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In this week's essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O'Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman's Life in Museum Wall Labels” for Political Gabfest One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man's Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O'Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman's Life in Museum Wall Labels” for Political Gabfest One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man's Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson
In this week's essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O'Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman's Life in Museum Wall Labels” for Political Gabfest One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man's Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's essay, John discusses the art of attention and how to develop the skill of slow-looking. Notebook Entries: Notebook 75, page 8. September 2021 1016 Notebook 1, page 54. June 1990 - Magna carta 1215 at Salisbury - Girls skipping - The Haunch of Venison - Chris References: Georgia O'Keeffe Museum A Little History of the World by E.H Gombrich Artist Jeff Koons “The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian “Gabfest Reads: A Woman's Life in Museum Wall Labels” for Political Gabfest One Woman Show by Christine Coulson “Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News A Journey Around My Room by Xavier De Maistre “Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science “Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times One Man's Meat by E.B. White Podcast production by Cheyna Roth. Email us at navelgazingpodcast@gmail.com Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen. Host John Dickerson Learn more about your ad choices. Visit megaphone.fm/adchoices
We talk about Podunk quaint tickets, resting on your laurels, and babbling Brooks.
The fleshy rear part of a horse is called the haunch.
Justin Mortimer (b.1970) is a British artist whose paintings consistently invite us to question the relationship between subject matter and content, beauty and horror, and between figuration and abstraction. While the imagery is almost exclusively pitiless, the texturing of the paint, the play between light and shade and the passages that lead from photo-realist definition to near-abstract formlessness are so sensitively handled as to make the work at least partially redemptive as well as to indicate a key philosophical dimension: the oblique relationship between evidence and interpretation.(ocula.com) Justin Mortimer graduated from the Slade School of Art in 1992 and lives and works in London. He has won several prestigious awards including the EAST Award (2004), NatWest Art Prize (1996) and the BP National Portrait Award (1991).Recent solo exhibitions include BREED, Parafin Gallery, London (2019), HOAX, The Armory Show, New York, NY (2018), "It is Here" Parafin, London(2017), "while the worst" The Factory, London(2017), Haunch of Venison, London (2012), Mihai Nicodim Gallery, Los Angeles (2011) and Master Piper, London (2010). Recent group exhibitions include How to Tell The Future from the Past, Haunch of Venison, New York (2013), Nightfall, MODEM Centre for Modern and Contemporary Arts, Debrecen, Hungary (2012), MAC Birmingham (2011) and the 2011 Prague Biennial. His work is in numerous private and public collections including the National Portrait Gallery, London, the National Portrait Gallery, Canada, Royal Society for the Arts, Bank of America, NatWest Bank and the Flash Art Museum of Contemporary Art in Trevi, Italy. --- Support this podcast: https://anchor.fm/jeremy-jirsa/support
a classic episode of your favorite podcast! jake is cooped up with his family on a “snow” day and sits down to talk how terrible texans are at driving in adverse conditions, recounts being walked in on in the bathroom at work (along with all of the ethical questions that come with such misfortune), lays a framework for his budding fitness imfluencing career after reading an email from an interested (if grossly misinformed) new influencing platform, shows you this video of the world's least chill professor, talks the suberbowl and that weeknd fella, implores you to join the rallying cry of #freebritney, and explains one of many reasons why craig ferguson was the best late night host and the ones that are left kinda suck. >>insta: @horsefeatherspod>twitter: @horsefeatherpod>email: horsefeatherspod@gmail.com
Fru Tholstrup is a London-based art consultant with a specialism in the contemporary global art market, advising collectors and international businesses on building museum-quality art collections. Fru is best known for her role launching Sotheby’s flagship London Art Gallery, S|2 in 2013, she also worked closely with the S|2 Brand in New York and Hong Kong helping curate exhibitions. As the inaugural director, Tholstrup guided the gallery to commercial and critical success with an ambitious and diverse programme. Tholstrup also invited senior international figures to become guest curators, including Jeffrey Deitch, Tommy Hillfiger and Vito Schnabel. In 2010 Tholstrup began curating the Soho House Art Collection for Nick Jones — which began with the West Hollywood House. Tholstrup’s trademark is a creative approach to making engaging and original exhibitions; An ability honed during 10 years at London’s Haunch of Venison Gallery which included the role of Director. Tholstrup sits on the judging panel for the prestigious HIX Award art prize and is on the select committee for the Groucho Club on Dean street.
Follow along as Courtney and Sneha attempt to read various Marvel imagines before they get utterly blindsided by a truly Hawksome story! Arrows & feathers & tricksters, oh my! Find us at linktr.ee/selfinsertcast and @selfinsertcast on Twitter and Instagram! --- Support this podcast: https://podcasters.spotify.com/pod/show/selfinsertcast/support
British artist Richard Long is a pioneer of Land and Conceptual art. Richard Long is widely recognized as one of ...
Brian Alfred is a painter and animator born in Pittsburgh, Pennsylvania. He received his BFA in 1997 from Penn State University and his MFA in 1999 from Yale University. This is his second interview, the first can be found by clicking here. Selected exhibitions include solo exhibitions at Miles McEnery Gallery, New York; Maho Kubota Gallery, Tokyo, Frist Center for Visual Art, Nashville; Haunch of Venison, London, New York, Zurich, Berlin; Mary Boone Gallery, New York, NY; Phoenix Art Museum, Phoenix, AZ; and Max Protetch Gallery, New York, NY. He was awarded a Jerome Foundation Grant; Pollock-Krasner Foundation Grant, Joan Mitchell Foundation Award, and he attended Skowhegan. Brian Alfred lives and works in Brooklyn, NY and is an Assistant Professor of Art at Penn State University. He is also the host of Sound & Vision Podcast. Time Horizons, 2017, Acrylic on canvas, 62 x 73 inches Rag & Bone mural Elizabeth Street, NYC
Walter Robinson is a New York artist and art critic. He has exhibited his work at several New York City galleries since the 1980s, including Haunch of Venison, Lynch Tham and Metro Pictures. "Walter Robinson: Paintings and Other Indulgences," a retrospective exhibition of 90 works dating from 1979 to 2012, opened in 2014 at the University Galleries at Illinois State University in Normal, IL, and traveled this winter to Moore College in Philadelphia; its final appearance was at Jeffrey Deitch in SoHo. He was also the founding editor of Artnet Magazine (1996-2012) and news editor at Art in America (1980-1996). He also served as art editor of the East Village Eye (1983-85) and co-published and co-edited Art-Rite magazine during 1973-77. Walter was also a correspondent for Art TV Gallery Beat, a public access television show in the late '90s, and a cofounder of Printed Matter, the New York bookstore devoted to publications by artists. Brian stopped by Walter’s Long Island City studio to talk about Oklahoma, SoHo in it’s prime, writing about art, pulp imagery and more. This episode is brought to you by Golden Paint and Charter Coffeehouse.
Kole, Ben, Dennis, and David talk about SUPERHOT VR, the Switch adding GameCube controller functionality, and we ask you what's holding back your favorite game. The Brief: Original Xbox backward compatibility coming to the Xbox One. Switch software update enables GameCube controller functionality. Bungie cancels “The Trials of the Nine”. Vermintide 2 announced. Overwatch team names announced. The Multiplayer: What's one thing you would change about an otherwise good game to make it perfect? The Grind: David: Destiny 2. Metal Gear Solid V: The Phantom Pain. Kole: PRGE miscellany. Dennis: Space Pirate Trainer. SUPERHOT VR. Card Crawl. X-COM 2: The War of the Chosen. Ben: The Legend of Zelda: Breath of the Wild. 1-2 Switch.
This week, Mumbai-based artist Jitish Kallat returns to Bad at Sports, this time from San Francisco, where he sits down with Patricia Maloney. Listeners may remember Kallat’s first appearance on the podcast on the eve of the opening for his large-scale installation, Public Notice 3 (2010-11), in the Fullerton Hall stairwell of the Art Institute of Chicago. Kallat, one of the most prominent figures of contemporary Asian art, works across a variety of media, including painting, sculpture, photography, installation, and video. He was the curator for the Kochi-Muziris Biennale, India in 2014. This year, Kallat has had several solo exhibitions, including Jitish Kallat: Public Notice 2, at the Art Gallery of New South Wales in Sydney. His Paris exhibition, The Infinite Episode, opened at the Galerie Templon in September 2015. Kallat's large permanent public sculpture unveiled in Austria in October 2015. His solo exhibitions include Epilogue (2013-14) at the San Jose Museum of Art; Circa at the Ian Potter Museum of Art, Melbourne, Australia (2012); Fieldnotes: Tomorrow was here Yesterday at the Bhau Daji Lad Museum, Mumbai, India (2011); Likewise at Arndt, Berlin, Germany (2010); The Astronomy of the Subway at Haunch of Venison, London, UK (2010); Aquasaurus at the Sherman Contemporary Art Foundation, Paddington, Australia (2008) and Lonely Facts at the Kunsthalle Luckenwalde, Luckenwalde, Germany (1998). Kallat has participated in major exhibitions, including: India: Art Now at the Arken Museum, Ishoj, Denmark (2012-13); Indian Highway IV at MAXXI, Rome, Italy (2012) and at Musée d'art contemporain de Lyon, Lyon, France (2011); The Empire Strikes Back: Indian Art Today at Saatchi Gallery, London, UK (2010); Chalo! India: A New Era of Indian Art at Essl Museum – Contemporary Art, Klosterneuburg, Austria and at Mori Art Museum, Tokyo (both 2009), as well as Indian Highway at the Serpentine Gallery, London, UK (2008-09); Die Tropen. Ansichten von der Mitte der Weltkugel at Martin- Gropius-Bau, Berlin, Germany (2008); Urban Manners at Hangar Bicocca, Milan, Italy (2007) and Century City at Tate Modern, London, UK (2001).
Sam Chatterton Dickson is Director, Sales, at Lisson Gallery, the leading contemporary commercial gallery. He studied history at Durham University and then pursued postgraduate studies in art history at the Courtauld Institute, London. After a short spell in the Old Masters field he moved over to contemporary art in the mid 1990s. Before joining Lisson Gallery he was senior sales associate at Haunch of Venison in London.
To coincide with his current exhibition at Haunch of Venison Gallery renowned South African photographer David Goldblatt discusses his work with curator and art historian Tamar Garb.
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