Podcasts about lufs

1158: En este episodio te hablo de dos procesos esenciales en la edición de audio: la normalización y la limitación. Ambos tienen que ver con el volumen, pero cumplen funciones diferentes y complementarias. Mientras que la normalización ajusta el nivel general de sonido para mantenerlo estable y evitar fluctuaciones incómodas, la limitación se encarga de recortar los picos que podrían sobresalir de manera molesta llegando incluso a distorsionar el audio de tu episodio. Al normalizar, puedes asegurarte de que todo suene con una coherencia que facilite la escucha.Esto significa que no tendrás que subir o bajar el volumen constantemente mientras reproduces tu podcast. La normalización por picos, por ejemplo, ajusta los niveles para que el punto más alto del audio no supere un valor establecido. Por otro lado, la normalización por sonoridad, utilizando estándares como los LUFS, se centra en cómo perciben los oyentes el volumen general, lo que la hace especialmente útil para mantener la consistencia entre episodios._________________'Clásicos con altura', el podcast donde redescubrirás la literatura universal desde una perspectiva contemporánea, patrocina este capítulo. Suscríbete a este proyecto de ALMA producido por Ekos Media en tu plataforma de podcast favorita:Youtube: https://www.youtube.com/playlist?list=PLawt9jac73-TsyWAHm063PZ-QWrQJJgWcSpotify: https://open.spotify.com/show/4HDVxSoYpMeJI3bPduHDxGPodlink: https://pod.link/1786617351_________________ La limitación, en cambio, se utiliza cuando un sonido en particular—como una carcajada fuerte o una tos frente al micrófono—genera un pico indeseado. El limitador actúa como una barrera que corta esos excesos de volumen, dejando fuera todo lo que sobrepasa un umbral específico. Aunque este proceso puede ser más agresivo, es ideal para evitar saturaciones y garantizar que ninguna parte del audio destaque de forma abrupta.En mi flujo de trabajo, suelo aplicar primero una normalización básica para nivelar el audio. Luego uso un limitador para eliminar cualquier pico que pueda estropear la grabación. Finalmente, cuando tengo todas las pistas montadas, aplico una normalización por LUFS para que el resultado final tenga un volumen uniforme. Este proceso me ha ayudado a crear episodios más equilibrados y agradables para los oyentes.Conocer estas herramientas y sus aplicaciones te permitirá entregar un producto más profesional y agradable de escuchar. De todas formas, no te fies de mi experiencia porque ni yo mismo lo hago siempre igual. Te invito a experimentar y encontrar la combinación que mejor se adapte a tu estilo y al tipo de contenido que produces.Si necesitas ayuda para mejorar la calidad de tus episodios o deseas profundizar más en estos conceptos, no dudes en contactarme. Estoy aquí para ayudarte a sacar el máximo partido a tu podcast. Puedes hacerlo a través del correo jorgemarin@eove.es¿Qué son los LUFS y cuál es el nivel idóneo para un podcast?https://alotroladodelmicrofono.com/que-son-los-lufs-y-cual-es-el-nivel-idoneo-para-un-podcast/_________________Consigue tu entrada para el directo de 'El Recuento Musical' el 10 de mayo en las Podnights Madrid a través de Eventbrite https://www.eventbrite.es/e/entradas-el-recuento-musical-en-podnight-madrid-1320889328539_________________¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting!Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unetePor otro lado, puedes suscribirte a la versión compacta, sin publicidad y anticipada de este podcast, 'El destilado del micrófono' a través de la plataforma Mumbler a través de: https://alotroladodelmicrofono.com/destilado (Puedes escucharlo en cualquier app de podcast mediante un feed exclusivo para ti).Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazonLa voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.'Al otro lado del micrófono' es una creación de EOVE Productora.

Send me a messageIn this episode of Inside The Mix, mastering engineer Ian Shepherd demystifies loudness metrics and debunks common mastering misconceptions while offering practical advice for producers looking to improve their masters without chasing arbitrary targets. Ian explains the role of LUFS in mastering, why normalization matters, and how focusing on musicality and dynamics leads to better results than simply hitting a loudness target.What You'll Learn: • LUFS measurements explained – momentary, short-term, and integrated loudness • How many LUFS should my master be? Understanding the balance between dynamics and loudness • The truth about LUFS for Spotify – why 83% of users never change loudness normalization settings • What does LUFS stand for? And why it's just one piece of the mastering puzzle • How normalization impacts your music across different streaming platforms • The role of audio normalization in creating a consistent listening experience • Why AI mastering struggles to match the emotional intent of human engineers • Spotify's approach to loudness and what it means for your masters • Internal dynamics – how balancing different sections of your song enhances clarity and impact • The mastering feedback loop – why collaboration between engineers and artists is keyIf you want your music to stand out in today's Spotify-dominated landscape, don't obsess over loudness numbers. Instead, focus on musicality, dynamics, and emotional impact. Test how your tracks sound at normalized streaming levels, and let the music, not the meters, drive your mastering decisions.Links mentioned in this episode:Listen to the Mastering Show PodcastMastering Engineer Reacts to 8 Pro Mixes of the Same SongHigher LUFS - do they REALLY always sound louder?YouTube ruined all my videos - UNLESS you disable this setting...Loudness Penalty: AnalyzePerception AB Support the showBook a FREE 20-minute Producer Potential Discovery Call Follow Marc Matthews' Socials:Instagram | YouTube | Synth Music Mastering Thanks for listening!!

As we bid farewell to 2024, this special episode of Inside The Mix celebrates your incredible musical wins while providing actionable tips to elevate your music production journey. My co-host, Aisle9, and I reflect on the year's highlights, share listener achievements, and answer your burning questions about mixing, mastering, and making meaningful progress as a musician.Whether you're wondering what is gain staging, how to get rid of mud in a mix, or how many reverbs to use in a mix, this episode is packed with practical advice and inspiration to kickstart your 2025 music goals.What We Cover:Celebrating inspiring listener wins, from mastering collaborations to personal breakthroughs.Breaking down the essentials of what is gain staging and its impact on sound quality.Exploring what is the best LUFS for mastering to meet industry standards.Proven strategies on how to get rid of mud in a mix for clarity and balance.Tips on how many reverbs to use in a mix for depth without over-complication.The importance of community and networking for creative growth.Setting achievable music goals for the upcoming year.Join us in reflecting on the power of collaboration, community, and creativity as we step into the new year with renewed energy and inspiration!Got feedback? I'd love to hear from you! Click here to leave a review, share your social media handles or website, and get featured in a future episode.Plus, one lucky reviewer will win a Starbucks voucher each month! Support the showWanna release more music in just 28 days? Click here Follow Marc Matthew's Socials:Instagram | YouTube | Synth Music Mastering

1086. En este episodio hago un repaso especial a los capítulos más votados de 2024 por la comunidad del canal de Telegram. Recordad que cada sábado lanzo encuestas para que los oyentes, seleccionen sus episodios favorito de la semana. A final de año (y a final de temproada) recopilo esos capítulos que más han gustado y los rescato en estos recopilatorio, para aquellos que habéis llegado hace poco al podcast, o quizás, se os hayan escapado aún siendo oyentes habituales. El primer episodio más votado este año fue "898. ¿Cuánto cuesta producir un podcast?", donde reflexioné sobre el amplio abanico de presupuestos en el podcasting, desde cero euros hasta cifras millonarias. Le siguió el titulado "903. ¿Por qué bajan las descargas de los podcasts desde hace meses?", un capítulo en el que expliqué cómo los cambios de Apple Podcasts afectaron al sector desde septiembre en 2023 debido a un cambio en sus sistema de auto descargas. Otro de los destacados fue "906: La eterna pregunta ¿Cuánto debe durar un podcast? Hoy, reflexión gracias a Podnews", donde concluí que la duración ideal depende del contenido y del propio creador. Durante el año, episodios de opinión y reflexión dominaron las votaciones cada sábado. Por ejemplo, "903 Opinión: De desagradecidos está el podcasting lleno" dio un tirón de orejas a los creadores que descuidan a sus comunidades, mientras que "928 Opinión: Los podcast no deben pensar en audiencia, si no en comunidad" estuvo centrado en la importancia de cuidar a los oyentes. También sobresalieron capítulos prácticos, como los dos decálogos para invitados (941) y anfritiones (947) de podcast, pensados para crear una experiencia cómoda tanto para invitados como para anfitriones. En el terreno técnico, el episodio "957 ¿Qué son los LUFS y cuál es el nivel idóneo para un podcast?" me sorprendió por el interés que generó entre los oyentes, explicando un tema que parecía demasiado técnico pero que clarificó dudas comunes tanto para los creadores como para los consumidores. Otro favorito fue el debate con Xavi, Leo y Toni, todos compañeros podcasters, sobre si Dulceida y Alba Paul realmente justificaban su polémico caché de 500.000 euros por su podcast "Camino hacia las estrellas" (958). Mención especial merece el capítulo con José Antonio Gelado, el primer creador de podcast en España, publicado coincidiendo con el episodio número 1000 del podcast, que arrasó en las votaciones y es, sin duda, uno de los grandes hitos del año y de la historia del podcast.A lo largo del verano, episodios como el 984 "¿Sabes que Ivoox nació gracias a un conductor aburrido? La historia de Juan Ignacio Solera" o el directo de JPOD24 de Valencia "1055 ¿Qué significa tener éxito en un podcast?"  también destacaron, ofreciendo un equilibrio entre información y punto de debate rodeado de grandes amigos. Más adelante, capítulos como "1033 Opinión: Tu podcast es único en el mundo (y tu podcasting también)" reafirmaron la idea de que el éxito en podcasting reside en la autenticidad y no tanto en el impacto o número de descargas. Quiero finalizar este repaso destacando LO FUNDAMENTAL que es vuestro feedback cada sábado. Sin vuestos votos en las encuestas semanales del canal de Telegram, esta lista no sería posible. La búsqueda de un mejor contenido es contínua gracias a vuestro apoyo y poco a poco se va reflejando en los números del proyecto, así como en vuestros comentarios. Os animo a seguir votando y a formar parte activa de la comunidad. Si aún no os habéis unido, podéis hacerlo en https://t.me/alotroladodelmicrofono_________________¿Ya has descubierto las novedades de la campaña de crowdfunding de Podnights Madrid 2025? Consulta el Verkami en este enlace: https://www.verkami.com/projects/39635-podnights-madrid-2025_________________Este capítulo llega a tus oídos gracias a 'Efemerides Podcast', el programa que repasa los hechos históricos acontecidos de cada día del año en formato semanal. Presentado por David Tella y distribuido en todas las plataformas. Suscríbete a través de tu favorita entrando en el siguiente enlace https://pod.link/1078972069_________________¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting!Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unetePor otro lado, puedes suscribirte a la versión compacta, sin publicidad y anticipada de este podcast, 'El destilado del micrófono' a través de la plataforma Mumbler a través de: https://alotroladodelmicrofono.com/destilado (Puedes escucharlo en cualquier app de podcast mediante un feed exclusivo para ti).Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon o comprando culquiera de los cursos de edición de audio, locución y producción musical de Hoy Grabo mediante https://alotroladodelmicrofono.com/cursoshoygrabo La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín.'Al otro lado del micrófono' es una creación de EOVE Productora.

Endlich bekommen wir mal einen Blick hinter die Kulissen einer Podcastproduktion: Die Menschen, das Drama, die Technik und noch viel viel viel viel mehrVielen Dank an Tobias, Max, hand und Svenja für das Intro!Hier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/daspodcastufo Hosted on Acast. See acast.com/privacy for more information.

On this Reaproducer episode of Audio Pizza, I will go over the basic workflow I use when recording and editing a podcast. Recording Typically, we use Zoom to connect with each other but then make our own local recordings of our ends. This way, we have good, pristine copies ready for editing. On the Mac, I use Audio Hijack or Reaper to do the recording. Once I have each of the individual files from the participants, I rename them with short filenames to cut down screen reader verbosity when navigating the project. I save a Reaper project and paste the files straight into the blank project, ready for editing. Project Settings To make navigating the audio easier for this type of editing, in the View menu, I change the Time unit for ruler to Minutes and Seconds, and Press Option+Return to access project settings, to adjust the tempo to 60, and time signature to 60 over 4. This may not make a lot of sense musically; however, it is useful for navigating by minutes with Page Up and Page Down, and seconds with Command+Page Up and Page Down. These can then be set as default project settings if you wish and it will also then retain your choice for the time ruler. Normalising After pasting the files into their own tracks in the project, I select all the items by first selecting one item, and then extending the selection with Command+A to all the items. I use Shift+U to bring up the SWS/BR - Normalize loudness dialog. This gives me the option to normalise each item to my preferred starting value of –23 LUFS. It is a good idea to add a limiter to your master track at this point, as it's possible that some parts of the recording will be coming in above 0 dB and clipping. Item: Auto trim/split items (remove silence) Control+Accent will bring up this dialog. As the name suggests, it works on the items rather than the tracks and will split each selected item based upon the content of the item. Where the level is above the set threshold, in this case, where the particular person is talking, it will leave an item, and anywhere where the level falls below the threshold, it will remove an item. So in those locations on the track where the level was below, the track will be empty. In effect, if set correctly, it will split before and after each passage of speech and remove the rest. This has some significant benefits and can speed up the editing process. You can now quickly navigate to particular parts of the audio and make the desired change on that item. This might be adjusting the volume of a phrase, removing a section, or shifting around the content of the podcast. However, it's important that your original files have a nice low noise floor, as when the quiet sections are removed, there is complete silence on that track. This can be disconcerting for the listener if there's too much noise in the sections when the person is speaking and this cuts in and out. Basic Editing You can navigate to an item to be removed with Command+Left/Right Arrows, and delete, or cut and paste it to another location with Command+X and Command+V. Keep in mind your current ripple state: off, or all tracks. Usually, you would not want to use the ripple per track option as you are likely to make subsequent content go out of sync. If a particular item is too loud or too quiet, it can be quickly adjusted with Command+Up/Down Arrow. This will adjust the particular take within the item by 1 dB. Trimming Left or Right Edge of Item to Edit Cursor One quick way of cutting off the end of an item is to use the action found on Control+Shift+Period — Item edit: Trim right edge of item to edit cursor. Typically, you could split the end of the item off, select that item, and delete it. However, if you place your cursor in the same location you would have made the split, and trim the right edge to that point, you've accomplished the same thing with one keystroke. This can be used to extend an item as well. Place the edit cursor after the selected item, and again hit the same command, and it will grow back that edge to this point. Of course, the same works for the beginning of an item, using the Trim left edge to edit cursor command. You can either cut the beginning off or grow it back depending upon where you place your cursor compared to the selected item. Another benefit of using this method is that it does not matter how you have ripple set. Had you used the split and delete method, it would be prudent to first check your ripple state to avoid unintended consequences. Custom Actions If you find yourself performing sequences of actions commonly, you may wish to create custom actions that will allow you to perform the actions with one keystroke. I found that I was often setting the end of a time selection, jumping back a bit and then playing, skipping the time selection to preview the edit. This is one of the custom actions I demo along with a couple more. To create a custom action, go into the actions list with F4, click the New action button, then select New custom action. You are then able to add a series of actions to create your own custom action. If you have actions in the wrong order, you can move them in the list with Command+Up/Down Arrows. After completing this, you can add a keystroke to the action to have quick access to it whilst editing. Adding Intro Music and Volume Automation If you wish to add some music to the intro of your podcast once you have finished the editing of the vocal tracks, just paste the file in on its own track with ripple turned on for all tracks. This will insert the music and keep all the other tracks in sync. If the music is to come in under the vocal tracks, have ripple turned off, or check out the podcast to see a quick method of moving everything around. Command+Option+V will show the volume envelope for the selected track, and then Option+L to arm that envelope. You can then add points with Shift+E and adjust the values with Numpad 2 and 8, or Command+Shift+E to add and edit a point. Fading an item out from the edit cursor is another quick way of dealing with your music. Final Levelling and Rendering If you're wanting to have chapter markers in the podcast, insert standard named project markers with the syntax CHAP=Name of chapter. Use Shift+M to add and name the markers. When it comes to rendering, in the dialog tick the Metadata checkbox, and the MP3 will have chapters included with the supplied names. There are a number of different tools to check levels and loudness within Reaper. One good option is the action Calculate loudness of master mix within time selection via dry run render. This will give an accurate representation of the final integrated loudness figure, along with the peak value, and other loudness stats. We also have the Peak Watcher, on Option+W, this can provide integrated loudness levels along with true peak throughout the editing process, however it's not covered on this podcast. To adjust your levels, again you have a lot of options at different parts of the signal chain. One is to select all the items on the track with Command+Option+A and then adjust with Command+Arrows. Or you can adjust the actual track volume with Option+Arrows, or Option+Shift+Arrows. If you have folders for the vocal tracks, this can be a good place to turn up or down the overall volume before it gets to the master track where you have a limiter. Press Command+Option+R to render out your final file with your desired settings. Typically for podcasts, for maximum compatibility, MP3 is still recommended, even though we now have better lossy formats. An integrated LUFS value near –16 dB is a generally accepted standard. List of Actions Used Option+Return - Open Project Settings Command+A - Select all items/tracks/envelope points (depending on focus) Shift+U - SWS/BR: Normalize loudness of selected items/tracks… Shift+Home - Custom: Select from cursor to start of project Control+Accent - Item: Auto trim/split items (remove silence) Command+Shift+P - OSARA: Report ripple editing mode Option+Shift+P - Options: Cycle ripple editing mode Control+Shift+Comma - Item edit: Trim left edge of item to edit cursor Control+Shift+Period - Item edit: Trim right edge of item to edit cursor Shift+A - Xenakios/SWS: Select items under edit cursor on selected tracks Command+Option+A - Item: Select all items in track Command+Up/Down - Xenakios/SWS: Nudge active take volume up/down Option+Up/Down - Track: Nudge track volume up/down Option+Shift+Up/Down - Xenakios/SWS: Nudge volume of selected tracks up/down Left Parenthesis - Time selection: Set start point Right Parenthesis - Time selection: Set end point Option+Space - Transport: Play (skip time selection) Option+Left/Right Parenthesis - Time selection: Nudge left edge left or right Command+Left/Right Parenthesis - Time selection: Nudge right edge left or right Slash - Scrub: Toggle looped-segment scrub at edit cursor Command+L - Editing.RPP Command+Option+V - OSARA: Toggle track/take volume envelope visibility (depending on focus) Option+L - OSARA: Select next track/take envelope (depending on focus) Shift+E - Envelope: Insert new point at current position (remove nearby points) Option+Shift+E - Envelope: Add/edit envelope point value at cursor Numpad 2 - Item edit: Move items/envelope points down one track/a bit Numpad 8 -  

We're on Patreon now! Find us at https://www.patreon.com/AudioUnleashed This week, Brent and Dennis kick things off with everyone's favorite: a vocabulary lesson! What's the difference between decibels and SPLs, and how are those distinct from loudness? Also, what the heck are LUFS? Next: If EarFun's new earphones are all that, why pay more? And can Sonos un-punch its own face? Buy-now links for products mentioned herein (As Amazon Associates, we may earn a small cut from qualifying purchases):

Jouni berättar lite mer om förberedelserna inför sitt Ulvtharmgig i Tyskland och Niklas svarar på en lyssnarfråga från våran Discord om mastring. Sen så undrar vi, vad är egentligen AutoDub? Detta och mycket mer i dagens avsnitt av Kortklippt, häng med!Länklista:1.) Tower Transmissions X - https://towerpromotions.bigcartel.com/product/tower-transmissions-x2.) Paul Tremblay, Horror Movie - https://www.goodreads.com/book/show/200101541-horror-movie3.) Hoy, All The Things - https://album.link/i/17629712484.) LUFS - https://www.peak-studios.de/sv/lufs/5.) EMOM #2 information samt hur en blir medlem - https://www.emom.se Hosted on Acast. See acast.com/privacy for more information.

Don't sweat the noise too much! Harold talked about derressering masters, iZotope RX ninja tips, phase aligning mixes, how to use mid side eq, mastering Moogs, bass wins in big vs small control rooms, LUFS targets, and why linear eq + hip hop = bad. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Harold LaRue, a GRAMMY-winning mastering engineer in Houston, Texas. Harold's recent clients include contemporary jazz masters: The Wayne Shorter Quartet, Terri Lynn Carrington, and Joey Alexander — synth sorceress: Lisa Bella Donna, and R&B legend: Jeffrey Osborne. Harold has worked as a software developer, pro-audio service manager, theatrical sound engineer, and restaurateur and was the monitor engineer for the Houston Symphony Orchestra before leaving to focus on his growing mastering business. As an audio educator, Harold has developed and taught studio production and mastering courses at universities and recording schools across the country. He continues to present public workshops and teach privately. He is a Voting Member of the Recording Academy's Producers & Engineers Wing, Audio Engineering Society, and the International Alliance of Theatrical Stage Employees. Check out our previous interview on episode RSR225 to learn more about Harold's backstory. I want to dedicate this episode to the late great audio designer and engineer Glenn Coleman whom Harold introduced me to at NAMM 2020.  THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://gracedesign.com/ https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/58TfiVHWwU5CSfNoamAErb?si=55dc63a967b24511 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/463

Thank you for being a subscriber to this exclusive content! ⁠SUBSCRIBE TO YOUTUBE⁠ ⁠Join the ‘Mixing Music Podcast' Discord!⁠ ⁠HIRE DEE KEI⁠ ⁠HIRE JAMES⁠ Find Dee Kei Braeden, and Jame on Social Media: Instagram: ⁠@DeeKeiMixes⁠  ⁠@JamesDeanMixes⁠ Twitter: ⁠@DeeKeiMixes⁠  ⁠CHECK OUT OUR OTHER RESOURCES⁠ Join the ‘Mixing Music Podcast' Group: ⁠Discord⁠ & ⁠Facebook⁠ The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Spreaker⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like Keyshia Cole, Trey Songz, Ray J, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Phresher, Lucky Daye, DDG, Lil Xan, Masego, $SNOT, Kanye West, King Kanja, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. This show is filmed at IN THE MIX STUDIOS located in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.

Why do LUFS matter more than decibels for your podcast? Unpack the difference and a lot more as we explain the crazy jargon podcast editors need to know.Episode Notes: https://podcasteditorsmastermind.com/episode/the-terminology-survival-guide-for-podcast-editors Follow the Podcast Editors MastermindRate and Review the Podcast Editors MastermindLeave text or voice feedbackYou may not know this, but there's a TON of jargon in the podcasting space - especially for those of us who are involved in producing shows. Sometimes the words we use are clear and sometimes they may have multiple meanings.Join us for this valuable episode where we discuss confusing and commonly misunderstood words.But you know us - that's not enough. Almost nobody wins an award for vocabulary. However... if we can translate those words to what's important for our clients, we have a better chance of winning their business.And that's what we want, isn't it?To do our jobs well, get paid for it, and have happy clients.So, let's get to it!Key Discussion PointsIs echo really the problem you're dealing with?Acoustic tiles are ineffective for soundproofing your studio.What matters more in podcasting - LUFS or dB?What's the difference between a producer, engineer, and editor in podcasting?Is dynamic insertion just for ads?Links And ResourcesAccentize dxRevive - AI Speech Restoration Audio PluginSupertone ClearWhat is the Fletcher Munson Curve?About Jesse McCuneJesse is no stranger to the Podcast Editors Mastermind. He's a podcast engineer who also provides training and coaching at tansyasteracademy.com. You should check it out!Connect with Jesse McCuneTansyasteracademy.comJoin Us Live!We stream live to our Facebook page and to YouTube every other week. Our EditorThis episode of the Podcast Editors Mastermind was edited by Bryan Entzminger. You can find him at TopTierAudio.com if you're interested in talking with him about editing your show.Be a GuestIf you're a podcast editor, we'd love to see if you'd be a fit for a future episode. Fill out this form to let us know you're interested, and we'll contact you to see if it's a good fit. Your Yetis AreDaniel Abendroth | Roth MediaCarrie Caulfield | Carrie.LandBryan Entzminger | Top Tier AudioJennifer Longworth | Bourbon Barrel Podcasting

In episode 2, Scott and Tippens discuss interfaces, monitors, plugins, loudness, LUFS, producers they like and how people are listening to music.

In this episode I detail my production workflow for my new show, Fractal Bitcoin. I publish daily episodes both as video and audio-only. Fractal Bitcoin covers Bitcoin news and other Bitcoin topics.  Overview my current audio equipment setup:  RE20 microphone — https://products.electrovoice.com/na/en/re20/ sE Electronics DM1 Dynamite Active Inline Preamp — https://seelectronics.com/products/dm1/ Neve Portico II Channel Strip — https://www.soundonsound.com/reviews/rupert-neve-designs-portico-ii-channel Sound Devices MixPre-6 Gen.1 — https://www.sounddevices.com/product/mixpre-6/ Overview my production workflow:  Gather posts and news stories from Nostr, X and a few other industry websites. (Takes me around 2 hours)  Order all the posts and stories for the shownotes.  Create a title for the episode.  Create a 16x9 thumbnail for the episode using ChatGPT which uses DALL-E 3 to generate images. — https://chatgpt.com/ Restart my computer.  Arrange all the browser tabs.  Open OBS Studio and do a short test recording. (My audio levels, video camera and lighting stay the same everyday)  I record my episode as if it's LIVE to a .mov file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 2304 kbps. (My average video is about 15 min. long, which ends up being around a 2Gb .mov file)  First I produce the video: Process the audio in iZotope RX:  Make it a mono file, usually Silence any lipsmacks and noises (can't delete anything because the audio has to line up with the video) Level it to -16.5 LUFS mono or -13.5 LUFS stereo (for video) Save it as a 32-bit .wav file Bring the raw video and processed audio into Screenflow. Usually I don't need to make any edits but sometimes I do. — https://www.telestream.net/screenflow/overview.htm Render the video as a .mp4 file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 256 kbps and audio sample rate at 48kHz. (The resulting file size ends up being the same as the raw video recording — about 2Gb for a 15 min. long file)  Upload and publish the video to YouTube, Rumble, Bitchute, TikTok, and Flare.pub (a Nostr platform to which I upload a smaller 960x540 version) I promote my YouTube video on Nostr, X, Instagram, LinkedIn, and a few other platforms.  I also post the Youtube link to my Locals community that I'm growing.  I also use Opus Clip to create 5 shorts from each of my daily videos. I post all 5 to YouTube Shorts, Instagram Reels, TikTok and LinkedIn. — https://www.opus.pro/ Then I produce the audio-only podcast: I edit the audio a bit:  Remove any isolated umms and flubs Reduce the length of any dead air, if there is any, in order to speed up the pacing slightly.  Level it to -18.5 LUFS mono or -15.5 LUFS stereo (for audio-only podcast)  Save it as a 32-bit .wav file as well as an .mp3 file (96 kbps mono or 192 kbps stereo).  Tag the .mp3 using ID3 Editor. — http://www.pa-software.com/id3editor/ Upload .mp3 to Captivate along with shownotes and publish. — https://www.captivate.fm/ For my website I use Podpage which automatically brings in each podcast episode from Captivate as a blog post. I'm able to quickly optimize the post, add the YouTube video, and add images, etc. — https://www.podpage.com/ FRACTAL BITCOIN LINKS:  YouTube — https://www.youtube.com/@fractalbitcoin Rumble — https://rumble.com/c/c-5471042 Twitter — https://twitter.com/fractalBitcoin Nostr — https://nostr.com/npub1jz42cy8qxw6dres86sn0cr42hww24pnjqssa4k9wxqvzm5l0mvqsq2f5ku Instagram — https://www.instagram.com/fractalbitcoin/ A GREAT BITCOIN RESOURCE:  BOOK — The Bitcoin Standard by Saifedean Ammous — https://saifedean.com/tbs OTHER NOTES: The start date for the next PES semester is JUNE 4, 2024! (fyi, the course is delivered once per quarter) Check out the PES YouTube channel. My smaller course for editors/producers who want higher-paying clients: Getting New Clients at Higher Rates.  Let me know if you have any questions or need any help with anything, ~Chris

Reach out! Let us know your questions & comments.In this live Q&A episode of the 52 Cues podcast, Dave tackles questions on the importance of reference tracks, offering tips on using them creatively while analyzing harmonic structures, instrumental textures, and rhythmic languages. He also talks about LUFS targets for quiet music, layering strategies for various cue types, managing low-end frequencies in hip-hop, the impact of AI on music, and the evolving role of analog vs. digital equipment. Watch this episode on YouTube!https://youtu.be/2l7ttjV7pw0  Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Album Accelerator – a self-paced program with over 6.5 hours of video content, discussion threads, articles, and resources which guides you through the entire process of creating a production music album. Plus you'll receive a 90-minute, one-on-one session to listen through your album and discuss strategies for library placement. Head over to 52cues.com/accelerator to sign up today!

In this enlightening episode, Dr. Tara shines a light on Luteinized Unruptured Follicle Syndrome (LUFS), a lesser-known but impactful condition affecting women's ability to conceive. Join her as she delves into the intricacies of LUFS, discussing its symptoms, causes, and available treatment options. Whether you're navigating fertility challenges or seeking to deepen your understanding of reproductive health, this podcast offers invaluable insights into LUFS and its implications for conception. Let Dr. Tara help you!   LEARN for FREE from Dr. Tara JOIN Dr. Tara on TikTok Come say hi over on Tara's Instagram 

952. ¿Sabes lo que significa la unidad de medida sonora LUFS? En este episodio te explico en qué consiste y cuál es el nivel recomendado para las principales plataformas de podcast. Esto te ayudará a enviar tus episodios con los estándares recomendados de volumen.Aquí tienes los requisitos que recomienda la plataforma Apple Podcast https://podcasters.apple.com/es-es/support/893-audio-requirementsSi quieres ver y escuchar con ejemplos las diferencias entres LUFS, RMS y DBs, te recomiendo que te pases por este video de Youtube del canal de Matzz https://www.youtube.com/watch?v=Irq-IANWLCkEste episodio está patrocinado por 'Lo que nos preocupa' el podcast de Argal en el que hablan de los temas que más nos ocupan a todas y todos como sociedad. Escucha todos sus episodios mediante el siguiente enlace: https://pod.link/1737039161Ya puedes hacerte con tu entrada para la próxima Podnights Madrid del 10 de mayo y venir a disfrutar de la grabación de '¿Quedamos para un café?' en el Artistic Metropol. Tienes toda la información en el siguiente enlace: https://www.eventbrite.es/e/entradas-quedamos-para-un-cafe-en-podnight-madrid-860456367157Recuerda que puedes apoyar o patrocinar este podcast a través de mi perfil en Ko-Fi entrando en: https://alotroladodelmicrofono.com/cafe o si lo prefieres comprar merchandising oficial del podcast en https://alotroladodelmicrofono.com/tienda. Si quieres apoyarlo sin ningún coste para ti, puedes hacerlo realizando tus compras en Amazon a través de mi enlace de afiliados de Amazon: https://alotroladodelmicrofono.com/amazonTe recomiendo echar un vistazo a los cursos sobre edición de audio, locución y creación de podcast de Hoy Grabo. Puedes echar un vistazo a través de este enlace https://alotroladodelmicrofono.com/cursoshoygrabo Revisa la pestaña de Servicios del Ko-Fi si quieres que tu proyecto se convierta en el patrocinador de este podcast o bien contratar alguno de los servicios que ofrezco. Puedes escoger entre un episodio temático, un patrocinio semanal, quincenal o mensual, grabar tu podcast en vivo o una consultoría dedicada. Si quieres crear tu propio proyecto sonoro, puedo ayudarte desde EOVE Productora, te recomiendo visitar https://eove.es/contacto Si no quieres perderte ninguna de las recomendaciones, noticias, herramientas, eventos o curiosidades relacionadas con el podcasting te recomiendo unirte al canal de Telegram del podcast a través de: https://alotroladodelmicrofono.com/telegram o bien, siguiendo mi cuenta de Twitter: @Eove a través de https://twitter.com/eoveLa sintonía que me acompaña en cada episodio pertenece a Jason Shaw y su título es 2 Above Zero. La voz de la intro es de Juan Navarro Torelló. La voz de los indicativos es la de Carmenia Moreno. El guión, locución e idea original es de Jorge Marín y la producción corre a cargo de EOVE Productora.

You can't go a day without someone telling you how loud your music should be, these days. "Everything has to be -8 LUFS" "EDM has to be -6 LUFS or louder" "-11 is the perfect balance" "Just master everything to -14" ...but they can't all be right ! In fact, none of them are, and even more importantly, they may not even be talking about the same thing. And the differences are really important. So in this episode I try explain really clearly and concisely: The 3 different types of LUFS The difference between them Why it's crucial to know which type you're talking about Why mastering to integrated targets makes no sense When -14 LUFS isn't loud enough – and why ? Why it's not about ‘how loud', it's about how you make it loud Why integrated LUFS values are the result, not the goal of mastering Full show notes on our website https://themasteringshow.com/episode-92

Thank you for being a subscriber to this exclusive content! ⁠SUBSCRIBE TO YOUTUBE⁠ ⁠Join the ‘Mixing Music Podcast' Discord!⁠ ⁠HIRE DEE KEI⁠ ⁠HIRE JAMES⁠ Find Dee Kei Braeden, and Jame on Social Media: Instagram: ⁠@DeeKeiMixes⁠  ⁠@JamesDeanMixes⁠ Twitter: ⁠@DeeKeiMixes⁠  ⁠CHECK OUT OUR OTHER RESOURCES⁠ Join the ‘Mixing Music Podcast' Group: ⁠Discord⁠ & ⁠Facebook⁠ The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Spreaker⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei and Lu are both professionals in the Los Angeles music industry having worked with names like Keyshia Cole, Trey Songz, Ray J, Smokepurrp, Benny the Butcher, Sueco the Child, Ari Lennox, G-Eazy, Phresher, Lucky Daye, DDG, Lil Xan, Masego, $SNOT, Kanye West, King Kanja, Dreamville, BET, Universal Music, Interscope Records, etc. This video podcast is meant to be used for educational purposes only. This show is filmed at IN THE MIX STUDIOS located in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.

Welcome to Pocket-Sized Podcasting, brought to you by Alitu: The Podcast Maker. And on this episode, we’re asking the question “how loud should a podcast be?” We’ve talked about having consistent volume levels throughout your episodes. But what about the overall volume level of your show compared to other podcasts? Audio loudness is measured in something called “LUFS”, which means “Loudness Units relative to Full Scale”. Sound exciting, eh? Recommended podcast loudness varies, depending on who you ask, and whether your episode is mono or stereo. But a good ballpark to aim for is between -16 and -21 LUFS. You can set this process up in a DAW like Adobe Audition. Or, it’s yet another factor that Alitu takes care of for you automatically, without you having to know anything about it. However you go about it though, your listeners will be grateful when they land on your episode after listening to another show. For a deeper dive on this topic, head on over to http://thepodcasthost.com/loudness

This week, we're diving into the world of LUFS (Loudness Units Full Scale) and discussing why knowing about this one little thing can make or break how “listenable” your podcast is.Connect with Rue:https://www.sonivia.comhttps://www.instagram.com/soniviastudios/ Special Offer:Grab your free 12 week podcast planner here: https://stan.store/soniviaDon't Forget:- Subscribe to Up An Octave to never miss an episode!- Leave a review and rating, I so appreciate your feedback.This week's question comes from Dani!Share the Love:Loved this episode? Share it with your friends, family, and colleagues who are interested in podcasting. There's no gatekeeping over here!I'll be back next Tuesday passing the mic to Erin and Meghann from My Skeptical Sister!Music Credit: Up An Octave Theme by Rue Spence with additional vocals provided by Darnell SpenceUp An Octave is hosted by Rue Spence of Sonivia. Up An Octave is a podcast for women and nonbinary people who are ready to take up space in podcasting to share their voices with the world.

In this episode I dive into the world of AI and podcasting, including how I use AI and what I think is worth automating with AI and what I'd skip.Connect with Rue:https://www.sonivia.comhttps://www.instagram.com/soniviastudios/ Special Offer:Grab your free 12 week podcast planner here: https://stan.store/soniviaDon't Forget:- Subscribe to Up An Octave to never miss an episode!- Leave a review and rating, I so appreciate your feedback.This week's question comes from Chantal at Don't Judge a Girl By Their Size which is launching soon!Share the Love:Loved this episode? Share it with your friends, family, and colleagues who are interested in podcasting. There's no gatekeeping over here!I'll be back next Tuesday to talk about LUFS and making your podcast comfortable to listen to.Music Credit: Up An Octave Theme by Rue Spence with additional vocals provided by Darnell SpenceUp An Octave is hosted by Rue Spence of Sonivia. Up An Octave is a podcast for women and nonbinary people who are ready to take up space in podcasting to share their voices with the world.

In this episode Adelaide shares how monitored cycles work, her experience, all about LUFS (luteinizing enraptured follicle syndrome, and where they are with their TTC journey and next steps.  

Today on PodTip we break down loudness metering in podcasting. What is it? How do we do it? What is a LUFS? And do we need to do it for a successful podcast?This is building on a recent article from PodNews which you can find here.Resources Mentioned:Loudness.infoAuphonicGaragebandAudacity Hosted on Acast. See acast.com/privacy for more information.

In this episode I cover editing your podcast and striking the balance between polished sound and authenticity in your podcast.For the listener question, we support Rachel at Femythology with a question about how to edit efficiently. Check out Rachel's show at: https://open.spotify.com/show/5Xh7CFJMbbhLw8vzbQ1kgV?si=99947bc49fb045bbIf you're trying to figure out your editing workflow, build confidence in the editing chair, and learn how editing can make your show feel more like “you” AND make you feel more confident as a podcaster then this is the episode for you! I cover LUFS, filler words, breaths, content editing vs. quality editing, and more to help make your show the best it can be.Connect with Rue:https://www.sonivia.comhttps://www.instagram.com/soniviastudios/ Special Offer:From now until October 31st, I'm offering $50 off your podcast launch package when you mention Up An Octave while booking your free call here: https://www.sonivia.com/book-onlineDon't Forget:- Subscribe to Up An Octave to never miss an episode!- Leave a review and rating, I so appreciate your feedback.Share the Love:Loved this episode? Share it with your friends, family, and colleagues who are interested in podcasting. There's no gatekeeping over here!I'll be back next Tuesday with my first episode in the Pass The Mic series to interview podcasters about their shows and experiences in the industry. For this one I'm talking with Urvi Shah of Soul Diaries, and it is a wonderful conversation.Up An Octave is hosted by Rue Spence of Sonivia. Up An Octave is a podcast for women and nonbinary people who are ready to take up space in podcasting to share their voices with the world.Music Credit: Up An Octave Theme by Rue Spence with additional vocals provided by Darnell SpenceUp An Octave is hosted by Rue Spence of Sonivia. Up An Octave is a podcast for women and nonbinary people who are ready to take up space in podcasting to share their voices with the world.

If you are looking for audio mastering tips on what are LUFS and true peak, short-term LUFS in audio mastering, and what should my true peak be. Then check out EP 101 of the Inside The Mix podcast.Ready to level up your music mastering skills? Promise you, this episode is a platinum mine. We're revealing the secrets of setting up a stellar mastering template and pinpointing True Peak levels and short-term Loudness Unites Full Scale (LUFS) levels like a pro. We're also showing you how to seamlessly mark these levels in Reaper using the RX Audio Editor, a technique I owe to the brilliant minds at Panorama Mixing and Mastering and Nick Di Lorenzo. If you've been on a treasure hunt for a free application or plugin similar to RX Audio Editor, you're not alone. Let's ponder the possibilities together.Mastering that killer track is about to get easier for you. We're putting a spotlight on the importance of creating markers for both the True Peak level and Max Short-Term LUFS level. We'll explain why a three-second lead-in time to the Max Short Term LUFS value is crucial and how to mark your track at the three-second point like a boss. But we're not stopping there. We're sharing my top five free mastering plugins, which you can find at synthmusicmastering.com or through the link in our episode description. Get ready to transform those peaks with the RX Audio Editor and create music that's next level.✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Download the 5 Essential Free Mastering Plugins guide and immediately take your music mastering to lofty new heights. Download for free at: https://www.synthmusicmastering.com/free-resourcesSupport the show► ► ► WAYS TO CONNECT ► ► ► Send a DM through IG @insidethemicpodcastEmail me at insidethemixpodcast@gmail.comBOOK your FREE Producer Potential Discovery Call! ✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Are you READY to take your music production to the stratosphere? Book a call with me: https://calendly.com/synth_music_mastering/virtual-coffeeTHANK YOU to the Patreon Supporters✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Join the exclusive Inside The Mix Patreon Community here: https://www.patreon.com/InsideTheMixPodcastThanks for listening & happy producing!

In this episode Stephen and Adelaide talk about how this cycle LUFS happened and Adelaide's body didn't ovulate, They share all about LUFS and how they are feeling about another failed cycle and what's to come. 

If you are looking for audio mastering and mixing tips on topics like what is a good LUFS level, what is the meaning of loudness, and how can I make my mix louder? Then check out EP 99 of the Inside The Mix podcast.Unleash your understanding of sound science as we unlock the secrets of Loudness Units Full Scale or LUFS in this compelling episode. Imagine yourself conquering the art of mixing and mastering with a clear grasp of LUFS and how it influences the perception of loudness. Our host, Marc Matthews, a wizard in the realm of music engineering, takes you on a journey into the world of frequencies, explaining how low-end energy contributes to a louder master. We're not just talking about it; we're showing it! Get ready for a live demo of a track, giving you a real-time reflection of LUFS values.What if you could master your sensitivity and perception of loudness across different frequencies? Today, we'll unravel the answers to this question as we delve into the mysteries of metering and LUFS values within a mix. Marc emphasizes that the golden rule is simple: if it sounds good, it is good. Get a sneak peek at his favorite metering tool and his top recommendations for mastering plugins as he guides you on this fascinating exploration of audio perception. Whether you're a budding music engineer or an established audio magician, this episode will amplify your understanding of sound. Tune in and turn up the volume on your music production skills!✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Download the 5 Essential Free Mastering Plugins guide and immediately take your music mastering to lofty new heights. Download for free at: https://mailchi.mp/synthmusicmastering/5-essential-free-mastering-pluginsSupport the show► ► ► WAYS TO CONNECT ► ► ► Send a DM through IG @insidethemicpodcastEmail me at insidethemixpodcast@gmail.comBOOK your FREE Producer Potential Discovery Call! ✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Are you READY to take your music production to the stratosphere? Book a call with me: https://calendly.com/synth_music_mastering/virtual-coffeeTHANK YOU to the Patreon Supporters✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸✸Join the exclusive Inside The Mix Patreon Community here: https://www.patreon.com/InsideTheMixPodcastThanks for listening & happy producing!

Hello! Sorry for the gap in episodes but it's been a hectic few weeks with work, spring garden prep and planting, taking my photo walks, and general hospital visits and treatments that have kept me behind on so much.  But, this is one I was really excited to record and I've already set aside time to record our next episode which is very relevant to this month.  It only took a few years but I'm finally more comfortable in post editing with getting my volume set to the standard of LUFS and hopefully the earlier episodes didn't have you changing the volume a lot! LOL, I get there eventually.  I hope you enjoy this one and that it can be helpful to you as a patient or caregiver! Chris

Exclusive deal between Libsyn's Advertisecast and The Newsworthy! Pros and cons on shipping a microphone to your guests, how Twitter can become the world's number-one podcast platform, sharing YouTube stats for The Feed, comments on AI from Spotify, automatic silencing from Auphonic, the best microphone for wireless buds per The Verge and as always, stats: geographic and user agent Audience feedback drives the show. We'd love for you to contact us and keep the conversation going! Email thefeed@libsyn.com, call 412-573-1934 or leave us a message on Speakpipe! We'd love to hear from you! SIGN UP FOR OUR NEWSLETTER HERE! Quick Episode Summary Intro (2:25) PROMO 1: Video Fuzzy (2:58) Rob and Elsie conversation (3:47) We are sponsoring How To Make A Breakout Hit Podcast! (5:17) Libsyn's Advertisecast announced an exclusive advertising deal with The Newsworthy (7:13) Small change in UI in Libsyn 5 (8:28) All kinds of podcasting advertising spend data (11:10) The pros and cons about sending guests a microphone (20:15) Help Rob! Website that find LUFS and supports mono (22:17) How to make Twitter the number one platform to consume podcasts (30:31) Shout-out to Kamuela Kaneshiro for getting his first audiobook book out there! (32:25) A question about video podcasts (36:35) YouTube podcasts stats from The Feed (46:06) Audio feedback about long podcasts on YouTube with music (47:56) PROMO 2: Irish and Celtic Music Podcast (48:36) AI comments from Spotify (55:26) Good stuff from Auphonic! Automatic silence cutting for your podcast (59:15) Test of microphone earbuds via The Verge (1:01:48) Best practices for naming a fancast podcast Backtracks closing down (1:04:35) PROMO 3: Weird Darkness (1:05:10) Stats: geographic and user agents (1:10:28) Where have we been and where are we going? Featured Podcast Promo + Audio PROMO 1: Video Fuzzy PROMO 2: Irish and Celtic Music Podcast PROMO 3: Weird Darkness Where have we been and where are we going The Podcast Show LIVE - Podcast Show 2023 She Podcasts LIVE 2022 • She Podcasts Video First — Podcast Gear Setup, 2023 with Doc Rock & Elsie Escobar - YouTube Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Leave us voice feedback! Audio Podcast Fellows Set Up Your Podcast – Libsyn 5 SMI Says Majority Of First Quarter National Audio Ad Dollars Went To Digital. | Story | insideradio.com Rob @ podCast411 (Go Knicks - Chiefs - Flyers) on Twitter: "Kudos for @GuyDealership for bringing up the topic of Twitter actually supporting Podcast consumption. First lets look at where Podcasts are being consumed currently with real date from Libsyn who has delivered more downloads than any other host. @elonmusk @BradTirpak 1/" / Twitter Legends from the Pacific: Book 1: Asian and Pacific Islander folklore and cultural history | Audiobook on Spotify YouTube's Podcast Deals With NPR, Slate and New York Times Are Flopping - Bloomberg Music Executives Grapple With Generative AI on Earnings Calls - Bloomberg Auphonic Blog: Automatic Silence Cutting Jump cut video app | Automatically Remove Silence We tested which earbuds are best for phone calls, on a boat - The Verge Podcast Advertising Rates 2023 05.01.23 -- Libsyn AdvertiseCast Ad Rates April 2023 - FINAL HELP US SPREAD THE WORD! We'd love it if you could please share The Feed with your Twitter followers. Click here to post a tweet! If you dug this episode, head over to Podchaser and kindly leave us a review and follow the show! Follow The Feed wherever you listen to audio! → Follow via Apple Podcasts → Follow via Google Podcasts → Follow via Spotify → Here's our RSS feed! FEEDBACK AND PROMOTION ON THE SHOW You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download The Feed App for iOS and Android Call 412-573-1934 Email thefeed@libsyn.com Use our Speakpipe Page

Exclusive deal between Libsyn's Advertisecast and The Newsworthy! Pros and cons on shipping a microphone to your guests, how Twitter can become the world's number-one podcast platform, sharing YouTube stats for The Feed, comments on AI from Spotify, automatic silencing from Auphonic, the best microphone for wireless buds per The Verge and as always, stats: geographic and user agent Audience feedback drives the show. We'd love for you to contact us and keep the conversation going! Email thefeed@libsyn.com, call 412-573-1934 or leave us a message on Speakpipe! We'd love to hear from you! SIGN UP FOR OUR NEWSLETTER HERE! Quick Episode Summary Intro (2:25) PROMO 1: Video Fuzzy (2:58) Rob and Elsie conversation (3:47) We are sponsoring How To Make A Breakout Hit Podcast! (5:17) Libsyn's Advertisecast announced an exclusive advertising deal with The Newsworthy (7:13) Small change in UI in Libsyn 5 (8:28) All kinds of podcasting advertising spend data (11:10) The pros and cons about sending guests a microphone (20:15) Help Rob! Website that find LUFS and supports mono (22:17) How to make Twitter the number one platform to consume podcasts (30:31) Shout-out to Kamuela Kaneshiro for getting his first audiobook book out there! (32:25) A question about video podcasts (36:35) YouTube podcasts stats from The Feed (46:06) Audio feedback about long podcasts on YouTube with music (47:56) PROMO 2: Irish and Celtic Music Podcast (48:36) AI comments from Spotify (55:26) Good stuff from Auphonic! Automatic silence cutting for your podcast (59:15) Test of microphone earbuds via The Verge (1:01:48) Best practices for naming a fancast podcast Backtracks closing down (1:04:35) PROMO 3: Weird Darkness (1:05:10) Stats: geographic and user agents (1:10:28) Where have we been and where are we going? Featured Podcast Promo + Audio PROMO 1: Video Fuzzy PROMO 2: Irish and Celtic Music Podcast PROMO 3: Weird Darkness Where have we been and where are we going The Podcast Show LIVE - Podcast Show 2023 She Podcasts LIVE 2022 • She Podcasts Video First — Podcast Gear Setup, 2023 with Doc Rock & Elsie Escobar - YouTube Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Leave us voice feedback! Audio Podcast Fellows Set Up Your Podcast – Libsyn 5 SMI Says Majority Of First Quarter National Audio Ad Dollars Went To Digital. | Story | insideradio.com Rob @ podCast411 (Go Knicks - Chiefs - Flyers) on Twitter: "Kudos for @GuyDealership for bringing up the topic of Twitter actually supporting Podcast consumption. First lets look at where Podcasts are being consumed currently with real date from Libsyn who has delivered more downloads than any other host. @elonmusk @BradTirpak 1/" / Twitter Legends from the Pacific: Book 1: Asian and Pacific Islander folklore and cultural history | Audiobook on Spotify YouTube's Podcast Deals With NPR, Slate and New York Times Are Flopping - Bloomberg Music Executives Grapple With Generative AI on Earnings Calls - Bloomberg Auphonic Blog: Automatic Silence Cutting Jump cut video app | Automatically Remove Silence We tested which earbuds are best for phone calls, on a boat - The Verge Podcast Advertising Rates 2023 05.01.23 -- Libsyn AdvertiseCast Ad Rates April 2023 - FINAL HELP US SPREAD THE WORD! We'd love it if you could please share The Feed with your Twitter followers. Click here to post a tweet! If you dug this episode, head over to Podchaser and kindly leave us a review and follow the show! Follow The Feed wherever you listen to audio! → Follow via Apple Podcasts → Follow via Google Podcasts → Follow via Spotify → Here's our RSS feed! FEEDBACK AND PROMOTION ON THE SHOW You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download The Feed App for iOS and Android Call 412-573-1934 Email thefeed@libsyn.com Use our Speakpipe Page

In Episode 136, host Kevin Patton looks at the effects of tattoos on sweat glands, we discuss aural diversity and how we can accommodate it, and we explore how to use the process of deep elaboration in our course to help challenged learners develop stronger and more useful memories. 00:00 | Introduction 00:47 | Tattoos May Impair Sweating 05:37 | Sponsored by AAA 06:41 | Aural Diversity. It's a Thing. 22:36 | Sponsored by HAPI 24:03 | Deep Elaboration 34:22 | Sponsored by HAPS 35:29 | Deeper Elaboration 47:53 | Staying Connected   ★ If you cannot see or activate the audio player, go to: theAPprofessor.org/podcast-episode-136.html

Happy Podcasting! On this episode of Podtastic Audio, I'll help you capture really good audio for you podcast. When you record audio, you need to know... how well the audio is actually being captured at your microphone source. There is an easy way to find out how good your audio is coming into your microphone. And to my surprise, 46% of podcasters didn't do this! https://podtasticaudio.com/ LIve Audio Monitoring  As a podcaster, monitoring your own audio live during recording is crucial for ensuring that your content is of high quality. By listening to your own voice and the sound levels of your recording equipment in real-time, you can detect any potential issues such as background noise, microphone pops, or low audio levels. Monitoring your audio can also help you to adjust your speaking volume and tone to make sure that your listeners can hear and understand you clearly. By taking the time to monitor your audio during recording, you can make sure that your final podcast product is polished, professional, and enjoyable for your audience.  Audio LUFS  Audio LUFS (Loudness Units Full Scale) is a measurement used to determine the loudness of an audio signal. It measures the perceived loudness of audio content, taking into account human hearing and the frequency response of the human ear. LUFS is different from traditional measures of loudness, such as decibels (dB), which only measure the peak level of the signal. LUFS measures the overall loudness of the audio content, including both the peaks and the quieter parts. This measurement is particularly important for podcasts because it ensures that the audio is consistent in volume and doesn't cause discomfort or fatigue to the listener. Many podcast platforms have specific LUFS standards for audio submissions, so it's important for podcasters to be aware of and meet these standards for optimal sound quality Enhance Speech from Adobe Speech enhancement makes voice recordings sound as if they were recorded in a professional studio. https://podcast.adobe.com/enhance Thanks so much for listening, I really appreciate it so much. If you need any help with your podcast, feel free to reach out. My email is podtasticaudio@gmail.com  The Kris and Kristine Show Podtastic Audio Twitter Instagram LInkedIn    

The Lisa and Larry Show recapped the wildly successful home tour that benefits the Arkansas Symphony Guild. They are trying to schmooze their way into lunch at the new restaurant at the Arkansas Museum of Fine Arts. And Larry is finally on board with Breaking Bad. Download and follow The Lisa and Larry Show where you get your podcasts.     To advertise your goods or services on our wildly popular podcast, email Lisa at lisa@lisafischersaid.com     Follow Lisa & Larry on Facebook:     https://www.facebook.com/thelisaandlarryshow     https://www.facebook.com/lisagibsonfischer     https://www.facebook.com/lwestjr     Lisa's Website: lisafischersaid.com     Podcast Produced by clantoncreative.com

873 Pura Vida Costa Rica - Musical Hybrids in Central America -24 LUFS by Afropop Worldwide

In this episode I talk about this cycle and how LUFS seemed to have happened last cycle which caused issues for this cycle. I also talk abut all the rainbows I saw in my February cycle and what I think they mean. 

Ian Stewart is a mastering engineer and audio educator from the Berkshires of Western Massachusetts where he's operated Flotown Mastering since 2011. Ian received his B.S. in Music Engineering Technology from the University of Miami in 2007 and has been a passionate advocate for audio quality, and for fostering a better understanding of the topics surrounding it, ever since. IN THIS EPISODE, YOU'LL LEARN ABOUT: Streaming loudness targets: Do they even matter? Should you master to -14 LUFS? How to prepare for your first listen of a new project so that you can create a game plan for it Establishing a benchmark for what your final mix/master should sound like Getting big low-end with your mixes Why bass isn't always about the bass Basslane Pro: How it will give you total control over your low-end Understanding sample rates and bit depths: Which settings should you use? Should you upsample/downsample your tracks when you export? What is dither and when should you use it? To learn more about Ian Stewart, visit: https://flotownmastering.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

On episode 339of the BSP I discuss Susan Wojcicki stepping down as the CEO of youtube and why I think she did a great job over the last 9 years, the brand new Lewitt MTP 950W, YouTube shorts paying the most for short form content, testing if expensive shotgun mics do better at background noise rejection, How to measure LUFS for a podcast, and testing out Adobe Podcast Ai and sharing my thoughts.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Lewitt MTP W950: n/a Universal Audio LA610 MKII: http://bit.ly/2MBhwLA Universal Audio x8: https://imp.i114863.net/zMg2r Sennheiser HD650: https://geni.us/sennhd650   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 01:00 - Susan Wojcicki Steps Down as YouTube CEO Tweet: https://twitter.com/SusanWojcicki/status/1626279709825978369 Blog: https://blog.youtube/inside-youtube/a-personal-update-from-susan/ 13:25 - Brand New Lewitt Mic 16:15 - WYHTS: YouTube Pays The Most for Short Form Content 19:45 - WYHTS: There Are Good Lav Mics 23:30 - WYTHS: Do Expensive Shotgun Mics Reject More Noise? Sound Speeds NTG8: https://www.youtube.com/watch?v=dFEv_g-mXdU 26:30 - WYHTS: Why Reread Voice Submission Questions? 28:45 - WYHTS: Long Live #MutantFam, The Drive In Will Never Die 34:11 - Ask Bandrew 35:15 - Voice Submission 1 36:30 - How Do I Get My Podcast to a Decent Level? Youlean Loudness Meter: https://youlean.co/youlean-loudness-meter/ 43:30 - Video Submission 2 44:30 - My Experience with Adobe Podcast AI Dario's YouTube: https://www.youtube.com/@record216cleveland Sound Speeds Adobe AI: https://www.youtube.com/watch?v=NHo6Z9r6fyo Scottish Watches Podcast: http://www.scottishwatches.co.uk 45:40 - Does Adobe Podcast Ai Work for Distance Micing? 47:45 - My Thoughts on Adobe Podcast Ai 52:15 - Conclusion

As production music composers, we don't really think of ourselves as artists who need to rely on name recognition to attract a large following on the Internet. So do we really need to focus on having a web presence?  To help me answer this, I've invited back to podcast someone who knows a thing or two about marketing strategies, Shannon Kropf@Plus we take listen to “Keep on Keepin' On,” which is a bluesy southern rock cue by 52 Cues community member, Gar Ashby (https://soundcloud.com/gar-ashby).How do you discover new plugins? How is Taxi dispatch different than regular taxi? What exactly are “neutral tasking” cues? What types of cues are most in demand? Do you have to write whole albums to get in with a library? What % of my cues have actually gotten placed? Can you even make a full-time income doing this?I answer these and more of your production music questions on (yet) another Q&A episode! Plus we take a listen to “So Long Sweetly,” an emotional solo piano cue Michael Bears (https://soundcloud.com/michael-bears-647280744).Watch this episode on YouTube!https://youtu.be/94plxVnKoks00:00 - Intro & Welcome02:32 - How do you find new plugins?06:17 - How is Taxi Dispatch different from Regular Taxi?09:33 - Do I still use the R4 reverb?13:55 - What are "neutral tasking" cues?19:28 - What are the most in-demand tracks?25:48 - What's the best The Unfinished Omnisphere sound set to start with?27:46 - Do you *have* to write full albums for libraries?30:49 - What % of my signed cues have gotten placements?33:45 - How many libraries pay consideration fees?36:47 - Can you make a full-time living doing production music?41:59 - How do you handle albums with libraries?47:50 - Can you clarify terms like "publisher" and "sync"?53:31 - Can you explain "edit points"?01:02:24 - Is it ok to have a wide LUFS range in my cues?01:08:54 - Join the 52 Cues Community!01:10:07 - "So Long Sweetly" by Michael Bears01:19:21 - Outro & How You Can Support 52 Cues!Get your own "read the @#$%& brief" t-shirt!https://www.52cues.com/store/p/read-the-brief-t-shirtJoin the 52 Cues Community for FREE! – Post your own cues for feedback from the community, network with other composers, participate in community discussions, provide feedback on other composers' cues, and ask questions about the industry! – https://52cues.comBecome a 52 Cues FRIEND – Join in on Monthly Interactive Zoom Workshops featuring a range of topics and guests from around the music industry, and you'll have access to the Weekly Music Production Livestreams! – https://my.52cues.com/plans/202568?bundle_token=b037583a957a0bb48afafd3b1cae414eBecome a 52 Cues FAMILY Member – Get all the benefits listed above, plus catch up with Dave during weekly live Zoom Office Hours, and have your cues reviewed each week during the live Weekly Interactive Feedback and Critique Sessions – https://my.52cues.com/plans/195865?bundle_token=c974232cc2996186825ad469af103969Or you can support the channel on Patreon and get access to my weekly music production live streams. – https://www.patreon.com/davekropfLessons, critiques, and 1-on-1 coaching are available! – http://52cues.com/coaching.#productionmSupport the show

On episode 319 of the BSP I discuss youtube testing out running 10 unskippable advertisements on videos, the new Apogee Boom, why I'm overhead micing again with the Neumann KM184, low pass filters for spoken word, youtube paid courses being a bad idea, selling out and doing clickbait, me being an overconsumption promoting hypocrite, and the difference between dB and LUFS meters.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann KM184: https://imp.i114863.net/km184 Yellowtek M!ka: https://www.yellowtec.com/mika.html Apogee Boom: https://imp.i114863.net/boom Sennheiser HD650: https://geni.us/sennhd650   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 01:02 - YouTube Tests Displaying up to 10 Non-Skippable Advertisements! Tweet About Ads: https://twitter.com/sondesix/status/1569856456811495424 9 to 5 Google Article: https://9to5google.com/2022/09/16/youtube-ads-unskippable/ Google Unskippable Ad Policy: https://support.google.com/displayvideo/answer/9224914?hl=en 09:00 - What I've Been Testing: Apogee Boom 11:45 - What I've Been Testing: Neumann KM184 14:00 - WYHTS: Low Pass Filters for Spoken Word 18:15 - WYHTS: Creators can Monetize YouTube Education Player 21:45 - WYHTS: YouTube Paid Courses are Dangerous! 24:10 - WYHTS: Do CLICKBAIT 28:10 - WYHTS: Tech Reviews Are Good To Stay Up On. Better Podcasting Chat: https://www.youtube.com/watch?v=NwGvUs8MPr0 33:15 - WYHTS: Saying "Don't Buy Things" and Then Promoting Stuff is Ridiculous! 36:15 - Ask Bandrew 37:20 - Video Submission 37:45 - Difference Between LUFS and dB? 42:00 - Outro

How to Share Your Voice (Via Podcast)Do you have information, a skill, or insights that could change the world for the better? Even if it just helps one person, it completely impacts that person's world, which impacts all of us. We all have unique gifts to give, are you currently sharing yours? If not, what's been holding you back? Sometimes it's that we don't know what to share, or we don't believe we're ready to share, or that the world won't be accepting of our message. As daunting as these challenges might be, you might have overcome them all for one of you gifts. You know it, you're ready to share, and you KNOW the world is ready to listen, yet there still might be one more big obstacle in your way: How do you ACTUALLY share your voice? There's so many ways from blogs and books to videos and your socials. Then when you choose an arena, where do you even begin? If you've chosen podcasting as your medium to share your voice then you've come to the right place. I'll be giving a quick and easy overview of HOW to share your voice via podcast in the quickest and easiest way possible so that you can spend more time creating your content and less time agonizing over how many LUFS to normalize your audio to (WTF?!? - Don't worry about!, I got you). I'll review the following: Identifying your audienceChoosing a title, format, and lengthPodcast Art and MusicSelecting you Podcast Host and DistributorSelecting recording equipmentRecording and editing your podcastMastering your episodePublishing and Promoting You podcastPromoting and marketing your podcastI'm now on TikTok and Twitter! Check out @justinwenckphd there for super quick ways to relax, energize, and connect.Remember to check out The Tuesday Twenty Minute free meditations I do every Tuesday at 12:05PM PST.justinwenckphd - You Tubejustinwenckphd - FacebookCatch the recordings if you can't make it live.Got a question or comment about the show? E-mail me at podcast@justinwenck.com. Remember to subscribe so you don't miss the next episode! Then connect with me at  JustinWenck.com, Facebook, Instagram, or LinkedIn!  

NOTE: In this episode I'm using a Sennheiser e835 microphone into my Portico 2 channel strip and using these plugins in post: KIT BB N105, Shadow Hills Class A Mastering Compressor, Saturn 2, and Aquamarine 4. Here's the summary of what I discuss on How To Handle Loudness Properly in All Stages of Your Podcast Production Workflow: Record all raw tracks at a healthy level (not too low or too hot) Set all raw tracks to the same LUFS before bringing them into your DAW. (I do this at the end of my cleanup phase after I remove background noise, plosives, hums, and other blemishes) Use Compression and/or MaxxVolume/Vocal Rider to compress/tame the loud parts as well as boost the lower volume parts. (NOTE: This step will effectively amplify any background noise, so be sure to absolutely minimize the background noise before pressing record!) Adjust the overall level of each participant so they all sound good compared to each other. (as part of your mixing phase, where you can also use other processing like EQ, saturation, etc.) After rendering the final episode audio, process this file so it adheres to the “unofficial” loudness standards of podcasting: -19 LUFS for mono episodes, or -16 LUFS for stereo episodes. Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody's in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, “Btw, here's a show about podcast audio production you may find helpful” with this link: https://podcastengineeringschool.com/subscribe/) Let me know if you have any questions or need any help with anything, ~Chris

Welcome to Pocket-Sized Podcasting, brought to you by Alitu: The Podcast Maker. And on this episode, we're asking the question “how loud should a podcast be?” We've talked about having consistent volume levels throughout your episodes. But what about the overall volume level of your show compared to other podcasts? Audio loudness is measured in something called “LUFS”, which means “Loudness Units relative to Full Scale”. Sound exciting, eh? Recommended podcast loudness varies, depending on who you ask, and whether your episode is mono or stereo. But a good ballpark to aim for is between -16 and -21 LUFS. You can set this process up in a DAW like Adobe Audition. Or, it's yet another factor that Alitu takes care of for you automatically, without you having to know anything about it. However you go about it though, your listeners will be grateful when they land on your episode after listening to another show. For a deeper dive on this topic, head on over to http://thepodcasthost.com/loudness

This is huge - Apple have finally started using LUFS for their loudness normalisation, which means all the major streaming services now use the same method to measure loudness ! And perhaps more importantly, they've enable Sound Check by default on new devices. As always there are plenty of devilish details to be aware of though, so in this episode we talk in detail about this change, including: * Why it's so important * How much music online is REALLY normalised anyway ? * Why the answer is surprising to many musicians and engineers * Why Apple finally made this change * A few quirks and gotchas * Why it's good news * And what to do about it (and what NOT to do!) Full show notes on our website https://themasteringshow.com/episode-84

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Ceiling Air Purifier, published by jefftk on May 30, 2022 on LessWrong. Imagine a high-capacity air filter that is extremely quiet and doesn't get in the way. I think I see how to build one; here's a prototype: By putting a fan on the ceiling you can have very long blades. This is important for keeping noise down: the longer your blades are the more air you move at a given rotational velocity, which is a major determinant of noise. Testing my prototype, it has a CADR of ~180 CFM and is only 33dB. By contrast, the Wirecutter's top-recommended air purifier (Coway AP-1512HH) has a CADR of 233 CFM (31% higher) at 54 dB (21dB louder) or 110 CFM (38% lower) at 36 dB (3dB louder). With some tweaks it should be able to match the commercial purifier's performance, without being louder. Volume is very important here: people often select purifiers based on their maximum flow, but then run them on a lower setting or even turn them off because they are too loud. Note that while my purifier is an octagon of 12x20 filters around a 52" fan, a nonagon would have been better. Not only should that get you 12% more filtration, but you don't have to fill gaps between the filters. Jeff for scale One downside of using this much tape, especially some of it with the sticky side bare, is that you get an adhesive smell. The smell fell below where I could detect after about a day, but Julia could still smell it for about five days. To determine the CADR of the prototype I followed the approach I described in Testing Air Purifiers, where I created smoke by burning matches and then tracked how quickly the purifier could reduce pm2.5 levels: To determine volume levels, I used a Sennheiser 835s dynamic microphone with a foam windscreen, connected to an AudioBox 1818VSL to record samples of each purifier option and silence. Here are the samples: (Silence) (Ceiling Purifier) (AP-1512HH Medium) (AP-1512HH High) To compute the loudness of each sample I ran: This gives loudness in LUFS, which is K-weighted dB. I don't have any calibrated tooling, but I can report values in loudness units (LU) relative to silence. Trusting the manufacturer's rating of 53.8 dB for the AP-1512HH on High, however, lets us determine absolute loudness for the other options: Sample Relative Absolute Everything Off normalized to 0 LU 25 dB Ceiling Purifier High 7.3 LU 32.6 dB AP-1512HH Medium 10.8 LU 36.1 dB AP-1512HH High 28.5 LU 53.8 dB I think it ought to be possible to get even better performance out of the ceiling purifier by building a shroud. The ideal shroud is generally quite a bit narrower than I would guess: I've seen people measuring peak performance with only a 14" hole for a 20" fan. They report ~40% more airflow without increased noise, but I would want to run tests and verify that here. With ~12% improvement from switching to nine filters and ~40% from better shrouding, this ought to get us from a CADR of ~180 CFM to ~280 CFM. Even if we only get half that improvement, a CADR ~230 CFM gets us even with the commercial purifier, at far lower volumes. In terms of cost, materials for one fan are nine MERV-14 filters for $110 plus ~$5 for tape. The ceiling fan was a Hunter Mariner 52", which seems to cost $106 now, though it's not something I installed for this project. A real-product version of this would replace the tape with a frame you attach to the ceiling, into which you could slide filters. Maybe $100? If someone wanted to build and sell something I'd be pretty happy to see that! Comment via: facebook Thanks for listening. To help us out with The Nonlinear Library or to learn more, please visit nonlinear.org.

Dolby Atmos has moved the goalposts for loudness, all the way down to -18 LUFS. This was one of the main topics of conversation for this year's Dynamic Range Day, with the Atmos versions of 5 albums being nominated for the award - and in fact, the overall winner was an Atmos mix & master. In this episode I talk to Nick Rives from Capitol Studios, who mixed the winning album, and we discuss: * Nick's approach to mixing immersive audio * How he got started with Dolby Atmos * Using spatial effects to enhance the musical impact * How the -18 LUFS guideline works in practise * The benefits and challenges of Atmos dynamics Full show notes on our website https://themasteringshow.com/episode-82

The last few weeks, I've been doing a lot of podcast housekeeping- pitching sponsors, and reviewing the stats, and thinking about what's next for the Sound Off Podcast. As it turns out, it's going to be more of the same, which is a good thing. One of the biggest questions I get asked is: "Why is my show doing better?" Here are some of the conclusions that often come up. Number 10: No Video StrategyHave a video strategy that includes Youtube. That's it. That's number 10.Number 9: You Are ImpatientDid you know that it takes three years to build an audience? It's true, because Dave Jackson, who has been podcasting since 2004, told me so. Even if you have a big audience now with your podcast, because you are named Kim Kardashian – it is still going to take you three years to find that podcast audience. I see this all the time with actors, Youtubers and Instagrammers: They get a big audience out of the gate, and then the audience drops off because those initial people prefer to interact with the star on Youtube or Instagram or TV. But if they stick to it, over the course of three years, a true podcast audience will develop.So if you want to start a podcast, give yourself a lot of runway. Like three years worth.Number 8: You Thought It Would Be EasyWanna know what's easy? Doing the midday show on a music station. You talk for a few minutes an hour, and all the elements are handed to you. Produced commercials, traffic and weather together, the music and promos… You have about 56 minutes of the hour taken care of. That's why you hear the same midday person across many markets now. In podcasting – you don't have any of that. You have to build most of it from scratch. You will need to produce all the necessary elements including the commercials (if you have any), the intro, the extro, and the music beds. You need to do some show research, show prep, writing, you need to produce the audio and make it sound listenable, and then after you launch it… you'll need to market the show.Number 7: Your Show Is Not EverywhereI can't tell you the number of podcasts I review who are missing from iHeart or Stitcher. And with countries like India offering a gateway to 1.4 billion people, it might be a good idea to be on Gaana or Jio Savaan. Think of India as the same size as the United States… with an additional billion people. Yeah you want in on that. And don't forget to submit your show to Tune In… it works well with the smart speakers. Don't be like a radio company that takes its stations off Tune In to be on an app only available in the US. That's stupid.And finally don't let your podcast host provider submit the show to Apple or Spotify for you. Do it yourself. It takes five minutes, and it's a pain in the ass to rescue the show later should you have to move. You always want to keep your stats with you, not with someone else.Number 6: You Don't Release Episodes ConsistentlyIronic, I know, because I didn't release an episode on time last week. But you need to be consistent with your releases. Those in radio know this better than any other, and it's why radio people get famous. They are reliable and always there on time. What radio and TV people are doing is creating the consistency that allows for listeners to get in the habit of consuming their media. So, if you think you are going to release episodes whenever you want, and expect people to download it when you want them to? Not happening.Mondays and Tuesdays are great days to get episodes out. Early in the week, people believe they have more time to plan their life out. By Thursday they are swamped. You can still release your episode on a Thursday or Friday – but you'll have to market through a weekend when attention spans are on neutral. Best of luck with that.And for those of you who do the “seasons” thing- unless there is someone honestly pacing the floor waiting for the new season of your podcast- don't. Taking a random break is tantamount to pulling the plug on a bath and letting the water run out.We shifted to consistent releases after I had a conversation with Aaron Mahnke, who has a number of hit podcasts, including Lore. He gave a really compelling argument to releasing your show on time, and in the end it's about respect for the listener and their time. When we shifted to consistent releases, we saw a 20% jump in our audience numbers. If you show the listener respect they will show it back to you.Number 5: Your Podcast Looks Like Shit In The AppFor the life of me, I don't know why people put episode numbers in the title field of their podcast. I think they do it because Joe Rogan does it. There are ways to put to the episode number in there without using the title field. People are not searching for a show called Episode. I also see some people put the show title of the podcast where the episode title is supposed to go, and they think they are gaming the SEO gods, and they aren't. They're making a mess of the podcast. I wanted to listen to a podcast the other day in the car, and every episode title had the word "episode" in it. I couldn't choose the episode I wanted, because the word episode was causing the guest's name not to appear on Apple Car play. So I moved on.Also, get some episode artwork. Spotify, Amazon and even some Apple apps are now using it. If you have a podcast that's about people – put the people in the show artwork. Get yourself a Canva account for free and take the 5 minutes to do some episode artwork.Number 4: Your Audio Quality SucksI've actually run into people who have argued with me about this. They say, "It's about the content, not the quality of the audio." Uh, the audio is your content- and it sucks. There are 2.7 million podcasts out there, and if yours is serving up some sort of echo-y, staticky stupidity, the listener will go elsewhere. You need to create a listening experience that people will enjoy on their headphones, or in their car, or on an airplane.If you are producing your own show, learn about compression, LUFs, normalization, and mixing. I want to give a shoutout to The Insurance Podcast with Pete Tessier and Curt Wyatt, who are insurance guys but took the time to learn about compression and audio production. They have one of the leading podcasts in their field because they respect their listener and care about their show.The other thing you could do is what I do: Hire people who know way more than me to produce the parts I don't know. This podcast was making huge errors when we started out. Our first four episodes were poorly produced by me. Later they were over-compressed and too loud. We made the corrections after some friendly advice from one of the best in the business, Jeff Schultz, who worked at KFOG in San Franciso doing the imaging (and is now at Wondery making great podcasts). He said, "Hey. It's a little loud. Pull it back."Number 3: You Don't Have A WebsiteIf you're in it to win it, you need a website. One of the best things radio taught me was that making your website your marketing hub is a good thing. You need to be found on Google, and having a podcast website will go a long way to getting discovered. If you think your Buzzsprout or Anchor website is home base – it is not. James Cridland spoke on this show about the value of Google and SEO. Take notes.Make sure each episode has its own page, so when you have Matt Cundill on as a guest, Google understands that Matt Cundill was a guest on your show. Remember, every time you market your show on social media, send people to the website where there is an Apple badge for the iPhone users, a Google Podcasts badge for the Android and Samsung people, and Spotify because lots of people are into that. Anything beyond 4 is overkill. If you are just sending people to Apple Podcasts when they don't have an iPhone – then it won't really work for them.By the way, there is one exception to this, and if you follow the Sound Off Podcast on Instagram, you'll see it. Instagram stories are a great way to get listeners one click away from the show on Spotify.When you do social media, the less clicks to get them to the content, the better. And if you find websites a pain in the ass, there are a few solutions out there for podcasters. Our Network uses Podpage and it looks nice - see for yourself.Number 2: You Don't Market Your Show Very Well... Or At AllDo you know who your audience is? Or where they are? Do you just put out a few social media posts for every episode and then you're done? Well, that might be the problem. Think of your podcast episodes as items in your fridge. Is it something that is stale after 24 hours? 72 hours? A week, a month, a year? Two years? Okay, well I don't know anything in my fridge that makes it that long, but I know many of the episodes I record from two and three years ago are still getting regular downloads because people are discovering them through search. I can market them with the same vigor as if they came out last week.I have the stats, and new people are discovering the show all the time. It's not the same people who listen to the show every week. We churn listeners like any other media outlet does. Many people say they're discovering us for the first time, and see a wonderful back catalogue of episodes. Our biggest episode is the one with Tom Leykis, and his audience continues to grow as well. The episode I did with Tara Sands is excellent advice for anyone who aspires to become a character voice in anime. Both episodes with Sheri Lynch contain valuable information on becoming your own radio startup. Steve Reynolds' talent coaching isn't going to change drastically over the course of a few years... I could go on, but you see what I mean.The same way a radio statio music director is going to program Led Zeppelin on the radio station, I am going to do the same with many of the episodes. The back catalogue is strong. In fact, I read in Podnews that 47% of all podcast downloads were older episodes- So tell people about them. That means tweets, and IG stories, and Facebook and LinkedIn and a newsletter.It also matters how you market. Maybe it's audiograms and social media posts- and it doesn't have to be a lot- but it should be consistent. And you want to hear something crazy? I am certain that some people just know and follow the show through their social media feeds, but haven't listened to a single episode. I never watched Roseanne but I knew the characters and what the show is about. Marketing isn't really about doing the homework. It's really about being involved.Number 1: Your Show Is BoringAnything that you record, you can make better. Over the years, I'm certain that my live media game has deteriorated. I am only live on my Youtube channel every once in a while, but being able to produce and especially edit has been invaluable. And for those of you who do Youtube Live podcasts- Have you ever considered editing and producing around all that live audio to make a better audio experience? I know, time is money, but every click and every download counts. I did that a few weeks ago on another podcast, and you can view it here if you want to see the difference.It's about respecting your listener, but not being boring. It's about respecting your listener, and not wasting their time. You really only have one competitor in podcasting, and that is your listeners time. So respect it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mason Amadeus drops by to ask me about 75,000 questions all at once and in three parts! Tomorrow and the next day will be dedicated to answering his DDOS attack of questions. Today features explanations of RMS, LUFS, Sample Rate, Bit-Depth, and Bit-Rate. Subscribe to my premium Substack --> [link] Send me a tip --> [link] Ask me a question --> [link] Get more listeners with Indie Drop-in --> [link] Download the Pysma app on [iOS] or [Android] Mp3 Bitrate/Size Calculator --> [link]

Vi avslutar serien Frågor och Svar som vi fåttin från er fantastiska lyssnare och saker som behandlas är:Finns Gud?Vi reder också ut begreppen Peak, RMS och LUFS.NÄR är man konstnär och är det OK att kalla sig Musikeroavsett vad man jobbar med?Hur många strängar är för många strängar?Det lackar ju mot Jul, och vilken musik åker på spontant vid pepparkakebak?Många Objektiva frågor får lika många Subjektiva svar.Vi önskar alla fantastiska lyssnare en otroligt God Jul!TACK för att ni lyssnar!Välkomna! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

It's happening. Spotify are switching to using LUFS for their loudness normalization. If you're thinking ‘I thought they already used it', that's understandable - but they didn't. They will in future though, and in this episode we talk about why the change matters, especially in the short-term. But also about when it doesn't matter, and why it will hopefully matter even less as time goes on. Topics include: Why we don't use Spotify What we use instead, and why - and some of the differences How normalization on Spotify used to work How it's going to work What happens in the meantime Why we mostly ignore the numbers, despite all this ! http://themasteringshow.com/episode-74

Let's face it, LUFS don't work. No-one understands them, when you set a load of different songs to -14 LUFS they all sound a different loudness, and they weren't even developed using music. RMS is just better, right ? These are just some of the objections we've been hearing about LUFS recently, and in this episode we investigate them. Is there any truth to these claims and statements ? (Hint - Yes !) Along the way we also cover: * Why loudness is like the weather * How EQ affects loudness, and how we hear it * Loudness on the radio * The ideal podcast loudness * What's up with Spotify's loudness recommendation http://themasteringshow.com/episode-73