Podcasts about Westies

In this episode, Cal and Daniel catch up on golf, whiskey, and current sports news, including the PGA Tour, LIV Golf, and upcoming tournaments. They share personal stories, insights on whiskey market trends, and predictions for the golf season. In this episode, Cal and Daniel explore the evolving landscape of golf personalities, the impact of media on sports, and share their thoughts on recent shows, movies, and music. They also delve into celebrity culture, acting careers, and upcoming entertainment options, making it a lively conversation for fans of sports, entertainment, and pop culture.Golf tournament predictions and betsWhiskey industry trends and market valueImpact of LIV Golf players returning to PGAPersonal golf and whiskey experiencesUpcoming golf events and betting strategies The impact of personality in golf and sports mediaThe role of media in shaping sports narrativesDiscussion of recent TV shows like The Hawk and FuriousMusic recommendations including Charlie Crockett's new albumCelebrity culture and acting careers of stars like Leo DiCaprio and Matt DamonThe importance of personality in entertainment and sportsAnalysis of movies like The Departed and Cape FearUpcoming entertainment options and personal favoritesChapters00:00 Introduction and Podcast Update03:52 Golf and Whiskey Business Updates08:06 Summer Activities and Travel11:50 Whiskey Industry Challenges and Debt15:55 Whiskey Picks and Collaborations16:47 Whiskey Market Trends and Future18:10 Golf Betting and Tournament Predictions19:09 Player of the Year Predictions20:01 Golf Betting Strategies and Odds21:02 Golf Player Performance and Trends21:59 Golf Tournament Predictions and Bets23:01 Golf Player Market and Betting Odds24:09 Golf Player Performance and Future Outlook25:00 Golf and Whiskey Industry Crossovers26:07 Golf Season and Upcoming Events27:00 Betting on Wyndham Championship28:02 Golf Player Insights and Predictions28:55 Fantasy Golf and Player Stats29:59 Golf Betting and Player Analysis47:20 The role of personalities in golf and sports48:57 The influence of media on sports personalities50:16 Discussion of golf stars and personalities51:10 The importance of personalities in entertainment52:09 Recent TV shows and movies: The Hawk and Furious54:33 Review of Westies and other entertainment55:41 Celebrity culture and aging stars01:00:23 Music recommendations: Charlie Crockett and more01:01:55 Upcoming entertainment and personal favoritesApparel for the show provided by turtleson. Be sure to check them out online for the new season lineup at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://turtleson.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠/⁠⁠⁠⁠ Thanks to Fantasy National Golf Club for providing the stat engine for the show. They can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.fantasynational.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Neat Glass. Be sure to check out The Neat Glass online at ⁠⁠⁠⁠theneatglass.com⁠⁠⁠⁠ or on Instagram @theneatglass for an improved experience and use discount code: bb10 to receive your Birdies & Bourbon discount. Thank you for taking the time listen to the Birdies & Bourbon Show for all things PGA Tour, golf, gear, bourbon and mixology. Dan & Cal aim to bring you entertaining and informative episodes weekly. Please help spread the word on the podcast and tell a friend about the show. You can also help by leaving an 5-Star iTunes review. We love to hear the feedback and support! Cheers. Follow on Twitter & Instagram (@birdies_bourbon)

 Summary In this episode, actress Sarah shares her journey from childhood acting to her current role in The Westies, exploring her approach to complex characters, historical roles, and maintaining emotional resilience.  Key  Topics Sarah's acting career from childhood to present The role of Bridget Walsh in The Westies and its historical context The importance of research and authenticity in acting Balancing emotional resilience and character immersion The influence of historical and fairy tale roles on her craft Advice for aspiring actors on longevity and gratitude  guest  name Sarah Bolger  Sound Bites "Born and bred in Dublin, I love Ireland" "You have to take a little bit from yourself" "Her silence feels like the most powerful thing" Chapters 00:00 Introduction to Sarah and her career 04:03 Reflections on her acting journey and career milestones 06:01 Playing Disney princesses and her love for fairy tales 07:14 Creating immersive worlds through television 08:05 Protecting emotional well-being while portraying intense characters 08:41 Attraction to strong female roles and character depth 09:54 Working with renowned actors like JK Simmons and Titus Welliver 10:39 Advice for young actors seeking a sustainable career 11:37 Rapid fire questions: favorites and dream roles 12:06 Closing remarks and where to watch The Westies  Resources The Westies on MGM Plus - https://www.mgmplus.com/shows/the-westies Sarah's IMDb Profile - https://www.imdb.com/name/nm1234567/  

Dopo 48 episodi, siamo arrivati alla fine della settima stagione di Salta Intro. Ma come suggerito dal numero stesso di puntate, non sarà una pausa molto lunga. Il tempo di ricaricare le batterie, e poi il 21 agosto saremo di ritorno. Nel frattempo, teniamoci pronti alle molte serie che arriveranno in questi giorni, e prendiamoci pure il tempo, sul finire di episodio, per una lunga disamina dell'Odissea di Christopher Nolan. Perché sì, ci voleva. Fate buone vacanze, tenete d'occhio serialminds.com che rimarrà più aggiornato del podcast, e comprate il mio romanzo, dannazione.(00:00:00) IntroduzioneGente che mi vuole bene(00:03:56) Le serie in arrivoVenerdì 31 luglio-Adults Episodio speciale (Disney+)-Batman Cape Crusader Stagione 2 (Prime Video)Sabato 1 agosto-Fightland (Starz, in Italia su MGM+))Domenica 2 agosto-Lioness stagione 3 (Paramount+)Lunedì 3 agosto-Futurama Stagione 14 (Disney+)Mercoledì 5 agosto-Star Wars: Visions Presents - The Ninth Jedi (Disney+)-Sterling Point (Prime Video)-Ted Lasso (Apple TV)Giovedì 6 agosto -The Shards (Disney+)Venerdì 7 agosto-Alley Cats (Netflix)-Anna Pigeon (USA)Mercoledì 12 agosto-Reacher Stagione 4 (Prime Video)Domenica 16 agosto-Lanterns (HBO MAX)Giovedì 20 agosto-ATOMIC (Sky e NOW)(00:14:44) Le NewsIl ritorno del cyberpunk(00:19:17) Le recensioni no spoiler-Furious (Disney+)-President Curtis (HBO MAX)-Rick and Morty: bilancio stagione 9 (HBO MAX)-Stuart Fails to Save the Universe (HBO MAX)(00:29:39) La CommunityBisticci nolaniani(00:38:20) Le recensioni spoiler(00:38:25) Cape Fear 1x09 (Apple TV)(00:40:31) Sugar 2x06 (Apple TV)(00:43:37) Lucky 1x04(00:46:46) The Westies 1x04 (MGM+)(00:48:01) House of the Dragon 3x06 (HBO MAX) (00:52:10) L'Odissea (al cinema)

Auf vielfachen Wunsch und auch aus großem Eigeninteresse sprechen Holger, Michael und Rüdiger in dieser Woche über die neue Disney-Serie "Furious" (5:42) von Elizabeth Meriwether ("The Dropout" / "Dying for Sex"). Schaut man sich internationale Kritiken an, gibt es für den Rachethriller vor allem zwei Vergleiche: einen fiktiven mit "Killing Eve" und einen realen mit dem Fall Jeffrey Epstein. Was, wenn eine missbrauchte Frau nicht auf das Rechtssystem vertrauen, sondern persönlich die übergriffigen Männer zur Rechenschaft ziehen würde? Das Ergebnis können wir nach drei der 8 Folgen noch nicht komplett beurteilen, aber bereits der Auftakt liefert eine treffliche Diskussionsgrundlage. Auch bei der Netflix-Miniserie "The Bombing of Pan Am 103" (28:54) drängt sich ein Vergleich auf, schließlich verfilmte "Lockerbie" vor einigen Monaten bereits den Terroranschlag auf das Passagierflugzeug von 1988. Macht es diese Version besser oder schlechter? Und schließlich will Amazon mit einer Umsonstfolge von "The Westies" (49:18) das Publikum zu seinem Zusatzangebot MGM+ locken. Ist das ein Angebot, das man nicht ablehnen kann? Oder gehört die Serie um eine Gang im New York der 1980er Jahre dorthin, wo Luca Brasi schläft? Bei den Fischen! Cold-Open-Frage: "Wer sollte Amazons Serien-„Robocop“ werden?"

Y lo que surja, oiga. Este programa no ha sido ni mejor ni peor que el resto, pero sí que ha sido más corto. 2 horas en lugar de 3, pero para lo que pagais, os podeis dar con un canto en los dientes. En realidad hablamos de lo de siempre, las mismas tonterias, pero no está Ivan, una baja que riete tu de la de De Jong. En fin, aprovecho para confesaros algo. Me gusta ir desnudo por la calle. Aprovecho la noche sobretodo, para evitar a la policía. De hecho, soy un superhéroe nocturno que actúa desnudo, y doy con la cachiporra a mis enemigos. Firmado: JJ

Siamo alla penultima puntata stagionale di Salta Intro (detta così sembra che poi andiamo in pausa per tre anni tipo House of the Dragon, e invece saranno due settimane), e la spendiamo nell'attesa di serie di dubbia utilità, nel giudizio di novità discrete, e nella risposta a domande esistenziali tipo "ma com'è che i gatti nelle serie miagolano sempre?".Non abbiate paura di lasciare le vostre recensioni dell'Odissea, che non è seriale, ma tanto finisce che settimana prossima ne parliamo.(00:00:00) IntroduzioneTriggerare su Christopher Nolan(00:03:03) Le serie in arrivoSabato 25 luglio-Avatar Aang: The Last Airbender (film su Paramount+)Lunedì 27 luglio-President Curtis (HBO MAX)-Furious (Disney+)Martedì 28 luglio-The Walking Dead: Dead City terza stagione (Sky e NOW)Giovedì 30 luglio-The Bombing of Pan Am 103 (Netflix)(00:08:43) Le NewsIl recast di Kratos e il ritorno di Robocop(00:14:59) Le recensioni no spoiler-Ride or Die (Corri o Muori Prime Video)-Super Market (Prime Video)-The Hawk (Netflix)(00:29:52) La CommunityMa com'è che i gatti fanno sempre miao?(00:40:25) Le recensioni spoiler(00:40:30) Cape Fear 1x08 (Apple TV)(00:42:06) Lucky 1x03 (apple TV)(00:43:27) The Westies 1x03 (MGM+)(00:46:29) House of the Dragon 3x05 (HBO MAX)

Andrew Crews shares his thoughts on recent TV shows, movies, and his podcast journey, offering insights into comedy, crime dramas, and streaming platforms. Backrooms, Hawk and The Westies.Tik Tok: Andrewcrews4Twitter: Nicetown finestTwitch: Twitch.tv/nicetown_finest27https://www.patreon.com/Crewsinpodcast

Send us Fan MailThis Week We Need 2 Talk Big Brother, The Man Will Burn, The Westies, Lucky, Hawk, Quarterback, Heartstoppers, Ride or Die, The Real Wolf of Wall Street, Daylight Savings Time, Informed Delivery Update, The Odyssey, The Espys and SO MUCH MORE 

Spider-Man star J.K. Simmons and Tom Brittney join Nerdtropolis Mayor Sean Tajipour on Reel Insights to talk about The Westies, the gritty new MGM+ crime drama premiering July 12. Brittney has also recently been linked by unconfirmed reports to the DCU's future Batman role, while Simmons remains one of the most recognizable comic book actors through Spider-Man, Invincible and The Legend of Korra.In The Westies, Simmons plays Eamon Sweeney, the old-school leader fighting to maintain control of his criminal empire. Brittney plays Jimmy Roarke, a younger and more rebellious member of the organization who represents a generation hungry to change how business is done.Simmons and Brittney break down the growing conflict between the Westies' established leadership and the younger generation. They explain how control, ambition and survival create a dangerous internal struggle that could threaten the future of the entire organization.The conversation also explores why the quieter scenes can feel just as threatening as the show's violent moments. Simmons discusses using silence, listening and observation to reveal what Eamon is thinking, while Brittney opens up about Jimmy's relationship with Bridget, played by Sarah Bolger, and how their private moments offer a different side of his character.Simmons also explains his approach to researching the real Westies. Because Eamon and Jimmy are fictional characters created for the series, he focused on lifting the characters from the page instead of trying to imitate specific historical figures.The interview closes with Simmons and Brittney revealing one of the show's most unexpected elements: its dark humor. They discuss how Irish gallows humor brings moments of light into an otherwise brutal world and why humor becomes essential when the dramatic stakes are so high.Plus, Simmons delivers the ultimate compliment by calling Nerdtropolis “the best word in the history of words.”Visit Nerdtropolis.comFacebook.com/nerdtropolisInstagram.com/nerdtropolisTwitter.com/nerdtropolisTikTok.com/@nerdtropolis

Titus Welliver and Jessica Frances Dukes join Nerdtropolis Mayor Sean Tajipour on Reel Insights to discuss The Westies, the gritty new MGM+ crime drama premiering July 12. The series explores the violent world of New York City's Irish mob during the 1980s and the growing conflict threatening to tear the organization apart.In The Westies, Welliver plays Glenn Keenan, a character whose visible tattoos add another layer to his dangerous and unpredictable presence. Dukes plays Birdie Polk, whose conversations and interactions with Keenan reveal more about the people operating inside this brutal criminal world.Welliver explains how his real tattoos have become part of certain characters, including Harry Bosch and Glenn Keenan. He discusses why tattoos felt right for The Westies' 1980s setting and why they help make Keenan feel like someone living outside the expectations of society.The conversation also explores Welliver's upcoming role in The Night Agent. Because he plays a Department of Justice prosecutor, his tattoos must be completely covered since they would not fit the character in the same way they do in Bosch or The Westies.Dukes opens up about how she builds a character through her scene partners rather than relying on a single costume, accessory or physical detail. She explains how Birdie continued to evolve once she began working opposite Welliver and responding to the choices he made during their scenes together.Welliver and Dukes also discuss the detailed 1980s sets and how the show recreates a specific period in New York history. Welliver explains why The Westies stands apart from traditional mob dramas by focusing on the Irish mob, its tense relationship with the Gambino crime family and a story that has rarely been fully explored on screen.The interview closes with Welliver explaining why The Westies offers something different for viewers who think they already know the crime drama genre.Visit Nerdtropolis.comFacebook.com/nerdtropolisInstagram.com/nerdtropolisTwitter.com/nerdtropolisTikTok.com/@nerdtropolis

When J. Jonah Jameson takes time off from the Daily Bugle to run the mob, he can't help but draw the attention of the Italian Mafia, the FBI, and the IRA in The Westies.The series marks the latest crime drama from Narcos and Godfather of Harlem creator Chris Brancato. Though it only loosely adheres to the truth, there is no shortage of subplots and familiar names pulled from history.On the podcast, we discuss the first two episodes, “The Troubles” and “The Houdini.” We run down the characters, the weird tidbits, and the obvious comparisons before ultimately coming up with a rating.Tune in, and welcome to Today's Episode!

Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 17th July 2026, including:In 1980s Hell's Kitchen, the Westies crime gang eyes profits from the Javitz Center construction. Though vastly outnumbered by Italian mafia, their brutality earns them a share. Generational tensions rise as FBI probes deepen in MGM+ crime drama The Westies, starring J.K. Simmons.It's Sue's worst nightmare - an overly attentive, socially inept, second-hand robot carer. But maybe this droid has its uses... Diane Morgan stars in BBC iPlayer comedy Ann Droid.Lonnie Hawkins is 2004's top golfer, struggling to recapture his magic late in his career, refusing to believe he's anything other than one stroke away from golf's greatest comeback. Will Ferrell stars in Netflix comedy The Hawk.When a multi-million-dollar heist goes sideways, a con artist is forced to go on the run, pursued by both the FBI and a ruthless crime boss. Anya Taylor-Joy is Lucky on Apple TV.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!Discover your next favourite restaurant with NeoTaste, the exclusive membership unlocking huge discounts at hundreds of restaurants. Get 2 MONTHS FREE on us! Simply use the code BINGE at checkout. Sign up here: https://bingewatch.captivate.fm/neotaste For ad and sponsorship enquiries, email liam@mercurypodcasts.com now!

La scorsa settimana avevamo annunciato un po' di arrivi potenzialmente interessanti, e non siamo stati delusi. Lucky e The Westies si sono rivelate serie solide, ma pure un potenziale guilty pleasure come Five Star Weekend è riuscito a farsi ben volere (forse proprio come guilty pleasure). Peccato per l'unica vera nota stonata della settimana, cioè la morte di Sam Neill. Ma è l'occasione per ricordare un bravo attore e una persona meritevole.(00:00:00) IntroduzioneLa pubblicità su Prime Video(00:01:41) Le serie in arrivoVenerdì 17 luglio-Super Market (Prime Video)Giovedì 23 luglio-Ransom Canyon stagione 2 (Netflix)-Star Trek: Strange New World Stagione 4 (Paramount+)-Stuart Fails to Save the Universe (HBO MAX)(00:05:14) Le NewsL'addio a Sam Neill(00:07:52) Le recensioni no spoiler-Ghost in the Shell (Prime Video)-Little House on the Prairie (Netflix)-Lucky (Apple TV)-The Five Star Weekend (Peacock)-The Westies (Prime Video / MGM+)(00:20:35) La CommunityLe storie che non si capisce proprio come arrivino a essere prodotte(00:31:04) Le recensioni spoiler(00:31:09) Cape Fear 1x06 (Apple TV)(00:33:13) Maximum Pleasure Guaranteed 1x10 (Apple TV)(00:36:43) House of the Dragon 3x03 (HBO MAX)

Cindy Pearlman Gaber, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about the new trailer for the Anthony Bourdain biopic, a popular movie series coming back to the big screen, and a new series on MGM+, “The Westies.” She also shares details about the […]

Die Emmy-Nominierungen 2026 sind raus und bieten einige Überraschungen. Generell werden wir aber den Eindruck nicht los, dass das Feld diesmal deutlich schwächer ist. Trotzdem sind viele bekannte Stars dabei, denen wir die Daumen drücken. Machen am Ende wieder „The Pitt“ und „Hacks“ das Rennen oder haben „A Knight of the Seven Kingdoms“ und „Widow's Bay“ eine Chance? Im September finden wir es heraus, doch Hanna und Bjarne (Adams Urlaubsvertretung) geben schon jetzt ihre erste Einschätzung.Auch der neue Trailer zum Cli-Fi-Streifen „Digger“ mit Tom Cruise als Ölbaron hat uns fasziniert, genauso wie die Vorschau zu „Dune: Part Three“. Bei den neuen Serien, die angekündigt wurden, hatten wir Gesprächsbedarf bei „Crystal Lake“ und „MobLand“. Auch der tragische Tod von „Jurassic Park“-Star Sam Neill hat uns beschäftigt – und im Review-Bereich haben wir uns Netflix' „Unsere kleine Farm“, das neue Mafiadrama „The Westies“, die schafige ZDF-Serie „Sheep“ und „Lucky“ bei Apple TV vorgenommen. Viel Spaß mit dem wöchentlichen Rundumschlag!Timestamps: 0:00:00 Emmy-Nominierungen0:015:00 “The Beauty”: Der Cast zieht weiter…0:18:00 “Digger”, “Dune 3”, “Mobland” S2 und “Crystal Lake” im Trailerwatch0:26:30 Sam Neill verstorben0:29:00 “Unsere kleine Farm” by Netflix0:34:00 “The Westies” by MgM+0:38:00 “Sheep” in der ZDF-Mediathek0:40:45 “Surface” in der ARD-Mediathek0:43:00 “Lucky” by AppleTV0:46:00 NeustartsHanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore BjarneBluesky: https://bsky.app/profile/bjarnebock.bsky.socialSankt Podcast: https://open.spotify.com/show/0ztNeRqXyxw8Z5QpelTjnCAdam: Twitter/ X: https://twitter.com/AwesomeArndt Instagram: https://www.instagram.com/awesomearndt/ YouTube: https://www.youtube.com/@AwesomeArndt Hosted on Acast. See acast.com/privacy for more information.

Lori shares her shocking review of seeing Keith Urban live at the Prior Lakes Music Festival! Plus, we dive into the latest Wimbledon celebrity sightings, J.Lo's fabulous birthday era, and why Hudson Williams completely lost it on an autograph hound.From Mick Jagger chatting with Conan to Madonna's album hitting #1, we've got your music news covered. We also break down our current "Must-Watch TV" watchlist (featuring The Five-Star Weekend, The Agency, The Westies, and more!), discuss why everyone is obsessed with Erling Haaland, and react to the star-studded World Cup halftime lineup.00:00 – Intro03:35 – Lori's Shocking Keith Urban Review (Prior Lakes Music Festival) 14:57 – The Erling Haaland Fan Club (feat. Tom Holland) 18:50 – Wimbledon Celebrity Gossip: Who Was Spotted? 20:52 – J.Lo's Birthday Era & Loving Life 22:28 – Hudson Williams Flips Out on an Autograph Hound 24:01 – Mick Jagger on Conan O'Brien's Podcast 25:38 – Madonna's New Album Hits #1! 28:54 – Bethenny Frankel Signs with dpHUE 31:19 – Must-Watch Summer TV: The Five-Star Weekend, The Agency, The Westies, Little House on the Prairie, Project Runway, & Enola Holmes 3 42:20 – World Cup Final Halftime Show: Star-Studded Lineup Revealed 46:23 – Julia's Wedding Preparation & Updates 49:02 – Remembering the Legendary Sam Neill 54:03 – The Surprising TV Show with the Best "Family Values" 55:48 – Fashion Danger: Zara's Wide-Legged Pants Are Getting People Hurt 57:33 – The Newest Status Symbol: Bare Nails 1:04:16 – Why Lori Said "NO" to Skims THANK YOU TO OUR SPONSORS:InVision Distinctive Eyewear: invision-optical.comBorton Overseas: bortonoverseas.com/loriandjulia/Twin Cities Closet Company: tcclosets.comLAK MedSpa: lakmedspa.com CONNECT WITH USInstagram: @loriandjuliaTikTok: @loriandjuliaWebsite: loriandjulia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tom Brittney first rose to global prominence with his multi-season turn on the celebrated British series "Grantchester," where he built a devoted international following through a performance defined by emotional depth and restraint. With his new series "The Westies," he hops "the pond" and ventures into darker and more volatile territory while delivering layered, character-first work surrounded by stellar co-stars like J.K. Simmons and Titus Welliver. On this episode, he explains why the lack of belief in his abilities that he felt from his teachers in drama school resulted in his own lack of faith it what they were teaching, how seven seasons playing the same character made him a better actor, why he will never get used to the instability of this profession, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Subscribe to Back To One on Substack Follow Back To One on Instagram

¿Merece la pena ver The Westies? En este nuevo Razones para Ver Express, Juan Francisco Bellón analiza sin spoilers la nueva serie de MGM+ protagonizada por J.K. Simmons y Titus Welliver. Ambientada en el Hell's Kitchen de los años 80, The Westies nos lleva al enfrentamiento entre la mafia irlandesa, la familia Gambino y un barrio que está cambiando para siempre. Una serie creada por Chris Brancato (Narcos, Godfather of Harlem) que apuesta por el crimen organizado clásico, grandes interpretaciones y una cuidada recreación histórica. Únete a nuestro canal y apoya a FUERA DE SERIES: https://www.youtube.com/channel/UCFNyyACx7XbgZ4-S4jzNnGQ/join Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

We finally unveil (in typically shambolic fashion) our shows of the year (so far) list in this week's episode as an arcane mathematical formula is applied to our individual favourites, distilling them into the definitive (probably) top 10 of everything out in 2026 to-date (17:33). Plus JK Simmons and Tom Brittney join us to chat MGM+'s new gangster show The Westies (37:18-50:58). We also watch Diane Morgan's new comedy, Ann Droid, on BBC1 (1:42:17), and Jennifer Garner's girls' weekend drama The Five Star Weekend on Sky Atlantic (1:51:38). All that and se do a drop-in to discuss this year's Emmy nominations (1:06:32) and James makes a landmark admission while discussing what we've all been watching.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

This week, Hanna speaks to J. K. Simmons and Tom Brittney about their new Hell's Kitchen crime drama THE WESTIES (02:42), while we review THE INVITE (14:39) and ROSEBUSH PRUNING (27:18). Our WAIT JUST A MINUTE (39:07) picks are NIRVANNA THE BAND THE SHOW THE MOVIE and SHOOT THE PEOPLE. Plus, in our HOT TAKE (41:52), in light of MOANA, should Disney declare a moratorium on live-action remakes? If you would like to donate directly towards humanitarian aid in Gaza, please visit: ⁠MAP⁠Buy Hanna's The Unofficial Buffy the Vampire Slayer Quiz Book hereBuy Clarisse's Wes Anderson: A Retrospective ⁠here⁠⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram.Don't forget to subscribe, rate and review the podcast - it makes a difference! The Fade To Black Podcast is part of the Stripped Media Network.CLARISSE: ⁠ ⁠@clarisseloughrey⁠⁠HANNA:⁠ ⁠@hannainesflint⁠⁠Music by ⁠The Last Skeptik⁠. Jingles by Hanna Flint

You can call J.K. Simmons a character actor, a sometime bad guy, sometime leading man, or an Academy award winner. Suffice it to say he's packed a lot into his 200+ screen credits and he didn't even get started until his late 30s! He joins Josh to talk about his return to TV with THE WESTIES, his iconic roles in SPIDER-MAN, the DCU, JUNO, WHIPLASH, and so much more. SUPPORT THE SHOW BY SUPPORTING OUR SPONSORS! Rula -- Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rula.com/happy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #rulapod Quince -- Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quince.com/HAPPYSAD ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping and 365-day returns. Limited Time Offer–Get Huel today with my exclusive offer of 15% OFF online with my code happy15 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://huel.com/happy15.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ New Customers Only. Thank you to Huel for partnering and supporting our show! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ein Muss für alle Mafia-Fans: Die neue Krimiserie “The Westies” spielt im New York der 80er Jahre und begleitet die irische Mafia in Manhattan. Ob sich die Serie lohnt? Eggers und der Engelhardt haben für euch reingeschaut!

Luglio dovrebbe essere il mese in cui recuperare quello che si è lasciato indietro durante l'anno. E invece no: anche questo mese arrivano film, serie TV, documentari, franchise, remake, horror, comedy, animazione, post-apocalittico e varie follie che nessuno aveva chiesto davvero. In questa puntata di SPIN-OFF abbiamo guardato 77 uscite di luglio 2026, le abbiamo scremate e ne abbiamo selezionate 15 da tenere d'occhio, da recuperare con cautela o da evitare senza troppi sensi di colpa. I titoli più grossi del mese sono Spider-Man: Brand New Day e The Odyssey, il kolossal di Christopher Nolan. Da una parte il nuovo Spider-Man con Tom Holland, Zendaya, Jon Bernthal, Mark Ruffalo, Sadie Sink e Michael Mando; dall'altra l'Odissea secondo Nolan, con un cast talmente enorme da sembrare una nazionale brasiliana con due panchine. Ma luglio non è solo blockbuster: si parla anche di Silo 3, X-Men '97, Human Vapor, Rosebush Pruning, Evil Dead Burn / La casa - Il rogo del male, The Westies, Lucky con Anya Taylor-Joy, The Hawk con Will Ferrell, Supermarket, Deep Water, Stuart Fails to Save the Universe, Breaking Bear, The Dink e The Walking Dead: Dead City. Una puntata per capire cosa vedere a luglio 2026, cosa aspettare davvero, cosa potrebbe sorprendere e cosa invece sembra già un disastro annunciato. (00:00) Intro: 77 uscite, 15 titoli selezionati (02:47) X-Men '97 stagione 2 (04:23) Human Vapor: il jolly giapponese di Netflix (10:02) Silo 3 (12:28) Rosebush Pruning (14:58) Evil Dead Burn / La casa - Il rogo del male (19:43) Il Mondo Oltre e L'Hangar Rosso (22:21) La Casa Nella Prateria su Netflix (25:25) The Westies: gang irlandesi e J.K. Simmons (30:28) Lucky con Anya Taylor-Joy (34:23) The Hawk: Will Ferrell e il golf (37:39) The Odyssey di Christopher Nolan (43:04) Supermarket: la Superstore italiana? (46:05) Deep Water: aerei, squali e Ben Kingsley (50:55) Stuart Fails To Save the Universe (56:20) Breaking Bear (59:50) The Dink: Jake Johnson, Ben Stiller e pickleball (1:03:18) The Walking Dead: Dead City 3 (1:04:13) Spider-Man: Brand New Day Learn more about your ad choices. Visit megaphone.fm/adchoices

J.K. Simmons, the Oscar-winning star of "Whiplash", relishes being a character actor. He talks with correspondent Tracy Smith about his role as a mob leader in the new MGM+ series "The Westies", and recalls the difficult early days of his career – and how an unexpected kindness from an actor friend helped him when he needed it most.

Titus Welliver Returns!Take a walk with me down Fascination Street as I get to know even more about Titus Welliver. His first appearance on the show was on 9.29.2025. Go back and check that one out to get Titus' back story and a bit of the story of his journey. In this episode, we chat about what Titus has been up to since we last spoke. He has recently finished filming The Westies. This is a highly anticipated mafia style series on MGM+ based on the true events surrounding the construction of The Javits Center in 1980's Hell's Kitchen, New York, Ny. The show is led by J.K. Simons, and our boy Titus Welliver. It has an all-star cast and will be released on July 12th. Two episodes drop for the premier, with the remaining episodes released weekly. Titus has also recently joined the cast for the final season of Netflix's The Night Agent. Never one to rest, Titus has also completed his work on the animated series Get Jiro, which is based on the graphic novel written by the late Anthony Bourdain. We talk about all of this, plus, Titus has had two films come out this year. Ricky, and Killing Castro. Both of these projects have received wide acclaim and are available everywhere. Along the way, we chat about the new Bosch prequel series Start of Watch, the return of Ballard, in the Bosch universe, and even some of Titus's friend groups; the CADS and the Funky Homosapiens. Titus is always a blast to talk to, and this time is no different. Follow him on the socials and catch all of these upcoming and recently released projects!

Bill Frost (BillFrost.tv, BillFrost.substack.com, X96 Radio From Hell) and Tommy Milagro (SlamWrestling.net) talk Backrooms, Dark Side of the Ring S7, The Ghost In the Shell reboot, Wardriver, Little House on the Prairie reboot, Faces of Death non-reboot, O Little Christmas Market, The Westies, Rasslin' News, Milagro Manifesto: Tommy vs. A24, John Oliver on Days of Our Lives and General Hospital, House of the Dragon, Sugar, Cape Fear, Maximum Pleasure Guaranteed, True TV: Syfy … In Space!, and more.Drinking: Sir-Veza Mexican Lager from OFFICIAL TV Tan sponsor Bohemian Brewery.Yell at us (or order a TV Tan T-shirt) @TVTanPodcast on Threads, Bluesky, Facebook, Instagram, or Gmail.Rate us and comment: Substack, Spotify, Apple Podcasts, YouTube Music, YouTube, Amazon Podcasts, Audible, TuneIn Radio, etc. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tvtanpodcast.substack.com

Hollywood acting titans JK Simmons & Tom Brittney spill the beans on their new series The Westies on MGM+ and Prime Video.Catch TFI Unplugged on Channel 4 at 11:05pm on Friday nights and on the Virgin Radio UK YouTube channel! Hosted on Acast. See acast.com/privacy for more information.

Retired Kansas City Police Intelligence Unit detective Gary Jenkins sits down with former NYPD officer Jimmy Dennedy and NYC Brooklyn prosecutor Michael Vecchione for a gripping discussion on violent crime, justice, and redemption. Jimmy recounts the shocking murder of NYPD officers Rocco Laurie and Gregory Foster by the Black Liberation Army, while Michael reveals the challenges of prosecuting those responsible. The conversation then shifts to something unexpected—redemption. After retiring, Jimmy began working in prison ministry, where he witnessed firsthand how even hardened criminals, including mobsters, can change their lives. This episode dives deep into: The reality of cop killings in New York City The struggle to prosecute violent offenders Inside stories from mob cases Redemption and transformation inside prisons Get the book Hard Guys Cry. If you're interested in true crime, mafia history, and real law enforcement stories, this is an episode you don't want to miss. Subscribe for more mafia history and true crime stories every week. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. [0:00] Hey, all you wiretappers, good to be back here in studio, Gangland Wire. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and now turned podcaster. And I have another retired cop here on the show, Jimmy Dennedy. Jimmy, I tell you what, I had it down, Dennedy, like Kennedy. And our friend who’s been on here several times, Michael Vecchione. Welcome, Michael. Welcome, Jimmy. Thank you very much for having us, Gary. Thank you. All right. Michael has several books out there. He’s, he’s prosecuted the mob. That’s how I got onto him. He prosecuted the, he had something to do with the mob cops, Louis Eppolito. And I can’t remember exactly now. I should have made a note on that, Michael. What was the name of that book? [0:48] The name of the book? Friends of the Family. Friends of the Family. Is that those two New York PD coppers that were in the pay of? Louis Eppolito and Louis Eppolito was one of the cops. And you know what, Gary? during the, when Jimmy, when you talk to Jimmy, Jimmy has a kind of a, an odd situation regarding Louie Eppolito. And, and it’s a good story. I think he should tell you, tell your listeners. All right. Great. We look forward to that, Jimmy and Jimmy Denity, who was a New York city policeman. And he has a book, tough dies to cry. Hard guys cry. Let me do that over again. Yeah. I said, I left, I had it written down here and he had Jimmy Denity is here with us. He is a retired New York City copper, and he has a book, Hard Guy’s Cry. So welcome, Jimmy. [1:34] Good morning. Thank you very much for having me. All right, Michael, you and Jimmy, did you guys work together a little bit on the job? Did you know each other back then? Yeah, we certainly did. We’ve probably known each other now for maybe 45 or more years. I got to know Jimmy because I got assigned a case involving, unfortunately, the death, the murder of two New York City police officers who were assigned to Jimmy’s precinct at the time in Bed-Stuy. And it was a case that had been tried twice before I got it. And there were hung juries in both of the cases. And the DA at that point was going to just simply decide to not prosecute it anymore. And the head of the policeman’s union went to the DA, the district attorney, and said, listen, just give it one more shot. So I was at the time the head of a group called the Major Offense Bureau in the Brooklyn DA’s office. And I got, I’ll never forget this. I was sitting at my desk and the boss of the unit, the bureau that I was part of, came into my office and said, come with me. We’ll go to see the DA. [2:41] I didn’t know. I thought maybe I was in trouble for some reason, but I sat down and he said, listen, I want to give you one more shot. I want to take this case to trial one more time and you are the guy that we want to do it. So I was happy to do it. I tried a lot of cases by that point. And, and the best part of the whole situation, Gary is I met Jimmy Danity. That was, he, we became fast friends and I got to tell you a little funny story. He had been involved in the two other trials. [3:11] But when he sat down with me, the first thing he said to me was, or one of the first things was, do you eat lunch? I said, yeah, of course I eat lunch. Why? He said, the guy that tried the case before you and the one before him, they didn’t eat lunch. And by the time the afternoon came, their energy was all waned, had waned. And he said, so here’s what I’m going to do. I’m going to have lunch on your desk every time you come back for the lunch break from the trial. And he did. There was a sandwich waiting for me every day when I came back, and he is the guy that brought it to me. But before the trial, we went out. Me, Jimmy, and detective from the Homicide Bureau, who was assigned to the case. [3:57] Tony Martin, went out to the scene. And again, another one of these scenes, which I’ll never forget. The scene was in the middle of Bed-Stuy on Troop Avenue. Jimmy, that was the, yeah. [4:10] Willoughby and Troop. Willoughby and Troop. So we’re on the street and the three of us are standing there right on the sidewalk. And we look around and I said to Tony, did you hit every one of these buildings looking for witnesses? Because there was a problem with the case with the witnesses. One had died in a very strange way. And so he looked around I don’t know if you remember this, Jimmy And he pointed to a building Diagonally across from the spot Where the two cops were shot And he said, Mike We never went into that building, And Jimmy and Tony went into the building, canvassed it and came up with two new witnesses. And so it was a wonderful experience working with Jimmy. He was a hard worker. He really was tied to this case in the sense that these guys were his friends. They were two guys who were gunned down for really no reason by a member of the Black Liberation Army at the time who was part of the Attica riots here in New York. He was actually one of the guys who started the Attica riots in New York. And he was out and he was with another guy. And we believe that they were going to meet another one of their fellow. [5:27] I don’t want to call them gang members, to set up a robbery. And that’s why they were in Brooklyn. And the case had so many ups and downs and twists and turns. And it was something which I obviously will never forget. But the best part about it, I’ll repeat myself, is that I met Jimmy Denity. And he and I have been friends from that point on until today. And so let me just get to the book because Hard Guy’s Cry to me was a labor of love. It really was. I got a call one afternoon and I’m sitting out on my deck and Jimmy calls me and we just got to talking and he asked me about doing a book about his life and his story. And I said, it’s great. There are lots of books out there about cops and street cops and what they’ve done on the street. He said, so he said, oh, but he started to now expand on it. And then he told me the second part of his career, which was the prison ministry in the federal prison and a state prison here in New York. And I said, Jimmy, you buried the lead. That’s the part of this book that I can sell to a publisher. Because Gary, you probably know this. You probably interviewed these guys who do books when they retire. This was just going to be one of those. Jimmy’s career on the street was terrific. [6:47] The only problem was there are lots of guys who have books out there like that. So when he told me the story about his prison ministry, I was working at the time with a partner of mine, Jerry Schmetterer, who has now passed away. And we both talked about it and we said, this is definitely a story. This is definitely a book. And it’s been a long journey, Jim, until we got to this point. We’ve had COVID. We’ve had the Minneapolis, the guy in Minneapolis who was killed and agents saying to us, nobody wants to publish a book about a good cop. Nobody wants to do that. You can’t sell this until I didn’t give up. I really didn’t give up. And I took the proposal and I rewrote it after Jerry died. And then I sent it out to a couple of publishers and one of them grabbed it and said, yes, I want to do this. And then believe it or not, Gary, his publishing company hit the skids in terms of being able to spend money. He went out of business. So I had one more shot and I gave it to the publisher of my novels. [7:55] And she finally is the one who said, yes, let’s do this. And then here we are today. [8:01] It’s really, again, I said this before, but it was a journey of love. It really was to tell this guy’s story. and we, I know I’m repeating myself, but we became such good friends that our families got to know each other. I went to Jimmy’s house for holidays. We really just became very good friends. And here we are. And I’m so happy that I was able to write this book because I really believe that the people who read it will say, wow, this is a great guy. This is a great guy. And he is. Interesting. Hey, Jimmy, I got a couple of questions for you. Now, you worked, that was the Rocco and Lori case, if I remember right. And everybody who worked big city policing at the time, that scared the dog shit out of us. It was like these guys just laid in wait for a couple patrolmen to walk by, stepped out and shot them. That was my impression. And I worked that kind of a neighborhood. And we were jumping. We were pretty jumpy for quite a while. And it wasn’t solved for a while. We knew it was some kind of a political act, or at least that’s what we’re led to believe. Did you guys feel the same way in New York? Let me just stop you for a second. The case that I did with Jimmy was Norman Cerullo and Christina Soames years later. The one that you’re talking about, Rocco Laurie and Gregory Foster, was much earlier. [9:21] Jimmy was involved in it because he was a good friend of Rocco Laurie. They went to the academy together. But I’m sorry to interrupt, but I just wanted to make sure that we were talking about the right thing. [9:33] So that kind of a case, you actually went through two of them. So tell us about your feelings about that. Did that, how did that affect your dealings on the street? I was in the academy with Rocco Laurie, right? And we had both come out of the Marine Corps at the same time. And we worked out together. We boxed together. And some of the guys were slacking off. The guy’s name was Mr. Clean. He was the instructor. He would say, okay, now you’re going to box with Denny or you’re going to box with Laurie. Of course, they were slacking. We weren’t slacking. Oh, God. That was me. They said, Jenkins, go over there and box with one of those guys. No brother in Lime. [10:12] So we became close we we knew his wife he knew that time it was my girlfriend but that was my wife we had gone out to dinner and he was a really good man in the academy i won the gun for physical fitness he won the gun for overall excellence and we got pictures with our guns together and stuff. So I was working at midnight with this guy, Victor Grillo, nice guy. And a job came over. Cops shot in Manhattan. We were in Brooklyn. It’s on the other side of the bridge. So we’re saying, wait. And that became the ninth precinct. That’s where Rocco worked. So we used to call him the Rock. I hope it’s not the Rock. And it turns out it was him. These guys executed him. They were basically a domestic terrorist group. They were robbing banks. They were killing cops for no reason. They just walked past them, turned around, opened up on them. And they shot them all over the face to the groin. And then they took their guns and shot them. And some of the guns actually wound up out in St. Louis or in West Area. [11:16] So did it affect me? Absolutely. I became, I don’t want to say callous, but I was very leery of everybody. [11:26] And I started, my niche was guns. I locked up a lot of guys for a lot of guns. But anything to do with it, Black Liberation Army or anything, I used to accumulate information, intelligence information, and my locker was full of it. I’d lock up a guy, and they used to have years ago the little address books. I used to take their address books, and they would ask me information, the FBI, the Major K-Squad, Jimmy, have any information on this guy? And which I did many times, right? Fast forward several years later, I’m out, and I’m having a few cocktails, and then i drove back to the precinct the 79th precinct to meet a friend of mine bobby perry, and while i was at the front of the desk there’s a place they could check your messages if anybody calls you messages so i’m checking my messages and it came over shots fired then it came over cop shot then it came over two cop shot then i drove down to my civilian car right it was dark, and it was like help you know radio card door is open you know I mean blood all over the place he also shot his friend right and he’s laying it dead with a gun in his hand his blood all over the place it was a nightmare so let me figure this out but now everybody name others coming down because he’s cop-killing students a doubleheader so to speak and then I see the blood going across the street and the blood stops. [12:53] So obviously somebody was shot. It’s not our guys. And then I assume he got into a car. [13:00] So I’m trying to figure, is he going to go to the Spanish neighborhood or deeper into the black neighborhood? And I said, let me go to the hospital. So I drive to the hospital to see if they need blood or anything. And out of the corner of my eye, when I passed Lexington Avenue, I see there had been a car accident. A guy hit parked cars. I kept going. And then I told Mike, you know, my father gave us a game when we were kids. It was called Game in the States. at a map of the united states and you had two little electric wires and you plug one into the state and there’s a list of capitals on the other side and when you hit that the light would go on you got the right answer and as god is the lord a light went off in my head just like it was the right state capital yeah went to the hospital and they did you know and then this guy paulie has ever seen him he’s crying he was in plain clothes anti-crime i said paulie listen to me Two things. Once, I want to come in the car. I’m going to go back to the scene. Because when I got there, there was a Spanish guy on the pool across the street. And he was a little biggazy type guy himself. But he used to give me information. He used to give me information on his competitors. Yeah. [14:10] Yes. So when he saw me, you know, he ran. Right? I wanted to come back and talk to him. But on the way back, I said, Paul, I’m going to stop at this accident scene. This is, it’s just there. Yeah. Go back there. Ambulance is starting to pull away fire truck was there pulling away so i went over there they said it’s an accident scene the guy’s injured i said what kind of injury is it the guy said well he dressed his wound because he won he refused medical aid this guy so i said i just dressed his wound i saw undress the wound let me look at it i’m not undressing the wound i went over and i just ripped it off and it’s a gunshot wound yeah right yeah so all he had a radio calls the sergeant down and they bring a witness from willoughby avenue she comes down she says that’s the guy who killed the two cops so we get him put him in the ambulance right in the ambulance he’s a big boy this guy right and he goes reach and grabs my gun from my holster so now it’s like an arm wrestle for the gun between me him and paulie saracena and during this arm wrestle necessary force was used and the necessary force was used until he dropped the gun or he got the gun from him. Goes to the hospital. He has a Derringer behind his belt buckle and he has police handcuff key. [15:38] These guys are the real deal. Yeah, that’s a real deal. They train for this stuff. They associate but others that train they shoot you know what i mean so it’s just uncanny that rocko was my friend and he was murdered in a double police homicide and then a few years later i lock up a guy from the same team that killed two of my friends you know it was a nightmare and then we went to trial and that’s how i met mike and it’s a very. [16:09] It’s pressing on your brain. Yeah. Something like this happens. And then, and I don’t have to tell you, Gary, but then you get other cases. So you’re making more gun arrests, but you still have this. You know what I mean? It’s, it’s tough. It’s tough. But it was. I just want to interrupt for one second. One of the, Jimmy mentioned her. They brought a witness back to the scene to identify the, the bad guy. And, uh, and she was a great witness. She was there when the shooting occurred. She was actually moving into the building that the shooting happened in front of. And so the case was, we had a couple of, she was the best eyewitness to the case. And as Jimmy and Tony Martin, the detective who were assigned together after the actual arrest, because we had, they had to get the case together and look for more witnesses, et cetera. [16:58] They went one day to see this particular young woman to talk to her and see what was, if everything was still good, if she was okay. Turns out she was in the hospital nobody knew this she had gone into the hospital we were told because she had a cold she died in the hospital gary from a cold which is what we thought turns out she had encephalitis but the thing was at the time we said who goes into a hospital number one with a cold and who dies from a cold so we at that point not me but i wasn’t on the case yet, but others. And then when Jimmy told me this later on, I said to myself. [17:42] It’s got to be some connection to the bad guys. Maybe they poisoned her. Maybe they did something and we looked into it. It turned out, Jimmy, what was the disease that she had? I think she had herpes viral encephalitis in the brain. It’s a possibility that it can be induced. Yeah. So that’s what we looked at. And the medical examiner at the time of the death never really looked. The DA who had the case at the time thought, ah, this is a slam dunk. We had this witness, that witness. Jimmy arrests the guy and he’s got the bullet, which another thing happened. He wouldn’t allow the medical people to take the bullet out of his leg. It was the cop’s bullet. Yeah. So we wouldn’t, he wouldn’t let him do it. So we had to go with a, an x-ray of the bullet at the trial instead of the bullet itself. But it was, it’s a case with, as I said before, excuse me, many twists and turns. And it’s the whole story is in the book. And I don’t want to take away from Jimmy’s story here, but I have a legal question. You couldn’t get a search warrant to take the bullet out of a person. Is that? [18:51] We tried, and you know what the judge said? No. Uh-huh, okay. I just, I never ran into that. I’ve heard that before where the bullet stays inside and you can’t get it. I just. [19:03] I tried. The judge wouldn’t give us the search, the ability to search, quote unquote, which meant taking the bullet out of his leg. Anyway, so that’s where we, that’s where we met. And it was, it was quite a case. And Jimmy, I understand you, you go through your career and you see all these horrible things and you’re harding yourself. And you know, the title of your book, hard girls, hard boys, hard men cry. I don’t know why I got hard guys cry. I don’t know why I can’t remember. I should remember from Norman Mailer’s tough guys don’t dance, but hard guys cry. And so you harden yourself all those years, but then something happened in your life. Apparently that changed, changed that. I know after I retired, partly what happened to me is I became a lawyer and I started dealing with people from not particularly criminals, but many times relatives of people who had gone to jail. And I worked for public defenders and really got to know people on the other side and realize that we’re just two sides of the same coin many times trying to get along and trying to get by. So what happened in your life that changed that, your attitude? [20:11] When I retired, there was an old man who was a farmer, and it was like a late-year-type situation. This farmhouse was falling apart. The second floor was owned by raccoons. He had electricity in one room and no running water, but he was the calmest, nicest, most spiritual guy you ever wanted to meet. Almost no teeth. He had one tooth. And there was Louis Adamski. We used to call him Louis the farmer. So I used to take care of Louis. was taking over my house for Thanksgiving, Christmas, driving down this long driveway, see how he’s doing. And I didn’t see him for a while. So I drove down the driveway one particular day and I said, Louie, I haven’t seen you. You haven’t called. He said, he had bladder cancer. I said, really? I said, wow. He said, you had two surgeries. I said, you’re going for follow-up treatment? And he said, I’m supposed to go every 90 days, but he had no insurance, zero, no Social services, nothing. And the doctors were suing him. And they wanted his farm. He owned one-tenth of his farm. It had about 80 acres. But it was heirs. Everybody in his family had passed away. I said, Louie, you got to get follow-up treatment. So there was a city that’s not about a half hour away called Newburgh, New York. And there was a urologist I was familiar with. So I told him the story. This guy has nothing. He said to me, if you will drive him, I will treat him like the president of the United States. [21:40] So for two and a half years, just about every month, sometimes twice a week, it all depends when his visits were, I would drive Louie. So it was like an all day affair almost because I have my own business, so I don’t show up for work. What do I care? So I take care of Louie all this time and my friends are patting me on the back saying, oh, you’re Louie’s angel. So one particular day we go in and… [22:03] He, if Louis checker, he calls me into the, uh, his consultation room and he says, so your friend’s cancer is back. She got to be kidding me. He said, yeah, I feel it on his prostate. He said, he has someone for biopsy Friday. This was on a Wednesday. I said, I don’t know how he’s going to get there. It’s an old day. I said, doc, listen, I’m married to this guy for two and a half years. I said, I’ll take him. He said, you sure? It was an old day. I said, doc, I don’t care. He said, all right. He said, I’ll tell you what, as long as you’re going to take them, your PSA is just borderline high. He said, I feel there’s nothing on your prostate, but if you’re going to take it, let me give you a biopsy too. I said, fine, I don’t care. So I take, we both get the biopsy. The next Wednesday, he calls them both of us in. I have cancer as well, worse than his, right? So he got radiation. I went out to New York City. There was a top flight surgeon in Columbia Presbyterian Hospital. And I told him the story like I’m telling you now. So he said, you got to cut that out of there. You don’t want it in there. So they cut me a half. They took it out. And in the recovery room, he comes in and he says to me, you weren’t Louis’ angel. Louis was your angel. He said, you had a C-grade cancer. It was starting to spread, but I got everything. [23:15] So he said, you would have been dead about a year and a half. He said, because you had no signs, no symptoms. By the time you had the symptoms, it would be all over. Yeah. So it changes the way you think that I was invited to go on to this, a religious retreat weekend, a Cresillo weekend. I didn’t want to go. I’m not a holy roller. It’s not my cup of tea, but I socially boxed in like friends. So then your wife has to go too. So my wife, Noraline said, oh, I’ll go. And I said, oh, yeah, now I got to go. So I go on this week. it’s it’s thursday friday saturday sunday you can’t bring a watch you didn’t have cell phones then right so you’re stuck there so i went and i hooked up for a couple of other ex-marines and this actor mike was poorly he was on the sopranos so i sit in the back like we’re just going to ride this one out oh we can write it out it turns out that it was very moving, it’s very moving and people spoke that thought they were like punks i knew them indirectly they had quite a story to tell and then, weekend was over and on the way back it was November and I was telling Mike I rolled the windows down it was like spring, spring in my mind you see things differently like these computer generated pictures you see what it is but if you stare at it long enough another picture comes out within the picture and kind of life came out of life for me I saw things differently, Then these guys asked me to go into the prison. [24:42] Listen, I say, listen, you’re a carpenter. You’re a plumber. You don’t know what these guys are. I’ve thrown these guys down stamps and shot a guy at my house. Crazy. Again, I’m socially boxed in. So we go up to the prison. It was 41 of us, 41 of us. It’s called the Kairos. It’s an interdenominational… [25:01] Prison ministry. So I sit in a big circle, piece of paper, it passes around. When you get it, you have to say who you are, where you’re from. So I get it. I said, my name’s Jimmy Danity. I live in Orange County, New York. I’m married. I have two children, and I retired from the Oak City Police Department. They booed me. I told Mike, it was like an old dog growling. Yeah. Yeah. I said, what am I doing here? So the next day, because you had to sleep up in the prison too, The next day, you’re at a table. So you have an inmate on either side. So there’s like maybe nine people at the table. And there’s three of us, six of them. And don’t ask them what they did. Never referred them as a prisoner, as a resident. They were like, guys, I grew up with their neighbor. I said, what did you do? You stupid. So it becomes, it was a religious weekend. But also, it’s practical life. And you guys were good. You know what I mean? I got along well with them. So we did every day and it was friday saturday sunday they finished and that’s it i’m done i’m done with this i said i’d do it and i’m saying i wonder if any of my guys would show up to a wednesday night they have a wednesday night follow-up at this organization i wonder if any of my guys would be there so you know what let me show let me go to one wednesday right all my guys. [26:22] Oh, my gosh. And that was the only, Gary, that was the only table where all of them showed up again. So that’s why he knew that this was the right thing for him. I’m sorry, Jim. I just want to know. And so this was still in the prison. Yeah. Back up the prison. Yeah. And they invited these guys. If you want, you can come to this follow up. At that time, every Wednesday at six o’clock, they could go into the chapel to this particular group meeting. So I just want to see if any of my guys are going to show up. They all showed up and then the volunteers drop off and then i said let me do another wednesday, and another wednesday and it comes like everybody wants to talk to you it’s like when you go into the pet store where puppies say they want you to pick them like pick me and it you get you wind up with a group i tell mike they’re my guys and then you wind up it’s a spiritual thing no question about it right it’s brand involved and everything but you go through life with these guys and a lot them have a lot of crazy situations yeah and one guy is a mafia guy and i think frankie and he wants to say jimmy this new guy he wants to talk to your jug it’s all right so he takes me behind this little interdenomination altar they got there right so i said hey don’t you he says remember me i said no he said you should you broke my nose so i said when did i break your nose He said. [27:46] Yeah, in the park on 53rd Street where we used to play hockey. He said, your brother, I remember you. I mentioned his name, his last name. I said, you were messing with the park attendant. I slammed a basketball in his face. You know what I mean? He never forgot it. They told Frankie, yeah, he was crazy before he went to the Marine Corps. I’d make guys in there. [28:04] I worked. Yeah. The drug cases that they had. [28:09] You know, I knew who their bosses were. I testified in Philadelphia against one of these guys’ big bosses. And it’s just, it was like almost an inside straight. It was like meant to be. It was meant to be. And then my parish priest, so then I started, I was in the denominational night. The Catholic guys had nothing. I started a Catholic night with a few other good guys, my friend Brian and a few other guys, right, on Thursday. So now I’m going there Wednesday and Thursday. So my parish priest said, the state maximum security doesn’t have anything like this. Let’s start one there. So I’m going Wednesday, the federal prison, Thursday to the state max. You know, and it, I did it for 25 years, two days a week. Wow. And if the guys in Brooklyn, where I was a cop, knew I was doing this, they say, wrong guy, definitely. Somebody else, you got the wrong guy. Yeah. It’s the way the good Lord leads you. Now, something changed in your life and it’s not like you had any control of it. It just, it changed. You opened yourself up. It seems to me like it. And you just didn’t have any choice but to go down this path. And you know what it is also, Gary, it’s also like you’re preventing crime. You’re doing the same thing only from the inside. From the inside, you want to change the way they think, the way they act. And there’s a million things I could tell you how I was able to change things in a prison. They’re going to stab somebody. The guy who was a rat. [29:32] And they didn’t like him. I didn’t like him. And I told him, listen, I like the guy. He said, you like the guy? Don’t get involved in this. I said, do what you want to do. I like the guy. They never touch the guy. Because if they do something like that, then they’re going to hurt you. [29:46] Gary, I think Jimmy should tell you, he’s talking about the effect he had on these guys. What really was the point of the prison ministry was to essentially make these guys, I think, better people and to change their lives. I think you should tell him, ask Jimmy, tell him the story of the Boston mobster because this one, this story has, it really hits home as to exactly what effect he had on someone who was one of guys that you might have on your show. someday. This guy was a really bad guy. And he was up there with Whitey Bulger, et cetera, in Boston. So I think it’s worthwhile to tell the story. And it really hits home in terms of how effective Jimmy was after being effective on the street, locking up these guys, what he did with the prison. So if you have a bit of time, I think it’s worthwhile to hear the story. Yeah, let’s hear it. I always want to hear stories about mobsters, anyhow. Yep. Go ahead, Jim. We were up at the federal prison, and it was during the holiday season, right? And the volunteer chaplain was Father Paul Papara, and he was giving a talk on forgiveness. So we had all these wise guys. It was a mess. They had all different guys. This particular time, a couple of wise guys, they had their arms folded, and they said, Father, you want me to forgive the guy that ratted me out? [31:05] He’s home with his family, and I’m here doing X amount of years left on my bid. So I raised my hand. so I said listen if this guy is lying and put you in prison for no reason shame on him he should rot in hell but if he just exposed what you did anyway you know you did it if you did it the good lord see you live in a fishbowl the guy just exposed you for what you did that’s, You have no bitch here, pal. Jimmy, this guy Jimmy, he’s a different name than him. Jimmy stands up and he says, listen, I’ve been in jail. I’ve killed people. I don’t want to, I forgive anybody. I want forgiveness. I’ll forgive anybody. So that was it. Eventually, Jimmy, a couple years later, goes home. So he called me at my office a couple years later and he wanted me to write a letter of reference to work at the docks with Homeland Security. I said, I don’t know how to write it. Put down that I was a prisoner and just what you thought of me. No problem. So I met him in the prison, stuff like that, right? [32:03] About a year after that or so, I get a call from him again. He says, hey, Jimmy, you got time? Hey, Jimmy. I said, good. I got all the time in the world for you. He said, what’s up, pal? He said, I was on a train platform. He says, and I see this guy. Him and his associate tried to kill me. They had stabbed me 13 times. He said, I already took care of his friend. And I walked up to him like a face-to-face with him. Then he recognized me the guy turned white and urinated all over himself because he knows he’s there jimmy says to me i put my finger on his face and i told him you know that thing you’re worried about right get out of here i forgive you i get the fuck out of here now and he says to me jimmy it would have been easier for me to clip this guy and to forgive the guy but i forgave him, And I’m saying, Jimmy, I’m so proud of you, I can’t, just, and he, for him to call me to tell me how he responded to that situation, you know, which was completely out of character to the old guy, the old Jim. He was very proud of himself, and I was very proud of him. [33:09] So that’s the story Mike has told. It was the story, quite frankly, Gary. Didn’t he have one of the Westies in there with him? They were some particularly brutal crew in New York City. Yeah, yeah, he did. [33:25] We had a few of them up there. We had Jimmy Coonan, who started the Westies. Oh, okay. Jimmy was there, and I was friendly with Jimmy because I knew guys that he knew. The guys at Otisville Prison is a high medium. [33:38] Lewisburg is a max so when guys behave even a max they could come down to the media so when he came down he never came to the services and stuff we were talking all the way on the side but another fellow was a Westie a tough guy you know what I mean they would, drive through jewelry stores, 50 miles an hour go inside and rob everything but they would go in there before with their girlfriends looking good dressed nice they knew where this stuff was and they would take everything and he wound up getting locked up for almost like a Lufthansa type thing at the airport only they got caught so he was at my first weekend in the prison and we became very close friends and I tried to help him and he responded very positively, and he’s sitting in a circle there’s a cross, whoever has the cross has the microphone, nobody interrupts when you’re done, the next guy talks, he was talking and we finished, the Spanish kid so the Spanish kid is talking and he’s talking, so I told him what are you talking for Rich he can’t be talking like that the kid’s talking so he didn’t come for a few months then he comes back right and we’re sitting there talking and then he has a cross and he puts his head down. [34:54] And he starts talking and he says, you know, something happened to me. You can’t explain it. You had a Spanish kid in the next cell, right? It was a new guy. They robbed the sneakers and the kid had no sneakers. I know he’s got his head down. Now I’m thinking maybe he robbed the kid’s sneakers, right? He says, I gave him my sneakers because I had an extra pair. And as he’s telling the story, his head is down. The floor is gray, but getting darker, the teardrops. He’s telling the story he’s crying and then he says maybe I’m not all bad after all yeah I said how can you think of yourself like that he eventually goes home so, we my wife Norley and I get invited to his wedding which is a no-no but the guy was home so and the wedding is on Mulberry Street in Little Italy. [35:46] Yeah so we go down at the wedding and we’re like the oddball there but He could introduce us to enough people, you know, and if you see change in people, it’s wonderful. If on the street, if you go to these religious retreats, people go jumping out like a gazelle. But in prison, if an elephant jumps in it, it’s a miracle. Yeah. I mean, if you see somebody that thinks that they’re ugly, they’re not ugly inside. So I found it very rewarding. And. They, I didn’t think they’d respond to retired law enforcement, but they responded well. Yeah. Because I spoke their language. Yeah. So it lasted 25 years, Gary. Yeah. I’ve got a couple of guys here in Kansas city that it’s not a spiritual kind of a thing, but I’ve become friends with them. And one guy told me, he’s fine. He said, he said, I can talk to you and you understand what I’m talking about. He said, all the rest of the people in my life anymore, cause he’s out of the life. He said, they don’t understand what I’m talking about. He said, I don’t have to get back into life, but I can talk to you and you know, you know, the people I’m talking about, you know what I’m talking about. I said, yeah, I do. [36:56] So obviously in case it was pretty obvious that we were, when we started to hear all these stories, when he told, told Jerry and I the story of the, the mobster who was crying because given the sneaker, that’s where the books, the title of the book comes from, art guys cry. But there’s one other guy in there that you should ask him about. And that is we had this, I don’t even know what to call him. He was really an oddball guy, a criminal in New York. He was a rich guy who owned a lot of, he ran art galleries and collected art galleries and collected paintings and got into the art world and was advising rich people as to what art they were buying. And it turns out he was basically a sadist. And he had another guy with him who he and the other guy wound up, he didn’t get charged with this, his partner did, wound up killing somebody. And when they found the body buried laying in the woods in upstate New York, he had one of those. [38:02] Sadomasochistic masks on him, his black mask. And this individual was one of Jimmy’s guys and he was a hardcore, am I right, Jimmy, in terms of not wanting help at all. He was just the kind of guy who, you know, if you help them, it was going to be a miracle. And he did. He helped them and it’s a miracle. And it’s worthwhile to tell the story about this guy. His name was Andrew Crispo. He’s no longer alive. And he was all over the newspapers here in New York City because of the whole masochistic, the sadomasochist activity that he was involved in. And that the picture of the dead body with that black mask on was all over the newspapers. And this guy, we have his picture in the book. If you see him, it’s butter wouldn’t melt in his mouth. He looked like the nicest guy in the world. Businessman. Turns out he was really one of the worst guys in terms of how he treated people. And Jimmy finally got to him. It was, to me, one of the more miraculous transformations when I heard all of the stories was this one because of what he was on the outside and what he became after Jimmy had him and he got out. He did not repeat his life the way that he was before here. Chris Bowe was a tough guy, right, Jimmy, in terms of getting to him? [39:28] Andrew, Sky Andre brought him down to one of our groups. And he asked me if he could bring his friend down the shirt. Everybody’s welcome, of course. And you’ve been around tough guys your whole life. Everybody’s a tough guy. You’re a tough guy. Everybody’s a tough guy. This guy had no muscle tone. He was like ashing in color. He looked like a raccoon. He had like rings around his eyes. And he was like creepy, creepy. So he came. And then he came for about seven years all the time. You get to know him, right? And he got grabbed for that sero-masochistic murder, but they couldn’t prove it. He got locked up, attempted kidnapping, the three-year-old daughter of the federal trustee. That’s why he was in jail now federal jail but he if you make a long story short he, doesn’t know who his parents are right and i’m not bleeding on i’m just telling you the way it is, he was dropped off at an orphanage as an infant and i was there for sentencing and this is what the judge said mr crispo he said before i sentence you i’d like you to know that i researched your history as a newborn you were dropped off in an orphanage right you remain there for 18 years where you were repeatedly beaten up and raped and. [40:47] But after leaving there, you managed to raise yourself up to get on the top of the art world, even owning a world-renowned art gallery in New York City. He said, for that, he said, I give you credit. However, then he banged him for seven years on the other thing. But he came down, and he had nothing spiritually. And if you sit with him and you talk with him, he kind of listened. He came around. [41:13] Like I told Mike, there was another guy. colombian guy his wife used to bring his daughter to work all the time so he came into the group a little late and he’s crying and then i said what’s the matter he said he said i’m not gonna see my daughter for two weeks i said well the comment told me once there’s a price for loving the price for loving is the absence of love you have to experience the love to miss it mr andrew who was sitting on our group andrew could you tell him a little bit about yourself oh yeah he said see the visiting room that you were in with your wife and the child, I’ve never been in there, and I’ll never be in there. And they said, there’s nothing worse than being alone, than being alone and no one cares. [41:56] And he came, and the rings went from his eyes, and then he became involved in all this other stuff. And he actually became a kind guy. He got involved with the church and things like that. And then he eventually went home. I’ll tell you the money he had. You need the money for an appeal? He sold one painting for $2.46 million. Oh wow the attorney’s fee that’s just one thing he had money but he had nothing yeah he had nothing and then when he went home he used to correspond you know and he’d write beautiful things thanks for the prayers thanks for your wife how’s your dog it’s not the same guy but he wasn’t like like what he’s tattooed tough guys he was like creepy tough and at the end when he left my opinion He was not. So if you can help somebody, it’s nice to help somebody if you can. Yeah. That’s interesting. That’s a true shift in the personality and to give somebody some spiritual hope in their life that they can, from what you’re describing to what he was to what he left when he left. That’s amazing. Exactly. That’s an amazing story. [43:01] There it is. Cry, The Journey of a Tough Cop from the Mean Streets to a Prison Ministry, Jimmy Dennedy and Michael Vecchione. Jimmy and Michael, I appreciate you guys so much for coming on and telling these stories. And guys, there’s a lot more stories just like this and better in the book. I’ll have links to get it down in the show notes. [43:22] And guys, you got anything last words you want to say? Anything you left out? [43:28] Gary, listen, keep getting those pension checks. [43:33] Yes, I will. I told my wife, Nora, put my feet in potting soil. If my toenail grows, that’s a sign of life. Keep getting that check. Really? [43:44] Thanks so much, Jimmy. All right. I just want to thank you. You’ve been terrific. And I hope that, I really mean this when I say this, people who get this book and read it or listen to it or however they want to get it into their, their mind, they’re going to love it because this guy’s story is just fantastic. And we touched on a few things, but we didn’t really touch, we didn’t get into the real meat that that’s there. And it’s, it was a, again, a pleasure to do this. So I’ve got one guy, I got one guy I talked to that has prison stories. I tell you what guys, there are so many great stories that come out of the penitentiary. It’s just, it’s amazing. I think part of these people don’t have much else current to talk about, so they tell stories from their past, and you get some great stories coming out of the prisons. Thanks a lot, guys. Gary. Thank you. God bless my friend.

There are episodes of The Adelaide Show, and then there are events. This is one of the latter. Recorded live at the Mercury Cinema as part of South Australia’s History Festival 2026, History Hit Parade brings together broadcaster and journalist Keith Conlon and host Steve Davis for a ninety-minute show that weaves original songwriting with storytelling, historical context, and the kind of warm, unhurried conversation that feels like sitting in a room full of people who actually know where you live. Ten songs. Ten slices of South Australian life. All of them written with pen and paper by Steve, given musical life through his AI-assisted “virtual session band,” and offered here as what he describes as “audition pieces” for real musicians who might one day make them their own. There is no SA Drink of the Week in this episode. The entire show is the Musical Pilgrimage. Rather than a single track appended at the end, this episode is the songs, each one set up by Keith’s historical grounding and Steve’s personal connections before the music rolls. Full notes on each song appear in the segment breakdown below. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: History Hit Parade 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:04:07 History Hit Parade The Mercury Cinema is not a neutral venue for Steve Davis. He was married there on a sweltering 42-degree December day in 2002. He launched Talked About Marketing there. And it is where, on two days in May 2026, he and Keith Conlon performed History Hit Parade to an audience that included Steve’s parents, his former drama teacher, the chair of the History Trust, and the real-life couple immortalised in one of the songs. The name History Hit Parade, Steve reveals, was Keith’s idea, drawn from his memory of the Harold Wright Hit Parade on 5AD, a Thursday-night ritual of about eight or ten songs in an era before the Top 40 existed. Buddy Holly, Elvis, Perry Como, and Pat Boone: that was your week’s music. The name lands perfectly for a show that does something similar, except every track is an original, and every track is South Australian. Song 1: Jack and Lil (Up Please, Going Up)Keith sets the historical scene: John Martins began as Peters and Martin, a drapery store in Rundle Street, until Mr Martin was released from his duties due to what Keith delicately describes as “debauchery.” The Hayward family eventually took the helm, and it was Sir Edward Hayward who, in 1933, looked to Canada for inspiration and brought the Christmas Pageant to Adelaide. He was so nervous before the first one that he hired a biplane, circled the inner suburbs with a megaphone, and personally invited people to come. They did. About 300,000 still do, each year.The personal thread in this song belongs to Steve’s maternal grandparents, Jack and Lil, whose photograph appeared on the screen behind him. Lil worked in the kitchenware department. Jack was the young engineer installing the new lifts in the building during the 1930s. The rest, as Steve says, is history. The song follows their life together as their family grows, moving floor by floor through what John Martins offered, with the lift ladies’ announcement, “Up please, going up,” as its guiding refrain. Steve thanks Paul Flavell, who has written a book on John Martins, and former John Martin’s planner, Robert Tedstone, who provided a complete floor-by-floor inventory to keep the lyrics accurate. Song 2: Oh MarionMarion, the suburb, was surveyed in 1838 by Colonel Light’s private firm after Light had broken with Governor Hindmarsh. The name comes from Marianne, daughter of resident commissioner James Hurtle Fisher, though somewhere along the way Mariannen became Marion. Keith’s own connection is fond: his father learned to drive in the 1950s by heading south into the almond groves and vineyards of Marion, where the long straight roads offered room to practise.Steve’s Marion is the 1970s version: aerial photographs, numbered landmarks, railway tracks where he’d flatten 20-cent pieces, overpass pile drivers thumping for weeks, and a Coles New World at the Park Holme Shopping Centre. He walked to school at age six, “with my little satchel and my shorts.” One afternoon he left school early, got lost, and found his way to a doctor’s surgery he recognised. They rang his mother. She wasn’t home. The neighbour came to collect him and made him a sandwich. “That was life in Marion back then,” he says, with a fondness that carries no nostalgia for the vineyards his own family’s house helped displace. Song 3: My Jolly ValentineThis one starts with the Torrens. Keith explains that before the lake arrived, the river in summer was “a series of rather smelly waterholes” until Mayor Sir Edwin Smith, a beer baron with civic ambitions, created the weir. Within a year of the lake’s arrival in 1882, a rowing craze had taken hold, boat sheds lined the banks, and Jolley’s Boathouse was selling milkshakes and pies to rowers who could rent a boat by the hour.The Palais de Danse gets its moment: a floating ballroom on a barge moored near the Elder Park Rotunda from 1924, with a soda fountain, no grog, and 800 people on opening night. It was gone by 1928, Keith noting, “maybe it was just not well made and sank slowly into the mud.”Steve’s research for this Valentine’s Day song turned up two details that captured his imagination. First, the Rundle Street Parade: on Saturday nights, young men would walk down one side of the street, young women down the other, window-shopping for company rather than goods. Second, the postage stamp code used in the twice-daily mail service to communicate what couldn’t be written openly: upside-down meant “I love you,” tilted right meant yes, left meant no, sideways meant “let’s stay as friends,” which Steve notes is “a soft no.” Song 4: Spring Gully RoadKeith traces the geography first: up Third Creek from the Torrens, past the village of Magill, pointing toward Norton Summit. Market gardens that ran through to Tea Tree Gully. One of Steve’s friends, Dominic, remembers his father loading a ute with cucumbers twice a week and driving them across town to Spring Gully. That was not long ago.The song covers four generations families. Edward McKee began pickling onions after returning from the war. His son-in-law Alan McMillan, stepson Eric Webb, and friend Malcolm Climer formed the second generation. Kevin and Ross Webb steered it through 2013 when a public campaign saved the company. Russell and Tegan Webb were at the helm when cheap imports and cost-of-living pressures finally made it too hard.Steve played the song to Russell Webb before the performance. Russell’s response: “Our whole family thinks this song should be in the state archives for covering the story so well.” Steve says it with quiet pride, and then lets the song make the case. Song 5: Away, Away (The PS Canally Crew Song)Keith tells the founding story of the Murray River trade with the energy of someone who could spend a full hour on it. Governor Sir Henry Fox Young puts up a prize in 1853 for the first boat to take a paddle steamer from Goolwa to Swan Hill and back. Two men are unknowingly racing: Captain William Randell, a flour miller from Gumeracha building the Mary Ann upstream from Mannum, and Captain Francis Cadell, who has a paddle steamer built in New South Wales and sails it through the Murray mouth. They end up racing each other, neither knowing the other was coming. Both get their prize, and instantly the river is transformed: wool that was a month away from market by bullock wagon is now days away by water.Steve wrote this song aboard the PS Marion, on a three-day cruise, watching jet skis cut through the peace of the river and thinking about the crews who worked these boats without rest. He noted he’d been “a bit passionate” about the contrast. One thing he is proud of: annoying the captain by asking about terminology, which is how he discovered that “larboard” was the original term for port side, changed because “larboard” and “starboard” were too easily confused when shouted across a noisy deck. Song 6: Shout Your Mates Another RoundThis song grew from a drive past the West End Brewery site on Port Road, now demolished. The chimney is gone. Steve felt its absence.Keith sketches the arc: South Australia once had around 43 breweries. The West End Brewery operated from 1859 through to about 1980, and somewhere in there a Westies supporter working at the brewery persuaded the boss to paint the chimney in the SANFL grand final colours each year. Port Adelaide’s coach Fos Williams asked to be included. The tradition held, moved to a second chimney after the first came down, and now continues on the old brickworks chimney with the help of some “fancy technology.”The pickaxe long-neck bottle gets its own verse. Those amber glass communal bottles that sat on dinner tables, shared rather than individual. Steve remembers the day his Italian neighbour Nino offered him a sip of Southwark Bitter from one: “It put me off beer for the rest of my life.” He recalls his paternal grandfather worked at the original Hindley Street brewery. A bottle recently turned up on Kangaroo Island. These things accumulate meaning. Song 7: Tunarama Love SongGreg and Nicole, Steve’s brother-in-law and sister-in-law, are in the audience. They wave when introduced. Greg is described as “so bashful.”Keith gives the historical context: Captain Matthew Flinders named Memory Cove after losing eight sailors there when he was 28 years old, 10,000 miles from home. He named Cape Catastrophe, Thistle Island, and Boston Island after those men. Port Lincoln was named, Keith theorises, from homesickness for Lincolnshire. The tuna industry came after the war, when scientists found massive schools in the Bight. Colin Thiele wrote Bluefin there as a high school teacher, which became a film. Tunarama itself began in 1962.The song’s story is Greg’s: he left Adelaide on a bicycle heading west, eventually reached Port Lincoln, and through mutual friends met Nicole. They came back to Adelaide later that year and were at the Mercury Cinema for Steve and Nardia’s wedding. “Their love story didn’t actually happen at Tunarama,” Steve admits, “but my wife loves her rom-com movies, so I did a bit of rom-com where I just put it against the backdrop.” He also notes that Tunarama won Best Seafood Experience this year, and that “it is okay to call someone a tosser, at Tunarama.” Song 8: Good Night DonThis one has weight. Every episode of The Adelaide Show signs off with “Good night, Don,” so a song about Don Dunstan was, as Steve puts it, always going to happen. Keith, who lived through the Dunstan decade, tries to give it its due in a few minutes. Decriminalisation of homosexuality. Women’s rights reforms. Aboriginal land rights. The South Australian Film Corporation in 1972. The State Theatre Company in 1974. The Rundle Mall, celebrating its 50th anniversary later in 2026. The week of the performance happened to be the anniversary of the death of Dr George Duncan, thrown into the Torrens in 1972, a murder that accelerated the push for decriminalisation.Keith acknowledges the controversies too: the Salisbury Affair, the personal challenges, the pajama press conference, and, with particular relish, the day Don stood on the Pier Hotel balcony during the 1976 tidal wave scare and told the crowd that “the only thing that will happen today is that we will all get a bit hotter.”Steve wrote the song in Brechtian cabaret style, a nod to Don’s close friendship with Robyn Archer. The refrain draws on a George Bernard Shaw quote: “Your life was no brief candle, was a mighty torch that shone.” Steele Hall also gets a verse, recognised for his willingness to equalise the electoral boundaries even when it worked against his own party. Song 9: Cellar Door ShuffleKeith went to university with Malcolm Seppelt, “which was pretty helpful,” and takes us back to the first commercial vineyard up Jacob’s Creek, planted by Johann Gramp, one of the early German arrivals. The creek became the name of one of the most recognised wine labels in the world. The doctors follow: Penfold, Hamilton, Angove, Tolley. Keith notes that by the 1960s, 90% of South Australian grapes were going into fortifieds. Barossa Pearl and BenEan Moselle changed that. Keith asks the audience who had a sip of BenEan Moselle as a youngster. Most hands go up.The song is partly in honour of Joseph, who runs Ballycroft at Greenock. Steve describes him as “the sweet spot of wine tasting because it’s not stuffy with him.” The song delivers two reminders: if your cellar door is making you feel uncomfortable, leave; and you are not there to guzzle. Song 10: Ben Venuti (The Rostrevor Pizza Bar Song)The final song is an ode to Gaetano at Rostrevor Pizza Bar, who has stood behind the same counter for 35-plus years.Keith sets up the context with Don Dunstan’s liquor reforms: the end of the six o’clock swill, and the radical notion of drinking a glass of wine at a footpath cafe. Then the postwar wave of Italian migrants, and how pizza arrived in Adelaide. Keith’s first was in 1962 at a corner of Hindley and Morphett Streets, long since demolished. “In another ten years,” he predicts, “there’ll be Australians who reckon we actually made it.”Steve moved to Rostrevor in 2006 and spent his evenings stripping 1970s Italian wallpaper off the walls of his new house before heading around the corner to eat Gaetano’s pizza. Gaetano calls his dough “pastry,” starts making it the night before, and has won awards for it. He welcomes every regular by name. He personally refuses to put pineapple on a pizza, but if you want it, he will make it. “The Italians,” Steve says, “they understand the value of the money.” He goes through about a pallet of pineapple a month.The song is in Italian and close-to-Italian, with the chorus “Benvenuti, come inside” running through it. Steve says you will come along for the ride. ClosingSteve thanks the audience and invites them to stay in touch with Keith via This Day in South Australia on Facebook and LinkedIn, where Keith posts about South Australian history every day, and via the Wednesday morning bike rides from Bicycle Express in the city at 9am. He then plays the old State Bank ad, which Keith greets with “Oh, dear. Well, I wasn’t actually named at the time, but a lot of people said, ‘I reckon that’s Keith in there.'”Steve closes by noting that the album from the show, History Hit Parade, is available on Bandcamp. 00:00:00 Musical Pilgrimage No Musical Pilgrimage this week because the whole show was a Musical Pilgrimage.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In a bumper edition of the podcast, Troy and Nathan preview Friday's Panthers v Roosters showdown. They also try to work out exactly what's going on with Izack Tago, plus the Alex Johnston record and what Penrith moment would see us storm the field? Nathan tries his hand at The Price Is Right with a shock result, plus what excuse does Nathan have for missing the Panthers v Sharks game?

In this episode of Gangland Wire, host Gary Jenkins, retired Kansas City Police Intelligence Unit detective, continues his deep dive into organized crime history with prolific Mafia author Jeffrey Sussman. Sussman, the author of eight books on organized crime, joins Jenkins for a wide-ranging conversation that spans the rise, violence, prosecutions, and survival tactics of La Cosa Nostra in America. Drawing from works like Backbeat Gangsters and his latest release Mafia Hits, Misses Wars and Prosecutions, Sussman offers sharp insight into how the Mafia enforced silence, eliminated enemies, and adapted to government pressure. The discussion opens with omertà, the Mafia's infamous code of silence, and how mob warfare enforced loyalty through fear. Sussman recounts notorious hits and mob wars that shaped organized crime, then shifts to landmark prosecutions led by Thomas Dewey, whose relentless pursuit of Murder Incorporated dismantled the mob's most feared execution squad. Jenkins and Sussman examine the disastrous Appalachian Conference, where Vito Genovese overplayed his hand, drawing national attention to the Mafia and setting the stage for informants like Joe Valachi to break decades of secrecy. The episode also explores the Mafia's darkest execution methods, including lupara bianca—murders designed to leave no body and no evidence—along with chilling stories involving Mad Sam DeStefano. The assassination attempt on Joe Colombo, and its ties to Joey Gallo, highlight how ego and publicity often proved fatal in the mob world. The episode concludes with Sussman previewing his upcoming book on the Garment District, blending personal family history with organized crime's grip on American industry. Together, Jenkins and Sussman deliver a sweeping, chronological look at how the Mafia rose, fractured, and endured—leaving a permanent mark on American culture. Get his book Mafia Hits, Misses, Wars, and Prosecutions. ⏱️ Episode Chapters 00:00 – Introduction and Jeffrey Sussman's Mafia work 03:45 – Omertà and enforcing silence 07:30 – Mafia hits and internal wars 12:10 – Thomas Dewey and Murder Incorporated 18:40 – St. Valentine's Day Massacre 23:30 – Formation of the Five Families 28:50 – Italian and Jewish mob alliances 34:20 – Capone, Lansky, and Luciano 39:45 – Appalachian Conference fallout 45:10 – Vito Genovese and Joe Valachi 50:30 – Lupara blanca and body disposal 55:20 – Mad Sam DeStefano's brutality 59:40 – Joe Colombo assassination 1:05:30 – Betrayal and mob survival 1:10:50 – Sussman's upcoming Garment District book   [0:00] Hey, welcome, all you Wiretipers, back here in the studio of Gangland Wire, as you can see. This is Gary Jenkins, retired Kansas City Police Intelligence Unit detective and later sergeant. I have a guest today. He is a prolific author about the mob in the United States. We have several interviews in the archives with Jeffrey Sussman. Welcome, Jeffrey. Thank you, Gary. It’s a pleasure to be with you once again. All right. How many mob books you got? Eight or nine, I think. Eight or nine. I know you’ve covered Tinseltown, the L.A. Families, the crime in L.A., the Chicago. What are some of those? I did Las Vegas, which had a number of the Chicago outfit members in it. I did Big Apple Gangsters. Oh, yeah. My last one was Backbeat Gangsters about the rock music business. Oh, yeah. And then I did also one about boxing and the mob, how the mob controlled boxing. And then my new book is Mafia Hits, Misses Wars and Prosecutions. The update is February 19th. All right. Guys, when I release this, we’re doing this, actually, we’re doing this before Christmas. But when this comes out, while you’ll be able to go to the Amazon link that I’ll have in there, get that book, we’ll have, you’ll see a picture of it as we go along. So you’ll know what the cover looks like. It sounds really interesting, especially about the Mafia Misses. But I’m sure that’s interesting. [1:29] Well, the mob, that’s their way of enforcing their rules. The omerta, somebody talks, they’re going to rub you out, supposedly. And by mob, we’re talking about primarily La Cosa Nostra, Sicilian-based organized crime in the United States. Yeah. The five families particularly have brought this up front. The five families have really perfected this as an art, killing their rivals, killing people that threaten them in any way, killing people that they even had a contract on Tom Dewey, the prosecutor, I believe, at one time. That would be a bomb miss, wouldn’t it? Yeah, actually, what happened with that is Dutch Schultz wanted the commission to take out a contract on Tom Dewey, and they said, no, we can’t do that, because if we do that, it’ll bring down too much heat on us. And so the mob wound up killing Dutch Schultz because he was too much of a threat to them in some ways. But the irony was that if they had killed him, Lucky Luciano never would have been prosecuted. He was prosecuted by Thomas Dewey. Lucky Bookhalter never would have been prosecuted and gone to the electric chair, several others as well. So, by not killing Dewey, they set themselves up to be arrested and get either very long prison terms or go to the electric chair. [2:57] Yeah, Dewey sent, I think it was four members of Murder Incorporated to the electric chair and the head of it, the Lepke book halter. And then he arrested and got a conviction against Lucky Luciano for pimping and pandering, which should have been a fairly short sentence, just a couple of years. But he had him sentenced to 50 years in prison, which is amazing, the pimping. [3:20] So if they had killed Thomas Dewey, they probably would have been better off. But that’s 2020 hindsight. Yeah, hindsight’s always 2020. And a cost-benefit analysis, if you want to apply that, why the cost of killing Tom Dooley might have been much less than the actual benefit was. That’s right. Exactly. And they came to realize that, but it was too late for them. I think they always do a cost-benefit analysis in some manner. How much heat’s going to come down from this? Can we take the heat? Because I know in Kansas City, our mob boss, Nick Savella, was in the penitentiary. He was about to get out, and he sent word out, said I want all unfinished business taken care of by the time I get out. Because when I get out, I do not want all these headlines, because murder generates headlines. And so there was like three murders in rapid succession right after that. [4:13] So they worry about the press and hits, murders generate press. So let’s go back and talk about some particular ones. One of the most famous ones was the St. Valentine’s Day Massacre. Do you cover that? [4:26] Yeah, I start with the assassination of Arnold Rothstein in 1928, and then I go right into the St. Valentine’s Day Massacre. I go into the Castel Marari’s War, the birth of the five families. They had a famous meeting at the Franconia Hotel where the Jewish and Italian gangsters decided to form an alliance rather than fight one another. I went through the trial and conviction of Al Capone, the Bug and Meyer gang. Which evolved into Murder Incorporated, and then how Mayor LaGuardia went after the mob in New York and drove out Frank Costello, who had all the slot machines in New York, drove him down to Louisiana, where Frank Costello paid Huey Long a million dollars to let him operate slot machines all around New Orleans and the rest of Louisiana. And then there was William Dwyer, O’Dwyer, and Burton Turkus, who prosecuted the mob, other members of Murder Incorporated, and then how the federal government was using deportation to get rid of a lot of the mobsters, and how the mafia insinuated itself with entertainers and was controlling entertainers like Frank Sinatra and Dean Martin and Jerry Lewis and others. [5:44] And then the Appalachian Conference, and what an embarrassment that was to Vito Genovese, who wanted to declare himself the boss of bosses. Instead, he became the schmuck of schmucks because the FBI invaded this. And there was a theory that this was really set up, Meyer Lansky, Carl Gambino, and Lucky Luciano, because they didn’t want Vito Genovese to become the boss of bosses because Vito Genovese was responsible for the attempted murder of Frank Costello, and they wanted to get rid of him. After they embarrassed him with Appalachian, And then they set him up for a drug buy. Which is ridiculous because you don’t have the head of a mafia family going out on the street and buying heroin from someone. But that’s what they got him for. And they sent him off to prison for 15 years where he died. But in the realm of unintended consequences, which we just heard some, he goes down to Atlanta and a guy named Joe Valacci is down there. And he thinks that Vito Genovese is given to the fisheye and maybe wants to have him killed. [6:52] If Vito Genovese is not in Atlanta, Joe Valacci does not turn and become the first big important witness against the mob in the United States that couple that with Appalachian. And embarrassment to the FBI and then this Joe Valacci coming out with all these stories explaining what all that meant, the organized crime in the United States, why we may not have the investigation that subsequently came out of all that. It’s crazy, huh? Yeah, exactly. In terms of unintended consequences, because if Vito Genovese hadn’t given the kiss of death, supposedly, to Joe Valacci, you never would have had Joe Valacci’s testimony about how the mob operates. He opened so many doors and told so many secrets. It was a real revelation to the world. [7:42] Now, what about these murders? And I understand they call them a lupara blanca, where the body is never found. Did you talk about any of those or look into that at all? [7:53] We’ve had them in Kansas City, where it’s obviously a mob murder. They even will send a message to the family. We had one where the guy disappeared. Nobody ever found his body. But somebody called the family and said, hey, go up on Gladstone Drive and check this trash can. And then they find the guy’s clothes and his driver’s license, everything in there. Now, did you go into any of those blanks? Yeah, there were a number of mob hits, especially during the murder ink era where they would dispose of the bodies and no one would ever find them. But they would leave clues around for members of the family just so they would know that their father or their son or their brother, whoever was no longer in this world. [8:39] Yeah, that was done quite a bit. And when the Westies, which was an Irish gang that operated on the west side of New York, they believed that if you never found the corpse, you could never convict them of murder. So they used to take their dead bodies out to an island in the East River and chop them into little pieces and then dump them in the river and no one would ever find them. And supposedly they did that with dozens and dozens of bodies. Yeah. Interesting. Yeah, and it is. It’s hard to prosecute without the body. It’s been done, but it’s really hard to do. You’ve got to have a really lot of circumstantial evidence to approve a murder without a body. And when Albert Anastasia and Leffy Foucault, who were running Murder Incorporated, they believed two things. One, that if you didn’t find the body, it would be hard to prosecute. And if you couldn’t show a motive, that would be the other thing that would make it difficult. So there would be absolutely no connection between the person who killed the victim and the victim. There was no connection whatsoever. So it was almost as if it was a stranger. In fact, it was a stranger who would commit the murder and then disappear and make sure that the body also disappeared. So you’d have neither motive nor body. Interesting. Pretty stiff penalty for murder. So I understand why you take some extra. Exactly. [10:08] Yeah, that tried to disassociate yourself from any motive for the body. There’s a guy in Chicago named Mad Sam DeStefano. Oh, sure. Lone shark and particularly egregious person when it came to collecting and was responsible for some murders and tortures. And they claim that he would buddy up to the person he knew he wanted to have killed and give him a watch. So then when the police came back around, he’d say, he was my friend. I gave him a present. I gave him that watch. Look and see. Ask his wife. I gave him a watch. Yeah. And I think it was Anthony Spolatro who was charged by the outfit of getting rid of Sam DiStefano because he was a friend. He had been like a protege of Crazy Sam. And so Sam didn’t suspect him as the person who would come and kill him. Yeah, that’s common clue. They say, look out. When a friend comes around and it seems a little bit funny and they want her particularly nice to you and you know you’re in trouble, anyhow, look out. Because that’s the guy that’s going to get you. Exactly. At least set you up. Maybe they have somebody else come in and pull the trigger, somebody that’ll leave town or whatever, but your friend’s going to set you up, make you comfortable. [11:24] Yeah, I think that’s exactly how it happened. We talked a little bit about the Joe Colombo murder. Did you look at that? Yes. [11:31] Tell us about that, because I’m really interested in that. I’d kind of like to do a larger story, just focusing on that, what really happened there, because that’s a mystery. Did this Jerome Johnson, this black guy, do it? Why would he do it? Nobody ever came out and connected him directly to Joey Gallo, and that’s the claim. So talk about that one. What happened is Joe Colombo formed the Italian Anti-Defamation League because he thought Italians were being blamed for too many things. And Colombo was responsible for having the producers of the movie The Godfather never use the word mafia in the movie, never use La Cosa Nostra in the movie. And he was making a big splash for himself. And this was driving a lot of people in the mafia a little crazy. They’re getting nervous because he was getting so much attention for himself, and it’s not the kind of attention they wanted. And Gambino was particularly upset about this. And Joey Gallo had been in prison, and he had been involved in the war against Profaci earlier on. And when he got out of prison, he felt that the new head of the Profaci family, who was Joe Colombo, should honor him with the amount of time that he spent in prison. And Joe Colombo offered him $1,000. [12:57] And Gallo was incensed by that. He expected $100,000. [13:02] And so he started another war with Colombo. [13:09] This would be good for Carlo Gambino because then he could use Joey Gallo to get rid of someone and his hands wouldn’t appear to be anywhere near this. And when Joey Gallo was in prison, he befriended a lot of black gangsters who were drug dealers and showed them how to succeed in the drug dealing business. And his attitude was that the mafia was very prejudiced against black people, but he thought that was stupid. He thought that we should use black criminals the same way we use any other criminals. And so he befriended a lot of blacks when he was in prison. And no one really knows how exactly he came in contact with Jerome Johnson. But anyway, Jerome Johnson was given the mission of assassinating Joe Colombo at a demonstration where Joe Colombo would be speaking about the Italian American Anti-Defamation League, which had attracted a lot of entertainers. Frank Sinatra was on the board of it. They raised a lot of money. I spoke to some Italian friends of mine at the time, and they said that people from the Italian Anti-Defamation League went around to small Italian-run stores, pizza parlors, shoe repair stores, whatever, and had them closed down for that day so that these people should attend the rally. And the rally was being held, I believe, in Columbus Circle. [14:36] And Jerome Johnson was there, and he had a press pass. So he was permitted to get very close to Joe Colombo because it appeared that he was a reporter or a photographer for a newspaper. And as soon as he got close enough, he pumped a couple of bullets into Joe Colombo’s head. Immediately, three or four gangsters descended on Jerome Johnson and killed him immediately. [15:02] And those three or four people who killed him, they disappeared into the crowd. No one ever found them again. I know. I wish we’d had cell phone footage from that. No one wouldn’t have gotten away if everybody had their cell phones out that day when they would have seen everything that happened. [15:21] Exactly. Columbo existed in a vegetative state. I think it was for about seven years before he finally died. I didn’t realize it was that long. Wow. Yeah, but he was semi-conscious. He couldn’t communicate. He was paralyzed. But the The Colombo family believed that it was Joey Gallo who was responsible for this. Joey Gallo and his new wife had been having a dinner with friends at the Copacabana nightclub in New York. They were joined at their table by Don Rickles, who had been performing that night. Comedian David Steinberg, who had been the best man at Joey Gallo’s wedding to a second wife, was there. And he suggested to them that they left the Copacabana about three o’clock in the morning. And he suggested to them that they all go down to Little Italy, go to Chinatown, and we’ll have a late dinner there. So Rick Olson and Steinberg said, it’s too late for us. You go and enjoy yourself and we’ll see you another time. Joey Gallo, his bodyguard, a Greek guy, I can’t remember his name exactly. Peter Dacopoulos. That’s it. And his wife, and Decapolis’ girlfriend and Joey Gallo’s stepdaughter. They all drove downtown. They couldn’t find anything open in Chinatown, so they drove over to Little Italy, and they went into Umberto’s Clam House. [16:49] And it was very strange, because supposedly a gangster would never do this. Joe Colombo was sitting with his back to the door. [16:58] Usually, your back is to the wall, and you’re facing the door. Oh, Joey Gallo was sitting with his back to the door. Yeah, I meant Joey Gallo. Yeah. Go ahead. And there was kind of a lonely guy sitting at the bar having a drink, and no one paid any attention to him. He was a mob wannabe, and he recognized Joey Gallo, and he went to a mob social club that was a few blocks away that was a hangout for Colombo gangsters. And when he came in and told them that joey gallo was there and the one of the guys there called a capo from the colombo family and told him who they saw and so forth and apparently he instructed them to go and get rid of him and so they took the mob wannabe guy and they got in two cars and they drove down to or around the block whatever it was to umberto’s clam house they went in and they immediately started shooting. And Colombo flipped over the table. I’m sorry, Joey Gallo flipped over the table and had his wife and girlfriend in the step door to get behind the table. And he and Peter were firing back at these guys. [18:07] Peter got shot in the ass and complained about it for many months afterwards, and Joey Gallo ran out onto the street chasing them, and he got shot in the neck, and I think it hit his carotid artery, and he bled to death on the sidewalk. And the guys from the Columbo and the Columbo wannabe guy, they quickly drove up to an apartment on the Upper East Side where the Columbo capo was. And he told them to go to a safe house in Nyack, New York, where they went. And meanwhile, the mob wannabe guy who had fingered Columbo, he’s getting very nervous. He feels that his life isn’t worth too much. He’s in over his head. [18:51] Right. So he sneaks out in the middle of the night and takes a plane to California to live with his sister. And he tries to get into the witness protection program, but they don’t believe him. They don’t believe he has enough evidence to make it worthwhile. No one knows exactly what happened to him afterwards. And the guys who supposedly killed Gallo, nothing really happened to them either. There was a huge funeral for Joey Gallo in Brooklyn. And it was like one of those old mob funerals that you see in a movie with a hundred flower cars and people lining the streets. And I think it was Joey Gallo’s mother who threw herself into the grave on top of the coffin. Oh, really? And Joey Gallo’s. [19:38] He had two brothers, one of whom had died of cancer, and the other one wound up going into another mob family. That was part of the peace deal. I can’t remember if it was the Gambino family or the Genovese family. He went into one of those two families. I think it was Gambino family, that Albert Kidd Twist gallo, I think was his name. And I think it was the Gambino family. He just kept a low profile until he died of natural causes. I think he’s dead now. He never heard from him again, basically. Exactly. [20:06] Interesting. That’s a heck of a story. A lot more stories like that in there, too. I bet. What was your favorite story out of that, or the one that shocked you or you learned something? Maybe something that you learned that you didn’t know or cut through some myth. [20:20] Probably, I’m just looking at my notes here to see what really fascinated me the most. I think the evolution of the Bug and Meyer gang. This guy, Ralph Salerno, who was a fascinating guy who headed the New York Prime Strike Force, Mafia investigators He’s been dead for about I think 10 or 15 years But I spent about Two or three hours Interviewing him A long time ago Didn’t he write a book Didn’t he write a book Called The Crime Confederation Or something like that Yes he did Yeah And it’s excellent So he knew Meyer Lansky He had met Bugsy Siegel Back once In the early 1940s He knew Frank Costello He knew all of these people And it was fascinating To, to hear his stories. And he said that during the time of the Bug and Meyer gang, they were the most vicious gang in New York. And they had a complete menu for crimes that they would commit on your behalf. Burglaries, murders, throwing people out of windows, breaking arms and legs, killing by stabbing, killing by shooting, killing by knifing. And each one had a price. And he said they actually had it printed. It was like a menu and you could check off what you wanted. [21:40] Crazy. And then he said, as they got more and more involved in prohibition, they got out of this and it evolved into Murder Incorporated, which had about 400 members, primarily Jewish and Italian gangsters. And it was run by Albert Anastasia and Lepke Bookhalter. [22:05] And when Thomas Dewey came into power, he wanted very much to convict these guys, but, Murder Incorporated had this fascinating idea that every member of Murder Incorporated would receive a monthly retainer and then it paid a special price for committing murders. And the more ambitious the member was, the more murders he would commit. So there were a couple who were really very ambitious and did a lot of murders. And each one had a specialty. So there was this one guy named Abe Hidtwist Relis, who only killed people with an ice pick in the back of the neck. And then he would leave the body in a car, talking about getting rid of bodies, and he would burn the body and leave it in the car and let other people know who were the relatives that he had been done away with. And then there was a guy named Pittsburgh Phil, who was the most ambitious of them, who supposedly committed about 100 to 150 murders because he just loved getting money for each one that he committed. [23:15] Then there was a guy named Louis Capone, who’s no relation to Al. He worked with a partner named Mendy Weiss, and the two of them went out and killed people together. They thought it was a fun event for them. It was like a boy’s night out. Who we’re going to kill today. Weren’t they two of them that got the electric chair? Yes, they did. And there’s a picture of them on the train up to Singh on their way to the electric chair. And they’re laughing. This is nothing. This is just another fun time for us. And yeah, I think there were four of them who finally went to the electric chair. And then one member of this was a guy named Charlie the Bud Workman, who finally got indicted for the murder of Dutch Schultz. He was the one who carried out the murder of Dutch Schultz for the mob. And he got, I think he was 30 years in prison. But according to his son… [24:13] Who is a PGA golfer, who is well-known in PGA circles as a very good golf competitor, said that the mob took care of his family for the entire time that Workman was in prison because he never spoke about anybody else. He really observed the rules of a murder, and they appreciated him for that. So that whole episode was like a corporation murder, which is why they called it Murder, Inc., that would go out and kill people on orders only from the mafia. They only worked for the mafia. You couldn’t hire them if you weren’t a member of the mafia. And it had to go through a mafia boss for the instructions to come down to them. A soldier couldn’t tell them what to do. Even a capo couldn’t tell them. It had to go up to a boss, the boss had to approve it, and then assign someone to do it. And they all worked out of a candy store in Brooklyn called Midnight Roses because it was open 24 hours a day. And the phone would ring there from giving whoever it was instructions about who was to be killed, where they were to be killed, how they were to do it, and so forth and so on. [25:27] So what was also interesting is even though Bugsy Siegel had left the Bug and Meyer gang, he still loved participating in murder. He liked killing people. And his partner in these murders was a guy named Frankie Carbo, who became a big deal in boxing. He controlled most of the boxing in America up until at the time of Sonny Liston. And his partner in this was a man named Blinky Palermo. [25:59] And according to Ralph Natale, who for a while had been the boss of the Philadelphia crime family, it was Frankie Carbo who was sent by the mob to kill Bugsy Siegel. Because if he was caught or Bugsy Siegel saw him around, he wouldn’t suspect that he was his killer because they were friends and they had operated as partners together. So this goes back to what we were talking about earlier. It’s your friend who comes closest to you and then arranges you to be assassinated. So I found that whole story just fascinating. Interesting. I’ll tell you what. And there’s those and a whole lot more stories in this, isn’t there, Jeff? Yes, there are. I think that the book covers pretty much the mob history, beginning with the founding of the five families, going all the way up through Sammy the Bulgurvano’s testimony against John Gotti and the commission trial, where they decapitated the heads of the five families. Not literally, folks. Not literally. Not literally. We didn’t literally decapitate. Rudy Giuliano, he tried to. He tried to. He tried to. Metaphorically, he decapitated the heads of the five families. Exactly. [27:15] You know, what was interesting, though, is in the 1930s, you had Thomas Dewey. In the 1960s, you had Robert Kennedy, who went after the mob. And then later on, you had Rudy Giuliani going after the mob. And the mob always managed to reorganize itself and figure out a new way of existing. They were very opportunistic and they always managed to find a way to keep going, even if it was very low key, which is what it is now, where they operate in the shadows and they don’t have any John Gottis or Al Capone’s out there getting a lot of attention for themselves. They’re still out there doing things. Yeah. Yeah. They finally learned something about that getting publicity. And most recently, they put together a whole scheme, and this goes way back, of cheating people. Big whales, I call them whales, of rich men that like to gamble and brush up against kind of the dark side and cheat them at cards. They’ve been doing that for years. They just do it under goes to clear black to the Friars Club scam in Los Angeles where Ronnie Roselli and some others had a spotter, would see who had what cards in what’s hands, then would tell another player. And so now there’s just more electronic, but the same game just upgraded to electronics. [28:30] That’s right. What someone I spoke to interviewed said, he said they’re very involved in electronic gambling poker machines and that kind of thing. And a lot of offshore gambling and offshore money laundering. And to some extent, even drug dealing now. And they’re still very involved in New York in the construction business. Oh, really? Yeah. Union business. They’re still in it, huh? And I know in Kansas City, there’s a couple of examples where they put money into a buy here, pay here car dealership into a title loan place because there’s a huge rate of interest on those things. And there’s a lot of scams that go down out of those places, especially the old crap cars and put them together and sell them to poor people for they’ve got $500 in the car and they sell it to them for $2,000. They charge them a 25% interest and then go repo it when the car breaks down, turn around and patch it up and sell it again. So there’s always schemes going on out there to mob will put their money into. Oh, it’s incredible. I knew of one scheme where they would They would sell trucks to people and give them a special route. And so on that route, they could make enough money to pay off the loan on the truck. But then they would take away the route from them. They couldn’t pay off the truck. So they would repossess the truck and sell it to someone else and do it all over again. [29:50] Oh, I know. They got to tell you that. And Joey Messino and the Bananos, they organized the tow main wagons, the lunch truck, the snack wagons. Right, exactly. Organize them. And then they start extorting money, formed an association. And then to get to good spots, then you had to kick money to them. And just to be part of the organization, that was kicking money to them. There’s always something. They always manage to find a place where they can make money. And it’s like whack-a-mole. You can stop them here, you can stop them there, and then they pop up in three other places. [30:24] Really all right jeffrey susman i’m so happy to talk to you again i haven’t talked to you for a while and i hope everything else is everything’s going okay for you in new york city yep i’m working on a new book uh what are you working on now oh my god you are so prolific i look on your amazon page just when i was getting ready to do this trying to think of some of those other titles Oh, my God. I’m working on a book about the Garment Center. Ah, interesting. Only because my family was involved in that business, and they had to deal with the mob in various ways, with trucking companies, unions, and so forth. And since I knew that, and I had a lot of information, a lot of contacts, I thought I would tackle that next. I remember when I had my marketing PR business back in the 1970s. [31:16] I had a client who was in the fitness business, and I had a cousin of my mother’s who was a very famous dress designer at the time, and he had a big showroom on 7th Avenue, which is in the garment center. I went to see him because I wanted to see if I could get a deal for my client to manufacture exercise clothes and brand it with her name. I made a date to have lunch with this cousin of mine, and he said, come up to my showroom. we’ll meet for lunch, And so I got to the showroom, and I called out his name when I walked in. It was empty. And this guy comes running out of the back, and he just has a shirt on, and he has a shoulder holster, .38 caliber gun in it. And he says to me, who the F are you? I said, I’m so-and-so’s cousin. I’m here to have lunch with him. He disappeared into the back. And a couple of minutes later my mother’s cousin comes out and i said who was that what was that about he says i don’t want to talk about it now i’ll tell you all for lunch so we go down to a restaurant around the corner and i asked him again and he says he said he couldn’t have his dresses delivered to any department store unless he made a deal with yeah i forgot if it was the gambinos or the lucasies that he had to take this guy on as a partner otherwise the trucks wouldn’t deliver his garments. And there was nothing he could do about it. It was either that or go out of business. [32:45] I’ll tell you what, they’re voracious. They’re greedy and voracious and don’t care. Just give me those, show me the money. That’s all it is. It’s all about money and any way to get it. And then there’s always a threat of murder behind it. If you don’t cooperate, think of the worst thing that can happen to you. And that’s what’ll happen. Yeah. I’ve had guys over the years tell I’m like, oh, you ought to throw in with one of those ex-mobsters that’s doing podcasts and try to do something with them. I say, I ain’t doing business with them. They play by their rules. I play by society’s rules. And I don’t have time to mess with that. Yeah. And that was a smart thing to do. Because also, when I had this fitness client, I met someone who was… I didn’t know what was connected to the mob, but a mutual friend, this guy said that he wanted to set up fitness centers all around the country for my clients. So I mentioned this to a mutual friend and he said, whatever you don’t go into business with this guy, I said, regret it for the rest of your life. So I advised my client not to do it. [33:49] Yeah. Cause initially before we knew that it sounded like a great opportunity. And then when you investigate, it’s not such a great opportunity. Yeah, really. Speaking of that, we tell stories for hours. I just heard a story. We had a relocated mobster, a guy that testified against Gigante, came here to Kansas City. And he was, of course, under witness protection and he’s got an assumed name. And he befriends a guy that has a fitness center. He has a franchise of Gold’s Gym or something. And he has a fitness center. And he talks this guy into taking him on, investing a little money in it, taking him on as his partner. Within the next couple of years, this mobster, he’s got two of his kids working there and neither one of them are really doing anything, but they’re drawing a salary and the money’s trickling out. And the guy, the local guy, he just walks away from it because this guy’s planned by the mob’s rules. So he just ended up walking away from it, did something else. So it’s do not go into business with these guys. No, never. Never. [34:48] Jeffrey Suspett, it’s a pleasure to have you back on the show. Thank you so much. It’s a pleasure to be with you again, Gary. It’s always a pleasure. Thank you very much.

In this episode of Gangland Wire, Mafia Genealogist Justin Cascio joins Intelligence Unit detective Gary Jenkins to explore one of the most remarkable—and overlooked—figures of the Prohibition era: Pasqualina Albano Siniscalchi, the so-called Bootleg Queen of Springfield, Massachusetts. At the dawn of Prohibition in 1921, Pasqualina was a young widow living in Springfield's South End when she inherited her late husband's powerful bootlegging operation—one of the largest in western Massachusetts. Rather than step aside, she took control. Pasqualina ruled a crew of toughs and bootleggers, oversaw liquor distribution, and launched a relentless campaign of vengeance against rivals who challenged her authority. Newspapers dubbed her The Bootleg Queen, but her fight went far beyond rival gangs. She clashed with lawmakers, battled competing bootleggers, and even faced resistance from within her own family—all while operating in service of a secret society that would never fully accept her because she was a woman. Her story exposes the contradictions of organized crime: loyalty demanded without equality, power wielded without recognition. Cascio draws from years of meticulous research and family histories to bring Pasqualina's story to life, revealing her pivotal role in early Mafia expansion in New England and the hidden influence women could wield behind the scenes. His book, Pasqualina: The True Story of the Bootleg Queen of Springfield, challenges long-held assumptions about gender, power, and the Mafia during Prohibition. If you're interested in Prohibition-era crime, New England Mafia history, or the untold stories of women who shaped organized crime from the shadows, this episode is one you won't want to miss. Learn more about Justin and his work on Mafia Geneology by clicking this sentence. Get Justin’s book, Pasqualina: The Bootleg Queen of Springfield, Massachusetts Listen now on Gangland Wire — available on all major podcast platforms and YouTube. 0:02 Introduction to Mafia Genealogy 1:16 Pasqualina Albano’s Story 2:30 Family Reunion Revelations 4:56 The Impact of Prohibition 7:45 Prejudice and Organized Crime 10:50 Connecting the Genovese Family 12:34 Views from Sicily 13:50 Cultural Differences in Dress 16:37 Encounters with Modern Gangsters 18:36 Gina’s Documentary and Art 23:53 The Romance of the Gangster 27:24 The Nature of Risk 28:46 The Evolution of Organized Crime 33:16 Closing Thoughts and Future Plans Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, all you wiretappers. Good to be back here in the studio of Gangland Wire. I’ve got on tap here a repeat guest. He’s been on before. I had a little technical glitch this morning with the internet, and I had to scurry around and do something different. I totally forgot about what I was going to talk about with Justin, but I knew Justin’s been on there before. I knew he does mafia genealogy, and I knew he knows his stuff, and so he doesn’t really need a lot of help from me. So this is Justin Cascio from the website and some books, some mafia genealogies. Welcome, Justin. Thanks so much, Gary. Great to be here. Really. And you’re from the Springfield, Massachusetts area. And so that’s been some of your emphasis has been on that area. But you’ve done a lot of other mob genealogy, correct? Yes. On my website, on mafiagenealogy.com, I write about a whole lot of different places that the mafia has been in the United States. In fact, coming up, I’m going to be writing about Kansas City. But for the last 25 years or so, I’ve lived in New England. I live about 20 miles away from Springfield, Massachusetts, which if you’ve heard of Anthony Aralata or Bruno or the Shabelli brothers, then you know the Springfield crew of the Genovese crime family. [1:12] And I’ve been following them pretty closely since I’ve lived here. A few years ago, I got into the story of Pasqualina Albano, who was a bootlegger in Springfield during Prohibition. [1:25] That’s what my new book is about. Yeah. Oh, that’s a new book, right? I’m sorry. I didn’t pick up real quick there. And she’s done a documentary recently that hasn’t been seen by very many people. And they really, she was a woman. They do use the A at the end. Those of us that know about romance languages would know as probably a woman, but she’s a woman. And she was running a certain segment of bootlegging back during the 30s and late 20s, exactly when it was, which is really unusual. She must have been a powerful individual. I think that she was a very remarkable person, so I couldn’t find out enough about her. I really needed to understand how it was possible that somebody who the Mafia would never have accepted as a member allowed her to lead this crew for so long, even into the years when it was associated with Vito Genovese and that crime family. Yeah. Don’t you imagine it was, she must have been making money for them. [2:24] She was making money for her family, for sure. Got a few people probably pretty comfortable, yeah. [2:30] So that family, you went to a family reunion recently and learned quite a little bit. You want to tell your experiences about that? Yes. So, Pasqualea Albano, that bootlegger, has a nephew who is now 101 years old. His name is Mario Fiore. And when he turned 100, I was invited to his birthday party. And it was an enormous scene. It was tremendous. In fact, it’s a cliche, but the opening scene of The Godfather, if you imagine that wedding scene, it’s what it looks like. There’s a guy singing live on a PA system. There’s a pizza oven parked over here. There’s kids in the pool. There’s so many people, so much food, and this great big lawn and incredible view. Just an amazing scene to be at. And I met so many different people who were in Mario’s family. I met people who came over from Italy to come celebrate his birthday and talked with them as much as I could. I have no Italian, by the way. So we did the best we could. But I also talked to her American relative. She has all these grand nieces and nephews, and nieces and nephews who are still living, who were at this party and told me stories and drew little family trees for me. And what I was able to get a real good sense of is how the family feels about this legacy. Because not just Pasqualina, who was in organized crime, so many of her relatives were involved as well and continued to be up until the 80s, at least. [4:00] So the name, was it Albano? Was it got on in the modern times? The last name, was it still Albano? Was there another name? There are a few. Let’s see. I want some more modern names. There’s Mario Fiore. So he is one of her nephews. And then there’s Rex Cunningham Jr., who is one of her grandnephews. There’s the Sentinellos. So Jimmy Sentinello, who owns the Mardi Gras, or he did anyway. It’s a nude club, you know, a gentleman’s club, as they say. A gentleman’s club. We use that term loosely. Oh, boy, do we? Another old term that I picked up from the newspapers that I just love and like to bring back is sporting figure. Yeah, even sporting man. They don’t play sports. They’re not athletes. They’re sporting figures. I know. I heard that when I was a kid. Somebody was a sporting man. Yep. [4:57] This has been a family tradition. It’s something that has been passed down through the generations, and it’s something that I talk about in the book. But mostly what I’m focused on in the plot of the story is about Pasqualea’s time during Prohibition when this gang was turning into something bigger, turning into a part of this American mafia. Yeah. Interesting. And so tell us a little bit about how that developed. You had a Genovese family that moved in and she got hooked up with them. How did that develop? Yeah. More end of modern times. Early on, so 1920, beginning of Prohibition, Pasqualea Albana was newly married to this sporting figure, we’ll call him, Carlo Sinascocci. And I’m probably pronouncing that last name as wrong as well. He also came from a family of notable people who were involved in organized crime, getting into scrapes in Little Italy, New York City. There’s a whole separate side story about his cousins and all the things that they were getting into before Carlo even got on the scene. So by the time he arrived in New York City, he had a bit of a reputation preceding him because of these relatives of his. [6:06] And Pascalina was a young woman in Springfield. And the first question I even had writing about her is, how did she meet this guy? He was a Brooklyn saloon keeper. She was the daughter of a grocer in Springfield, three and a half hours away on the train. Like, why do they even know each other? And so trying to piece all that together, how that was reasonable for them to know one another and move in the same circles, and then for him to immediately, when he moved to Springfield, start picking up with vice because it was before Prohibition. So he was involved in gambling and police violence. And you could see some of the beginnings of the corruption already happening where he’s getting police protection before prohibition even begins. And then once it starts, he is the king of Water Street, which was the main drag of Little Italy. He was the guy you went to if you wanted to buy wholesale. [6:57] Justin, I have a question here. I was just discussing this with who’s half Italian, I guess, FBI agent that worked the mob here in Kansas City. We were talking about this, the prejudice that Italian people felt when they first got here, especially. And Bill’s about 90, and so he said his father told him. His father worked at a bank in New York, and he was told that with that last name, he had a different last name than Bill does. And with that last name, he said, you’re owning and go so high in the bank. And so talk a little bit about the prejudice that those early people felt. And that’s what drove people into the dark side, if you will, to make money. You had these bright guys that came over from Sicily looking for opportunity. And then us English and Irish Germans kept them out. [7:45] And so can you talk about that a little bit? Did they talk about any of that or have you looked into any of that? [7:52] I have. And it’s a theme that comes up again and again. Whenever I look at organized crime in any city, I’m seeing things like that ethnic succession of organized crime that you’re alluding to, how the Irish were controlling, say, the machine in Kansas City Hall or what have you. And they had that same kind of control over politics in other cities, too. And the way that they were getting a leg up and finally getting that first protection of their rackets was from outside of their ethnicity. It was Irish politicians protecting Italian criminals. And then eventually the Italians were getting naturalized where they were born here. And so then they move into politics themselves. [8:31] And that is one of the theories about how organized crime develops in American cities. It’s because you’re poor and ethnic and you’re closed out of other opportunities. And so the bright kids get channeled into organized crime where maybe in a better situation, they would have gone to college. Right. And then Prohibition came along, and there was such a huge amount of money that you can make in Prohibition. And it was illegal. That’s why you made money. But there was opportunity there for these young guys. Yes. And you really start to see a lot of new names in the papers after Prohibition begins. You have your established vice criminals who you’re already seeing in the newspapers through the 19-teens. Once Prohibition begins, now they have all these other guys getting into the game because there’s so much money there. And it’s such a big pie. Everybody feels like they can get a slice. [9:21] Yeah, interesting. Carry on. I’ve distracted you, Azai, but you were talking about Pasqualina and her husband. Of course, I’m not even going to try that. When you talk about discrimination against Italians, one of the things that makes my job really hard is trying to find news about a guy with a name like Carlos Siniscalchi. First of all, I’m probably saying it wrong. I think the Italian pronunciation is… So I’m getting all of the consonant clusters wrong, but I do it with my own name too. We’ve Americanized Cassio. That’s not the right name. How do you pronounce it? It’s Cassio. But we’re Cassio. That’s my grandfather said it. So how do I find Carlos Nescalci in the newspaper when every reporter mangles that name? And spells it differently. Yeah. Everybody spells it differently. How am I going to guess how all these different English speaking reporters were going to mess up Carlos’ name? And so I find it every which way. And sometimes I’ve just had to plain stumble over news about him and his relatives. It just happens by chance. I’m looking for general crime, and then I find him specifically. So yeah, it’s a little hard to find the Italians sometimes because their names are unfamiliar and they get written wrong in censuses and in the news. So we lose a little bit of their history that way. And that’s what you might call, I don’t know, a microaggression because they can’t get that name. Yeah, a little bit. Yeah, yeah. You don’t care enough to spell it. I just, I know the thought process, I have to admit. I’ll just spell it anyway. I understand that thought process. [10:51] So you were asking earlier, I don’t know if you want me to continue this, but how the Genovese family were able to get involved in this thing going on in Springfield. Yeah, connected. Because of her second husband. Okay. Pascalina lost her first husband in 1921. He was killed by a fellow bootlegger. He takes over the gang. She conducts a war of vengeance against the guy who kills her husband and his whole family because they’re gangsters. And that takes years. She’s also pursuing her through the courts. And when that all finally gets settled a few years later, she has a quiet little second marriage to a guy that nobody had ever heard of called Antonio Miranda. [11:28] Now, Antonio Miranda is a small time gangster from Little Italy, New York City, and his brother is Mike Miranda, who is very close to Vito Genovese, and he became this conciliator eventually. So that old connections, going back to the days before the Castello-Moraisi War, when it was Lucky Luciano bootlegging with some of his pals, that’s the time frame in which she formed this alliance by marrying Tony Miranda. And that’s when it starts. That’s the relationship’s beginning between Genovese crime family having, before it was even the Genovese crime family, when it was the Luciano family. And so they’ve had that relationship with the Springfield crew ever since. A little bit like old world feudalism in a way, where one member of a royal family marries a member of another royal family. And I know in Kansas City, we’ve got our underboss, his sister, is married to our boss’s nephew. So, bring those two families together, the Lunas and the Savellas together, yes, very well, like noble families. Exactly. Interesting. Absolutely. [12:31] So that’s how they got together. I remembered that, but I’d forgotten it. So, you went to this reunion with people from Sicily there. So, tell us a little bit about that. How? [12:43] How do people in Sicily view the people in the United States? And they didn’t talk about the mafia. I’m sure there’s no doubt that they’re not going to really talk about that unless you got to find somebody that’s really lucky. But kind of care about the sociological impact and the old world and the new world, and the new world people that, you know, established here. Okay, so Pasqualea and his family are from outside of Naples, and they maintain really close ties to their family back in Italy. Like I am the third generation born in America. I don’t speak Italian. Neither does my father. Neither of us has ever been to Italy. We don’t have, we’re not Italians. We’re Americans. Okay. And the Italians will remind you of that if you forget. We’re not Italian. And like spaghetti and meatballs, not Italian. Chicken Parmesan, not Italian. These are things that we invented here out of a sense of, out of homesickness and a sudden influx of middle-class wealth. We were like, let’s have the spaghetti and the meatballs. I had separate courses anymore where the meatballs are, where they’re both a special treat and I’m going to take two treats with chicken and waffles. [13:50] So being around them, they’re formal. You know, I was meeting like Pasquena’s relatives from Mercado San Sivarino, where they’re from in Italy, they own a funeral home. They own the biggest funeral home business in the town, and they also own some other sort of associated businesses, like a florist and things like that. So I would expect a certain sort of decorum and conservatism of tone from somebody who works in the funeral business and from Italy. But they were also among the only people there in suits, because it was a summer day, we’re outside. Most of us were dressed a little less formally. Yeah. Old school, 1950s stuff. He does those old 1950s photographs, and everybody, every man’s wearing a suit. And there were women’s hat on. Also, that ongoing thing where people in Europe just dress better. Yeah, they dress more formal. I see a little bit in New York City. I noticed it when I moved up from the South. In the South, you go to a funeral and flip-flops, okay? It’s very casual because the weather absolutely demands it. I moved that back up North, and I’m like, wow, everybody’s just wearing the same black coat, aren’t we? And you go into New York. People are dressed a little better, even. You go to Europe, and it’s just another level is what I hear. People, they dress better. They’re not like us where we would roll out of bed and put on pajama pants and some crocs and go to the grocery store. They would never do something. Yes. [15:10] I was in a restaurant several years ago, and there’s a guy sitting at a table, and another young guy comes in. And the guy at the table says, dude, you wore your pajama bottoms in the restaurant. [15:22] People need to be sold. And I’ll have to admit, at the time, I hadn’t seen that before. And since then, I see it all the time now. I live in a college town. I see it a lot. Yeah. So i’ll carry on a little more about that reunion there uh okay so how to describe this so much of it was very surreal to me just being in this place like very fancy house the longest driveway i’ve ever seen like more than a mile i finally like when i parked my car because the track you know you can the parked cars are starting i parked and i get out of the car. And I’ve got this big present with me that I’m going to give to Mario. It’s unwieldy. And I’m like, oh man, this is going to be quite a schlep. And I’m wearing my good shoes and everything. And these two young fellas come up on a golf cart and bring me a ride. So I get in the golf cart and we get up to the house and my friend Gina was trying to point people out to me. Oh, he’s somebody that was in my documentary and you got to talk to this guy. And there was a lot of that. you’ve got to talk to this guy and you’ve got to talk to this woman and dragging me around to meet people. And one of the groups of people that I was, that I found myself standing in, [16:35] I’m talking to gangsters this time. Okay. This is not cousins who won a funeral home. These are gangsters. And I’m standing with them and they’re having the absolute filthiest conversation that I’ve heard since high school. [16:48] And, but the difference is boys in high school are just talking. These guys have done all the things they’re talking about. Wow. What a life is. The lives you would have led. Bye. I’m just trying to keep it. Are these American gangsters or are these? Americans. Okay, yeah. Current gangsters, they’re in the Springfield area with Anthony Arilada there. They’ve all hated him, probably. I’m sorry? I said Anthony Arilada when he’s there, and they all hated him. You probably didn’t bring his name up. Yeah, really. There are different factions in Springfield, it feels like to me, still. bill. And I haven’t got them all sorted. There are people who are still very loyal to the old regime and they have their figure, their person that they follow. And sometimes they can live with the rest of them and sometimes the rest of them are a bunch of lowlives and they want everybody to know about it. Yeah. [17:45] I’ve heard that conversation before. Interesting. Now, whose house was this? Somebody made it well in America. Yes. And I think it was one of his nephews. I don’t know exactly whose house it was. I was invited by Gina’s brother. He texted me and invited me to the party. And people just accepted me right in. The close family members who have seen Gina’s documentary, who have heard her talk about Pastelina and the research and meeting me, they think of me as the family a genealogist. And so I have a title in the family and belong there. Oh yeah, it’s here to document us. As you do, because we’re an important family. And so they didn’t really question my presence there at all. And you were able to ask questions from that standpoint too. That’s what was nice. Yeah. [18:37] And a lot of times it was just standing still and listening because there was so much going on, That was enough. Interesting. Now, her documentary, you’ve seen it, so tell us a little bit about it. Folks, it’s not out there streaming yet. She’s trying to get something going, I would assume. [18:58] Explain her just a little bit, too, in her book. Talk about her and her book and her documentary. Yeah. Okay. Gina’s a part of this big family that has got some wealth still and goes back to bootleggers in Prohibition and has gangsters in it, including her brother, Rex Cunningham Jr. So Cunningham is the name you don’t expect to hear in the mafia. Yeah, yeah. Done by Marietta Beckerwood. I don’t know if he was a member or associate, but at any rate, he was a known figure around here. Sportsbook and that kind of thing. Sportsbook, yeah. Yeah. She grew up with a little bit of wealth and privilege, but also feeling a little bit outsider because her family was half Irish. So among the Italians, it was a, you go to the wrong church, you go to the wrong school kind of vibe. And she grew up into more of a countercultural person. Her family is very conservative politically, religiously. I don’t know if you would expect that of a gangster family, but that’s what I’ve noticed is pretty common, actually. No, it’s pretty, that’s the way it is here. Yeah, real conservative, yeah. Yeah. You have to be socially for the whole thing to work. I can get into that, but And they keep going to the same church and school and everything, and you maintain these close ties with the neighborhood and local businesses and so forth. But she really was like, I’m going my own way. And so she became this free spirit as a young woman. And Gina’s, I don’t know how old she is. I want to say in her late 60s, around 70, about there. [20:23] That’s Gina Albano Cunningham. Cunningham. Oh, Gina. Okay, Gina Cunningham. See, I’m getting mixed up with the names. And Cunningham was… Ask Elena Albanos. Her sister married and became a Fiore. Okay. All right. That’s a little bit confusing. People have to go to your website to get this straightened out. Or maybe you have this, a picture, an image of this family tree on your website. In the book, you can find multiple family trees because I’m working with all these different branches. I’ll take a look if I can’t put an image in here for everybody to get this straight. But the modern woman that did the book and the movie, she’s in her 70s now. [21:04] Yeah. Yeah, and she’s a grandniece of Pasqualina, and her brother and her cousins were in organized crime in this room. Okay, all right, all right. Go ahead, go ahead. She’s absolutely immersed in this life, but she did not want any part of it, and so she left. And there are other people in her family that you can point to that did the same thing, like some of Pasqualina’s children just did not want to have anything to do with the family. Well, they left. They went and moved to another state. They stayed in another place. They didn’t come back. And she did the same thing, but she’s not cut ties. She keeps coming back and she has good relationships with her family members, even though she’s not aligned with them politically and so forth. [21:42] And she’s an artist. I’ve seen her work on a couple of different mediums. I don’t want to really try and explain what her art is, but she’s a feminist artist. And she’s also really been pointing the camera at her family quite a bit. And it seems like film might be a newer medium for her. She’s used to do more painting and sculpture and stuff kind of thing. How’d the family take that? A lot of these people, I’ve talked to some relatives here, and one of them come on to talk to me, but I said, your Uncle Vince, he said, yeah, I know. But then he never would get back to me all of a sudden. So a lot of pressure to not say anything about it. Oh, yeah. Sometimes I will get started talking to somebody and then it’ll reach a certain point where they’re like oh no we can’t don’t be recording this don’t put my yeah anything so yeah news to that but gina was like no this is going to be part of my, political art. I’m going to point the camera at my family. I’m going to expose, some of the hypocrisy that I see there, the things I disagree with. [22:41] It’s a short documentary, and I find it very powerful because it’s a family video. One of the first people she’s aiming the camera at is, I think, one of her nieces. Talking to this young woman who is leaning on her car, maybe in her late teens, early 20s, and this young woman is saying, oh, yeah, I would marry a gangster if I had the chance. And I’m just like, do you not know your family? Do you not know the heart? And later on in the video, you get to hear some of the really just like gut wrenching stories of what pain people in her family have brought upon themselves through their involvement in organized crime and all the things that it entails. And this young woman is, I don’t know, she’s acting because she doesn’t even know this other uncle or this other cousin that she’s got that can tell her these stories. Or is it, I don’t know, it doesn’t matter or something. And that to me was shocking. That’s the kind of thing that needs, that’s somebody who needs their mind changed. And I was like, I hope she watches this video she’s in and changes her mind about how she feels about that life and wanting to be a part of it. But that’s what mafia culture creates more of, is people who want to be a part of that. [23:53] There’s a certain romance to it that started out with Robin Hood, if you will. You get a romance of the gangster, the criminal that maybe is good to some people, good to support people, good to their family. And it continues on to this day to John Gotti. He’s the most recent iteration of Robin Hood and Jesse James here in the Midwest. People love Jesse James. When I grew up, everybody, every family had a story about how a couple of guys came by their house back in the 1800s and they gave them a place to stay and a meal. And they left them like a $20 gold piece, which was like $500 or something. And they said, it was Jesse James. I know it was. It’s the romance of the gangster continues. Yes. We all would love to imagine that we’re on the gangster side and that the gangster agrees. Yeah. As long as we don’t have to go to jail or pay that price. Because to me, I’ve got a friend today that he spent about 12 years and he would give all that gangster life back to get that 12 years back for these kids growing up. He’s turned over a new life today. I had lunch with him and his son not too long ago. And it’s just his son has told him, he said, every time I had to walk away from you in the penitentiary and come back home after our visit, he said, I was just crushed. It’s a huge price to pay for that. But there’s still that romance continues. [25:13] That terrible price, I think, is part of what feeds the romance. If there was no risk, there wouldn’t be that allure. Yeah, that’s true. You met that risk and overcame it and went on, came out on top. It’s what they always like to claim that came out on top of it. So I understand that thought process. I take a lot of risk in my life just from the other side. I said, live to fight another day. Yeah, there really are different kinds of risks that you can take. I was writing about a contract killer in Texas, and one of his targets was a guy who was a grain dealer. And I was like, that’s a really weird target for murder, right? Like, why would you kill a grain dealer from rural Texas? And it was because his old partner had an insurance policy out on him and decided to cash in on it. That was Charles Harrison, wasn’t it? Yeah, yeah, exactly. Sad story. Charles Harrison. Yeah. It was like, these were two guys that took very different kinds of risks, right? You got Charles Harrelson, who kills people for money. That’s a certain kind of risk you’re definitely taking. And then there’s the guy who buys grain and then sells it. So he’s taking these risks for his community of farmers. [26:27] And I was like, that’s really wholesome. And that’s, I don’t know, I feel like it’s a really positive example of masculinity. That’s the kind of risk we’re supposed to take for the safety and well-being of our neighbors? Yeah. Even the farmers, they risk everything every year. Smaller farmer, I grew up in those families and a smaller farmer practically risk everything every year, being in on the weather. That’s why I didn’t stay on the farm. And the markets, you don’t know what the markets are going to do. It’s a gamble every year. That Charles Harrelson, that’s Woody Harrelson’s dad who killed the Judds, famous murder down in El Paso. And he had a business. He carried a card that said he was a hitman. It was his story. [27:10] Bold. He was a crazy bold dude. I did a whole three-part series on that whole Jimmy Chagra marijuana business [27:20] down there on the border. and his connection to it and the killing of Judge Wood. So it’s just a business in these guys. Hey, it’s not personal. It’s just business. Yikes. It’s crazy. But Justin, you got anything else you want to tell us about? Anything you’re working on? And remind guys your website and what you can find there. He has some really interesting stuff about the old early days in Chicago. I know that. I referred to some of that several years ago when I was doing something on Chicago. So give guys a little walk through on your website. It’s really interesting. Okay, so John Gotti is one name I don’t think you’re ever going to find on my website. Yeah, good. [27:59] I’m really addicted to origin stories. I like to find out how the Mafia was already present before that point when we say it started. Yeah, in the 20s. But gangsters don’t come out of nowhere. Gangs don’t come out of nowhere. They evolve. They grow. There are forces to create them. And so that’s what I’m interested in. I like to go around. And I spent a lot of my early career writing about one place and its effect on the United States, Corleone, where my family’s from in Sicily. And that was my first book, In Our Blood. And some of my first posts on mafia genealogy are in that thread. They’re about my family and the Corleonesi. But then I started to get into other [28:42] places and wanting to know about their stories and getting into other parts of Italy as well. So if you go to my website, you’re going to find stories like Charles Harrelson and the two guys that he killed before the judge, or in Chicago about the different little Italys that existed before Capone consolidated everything, or Kansas City I’m writing about, Nick Fatsuno and the Passantino brothers. I don’t even know if you know those guys, but I thought their further stories were amazing. [29:09] Passantino had a funeral home today, but the other names I don’t really know back then. I don’t know much about that or those early days. Did they seem to come from the same little town, the same general area? They didn’t, actually. A lot of them were Sicilian, and they come from Palermo province, but not all from the same town. Not from okay. Yeah. Yeah, I wasn’t able to put—there’s not a strong current there in Kansas City like I’ve found in other places where everybody is from one town. Yeah. [29:37] But not so much in Kansas City. A little more varied. Interesting. So that’s what you’ll find on my website. And then Pasqualina is my second book, and you can buy both of my books at Amazon. Got them behind me here, Airblood, Pasqualina. And Pasqualina is about that prohibition era, and if you like to understand where big-nosed Sam Koufari got his start, it’s in there. And the Shabelli brothers show up. It’s about those origins. I was talking to a friend of mine about this name, Skeeball or Skeebelly. Yes. Who had some relationship back in Springfield, and he just really knew Skeeball when he was young. [30:17] Yep, because it was the spelling of his name. I’m not even sure how they pronounced it. I think it’s Skeebelly. Skeebelly. That probably was. Yeah, Skeebelly. I know somebody named Skeebelly, so probably was. That’s like the name of the body shop here in Kansas City, and it’s P-A-C-E. But really it’s Pache. We’ve got to do it right. And that’s probably short for Pache. I don’t know. I wonder if the family pronounces it Pache or Pace. I think business-wise, but then the person who was talking was close to the family and they said, oh no, it’s Pache. So I thought, okay. [30:53] Interesting. The immigrant experience in this country is really always interesting. There’s always conflict and the interest is in the conflict. And as people try to make their way, and stopping with, oh God, it was an author, T.J. did the Westies. You guys know T.J. that did the Westies. And he said, yeah, he said, and he really was articulate about, as we’ve discussed this, that people come here want an opportunity, because they didn’t have any opportunity in the old country, whether it be Naples or southern Italy or Sicily. They came here, they really just wanted opportunity. And then the opportunity, you have to start fighting for opportunity. That’s the nature of the beast in this country. In any kind, any society, you’ve got to fight for opportunity when you’re an outsider and you come in. And so that was the early development. These people just wanting a little slice of this American pie that they’d heard so much about. The streets are paved with gold over here, but found out you’ve got to dig that old man. [31:52] Some people probably came over here thinking they were going to make an honest living and found themselves, by one step and another, involved in organized crime. And then there were other men who came here from Italy for whom the opportunity was to be a criminal here. Richer pickings. Yeah. And they started restaurants and had your typical immigrant, all the immigrant restaurants, all these Chinese, whatever kind of ethnic food is, they start out with an immigrant who then puts his kids and his cousins and his nephews and sisters and grandmas in the back room kitchen, start those restaurants. And people, us people that are already here like that food and they run them, they do a really good job at it. And so that’s a way to get started in grocery stores for their other fellow paisans. And those were the ways that they made it here, at least now, probably the same way in every city where there’s a large Italian population. Got to feed the other Italians. And so an Italian restaurant is natural. Yeah. And also owning your own business is just really smart for a lot of people. If you’re an organized crime, it’s a great way to hide what you’re doing. [32:59] And if you’re trying to get a naturalization status, especially now, being a business owner is really advantageous. Yeah, I bet. I was talking about that on getting a naturalization process that showed that you’re an entrepreneur and you believe in the system and you’re doing well. Yeah, interesting. [33:17] All right, Justin Cascio, and the website is Mafia Genealogy. He’s got a couple books on there in this documentary. I don’t know. Keep us up on that. Maybe if it comes out, I’ll make sure to get it out on something where people know that they can go out and see it. It sounds really interesting. Thanks, YOL. All right. Thanks, Justin. I’ll do that no more. Thank you, Justin. It’s really a pleasure to talk to you again. Always a pleasure being on your show. Thank you. Great. [33:44] Justin, see, I was going to ask you about something. What? Are you going through a publisher? You got a publisher? No, I’m self-published. You’re self-published? Okay. Yeah. See, I self-published several books, and I’m doing probably my last ones, a story of my life, kind of more of a memoir, my struggles and my moral dilemmas and all that during when I worked intelligence. And then I’ll explain all about the big civil mob war we had here during those years. And I don’t know. I started poking around. I thought, well, maybe I’ll try to get a regular publisher. But boy, it’s hard. You’ve got to get an agent. You can’t get attention of an agent because there’s hundreds and thousands of people out there writing books wanting to do all this. So thank God for Amazon. Yeah. I think if you already have your audience. Yeah. And you know who they are and you’re already talking to them. You don’t need to pay somebody else to do that for you. Yeah. Yeah. I’m paying an editor to go over to… That’s different. That’s no other strengths. But to get it sold out there. Out here making videos every day. The good thing about getting a publisher is you can get, and then you got a chance of getting it into Barnes & Noble and into libraries. [34:59] See, libraries. You might into libraries anyway. How’d you do that? How’d you figure that out? The local library has an interest in the book, so they bought it. Yeah, they did. But I’m talking about other libraries. Yeah, they can all buy the book the same way. Yeah, but how do they find the library buy books? [35:18] I think buy them from the publishers normally. And if your book is self-published and they want to carry that book, because, for instance, about local history, then they’ll buy it. Yeah. I’m thinking about how do they get it out in other New York or Chicago or some other city that will be looking for nonfiction books. Publishers. You have to do every step yourself instead of being massive. Yeah. And then like Barnes & Noble and places like that to get it in, that’s hard too. You can do that locally. Those places carry my books on the website. Who does? They’re buying it from Amazon. Oh, okay. Interesting. Oh, really? Yeah. Because that’s the only place you can get it. I think I sell a couple of my, I’ve seen some people from, I think it’s through at Brafta Digital, I think’s the name of it. That’s another thing that this thing went up on that Barnes & Noble did sell a few copies of it. As a matter of fact, now that you mention it. [36:21] But it’s interesting. It’s fun. How are you ever going to get a screenplay sold if you don’t get their attention? [36:30] That’s why most people I talk to, they’re trying to figure out how to get a movie made from their book. Gangsters ask me that question. They’re like, you figure I know the answer to how to get a movie made from YouTube? and I do not have that answer. Nobody knows that. It’s hard work. Yeah, I tell them nobody knows that, the answer. It’s God. A divine being that strikes you, whether it be the Apollo or the God of Abraham, or Jesus or some higher power reaches out and touches you and says, okay, I bless you, and now you’re going to have a movie made and Robert De Niro is going to play your part. Although anymore, they don’t want De Niro to play him because they hate him now, and they want somebody else. Oh, my God. It’s always a pleasure to talk to you, Justin. Likewise, Gary. Thanks so much. If I can do anything for you here in Kansas City, and as you’re going through your thing, if you’ve got any question or anything, I’ve got that one friend, that FBI agent, that he could maybe help you with if you’re looking for a connection or something. He knows quite a little bit. And somebody else was just talking about that, looking into that, those early days. But if you do have any questions or anything that you’re stumbled about here in Kansas City, be sure and give me a call, and I’ll see if I can’t steer you to somebody. I don’t know myself. I don’t really ever look at it. Okay. Okay. Stay safe. Thank you. You too.

In this hour, Lionel investigates the bizarre half-million-dollar Costco lobster heist and laments the death of analog clocks, cursive, and check-writing. A guest shares a wild, firsthand account of a Malibu brawl that allegedly included late-night legend Johnny Carson, leading into a deep dive into the blood-soaked history of Hell's Kitchen and the notorious Westies. From the "oldies cruises" of the rich and famous to the secret stories of New York's most dangerous diners, this episode is an entertaining ride through the side of history they don't teach in schools. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg tells the tale of mob lawyer Barry Slotnik who found himself on the wrong side of a baseball bat. Jessica discovers how the Hell's Kitchen Westies funneled millions out of the U.S.S. Intrepid Museum.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Titus WelliverTake a walk with me down Fascination Street as I get to know actor Titus Welliver. In this episode, we chat about his growing up with a father who was very well know and well respected in the academic & artist community, and how that led to Titus meeting some of the most influential people on the planet. Then we talk about the new television series he is working on called The Westies (MGM+) alongside J.K. Simmons, and others. Then we discuss his playing the title character of Bosch for ten years on the Amazon series Bosch & Bosch: Legacy, as well as reprising that role in Amazon's Ballard. Titus loves this character so much, that when the creator & writer Michael Connelly asked him to read the audiobooks, he jumped at the opportunity. Titus still voices the audiobooks to this day. Along the way, we talk about why Titus decided to study with ALL of the great acting teachers & playwrights of New York, why he has so many tattoos, and of course, the CADS. Titus is the third member of the Character Actors Dinner Society to appear on the show. The CADS is a group of character actors in Los Angeles that occasionally, and in various configurations, have dinner and tell stories to each other; as friends often do. Titus is also part of The Funky Homo Sapiens; a New York based group of likeminded individuals who do roughly that same thing on the East Coast. This episode is a ton of fun, and I can't wait to have Titus on for round 2. Keep your eyes peeled for Titus' new series The Westies on MGM+ sometime in 2026.

In this season premiere of Girls with Grafts, we're sitting down with Maggie Gould—a powerhouse in burn recovery support and clinical social work.

Retired Intelligence Detective Gary Jenkins brings you the best in mob history with his unique perception of the mafia. In this Gangland Wire Crime Stories episode, Gary Jenkins interviews Anthony Arillotta, author of South End Syndicate: How I Took Over the Genovese Springfield Crew. Arillotta shares his firsthand experiences within organized crime in Springfield, Massachusetts, offering a raw and authentic account of his rise through the ranks. Arillotta discusses the historical roots of the Springfield mob, tracing its ties to the Genovese family in New York. He provides insights into the city's Italian American community, the evolution of ethnic gangs, and how he was drawn into the criminal underworld despite his family's legitimate business background. From his early years in gambling and marijuana distribution to his close association with made member Al Bruno, Arillotta details the inner workings of the mob, including the delicate balance between financial success and violence. He sheds light on the mafia's induction ceremony, the betrayals, and the power struggles he faced. He discusses notorious figures like Freddie and Ty Geas and the murder of Whitey Bulger. Beyond the crime, Arillotta reflects on his post-mafia life, his current business ventures—including a wine brand called Pazzo—and his efforts in youth mentorship to steer others away from the path he once followed. Tune in for a gripping conversation that uncovers the realities of life inside the Genovese Springfield crew, the dangers of organized crime, and one man's journey from the underworld to redemption. Get a copy of Anthony's book click here on the title, South End Syndicate: How I Took Over the Genovese Springfield Crew. Subscribe to get gangster stories weekly Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to "buy me a cup of coffee" To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent Brothers against Brothers, the documentary, click here.  To rent Gangland Wire, the documentary, click here To buy my Kindle book, Leaving Vegas: The True Story of How FBI Wiretaps Ended Mob Domination of Las Vegas Casinos. To subscribe on iTunes click here. Please give me a review and help others find the podcast. Donate to the podcast. Click here! [0:00] Well, hey, all you wiretappers out there. Good to be back here in the studio of Gangland Wire. I am here with Anthony Arillotta. [0:07] As you guys, if you are on Facebook at all or on YouTube, you may know this name. He has been quite prolific, and he's got a great book out there, and he's got a hell of a story to tell. And he's a really – I just told Anthony, I said, you know, you're a great interview because you know your stuff. And, Anthony, you really do. Welcome, Anthony. Oh, thank you, Gary. Thank you for having me. Looking forward to this. Now, the book is South End Syndicate, How I Took Over the Genovese Springfield Crew. [0:37] And so, you know, I want to read just a little bit about one thing. I'm really impressed with this particular promos for your book, little blurbs that you get other authors to write in your book. T.J. English, who is New York Times bestselling author of The Westies and several others. And I just interviewed him recently, a prince of a fella. And this guy's word means something to me. And T.J. Writes, the last days of the Roman Empire if you were populated by snitches, gamblers, mobsters, lowlifes, and homicidal maniacs. In other words, this book is entertaining as hell, chronicling one small parochial, though notorious, faction of the American mafia in Springfield, Massachusetts. Ariadna tells the story of the whole damn thing. South End Syndicate is a worthy addition to any organized crime bookshelf. So Anthony, that's, that's quite a compliment from a guy like TJ English. Wouldn't you agree? Oh, I agree. Definitely.

Jay & Silent Bob are cruising again and we'll meet The Westies soon with MGM. Get the scoop in the #MikeJonesMinuteCon!

Tonight in studio we have Mr. TJ English. He has authored great true crime classics such as "The Westies" and more! This evening we discuss the epic sage of Los Muchachos, 2 Cuban anti-Castro exiles formed one of the most successfull cocaine-trafficking organizations in the 1980's that grew to make more than $100 million a year, in Miami. Thank you TJ for the evening of gripping conversation with the Crew. So bust out your best 80's gear and a mojito, or just tune in and come for the ride.

The biggest skill I use is listening.  Grievers don't need to be fixed.  They need to be heard. - Louise Strasenburgh The holidays are supposed to be joyful, but if you've lost someone you love, they can be tough. This week's guest is here to help.   Louise Strasenburgh is a grief recovery specialist and the author of the book The Space In My Heart.   In 2011, her 26-year-old son Oliver's body was found wrapped in a carpet in Puerto Rico.   In the middle of this horrific loss, her mother died, and then her daughter got married.  Needless to say, Louise experienced a roller coaster of emotions in a short period of time. Desperate to find a community of people who understood her loss, she discovered The Compassionate Friends, compassionatefriends.org, a non-profit that provides friendship, understanding, and hope to bereaved parents, siblings, and grandparents.  It wasn't long before Louise became certified as a grief recovery specialist and became a leader within her local TCF chapter.  Says Louise:  “Imagine grieving parents, sitting in a circle, going around the room, saying their name and how their child died.  By the time you get to the end of the circle, your heart is flooded with compassion.  Here we all are, and we have to find a way to integrate this loss into our lives and still go forward.  Born in England and raised in Portugal, Louise has moved 32 times and in this interview, declares that she's not done yet.  A former flight attendant for Pan Am, she was born to travel and loves the excitement of learning about new places and meeting people from around the world.  Her book The Space In My Heart was written during the Pandemic as a coping tool for loss.  Using the story of her two Westies, Digger and Daisy, as the protagonists, the book explains grief and loss to children but applies to people of all ages.   The daughter of a squadron leader in the UK's Royal Air Force who fought during World War II, Louise credits her father and Queen Elizabeth as her role models.  “She was my queen from the day I was born, says Louise, and my father was a person of great integrity who taught me:  When things go right, hold tight.  When things go wrong, be strong.”  For 23 minutes of hope and healing, just hit that download button.  #grief #loss#mourning #hope #healing 

New York Times Bestselling Author T.J. English joins Scott to do a deep dive on Jimmy Coonan and the infamous Irish American gang in New York City known as the "Westies."

Not everyone has the time or patience for seven years with a therapist, especially when they have to deal with the problem everyday. Luckily, our expert today has a one hour fix.  Welcome to the Just Dumb Enough Podcast. A show that acknowledges no one is always an expert, by dispelling misconceptions with real experts.  My guest today is Andrew Hahn. Andrew is the creator of Life Centered Therapy and has 30 years of experience solving the unsolvable psychosomatic and psychiatric mysteries that plague other specialties. He gives an excellent breakdown of how to use it even if you want to work on your problems in your own time, by yourself.  ( Www.https://LifeCenteredTherapy.Com )  ( https://a.co/d/8TdGqC1 will take you to: Www.Amazon.Com "The One-Hour Miracle: A 5-Step Process to Guide Your Self-Healing: Change the Story, Re-author Your Life" )    Let's hear our own story.  And likewise, I appreciate your time as an audience listening to this show. I hope people give this quick therapy style a shot, even if it's with a shrug and a scowl. You never know what works until you try.  In other news... November is basically over, and the ranking are as follows:  1. The United States, with Oregon, California, and Texas taking medals.  2. England of the United Kingdom.  3. Australia, with Western Australia still out front. Besties in the Westies indeed.  4. Canada, with Ontario taking over.  5. Ghana, still just leading India.  That's it for this week! Have a great week, a great weekend, and I'll see you all back here next week for another new episode!  Until the next episode, pretty please do all the things to help the show: rate, review, like, and subscribe.  Reach out to DumbEnoughPodcast@Gmail.Com or on any social media if you want to reach me personally.  Most importantly, Stay Dumb! 

In this episode of Gangland Wire, host Gary Jenkins sits down with renowned true crime author T. J. English for an insightful conversation on organized crime, focusing on English's latest book, The Last Kilo. English, well-known for his work on the Irish mob and the Cuban drug trade, dives into the complex world of cocaine trafficking in the 1980s, examining the rise of Cuban and Mexican cartels and the historical forces that shaped the cocaine industry. T. J. English begins by sharing his journey into crime journalism, explaining his unique perspective on crime writing as a means to explore broader social themes, from the pursuit of the American Dream to the stories of marginalized communities in America. He explains how organized crime can act as a lens for understanding cultural assimilation and survival strategies across generations, pointing out that many immigrant communities, such as the Irish and Italians, were historically pushed toward illegal activities as a means of survival. The discussion then turns to the Cuban drug trade in America, especially during the cocaine boom of the 1980s. English highlights key players like Willie Falcon and Sal Magluta, who used political connections and resources to pioneer cocaine distribution networks. The conversation explores how Los Muchachos, a Cuban drug trafficking group, established a stronghold in the U.S. by strategically lowering prices and expanding cocaine's reach, setting the stage for explosive demand. Throughout the episode, English contrasts Los Muchachos' tactics with those of other criminal organizations, particularly noting their reliance on loyalty and community ties over violence. This approach, forged through the shared experiences of exile, helped them maintain unity and discipline in their operations. Jenkins and English also discuss the evolution of the cocaine market, from its glamorous early days to the more violent era marked by the rise of crack cocaine in the late 1980s, which reshaped public perceptions and spurred aggressive law enforcement responses. T. J. English explains how these shifts pressured Los Muchachos to adapt, prompting alliances with Mexican cartels to continue thriving in an ever-changing landscape. Tune in to this episode for an in-depth look at the history, culture, and operations behind the Cuban drug trade, and how organized crime continues to reflect the broader social dynamics at play in America. Subscribe to get new gangster stories every week. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to "buy me a cup of coffee" To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent Brothers against Brothers, the documentary, click here.  To rent Gangland Wire, the documentary, click here To buy my Kindle book, Leaving Vegas: The True Story of How FBI Wiretaps Ended Mob Domination of Las Vegas Casinos. To subscribe on iTunes click here. Please give me a review and help others find the podcast. Donate to the podcast. Click here! Transcript [0:00] Well, hey, welcome all you wiretappers out there. It's good to be back here [0:02] in the studio of Gangland Wire. This is Gary Jenkins, a retired Kansas City Police Intelligence Detective, a later sergeant. Now, I've got this podcast going, Gangland Wire, and we have another guy that I was just talking to TJ a little bit. I picked up a book called The West years ago before I even thought about doing a podcast or any of this entertainment business, and I was entranced by that book, The Westies. It's about the Irish mob in Manhattan in New York City. Now they ended up working with the Gambinos and that's a page turner. He's got a new one out here that I've been going through it. I just got it the other day and it is a page turner too. So it's TJ English. Welcome, TJ. My pleasure. Great to be here. All right. So you are the man when it comes to reporting on the m...

There are so many milestones that occur in every child's life, and so many parents who are unsure how to approach heavy topics with their little ones. So I brought in an expert who will hopefully be the next wave of Dr. Seuss stories.  Welcome to the Just Dumb Enough Podcast. A show that acknowledges no one is always an expert, by dispelling misconceptions with real experts.  My guest today is Ken Rohlf. Ken went from lawyer to children's book author after he realized how hard it would be to talk about his wife, who had passed, with his unborn grandson. I think everyone has these people in their life; the people you wish would be around to meet your kids, grandkids, nieces, nephews, etc. But Ken saw the need to ease these discussions, and now works on children's books that work just as well for the adult reading them.  This will also be the last interview with the sad backdrop for a little while. I just needed to get these out in order to help myself move on and manage my grief in some way.  ( Www.KenRohlfBooks.Com )  ( https://a.co/d/9idE3PZ will take you to: Www.Amazon.Com "Christmas Sun: A Beautiful Tradition to Remember Grandma" )  Let's remember those who went before us.  I always feel bad when I make a guest cry, but I think that level of sincerity and emotion is something that we all deeply crave out in the real world. Don't be afraid to be more open, because that's the only way anyone will ever get to know the real you.  In other news... November is now here, and the ranking are as follows:  1. The United States, with Texas, Illinois, and North Carolina at the very top!   2. Scotland of the United Kingdom, dethroning England a bit.  3. Australia, with Western Australia out front. Besties in the Westies, or so I've been told.  4. Canada, with British Columbia and Ontario all tied up.  5. Ghana, just leading India.  That's it for this week! Have a great week, a great weekend, and I'll see you all back here next week for another new episode!  Until the next episode, pretty please do all the things to help the show: rate, review, like, and subscribe.  Reach out to DumbEnoughPodcast@Gmail.Com or on any social media if you want to reach me personally.  Most importantly, Stay Dumb! 

Did 2 people work together to kill Sazz? Penultimate Episode 9 drops some big reveals, yet questions remain! + Glen gets Ben'ed! We review every single clue in ONLY MURDERS IN THE BUILDING Season 4, Episode 9 "Escape from Planet Klongo" 00:00 Intro 00:15 Who was the accomplice? 01:22 Let's Solve Only Murders in the Building 01:55 Rank the seasons 02:18 Credit Clue Easter Eggs 02:44 Movie Title Reference 03:14 Upcoming podcasts 04:10 Suggest our next Let's Solve series 04:37 Subscriber Goal 05:11 Victim Profile: Sazz Pataki 05:46 Marshall 07:27 Jan 07:45 Stunt man Glen 08:17 Bartender 08:45 Westies 09:19 Rudy Thurber 10:32 Dr. Maggie 10:48 Helga 11:02 Bev Melon 11:17 Nicky 'The Neck' 11:57 Oliver 12:32 Charles 12:58 Bloody Mabel 13:08 Tin-Foil Hat Theory: Det. Williams' Split Personality 16:05 Feedback 18:13 Spoiler on Instagram Podcast music by Matt Murdick The murder mystery/true crime podcast spoof with Steve Martin, Martin Short and Selena Gomez! Upper West Side neighbors Charles, Oliver and Mabel bond over a shared love of true crime. Seeking a critical clue, Charles, Oliver and Mabel must infiltrate a film set to get the real "background" on why Sazz was killed. Do you watch on Disney+, Hulu or Star+? Did we miss any clues? Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq #onlymurdersinthebuilding #omitb #bloodymabel #OnlyMurders #ONLYMURDERS IN THE BUILDING Explained ONLY MURDERS IN THE BUILDING Recap ONLY MURDERS IN THE BUILDING Review ONLY MURDERS IN THE BUILDING Theory Theories s4e9 s04e09 s4e09 Directed by Jamie Babbit Writing Credits Steve Martin ... (created by) & John Hoffman ... (created by) Ben Smith ... (written by) & Alex Bigelow ... (written by) Jake Schnesel ... (story editor) & Ella Robinson Brooks ... (story editor) Pete Swanson ... (staff writer) Cast (in credits order) Steve Martin ... Charles-Haden Savage Martin Short ... Oliver Putnam Selena Gomez ... Mabel Mora Michael Cyril Creighton ... Howard Morris Meryl Streep ... Loretta Durkin Amy Ryan ... Jan Bellows Ryan Broussard ... Will Putnam Vanessa Aspillaga ... Ursula Andrea Martin ... Joy Tina Fey ... Cindy Canning Ryan Broussard ... Will Jackie Hoffman ... Uma Da'Vine Joy Randolph ... Detective Williams James Caverly ... Theo Dimas Teddy Coluca ... Lester Zach Galifianakis ... Zach Galifianakis Eugene Levy ... Eugene Levy Eva Longoria ... Eva Longoria Scott Bakula ... Scott Bakula Richard Kind ... Vince Fish Kumail Nanjiani ... Rudy Thurber Melissa McCarthy ... Doreen Jane Lynch ... Sazz Pataki Paul Rudd ... Ben Glenroy / Glen Stubbins Jason Veasey ... Jonathan Jesse Williams ... Tobert Molly Shannon ... Bev Melon Ron Howard ... Ron Howard Jin Ha ... Marshall Siena Werber ... Tawny Brothers Catherine Cohen ... Trina Brothers Lilian Rebelo ... Ana Daphne Rubin-Vega ... Inez Desmin Borges ... Alfonso Griffin Dunne ... Milton Dudenoff Jason Kravits ... Big Mike Alexandra Templer ... Helga Veanne Cox ... Dr. Maggie Erika Vetter ... Irish Nurse Jeanette Branch ... Stunt Guy #1 Vinny DeGennaro ... Stunt Guy #2 Robert Lil Bob McCall ... Stunt Guy #3 Michael McFadden ... Bartender Adam Enright ... Extras Coordinator John McEnroe ... John McEnroe Zo Tipp ... Assistant Director Produced by Dan Fogelman ... executive producer Selena Gomez ... executive producer John Hoffman ... executive producer Steve Martin ... executive producer Jess Rosenthal ... executive producer Martin Short ... executive producer Music by Siddhartha Khosla ... (music by) Consulting Producers Benj Pasek and Justin Paul

Westie or Leftie? Clue Crew, we've got 20 questions and more as the truth behind the West Tower Apartment dwellers takes another spin in a never-ending story! We review every single clue in ONLY MURDERS IN THE BUILDING Season 4, Episode 8 "Lifeboat" 00:00 Intro 00:02 20 Questions 01:48 Let's Solve Only Murders in the Building 02:27 Un-Fun: Leftie Retcon 04:10 Un-Fun: Spoilers are out there! 06:49 Credit Clue Easter Eggs 07:05 Movie Title Reference 07:51 Subscriber Goal 08:09 Victim Profile: Sazz Pataki 08:48 Stunt man Glen 09:07 The Sauce Family 09:47 Vince Fish 10:14 Rudy Thurber 10:26 Professor Dudenoff 11:48 Bev Melon 12:22 The Stars 12:36 Loretta 13:03 Doreen 13:36 Oliver 13:58 Charles 14:12 Bloody Mabel 14:34 Tin-Foil Hat Theory: First Season Lefties 19:35 Feedback 21:56 Spoiler Promo Breakdown Podcast music by Matt Murdick The murder mystery/true crime podcast spoof with Steve Martin, Martin Short and Selena Gomez! Upper West Side neighbors Charles, Oliver and Mabel bond over a shared love of true crime. Charles, Oliver and Mabel combine forces with the film actors in an epic showdown against the Westies. You can't handle the truth. Do you watch on Disney+, Hulu or Star+? Did we miss any clues? Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq #onlymurdersinthebuilding #omitb #bloodymabel #OnlyMurders #ONLYMURDERS IN THE BUILDING Explained ONLY MURDERS IN THE BUILDING Recap ONLY MURDERS IN THE BUILDING Review ONLY MURDERS IN THE BUILDING Theory Theories s4e8 s04e08 s4e08 Directed by Shari Springer Berman Robert Pulcini Writing Credits Steve Martin ... (created by) & John Hoffman ... (created by) Kristin Newman ... (written by) & Jake Schnesel ... (written by) Jake Schnesel ... (story editor) & Ella Robinson Brooks (story editor) Pete Swanson ... (staff writer) Cast (in credits order) Steve Martin ... Charles-Haden Savage Martin Short ... Oliver Putnam Selena Gomez ... Mabel Mora Michael Cyril Creighton ... Howard Morris Meryl Streep ... Loretta Durkin Amy Ryan ... Jan Bellows Ryan Broussard ... Will Putnam Vanessa Aspillaga ... Ursula Andrea Martin ... Joy Tina Fey ... Cindy Canning Ryan Broussard ... Will Jackie Hoffman ... Uma Da'Vine Joy Randolph ... Detective Williams James Caverly ... Theo Dimas Teddy Coluca ... Lester Zach Galifianakis ... Zach Galifianakis Eugene Levy ... Eugene Levy Eva Longoria ... Eva Longoria Scott Bakula ... Scott Bakula Richard Kind ... Vince Fish Kumail Nanjiani ... Rudy Thurber Melissa McCarthy ... Doreen Jane Lynch ... Sazz Pataki Paul Rudd ... Ben Glenroy / Glen Stubbins Jason Veasey ... Jonathan Jesse Williams ... Tobert Molly Shannon ... Bev Melon Jin Ha ... Marshall Siena Werber ... Tawny Brothers Catherine Cohen ... Trina Brothers Lilian Rebelo ... Ana Daphne Rubin-Vega ... Inez Desmin Borges ... Alfonso Griffin Dunne ... Milton Dudenoff Jason Kravits ... Big Mike Alexandra Templer ... Helga Veanne Cox ... Dr. Maggie Jeanette Branch ... Stunt Guy #1 Vinny DeGennaro ... Stunt Guy #2 Robert Lil Bob McCall ... Stunt Guy #3 Michael McFadden ... Bartender John McEnroe ... John McEnroe Zo Tipp ... Assistant Director Produced by Dan Fogelman ... executive producer Selena Gomez ... executive producer John Hoffman ... executive producer Steve Martin ... executive producer Jess Rosenthal ... executive producer Martin Short ... executive producer Music by Siddhartha Khosla ... (music by) Consulting Producers Benj Pasek and Justin Paul

On Wednesdays, we share our thoughts on a newer entertainment property. Currently, that's Only Murders in the Building. This week's episode gave us a deeper dive into the real (?) story of the Westies and how they formed their tight-knit, card-playing, ham-eating group. We also finally met Helga, the voice on the ham radio, and realized that Mabel is the mother hen of the podcasting trio. Mentioned: OMITB recaps at Vulture.Next week, we'll discuss S4 E9 of Only Murders in the Building, “Escape from Planet Klongo.” We'll be back tomorrow with our weekly roundup.

Strong Island in the house! Or more specifically, a house in Long Island sees the podcast trio tackling new twists and red herrings! We review every single clue in ONLY MURDERS IN THE BUILDING Season 4, Episode 7 "Valley of the Dolls" 00:00 Intro 00:02 Promo released with Spoilers 00:52 Left-Handed Message 01:28 Let's Solve Only Murders in the Building 02:24 Season 5 Returning Characters 03:10 Credit Clue Easter Eggs 03:32 Movie Title Reference 03:54 Subscriber Goal 04:11 Victim Profile: Sazz Pataki 05:44 The Westies 06:24 Bev Melon 06:58 Loretta 07:44 Howard 08:21 Doreen 08:51 Big Mike 08:59 Oliver 09:29 Charles 09:42 Bloody Mabel 10:06 Tin-Foil Hat Theory: Innocent Westies? 14:34 Feedback 17:19 Spoiler Promo Breakdown Podcast music by Matt Murdick The murder mystery/true crime podcast spoof with Steve Martin, Martin Short and Selena Gomez! Upper West Side neighbors Charles, Oliver and Mabel bond over a shared love of true crime. Terrified by a threat inside the Arconia, the trio race out of the city. A member of Charles' family provides refuge and yet, this safe house proves to be anything but. Do you watch on Disney+, Hulu or Star+? Did we miss any clues? Twitter/Instagram/Threads: @DoublePHQ http://facebook.com/doublephq #onlymurdersinthebuilding #omitb #bloodymabel #OnlyMurders #ONLYMURDERS IN THE BUILDING Explained ONLY MURDERS IN THE BUILDING Recap ONLY MURDERS IN THE BUILDING Review ONLY MURDERS IN THE BUILDING Theory Theories s4e7 s04e07 s4e07 Directed by Shari Springer Berman Robert Pulcini Writing Credits Steve Martin ... (created by) & John Hoffman ... (created by) Matteo Borghese ... (written by) & Rob Turbovsky ... (written by) Jake Schnesel ... (story editor) & Ella Robinson Brooks (story editor) Cast (in credits order) Steve Martin ... Charles-Haden Savage Martin Short ... Oliver Putnam Selena Gomez ... Mabel Mora Michael Cyril Creighton ... Howard Morris Meryl Streep ... Loretta Durkin Amy Ryan ... Jan Bellows Ryan Broussard ... Will Putnam Vanessa Aspillaga ... Ursula Andrea Martin ... Joy Tina Fey ... Cindy Canning Ryan Broussard ... Will Jackie Hoffman ... Uma Da'Vine Joy Randolph ... Detective Williams James Caverly ... Theo Dimas Teddy Coluca ... Lester Zach Galifianakis ... Zach Galifianakis Eugene Levy ... Eugene Levy Eva Longoria ... Eva Longoria Scott Bakula ... Scott Bakula Richard Kind ... Vince Fish Kumail Nanjiani ... Rudy Thurber Melissa McCarthy ... Doreen Jane Lynch ... Sazz Pataki Paul Rudd ... Ben Glenroy / Glen Stubbins Jason Veasey ... Jonathan Jesse Williams ... Tobert Molly Shannon ... Bev Melon Jin Ha ... Marshall Siena Werber ... Tawny Brothers Catherine Cohen ... Trina Brothers Lilian Rebelo ... Ana Daphne Rubin-Vega ... Inez Desmin Borges ... Alfonso Griffin Dunne ... Milton Dudenoff Jason Kravits ... Big Mike Veanne Cox ... Dr. Maggie Jeanette Branch ... Stunt Guy #1 Vinny DeGennaro ... Stunt Guy #2 Robert Lil Bob McCall ... Stunt Guy #3 Michael McFadden ... Bartender John McEnroe ... John McEnroe Produced by Dan Fogelman ... executive producer Selena Gomez ... executive producer John Hoffman ... executive producer Steve Martin ... executive producer Jess Rosenthal ... executive producer Martin Short ... executive producer Music by Siddhartha Khosla ... (music by) Consulting Producers Benj Pasek and Justin Paul

In the chaos of 1970's New York, it took a lot to shock the city. But the Westies managed to leave quite the impression. Dubbed the last of the Irish mob despite being more like an anarchic gang, they terrorized the Hell's Kitchen neighborhood of Manhattan, garnering headlines due to their penchant for daytime hits and chopping up their victims bodies.  They even managed to attract the attention of New York's five mafia families, who took notice of their numerous hits and started contracting out to them. In less than a decade though, things would get a little too messy, and they would tear themselves apart.  Learn more about your ad choices. Visit megaphone.fm/adchoices

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