Podcasts about Armory Show

An American born artist dedicated to developing new techniques of glass working, Joshua Hershman combines optical physics with the fluidity of glass to make his contemporary sculpture. By harnessing light though hand-polished lenses, he employs unique methods of casting, coldworking, and photography in his boundary pushing work.  Hershman states: “My work offers meditations on the complexities within the concept of photography and the repercussions of the camera's impact on culture. The incredibly creative and destructive nature of photography is both inspiring and alarming to me. It has helped bring our global society closer together but also driven us desperately apart. It can teach us or deceive us, show us the furthest reaches of space, or the closest representations of matter itself. It is these contrasting realities that exist within photography, which inspire my works of contemporary art.” Being born with no peripheral vision or depth perception, decades of vision therapy led Hershman to his lifelong fascination with the complex nature of the visual system and the science of light and optics. By using cameras themselves as frames for his experimental photographic processes, he asks us to look more closely into the simple act of taking a photograph. His work focuses on the significance that film and photography have played on the development of contemporary global culture.  More recently Hershman's work has focused on the torus — the most common shape found in galaxy formations and human cellular biology. His series, Messier Objects, was named after the French astronomer Charles Messier, who famously catalogued anomalous objects that confused his search for comets in the night sky. Originally from Colorado, Hershman was born in 1981 and first began working with glass at the age of 17. In 2004, he graduated from the Craft and Design Program at Sheridan College in Ontario, Canada. In 2008, he went on to earn a BFA with Distinction from the California College of the Arts in Oakland, California. Most recently, he completed the Master's program at the New York State College of Ceramics at Alfred University in Sculptural/Dimensional Studies.  In 2009, Hershman had his first solo exhibition at Pismo Glass in Denver and went on to participate in many group exhibitions and art fairs including Sofa Chicago, the Armory Show, Art Hamptons, SF Art Market, the Habatat Invitational, and many others. He loves to teach and has led workshops and lectures at California College of the Arts, Public Glass in San Francisco, Pittsburgh Glass Center, and at D&L Glass Supply in Denver. Hershman has received numerous awards, was included in the Bullseye Emerge international glass competition, Young Glass 2017, and can be found in numerous private collections. His work is included in the permanent collection of the Ebeltoft Museum in Denmark, The National Liberty Museum in Philadelphia, and Museum of Glass, Tacoma (MOG). In fact, MOG exhibited Hershman's sculpture in the nation's first LGBTQ+ glass exhibition titled Transparency. He has been invited to participate in several artist-in-residence programs including North Lands Creative Glass in Scotland, D&L Art Glass in Colorado, the Appalachian Center for Craft in Tennessee, and most recently completed a semester-long residency at Southern Illinois University at Carbondale. The artist worked for Berengo studio in Murano, Italy, where he made work for the world's leading contemporary artists. Living and operating a private studio in Los Angeles, California, Hershman makes his personal work and also operates the Glass Foundry, which provides casting and coldworking services to other artists. Additionally, he is employed at Judson Studios, where he's currently working on a large-scale architectural glass project for James Jean. “Casting glass was something I could do in isolation in my studio which was a huge advantage during the pandemic. Without the need for a furnace or lots of facilities, this process allowed me to make a highly challenging sculpture without the need for a team of assistants or expensive equipment. I think what draws me most to lost wax casting is the constant challenge and problem solving that is required to get a high-quality casting.”

هرمز همتیان بنیان‌گذار و مدیر گالری دستانه؛ یکی از مهم‌ترین پلتفرم‌های هنر معاصر ایران.این گالری توی سال ۲۰۱۲ در تهران تأسیس شد و از همون موقع تا حالا نقش مهمی تو شکل‌دادن و ارتقای صحنه‌ی هنر معاصر ایران داشته. نه فقط با حمایت از هنرمندای داخلی، بلکه با معرفی اون‌ها به مخاطب‌های جهانی.هرمز همتیان به‌خاطر کشف و حمایت از هنرمندایی شناخته می‌شه که شاید هیچ‌وقت دیده نمی‌شدن. اون تونسته با وجود فضای پیچیده و محدودیت‌های فرهنگی و قانونی ایران، راه خودش رو جلو ببره.با همه‌ی این چالش‌ها، گالری دستان تونسته توی نمایشگاه‌های مهم بین‌المللی مثل Frieze لندن و نیویورک، Art Basel هنگ‌کنگ، Art Dubai و Armory Show نیویورک شرکت کنه و هنر معاصر ایران رو به صحنه‌ی جهانی برسونه.00:00 – آشنایی با هرمز و شروع مسیرش در دنیای هنر04:40 – تجربه اولین حضور جدی در رویدادهای هنری بین‌المللی15:50 – داستان آشنایی اولیه با هنر و تأثیر خانواده25:00 – بازگشت به تهران و کشف صحنه هنر معاصر ایران30:00 – شکل‌گیری گالری دستان و پشت صحنه انتخاب اسم35:20 – دنیای هنر vs دنیای تکنولوژی: شباهت‌ها و تفاوت‌ها52:30 – از آرت‌فر تا موزه: تجربه‌های جهانی و مقایسه با ایران59:00 – واقعیت‌های اقتصاد هنر و وضعیت زندگی آرتیست‌ها در ایران01:25:00 – هوش مصنوعی، روح هنر و چالش‌های آینده01:51:00 – آینده گالری دستان و رؤیای جهانی کردن هنر ایرانHormoz Hematian / هرمز همتیانhttps://www.instagram.com/dastan.artgalleryhttps://www.instagram.com/hormozhematian/https://www.linkedin.com/in/hormoz-hematian-76663811Hormoz Hematian is the founder and director of Dastan Gallery, one of Iran's most important contemporary art platforms.Founded in 2012 in Tehran, Dastan has played a pivotal role in shaping and elevating Iran's contemporary art scene—not just by supporting local artists, but by introducing them to international audiences.Hormoz is credited with discovering and championing artists who might have otherwise been overlooked. All while navigating the complex, often restrictive Iranian cultural landscape. Despite those challenges, Dastan has made it to major international art fairs, including Frieze London & New York, Art Basel Hong Kong, Art Dubai, and The Armory Show in New York—bringing Iranian contemporary art to the global stage.In this conversation, we go deep into:The story behind founding Dastan and building spaces for artists in TehranThe unique challenges of running a gallery in IranWhat it means to "support" an artist—and where to draw boundariesDastan's role in reshaping the visibility of Iranian artists abroadThe story behind Electric Room: 50 experimental shows in 50 weeksHow art can become a tool for cultural dialogue—especially in difficult timesحامی این قسمتشرکت ارائه‌دهنده خدمات میزبانی وب - لیموهاست https://limoo.hostاطلاعات بیشتر درباره پادکست طبقه ۱۶ و لینک پادکست‌‌های صوتی https://linktr.ee/tabaghe16#پادکست #طبقه۱۶ Hosted on Acast. See acast.com/privacy for more information.

Hilma's Ghost is a feminist artist collective co-founded by artists and educators Dannielle Tegeder and Sharmistha Ray that fuses contemporary art with modern spirituality through forms of divination and ritual. Named after the Swedish artist and mystic, Hilma af Klint, the collective's work is a critique of gendered power structures, providing a critical and revolutionary platform for rethinking gender in the arts while recovering feminist histories as its ballast for critique. Their work ranges from the traditional to the esoteric, including paintings and drawings, surrealist games, The Abstract Futures tarot deck, ritual object-based installations, pedagogical workshops, curated exhibitions, community projects, performances, and artist books.
 Hilma's Ghost has been featured in solo, collaborative, and group exhibitions and projects at such esteemed institutions as The Guggenheim, The Armory Show, The Aldrich Contemporary Art Museum, Museu de Arte de São Paulo in Brazil, Galería RGR in Mexico City among many others. Reviews of their work have appeared in The New York Times, The Brooklyn Rail, Artnet, and Hyperallergic. And their brand new mystical mosaic installation, ABSTRACT FUTURES, was created in partnership with NYC's MTA and is on display for the public in perpetuity at the 42nd St – Grand Central Subway Station now. On this episode, Hilma's Ghost speaks about the magic of abstraction, the alchemy of collaborative work, and how art can expand consciousness. (They also give a special Abstract Futures tarot reading to help guide us in this time of tumult and transformation).Pam also talks about the mystical history of the abstract art movement, and answers a listener question about how to be a minimalist witch.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Woodland Magic, Black Phoenix Alchemy Lab, BetterHelp, and TU·ET·AL soap We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

In this episode, I connected with the dynamic duo of Hilma's Ghost, Sharmistha Ray and Dannielle Tegeder, to explore the fascinating intersection of art, spirituality, and community. We dive deep into their collaborative journey, tracing the origins of their partnership that blossomed amidst the challenges of the pandemic and the need for connection. Together we explore the transformative power of art and how spirituality plays a crucial role in their practice.------------------For over five years, the Hilma's Ghost  has conducted experimental pedagogy, transcultural dialogue, and collectivity through the lens of feminism and spirituality to build community and reckon with patriarchal art histories that have excluded women, trans, and nonbinary practitioners. Hilma's Ghost collaborated artistically on ABSTRACT FUTURES TAROT, consisting of 5 paintings, 78 drawings, and an original limited-edition tarot deck that was exhibited at The Armory Show 2021. The exhibition was shortlisted as one of the exhibitions to see by Will Heinrich at The New York Times. In January 2022, the duo curated Cosmic Geometries, a group exhibition of 25 artists at EFA Project Space, whichJillian Steinhauer of The New York Times called “a knockout exhibition.” CHROMAGICK, a series of new collaborative drawings using color magic and crystals was recently exhibited at Expo Chicago 2022. Hilma's Ghost projects have been positively reviewed in The New York Times, Hyperallergic, and Artnet.https://www.hilmasghost.com/https://www.instagram.com/hilmasghosthttps://www.dannielletegeder.com/https://sharmistharay.com/Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out my Instagram*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of The Sometimes Island for our podcast theme music!Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

In this episode of the ArtTactic Podcast, host Adam Green sits down with Alexander Berggruen, founder of Alexander Berggruen, as the gallery approaches its fifth anniversary. Alex reflects on key lessons learned over the past five years and shares what it's like to run a gallery in the competitive New York City art scene. In light of the recent Armory Show, he also discusses his strategy behind solo versus group presentations at art fairs. Additionally, they explore the vibrant UK art scene and why Alex has focused on exhibiting UK-based artists in New York. Alex further explains how growing up in a family-run gallery has influenced his approach and why he chose the Upper East Side for his gallery instead of Chelsea or Tribeca.

In this episode of the ArtTactic Podcast, host Adam Green speaks with Seoul-based art critic Andy St. Louis, founder of Seoul Art Friend and author of Future Present: Contemporary Korean Art. As Frieze Seoul approaches its third edition, Adam and Andy explore the fair's growing influence in the Korean art scene and how it has attracted global attention, especially from U.S. and European galleries. They also discuss the complexities of scheduling conflicts with the Armory Show in New York and the impact on international collectors. Andy shares insights on how certain galleries have successfully integrated into Seoul's art community and the current state of collecting in Korea. Finally, they dive into Andy's new book, which is the first English-language survey of millennial contemporary Korean artists, and reflect on why these artists haven't received as much global recognition despite Korea's rising presence in the art market.

In this episode, art historian Irene Walsh describes the now legendary Armory Show of 1913 in New York City. Irene wrote her PhD on art collector Lillie P Bliss, and she tells us about the groundbreaking show's shock value, the mockery that surrounded some of the paintings in it, and their unexpected effects on the American public and the art market. She tells us how the show led to the founding of New York's MoMa in 1929. Further Reading:The Story of the Armory Show by Milton W Brown, Abbeville Press Inc.,U.S. 1988The Armory Show at 100: Modernism and Revolution by Kushner, Orcutt and Blake, 2013The chapter on the Armory show in The Shock of the New: Seven Historic Exhibitions of Modern Art by Ian Dunlop, 1972 Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Instant Trivia podcast episode 1191, where we ask the best trivia on the Internet. Round 1. Category: Go To H. With H in quotation marks 1: It's the medical term for bad breath. halitosis. 2: Buzz in when you know this one -- in ancient times, this sweet, sticky liquid was used to treat wounds. Honey. 3: At best, it's a computer enthusiast; at worst, it's one who illegally taps into your computer. Hacker. 4: Established in 1519, this capital is the largest city in the West Indies. Havana (Cuba). 5: This small nocturnal mammal covered with spines rolls into a ball when threatened. a hedgehog. Round 2. Category: With A Sculpture On Top 1: Commissioned by brewer Carl Jacobsen, a sculpture of this fairy-tale figure sits atop a rock in Copenhagen harbor. the Little Mermaid. 2: A classical statue called "Freedom" sits atop the dome of this Washington, D.C. building. the U.S. Capitol. 3: Philly's city hall is topped by a 37-foot tall statue of this colony founder; for a time no building there was built higher than his hat. William Penn. 4: The colossal Christ the Redeemer Statue on Mount Corcovado towers over this South American city. Rio de Janeiro. 5: A column topped by a 17-foot statue of this man is the centerpiece of London's Trafalgar Square. Nelson. Round 3. Category: Traditional Eastern Medicine 1: Most acupuncture points relate to pathways along the body called these, like the ones connecting poles on a globe. meridians. 2: Cupping stimulates acupuncture points by applying suction through a glass jar, creating a partial one of these. a vacuum. 3: Acupuncture needles, now steel and as thin as a hair, were once made of the woody stem of this giant grass. bamboo. 4: Research shows that acupuncture increases brain production of these hormones, natural painkillers. endorphins. 5: Once in weight-loss products, ma huang is the Chinese name for this herbal stimulant used to treat asthma. ephedra. Round 4. Category: Shocking Art 1: His mural at Rockefeller Center was destroyed because it included a depiction of Lenin. Diego Rivera. 2: 1485 Florence was shocked by this artist's large nude painting of the birth of a goddess. Botticelli. 3: In 1892 Berlin authorities screamed and closed the exhibit by this Scandinavian artist. (Edvard) Munch. 4: This impressionist's Christ paintings of 1864 and 1865 were crucified for being unidealized. Édouard Manet. 5: Marcel Duchamp's "Nude Descending a Staircase" caused a stir at this 1913 show in New York City. the Armory Show. Round 5. Category: And Span D_X. With D_X in quotes 1: This 2-word term for a spiral shape dates to 1954. double helix. 2: A house with 2 living units, or an apartment with 2 floors. duplex. 3: Type of treatment to help someone recover from drug or alcohol abuse. detox. 4: Numerical 2-word term for getting rid of something, perhaps by sending it to Davy Jones' locker. deep six. 5: U.S. patent 4194846 is for this kind of printer. dot-matrix. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Happy Tuesday, book clubbers! This month, we read The Work by Bri Lee. The Work follows Lally, who has invested everything into her gallery in Manhattan and she's enjoying it because the sacrifices are finally paying off. We also follow Pat, a scholarship boy desperate to establish himself in Sydney's antiquities scene. When they meet at New York's Armory Show their chemistry is instant. But while the book follows their relationship and how it develops, we also follow their pretty flawed decision-making as they try to make it in the art world. Big thanks to Baileys - Irish Cream Liqueur - for making this episode possible. If you are over 18 and interested in an indulgent treat then head online or in-store to shop Baileys. Remember to Drink Responsibly. Your hosts today were Rhiannon Joyce (@rhiannonjoyce), Zara McDonald (@zamcdonald) and Ruby Hall (@rubytuesday2.0). This episode was audio produced by Sohani Goonetillake. Enjoy the content we create? The best way to support us is to click that ‘follow' button in your favourite podcast app and leave a five star review. Orrr you can go old school and tell a friend to listen! The Shameless Book Club has a room on room on Apple Books! Check it out here.  See you next time!

A conversation with Tony Karman, Founder, President and Director of EXPO CHICAGO. One of the top international art fairs, EXPO CHICAGO has become a key date on the art fair calendar by welcoming collectors, curators and museum directors from around the globe to Chicago's Navy Pier during the second week of April. In 2023, Frieze acquired the art fair along with the Armory Show with no plans for rebranding either. In the conversation, Tony talks about what makes EXPO CHICAGO unique, the strength of the Chicago arts community and the logistical challenges of executing an event of its size and scope.

The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago. So what should we make of Frieze's continuing expansion and what's the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper's acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene. And this episode's Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse's career.Frieze London and Frieze Masters, Regent's Park, London, until 15 October.The Sequences Biennial, entitled Can't See, begins on 13 October and continues until 22 October 2023.Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024. Hosted on Acast. See acast.com/privacy for more information.

The fall art season is now officially in full swing. We've had a big round of fairs already around the world with the Armory Show, Independent 20th Century, Photofairs and more opening simultaneously in New York, and the second edition of Frieze Seoul and Kiaf Seoul taking place in Asia, plus all of the galleries and museums that have begun to roll out some of their biggest offerings of the year. This week Artnet News's national art critic Ben Davis speaks with with Europe editor Kate Brown and Art Detective columnist Katya Kazakina on another episode of the Art Angle Round Up to take on some of the topics that have been animating the art discussion for the past month. On the docket this week are three topics: why painting is suddenly achieving a state of total dominance in the art galleries, the latest developments around the spectacular $86 million criminal scheme associated with the former art dealer Inigo Philbrick and the spate of lawsuits swirling around the art market, and about the case of the artist who tried to take $84,000 from a Danish museum and call it art.

The fall art season is now officially in full swing. We've had a big round of fairs already around the world with the Armory Show, Independent 20th Century, Photofairs and more opening simultaneously in New York, and the second edition of Frieze Seoul and Kiaf Seoul taking place in Asia, plus all of the galleries and museums that have begun to roll out some of their biggest offerings of the year. This week Artnet News's national art critic Ben Davis speaks with with Europe editor Kate Brown and Art Detective columnist Katya Kazakina on another episode of the Art Angle Round Up to take on some of the topics that have been animating the art discussion for the past month. On the docket this week are three topics: why painting is suddenly achieving a state of total dominance in the art galleries, the latest developments around the spectacular $86 million criminal scheme associated with the former art dealer Inigo Philbrick and the spate of lawsuits swirling around the art market, and about the case of the artist who tried to take $84,000 from a Danish museum and call it art.

When you walked through the prestigious Armory Show a few weeks ago, April Bey's solo booth with Bahamas-based Tern Gallery, was the standout. The fair itself was quite strong, but there was something about walking into a universe, the April Bey universe, that was transcendental and hypnotic, immersive. Bey is political and poignant, with a sense of humor and harsh social critique that has been honed by both being a professor at Glendale College in California and practicing fine artist with solo and museum shows on the CV. The works are wide-ranging: installation, printmaking, photography, mixed-media, and the Atlantica series has become one of Bey's defining bodies of work. Bey grew up in The Bahamas, and on this episode of the Radio Juxtapoz podcast, Evan Pricco and Doug Gillen speak to Bey about youth, moving to the USA, being educated in the States versus a commonwealth, where their art comes from and how Bey's dad helped create the Atlantica world. There might be a Beyonce story, too. The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 120 was recorded in September 2023 in Margate, NYC and Los Angeles. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠@radiojuxtapoz⁠⁠⁠

At the recent Armory Show in NYC guest host Gary Ryan interviewed Jerome Ó Drisceoil from Green on Red Gallery in Dublin. --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

In this week's episode of the ArtTactic Podcast we discuss last week's Frieze Seoul with Andy St. Louis, a Seoul-based art critic and founder of Seoul Art Friend, an online platform dedicated to promoting contemporary Korean art. First, Andy shares the mood of the contemporary art market in Seoul leading up to Frieze Seoul. Then, he reveals if there was any negative impact to this year's Frieze Seoul due to it occurring at the same time as The Armory Show in New York. After, Andy reveals how sales were at this year's Frieze Seoul as well as how the fair compared to last year's inaugural edition. Lastly, Andy speaks on the strengthening relationships between Korean collectors and foreign galleries in large part due to the presence of the fair.

What does the future of the art market look like? It's a big and thorny question that cannot possibly be answered with a few simple words. From the big picture issues like how artificial intelligence will factor into business decisions and the global economic situation, to the smaller and more particular aspects, like which multi-million dollar collections will hit the block, and what the expansion of mega-galleries means for the art ecosystem... there are a lot of factors at play. At the Armory Show's Live event last week, Artnet News's senior market reporter Eileen Kinsella hosted a panel of experts including collector Alain Servais, art advisor Megan Fox Kelly, and gallerist Suzanne Veilmetter to discuss what the future may hold. Megan Fox Kelley is the founder and director of Megan Fox Kelley Art Advisory, as well as a member and former president of the Association of Professional Art Advisors. Her practice includes advising clients on acquisitions and sales of works of art for their collections, estate planning and execution, strategic planning, and feasibility studies for museums, exhibition planning and administration, collection management, and fine art appraisal services. Suzanne Vielmetter is the founder and director of Vielmetter Los Angeles. Since founding the gallery in 2000, she has been committed to presenting artists from a wide range of diverse backgrounds with a focus on idea-based and political work. Alain Servais is a globally-recognized collector and founder of the Servais Family Collection. For more than 20 years, Servais has focused on underrepresented and museum quality art, which he believes is significant and worthy of preservation. This week on the podcast, we present the live-recording from the Armory Show event.

What does the future of the art market look like? It's a big and thorny question that cannot possibly be answered with a few simple words. From the big picture issues like how artificial intelligence will factor into business decisions and the global economic situation, to the smaller and more particular aspects, like which multi-million dollar collections will hit the block, and what the expansion of mega-galleries means for the art ecosystem... there are a lot of factors at play. At the Armory Show's Live event last week, Artnet News's senior market reporter Eileen Kinsella hosted a panel of experts including collector Alain Servais, art advisor Megan Fox Kelly, and gallerist Suzanne Vielmetter to discuss what the future may hold. Megan Fox Kelley is the founder and director of Megan Fox Kelley Art Advisory, as well as a member and former president of the Association of Professional Art Advisors. Her practice includes advising clients on acquisitions and sales of works of art for their collections, estate planning and execution, strategic planning, and feasibility studies for museums, exhibition planning and administration, collection management, and fine art appraisal services. Suzanne Vielmetter is the founder and director of Vielmetter Los Angeles. Since founding the gallery in 2000, she has been committed to presenting artists from a wide range of diverse backgrounds with a focus on idea-based and political work. Alain Servais is a globally-recognized collector and founder of the Servais Family Collection. For more than 20 years, Servais has focused on underrepresented and museum quality art, which he believes is significant and worthy of preservation. This week on the podcast, we present the live-recording from the Armory Show event.

In this week's episode of the ArtTactic Podcast, we preview The Armory Show with its executive director, Nicole Berry. First, Nicole discusses the fair's recent move from the piers to the Javits Center and how it has impacted the fair experience. Then, she explains how another major change, moving the fair to September to coincide with the fall art world opening, has also benefitted the fair. Also, Nicole shares how exhibiting galleries are feeling about the art market as we head into the fair. Lastly, Nicole reacts to the major news of Frieze Art Fair acquiring The Armory Show.

Jessica Fuentes and Brandon Zech discuss our recent loss of numerous influential Texas art legends, and talk about the implications of Frieze's acquisition of The Armory Show and EXPO CHICAGO. "The people who are building a future in Texas are very much committed to being here and working here and buffing up and adding to the Texas art scene." See related readings here: https://glasstire.com/2023/08/27/art-dirt-a-changing-of-the-art-guard-when-a-locally-run-art-fair-is-bought-out If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Tahnee Lonsdale is an artist rendering emotional divinity through the use of layered oil paints and ethereal, intuitive compositions. Born in 1982 and raised in Sussex, UK, Tahnee attended the University of the Arts in London where she primarily studied painting, graduating with a BFA in 2007. After moving to LA in 2015, her practice evolved to embrace large-scale painting, soft sculpture, and works on paper. This September, Tahnee is debuting a solo booth of new work with Cob Gallery at the Armory Show in New York, releasing with a limited-edition print collaboration with Avant Arte, and will have new work on view in the group exhibition High Voltage 4 at Nassima Landau in Tel-Aviv. Other recent exhibitions include Our Humans at Fabian Lang in Zurich, Switzerland; Observation at Perrotin in Dubai, UAE; True Romance at Night Gallery in Los Angeles, CA; and Under the Shell at Cob Gallery, London, UK. Prominent acquisitions of Tahnee's work include the X Museum in Beijing, China and Fundación MEDIANOCHE0 in Grenada, Spain. Tahnee Lonsdale lives and works in Los Angeles, CA.

Curious about what's been going on with the art market? Auction results in the first half of 2023 paint a picture of a market undergoing a correction of some kind, but all may not be as it seems in the secretive world of auctions.   In this midyear review episode, our President Luyang Jiang asks veteran art advisor (and TBF founder) Josh Baer: Is the art market going through a slowdown, a major correction, or not?   Josh explains how one collector can make or break a market, and compares our current market environment with past hiccups. Listen as he shares his experiences living through the art market's only real crash in the early 90s, when he closed his gallery.   Josh also reveals market insights behind recent art business news like Frieze art fair's acquisition of competitor fairs EXPO Chicago and New York's Armory Show, plus his recent travels throughout Asia, and even the Barbie movie.

It used to be that the art news slowed down in the summer months, but these days, it seems like the art news never takes a break. So we're trying something a little different this week. With so much going on, instead of interviewing just one person for the podcast, we have three of our best writer-editors together to chat about some of the stories that have been in the air in July. This week, Artnet News global art critic Ben Davis speaks to Europe editor Kate Brown and business editor Tim Schneider about three stories. The first item is the news that Frieze, the international art fair chain, has acquired New York's flagship fair Armory Show and Expo Chicago, and what that means for the state of the art market. The second item covers recent developments in the world of NFTs, including a drop from the Jackson Pollock Studio that sold out within the first few hours, and Melania Trump's skirmish with NASA about some space-themed NFTs, plus the state of crypto in the art world at large. Finally, the trio discuss how artists have dealt with Barbie in the past, as a subject of inspiration and satire, and the release of both Greta Gerwig's film based on the Mattel doll and Christopher Nolan's opus on Robert Oppenheimer are filtering through the culture—and which side the art world comes down on in the big Barbie versus Oppenheimer face off.

It used to be that the art news slowed down in the summer months, but these days, it seems like the art news never takes a break. So we're trying something a little different this week. With so much going on, instead of interviewing just one person for the podcast, we have three of our best writer-editors together to chat about some of the stories that have been in the air in July. This week, Artnet News global art critic Ben Davis speaks to Europe editor Kate Brown and business editor Tim Schneider about three stories. The first item is the news that Frieze, the international art fair chain, has acquired New York's flagship fair Armory Show and Expo Chicago, and what that means for the state of the art market. The second item covers recent developments in the world of NFTs, including a drop from the Jackson Pollock Studio that sold out within the first few hours, and Melania Trump's skirmish with NASA about some space-themed NFTs, plus the state of crypto in the art world at large. Finally, the trio discuss how artists have dealt with Barbie in the past, as a subject of inspiration and satire, and the release of both Greta Gerwig's film based on the Mattel doll and Christopher Nolan's opus on Robert Oppenheimer are filtering through the culture—and which side the art world comes down on in the big Barbie versus Oppenheimer face off.

Leo Park is a painter who works and lives in Stockholm. He holds an MFA from Konstfack University of Arts, Craft and Design. Park has his roots in both art history and pop culture, collecting motifs and stylistic influences from past to present. Since his solo debut at Gallery Steinsland Berliner in Stockholm 2021, he has participated in various international shows in Berlin, Cologne, London, New York, Los Angeles, Paris, Shanghai, Mexico City and Taipei. He has shown in art fairs such as the Armory Show, Market Art Fair and Zona Maco.' Get WHY I MAKE ART here: https://atelier-editions.com/products/why-i-make-art#:~:text=Why%20I%20Make%20Art%20offers,and%20statelessness%2C%20community%20and%20identity.

Gwen O'Neil was born in New York, NY and lives and works in Los Angeles. She received her BFA from Savannah College of Art and Design. Her solo exhibition, Wild Mountain Thyme opens May 13th at Anat Egbi follows recent presentations of her work by the gallery in group contexts including KIAF (Korea International Art Fair), Seoul, Korea; The Armory Show, New York NY; Felix Art Fair, Los Angeles, CA; and If you forget my name, You will go astray—at the gallery's new Fountain Avenue location. Gwen's work is currently on view at the Long Beach Museum of Art in the group exhibition Color Fields.

Bridget Mullen is a visual artist who grew up in Minnesota. She received her BAE from Drake University and her MFA from Massachusetts College of Art. She has been awarded many residencies including Skowhegan School of Painting and Sculpture, The Fine Arts Work Center, The Jan Van Eyck Academie, The Lighthouse Works, The Sharpe Walentas Studio Program, and MacDowell. Bridget has exhibited in the US and abroad at Shulamit Nazarian, LA; Helena Anrather, NY; Nathalie Karg, NY; Annet Gelink, Amsterdam, Netherlands; Fahrenheit Madrid, Madrid, Spain; Anne Barrault, Paris, France; Wild Palms, Düsseldorf, Germany; and Bosse & Baum, London, UK. She is the 2022 recipient of the Chiaro Award from Headlands Center For the Arts and a 2021 recipient of a painting fellowship from The New York Foundation for the Arts. Reviews of her work can be found in Artforum, Hyperallergic, Juxtapoz, and The Brooklyn Rail. Upcoming projects include a book of her “Birthday Series” paintings, a print project with Avant Arte, and a solo presentation at The Armory Show, NY in the fall of 2023. Bridget lives and works in Brooklyn, NY and is represented by Shulamit Nazarian in Los Angeles, CA.

Within the New York City of Edward Hopper's imagination, the skyscrapers have vanished, the sidewalks are mysteriously wide and all the diners and Chop Suey restaurants are sparsely populated with well-dressed lonely people.In this art-filled episode of the Bowery Boys, Tom and Greg look at Hopper's life, influence and specific fascination with the city, inspired by the recent show Edward Hopper's New York at the Whitney Museum of American Art.Hopper, a native of the Hudson River town of Nyack, painted New York City for over half a decade. In reality, the city experienced Prohibition and the Jazz Age, two world wars and the arrival of automobiles. But not in Hopper's world.In his most famous work Nighthawks (1942), figures from a dreamlike film appear trapped in an aquarium-shaped diner. But Hopper has captured something else in this iconic painting: fear and paranoia. No wonder he's considered a huge influence on Hollywood film noir and detective stories.Hopper painted New York from his studio overlooking Washington Square Park, and both he and his wife Josephine Nivison Hopper would become true fixtures of the Greenwich Village scene.PLUS: Tom visits the Edward Hopper House in Nyack, New York, to talk the artist's early life with executive director Kathleen Motes Bennewitz. And Greg finds some of the hidden puzzles in Hopper's paintings thanks to American art historian Rena Tobey.Visit the website for more pictures and other interesting information from this episode.Other Bowery Boys episodes related to this one:-- The Armory Show of 1913-- Jane Jacobs: Saving Greenwich Village-- New York University:  A School For The Metropolis-- Tragic Muse: The Life of Audrey Munson

About our guestMarc Dennis is a celebrated artist who's masterful work challenges our perception and constantly provokes what we see in our mind's eye with polarity and play. Marc's incredible technical skill and vivid imagination explores the pictorial representation of the old masters, creating fresh paintings rich with irony, hype and narrative where elements of art history intersect with pop culture. He is represented in well known galleries and held in permanent collection across the globe and shows during Frieze London, Art Basel Miami and The Armory Show to name a few.Marc continues to teach the business side of the art world 'Succeeding as a Professional Artist' at The Art Students League of New York.Visit Marc's website and follow on instagram Marc's solo exhibition is on display at Gavlak Gallery in LA   Subscribe to the Art Biz Talk NewsletterApply to be a guest Ask a question for the show Become part of the community for professional visual artistsIf you're a late emerging or mid-career visual artist earning $5K or more a month and are ready to scale your studio practice, Art Biz Pro is the place for you. (Re) Emerging ArtistsStarting to build your full time studio practice and need a DIY guide with templates for your artist statement, Press Kit and pricing your art? Sounds like you need our Artist Starter Kit. CREDITSOriginal Music composed by Hillary Albrecht at Rhapsody on MarsArt Biz Talk is hosted by Andrea La Valleur-Purvis, Artist and Art Business Coach at Vivid Creative

This conversation with Cal Cullen, the co-founder and executive director of Wave Pool Art Center in Cincinnati was a reunion of sorts to catch up on the happenings of an art center near and dear to the hearts of Art Ladders. Since 2016, we have been following the fast growth of positivity that radiates from Cal and the team and we are always amazed about the creative programming that is a huge asset to this venue. Take a look at this uplifting mission statement! Wave Pool Creates Community Fulfillment Through Artistic Opportunities. With exhibitions, creative engagements, and collaborations we: LISTEN Wave Pool is community driven, exploring the stories and needs of the diverse communities we serve. ACTIVATE Wave Pool is artist led, reflecting the concerns and interests of contemporary creatives. SHARE Wave Pool uses our platform to amplify the ideas, expressions, and work, through which the world is made more joyous and equitable. In the neighborhood of Camp Washington, just a few minutes from downtown Cincinnati, co-founders Cal and Skip Cullen have turned a historic fire station and storefront across the street into a hub of activity for artists, neighbors and art collectors. Since their launch, other businesses have located to Camp Washington where there is no shortage of interesting architecture and studio-worthy space available. It is satisfying to hear Cal explain the deep meanings of the work being accomplished at Wave Pool. You cannot help but be moved emotionally when all the dots connect to create a world where artist fulfillment benefits community. Congratulations on your creative journey, Cal and Skip. Happy Thanksgiving! Please review the links to learn more about Wave Pool and The Cincinnati Art Scene Wave Pool Art Center Cincinnati Magazine article Cal Cullen Making Waves Wave Pool Facebook Page Wave Pool Instagram The Welcome Project Women of Cincy: Cal Cullen Changing the Current Artswave Contemporary Arts Center Cincinnati Movers and Makers: Wave Pool at the Armory Show

LiveArt's George O'Dell and Arina Novak discuss the Independent and Armory Show art fairs in New York; strong auction performances for Lynne Mapp Drexler, Ernie Barnes at Bonhams and David Hockney at Phillips; openings for Mario Ayala at Deitch and Lucy Bull at David Kordansky; plus a conversation about Brussels as a gallery destination.

For this episode, we asked artist, mother, and activist Tanya Aguiñiga which artist she would most wish to speak with and she chose visual artist and curator Julio César Morales. The pair discuss the versatility of the border experience, unlikely influences, and functional art practices. This episode is in partnership with The Armory Show. Both artists appearing in the episode are part of the curated sections of the fair's 2022 edition. Tanya Aguiñiga's work is presented by Volume Gallery in Focus, curated by Carla Acevedo-Yates, while Julio César Morales's piece La Linea is presented by Gallery Wendi Norris in Platform, curated by Tobias Ostrander. Tanya Aguiñiga is an artist, designer, and craftsperson, who works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. In her installations, furniture, and wearable designs, Aguiñiga often works with cotton, wool, and other textiles, drawing upon Mesoamerican weaving and traditional forms. Her solo exhibitions include the Smithsonian American Art Museum and the Museum of Arts and Design. Additional exhibitions have been held at the Annenberg Space for Photography, and the Craft and Folk Art Museum—among others. Julio César Morales investigates issues of migration, underground economies, and labor on the personal and global scales. Morales's practice explores diverse mediums specific to each project or body of work. He has painted watercolor illustrations that diagram human trafficking methods, employed the DJ turntable, produced video and time-based pieces, and reenacted a famous meal—all to elucidate social interactions and political perspectives. Morales's work has been shown at SFMOMA, Museo Rufino Tamayo, LACMA, Hammer Museum, Muca Roma, Prospect 3 Biennale, Lyon Biennale, and Istanbul Biennale among others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for the recording of a special live pod from the Vernissage of the Armory Art Show. Recorded in front of a live audience in the Armory Auditorium Nate and Benjamin are joined by artist (and pro podcaster) Andrew Kuo and Broadway Gallery honcho Joe Cole. Join us for a free flowing conversation from four middle aged dads about Chinese food, suburbia, racquet sports, and a little bit about art. All that and more on the ONLY ART PODCAST. --- Support this podcast: https://anchor.fm/benjamin-godsill/support

In preparation for Season 2, Emily McElwreath sits down at the Javits Center with Nicole Berry to talk about the 2022 edition of The Armory Show. As Executive Director, Nicole Berry leads the development and strategic vision of The Armory Show, directly overseeing exhibitor relations and spearheading the fair's VIP program. Nicole joined The Armory Show in September 2016 as Deputy Director and was appointed to the role of Executive Director in November 2017. Previously, Nicole served as Deputy Director of Expo Chicago from 2011 to 2016, playing a prominent role in expanding the fair's exhibitor list and collector base, both internationally and in the American Midwest. Raised in San Francisco, Nicole received a Bachelor's Degree from Colgate University and a Master's Degree in Art History from the University of California at Davis. She has been active in the international art world as an art historian, art writer, curator, and art advisor for over a decade.

Episode No. 558 features author Hugh Eakin and artist Jordan Weber.  Eakin is the author of "Picasso's War: How Modern Art Came to America," which tells a story of how New York City slowly, eventually, came to embrace both European modernism and the art of Pablo Picasso. Eakin's history begins with John Quinn, a white-shoe attorney with a yen for progressive literature and art, and follow's Quinn's involvement and influence across New York and Europe, through the Armory Show, Alfred Barr, and more. The book is full of original research, new angles that give life to once-ossified narratives, and bright, well-paced prose. Indiebound and Amazon offer it for about $33.  Jordan Weber discusses "All Our Liberations," an art installation and space for community learning, reflection and healing organized by the Pulitzer Arts Foundation in Saint Louis. The project, which runs from July 16-24, takes place at the Spring Church near the Pulitzer in Saint Louis's Grand Center Arts District. The project includes a three-tiered sculpture Weber made with black obsidian stones and participation from collaborators Weber met during a 2021 residency. During the week-long program Weber will host programs for both formerly incarcerated individuals and members of the public. Urban farmers, healers, and organizers from Close the Workhouse -- a Saint Louis-area campaign working to end mass incarceration -- are Weber's programming co-host. In April 2023, Weber will expand "All Our Liberation" as part of Counterpublic, a city-wide triennial.

Kumasi J. Barnett received his MFA from The Ohio State University, and now lives and works in Baltimore, MD. Influenced by the aesthetics and narratives of comic books, his work subverts and imbues the often timeless genre with a present day social consciousness. Barnett frequently paints directly over old copies of comic books, changing their narratives into critiques of police brutality, racial profiling, and more broadly, systemic racism.Barnett's works have been exhibited widely both in the United States and abroad, including exhibitions at Lowell Ryan Projects, Los Angeles, CA; the SPRING/BREAK Art Show, New York, NY; City Lore, New York, NY; Con-Artist Collective, New York, NY; The Arsenal Gallery, New York, NY; Sulphur Bath Studio, Brooklyn, NY; and The Brooklyn Public Library, Brooklyn, NY. Museum exhibitions include the Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa; The Boca Raton Museum of Art, Boca Raton, FL; and most recently the Verge Center for the Arts, Sacramento, CA. Barnett presented a solo booth with Lowell Ryan Projects at The Armory Show 2020, in the Focus section curated by Jamillah James. Barnett's work has been featured in Artforum, Ammo, Vibe, Hyperallergic, Huffington Post, Autre, Artnet News, and The Guardian, among others.

Episode 103 features Rakeb Sile. In 2016, she co-founded Addis Fine Art with Mesai Haileleul, creating the first white-cube gallery space for modern and contemporary art in Ethiopia. Since then, the business has grown to become one of the leading galleries in Africa establishing a prominent international platform for artists from the Horn of Africa. The gallery has spaces in Addis Ababa, Ethiopia and London, having recently moved into expanded premises in London, opening a two-storey gallery space in the heart of Fitzrovia. With her background in management consulting, Sile was well placed to take charge of the gallery's commercial operations; since 2016, they have participated in fairs in Africa and beyond, among them Frieze London and New York, the Armory Show and Art Basel. Rakeb was also recently chosen as one of Apollo Magazine's 40 Under 40 Africa in 2020, a project dedicated to 40 of the most influential and talented people in the art world born or based in Africa. Image courtesy of Addis Fine Art Gallery https://addisfineart.com/ The Art Newspaper https://www.theartnewspaper.com/2022/04/11/a-world-of-possibility-cecilia-alemani-the-curator-of-the-2022-venice-biennale-discusses-the-show NYTimes https://www.nytimes.com/2022/01/31/arts/design/uffizi-contemporary-art.html Alt A Review https://alt-africa.com/2021/11/09/this-winter-addis-fine-art-london-presents-ermias-kifleyesus-new-solo-show-cascade-of-knowledge/ Amaka https://amaka.studio/explore/articles/rakeb-sile-profile-career-woman Art Africa https://www.artafricamagazine.org/programme-announced-for-african-art-in-venice-forum-2022/ Art Breath https://artbreath.org/interviews/selome-muleta Artnet https://news.artnet.com/art-world/venice-biennale-challenge-white-men-2067142 La Biennale di-Venezia https://www.labiennale.org/en/news/la-biennale-di-venezia-presents-piazza-ucraina-giardini-della-biennale-spazio-esedra

Baxie talks to Rory Sullivan Burke, the author of "The Light Pours Out of Me: The Authorised Biography of John McGeoch". The book chronicles the life and career of the late John McGeoch. McGeoch was possibly the most inventive and respected guitarist in the "Post Punk" era! From his amazing work with Howard Devoto and Magazine, Siouxsie & The Banshees, Visage, Generation X with Billy Idol, The Armory Show, and with Public Image Limited--McGeoch is finally getting the attention that he richly deserved. It's an amazing book about a truly amazing talent! Now available of Apple Podcasts, SoundCloud, Spotify, and on the Rock102 website.

Randall and Chris discuss the moment the "modern" world was born, with the first abstract painting in 1910. Another slide episode. Watch the video on Youtube or Facebook or download slides here: https://mega.nz/file/ExlWgJiC#1o5JkcH5qSFZ28Fu06JIxrsEibX5sSV_mK4t9QoJ-co Topics discussed include:  Salon des Refusés Impressionism Expressionism Lord of the Rings Star Wars Arnold Schoenberg influence of photography Fauvism The Blue Rider Cubism Composition V Nude Descending a Staircase, No. 2 A Princess of Mars, 1912 H. G. Wells Bauhaus https://en.wikipedia.org/wiki/From_Bauhaus_to_Our_House https://en.wikipedia.org/wiki/Movement_(New_Order_album) Timeline  1863 -- Salon des Refusés 1903 -- The Blue Rider painted 1905 -- Fauvism coined 1906 -- Post-Impressionist coined 1910 -- Cubism coined 1910 -- FIRST ABSTRACT PAINTING 1912 -- 'A Princess of Mars' released in All-Story magazine 1913 -- Armory Show 1914 -- WWI 1919 -- Bauhaus (building house) founded  by Walter Gropius 1929 -- Buck Rodgers comic strip published 1933 -- Famous Funnies, first modern comic book published 1937 -- 'The Hobbit' published recorded March 29, 2022 Visit us at https://chrisandrandall.com/

About the episode Kumasi J. Barnett received his MFA from The Ohio State University, and now lives and works in Baltimore, MD. Influenced by the aesthetics and narratives of comic books, his work subverts and imbues the often timeless genre with a present day social consciousness. Barnett frequently paints directly over old copies of comic books, changing their narratives into critiques of police brutality, racial profiling, and more broadly, systemic racism. Barnett's works have been exhibited widely both in the United States and abroad, including exhibitions at Lowell Ryan Projects, Los Angeles, CA; the SPRING/BREAK Art Show, New York, NY; City Lore, New York, NY; Con-Artist Collective, New York, NY; The Arsenal Gallery, New York, NY; Sulphur Bath Studio, Brooklyn, NY; and The Brooklyn Public Library, Brooklyn, NY. Museum exhibitions include the Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa; The Boca Raton Museum of Art, Boca Raton, FL; and most recently the Verge Center for the Arts, Sacramento, CA. Barnett presented a solo booth with Lowell Ryan Projects at The Armory Show 2020, in the Focus section curated by Jamillah James. Barnett's work has been featured in Artforum, Ammo, Vibe, Hyperallergic, Huffington Post, Autre, Artnet News, and The Guardian, among others. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.Mentioned in this episode:Kumasi's WebsiteSubscribe on Apple Podcasts, Google Play, Stitcher, Spotify, or listen on my website, follow on Instagram (where I am most active), like on Facebook, or email mtrthenetwork@gmail.com!★ Support this podcast ★

Gabriel Guerra Bianchini (Havana, 1984), as a visual poet, slips around a powerful sensitivity that leads him to imagine new senses, and whose first virtue is expressed in overlapping the harshness of daily. Reality, according to his creed, deserves to be reinvented. With more than thirty exhibitions throughout his career, such as "...Es la esperanza", the first outdoor exhibition at Havana Cathedral Square, in its 498 years of history; and "Utopia" the largest outdoor photographic exhibition held on the Paseo del Prado during the 13th Havana Biennial. Invited by SeeMe Community, he was present at The Armory Show and the Chashama Gala in Time Square on June 2018. Some of his pieces were also exhibited at MIA Photo Fair 2018 in Milan. His photographs have been part of prestigious musician's records such as Silvio Rodríguez, Leo Brouwer, Pablo Milanés, Francisco Céspedes and Harold López-Nussa. He has worked at international events like Rio Loco and Pause Guitare in France, Viva América in Spain and Cuba's most important music events, including The Rolling Stone concert, Diplo & Major Lazer performance, Leo Brouwer's Chamber Music Festival, Havana World Music, Jazz Plaza and many more. Bianchini has recently released his first audiovisual, for the song "Noche sin fin y mar" by Silvio Rodríguez.

Peter Blake is a globally recognized  pioneer of the Laguna Beach fine art world, as a beacon and early champion of the California contemporary minimalist style, notably California Light and Space, his particular backing of that time in art has been validated in spades by action houses around the worlds in recent times. Bringing a level of expertise, passion, and advanced foresight into investment markets Peter has stuck to his guns in all ways, a true patron of the arts who's authenticity shines in every move he's made. Such a pleasure to present this in-depth interview with the man who's mission has elevated the art sophistication and appreciation so single handedly, Peter Blake. Peter Blake is a renowned dealer of California Light and Space who opened his eponymous Laguna Beach gallery in 1993. The Peter Blake Gallery is recognized today as the longest standing and leading exhibitor of West Coast Minimalism and is known for its rigorously curated solo and group exhibitions. The Gallery's program has an ongoing history of exhibiting artists long due for reappraisal such as Peter Alexander, Lita Albuquerque, Larry Bell, Mary Corse, Tony Delap, Fred Eversley, Joe Goode, James Hayward, Scot Heywood, John M. Miller, Helen Pashgian, and DeWain Valentine. Over the last decade the gallery has also participated in a number of prestigious art fairs including The Armory Show, Art Los Angeles Contemporary, Design Miami, Design Miami/ Basel, EXPO Chicago, and Seattle Art Fair. In 2018 Peter was elected by majority vote onto the Laguna Beach City Council, which marked a new chapter in his career and continues his ongoing commitment to his local community.

Jay Caldwell is changing the face of the gallerist world. He is the Principal at Caldwell Gallery Hudson, where he is creating something unique. He's building a new model of representing living artists by compensating them in new ways, as well as charitable work and utilizing cutting-edge climate-friendly tech for art showcases and residencies. His work is also showcasing charity which is associated with climate and social action, with two dedicated annual shows and giving a percentage of sale proceeds to the charity the artist selects. In today's episode, Jay tells us more about his work, as well as his own story. You'll also learn: Why failures always teach you something new Blockchain technology as an immutable, decentralized and distributed ledger that records the provenance of a digital asset How the NFT space might help us create new ways to have accountability The joy of watching something get created and following it through to be a part of it Meet The Guest... Jay Caldwell is the Principal at Caldwell Gallery Hudson, which delivers the highest quality fine art, at any budget level, for both beginning and seasoned collectors. Time Stamps... [01:23] Why Jay says failure is the greatest thing that ever happened to him [06:35] Jay explains his business, a secondary market gallery, and how, for 48 years, they've bought and sold the work of deceased artists. [07:11] How Jay met artist Nicolina Kovalenko and how her work inspired him [09:34] Jay speaks about the pillars of this enterprise, including Blockchain, NFT, and the Metaverse [10:51] What is blockchain technology? [11:46] What are NFTs? [14:10] The two ways to validate blockchain transactions [15:30] How can you differentiate fine art and collectable NFTs? [18:59] Jay speaks about The Armory Show in New York [21:09] About the NFT drop that occurred a few months back by an artist named Nancy Baker Cahill, a globally known speaker, and head of the NFT group called Contract Killers [24:17] About the first-ever museum exhibition of digital and NFT art, called Proof of Art [26:02] Jay talks about Nicolina's expeditions to coral reefs to study and see their beauty and observe the devastation they're undergoing with coral bleaching. She has created paintings based on the photographic inspirations that she received from them [29:53] Jay talks about The Disruptors' Ball Connect with Jay... Website: https://www.caldwellgallery.com/about (https://www.caldwellgallery.com/) LinkedIn: https://www.linkedin.com/in/jay-caldwell-50b21530 (https://www.linkedin.com/in/jay-caldwell-50b21530) Facebook: https://www.facebook.com/caldwellgalleryhudson/ (https://www.facebook.com/caldwellgalleryhudson/) Instagram: https://www.instagram.com/caldwellgalleryhudson/?hl=en (https://www.instagram.com/caldwellgalleryhudson/?hl=en) Twitter: https://twitter.com/thecaldgall?lang=en (https://twitter.com/thecaldgall?lang=en) Exhibition links... https://www.caldwellgallery.com/exhibitions-items/utopian-reefscapes (https://www.caldwellgallery.com/exhibitions-items/utopian-reefscapes) https://cghblockchain.com/nft-projects/nikolina-kovalenko/ (https://cghblockchain.com/nft-projects/nikolina-kovalenko/) https://opensea.io/collection/nikolina-kovalenko-utopian-reefscapes (https://opensea.io/collection/nikolina-kovalenko-utopian-reefscapes) Connect with the podcast... Website: https://www.letsconnectforgood.com/ (letsconnectforgood.com) Instagram: https://www.instagram.com/LCFGpodcast/ (instagram.com/LCFGpodcast)

In this episode, we have a conversation, Jeanna shares her technic and story. I went to the Armory Show and found this interesting exhibition from the Microscope gallery. The following week, I went to the gallery in Chelsea and I scheduled an interview with the artist, Jeanne Liotta. Jeanne is an art professor and this most recent show, "The World is a picture of the world" used public material from NASA, she made the slides from old NASA images that captured from space and collaged with color gel ( transparent film sheet ) She spent time to let the works exposed under the sun and created a new world that like a new universe inside her artist's view. All episodes are for education purpose only, not financial, legal advice. Coinbase referral link with Bitcoin reward ( US only) : https://www.coinbase.com/join/sun_o2w Coinbase NFT Marketplace Waitlist for early access Referral link: https://coinbase.com/nft/announce/1RRBXP Disclaimer: Not financial, legal, or accounting advice. For educational purposes only. Join Artbit DAO, meet and connect collectors. https://opensea.io/collection/artbit-dao-club Questions and inquiries: Contact: dubwoman@gmail.com Instagram and Twitter @giovannasun ClubHouse @dubwoman Website: https://linktr.ee/dubwoman

In today's episode of The Yield host Eliza Osborne, Deputy Director at the Armory Show, and Yieldstreet x Athena Art Finance's Naomi Baigell are joined by Ryan Wallace, Owner and Director of the Halsey McKay Gallery, and acclaimed artist Joseph Hart, for a virtual tour of the Halsey McKay Gallery featuring Joseph's Unnamable exhibition. This episode highlights a virtual tour of the Halsey McKay Gallery featuring Joseph Hart's Unnamable exhibition, discuss the art market during Summer 2020 from the view of the gallerists artists, and host a Q & A with Ryan Wallace and Joseph Hart. Key Takeaways:[:50] Guests Ryan Wallace and Joseph Hart highlight the genesis and details of their working relationship in the art community.[4:50] An overview of the Unnamable exhibit that was recently featured in the Halsey McKay Gallery and the process Joseph followed when creating each piece.[9:24] The approach Joseph took to his fourth exhibit in the gallery and the challenges of producing a show in the midst of a pandemic.[12:40] Viewer responses to the exhibit, the medium of the pieces, and the process that brought each piece to life.[16:53] A comparison of two of Joseph's pieces — Embrace Animation and Palming/Split Fruit and the experiences that have influenced the lines of his art.[20:56] Why should people support artists and galleries in these unprecedented times? Joseph and Ryan share their reasons for creating opportunities to experience art in today's world.[24:46] How has COVID-19 affected the work of art, both as an artist and as a gallery owner?[29:31] What were the challenges of getting the artwork produced and prepared for the show?[31:55] How does Joseph classify his style and how does he want viewers to interpret his work?[34:16] How are virtual-only exhibitions affecting the purchasing of investment pieces?[37:42] Joseph shares the details and rewards of his oral history podcast Deep Color.[39:29] The long term value of creating cultural relevance and investing in art.Mentioned in This Episode:YieldstreetAthena Art FinanceDeep Color Podcast

By Joe Wiegand, Medora's TR 4/10/2020 Theodore Roosevelt's review of the 1913 Armory Show - the International Exhibition of Modern Art - celebrating the 150th Anniversary of the New York Metropolitan Museum of Art - founded April 13, 1870. (TR's father was an original Trustee of the MET)   Medora, ND: https://www.facebook.com/MedoraND Teddy Roosevelt Show: https://www.facebook.com/TeddyRooseveltShow Executive Producer: Joe Wiegand Editor: Dillon Olson Additional Production: Justin Fisk ©, 2020, all rights reserved. Wiegand's Victory Enterprises, Inc. and the Theodore Roosevelt Medora Foundation

By Joe Wiegand, Medora's TR 4/13/2020 Theodore Roosevelt's review of the 1913 Armory Show - the International Exhibition of Modern Art - celebrating the 150th Anniversary of the New York Metropolitan Museum of Art - founded April 13, 1870. (TR's father was an original Trustee of the MET) Medora, ND: https://www.facebook.com/MedoraND Teddy Roosevelt Show: https://www.facebook.com/TeddyRooseveltShow Executive Producer: Joe Wiegand Editor: Dillon Olson Additional Production: Justin Fisk ©, 2020, all rights reserved. Wiegand's Victory Enterprises, Inc. and the Theodore Roosevelt Medora Foundation

I had the pleasure of talking with Gallerist, Friedrich Loock in his beautiful gallery in Berlin, Germany and we discussed a wide range of topics including: Berlin when the wall came down, Disco and Punk in the same night, The art market is a marathon not a sprint, To be successful you need to not give up when things become difficult, and it is always difficult, Struggling artistically is the same no matter how much money an artist has, German support for the arts and artists, Less corporate sponsorship in the arts, Gallery roster of artists is based on the gallerists interests, It took me 4 years to sell my first painting, Sell the story, Artist statements, Artist that are expressive and reflective are often successful, Feedback and dialogues are necessary, Art is a form of communication, Write artists statement collaboratively with a friend, writer, curator, or gallerist., All art sales are 100% chance, the lack of stability in the art world, Life is a dialogue, Alec Soth, Pricing of editions, Tiered pricing, Analog vs digital prints (darkroom vs inkjet), Artists should work with galleries that are at equal levels to them. Do not expect to work with top galleries only, grow with your gallery. http://loock.info   About Friedrich Loock born 1968 in Berlin, Germany. In 1988 Loock founded the gallery Wohnmaschine,the name deriving from Le Corbusier's architectural theory. „I first chose it to describe my personal exhibition concept when I started showing art in my private apartment in East Berlin.“ Over the years Loock developed a broad international program with very different artists all sharing a common interest in the investigation of narrative, fictional and figurative tendencies in contemporary art. Wohnmaschine has participated in a wide range of international art fairs including Art Forum Berlin, art cologne, ARCO, MACO, and the Armory Show. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

In 1919, two competing art movements went head-to-head in Paris. One was the Return to Order, a movement about purity and harmony. The other was Dada, a movement about chaos and destruction. Their collision would change the trajectory of Western art. Hugo Ball established the Cabaret Voltaire in Zurich, where Dada came to life in February 1916. In this photo, he's dressed in his "magic bishop" costume. The costume was so stiff and ungainly that Ball had to be carried on and off stage. You can hear the entire text of Ball's "Karawane" on Youtube (https://www.youtube.com/watch?v=z_8Wg40F3yo). You can also read the text (https://poets.org/poem/karawane). Marcel Duchamp arrived in New York to a hero's welcome, a far cry from the disdainful treatment he was receiving in France. He was hailed for his success at the 1913 Armory Show, where his painting "Nude Descending a Staircase" was the hit of the show. "Nude Descending a Staircase" was considered radical art, but it was still oil paint on canvas. Duchamp would soon leave even that much tradition behind. Francis Picabia was handsome, rich, dashing, and about as faithful as an alley cat. That he wasn't court martialed for neglecting his diplomat mission to Cuba for artistic shenanigans in New York was entirely due to his family's wealth and influence. He was also well known in New York for his visit there during the Armory Show. Picabia abandoned traditional painting for meticulous line drawings of mass-produced items, including this work, titled "Young American Girl in a State of Nudity." Duchamp horrified New Yorkers when he presented "Fountain" to an art exhibit as a work of sculpture. A urinal may not seem particularly shocking now, but it violated any number of taboos in 1917. While "Fountain" is generally atttributed to Duchamp, it is possible, although by no mean certain, that it was actually created by the Baroness Else von Freytag-Loringhoven. A German ex-pat, she was creating art out of ready-made objects more than a year before Duchamp and lived her life as a kind of non-stop performance art. Whatever her role in "Fountain," she deserves to be better remembered as a pioneering modernist. After he returned to Europe, Picabia's art became less disciplined and more outlandish. He titled this ink-blot "The Virgin Saint." Picabia also published a Dadaist journal, in which he published this work by Duchamp. It's a cheap postcard of the "Mona Lisa" to which he added a mustache. The title "L.H.O.O.Q. is a pun in French; it sounds like "she has a hot ass." Tzara and other Dadaists in Paris devoted themselves to events and performances. This is a handbill for a "Festival Dada" that took place on May 26, 1920. Tzara and Picabia are listed as performing, along with several other prominent Dadaists including Andre Breton, Louis Aragon, and Paul Eluard. These evenings became increasingly frantic and nihilistic as Dada wore on. By 1919, Pablo Picasso part of the artistic establishment and no longer a radical on the edges of society. In 1911/1912, Picasso paintings looked like this--this is "Ma Jolie," a dense, complicated, frankly intimidating Cubist painting. Ten years later, he painted this work, Woman in White. With its clarity, beauty, and nods to tradition, it is a prime example of Picasso's embrace of neo-classicism after the Great War. The impulse to create clear, simple, ordered art existed in many European countries. In the Netherlands, Piet Mondrian worked in the Neoplasticist movement creating his iconic grid paintings. This is "Composition No. 2" from 1920. At the same time, in Germany the Bauhaus was established. As a school of arts and crafts, it taught a stripped-down, clean aesthetic that applied to everything from architecture to furniture design, industrial design to graphic design. This poster advertising a 1923 exhibition is a good example of Bauhaus design and typography. The Surrealist movement arose out of Dada's ashes in the mid- to late-1920s. It combined the traditional painting technique of neo-Classicism with the bizarre imagery of Dada. Salvador Dali's "Persistence of Memory," for example, is a technical masterpiece, with masterful execution. It's also impossible and, frankly, disturbing. T.S. Eliot's "The Waste Land" gives the impression of randomness, of lines picked out of a coat pocket. In fact, it is painstakingly constructed and shows as much technical skill as Dali's clocks. You can read the poem (https://www.poetryfoundation.org/poems/47311/the-waste-land), or listen to Alec Guinness read it (https://www.youtube.com/watch?v=Hcj4G45F9pw)--or maybe do both at the same time. This meme was created in 2013 by cartoonist KC Green. It captures the Dadaist attitude that shows up in popular culture a great deal here in 2019--a sense that the world is really weird right now. Please note that the links below to Amazon are affiliate links. That means that, at no extra cost to you, I can earn a commission if you click through and make a purchase. (Here's what, legally, I'm supposed to tell you: I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn fees by linking to Amazon.com and affiliated sites.) However, I only recommend books that I have used and genuinely highly recommend.

  Our world and the ways in which we perceive and understand it are both shaped and reflected by art. This is especially true when it comes to nations and the stories they tell of themselves. Focusing on American identity, this podcast was recorded during a live panel discussion between Lauren Haynes (curator of contemporary art at Crystal Bridges Museum of American Art in Bentonville, Arkansas), Paul Anthony Smith (artist), Antwaun Sargent (critic) and host Charlotte Burns at The Armory Show in New York earlier this month. From the question of whether there are “American” artists today to what it means to consider oneself American; from representation within museums to how morality is dealt with in US culture, our guests ask how institutions, and the art world at large, are working to foster a more expansive narrative. Tune in today to hear more. Transcript: https://www.artagencypartners.com/transcript-55-armory/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.