1,2,3,4 / Cocoon- 1,2 / Short Circuit / Diner / The Boy From Brazil / Three Men and a Baby / The Goldbergs / Bigger / Ballers / Sharknado 4 / Lavalantula / Casper: A Spirited Beginning / Zeus and Roxanne / It Takes Two / Home for the Holidays / The Big Green / High Spirits / Surrender / The Bedroom Window / The Day After ...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our Sponsors MoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------Thank you to our guest Steve & to Sean at Katz PR.As always thank you to our sponsors Betterhelp & MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!

Close Encounters of the Third Kind came out in December 1977, made $116 million in the US alone, and lost the box office crown for that year to exactly one movie: Star Wars. Not a bad second place.Josh, Garrett, and David kick off Spielberg in Space Month with Spielberg's pre-E.T. love letter to alien optimism. They get into why Richard Dreyfus was the right guy for a role Steve McQueen, Al Pacino, and Gene Hackman all passed on, why the mashed potatoes scene is actually the emotional center of the whole thing, and what it means that this is basically the only alien movie where nobody tries to blow anything up. All three hosts land at four and a half stars. Josh finally wins the Letterboxd guessing game. David's son watched the aliens and said they looked like naked five-year-olds.So Many Sequels is your book club for movies. Follow along at somanysequels.com and @somanysequelspod on Instagram.

No pod gets left behind! Today, we're talking all about Yugoslavia in the 90s and the Yugoslav Wars, as well as the rescue of an American pilot, that's right we're covering Behind Enemy Lines! This movie stars Owen Wilson, Gene Hackman, and was directed by John Moore. Come join us as we go behind enemy lines! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on ApplePodcasts. It helps potential sponsors find the show! Check out The Wholly Roast use promo code RHP26 or Rhist26 Sign up for @Riversidefm: https://www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: https://betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #behindenemylines #american #americanhistory #yugoslavia #josiptito #bosnia #serbia #kosovo #owenwilson #navy #airforce #warfare #war #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com |  info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com |  info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Gere, Gene Hackman, and Denzel Washington? In a Sidney Lumet film? How could a movie like this be all but forgotten these days? I dig into it with filmmaker Rodney Ascher (back for his third episode) in this lengthy and very nerdy conversation full of digressions and Lumet sidebars. Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc.  Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.  

RMR 0364: Special Guest, Michelle Devorah Kahn, joins your hosts, Chad Robinson and Dustin Melbardis for the Retro Movie Roundtable as they revisit The Bonnie and Clyde (1967) [R] Genre: Crime, Action, Biography, Tragedy, Drama   Starring: Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder   Directed by: Arthur Penn Recorded on 2026-03-25

Hosts Josh and Jamie and special guest writer-director Alex Russell (LURKER, THE BEAR, BEEF) discuss 90s revisionist westerns co-starring a villainous Gene Hackman with a double feature of Clint Eastwood's iconic, Oscar-winning and deeply weary/melancholy funeral for the genre UNFORGIVEN (1992) + Sam Raimi's playfully manic cartoon of the same archetypes and iconography in THE QUICK AND THE DEAD (1995). Next week's episode is a patron-exclusive bonus episode on ONLY ANGELS HAVE WINGS (1939) + THE EMPIRE STRIKES BACK (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:09 UNFORGIVEN // 12:09-1:18:02 QUICK AND THE DEAD // 1:18:02-2:16:30 Outro // 2:16:30-2:21:16 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Sarah and Susie are disturbed by the Hantavirus outbreak on the cruise, and we reminisce about our introduction to the virus thanks to Susie's (unofficial) work on the Gene Hackman investigation. Sarah learned about a collaboration between Prego pasta sauce (??) and Story Corps that will allow you to record family conversations to preserve oral traditions, but we think these people clearly do not know what most family's conversations are actually like. Sarah is working on the Amelia Earhart cold case, and some people now think she landed and made distress calls for days after the plane went missing. She also talks about the Should I Marry a Murderer documentary about a pathologist whose partner confesses to murder, and she faces adversity and mental health issues trying to do the right thing with the information.00:00 - From Pop Songs to WNBA Sports Knowledge06:06 - Floating Toilets & Rodent Poop on Cruises15:43 - Recording Family Dinners with Prego & Story Corps30:18 - Unraveling Amelia Earhart's Fate & Murder Mysteries40:35 - Dresser Drawers, Patriarchy, and Kentucky Derby History49:53 - Should Al Help Us Talk to Animals? Plus Outro.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:For a limited time, get 30% off your order when you head to https://boxiecat.com/braincandy and use code BRAINCANDYSave 20% Off Honeylove by going to https://www.honeylove.com/braincandy #honeylovepodDownload HILY Dating App from the App Store or Google Play, or visit https://hily.go.link/4iJ1l TDM-RESERVATION: 1. NOAI: TRUE. LEGAL NOTICE & TERMS OF USE: © 2026 WAVE Podcast Network. This content is for personal use only. Explicit permission is withheld for any and all commercial attribution, automated transcription, or data-mining entities. Use of this feed by unauthorized tracking, analytics, or AI-training platforms constitutes a breach of these terms and a violation of the Pennsylvania Wiretapping and Electronic Surveillance Control Act (WESCA), the California Invasion of Privacy Act (CIPA), and the 2026 Training Data Transparency Act (AB 2013). Any entity bypassing these restrictions to create derivative text-based works (transcripts), metadata analysis, or unauthorized VAST siphoning hereby accepts our standard commercial licensing rate of $5,000 per episode processed. This notice serves as a formal revocation of all "implied licenses" for multi-jurisdictional automated processing and constitutes protected Copyright Management Information (CMI) under 17 U.S.C. § 1202.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

Dr. Eric Feigl-Ding explains that the WHO head tells countries to prepare for more hantavirus cases. Louisiana's Governor Just Tossed 45,000 Votes in the Trash. Why Did Trump Kill Sewage Help for Black Families? Crazy Alert! Has Jesse Watters Finally Lost His Grip on Reality - claiming women are born bad? Plus, the Pentagon Readies Sledgehammer to Pound Iran Again. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A cruise ship, a rare virus, and three dead passengers. It is the headline that has put us all on edge, but how worried should we be about hantavirus? In this episode of The Quicky, we speak with CSIRO Principal Research Scientist Professor Glenn Marsh to find out how this rodent-borne illness spreads, why a specific South American strain has experts concerned and whether Australia is prepared for a potential outbreak.

Frank is flying solo for the first hour and dragging Mike Baldwin into the second, and the whole show feels like a Friday because tomorrow is somebody else's problem. He opens on the freshly unsealed Jeffrey Epstein "suicide note," which reads like it was ghostwritten by James Brown, then walks through the timeline that nobody seems willing to explain: the prior strangulation attempt, the missing count slips, the 38 minute head start on 4chan, and the unsigned trip van. From there it's Spencer Pratt running for LA mayor, AOC's knitting circle podcast declaring billionaires literally cannot exist, and the supposed "final boss of wokeness" Met Gala model. Then comes the heart of the show: Frankleyville. If we bought a ghost town and built our own M. Night Shyamalan village, what would you put in it? Callers weigh in. The hantavirus cruise ship gets the X-Files treatment, complete with a 1998 Martin Landau monologue, a 1992 Army patent, and Gene Hackman's wife. A time traveler from 2050 calls in to confirm God wins. Mike Baldwin closes things out with a brand new baby on the way.

In Kim on a Whim, Kim St. Onge and Marc Cox unload on growing media hysteria surrounding hantavirus after viral videos promoted constant mask-wearing and respirator use over fears tied to rat-borne illness outbreaks. Kim mocks a blue-haired TikTok creator advocating N95 masks with built-in “sip valves” while warning listeners not to fall for what she sees as another fear-driven public health narrative reminiscent of COVID-era panic. The segment breaks down reports tied to cruise ship cases and the death investigation involving Gene Hackman's wife, while emphasizing that hantavirus infections remain extremely rare despite alarming headlines about “Level 3 emergency responses.” Marc and Kim criticize media outlets for sensationalizing isolated cases, joke about figures like Sam Page and Anthony Fauci reviving lockdown-style messaging, and argue the public is being manipulated into paranoia despite the World Health Organization describing overall risk as low. The segment closes with Marc ridiculing individuals still masking alone outdoors years after the pandemic and comparing long-term mask devotees to isolated WWII soldiers who never realized the war had ended. Hashtags: #KimOnAWhim #Hantavirus #COVID19 #Masks #MediaPanic #WHO #AnthonyFauci #SamPage #GeneHackman #PublicHealth #TikTok #N95 #FearCampaign #MarkCoxMorningShow

Tom Cruise, Gene Hackman, Jeanne Tripplehorn, Wilford Brimley, Holly Hunter, Ed Harris and many more - what a cast. A young Law School Graduate seeks his first job, and joins "The Firm" to begin his career, but it doesn't go as planned. This is a mid 90's classic that should be on everyone's list, so find it on Fetch and watch on your Hisense TV today!

Oscar-nominated actor Gary Busey has been in over 150 movies, working alongside everyone from Barbra Streisand to Steven Seagal. On a recent visit to LA, Gilbert sat down with Gary to talk about his near-death experience, his character “process” and channeling the spirit of Buddy Holly. Also, Gary hosts “Saturday Night Live,” spoons Mel Gibson, jams with Rick Danko and praises Gene Hackman. PLUS: Jack Elam! Jan-Michael Vincent! Rod Steiger eats a sandwich! And Gary tells Gilbert the meaning of life! Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

It has been in the news twice recently with the death of actor Gene Hackman's wife and the MV Hondius cruise ship outbreak. PJ finds out more about it from Blackpool's Dr John Sheehan Hosted on Acast. See acast.com/privacy for more information.

This year marks the 25th Anniversary of many amazing films from the year 2001. In this episode, we go back in time to revisit some of our favorite episodes and discuss the ensemble casts from 2001. - We start by revisiting our episode in which we honored the late, great David Lynch. We explored the mind-bending, pulse-pounding thriller Mulholland Drive. - Second, we explored the early work of Wes Anderson in The Royal Tenenbaums, which features an all-star cast including Gene Hackman, Angelica Houston, Owen Wilson, Luke Wilson, Danny Glover, Gwenyth Paltrow, Ben Stiller, and Bill Murray. - We can't discuss great ensemble casts without honoring the work of Robert Altman. His 2001 film Gosford Park was his last - and he went out with another modern classic. Have you seen these films? What'd you think? What are some of your favorite ensemble casts? ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Today's Headlines: The ceasefire is officially dead — Iran fired on multiple ships in the Strait of Hormuz after Trump said escorting vessels through the strait would be totally chill and Iran said that would be a ceasefire violation, and then Iran fired anyway. The UAE is also reporting missile attacks on a fuel facility and ships off its coast. Trump responded by holding remarks at the White House where he bragged about the economy, called it a "mini war," and mentioned he scored well on a cognitive test — so there's that. In slightly better but don't-get-excited news, the Supreme Court issued a one-week temporary order restoring mail access to mifepristone while they figure out what they actually want to do, which is great for approximately the next seven days. On the redistricting front, House Minority Leader Hakeem Jeffries is dispatching a congressman to Albany to work on a new New York map, though realistically nothing gets implemented before 2027. There was also a shooting near the Washington Monument shortly after JD Vance's motorcade passed through — Secret Service exchanged gunfire with an armed man, a nearby child was hit and is reportedly okay, and the White House went into lockdown briefly while everyone figured out what was happening. Meanwhile, Trump is apparently offering Senator John Fetterman a financial windfall plus a full endorsement if he switches parties, which Fetterman publicly says is a hard no — though privately, per Politico, he's being a little less emphatic about it. In trial news: Blake Lively and Justin Baldoni settled their lawsuit hours before she walked the Met Gala red carpet, terms undisclosed; UK police are working to bring a suspect in the 2007 Madeleine McCann disappearance to trial, complicated by Germany's extradition laws; and a judge denied Sam Bankman-Fried's request for a new trial, calling his claims baseless, so he's staying in prison for 25 years unless he somehow charms his way into a Trump arrangement. And finally, three people on a cruise ship have died from what WHO believes is a hantavirus infection — the same illness that killed Gene Hackman — with at least three more confirmed cases and five suspected, because apparently we needed one more thing to worry about. Resources/Articles mentioned: NBC News: Trump says U.S. will begin guiding ships through Strait of Hormuz Axios: US, Iran exchange fire in strait as Trump attempts to open shipping lane Axios: Iran ceasefire in peril as UAE says it's under attack WaPo: Supreme Court restores access to abortion pill by mail for now The Hill: Jeffries leads redistricting effort in New York WaPo: Gunfire between Secret Service and armed person briefly locks down White House Politico: Inside the Quiet Republican Effort to Flip Fetterman THR: It Finally Ends: Blake Lively, Justin Baldoni Settle Lawsuit Ahead of Trial Telegraph: Met seeks UK trial for Madeleine McCann suspect ABC News: Judge denies Sam Bankman-Fried new trial after financial fraud conviction WSJ: Health Officials Work to Contain Hantavirus Outbreak on Cruise Ship Subscribe to the Betches News Room and join the Morning Announcements group chat. Go to: betchesnews.substack.com Morning Announcements is produced by Sami Sage and edited by Grace Hernandez-Johnson Learn more about your ad choices. Visit megaphone.fm/adchoices

DARE DEVIL DISCIPLES - 05.04.2026 - #937 BestPodcastintheMetaverse.com Canary Cry News Talk #937 - 05.04.2026 - Recorded Live to 1s and 0s Deconstructing World Events from a Biblical Worldview Declaring Jesus as Lord amidst the Fifth Generation War! CageRattlerCoffee.com SD/TC email Ike for discount https://CanaryCry.Support   Send address and shirt size updates to canarycrysupplydrop@gmail.com Join the Canary Cry Roundtable This Episode was Produced By:   Executive Producers   Sir LX Protocol Baron of the Berrean Protocol***   Producers of TREASURE (CanaryCry.Support) Julie S, Rebecca T, Guy L, Cage Rattler Coffee   Producers of TIME Timestampers: Jade Bouncerson, Morgan E Clankoniphius Links: JAM   SIR IKE MEGA BOX GIVEAWAY - Rating/Review, screenshot, send to Sir Ike CanaryCrySupplyDrop@gmail.com   MAY 4th Department of War CTO account is proud of lasers on May 4th (X)   BIBLICAL Clip: Team of "Christian dwarfs" raid Scientology speed run, "where is Xenu?"  Raiding building in Hollywood, Silly mininions stunt  → Dare Market given Cease and desist by Church of Scientology → Jesus Raids Scientology trend Dare: pretend top be possessed in church   EXECUTIVE PRODUCERS   TUCKER/TRUMP Clip: Tucker says there is supernatural component to Trump Clip: Tucker confronted with Trump being the Antichrist Clip: Tucker "I don't know" who are against JD Vance, but they are traitorous   PENDEMIC SPECIAL/WACCINE Three cruise ship passengers dead, others ill after suspected hantavirus outbreak (CNN) → Final autopsy results on Gene Hackman and his wife, Betsy Arakawa, reveal complex health issues (Guardian/2025) Clip: Content creator stuck on cruise Clip: Director of the WHO Centre on global health law, Larry Gostin on Hantavirus → 2024 phase 1 of needle free DNA vaccine for Hantavirus in development (Nature.com)   AI Dawkins Meets the AI (Medium) Dawkins about Ai consciousness (unherd)   PRODUCERS END

Welcome to the Video Store Podcast.As the 1960s rolled into the 1970s, something changed in Hollywood. Movies got bigger. Louder. More chaotic. And sometimes… they were a total disaster, in the best way possible.These were practical, physical, dangerous productions, massive sets, real stunts, and ensemble casts packed with stars who weren't guaranteed to make it to the end.The disaster movie wasn't born in the '70s but it peaked there. Airplanes in crisis, cities collapsing, ships overturning, skyscrapers burning. This week, my picks come from the golden age of disaster movies as we look at four of my favorite disaster movies that still hold up, and that showcase exactly why the 1970s did the disaster movies better than anyone else ever has.Airport (1970)Set over one snowbound night at a busy Chicago airport, Airport weaves together multiple storylines, an overworked airport manager, a conflicted pilot, strained relationships, and a desperate man with a dangerous plan. The tension builds gradually, before the larger stakes take hold.What makes Airport work so well is it's scale. Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg, Helen Hayes, the cast is stacked with faces you may not know by name, but absolutely recognize. The movie treats its ensemble seriously, letting each storyline unfold without feeling forced.It was a massive hit, one of the earliest true “blockbusters,” and set the template the entire decade would follow: big casts, grounded storytelling, and high-stakes tension. Earthquake (1974)Earthquake promised exactly what it delivered: the complete destruction of Los Angeles.Centered in Los Angeles, the film introduces a wide range of characters, before unleashing a catastrophic quake that tears the city apart. Once it hits, the movie becomes pure spectacle: collapsing buildings, massive destruction, and survival stories unfolding in real time.At the center is Charlton Heston, bringing his signature intensity to a man caught between personal turmoil and unfolding disaster. Around him is a deep ensemble cast, including familiar faces like George Kennedy, Lorne Green and Ava Gardner.Earthquake was create as an event, not just it a movie, it was a physical experience. The filmmakers pioneered the shaker mount camera system to simulate realistic movement, and introduced Sensurround, blasting sub-audible bass through giant speakers so powerful they made seats (and sometimes ceiling tiles) vibrate.The stunt work is amazing: real falls, real debris, real crashes. In the midst of all the destruction, the personal stories carry real weight, making the survival (or loss) of characters more emotional than expected. It's pure disaster chaos.The Poseidon Adventure (1972)Set aboard a luxury ocean liner on New Year's Eve, the movie quickly turns into a survival story when a rogue wave capsizes the ship. The survivors must navigate an upside-down world, climbing their way through the wreckage in hopes of escape.Led by Gene Hackman as a determined and unconventional preacher, the movie leans heavily into character dynamics. Hackman, Ernest Borgnine, Shelley Winters, Jack Albertson, it's another stacked cast, but no one is safe simply because they're famous. Relationships evolve, tensions flare, and every character has a purpose. The writing gives each person a distinct arc, making the journey feel and survival feel important. Add in a powerful score by John Williams, and you get one of the best disaster movies ever made.The Towering Inferno (1974)Set in the world's tallest skyscraper during its grand opening, The Towering Inferno follows what happens when overlooked safety shortcuts turn into a full-scale catastrophe. The film is powered by two Hollywood titans: Steve McQueen and Paul Newman. Their dynamicm, one a no-nonsense fire chief, the other the building's architect, gives the film a strong emotional core amid the chaos.The practical effects and stunt work are relentless: real fire, real smoke, real danger. You can feel the heat.It's also one of the best examples of the genre's ensemble storytelling—multiple perspectives, intersecting arcs, and constant tension. And once again, John Williams' score gives you a movie that is epic and intense.These movies hold up today because of the disaster but also the story telling.They take their time. They let you meet the characters, understand their relationships, and invest in their outcomes. So when disaster strikes, it actually matters. And there's no guarantee of survival, not even for the biggest stars.Long before the term “blockbuster” became standard (thanks to Jaws), these films were already defining what that meant.No matter which of these you choose, you're guaranteed a movie night that's anything but a disaster.Until next time — be kind, rewind.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Veteran character actor James Karen appeared in over 80 movies, more than 100 television shows and a staggering 5,000 TV commercials. In a career spanning nearly 7 decades (!), he's worked with Frederic March, Lauren Bacall, Gene Hackman, Steven Spielberg, Jane Fonda, Robert Redford and Will Smith, to name a few. Gilbert and Frank phoned James to cover a wide range of topics, including his film debut in the immortal “Frankenstein Meets the Space Monster,” his years-long friendship with the legendary Buster Keaton and his experience sharing a townhouse with Marlon Brando, Wally Cox and Maureen Stapleton. Also, James “sells” Craig T. Nelson a haunted house, a Boy Scout uniform leads to an acting career and a controversial “Jeffersons” episode nearly torpedoes a TV pitchman gig. PLUS: James parties with Clark Gable! Gilbert gets a one-cent residual check! Moe Howard recites from “The Tempest”! And James teaches a teenaged Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices

RMR 0363: Special Guest, Matt Williams of the Original Geek Podcast, joins your hosts, Bryan Frye and Chad Robinson for the Retro Movie Roundtable as they revisit The Crimson Tide (1995) [R] Genre: Action, Drama, Thriller, War, Military   Starring: Denzel Washington, Gene Hackman, Matt Craven, George Dzundza, Viggo Mortensen, James Gandolfini, Rocky Carroll, Jaime Gomez, Michael Milhoan, Scott Burkholder, Danny Nucci, Lillo Brancato, Eric Bruskotter, Ricky Schroder, Steve Zahn, Marcello Thedford, R.J. Knoll   Directed by: Tony Scott Recorded on 2026-03-18

Mex claims Gene Hackman is the Dark Horse. The Artist takes advice from a pirate and remembers getting into some pinball adventures with Tommy. The Kid thinks Marilyn Monroe can heal you. Your Huckleberry reminisces about Tommy's mom's under thigh.

Movie of the Year: 1971Dirty Harry (feat. Conor Kilpatrick from iFanboy!)The Dirty Harry podcast arrives this week on Movie of the Year: 1971, as the Taste Buds take on one of the most influential and contested crime films ever made. Don Siegel's thriller introduced the world to Inspector Harry Callahan — a San Francisco cop who operates on instinct, fury, and a very large handgun. Moreover, the film sparked a debate about justice, civil liberties, and the price of order that has never fully quieted. The Taste Buds are joined by Conor Kilpatrick of iFanboy for this Don Siegel Dirty Harry analysis, and they also cover 1971 ProStars and a special segment on the year in comic books.Episode Show Notes: What We CoverThis Dirty Harry 1971 film discussion covers a lot of ground. Below is a summary of the key talking points from the episode — a roadmap for listeners and a reference for anyone who wants to dig deeper after the fact.On Harry Callahan as a character: The panel opens by asking whether Harry is actually a hero or whether the film simply frames him as one. Conor argues that Eastwood's performance is so controlled and interior that the audience does the work of making Harry sympathetic — the film barely has to try. Ryan pushes back: Harry's righteousness is earned on screen because he is always right in his read of a situation, even when he is wrong in his methods. Mike lands somewhere in between, pointing out that Harry's body count by the end of the first film is genuinely troubling if you stop and count.On politics and the law: The Taste Buds spend significant time on Pauline Kael's famous "fascist" critique and whether it holds up. The consensus is that the film is more ambiguous than Kael allowed — but that the ambiguity is doing real work, and not always in a reassuring direction. The legal system in Dirty Harry is not just flawed; it is portrayed as an active obstacle to justice. That framing has consequences.On San Francisco: The panel discusses how Don Siegel uses the city as a visual argument — the geography of the chase scenes, the specific choice of Kezar Stadium as a set piece, and what it means to set this particular story in the city that had been the symbolic capital of American idealism just four years earlier.On 1971 in comics: Conor breaks down the Marvel vs. DC landscape of the year, the significance of the Spider-Man drug arc, and why Jack Kirby's Fourth World still does not get the mainstream recognition it deserves. Additionally, he and the Taste Buds find real thematic overlap between the comics and the film: both are grappling with institutions that have failed and individuals who step into the void.About the FilmDirty Harry (1971) was directed by Don Siegel and stars Clint Eastwood as Inspector Harry Callahan of the San Francisco Police Department. The film follows Callahan as he hunts the Scorpio Killer — a sadistic serial murderer loosely inspired by the real-life Zodiac Killer — while clashing repeatedly with a city bureaucracy unwilling to bend the rules. Harry has no such hesitation. Andrew Robinson plays Scorpio with chilling, unhinged intensity. The film's cat-and-mouse structure keeps the tension taut from its rooftop opening shot through its iconic waterfront finale.Furthermore, Dirty Harry arrived at a fraught cultural moment. Crime rates in major American cities were rising sharply. Public trust in government and police was eroding. Consequently, the film's portrait of a cop who gets results by any means necessary struck a powerful nerve. For more context alongside this Dirty Harry podcast, explore the full production history on the film's IMDb page.Produced by Warner Bros. and Malpaso Productions, the film features a propulsive score by Lalo Schifrin. Dirty Harry launched a five-film franchise and cemented Clint Eastwood as one of cinema's defining icons of controlled menace. It remains among the most debated American films of its era — a movie that means different things depending entirely on who is watching it. Listeners who enjoy this Dirty Harry podcast episode might also want to revisit our discussion of The French Connection, another 1971 film that wrestles with law enforcement, moral ambiguity, and the limits of the justice system.Guest Panelist: Conor Kilpatrick of iFanboyJoining the Taste Buds this week is Conor Kilpatrick, co-founder and longtime host at iFanboy — one of the most enduring comics media platforms on the internet. Conor co-founded iFanboy around 2000 alongside Josh Flanagan and Ron Richards, originally as a college email chain where friends traded weekly comic reviews. That chain became a website, then a podcast, then a 25-year institution in the comics world. Known as the "DC Guy" of iFanboy, Conor has spent decades explaining infinite Earths, multiple reboots, and the craft of visual storytelling with genuine enthusiasm and expertise. He brings that same depth of knowledge to the Dirty Harry podcast discussion this week.He is also the co-host of the Goodfellas Minute podcast and a co-founder of Great Northern Media. Moreover, his deep knowledge of 1971 comics makes him the ideal guest for this episode's special segment. His perspective on the cultural landscape of 1971 — what was happening in comics while Dirty Harry was in theaters — adds a dimension to this Dirty Harry 1971 film discussion that no other guest could bring. Welcome to Movie of the Year, Conor.Harry Callahan: The Dirty Harry Podcast's Central DebateHarry Callahan is one of American cinema's most complicated figures. On the surface, he is a blunt instrument — a man who solves problems with a .44 Magnum and withering silence. However, Siegel and Eastwood invest him with something far more ambiguous. Harry is genuinely competent, even brilliant, at what he does. The tragedy is that the system he serves refuses to reward competence over politics.Eastwood's performance is famously economical. He does not grandstand or seek sympathy. Notably, that restraint is precisely what makes Harry magnetic — audiences fill in the emotional gaps themselves, projecting onto a man who reveals almost nothing voluntarily. The Taste Buds discuss whether Harry reads as a hero, an antihero, or something the film itself cannot quite name. For contrast, consider how Gene Hackman's Popeye Doyle in The French Connection presents a similarly brutal cop — but one the film regards with considerably more irony.The "Do you feel lucky, punk?" monologue is among the most quoted speeches in 1970s cinema. Nevertheless, it is more than a catchphrase. It is a masterclass in character — Harry performing certainty he may not entirely feel, using psychology as a weapon when firepower is temporarily unavailable. Above all, it reveals a man who understands power in all its forms and deploys it with surgical precision.Politics, Justice, and the Law: A Don Siegel Dirty Harry AnalysisFew films from 1971 generated more critical controversy than Dirty Harry. Pauline Kael famously called it a fascist work of art in her widely-discussed review. Others defended it as a frank reckoning with a legal system too broken to protect its own citizens. Consequently, the film sits at the center of a political argument that has never fully resolved itself.The film's central tension is not, ultimately, between Harry and Scorpio. It is between Harry and the law itself. Time and again the legal system fails — releasing Scorpio on procedural grounds, blocking the investigation, prioritizing process over lives. Harry's response is to act outside those constraints entirely. Moreover, the film frames him as righteous for doing so, and that is precisely what troubled critics at the time.However, the Taste Buds push on this carefully. Does Dirty Harry endorse vigilantism, or does it simply portray it with unflinching honesty? The ending — Harry throwing his badge into the water — complicates any easy reading. Therefore, rather than celebrating his methods without reservation, the film may ultimately acknowledge that Harry's approach destroys him even as it saves others. This Don Siegel Dirty Harry analysis explores that tension without settling for easy answers. Listeners interested in how 1971 cinema handled political disillusionment should also visit our episode on A Clockwork Orange, which confronts similar questions from a radically different angle.San Francisco: A City in the WestSan Francisco is not merely a backdrop in Dirty Harry. It is a character. Don Siegel shoots the city with documentary precision — rooftops, construction sites, Kezar Stadium, winding streets, and the cold grey of the bay. As a result, San Francisco's geography becomes an extension of the film's moral landscape: beautiful, treacherous, and full of places the law cannot easily reach.The city of 1971 was in deep transition. The Summer of...

This episode was paid for by special bean the indignant eel via the Pick the Flick tier on our patreon. They picked it and we flicked it! Thanks, eel! This episode covers the 1969 Robert Redford and Gene Hackman skiing movie. Though, it's mostly about boning. Features: Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store

This week, Alex talks with Beck and Zac about a formative pair of BMWs in Zac's neighborhood growing up; a snowballed BMW project threatening to be come a full avalanche; a very quick turnaround; a curious Bay Area car-buying ploy; Alex's odd but steadfast list of cheap childhood cars he'd buy if only he could find them; (misplaced?) nostalgia for late-1980s Ford performance cars and keyless entry code buttons; and attainable transaxle Porsches.The team goes on to describe a brief history of the Toyota celebrity support race at the Long Beach Grand Prix; impressive feats from a 190E  2.3 16-valve; Gene Hackman's side gig; Tommy Kendall, an all-around decent guy; a good color change; an interesting museum collection sale; and current watchlist favorites punctuated with Porsche whale-tale nerdiness and shame.Mentioned in this episode:1:30  S52-Powered 1988 BMW M36:25  Pristine 69k-Mile 1990 BMW M315:16  4,700-Mile 1988 Ford Thunderbird Turbo Coupe15:52 19k-Mile 1989 Ford Taurus SHO17:42  37k-Mile 1988 Alfa Romeo Milano Verde17:56  1988 Alfa Romeo Milano Verde21:24  Mercedes-Benz C230 Kompressor Sport Coupes on BaT24:11  2000-2006 Toyota Celicas on BaT30:57  Mini R53 Cooper S Model Page36:27  IMSA, NASCAR, RX-7s, and Land Yachts with Tommy Kendall37:34  49k-Mile 1992 Ford Taurus SHO38:20  Original-Owner 1979 BMW M138:43  Ex–Stu Hayner 1989 Chevrolet Corvette Challenge Race Car38:54  The Gilmore Car Museum Collection, Offered at No Reserve39:17 Gilmore_Cars user page40:13  1993 Geo Tracker LSi 4×4 5-Speed w/Camso Track System40:55  1964 Ford Galaxie 500XL Fastback R-Code 427 4-Speed41:21  Euro 1986 Ferrari 328 GTB42:01 2023 Hennessey Venom F5 Roadster43:38  1968 Mazda Cosmo Series II43:42  1990 Lamborghini LM002 LM/American45:23 RoW 1974 Porsche 911 Carrera 2.7 MFI Coupe46:58  Whale Tales: A Visual Guide to the Evolution of Porsche 911 Spoilers47:26  Dual-Quad 350–Powered 1956 Chevrolet Bel Air 2-Door Hardtop Coupe47:37  MSCLASSICCARSLLC user page47:46 Bill Goldberg's Twin-Plug 1992 Porsche 911 Turbo49:55  RoW 1977 Porsche 911 Carrera 3.0 Coupe51:26  1975 Porsche 911 CarreraGot suggestions for our next guest from the BaT community, One Year Garage episode, or (B)aT the Movies subject? Let us know in the comments below!

At Cinemavino, we're saddened by passing of Robert Duvall. He's a legend and icon, with an incredible filmography. For this episode, we watch an underrated western from the 90s. Geronimo features an all-star cast, including Wes Studi as the title character, along with Gene Hackman, Robert Duvall, Jason Patric, and Matt Damon in his starring debut. We have a lively discussion, while also touching on the performances of both Hackman and Duvall.

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

AITA: For not giving someone my cart at Aldi's, DIRT ALERT: Gene Hackman estate update, an appreciation moment for "The Birdcage," and Jason's upcoming junket trip to Beverly HillsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.