Podcasts about in where

Guests Joni Eareckson Tada and Dr. Michael Easley are no strangers to pain and suffering. Joni has spent nearly 50 years in a wheelchair while Michael has endured numerous back surgeries and lives with chronic pain. In Where is God When Life Hurts?, Joni and Michael explain how they have learned to trust God in…

Guests Joni Eareckson Tada and Dr. Michael Easley are no strangers to pain and suffering. Joni has spent nearly 50 years in a wheelchair while Michael has endured numerous back surgeries and lives with chronic pain. In Where is God When Life Hurts?, Joni and Michael explain how they have learned to trust God in…

Guests Joni Eareckson Tada and Dr. Michael Easley are no strangers to pain and suffering. Joni has spent nearly 50 years in a wheelchair while Michael has endured numerous back surgeries and lives with chronic pain. In Where is God When Life Hurts?, Joni and Michael explain how they have learned to trust God in…

We live in a busy world that supplies us with endless distractions from our faith. When we become distracted from our faith, we become separated from God. In Where to Begin in 2022, we'll discuss what distracts us and how to get our priorities in order. Let's discover how to seek God together in 2022.

We live in a busy world that supplies us with endless distractions from our faith. When we become distracted from our faith, we become separated from God. In Where to Begin in 2022, we'll discuss what distracts us and how to get our priorities in order. Let's discover how to seek God together in 2022.

Lauren Weisberger, the New York Times bestselling author of The Devil Wears Prada, talks to Carol Fitzgerald about her newest novel, Where the Grass is Green and the Girls Are Pretty. In Where the Grass is Green and the Girls Are Pretty, Peyton thinks she has it all as an anchor of a beloved morning show, with celebrity status and enough money for her family to enjoy life. Her daughter is bound for Princeton and ready to follow her filmmaking dreams. Peyton's sister, Skye, lives a modest life and longs to do more with her career. She is making great strides on a fundraiser and feels some fulfillment outside her role as a stay-at-home mother. One lie is all it takes to unravel the careful plans that they all have in place. Lauren channeled her close relationship with her sister as she wrote the novel. She talks about how far she was in her early draft before realizing she'd have to start over with a different approach, while hoping for the men characters to be nice guys instead of villains. She talks about her women characters and how their agency involves them making their own choices. They also discuss what's next for Lauren: in books and on stage. She's currently excited about the upcoming stage adaptation of The Devil Wears Prada, which she's been working on with Kevin McCollum and Elton John, with Elton writing all the music. Books Discussed in this Episode: Where the Grass is Green and the Girls Are Pretty by Lauren Weisberger  More Bookreporter Talks To: The Plot: https://youtu.be/OV_ORMNT8W0 The Break-Up Book Club: https://youtu.be/OQoxBpkBF_k Morningside Heights: https://youtu.be/qfP9-x6uDfQ Check out our other videos: Bookaccino Book Club with Kim Michele Richardson: https://youtu.be/Y5R70-w0AVg Bookaccino Book Club with William Kent Krueger: https://youtu.be/dX-mHWLmv5k Sign up for the weekly Bookreporter.com newsletter here: http://tbrnetwork.com/newsletters/bookreporter-weekly-newsletter-subscribe FOLLOW US Facebook: https://www.facebook.com/bookreporter Website: https://www.bookreporter.com Photography Credit: Greg Fitzgerald

In Where the Rhythm Takes You by Sarah Dass, this quiet gem of an island becomes the scene of a pretty intense set of issues between multiple relationships, estranged teenage first-loves, Grammy award winning superstars and a gorgeous boutique family-owned hotel on the cusp of some major changes. The story is as vibrant as the coral reefs sheltering this tiny island gem and pulsates with the natural rhythm of the people and the land. Where The Rhythm Takes You is a perfect lockdown read that transports you to a destination paradise without the harassment  of a COVID19 travel regimen!Shop BCLF Books - https://bookshop.org/shop/bclfbooksGet BCLF Merch - https://www.bklyncbeanlitfest.com/shopLet's be social - Instagram | Facebook | Website

In the modern age of remote working and flexible work hours, why have most office spaces remained relatively unchanged for decades? In Where is My Office?, Chris Kane draws upon his extensive knowledge and experience in commercial property to investigate the new-found significance of innovative corporate real estate thinking in the modern workplace. With the rise of agile working, hot-desking and new technological innovations, the traditional office space no longer serves the needs of the modern workforce. With a foreword from Mark Thompson, CEO of The New York Times, this fascinating book highlights the bold new solutions to workplace practices which have the potential to invigorate employee productivity while simultaneously trimming excess costs.Chris poses his ground-breaking 'Smart Value' formula which underpinned the success of his redevelopment of the property portfolio of the BBC, and which can be adapted to enact meaningful and lasting organizational change in any business. This formula is supported through in-depth case studies from Chris's prestigious career, while interviews with prolific industry insiders such as Ronen Journo, SVP of WeWork and Mark Dixon, founder of Regus, provide fascinating insights into the ground-breaking strategies that are transforming the commercial property sector. Where is My Office? is a must-read for any business leader looking to revitalise their workplace and develop a greater understanding of the beneficial impacts that innovative workplace strategies can have upon their organization's success.Link to the book on AmazonLink to the book on Barnes and Noblebooks, audiobooks, author reading, nonfiction, management, business

Your brand is your promise to your audience. Why is this crucial to get right for podcasting? How can you design a simple brand promise? BRAND PROMISE TEMPLATE - Complete this sentence: The only ________________________________ (What?) That____________________________________ (Category?) For_____________________________________ (Who is the listener?) In______________________________________ Where is the market or geography?) In an era of ____________________________ (When. Underlying trend?) E.g. for my show, this would be: "The only solo podcast that publishes daily content on the art and craft of podcasting, for proactive podcasters starting their journey, in English speaking countries, in an era where COVID is making people rely on themselves to make their voices heard and develop a side hustle or passion project." PRODUCTION NOTES: Recording Mic: Zoom LMF-2 Lavalier mic Recording device: Zoom F2 32 bit float Field Recorder Recording location: Dining Table (No pillow-fort and hence the reverb, argh!) Recording format: WAV (32-bit float mono) Sound Treatment Mixing and EQ: Adobe Audition Editorial Edit: Descript.com Mastering Sound Treatment: Auphonic Productions at Auphonic.com Auphonic.com settings [to output as a 16bit mono WAV file]: Adaptive Leveler (on), Loudness Normalization (Loudness Target -19 LUFS ), Filtering (on), Noise and Hum Reduction (Reduction Amount: Auto), Sample rate: 44.1kHz I uploaded the resulting WAV file to Anchor.fm to host the file and added the music from their free music stock.

Come on In Where the Table Is Spread, And The Word Of The Lord Is Going On!!

In Where the Fuck is Randy's Barbecue, Ricky is presented as a role model for a junior achievers' group. Again leaning on examples from and similarities to Black America, the lecture discusses the paradox of the role model figure in a community of oppressed people.

Review of Where is My Office? Reimagining the Workplace for the 21st Century by Chris Kane. Available from Bloomsbury here. In the modern age of remote working and flexible work hours, why have most office spaces remained relatively unchanged for decades? In Where is My Office?, Chris Kane draws upon his extensive knowledge and experience in commercial property to investigate the new-found significance of innovative corporate real estate thinking in the modern workplace. With the rise of agile working, hot-desking and new technological innovations, the traditional office space no longer serves the needs of the modern workforce. With a foreword from Mark Thompson, CEO of The New York Times, this fascinating book highlights the bold new solutions to workplace practices which have the potential to invigorate employee productivity while simultaneously trimming excess costs. Chris poses his ground-breaking ‘Smart Value’ formula which underpinned the success of his redevelopment of the property portfolio of the BBC, and which can be adapted to enact meaningful and lasting organizational change in any business. This formula is supported through in-depth case studies from Chris’s prestigious career, while interviews with prolific industry insiders such as Ronen Journo, SVP of WeWork and Mark Dixon, founder of Regus, provide fascinating insights into the ground-breaking strategies that are transforming the commercial property sector. Where is My Office? is a must-read for any business leader looking to revitalise their workplace and develop a greater understanding of the beneficial impacts that innovative workplace strategies can have upon their organization’s success. Where is My Office? Reimagining the Workplace for the 21st Century, reviewed What a timely title and topic for a book! It makes sense to address these issues, and look at what we do, why we do it, and do we really need to do it this way. Chris Kane has good experience to be able to write this book too, as he has “worked in the Corporate Real Estate sector for over thirty years, having operated as the Vice President of International Corporate Real Estate for The Walt Disney Company, before acting as Head of Corporate Real Estate at the BBC, where he was responsible for the creation of MediaCityUK in Salford and oversaw the £1bn development of Broadcasting House”. One of the best aspects of this book is the whole second part, chapters seven to nine, where he shares his own experiences of the BBC’s shake up, rationalisation and relocation of resources, production studios and talent. This case study is a fascinating read and really helps to demonstrate and exemplify the concepts he outlines in the first part of the book. The BBC did many things well, and readdessed a legacy, higgidly piggedly distribution of buildings and locations in London. Many of which had to have additional sound proofing to counter the rumble of underground tube trains passing by. Over a relatively short period, 2004 to 2018, this was overhauled and many key units were shipped out to Manchester, Wales and Scotland among other places. Maybe we don’t even need offices anymore, but perhaps before that radical move to remote and completely distant working, this book outlines some interesting ideas in terms of what can be done, and how to do it well. If you are in charge of buildings, offices, and company real estate this is a good and timely book to read. More about Irish Tech News and Business Showcase here. FYI the ROI for you is => Irish Tech News now gets over 1.5 million monthly views, and up to 900k monthly unique visitors, from over 160 countries. We have over 860,000 relevant followers on Twitter on our various accounts & were recently described as Ireland’s leading online tech news site and Ireland’s answer to TechCrunch, so we can offer you a good audience! Since introducing desktop notifications a short time ago, which notify readers directly in their browser of new ar...

In “Where’s Bonanza, Dude,” arguably the most beloved Kid Nation kid finally wins a gold star. But hold up, partner! Before that revelation, this episode is jam packed with some cool ideas that show what a season 2 could’ve been like. Newly elected Sheriff Sophia takes charge of the town and is a big step up from the Town Council. Speaking of the Big Boys, they are sent by the journal out into the wilderness where they meet a Native American tribe who teaches them about leadership. Back in town, the Big Boy-less teams struggle with the most strength-dependent Showdown yet. And when it comes to the prizes, there’s a controversial (to Stevie and Pablo) choice that has us becoming believers of The Mandela Effect! Your adult hosts are Pablo Goldstein (Vulture) & Stevie Anderson (What's Your Sign?, The Shiterion Collection)

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today's young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today's young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today's young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants' gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today’s young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today’s young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today’s young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants’ gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today’s young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today’s young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today’s young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants’ gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today’s young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today’s young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today’s young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants’ gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Where the Millennials Will Take Us: A New Generation Wrestles with the Gender Structure (Oxford University Press 2018), Barbara J. Risman uses her gender structure theory to tackle the question about whether today’s young people, Millennials, are pushing forward the gender revolution or backing away from it. In the first part of the book, Risman revises her theoretical argument to differentiate more clearly between culture and material aspects of each level of gender as a social structure. She then uses previous research to explain that today’s young people spend years in a new life stage where they are emerging as adults. The new research presented here offers a typology of how today’s young people wrestle with gender during the years of emerging adulthood. How do they experience gender at the individual level? What are the expectations they face because of their sex? What are their ideological beliefs and organizational constraints based on their gender category? Risman suggests there is great variety within this generation. She identifies four strategies used by young people: true believers in gender difference, innovators who want to push boundaries in feminist directions, straddlers who are simply confused, and rebels who sometimes identify as genderqueer and reject gender categories altogether. The final chapter offers a utopian vision that would ease the struggles of all these groups, a fourth wave of feminism that rejects the gender structure itself. Risman envisions a world where the sex ascribed at birth matters has few consequences beyond reproduction. In this interview, Dr. Risman and I discuss how gender is more than an identity, but a way of shaping and legitimating inequality. We also discuss her methods and data, the four categories of classifying participants’ gender beliefs and behaviours, and how to move forward with feminist change. This book makes a meaningful contribution to not only the literature on gender as a social structure but also the literature on emerging adulthood. I recommend this book for students, professors, and anyone else interested in gender, emerging adulthood, feminism, and inequality Dr. Barbara J. Risman (@bjrisman) is a Distinguished Professor in the Department of Sociology at the University of Illinois-Chicago. She is editor-in-chief of the journal Gender and Society and former president of Sociologists for Women in Society. Her research interests include gender inequality and families; feminist activism, and public sociology. More information is available on her website www.barbararisman.com/. Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar. Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Cutchin and Tim Renner have just released a book that is designed (and sure) to goose the Bigfoot research community out of its “flesh-and-blood-hypothesis” stupor (the theory that the creature is an undiscovered primate.) In Where the Footprints End, … Continue reading →

Imagine owning a hard asset which has risen in value 95 of the last 100 years, pays a 5% dividend and has no correlation to the stock market. Interesting, right? It's called peace of mind, and large pension funds are big buyers. My friend Edward Hargroves of Goldcrest Farm Trust explains. How institutions acquire property What farmers get in return Why the "I"s are hot  (IA, IL, IN) Where all this is going

Hi all you Goofy people! In this week's episode we talk about one of Julie's favorite things. Disney Bounding. We talk about what it is, how you do it, how you can make it your own. All things Disney Bounding! It's a lot of fun, and we talk about some great suggestions for "costumes". In "Where's Jim" we even talk about what you can and can't do, which is really important. No one wants to be stopped by the Disney police and be in Disney Jail. Not fun! Keep if fun people! We also cover this week's news (which is pretty slim. Just sayin') And as always, there is a lot of laughing. Be sure to go to www.thegoofyguy.com and sign up for the Goofy Guy Newsletter to make sure you stay up to date on everything that is happening at the site. If you want to contact me, you can email me at jim@thegoofyguy.com You can also find me at all the locations below: twitter - www.twitter.com/thegoofyguyblog Facebook - www.facebook.com/thegoofyguy Instagram - www.instagram.com/thegoofyguyblog Pinterest - www.pinterest.com/thegoofyguy And you can find Julie at www.cftravelco.com Enjoy the episode! Jim The Goofy Guy!

Susannah Charleson is the New York Times bestselling author of Scent of the Missing and The Possibility Dogs. She trains search and detection K9s, service dogs for the disabled, and comfort dogs that serve the community. She shares her home with a fur and feather menagerie, including a paralyzed pup on wheels named Ruff Draft. She is the author of Where the Lost Dogs Go: A Story of Love, Search, and the Power of Reunion (Houghton Mifflin Harcourt). In Where the Lost Dogs Go, Susannah Charleson, author of Scent of the Missing and a trusted chronicler of the human/animal bond, dives headlong into the world of missing dogs. The mission to reunite lost pets with their families starts with Susannah's own shelter rescue, Ace, a plucky Maltese mix with a mysterious past who narrowly survived months wandering lost. Along the way, Susannah finds a part of herself also lost. And when unexpected heartbreak shatters her own sense of direction, it is Ace—the shelter dog that started it all—who leads Susannah home. Inquisitive, instructive, heartrending, and hopeful, Where the Lost Dogs Go pays tribute to the missing dogs—and to the found—and to the restless space in between.

The New York Times bestselling author of The Westies and Paddy Whacked offers a front-row seat at the trial of Whitey Bulger, and an intimate view of the world of organized crime—and law enforcement—that made him the defining Irish American gangster.For sixteen years, Whitey Bulger eluded the long reach of the law. For decades one of the most dangerous men in America, Bulger—the brother of influential Massachusetts senator Billy Bulger—was often romanticized as a Robin Hood-like thief and protector. While he was functioning as the de facto mob boss of New England, Bulger was also serving as a Top Echelon informant for the FBI, covertly feeding local prosecutors information about other mob figures—while using their cover to cleverly eliminate his rivals, reinforce his own power, and protect himself from prosecution. Then, in 2011, he was arrested in southern California and returned to Boston, where he was tried and convicted of racketeering and murder.Our greatest chronicler of the Irish mob in America, T. J. English covered the trial at close range—by day in the courtroom, but also, on nights and weekends, interviewing Bulger’s associates as well as lawyers, former federal agents, and even members of the jury in the backyards and barrooms of Whitey’s world. In Where the Bodies Were Buried, he offers a startlingly revisionist account of Bulger’s story—and of the decades-long culture of collusion between the Feds and the Irish and Italian mob factions that have ruled New England since the 1970s, when a fateful deal left the FBI fatally compromised. English offers an authoritative look at Bulger’s own understanding of his relationship with the FBI and his alleged immunity deal, and illuminates how gangsterism, politics, and law enforcement have continued to be intertwined in Boston.As complex, harrowing, and human as a Scorsese film, Where the Bodies Were Buried is the last word on a reign of terror that many feared would never end. See acast.com/privacy for privacy and opt-out information.

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoices

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoices

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoices

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoices

Take a trip with us to the 90's, where the world's most dangerous criminals were often pursued and captured  by young children. In "Where in the USA is Carmen Sandiego?" players travel the US searching for stolen national landmarks, obtaining a warrant, and arresting criminals with extremely punny names. This board game version swaps the cumbersome nature of reading an encyclopedia for the streamlined simplicity of multiple choice questions...but can our panel of gumshoes stop VILE with their knowledge of elementary-level geography, or will Carmen Sandiego escape yet again? Plus, in this week's battle of wits, Professor Laserbooks presents an old favorite with a new twist...