Podcasts about searchers

Ten years ago, 2015 was the year of the epic Western. Two films, Alejandro Iñárritu's The Revenant and Quentin Tarantino's The Hateful Eight, clocked in at an average length of 170 minutes and scored a combined 15 Academy Award nominations, winning 4 between them. As a pair, the two films brought in nearly $700 million at the box office. Along with John Maclean's Sundance darling Slow West, the year marked a return to prominence of the western genre, foreshadowing the next decade's breakout hits like Taylor Sheridan's Yellowstone and Hell or High Water, and Martin Scorsese's Killers of the Flower Moon. Slipping somewhat under the radar in 2015 was the directorial debut of S. Craig Zahler, a prolific author and screenwriter with a penchant for wit, grit, and gore. Zahler cast Kurt Russell, Patrick Wilson, Matthew Fox, and Richard Jenkins in a Western akin to John Ford's The Searchers by way of Wes Craven's The Hills Have Eyes. When townsfolk are kidnapped by a clan of troglodyte cannibals, four men - the sheriff, a cowboy, a gunslinger, and the back-up deputy - ride out as a posse to rescue them. The indie film quickly earned praise for its direction, dialogue, and disturbing imagery, and has built a cult following in the decade hence. But is our posse of hosts in agreement on how Bone Tomahawk lands? Or will we, too, be split down the middle?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com  Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

  Episode 152 Danielle Houchins Part 1 of 2 In 1996, Danielle “Danni” Houchins was an outdoorsy 15 year old growing up in Belgrade MT. The new driver went for a solo hike at her favorite recreation area outside town, the West Cameron Bridge fishing access site, on a fall Saturday.  She did not come home. Searchers found her body face down in inches of swampy water.  The ME, coroner and sheriff ruled her death a drowning.  But the manner of death was labeled undetermined… even though injuries to Danni's person, and forensic evidence, said otherwise.  And thus began the nearly 30 year quest for justice for Danni.  Thanks to a committed new sheriff, a dogged old-school investigator, Danni's family, and the miracles of modern science, the beloved teen finally got the recognition she deserved, and a form of justice that everyone could live with – except her killer. This is the last regular episode of DNA: ID before the show goes on summer hiatus, with a crossover episode dropping on June 30th.  We'll be back in late August with all new episodes!   To listen to every episode of DNA: ID ad-free and get other benefits, simply  visit our channel page on Apple Podcasts to get started with an AbJack Insider subscription. Of course, you can also support DNA: ID with a Patreon subscription. Follow us on these social media outlets: Facebook - X FormerlyTwitter - Blue Sky - Tik Tok - Twitch - Youtube - Instagram Find all of our links in one spot at our Linktree:  linktr.ee/dnaidpodcast For all things DNA: ID, visit the show's homepage Visit this link to buy DNA ID Merch

AP correspondent Jennifer King reports on a fatal rockslide near Canada's Icefields Parkway.

Ben and Chris come back around to Japanese cinema with a review of Nobuhiko Obayashi's 1989 film, Beijing Watermelon. While made considering Japan's and China's complicated history and produced coincidentally with the events of Tiananmen Square in 1989, Obayashi bends the rules of cinema once again to make a beautiful and non-political film about community, personal responsibility, and balance. With apparent influence from the likes of both Capra and Ozu, The Searchers discuss the vital nature of the in-between moments and the meaning of "home," a word that may describe Obayashi's oeuvre to a T. Vinegar Syndrome's partner label Kani released Beijing Watermelon in 2024, and it can be found on Blu-ray HERE.  If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

New Podcast from the COLD Team: The last glimmers of hope fade as the search for Eric Robinson enters its final stage. The Duchesne County sheriff, running out of time and money, makes one last push to find him. Searchers brave the weather and the wilderness in the hopes of sending Eric’s wife, Marilyn Koolstra, home to Australia with answers about her husband’s fate.See omnystudio.com/listener for privacy information.

The Searchers & Ball Don't Lie Australia link up - you're in for a special episode... INDULGE! Connect with The Searchers PodcastLiked this conversation on navigating change, fatherhood, community, and finding your path? - Subscribe to MBK Digital on YouTube so you don't miss future episodes and content! - Find The Searchers Podcast on all your favorite podcast platforms to listen wherever you are! - Follow The Searchers Podcast on Social MediaInstagram: @thesearcherspodcastFacebook: 'The Searchers Podcast'TikTok: @thesearcherspodcast

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Send us a textThe Fangirls are taking a summer break, but not before having a chat with author Roselle Lim about her debut YA fantasy, CELESTIAL BANQUET! Stay up to date with Roselle by visiting her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagramThreads: https://theincoherentfangirl.com/threadsTikTok: https://theincoherentfangirl.com/tiktokTwitter: https://theincoherentfangirl.com/twitterYouTube: https://theincoherentfangirl.com/youtubeSupport the show!Patreon: https://theincoherentfangirl.com/patreonPayPal: https://theincoherentfangirl.com/paypalMandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandyKarin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karinVisit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

This Day in Maine Wednesday, June 4, 2025

This weekend marks yet another one without Lilly and Jack Sullivan. The six-year-old and her four-year-old brother were reported missing on Friday, May 2nd, 2025.Searchers headed out to Lansdowne Station and neighboring Glengarry Station this weekend to focus on certain areas near where a small bootprint was found in the mud. In today's video, I share information about the "Pipeline Trail," which is near where the boot was discovered, as well as what a podcaster who lives in nearby Halifax had to say about the children's disappearance and their mother and stepfather's behavior and reputations.#truecrimeunsolved #missing #missingsiblings #lillyandjacksullivan #novascotia #danielmartell #malehyabrooksmurray #lansdownestation #glengarrystation #pictoucounty #canada #missingboyandgirl #lilyandjacksullivan #missing kids #lillyandjack #idaho #moscowidaho #kayleegoncalves #madisonmogen #ethanchapin #xanakernodle #moscowstudentmurders #idahostudentmurders #moscowhomicides  #truecrimeunsolved #truecrimeunsolvedCONTACT INFORMATIONContact Email: tofbedcrimestories@gmail.comHOW TO SUPPORT MY CHANNELYour options include:1. Hitting that Thumbs Up Like Button after each video.2. Subscribing to the channel.3. Patreon: A one-time Patreon donation or an ongoing Patreon membership. https://www.patreon.com/user?u=48112867 Note:  I keep the price low because I know it's a big commitment. I offer private videos for my members and Patreon Supporters because they are standing behind me and helping me survive financially. I am eternally grateful to these kind, generous souls. 4. A channel membership (see main page of channel for “JOIN” button).5. PayPal Donation: https://paypal.me/BedCrimeStories2?country.x=US&locale.x=en_US. 6. BED CRIME STORIES MERCHANDISE: Check out my YouTube Store on here! I have coffee mugs, T-shirts, Sweatshirts, and more. Super Thanks in the Comments Section. 7. CashApp: https://cash.app/$BedCrimeStories 8. Venmo: http://www.venmo.com/u/@bedcrimestories.Support the show

Send us a textContent Warning: Filmic violence is and will often be celebrated throughout Season 15 – Squib Season. Second in the series and keeping to their unpatented temporal pincer movement, the enlisted four of TGTPTU storm the beachheads of Season 15 this week to liberate Squib Season's earliest covered picture, the black-and-white WWII movie HELL TO ETERNITY (1960). (Not to be confused with To Hell from Eternity, which does not exist; To Hell and Back, which does and preceded in Technicolor this week's talkie by five years; or From Hell to Wong Foo, Thanks for Everything! Julie Newmar, which is actually the combined titles of two vastly different films released, respectively, 41 years and 35 years after this week's feature.) In Hell to Eternity, the 6'0”-tall, New Orleans-born Caucasian actor Jeffrey Hunter (yes, yes, nerds, we know he's Captain Chistopher Pike, listen back to our The Searchers 4x4 episode but also listen to this week's for an irony behind Hunter's being replaced on Star Trek TOS by actor Sean Kenney in Season 1's clips episode two-parter “The Menagerie”), then age 34, plays war hero and protagonist Guy Gabaldon in this biopic based on the real life events of the 5'4”-foot tall Latino Los Angelean of the same name when he was 18.  As in the movie, Gabaldon was raised by adoptive Japanese parents, learning their first language (and presumably, as in the movie, their stories about fish and love), and enlisted after Pearl Harbor as a translator. It's with his language skills that Gabaldon was able to, as depicted at the end of the film, convince over 800 Japanese soldiers and civilians to surrender, although further research would be required by the author of these show notes to know whether real-life Gabaldon adopted/stole a Japanese child to be his son as implied at the end of the film (IMDB Trivia does claim Gabaldon named one of his sons after Hunter as he was enamored by his portrayal of him, implying Gabaldon had more than one son) or if the eighteen-year-old short king had swell times in swinging Hawaii as shown in the film's contentious, extended party sequence containing not just one but two apartment burlesque routines.  The film is lensed by Burnett Guffey who will go on to shoot (on film) our next earliest entry, i.e., BONNIE AND CLYDE (1967) for which he'd earn his second Academy Award. His first Oscar win was for another flick whose title lends itself to easy confusion with this week's, namely FROM HERE TO ETERNITY (1953). Also involved, Lieutenant (later Captain) Sulu (or the actor and activist who originally played the helmsman/fencing expert in Star Trek TOS). Also, hundreds of Japanese Imperial Army veterans and active-duty U.S. Marines who reenacted events from the Battle of Saipan on the adjacent island of Okinawa for the cameras commanded by Guffrey. And some squibs.   This episode, hear Ryan explain both what squibs are and, later, how a man got his start as a boy. Jack, subsequent to the latter, loses his mind. Tom spoils the surprise appearance by a famous and long-deceased sports announcer. And Ken, as impossible as it might seem, might actually change his opinion on mic, specifically about the seemingly endless Hawaii party scene.  Subscribe and listen as the Good Pod Boys give a 21-gun salute to this forgotten classic. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Send us a textThe Fangirls continue the summer vibes as they take a (fictional) jaunt over to Greece to chat with Mima Tipper about her debut novel, KAT'S GREEK SUMMER! Stay up to date with Mima and her writing by visiting her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

National Park Nightmares – Volume 11: “The Vanished” In this episode, we examine two disappearances—separated by 78 years—that continue to confound families, search teams, and anyone who tries to make sense of what happened.It was a typical summer day in the Colorado wilderness when 4-year-old Alfred Beilhartz disappeared during a family outing. He was walking just behind his parents along a trail near a stream—then suddenly, he wasn't. What followed was one of the first large-scale search efforts in the park's history, involving over 150 people, bloodhounds, and aerial surveillance. But no trace of Alfred was ever found. Witnesses later reported seeing a boy matching his description on a remote cliffside ledge. Searchers scrambled to reach the spot—only to find nothing. No boy. No tracks. No clues. Just silence.Floyd Roberts wasn't a first-timer in the canyon. His connection to the place stretched back to 1992, when his friend Ned Bryant first invited him out. Roberts became a devoted hiker, returning year after year with Bryant. By 2016, the two were seasoned and well-prepared, setting out once again—this time with Bryant's daughter along for the trip. On June 17th, deep in the remote Kelly Tanks area, the trio chose to split momentarily: the Bryants taking a route over a hill before the trailhead, Roberts choosing to walk around it and meet them on the other side. He never arrived. The Bryants waited, circled back the way Roberts went, then returned to camp and marked the area with visible gear to guide him. Still, nothing. This wasn't a man likely to panic or get lost. Roberts was highly intelligent—he'd worked at NASA and taught programming and game design. He had food, water, and a map marked with their routes. But after six days of searching with helicopters, drones, and canine units—no sign. No gear. No footprints. No remains. Despite the unforgiving terrain and triple-digit heat, Roberts' experience and preparation should have given him a fighting chance. And yet, five years have passed, countless hikers have passed through the region, and not a single clue has surfaced. Why did Floyd veer off alone? Why couldn't the others hear a call for help if something went wrong just on the other side of a hill? And how does someone—someone this equipped, this smart, this familiar with the terrain—vanish without leaving behind a trace?

The end of the cruel Peace & the start of the desperate War.Based on ‘One In Ten' by FinalStand, adapted into 17 parts. Listen to the ► Podcast at Explicit Novels.A frightened Mother Mouse will devour her young; similarly, a frightened culture will devour its future.Roni was still working away while the rest of us were in the man-cave once more. Flame seemed happy taking long pulls on the Wild Cherry and smacking her lips. I wasn't surprised she wasn't worrying about Silent. Her wounded comrade was a reliable pair of guns guarding her back and nothing more. Emotional bonds were contrary to her psychopathic nature.Jethro had been sitting on his 'throne' for fifteen minutes, deep in thought."I guess it is about time we got those guns," he announced as he stood up. His words captured everyone's attention yet he didn't appear to care. He started walking from the room and the rest of us followed along. The need for guns had brought us here in the first place.His path led us into his walk-in pantry. One wall of shelves rolled out and to the sides on seamless wheels. Beneath that spot was a steel door, a tad over one meter wide and three meters long. It must have been spring-loaded because once Jethro yanked on the hole that only one finger could fit into, the portal swung open and back.Stairs led down into darkness. Jethro turned around and followed them out of sight for several seconds. Then a light came on. The drop looked to be around four meters. Angel went next. A strange level of respect allowed me to go third. Flame was at my back then Kuiko, Venus and Lavender.The floor was grey-painted concrete. The room stretched out five meters in each direction. 80% of the room was covered with stacked crates with a variety of markings on them, a few even in English. Angel was incredibly tense. I didn't know why, but I had a feel for her moods. The other 20% of the room was an immaculate workbench.Considering Jethro's aversion to cleanliness, this was definitely something noteworthy."What is all this stuff?" Venus asked."Weapons," Angel preempted the old guy."This is an awful lot of weapons," Lavender muttered. No one wanted to say it, so I did."Jethro, you were in the MRA, weren't you?" I tossed out there. I'd told the nation that the MRA was dead and here I was looking at a small armory of illegal weaponry. Jethro had been walking over to the work area. He turned and looked us over."I'm going to do something I don't normally do," Jethro met each of our gazes."I'm going to explain myself. Let's pull some assault rifles out of those crates, make sure they in top shape then go upstairs 'cause I am only going to do this once," he stated."These people don't know how to use firearms," Angel cautioned angrily."They'll never learn if they don't have one and we are approaching the point where we'll need everyone to be a shooter," he countered. "Let's get to it."And that's what we did. These weapons had been top rate stuff at the start of the 21st century. Now, they weren't quite antiques, only old. The basics of using some sort of explosive substance to propel an object at your target remained the same. In the case of firearms, it was remarkably the same, or so Angel said.Kuiko went straight for the Russian-made Surface-to-Air missile, because she thought that the Cyrillic writing looked pretty. It was one of the few exotic devices. Most were clearly Federation military, or Police issue, undoubtedly stolen from some armory at some point early in Jethro's terrorist career.I was irate that Kuiko looked so cute with a bandolier of ammo packs and an automatic shotgun. Angel insisted that only she and Jethro took loaded firearms upstairs. We could carry the gun and the ammo as long as the ammo wasn't in the gun. Venus argued that this defeated the purpose of having the weapon.Angel countered that if she couldn't load it quickly, she probably shouldn't have it in the first place. I caught Flame bagging up a few boxes of ammunition, but Jethro didn't seem to care so I let it slide. It fell to Flame and me to lug extra rifles and cartridge belts up to the rest of the group, being the strongest, Angel was keeping an eye on Jethro and he was keeping an eye on her.Fifteen minutes later, we had gathered back in the spacious dwelling space of our host. Jethro, on his throne, finished off a glass of Wild Cherry and began his tale:"I was seventeen and in high school when the Gender Plague first broke out. I was quarantined for a month before the Supreme Court decided it was illegal and set us men free.I took the opportunity to enlist in the Navy, the U S Navy, because of the man shortage when I was released. Went through Basic, the Specialist School, I was a Damage Control Technician which meant I was a fireman, then a second outbreak happened. I was quarantined for three months this time.I got out and was assigned to the destroyer Michael A. Mansoor. During the Relief of Athens, we all damn near died. Of the eighteen men and women in Damage Control, only me and one other rating enlistee survived. My officer, an ensign, stayed behind to make sure the forward ammunition storage was secure. Our Chief Petty Officer had us seal the ensign in. We saved the ship long enough for the crew to be pulled off.The Mansoor exploded. We were never able to locate her body. She was some R O T C kid who was only with us four months. I never knew her first name until the ceremony after it was all over. She may have been the bravest human being I've ever known. After that, I served aboard the Little Rock working anti-piracy in the Philippines and Indonesia.Since I took part in some land action during that tour, the Navy, I hate using the term Federation, reassigned me to Shore Patrol duty. I took police training and everything. I did another tour aboard the Little Rock the following year then they dragged me off when Congress decided that men couldn't be given combat assignments.Seven months later, they discharged me and thousands of other men as part of a down-sizing program. Unfortunately, the same act of Congress that exited me from the Navy also forbid me joining the fire, or police departments. A buddy of mine was able to find me work in a machine shop where I learned the craft of welding.After that, I was a good boy. I dated, joined a motorcycle club and built up a nice life. When the Gender Inequality Act was passed I was more annoyed than angry. All that changed when I was twenty-nine. See, I had some male friends who joined up with a group called Male Awakening. They were a group devoted to the repeal of the G I A through political means.Things including publically supporting male-friendly candidates and working against G I A-supporters through boycotts and the like. I was rolled up in an FBI sting and those ladies informed me that they'd make those charges go away if I agreed to go inside and spy on Male Awakening. They knew I was friends with those guys. I told them to fuck off, fought the charges and beat their trumped up bullshit.By the time I cleared up my legal troubles, they took the M A down anyway. It seems their Treasurer took off with their funds after leaving some financial irregularities. That was a total load of crap because they never caught that guy, but they did manage to put away most of the group's leadership.A few months later, I ran across one of my buddies who had asked me to join Male Awakening. He'd heard about my troubles and over a few beers, he hinted that the fight wasn't over. This time I bought in. This incarnation didn't have a name. We weren't public. We dug up dirt on corrupt female officials by any means necessary.We destroyed the careers of the worst oppressors of men. Violence wasn't our aim yet we armed ourselves for what we knew would be a harsh crackdown. We operated in small cells, but I knew we had lawyers, judges and even a few Congresswomen on our side. Since we had bracelets by that time, we used women to communicate between cells.Our cell received word of the major Federation sweep, a day before it happened. We were able to move most of our material stashes to new locations before they fell on us. The Writs of Exclusion were abominations. No one ratted me out. For weeks I sweated bullets every time I saw a cop car, a mysterious unmarked car, or heard a siren.After a few months, I began searching for other survivors. We came together in secrecy, united in our fury. The Federation had broken every law and covenant so we agreed that waging a guerilla war was our only option. A week later I bagged my first cop. Put a bullet under her left eye at 80 meters. She was dead before she hit the ground and it felt good.They, the Federation, had murdered my country and now they were paying. Three days later, I waited for a Federation agent to walk out on her porch to see her little girl off to school. I walked up, told the little girl her mother was a whore and put nine slugs into that whore's body and I felt just fine about that too.""No," squeaked Kuiko."That is the way it was," Jethro gave Kuiko a paternal look. "Those women came at me with every dirty trick they could come up with to take away my freedom and I put them in the grave for it.""You murdered people," Angel growled."Fuck you, Cop. The Gender Inequality Act was passed by women to enslave men. No man ever voted on it," Jethro snarled. "Men tried to use the system so you cheated. Boohoo that your bosses didn't figure out our only option left was violent resistance.""I killed seventeen government officials and my only regret is I didn't kill more. Not one was a fair fight. Kuiko, I killed that bitch in front of her daughter because I wanted her buddies to come around and see the anguish on that little girl's face. I wanted them to worry about their own daughters. I wanted them to know they were at war.""You are a murdering scumbag," Roni snapped."I disagree," Flame shook her head. "You are morons if you think he should have called out every freaking target and said 'hey, I know you have all the back-up in the world and I'm alone so I'm giving you ample warning that I'm going to try and kill you.'""You are a psycho," Aniqua pointed out. "It figures you would agree with him.""He didn't have a choice," Samantha intervened. Her speaking so decisively was almost as stunning as her words themselves. "Having a gun might not have saved Israel against the Aurora Slasher, but it might have discouraged those sorority students.""The politics of payback," Flame laughed. "Jethro might sound like some sadistic bastard to the rest of you; not to me. His tactics are sound and they work. Kill enough cops and women stop joining the force. The authorities either crack down harder, bringing more over to your cause, or they concede to some of your demands.""It is how a very small force fights a much larger adversary," Flame concluded."That's still cold blooded murder," Angel reiterated. I didn't know what to think. Jethro butchered defenseless women. The President doomed millions. I admired what Zara did except it was some of the same things that Jethro did, yet she was a soldier and he was a terrorist."There is no resolution to this argument," I spoke clearly and loud. "Short of violence to silence the opposition, there is nothing we can do to rectify the past now. Jethro, why did you stop being a member of the MRA?""Spokane," Jethro answered. "I had no problem with killing cops and Feds, and intimidating their families. They were part of the problem.""Those high school girls though, that made no sense to me. We weren't at war with the female gender; we were at war with the government and their policy of enslavement. Killing random kids was wrong and I wouldn't be associated with it. I talked this over with my cell, they disagreed and I told them that if I saw any of them again, I'd kill them," Jethro clarified."I had several caches only I knew about. I waited a few months then moved up to the city, slowly bringing everything up here as I had the time. A year and a half later, my old buddy was caught up in a traffic stop, shot it out with the cops and was killed. From stuff they found on his body, he rolled up the rest of the gang, but the other members didn't know my real name.""The G E D came out and talked with me. They kept an eye on me for a few years. I behaved and grew old so they eventually went sniffing elsewhere. We wouldn't be here now if I hadn't gone drinking with Kuiko and let slip about my gun stash," Jethro smiled at my little friend. "I knew she'd never betray me, and she hasn't.""Now I've got a front row seat to the End of the World so I get one last chance to make a difference," he said. Yeah, this old guy wanted to go down in a hail of gunfire, no doubt about it."Good for you, you butcher," Roni glared. "I won't do this.""I signed on to make a difference," she continued, "not to hang out with cold-blooded killers. I'm out of here. Is anyone with me?" Aniqua stood up. Venus seriously hesitated before joining them. Venus was looking right at me. Angel's eyes were boring holes into me as well."Israel?" Angel inquired.I could go with them. I could stay. I could beg them to stay. I could stay silent and let events drag me along. My mind was playing Jinga with the vortex of intellectual input and buzz saw emotions that were boiling forth."Angel, Roni, Venus and Aniqua sit back down," I stood and stated. It took them a varying number of seconds to realize I was Not pleading."Israel, you don't get to decide that for us," Roni replied evenly. "We let you go to the Arena last night. This time, we get to choose and we are leaving. If you are the man I hope you are, you will come with us.""At the same time you're pressuring me to give more to the group despite my misgivings, Roni, you are giving less?" I countered. She started to protest. I raised my hand for a reprieve."Hear me out," I continued. "It isn't that simple. I am not questioning your moral quandary about working with people too comfortable with taking human life. It is very real and I feel it. The difference is that you would rather be right and dead than alive at any cost. You've never had to make that call before, but I have and I'm alive to tell you that you are wrong, Roni.""You are dead wrong because dead does nothing. The living can always come back and make something better. Hell, that's what my life has been about the past week and a half. The rest of you are neophytes going into this. I'm not. I know exactly what it takes morally to survive. Don't make me follow any of you out that door. I love each and every one of you.""I do love you, but am I obligated to jump off a cliff for you? I respect your choice to choose suicide. It would be wrong of me to rob you of that freedom. Please don't try to make this about affection, compassion, or loyalty though. It is a matter of life and death. Roni, you are trying to kill me, which I'm okay with. I resent you killing Angel, Aniqua and Venus," I stressed."That's fucked up reasoning," Roni fought back. "Those two get off on killing other people. They enjoy it. Why can't you see that they are just as likely to get you killed as keep you alive?""I will agree with you that Flame gets off on watching people suffer and die," I nodded. "It is the way she is. I don't know Jethro so I'm not ready to make a judgment call on him.""I do know that both of them have exquisite weapon skills and I'm pretty sure we are going to need them before we are truly free," I explained. "I would prefer an all-male super commando squad who had passed every psychological test ever made. That doesn't appear to be on the menu, so I'm willing to hold on to whatever resources are available.""So you are willing to risk all our lives for the sake of expediency," Angel glared."Absolutely," I shot right back. "In case no one is paying attention, I am not in some government facility helping working on some kind of serum to fight the new plague. In case you missed it, everyone here agreed with my decision to flee instead.""Roni, Angel, you do realize that young lady who saved me this morning is going to die, right? I could have insisted she come with us. I could have given her the cure. I didn't. None of you asked me to even after I told the whole globe of an unstoppable wave of death coming for everyone. I'm not asking you to take responsibility for my decision because it was mine.""I'm begging you; understand that it isn't the end of morality to stay. When the madness ends, you need to decide if we will still be worthy of continuing on. You'll no longer be part of that equation if you go now," I declared."Are we supposed to ignore that he was a terrorist and she is a homicidal maniac?" Aniqua said."I'm not homicidal," Flame grinned. "I'm a psychotic sociopath. I don't randomly kill people. I do it with malice of forethought." Jethro didn't show a desire to defend himself."Israel, Flame almost killed you last night," Venus pointed out. "Why would you stick around?"Why was I sticking around?"Israel, don't do this," Angel said. "You promised me you would stop running into danger.""Angel, why do you have to be right and I have to be wrong?" I sighed."Because those two are dangerous criminals," Roni answered. Didn't Roni understand that I was a far more callous killer than either of those 'criminals' and I didn't have to lift a finger, or look at a single grave?(Before the Curtain Call)Shortly after nine-thirty that night, the awaited and feared seismic event happened in China. A few minutes past sunrise over Hong Kong the rains broke and a fleet of helicopters and V T O Ls (Vertical Take-Off and Landing) were heard over the city. Helicopters were not unknown in this center of wealth and commerce. Well over a hundred all coming in at once was noteworthy.For many of the citizens of the city, it had been a restless night. After midnight, police sirens had been wailing all over the city. Some even heard gunfire. What they didn't know was that for the past four hours, private security forces working for the most prominent communities and some special police units had raided the middle class communities of the city and stolen their men.They forced the men into protective suits and hustled them back to the high-rises that sheltered the most 'important' people. This was an outrage that they could not get away with, had China still functioned normally. A new order based on brutal social cannibalism was taking place. The rich were taking their vassals and their new 'acquisitions' to their estates far from the population centers.This was supposed to be a gradual process except late yesterday afternoon the other Great Families learned that one of their own had their first reported case of this new 'flu.' They could wait no longer. They would have preferred to flee under the cover of darkness, but rain and the danger of so many helicopters and V T O Ls moving around forced them to postpone until first light.You didn't have to be a connoisseur of conspiracy theories to figure out what was going on. Men had been stolen and now the rich were bugging out of town in one big hurry. Late Friday, the 'flu' began to appear in the population in a big way. The workers in the hospital were afraid, not fearful, afraid.

Send us a textThe Fangirls are gearing up for summer (and summer break!) this week by chatting with author Jane L. Rosen about her latest novel, SONGS OF SUMMER! Stay up to date with Jane by visiting her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

In this episode, The Searchers dive into the 1964 French classic That Man from Rio, a film that blends action, comedy, and romance in the most improbable ways. Join us as we unpack Jean-Paul Belmondo's irresistible charm as he embarks on a wild adventure through the streets of Rio de Janeiro. From stolen artifacts to high-flying stunts, this film has it all—and then some! But does its quirky blend of slapstick and suspense still hold up today? Tune in for a review that's as fast-paced as Belmondo's character himself, filled with surprises, laughs, and a little bit of nostalgia for the golden age of French action cinema. This is the 1st of three episodes we'll be releasing focused on Jean-Paul Belmondo action films. If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Send us a textThe Fangirls are joined this week by Sariah Wilson to chat about her romantasy debut A TRIBUTE OF FIRE and its sequel A VOW OF EMBERS and how Adam Driver was the catalyst for four of her books (so far?!) Stay up to date with Sariah by checking out her website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Welcome back to the best kept secret - The Searchers Podcast! After a small hiatus, The Searchers podcast is back and talking about the struggles and beauty of navigating change. Life has been happening, and in this episode, they delve into navigating change and personal growth by sharing updates on their lives. Atem discusses the profound, undeniable transformation of becoming a new father, sharing the challenges and joys, and the necessity of becoming different. Kirron provides an update on life as a parent to older children who are transitioning out of school, leading him to a phase of rediscovering himself and figuring out what he wants to do now that his guiding role is shifting. Connecting their personal experiences to broader themes, they explore the idea that human experiences and emotions remain strikingly similar throughout time, prompting questions about how much humans have truly changed despite technological advancements [18:16, 33, 50, 120]. The conversation also touches on the difficulty of finding community today, the influence of learning theory and genetic predispositions [40:55, 87, 88, 121], the concept that we create our own reality based on perspective, and the importance of consciously choosing your response to situations and who you surround yourself with. Reading and learning from others' experiences are highlighted as valuable tools for refamiliarizing one's thinking and finding guidance.Episode Timestamps:(0:41) - Atem becomes a Father!(1:55) Atem shares what it's like to be a new father(6:54) - Kirron updates us on life as a parent as kids get older(14:19) - Getting back into Reading & finding ourselves through others' experiences(18:16) - Similarities in human experiences throughout time - ‘Have We Really Changed?', ‘How Far Have Humans Really Moved?'(26:33) - the difficulty of finding community these days(30:30) - young people changing the world(40:55) - Learning theory & generational, genetic predispositions(55:00) - Why were less connect today than ever!Connect with The Searchers PodcastLiked this conversation on navigating change, fatherhood, community, and finding your path? - Subscribe to MBK Digital on YouTube so you don't miss future episodes and content! - Find The Searchers Podcast on all your favorite podcast platforms to listen wherever you are! - Follow The Searchers Podcast on Social MediaInstagram: @thesearcherspodcastFacebook: 'The Searchers Podcast'TikTok: @thesearcherspodcast

RMR 0314: Special Guest, Matt Glidden, joins your hosts, Chad Robinson and Russell Guest for the Retro Movie Roundtable as they revisit The Searchers (1956) [PG] Genre: Western, Epic, Adventure   Starring: John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood, John Qualen, Olive Carey, Henry Brandon, Ken Curtis, Harry Carey Jr., Antonio Moreno, Hank Worden, Beulah Archuletta, Walter Coy,  Dorothy Jordan, Pippa Scott, Patrick Wayne, Lana Wood   Directed by: John Ford Recorded on 2025-04-02

Send us a textThis week is a shorter episode as The Fangirls prepare to have IRL adventures together for the first time in a couple years.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Send us a textThe Fangirls didn't interview CL Montblanc about their debut novel, PRIDE OR DIE, so much as they gushed about the book and then derailed the conversation to talk about escape rooms, but it's well worth the listen either way! Stay up to date with everything CL is working on by checking out their website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream the Searchers podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

What makes The Searchers one of the most iconic Westerns ever? Dom Bettinelli, Thomas Salerno, Victor Lams, Patrick Mason & Fr. Chip Hines unpack its moral tension, visual power & cultural legacy. The post The Secrets of The Searchers appeared first on StarQuest Media.

Kevin, Chris, and Ben finish off the "philosophical hitman" series with Wim Wenders' The American Friend (1977).  The Searchers will return to you next time with an episode on a Vincent Gallo film before diving into their next 3 episode arc. Thanks for listening, and we'll catch you in May!  If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Back with Part 2 of The Searchers Podcast Compilation — a collection of powerful, funny, and unforgettable moments that defined our conversations throughout this journey.If you've been rocking with us since Day 1, this one's for you.And if you're new here, welcome — you're about to get a taste of what The Searchers is all about.

Send us a textLots of laughs ensue as The Fangirls chat with Jade Presley about her latest novel THE NEVER LIST and…Gumby dolls? It's a conversation you're not going to want to miss! And if you don't want to miss what's coming next from Jade, make sure to head to her website to stay up to date!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

The Searchers discuss the 2nd film in their philosophical hitman series, Crying Freeman starring Mark Dacascos. We discuss our thoughts on the film, the origins of the source material, and a few tangents are made. We'll be back soon with the 3rd and final entry, The American Friend. Enjoy!

From August 2014: Authors Paul Green and Mary Ann Anderson join Ed for a look back at the life and career of Jeffrey Hunter. Paul's book Jeffrey Hunter: The Film, Television, Radio and Stage Performances is a comprehensive look at the actor best known for his starring roles as Martin Pawley in The Searchers, Christopher Pike in the original pilot episode of Star Trek, and Jesus Christ in Nicholas Ray's King of Kings. Mary knew Jeffrey Hunter; her mother, actress Emily McLaughlin, married Hunter just three months before he died in May 1969. By all acccounts, Jeffrey Hunter was not only highly respected as an actor, but a genuinely nice person. His sudden death age at forty-two was a shock to everyone who knew him and left many wondering what direction his life and career would have taken, had he lived.

Send us a textThis week's guest had a last minute change in availability, but The Fangirls smoothly pivot into an unsolicited (and correct) conversation about The Hunger Games and the Fictional Boyfriend perfection that is Peeta Mellark.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

GoldBridge AI: https://goldbridge.ai GoldBridge on LinkedIn: https://www.linkedin.com/posts/goldbridge-ai_goldbridgeai-demo-activity-7306070534235033600-rSWO?utm_source=share&utm_medium=member_desktop&rcm=ACoAADGbBvgBMTPIFZ7W6zGKUx8RuMivec4RXUI GoldBridge on Instagram: https://www.instagram.com/thegoldbridge/ Contact product manager Siddarth (Sid) Srivastava here: https://www.linkedin.com/in/sid-srivastava-4488721b2/ The post 297 Happy Job Searchers using GoldBridge.AI first appeared on Agile Noir.

In this powerful episode of The Searchers Podcast, we sit down with Joshua Ditchmen, a young man who defied the odds after suffering a massive stroke at just 17 years old.

Send us a textChaos returns as The Fangirls welcome Kaylie Smith back to the podcast to chat about her latest novel, ENCHANTRA, and fall down all kinds of gabfest rabbit holes. Stay up to date with Kaylie by visiting their website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Acudimos a nuestra cita mensual con el Billboard de hace 60 años. Selección de singles que alcanzaron su puesto más alto en listas de pop estadounidense en abril de 1965.(Foto del podcast; Freddie and The Dreamers)Playlist;(sintonía) MONGO SANTAMARIA “El Pussy Cat” (top 97)FREDDIE and THE DREAMERS “I’m telling you now” (top 1)WAYNE FONTANA and THE MINDBENDERS “Game of love” (top 1)THE KINKS “Tired of waiting for you” (top 6)THE ANIMALS “Don’t let me be misunderstood” (top 15)THE SEARCHERS “Bumble bee” (top 21)THE WHO “I can’t explain” (top 93)JR. WALKER and THE ALL STARS “Shotgun” (top 4)MARTHA and THE VANDELLAS “Nowhere to run” (top 8)BRENDA HOLLOWAY “When I’m gone” (top 25)CANNIBAL and THE HEADHUNTERS “Land of 1000 dances” (top 30)SHIRLEY ELLIS “The Clapping Song (Clap Pat Clap Slap)” (top 8)THE IKETTES “Peaches n’ cream” (top 36)OTIS REDDING “Mr Pitiful” (top 41)JAN and DEAN “(Here they come) From all over the world” (top 56)THEE BEACH BOYS “Do you wanna dance’” (top 12)CHUCK BERRY “Dear dad” (top 95)THE UNIQUES feat JOE STAMPLEY “Not too long ago” (top 66)THE MOODY BLUES “Go now” (top 10)BILLY VAUGHN and HIS ORCHESTRA “Mexican pearls” (top 94)FRANK SINATRA “Anytime at all” (top 46)Escuchar audio

Send us a textWorlds collide as The Fangirls chat with author Shannon Ives about her debut novel, THOSE FATAL FLOWERS, and dive into the lore of Greco-Roman mythology and the disappearance of the Roanoke colony. Head to Shannon's website to stay up to date with everything she has to come!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

In this episode, I spoke with Christopher McKittrick about his latest book "Vera Miles: The Hitchcock Blonde Who Got Away". Captivating, talented, and beautiful, Vera Miles was destined for fame. Within a few years of making her way to Hollywood in 1949, she starred in such films as The Rose Bowl Story (1952), Tarzan's Hidden Jungle (1955), and Wichita (1955). Her frequent television performances so enthralled Alfred Hitchcock that he chose her to be Grace Kelly's successor for roles in The Wrong Man (1956) and the iconic film Psycho (1960). She also starred in John Ford's The Searchers (1956) and The Man Who Shot Liberty Valance (1962). Miles's illustrious film and television career spanned nearly fifty years in Hollywood, and yet she is still considered one of the most unsung film actresses of her era.The entire episode of "Medic" that Chris talks about is available on YouTube:https://www.youtube.com/watch?v=icO5-I4e0SQ

The Searchers are back with another episode, this one starting off the next arc: "the philosophical hitman." Chris picked Looper starring Joseph Gordon-Levitt and Bruce Willis, directed by the now-infamous Rian Johnson. Does this movie hold up, or not? Listen and find out! Next up will be a new Cinema Crusade episode followed by a review on Crying Freeman.  If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Send us a textAuthor Kait Ballenger stopped by to chat with The Fangirls about her latest novel, ORIGINAL SINNER, and give a brief history of romance among many other fun topics. Stay up to date with Kait by visiting her website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button. You can find Rebecca Schinsky on IG @rebeccaschinsky and Book Riot at www.bookriot.com   In this week's episode, we chat with Rebecca Schinsky, who is chief of staff for Riot New Media Group and co-host of The Book Riot podcast. Book Riot is the largest independent editorial book site in North America and book lovers can find all kinds of interesting stuff there, such as numerous podcasts, newsletters, and articles about different genres.   I have long been a listener of this podcast and love it because ….I am a book nerd through and through and this podcast gives me the inside look at the world of publishing.  If you enjoy learning about trends and want the inside scoop about how and why certain books make it to your eyeballs or just want to have your pulse on bookish news, this podcast is for you.  Rebecca talks to us about what book trends have had the biggest impact on the industry over the last 15 years, what other goodies you can find at Book Riot.com, and why social media flattens the book options we see in our feeds.   And this week for our book recommendations section, we put on our 10 gallon hats and our chaps because we're talking about westerns. Westerns became popular in the late 1800s and derived from the dime novels of the mid-19th century. Many of these stories were later turned into movies in the 1940s and 1950s, which is probably the way most people had exposure to them. Films like High Noon and Shane were based on western stories. There was a second resurgence of western films based on novels between the 1970s-90s such as The Unforgiven and The Outlaw Josey Wales. We offer westerns that are in the graphic novel genre, the horror genre, literary fiction, and middle grade.   Books Mentioned in this Episode:   1- The Personal Librarian by Marie Benedict and Victoria Christopher Murray   2- The Other Einstein by Marie Benedict   3- Harlem Rhapsody by Victoria Christopher Murray   4- Life in Three Dimensions by Shigehiro Oishi    5- Back After This by Linda Holmes   6- Wuthering Heights by Emily Bronte   7- Glass Town: The Imaginary World of the Brontes by Isabel Greenberg   8- The Helsinki Affair by Anna Pitoniak   9- Red Widow by Alma Katsu   10- A Five Star Read Recommended by Fellow Book Lover Beth @a_vet_nurse_and_her_books - The Game by Danny Dagan   11- Lonesome Dove by Larry McMurtry   12- True Grit by Charles Portis   13- The Searchers by Alan LeMay   14- The Searchers: The Making of an American Legend by Glenn Frankel   15- Lone Women by Victor LaValle   16- Coyote Doggirl by Lisa Hanawalter   17- Four Treasures of the Sky by Jenny Tinghui Zhang   18- Whiskey When We're Dry by John Larison   19- The Sisters Brothers by Patrick deWitt   20- Pony by RJ Palacio   Media mentioned--   1- Heretic (Max, 2024)   2- Longlegs (Hulu, 2024)   3- True Grit (2010)   4- Deadwood (Max, 2004-2006)   5- The Searchers (1956)   6- The Sisters Brothers (2018)   Bella Da Costa Greene Exhibit in NYC -  https://www.themorgan.org/exhibitions/belle-da-costa-greene    

Send us a textWarner Brothers restoration experts Miles Del Hoyo and George Feltenstein take us behind the scenes of the stunning 4K restoration of John Ford's classic western The Searchers, revealing the technical wizardry that brought new life to this cinematic masterpiece.• Technical breakdown of the scanning process for VistaVision film at extraordinary 10K resolution• Challenges of restoring proper colors from a faded negative, especially fixing the sky from yellow to proper blue• How the team stitched together split 8-perf frames to create seamless images• Frame-by-frame corrections of technical errors present in the original negative• Audio restoration process maintaining the original mono sound while enhancing clarity• Quality assurance process involving multiple stages of review and Film Foundation approval• Preview that more 4K releases from Warner Archive will be announced in the coming monthIf you haven't yet purchased your copy of The Searchers on 4K or Blu-ray, I highly encourage you to do so. The 4K combo pack includes the remastered Blu-ray with all extras. Please vote for The Searchers in the MediaPlay Home Entertainment Awards before March 31st for Best Restoration and Best Audio and Visual Quality categories.Link to VOTE in the MediaPlay Home Ent Awards  Be sure to vote by March 31st.Purchase links:The Searchers 4K + Blu-rayThe Searchers Remastered Blu-rayThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Frank Allen, Bassist with The Searchers is on the line to tell Ray all about their upcoming tour which will see them play Glastonbury for the first and final time.

Send us a textPost up at your favorite dim sum, Taiwanese, or Korean restaurant because The Fangirls chatted with Jennifer Chen about her sophomore novel HANGRY HEARTS this week and it's sure to make you hungry! Stay up to date with all of Jennifer's work by checking out her website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Dave McArthur and Clint Lanier drink whiskey and talk about the highly acclaimed 1956 western The Searchers, directed by John Ford and starring John Wayne and Natalie Wood.

Send us a textThe Fangirls get extra nerdy this week with author Shameez Patel as they chat about her nerdy romance PLAYING FLIRTY and geek out over board games, video games, and all things fangirl. Keep up to date with Shameez by checking out her website!List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Send us a textLaughter abounds as The Fangirls welcome back the iconic Breanne Randall to chat about her sophomore novel SPELLS, STRINGS, AND FORGOTTEN THINGS (and other fun projects she has in the works)! Keep up to date with Breanne by heading to her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Two Jackie films made in Australia must be discussed with the Searchers' resident Aussie, so of course that means it's another episode with Nick Langdon. The discussion focuses on the subject films and their different cuts, Sammo's vs. Jackie's direction, why New Line Cinema is never to be trusted, and much more. This may be our longest episode in over two years; so get your favorite snacks, possibly an adult beverage, and join us for more Jackie Chan. The road to episode 100 continues! Thank you for your continued support.  Find Nick on Letterboxd, HERE. 

Send us a textThe ick from last week is running rampant and caused this week's intended guest to take a raincheck due to illness, but never fear! The Fangirls are nothing if not flexible and are already working on rescheduling. In the meantime, they found themselves having an impromptu session of Fangirl Freestyle that may or may not cause a divide (but never between the two of them, of course!)List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Dr. E. Michael Jones is a prolific Catholic writer, lecturer, journalist, and Editor of Culture Wars Magazine who seeks to defend traditional Catholic teachings and values from those seeking to undermine them. ——— EMJ Live is every Friday at 5:00pm EST Call In - Telegram: t.me/EMichaelJonesChat?videochat Rumble: rumble.com/c/c-920885 Twitter: twitter.com/emichaeljones1 Cozy: cozy.tv/emichaeljones EMJ Books: fidelitypress.org CW Magazine: culturewars.com

Send us a textThe magic of words takes the focus as The Fangirls chat with author (and self-described sometimes-poet) Katie Naymon about her poetic romance debut YOU BETWEEN THE LINES. Stay up to date with everything Katie has going on by checking out her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==

Send us a textDebut author Ande Pliego joins the podcast to chat about her twisty adult thriller YOU ARE FATALLY INVITED and The Fangirls couldn't help but continually gush. Make sure you stay up to date with everything Ande has going on (especially if you're a writer yourself!) by heading to her website.List of books mentioned in the podcast: https://theincoherentfangirl.com/booksEmail us @ theincoherentfangirl@gmail.comVisit our website @ https://theincoherentfangirl.comFollow us on social media!Bluesky: https://theincoherentfangirl.com/blueskyFacebook: https://theincoherentfangirl.com/facebookInstagram: https://theincoherentfangirl.com/instagram Threads: https://theincoherentfangirl.com/threads TikTok: https://theincoherentfangirl.com/tiktok Twitter: https://theincoherentfangirl.com/twitter YouTube: https://theincoherentfangirl.com/youtube Support the show!Patreon: https://theincoherentfangirl.com/patreon PayPal: https://theincoherentfangirl.com/paypal Mandy is @mandypurv on all the things.https://theincoherentfangirl.com/mandy Karin is @msmadeinchina on all the things.https://theincoherentfangirl.com/karin Visit our internet besties!Here Comes the Nerd @ http://herecomesthenerd.com== use code FANGIRL for 20% off your first order ==Once Upon A Book Club @ https://www.onceuponabookclub.com== use code MANDY10 or KARIN10 for 10% off your order ==Amber D. Lewis @ https://www.amberdlewis.com== use code FANGIRL10 for 10% off your order ==And don't forget to go support the Show Husband!• visit the Searchers at https://searchersbelieve.com• stream The Paranormal Mind podcast wherever you get your podcasts• subscribe to their streaming service Beacon TV at https://streambeacontv.com== use code FANGIRL10 for 10% off your subscription ==• shop the merch store at http://searchersbelieve.com/shop== use code FANGIRL10 for 10% off your order ==