Podcasts about Unforgiven

In the nicest episode of the SCTM, Greg and Dane return to 2005 WWE for Unforgiven '05 from Oklahoma City. The Invisible Man defends the WWE Title against Kurt Angle, Matt Hardy and Edge battle in a Steel Cage and can Ric Flair handle four lovely ladies in a limo in one night?

From 2023: Our hosts revisit Unforgiven 2008

Send us Fan MailIn 1991, Metallica unleashed The Black Album and took heavy metal to a whole new level. Featuring massive songs like “Enter Sandman,” “Sad but True,” “The Unforgiven,” and “Nothing Else Matters,” the album introduced a tighter, more accessible sound without sacrificing its trademark power. Support the showBrowse the 33/24 Archives: Check out the backroom!Follow us:InstagramFacebookWatch us on YouTube!

Neulich habe ich euch gefragt, was für euch die schrecklichsten Songs der 80er waren. Nun kommt das Ergebnis. Keine Angst, ihr müsst euch das Zeug nicht anhören. Ich habe nämlich Alternativvorschläge.

For hours, unto days, unto weeks, the crew of the LIttle Snail delved the Castle Eschatonica with their new allies, the Source Rot Investigators from the Elevana League. In the heart of the void, these adventurers escaped the wrath of dragons, met a fallen god, recovered lost, living gems… and found not only a route out, but a whole new method of travel entirely. Jonathan named his new airship 'The Adventures Beckons,' and so, it does: But before it can be attended to in earnest—before he, Elena, Nicky, Veile, Flegbot, and their coterie of gems—can find and reach the White Lectern—they must first say goodbye to the little town of Spillaway Peaks, where Terapine ever-strive to prepare for the cycle's end. But when will that end be? Is it still centuries away, or might the many ill portents across Perpetua prove what some whisper: The clock runs short. The stars have faltered. An inverted eclipse. Cattle, obliterated. The return of dragons. Fire, cataclysmic. Invasion and War. Prayers go unanswered. A ruinous wind.  It is to this moment, this Perpetua-in-crisis, that the Little Snail and its roving staff returns to. Are the days of easy adventuring behind them? Is there no more blue in the sky now that they can traverse it? These are questions they dare not stop to answer. For it is time to prepare: To master this new vessel. To gather supplies for the journey. To meet new allies. To take new oaths. And to learn (or to remember) that it is never guaranteed that you can go home again. This week on Perpetua: At the Threshold 01 Perpetua Guide [In Progress v.061] Some Feedback [Page 73 of 75] TheUnforgivenIII Okay. Do NOT be an @$$h0le to me, because you all KNOW I hate asking for help. But I can't tell if I hit a weird bug or something. I finished up Castle Eschatonica finally last night and my Tidaline party got put back up in the southern part of the Clayridge Mountains (as expected).  I wanted to go down into Spillaway Peaks to restock on some stuff when leaving, but it won't let me. Like I can walk down one area from where the airship is, and then when I get to the edge of the zone, it just pops up a Do Not Enter type sign. Is this bugged. Alukard83 Uh, well… Is Jonathan in your party? TheUnforgivenIII Uh, well… didn't I JUST say I had the airship? So OBVIOUSLY he's in my party. Alukard83 UH, WELL, SO, OBVIOUSLY, YOU CAN'T GO BACK INTO SPILLAWAY PEAKS IF YOU GOT THE AIRSHIP FROM THE BECKONINGS. THAT WAS THE COST OF THE AIRSHIP xXZelgadyskXx You're right, but come on, there's no need to shout XD Just swap Jonathan out of your party for now Unforgiven. Then you can go into town. TheUnforgivenIII UH WELL SO OBVIOUSLY YOU CAN GO STRAIGHT TO HELL ALUCARD. IF THAT WAS TRUE THEY SHOULD'VE ACTUALLY TOLD ME THAT IN THE GAME. THE WAY IT WAS PHRASED WAS AMBIBIGUOUS ASND YOU COULD READ IT DIFERENTLY THAN THAT. I THOUGHT IT MEANT YOU COULDN'T GO BACK INTO JONATHANS FAMILY (WHO SUCKS) HOUSE, SO IT WASN'T REALLY A COST ATALL. BUT NOW YOUR SAYING I CANT EVEN GO FUCKING SHOPPING WITH JONATHAN ANYMORE? WHAT HAPPENS IF I GET A RADNOM ENCOUNTER, DO I JUST NOT GET TO HAVE MY STRONGEST CHARACTER??????? ABSOLUTE HORSE SHIT STRAIGHT FROM THE DONKEY'S ASS, JUST LIKE YOU (This user was temporarily banned for this post. They will be unbanned: 1 week from the Post.) CarlsSr This place is like a zoo for stupid people. I love it! Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social),  and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.    

Glenn, Peter och Linus snurrar vidare i filmens rike och avhandlar Westernklassikerna Den gode, den onde, den fule samt Unforgiven. Är filmerna så bra som alla säger, eller ska de petas ner från 5+tronen och förpassas till 4+riket där så många bra filmer bor? I avsnittet avhandlar vi också snälla företag såsom Blizzard och Disney. Liiiite spel också, men mest skåpmat.

From 2023: Our hosts revisit Unforgiven 2004.

Kurt Angle ends the main event with an Angle Slam, a sledgehammer, a surprise kiss on Stephanie McMahon, and the line "ask your wife if I kiss like a pansy." Stone Cold cuts a pre-tape from his house in Texas that sells both hosts on Unforgiven more than anything else on the show. Tommy Blacha and Rob Pasbani recap the September 21, 2000 edition of WWF SmackDown, live from Milwaukee, Wisconsin, the final SmackDown before Unforgiven 2000.The opening segment puts the entire 40-man roster around the ring while Foley plays amateur detective. Rock denies running over Austin with a Swedish Chef impression. Triple H defends himself. Angle says maybe it was SA Rios. Xpac accuses Jericho. Undertaker arrives to a big pop. Brawl. The hosts agree this works. The gay panic jokes Triple H keeps making backstage do not.Eddie Guerrero comes out with roses, delivers a speech about how Chyna is a superstar and he is nothing, reveals her Playboy cover for the first time, and gets on one knee. The crowd chants "just say no." She says yes. The hosts discuss whether this storytelling decision serves Chyna or undermines her.Please support the show, and join our brand new Patreon, featuring watch-alongs for classic matches. You also get these episodes uncensored and one day early!Please subscribe at https://patreon.com/talesfromtheattitudeeraOther major discussion points include:Shane McMahon makes a surprise return two months after Blackman knocked him off a scaffold at SummerSlam and says he'll reveal who ran over Austin at Unforgiven; Triple H hears it, turns to Stephanie, and points out Shane said he was "all alone" in the hospitalJeff Hardy wore Sting facepaint as a kid and called himself the Wolverine; Edge and Christian found old footage and screened it in a dark room with a projector, then attacked the Hardys with chairsAl Snow represents Spain as European Champion with a Ricardo Montalban portrait, a pinata, and a red cloth; the Hardcore title match collapses under 247 rules and Blackman wins by kicking a garbage can into Taka's faceJericho and Lawler vs Xpac and Tazz ends in a DQ when Tazz chokes Lawler with a strap; the stipulation that those two couldn't touch before the pay-per-view is never acknowledged as liftedToo Cool forces a reluctant four-man dance on both the Acolytes and the Dudleys; Bradshaw holds out longestSmackDown Your Vote: 90,000 registered, and they give you the real number, not 100,000Chapter Marks00:00 Cold Open00:28 Welcome / Milwaukee / SmackDown 9/21/200001:55 Show Overview03:06 Opening Segment / Who Ran Over Austin?06:39 Triple H Defends Himself / Gay Panic Analysis09:08 Angle / Xpac Accuses Jericho / Stephanie Blamed11:32 Undertaker Arrives / Brawl14:18 Val Venis vs Scotty 2 Hotty17:20 Backstage: Triple H / Greg Luganis Jokes22:48 Hardys Promo / E&C Dark Room24:19 Al Snow (Spain) vs Steve Blackman27:54 Austin Up Next / SmackDown Your Vote32:34 Austin Pre-Tape33:23 Shane McMahon Returns35:09 Triple H Catches Stephanie in a Lie37:32 Jericho and Lawler vs Xpac and Tazz39:42 Chyna Confronts Eddie Backstage40:41 Eddie's Apology / Chyna's Playboy Cover44:16 Eddie Proposes / Chyna Says Yes48:10 Acolytes / RTC / Too Cool Dancing49:41 Main Event52:07 Gay Panic Spot / Undertaker's Motorcycle53:31 Angle Slam and Sledgehammer54:11 Angle Kisses Stephanie / "Who's Crying Now?"57:10 Final Thoughts / Patreon59:11 Sign-Off Hosted on Acast. See acast.com/privacy for more information.

Triple H tells Kurt Angle he just wants to be friends with Stephanie, maybe go shopping for drapes. Kurt has never been more offended. Tommy Blacha and Rob Pasbani recap the September 18, 2000 edition of WWF Monday Night Raw, live from the Rosemont Horizon in Chicago, Illinois, six days before Unforgiven 2000. Also the last Raw on USA Network.The opening promo ends with Rob, as a gay man, explaining exactly why "shopping for drapes" works and why "batting on the other side of the plate than the rest of us" is the one line that doesn't. Foley books TNA and Trish against Triple H, Angle, and Stephanie, and the hosts are almost surprised it took this long to get here.William Regal makes his WWE debut at the Rosemont, which Tommy calls the single best venue to debut anyone who needs an immediate reaction. Regal sets up a dinner table, demonstrates proper napkin usage, and explains that American parents have clearly failed their children. Jericho interrupts with a fake British accent and a failed tablecloth magic trick. Xpac shows up with nunchucks.Undertaker pins the world champion in a non-title match six days before Unforgiven. The four challengers brawl to end the show. The hosts spend two minutes establishing the correct wrestling terminology for what just happened.Please support the show, and join our brand new Patreon, featuring watch-alongs for classic matches. You also get these episodes uncensored and one day early!Please subscribe at https://patreon.com/talesfromtheattitudeeraOther major discussion points include:Tazz arrives as substitute ring announcer in a thug'd up suit jacket with the arms ripped off, a bow tie, and Thug Life on the back, introduces Rikishi as "6,000 pounds from the waist down," and announces the result directly into Lawler's earHugh Hefner recorded a video for Chyna's Playboy issue and could not learn Eddie Guerrero's name in however many takes, referring to him only as "the boyfriend"Eddie fakes being sick to send Chyna in to wrestle Rikishi in his place, then sprays mace in Rikishi's eyes, and Rikishi gives Chyna a bonsai drop while staring directly at EddieThe USA vs Viacom lawsuit backstory: USA claimed first right of refusal, WWE argued they did not match the deal because Viacom included $5 million in advertising that USA could not offerTommy has a detailed memory of rooting for heels as a teenager at Cobo Arena, a drunk accountant in a suit who produced a small Soviet flag from his blazer pocket, and what his mom thought of all of itThe Rosemont Horizon: 15 straight sellouts, Tommy calls it a top five guaranteed hot show venue, and WWF chose this specific building to debut Regal and switch networks for good reasonChapter marks 00:00 Cold Open02:50 USA vs Viacom Lawsuit07:42 William Regal Debut Discussion09:47 Show Starts / Stephanie Opens19:47 Acolytes Attack RTC / Dudleys vs Goodfather and Bull Buchanan21:59 Rock Promo / "Lord of Monkey Piss" / Undertaker Responds24:44 Foley Books Rock vs Taker and Kane vs Benoit / Hugh Hefner Can't Say Eddie's Name27:04 Backstage: Eddie's "Sick" / Kane vs Benoit / Ring Bell Chaos30:10 European Championship Discussion / 2004 Dark Period31:28 Backstage: Triple H, Stephanie, and Angle / "Girls Room Is Down the Hall"38:32 TNA and Trish vs Triple H, Angle, and Stephanie44:42 Angle Hugs Stephanie Post-Match / Triple H Spears Angle46:01 Eddie Wrapped in a Blanket / Tazz as Ring Announcer48:49 Rikishi vs Eddie / Chyna Caught in the Middle54:13 William Regal Debuts / Table Manners Promo56:39 Tommy's House Show Story / The Drunk Accountant with the Soviet Flag1:01:36 Jericho Interrupts Regal / Xpac Attacks with Nunchucks1:03:07 Too Cool vs Edge and Christian / Austin Pay-Per-View Promo1:04:15 Foley: "Smackdown Your Vote"1:05:08 Main Event: Rock vs Undertaker (Non-Title) / Benoit on Commentary1:05:59 Undertaker Pins Rock / Four-Way Brawl to End the Show1:08:02 Final Thoughts / Patreon / Rosemont Wrestlemania History1:10:49 Sign-Off Hosted on Acast. See acast.com/privacy for more information.

Meri and Leon have the big uncomfy talk while Maddie tours venues for her upcoming wedding.Get more of their cringey, awesome content at Patreon.com/realitytvcringeFollow us on IG https://instagram.com/realitytvcringeSubscribe to see our raccoon faces on YouTube! https://www.youtube.com/channel/UC_2CgqXLWjIEKV9PCtH3Kjw?sub_confirmation=1Leave a message for us on SpeakPipe: https://speakpipe.com/realitytvcringeSupport the pod by leaving a 5-star review on your favorite podcast platform! Thank you so much.

Eddie Guerrero shows up at the Playboy Mansion demanding to speak to Hugh Hefner. The bodyguard thinks he means his actual mother. The door gets slammed in his face. He walks away cool. Tommy Blacha and Rob Pasbani recap the September 14, 2000 edition of WWF SmackDown, live from the America West Arena in Phoenix, Arizona.Foley books three tag matches to force the Unforgiven participants to coexist: Angle and Triple H vs T&A, Kane and Benoit vs the Acolytes, and Rock and Undertaker vs the Dudleys in a tables match. The stipulation is that if you attack your partner before the pay-per-view, your Unforgiven match is cancelled. The hosts count roughly six ways the stipulation gets broken before the night is over.Triple H and Angle team up and spend the entire match trying to outshine each other against T&A. Test takes advantage of the dysfunction, pins Triple H clean, and gets the biggest singles win of his career to that point. T&A are not given a moment to celebrate. The hosts have a lot to say about that.Edge and Christian, meanwhile, introduce the Hardys of the Future. Two elderly men dressed exactly like Matt and Jeff with the jinkos and the cutoff shirts come to the ring. Then Lita's music hits. It is a third old man. Edge says "dude, time travel rules" and he is not wrong.Please support the show, and join our brand new Patreon, featuring watch-alongs for classic matches. You also get these episodes uncensored and one day early!Please subscribe at https://patreon.com/talesfromtheattitudeeraOther major discussion points include:Tazz buys a front-row seat directly behind Cole and Lawler, brings a bucket of popcorn, gets mic'd up throughout the Blackman vs Saturn hardcore match, and pours the rest of the popcorn on Cole on his way outKane and Benoit have a dysfunction problem: Benoit walks out mid-match and leaves Kane in a two-on-one situation while the hosts puzzle over who technically broke the stipulation firstVal Venis joins Right to Censor in white pants while everyone else wears black, says "I wasn't brainwashed" and "selective censorship is not wrong," and the crowd responds with a "ho" chantRock asks Lillian "do you like pie?" and the hosts have a lot of questions about the internal logic of this new catchphraseListener of the week: MKJ Comics writes in about his grandma who thought wrestling was real her whole life, called upset every time Triple H used a sledgehammer, and was buried with a John Cena wall clockPMFG weighs in: we are already in the bad creative period, the problems of 2001 started in 2000, and the Radicals died months in with no storyChapter marks00:00 Cold Open00:22 Welcome / Phoenix / SmackDown 9/14/200003:18 Listener Comments / Jonathan on Kreski and Continuity11:25 MKJ Comics: The Grandma Who Thought Wrestling Was Real15:12 PMFG: "We're Already in the Bad Creative Period"16:00 Back to the Show / America West Arena18:29 Foley Opens / "I Answer to the Fans"18:51 Tangent: Paul Heyman 2025 / "We Don't Answer to the Fans"22:43 Opening Segment / Foley Books Unforgiven25:10 Triple H Out / Tag Matches and Stipulations Announced31:25 Kane and Benoit vs Acolytes36:39 Triple H in Foley's Office37:34 Eddie at the Playboy Mansion38:58 Chyna Packs Her Bags40:14 Val Venis / "I Wasn't Brainwashed"42:52 Rikishi and Too Cool vs Right to Censor / Eddie Interferes44:59 Test and Trish Backstage45:36 Triple H and Angle vs T&A / Test Pins Triple H50:46 Tazz Wants to Quit / Foley Books Tazz vs Lawler at Unforgiven51:27 Edge and Christian: The Hardys of the Future54:43 Blackman vs Saturn / Tazz Heckles from Front Row56:32 Edge, Christian, and X-Pac vs Jericho and the Hardys58:32 Rock Promo / Do You Like Pie?1:00:04 Main Event: Rock and Undertaker vs Dudleys (Tables Match)1:04:19 Final Thoughts and Sign-Off Hosted on Acast. See acast.com/privacy for more information.

Ep 385 – Unforgiven 1999 “Their Soul Will Remain Unforgiven” Bark bark bark!! 0:45 - Welcome 9:10 - Unforgiven Opening 11:13 - Val Venis vs Steve Blackman 19:35 - Mark Henry (w/ his lady friends) vs D'Lo Brown for the WWF European Championship 27:12 - Jeff Jarrett (w/ Miss Kitty) vs Chyna for the WWF Intercontinental Championship 34:36 - The Dudley Boyz (Bubba Ray/D-Von Dudley) vs the Acolytes (Faarooq/Bradshaw) 42:21 - Luna Vachon vs Ivory for the WWF Women's Championship in a Hardcore match 46:06 - Edge & Christian vs the New Age Outlaws (Road Dogg Jesse James/Bad Ass Billy Gunn) for the WWF Tag Team Championships 53:02 - Al Snow vs Big Boss Man for the WWF Hardcore Championship in a Kennel from Hell match 1:01:05 - Chris Jericho (w/ Curtis Hughes) vs X-Pac 1:08:24 - Big Show vs British Bulldog vs Mankind vs Kane vs HHH vs Rock in a Six-Pack Challenge for the vacant WWF Championship with Stone Cold Steve Austin as the special guest enforcer 1:20:48 - Overall Thoughts 1:24:18 - Smarking It Up 1:32:50 - Ready to Rumble – The Horn Blows at Midnight (1945) 1:36:50 - Goodbyes Music from this week's show is “Terror Town” by Bruce Chianese/Geoff Levin and “My Time” by Jim Johnston Rate and review us on iTunes, Spotify, YouTube, or wherever you find your podcasts Email – WrestlingHistoryX@gmail.com X – WrestlingHistoX

Watch us on YouTube!  https://youtu.be/GuiWcjRCvGsHow do you handle a situation where someone won't forgive you?  Michael shares a recent incident with a family member who won't let it go.#joerogan #podcast #mensministry #christianliving #biblestudy #cussing #charliekirk #joerogan #jasonwhitlock #fearless #menshealth #christianliving #vincevaughn #timtebow #christianmotivation #churchmemes #mensministry #promiskeepers #timtebow #patrickbetdavid #selfimprovement

In this episode, Ned and Joe discuss Unforgiven (1992).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Now on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Where to watch?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ned's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joe's Letterboxd

Eddie hears Chyna is going to be on the Playboy cover. The same Eddie who spent months praising his own security and confidence and pride in her. The reaction is immediate and completely inconsistent. Tommy Blacha and Rob Pasbani recap the September 11, 2000 edition of WWF Monday Night Raw, live from Phoenix, Arizona, two weeks before Unforgiven.Triple H draws Jericho as his surprise opponent and they run a fast, heated match before X-Pac runs in for the DQ. Triple H shoves him off and nobody explains anything. The DX dissolution continues, unaddressed. Later, in the Kurt Angle vs T&A match, Stephanie sneaks out despite Triple H's explicit instructions, and what follows is Tommy's unlikely standout of the night, a Looney Tunes sequence involving all three performers that works entirely because the execution is crisp and the performers are that good.Tazz, after getting knocked out by a David Hasselhoff portrait, grabs the mic and says exactly what everyone has been thinking. He can't compete with Lawler's political power. Nobody wants him here. The outsider is tapping out. Tazz has become just another victim of the WWF. The hosts find it oddly engaging.Please support the show, and join our brand new Patreon, featuring watch-alongs for classic matches. You also get these episodes uncensored and one day early!Please subscribe at https://patreon.com/talesfromtheattitudeeraOther major discussion points include:- Lita wins the Women's Title from Ivory after Midian's streaking run-in provides the distraction, with the hosts noting she has no angle heading into Unforgiven despite being champion- Hardy Boys become number one contenders after Edge's interference accidentally helps them beat the Dudleys, setting up Hardys vs Edge and Christian at Unforgiven- Mick Foley announces a Fatal Four Way for Unforgiven with Rock defending against Undertaker, Benoit, and Kane, and the hosts question why Undertaker earned a shot after just getting pinned- Val Venis appears completely fine after being abducted last week, hits the Acolytes with a chair, and joins Right to Censor with no conversion promo and no explanation- Tommy opens the episode with stories from behind the scenes at the 2000 MTV VMAs, held that same week at Radio City Music Hall, including what it was like to work on a live production that made wrestling look organized by comparison- Observer notes include William Regal's debut held for time, talks with Raven about joining the company, and K-Kwik ready to debut with a plan to pair him with Road DoggChapters:00:00 Cold Open02:27 Tommy at the 2000 MTV VMAs10:50 Back to the Show / RAW and SmackDown at the Same Venue11:59 Perry Saturn's Travel Nightmare12:33 Show Overview / JR Gives the Card13:29 Foley's Opening Promo / The Austin Investigation14:15 The Rock Comes Out15:36 Benoit Claims #1 Contendership16:09 WWF Name / World Wildlife Fund Lawsuit20:52 Foley Books the Main Event21:41 Hardys vs Dudleys / Edge and Christian on Commentary23:44 Lita vs Ivory / Women's Title25:22 Kurt Angle in Foley's Office26:57 Eddie and Chyna: Earlier Today30:52 Eddie and Chyna vs Too Cool32:34 Eddie Attacks Too Cool / Rikishi / Chyna's Decision35:21 Triple H Backstage36:12 Triple H's Entrance / Chyna Reveals Playboy40:25 Triple H vs Jericho43:33 X-Pac DQ / DX Implosion47:47 RTC vs Acolytes / Val Venis Joins Right to Censor50:24 Al Snow vs Tazz52:04 Tazz's "Tapping Out" Promo53:54 SmackDown Your Vote / Bush and Gore56:53 Kurt Angle vs T&A1:01:53 Foley Books Triple H vs Angle at Unforgiven1:02:23 Steve Blackman vs X-Pac / Jericho Interferes1:04:20 Benoit and Kane Backstage1:05:28 X-Pac Attacks Jericho Backstage1:06:38 Rock and Undertaker Backstage1:08:02 Main Event: Rock and Undertaker vs Benoit and Kane1:10:05 Benoit Pins Undertaker / Fatal Four Way Announced1:11:42 Observer Notes / Regal, Raven, K-Kwik1:15:47 Creative Direction / The Road Ahead1:16:34 Final Thoughts and Sign-Off Hosted on Acast. See acast.com/privacy for more information.

This sermon examines the difficult passage in Mark 3 regarding the unpardonable sin, specifically the blasphemy against the Holy Spirit. The preacher clarifies that this sin is not merely general blasphemy or unbelief, but rather a deliberate and persistent rejection of the Holy Spirit's work by attributing it to Satan. By analyzing Jesus' defense against the scribes, the text emphasizes that God's grace covers all other sins, yet warns that hardening one's heart against the Spirit can lead to an irreversible state where repentance is no longer possible. The message offers comfort to those fearing they have committed this sin, noting that such concern indicates the Spirit is still convicting them. Ultimately, the sermon urges listeners to respond immediately to the gospel and not delay their repentance.

Chyna confronts Eddie backstage and tells him he used her, stepped on her, and only loves the title around his waist. Eddie turns it around completely. His family. His friends. His personal wants. You were on Jay Leno three times. Third Rock from the Sun. Your magazine. Not one page. Are you going to be behind me when I face Road Dog, or is the door right there? Tommy Blacha and Rob Pasbani recap the September 7, 2000 edition of WWF SmackDown, live from Louisville, Kentucky.With Jerry Lawler sidelined from Raw, Tazz joins Michael Cole on commentary in what Tommy and Rob call a preview of the future SmackDown announce team. He roots openly for heels, steals JR's catchphrases, and corrects Cole's move calls in character. Then Lawler returns mid-show, strap in hand, and chokes Tazz out in the middle of his Brooklyn catchphrase.Steve Austin cuts a pre-tape from home, back to camera, nine months out of action. He doesn't forget and he doesn't forgive. It's a good thing the next pay-per-view is called Unforgiven. The promo doesn't fully hang together but Tommy and Rob say it doesn't need to. Austin coming back on screen is enough to make a rough episode feel like must-see TV.Other major discussion points include:Triple H beats Test and Albert in a handicap match when Kurt Angle runs in uninvited, helps Triple H win, and does the you're-welcome look from the stage despite Triple H wanting nothing to do with himRock pins Christian in the main event after Edge is taken out by Rock's own chair, with Foley inserting Kane as Christian's partner in a decision neither host can explain, and Kane chokeslams Rock through the announce table on his way outBenoit pins Rikishi after RTC distraction, and Tazz corrects Cole's move calls in character, including the moment Cole calls a Northern Lights suplex a Sherman suplexAPA and Dudleys have a bloody, joyful barroom brawl at the Have a Nice Day Cafe, cap it with a handshake bit between Bubba and Farooq, and then Kaientai shows up wanting sakeToo Cool lose to the Goodfather and Bull Buchanan and the worm is blocked for the second straight weekTommy opens the episode discussing WWE Studios, the XFL, the WWF record label, and what it looked like from the inside as WWF expanded into every possible business at oncePlease support the show, and join our brand new Patreon, featuring watch-alongs for classic matches. New watch along added: Gorilla Monsoon Mixtape!Previous watch alongs include RVD/Sabu vs. Hayabusa/Hakushi, Verne Gagne vs. Dick the Bruiser, Rock vs Hogan and Buddy Rogers vs. Pat O'Connor.You also get these episodes one day early!Please subscribe at https://patreon.com/talesfromtheattitudeeraChapter Marks00:00 Intro00:32 Tommy's Consulting Role04:51 Too Much Soap Opera08:56 Rob on 40 Years of Fandom11:45 Show Overview / Tazz Replaces Lawler on Commentary17:01 X-Pac vs Jericho 18:49 Kurt Angle in Foley's Office / Angle vs Undertaker Booked19:34 Edge and Christian Promo / "Rocker Taker" / The Rock Comes Out22:11 The Rock Sets Up a Handicap Match for the WWF Title23:54 Backstage: Triple H and Stephanie25:35 Acolytes at the Have a Nice Day Cafe26:06 Benoit vs Rikishi / Tazz Corrects Cole's Move Calls28:09 Eddie and Chyna Backstage: "Where Was I When You Were on Jay Leno?"35:15 APA vs Dudleys Barroom Brawl / Lawler Returns and Chokes Tazz Mid-Catchphrase35:44 Triple H vs Test and Albert36:51 Angle Runs In / Saves Stephanie / Triple H Wins39:26 Chyna Backstage with Road Dog / Triple H and Stephanie Argue About Angle44:04 Eddie Guerrero vs Road Dog47:33 Eddie Attacks Road Dog Post-Match48:07 Too Cool vs Right to Censor51:21 APA and Dudleys at the Bar / Kaientai Wants Sake53:46 Kurt Angle vs Undertaker / Benoit Interferes54:56 Triple H and Stephanie Backstage55:44 Stone Cold Pre-Tape: "It's a Good Thing the Next PPV Is Called Unforgiven"57:40 Rock Ambushes Edge / Main Event Set58:31 Main Event: Rock vs Christian and Kane (WWF Title Handicap Match)1:01:43 Final Thoughts / Patreon Plug Hosted on Acast. See acast.com/privacy for more information.

Confrontations with Villains need not be catastrophic. Some hostile encounters, including those against enemy bosses, can be de-escalated through conversation or completed through clever use of Objective action. Parties specializing in tools of foresight can leverage their navigational upperhand to outmaneuver potentially deadly encounters all together.  Some clashes—especially those with reality-shaking stakes—seem written into the fabric of Perpetua itself. But even these, despite the long odds, have many possible resolutions. This week on Perpetua: Escape the Rumbling Castle! 06 Perpetua Guide [In Progress v.06] Some Feedback [Page 68 of 68] CarlsSr So uh, has anyone won the big fight in Eschatonica? TheUnforgivenIII Holeeeeeyyyyy  $#!+!!! HOT SHOT CARLS SR (more like JUNIOR) FINALLY HAS TO ASK US LOWLY NOOBS A QUESTION. Not such a big shot one-liner now are you. Finally got brought down to your knees by the Creed of Oracles and their holy knights, huh? Doom_Tree_Anne Okay, Unforgiven, let's dial it back a little bit. Not everyone is perfect. In fact,  you even got something wrong in your post. They're not "holy knights," which you would know if you had played Armidirge II: Marcellina's Tears (which came out in the US and UK as Armidirge 2: Holy Reign). About halfway through the game, right after the destruction of the East Cathedral, Beri calls Carcenia "one of those high-and-mighty holy knights of the Creed" and Carcenia says "Tsk. There haven't been holy knights for six hundred years. We are saints, revived!"    In any case, I had a pretty hard time with that fight until I just let Antistrophe take the lead. You can really build him perfectly for the one-on-one fights! FriendOfNei Agreed on Antistrophe there, though if you mean the second fight with the Creed, there's a lot of other options. The key (I think) is making sure to get the second party involved as soon as possible. Otherwise you can really get overwhelmed, especially by Ushala with all that multi-target light damage she can do. CarlsSr Wait. You thought I was talking about THAT fight? Lololol, you really are all lost. Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social),  Janine Hawkins (@bleatingheart), Sylvi Bullet (@sylvibullet), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Like a bizarro Clint Eastwood, Sylvester Stallone parlayed two iconic roles into a decades-long career as a movie star and filmmaker, restauranteur, and conservative hero - only he's short and a lousy director. In 2019, Stallone put his crusading 'Nam vet character out to pasture with RAMBO: LAST BLOOD, a half-assed UNFORGIVEN riff that finds Rambo going up against some rightwing fever-dream "Mexican" human traffickers. Beyond featuring almost zero Mexicans, the film also features zero Mexico: it was largely shot in Bulgaria. Bulgaria's rise as a filmmaking hotspot is thanks in large part to the success of Stallone's Expendables franchise, which allowed production company Millennium Films to turn Sofia's Nu Boyana Film Studios into a one-stop offshoring shop for Hollywood. Joining us to discuss his experience working on this film (!) and the state of the Bulgarian film industry is filmmaker and co-host of the Cinema Strolls podcast Roman Pessarov! We also take a look at the Rambo series as a whole, being a cinephile outside of the US, and learn that even former Soviet dads are ultimately a lot like other dads. GREAT ep, check it out! Follow Roman Pessarov: https://www.instagram.com/roman.pessarov/ https://www.hopp.bio/cinema-strolls https://kinematograf.bg/mirror-touch-film https://www.imdb.com/name/nm3355231/ Further Viewing: ROLLING THUNDER (Flynn, 1977) FIRST BLOOD (Kotcheff, 1982) RAMBO: FIRST BLOOD PART II (Cosmatos, 1985) RAMBO III (MacDonald, 1988) RAMBO (Stallone, 2008) EASTERN PLAYS (Kalev, 2009) GLORY (Grozeva & Valchanov, 2016) PICTURES OF GHOSTS (Mendonça Filho, 2023) THE SECRET AGENT (Mendonça Filho, 2025) Further Reading: "The King of the Geezer Teasers" by Joshua Hunt: https://www.vulture.com/article/randall-emmett-movies.html

In this episode: Brian & Jim dive into another Dude, What?! Original‍ ‍from the archiveYou can listen to the Original Episode hereJim & Brian talk about why there was a need for a disclaimer in the original episodeJim talks about the change in family dynamics from the original up to nowWas the Flash Mob Bank Robbery a seed for How To Rob A Bank (2026)?Brian and Jim talk about Gary the Assassin being like Bob Odenkirk's Nobody (2021)What's In The Box?!Dirty Harry (1971)(amazon link)Unforgiven (1992)(amazon link)Million Dollar Baby (2004)(amazon link)SHOW SPOILERS The guys talk about a loyal fan visiting Belgium and his reminder of us: Balls and Glory‍ ‍Jim tells a story about a super fan who might be a ninjaBrian shares his first thoughts on Dirty Harry This film was made around the same time as the Zodiac Killerwas in the healinesBrian shares his feelings about the night scenes due to poor lightingThe guys talk about Frank Sinatra playing Dirty HarryWhat would a remake of Dirty Harry with Tom Hardy and Tom Cruise be like?The guys discuss:Having a stupidity warning on the showClint Eastwood really is Mr. Hollywood in a lot of waysYou can check out the episode covering Me, Myself and Irene hereBrian & Jim talk about film choices in the 70's vs todayBrian wrote a One Final Thought on this film. You can read that hereBrian talks about Collateral Jim shares about Tom Hardy's movie HavocThe guys setup what to expect with the Table Scraps episodesListen to our Archive here5 ways to Support the ShowSupport the Show while you shop at Amazon hereDude, What?! is an Amazon Associate which means there are some links where we may earn from qualifying purchases. Movies Mentioned in this episodeBreaking Bad (2008-2013 Dark Comedy/Crime)Hell or High Water (2016 Heist/Contemporary Western)Dirty Harry (1971 Action/Crime)Friday the 13th (1980 Horror/Crime)Play Misty For Me (1971 Thriller/Crime)Lethal Weapon (1987 Action/Thriller)Jaws (1975 Thriller/Adventure)Guys and Dolls (1955 Musical/Crime)Back to the Future III (1990 Western/Family)Frequency (2000 Crime/Thriller)Me, Myself and Irene (2000 Crime/Thriller)Collateral (2004 Thriller/Action)Follow Us on FacebookInstagramTwitterPinterestYouTubeContact Us at: HeyYouGuys@dudewhatpod.comIntro Music on the Original Episode: ‍ ‍Performed by The Cherry Poppin' Daddies ©1989 Dr. Bones, Space Age Bachelor Pad Records. Listen to the Daddies on Spotify Used with permission & licensed through Wixen Publishing, Inc

SEASON 2 - EPISODE 204 Janice Blackie-Goodine - Set Decorator In this episode of the Team Deakins Podcast, we speak with set decorator Janice Blackie-Goodine (THE ASSASSINATION OF JESSE JAMES, LONESOME DOVE, UNFORGIVEN). Growing up on farmland in Calgary, Janice's experiences with hard, physical labour and a supportive art teacher led to her specialize in set decoration. During our conversation, we learn how Janice navigated the male-dominated department, and she helps us understand what a set decorator does and how she approaches every job. Later, we reflect on surviving the production of JESSE JAMES together. Janice shares how she, production designer Richard Hoover (Season 1, Episode 142), and producer David Valdes (Season 1, Episode 13) pivoted when they discovered they were prepping the wrong version of the film, and we learn why it's the film she's the most proud of. Janice also shares how she develops relationships with vendors when securing pieces for a set and how she builds the budget, and she reveals why she finally retired from the business. We worked with Janice on JESSE JAMES, and we loved catching up with her. - If you enjoyed listening to Janice, then we would recommend listening to Dean Goodine (Season 2, Episode 201)—a prop master and Janice's husband.

Unforgiven resentment does not just weigh on your heart. It fuels chronic stress, drains your energy, and quietly sabotages your focus, your decisions, and your success. In this episode of DarrenDaily On-Demand, Darren Hardy reveals the single word that unlocks both happiness and freedom, and why it may be the most important thing you ever do. Drawing on the Forgiveness Project work of Desmond Tutu and Shawne Duperon, and on raw stories about his own mother and father, Darren walks through three realizations that make forgiveness possible. This episode dives into how to finally let go of the apology you may never receive. Join the A-Team. One Mission. One Team. One Standard. Are you ready to #BeTheException - https://darrenhardy.com/careers/ Get more personal mentoring from Darren each day. Go to DarrenDaily at http://darrendaily.com/join to learn more.

“Because he's never said he's sorry”. . . “She kept the ring my grandma wanted me to have” . . . “He laughed at how I cringed at his cheap insult.” All these—and more—as reasons that we can't—or won't—forgive. We acidly rehearse the story of our injury, deepening divides and festering in feuds. Soon we come to like the bitter taste of bile, for anger feels powerful, and power is what we want. But Jesus offers us another way—a path of grace that doesn't measure wounds and grievances. “Love your enemies,“ He urges. “Do good to those who hate you. Bless those who curse you. Pray for those who hurt you” (Luke 6:27-28). Such kindness seems impossible until—unless—we grasp how greatly we have been forgiven. Our graciousness is still the greatest sign that we have understood our real state, for “a person who is forgiven little shows only little love” (Luke 7:47). If you never need forgiveness, then stay as hot and angry as you dare. But if your story calls for grace, accept the Father's timely gift. And stay in it. -Bill Knott

“Because he's never said he's sorry”. . . “She kept the ring my grandma wanted me to have” . . . “He laughed at how I cringed at his cheap insult.” All these—and more—as reasons that we can't—or won't—forgive. We acidly rehearse the story of our injury, deepening divides and festering in feuds. Soon we come to like the bitter taste of bile, for anger feels powerful, and power is what we want. But Jesus offers us another way—a path of grace that doesn't measure wounds and grievances. “Love your enemies,“ He urges. “Do good to those who hate you. Bless those who curse you. Pray for those who hurt you” (Luke 6:27-28). Such kindness seems impossible until—unless—we grasp how greatly we have been forgiven. Our graciousness is still the greatest sign that we have understood our real state, for “a person who is forgiven little shows only little love” (Luke 7:47). If you never need forgiveness, then stay as hot and angry as you dare. But if your story calls for grace, accept the Father's timely gift. And stay in it. -Bill Knott

WWE Raw #256 - April 20th, 1998: The Undertaker and Kane collide in a battle of their parents graves on the final WWE Raw before Unforgiven 1998!Tom Campbell and "The Rambunctious" Jackie Orlando step into their ICO-PRO Powered DeLorean to watch every episode of WWE Raw from the start.WATCH THE VIDEO VERSION: Patreon.com/cultaholic Hosted on Acast. See acast.com/privacy for more information.

Hay westerns que cuentan la leyenda. Y luego está Unforgiven, la película que decidió desmontarla pieza a pieza. Una obra maestra que cuestiona el mito del pistolero, la violencia y la gloria del Oeste con una crudeza y una profundidad pocas veces vistas en el cine. En este programa nos adentramos en una de las grandes cumbres del género, dirigida y protagonizada por Clint Eastwood, quien firma una despedida magistral del western clásico mientras construye una de las historias más humanas, amargas y devastadoras de toda su carrera. Analizamos la figura de William Munny, un antiguo asesino que intenta dejar atrás un pasado lleno de sangre, pero que se ve obligado a empuñar el revólver una última vez. Hablamos de la brillante construcción de sus personajes, de la extraordinaria interpretación de Gene Hackman como el despiadado sheriff Little Bill Daggett, del inolvidable Ned Logan de Morgan Freeman y del papel que desempeña el joven Schofield Kid en esta historia sobre culpa, redención y violencia. También debatimos sobre cómo Sin Perdón desmonta los clichés del western tradicional, mostrando un Oeste sucio, cruel y alejado del romanticismo de las viejas películas. Aquí no hay héroes perfectos, ni duelos elegantes al atardecer. Solo hombres marcados por sus decisiones y un mundo donde cada disparo tiene consecuencias. Por supuesto, repasamos su impresionante dirección, su sobria fotografía, su inolvidable banda sonora y el enorme legado que dejó tras conquistar cuatro premios Óscar, incluyendo Mejor Película y Mejor Director. Junto a Mario, Fer y el Mamado Lidel, nos reunimos para analizar una película imprescindible, llena de grandes interpretaciones, diálogos memorables y momentos que ya forman parte de la historia del cine. Porque algunas leyendas nacen con un disparo. Y otras mueren con él.

SEASON 2 - EPISODE 201 Dean Goodine - Prop Master In this episode of the Team Deakins Podcast, we speak with prop master Dean Goodine (THE ORDER, THE ASSASSINATION OF JESSE JAMES, UNFORGIVEN). From a small lumber town in Canada, Dean almost committed his life to the oil fields of Alberta before turning to film. Throughout the episode, Dean helps us understand what a prop master does for a movie, and, drawing on his extensive experience with firearms safety, we also discuss how he keeps sets safe. While learning what Dean's responsibilities are as a prop master, he shares how he collaborates with the costume department, and we also discuss how he adapts to working with different directors. In addition to film, Dean has also worked in television, and he reflects on dealing with the phenomenon of fandom while working on STARGATE. We also discuss the state of the Canadian film industry, historical and present-day, and Dean reveals how his own research and prep process has stayed the same. We worked with Dean on JESSE JAMES, and we had a great time catching up with him. - If you enjoyed listening to Dean, you can learn more about him and his career in his book "They Don't Pay Me To Say No: My Life in Film and Television Props"

Send us Fan MailEpisode 271 of the Hey You Guys Podcast is here, and this week, Liam and Rob look back at a movie Rob assumed he would hate....turns out, he was wrong. Unsurprisingly, Clint Eastwood's Oscar winning deconstruction of the Western genre is still pretty good. How good though? Has it stood the test of time? Are the performances as magnetic as they were in 1992? Listen in via your podcast platform of choice to find out. 

SECRETS & LIES by ROBERT R. SYTNICKSecrets & Lies -- A heart throbbing story of romance, lies, and espionage. A boyish crush on a married woman eventually turns into a passionate affair. Their secrets and lies control their future, as they are forced to walk in the shadows as a trail of blood and broken hearts are left in their wake. Time eventually reignites their love one last time, but destiny intervenes.About Robert R. Sytnick Robert resides across our northern border, in Canada. Near the small city of Dauphin, in the province of Manitoba. Robert remains active in the agriculture sector, growing wheat, canola and soybeans. This active lifestyle keeps him busy, but thrives in the getaways to the lake where he enjoys being at his campsite, fishing. He says, one cannot beat the taste of fresh pickerel fried on the open fire.    Motorcycles have always been a part of Robert's life and maintains his collection of old Honda's from the 60's and 70's. He buys old Honda motorcycles, restoring them to their original glory.    Like every Canadian he enjoys traveling, especially in the winter months, escaping the frigid temperatures of Canada to inviting sands and warm sunlight.    In 2019 Robert wrote his first novel, Sara Rose, followed by  Night Whispers, Redemption,  The Unforgiven, Secrets & Lies....It was the mystique of Arizona that captured his thoughts and the novels Redemption and Secrets & Lies evolved from.https://www.amazon.com/dp/B0CRVQH6TV?lv=shuf&channelId=500&plpRedirect=mhFallbackhttp://www.bluefunkbroadcasting.com/root/twia/62526rrs.mp3    Other Books by Robert R. SytnickSARA ROSENIGHT WHISPERSREDEMPTIONTHE UNFORGIVENRHYMING STORIEShttps://www.amazon.ca/Books-Robert-Sytnick/s?rh=n%3A916520%2Cp_27%3ARobert%2BSytnick

Oscar-winning superstar director Ron Howard talks to his former New World Pictures colleague Joe Dante and co-host Josh Olson about the movies that made him and continue to impress him! Show Notes: Movies Referenced In This Episode Limit Up (1989) Grand Theft Auto (1977) Infested (2002) The Courtship of Eddie's Father (1963) Hollywood Blvd. (1976) I Never Promised You a Rose Garden (1977) Citizen Kane (1941) Rush (2013) Curious George (2006) *One Flew Over The Cuckoo's Nest (1975) - 24:00 Amadeus (1984) American Graffiti (1974) 12 Angry Men (1957) The Howling (1981) The 'Burbs (1989) *The Graduate (1967) - 31:49 Bonnie and Clyde (1967) Romeo and Juliet (1968) White Heat (1949) The Searchers (1956) *The Apartment (1960) - 39:26 Some Like It Hot (1959) Sunset Blvd. (1950) Night Shift (1982) Splash (1984) Parenthood (1989) Silver Streak (1976) Foul Play (1978) Witness for the Prosecution (1957) *As Good As It Gets (1997) - 44: 37 All The President's Men (1976) Three Days of the Condor (1975) Network (1976) *Schindler's List (1993) - 49:00 Amistad (1997) The Color Purple (1985) Jurassic Park (1993) Cape Fear (1991) Apollo 13 (1995) Frost/Nixon (2008) *Dog Day Afternoon (1976) - 53:41 *Das Boot (1981) - 56:43 Eight Days A Week (2016) A Hard Day's Night (1964) Unforgiven (1992) *Mr. Smith Goes to Washington (1939) - 63:05 It's A Wonderful Life (1946) It Happened One Night (1934) *A Boy And His Dog (1975) - 70:22 David and Lisa (1962) Mad Max (1979) The Road Warrior (1981) Backrooms (2026) Obsession (2026) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition Michael Curtiz Ron and Clint Howard's memoir The Boys (2021) Rance Howard Jean Speegle Howard  The University of Oklahoma Dennis Weaver Gary Cooper Bruce Dern Harry Dean Stanton Vincente Minnelli The Andy Griffith Show TV series (1960-67) Samuel Fuller TFH Guru Allan Arkush TFH Guru Roger Corman New World Pictures Our latest RZA podcast Imagine Entertainment Brian Grazer Curious George TV series (2006-22) Milos Forman Danny DeVito Christopher Lloyd Kirk Douglas Michael Douglas Haskell Wexler Jack Nicholson One Flew Over the Cuckoo's Nest novel by Ken Kesey (1962) Gary Sinise Death of a Salesman play by Arthur Miller (1949) Nathan Lane Lee J. Cobb Henry Fonda Mister Roberts play by Joshua Logan (1948) John Ford The 'Burbs TV series (2026- ) Mike Nichols Robert Surtees Franco Zeffirelli  The Sopranos TV series (1999-2007) Sidney Hickox  Warner Bros. Pictures French New Wave Andy Griffith The Cornell Theatre in Burbank, CA Charles Martin Smith Happy Days TV series (1974-84) Penny Marshall Billy Crystal Lowell Ganz Babaloo Mandel Thomas L. Miller Glenn Close James L. Brooks Cliff Robertson Ned Beatty Steven Spielberg Michael Jordan Peter Morgan The Crown TV series (2016-23) Tom Hanks Making Movies memoir by Sidney Lumet (1995) On Directing Film book by David Mamet (1991) Bill Connor Dog Day Afternoon play by Stephen Adly Guirgis (2026) Wolfgang Peterson Ringo Starr Paul McCartney Meryl Streep Gene Hackman Clint Eastwood James Stewart Frank Capra Sam Rosen John Carradine D.W. Griffith Don Knotts Sheldon Leonard The Beverly Hillbillies TV series (1962-71) Petticoat Junction TV series (1963-70) Anson Williams Bobby Sherman Linda Purl L.Q. Jones  John Cassavetes Alvy Moore George Miller Harlan Ellison Jason Robards Robby the Robot Don Johnson TechniscopeSpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Meri works to repair the broken trust caused by her catfishing scandal, and creates artwork for each of the wives. She then travels to Utah to visit Leon who is not yet ready to forgive. Maddie picks a wedding dress and a wedding venue.We have a PATREON! click on link below tocheck out the extra content, including weekly bonus episodes covering popculture hot topics and true crime stories plus a look into our personal livesand all regular episodes ad free. For Sister Wives fans we have a Patreon BookClub series covering Christine Brown Woolley's book "Sister Wife."First episode is free on the regular feed and the remaining episodes are onPatreon. All 9 episodes can also be purchased as a bundle on Patreon.PatreonPlease SUBSCRIBE to the podcast and giveus a 5-star rating and review.We are on Instagram and TikTok @psychlegalpopEmail: psychlegalpoppodcast@gmail.com#sisterwives #sisterwivesseason10episode5#sisterwivesseason10 #sisterwivesunforgiven #sisterwivesrewind#meribrowncatfish #christinebrown #christinebrownwoolley #kodybrown #meribrown#janellebrown #robynbrown#maddiebrown #maddiebrownwedding #tlc #sisterwivestlc#realitytv #psychology #attorney #therapist #therapistonsisterwives#lawyeronsisterwives #law #lawyer #popculture #popularculture #polygamy#pluralfamily Hosted on Acast. See acast.com/privacy for more information.

Unforgiven directed by Clint Eastwood and starring Clint Eastwood, Gene Hackman and Morgan Freeman. Episode Roundup: Enjoy our latest episode before we return in September! The Cowpunchers endure a more tolerable, and non-romantic, outhouse scene. Mel enjoys the classic western one-liners. Stu feels bad about getting what he wants. Amy learns that murder is wrong!?

"He's Percying as hard as anybody can Percy. Nobody can Percy that much harder than Percy can Percy right now because Percy is Percying as much as Percy can possibly Percy."Hey Little Paulsters! Your hosts, Jeff Macanovich and Jaime Cavazos, welcome Beast back to drink some beers and watch the second half of WWF In Your House 21: Unforgiven 1998. Notwithstanding that, Jaime and Beast serve up a hell of an intro to the festivities, Beast peruses Sunny's IMDB and Goth Mom Terri gets even more backstory.The guys enjoyed beers from Miller Brewing Company, Goose Island Beer Co., Sierra Nevada Brewing Co. and El Segundo Brewing Company.New episodes drop every other Tuesday morning and follow the show @WorkTheArmPod, on Twitter, Instagram, Blue Sky and (I guess) Threads.Check out our merch from the mind of Starman here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by Starman's Podcasting Buddies | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grab something with the Work The Arm logo here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by WorkTheArm | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Interview with Mark Ward from the Unforgiven Shakers - The Culture News

Marcus Aurelius Anderson sits down with bestselling author and creative legend Steven Pressfield in Santa Monica for a wide-ranging conversation centered on Pressfield's new historical fiction novel, The Arcadian. The two explore the novel's ancient mercenary protagonist Telamon, the philosophy of resistance, the role of vulnerability in transformation, and what it means to keep doing the work — even after losing everything in a wildfire. Episode Highlights: 9:55 — The Magical Horse and the Hope of ReleasePressfield unpacks the inciting incident of The Arcadian — Telamon spotting a horse he recognizes from the year 70 AD bearing the brand of the 10th Roman Legion. The horse, appearing 1,400 years later, becomes a symbol of potential redemption and drives the entire story forward. 10:35 — Westerns, Vulnerable Characters, and Human TransformationPressfield reveals that The Arcadian is structurally a Western — like Unforgiven or Shane — and explains why the genre's conventions (a man of violence, a lawless landscape, a vulnerable character) are the perfect vehicle for stories about overcoming emotional isolation and finding humanity. 28:38 — Resistance, the LA Fires, and the Work That Saves You Pressfield opens up about losing his home in the 2025 LA wildfires, including a 40-year-old handwritten copy of the Empedocles quote. He reflects on how devotion to the work — and an acorn from Thermopylae returned by a Special Forces friend — helped hold him together. Steven Pressfield is one of the most influential American authors of the past three decades. Best known for The War of Art, Gates of Fire, and The Legend of Bagger Vance, Pressfield has built a body of work that spans historical fiction, nonfiction on creativity, and screenwriting. A former Marine and advertising copywriter, he spent years living in a Chevy van before finally breaking through as a writer. His concept of "Resistance" — the internal force that blocks creative work — has become a touchstone for artists, entrepreneurs, and warriors worldwide. His newest novel, The Arcadian, was released May 26, 2025. He publishes a weekly blog, Writing Wednesdays, at StevenPressfield.com. Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.

"I want to see Vince Fears Lawsuits...Vince Fears the TKO Board."Hey Little Paulsters! Your hosts, Jeff Macanovich and Jaime Cavazos, welcome Beast back to drink some beers and watch the first half of WWF In Your House 21: Unforgiven 1998. Notwithstanding that, Beast dives deep into his hatred for Dalton Roadhouse, Jaime and Beast recap a very tame Dark Lord Day BBQ and the guys discuss what are and are not acceptable names for women's undergarments.The guys enjoyed beers from Miller Brewing Company, DuClaw Brewing Company, Arrowhead Ales, Sierra Nevada Brewing Co. and 3 Floyds Brewing.New episodes drop every other Tuesday morning and follow the show @WorkTheArmPod, on Twitter, Instagram, Blue Sky and (I guess) Threads.Check out our merch from the mind of Starman here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by Starman's Podcasting Buddies | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grab something with the Work The Arm logo here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts by WorkTheArm | TeePublic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week Clint is back talking all things Metallica and watching the All Within My Hands benefit show from November 3rd, 2018 with a setlist featuring the re-imagined Disposable Heroes, The Unforgiven, Turn the Page, covers from Deep Purple and Nazareth and Bleeding Me. Clint also reads listener e-mails and discusses Metallica's newly built intros and segues live, the origins of Jason Brantley, the bleak state of the music industry and whether or not Metallica will make an album like Load or ReLoad again and whether or not the band will tour the world in the near future. Enjoy! Subscribe on YouTube HERE. If you get value from Metal Up Your Podcast, the best way to support the show is to subscribe and leave a review on Apple Podcasts:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077Want more MUYP?You can support the show directly by becoming a Patron.Patrons at the $5 tier receive:Volumes 1–4 of our Cover Our World Blackened EPsInvitations to appear on the show to discuss Metallica concerts you've attended.The ability to submit questions to past guests including Ray Burton, Halestorm, Michael Wagener, Jay Weinberg, and members of Metallica's crew.Join us here:https://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server to continue the conversation:https://discord.gg/nBUSwR8tSupport Clint's music:Lunar Satan: https://distrokid.com/hyperfollow/lunarsatan/lunar-satanVAMPIRE: https://distrokid.com/hyperfollow/clintwells/vampireStream or purchase Cover Our World Blackened and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow Metal Up Your Podcast on social media and write in anytime:metalupyourpodcastshow@gmail.com

En varios lugares del Nuevo Testamento, Jesús nos daba fuertes amonestaciones, sabiendo que muchos no iban a tomar en serio, la necesidad de estar seguros de su perdón.

As the northern edge of the Castle Eschatonica grows closer, the adventurers within begin to sense a change in the dungeon around them. While the Celestial Echoes that make up the hallways and rooms of the castle were once neatly separated, now it seems that the people and places from the various past Perpetuan worlds have begun to overlap and interact. In search of information, Brontë, Veile, Elena, and Caoimhe seek help from an otherworldly machine. Meanwhile, on the other side of the castle, a gang of otherworldly beings seeks help from the trio of Antistrophe, Jonathan, and Uncle Nicky.  This Week on Perpetua: Escape the Rumbling Castle! 02 Perpetua Guide [In Progress v.06] Some Feedback [Page 64 of 65] Doom_Tree_Anne  So, I HAVE to know… who is everyone's favorite Agony? Back in Imago 2: Ancestral Fault, I HATED Miss Mephitic, because I just thought compared to the other Agonies, she was a really boring design. Who cares about a bunch of vines!? But with the music box/ballerina re-design in this game… I think she might have jumped to the top of the list! I guess we have to wait and see if she keeps it going forward… TheUnforgivenIII My favorite is definitely Melo. That guy seems like he'd be cool to chill out with and listen to music with. Alukard83 Wow, color me surprised Unforgiven! I thought you'd be an Ira guy, through and through.  TheUnforgivenIII Why the hell would I like that stupid little idiot baby? Alukard83 Well, now I think it might be a bad idea to tell you why. As for my favorite, this is the first time I'm really meeting them, but I gotta say, I really love Connie. I love it when something references something else, you know? And she's sort of a walking (well, rolling) reference machine! TheDiamondRanger What's An Agony? The strategy guide says they're like equipable spells but it sounds like they're NPCS too!? CarlsSr You're such a Wan. Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social),  Janine Hawkins (@bleatingheart), Sylvi Bullet (@sylvibullet), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.  

Hosts Josh and Jamie and special guest writer-director Alex Russell (LURKER, THE BEAR, BEEF) discuss 90s revisionist westerns co-starring a villainous Gene Hackman with a double feature of Clint Eastwood's iconic, Oscar-winning and deeply weary/melancholy funeral for the genre UNFORGIVEN (1992) + Sam Raimi's playfully manic cartoon of the same archetypes and iconography in THE QUICK AND THE DEAD (1995). Next week's episode is a patron-exclusive bonus episode on ONLY ANGELS HAVE WINGS (1939) + THE EMPIRE STRIKES BACK (1980), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:09 UNFORGIVEN // 12:09-1:18:02 QUICK AND THE DEAD // 1:18:02-2:16:30 Outro // 2:16:30-2:21:16 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

As admirers of "working actors" who bring their experience to each new assignment, Leonard and Jessie are pleased to share their chat with John Pyper-Ferguson, who is now on theater screens in Casa Grande, a feature based on a popular miniseries starring Lou Diamond Phillips. Jon has made a vivid impression in shows like The Adventures of Brisco County Jr. and Suits as well as features including Unforgiven, where he was directed by Clint Eastwood. You've seen him in Agents of SHIELD, The 100, and The Last Ship. Now meet the man who fills those roles so well.

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. You voted, we watched! For our third Listener Choice episode, we jumped in the saddle to talk OPEN RANGE, Kevin Costner's 2003 Lauran Paine adaptation that he seemed to think would be his UNFORGIVEN. We disagree! To the many Costnerds among you, we apologize in advance - but this thing ain't UNFORGIVEN, let me tell ya. We talk free grazing, mythmaking, saving dogs, and the wonderful Robert Duvall and Michael Jeter. Avatar: The Last Annettebender. Is that anything? Let us know. As always, thank you to Jetski for our theme music and Jeremy Allison for our artwork. Produced by Jake Serwin & Ian Rhine. Edited by Ryan Torgeson.

Arrow UK's Neil Snowdon walks hosts Josh Olson and Joe Dante through five movies he's proud to have released via Arrow, and five he wishes he could release. Show Notes: Movies Referenced In This Episode The Warriors (1979) Innerspace (1987) Excalibur (1981) The Emerald Forest (1985) Deliverance (1972) Hope and Glory (1987) Where the Heart Is (1990) Zardoz (1974) The Devils (1971) First Knight (1995) The Exorcist (1973) Exorcist II: The Heretic (1977) Boorman and the Devil (2026) The Shootist (1976) The Cowboys (1972) Dirty Harry (1971) Taxi Driver (1976) True Grit (1976) Targets (1968) Sleep (2020) Suspiria (2018) Suspiria (1977) Ms. 45 (1981) Irreversible (2002) The Boy Friend (1971) Women in Love (1969) Altered States (1981) The Music Lovers (1970) Lisztomania (1975) Tommy (1975) Trapped Ashes (2008) Gothic (1986) The Lair of the White Worm (1988) Crimes of Passion (1984) Whore (1991) Salome's Last Dance (1988) Robin and Marian (1976) Unforgiven (1992) Nuits Rogues (1974) Judex (1963) Eyes Without a Face (1960) Petulia (1968) Butch and Sundance: The Early Days (1979) Cuba (1979) Citizen Kane (1941) The Three Musketeers (1973) The Four Musketeers (1974) Fantomas (1913-14) Les Vampires (1915) The Hunger (1983) Unstoppable (2010) True Romance (1994) Domino (2005) Deja Vu (2006) The Taking of Pelham 123 (2009) Loving Memory (1970) Performance (1970) Little Big Man (1970) Top Gun (1986) The Last Boy Scout (1991) Mademoiselle Fifi (1944) Isle of the Dead (1945) Cat People (1943) The Body Snatcher (1945) Bedlam (1946) I Walked with a Zombie (1943) The Seventh Victim (1943) Marlowe (1969) The Long Goodbye (1973) Other Notable Items Our Patreon!  The Hollywood Food Coalition Arrow Video UK Harlan Ellison  John Boorman Powers Boothe Dabney Coleman Neil Jordan Walt Disney Pictures 20th Century Studios Warner Bros. Paramount Pictures Warner Bros. Clockwork The Cannes Film Festival Ken Russell The Parade's Gone By… book by Kevin Brownlow (1976) Mike Hodges Anthony Pratt Boris Karloff King Arthur Robin Hood The Once and Future King novel by T.H. White (1958) Arthur Rex novel by Anthony Burgess (1978) David Kittredge Our William Friedkin podcast episode William A. Fraker BJ and Harmony Colangelo Lee Gambin Jim Hemphill Glenn Kenny Don Siegel John Wayne Robert Mitchum John Carradine Letterboxd TFH Guru Jonathan Kaplan Dino De Laurentiis Sam Peckinpah Pauline Kael Howard Hawks John Ford Ron Howard Howard S. Berger Sandra Hüller  Michael Venus Walter Hill Ms. 45 (Cultographies) by Alexandra Heller-Nicholas (2017) Abel Ferrara Richard Howorth Zoë Lund Gaspar Noé The Warner Archive Collection Richard Lester Robert Shaw Nicol Williamson Richard Harris Sean Connery Audrey Hepburn Georges Franju  BFI The Criterion Collection Jacques Champreux Louis Feuillade Tony Scott Denzel Washington Christopher Walken Dennis Hopper Nicholas Roeg “Bela Lugosi's Dead” song by Bauhaus (1979) Dick Smith Carl Fullerton Griffith Park in Los Angeles Val Lewton Henry Daniell Bela Lugosi Columbia Pictures The Body Snatcher short story by Robert Louis Stevenson (1884) James Garner Bruce Lee The Rockford Files TV series (1974-80) Mike Mignola Tony Stella SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we look at a classic western directed by Clint Eastwood. The lines of "right" and "wrong" are blurred, the "romantic view" of the old West is tossed out for a more "earthy" and realistic view of what people truly had to face. And in the midst of it all, a writer trying to capture and maintain the "romance" of the West instead of the reality.

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz delivers a detailed, no-fluff analysis of LE SSERAFIM's brand new single “Celebration,” the lead track from their upcoming 2nd studio album PUREFLOW pt. 1. In this segment, Analytic Dreamz breaks down the 5-member group's evolution since their 2022 debut under Source Music (HYBE). From their fearless concept and major career milestones—including Billboard 200 peaks for ANTIFRAGILE (#14) and UNFORGIVEN (#6), Coachella and MTV VMAs performances, to the career-best charting of “Spaghetti (ft. J-Hope)”—this breakdown examines how “Celebration” fits into LE SSERAFIM's growing global presence.Analytic Dreamz explores the track's hardstyle-meets-melodic techno and club/rave EDM sound, its themes of self-acceptance and transforming fear into strength, member songwriting involvement, and the playful yet symbolic music video. Early performance signals, consumption trends, sales mechanics, market expansion factors, longevity risks, and critical reception (estimated 7.0–7.5/10) are all covered with data-driven insights.Whether you're a longtime fan or discovering the group through this release, this Notorious Mass Effect segment gives you the full picture on LE SSERAFIM's latest chapter as they build momentum toward the May 22, 2026 album drop.Privacy & Opt-Out: https://redcircle.com/privacy

In this powerful episode of The Reformed Brotherhood, Tony and Jesse return to their parable series with an in-depth examination of the Laborers in the Vineyard from Matthew 20:1-16. This often-misunderstood parable confronts our natural inclination toward merit-based thinking and exposes the scandal of God's grace. The hosts unpack the covenantal language embedded in the text, particularly the workers' "grumbling"—a loaded term echoing Israel's wilderness rebellion. Through careful exegesis and theological reflection, they demonstrate how this parable dismantles religious entitlement while celebrating God's sovereign freedom to bestow mercy according to His purposes, not our calculations. The discussion offers fresh insights into grace, election, and the radical generosity that defines God's kingdom economy. Key Takeaways The parable operates on covenant logic, not economic fairness: The landowner's dealings with his workers reflect covenantal promise-keeping rather than marketplace transactions, establishing that God's relationship with His people is fundamentally gracious. "Grumbling" carries profound theological weight: The Greek word used for the workers' complaint is the same term in the Septuagint for Israel's wilderness rebellion—not mere dissatisfaction, but a covenantal accusation against God's faithfulness. Two types of workers represent two approaches to God: The first-hired workers who contracted for specific wages represent those relating to God through legal obligation and merit, while later workers who trusted the owner's promise represent faith-based relationship. The reversal of payment order is narratively essential: By paying the last workers first, the landowner deliberately exposes the merit-based assumptions of the first workers, forcing them to confront their entitlement. Grace doesn't negate justice—it transcends it: The landowner fulfills every contractual obligation while simultaneously exercising sovereign generosity beyond what is owed, demonstrating that mercy and justice coexist in God's character. The parable addresses the present kingdom, not just heaven: Because it includes grumbling and complaint, this parable describes life in God's kingdom now—the "already but not yet"—rather than the consummated state. Divine sovereignty in salvation is the theological climax: The landowner's declaration "Am I not allowed to do what I choose with what belongs to me?" directly addresses God's freedom in election and the scandal of unmerited grace. Key Ideas The Covenantal Nature of the Landowner's Dealings The parable's opening establishes a formal agreement between the landowner and the first workers: one denarius for a day's labor. This contractual arrangement is crucial for understanding what follows. Unlike marketplace haggling, this represents a covenant—the landowner binds himself to provide what he has promised. Tony emphasizes that even this initial contract is an act of condescension and grace, as the master had no obligation to employ anyone at all. As the day progresses, subsequent workers are hired with increasingly less formal agreements. By the third hour, the landowner promises only "whatever is right," and by the eleventh hour, no wage is even mentioned. These later workers enter the vineyard based entirely on the landowner's character and trustworthiness. This progression mirrors the movement from law to gospel—from contractual obligation to trusting promise. The theological implication is profound: those who relate to God based on His gracious word rather than calculated merit are actually in a more secure position than those who attempt to earn their standing through works. The Wilderness Echo: Grumbling as Covenant Violation The hosts make a critical exegetical observation about the Greek word for "grumbling" (γογγύζω) used in verse 11. This is not casual complaining but the identical term used throughout the Septuagint to describe Israel's covenant rebellion in the wilderness. When the workers grumble "upon receiving" their wages, they're not merely expressing disappointment about pay inequality—they're filing a covenant lawsuit against the master, accusing him of unfaithfulness. This connection to Numbers 16 and Exodus 16-17 is devastating. The Israelites' wilderness grumbling wasn't about logistics or comfort; it was fundamentally about doubting God's covenant fidelity. By employing this loaded terminology, Matthew signals that the first workers' complaint is nothing less than accusing God of covenant violation. The landowner's response ("Friend, I am doing you no wrong. Did you not agree with me for a denarius?") is a covenant defense—he has fulfilled his obligations precisely. The workers' real offense is not miscalculation but begrudging God's freedom to show mercy beyond what is contractually required. The "Evil Eye" and Begrudging God's Grace The final rhetorical question—"Or do you begrudge my generosity?"—contains another Jewish idiom often lost in translation. The Greek literally reads, "Is your eye evil because I am good?" This "evil eye" imagery appears throughout Scripture as a metaphor for envy, stinginess, and resentment toward another's blessing. The landowner's question cuts to the heart: are you cursing me for being generous? This directly parallels Jonah's response to Nineveh's salvation. Jonah had just experienced miraculous deliverance through the great fish, yet when God showed identical mercy to the Ninevites, Jonah's response was essentially, "I knew you were gracious—that's why I ran!" The parable exposes the same perverse logic: those who have received covenant mercy begrudging that same mercy extended to others. For the Pharisees listening to Jesus, this was an indictment of their resentment toward tax collectors and sinners receiving the kingdom. For Christians today, it challenges any sense of spiritual superiority based on how long we've been in the kingdom or how much we've sacrificed. Memorable Quotes Am I not allowed to do what I choose with what belongs to me? Or do you begrudge my generosity? That 'or' is a logical connector—either I'm not allowed to do what I want with my belongings, which is ridiculous, or if I am allowed, then you must be mad at me for being generous. Those are the only options. — Tony Arsenal The grumbling in the Old Testament in this context is a covenantal accusation. These workers aren't just complaining about not getting what they thought they would—they're questioning the veracity of the covenant that was made. — Tony Arsenal Most of us are this eleventh-hour call. It's much better to be in the place of that younger brother who comes in and repents than to be the older brother who is stubborn and finds some reason to come before God with self-righteous grievances. — Jesse Schwamb Full Episode Transcript [00:01:05] Jesse Schwamb: Welcome to episode 488 of the Reformer Brotherhood. I'm Jesse  [00:01:13] Tony Arsenal: and I am still Tony, and this is the podcast where Tony comes back. Hey brother.  [00:01:19] Jesse Schwamb: Hey brother. The band is back together again, man. It's reunited and boy, do you feel it? It feels good, doesn't  [00:01:26] Tony Arsenal: it? I do, I do. I'm excited to come back. It was nice to take a break. [00:01:29] Jesse Schwamb: Good.  [00:01:29] Tony Arsenal: I, uh, I've been, you know, texted with you a couple times. Just it was, I did my best to sort of not think about the podcast because that's sort of defeats the purpose of taking a break from something if you spend a lot of time thinking about it. Um, so I'm back. I'm refreshed. I'm ready to go.  [00:01:44] Break and Work Chaos [00:01:44] Tony Arsenal: I appreciate the listeners' patience. Uh, it's been sort of a weird, crazy busy time at work. Uh, there's a lot going on. I, I lost like. 60% of my staff in the course of like three weeks. And, um, I'm still kind of in the thick of it, but we're coming out of it. So took a little bit of time to just make sure that I was having a, an appropriate space to de-stress from that and take care of my family and attend to worship. And, um, it was really a, a blessing to have that. Uh, sort of sabbatical. Ironically, the sabbatical wars were going on at the same time on Twitter, and Jesse is blissfully unaware of that 'cause he's not involved in in the Twitter. That's true. Um, but yeah, just took a little break and it's kinda like overblown it, to call it a sabbatical. Like this is a podcast, it's a hobby, but, but it was nice to have, uh, a little bit of extra time, you know, couple hours extra week, uh, uh, each week of extra time to just decompress and, uh, play with the kids and spend time with my wife and clean the house a little bit, which was good.  [00:02:36] Jesse Schwamb: Yeah, it is always good to have a clean house. You look great. You seem refreshed. The voice sounds good, and I'm like, I don't know, in year seven or eight of my Twitter sabbatical, it's going great so far. I feel like I haven't missed a whole lot. The world still seems wild and I'm sure, or X, right? We gotta go X on this. It's  [00:02:53] Tony Arsenal: always Twitter. It's always gonna be Twitter. I don't care what Elon Musk  says.  [00:02:56] Jesse Schwamb: Yeah, I'm listen. I'm totally fine with that.  [00:02:58] Back to Parables [00:02:58] Jesse Schwamb: And I teased this in the last episode, but we can't be stopped. I mean, people should know this by now, we have an inexorable march through the parables of Jesus's true. That will not be stopped. We're always gonna come back until there are no more. And on this episode, we're gonna be hanging out in Matthew 20, talking about laborers in the Kingdom of Heaven.  [00:03:17] Tony Arsenal: Yeah. Yeah. I'm stoked. I'm, I'm, I'm excited to get back into it. I'm excited to get back into the word together with everybody. I'm excited to clear whatever that was on in my throat out  [00:03:27] Jesse Schwamb: emotion,  [00:03:27] Tony Arsenal: live on the air. Uh, but yeah, it'll be good. I'm, I'm stoked. I mean, I love this stuff and it's good to be back.  [00:03:32] Jesse Schwamb: Listen, you had the rest. Now let's talk about labor. So speaking of labor, it's, it's time for you to work up here, Tony. Are you affirming with or denying against on this episode?  [00:03:42] Tony Arsenal: Uh, I'm affirming something and I'm hopeful, uh, that just a little behind the scenes activity here. Jesse recorded episode 487, like an hour and a half ago. I have not yet listened to it, so I don't know if you did an affirmation and I I did. If you did. I hope it's not the same one.  [00:03:58] Jesse Schwamb: I did not. You're  [00:03:59] Tony Arsenal: safe. Uh, good. So I'm safe.  [00:04:01] Artemis II Hype [00:04:01] Tony Arsenal: So, um, I'm affirming the Artemis two mission. Um, oh, nice. Have you been, I mean, I know you're not on Twitter, but I'm sure there's news elsewhere. Uh, this amazing mission around the moon, um, for astronaut, for astronauts, I think, um, the furthest man space travel, um, since the Apollo program. Um. Pretty intense, pretty amazing pictures, right? The camera technologies amazing. Increased exponentially, uh, since we were there last. Um, this is ostensibly in preparation for an actual moon landing, which who knows when that will be? Um, but as far as I've seen, the mission was a resounding success. There was no right. I think they had, they ran into a few little hiccups early on with some technical things, but nothing crazy. I have not heard. Um, I know they did touch down and they did reentry. Um, I've not heard anything one way or another, but I'm assuming since I have not heard terrible, tragic news that they made it through, did they do the reentry? I'm really, apparently I'm not actually paying as much attention to this as I thought I was. I saw a lot of information about reentry, but I guess, I don't know for sure when that happened or is happening.  [00:05:05] Jesse Schwamb: I mean, by this point, when people listen to it, it'll be old news anyway, right? So  [00:05:09] Tony Arsenal: For sure. Yeah. And either, either it went terribly wrong and I'm gonna feel awful, or it went fine and I'm gonna feel a little silly for. Throwing a caveat that it went terribly wrong out there. But, um, it's cool. It's, it's amazing. I mean, I, I commented to my wife the other day and she's kinda like, yeah, maybe we should like, spend that money on people who are on the planet. I was like, okay, I can, I can buy that wisdom. But, um, there's something very cool and very Genesis, uh, one, ask Genesis one and two, ask about flying out into space and taking dominion over Yeah, for sure. Over a, a little ball of rock, uh, you know, uh, 25,000 miles away or whatever it is. Um. And, you know, I'm like an engineering nerd. I, I don't know anything about engineering, but I love watching YouTube videos that explain stuff like this. And  [00:05:52] Jesse Schwamb: me  [00:05:52] Tony Arsenal: too, all of the videos that have cropped up now about free return and how, like they're able to basically like do minimal burn on the thrusters to get into the right trajectory and then just like meet the moon in the place it's gonna be. And then the, you know, the moon's gravity captures it and whips it back around and then shoots it back towards Earth. And for the most part, they're able to do all of that with relatively minor, um, relatively minor energy output because they're just utilizing physics and gravity and math, um, to fly to the moon and come back. Yes. It's pretty crazy amazing. So, yeah. Amazing. And the photos of like the, the sort of like new versions of the Earthrise photos are really, really phenomenal. Um, they're crisp, they're clean, they're obviously like the best, the best actual pho photographic images we've had of the lunar surface. Um. And the, the far side of the lunar surface, which we get all sorts of like telescopic photos and things of this side of the lunar surface because it's tightly locked and is facing us at all times. We don't get a ton of really great photography of the far side of the moon, which is a big part of what this mission was, so,  [00:06:56] Jesse Schwamb: right.  [00:06:56] Tony Arsenal: Yeah. If you haven't seen the photos, I mean, they're out there, they're amazing. There will be even more available once we get back. You know, they, they're transmitting only the most stellar, amazing ones. Um, and, but they're taking, I'm sure thousands and thousands of photos and, um, so yeah, it's pretty cool. I'm affirming the Artemis two mission. Um. It's just amazing what, what people can do with common grace, you know? That's right. In insight into nature. Um, I don't know anything about the astronauts. I don't know anything about their religious faith or their spiritual life or anything like that. But, um, the people who design this, the people who fly it, they're just tapping into the truth that's present in God's creation. So good on them. Uh, either I'm glad they got home, wish they have a safe home coming, or something along those lines, I guess. I don't know.  [00:07:40] Jesse Schwamb: Yeah, you'll be happy to know that NASA is reporting that the four astronauts are an excellent condition after they landed in the Pacific Ocean. So  [00:07:47] Tony Arsenal: good.  [00:07:47] Jesse Schwamb: All, all appears to be well. And it says they have a giant SD card of pictures that's they've been taking. Yeah. And saving. I'm sure. They were just, they were just too big to send to over wifi.  [00:07:58] Tony Arsenal: Yeah. Like massive wideness. Yeah. I mean, I'm sure they have a ton that they didn't send because you know Right. Data rates to the moon are pretty high. Yeah.  [00:08:05] Jesse Schwamb: Ex. Yeah.  [00:08:05] Tony Arsenal: This economy is crazy. So  [00:08:07] Jesse Schwamb: Exactly. In this economy. Really In this economy. Yeah, exactly.  [00:08:11] Cosmic Worship Reflections [00:08:11] Jesse Schwamb: I think you're right. This is good. I haven't talked about this at all. It's hard not to get just stoked, even in the amateur way about the science, the technology, the physics of all this stuff, and then even the astronauts just being overwhelmed by what they're seeing. [00:08:24] Tony Arsenal: Mm-hmm.  [00:08:25] Jesse Schwamb: It's hard not to get pulled into that and think about the universe that God has created and find that there is something transcendent just, uh, by observing all of these things. Yeah. Like even casually, which I think shows, again, this is literally the, the heavens and the earth crying out for God, showing his immeasurable power and, you know, immortal nature. It's incredible that we can even see and be a part of some of these things. Just wild.  [00:08:49] Tony Arsenal: Yeah. Yeah, and I think it's crazy that they can get signals to the moon. I mean, I drive home from Dartmouth College and I go through half of the spot there, and I don't have a cell signal, but we can get images from the moon. Um, so yeah, it's great. It's great. Check it out if you haven't seen it. If you haven't heard about it, I don't know what you're doing. Uh, this is probably the largest major scientific advancement in our generation. Um, in terms of like big scale scientific enterprise projects. There's been a lot of really amazing technology that's been developed. But this is like the first big. Almost like risky kind of scientific,  [00:09:30] Jesse Schwamb: right?  [00:09:30] Tony Arsenal: I dunno. Gambit or I dunno, gamble that we've done in a long time. Big deal. I mean, big a lot. Deal of things. Deal. Nothing went wrong. Nothing ma major went wrong. Praise God that they all got back to the planet safely. Right. But, um, a lot of things could have gone wrong, uh, and they didn't. So check out the photos, check out the scientific data they're gonna get. I mean, I'm sure they've got all sorts of information about the way the, the, the space ship moved, all of that stuff. It's gonna be really interesting to see kind of how this all comes about.  [00:09:56] Jesse Schwamb: Get some worship on, right? Yeah. I mean this is what a one, a thing to be reminded about how big and how glorious God is. [00:10:01] Tony Arsenal: Yeah.  [00:10:01] Jesse Schwamb: And, and to realize, like you said, the risks of this exploration. And this is God again, creating all of this outta nothing. Why? Yeah. Just absolutely wild. Incredible.  [00:10:12] Tony Arsenal: Yeah. Yeah, for  [00:10:12] Jesse Schwamb: sure. Blown away.  [00:10:13] Tony Arsenal: Yeah. What about you, Jesse? What do you have for us?  [00:10:15] Bayes and Predictability [00:10:15] Jesse Schwamb: I got affirmation. It's equally nerdy, and actually this is as is always the case. This is why one of many reasons I miss you is it, it dovetails so nicely, so I'm affirming with a book. It's called Everything Is Predictable, how Esy and Statistics Explains the World. It's by a guy named Tom Chivers. I know this sounds super nerdy, but hear me out on this because Thomas Bayes, if you don't know this guy is first kind of like a wild and interesting guy, but this whole theory he put forward is super interesting. And this book is not like a mathematics book. It's like reads almost like a statistical thriller, which as it came outta my mouth, realized it was not maybe more ingratiating. I could have chosen better words than statistical thriller. But Thomas Bayes was alive in the 17 hundreds. And what's interesting to me at least about him, is he was an English statistician, who was a Presbyterian minister actually. He was a non-conformist and his, this whole theorem that he developed was actually published after his death. And the non-conformist part is super interesting. It's all in this book, even some of his different theological ideas. But because he was non-conformist, it basically meant like he couldn't learn. He was kicked out of all the English universities. He had to go to Scotland. Even all of that shaped how he came up with this particular theorem. But the gist of it is. Rather than treating like probabilities, as we think about it as this fixed frequency, you know, how many times does this thing occur? He argued and realized that it should represent a degree of belief and then you would update that belief rationally as new evidence comes in. And I know that sounds super quaint, but this is like what machine learning is based on medical diagnosis. A lot of like space travel is based on this in terms of understanding uncertainty and systems spam, all of that stuff. Here's an example, I think Tony, because we are, we have to carry forward with the top 50 medical podcast thing, right? We've got going on here. Lemme just give everybody an example of why you need this and why you automatically think this way. So. Statistics is really important, especially in medical testing. This was really prevalent in during COVID. So there's two ways that you can describe how a medical test performs you. You know this already, Tony, you're an expert. So one would be like sensitivity. So like how AIG  [00:12:19] Tony Arsenal: not an expert.  [00:12:20] Jesse Schwamb: Oh, you're definitely an expert in testing. Here we go. So one would be like sensitivity. How good is the test at catching people who are sick? So if you're sick, you, you want the test to identify that, that you're sick. That's sensitivity. So a test with a 99% sensitivity is gonna correctly identify 99 out of a hundred people who are truly sick. It always gonna miss one person. It's a false negative. The other half of that coin is something called specificity. So if sensitivity is all about catching the people who are sick, specificity is gonna say, how good is the test at clearing people who are not sick? And so a test with 99% specificity, you might have correctly guessed, is gonna identify or clear 99 out of a hundred healthy people. Now if you have a test. Both of those 99% sensitive and 99% specific, you might be thinking, that is the dream. That's exactly what I want. That that test is gonna be so precise and accurate. How could my intuition fail me? But this is the thing. It actually fails all the time, and here's why. Let's say that. You go out and you screen a group of people, a general population for a rare disease that affects one in a thousand people. One in a thousand people, rare disease. So if you screen 10,000 people from the general population, that means that truly only 10 of them are going to have the actual disease. I'm not gonna do all the math 'cause it'll, oh, this is already making for amazing podcasting. But here's the bottom line. That test, which sounds so good on the face, is going to identify 109 people as truly sick or truly having disease. But the problem is that only 10 of them actually have it. That means that only there's, it only has a success rate of 9%. There's only 9% chance you actually have the disease, but it's falsely identified. The short end of this is Bayes corrects that problem. He fixes it with his theorem so that we get to the right number of people. That's what's called like a base fallacy rate. It's not taking into account that really only 10 people should have this particular disease or this sickness. So I know that's sounds super nerdy, but so much of our lives are based on this. We have a prior belief or a prior set of things that we understand about the world. And then as evidence comes in, we refine that. That sounds so normal and normative, but it's revolutionary in this book actually. Bayes versus what's called like frequentist or frequent, um, probability is like hotly debated. People actually throw down over this theorem. So it's a really fun read. Go check out. Everything is predictable. Al Bayesian statistics explains our world. It really is for everybody. And then you can impress your friends with all the statistical pross you're gonna have when you're done reading it.  [00:14:56] Tony Arsenal: Like the medical administrator hat that I can't always take off is like, why would we screen 10,000 people? Are, are they all symptomatic? Are none of them symptomatic? But suppose it doesn't really  [00:15:08] Jesse Schwamb: matter for the example. That's a great, so generally what happens here is, let's say it's like some kind of rare form of cancer, unless you use Bayesian statistics, what you'll find is you'll get these false positive rates. So these tests do use Bayesian statistics. It corrects, in other words, for this problem. So there might be a lot of people that are gonna screen for this because if you, you wanna know if you have it, but you don't wanna get it wrong and say that you do. So this ensures his approach ensures that you get it. Right. It's wild. Fascinating stuff.  [00:15:34] Tony Arsenal: Yeah, and I would think actually, you know, there's probably, there's other mechanisms as well where they would, where they would sort of screen out. People that shouldn't be tested or help identify false negatives, false positives. Um, but yeah, that's, that's interesting. I probably won't read that book, but it sounds like an interesting read. I just don't have a lot of room on my A TBR shelf.  [00:15:55] Jesse Schwamb: Yeah, listen. That, that's fair.  [00:15:57] Goodreads DNF Update [00:15:57] Jesse Schwamb: By the way, here's like a, a side affirmation. I think you and I both share speaking like books and cataloging books. If you use Good Reads, good Reads. Right. Finally adding a list of the Do Not Did Not Finish book. That's fantastic. This, this might be an example for some people, so pick it up and even if you don't have a place for it, guess where you can put it on the did not finish list. Yeah. Good Reads.  [00:16:16] Tony Arsenal: That's finally, that's one of those like, like why didn't they add that 15 years ago? Kind of an updates and you get the email and they're like, we're so excited to introduce the did Not Finish thing. And we're like, yeah. Like of course. Like, duh. It's likes, like, we're proud to introduce that. Your keypad now has a zero on it.  [00:16:36] Jesse Schwamb: Right. So  [00:16:37] Tony Arsenal: yeah. I'm, I'm excited about the DNR, um, the DNF, um, I'm so excited. I can't even remember what it's called. Yeah. The shelf. But, uh, very, very useful. The DNR list  [00:16:47] Jesse Schwamb: is a diff it is a different list. Speaking of medical things, it's a different  [00:16:50] Tony Arsenal: list. Yeah. Yeah, that's definitely a different thing. Usually it's not a list. It's a list of one in most cases.  [00:16:56] Jesse Schwamb: Exactly,  [00:16:57] Tony Arsenal: yeah. You can't put other people on your  [00:17:00] Jesse Schwamb: DNR  [00:17:00] Tony Arsenal: This,  [00:17:00] Jesse Schwamb: I suppose. Yeah, I should clarify that. You can really, you can only really put yourself, or I suppose somebody for whom you have that kind of authority over on that list, but I was thinking that more from like a medical perspective, that somewhere there would be a database in which there might be a list of DNR. I don't know.  [00:17:15] Tony Arsenal: Yeah, maybe. I don't know. I'm not sure. Probably there was at some point, but I think with medical chart technology now, that's probably like a. A moot point. Yeah. They don't need to be able to like cross reference a master list anymore. They just look in the patient's electronic record. We're really like in the weeds here. You can tell it's been a while since I've, I've podcasted. I don't really remember how to do this.  [00:17:35] Jesse Schwamb: This is great.  [00:17:36] Segue to Matthew 20 [00:17:36] Jesse Schwamb: I think at this point we try to make some kind of awkward segue that is mildly successful. Again, probably has statistically like a 20 to 27% chance of being successful and really hitting the mark. Yeah. So do you have anything that's gonna move us into this?  [00:17:49] Tony Arsenal: Yeah, I mean, I feel like you've been podcasting for the last several weeks without me and I've been working hard and now I'm kind of coming in as Johnny come lately and we're gonna get paid the same amount so. Even though you've worked harder for longer and I'm coming in late to the game here. [00:18:03] Jesse Schwamb: Oh man. Ple loved ones. Please tell me you got that. Please tell me you got all of that. That's, that's what you show up for here. Yeah, that was  [00:18:10] Tony Arsenal: a deep cut.  [00:18:11] Jesse Schwamb: That, that was beautiful. And I think leads us right into Matthew 20. So I think we've got at least 16 verses to get through here. Maybe again, if we're gonna keep a statistical theme here, something about engineering and math, all that stuff, we'll let everybody else pick the over under and whether or not we're gonna get through this and how many verses that's going to be. But at this point, we might as well begin.  [00:18:32] Tony Arsenal: Yes. Yeah.  [00:18:33] Read the Parable [00:18:33] Tony Arsenal: I'll start by reading. Uh, we're here in Matthew chapter 20, the first 16 versus this is the parable of the laborers in the vineyard and it reads. For the Kingdom of Heaven is like a master of a house who went out early in the morning to hire laborer laborers for his vineyard. After agreeing with the laborers for a denarius a day, he sent them into the vineyard and going out about the third hour, he saw others standing idle in the marketplace. He said to them, you go into the vineyard too, and whatever is right, I will give you. So they went, going out again about the sixth hour and the ninth hour, he did the same. And about the 11th hour, he went out and found others standing. And he said to them, why do you stand here idle all day? They said to him, because no one has hired us. And he said to them, you go into the vineyard too. And when the evening came, the owner of the vineyard said to his foreman, call the laborers and pay them with their wages, beginning with the last up to the first. And when those hired about the 11th hour came, each of them received a denarius. Now, when those hired first came, they thought they would receive more, but each of them also received a denarius. And on receiving it, they grumbled at the master of the house saying, these last worked only one hour and you have made them equal to us who have borne the burden of the day and the scorching heat. And he replied to one of them, friend, I'm doing you no wrong. Did you not agree with me? For a denarius, take what belongs to you and go, I choose to give the last worker as I give to you. Am I not allowed to do what I choose with what belongs to me? Or do you beg, do you begrudge my generosity? So the last will be first and the first will be last. Now I just wanna head this off. I did bite my tongue earlier and I probably am lisping and this is like a running gag. We thought that we'd resolved it. Uh, so if you hear me stumble over my words a little bit, it's just, it's just the struggle bus today.  [00:20:24] Jesse Schwamb: Listen, this is the, these are like the real things we have to deal with when the podcasting, like the real threats, the real injuries. I appreciate you like working through it. Like you just get back up and you walk it off with your tongue.  [00:20:35] Tony Arsenal: Yeah, my, my, uh, my podcasting hiatus was actually just a recovery of the last time I bit my tongue. I just needed a couple weeks to, no, I'm just kidding.  [00:20:43] Jesse Schwamb: Yeah, we didn't wanna say.  [00:20:44] Tony Arsenal: Yeah.  [00:20:44] Kingdom Fairness and Grumbling [00:20:44] Tony Arsenal: So, Jesse, this is a, this is a parable that follows right on the heels, um, of kind of everything we've been talking about. And I think as we go through these parables and we look at them and we, we sort of pick them up and we look at the different facets of them, we sort of compare them to each other. We kind of, we kind of place them in their context really. They all have basically the same theme, right? Like they're all kind of circulating around these same topics. In this parable, it's circulating around this idea that, um, the, the owner of the vineyard, the master of the vineyard, is allowed to pay the people he employs whatever he wants. And as long as the payment that is due to an individual is received by that individual, then what other people receive and how they receive it and how hard they've worked and how hard they didn't work. That's really not germane to whether or not the, the laborer received a fair wage, uh, in the first place. Right. So we're, we're circling around themes of kind of fairness of, uh, of sort of resentment, I think for resentment at the master's generosity, which has been a big theme in previous ones. So this will be good for us to expand on. There's always little nuggets and kernels of things that are different from other parables, and then it's interesting to always see the ways that they kind of line up and, and tell us similar things.  [00:21:57] Jesse Schwamb: And this parable is unique to Matthew. Yeah. And it does function as this exposition or expansion of what Jesus says in chapter 19 where it says, but many who are first will be last. And the last first, which is repeated with this lovely like inverted emphasis in, at the end of this as you just read. So it belongs to this like interesting cluster of teacher teachings on discipleship and reward nature of the kingdom of God. And we've, we've spoken a lot about that. I think I was just reminded of this as you were, you were. Reading this, I feel like I remember this from some teaching, like this parable is kind of like a unique chiasm that's anchored on the landowner, sovereign generosity, which you brought up. And then there's the complaints of the first hired, which is mirrored by the late comers vulnerability. And then the landowners, two speeches which divide everything, kind of provide sandwich and the like, the theological climax. It does start in that really familiar way, which we've gotten accustomed to thinking about that introductory formula of the kingdom of heaven is like, and it signals of course that what follows is not gonna be a lesson in economics, but it's gonna use all this economic language as theological disclosure for how God's kingdom operates. And it starts again, like you said, with this master of the house, which to me seems. Pretty clearly like a, a God figure himself. Yeah. It's, that's kind of like a reoccurring mathian image. I think. So we've got this vineyard, which of course has all this symbolism, steeply rooted in Israel's covenant imagination and evokes God's people and his redemptive labor among them. So, man, now that I'm saying this all loud, is this thing like super pregnant with all kinds of like imagery and meaning?  [00:23:27] Tony Arsenal: Yeah. Yeah. And you know, it's, it's always good to remember, although parables have kind of some parables, most parables have sort of distinct discreet, symbolic elements where like, this represents that this represents that almost in an allegorical form. And, and in some cases, like purely in allegorical form, where it's like pilgrim's progress where each, each individual, each entity, each location each represents some sort of symbolic value. But we have to remember that when, when it says the parable of the kingdom of heaven is like the master of the house, it's not just like the master of the house. Yes. Right. It's like this whole scenario. Yes. It's, it's like. Blah, blah, blah, blah, blah. It's like everything that follows, it's like the entire, um, the entire paree here. That's what the Kingdom of Heaven is like. And one of the things that I think is striking about this is the kingdom of heaven is like some people complaining, like the people complaining about, some people are getting the same wage for less work. Um, that is part of what the Kingdom of Heaven is like. So I think we sometimes think of, of. The kingdom of heaven in, um, in the parables, we think of it as though God is just saying, this is what heaven is like. Right? Jesus Just saying like, this is what heaven is like, but the kingdom of heaven, that language is broader than what we normally would say, uh, is. We're thinking of heaven, like in the, the spiritual abode where God lives and the angels live. Um, where, where the departed saints are waiting for the resurrection, the kingdom of heaven is, is also inclusive of the, the sort of like. Time now between the victory of Christ on the cross and the consummation of the kingdom and the last day, the kingdom of heaven is inclusive of that time period too. And so this parable sort of situates us. I think it situates us in that pre consummated state where we're talking about what it's like to be a part of the kingdom of heaven here and now in our fallen state, but still solidly in the kingdom of heaven. 'cause there's not gonna be any complaining or grumbling about God's justice in God's fairness once we're in the final resurrected state. Right? Sure. Nobody's gonna be looking back and be like, yeah, you were way too gracious for that guy. Nobody's gonna be playing the Jonah part when we're all resurrected and we're worshiping for, for all time going forward. So this parable, because there are elements of. Dissatisfaction or elements of grumbling or complaining similar to like the, the parable of the prodigal son. There's this sun figure, the, the older sun figure who like is just a bonehead and doesn't get it. Well, that can't be talking about the people who are in the resurrection kingdom in the final kingdom. It's gotta be talking about people who are still awaiting the resurrection of the body and who are still not yet. Uh, and even in, in that parable, the, the older son doesn't even seem to be a figure who's, who's regener. Maybe he does become regener at some point in the future, but he doesn't seem to be. In, even in God's kingdom, he doesn't seem to be, even among God's people, he's consistently placed outside of the field. You don't even know he exists until Nick halfway through the parable. This is similar in that there are these workers, they're receiving their wages and some of them are, are outwardly dissatisfied and grumbling against the master of the house. Um, so I think if we think about parables as describing heaven rather than the kingdom of heaven, we can lose sight of, of what's actually being said in a lot of them. [00:26:50] Contracts Versus Grace [00:26:50] Jesse Schwamb: Yeah, that's really good stuff because it strikes me that there are like, strangely, two groups here mentioned, I, I find this really kind of fascinating. We, I think we should talk about this, like the first group has like the most formal agreement, it's almost a legal contract, right? Various was like a standard day laborers wage sufficient mostly for subsistence. And so that detail seems theologically loaded to me. These workers relate to the landowner on the basis of a contract and what is owed. And so their claim at the end of the day will be exactly that. They're owed something and they know it, and that sets up Then this contrast with a second group, which is mostly all about grace because by the time we get to that third hour, like. Approximately like 9:00 AM then we're beginning this pattern repeated at the sixth and the ninth hours. And crucially, for those workers who go out, go out and get recruited, there's no wage that's specified for them. Only the promise of like whatever is right. And so they enter the vineyard, not on the basis of a contract, but on the basis of like the owner's word and character. And that seems to be like more of a picture of trust and not, not calculation. Yeah. Separate than like the first group. And that marketplace, idleness, as I read this, doesn't imply like laziness because verse seven clarifies like they just had not been hired. Right? They were overworked, they were unemployed. They were marginalized. So it does set up, like you said, everything you just talked about, about the kind of this, I like that. Like the Jonah, the Jonah whiners or whatever, like yeah, they want to complain about this, right? There are, and there are two, two separate groups that have kind of been brought into the fold, not under different terms or pretenses, but differently. [00:28:17] Tony Arsenal: Yeah. And I think too, bear's saying, um. Although there are elements of parables that are very, very directly applicable. Mm. We shouldn't read this as though every, every specific thing in the parable is not a parable. Right. Right. I think we can look at this and we can go, you know, you can read this in a way where, oh yeah, there's some people actually earn their, earn their wage, they earn ary. Right. It's a fair contract. And they work all day and he says, well, I'm gonna give you what's right, what you, what I owe you.  [00:28:45] God Owes Nothing [00:28:45] Tony Arsenal: The reality is God doesn't owe any of us anything. Right? Right. He owes us wrath and judgment and destruction. And so even, even the people who are the hard workers in the kingdom of God don't merit and never could merit, um, to, in a certain sense, in a strict sense and stick with me before you send your, your angry emails in a real strict sense. Even Adam couldn't merit. What was, well, it was guaranteed to him, according to the Covenant of Works, God had to condescend to make the covenant of works in order for Adam to have any sort of fruition of his blessedness. So there there's no natural obligation, strict obligation that God has to reward the work of his creatures because nothing they could do could ever be sufficient enough to obligate him. So the, the obligation of himself, and that's, this is where I do think this is strong, the fact that he obligates himself to these workers to give them their denarius after a hard day's work  [00:29:37] Jesse Schwamb: exactly  [00:29:37] Tony Arsenal: is itself. A covenantal, um, contractual, yes. But I actually read this as sort of a covenantal thing and the, the strange part is that the people don't recognize the sort of semi gracious covenantal nature of this. Yes.  [00:29:50] Grace In The Hiring [00:29:50] Tony Arsenal: I think, um, you know, there have been times when I, where I've been unemployed, um, not for very long. Now, I know some people face unemployment for a lot longer than I ever have, but I know there was times where I was, I was looking for work and someone would say to me like, Hey, you know, my, my, my lawn needs to be mowed. Could you come over and I'll, I'll give you 25 bucks to mow my lawn. It's a small lawn. Um. That's a gracious act in most cases. Right, right. Um, yes, I'm performing a task. Yes, they're paying me, but they didn't have to offer me that work. They didn't have to offer me that job, especially when it's something that like they could have accomplished themselves. They could have just done it themselves. Um, so I think there's an element of that here, that there's, there's a condescension of the master to these workers, to these laborers who are not part of his household. These are not, they're not slaves. These are not people who are part of his household, who are regular employees. These are people that he goes out into the market to, to find and to hire. And as we see some of, some of these mark, like the difference between the ones that are hired and the ones that are not hired until later in the day, the parable's not super clear about what it is. Just that they're not hired, it doesn't say the lazy ones were left there. The ones were exactly, that were ugly or had like limp legs or like just couldn't cut it. It just says like there was some that didn't get hired. Um, so there's a gracious element of this, and that makes the recognition at the end or the lack of recognition at the end by these full day laborers, the, the sort of like recognition, this, this entitled ness, um, that actually makes it all the worst. It's like the people who are outwardly attached to the covenant of grace. Um, I know all the Baptists in our, our group, their heads just exploded, but like are outwardly attached to the covenant of grace, um, who wanna somehow complain about like the graciousness of the covenant of grace that they're outwardly attached to it. It's just sort of like a form of, of theological and temporary insanity, I think. And that's what we see on full display here.  [00:31:40] Jesse Schwamb: It's definitely all grace. You're right that nobody's gonna get injustice right in this parable. And I think that's definitely exemplified the further out you go in this hiring order. [00:31:49] Eleventh Hour Mercy [00:31:49] Jesse Schwamb: So by the time you get to 5:00 PM which is pretty extraordinary, right? Only really like one hour remains before sense, right? It's the end of the working day.  [00:31:56] Tony Arsenal: Yeah.  [00:31:56] Jesse Schwamb: You can imagine like these guys who are being hired at the hour probably can contribute very little in the last hour of the day, right? But this owner goes out and hires them and no agreement is stated whatsoever. It's just pure grace. The landowner's question, why do you stand here idle all day? I think to your point, underlies their vulnerability. They were not idle by choice, presumably. And so I think we rightly here in this, like a foreshadowing of those who are called the late in redemptive history, Gentile sinners, the seemingly least qualified for kingdom membership. All of that I think is at play and it's all, it's getting this lovely setup of all these groups to help us understand what that kingdom is actually like.  [00:32:33] Tony Arsenal: Yeah. Yeah.  [00:32:35] Reverse Payroll Setup [00:32:35] Tony Arsenal: And then we have this, um, this is where the sort of dramatic tension turns, right? The end of the day comes and, uh, the master calls the, the people that he brought last, right? He calls the people who'd only been there for an hour and he starts to go down the list of the people who, the people who were last, and the people who came in next. And the people who came in next, right? And the workers who had contracted at the beginning of the day. Um, they're watching this happen and they're kind of going, oh, this is gonna be good. Like, that guy's only been here for an hour and he got a denarius. You know, the logic is probably like, I'm gonna get 12 denarius, like I'm gonna go 12 days worth of work. Um, because I think there's an assumption on their part, um, that the master's fair that he is, he's providing an equitable wage. Um, of course the master is fair, but he's providing an equitable wage that's commensurate with the work delivered. A delivered, delivered, right? And that, that's the key to this parable.  [00:33:26] Merit Mindset Exposed [00:33:26] Tony Arsenal: I think the expectation that God. Helps those who help themselves. Right? God rewards those who put in the hard work. God. God provides blessing or salvation according to the merit provided by the one who's being saved. That perspective is what's on full display here. Yes. By the people who are, uh, the ones who contracted for the full day. They're not thinking about the covenant that they have with this person or the contract they have with this person. They're not thinking about the fact that they agreed to work for the day in order to earn a day's wage. They're thinking about how this actually is gonna work out great in their favor. They're looking at this as a strictly merit-based kind of a, a thing. And you would think that like when the, the one hour people come in, they get a denarius, and then the three hour people come in and they get a denarius. You'd think they would pick up on it at some point, but then in the course of the payroll, it doesn't seem that they do. They still get to the bottom of the list and think they're gonna get more compared to the other people who all got the same.  [00:34:22] Jesse Schwamb: Yeah, that display piece is critical to this. It is like complete setup. Like you can imagine he, the landowner calling everybody together at the end of the day and they're all standing around. Some of them are exhausted because they've again born all their work in the heat of the day on their backs. They're tired, they're dirty, maybe they're exhausted. And he starts in this reverse order. And by the way, we should note that there is something here that's beautiful in that the law, the landowner is law abiding because right evening payment is mandated in the Torah. So we see all this taking place as to fulfill the law in some ways. But the reversal of the order that last of first is like such deliberative and good narrative storytelling and staging, isn't it? 'cause it ensures that the first hired workers are going to witness the payment of those who work the least. And if without that order, if you just did it the other way around, the more a crisis of the parable disc like completely goes away.  [00:35:10] Tony Arsenal: Yeah.  [00:35:10] Jesse Schwamb: So this execution of the payment at the owner's will, it just shows that he has. He's completely independent. His sovereignty belong. The sovereignty belongs to the master alone. And so this 11th hour workers receiving a full day's wage for one hour of work, that's like an act of sheer generosity. It's not proportional justice. And I think as reform, people, maybe all of us at some point have had this conversation about predestination and justice and mercy. And again, really I think putting a crowbar between this idea that nobody is receiving injustice, but some are receiving mercy and grace. And here these first hired workers seeing this form, like you said, this expectation that they're gonna receive more, like you said, where that came from. Yeah, it's just them, right? It's purely manufactured in their own reasoning. It's not anchored in the covenantal promise and certainly not witnessed in the grace that they should be receive, like perceiving as the payments get doled out, like sequentially moving in their reverse order toward those who have worked the longest. But their expectation reveals that they have fundamentally misread like the landowner's character. They're still operating in the register of a contract and not grace.  [00:36:16] Tony Arsenal: Yeah. And you know, I think to sort of lock this covenant covenantal frame and sort of like lack of recognition of the covenant into place too, when you look at the language of this parable, um, and especially kind of what it's following up on, it's coming on the heels of this interaction with this rich, rich young ruler who comes in and he thinks that he's gonna earn eternal life by keeping the commandments. Um, and, and he, he has this outward sense or this outward display of pty. He's calling Jesus good. He's saying he, you know, he keeps the commandments, Jesus doesn't even disagree with him actually, that he has connect. Yes. You know, I think it's implied that, well, of course you haven't, but he, he still is graciously trying to like, convince this guy, no, you actually need to abandon your self righteousness and, and pursue and follow me. Um. But this is a parable where like other people are listening, right? There's other witnesses. This isn't like the rich young ruler came to him in the middle of the night, like Nicodemus. This is something that's happened on PO on in the public. So we can anticipate that the Pharisees and the Sadducees and the scribes and the lawyers were all aware of this. They may have been there, but they were at least aware of this happening. And I think there's some language in here that is actually directed at those people.  [00:37:30] Grumbling As Accusation [00:37:30] Tony Arsenal: And, and here's where it comes in, is you get to verse, um, we'll start reading again at verse nine. It says, when those hired about the 11th hour came, each of them received a denarius. Now, when those hired first came, so we're referring to the people who are hired at the beginning of the day. Now, when those who were hired first came, they thought they would receive more, but each of them also received a denarius and on receiving it, right? So this is as, this is, um, uh, just unbelievable as they're receiving the denarius on receiving it, they grumbled at the master of the house. Now, just the way that I read that and said the word grumbled tells you that that word is really important here. Yes. If you look at this Greek word. And you compare it to the, the word, the usage of this word in the, the, um, Sept. Yes. Which of course is the Greek translation of the Old Testament. This word most commonly appears in the wilderness wandering accounts. [00:38:22] Jesse Schwamb: Yes.  [00:38:23] Tony Arsenal: Right. And the, the primary sin of the Israelites during the wilderness wandering was grumbling against the Lord. And this grumbling against the Lord in that context is not just a general complaining, right. It's not just like a, a sort of like a, a general dissatisfaction or like murmuring. This isn't like water cooler frustration about your boss. The grumbling in the Old Testament in this context is a covenantal accusation, right. So this is tied to the, the accounts where Moses first is told to strike the rock, and he does so when the water comes out, and then second is told to speak to the rock, but he strikes it. I won't go into all the details, but the scene that's being, being displayed there is the people come, they accuse the Lord of abandoning them into the wilderness. And this scene where Moses is set up on the rock and he strikes the rock, that scene is a judicial scene. The people have filed a covenant accusation against the Lord, and in reality, it's the people who have been unfaithful. But the Lord standing in the place of the rock is the one who is struck, right? Jesus was the rock in the wilderness from which the water came. Paul says that in First Corinthians, right? So this language of grumbling in this is not just, they're not just complaining about the fact that they didn't get what they thought they were going to, they're questioning the veracity of the covenant that was made. So they're, they're still locked into this merit-based. This merit-based idea even more than it seemed at first, right? There's a logic to the idea that like, oh, if the, the master is actually paying a wage of one denarius for per hour, like there's a logic to that. But it's not just that they're saying, and this is, this explains the response of the master. It's not just that they're saying like, Hey, wait a second, like the wage rate that you're paying is not right. They're saying you have violated the terms of our covenant in the way that you have paid us. 'cause it's upon receiving it that they complain or they grumble and the master says more or less like, Hey. You agreed with me for one Denarius, I'm giving you what you've earned. I'm giving you what you agreed on. Why don't you take it and go. So the answer is not to try to justify why he is free to pay these other people more, or why he's free to pay these people a perceived less. The answer is, again, they're complaining against the covenant. He is bringing it back to the covenant saying, well, here's what the covenant relationship was. You work for the day. I give you Denarius. We're square here, we're on the same page. We've fulfilled our covenant obligations, and you've received your reward for that. So I, I think that's another thing we have to lock in here is this is not just a general idea of like unfairness that's being presented. This is not just a general idea that people are saying the master of the house is unfair. They're saying he's covenantal. Unfaithful. Right? That's a pretty big accusation.  [00:41:09] Jesse Schwamb: Yeah, that is, thank you by the way, for completely stealing the whole tugen thing from me. Like I was just going hot to Tugen to find that reference. And now all I can do is add to it. So that is from at least one of those occasions, a number 16, and I just wanna read the verse. This is 16 six. So Moses and Aaron said to all the sons of Israel at evening, you will know that Yahweh has brought you outta the land of Egypt. And in the morning you will see the glory of Yahweh for he hears your grumblings against Yahweh. And what we are that you grumble against us. So I'm totally with you. This is not subtle. The workers first complaint here, the first workers' complaint is like theologically serious. Uh, I think that's what you're hitting us on. Like it charges the owner with injustice. Right. And as I read it, the grievance has like two layers or two parts, I would say. One is this comparative part, which is basically saying, you made us equal to them. Right? And the second be like a meritorious part, they have worked harder and in worse conditions. And that's why they say things like, it's, it's all inflammatory language, isn't it? Like the scorching heat emphasizes like the real bodily cost and their complaint. I think if we're honest, it's not irrational, but it's spiritually revealing at least because Right, they believe their greater effort, mayors greater reward and they resent that grace shown to others. So like you said, they're bringing forward a very serious grievance and it's, it's not just like, Hey, we think maybe could you give us a bonus? Right. But that is a matter of faithfulness. And in fact, like as I'm looking at this tugen here, shout out to logos Bible software. And I'm saying that that verb that we're talking about in Exodus 16 is in the imperfect tense. So this is, they kept on grumbling and it is like an an echo of Israel's murmuring in the wilderness, which I presume like Matthew certainly had intentionally used there or had that view in part casting these workers as the same types of those who relate to God through entitlement rather than gratitude. So it's like insults upon insult here, but it is to emphasize this fact that it's no small accusation, it's not subtle, it's meant to be in your face. They're coming in hot with this and they're making a big deal about it.  [00:43:16] Tony Arsenal: Yeah, and again, I think like underscoring the covenantal nature of this is so key. And I think, you know, when we look at this, we really have to land that this is not just saying. Your wage structure is not right. 'cause and, and we gotta remember, they weren't there when the master went and made this bargain, or, you know, brought these other workers into the vineyard. They weren't there to hear what covenant or contract he did or didn't make. And as we've commented, they didn't, he didn't even make a covenant with them. He basically just said, I'm gonna put you to work and I'll pay you what's fair. I'll pay you what's right. Um, and they went, okay, you need the work and thank you. Like, I think, I think that's kind of like the, the scene here is they're standing there. They recognize they're not gonna get a wage for the day, especially these ones that he's coming in at the 11th hour, they're not gonna get a wage for the day. And as you said, these are subsistence workers. Right. These are people that if you don't get a wage, and this is the, the grounding of the Old Testament, um, the Old Testament command of, of paying at the end of the day is that if they don't get their wage, they're not gonna eat. They're not gonna have food, they're not gonna have the money they need to survive. Um, so he comes in and he basically says like. You don't have a job that's not gonna be good for you. I'll take care of you. I'll, I'll give you a job and I'll take care of you. And the ones who are complaining and grumbling, they have no line of sight to that process. That, that's right. They make a lot of assumptions about the, and this is, goes back to, um. The parable of the talents, which we haven't really talked about yet. The, the, there's a lot of assumptions about the nature of this master that the, the contracted or covenanted day laborers are making that don't turn out to be accurate. Right. They, they assume that he's working, as you've said, that he's working on this one-to-one, you know, quid pro quo. You do this, I do that kind of a, a methodology and he's actually operating on a basis of a much more. Basic, uh, grace principle. Uh, and again, even, even the principle of hiring these original workers and covenanting with them is gracious in the sense that he didn't have to hire them. Right. So, so all along the way they're, they're, it's like the epitome of looking a gift horse in the mouth.  [00:45:24] Jesse Schwamb: Yes.  [00:45:24] Tony Arsenal: They've been hired, and so yes, it is right for them to expect their, um, to expect their wage, whatever that wage might be. But they, they are misinterpreting the idea of what the wages are and how the wages are to be delivered. They're, they're applying, this is actually a lot like job's, friends, right? Their, their logic is not actually all that bad, but they have, they have missing parts of the picture that makes the logic. Apply differently in this particular situation. They think that this, this master works on a strict merit-based. You do X amount of work, you receive X amount of money. And this master is actually more functioning on this covenantal principle of, I'm gonna pay you what's right, regardless of what, what work you've done, which, what work is actually owed to you. And the master makes these, this agreement with these other workers to just say, go into the vineyard and then when the evening comes, I'll pay you. Right. Well, he intended to pay them what they needed to survive, regardless of how much work they provided. Right? So they're all, even though there's a formal contract to say these, this group works for the whole day and this group, you know, and, and they receive one day's labor, at the end of the day, he's graciously providing another day of survival for all of these people, for the work that they're, they're putting forward regardless of how much they actually contribute to his bottom line. [00:46:41] Owner Defends The Covenant [00:46:41] Jesse Schwamb: And we see that in verse 13, where the landowner gives his defense, you know, it says. He and he replied, friends, I'm doing you no wrong. Did you not agree with me for Denarius? Now the address, because now I'm deep in the Greek Tony. Here we go. So the address I'm seeing in, uh, again, shout out to Locus Bible software, it, this use of friend is not like the warm fellows, but like a more formal or distance term of address. It's used elsewhere in Matthew. But I think the point here is that the owner's first line of defense is this contractual point, which you're saying. I have not wronged you. He's kept his agreement precisely. No injustice has been done. And that's crucial. The owner doesn't re appreciate justice. He actually fulfills it. He obligates himself and he fulfills that obligation. And what the worker receives is exactly what was promised and exactly what is due. And so by the time he gets to verse 14 where he says, take what belongs to you, and go, I choose to give to this last worker as I give to you here. I think this is like the theological beating hide of this whole bad boy. Yeah.  [00:47:37] Jesse Schwamb: The landowner explicitly invokes his will, his sovereign freedom to do and to give as he pleases, which is exactly how God behaves. It's not a negation of justice, but this declaration of something beyond justice, it is grace. He exercises his freedom and generosity to those who had no claim, and the command, take what belongs to you and go is, is kind of like a world dismissal, like, like you were saying. Yeah. We're in the courtroom. He's like, I, I've ruled on this already. Like, bring Brian, bring your grievance. Here's my ruling. Take what you have and go. Their grumbling has revealed that they're not celebrating the kingdom. They're actually grieving it. So yeah, you know, I think original invocation of like Jonah is right on the money. It's basically like, are are you mad enough? Yeah, I'm mad enough to die. Like, how dare you give me, give me this great shade and then take it away from me. Yeah. And in some ways this is even worse because what they have been given has been that were promised to them, was given to them, and they get to retain and God says, go, or the landowner as God says, go now and take what is yours. Take what I've given to you graciously. But your point that like what supersedes that, the antecedent to all of that is still God's covenant keeping, covenant making promise, making, right? That sets the whole thing up. But I love this idea that, you know, I will choose, it's my desire, it's language of divine volition. And of course the reform theology, this single verb resonates with the entire doctrine of election. It's God's free, sovereign, and gracious will to bestow blessing without reference to merit, like praise his name.  [00:49:00] Tony Arsenal: Yeah. Yeah. And then we come to kind of the close of this parable, right? And this is, this reall

After exploring the branching wings of a multi-dimensional dungeon the ad-hoc mega party joined back up. The lost keys have been retrieved. Their missing photographer has been recalled. The door to the central tower of the Castle Eschatonica will open. Will they find answers inside, or only more riddles from the mysterious and cosmic being known as Gnova? This week on on Perpetua: The Castle Eschatonica 07 Perpetua Guide [In Progress v.0584] Hey Everyone… [Page 01 of 01] FriendOfNei First of all, I just want to say sorry. I know how much I let everyone down when I left suddenly. I know that it feels a little bit like I threw a big temper tantrum over nothing, and looking back on it I sort of did. But without getting into it, I also was going through some big real life stuff at the time, and I was really feeling like I was already disappointing everyone IRL, so to suddenly be messing up here too really hit hard. Second, wow! You guys really outdid yourselves with the FAQ updates.  Anne, I love all the lore connections you made to the previous games, I never would've known half that stuff. Zelgadysk, I cannot even imagine how long it took you to map out ALL the masks from ALL the different clans/houses in Alteros. That's unbelievable. Unforgiven, I know we have different ideas for what goes into a strategy guide, but I think you really did show me the benefit of including some additional info. I might just try to do something like that in the next battle update! And Alukard, believe it or not, it was reading your update that got me to pick the game back up. Seeing all of those names and story bits… it made me SO CURIOUS about where everything was going… so I had to pick the controller back up. Anyway. Thanks so much everyone. I hope you're all doing okay. If it's okay with you all, I'd like to start up on the walkthrough again. I'll incorporate all of your additions and even add your names to the credits. What do you think? Doom_Tree_Anne OMG of course! So glad to have you back Nei!  XxZelgadyskXx I'd love that, Nei. DM me on IRC and we can talk about the details! Alukard83 You got it, bud. Us true gamers gotta stick together. TheUnforgivenIII I'll be honest, I thought you were too chicken to ever come back around here. Pretty cool that you did. So hell yeah, but only on the condition that I can keep sending you tips to add when you leave them out. CarlsSr lol i knew youd come back TheDiamondRanger Do you need me to send you any scans of the official strategy guide to help? PresidentEvil Why is everyone making a big deal over some loser FAQ writer?  TheUnforgivenIII ADMINS CAN YOU BAN THIS A-HOLE? Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social),  Janine Hawkins (@bleatingheart), Sylvi Bullet (@sylvibullet), Keith J Carberry (@keithjcarberry) and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.

Nick Vera Never Sleeps: Jeremy Ratchford on Halloween, Cold Case, X-Men & the Craft Behind the Characters Jeremy Ratchford is exactly the kind of guest that makes Reza Rifts special. He's not here to promote a blockbuster or recite polished talking points  he's a working actor with four decades of real stories, hard-won wisdom, and the kind of genuine passion for craft that reminds you why the entertainment business still matters. Whether you grew up watching him as Nick Vera solving cold cases in Philadelphia, screaming as Banshee in Generation X, or trying to stop the geese in Fly Away Home, this conversation will make you appreciate the enormous amount of human effort  and humanity  that goes into the characters we love. He shares vivid behind-the-scenes memories from Fly Away Home (1996)  the beloved family film featuring Anna Paquin and Jeff Daniels  and opens up about what it truly takes to build the kind of authentic chemistry with scene partners that makes detective partnerships feel genuinely real on screen. Rounding out the conversation, Jeremy reflects on the quirky characters that have defined his career, the lessons Hollywood has taught him about preparation and collaboration, and the personal wisdom he's earned across four decades in the business.  Funny, insightful, and packed with genuine Hollywood stories, this is Reza Rifts at its very best. Guest Bio Jeremy Ratchford is a veteran Canadian-American actor whose career spans more than four decades of film, television, and voice work.  His most iconic role came as Detective Nick Vera on CBS's Cold Case (2003–2010), where he appeared in all 156 episodes of the series' seven-season run alongside Kathryn Morris. Before Cold Case, Jeremy built a remarkable body of work that includes playing the Marvel Comics mutant Banshee (Sean Cassidy) in the live-action Generation X TV movie (1996) and providing additional voices for the beloved X-Men animated series (1992–1997). His film credits span from the critically acclaimed family adventure Fly Away Home (1996) to Clint Eastwood's Oscar-winning Unforgiven (1992). He has also appeared in Buffy the Vampire Slayer (as the vampire Lyle Gorch), NYPD Blue, The Practice, Blue Murder, CSI, Bones, NCIS, Chicago P.D., and It's Always Sunny in Philadelphia, among many others. Follow Jeremy:

By a quirk of fate (and the meddling of a peculiar being named Gnova), two bands of adventurers came crashing into each other in the middle of the Dragon Path. After greeting each other and gaining an invitation to the mysterious Castle Eschatonica, they crossed the debris of echoed worlds, dodged the hungry eyes of a dragon-owl, and made their way into the castle. Now they face challenges like they've never yet seen… This week on Perpetua: The Castle Eschatonica 02 Perpetua Guide [Temporarily On Hold - v.0599] Some Feedback [Page 56 of 56] TheUnforgivenIII So I guess Nei is never coming back huh. What a loser. Doesn't he know people were counting on him? If you don't have the cajones to stick with a FAQ you shouldn't bother starting one, it'll only disappoint people. TheDiamondRanger My dad got me the official strategy guide and I could write some hints from that in here if you wanted but I wouldnt wanna give away any big spoilers so maybe I wont Alukard83 Hey man, that's not cool. Back off.  TheDiamondRanger Okay Im sorry I didnt knwo that I wsnt alllwoed to post from the guide i thought i was helping im sorry CarlsSr Wow, three dumbasses in a row. Alukard83 Not you Diamond, I meant Unforgiven, who is being a real jackhole.  Nei is really going through it, plus had to step away because of holidays. If the FAQ doesn't get finished, then we'll just have to wait for someone new to step up. Doom_Tree_Anne I wouldn't mind helping for a little bit, if you want! I've always wanted to try my hand at writing an FAQ. n.n I'll message you on the IRC! Hosted by Austin Walker (austinwalker.bsky.social) Featuring Ali Acampora (ali-online.bsky.social), Art Martinez-Tebbel (amtebbel.bsky.social), Jack de Quidt (notquitereal.bsky.social), and Andrew Lee Swan (swandre3000.bsky.social) Produced by Ali Acampora Music by Jack de Quidt (available on bandcamp) Cover Art by Ben McEntee (https://linktr.ee/benmce.art) With thanks to Amelia Renee, Arthur B., Aster Maragos, Bill Kaszubski, Cassie Jones, Clark, DB, Daniel Laloggia, Diana Crowley, Edwin Adelsberger, Emrys, Greg Cobb, Ian O'Dea, Ian Urbina, Irina A., Jack Shirai, Jake Strang, Katie Diekhaus, Ken George, Konisforce, Kristina Harris Esq, L Tantivy, Lawson Coleman, Mark Conner, Mike & Ruby, Muna A, Nat Knight, Olive Perry, Quinn Pollock, Robert Lasica, Shawn Drape, Shawn Hall, Summer Rose, TeganEden, Thomas Whitney, Voi, chocoube, deepFlaw, fen, & weakmint This episode was made with support from listeners like you! To support us, you can go to friendsatthetable.cash.