Podcasts about Harvey Korman

Have you ever found yourself laughing so hard it felt like spiritual medicine? That's exactly what we explore today through the remarkable life of comedy legend Tim Conway.I recently finished reading Conway's biography, "What's So Funny," and discovered something fascinating – this comedy icon who delighted millions on The Carol Burnett Show was a committed Christian. His approach to humor reflected his faith: clean, joyful, and uplifting without ever resorting to vulgarity. Conway's comedy sketches with Harvey Korman created some of television's most unforgettable moments, particularly when Conway was given creative freedom to improvise beyond the script.Ready for some spiritual laughter therapy? Check out the  link below to Conway's legendary "Dentist" sketch  – guaranteed to make you smile. Here is the link to one of Tim's funniest sketches.The Dentist   https://youtu.be/9IUSM4EKcRI                    We would love to hear your comments. Send us a Text MessageSupport the show

Dracula: Dead and Loving It is a 1995 horror comedy film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula and of some of the story's well-known adaptations. Brooks co-authored the screenplay with Steve Haberman and Rudy De Luca. He also appears as Dr. Van Helsing. The film's other stars include Steven Weber, Amy Yasbeck, Peter MacNicol, Harvey Korman, and Anne Bancroft. The music for the film was composed by Hummie Mann. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!    Watch the movie: https://amzn.to/4jG3zb0      Out this Month: Young Frankenstein Dracula: Dead and Loving It Patreon: ???      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Matthew McHenry Mel Starmer Nicole McDaniel Nikki (phillyenginerd) Niko Allred Nimble Wembley Orion Yannotti Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sinesthero Thomas Jane's gun Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

GGACP marks the recent L.A. screening of Drew Friedman and Kevin Dougherty's documentary "Drew Friedman: Vermeer of the Borscht Belt" with this ENCORE of an entertaining 2017 mini-episode as Kevin attempts to stump Gilbert, Frank AND Drew with podcast guest-related trivia. Also in this episode: Gilbert bombs in New Delhi, Jerry Lewis remakes "The Jazz Singer," Anthony Newley headlines an excruciating comedy and “Harvey Korman” appears on GGACP. PLUS: Rummy Bishop! The REAL Fred Flintstone! Drew critiques “How to Murder Your Wife"! And Kevin recalls the invention of the glass top coffee table! Learn more about your ad choices. Visit megaphone.fm/adchoices

National gum drop day. Entertainment from 2003. USS Maine exploded in Cuba, Flag Day in Canada, You Tube launched, Teddy Bears went on sale. Todays birthdays - Galileo, Harvey Korman, Jane Seymour, Melissa Manchester, Matt Groening, Ali Campbell, Chris Farley, Jane Child, Renee O'Connor. Nat King Cole died.Intro - Pour some sugar on me - Def Leppard   https://defleppard.com/ Gum Drop - The Crew CutsAll I have - Jennifer Lopez LLCoolJNineteen something - Mark WillsBirthdays - In da club - 50 Cent     http://50cent.com/You should hear how she talks about you - Melissa ManchesterThe Simpsons TV themeRed Red Wine - UB40I don't wanna fall in love - Jane ChildUnforgettable - Nat King ColeExit - Its not love - Dokken     http://dokken.net/

Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 1987 Horror/Comedy, Munchies. Munchies was written by Lance Smith, directed by Bettina Hirsch and produced by Roger Corman. The film stars Harvey Korman, Charlie Stratton and Nadine Van der Velde. On this week's episode Dylan and Jaime discuss the film and talk about the future of Gremlins and discuss other films similar to Munchies. They also discuss the future of the Scream franchise. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on! *B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*

On March 16, 1974, a sketch appeared on The Carol Burnett Show featuring Carol Burnett, Vicki Lawrence and Harvey Korman portraying a “normal” American family -- warts and all. This sketch, known as “The Family”, led by a then 25 year-old Vicki Lawrence playing a gray-haired 63 year-old ‘Mama', spawned 30 more sketches, a TV Movie (Eunice) and finally a spin-off series of its own (Mama's Family) which ran for 130 episodes over six seasons both on CBS and in syndication (1983-1990).In “The Family”, Carol Burnett played the melodramatic, ambitious, brow-beaten daughter of ‘Mama'. Mama, played by Vicki Lawrence, is an exaggeratedly mean-spirited and insult-spitting widow and mother of five children: three sons played by guest stars Roddy McDowell, Alan Alda and Tom Smothers -- and two daughters: Eunice & Ellen (played by Betty White). Eunice's husband Ed Higgins was played by Harvey Korman.How did one simple sketch take on such a huge life of its own, creating a sprawling TV empire that some are calling “The Mama-Verse”? Susan and Sharon put on their housecoats and curly gray wigs to find out!THE CONVERSATIONCarol Burnett's career started with a Broadway role starring as the lead in Once Upon a Mattress and then as a rising star on The Garry Moore Show.The Carol Burnett Show was hugely successful, running eleven seasons, garnering 70 Emmy nominations and winning 25.Carol Burnett was encouraged to “speak up for herself” by another TV comedy legend -- Lucille Ball.A fan letter from then 18 year-old Vicki Lawrence to Carol Burnett led to her actually being cast as a regular on the show!“HARVARD SCHOOL OF COMEDY”: Lawrence cites Harvey Korman and Carol Burnett as her show business mentors during the 11 years she spent on the show.ONE-HIT WONDER: Five years into her run on The Carol Burnett Show, Lawrence had a hit song, recording “The Night the Lights Went Out in Georgia”!In the TV movie Eunice, Mama suddenly only has three children instead of five -- what happened to the others? And why is one of them suddenly Ken Berry?Vicki Lawrence was nominated for an Emmy for her portrayal of ‘Mama' in Eunice.The TV series Mama's Family was aired first as a prime-time network comedy and later as a nationally syndicated series. It originally ran for two years on CBS, was cancelled in 1984 -- and then revived TWO YEARS LATER in 1986 by Lorimar Syndication to run for additional 100 episodes!NAME SWITCH: The character Ken Berry played started out as “Phillip” in the TV-movie but then became “Vinton” in the TV series.The TV show introduced “Fran” played by future Golden Girl, Rue McClanahan -- playing Betty White's aunt!The TV show also introduced Vinton's children Buzz and Sonya played by “80's TV Ladies” alum, Eric Brown and actress Karin Argoud.Mama's neighbor, Naomi Oates, was played by “Another World” “The Nanny” and now “80s TV Ladies” alum, Dorothy Lyman!So join Susan and Sharon as they talk Lou Grant, social justice, Julie Andrews and the first Live Televised Cinderella musical, “Raytown, Missouri”, Kamala Harris, Matlock, driving your own story -- and “Miss Fireball of Inglewood”!AUDIO-OGRAPHYWatch The Carol Burnett Show and Mama's Family across many platforms. Not all of them feature all seasons. The Carol Burnett Show can be seen for free on Pluto TV. Mama's Family can be seen for free on Pluto TV.The Carol Burnett Show “The Family” select episodes:S7, EP23 - Aired 3/16/1974 - Jackson Five and Roddy McDowall.The first of “The Family” sketches. “The Reunion  - Eunice's brother Phil (Roddy McDowall), a Nobel and Pulitzer prize winning author, returns home for a visit. On YouTube.S8, EP13 - Aired 12/21/1974 - Alan Alda“Home for the Holidays”Christmas sketch with Alan Alda on YouTube. VITAL READINGGet Handbook for A Post-Roe America by Robin Marty at Bookshop.org.Check out Men In Dark Times by Hannah Ahrendt at Bookshop.org.Read Democracy Awakening by Heather Cox Richardson at Bookshop.org.You can also follow Heather's substack.SHOPLAST WEEK FOR THE “80's TV LADIES” HOLIDAY SALE!15% off on all merch at the 8TL Shop. Make sure to use promo code “Festive80s”!CONNECTVisit 80sTVLadies.com for transcripts and more.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. In Honor of President Carter and to learn more about his presidency: Get Susan's new play about him and his Crisis of Confidence speech: Confidence (and the Speech) at Broadway Licensing.

Today on another encore episode of the Rarified Heir Podcast, we speak to guest Kelly Conway daughter of comedy legend Tim Conway. This episode is equal parts fun and funny as well as difficult and heavy as Kelly tells us about the wonderful early years with her father as well as the end-of-life care battle that she had to endure in his later years. It's the stuff you won't soon forget. We discuss her father's career in comedy, beginning in Cleveland with comedian/voice over actor (and sometimes television horror show host) Ernie Anderson. Moreover, we were blown away to learn that Tim Conway was nominated for a whopping 13 Emmy awards. But through it all, Tim Conway was a fantastic father who made family life a priority with silliness and games and is the focus of Conway's biography, My Dad is Funnier Than Your Dad. We discuss her father's connections to Carol Burnett, Steve and Eydie, Bob Newhart, Mike Connors, which were both personal as well as professional. Kelly also doesn't shy away from the dark chapter in the Conway story as the elder Conway became less able to take care of himself. We hear stories about how he was cared for by his second wife and her daughter that is one of the most difficult interviews we have ever done. Somehow Kelly is able to guide us on a journey that had us laughing one minute and on the verge of tears the next. Through it all, Kelly is warm, self-effacing and brutally honest about her father, whom she loved dearly. Take a listen to this episode of the Rarified Heir Podcast and keep the Kleenex handy.

Merry Christmas! Hosts Dominic Lawton & Ken B Wild are feeling a great disturbance in the force as they deep dive the 1978 abomination that is...THE STAR WARS HOLIDAY SPECIAL! The guys discuss the original casts reaction to being in it, the terrible guest stars including a career low for Harvey Korman and of course, the terrible, terrible music! Meanwhile, Dom speaks about his love for overly-sentimental Han Solo, whilst Ken speaks about his love for Chewbacca's wife. The film-pitch this week sees a return to the story of A Christmas Carol, still set in Victorian Englad but starring the characters of Star Wars...it's HUMBUG MY OWN DICK: A STAR WARS STORY!  Keep a listen, everybody!   Have you got a question, want to suggest a film to review or would you like to send us your own film pitch that we will read out on the podcast? Email us! Visit our website for more episodes & written reviews : WWW.BADMOVIECULT.COM Follow us on TWITTER Follow us on INSTAGRAM Join us on FACEBOOK Dominic Lawton can be found on TWITTER Ken B Wild can be found on TWITTER Got a spare minute? Leave us a rating or review on iTunes!

In this brief yet amusing conclusion to the year, the podcasting fellas reimagine Jeff Goldblum as John McClane & Harvey Korman as Hans Gruber in their parody of DIE HARD (A.K.A. the Best Christmas Movie Ever!)   Other celeb impressions include: Robin Williams, Jonathan Winters and Jackie Mason so any retro/comedy lovers will be hollering with belly-aches by the time this episode finishes!     CLIPS USED: "Dance of the Tuba Plum Fairy" Cover by Kevin MacLeod   Die Hard Lines That Never Were spoof video         MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/  Blind Knowledge Podcast Network: https://www.blindknowledge.com/       SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass         

“I was the highest paid actor in Hollywood -- if you were counting by the word.”           - actor Eric Brown THE CONVERSATIONTAKING THE PIPPIN BUS: Nine-year-old Eric played the lead in the original touring company of Bob Fosse's Pippin! “It was 1974. I was the only child in a cast of adults. One-and-two-night stands. In a bus. Thirty states. Six months.”PRIVATE LESSONS: The lead got fired -- so Eric was promoted to star!15 GOING ON 30: In Private Lessons, Fifteen year-old Eric Brown, played a fifteen-year-old -- being seduced by a thirty-year-old woman! “My wife is still mad at my mother for letting me play that role!”KICKED OUT OF SCHOOL: Eric was kicked out of St. Francis Prep School for being in Private Lessons: “They said, “We think you'd do better at another school considering your career goals.” It was a very Franciscan way of saying, “Get out”.”MAMA'S FAMILY: “You know the rumors that Betty White had a dirty streak? All true.”On working with Carol Burnett, Vicki Lawrence, Dorothy Lyman, Betty White, Rue McClanahan and Harvey Korman: “Everyone was so funny -- you were always laughing. They were constantly futzing, because they knew what was funny -- and if it wasn't, they would fix it."DIRECTOR SPLIT: Mama's Family had TWO directors: Harvey Korman worked with the actors, while someone else blocked out the camera moves (Roger Beatty).THE METAVERSE OF MAMA'S FAMILY: Vicki Lawrence started playing the at least 63-year-old “Mama” when she was in her late 20's!THE EPISODE THAT NEVER WAS: Eric pitched an episode where he and Ken Barry -- both tap dancers -- could dance together in a talent show.  But it never happened.TAKE THE TOUPEE: Carol Burnett would do anything for a laugh -- including pulling the hairpiece off a certain co-star during taping -- when no one was expecting it!BAD NEWS, GOOD NEWS, WORSE NEWS -- Mama's Family gets cancelled.  Then it comes back!  But not with Eric.LOVING LAURA HOLT: After Private Lessons, Eric did a replay on Remington Steele -- playing a kid with a crush on an “older woman”: “I was head over heels in love with Stephanie Zimbalist. In real life!”BE KIND, REWIND: After jobs dried up in Hollywood, Eric moved to Monterey and got a job in a video store: “I was renting movies to people that I WAS IN.”FIRST RULE OF COMMUNICATION: For the MacArthur Foundation or a lost chicken in Queens: Know your goal.WHAT CAN ONE PERSON DO TO HELP THE WORLD? Find what you love and offer that.So, join Susan and Sharon -- and Eric -- as they talk Listerine commercials, the Clinton campaign, Jon de Bont, Sarah Jessica Parker, Howard Hessman, Barry Williams, On Golden Pond, Ian Ziering, curfew “double standards”, working with women directors, Jerry Reed, Emmanuelle, Fred Willard -- and evil twins!  AUDIO-OGRAPHYWatch Mama's Family for free on Pluto TV.Listen to Eric Brown's podcast about philanthropy, Let's Hear it. Or on Apple. Check out what Eric Brown is doing now at Brownbridgestrategies.com.Enjoy Eric's blog about traveling the world with his wife at Eat, Bicker, Love.PLUS -- AN “80's TV LADIES” HOLIDAY SALE!Get 15% off on all merch at 80s TV Ladies Shop on Fourthwall.Make sure to use promo code “Festive80s”!  CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing. 

If one were to print out all of Bruce Vilanch's writing, acting, and producing credits on a dot-matrix printer and lay that continuous piece of paper on the ground, it would encircle the world approximately one hundred and eighty seven times. From The Brady Bunch Variety Hour to the famously infamous Star Wars Holiday Special starring Bea Arthur and Harvey Korman to too many awards shows to count, two-time Emmy-Winner Bruce Vilanch is a walking, talking encyclopedia of Hollywood history. Come join us for an exceedingly charming chat with a true living legend. To pre-order Bruce's brand-new book, "It Seemed Like a Bad Idea at the Time," click HERE. Save on the perfect gift by visiting https://AuraFrames.com to get $35-off Aura's best-selling Carver Mat frames by using promo code BALD at checkout. This deal is exclusive to listeners, so get yours now in time for the holidays! Terms and conditions apply. This episode is sponsored by BetterHelp. Give online therapy a try at https://BetterHelp.com/BALD and get on your way to being your best self! Need a website? Head to https://www.SquareSpace.com for a free trial, and when you're ready to launch, go to https://www.SquareSpace.com/BALD to save 10% off your first purchase of a website or domain! Stop putting off those doctors appointments and go to https://Zocdoc.com/BALD to find and instantly book a top-rated doctor today! Follow Bruce: @BruceVilanch Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatyalive.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Happy Life Day! Travis and Kara finally sat down to discuss the infamous 1978 Star Wars Holiday Special!Join us as we travel all the way through this wacky, wild, made-for-its-time classic and try to recontextualize and break it down scene-for-scene.Art Carney's deepening V-Neck, weird Wookiee noises, Luke's creepy vibes, and some actually really good songs!Watch the Holiday Special (with commercials) here: https://www.youtube.com/watch?v=LYHSapFnoncFollow Kara, sign up for her zine and Patreon, and listen to Into A Larger World: The Podcast here: https://campsite.bio/intoalargerworldprojectSave The Acolyte and follow the fan-led campaign here: https://www.savetheacolyte.com/Follow the show on Instagram, BlueSky, TikTok, and (for now) Twitter at ForceTimePod! Leave us a 5-Star Review on Apple Podcasts and Spotify if you enjoy the show!"Robobozo" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0http://incompetech.com/creativecommons/by/4.0   

What's up, dudes? It's the long awaited episode. We've teased it for years. That's right! Scott Newman from Jingle Jank and Tinsel Tunes and Jeremy Phelps the Alamo City Santa join me to talk about “The Star Wars Holiday Special!” And yes, it's as bad as everyone says it is! Airing November 17, 1978, the special introduced us to Chewbacca's family. It also gave us an entire Wookie dialogue with no subtitles! Han and Chewie are racing home so the latter can spend Life Day with his family. The holiday is a sacred day for all Wookiee, where they put on red robes and disappear into a star. Carrie Fisher sings too. Unfortunately, the Imperial blockade is preventing the duo from arriving on time. Consequently, to kill time, Chewie's family engages in a few variety show-style escapades. They watch a holographic circus, and reminisce about the time Chewie met Boba Fett. They even tune in to a mandatory viewing from Tatooine. Did I mention Bea Arthur's in this? Well, she is. So is Harvey Korman!Art Carney? Yep, as a trader sympathetic to the Rebellion. Dihann Carroll? Yep, as a quasi-inappropriate VR singer. Jefferson Starship?!?! Are they only in this because the word ‘starship' is in their name? So grab your blaster, put on your Life Day robe, and sing along to this episode on “The Star Wars Holiday Special!”Tinsel TunesFB: @tinseltunesIG: @tinseltunespodcastTwitter: @TinselTunesPodJingle JankFB: @jinglejankpodcastIG: @jinglejankpodTwitter: @jinglejankpodAlamo City SantaIG: @alamocitysanta Give us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

We're talking Mel Brooks movies on the newest Jagbags! Which movie is your favorite? What movies would you put in his all-time Top Five? Has he ever made a bad movie? (He has.) Where do you stand on Spaceballs? Or High Anxiety? Who gave the greatest comic performance in a Mel Brooks movie? We take on all these questions FEARLESSLY. Tune in for ultimate comedy discussion! SEDAGIVE?!??

 Mackie by Bob Mackie (1991) + "The Family" from The Carol Burnett Show (1973-78) and Carol Burnett & Company (1979) + Roger Beatty and Harvey Korman's Eunice (1982) + Dick Clair and Jenna McMahon's Mama's Family (1983-43, 86-90) 8/28/24 S6E64 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Join us as we continue our commentary series on Hanna-Barbera adaptions by looking at the origin story of Fred, Wilma, Barney and Betty in...Viva Rock Vegas! Alan Cumming is hamming it up! Harvey Korman is here for the fun of it, and mostly we're just wondering how THIS wasn't the film that drove the screenwriters out of hollywood!

One Shat host is a social justice warrior. The other hates Mel Brooks movies. So "Blazing Saddles" seemed doomed from the start. But there's magic in Gene Wilder, Cleavon Little and the old frontier. Listener Ed took Shat The Movies way back to 1974 for this satirical Western that Gene Lyons argues isn't racist, sexist or even remotely offensive (other than one particular performance). Dick Ebert was impressed with the "real Hollywood Western" feel of the movie, attributing the incredible cast and chemistry to divine intervention, and also the groundbreaking farts. In this episode, the Shat Boys discuss the connection between "Blazing Saddles" and "La Bamba," cheer for Slim Pickens and Harvey Korman and wonder at how cleverly the film breaks the fourth wall. You know those episodes where Gene gets excited and quotes the movie a lot? Yeah, it's one of those. Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

What do The Book of Clarence, mad moms, and Jordan Petersen have in common? Listen and be enlightened!ParentGuru: Better Parenting Starts Here Thousands of stressed parents are finding their way to better parenting with the help of ParentGuru.Parenting With Love and Leadership Weekly Substack newsletter by Parenting Expert John Rosemond.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThanks for listening! Subscribe to my newsletter and follow me on Facebook, Instagram and Twitter.

This episode we try not to lose our minds as we talk about the blatant Gremlins rip-off, Munchies! Why would Harvey Korman ever involved with this? If you take a drink every time the movie mentions Gremlins you will definitely have alcohol poisoning by the end. You can tell they didn't have much money, cause these puppets are super cheap, like Mac and Me cheap! Rate and review and join us on social media!

Author/executive producer Chris Korman talks about his latest release “OMG! It's Harvey Korman's Son!” as a loving memoir about life with his famous father including working on The Carol Burnett Show, the legendary Mel Brooks in “Blazing Saddles”, “High Anxiety”, “History of the World, Part 1”; playing in golf tournaments and as a father figure going to LA Dodger baseball games and more! Chris has 20+ years experience in the entertainment industry working with various artists, brand building and representation, and talks about his life being born with learning disabilities attending the Frostig School in Southern California with his father supporting him throughout the years, plus stories of Harvey with Peter Marshall, Johnny Carson, Tim Conway and more! Check out the amazing Chris Korman and his latest release “OMG! It's Harvey Korman's Son” on all major platforms today! #chriskorman #harveykorman #author #executiveproducer #OMGitsharveykormansson #comedian #thecarolburnettshow #melbrooks #blazingsaddles #highanxiety #historyoftheworldpart1 #palmsprings #golftournament #losangelesdodgers #frostigschool #learningdisabilities #petermarshall #johnnycarson #timconway #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerchriskorman #themikewagnershowchriskorman   --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

Author/executive producer Chris Korman talks about his latest release “OMG! It's Harvey Korman's Son!” as a loving memoir about life with his famous father including working on The Carol Burnett Show, the legendary Mel Brooks in “Blazing Saddles”, “High Anxiety”, “History of the World, Part 1”; playing in golf tournaments and as a father figure going to LA Dodger baseball games and more! Chris has 20+ years experience in the entertainment industry working with various artists, brand building and representation, and talks about his life being born with learning disabilities attending the Frostig School in Southern California with his father supporting him throughout the years, plus stories of Harvey with Peter Marshall, Johnny Carson, Tim Conway and more! Check out the amazing Chris Korman and his latest release “OMG! It's Harvey Korman's Son” on all major platforms today! #chriskorman #harveykorman #author #executiveproducer #OMGitsharveykormansson #comedian #thecarolburnettshow #melbrooks #blazingsaddles #highanxiety #historyoftheworldpart1 #palmsprings #golftournament #losangelesdodgers #frostigschool #learningdisabilities #petermarshall #johnnycarson #timconway #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerchriskorman #themikewagnershowchriskorman   --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.Author/executive producer Chris Korman talks about his latest release “OMG! It's Harvey Korman's Son!” as a loving memoir about life with his famous father including working on The Carol Burnett Show, the legendary Mel Brooks in “Blazing Saddles”, “High Anxiety”, “History of the World, Part 1”; playing in golf tournaments and as a father figure going to LA Dodger baseball games and more! Chris has 20+ years experience in the entertainment industry working with various artists, brand building and representation, and talks about his life being born with learning disabilities attending the Frostig School in Southern California with his father supporting him throughout the years, plus stories of Harvey with Peter Marshall, Johnny Carson, Tim Conway and more! Check out the amazing Chris Korman and his latest release “OMG! It's Harvey Korman's Son” on all major platforms today! #chriskorman #harveykorman #author #executiveproducer #OMGitsharveykormansson #comedian #thecarolburnettshow #melbrooks #blazingsaddles #highanxiety #historyoftheworldpart1 #palmsprings #golftournament #losangelesdodgers #frostigschool #learningdisabilities #petermarshall #johnnycarson #timconway #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerchriskorman #themikewagnershowchriskorman

National gum drop day. Entertainment from 2003. USS Maine exploded in Cuba, Flag Day in Canada, You Tube launched, Teddy Bears went on sale. Todays birthdays - Galileo, Harvey Korman, Jane Seymour, Melissa Manchester, Matt Groening, Ali Campbell, Chris Farley, Jane Child, Renee O'Connor. Nat King Cole died.Intro - Pour some sugar on me - Def Leppard https://en.wikipedia.org/wiki/Def_LeppardGum Drop - The Crew CutsAll I have - Jennifer Lopez LLCoolJNineteen something - Mark WillsBirthdays - In da club - 50 Cent http://50cent.com/You should hear how she talks about you - Melissa ManchesterThe Simpsons TV themeRed Red Wine - UB40I don't wanna fall in love - Jane ChildUnforgettable - Nat King ColeExit - Its not love - Dokken http://dokken.net/https://coolcasts.cooolmedia.com/

New episode out now! We watched the 1980 mystery comedy The Private Eyes, starring Tim Conway and Don Knotts. We debate what the movie was aiming for between mystery and satire, wonder who the audience was intended to be, have issues figuring out if things were jokes or clues, and perhaps read too much into the actual plot. We learn the script was written in two days, and then subsequently wonder if the casting of two beloved comedy actors did a lot of the work in pumping up the humor of the film. We also feel that the Biltmore Estate lent a lot to the visuals, have issues with the casual '70s racism, think Mel Brooks was a big influence, and really like the Scooby-Doo of it all - with the epitome of a mysterious cloaked figure. Katy worried that ghosts were real, Carrie doesn't think Don Knotts is funny, Maddy has Biltmore blindness, and Mack knows who Richard Nixon is. We talk about Vulcan humor and what is unintentionally funny about old Star Trek, lament that it's difficult for kids today to learn about older pop culture, pitch The Carol Burnett Show TikTok, and channel The Mickey Mouse Club. We also cover castle architecture, funny pigeon bits, air quotes, Old Glory, and secret passages. Give it a listen and enjoy! TW: Racist stereotypes, tongue mutilation, Santa Claus mythology, harm to animals, sexism Show Notes: Link: The Dentist Sketch from The Carol Burnett Show  Link: Tim Conway and Harvey Korman on breaking up on-camera Link: Carol Burnett discusses Harvey Korman and Tim Conway 1:21 - “I think Conway's goal in life is to destroy Harvey.” TikTok link to the men reenacting the French taunter from Monty Python and the Holy Grail

Arguably the funniest movie of all time comes to the club. It's "Blazing Saddles" and Comic Ronnie Bullard is here to discuss it all with Host & Comedian Steve Mazan.  Is this the funniest movie of all time? Is it even Mel Brooks funniest movie? Would John Wayne, Johnny Carson or Richard Pryor been better in it? What got left out? Who snuck in? Why didn't we get more Cleavon? All these questions and more get answered on this week's Mazan Movie Club Podcast. "Blazing Saddles" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan      

Christopher Korman The son of beloved actor and comedian Harvey Korman, Chris has more than 20 years' experience in the entertainment industry, working with artists in various capacities, including brand building and representation. A graduate of Lesley College in Cambridge, MA, where he studied theatre history, Chris received training in stage management at Colorado Mountain College under Thomas Cochran. Since 2016, Chris has worked as a consultant for TV Confidential, a weekly radio broadcast about television.Chris joined the Soular Films team in 2021, first as a consultant, becoming Co-Executive Producer on "Euphoric Tendencies," currently in pre-production. Aside from his work with Soular Films, Chris also works as a talent scout and media consultant for Shari Thrower Productions, based in TN, where he consults managers and agents on expanding their brand, as well as funneling talent to the company. Chris's first book,"OMG: It's Harvey Korman's Son!" was released in 2020 by Bear Manor Press. Following in the tradition of his father, Chris has supported such charitable organizations as the non-profit Marianne Frostig Golf Tournament, which he co-hosted and on whose board he served for 22 years; Keshet of Chicago, for which he served as spokesperson in 1997; and the Learning Disabilities Association of America, for which he gave a keynote address in 2017. https://bearmanor-digital.myshopify.com/search?q=omg+it%27s+harvey+kormanThe Douglas Coleman Show now offers audio and video promotional packages for music artists as well as video promotional packages for authors.We also offer advertising. Please see our website for complete details.http://douglascolemanshow.com If you have a comment about this episode or any other, please click the link below.https://ratethispodcast.com/douglascolemanshowPlease help The Douglas Coleman Show continue to bring you high quality programs like this. Go to our Fundrazer page.https://fnd.us/e2CLX2?ref=sh_eCTqb8

Paul and Erin review two classic Western comedies: Mel Brooks' gleefully offensive 1974 spoof BLAZING SADDLES, and the underrated 1939 James Stewart/Marlene Dietrich vehicle DESTRY RIDES AGAIN.

Paul, Jason, and June dive into the 1987 Gremlins knockoff, Munchies. LIVE from the Warner Theatre in D.C., the crew discuss using comedy props for sex toys, Dude's tragic story, evil Harvey Korman looking exactly like the "My Pillow" guy, and why Melvis is the MVP of the movie. Plus, the audience Q&A brings out a Space Lawyer, drunk Fry Guys, and the thought-provoking question, "Are the Munchies against Apartheid?" Go to hdtgm.com for tour dates, merch, and more!Follow Paul on Letterboxd: letterboxd.com/paulscheer/HDTGM Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to Unspooled with Paul and Amy Nicholson here: listen.earwolf.com/unspooledSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: www.thedeepdiveacademy.com/podcastCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on Twitter

In 1978, George Lucas was talked into producing the now infamous Star Wars Holiday Special, which was dissected before on Fan Effect (twice). Who knew a variety special based on one of the most beloved franchises ever would be so bad?! After all, it did feature a cardboard Millennium Falcon cockpit, a horribly makeup-caked Mark Hamill, Bea Arthur singing in an alien cantina, a cross-dressing Harvey Korman, and don’t forget the awkward scene of an elderly Wookie watching questionable holograms in the family living room.  Now, nearly a half-century later, a new documentary, “A Disturbance in the Force: How the Star Wars Holiday Special Happened,” dives into a star-studded exploration of how such a cheesy disaster could ever have been produced and the Star Wars holiday it created in “Life Day.” In this episode of Fan Effect, Andy and KellieAnn sit down with the director, writer, and editor of the new documentary making waves at film festivals, Jeremy Coon, for an in-depth look into the bizarre special and making the documentary.  While the documentary will be released digitally and on Blue-Ray on December 5, 2023, Utah fans are invited to a special free screening featuring a conversation with Jeremy Coon and fellow director Steve Kozak. The Utah Film Center presents this screening which takes place on November 28, 2023, at the Salt Lake City Library, so reserve your tickets now.  Beyond Sci-Fi, Fantasy, Gaming, and Tech, the brains behind Fan Effect are connoisseurs of categories surpassing the nerdy. Brilliant opinions and commentary on all things geek, but surprising knowledge and witty arguments over pop culture, Star Trek, MARVEL vs. DC, and a wide range of movies, TV shows, and more. Formerly known as SLC Fanboys, the show is hosted by KSL Movie Show’s  Andy Farnsworth and KellieAnn Halvorsen, who are joined by guest experts. Based in the beautiful beehive state, Fan Effect celebrates Utah’s unique fan culture as it has been declared The Nerdiest State in America by TIME.    Listen regularly on your favorite platform, at kslnewsradio.com, or on the KSL App. Join the conversation on Facebook @FanEffectShow, Instagram @FanEffectShow, and Twitter @FanEffectShow. Fan Effect is sponsored by Megaplex Theatres, Utah's premiere movie entertainment company. 

On this episode of BARTEL ME SOMETHING GOOD we're off to the races with the Tim Conway-penned and Mike Nichols-produced gambling comedy THE LONGSHOT, starring Conway, Harvey Korman, Jack Weston and Ted Waas! A passion project for Tim Conway (and a work-for-hire gig for Paul Bartel) it's.. a bit of an odd duck, but it DOES have a theme song rapped by Conway AND Ice-T! Enjoy!  The post Episode 191 – Bartel Me Something Good – The Longshot (1986) first appeared on Cinema Smorgasbord.

To mark September's National Chicken Month, GGACP presents this ENCORE of a 2017 conversation with one of the podcast's most popular guests, actor and comedian Ronnie Schell. In this episode, Ronnie entertains Gilbert and Frank with classic stories about co-stars and contemporaries Harvey Korman, Don Rickles, Mickey Rooney, Don Knotts, and of course, Pat McCormick. Also: Ol' Blue Eyes takes a punch, Lee Marvin comes up short, Bob Newhart plays the Sahara and Ronnie writes a check to the mob. PLUS: Jesse White! “The Devil and Max Devlin”! The brilliance of Jack Riley! The madness of Marty Ingels! And Gilbert meets Sid Melton (and his dog)!  Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (September 9) of Emmy-winning writer-director Bill Persky by revisiting this memorable conversation from 2017. In this episode, Bill weighs in on topics not covered in his previous appearances, including the physicality of Tim Conway, the irritability of Joey Bishop, the professionalism of Don Ameche and the star power of Sandy Koufax. Also, Jack Palance tells a joke, Harvey Korman treads the boards, Joe Namath turns heads and George Carlin takes a powder. PLUS: Burt Mustin! Gene Kelly unmasked! Super Dave goes to Tahiti! Remembering Garry Marshall! And Eva Gabor replaces Sgt. Bilko! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Master of Comedy takes on the Master of Suspense!Mel Brooks paying tribute to Alfred Hitchcock? Amber Lewis of the Docking Bay 77 Podcast joins Jeff to discuss High Anxiety; starring Mel Brooks, Madeline Khan, Cloris Leachman, and Harvey Korman!For plenty of exclusive episodes and content, check out www.patreon.com/afilmbypodcast with a free 7-day trial!Check out www.afilmbypodcast.com for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Twitter, Instagram, and Facebook @afilmbypodcast.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4933588/advertisement

Tommy Chong explains his feud with Howard Hesseman, health hacks for middle-aged women, Ukraine payback, Loud sex, an Icelandic museum, and a listener story about Harvey Korman are discussed by Rick and Dave. [Ep324]

RMR 0220: Join your hosts Bryan Frye, Chad Robinson, and Russell Guest for the Retro Movie Roundtable as they revisit Blazing Saddles (1974) [R] Genre: Comedy, Western Starring: Cleavon Little, Gene Wilder, Slim Pickens, Harvey Korman, Madeline Kahn, Mel Brooks, Burton Gilliam, Alex Karras, David Huddleston, Liam Dunn, John Hillerman, George Furth, Jack Starrett, Carol Arthur, Richard Collier, Charles McGregor, Robyn Hilton, Don Megowan, Dom DeLuise Director: Mel Brooks Recorded on 2022-06-27

Say hello to the inimitable Harvey Korman who brought his mastery of sketch comedy to the small and big screens for decades. From a humble start voicing cartoons, Harvey became a comic acting powerhouse with a long run on The Carol Burnett Show and many juicy movie roles, especially in Mel Brooks classics such as Blazing Saddles and High Anxiety. And remember -- "It's Head-LEY"! As always, find more Harvey below and thanks for sharing our shows. Want more Harvey? When Harvey was first getting started he did some cartoon voice work, most notably as space alien "The Great Gazoo" in the Flintstones. Here's a nice collection of some of Harvey/Gazoo's best bits on the show. https://youtu.be/ekfR6RKpfmI Harvey's iconic tv turn came on the Carol Burnett variety show where he was featured for a decade, winning four Emmys and a Golden Globe in the process. There is so much good stuff to choose from, but this sketch stands out. It's Harvey as a nervous dental patient meeting Tim Conway's fresh out of school dentist. No nitrous needed -- these guys supply their own laughing gas. https://youtu.be/9IUSM4EKcRI It's hard to pick just one Harvey character as his best, but in the running has to be his over the top portrayal of crooked Attorney General Headley Lamar in Mel Brooks' Blazing Saddles. His scenes with Mel's corrupt Gov. William J. LePetomane (named for the French "flatulist") are masterclasses in comic timing. https://youtu.be/g2Bp8SqYrnE

GGACP salutes the life and career of our friend, Emmy-winning writer and producer Norman Steinberg, by revisiting this memorable conversation from 2016. In this episode, Norman talks about his friendships with Mel Brooks, Harvey Korman and Madeline Kahn, collaborating with Richard Pryor and George Carlin and co-scripting the (arguably) funniest movie of all time, "Blazing Saddles." Also, Norman remembers Peter O'Toole, praises Flip Wilson, accepts an award from Jimmy Durante and ends Luciano Pavarotti's film career. PLUS: "My Favorite Year"! "When Things Were Rotten"! James Mason goes bowling! Gilbert brings back vaudeville! And the strange life of David Frye! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our first episode of the new year, which is also our first episode of Season 5. Thank you for continuing to join us on this amazing journey. On today's episode, we head back to Christmas of 1980, when pop music superstar Neil Diamond would be making his feature acting debut in a new version of The Jazz Singer. ----more---- EPISODE TRANSCRIPT From Los Angeles, California, the entertainment capital of the world, this is The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   It's 2023, which means we are starting our fifth season. And for our first episode of this new season, we're going back to the end of 1980, to take a look back at what was supposed to be the launch of a new phase in the career of one of music's biggest stars. That musical star was Neil Diamond, and this would end up becoming his one and only attempt to act in a motion picture.   We're talking about The Jazz Singer.   As I have said time and time again, I don't really have a plan for this show. I talk about the movies and subjects I talk about often on a whim. I'll hear about something and I'll be reminded of something, and a few days later, I've got an episode researched, written, recorded, edited and out there in the world. As I was working on the previous episode, about The War of the Roses just before my trip to Thailand, I saw a video of Neil Diamond singing Sweet Caroline on opening night of A Beautiful Noise, a new Broadway musical about the life and music of Mr. Diamond. I hadn't noticed Diamond had stopped performing live five years earlier due to a diagnosis of Parkinson's, and it was very touching to watch a thousand people joyously singing along with the man.   But as I was watching that video, I was reminded of The Jazz Singer, a movie we previously covered very lightly three years ago as part of our episode on the distribution company Associated Film Distribution. I was reminded that I haven't seen the movie in over forty years, even though I remember rather enjoying it when it opened in theatres in December 1980. I think I saw it four or five times over the course of a month, and I even went out and bought the soundtrack album, which I easily listened to a hundred times before the start of summer.   But we're getting ahead of ourselves yet again.   The Jazz Singer began its life in 1917, when Samson Raphaelson, a twenty-three year old undergraduate at the University of Illinois, attended a performance of Robinson Crusoe, Jr., in Champaign, IL. The star of that show was thirty-year-old Al Jolson, a Russian-born Jew who had been a popular performer on Broadway stages for fifteen years by this point, regularly performing in blackface. After graduation, Raphaelson would become an advertising executive in New York City, but on the side, he would write stories. One short story, called “The Day of Atonement,” would be a thinly fictionalized account of Al Jolson's life. It would be published in Everybody's Magazine in January 1922.   At the encouragement of his secretary at the advertising firm, Raphaelson would adapted his story into a play, which would be produced on Broadway in September 1925 with a new title…   The Jazz Singer.   Ironically, for a Broadway show based on the early life of Al Jolson, Jolson was not a part of the production. The part of Jake Rabinowitz, the son of a cantor who finds success on Broadway with the Anglicized named Jack Robin, would be played by George Jessel. The play would be a minor hit, running for 303 performances on Broadway before closing in June 1926, and Warner Brothers would buy the movie rights the same week the show closed. George Jessel would be signed to play his stage role in the movie version. The film was scheduled to go into production in May 1927.   There are a number of reasons why Jessel would not end up making the movie. After the success of two Warner movies in 1926 using Vitaphone, a sound-on-disc system that could play music synchronized to a motion picture, Warner Brothers reconcieved The Jazz Singer as a sound movie, but not just a movie with music synchronized to the images on screen, but a “talkie,” where, for the first time for a motion picture, actual dialogue and vocal songs would be synchronized to the pictures on screen. When he learned about this development, Jessel demanded more money.    The Warner Brothers refused.   Then Jessel had some concerns about the solvency of the studio. These would be valid concerns, as Harry Warner, the eldest of the four eponymous brothers who ran the studio, had sold nearly $4m worth of his personal stock to keep the company afloat just a few months earlier.   But what ended up driving Jessel away was a major change screenwriter Alfred A. Cohen made when adapting the original story and the play into the screenplay. Instead of leaving the theatre and becoming a cantor like his father, as it was written for the stage, the movie would end with Jack Robin performing on Broadway in blackface while his mom cheers him on from one of the box seats.   With Jessel off the project, Warner would naturally turn to… Eddie Cantor. Like Al Jolson, Eddie Cantor was a Jew of Russian descent, although, unlike Jolson, he had been born in New York City. Like Jolson, he had been a star on Broadway for years, regularly performing in and writing songs for Florenz Ziegfeld' annual Follies shows. And like Jolson, Cantor would regularly appear on stage in blackface. But Cantor, a friend of Jessel's, instead offered to help the studio get Jessel back on the movie. The studio instead went to their third choice…   Al Jolson.   You know. The guy whose life inspired the darn story to begin with.   Many years later, film historian Robert Carringer would note that, in 1927, George Jessel was a vaudeville comedian with one successful play and one modestly successful movie to his credit, while Jolson was one of the biggest stars in America. In fact, when The Vitaphone Company was trying to convince American studios to try their sound-on-disc system for movies, they would hire Jolson in the fall of 1926 for a ten minute test film. It would be the success of the short film, titled A Plantation Act and featuring Jolson in blackface singing three songs, that would convince Warners to take a chance with The Jazz Singer as the first quote unquote talkie film.   I'll have a link to A Plantation Act on our website, The80sMoviePodcast.com, if you're interested in seeing it.   Al Jolson signed on to play the character inspired by himself for $75,000 in May 1927, the equivalent to $1.28m today. Filming would be pushed back to June 1927, in part due to Jolson still being on tour with another show until the end of the month. Warners would begin production on the film in New York City in late June, starting with second unit shots of the Lower East Side and The Winter Garden Theatre on Broadway, shooting as much as they could until Jolson arrived on set on July 11th.   Now, while the film has been regularly touted for nearly a century now as the first talking motion picture, the truth is, there's very little verbal dialogue in the film. The vast majority of dialogue in the movie was still handled with the traditional silent movie use of caption cards, and the very few scenes featuring what would be synchronized dialogue were saved for the end of production, due to the complexity of how those scenes would be captured. But the film would finish shooting in mid-September.   The $422k movie would have its world premiere at the Warner Brothers theatre in New York City not three weeks later, on October 6th, 1927, where the film would become a sensation. Sadly, none of the Warner Brothers would attend the premiere, as Sam Warner, the strongest advocate for Vitaphone at the studio, had died of pneumonia the night before the premiere, and his remaining brothers stayed in Los Angeles for the funeral. The reviews were outstanding, and the film would bring more than $2.5m in rental fees back to the studio.   At the first Academy Awards, held in May 1929 to honor the films released between August 1927 and July 1928, The Jazz Singer was deemed ineligible for the two highest awards, Outstanding Production, now known as Best Picture, and Unique and Artistic Production, which would only be awarded this one time, on the grounds that it would have been unfair to a sound picture compete against all the other silent films. Ironically, by the time the second Academy Awards were handed out, in April 1930, silent films would practically be a thing of the past. The success of The Jazz Singer had been that much a tectonic shift in the industry. The film would receive one Oscar nomination, for Alfred Cohn's screenplay adaptation, while the Warner Brothers would be given a special award for producing The Jazz Singer, the “pioneer outstanding talking picture which has revolutionized the industry,” as the inscription on the award read.   There would be a remake of The Jazz Singer produced in 1952, starring Danny Thomas as Korean War veteran who, thankfully, leaves the blackface in the past, and a one-hour television adaptation of the story in 1959, starring Jerry Lewis. And if that sounds strange to you, Jerry Lewis, at the height of his post-Lewis and Martin success, playing a man torn between his desire to be a successful performer and his shattered relationship with his cantor father… well, you can see it for yourself, if you desire, on the page for this episode on our website. It is as strange as it sounds.   At this point, we're going to fast forward a number of years in our story.   In the 1970s, Neil Diamond became one of the biggest musical stars in America. While he wanted to be a singer, Diamond would get his first big success in music in the 1960s as a songwriter, including writing two songs that would become big hits for The Monkees: I'm a Believer and A Little Bit Me, A Little Bit You.   And really quickly, let me throw out a weird coincidence here… Bob Rafelson, the creator of The Monkees who would go on to produce and/or direct such films as Easy Rider and Five Easy Pieces, was the nephew of Samson Raphaelson, the man who wrote the original story on which The Jazz Singer is based.   Anyway, after finding success as a songwriter, Diamond would become a major singing star with hits like Girl, You'll Be a Woman Soon, Sweet Caroline, and Song Sung Blue. And in another weird coincidence, by 1972, Neil Diamond would become the first performer since Al Jolson to stage a one-man show at the Winter Garden Theatre on Broadway.   By 1976, Neil Diamond is hosting specials on television, and one person who would see one of Diamond's television specials was a guy named Jerry Leider, an executive at Warner Brothers in charge of foreign feature production. Leider sees something in Diamond that just night be suited for the movies, not unlike Elvis Presley or Barbra Streisand, who in 1976 just happens to be the star of a remake of A Star Is Born for Warner Brothers that is cleaning up at the box office and at records stores nationwide. Leider is so convinced Neil Diamond has that X Factor, that unquantifiable thing that turns mere mortals into superstars, that Leider quits his job at Warners to start his own movie production company, wrestling the story rights to The Jazz Singer from Warner Brothers and United Artists, both of whom claimed ownership of the story, so he can make his own version with Diamond as the star.   So, naturally, a former Warners Brothers executive wanting to remake one of the most iconic movies in the Warner Brothers library is going to set it up at Warner Brothers, right?   Nope!   In the fall of 1977, Leider makes a deal with MGM to make the movie. Diamond signs on to play the lead, even before a script is written, and screenwriter Stephen H. Foreman is brought in to update the vaudeville-based original story into the modern day while incorporating Diamond's strengths as a songwriter to inform the story. But just before the film was set to shoot in September 1978, MGM would drop the movie, as some executives were worried the film would be perceived as being, and I am quoting Mr. Foreman here, “too Jewish.”   American Film Distribution, the American distribution arm of British production companies ITC and EMI, would pick the film up in turnaround, and set a May 1979 production start date. Sidney J. Furie, the Canadian filmmaker who had directed Diana Ross in Lady Sings the Blues, would be hired to direct, and Jacqueline Bisset was pursued to play the lead female role, but her agent priced their client out of the running. Deborah Raffin would be cast instead. And to help bring the kids in, the producers would sign Sir Laurence Olivier to play Diamond's father, Cantor Rabinovitch. Sir Larry would get a cool million dollars for ten weeks of work.   There would, as always is with the case of making movies, be setbacks that would further delay the start of production. First, Diamond would hurt his back at the end of 1978, and needed to go in for surgery in early January 1979. Although Diamond had already written and recorded all the music that was going to be used in the movie, AFD considered replacing Diamond with Barry Manilow, who had also never starred in a movie before, but they would stick with their original star.   After nearly a year of rest, Diamond was ready to begin, and cameras would roll on the $10m production on January 7th, 1980. And, as always is with the case of making movies, there would be more setbacks as soon as production began. Diamond, uniquely aware of just how little training he had as an actor, struggled to find his place on set, especially when working with an actor of Sir Laurence Olivier's stature. Director Furie, who was never satisfied with the screenplay, ordered writer Foreman to come up with new scenes that would help lessen the burden Diamond was placing on himself and the production. The writer would balk at almost every single suggestion, and eventually walked off the film.   Herbert Baker, an old school screenwriter who had worked on several of the Dean Martin and Jerry Lewis movies, was brought in to punch up the script, but he would end up completely rewriting the film, even though the movie had been in production for a few weeks. Baker and Furie would spend every moment the director wasn't actively working on set reworking the story, changing the Deborah Raffin character so much she would leave the production. Her friend Lucie Arnaz, the daughter of Desi Arnaz and Lucille Ball, would take over the role, after Cher, Liza Minnelli and Donna Summer were considered.   Sensing an out of control production, Sir Lew Grade, the British media titan owner of AFD, decided a change was needed. He would shut the production down on March 3rd, 1980, and fire director Furie. While Baker continued to work on the script, Sir Grade would find a new director in Richard Fleischer, the journeyman filmmaker whose credits in the 1950s and 1960s included such films as 20,000 Leagues Under the Sea, Compulsion, Fantastic Voyage and Doctor Doolittle, but had fallen out of favor with most studios after a string of flops. In fact, this would be the second film in a year where Fleischer was hired to replace another director during the middle of production, having replaced Richard C. Sarafian on the action-adventure film Ashanti in 1979.   With Fleischer aboard, production on The Jazz Singer would resume in late March, and there was an immediate noticeable difference on set. Where Furie and many members of the crew would regularly defer to Diamond due to his stature as an entertainer, letting the singer spiral out of control if things weren't working right, Fleischer would calm the actor down and help work him back into the scene. Except for one scene, set in a recording studio, where Diamond's character needed to explode into anger. After a few takes that didn't go as well as he hoped, Diamond went into the recording booth where his movie band was stationed while Fleischer was resetting the shot, when the director noticed Diamond working himself into a rage. The director called “action,” and Diamond nailed the take as needed. When the director asked Diamond how he got to that moment, the singer said he was frustrated with himself that he wasn't hitting the scene right, and asked the band to play something that would make him angry. The band obliged.    What did they play?   A Barry Manilow song.   Despite the recasting of the leading female role, a change of director and a number of rewrites by two different writers during the production, the film was able to finish shooting at the end of April with only $3m added to the budget.   Associated Film would set a December 19th, 1980 release date for the film, while Capitol Records, owned at the time by EMI, would release the first single from the soundtrack, a soft-rock ballad called Love on the Rocks, in October, with the full soundtrack album arriving in stores a month later.   As expected for a new Neil Diamond song, Love on the Rocks was an immediate hit, climbing the charts all the way to #2 on the Billboard Hot 100.   Several days before the film opened in 241 theatres on December 19th, there was a huge, star-studded premiere at the Plitt Century Plaza Cinemas in Los Angeles. Peter Falk, Harvey Korman, Ed McMahon, Gregory Peck, Cesar Romero and Jon Voight were just a handful of the Hollywood community who came out to attend what was one of the biggest Hollywood premieres in years. That would seem to project a confidence in the movie from the distributor's standpoint.   Or so you'd think.   But as it turned out, The Jazz Singer was one of three movies Associated Film would release that day. Along with The Jazz Singer, they would release the British mystery film The Mirror Crack'd starring Angela Lansbury and Elizabeth Taylor, and the Richard Donner drama Inside Moves. Of the three movies, The Jazz Singer would gross the most that weekend, pulling in a modest $1.167m, versus The Mirror Crack'd's $608k from 340 screens, and Inside Moves's $201k from 67 screens.   But compared to Clint Eastwood's Any Which Way You Can, the Richard Pryor/Gene Wilder comedy Stir Crazy, and Dolly Parton/Lily Tomlin/Jane Fonda comedy 9 to 5, it wasn't the best opening they could hope for.   But the film would continue to play… well, if not exceptional, at least it would hold on to its intended audience for a while. Sensing the film needed some help, Capitol Records released a second single from the soundtrack, another power ballad called Hello Again, in January 1981, which would become yet another top ten hit for Diamond. A third single, the pro-immigration power-pop song America, would arrive in April 1981 and go to number eight on the charts, but by then, the film was out of theatres with a respectable $27.12m in tickets sold.   Contemporary reviews of the film were rather negative, especially towards Diamond as an actor. Roger Ebert noted in his review that there were so many things wrong in the film that the review was threatening to become a list of cinematic atrocities. His review buddy Gene Siskel did praise Lucie Arnaz's performance, while pointing out how out of touch the new story was with the immigrant story told by the original film. Many critics would also point out the cringe-worthy homage to the original film, where Diamond unnecessarily performs in blackface, as well as Olivier's overacting.   I recently watched the film for the first time since 1981, and it's not a great movie by any measurable metric. Diamond isn't as bad an actor as the reviews make him out to be, especially considering he's essentially playing an altered version of himself, a successful pop singer, and Lucie Arnaz is fairly good. The single best performance in the film comes from Caitlin Adams, playing Jess's wife Rivka, who, for me, is the emotional center of the film. And yes, Olivier really goes all-in on the scenery chewing. At times, it's truly painful to watch this great actor spin out of control.   There would be a few awards nominations for the film, including acting nominations for Diamond and Arnaz at the 1981 Golden Globes, and a Grammy nomination for Best Soundtrack Album, but most of its quote unquote awards would come from the atrocious Golden Raspberry organization, which would name Diamond the Worst Actor of the year and Olivier the Worst Supporting Actor during its first quote unquote ceremony, which was held in some guy's living room.   Ironically but not so surprisingly, while the film would be vaguely profitable for its producers, it would be the soundtrack to the movie that would bring in the lion's share of the profits. On top of three hit singles, the soundtrack album would sell more than five million copies just in the United States in 1980 and 1981, and would also go platinum in Canada, South Africa, and the United Kingdom. While he would earn less than half a million dollars from the film, Diamond's cut of the soundtrack would net him a dollar per unit sold, earning him more than ten times his salary as an actor.   And although I fancied myself a punk and new wave kid at the end of 1980, I bought the soundtrack to The Jazz Singer, ostensibly as a gift for my mom, who loved Neil Diamond, but I easily wore out the grooves of the album listening to it over and over again. Of the ten new songs he wrote for the soundtrack, there's a good two or three additional tracks that weren't released as singles, including a short little ragtime-inspired ditty called On the Robert E. Lee, but America is the one song from the soundtrack I am still drawn to today. It's a weirdly uplifting song with its rhythmic “today” chants that end the song that just makes me feel good despite its inherent cheesiness.   After The Jazz Singer, Neil Diamond would only appear as himself in a film. Lucie Arnaz would never quite have much of a career after the film, although she would work quote regularly in television during the 80s and 90s, including a short stint as the star of The Lucie Arnaz Show, which lasted six episodes in 1985 before being cancelled. Laurence Olivier would continue to play supporting roles in a series of not so great motion pictures and television movies and miniseries for several more years, until his passing in 1989. And director Richard Fleischer would make several bad movies, including Red Sonja and Million Dollar Mystery, until he retired from filmmaking in 1987.   As we noted in our February 2020 episode about AFD, the act of releasing three movies on the same day was a last, desperate move in order to pump some much needed capital into the company. And while The Jazz Singer would bring some money in, that wasn't enough to cover the losses from the other two movies released the same day, or several other underperforming films released earlier in the year such as the infamous Village People movie Can't Stop the Music and Raise the Titanic. Sir Lew Grade would close AFD down in early 1981, and sell several movies that were completed, in production or in pre-production to Universal Studios. Ironically, those movies might have saved the company had they been able to hang on a little longer, as they included such films as The Dark Crystal, Frances, On Golden Pond, Sophie's Choice and Tender Mercies.   Thank you for joining us. We'll talk again soon, when Episode 99 is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Neil Diamond and The Jazz Singer.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Television icon, comedienne, and Friar Carol Burnett joins Joe Sibilia to discuss her 1973 Friars Club testimonial, the stunt she prepared with Harvey Korman for that dinner, and praises Friars Steve Lawrence and Eydie Gorme. Plus, Carol Burnett remembers her mentor and fellow Friar Garry Moore, shares the origins of the song "I Made a Fool of Myself Over John Foster Dulles," recollects her time working with ventriloquist, inventor, and voice actor Paul Winchell, and critiques Joe's rendition of her famous Tarzan yell! For more information on the Friars Club, please visit our website at https://www.friarsclub.com/ Follow the Friars Club on: Facebook: https://www.facebook.com/profile.php?id=100082240803132 Instagram: https://www.instagram.com/pcfriarsclub/?hl=en

This week we end the year suffering for your pleasure. We watched The Star Wars Holiday Special where we learn that Chewbacca just kind of bails on his family for the entirety of the Skywalker Saga.  How does The Star Wars Holiday Special hold up? Host: Nic Co-Host: Daniel Panel: Candace, Nur, and Lauren https://www.youtube.com/watch?v=6hH8rxarVG8   Directed by Steve Binder and David Acomba Written by Rod Warren, Bruce Vilanch, Pat Proft, Leonard Ripps, Mitzie Welch Actors: Mark Hamill, Harrison Ford, Carrie Fisher, Anthony Daniels, Peter Mayhew, James Earl Jones, Bea Arthur, Art Carney, Diahann Carroll, Harvey Korman

In this special episode - after having just watched the Star Wars Holiday Special that originally aired in 1978, Andy, Jason and Brian sit down to discuss what horror they actually just witnessed. Guest stars include the original Star Wars cast, along with Art Carney, Bea Arthur, Diahann Carroll, and Harvey Korman. If you've never seen a Wookie masturbate, then this is a must see!Episode originally published December 8th 2021

Jeremy James Miller is an American actor best known for his portrayal of Ben Seaver on Growing Pains and its two reunion movies. He also was the voice of Linus in Happy New Year, Charlie Brown and Snoopy the Musical.Miller was first cast in a McDonald's commercial and then began to land multiple guest roles in Charles in Charge, Different Strokes, Punky Brewster, and Pryor's Place. He was cast in the NBC mini series Deceptions with Barry Bostwick, Stephanie Powers, and Fairuza Balk before landing the role of Ben Seaver, the youngest son on Growing Pains. Miller was supposed to be a part of the cast of the PBS show Ghostwriter. The creator wanted to make him a mentor to the younger Ghostwriter members, but the producers decided it wasn't a good idea for the show to have an older ghostwriter team member and Miller was not invited back after shooting the pilot. As an actor, probably his most recognizable trademark is the "Ben Seaver Scream", which can be heard and seen in any number of Growing Pains episodes and during the closing credits of the movie Dickie Roberts: Former Child Star.After Growing Pains, Jeremy co starred as "Jake" in the TV movie Based on an Untrue Story with Morgan Fairchild, Robert Goulet, Rikki Lake, Dan Hedeya, Victoria Jackson, and Harvey Korman.He then decided to take a break from acting and attended the University of Southern California for a year where he studied drama. Soon after he began to pursue his passion for cooking and enrolled in the Culinary Arts program at Le Cordon Bleu which he left just short of graduating. Jeremy started his own catering company called "No Small Affair" as well as freelanced as a chef for multiple LA based catering companies. He also teaches private cooking classes and group cooking parties. Jeremy continues to pursue acting and went to Shanghai (where he enjoys a huge popularity and following) to co star in the film Milk and Fashion, He starred in a commercial for McDonald's "Dollar Menunaires" promotion shot as a parody of the VH1 series Best Week Ever. He has also been spotted in Boys and Girls Guide To Getting Down. He can be seen in four movies in 2009: Ditching Party, Never Have I Ever, The Fish and Tar Beach. He will also be co-starring in the upcoming horror film Awakening as well as two new shows; One a recurring role in the comedy - The Comeback Kids and one as the lead in the Paranormal Suspense Drama - 3rd Eye.Support the show

To celebrate Thanksgiving, we check out a handful of strips that ran on Thanksgivings in the past. Naturally, Brooke McEldowney wants NOTHING to do with such a common holiday. So we have to find our own way to give thanks for Juliette burning her old Daisy Dukes, Rita Hayworth throwing hot dogs at virgins, Edda getting furious at a butt of Malmsey, Amos & Edda ogling a mystery woman together, and a character we've never seen before attempting to jump off a diving board while giving a piggy-back ride to another character we've never seen before. But the real thing to give thanks for might be our conversation about vampires and how the rules of vampires make Brooke (Dillman) absolutely furious. The Chickweed strips we discuss this episode: Juliette burns her Daisy Dukes, Rita Hayworth throws some hot dogs around, and Edda hears "butt" everywhere are here (https://twitter.com/9chickweedRAGE/status/1594627712999559168?s=20&t=lGc2HR0TTMcJ3sl_Acq0wQ). Edda & Amos stare at some lady's bazongas and the nude diving board shenanigans are here (https://twitter.com/9chickweedRAGE/status/1594627720956084225?s=20&t=lGc2HR0TTMcJ3sl_Acq0wQ). This episode's thankful journey includes: Jeff hates Thanksgiving Mashed potatoes Turkey butt Corn pudding Candied yams Green bean casserole Daisy Duke from Dukes of Hazzard The girl from The Ring (https://www.youtube.com/watch?v=hpb2-ZOzc_o) The Weber Grill World War II Entertainment Weekly Rita Hayworth Hot dogs Richard III Stuffing Ramen noodles Carol Burnett as Norma Desmond (https://www.dailymotion.com/video/x5fpga). Harvey Korman Bugs Bunny dressed up as a lady (https://www.youtube.com/watch?v=Lpg-w2W1-GI). Period abuse Consonant blends Diving boards Billy Joel Let the Right One In Vampires Wizards Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Twitter: @9ChickweedRAGE (https://twitter.com/9chickweedRAGE)

Today on the Rarified Heir Podcast, we are talking to Kelly Conway, daughter of genius comedian Tim Conway. Many of you know Tim Conway from his television career on The Steve Allen Show, McHale's Navy and likely The Carol Burnett Show. Some may know him from his film career in Disney films like The Apple Dumpling Gang or The Private Eyes with Don Knotts among others, like Gus or The Prize Fighter. You might even know him from Spongebob Squarepants or 30 Rock. After all he was nominated for 13 Emmy awards and won six times as a performer and writer. But many of you may not know about Conway's impact on his brood of six, count them six children. We spoke to Kelly about her experience with dad and writing her book, My Dad's Funnier Than Your Dad. And you ain't kidding anbout that! Kelly recounts to us her life growing up in the San. Fernando Valley as the eldest and oldest in a house where dad made their living room a movie theater (with tickets, popcorn counter and turn style) or sewing slipcovers or sport coats himself. We talk about his relationship and her family relationship with Ghoulardi's Ernie Anderson (father of director Paul Thomas Anderson) as well as folks like Steve and Eydie, Mike Connors, Harvey Korman and Bob Newhart. We also delve into Kelly's story of how she fought for her father's healthcare during his later years and the legal battle she waged simply to see her father when his stepmother refused to allow her to do so. It's pretty heavy stuff and frankly, opened up the topic to host Josh Mills about his own issues with his mother's end-of-life healthcare as well. You will laugh, you might cry but you certainly won't forget this episode of the Rarified Heir Podcast with Kelly Conway. Take a listen.    

Petros on Dodgers and Greek Curse // Petros on Tia Tagovailoa concussion controversy // Petros Cubs Goat Curse / Billy Goat Tavern / Emotional support animals // Judy Tenuta passes away / She Hulk Attorney at Law / The great Gazoo from Flintstones was Harvey Korman

GGACP celebrates the release of the new book "My Life and Toys" by revisiting this informative interview with the book's author: screenwriter, director, toy collector and pop culture historian Brian Levant ("The Flintstones," "Beethoven," "Jingle All the Way"). In this episode, Brian joins Gilbert and Frank to talk about staging pie fights, mail-order alligators, failed "Munsters" reboots and the comedic genius of Harvey Korman and Jonathan Winters. Also, Jack Warden forgets his lines, Chuck Jones finds the fountain of youth, Garry Marshall's memorial service brings down the house and Brian directs Gilbert in "Problem Child 2." PLUS: Buffalo Bob Smith! The legend of "Poochinski"! The wonderful world of Hanna-Barbera! Fonzie jumps the shark! The Lone Ranger rides again! And Brian remembers colleagues Phil Hartman and Charles Grodin! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday of screen legend Alan Ladd (September 3rd) with an ENCORE of a 2017 interview with comedian and actor Ronnie Schell. In this episode, Ronnie remembers his early days on the club circuit, recalls decades-long friendships with funnymen Bill Dana, Pat McCormick and Harvey Korman and discusses his memorable role as Gomer Pyle's bunkmate, Duke Slater. Also, Ronnie reminisces about sharing the big and small screen with Andy Griffith, Redd Foxx, Rodney Dangerfield, Tony Curtis, Goldie Hawn, George Carlin and even Groucho Marx. PLUS: Billy De Wolfe! The Kingston Trio! The reclusive Jack Burns! Sinatra drops by the Blue Angel! And the prodigious talents of Theodore Bikel! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I interview Chris Korman who talk about his father Harvey Korman and his book "OMG! It's Harvey Korman's Son. Chris also talks about his fifteen years experience in the entertainment industry. Doug Hess is the host! also join Patreon.com/forgottenhollywood

Vicki Lawrence lit up TV screens for eleven years on The Carol Burnett Show and for an additional six years in her own spin-off sit-com, Mama's Family. Mama has since become a cultural icon so take a seat and roll down your nylons. She's still got plenty to say in "Vicki and Mama: A Two Woman Show." Vicki's one hit wonder, “The Night The Lights Went Out In Georgia shot to number one and inspired a movie. But can Vicki explain the plot? The answer lies inside this episode which also features Karen Knotts whose one woman show pays tribute to her fabulous father, Don Knotts.Plus Fritz and Weezy are recommending the Dead Eyes podcast and The Staircase on Netflix.Path Points of Interest:Vicki LawrenceVicki Lawrence on IMDBVicki Lawrence on WikipediaVicki Lawrence on InstagramVicki Lawrence and Mama Event - June 4thKaren KnottsTied Up In Knotts by Karen KnottsThe Staircase - Netflix The Staircase on HBODead Eyes Podcast with Connor RatliffMark Arthur Miller and Fritz Coleman at the Catalina Bar and Grill