Podcast appearances and mentions of Lauren Weisberger

That's all! In this episode, we step into the stylish, high-pressure world of The Devil Wears Prada and the books that inspired and expanded its story. From the original novel by Lauren Weisberger to the beloved film adaptation and its place in pop culture, we discuss the characters, fashion, workplace drama, and lasting legacy of this modern classic. Whether you're Team Miranda, Team Andy, or just here for the fabulous outfits, there's plenty to unpack in this fashionable fandom favorite. Our Linktree: https://linktr.ee/FiveishFangirls #FiveishFam    TIME STAMPS 00:00:18 Intro 00:01:25 News 00:12:45 Feedback 00:20:18 The Devil Wears Prada 01:36:24 Closing Thoughts 01:41:28 Outro Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.  

Kar dve desetletji je trajalo, da je satirična komedija o svetu visoke mode Hudičevka v Pradi dobila svoje nadaljevanje. Drugi del kultne uspešnice s preloma tisočletja prinaša vnovično druženje z odlično igralsko ekipo v polni zasedbi, z Meryl Streep in Anne Hathaway na čelu, vrsto insajderskih namigov na prizore iz prvega dela in obilje cameo vlog, od Lady Gaga in Marca Jacobsa do Donatelle Versace, obenem pa streznitveni vpogled v sodobno družbeno in medijsko krajino. Prva iteracija Hudičevke v Pradi se je oprla na istoimensko knjižno predlogo, v kateri je Lauren Weisberger, nekdanja pomočnica ikonične urednice ameriškega Voguea Anne Wintour literarno obračunala s svojo nekdanjo šefico in krutim, toksičnim okoljem modne industrije. Ob tem ji je v zgodbo uspelo zapakirati tudi duh časa z začetka 2000-ih, ko so modne smernice oblikovale na sijoč papir natisnjene revije o modi, kakršna je filmska Runway Magazine, nad katero bdi pikra in strahovito zahtevna Miranda Priestly. Uredništvo Runwaya je bilo v prvem delu Hudičevke polno glamuroznih, ambicioznih belih deklet, ki niso jedle ogljikovih hidratov in se jim je ob konfekcijski številki 38 obračal želodec, za uspeh na delovnem mestu pa so bile pripravljene vreči skozi okno dostojanstvo in poteptati svoje zasebno življenje. Miranda je temu kraljestvu vladala z železno pestjo in svojim sodelavcem sadistično odrejala nemogoče naloge. V takšnem okolju se je kalila sveže diplomirana Andy Sachs, ki je 20 let pozneje izvrstna raziskovalna novinarka, kar pa ji v dobi digitalne demence prinaša bore malo koristi. Skupaj s celotno ekipo sodelavcev je bila pravkar odpuščena, zato si ne more privoščiti, da ne bi podpisala pogodbe s hudičem in sprejela ponudbe Runwaya, da postane urednica tematskih prispevkov. Toda v 20 letih se je marsikaj spremenilo. Ne le, da so telefoni postali pametnejši in oblačila drznejša, tudi manekenke so bolj raznovrstne, zaposleni v Runwayu zajetnejši, revija pa vse bolj neznatna – na neki točki v filmu Miranda zabrusi Andy, da je revija že tako tanka, da bi si lahko z njo nitkala zobe. Zdaj nihče več ne bere, vsi samo še drsajo po zaslonu, oglaševalci se potegujejo za klike, modne tokove pa usmerjajo algoritmi. Proračun revije se je drastično zmanjšal: celo Miranda se je prisiljena po mestu voziti z uberjem in leteti v ekonomskem razredu. V pisarno Runwaya se je naselila zapovedana korektnost; Mirandina osebna pomočnica je zdaj temnopolto dekle, ki na sestankih skrbno cenzurira njeno žmohtno izreko – gen-Zjevci pač niso več pripravljeni požreti prav vsake žaljivke, ki jim jo v obraz zabriše arogantna urednica. Hudičevka v Pradi 2 tako ni le nostalgično srečanje z liki, ki so se pred dvema desetletjema zapekli v globalno popkulturno zavest, ampak tudi detektor splošne družbene klime in tektonskih premikov, ki so v zadnjih nekaj letih zatresli tako modno kot medijsko industrijo. Če je bil prvi del Hudičevke varno usidran v obdobju, ko so bili tradicionalni mediji na vrhuncu svojih moči in so bile tiskane revije ključna referenčna točka modne industrije, se drugi del gleda kot, sicer še vedno zabavna, a vendarle žalostinka za zlato dobo modnega novinarstva. Recenzijo je napisala Špela Barlič, bere Lidija Hartman.

The Devil Wears Prada has become iconic. Anne Hathaway's cerulean sweater. Meryl Streep's silver hair and clipped “that's all” dismissal. The pop songs, the score, the fashion world excess. Just hearing the title instantly conjures images from the film for millions of people. And while it's common knowledge that Streep's Miranda Priestly was inspired by Vogue editor Anna Wintour, fewer people realize the story began as a novel: a lightly fictionalized account written by Wintour's former assistant, Lauren Weisberger. Now, with a movie sequel hitting theaters, Arnie looks back at Weisberger's original 2003 novel and its follow-ups, Revenge Wears Prada and When Life Gives You Lululemons. Join him as he dives into the world of chick lit and reveals just how dramatic a makeover the original book received on its way to becoming a Hollywood phenomenon.

In the original “The Devil Wears Prada,” a hapless Andrea Sachs stumbles into the office of Miranda Priestly, the exacting editor of Runway magazine and a titan of the fashion world. The film, released in 2006, was adapted from a novel by the former Vogue staffer Lauren Weisberger, and it spun the glamour of the industry into a crowd-pleasing confection for the big screen. Two decades later, the atmosphere of its sequel is darker. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the reality-inflected elements of the new film, which finds Priestly and her team chasing clicks and catering to the whims of billionaires who might solve Runway's financial woes. The question of billionaire influence was also present at this year's Met Gala. The event's lead sponsors were the Amazon founder Jeff Bezos and his wife, Lauren Sánchez Bezos, who reportedly donated ten million dollars to become honorary co-chairs. Attendees paid a hundred thousand dollars just to get in the door. Why, the hosts ask, does the gala still matter to the average fashion enthusiast? “It's the one time where, divorced from utility and other reasons, it's O.K. to just look at fashion,” Cunningham says. “I tend to defend our opportunities to just look at things that provoke pleasure.” Read, watch, and listen with the critics:The 2026 Met Gala“The Devil Wears Prada” (2006)“The Devil Wears Prada 2” (2026)“Guys Are Wearing Slutty Little Reading Glasses Now” (GQ)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

The Met Gala is the Super Bowl of red carpets, the most photographed, dissected, and mythologized night in fashion. But most of what we think we know about it isn't quite right.I'm joined by Amy Odell, journalist and author of Anna: The Biography, for a conversation that pulls back the curtain on what really happens behind fashion's biggest night. From how Anna Wintour actually approves looks, to who makes it onto the invite list, to why tech money is suddenly funding the whole thing, Amy decodes it all.In this episode, we get into:The biggest misconceptions about the Met Gala (and what really happens behind the scenes)How Anna Wintour actually approves looks — and what she doesn't seeWho gets invited, who gets crossed off the list, and how the seating really worksWhy Met Gala tickets jumped to $100K this year and what tables actually costThe Bezos era: how tech money is reshaping fashion's biggest nightWhy brands like LVMH and Kering aren't buying tables the way they used toThe Devil Wears Prada Vogue cover and what it tells us about Vogue's futureThe real story of how Lauren Weisberger went from Anna's assistant to writing the bookWhy the Costume Institute has to raise its own funds (and Anna's role in changing that)Met Gala vs. Oscars: how fashion superseded Hollywood on the red carpetBehind-the-scenes rules: the no-phones policy, green rooms, and rider requestsThe Zendaya x Anna Sui matching look moment and how it slipped throughWhat to expect from "Costume Art" and the "Fashion Is Art" dress codeHow to actually watch the Met: Amy's go-to live stream and second-screen setupTimestamps:00:00 Intro: Why the Met Gala has so many misconceptions 01:00 The biggest myth — does Anna really approve every look? 01:58 Why the Met has superseded Vogue in cultural relevance 03:40 Met Gala vs. the Oscars and the rise of theme dressing 05:23 Inside the room: how the Met Gala became a networking event 06:40 How brands and Vogue decide who sits where 07:59 Anna's list: how the invite list actually gets made 08:31 Can you pay your way in? The Bezos era explained 10:00 OpenAI, Snap, and Meta: why tech is buying tables now 11:26 Taste, relevancy, and the Hiltons and Kardashians question 12:30 The Kim Kardashian Vogue cover backlash, then and now 13:30 The Devil Wears Prada Vogue cover and what it signals 14:54 The real story: how Lauren Weisberger wrote the book 17:30 How Anna handled the original movie in 2006 19:30 Met Monday speculation and Meryl Streep rumors 20:50 Why the Costume Institute has to fund itself 22:34 Why fashion is finally getting respect in the art world 23:40 New Costume Institute galleries — out of the basement 24:00 Why luxury brands aren't buying tables this year 25:30 The math: what $6M means to Bezos vs. an average household 27:50 Inside the room: nerves, dress codes, and bathroom breaks 28:42 Green rooms, rider requests, and Karl Lagerfeld's Diet Coke 30:30 The forgotten history of the Met Gala after-party 31:30 Why every celebrity now has their own after-party 32:15 How Andrew Bolton and Anna pick the theme 34:45 Theme vs. dress code: Costume Art and Fashion Is Art explained 35:13 Why brands and politics decide what celebrities wear 36:22 The Anna Sui x Zendaya twin moment, decoded 37:30 Predictions: naked dresses, theatrics, and what to expect 38:30 How Amy watches the Met: the live stream + X combo 39:00 OutroLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

It's all Harry Styles’ fault that the 'taxi cab theory' is everywhere you look. His engagement has everyone debating whether finding 'the one' is a matter of fate, or as Sex And The City’s Miranda Hobbes told us, all about timing? We do not agree. The Devil Wears Prada 2 is officially massive. So, is it good? Why did it almost make Amelia Lester cry and why do some Americans just not 'get' our Aussie love interest Patrick Brammall? REMEMBER: We drop segments just for subscribers on Tuesdays and Thursdays, hosted by Mia Freedman, with Emily Vernem and Holly Wainwright. Become a subscriber, HERE. Why is there a Sperm Olympics? How is Australia performing in it? And… again, why the hell is there one? Clare Stephens explains spermmaxxing. Are you super-stylish, or are you just thin? Lena Dunham is heading back to the Met Gala this week, and a new essay from her about the reaction to her past appearances reveal who’s considered cool enough to go. VOTE FOR US PLS & THX: We’ve been nominated for Best Society & Culture Podcast and Best Producer (go Ruth!) at the The Australian Audio Awards. Vote for us RIGHT HERESUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Listen: Is WFH Bad For Women? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: 'My commitment-phobic ex is married with kids. This viral theory explains everything.' The 10 defining moments that made Sex and the City perfect television. 'The 5 types of Met Gala guests I look forward to seeing every year.' A brutally honest review of The Devil Wears Prada 2, a movie that breaks everything. 'I spent a day with Meryl Streep and Anne Hathaway. One moment changed my view on The Devil Wears Prada 2.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.- - - - - AUTO GENERATED TRANSCRIPT:Speaker 1: Hello, and welcome to Mama Mia. Out loud, It's what women are actually talking about on Monday, May the fourth. I'm Hollywayen right, I'm Clays Stephen, I'm Amelia Lester, and here's what's on our agenda for today. The taxiicab relationship theory gets an update thanks to my close personal friend Harry Styles. Speaker 2: Plus dispatches from the Worst Dressed list ahead of the met Gala tomorrow, and a lister shares what it was like to be mocked over her fashion choices for a decade. Speaker 3: And the Devil West product is absolutely everywhere right now, so we unpack why, and we also talk about the fact that Meryl Streep, who must be the most celebrated actress of all time, apparently didn't discover her worth until she was fifty six. Speaker 1: In case she missed it, though out loud as speaking of knowing your worth, we are pulling on our big girl pants and asking you for a favor. Speaker 3: You have to know, if you're listening to this, that Holly is so uncomfortable right now to just go with us. Speaker 1: To still like asking for this. I don't like asking, okay, But there's this thing called the Australian Audio Awards. It's like like the Oscars or the Emmys of the logos, except it's not but for people who speak into microphones like us, right, and we're up for some awards this year and we need your help to win them. So if you love love, love out loud, and we know that lots of out louders do, and you listen all the time, and you think you know what those those women need. They need some public accolades, Yeah, some affirmation. Speaker 2: Think you think you know what I'd like to see. I'd like to see them dress up in some frocks, you get on a stage and make a speech. Speaker 1: Yeah, but particularly you class evens, I would like to see you do that. The very pregnantness you will be when this event occurs, very high heel, great, and you're in your flop here you keep telling us, so maybe you'll be really indiscreet and just get up there and say something rude. Yeah, anyway, we digress. Tell the out louders how they can help. Speaker 2: Okay, So basically these Audio Awards, you go there's a link that will put in the show notes and you can vote for There's two things and sorry, you can vote anyway that you got. Speaker 1: We're not voting, you know, we've got suggestions. Speaker 2: In our interests. We like you to vote for best Podcast Producer Ruth to Vine, Mummy are Out Loud, and Best Society and Culture Podcast Mummy. Speaker 4: Because we are society high society, and we are very we're so cultured. Speaker 2: And we do. The thing is we pretend to be cool, but we really like awards. Speaker 4: And I think that's what people think of when they think of you and me. They're just like, we're. Speaker 1: Too cool for school. Speaker 2: And meanwhile we're like, we rely on achievement for something. But it would be funny. I think. So the podcast Awards the end of this month, right the twenty eight. I believe I would like to win this award. While Jesse's on Matt lead, I think. Speaker 1: You want to just wade right into that weird Steven's Sister dynamic. Just get into the weird Twin stuff. Come in and help. I think there's a people's choice too, So anyway, like just vote for us, vote for wherever you get to vote for us, and we would love it. We can't bribe you with anything except our affection. Yeah, yeah, anyway, shall we get on with the friends over to you, Amelia Lester, I'm up. Speaker 3: Well, it's been hard to escape the Devil Wears prior to of, like, really has it has been everywhere? Speaker 4: I kind of felt like bullied into going to see it. Speaker 1: I feel like Merril's chasing us down with that red pitchfork. She's like, literally, go theater on and look. Speaker 4: It's done really well. Speaker 3: It's done better than anyone expected at the box office over the weekend. I'm going to tell you what the critics said. They basically liked it, and then I want to know what you thought, Holly Claire. I know you haven't seen it yet. Yeah, the critics praised it. They said it was glamorous, they said it was wishy, They said it was the fun we need right now. They called it a millennial nostalgia bath. I love a millennial nostalgia brath. Look, some did question the whole premise of updating a movie that came out twenty years ago. Someone wrote it's less a follow up than a tribute at the satire apparently didn't bite so hard. Speaker 4: Holy. What I want to know. Speaker 3: Is did this movie live up to the marketing height machine for you? Speaker 1: I don't want to be a debbie down of it. No, I went to see it with my sixteen year old daughter, and that was really interesting because the absolute enormous generation gap there in terms of so this is a magazine. Once upon a time, magazine editors were considered very important and influential. She's like, this was a job everybody wanted. That was a lot of groundwork being laid there with my daughter. And look, I'm not allergic to a nostalgia bath. I like that. I mean I back in the day, I was first in line for the Sex and the City movie like I was. Speaker 4: And the vibes were similar. Speaker 1: And even though as we know, that run of movies ended up disappointing us bitterly, in that first movie, I remember the excitement of seeing those women on screen again and being in the movie theater and seeing them walk down the street and like the audience was kind of like, yeah, there's a girl, and we're back in that world. And I think the Devil Wears Prada nostalgia is similar in that these were great characters who've entered, you know, our culture in lots of different ways. Miranda Priestley and Andy Sex and Emily Blunt's character Emily is just heaven. So I understand that wanting to jump back into that, but they've had to give it quite a cynical update to reflect where media culture is now, and so it ends up to me feeling like quite a negative, like it's not and to be honest, the Sex and the City movie was a bit like this too. I remember they were grappling at the time of the financial crisis and so they were like, this cushion costs two hundred and fifty dollars, and lots of the critics were like, who are these women and why are they spending that money? And this feels a bit like that, and that we're supposed to all be lolling and laughing along while they're telling us our media has been hollowed out, billionaires run everything. Speaker 4: I don't know. Speaker 1: Am I being a bit too cynical? No? Speaker 4: I think you're right. Speaker 3: When I went to see it, I went to see it with two friends and they both turned to me at the end and said, are you all right? Because I kind of feel on the verge of tears and didn't Nicki Gammel, Yes. Speaker 1: I saw a review from Nicki Gammel in The Australian where she said, she cried, And she didn't cry because the plot line was really touching it. She cried because of what it was saying. Yea journalism, which is obviously not everybody's industry and they don't care. But if it is yours, you have this kind of affection for it, and this does not dress that up. Speaker 5: No. Speaker 3: And what's interesting is Lauren Weisberger, who wrote who wrote the book, The Devil was Prida a piece for Vogue dot Com on the occasion of this movie coming out about what her life has been like after that book came out. Now, that book was not seen particularly favorably when it came out. People criticize the bad writing. It was kind of seen as a little bit mean, a little bit throwaway, and then that first movie kind of gave the book a bit more of a sheene than it had on first publication. Now, Lauren Weisberger has done great for herself. She apparently announces in this article that she now lives on a boat in a remote part of the Bahamas, which is good for me. Absolutely sounds difficult to get your mail there, but other than that sounds delightful. But her article reminded me that her book was first and foremost about a bad boss. Yes, that's what people loved about it because everyone, practically everyone has been in a work situation where they felt oppressed underappreciated, and everyone could relate to that kind of idea that when you're young, you want to make your mark on the world, but older people kind of are trying to push you down, or that's what it feels like. So everyone knows what it feels like to be young and underappreciated, but the new movie is so far removed from that idea of bad bosses and bad workplaces as it feels alien to. Speaker 1: It's also funny because the bad Boss, Miranda Priestley, obviously became a cultural hero, so much so that Anna Wintour, who she's famously based on, kind of kept her distance very much from the first movie, but now is entirely in on it. She's appearing in all the promo. There's a lot of partnerships between Vogue and this movie, so she's accepted that. But there are a couple of nods in the movie to how times have changed in that now Miranda Priestley isn't allowed to just throw her coat at people anymore, and she has someone who sits next to on the meetings and says things like you can't say that all the time, as if there has been like a woke update, if you like. And that feels a bit funny, But you're right, it was everybody related to this idea that these people are monsters like glamour. Speaker 6: Like. Speaker 1: The idea was that, you know, the Miranda Priestley was kind of a glamorous monster who you got to see a little bit of the humanity of. But by this movie, we're all supposed to be rooting for her, unquestionably. Speaker 2: Because I think even if that was the kind of premise of the book, in the first movie, you're very much you're looking at Miranda Priestley, but you're also it's obvious that she's an icon and that it's Andy's character arc to kind of fight against that, not that there's something inherently wrong with Miranda. So so I'm interested to see in the second in the second one, whether, yeah, what the stakes are then if there's none of that tension. But as much as you say it was depressing, am I like because I'm going to go see it. I like a film that isn't good. Speaker 1: I don't know what you mean, but for me it felt and look, I'm not no spoilers here. And you do get lots of fashion montages, you get lots of a fashion show montages. You get you know, they're walking in a different coat every two minutes, there's music, there's celebrities everywhere like this. It delivers all that, okay, but it just for me, it felt kind of a bit empty. And basically the steaks are which billionaire is going to get to own this business? Which was kind of the stakes the first time around two is like will Miranda get to keep a job? And it kind of feels like I don't know if I care about that. But Patrick Brammel, isn't it Remember last Wednesday we were all giddy on the show because he was here and we bumped into him in the offices. He wasn't here to see us, sadly, he was here to be interviewed by the amazing Kate Langbrook for No Filter, and that episode's out today. Speaker 2: I have purely been absorbed being vibes so far online and I think you guys are pretty spot on with the vibe of people. People I've seen they're like, yeah, yep, fun But Patrick Brammel. I'm obsessed. I'm obsessed with him and Harriet Dyer, who's his wife. They co wrote, co starred in Colin from Accounts, and now he's. Speaker 4: Maybe one of the funniest TV shows ever. Speaker 2: Yeah, and now he's in a bloody Hollywood movie with Anne Hathaway. Is he hot? Is he car like? What's the what's the go? Is there? Is there? Speaker 4: Bare? So I want to. Speaker 3: Say the outset that I love Patrick Bramore and I think he's so good in this movie. And to me he was a highlight. He was he was just so he gets to play an Australian. So you might remember in the first movie, Andy Sack's love interest is also played by an Australian, Simon Baker, my personal friend has discussed on the show, but he has to put on an American accent, whereas in this one, in recognition of the fact that there are a lot of Australians in New York these days, he gets to play an Australian. So I loved it, But then I started to hear the rumors that his part has really been cut down. People observed that it felt a little underdeveloped, and I. Speaker 4: Was surprised to read that. Speaker 3: A lot of the reviews felt there was zero chemistry between him and Anne Hathaway. Oh. Speaker 1: I didn't feel that necessarily, But what I did fit I knew that his part had been cut. And the reason I knew this is because when we first found out about Patrick Brammle, there lots of pap of him and Anne Hathwayne. She's wearing this particularly incredible sort of bluey purple sequin slithery dress that's just like oh, and she was like spinning around a lamp post and it looked like she was tipsy, and he was holding her back and this kind of stuff. That whole sequence is not in the film, so it obviously has been cut back a lot. Speaker 3: Boy, I love your forensic knowledge of this so bad. Speaker 1: I did spy on that. But I think one of the reasons why he plays such a small part because basically he's the love interesting Again, no spoilers about whether or not that works out, But this movie is about girl bosses. Even though girl bosses are out of fashion now, this movie is ultimately about that. It's about Andy's ambition, It's about Miranda's ambition. They sort of talk a lot about how much they love work, and they're the partners are all a bit beta and a bit like not relevant. Speaker 3: Including by the way, Meryl Streeps, who was played by Kenneth Branner. Yes, and the reviews also commented that that didn't work for them either. So maybe just the writing around these boyfriends and husbands felt hollow because that's not where the interests lay. Speaker 1: But isn't it funny because we used to critique girlfriend roles, you know in movies. We'd be like, oh, the so and so actress, she just has to play the girlfriend. Not no character development, right, no particular complex characteristics or backstory. They're just the girlfriend. And I feel like this and so maybe this is progress. This is one of those movies where there are just the boyfriend roles. Speaker 4: So it's just like true sort of. Speaker 1: Middle aged guy. Well, I don't know whether Patrick Brewmle will qualify as middle age whatever, like nice enough age appropriate guy of name recognition is in this person's life, but we don't really care about them. Speaker 2: There is one person who is pretty convinced that there was chemistry between Anne Hathaway and Patrick Brammel, and it is Patrick Brammle's wife, Harriet Dyer. She I lulled so hard at this. She has uploaded this Instagram video where the caption is trust No One, and she is filming her TV as her daughter stands in front of it, and Patrick's on a red carpet and he is asked by the interviewer about Anne Hathaway, and he says, playing someone who falls in love with Anne Hathaway. Tough gig, tough gig, and he looks straight at the camera, and then the interviewer says, the world's most beautiful person according to People Magazine and everybody in here, and he says, and me too. Andy rewinds it and plays that again and then switches a camera to her and she's like what, And she's got her glasses on and just sitting at home, and then she interspersed it with all this footage of like when you propose to her their wedding. Speaker 4: Apparently they got engaged five days after he proposed. Speaker 2: Yeah, yea, yeah, they got married five days up. Speaker 3: Yeah. Speaker 2: It was like, so they've had this beautiful love story in him reading Newborn books and being miscored and hath the way talking about how gorgeous and joyful he is, and it's just so good But a great part that Amelia directed me to is that so ninety nine percent of the comments from Australians absolutely get it. That they're like, yeah, this is funny because like whose husband ends. Speaker 4: Up in Hollywood? Speaker 2: Blod faster. But there are a few Americans who are like, oh no, this is this isn't right. Speaker 5: Yeah. Speaker 3: No, there's a distinct portion of the comments that are like I don't understand what's happening here, or like check on your husband, or like just completely missing the point. And I have reason to believe, in part from the spelling of said comments that they may be from Americans. There's a suspicious lack of us in words like coloring. And that got me thinking as to why Patrick Bramle, who I thought worked so well in the movie, had evidently been cut down. And I wonder if it's just because he is allowed to play such a quintessentially Australian part in it. He is very laconic, he's very understated, he's got that very kind of irony seeped Australian wit about him, and maybe it just didn't play very well in a movie that's actually not very irony drench. Speaker 1: That's true. I just have to mention one more thing, because I think Mia would throw something at my head if I didn't. Twenty years have passed between these movies. Twenty years has not passed on these ladies' faces. Yeah, it's just be very clear about that. Speaker 2: I could have told you that without saying any Yeah. Speaker 1: That doesn't matter because in lots of ways, I think particularly Emily Brunt Blunt's character she plays, she's obviously still Emily, you know, the former assistant, but she's got a villain arc in this and she is meant to be again, this isn't a spoiler, the hot new girlfriend of a billionaire character. So they're like commenting. The script is commenting on the fact that the tech bros run the world now, and there's kind of a Bezosi character who's had a glow up in her hot new girlfriend, and she would have done all that stuff to her face. Question so perfectly character, you know, in character, and appropriate for the industry, for the vibe and all those things. But it is astounding to think it was twenty years ago. Because Anne Hathaway, Meryl Streep, who is just one of them. Speaker 2: She seventy, She is incincredible. Speaker 1: To look at her Jita performance and this is great. You're just like, Wow, my twenty years and your twenty is not the same. Maybe I live in doggy well, Meryl. Speaker 3: I did want to also say that Meryl had a great moment in her interviews for this She was being interviewed on the American Today Show by Jenna Bush Hager, who was incidentally George W. Bush's daughter, and Jenna was talking to her about the fact that she initially turned down the. Speaker 4: Role on the Devil Wes product Let's Have a Listen called me up and they made an offer and I said, no, I'm not going to do it. Why because I. Speaker 1: Wanted to see. I knew it was going to be a hit, and I wanted to see if I doubled my ask. Wow, And they went. Speaker 4: Right away and said sure, And I thought, I'm fifty six year It took me this long to understand that. Speaker 1: I could do that, that you can ask for what you want. Yes, and I wanted it. But you know, if they didn't want to do that, I was okay, because I'm old. I'm ready to fifty six. Speaker 4: I was ready to retire. Speaker 1: But you know, I love that story. I also love that story because, as she says at the end, there she was fifty six, and she thought, well, I'm winding down, you know, like good years. Her career has been unbelievably amazing in the last twenty years. Speaker 3: I know. Speaker 2: And it's also quite inspiring to think you can have that lightning rod moment at fifty six, because I beat myself up thinking, oh goodness, maybe it's too late for me. I should have had it backbone before. Now I've got some time. Speaker 4: We've got time time to develop it. Speaker 1: Merril's shown us all that after the break. What Harry Styles can teach us about love? I don't think so what Harry Styles can teach us about taxicabs, which I also have to explain to my daughter what they are as well. God help me. But while we're on a roll of things from another time, A TV show that ended in two thousand and four has provided some of the most enduring relationship theories of several eras. I think there was He's just not that into you, which can also be She's not just not that into you. It's fine, And the other is everywhere in the news this week because of my close personal friend Harry Styles. I think we touched on it last week that Harry and Harry is engaged to Zoe Kravitz. Now, he hasn't said that because he never says anything about his personal life, but sources close to have confirmed. Speaker 4: Oh good, old sources. Speaker 1: The woman is wearing a golf ball sized diamond on her finger. It's on. It's definitely on. And this has started a lot of headlines like this one. Harry Styles and Zoe Kravitz are reportedly engaged after less than a year, and fans think this wild theory explains why, and they mean the theory I'm about to explain to you. Harry Styles proposing after eight months is further proof that taxi cab theory is real and none of us are safe. Okay, are you across what taxi cab theory is? Speaker 2: Yes, I'm across it from Sex and the City. As you say, I believe it was a bit of Miranda Wisdom. Speaker 1: Oh no, it was Miranda brand I'm about to play it to you. Yeah, Season three, episode eight. This iconic statement the wait. Speaker 2: Hedge, it's fate. Speaker 4: It's not fate. Speaker 5: His light is on, that's all what lights. Men are like cabs. When they're available, their life goes on. They wake up one day and they decide they're ready to settle down, have babies, whatever, and they turn their light on the next woman they pick up them. Speaker 2: That's the one, Mary. Speaker 5: It's not fake. It's dumb luck. Speaker 1: It's not fake, it's dumb luck, so says Miranda Hobbs. Now, obviously none of us, not even me with my close relationship to missus Steals, knows whether or not there's any truth to this in terms of their relationship. But the reason that it's being applied to him is because it has one of the classic characteristics of taxi cab theory, which is that he has had quite a lot of high profile relationships. And when I say high profile again, he's never mentioned any of them ever, but there are photographic evidence. Speaker 4: Is that right? Speaker 1: He doesn't talk. Speaker 2: About his was his most recent one before. Speaker 1: So he was with Taylor Russell, who's a British actress, for quite a long time. He obviously famously dated Taylor Swift. Yeah, he was with Olivia Wilde for quite a long time. He's dated Kendall Jenna, He's dated Caroline Flack, He's dated a lot of people. Speaker 3: Can I just interrupt Holly and ask do you think he's going to come to the tailor swift wedding now that he's engaged to no should wedding guests. Speaker 1: I we really hope so that wedding is going to be the best. The reason why they're applying this theory to him is they're saying that a trademark of a taxi cab the taxi cab theory, And I don't think this is just a men thing. I think this is men and women. Is that you know, you date lots of people and you try them all on and whatever, and the theory is that one of them is right for you. But taxi cab theory says it's not that one of them is right for you, it's that the timing is right for you. And they're saying that's why Zoe and another trademark of it is quick. So you've been dating, dating, dating, dating quite long relationships a year here, two years here, three years there, whatever, But then eight months he has been dating Zoe that we know of, he puts a ring on it. Taxi cab theory thoughts. Speaker 2: From the outside, he's looking ready to settle down, and so we all then assume that he's gone, Okay, who am I? Who am I next to right now? Who do I happen to be at dinner with? Speaker 1: Oh? Speaker 2: I happen to be with Zoe kra which is Bloody Convey, which. Speaker 1: Is a very good dinner because, as I discussed, absolutely amazing. Speaker 2: She's incredible. But the way at least this article was constructed was very much that it was about him and his readiness. And the thing I worry about is that do we start thinking if we use this theory, do we start thinking that someone is only with somebody because of timing, that it's interchangeable, it could have been anyone. It's not real, it's not a real life. Speaker 1: I don't think that's the correct way to view taxi cab theory. I think it's not about you'll do, it's that the timing is right. And the reason they're not applying it to Zoe Kravitz is because she's been married before and she's been engaged before, so it doesn't apply to her in the same way, do you know what I mean? So my theory on this, and the reason why I think it's true not for everybody, like everything isn't for everybody, is that we like to have a romantic narrative that there's one right person for us, and whether we meet them when we're nineteen or fifty nine, we will just know that's the right person for us. That's it. And what taxicab theory says is that's not true. There could be lots of right people for you, but in order for you to to get together and settle down in verted commas, you have to it has to be the right timing. So other examples for this might be Taylor and Travis. Right if they'd have met at twenty two, because at the same age, would we not have any of these beautiful songs that we have for Taylor, Or if they'd have met when they're twenty two, would the timing not have been right for them both to commit in the way that they are now ready to commit. So in my mind, taxicab theory doesn't mean you're settling or it's the wrong person. It just means timing is everything. So the people I dated before I met my guy, if you're a serial monogamist, and many of us are, we like to go, well, none of those people were right, This one's right. But the truth of it is is probably like that one probably would have been fine, but if we weren't ready, I don't. Speaker 2: Know it's by romantic sensibility. Speaker 3: I think I sort of agree with both of you a little bit, and agree with both of you a little bit because I think what the taxicab theory misses is it makes it very one sided, now, whether that side is a man or a woman. I take your point, Holly that even though sex and city talks about men are like cabs, we could equally apply to women. But a relationship is about a dynamic between two people. And what I think this theory overstates is that it's just about one person picking another person. And I don't think that's how relationships work. I don't think a relationship works or like ends in marriage. And I'm using air quotes here for anyone listening, just because one person decided, Yes, this is the person I'm going to make it work. It's about two people meeting and deciding together. And that's what's different about when you get in a cab. It's not about a mutual decision. Speaker 4: It's about one person deciding. Speaker 1: I agree. But the way that I've always thought of taxi cab theories, you both have to have your lights on, do you know what I mean, like, you have to both have your lights on for the timing to work. If one of you has the light on and the other one doesn't, it's not going to work. You both have to have your lights on. Speaker 3: I feel like that was what was really You know, we've been talking on this show about what happens over twenty years, and I think that that line from Sex and the City, they weren't talking about both people having their lights on. I think back then we had an idea of relationships which was that men in heteronormative heterosexual relationships men picked women. Yes, I think, and you're trying to update it, which is good. Speaker 6: Yeah. Speaker 1: Although I think I always that was always my understanding of that quote, because I think in later in the show, Carrie's talking about my lights not on, his lights not on, Like I always sort of understand it to mean it's all about timing. And I genuinely do believe that a great deal of whether or not a relationship will work or not is about time. Speaker 2: I think you only have to watch one to eight seasons I've Married at First Sight to see that it is not oh that much about time, because you've got two people who's lights could not be more on who are matched by very clever, non manipulative psychologist and they go in and you can have your light on as bright as it can possibly be, and it still doesn't vibe. Speaker 1: I don't buy that because I don't think their lights are on for that at all. Speaker 2: Oh holy just because they're getting Instagram followers. I am not looking for real love. But the other thing is, I don't know. I think you hear so many stories of people who may be met at a time that wasn't on paper a particularly good time. Speaker 4: Oh that's a good point to people. Speaker 2: To meet, and it's still and it still happens. Speaker 3: Yeah. Speaker 1: But I think, like any theory, it doesn't apply to everybody. One person's going to meet. Some people are going to football in love of their childhood sweetheart stay with them forever, right. But in the dating world, in the world where you are trying people on, if you are serial and anogamizing, I think that's where this comes in, because sometimes your lights on even when it shouldn't be. Like if you heard of the getaway car theory of like you find a relationship to get you out of the relationship you're in, so you could be married and one person's light is on and the other one doesn't know. Like I think the point of it is that for a lot of people, the one true love theory isn't necessarily it. It's more like, is this the right moment? Clooney and a mile? Very good, very good advertising for that. Speaker 2: No, hard because I'm also like A miles A mile. Speaker 3: Zoey, like, I don't know for a proving any extraordinarily Well, no, but I don't like that theory right because I bet that. Speaker 1: I mean, of course a mile is extraordinary, and of course so is extraordinary. But that theory buys into the idea that everybody who didn't get picked there was something wrong with that and we're waiting for like. So my point about A mile and George is he was married when he was young, but through all his big rise he was single, and he was known as the most eligible bachelor in Hollywood. And I think that he made a bet with Nicole Kidman comes to mind, I will never get married again? Speaker 3: Is that during that period, as people may remember, I had a long phone conversation with him. She went for about an hour in a work context, and I guess he's light his life just wasn't. Speaker 2: Why. Speaker 1: But the thing is is that of course these women are amazing, because of course they are. But if you believe that it just takes the right woman, then that's like a model of exceptionalism that I'm not that into. Was more likely getting to a point in his life where it's like, I don't want. Speaker 3: To be a six I don't want the pot belly pig as my life, and. Speaker 1: Then he meets an extraordinary woman, and he would have met other extraordinary women in Amma would have met a million extraordinary men who wanted to tie her down like she's a catch and a half in a million ways, intellect, beauty, human rights, like savior. She's incredible, but her light probably was not. Speaker 3: I feel like you just out sexist argument to know. I thought the taxi like theory was sexist, which turns out I was carrying. Speaker 2: Around the sexes I think. I think that there are I think the taxi light theory does make us feel better about ourselves, but that doesn't necessarily mean that it's true, because because I think it's really convenient to be like, oh, that man like George Clooney. The reason he didn't end up with all those women was because of timing, not because he wasn't compatible, it wasn't right whatever, Whereas I think I lean towards Amal and George were always destined? Speaker 4: Is that do I? Speaker 1: Did we just say the word destined? Speaker 2: I think romantic you. Speaker 4: Are because you met the love of your life quite young. Speaker 2: Yes, I think maybe I'm trying to justify my own choices, which is. Speaker 1: And maybe I'm trying to just always because I don't. I don't buy the theory necessarily that everybody before was wrong and it was the right fit. Speaker 4: Oh, you haven't met my ex boyfriend, fair cool. Speaker 1: I'd love to know what we think about the taxi light theory, and also if there's an update, because I've heard a couple like some people say it's musical chairs, who are you with when the music stops? Some people say it's coughing season. EMM has said that, like there's times of years, seasons in your life where you're just like, Okay, let's do it. Speaker 2: I need someone. Speaker 1: But I was wondering because my daughter wouldn't even know about taxis and lights on. Speaker 4: No, no, we need to fit into this. Speaker 2: But yeah, yeah, it's like the ubers available and empty. Speaker 6: The. Speaker 1: Waiting time on this No, I can't ten minutes too long. Tell us out louder. Speaker 2: We're really in an era of maxing, which we've touched on on this podcast. Not me personally. I'm not maxing anything. Speaker 1: I'm just everything is maxim but everything. Speaker 4: Other people very optimi everything. Speaker 2: Yes, so looks maxing, sleep maxing, fun maxing, which sounds gross. But here's one I hadn't heard of until this weekend. Sperm maxing. I like it because it's not something I can personally participate in. I feel excused from sperm maxing. Speaker 1: What how does? Speaker 6: What? Speaker 4: How do you? Speaker 1: Maxis swem? I'm not I don't need to know. I'm just curious. Speaker 2: Headline in Sydney Morning heralds red iced testicles and abandoned underwear. This is the world of sperm maxing. And it begins by telling us about a lovely man named Mick and his partner Holly, and oh there you go, Holly, I'm in. So they were discussing their plans to have a family, and Holly was and Holly was saying she had fears about her fertility, and Mick said, you leave that to me, love, And so what he did was he stopped wearing underwear because most underwear is made of polyester, and that's apparently and a crime disruptor. Come on, and lowers testosterone. Speaker 1: I believe many babies have been born to polyester wearing people. Speaker 2: And then he would ice spark at least once a week, not that shrunk, No, no, no, Heat's the bad thing. Because then another guy called Tom was explaining that he goes in the sauna, but don't worry because he takes an ice pack with him. Speaker 1: And puts it on this necessary that would be a very confusing sensory experience. Speaker 2: Because apparently excessive heat is damaging to sperm. So apparently there is some evidence about heat and sperm. But the rest of this is complete. You won't believe it, but it's complete bullshit. But Brian Johnson, who's that tech entrepreneur who's obsessed with longevity, claims to have the one who has his sons. Speaker 1: Yes, the one who has his son's blood injected into He's done so many and measure time erections. He doesn't need food after eleven am. Speaker 4: Like that guy. Speaker 1: He's living a long but very boring life. Speaker 2: Yeah, well, he claims to have sperm quality to rival a twenty year old. He's got no basis that claim, but that's what he says, which brings me to the Sperm Racing World Cup. Are we aware of the Sperm Racing World Cup? Speaker 1: Totally? Speaker 2: I discovered this and it is the funnest thing I've discovered as of late. It's founded by tech entrepreneurs. Speaker 1: They have too much money, too much money that they should come to my We did frog racing, peak racing, like good. Speaker 2: Sperm race should be doing some sperm racing. It's a race that's going to be held in San Francisco next month. Speaker 4: I think what they're saying is that their cab light is on. Speaker 2: Yeah, I'll show you with my literal sperm. And it's one hundred and twenty eight men, each representing a different country, and they submit semen samples which then compete in a microscopic race for a one hundred thousand dollars prize. Now here's the ad for it, because I know you guys are interested. Speaker 6: The Sperm Racing World Cup one hundred and twenty eight countries, one hundred thousand dollars grand rights, the highest stakes competition elequancy. We are searching for the healthiest man alive. This race will immortalized a nation to your country is watching, the world is ready. Speaker 3: I don't want to know what images are currently playing. Speaker 2: It's sperm racing. Speaker 1: This brings a whole new meaning to the term wanking. Frustrating one hundred thousand dollars price. Speaker 2: Yeah, but I as much as trust the tech bros To make a literal tournament out of sperm racing, which I have to say I'd love to attend. I mean, how do you make it exciting? I don't know. This is interesting in the sense that fertility has traditionally been in something that women have seen as their soul responsibility and burdens. And it's nice that men are starting to recognize that. You won't believe it, but fifty percent of fertility is down to the man. Speaker 4: This feels like Elon Musky to me. It feels musky. Speaker 3: Yeah, and I imagine, yeah, and. Speaker 4: You got the That was the joke I needed. Speaker 2: And obviously the problem is that not every fertility issue is has a cause or like it's it's not your fault. Speaker 3: I'm sorry you're trying to what's problematic about the spermilm? Speaker 4: So I think we get a crash and it's. Speaker 2: Literally not a race. Do you reckon? Speaker 3: You can do a little bit of a race. Are you familiar with the facts of life? It is literally a race. Speaker 2: But do you reckon? You can tell when a man has very fast spur? Speaker 4: Oh my god. Oh interesting. Speaker 1: But do you think he's putting it on his dating profile like one this it would definitely be on that. Speaker 3: It's going to immortalize his nation. Yeah, for Australia, I need an update on this. Speaker 2: When it happens, we'll have to keep everybody updated on the tournament and Australia's participation. We need to find who's representing Australia. Oh my god, sorry, I've got another contact. Speaker 4: So clear, like you asked, you posed a question to the group. Can you tell first sperm? Speaker 2: Yeah, something tells me like you kind of know who would have fast sperm. But I don't think it's necessarily a good thing. Speaker 4: No, it's not always. Speaker 2: No, I think it's it's aggressive and it's like congrats Elon musk. But like you're releasing a lot of sperm and you're not like hanging out with that sperm very much? Speaker 1: Are you may not taking the sperm to soccer again. Speaker 2: No, you're not taking a sperm to sport on the weekend, and I think that's very sad. Oh my god, after the break, we get you across everything you need to know about the Met Gala before tomorrow. Tomorrow on the evening of the first Monday of May, which is always confusing. But America exists in a different time to us. Speaker 1: There are one day behind us. Speaker 2: They're one day behind us, and I always have to google time in New York. As is tradition, four hundred and fifty very glamorous guests are going to start arriving at the Met Gala. The dress code for this year is Fashion is Art and the theme is Costume Art and I don't understand the difference between dress code and a theme. Speaker 1: And also always yeah, the Met Gala is about a costume institute in an eye museum. Speaker 2: Yeah, okay, I'm glad I'm not the only one who was feeling like because I was like, I think it's just me not understanding fashion. But no, it's weird. So guests are invited to explore their relationship to fashion as an embodied art form. That might mean that there are references to literal art, literal paintings, literal kind of art, moments like whether it's the Renaissance or whatever. But it's the Met Gala, so I think everybody just goes bat it crazy and we don't really understand the tide of the theme. Most of her time, Anna Wintur is still the chair despite having handed the rains reluctantly. Speaker 1: Streep is still the chair. Speaker 4: Yes she is. Speaker 2: And she's enlisted Beyonce, Nicole Kidman and Venus Williams to serve as their evening's. Speaker 1: Co chair, so they have to go. Speaker 2: Yes they do. Holly, there's a little bit of gossip about Anna Wintour and whether we can expect to see Harry and Meghan at the met Gala. Speaker 1: You see, the thing is about the Met Gala, and we'll get to this in a minute too, but whether this is is particularly fraught with who will accept an int because of the involvement of one aforementioned Jeff Bezos and his wife Lauren Sanchez Bezos, because they are bankrolling it. So in the past, big companies bankrolled it. I think Apple's bankrolled it before, TikTok's bankrolled it before. Now it's Lauren and Jeff, and some people are like, I don't think we want to be part of that, So we're not going. Speaker 3: And there have been protests. People have been putting bottles of urine or a liquid that appears to be urine, scattering them around the Metropolitan Museum of Art in the lead up to the gala to protest the fact that the alleged fact that Amazon warehouse workers are not provided with toilet breaks. Speaker 1: Wow, that's a protest. And for the last few years they have been to kind of eat the rich vibe boiling away about the met gala for good reason, but this year it's overt, right, So I reckon that Harry and Meghan might use that as the excuse for why they weren't invited. You I didn't want to go any who wants to go and hang out with Jeff and Lauren. Those people are bad, evil, naughty. But actually it's that Anna wouldn't invite them, And why would Anna not invite them? So the word on the street is that Anna because it used to be Anna. Winter's relationship with celebrities evolved a lot over the years, and if you watch The Devil We was Proud of Too, you'll know that was a matter of survival. There was a time when she was like Kim Kardashian, I don't think so she's not vogue, and then she literally is exceptionally vogue these days. But she apparently doesn't like Harry and Meghan because she's a royalist, a staunch royalist. She's a dame after all. This might be overregged a bit, but she's a royalist, so she doesn't approve of what happened there and the way that Harry treated the late queen allegedly, and also that Meghan chose to do her first ever Vogue cover with Edward Ennafel in Britain and Anna was not happy about that and sees her as a bit. Speaker 2: So I wonder if eventually they'll be considered. Speaker 1: I think Anna's backtracked on enough things and in fact, you know, but as I say, I think that Harry and Megs, if they're not there, which I don't think they will be, well, could definitely use a social justice excuse. But there are a lot of very famous people who are going to be there, of course, including as you've said, the afore mentioned Nicole. Lena Dunham's going, which I find amazing because I've just read a memoir and she talks about the Metgala and not glowing terms, but she was on one of the committees as well. I think we've got Sabrina Carpenter, We've got Zoe Kravitz, so we might get Harry. We've got a lot of very famous people who are going. But this year, more than ever, it's kind of political. Speaker 3: There's a bit of a tipping point being reached about it. Amy O'Dell, who writes a fashion subject called The back Row, wrote last week a piece that I've seen a lot being quoted and circulated which basically argues that the met Gala is in danger of becoming uncool. Speaker 4: And the whole point of the met. Speaker 3: Gala was that it was cool, right, It was like the ultimate and fashion. And the problem is that by allowing the Bezoses to bankroll the whole thing and a winter, risks turning the whole thing into this very craven exercise that no one will want to be a part of. So it's interesting. I'm going to be watching the Red Cup very carefully this year to see if it does feel like the star wattage has been slightly dimmed. Speaker 2: Yeah, and if the people who make it cool because Ndaya is not going Zendaya makes things cool. Speaker 4: She does. Speaker 2: So what I found interesting in all the kind of stuff I've seen about the Met Gala coming up, there was a great piece on Lena Dunham's substack called and her subtacks called good Thing Going, and she wrote a piece called Dispatches from the Worst Dressed List, and I clicked straight away because having been a huge fan of girls, having been a huge fan of her, I remember years and years and years of seeing her constantly mocked for her fashion choices, and I remember wanting to scream at my computer and be like, it's not the fashion, you're talking about her body, And I was so frustrated. And she has now kind of processed that. And as you say, Holly, she's going to be at the Metgala, which is a bit of a surprise. But she writes at the beginning that she's in the process of getting ready for the Met Gala, which she loves to watch but tends to wobble through. And she talks about some of the things that were written about her and how it destroyed her relationship to fashion, and she had loved it when she was little, she had found it really really fun, but it got confusing. She writes when dressing became a bit more of a public affair. Basically, she quotes a bit that Joan Rivers said about her, where she said, it's okay stay fat, but don't say it's okay that other girls can look like this. Try to look better, and Lena Dunham Wrights, I was trying. We just have a different definition of what better meant. And do you guys remember those years? Oh yeah, her just being made fun of. Speaker 1: But also because as I said, I've just read the book, or nearly at the end, it's very clear that she's got like she went through years where she was conventionally skinny, and if you correlate this in the book, that coincides with time when she was really struggling with her health and her addiction issues and with mental health and all those things. Since she'd be super skinny and people would celebrate her for that. She made the cover of Vogue famously once in one of those eras, and then there were other times where she was encouraged. There's a part at the beginning about girls where she was told put more weight on the fact that your body looks the way it does is the thing that makes this show Edgy get bigger. So like her body has obviously been objectified to send different messages at different times about all kinds of things. But it's also clear in her book that she does love clothes and style and fashion and that her mind did does and so it was part of her world. But that's not the case for everybody. Right, If you go to the Met Gala, especially these days, you're generally paid to be there by a brand. They will dress you, they will style you, they will do your duels, they will do your put you up at the hotel, and you'll do all these things and it will cost them millions. But I was reading about how it's seen as the best possible advertise, which is be interesting. If the coolness factor wears off, as you're talking about Amelia, that is the best marketing spender brand can have. Because apparently the media impact of the Metgala is bigger than the Super Bowl in terms of how Father's pictures travel, how much coverage it gets, the fact it's televised, it will be on every news side, it will be on every social media feed forever. That not only the brands who are actively involved, like Vogue and whichever are actually sponsoring it will be the ones who cover it, so it is seen as money well spent, and the event itself costs about six million to put on. Speaker 3: Yeah, I mean, it's obviously at a level that few of us can relate to the met Gala, But that Lena Dunham piece gave me a lot of feelings. Speaker 4: I loved it. Speaker 3: I read it as a companion piece to the love Story discourse. This whole idea of Carolyn Bessett Kennedy, who was lauded for her fashion sense. Speaker 4: People ask the question, is this fashion or is she just thin? Speaker 3: And this was kind of the flip side to that argument, which is can I not be fashionable if I am not thin? And I loved the fact that she asked that question. This really hit home to me because I have never felt like someone who knows how to dress. I am surrounded by very stylish people, and I grew up with like friends. And I interrupt, Please don't I think of myself as I feel like I've struggled with what to wear my whole life. And I do enjoy clothes. But it's interesting that when I was at my skinniest and probably at a pretty unhealthy relationship with my body. I was lauded much more for my clothes and for my supposed style than at other points in my life. And I love that Lena's teasing out that connection. And just recently I saw some comments online that said that I don't dress very well, and it hurt my feelings because I was like, I try, and I do try with my clothes, and I meant to not try. I mean, as as Miranda Priestley reminds us in The Devil wes Prata, we all have to get dressed in the morning, so you may as well put some thought into it. But I do wonder how much of what we perceive of as stylish is actually connected to bodies. Speaker 1: Oh so much of it is. And I mean this last night literally, I was packing for the week because I always come up to Sydney on a Monday morning. I usually stay for a couple of nights, so I've got to think on Sunday when I'm in my most harried, like what am I wearing? Obviously we're on camera, but and I was in my huffing around in my bedroom, going I hate all my clothes. I hate all my clothes, and my kids could hear me, and obviously because I am aware, you know, feminist mother, I do not huff around my bedroom going I hate my body, nothing fits me. But the code is I hate all my clothes. I've got nothing to wear, and my son it's like, what do you mean, why have you even got those clothes if you hate them? You know, But there is no question that these things are so connected, and that fashion world, particularly the high fashion world, they say we like to imagine that they've made a lot of progress on that in the ten years. But I don't think in Anna Wintour's world that progress. Speaker 4: I'm just not talking about it as much. I think that's what it is. Speaker 2: I remember it still sticks with me. Speaker 3: Now. Speaker 2: Remember when Kim Kardashian went on a red carpet wearing a It was kind of like a high neck dress. There's a lot of fabric, and she was very, very pregnant. Speaker 1: I was working gossip mags and I'm not proud of this at all, but everybody says she looked like a couch. I think we printed that. I think we took the piss out of that overtly, and she was trying very hard to be high. Speaker 2: Fashion exactly and I think about that all the time. As a pregnant person. I'm like, I the idea of being mocked and being so embarrassed because you're like, I didn't choose for my body to grow, Like, like it just grows in the direction and grows when you're pregnant, and it can grow in weird direction. And to be totally honest, this this move now, and I'm sure people have the total opposite perspective to me, But the move now of people having really cool maternity, you know, people make it look really really cool and sexy, having a bump like the Sienna Millers of the world with their like little top that will open and it looks really sexy. I'm like, God, you can't even be pregnant and be able to give up for just a few months. Speaker 1: No, we're not allowed hot at all times. Okay, I just need to ask, right, Because as we said, this mat Gala has got this political weight to it. I feel like for the last few years it has, and there's been a sort of oh but it's fun and we all need the distraction. Are we going to be looking at that red carpet tomorrow? Because I know I will, Yeah, I will. I will I will. Speaker 3: Yeah, I will too, And I think that why I will be looking is because fashion is fun. It should be fun, it should be something that we enjoy looking at. And I love how Lena ties up her piece because it's not a hopeless piece. Speaker 4: She ultimately concludes. Speaker 3: By saying, what I realize now is I was making choices that maybe made people feel uncomfortable, whether it was because I was wearing clothes that that type of body should not have been wearing, for instance, or she was wearing clothes that weren't regarded as as exactly mattering me. She talks about how she spoke to a very well known fashion critic about this sort of debate recently, and the fashion critics said to her, you just have a point of view that's called taste. And I love the idea that just because you're wearing something that might not be universally regarded as flattering or fashionable, you can still have a point of view about it. And I guess that's ideally what these kind of red carpet events are meant to showcase is a unique point of view. Speaker 4: So yeah, I'll be watching. Speaker 1: We will rope in our absolute fashion expert May who used to love the met Gala. As she said, people take more risks there than they do when they're you know, at the Oscars or whatever, because it is the whole point of it is to be quite bad shit. So we will be doing a met Gala wrap up for subscribers tomorrow afternoon, and I'm sure that Maya will have many thoughts. That's all we've got time for this Monday. I hope everybody's week starts well. We will be back in your ears tomorrow for subscribers, and the three of us will be here on Wednesday. Thank you to our team. We'll see you then, Bye bye. Speaker 2: Mummy acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

First up, a massive celebrity engagement has taken a bizarrely fated turn after fans discovered a hidden connection between Harry Styles, Zoe Kravitz and a beloved book franchise. Plus, we're dissecting the first grainy on-set photos from a highly anticipated movie sequel - including a certain "upgraded" diamond ring that has the internet comparing old flames .Plus, we have a very serious theory about a sky-blue dress and a horseshoe necklace. We’re unpacking why a certain countdown appeared and vanished on a major artist's website, and whether she is about to pivot into the world of animated sequels to finally secure her "EGOT" status.And finally, the real-life inspiration behind one of cinema's most iconic "assistant" roles has finally stepped out of the shadows after twenty years. We get into her "savage" rebuttal to the woman who wrote the book and her mortifying encounter at a mutual friend’s house with the A-list actress who played her on screen. Read the Vogue interview with the real life Emily from Devil Wears Prada here. Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mum and Me Out.00:02Speaker 2 Welcome to the Spill your daily pop culture fix. I'm Laura Brednick and I'm Tina Burke and coming up on the show today, Look, Taylor slipped us up to some antics. There's secret coded messages in her outfits, there's potential secret songs, there's a countdown.00:15Speaker 1 I'm gonna be so honest.00:16Speaker 2 I'm gonna let you, Tina Burke, explain that because that is wait, you're crazy, Taylor, so fandom that's your business. Plus something I have been obsessed with for the last few days. I know we both have, but we need to talk about it. The real life Emily from The Devil Wears Prada has come forward after all these years, and she's given some really interesting insights about the author of the book, Anna wind Tour Emily Blunt. We're getting get into the biggest takeaways from that, but first you have some other things to discuss.00:43Speaker 3 I have some things that have come across my desk this morning. One of them is very short and I just need to touch on it really quickly, Will And it is that. Obviously, last week we discussed Zoe Kravitz and Harry Styles engaged. According to people magazine. Do you know what their middle names are? Her middle name is Isabelle, Isabella Isabelle.01:00Speaker 1 Last, what his is? No, it's Edward. Oh they are Edward and Bella. Oh my god, this has blown up.01:08Speaker 2 You might be the only person who. Oh no, it has blown up on socials this morning.01:12Speaker 3 It's come across the internet because they are Bella and Edward from Twilight, which means they are now faded to be together forever. I was skeptical before. I was like, they're not gonna last. It's not gonna happen. And now I'm like, no, they're Bella and Edward, so like it's gonna happen. By Stephanie Wheer, Oh my god, I love some little nerd put that together. I love nerds.01:28Speaker 1 And they together.01:29Speaker 2 For nine months, we've had this information for nine months and only now have people picked it up.01:32Speaker 3 Someone sat on it until now, And maybe they'll have a little renett me of their own, just something to think about, something a bit.01:37Speaker 1 More serious, do you think of it?01:39Speaker 2 Well, I'm sure they'll be thrilled that people have figured out they're supposed to be together because they're middle names.01:43Speaker 1 Yes, no other reason.01:46Speaker 2 Yeah, something more serious that isn't more serious, No, but with just my lurkings on social media is the Summer I Turn Pretty has officially.01:55Speaker 3 Been done filming the movie, which is very exciting. It's been really like under wrapped of what exactly the plot was going to be. I mean, we pretty much assume and everyone has reported that it's going to be about like Belly and Conrad finally getting married, but we didn't finally.02:10Speaker 2 Everyone's like, well, when will those crazy kids get married?02:13Speaker 3 Honestly like sitting on the shelf at this point. But I do think they're going to be about twenty five. But the first onset photos came out over the weekend. They've gotten back to set and while they were incredibly grainy and blurry and they were kind of like pat photos or fan photos taken on phones, they're all out on a boat on the lake.02:29Speaker 1 It's very the summer return pretty.02:31Speaker 3 Yes, what you can see is that Belly has a big diamond ring on her left ring finger.02:37Speaker 2 Okay, people have not handled these photos well in a mature way. Everyone has been pretty nasty, pretty crazy because the ring, as we all remember, if you can even call her that, that was given to Belly by Jeremiah in the show was so small that you literally couldn't see it. Even when she held it up in front of your face, you could not see it. We put it on socials and we had to.02:58Speaker 3 Draw a circle around it, the tiny little diamond.03:01Speaker 2 From that point, poor Jenny Hahn, the writer of the books and creator of the TV series and showrunner and all these things, This talented, creative, brilliant woman then gave up her precious time to go on oppressed tour to do interviews so that fans could ask her questions about the show. And all that woman got asked was what was that tiny ring? Was that meant to be a joke? And that poor woman had to answer over and over again. No, it wasn't meant to be a joke. We just thought, like, he doesn't have any money, so of course you'd have a small ring. It's just the way that belly held it up so defiantly to show the family and then you couldn't see it, and you couldn't see it at all. Became such a running joke.03:36Speaker 3 Yes, and so even from a great distance on a boat in the middle of the high seas, you can see the ring that we can assume Conrad has given to her. So it's a Peconkin diamond, and I'm very excited about that because she does deserve it. And this is why you date the handsome doctor and not like the weird other brother. There were lots of reasons, but I do think this is one of them. The other big thing that has come out based on these photos is that Jeremiah our like sad single other.04:01Speaker 1 Hey.04:01Speaker 2 Hey, some of us were kind of quietly team Joremiah nick word team Jeremiah, and I don't understand why, but that's your business. He has his arm wrapped around a mystery blonde woman, so that, oh god, it's not that woman from who was that girl?04:13Speaker 1 I kind of friend.04:14Speaker 3 Yeah, So the whole season three subplot of him falling for the roommate and the roommate being a weird hater of Conrad that never.04:21Speaker 1 Sat well, Yeah, that just felt right. That was for nothing.04:23Speaker 3 It felt rushed, and it was for nothing because now he's on a boat with a woman who looks a little bit too much like his mother and he's got his arm around her and they look to be a couple. So wow, something to think about there, But we don't really know too much about what the film is about, but we do know that Jenny Hahn is directing. So she directed one of the episodes of the season three, which was episode five. Laura, I don't know how much you remember the summer I Turned pretty, but episode five was the one from Conrad's pov Oh the Apple.04:48Speaker 1 We hate the Apple, and he is in the white T shirt. Yeah, that song played wild Horses beautiful.04:52Speaker 3 VI.04:52Speaker 2 Wow, I just like, I feel like I just lost you for a second, just went off and I just got into.04:55Speaker 3 My Conrad's little like mind bubble. But she's going to direct the film, so she said, taking inspiration from Nora Efron. Oh great, so great person to take your inspiration from. You do have to wonder what like the traditional third actension is going to because I think the whole show was third actension and we don't need to see a mini breakup again. But I don't know, maybe Steven and the other one can have some drama.05:17Speaker 1 Yeah, I mean that's the thing. Isn't it to be able to make a movie like that.05:20Speaker 2 Yes, yes, you've got the wedding as the plot, but there's going to have to be some moment where you think they're not going to get married some sort of drama.05:26Speaker 1 You can't just have a wedding.05:27Speaker 3 No, But like at this point, it's been drama non stop for years.05:30Speaker 1 You go tired to Paris.05:31Speaker 3 She's like, actually, I'm going back to Paris, thank you so much. I'm leaving you again. That would be so boring. We can't do that.05:36Speaker 1 Do we know when this is coming out? Like, at least not until next.05:39Speaker 2 Year twenty twenty seven, twenty twenty seven to be coming out. Yeah, I mean, I guess people will still be interesting, Like I know people still be interested, But I was worried when the show ended and they announced the movie was happening, and the momentum was so huge, and in my head, I was like, oh, I wonder if they've started shooting so that this can come out at least a year after the last episode has aired, and now it's going to.05:59Speaker 1 Be well over year.06:01Speaker 3 Yues.06:01Speaker 2 People still care because there was such a fandom around that show.06:04Speaker 1 But do we think it all? Do we think the momentums lost a little bit?06:07Speaker 3 I think so, And as well, there were reports like the other week about the fact that maybe the cast had only signed on to do the movie in order to get pay bumps for season three when they were renegotiating, and Deadline kind of reported saw stuff the cast themselves didn't come out and say this, but that the cast might have felt like they were a little bit taken hostage in having to agree to the movie so that they could get a pay.06:28Speaker 1 Rise for three.06:29Speaker 3 So there's also like that little underlying tension as well that I think some fans aren't happy with. And yeah, it's a long wait for a movie that realistically like I don't know what's like, how much could possibly happen.06:39Speaker 2 Yeah, we love Jenny harm but yeah, we love Jenny Harm. Well, hopefully there's a big plot twist in there. But that's the thing about having these continuing stories is like you do have to kind of break something or change something in order to make it worth the stakes.06:51Speaker 1 Yeah, but I'm sure to be fine.06:52Speaker 2 And also at least that they were all out of like high school and through college, they have to worry about it. They don't have to worry about them aging out of their roles. Yeah, we've got a good fifteen year years before that happens. So no, I think it'd be fun.07:02Speaker 1 Yeah, So, as.07:04Speaker 3 Discussed my favorite topic in the world. Taylor Ellison Swift has come up twice, actually more than even twice, several times in the past week, but on two very significant occasions. We have been talking about Taylor Swift and I have been talking your ear off, and I'm sure you loved every second of it.07:18Speaker 1 Right, No, I always.07:19Speaker 2 Find that you have an interesting angle on Taylor Swift because you're like really in the weeds with not just the fan theories, but kind of like the industry chat as well.07:27Speaker 1 So I find that very interesting. I thank you for play kating a lot of people who care about stuff I can't really relate.07:32Speaker 3 Yeah, and I care about everything weigh too much. But one of the things that came up last week, which some of the spillers may have seen, I know a lot of people were texting me going, what the hell is happening right now?07:44Speaker 2 People text you if something happens to tell you Swift, They're like, what's going on? Why is this a thing?07:48Speaker 1 And to be fair, you know the answer, and I do know the answer.07:50Speaker 3 So Taylor Swift. On Friday last week, a mysterious countdown appeared on her website for the briefest of moments and obviously, if you know anything about Taylor Swift, she loves like an Easter egg, she loves a big reveal, and she often does these countdowns on her website. So before the Life of a Showgirl album came out, whole website changed colors, big countdown pops up. This time, her website briefly changed to a sky blue background with like white cartoon clouds, and a countdown appeared in like this also cartoonish kind of font and then disappeared, and the Swifties very quickly put together that it looked like Toy Story Wow, okay, and Toy Story five is coming out soon.08:31Speaker 1 No, I'm aware, Oh good, I'm aware. I'm up on the plots, I'm up on everything.08:35Speaker 3 No, everything, and Toy Story five is coming out soon. But the thing is, people suddenly realized, holy shit, has a Taylor Swift been dropping Toy Story five clues?08:45Speaker 1 And again, yes, yes, okay, it looks like yes.08:49Speaker 3 So one of the things that I love about Taylor Swift is so and it's bold of me to say this, I'm sitting here in a T shirt, but her street style is not necessarily beloved by the fashion girls. A lot of people think she dresses a bit basic or like. The common theme is people think there's always like one thing wrong with her outfits, so she often gets roasted for her She.09:08Speaker 2 Gets roasted, And it's so interesting how there's this huge fandom of people that are just like, oh, she looks she just looks terrible. She dresses frumpy. If you listen to any kind of fashion podcast, fashion adjacent, any kind of industry chat, they're just like, she's known as being like one of the worst dress celebrities. Can I just say, I can't see it. I like her outfits.09:28Speaker 1 I like them too. I guess I'm just not a fashion girl.09:31Speaker 2 But I thought, like recently in the dress with the little yellow bag and the heels, maybe it's because I too am a little basic. Like when people just like, oh, it's so boring when she just wears a glittery gown, I was like, you know what, wear a glittery gown. I'm so sick of everyone wearing a beige column dress or a black dress. They're like, it's chival blah blah blah. I don't know, they all look the same. Well, at least she has a look.09:50Speaker 1 Yes, she has a look.09:51Speaker 3 She knows what her style is, and she has worked for years and years and years with the same style as Stress of Castles. You have to wonder how he feels about it all. But he also does like her, like streaming and stuff for like the Era's tool.10:01Speaker 2 If he does love that, it's so wild because I don't see a huge jump between her costumes from the RAS tour and her street style and her red carpet style. To me, it all looks very like concise and that it fits together, Like she doesn't look like she's in a costume when she's on stage to me, and she doesn't look like she's been dressed by someone else when she's like she always looks like her. Yeah, and there's very few celebs that look like that, Like some of them, there's such a clear line between their street style and their event dressing.10:26Speaker 1 Yeah. So I don't know what people want. I don't know what people want.10:29Speaker 3 But what they did was dig back, and they didn't have to dig very far because last week she did wear the outfit you're talking about, which is like a sky blue dress.10:36Speaker 1 She had a yellow bag.10:36Speaker 3 She was wearing lue batons, which obviously have a red bottom on them, and she was wearing a horse shoe necklace, and so people ripped into this outfit last week. Yeah, and then suddenly on Friday, when.10:46Speaker 1 I was like, wa, where can I buy that?10:47Speaker 3 And I can't afford it? But I thought she I thought it was a great dress. She was out for dinner with her family and friends. And though she has previously said she does an Easter Egg when she's like Easter Egg her personal life, she does Easter Egg through fashion all of the time. And people as soon as this Toy Story theory started kicking around, well like, wait a minute, was that hideous outfit we hated on Monday a.11:05Speaker 1 Toy Story five clue? Maybe?11:08Speaker 3 And then outside of that, there is also there's clouds in the background of her opal Aite music video, Greta Lee, obviously because of the Graham Norton show was in that music video. Guess what She's also doing voicing a character in Toy Story five exactly, and June five is the really.11:23Speaker 1 State of Toy Story five.11:24Speaker 3 It was also the really state of Tailswift's debut album, Whoa. So everyone's kind of gathered these clues together to decide that she is making his song for Toy Story five and that the countdown accidentally got set live early.11:36Speaker 1 Oh but does she do anything by accident that I'm not sure of.11:39Speaker 2 So if the countdown had been like real, it would have counted down to like Sunday five am ish our time, and then nothing happened.11:45Speaker 1 And nothing, but it did disappear.11:47Speaker 3 So I do have to wonder if it was like a phase test gone wrong. If it is gonna happen, I mean we'll find out. It doesn't seem out of the realm of possibility to me for like Taylor to be like, you know what, now it's time for a kid's music soundtrack.11:59Speaker 2 Yeah, I mean, look, she's exactly the right age to have a very nostalgic yeah, because like all elder Malone, like she's an elder millennial just like us.12:07Speaker 1 Maybe or not, but yeah, we're all in that same.12:09Speaker 2 Bracket where we'd like grown up with Toy Story and then that we had like the later Toy Story movies that hit us as adults, and now this next one that we know is coming up is really kind of hitting everyone. It's more for adults and kids, it's hitting us at the stage of our life where we're in wood.12:22Speaker 1 He's got a bald spots triggering for everyone.12:26Speaker 2 It's yeah, so May there's a world in which she's a secret Toy Story fan and she has a real affinity with this franchise she's growing up with, and like it's all the cool kids like Greta Lee's getting in on Toy Story and then you have like Tom Hanks coming back and all the voice cast, and yeah, it's the one thing that everyone wants a piece of at the moment in Hollywood, which is so crazy.12:44Speaker 1 It's a Toy Story franchise.12:45Speaker 3 And one thing we know about Taylor Swift is that she does love an award. And if she could win a songwriting award and get a little bit closer to being an Eagle winner, you just know she would love that.12:55Speaker 2 She's just had a rough run as that poor girl. When will anything go right for Taylor?13:00Speaker 1 When will she again?13:01Speaker 2 I know she was meant to be a shoeing for the Oscars for Cats, Yeah, because she When you write a song, you co write a song with Andrew Lloyd Webber for one of the like most enduring musicals of all time, yea, you should at least get a nomination and probably a win, And that song was lovely, and I'm sure she pictured herself up on stage the Oscar singing it. And then Cats were so reviled and so universally hated the fact that Andrew Lloyd Webber went and bought a dog. Man hated dogs.13:29Speaker 1 He's like it turned me. He literally said that the other day a dog person.13:33Speaker 2 Yeah, He's like, I hated the adaptation of my work Cats so much that I went and bought a dog.13:38Speaker 1 Like, that's how much that man is angry at And.13:40Speaker 2 So Taylor's missu and that, and then everyone thought she was going to get a short film for the nomination for All Too Well. And there's been a few other times her music has been in the mix for a possible nomination, but it just hasn't. It's the one thing that's eluding her.13:51Speaker 3 It is, and I do think like she's got her thinking cap on and she's like a sad song about Jesse the Doll. That's a Cowboys song that could do well.13:59Speaker 2 I mean, the thing is, it's it's a good plan. If that woman writes a banger for toy story for the next movie, then yeah she's in. Then that's a real hook for a Best Song nomination at least.14:10Speaker 3 Yes, and so that was sort of the like unseerious side, but I do believe in it.14:14Speaker 1 That was a serious side.14:15Speaker 3 Yes, no surprising thing. So something else that Taylors which is making headlines for at the moment is her name in relation to a billion dollar sale to do with Spotify. But it's kind of due to something that she did back in twenty eighteen. And the reason I want to talk about it is because I love her so much, but also she's going to get so many other artists and so many other like songwriters and people involved in production paid out as a result of something she did back in twenty eighteen. But basically Universal Music Group are looking at selling half of their three percent stake in Spotify. And that might sound small, but that deal could be worth as much as like one point four billion dollars.14:51Speaker 1 It's a lot of money.14:52Speaker 3 So basically a bid from Pershing Square came to Universal which was to like buy out part of Universal or to become an investor, and in order to do that, they wanted them to liquidate part of their Spotify shares. But then for some reason everyone's reporting that it's like independently Universal Music has decided to sell off part of their Spotify shares and that was announced in April, but at the moment, they're obviously looking to sell off the stake. And what that would mean, like why Taylor Swift is involved is that she negotiated a deal back when she signed in twenty eighteen and other labels were selling off their Spotify shares, she negotiated that the funds would be non recoupable.15:33Speaker 1 Hard work to say.15:34Speaker 3 Got to tell you what that means is, obviously record labels, like every other label that would exist in the world, when an artist makes money, part of that money goes back to their record label. But obviously in this case the record label would be selling something, they would be giving that money to artists, and Taylor Swift is blocking that money from ending up going back to the record label. Oh and so the reason that she did that was because, as we know, Masters were a really big deal to her. She universal in twenty eighteen, and the reason she left Big Machine Records is she wanted to own her masters, like to own her own work, and the only way that Big Machine were willing to do that was if she gave them all one for one deal. So every time she gave them a new album, they would give her back ownership.16:14Speaker 1 Of one of her older albums.16:15Speaker 3 Oh, and she was like no, and didn't really trust Scott Bourschetta. And I think as well. She'd signed on when she was so young, she was a teenager. Her family were really involved. She was one of the very first artists that they had at Big Machine Records. She's certainly their most successful and I think they tried to make her feel as though like she owed them this deal even though it wasn't beneficial or good for her, and so she walked away went to another music group. As we know, the Masters thing kind of carried on for years and at that time wasn't as well known. But in twenty eighteen it did become a big deal. Oh my god, Taylor Swift wants more money from Universal. And what she was actually doing was making sure that this deal would impact smaller artists and musicians. And she said it at the time, she was like, I see it as a sign that we're heading towards positive change, a goal I'm not going to stop trying to help achieve in whatever ways I can. But she was very honest at the time that she was on her sixth seventh album, and she was like, I can speak up and be a voice for change, but younger artists can't. And she was like, what is the point of me, essentially, if I'm not going to stand my ground and have these arguments with record labels and Universal agreed. So they were one of the first to do it, and it does mean now when they're doing this sale, all of these other artists are gain and benefit massively, and I do think it's a testament today Swift. And I know a lot of people talk about her being a billionaire or like money grabbing, and at the time this deal was viewed very much as like, oh.17:35Speaker 1 She's just out for herself.17:36Speaker 3 But I do think she's one of those rare people in the music industry who isn't even though yes, she's going to benefit too, she does want other people to not go through what she went through.17:46Speaker 2 That's interesting thing because and I've said this before public on the podcast, So whether it's wrong or right, is that sometimes I feel like when she takes in the past, she has taken these big stands, it often kind of comes across like people really rally around her and celebrate her for some of the things she's done or when she said, but a lot of them. It sometimes feels like she just weighs on an issue when it's going to benefit her, and she tries to make it a universal thing. She's like, this man said this, you know, inappropriate thing to me, which also fair enough to be upset, and she's like, I'm going to take a stand, and everyone kind of rallies around her, and yeah, it's like, you know, oh, women's rights are that sort of thing. But at the same time, when you actually look at it from like a like a higher lens and kind of float above it, you're like, that was that was.18:26Speaker 1 Just for you.18:27Speaker 2 And saying the master's thing where I think for a long time there where she was like everyone felt like they were swept up in this big movement of like Taylor Swift getting her music back and it was this huge thing and it felt like a communal win every time she did it. But if you actually again looked at that, it was like, oh, no, it's just it's her, Like obviously.18:43Speaker 1 People are not. Everyone's going to own their masters. Yeah, and also like that's nice.18:47Speaker 2 It's like, you know, to feel good about what your favorite artist does and to feel involved in that, and I know that was a real sense of community around the Swifties. But then at the same time, yes, it always kind of felt like, oh, she'll speak on it, but only if it kind of comes back to her. But then I guess over the years she has kind of tried to, like when she spoke about politics and you know, tried to endorse like a different candidate, and she was like very aware that was like a bigger thing than her then. And I you know, obviously I know how much money she gives away and all that sorts of things, but you know, if you want to get on the weeds in it, it's kind of always felt like and that's what I hear a lot of you know, fans talk about the fact they love her music, but they wish she really stood for something.19:23Speaker 1 Outside of herself.19:25Speaker 2 But then also because of her branding and the way she kind of puts herself as this kind of like very inclusionary person, we all obviously expect more of her than other artists, particularly male artists. So it's a very weedy path. So you're kind of telling me that this was on because when I first heard of this, I only heard of it really top line, and I thought it was once again a thing of Taylor's lived coming out and like making sure that she has a win, making sure that she has her money, making sure that she's protected, and that being her first kind of priority, and then as a default, she's pulled other people in with her and she's being like overly celebrated. That's what I thought, But you're that that's not correct.20:01Speaker 3 Yeah, Look, my perspective on it is as you kind of said, there's been times like the Master's thing when she was releasing the Taylor's versions of albums. I liked it because I got new songs. Oh yeah, yeah, which I know, so fair enough selfish.20:12Speaker 1 And like fun as as fifty it was like.20:14Speaker 2 Transactional, like an artist you like is putting out content that you're willing to, like essentially buy the streaming and stuff.20:20Speaker 1 That's fair, that's just how business works.20:21Speaker 3 Yeah, But I very much saw that as like she did that because she it was personal to her.20:26Speaker 1 She wanted to own her own art.20:27Speaker 3 That's great, but it wasn't necessarily, like you said, the big moment that a lot of people built it up to be where everyone was going to benefit or everyone was going to succeed out of this. I do think though, when she did make this decision, there was a lot She actually received a lot of backlash at the time because she'd also previously like she took her music off of Apple Music in twenty fifteen. Yes, I remember that, and it was a whole big deal because Apple started doing like free trials essentially, and Taylor was like, well, how are people going to get paid if you're doing free trials? So then she took her music off temporarily, and then Apple agreed to still pay the artist despite the free trial periods, and she.21:02Speaker 1 Went back on.21:02Speaker 3 And I'd always taken her music off Spotify in twenty seventeen, like, so she'd done it a couple times in.21:07Speaker 2 Order, and I know those were framed if she was like, this doesn't make a difference to me, I'm doing this for other artists. Yeah, But was some part of it also because she's a business woman, and you don't become a billionaire without being very conscious of like keeping your money and making sure you're getting like squeezing money out of every little area that you can, like that's how you become rich. So was they also a part of her that was like I need to protect my own money, even though I don't need to at this stage, it's still money I'm losing. And then by default I will pull like I will help other artists out, which I'm sure the artists getting the money they don't care that she did it for herself and they're a byproduct.21:40Speaker 1 You'd be happy to take it.21:41Speaker 2 But it's just so interesting we always have to like she's a billionaire, and everyone still has to be like we have to protect the downtrodden kind of, you.21:49Speaker 3 Know, like yeah, yeah, And I do think at the time, like, for sure, those decisions like with Apple and Spotify in twenty fifteen, twenty seventeen, definitely we're about protecting her assets and all of that. I do think the decision in twenty eighteen to sort of negotiate all of these terms with Universal because that wasn't the only agreement that they came to. But I do think that had a lot to do with the way she was feeling taken advantage of with big machine records. Yes, and yes, that is a lot to do with herself. But I do think she looked then at that point in time, this is like after she's been canceled. This is when people are hating her guts, and I do think she started to look more. It's also when she's getting to like reputation. That world tour was at the time the highest grossing tour of all time, Like it was a big deal in North America. So I do think she was at a very successful point, but also at a point where she recognized that she had a bit more power than she'd ever had before and finally got to negotiate something and look back at how she'd been treated by this independent record label and just wanted to do something that protected people. She's also had the same band her whole career. She's worked with a lot of the same production team, same songwriters, same people in her camp the entire time. And while they're really well taken care of, I think she also sees that like not a lot of people are, and she's about like when she was a songwriter back in Nashville, she would be in these like communities and people would be talking about how they got money from people buying like a Faith Hill song that they had worked on one time, and so she was like, that doesn't happen anymore. So I want songwriters to be better paid. It basically all came down to the whole songwriting element of how she sees herself rather than like the big pop stars and stuff. Did she benefit absolutely, and do people often yeah, compliment her when she does something just for herself and it ends up benefiting others.23:28Speaker 1 Absolutely.23:28Speaker 3 But I do think in this instance, like it is going to help a lot of people put food on the table and also remain in the industry a bit longer when you have deals that actually support the lower down people in music.23:40Speaker 1 And like I guess in terms of musical.23:42Speaker 3 Billionaires, I'm glad at least one of them is doing something better than other people.23:45Speaker 1 Yeah, exactly.23:46Speaker 2 And that's the thing I don't like when people like, look at Taylor Sitch and has to do these extremes of like she's a superhero, she's a super villain. Like, yeah, it's a bit in the middle. It's a bit in the middle. Like do I think anyone should be a billionaire?23:56Speaker 1 No? I don't.23:57Speaker 3 But also I do think she donates a lot of mine. You see it all the time. She doesn't come out and go look I did this, Like random charities will be like, hey, she just gave us a million bucks and you're like, oh sick.24:07Speaker 1 Yeah. Yeah, Well, and you know the good news. I guess out of this might takeaway. She might have some sweet toy story.24:11Speaker 2 Money coming in. She might look she'll never be shy I of a dollar, Taylor Swift. But hey, maybe she'll help some people along the way. Well, we're still very much in the devil Weares prior to two weeks. The movie came out last week. We've got a special episode coming up this Friday about it. The movie, So it released this weekend. We're like number one at the box office across the world, as we thought it would be. Apparently it's going to go even further than projected with like the money it's making here the box office, because people are going to see it multiple times. And I love that and hopefully I don't know what it's going to take for studios to take notice, because it's like we have Barbie Breaks all the box office records, Wuthering Heights, love it or hate it, Women just wanted to get dressed up and go with their friends.24:48Speaker 1 Yeah, did amazingly crush the box office.24:52Speaker 2 And now the same thing, women are getting dressed up going to the movies.24:54Speaker 1 Like guys, are we seeing a pattern here? People like the movies.24:57Speaker 2 It's almost like women want to go and see women's stories at the movies.25:01Speaker 1 They can get dressed up and have a goddamn cocktail.25:04Speaker 2 Anyway, So, as we move through Devil Wears Prider Week, and I'm having a great time with everyone who's coming out and would work to share their thoughts and feelings and everything, something very interesting has happened, something historic. I would even go as far to say the real inspiration behind Emily Charlton, a character in the Devil West Prata who has been in three of the books and also now the two movies, the real woman behind her has come forward for the first time in decades. People have tried to work out who she was for years, and I'm sure people in the fashion and magazine industry knew, but she herself has never come out and said anything until now, until the movie has come out and so well received it to be said, there's a straight line there. So Leslie Freemar, who is a celebrity stylist and has been in the fashion industry for many decades, went on the Vogue podcast and talked to editorial director Chloe Mao because when Anna Wintle vacated, she wouldn't let anyone else be the editor of Vogue, said, she's the editorial director, but she is running the day to day operations at Vogue now as Anna win talk kind of move has moved into a more like overseeing role. And so she interviewed Leslie, and I know you've listened to this multiple times, right, this interview. Yeah, I couldn't get enough of it. I listened to it twice as well. It's been the thing all my group chats are talking about. And it's interesting because it wasn't supposed to be cutting in any way, but if you read between the lines.26:26Speaker 1 Oh yeah, there's some cutting lines.26:28Speaker 2 It's a bit of a savage story about Lauren Weisberger. So if anyone doesn't know, Lauren Weisberger is the author of The Devil Wears Prata and the sequel, The Devil Returns.26:37Speaker 1 And everyone keeps saying that this is the second book, but actually the.26:39Speaker 2 Third, When Life gives You Lu a Little, When Life gives You Lulu Levin's Crazy, which is Emily's story of her leaving Miranda and like getting pregnant and moving to the suburbs and like breaking up with her husband. It's nothing like the movies. Yeah you've said that. Yeah, I've not read this book. And then so here's the Lauren Weisberger that she was Anna Wintour's assistant well over many decades ago now, and she lasted about eight months in the second assistant chair, and we now know that Leslie was the first assistant at the time. So when she came on to do the podcast with Chloe, Chloe sort of says to her, like, why do you think you're the real Emily? And she's like, I don't think I know. And as she tells her story, it's interesting because Vogue was going to have a panel with past Vogue staffers that all could have been the Emily and they were going to sort of like have a discussion. And then Leslie, who doesn't really do anything like she works with celebs, and like, yes, she's Charlie's.27:33Speaker 1 There on style, Yeah, and she's style a lot of.27:35Speaker 2 Red carpet looks and things like that, but she's on a public face. And she had to sort of call Chloe and say, hey, I'm happy to come and talk and help.27:42Speaker 1 But it's going to be.27:43Speaker 2 Really clear if we all get on stage straight away that it's me.27:46Speaker 1 Yeah, that it's definitively me.27:48Speaker 2 I sat across from her, I said lines that are in the book, I know it's me, And so that idea is going to fall apart pretty quickly. And Soe said that she came on the podcast, Ye did you have a favorite reveal from Leslie? Although there was way too many, but I do think the clearest one, or like the best one to me is how she found out about the book. And also that's the clearest one that obviously, yes, the book was written about her, because even Anna Wintor knew the book was about to tell her. So can I tell the story please people who haven't listened. So obviously wide ranging podcast really really good. But in this part, she says she had moved on to be an assistant in a fashion department and then she gets a call from then Anna's new assistant to be like Anna needs to speak with you, and she was like, Anna never needs to speak with you, and also never needs to speak to an assistant. So she hustles on over there and Anna Wintour asks her who is this woman?28:38Speaker 1 Like who is this lady?28:39Speaker 3 And she's like, that was your assistant, and Anna Winter was like, I don't even know.28:43Speaker 2 Her, has no idea, Well, she has a lot of different assistants, and that she was only there for eight months, and I'm sure maybe she'd seen her.28:50Speaker 1 She would have, yeah, but she.28:51Speaker 2 Called her and she was just like, who is Lauren Weisberger? And it was so funny because Grace Cottington, who's a really famous Vogue editor who worked really closely if Anna and that team, wrote in her own book that no one could remember Lauren when brutal so focused so funny about it. She's like, none of us could picture this, and she's like, I guess Anna's assistants were always, you know, just these bobbing, faceless heads outside her office that you would talk to. But like, Leslie is really the only one who has any memory of her.29:20Speaker 1 Yeah.29:21Speaker 3 And so it's obvious enough when Anna has read this, you know, the initial draft of the book to her that the Emily character is Leslie, because she calls Leslie into her office asks her who Lauren is, and then Anna Wintour says, oh, she's written a book about us, and you come off far worse than me.29:36Speaker 2 That is the interesting thing that Leslie says in this interview, is that they received the galley, which is the very very early stages of a book where things are subject are changed, and she said, she it's so funny, Chloe. He's like, did you run outside straight away and read it. She's like, no, I had to back and do and finish my work. And I was like, life, Emily, I mean maybe because she's like, we probably had a big shoot that day.29:58Speaker 1 That was me.29:59Speaker 2 I would have run straight to some hidden corner and I would have read that book under my desk all day. She said, she waited till she got home at night. Okay, if you've got more will power than me, and she said the first iteration of the book was so mean and much more true to life, because what she's saying has happened is that Lauren took a writing class and they said write what you know, and apparently she wrote it as a memoir, and then they wanted to fictionalize it, and then the fictionalized version was really really mean to everyone who worked at Vogue Tour, to the Leslie character who became Emily, and then the editors who worked with her toned it right down to the book that went on the shelves. The Devil Wears Prada, which is interesting because that book does skew very not mean, but it's like the Miranda Priestley character.30:43Speaker 1 Have you read the book?30:44Speaker 3 No?30:44Speaker 1 Oh, okay, I wouldn't. Sorry, no, I wouldn't invite.30:48Speaker 2 If you're going to read a Lauren Weisberger book, I've got I've got a better recommendation. She read, She wrote some good books. She writes a fun book to have by the pool on holiday. I've read, Yeah, like Last Night at Chateau my Mond chasing Harry Winston. Yeah, The Devil is proud of Like the idea is good obviously because it went on to spawn this incredible thing. But the plot's a bit thin. There's no memorable one liners, Like, it's not a witty book. And also the character of Miranda Priestley is like a caricature. Yeah, all the layers that she has in the movie don't exist in the book.31:21Speaker 1 She's just a nasty woman.31:22Speaker 3 Well. I found that interesting because Leslie said she was able to watch the movie and she found the movie really enjoyable. She was like, it's really glamorous, but there's more like empathy and the people are more well rounded than we saw in that initial galley and then even in the book that got published, Like, that's crazy to me that you can know that this is about you and you see it is really mean, but then you see the on screen portrayal and like, yeah, you like Emily and you like Miranda. I don't have way more nuance than I'm guessing they have in the book.31:47Speaker 2 No, in the book, they just kind of mean girls. Like, yeah, I mean Emily and Andrea hang out a little bit more in the book, but she's still pretty mean to her. And like, yeah, the Miranda character is very kind of just like she's a nasty person. Yeah, she's just like this little talk about her being this little bird like creature, which I guess is very Anna Wintle coded who just like stalks into the office. Yeah, they make a lot of there's a lot in the book about what There's like a whole chapter devoted to what she eats, which apparently is also very Anna winto because she likes steak and potatoes and Starbucks and ice cream. And that's a huge cry in the book. So sometimes Lauren Weisberger was I think just typing out her day. But the end is very different, Like it still ends with Andrea like walking away from her, but there's no nuance with Miranda having like that breakdown scene in the hotel room, like that's to the movie with the no makeup where she kind of like drops the facade and there's no like, you know, Andrea, everyone wants to be out.32:36Speaker 1 It's like this is the sacrifice.32:37Speaker 2 It's just her screaming at her, yeah, and just screaming at her. And then it's like very anti climactic with Andy like calling the office and being like can I still get my flight home?32:46Speaker 1 They're like, no, I'm not going to leave you strand there.32:47Speaker 2 You can get your flight home, and it's just like, oh, kind of anticlimactic.32:51Speaker 1 Yeah. The end.32:52Speaker 3 I do think it's really interesting, like, oh forgot The whole thing is so interesting. But one of the parts that made me go, oh, you are Emily is that Leslie explains like the Lauren person slash Andy character, and she was like the reason that I found it like interesting in the book is like I don't remember Lauren ever being a star on the rise. Yeah, but she's pretty much like that didn't happen. And then she explains like Lauren probably thought I was a bitch because I had to do her job for her because she was and she's like she was probably just sitting around writing her book, I guess, but she pretty much is like that girl never did her job and hated it there. And so yes, I used to snap at her because she wouldn't do her job, and I was like.33:29Speaker 1 WHOA to me?33:30Speaker 2 That was the most telling moment from this revelation from the real Emily from the Devilwars Prider. And can I say I've talked to a lot of people who have listened to this interview, and a lot of people have said, like, she comes across as classic Emily. She comes across as a mean girl for saying that, And can I just say team Leslie on that one.33:46Speaker 1 I thought classic Emily in a good way.33:48Speaker 2 Yeah, they're saying she's too mean, Yeah, that she was being mean about Lauren. Everyone closed ranks against Lauren when she wrote this book, to the point where that's why the company line is like we don't know who Lauren Weisberger is.34:01Speaker 1 And the Devil Wears prior like the first.34:03Speaker 2 Premiere, the one that was in New York, apparently, you know how like they have a host camp on stage and kind of greet everyone a paving. The host was like, you know how they got round the room like this person's here, this person's here. They were like Anna Wintour is here, as is the author of the book, and no they're not sitting together.34:17Speaker 1 And everyone was like whoa because they were in the same room. But also, I have this now.34:22Speaker 2 I think that this has been scrubbed from the internet, but I swear to God I read this quote when The Devil Wears Pride. It came out, but I've gone to look for it so many times and I can't find it. So I think that it was written in a magazine and it's been destroyed. Yeah, but I swear to God that Meryl Streep in an interview, they asked what she thought of Lauren Weisberger and she was like, if I was her, I would have spent more time learning from Anna Wintour than writing a book.34:45Speaker 1 That's just me. Now.34:47Speaker 2 That is not maybe not the kind of thing Meryl Street would say, And maybe I'm paraphrasing, but I feel like she says that in an innuay you have like.34:54Speaker 3 A pretty what is you don't have like a photographic memory, but you have pretty similar.34:58Speaker 1 I have a photograph of memory for so things.35:00Speaker 2 Yeah, yeah, that'll help me in life. But I swear to god, I read that quotally magazine. Yeah, and some person obviously didn't upload it to the internet or it was it's been screet internet.35:11Speaker 1 But I feel like that was just the vibe.35:12Speaker 2 But yeah, I was very much on Leslie's side because she really cared about fashion. She talked about the fact that she had come from Canada and she had really had to fight her way into this job, and she was working like all that stuff you see in the movie about she was told she had to be in the office at seven point thirty.35:29Speaker 3 She moved closer to the office so she could be there on time and stay late.35:33Speaker 1 I was sleeping in.35:33Speaker 2 That office, so she had to be there at seven thirty in the morning. Yeah, with all of Anna's like books and papers, all that stuff you seen the devil was part of them. Putting him in a fan on her on her desk is all real. And then she had to wait around for the book again things we know from the movie. She had to wait around for the book till like ten o'clock at night, and so she's working these crazy hours she gets promoted to first assistant. They she hires Lauren Wiseberger, who has come from a very prestigious university and is very educated. This is sorry, I mean we know that that's a fact. She did come from a prestigious She was in the ivy leagues in America, so like super educated. And she said, from the moment Lauren got to Vogue, she was just like, I'm too good to be here, yeah, and I don't want to be here. And she had and she said she just wouldn't do her work, and so Leslie had to do all of her work for her. And that's where the resentment grew. And that's where the character of Emily from The Devil Wes Pridact came from her resentment.36:25Speaker 1 And I'm just like, if you've worked in a creative.36:26Speaker 2 Industry, everyone knows that feeling of having to do the work for someone else. Yeah, but there's no way to kind of track it a lot of the time publicly. Yeah.36:33Speaker 3 And it also reframes because she says, she's like, I absolutely told her a million girls would kill for this job, yeah, And like it reframes that to an extent too, Like she is of the opinion that Lauren's come in just to write this book and was wasting time and not doing her job, And it's like, yeah, you probably would say something.36:48Speaker 1 To that effect if you're at Vogue at.36:50Speaker 3 That point in time too, Like insane budgets all of that, So many career opportunities, which there still are with Vogue of course.36:57Speaker 1 But like the more that it's changed.36:58Speaker 3 At that point in time, that was the place to go if you wanted a career in journalism. You could get anything, and like Meryl Streeps or alleged quotes saying if you put in me with.37:08Speaker 1 The Meryl Streeps slander, will they even say? Like in podcasts?37:11Speaker 3 The first assistant before Leslie moved up went on to become the entertainment editor at Vogue it for years and years and years and is a very successful and respected journalist. Like you, Yeah, you could build a career off of being that assistant.37:24Speaker 2 I think back then that was the job one hundred girls would kill for and it probably still is. Yeah, Like I know it still is, Like Vogue still carries a lot of weight, and being an assistant is how you get into that pool. So I think that was Leslie's kind of like and we see that dynamic in the book, but we see it in a different way from Andy's perspective, which is Lauren's perspective of her just not coming into this, like what she's thinking is like a plumb job and not doing any work, but like secretly writing her book under the desk, which is the allegation that Vogue has not been able to prove. And also Leslie also said that she took a writing test for Vogue and was rejected, which is in becau. Lauren Weisberger had some writing published in Vogue recently interesting and everyone was like, look, the woman.38:04Speaker 1 Who was turned away from Vogue.38:06Speaker 2 All she had to go do was write a tell all memoir that gets turned into iconic film series and she finally got in.38:11Speaker 3 It's also kind of interesting then that like a subplot of The Devil wes Prata too, is the idea that Andy might write a tell all memoir.38:18Speaker 1 Okay, that was.38:18Speaker 2 Such a quote when I went and saw because I saw that first part of the movie before I went and did The Devil West prior of interviews, and in the theater I was seeing there was like four other journals. I went because I'm like, that was such a Lauren Weisberger burn Yeah, where they were like, what is she going to do? Go write a tell a memoir about her boss? Ha ha as if that's the worst thing you could do. And I was like, that is literally why we're all sitting here, Yeah, because someone did that. But it's kind of become like, it's interesting because Anna Wintour like could have come out of all of this looking like the villain, but she's come out looking like the hero because everyone's like, we love Miranda Priestley, we love Meryl Street, we love this movie, and by default, we love and a wind Tour for being a part of this and that's why she's lent into it. And then Lauren Weisberger has become the kind of like, obviously she's published so many books and she's doing really well, but she has kind of become the punchline when she was initially set up to be the hero, which I find so interesting. And I just find like Leslie's perspective on Anna so different from someone who was just came in with like kind of no emotion, very ambitious because she talks about the fact that Anna was like very much like no personal chat. We're all here to work, and she works like that and she's very comfortable in that setting.39:28Speaker 1 Can't relate to that, can't relate but I love that story she told where.39:33Speaker 2 So Leslie who was giving the interview, the real Emily is from Canada, and so she was being sponsored by Vogue, a biolized Clark that's a fake company by Conde, asked to work at Vogue. And she got a call one day from the Vogue human resources team to say they were no longer sponsoring anyone, so they weren't going to like do her next visa, and so she basically had to leave the country and lose her job. And she said that she was just hysterically sobbing, something she's never done before, but she was so upset and fair enough, and she said that An she didn't know Anna was going to be in the office that day. All of a sudden, Anna Wintour walks in and I don't know why this is so funny to me. She's like, Anna was clearly uncomfortable, and she just walked away. She just walked into her office. But then she waited a few minutes called her in and I love how Leslie did her. Anna Wintour's voice she said she tried to like kind of do like half a British accident.40:19Speaker 1 She was like, Leslie, why are you crying?40:21Speaker 2 Looks so angry, but also just like can't not angry, but just like so flabbergasted that someone in her office would be showing emotion. And so Leslie told her and she was like, Anna Wintle' was like, oh my god, go sit down and stop crying for God's sake.40:32Speaker 1 And then Anna Wintour just called.40:34Speaker 2 All of a sudden, this man appeared in the office who's like the head of human resources.40:38Speaker 1 And Anna Wintour is like.40:39Speaker 2 Ci, my assistant is crying, and in her head, she's like and that's the worst thing anyone could ever do.40:45Speaker 1 In front of me.40:46Speaker 2 She's like, can you please just get her a visa? Just go and sword it. And he's like, yeah, that's fine. And so she got to stay in America. And now she credits this whole huge fashion career that she's had to Anna Wintour just telling her to stop crying.40:57Speaker 3 And fair enough, It's like, yeah, I do think I thought the little insights were interesting. It's also so interesting because Chloe's the one interviewing her. Yeah, and Chloe, like everyone who is online and has seen the pair of them together in recent interviews, is intrigued by the Chloe Anna relationship and like.41:12Speaker 1 Oh, I don't know. I want to from Chloe so bad.41:15Speaker 3 Yeah, and like little things right, like Leslie was like, well, you can't ask her questions and Chloe's like yeah yeah, and then then.41:21Speaker 1 She's like I'm living that in real time. It's like real And.41:23Speaker 3 They're talking about like the book and like the little like wheel seas, which was apparently like little posters or like seams, which was little posters that Anna would put on to be like email this person, tell them to come see me.41:33Speaker 1 I don't like this bro. Little things like that.41:35Speaker 3 It was so interesting to see like Leslie talking about a career she had twenty years ago and Chloe talking about the career she has now and then both just relating to like Anna's anaysms, but also revealing that like a lot of the things don't come from Anna herself. Yeah, that was interesting. They were like, she's not the one who says you can't take bathroom breaks. It's just like something that's been passed down.41:55Speaker 1 Yeah, it's been passed down. Yeah.41:56Speaker 2 The other thing I thought was really interesting was a reveal that came right to the end, and it was the question that Chloe asked her, which was like, have you have you who plays Emily and The Devil Wears Prata? Have you ever met Emily Blunt? And the answer was yes, because of course she's a celebrity stylist, so she's in that world. And she even Leslie said she always thought about what she would say if she ever met the person who had played her on screen and turned her into this iconic character, even though no one knew that she was the real Emily. So she said she was at a dinner one night at a mutual friend's house and she was like, this is my moment. Emily Blunt's right there. We're on this, We're on even ground. I'm not coming up to an event, We're at a mutual friend's house. We're both here as equals. And then she said to her as they were chatting, I just need to let you know that I am the real Emily. And to be so fair a Leslie, I would have done the exact same thing.42:44Speaker 1 Who wouldn't You're telling Emily.42:46Speaker 2 Blunt that her most iconic role, her first big role, that blew up her career is based on you. I would have dropped that and just been like, like, she she's gonna lose her mind. And apparently Emily Blunt couldn't care less. She said oh and just like went on with the conversation. Now did she not hear her or have so many people in the fashion industry said things like that to her before trying to have an in with her? She was like, oh, or was she maybe like and maybe like alarms went up and she was like, Oh, is this woman gonna say to me at my friend's house like she didn't like my portrayal because she plays her really nasty in a funny way.43:21Speaker 1 Is she gonna like.43:22Speaker 2 Ask me, you know some sort of like inside a question? Does she know something? She worked with the woman who wrote this book and like everyone I know doesn't like that woman, like it was a lot so or does she just is Emily Blunt so cool? She just genuinely did not care.43:35Speaker 3 I feel like Emily Blunt just doesn't care. I really like it, but sometimes intrigues me.43:41Speaker 2 I can't believe that because if you met any person, like if you met the person who was the real person behind a role you played as an actor.43:49Speaker 1 Wouldn't you be interested in that? I ignore people would Yeah, I know.43:53Speaker 2 Some actors don't like to meet the person because they don't want the lines to be blur, they don't want to feel like they can't show them in their worse or they don't want to sort of like do a parody of a person. Yeah, but like that shit is sailed like she did it for the first time twenty years ago. Yeah, Devil was prior to too, wasn't filmed at the time. But also there was no inkling that Devil's product she was ever gonna happen. Yeah, I just want and I'm sure someone will ask Emily Blunt the next time she does a lot of press, and I'm so interested in her answer that. Yeah, it's almost like you feel bad for Leslie.44:22Speaker 3 Like it would have just been at least nice, Like as much as I think she people really like the Emily character and stuff she does.44:29Speaker 1 Speak about it at the.44:30Speaker 3 Time, like people in the industry all knew that it was based on her and her being really scared of how she'd be perceived or if she'd be hired again, or what would happened to her career based on this version of the history they went through together. And she also says like Lauren never called her, Lauren never gave her a heads up, like they have not spoken since, so it's not like how Andy and Emily got along in the end. That's not what has happened here. So she's kind of gone through that never outed herself, goes up to the woman who played her, thinking, oh, we can at least have a nice discussion, and she just.44:56Speaker 1 Gets like kind of ghosted. I don't know that would suck. I think Emily Blunch probably reconsider talking to her about that.45:04Speaker 3 Well.45:04Speaker 2 It's such an interesting interview, and we'll link the whole thing in our show notes.45:07Speaker 1 Because we've only sort of scratched the surface. There's a lot more in there. So good.45:10Speaker 3 Thank you so much for listening to The Spill today. Don't forget to follow us on socials. We will pop all of the links in the show notes. We will be back in your feed bright and early tomorrow morning with morning Tea hosted by Ash London. The Spill is produced by Minisihaswarren, with video production by Michael King.45:24Speaker 1 Bye Bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Devil Wears Prada 2 review: Meryl Streep and Anne Hathaway return but the sequel undoes its own characters. Full spoiler breakdown. The Devil Wears Prada 2 reunites the original cast (Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci) twenty years after the 2006 film. Directed again by David Frankel with a screenplay by Aline Brosh McKenna, the sequel picks up with Andy Sachs as a successful journalist who gets pulled back into the world of Runway magazine after mass layoffs hit her newsroom. In this episode of Fully Booked, Meaghan and Shirin give their full spoiler review of The Devil Wears Prada 2. They discuss Miranda Priestly's character changes, Andy's frustrating regression, the copy-paste plot structure, the underused supporting cast (Simone Ashley, Caleb Hearon, Helen J. Shen), and whether the sequel's commentary on the state of modern media actually lands. They also compare the film to Lauren Weisberger's book sequel (Revenge Wears Prada), discuss the Lady Gaga cameo, and debate whether nostalgia sequels can ever really work for films this iconic. Topics covered: • The Devil Wears Prada 2 full spoiler review • Miranda Priestly character analysis: what changed and why it doesn't work • Andy Sachs twenty years later: career growth erased • Stanley Tucci's Nigel deserved better • Simone Ashley, Kenneth Branagh, Lucy Liu, Justin Theroux, B.J. Novak • The Devil Wears Prada books vs. films comparison • Modern media commentary and journalism layoffs • Box office results and Rotten Tomatoes scores • Off Campus (Elle Kennedy) and Margo's Got Money Troubles previews Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gird your loins, folks! We've accepted the low-paying position of assistant to Miranda Priestly, the legendary editor-in-chief at Runway Magazine, the fashion crown jewel of the Elias Clarke publishing empire. A million other people would kill to have this job, but it's sure to open up big doors for us in the future. Ms. Priestly's a little demanding, and doesn't like us to ask questions, and doesn't like when we don't understand things, and calls us fat, but all things require a learning curve. On an unrelated note: The podcast is covering The Devil Wears Prada (2006), the millennial classic about a hard-working striver who doesn't think she can please her boss, before wouldn't you know it, she pleases her damn boss? It might end up being the role Meryl Streep will be best remembered for, and she's truly electric in this movie. But Emily Blunt and Stanley Tucci are also incredible! And Anne Hathaway's doing her thing. Now, about that: During the history segment, we really try to unpack why people don't like Anne Hathaway. Including one of the people who hosts this podcast. Also in the history segment: The life and times of Vogue editor Anna Wintour; Lauren Weisberger working for Wintour and then writing a thinly veiled novel about it; how that novel was adapted into a movie; and how playing Priestly catapulted Meryl Streep into being a box office sensation for the first time in her career. Watch the history segment in full: https://youtu.be/iF8YfSnisqw  Next week (May 8, 2026): Bride of Chucky (1998)!   Time stamps: 00:06:33 — History segment: Anna Wintour; author Lauren Weisberger works as Wintour's assistant for 10 months, writes a novel about it; the novel gets adapated as a movie by director David Frankel; casting Meryl Streep and Anne Hathaway; why do people hate Anne Hathaway? 00:51:55 — Movie discussion 02:05:15 — Final thoughts & star ratings   The Devil Wears Prada was directed by David Frankel and written by Aline Brosh McKenna, based on Lauren Weisberger's novel. Starring Anne Hathaway, Meryl Streep, Emily Blunt, Stanley Tucci, Simon Baker, Tracie Thoms, Rich Sommer, Gisele Bundchen, and Adrian Grenier as "Nate."    Sources: "Anna Wintour's legacy and who might replace her as Vogue editor" by Steven McIntosh | BBC (2025) - https://bit.ly/4vZ8Zof "Anna Wintour Embraces a New Era At Vogue" by David Remnick | The New Yorker (2025) - https://bit.ly/48JrpQb  "What's Wrong With Vogue?" by Cathy Horyn | The New York Times (2008) - https://bit.ly/424AcIw  "The White Issue: Has Anna Wintour's Diversity Push Come Too Late?" by Edmund Lee | The New York Times (2020) - https://bit.ly/4cFPslf  "When personal assistants attack!" by Elizabeth Spiers | Salon (2003) - https://bit.ly/4n0Y1uv  "'Every minute at Vogue felt like an emergency': Devil Wears Prada author Lauren Weisberger on igniting a scandal" by Jess Cartner-Morley | The Guardian (2024) - https://bit.ly/4vRpl2f  "'It was a year of being yelled at': How much of The Devil Wears Prada really happened?" by Megan Agnew | The Sydney Morning Herald (2026) - https://bit.ly/4cDk5rG  "The Devil Wears Prada oral history: Cast reunites to dish on making the best-dressed hit" by Joey Nolfi | Entertainment Weekly (2021) - https://bit.ly/3QK5PVi  "'The Devil Wears Prada' Turns 10: Meryl Streep, Anne Hathaway and Emily Blunt Tell All" by Ramin Setoodeh | Variety (2016) - https://bit.ly/4u3ztDs  "Anne Hathaway on Tuning Out the Haters and Embracing Her True Self" by Julie Miller | Vanity Fair (2024) - https://bit.ly/4u5uJgo  "Anne Hathaway Can't Win" by Anne Helen Petersen | BuzzFeed (2015) - https://bzfd.it/4cHqMZC  "A Tale of Two Oscar-Winning Actresses: Why Has Jennifer Lawrence Become a Media Darling by Breaking All the Rules, While Well-Behaved Anne Hathaway Is Getting Flack?" by Julie Miller | Vanity Fair (2013) - https://bit.ly/4tm4aDf "How Annoying Is Anne Hathaway: A Scientific Inquiry" by Billy Kimball | HuffPost (2013) - https://bit.ly/4mZqVLl  "The Cult of Hathahaters: Will It Hurt Anne Hathaway's Oscar Chances?" by Kevin Fallon | The Daily Beast (2013) - https://bit.ly/3OMV302    Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

The countdown to the 2026 Met Gala has begun and the momentous occasion means that Voguers from far and wide are flying into New York City, including none other than our very own Chioma Nnadi. Reunited at last, Chioma, Chloe, and Nicole gathered in the studio—on the same day as another royal's visit to the World Trade Center—and caught up.Earlier this week, Vogue hosted its second Book Club gathering at Metrograph; a celebration of reading Lauren Weisberger's The Devil Wears Prada accompanied by a screening of the sequel which comes to theaters on May 1. After the film wrapped, Chloe invited Vogue alumni Kate Young and Billy Norwich to join her on stage for a live podcast taping. Kate, who started as Anna's assistant in the late nineties and Billy, who was then a writer and editor at Vogue, shared memories and spoke about their initial reactions to the book and movie when they first came out. Billy actually accompanied Anna to the 2006 premiere at the Paris Theater and told Chloe that she wanted to wear Prada because “that was her intense humor.” He also spoke about the test he created with the late Charles Gandee which went viral last year when the New York Times published a multiple choice interactive version titled “Could You Have Landed A Job At Vogue in the ‘90s?”Not all of the reminiscing was so rose-colored. Kate recalled feeling hurt after she read the galley. “At the time she was just making fun of us.” As for Billy, his pet peeve was that “every time I'd get on an airplane that's what was playing. So I couldn't escape it.” The podcast trio also discussed the age-old question which surfaced in light of this week's Chanel show: what is cruise or resort season in the fashion world? Despite many attempts to answer this conundrum, year after year someone always needs a refresher. Nicole's simplest explanation: “cruise is this in-between season, between fall and spring.” The show itself also had the whole office, and broader fashion community, talking particularly about the pair of not-shoe shoes that several models sported on the runway. This near-naked foot look is certainly not practical, but perhaps it'll be making its way onto red carpets in the future. Chioma also brought up the big news that Zoe Kravitz and Harry Styles, after a relatively brief courtship, are engaged. The rock is nothing to scoff at! And in other news, ahead of the first Monday in May, Vogue Cafe is popping up in NYC this weekend on Saturday and Sunday at Altro Paradiso. Get your tickets in the Vogue app—we'll see you there. The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

In this episode we hit pause on the present and rewind to 2006 for The Devil Wears Prada - the comedy drama film directed by David Frankel, based on the 2003 novel by Lauren Weisberger. Andy (Anne Hathaway) is a recent college graduate with big dreams. Upon landing a job at prestigious Runway magazine, she finds herself the assistant to diabolical editor Miranda Priestly (Meryl Streep). Andy questions her ability to survive her grim tour as Miranda's whipping girl without getting scorched.

The truth is finally revealed! After 20+ years, stylist Leslie Fremar has gone on record to say that she is the inspiration behind Emily from The Devil Wears Prada. Back in 1999, she was the one who hired writer Lauren Weisberger to be Anna Wintour's assistant and she even remembers being the one to say "a million girls would kill for this job". On this episode of The Run-Through with Vogue, hear Leslie tell the story of how she became first assistant to Anna Wintour after first saying no, the real story behind the Harry Potter manuscript, and whether or not she's spoken to Lauren Weisberger all these years later.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Gay homosexuals Nick and Joseph review The Devil Wears Prada  a 2006 American film directed by David Frankel. The screenplay, written by Aline Brosh McKenna, is based on the 2003 novel by Lauren Weisberger. The film stars Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt.Additional topics include:MichaelRachel Sennott at StarbucksVacation​The death of Nathalie BayeJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Paul and Amy step into the fashion closet with The Devil Wears Prada, revisiting the sharp, stylish comedy that evolved into a definitive story about the cost of ambition. They trace the film's origins from Lauren Weisberger's real-life experience, unpack the casting what-ifs, and celebrate Meryl Streep's iconic, ice-cold turn as Miranda Priestly, from the “cerulean” monologue to the power plays that define the film. Along the way, they explore Andy's uneasy rise, the shifting dynamics with Emily and Nigel, and why the movie's unsentimental ending still cuts deep 20 years later. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes, studying a story that you love can be a bit scary. What if it turns out that the story is rubbish, and what you really like is the soundtrack, or the actor, or the costumes? Well, you can cast those worries aside this week because The Devil Wears Prada is solid. In terms of structure, it isn't fancy. It doesn't waver from the Hero's Journey/Archplot form, and that's okay. In fact it's more than okay because it teaches us what can happen when we focus on the fundamentals.-V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

It's always such a joy when I can bring on a friend I know IRL who lives in my home state, so it is with great pleasure that I scheduled a Zoom hang with the critically acclaimed, wondrously creative, and darkly comedic journalist-turned-author Amina Akhtar. More of a breezy, nostalgic chat about life, Gen X, print journalism, and the '90s, than a traditional episode devoted to the movies, with the release of Devil Wears Prada 2 right around the corner, it was the perfect time to talk to Amina about the twenty years she spent working in the fashion magazine industry. Accidentally stumbling into a full time position at Vogue after a month working as a fact checker, Amina was the assistant to Anna Wintour's second in command, and worked along with Lauren Weisberger, who no one in her office realized was secretly writing and getting ready to publish the thinly veiled satire of her work life with Wintour at Vogue in The Devil Wears Prada. Light-hearted, funny, and eye-opening, Amina shares her insights and memories, and we discuss how the film, starring Anne Hathaway, Emily Blunt, Stanley Tucci, and Meryl Streep, reflected and differed from the real thing.Bio: Amina Akhtar is a novelist and former fashion editor. Her satirical first novel, #FashionVictim, drew critical acclaim. Kismet, her second book, was set in the stunning and creepy world of wellness. Almost Surely Dead, Akhtar's third novel, was published by Mindy Kaling's imprint. Akhtar is currently working on her fourth novel.Akhtar has worked at Vogue, Elle, the New York Times, and New York Magazine, where she was the founding editor of the women's blog The Cut. She lives not too far from Sedona, Arizona.Originally Posted (3/29/26) here: https://www.patreon.com/posts/154266082Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi & PayPalTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Cʹest une comédie américaine devenue culte, Le diable s'habille en Prada, The Devil Wears Prada, réalisée par David Frankel, sortie en 2006. Adapté du roman du même nom de Lauren Weisberger sorti 3 ans auparavant, le Diable sʹhabille en Prada raconte lʹhistoire dʹune jeune assistante un peu naïve et fagotée comme lʹas de pique face à la redoutable et charismatique papesse de la mode, Miranda Priestly, rédactrice en chef dʹun magazine reconnu aussi caractérielle quʹinfluente. Pour incarner Miranda à lʹécran, qui dʹautre que Meryl Streep. Chevelure blanche impeccablement coiffée, lʹactrice livre une performance dont elle a le secret, tout en justesse, laissant affleurer ce quʹil faut dʹhumanité dans ce personnage inspiré de la réactrice du magazine Vogue américain : Anna Wintour. Face à Meryl Streep, le casting, avouons-le, nʹest pas mal non plus Anne Hathaway, Emily Blunt et Stanley Tucci. Le film se concentre sur le monde de la mode et des magazines de mode. Un univers impitoyable. Le Dallas de la haute-couture. Dʹailleurs, parlant couture, cʹest un des films qui aura un des gros budgets costumes de lʹhistoire du cinéma. Satire, comédie, film dʹapprentissage au féminin, le Diable sʹhabille en Prada fait immédiatement un carton. Le public adore, la critique salue la performance de Meryl Streep qui reçoit un Golden Globe pour sa prestation et le film entre dans la légende. Et si vous aimez le bleu céruléen vous allez adorer le Diable sʹhabille en Prada. REFERENCES Meryl Streep - The Devil Wears Prada – Interview: https://www.youtube.com/watch?v=v60NoYE415c Patricia Field parle des Costumes sur EMMYTVLEGENDS.ORG: https://www.youtube.com/watch?v=fuWcZlR_dUs Anne Hathaway évoque sa carrière chez Vanity Fair: https://www.youtube.com/watch?v=wYVgq0gFlwQ Meryl Streep aux Golden Globes 2007: https://www.youtube.com/watch?v=waWf3JN967Q Anna Wintour est chez Letterman: https://www.youtube.com/watch?v=viTU747i6r8

In Episode 211, Sarah and Catherine of Gilmore Guide to Books catch up on the 14 new releases they shared in the Fall 2025 Book Preview, now that they've read them — or at least tried to!  They share their reading stats and discuss which books worked and which didn't…and why.   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Catherine's success rate bounces back from summer. Sarah's fall reading felt kind of "meh" despite a higher success rate. They also share their combined 2025 Preview success rates. Their fall pick ratings were all over the place, with only one DNF, but books range from 2 to 4 stars, with Catherine boasting the sole 5-star book! A couple of books suffered from an identity crisis, while others were surprise successes.  Catherine's assignment for next season is to check the page count and look for authors following-up award-winning books. They name their best and worst books picks for fall! Books We Read Before the Preview [5:57]  SEPTEMBER Sarah's Picks The Wilderness by Angela Flournoy (September 16) | Amazon | Bookshop.org[6:01] Fall 2025 Circle Back [7:23] AUGUST Sarah's Picks Dominion by Addie E. Citchens (August 19) | Amazon | Bookshop.org [7:29] We Loved to Run by Stephanie Reents (August 26) | Amazon | Bookshop.org[13:38] Catherine's Pick Katabasis by R. F. Kuang (August 26) | Amazon | Bookshop.org [9:59] Other Books Mentioned Culpability by Bruce Holsinger (2025) [9:28]  Inferno by Dante (c. 1321) [11:29]   Babel by R. F. Kuang (2022) [13:16]  Yellowface by R. F. Kuang (2023) [13:25] The Ensemble by Aja Gabel (2018) [16:12] SEPTEMBER Sarah's Picks Buckeye by Patrick Ryan (September 2) | Amazon | Bookshop.org [20:51] Hot Desk by Laura Dickerman (September 2) | Amazon | Bookshop.org  [27:30] Underspin by E. Y. Zhao (September 23) | Amazon | Bookshop.org [40:06] Catherine's Picks The Loneliness of Sonia and Sunny by Kiran Desai (September 23) | Amazon | Bookshop.org  [17:12]  Guilty by Definition by Susie Dent (US release: September 30) | Amazon | Bookshop.org [24:01] Other Books Mentioned The Flatshare by Beth O'Leary (2019) [28:07]  OCTOBER Catherine's Picks Workhorse by Caroline Palmer (October 14) | Amazon | Bookshop.org [31:24] The Wayfinder by Adam Johnson (October 14) | Amazon | Bookshop.org[34:49] Other Books Mentioned The Devil Wears Prada by Lauren Weisberger (2003) [32:43]  The Orphan Master's Son by Adam Johnson (2012) [38:35]  The Inheritance of Loss by Kiran Desai (2006) [39:03]  NOVEMBER Sarah's Pick Lightbreakers by Aja Gabel (November 4) | Amazon | Bookshop.org [44:37] Catherine's Pick Best Offer Wins by Marisa Kashino (November 25) | Amazon | Bookshop.org[42:48] Other Books Mentioned The Ensemble by Aja Gabel (2018) [44:43]  DECEMBER Catherine's Pick The Day I Lost You by Ruth Mancini (US release: December 2) | Amazon | Bookshop.org [47:49]

Welcome to Celebrity Spotlight Radio, your #1 source for breaking Hollywood news! Get ready for the reveal you've been waiting 19 years for! In this video, we dive deep into the electrifying announcement of The Devil Wears Prada 2, officially presented by 20th Century Studios. Join us as we dissect the brand-new, short-but-sweet teaser trailer that shows Meryl Streep's iconic Miranda Priestly and Anne Hathaway's sophisticated Andy Sachs reuniting in a truly unforgettable elevator scene. Miranda's classic quip, "Took you long enough," isn't just a line – it's a brilliant nod to the nearly two-decade wait for this highly anticipated sequel!We'll discuss Anne Hathaway's previous doubts about the film ever happening and how this trailer proves dreams do come true! Plus, get the full scoop on the returning cast, including Emily Blunt as Emily Charlton and Stanley Tucci as Nigel, along with a star-studded list of new additions like Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, and more! We'll even touch on the rumors swirling around Sydney Sweeney's potential involvement.Discover the creative team returning, including director David Frankel and writer Aline Brosh McKenna, ensuring the sequel maintains the beloved spirit of the original. From the fashionable streets of New York City to the sleek offices of Runway Magazine, we explore what fans can expect from this cinematic event based on Lauren Weisberger's world. Mark your calendars because The Devil Wears Prada 2 hits theaters on May 1, 2026! Don't miss a single detail – watch the full video, check out the teaser trailer linked in the pinned comments, and let us know your thoughts in the comments below! Is it everything you've dreamed of? We think so!The Official Movie Teaser - The Devil Wears Prada 2 - https://youtu.be/9c-DrMe8o5Q?si=iXIecqmpALppbzZ_Subscribe Today! I thank You for the kind support.✅ Subscribe to My YouTube Channel  @CelebritySpotlightRadio  Don't forget to like

In the mid-aughts, America became obsessed with high fashion for some reason. Maybe it was Project Runway's silver-haired imp Tim Gunn whispering in our ears to “make it work.” Maybe we were all bewitched by the well-dressed ladies of Sex and the City. But Manolo Blahnik and Jimmy Choo were suddenly household names. Enter Meryl Streep as the boss from Hell: Miranda Priestly, the editor-in-chief of Runway magazine. She's bringing the fire and brimstone of haute couture to torture her new assistant, played by a fresh-faced Anne Hathaway, in this 2006 comedy written by Aline Brosh McKenna from the novel by Lauren Weisberger. The film was a massive hit, won multiple awards, and scored Oscar noms for Streep and costume designer Patricia Field, who reportedly spent over $1 million to clothe the cast. But does this Runway project make it work? Or does it seem as gauche and dated as last season's trends? They say the devil is in the details, and this time, The Devil Wears Prada.   Gird your loins, everyone!   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

For Ep. 173, Susie Boutry (@NovelVisits) joins me as we circle back to one of our favorite topics — niching down our reading into micro genres! In this special Circle Back, we revisit some previously shared micro genres from our two past Micro Genres We Love episodes and introduce two additional micro genres from a Patreon bonus episode not yet heard on the big show! We give examples that define each micro genre for us and share new books we've read that fit into these niches. Plus, we share books for that DIDN'T work for us. This episode is full of over 100 books for you to add to your TBR! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Romances That Deal With Fame [4:04] Sarah's Additions Nora Goes Off Script by Annabel Monaghan | Amazon | Bookshop.org [4:53] Colton Gentry's Third Act by Jeff Zentner | Amazon | Bookshop.org [5:14] Other Books Mentioned Romantic Comedy by Curtis Sittenfeld [4:31] Red, White & Royal Blue by Casey McQuiston [4:34] You Made a Fool of Death With Your Beauty by Akwaeke Emezi [6:01] Let the Games Begin by Rufaro Faith Mazarura (July 9) [6:37] Frenzied but Favorable Family Dynamics [7:43] Sarah's Additions Mercury by Amy Jo Burns | Amazon | Bookshop.org [11:21] Banyan Moon by Thao Thai | Amazon | Bookshop.org [11:37] The Connellys of County Down by Tracey Lange | Amazon | Bookshop.org [44:44] Something Wild by Hanna Halperin | Amazon | Bookshop.org  [11:59] Susie's Additions Same As It Ever Was by Claire Lombardo | Amazon | Bookshop.org [8:19] Sandwich by Catherine Newman | Amazon | Bookshop.org [8:46] Ordinary Human Failings by Megan Nolan | Amazon | Bookshop.org  [9:31] Signal Fires by Dani Shapiro | Amazon | Bookshop.org [9:40] The Things We Didn't Know by Elba Iris Pérez | Amazon | Bookshop.org [9:42] Wolf at the Table by Adam Rapp | Amazon | Bookshop.org [9:50] Other Books Mentioned The Most Fun We Ever Had by Claire Lombardo [8:12] Happiness Falls by Angie Kim [10:35] The Bee Sting by Paul Murray [12:17] You Only Call When You're in Trouble by Stephen McCauley [12:35] Novels about the Dynamics of the Creative Process [12:53] Sarah's Addition Margo's Got Money Trouble by Rufi Thorpe | Amazon | Bookshop.org [13:49] Susie's Addition The Art Thief by Michael Finkel | Amazon | Bookshop.org [14:24] Other Books Mentioned Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin [13:16] The Ensemble by Aja Gabel [13:23] Hell No! Women's Stories [15:16] Susie's Additions The Vaster Wilds by Lauren Groff | Amazon | Bookshop.org [16:05] Small Mercies by Dennis Lehane | Amazon | Bookshop.org [16:49] Margo's Got Money Trouble by Rufi Thorpe | Amazon | Bookshop.org [17:10] Go As a River by Shelley Read | Amazon | Bookshop.org [17:34] The God of the Woods by Liz Moore | Amazon | Bookshop.org [17:37] Killers of a Certain Age by Deanna Raybourn | Amazon | Bookshop.org [17:51] Other Books Mentioned Circe by Madeline Miller [15:51] The Book of Essie by Meghan MacLean Weir [15:55] Intense, (Sometimes) F-ed Up Love Stories, that Most Definitely Are Not Romances [18:10] Sarah's Additions Talking at Night by Claire Daverley | Amazon | Bookshop.org [19:04] Adelaide by Genevieve Wheeler | Amazon | Bookshop.org  [19:17] Leaving by Roxana Robinson | Amazon | Bookshop.org [19:29] Susie's Addition How We Named the Stars by Andrés N. Ordorica | Amazon | Bookshop.org [20:09] Other Books Mentioned Tell Me Lies by Carola Lovering [18:52] Normal People by Sally Rooney [18:55] I Could Live Here Forever by Hanna Halperin [18:58] Time Travel Done Right [20:31] Susie's Additions The Other Valley by Scott Alexander Howard | Amazon | Bookshop.org [21:09] The Husbands by Holly Gramazio | Amazon | Bookshop.org [21:33] The Ministry of Time by Kaliane Bradley | Amazon | Bookshop.org [22:03] Other Books Mentioned 11/22/63 by Stephen King [20:58] Life After Life by Kate Atkinson [21:02] Books by Former or Current Attorneys [22:37] Sarah's Additions Gone But Not Forgotten by Phillip Margolin | Amazon | Bookshop.org [23:30] Happiness Falls by Angie Kim | Amazon | Bookshop.org [23:47] All That Is Mine I Carry With Me by William Landay | Amazon | Bookshop.org [23:52] Wrong Place, Wrong Time by Gillian McAllister | Amazon | Bookshop.org [24:03] Susie's Addition What Happened to Nina? by Dervla McTiernan | Amazon | Bookshop.org [24:32] Other Books Mentioned The Damage by Caitlin Wahrer [22:54] Miracle Creek by Angie Kim [23:23] The Eddie Flynn Series by Steve Cavanagh [23:26] Faithful Friends / Ensembles [25:07] Sarah's Addition The Christmas Orphans Club by Becca Freeman | Amazon | Bookshop.org [27:39] Susie's Additions We Are the Light by Matthew Quick | Amazon | Bookshop.org [25:53] Piglet by Lottie Hazell | Amazon | Bookshop.org [26:16] Good Material by Dolly Alderton | Amazon | Bookshop.org [26:36] The Rachel Incident by Caroline O'Donoghue | Amazon | Bookshop.org [27:10] Other Books Mentioned The Interestings by Meg Wolitzer [25:37] The Dearly Beloved by Cara Wall [25:41] The Ensemble by Aja Gabel [25:45] Come and Get It by Kiley Reid [27:28] Suspenseful Books That Are Not Truly Thrillers,But That Publishers Market as Thrillers [28:20] Sarah's Additions The God of the Woods by Liz Moore | Amazon | Bookshop.org [29:26] All the Sinners Bleed by S. A. Cosby | Amazon | Bookshop.org [29:50] Susie's Addition Perfectly Nice Neighbors by Kia Abdullah | Amazon | Bookshop.org [30:21] Other Books Mentioned The Violin Conspiracy by Brendan Slocumb [29:08] My Sunshine Away by M. O. Walsh [29:11] The Cutting Season by Attica Locke [29:20] Literary Angst [30:52] Sarah's Addition Grief Is for People by Sloane Crosley | Amazon | Bookshop.org [34:01] Susie's Additions Yellowface by R. F. Kuang | Amazon | Bookshop.org [32:06] Victim by Andrew Boryga | Amazon | Bookshop.org [32:30] I Could Live Here Forever by Hanna Halperin | Amazon | Bookshop.org [33:16] Other Books Mentioned Writers & Lovers by Lily King [31:26] Groundskeeping by Lee Cole [31:30] We Wish You Luck by Caroline Zancan [31:33] The Writing Retreat by Julia Bartz [33:44] A Million Little Pieces by James Frey [34:22] Fifty Shades of Grey by E L James [34:24] Oral Histories [34:35] Sarah's Additions The Hop by Diana Clarke | Amazon | Bookshop.org [35:18] Kill Show by Daniel Sweren-Becker | Amazon | Bookshop.org [35:38] Welcome to the O.C. by Josh Schwartz, Stephanie Savage, and Alan Sepinwall | Amazon | Bookshop.org [35:52] Other Books Mentioned The Only Plane in the Sky by Garrett M. Graff [34:58] Daisy Jones & The Six by Taylor Jenkins Reid [35:05] Retellings of Classics or Beloved Books [36:43] Sarah's Addition Eligible by Curtis Sittenfeld | Amazon | Bookshop.org [39:53] Susie's Additions Tom Lake by Ann Patchett | Amazon | Bookshop.org [37:27] Bear by Julia Phillips | Amazon | Bookshop.org [37:46] Other Books Mentioned Demon Copperhead by Barbara Kingsolver [37:03] Beautiful Little Fools by Jillian Cantor [37:08] Stone Blind by Natalie Haynes [37:13] The Shadow of Perseus by Claire Heywood [37:17] Birnham Wood by Eleanor Catton [38:38] James by Percival Everett [39:05] Pride and Prejudice by Jane Austen [39:55] Badass Female Athlete Fiction / Competition Novels [40:14] Sarah's Addition Headshot by Rita Bullwinkel | Amazon | Bookshop.org [40:42] Other Books Mentioned Carrie Soto Is Back by Taylor Jenkins Reid [40:35] Firekeeper's Daughter by Angeline Boulley [40:38] The Knockout Queen by Rufi Thorpe [41:02] Trust No One [41:33] Susie's Additions First Lie Wins by Ashley Elston | Amazon | Bookshop.org [42:46] Interesting Facts About Space by Emily Austin | Amazon | Bookshop.org [43:07] Other Books Mentioned I'm Thinking of Ending Things by Iain Reid [42:03] Foe by Iain Reid [42:04] Cover Story by Susan Rigetti [42:17] Sunburn by Laura Lippman [42:21] Everyone On This Train Is a Suspect by Benjamin Stevenson [43:45] The Fury by Alex Michaelides [44:19] Workplace Dramas or Thrillers [44:58] Sarah's Additions Exit Interview by Kristi Coulter | Amazon | Bookshop.org [45:38] Private Equity by Carrie Sun | Amazon | Bookshop.org [45:50] Bully Market by Jamie Fiore Higgins | Amazon | Bookshop.org [46:05] Susie's Additions The Sisterhood by Liza Mundy | Amazon | Bookshop.org [46:48] Correspondents by Tim Murphy | Amazon | Bookshop.org [47:11] Other Books Mentioned The Devil Wears Prada by Lauren Weisberger [45:13] The Boys' Club by Erica Katz [45:17] All Her Little Secrets by Wanda M. Morris [45:19] Code Girls by Liza Mundy [47:04] Novels With a Focus on Found Family [47:28] Sarah's Additions Vera Wong's Unsolicited Advice for Murderers by Jesse Q. Sutanto | Amazon | Bookshop.org [50:47] The Christmas Orphans Club by Becca Freeman | Amazon | Bookshop.org [51:17] Susie's Additions Who We Are Now by Lauryn Chamberlain | Amazon | Bookshop.org [48:25] The Memory of Animals by Claire Fuller | Amazon | Bookshop.org [48:48] All You Have to Do Is Call by Kerri Maher | Amazon | Bookshop.org [49:23] Other Books Mentioned A Little Life by Hanya Yanagihara [48:04] We Are the Light by Matthew Quick [48:09] Hunting and Gathering by Anna Gavalda [48:15] Nuclear War: A Scenario by Annie Jacobsen [49:14] Family Family by Laurie Frankel [49:48]

In the season finale, Maura and Donny discuss the 2003 novel  “ The Devil Wears Prada” by Lauren Weisberger and its 2006 film adaptation starring Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci. They delve into the cutthroat world of high fashion.Connect with A Reel Page Turner: https://www.facebook.com/groups/352221223264794https://www.areelpageturner.com/Twitter: @AReelPageTurnerInstagram: @AReelPageTurnerTikTok:@areelpageturner

Susie Banikarim has been a freshman journalist. She's also been a boss. Now, she's the co-host and EP of the podcast In Retrospect, along with her friend, New York Times editor Jessica Bennett. Over the years, Susie has kept watching the 2006 modern classic The Devil Wears Prada, and she's noticed a funny thing happen. Where once she (obviously!) identified with the put-upon lead, Andy Sachs (Anne Hathaway), time and life have shown her that maybe Miranda Preistly (Meryl Streep) wasn't such a devil after all.Plus...it's #MaxFunDrive! Listen to find out what becoming a member at maximumfun.org/join can get you, to find out about our special bonus content for this year, and to learn what happens if you help us hit our goals! ***With Jordan Crucchiola and Susie Banikarim

Welcome to the Instant Trivia podcast episode 1070, where we ask the best trivia on the Internet. Round 1. Category: Novels Since 1900 1: 23-year-old Andrea Sachs gets a job as a personal assistant at Runway magazine in this Lauren Weisberger novel. The Devil Wears Prada. 2: "Texasville" and "Duane's Depressed" are 2 of the many tales of the small-town west by this author who died in 2021. (Larry) McMurtry. 3: The name of this realtor and Sinclair Lewis title character has come to mean a witless booster. (George) Babbitt. 4: There's a weapon in the title of this modern updating of an ancient English legend by T.H. White. The Sword in the Stone. 5: Paul Bäumer is a young German student turned soldier in this World War I novel. All Quiet on the Western Front. Round 2. Category: This Side Up. With Up in quotation marks 1: Dude, you're way too this word, nervous and easily annoyed. uptight. 2: This "Saturday Night Live" newscast title has been used since a weekend in 1975. Weekend Update. 3: "Casablanca" begins with an order to do this to "all suspicious characters and search them". round up. 4: In summer 2013 shares of Pandora stock surged after Goldman Sachs did this to it from "neutral" to "buy". upgrade. 5: Hang gliders ride these rising currents of air to stay aloft. updrafts. Round 3. Category: XOdus. With X in quotes 1: Back Off! I've got this irrational fear of strangers. Xenophobia. 2: A brand name, it's become a synonym for a photocopy. Xerox. 3: Second name of St. Francis, known as the "Apostle of the Indies". Xavier. 4: It's the 4-letter spelling of the shortened form of Christmas; many Christians frown on it. Xmas. 5: It's the alphabetical name for the troubling 1790s incident involving French agents. XYZ Affair. Round 4. Category: Pie-Pourri 1: Betty Crocker has a recipe for rhubarb pie topped with this fluff made from egg whites. meringue. 2: To make this pie topping, stiffly beat egg whites and add granulated sugar one tablespoon at a time. meringue. 3: You don't need a lot of dough to make pie crust; smash up some chocolate wafers to make this kind of crust instead. a crumb crust. 4: Confusingly, this official state dessert of Massachusetts is called pie but made with sponge cake. Boston cream pie. 5: Not chocolate silk or chocolate chiffon, but chocolate this glossy fabric is a favorite at Marie Callender's. chocolate satin. Round 5. Category: Great Places To Propose 1: At a spot near this spectacular site in Africa. Victoria Falls. 2: In Agra, before this monument to eternal love. the Taj Mahal. 3: High atop this British attraction. the Millennium Wheel. 4: On this oldest bridge in Paris, whose name means otherwise. Pont-Neuf. 5: On a beach on this Caribbean island, named for a female saint, with one of its famous volcanic peaks in the background. Saint Lucia. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

You may be sitting at your computer in sweats right now. But it doesn't mean B2B marketers like yourself aren't fashion conscious. There's actually a lot the fashion industry can teach us about marketing.You were likely marketed those sweatpants. So think about what made you want them. Why did you buy from that particular company? And what was the deciding factor that made you purchase them?It's likely the company understood their industry, personalized their message, and created original content. Those are a few of the things we're talking about today with Edgio's Director of Corporate Communications, Brand and Strategic Content, Sally Winship Comollo. Together, we're looking at B2B marketing lessons from The Devil Wears Prada. So put on your Chanel boots (they'll go great with your sweats) for this episode of Remarkable.About our guest, Sally Winship ComolloSally Winship Comollo is Director of Corporate Communications at Edgio. There, she leads the development and execution of strategic content and communications programs that drive awareness for the company's innovative edge platform. Previously, she led content and communications at Equinix. She has over 15 years of experience in marketing communications, content marketing, PR, and events, spanning various industries and sectors, from consumer electronics to cloud computing to legal services.Her core competencies include branding and positioning, content creation and distribution, experiential marketing and events, media and analyst relations, internal and employee communications, and social media. About EdgioEdgio is a globally scaled edge-enabled software solutions provider that helps companies deliver extraordinary digital experiences — faster websites, more responsive applications, the highest quality streaming, and more consistent game and software downloads, to any device.About The Devil Wears PradaThe Devil Wears Prada is about new college grad Andy Sachs who lands a job at a prestigious fashion magazine in New York City, working as an assistant to the editor. It stars Anne Hathaway as Andrea “Andy” Sachs, Meryl Streep as the editor, Miranda Priestly, Stanley Tucci as art director Nigel Kipling, and Emily Blunt as Miranda's other assistant. The movie came out in 2006 and is based on the book by Lauren Weisberger. It was directed by David Frankel and produced by Wendy Finerman. The screenplay was written by Aline Brosh McKenna. The book was inspired by Lauren Weisberger's experience as an assistant to Vogue editor Anna Wintour.What B2B Companies Can Learn From The Devil Wears Prada: Know and understand your industry. As Andy is just learning about the fashion industry, she makes an offhand comment about clothing being “stuff.” Miranda Priestly is quick to remind Andy that she is, in fact, the target audience for that “stuff.” Miranda points out that Andy is wearing a cerulean sweater, a color blue made popular by the fashion industry. So knowing your industry means being able to make the discerning and nuanced choices that will speak more effectively to your target audience. So your message resonates with them above all others. You'll even be so effective, your audience won't even know they're being influenced by your “stuff.”Personalize your message. Andy memorizes the guest list for the Met Gala so she can be Miranda's reference when meeting them. So Miranda was able to personalize her greeting for each person. This small but critical tip is something we can apply to marketing. Sally says, “How do you personalize your message for your different customer segments or your different stakeholders?” You want each customer or each stakeholder to feel important and like they matter to your business. Personalization is a simple yet effective way to do that.Be agile. As Miranda says, “By all means, move at a glacial pace. You know how that thrills me.” Marketers have to be moving quickly and working to stay ahead of the every-changing industry landscape. Ian says, “Just pacing in general is really important. How quickly you're doing sprints or project delivery, whether or not something is good enough to go out, versus how long you spend on it. Like that, to me, is the hardest part of marketing, is ‘How much time do you spend on the thing?'”Create original content. In other words, don't recommend florals for your spring line of clothing. As Miranda says, “Florals? For spring? Groundbreaking.” It cuts to the core. Sally says when it comes to B2B marketing, “How do you break away from things that may seem easy? Like, ‘Oh, everybody's doing video now, so let's do video'. Well, video might not work for your audience, or how do you make videos, but better?” So don't follow the crowd, but fashion your own content.Quotes*”Our sales team is going through a very similar transition from just selling solutions or selling the product to value-based solution selling and transparent selling. So being honest about what we can do for them and what we can't do for them. Because that creates that trusted advisor type of role. Our marketing is mimicking that. So not just creating content that shows the value that we bring to the customer, but then also creating content that's valuable to the potential customer.” - Sally Winship Comollo*”Ultimately, the intangible ways of tracking ROI are also important. With analyst relations, when you get to the point where analysts come to you and say, ‘Hey, we've got a report coming out on edge platforms and we want you to be in it,' Then that to me shows that what we're doing is working.” - Sally Winship ComolloTime Stamps[0:55] Meet Sally Winship Comollo, Director of Corporate Communications, Brand and Strategic Content at Edgio[1:48] Why are we talking about The Devil Wears Prada?[2:48] What does Sally do at Edgio?[3:31] What's The Devil Wears Prada about?[6:59] Why is The Devil Wears Prada remarkable?[13:52] What can Miranda Priestly teach us about leadership?[19:19] What B2B marketing lessons can we take away from The Devil Wears Prada?[23:18] What's Sally's content strategy at Edgio?[28:49] How does Sally prove the ROI of content?[33:49] What advice would Sally give others in content marketing?LinksWatch The Devil Wears PradaConnect with Sally on LinkedInLearn more about EdgioAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Meredith Gooderham, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

On this episode of Currently Reading, Kaytee and Meredith are discussing: Bookish Moments: being immersed in spreadsheets and the publishing woes of Iron Flame Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: foodie books that symbolize different thanksgiving dishes The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  .  2:19 - Our Bookish Moments of the Week 2:01 - Iron Flame by Rebecca Yarros 2:46 - Fourth Wing by Rebecca Yarros 10:52 - Currently Reading Patreon 11:08 - Current Reads 11:41 - Slewfoot by Brom (Meredith) 14:50 - A Court of Thorns and Roses by Sarah J. Maas 13:52 - The Novel Neighbor 16:44 - Krampus by Brom 17:14 - Tunnel of Bones by Victoria Schwab (Kaytee) 17:29 - City of Ghosts by Victoria Schwab 19:53 - The Night Gardener by Jonathan Auxier 19:54 - The Screaming Staircase by Jonathan Stroud 19:55 - 100 Cupboards by N.D. Wilson 20:17 - Bridge of Souls by Victoria Schwab 21:16 - Under the Influence by Noelle Crooks (Meredith) 23:22 - Girl, Wash Your Face by Rachel Hollis 25:32 - The Devil Wears Prada by Lauren Weisberger 27:30 - The Wind Knows My Name by Isabel Allende (Kaytee) 31:19 - Kill Show by Daniel Sweren-Becker (Meredith) 34:32 - Article about racial bias media coverage 35:46 - Fantasticland by Mike Bockoven 35:50 - Daisy Jones and the Six by Taylor Jenkins Reid 35:59 - Only Plane in the Sky by Garrett M. Graff 36:08 - Beyond the Wand by Tom Felton (Kaytee) 36:25 - Foyles UK 39:59 - Deep Dive: Foodie Books to Create Your Thanksgiving Plate 41:20 - Animal, Vegetable, Miracle by Barbara Kingsolver  43:26 - Taste by Stanley Tucci  43:44 - Arsenic and Adobo by Mia P. Mananasala 44:33 - Notes From A Young Black Chef by Kwame Onwauchi 45:42 - Food: A Love Story by Jim Gaffigan 46:39 - A City Baker's Guide to Country Living by Louise Miller 47:39 - Kitchen Confidential by Anthony Bourdain 48:49 - Chef's Kiss by T.J. Alexander 49:22 - La Cucina by Lily Prior 49:32 - Chocolat by Joanne Harris 49:33 - Like Water for Chocolate Laura Esquivel 50:09 - Legends and Lattes by Travis Baldree 50:37 - Bookshops and Bonedust by Travis Baldree 50:53 - The House Witch by Delemhach 51:34 - Black Cake by Charmaine Wilkerson 51:55 - Still Life by Louise Penny 52:34 - The Novel Neighbor on Instagram 53:06 - Meet Us At The Fountain 53:14 - I wish to convey my most heartfelt thankfulness to our listeners and to Kaytee herself for a wonderful bookish partnership. (Meredith) 54:00 - I wish for listeners to let me know about their favorite Indie bookstores. (Kaytee) 54:19 - Indie bookstore SURVEY Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. December's IPL will be a yearly recap from us, so we can give our beloved Indies a break for the holidays! Trope Thursday with Kaytee and Bunmi - a behind the scenes peek into the publishing industry All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the special insights of an independent bookseller The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Norah and Lena discuss books they hated and classics they liked!  Hear their takes on: Devil Wears Prada by Lauren Weisberger, The Greenglass House by Kate Milford, The Picture of Dorian Grey by Oscar Wilde, The Secret Garden by Frances Hodgson Burnett, Fever 1793 by  Laurie Halse Anderson, Little Women by  Louisa May Alcott, Art of War by Sun Tzu, and Animal Farm by George Orwell.

« Andreâââââ, je veux un café. C'est tout. »  Ce mois-ci, Victoire, Pascale, Jeanne et Marianne comparent le roman de Lauren Weisberger, Le Diable s'habille en Prada, à son adaptation en film réalisée par David Frankel avec Meryl Streep et Anne Hathaway ! Fraîchement diplômée, Andrea "Andy" Sachs décroche son premier job à New York comme assistante de Miranda Priestly, la terrible rédactrice en chef du magazine de mode Runway. Un an à son service devrait lui ouvrir toutes les portes des magazines new-yorkais... mais à quel prix ? Mais le film est-il fidèle au roman dont il est tiré ? Réponse dans l'épisode ! 2 min 46 : On commence par parler du roman Le Diable s'habille en Prada de Lauren Weisberger, paru en 2003. 40 min 21 : On enchaîne sur l'adaptation en film sortie en 2006 et réalisée par David Frankel avec Meryl Streep et Anne Hathaway. 1 h 39 min 58 : On termine sur nos recommandations autour des comédies à New York, de la mode et d'Anne Hathaway. Avez-vous lu ou vu Le Diable s'habille en Prada ?

Welcome back, Literary Slummers! We're finally back from our summer break, and we've got a brand new unit for you! Ladies being cool, stylish, and powerful in The Big City. We're starting with a book that, quite honestly, made a much better movie. Go watch it. After listening to this episode, obvs. Recommended Reading: The Devil Wears Tartan by Katia Rose Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett The Fairy Bargains of Prospect Hill by Rowenna Miller Not All Himbos Wear Capes by C. Rochelle Witch King by Martha Wells Twitter: @shelfawarecast, @amdeebee, @emnoteliza Instagram: @shelfawarecast Email: shelfawarecast @ gmail Ben Cope: youtube.com/user/fretwiz

Welcome to a new episode of I'll Show You Mine! This time, Elyse is showing James ‘The Devil Wears Prada' from 2006. Based on the book by Lauren Weisberger that was inspired by her time as an assistant to Anna Wintour, editor of Vogue, ‘The Devil Wears Prada' tells the story of Andy Sachs, assistant to the demanding EIC of Runway Magazine, Miranda Priestly.Join us as we talk about how James wouldn't have lasted a day in the Runway office, debate if Nate is the true villain of the movie, and decide if we really buy all these arguments about the fashion industry.Our next episode will be May 15th, when James shows Elyse ‘Halo 3' from 2007.Our theme song is by us! James Sparkman and Elyse Wietstock.Follow us on Twitter, Instagram, and Twitch at @isympodcastIf you like the show please share it with a friend or leave a review on Apple Podcasts, and if you want access to post-show content, downloadable art, and more, visit illshowyoumine.show and click “Patreon!”

Happy Indie Bookstore Day! To thank you for listening and supporting The Bookshelf, we have a special treat for you: a recording of our live show from our February Reader Retreat! In this episode, Annie and Hunter chat about the books they wish their favorite authors would write. Ashley joins them to ask them the New York Times' By the Book questions. To purchase the books mentioned in this episode, visit our website: I Have Some Questions for You by Rebecca Makkai Great Believers by Rebecca Makkai Romantic Comedy by Curtis Sittenfeld A Place for Us by Fatima Fahreen Mirza The Nest by Cynthia D'Aprix Sweeney Crazy Rich Asians by Kevin Kwan The Goldfinch by Donna Tartt The Secret History by Donna Tartt Homegoing by Yaa Gyasi Transcendent Kingdom by Yaa Gyasi Their Eyes Were Watching God by Zora Neale Hurston Swamplandia by Karen Russell One More Thing by B.J. Novak (unavailable to order) Holes by Louis Sachar The Devil Wears Prada by Lauren Weisberger (unavailable to order) Fates and Furies by Lauren Groff What books are on your nightstand? Annie: This Day by Wendell Berry Little Women by Louisa May Alcott The World-Ending Fire by Wendell Berry (unavailable to order) Hunter: History of Wolves by Emily Fridlund (unavailable to order) Edinburgh by Alexander Chee Wonder Boys by Michael Chabon (unavailable to order) What's the last great book you read? Annie: Stealing by Margaret Verble Hunter: A Frozen Woman by Annie Ernaux What's your favorite book no one has heard of? Annie: Frances and Bernard by Carlene Bauer Hunter: Monkeys by Susan Minot (unavailable to order) From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram at @bookshelftville, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  Thank you to this week's sponsor, the 102nd Annual Rose Show and Festival in Thomasville, Georgia. Come visit us for the weekend of April 28th-29th and experience the flowers, fun, food, and shopping in Beautiful Thomasville. Plan your visit at ThomasvilleGa.com. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. Or, if you're so inclined, support us on Patreon, where you can hear our staff's weekly New Release Tuesday conversations, read full book reviews in our monthly Shelf Life newsletter and follow along as Hunter and I conquer a classic. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Cammy Tidwell, Chanta Combs, Chantalle C, Donna Hetchler, Kate O'Connell, Kristin May, Laurie Johnson, Linda Lee Drozt, Martha, Nicole Marsee, Stacy Laue, Stephanie Dean, Susan Hulings, and Wendi Jenkins.  

This week Being Bookish has gone to the movies with my guest, Lorraine from Once Upon a Nightmare. I've hit a bit of a reading slump, but this is still book talk as The Devil Wears Prada (2006) is itself based on a book by Lauren Weisberger which was originally released in 2003. So join us as we talk about what we liked and didn't in this film, how we would both probably fare in the fashion industry and all other things Prada in our review. Featured episodes Practical Magic Where you can find Lorraine Twitter Instagram Once Upon a Nightmare Podcast

In this episode, we are looking at the fashion classic The Devil Wears Prada (2006). Directed by David Frankel, the film was written by Aline Brosh McKenna, and adapted from Lauren Weisberger novel. It stars Anne Hathaway, Meryl Streep, Emily Blunt, and Stanley Tucci.We discuss the similarities and differences between the film and fashion industries and take a personality test to find out which character we are most like from The Devil Wears Prada.Join us next week when we'll be discussing Blonde (2021), written and directed by Andrew Dominik. Blonde is available to watch on Netflix.A full transcript of the episode can be found here.The Mazi Project - https://themaziproject.com Hosted on Acast. See acast.com/privacy for more information.

This week on Lady History: We're heading home to visit some ladies local to our lives. Meet witty wordsmith Lauren Weisberger, political powerhouse Hillary Clinton, and bookish babe Mary Foy. Logo by: Alexia Ibarra Editing by: Lexi Simms Music by: Alana Stolnitz Archival audio in this episode is from New America, "Keynote by The Honorable Hillary Rodham Clinton". A full text transcript of this show, as well as sources, attributions, and further readings, can be found at ladyhistorypod.com Support us on Patreon for just $1: www.patreon.com/ladyhistorypod Follow us on Twitter, TikTok & Instagram: @ladyhistorypod Have a question? A business inquiry? Contact: ladyhistorypod@gmail.com Leave us an audio message for a chance to be featured in the show: anchor.fm/ladyhistory/messages

In the Fall 2022 Book Preview, Catherine (Gilmore Guide to Books) and I shared our 16 most-anticipated books that released mid-August – December 2022.  In today's episode, we're going to circle back to update you on the books we've had a chance to read — or at least attempt.   This post contains affiliate links, through which I make a small commission when you make a purchase (at no cost to you!). Highlights We discuss how the types of books released in the fall seem to have changed. Sarah comes back with two 5-star books! Catherine and Sarah share their Fall 2022 reading stats and success rates. The reading experience was a roller coaster ride from stellar picks, to middling reads, and 3 DNFs between the two of us. The best and worst picks from the Fall 2022 Book Preview. Books We Read Before the Preview [5:14] Sarah's Picks: Carrie Soto Is Back by Taylor Jenkins Reid (August 30) | Amazon | Bookshop.org [5:56] Now Is Not the Time to Panic by Kevin Wilson (November 8) | Amazon | Bookshop.org [7:14] Fall 2022 Circle Back [9:43] August Catherine's Picks: American Fever by Dur e Aziz Amna (August 16) | Amazon | Bookshop.org [9:49] The House of Fortune by Jessie Burton (August 30) | Amazon | Bookshop.org [15:42] September Sarah's Pick: The Two Lives of Sara by Catherine Adel West (September 6) | Amazon | Bookshop.org [12:27] Catherine's Picks: The Fortunes of Jaded Women by Carolyn Huynh (September 6) | Amazon | Bookshop.org [21:04] The Marriage Portrait by Maggie O'Farrell (September 6) | Amazon | Bookshop.org [27:06] How Not to Drown in a Glass of Water by Angie Cruz (September 13) | Amazon | Bookshop.org [34:24] October Sarah's Picks: Keep It in the Family by John Marrs (October 18) | Amazon | Bookshop.org [18:05] Anywhere You Run by Wanda M. Morris (October 25) | Amazon | Bookshop.org [24:47] Catherine's Pick: The Atlas Paradox by Olivie Blake (October 25) | Amazon | Bookshop.org [41:26] November Sarah's Picks: Someday, Maybe by Onyi Nwabineli (November 1) | Amazon | Bookshop.org [30:04] Winterland by Rae Meadows (November 29) | Amazon | Bookshop.org [37:08] Catherine's Pick: The Cloisters by Katy Hays (November 1) | Amazon | Bookshop.org [47:57] December Sarah's Pick: The Ingenue by Rachel Kapelke-Dale (December 6) | Amazon | Bookshop.org [43:55] Catherine's Pick: The Book of Everlasting Things by Aanchal Malhotra (December 27) | Amazon | Bookshop.org [50:52] Other Books Mentioned Malibu Rising by Taylor Jenkins Reid [6:14]  Signal Fires by Dani Shapiro [8:45] Saving Ruby King by Catherine Adel West [12:43]  The Miniaturist by Jessie Burton [16:01]  When the Stars Go Dark by Paula McLain [20:34] Crazy Rich Asians by Kevin Kwan [23:35]  All Her Little Secrets by Wanda M. Morris [25:10]  Hamnet by Maggie O'Farrell [27:17]  Unlikely Animals by Annie Hartnett [33:01]  The Atlas Six by Olivie Blake [41:36]  The Ballerinas by Rachel Kapelke-Dale [45:02]  My Dark Vanessa by Kate Elizabeth Russell [46:05]  The Devil Wears Prada by Lauren Weisberger [49:30] Social Creature by Tara Isabella Burton [49:52] Necessary People by Anna Pitoniak [49:55] About Catherine Gilmore Blog | Facebook | Twitter | Instagram Catherine started The Gilmore Guide to Books over 10 years ago after wrapping up a career as a corporate librarian. She loves books and reading (surprise!) and currently lives in Seattle, WA.

Bestselling fantasy authors Lindsey Sparks and Lindsey Pogue discuss the popular chick lit/women's fiction throwback, The Devil Wears Prada by Lauren Weisberger, the 2006 adaptation of the same name.WARNING: This episode contains ALL the spoilers about The Devil Wears Prada, both the book and the film. BOOK RECS!Storm and Fury by Jennifer L. ArmentroutBoyfriend by Sarina BowenOTHER LINKS:The Devil Wears Prada montage:https://youtu.be/ZAp9tTklmOYThe Hot Chick montage:https://youtu.be/nFI7K9PktAQAustenland montage:https://youtu.be/szoivPXfpxMCURRENT FREEBIES (at the time of episode airing):The Darkest Winter by Lindsey PogueAfter The Ending by Lindsey Sparks & Lindsey Pogue--Join the No Shelf Control Podcast Facebook Group:www.facebook.com/groups/noshelfcontrolpodcastLindsey Pogue's website:https://www.lindseypogue.com/Lindsey Sparks' website:https://www.authorlindseysparks.com/Support the show

Featuring characters from "The Devil Wears Prada".

The Devil Wears Prada is a 2006 comedy drama directed by David Frankel based on the 2003 novel by Lauren Weisberger. This is the story of Andy played by Anne Hathaway. She is a freshly graduated journalist who stumbles upon a junior personal assistant job under Miranda Priestly played by Meryl Streep. Miranda Priestly is the Editor in Chief of Runway Magazine and that gig Andy stumbled upon is "a job that millions of girls would kill for…" Andy is kinda… meh… about it…  But Miranda Priestly is not one to be trifled with and Andy finds herself in an extremely challenging situation trying to impress her new boss as well as her co-workers Emily played by Emily Blunt and Nigel played by Stanley Tucci all while juggling her relationship with Nate played by Adrian Grenier and a suave New York Times freelancer Christian Thompson played by Simon Baker. See omnystudio.com/listener for privacy information.

In this episode, Jen and Sara discuss 2006's adaptation of Lauren Weisberger's The Devil Wears Prada (Libro.fm | Bookshop.org). They discuss this beloved movie--what they liked, what they didn't, and their overall feelings about the adaptation. Check it out and let us know what you think!   Visit the Unabridged website for and links to the books mentioned in the episode.   Want to support Unabridged? Follow us @unabridgedpod on Instagram, Facebook, Twitter. | Join our Unabridged Podcast Reading Challenge. | Visit our curated list of books at Bookshop.org. | Become a patron on Patreon. | Check out our Merch Store. | Visit the resources available in our Teachers Pay Teachers store.   Interested in what else we're reading? Check out our Featured Books page.  

A theatrical adaptation of the novel was presented at Seattle's Book-It Repertory Theatre in 2007.[13][14] The novel has also been adapted for the theater in a version written by Caridad Svich, which was commissioned by Repertorio Espanol in New York City. That adaptation premiered in 2009 and received the HOLA Award for Outstanding Achievement in Playwriting from the Hispanic Organization of Latin Actors. Unlike the film and the previous adaptation, this version was written and performed in Spanish and has been staged in Latin American countries such as Chile and Costa Rica.[15] Svich also wrote an English language version of the play which won the 2011 American Theatre Critics Association Primus Prize for its production at Denver Center Theatre Company in 2010.[16] On May 23, 2018, it was announced that Hulu was developing a television series adaptation of the novel with production company FilmNation Entertainment. Allende is expected to serve as an executive producer on the project.[17] On October 19, 2021, it was announced that Eva Longoria would star in the project.[18]

WX+: jessica66001,卡卡送你一份学习大礼包更多卡卡老师福利公号：卡卡课堂近日，安妮海瑟薇出席活动，40岁的状态引发网友热议。不得不说海瑟薇这40岁的状态也太好了，尤其是对于生过两娃的白种人来说更不容易，这身材这颜值真的一点也看不出来是40岁，笑起来好治愈好美，爱了爱了，这种礼服颜色都能轻松hold住，好飒好美！永远的女神，无论什么年龄都美得不像话！她因为过于完美而遭人诋毁，好莱坞“公主”安妮海瑟薇真是惊艳了时光的存在。《爱丽丝梦游仙境》《穿普拉达的女王》《公主日记》《蝙蝠侠》等等。让我印象最深刻的，是她的《穿普拉达的女王》。影片《穿普拉达的女王》是根据劳伦·魏丝伯格（Lauren Weisberger）的同名小说改编而成，由大卫·弗兰科尔执导，梅丽尔·斯特里普，安妮·海瑟薇和艾米莉·布朗特联袂出演。影片于2006年6月30日在美国上映。影片讲述一个刚离开校门的女大学生，进入了一家顶级时尚杂志社当主编助理的故事，她从初入职场的迷惑到从自身出发寻找问题的根源最后成为了一个出色的职场与时尚的达人。很多人都说，《穿普拉达的女王》是一本时尚教科书。影片中，通过女主的职场经历，我们不仅仅看到在时尚界她的蜕变，更看到的是，这部电影中，不同的人对于“时尚”的理解。那什么是“时尚“呢？今天节目中，我们分享一句来自于美版《Marie Claire》杂志的时装总监Nina Garcia说过的话。Quote to learn for today“If you look back in history of the women who are most memorable and most stylish, they were never the followers of fashion. They were the ones who were unique in their style, breakers of the rules. They were authentic, genuine, original. They were not following the trends.”– Nina Garcia翻译“如果你回顾历史上最令人难忘、最时尚的女性，她们从来都不是时尚的追随者。她们的风格独特，打破了规则。她们真实、真诚、原创。她们没有追随潮流。”-尼娜·加西亚It was a memorable experience for him.这是让他难忘的一次经历。中翻英：它们必须得看上去像真的。They have to look authentic.

Whether you have worked in a cubicle or not, we think you'll enjoy these books set in an office (or sometimes, a nightmare office). Books mentioned on this episode: The Devil Wears Prada by Lauren Weisberger, Attachments by Rainbow Rowell, The Beautiful Bureaucrat by Helen Phillips, Horrorstör by Grady Hendrix, and There's No Such Thing as an Easy Job by Kikuko Tsumura, translated by Polly Barton. --- Send in a voice message: https://anchor.fm/keepitfictional/message

Hosts Deb, Ann & Simone discuss Lauren Weisberger's "Where the Grass Is Green and the Girls Are Pretty". From the bestselling author of The Devil Wears Prada and When Life Gives You Lululemons comes a highly entertaining, sharply observed novel about sisters, their perfect lives . . . and their perfect lies.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Tori and Nicole welcome Maddie, Technical Services and Circulation Assistant, to the show in this episode. The three discuss new picture books that are coming to the library shelves soon, along with some old favorites that had an impact for them. The resources discussed in this episode are listed below: Roger the Prounoun by Coert Vorhees; Nelson the Noun by Coert Vorhees; Vinny the Action Verb & Lucy the Linking Verb by Coert Vorhees; Jake the Adjective by Coert Vorhees; Benny the Adverb by Coert Vorhees; Connie the Conjunction by Coert Vorhees; L'il Pete the Preposition by Coert Vorhees; Izzy the Interjection by Coert Vorhees; If You Were a Compound Word by Trisha Speed Shaskan, illustrated by Sara Jean Gray; If You Were a Conjunction by Nancy Loewen, illustrated by Sara Jean Gray; If You Were an Apostrophe by Shelly Lyons, illustrated by Sara Jean Gray; If You Were Quotation Marks by Molly Cece Barlow Blaisdell, illustrated by Sara Gray; If You Were a Capital Letter by Trisha Speed Shaskan, illustrated by Sara Jean Gray; If You Were a Prefix by Marcie Aboff, illustrated by Sara Jean Gray; If You Were an Exclamation Point by Shelly Lyons, illustrated by Sara Jean Gray; If You Were a Suffix by Marcie Aboff, illustrated by Sara Jean Gray; If You Were a Plural Word by Trisha Speed Shaskan, illustrated by Sara Jean Gray; If You Were a Contraction by Trisha Speed Shaskan, illustrated by Sara Jean Gray; The Karate Kid: The Classic Illustrated Storybook illustrated by Kim Smith; E.T. the Extra-Terrestrial: The Classic Illustrated Storybook illustrated by Kim Smith; Elf: The Classic Illustrated Storybook illustrated by Kim Smith; Elf (2003) movie; School of Rock (2003) movie; School of Rock: The Classic Illustrated Storybook illustrated by Kim Smith; The Goonies (1985) movie; The Goonies: The Illustrated Storybook by Brooke Vitale, illustrated by Teo Skaffa; Our Table by Peter H. Reynolds; Change Sings: A Children's Anthem by Amanda Gorman, illustrated by Loren Long; Pete the Cat's Groovy Imagination by Kimberly and James Dean; Chuck's Ice Cream Wish by Viola Butler, illustrated by Ward Jenkins; Speak by Laurie Halse Anderson; Speak (2004) movie; SHOUT by Laurie Halse Anderson; The Devil's Arithmetic by Jane Yolen; The Devil's Arithmetic (1999) movie; The Promise by Chaim Potok; The Chosen by Chaim Potok; What's The Difference Between Hasidic vs. Orthodox Jews? One of Us Is Lying by Karen M. McManus; One of Us Is Lying Netflix series; The Cousins by Karen M. McManus; Nothing More to Tell by Karen M. McManus (forthcoming); Where the Grass Is Green and the Girls Are Pretty by Lauren Weisberger; The Devil Wears Prada by Lauren Weisberger; Smooth Talk (1985) movie; Where Are You Going, Where Have You Been? short story by Joyce Carol Oates;

This month Charlene and Chelsea take a deep dive into the world of haute couture as portrayed in Lauren Weisberger's book and David Frankel's film adaptation The Devil Wears Prada.

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  In this episode, we're talking about David Frankel's The Devil Wears Prada from the year 2006. With a screenplay by Aline Brosh McKenna and based on Lauren Weisberger's 2003 novel rumoured to be based on her time working under Vogue editor Anna Wintour, this film earned Meryl Streep and legendary costume designer Patricia Field Oscar nominations. Tonight we're opening up our own hideous skirt convention and dragging in Andy, played by Anne Hathaway along with her boyfriend Nate, played by Adrian Grenier and her boss Miranda, played by Meryl Streep. As Andy tries to negotiate and balance these two crucial relationships in her life, which do we think is the corn chowder and which the cube of cheese? Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in June 2021. Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @fantana275 Cat can be found on Twitter @KittyCostanza -------------------------------------------------------------------------------------------------- For regular updates on future episodes of the podcast, guest appearances and events, subscribe to our monthly newsletter here https://www.getrevue.co/profile/dywmpodcast 

Catherine Raynes has been reading the latest novel from Devil Wears Prada author Lauren Weisberger; When the Grass is Greener. She's also been reading The Perfect Family by Robyn Harding.LISTEN ABOVE 

Lauren Weisberger, the New York Times bestselling author of The Devil Wears Prada, talks to Carol Fitzgerald about her newest novel, Where the Grass is Green and the Girls Are Pretty. In Where the Grass is Green and the Girls Are Pretty, Peyton thinks she has it all as an anchor of a beloved morning show, with celebrity status and enough money for her family to enjoy life. Her daughter is bound for Princeton and ready to follow her filmmaking dreams. Peyton's sister, Skye, lives a modest life and longs to do more with her career. She is making great strides on a fundraiser and feels some fulfillment outside her role as a stay-at-home mother. One lie is all it takes to unravel the careful plans that they all have in place. Lauren channeled her close relationship with her sister as she wrote the novel. She talks about how far she was in her early draft before realizing she'd have to start over with a different approach, while hoping for the men characters to be nice guys instead of villains. She talks about her women characters and how their agency involves them making their own choices. They also discuss what's next for Lauren: in books and on stage. She's currently excited about the upcoming stage adaptation of The Devil Wears Prada, which she's been working on with Kevin McCollum and Elton John, with Elton writing all the music. Books Discussed in this Episode: Where the Grass is Green and the Girls Are Pretty by Lauren Weisberger  More Bookreporter Talks To: The Plot: https://youtu.be/OV_ORMNT8W0 The Break-Up Book Club: https://youtu.be/OQoxBpkBF_k Morningside Heights: https://youtu.be/qfP9-x6uDfQ Check out our other videos: Bookaccino Book Club with Kim Michele Richardson: https://youtu.be/Y5R70-w0AVg Bookaccino Book Club with William Kent Krueger: https://youtu.be/dX-mHWLmv5k Sign up for the weekly Bookreporter.com newsletter here: http://tbrnetwork.com/newsletters/bookreporter-weekly-newsletter-subscribe FOLLOW US Facebook: https://www.facebook.com/bookreporter Website: https://www.bookreporter.com Photography Credit: Greg Fitzgerald

The bestselling author of The Devil Wears Prada, which became a smash box office hit with Meryl Streep and is now in development with Elton John and Paul Rudnick as a Broadway musical, Lauren Weisberger launched her latest — and already bestselling! — novel with Zibby at a Barnes & Noble virtual event. And they did it in person! They discussed sisterhood, breaching trust, suburbs vs. the city, the college admissions scandal, and how Lauren coped with the success of her first novel in her early twenties. There were a lot of laughs!Purchase a copy on Amazon or Bookshop: Amazon: https://amzn.to/3ur2Ss4Bookshop: https://bit.ly/3wBj4by See acast.com/privacy for privacy and opt-out information.

Kaley and Taylor discuss "The Devil Wears Prada" by Lauren Weisberger and compare it to its movie adaptation. --- Support this podcast: https://anchor.fm/tbwbpodcast/support

Meet Craig Sisterson, author of 'Southern Cross Crime'. Learn 8 practical writing tips from authors. Plus, our popular MOJO MONTH event is back in May, providing you with 31 days of writing motivation. We also have 3 copies of 'Where the Grass is Green' by Lauren Weisberger to give away. Read the show notes Connect with Valerie, Allison and listeners in the podcast community on Facebook Visit WritersCentre.com.au | AllisonTait.com | ValerieKhoo.com See omnystudio.com/listener for privacy information.

S1E7 - The Devil Wears Prada (feat. Robin Fierce) - AfterThought Podcast AfterThought Podcast A new media review podcast hosted by Marshall, also known as Connecticut's very own DJ Edgewood, will take his listeners on a personal journey to revive his love for movies, music, video games, etc., accompanied by special guests to join the ride. Season 1 Episode 7 “The Devil Wears Prada” With guest host Robin Fierce (IG: @therobinfierce) https://linktr.ee/TheRobinFierce Make sure you watch the movie before listening to the episode! #spoileralert Now available on major podcast platforms and Youtube https://linktr.ee/afterthoughtpod Email the podcast at afterthoughthub@gmail.com Or check out our Instagram at www.instagram.com/afterthoughtpod The Devil Wears Prada is a 2006 American comedy film directed by David Frankel and produced by Wendy Finerman. The screenplay, written by Aline Brosh McKenna, is based on Lauren Weisberger's 2003 novel of the same name. The film adaptation stars Meryl Streep as Miranda Priestly, a powerful fashion magazine editor, and Anne Hathaway as Andrea "Andy" Sachs, a college graduate who goes to New York City and lands a job as Priestly's co-assistant. Emily Blunt and Stanley Tucci co-star as co-assistant Emily Charlton and art director Nigel Kipling, respectively. Adrian Grenier, Simon Baker, and Tracie Thoms play key supporting roles. https://en.wikipedia.org/wiki/The_Devil_Wears_Prada_(film) Music: VHS Dreams by Shane Ivers - https://www.silvermansound.com​​​​​ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

GET OUT YOUR HOOP SKIRTS, CAUSE IT'S TIME FOR FASHION! Your friendly neighborhood pretty-boy, Kyle Seeley is here with his EXOTIC pal, Joe Moubhij. This movie is so great, we don't know WHO might stop by for the chat ;) Featuring Joe and Jess!Jessica is the acclaimed girlfriend of Joe! She has a degree in dance, she works hard every day, and she is a self-proclaimed EXPERT on this film! Petes Music Crate suggests you listen to:Chicago! For updates on what movie we're going to be covering next week, follow our social media!Insta: NotFilmSchoolPodcastFacebook: Not Film SchoolTwitter: @NotFilmSchool69Email: ThisIsNotFilmSchool@gmail.com Special Thanks To:StreamBeats - Skit MusicFesliyan Studios - Camera NoisesRyan Maguire - For Wammying With Style (Intro Theme)Brieana Woodward - For Drawing Fashionable Shirt onto My Wolf (Art)Joe Moubhij - For the LIGHTS, CAMERA, AND ACTION ;) (IT Advice)  Ryan Maguire - For Wammying With Style! (Show Intro Theme) Thanks to Anne Hathaway, Meryl Streep and Anthony Tucci for lovely performances, twisting and turning the audiences with your glances and gasps!And of course, Lauren Weisberger for SUFFERING THE EVENTS DEPICTED IN THIS FILM! But look who's laughing NOW! Congratulations! 

“The Devil Wears Prada” author Lauren Weisberger celebrates her 44th birthday today. Her a seventh novel, “Where The Grass Is Green And The Girls Are Pretty,” will be released in May.

Andrea Sachs, a recent graduate of Brown University with a degree in English, moves to New York City with her best friend, Lily, a graduate student at Columbia. Andrea hopes to find a career in publishing and blankets the city with her résumé. She believes she'll be closer to her dream of working for The New Yorker if she can get a job in the magazine industry. She gets a surprise interview at the Elias-Clark Group and is hired as a junior assistant for Miranda Priestly, editor-in-chief of the fashion magazine Runway. Although she knows little of the fashion world, everyone tells her that "a million girls would die for [her] job." If she manages to work for Miranda for a year, people tell her, she can have her choice of jobs within the magazine industry.

For full show notes, visit the Fox and Heron Blog. Christy's Ep 1 Booklist: Just Only John by Jack Kent Ferdinand the Bull by Munro Leaf How Fletcher Was Hatched by Wende Devlin Anne of Avonlea by Lucy Maud Montgomery Fear Street series by RL Stein On that Dark Night by Carol Beach York Fabulous Five by Betsy Haynes Baby Sitters Club by Ann M. Martin Nancy Drew & River Heights by Carolyn Keene Sweet Valley High by Francine Pascal Eva by Peter Dickinson Archie Comics Josie's Ep 1 Booklist: Amelia Bedelia by Peggy Parish; The Amityville Horror by Jay Anson; Little Women by Louisa May Alcott; Beezus and Ramona by Beverly Cleary; World Book Encyclopedia; The Dresden Files by Jim Butcher; Last Night at The Chateau Marmont by Lauren Weisberger; Harry Potter by JK Rowling; Tweet Cute by Emma Lord --- Send in a voice message: https://anchor.fm/foxandheron/message

We review The Devil Wears Prada, including the 2003 novel by Lauren Weisberger and the 2006 movie directed by David Frankel, and discuss Meryl and the Tucch, David's Ralph Lauren dreams, and what's really going on with ALL. THAT. FASHION... Come tell us about what you think about our new cover art! (you nerds) by leaving us a review for us on iTunes - if you do, we'll force David to read it in a funny voice in our next episode (the longer, the better).You can also talk to us on these Instagram, Twitter, or Facebook - we are @adaptedpod on all of those platforms.  If you want to suggest the next book-to-movie combo we should revaiew, send us an email at stuff@adaptedpod.com!Special thanks to CatLofe for our intro/outro music. You can listen to more CatLofe here: https://spoti.fi/2PekTI9

We take a look at the cult classic comedy The Devil Wears Prada, directed by David Frankel in 2006, and the novel it was based on by Lauren Weisberger. We discuss the challenges of first jobs, the real life inspirations of the story, and every glorious line that comes out of Meryl Streep's mouth.

Join Wendy and Amy for a special bonus episode of Lauren Weisberger's When Life Gives You Lululemons when they break out some brandy slushes and give an English class breakdown to this super fun beach read. You don't want to miss the fun!

Today we are reviewing The Devil Wears Prada by Lauren Weisberger. Krysta rants about the fashion industry and how weight is perceived. Jessica has a mini rant about Starbucks lattes, and we drink Cosmopolitans. In the words of Miranda Priestly, "That's all."

We deep dive into this iconic movie, an eminently rewatchable cultural phenomenon with not one, but two, complicated and strong female leads played by the brilliant Meryl Streep and Anne Hathaway.  *** We travel back to 2006 when the movie came out, discussing how it got made, how it differs from the book, and how Meryl played hard ball on her salary. (2:15) *** The Devil Wears Prada fought a lot of blockbuster movies to ultimately win the zeitgeist wars, but does it still hold up? Does it feel dated? Or maybe anti-feminist? Kate raises the oft-mentioned criticisms of the movie. (12:10) *** Complicated Woman Rating - Miranda Priestly, one of the best villains in movie history, is someone to be equally feared and revered. Would we feel differently if Miranda was a man? (23:33) *** Complicated Woman Rating - Andy is our heroine and clearly her journey drives the story, but Carinn wants to see more plucky and scrappy and less whining. What Andy lacks, though, Emily (played by breakout star Emily Blunt) makes up for with her hard-driving pursuit of her dreams. (35:55) *** Scenes - Carinn loves the scene where Nigel (Stanley Tucci) gives Andy a wake up call -- you are not trying, you're whining -- which finally causes Andy to change on the inside and the outside, ultimately letting us see the scrappy side of Andy (43:00); Kate has to bring us back to the iconic “cerulean blue sweater” scene where Miranda puts Andy in her place and reminds her of the domino effect of her influence (47:21); Carinn can’t believe how good the clothing montage is and how the fashion still holds up over time (51:24); Kate talks about Meryl’s vulnerable scene in the hotel room where we get a glimpse of the woman in the business woman and the brilliant writing of this screenplay really shines (52:30); Carinn discusses when Andy tries to warn Miranda about the coup for her job and how Miranda’s response subverts our expectations in the best way (56:40); Kate ends with Andy and Miranda’s heart-to-heart in the car in Paris where Miranda gives Andy a dose of reality, causing us to examine what ambition really means. (58:28)  *** What She Said on screenwriter Aline Brosh McKenna. She's a fire sign like DWP author Lauren Weisberger -- and the ladies of Pop Fiction Women! Kate shares a conversation McKenna had with Nora Ephron about making it as a woman filmmaker. Carinn highlights a quote about female anti heroes and how the final frontier is for women to get to be an asshole. (63:11) *** Takeaways. Carinn is focused on success and what that means: commercial success or cultural impact and creatively meaningful? Kate loves Meryl’s inspiration for Miranda Priestly -- the low but commanding voice of Clint Eastwood -- and wonders whether she could employ that in her day-to-day professional life. (78:20) Follow us on Instagram and Facebook @popfictionwomen and on Twitter @pop_women. To do a full deep dive, check out our website at www.popfictionwomen.com (http://www.popfictionwomen.com) . Stay Complicated!

Melody Hammer [EP 137] from Loud Lacquer joins us and discusses how she tamed her sharp elbows, what it takes to succeed in the influencer space and how she has created a cutting edge beauty company.   Show Notes: 4:56 - What characteristics make up a good influencer. 7:03 - The inspiration behind the name Loud Lacquer. 11:42 - Current colors that move Melody. 15:52 - "The ideas and opportunities are endless ... " 17:44 - 'Mean Girls' 19:46 - How to continue to fill up her creative cup. 23:56 - "Sharp Elbows ... " 30:31 - Tips for people who worry about what other people think about them. 33:50 - The silver lining of what we are going through at the moment. 38:32 - The impact of running and meditation in Melody's life.   How to reach Melody: Website | Instagram | Facebook | Twitter | Pinterest   Book Recommendations: The One Page Marketing Plan by Allan Dib Talking To Strangers by Malcolm Gladwell Devil Wears Prada by Lauren Weisberger When Life Gives You Lululemons by Lauren Weisberger

Join us on Midnight Movie Nerds with Naomi Chusid and Luis Lacau as this week we explore the the amazing film "The Devil Wears Prada".The Devil Wears Prada is a 2006 American comedy-drama film directed by David Frankel and produced by Wendy Finerman. The screenplay, written by Aline Brosh McKenna, is based on Lauren Weisberger's 2003 novel of the same name. The film adaptation stars Meryl Streep as Miranda Priestly, a powerful fashion magazine editor, and Anne Hathaway as Andrea "Andy" Sachs, a college graduate who goes to New York City and lands a job as Priestly's co-assistant. Emily Blunt and Stanley Tucci co-star as co-assistant Emily Charlton and art director Nigel Kipling, respectively. Adrian Grenier, Simon Baker, and Tracie Thoms play key supporting roles.#webiteretro #billywilder #theapartment #jacklemmon #shirleymaclaine #classicfilm #geek #fandom #Manbitesmedia #Luislacau #naomiChusid #moviereviews #classicfilms #timcurry #Thedevilwearsprada

It’s the birthday of novelist Lauren Weisberger (1977), who fictionalized her time working at Vogue magazine in the book, “The Devil Wears Prada.”

Meet a vulgar American comedy artist Michelle Woolf - totes hilaire. What to do during your lockdown and isolation - read, eat, drink and relax...loo rolls, why the panic buying? Finding a laughter in troubled times - can we? YES! Tattoos, Troy Wear wears his heart on his sleeve (not) but his tattoo does. What about the monkeys in Thailand? (clue: they've gone feral) and lots of monkey stories by The Limey.  Books - good reads on lockdown - The Wives by Lauren Weisberger, The Alexandra Quartet by Laurence Durrell, The Plague and I, by Betty MacDonald, and Before and After by Laura Lockington. A great wine - Marques de Cáceres- and CONGRATULATIONS to The Yank on her exam results. Message us with your comments and Flash Fiction.Support the show

Content Warnings will be added at a later date We upgraded our account so it's day 1 in the run up to our new episode and we're reposting all of our past episodes so you can finally listen to all of them in one place!

Sådär ja. Nu har vi träffats igen och den här gången är vi förbannade över rätt mycket. Förutom att vi låter lite julilska brisera över avsnittet har vi en hel del att säga om ynkryggar, litteraturpriser och folk som blänger. Men. Vi pratar även om böcker, och bjuder in till bokcirkel i mellandagarna!I avsnittet pratar vi om:Klubben av Matilda GustafssonBeröringen av Gustav TegbySkred av Marit SundströmHärlighet varar längst av Lauren Weisberger See acast.com/privacy for privacy and opt-out information.

Kicking off Year 2 Holly and Jules take on The Devil Wears Prada by Lauren Weisberger, a classic and widely popular chic lit, with the special treat of our guest host Mike (Pop Culture Role Call)!

Gird your loins! This week wrestling podcaster and author of the I HEART series Lindsey Kelk is here to relive all your worst memories of being an entry level employee. We're talking about Lauren Weisberger's debut THE DEVIL WEARS PRADA, a book that we will readily admit is not as good as the film. We discuss unlikable heroines, memoir vs fiction, the hideousness of first jobs, dragon ladies, the profound whiteness of the "girl in the city" narrative and the benefits of 'throwing the teddy in the crash'. Artwork by Gavin Day, music by Harry Harris, produced by Caroline O'Donoghue and mixed by Hannah Varrall. Recorded at ACAST Studios London. See acast.com/privacy for privacy and opt-out information.

It’s the birthday of novelist Lauren Weisberger (1977), who turned her experience as assistant to Vogue editor-in-chief into the book “The Devil Wears Prada.”

Editor and former literary agent Amy Tipton and I discuss her career in publishing and her approach to editing. We chat about her time representing Courtney Summers, Amy Reed, and many other famous YA authors and I thank her for a crucial note she gave me when I was revising Banneker Bones and the Giant Robot Bees. She shares her philosophy of revision, the new services she's offering through Feral Girl Books, the most common mistakes writers make, and much, much more. In her own words: I graduated from Naropa University with a B.A. in Writing and Literature and received my MFA from New College of California in Writing. I have been working in the publishing industry for 13 years and started freelance editing in 2018. Prior to that, I was a literary agent at Signature Literary Agency since 2009. (I first stepped into the role of literary agent at Peter Rubie Literary Agency, now FinePrint Literary Management, in 2007.) I started out as an assistant and office manager at several agencies including JCA Literary Agency, Diana Finch Literary Agency, Gina Maccoby Literary Agency, and Liza Dawson Associates, as a book scout for Aram Fox, Inc., and as a freelance editor for Lauren Weisberger (author of The Devil Wears Prada). My years of experience culling books from the slush pile give me confidence I can help you too! (Not just a service for those looking for an agent … Maybe you already have an agent but they are less editorial-minded and you are going on sub or got an RR from an editor … Maybe you’re self-publishing … Whatever the situation, consider me your professional CP! ) www.middlegradeninja.com amy-tipton.com

Allison Carter is a mom of her two littles, Evie and Hudson, and a wife to her high school sweetheart, Ryan. She believes every occasion, big or small, deserves to be celebrated, and is passionate about inspiring others when it comes to turning the volume up on their own celebrations.  Today Allison is going to share some tips on how to ENJOY your holiday parties. She is going to help us make the most out of our holiday hosting and not stress out so we can really be present with our people! Allison is the podcast host of Memories in Moments where she helps gives tangible tips and realistic ideas for making memories in moments that'll last a lifetime for the modern parent. Allison also owns Confetti Party Plans, a party-planning resource featuring guides and checklists for themed parties. Forbes has named her a “party planning expert” and she has helped hundreds of women around the world host stress-free memorable events through the help of her creative party plans. Links from the conversation: The Real Housewives of **whatever city is on now :)** B*TCH Sesh When Life Gives you LuLu Lemons by Lauren Weisberger  For More Tips and Tricks head to Allisons website to read about her best party secrets! Connect With Allison Instagram // Website // Podcast Connect with your host Jeanette Instagram // Website// Podcast

In this week’s episode we bring you not one but two interviews! First, Rene d’Entremont, the director of PR here at Kobo, sits down with New York Times best-selling author Lauren Weisberger. Rene asks her about her new book When Life Gives You Lululemons and discusses her writing process. Secondly, Stephanie sits down with aspiring author Mackenzie Belcastro. Mackenzie tells listeners how she stays motivated as she learns her writing style, how she connects with other aspiring writers and how she manages to write full-time without having a 9 to 5 job.

Welcome back to Looks and Books with Cat & Olly, and to the third episode of our READING IS FUNDAMENTAL bookclub! Following on from last week's discussion of all things The Devil Wears Prada: film edition, this week - you guessed it - we're talking about the novel The Devil Wears Prada by Lauren Weisberger! It's another long one (the only time you'll ever hear us say that regrettably), so sit back, microwave some tea and listen to Cat, Olly & their favourite film part 2: electric boogaloo. Find us on Twitter: @looksandbooksco Cat's Twitter/Instagram: @catandtheodore Olly's Twitter: @ollypenderghast | IG: oliverwearing Want to get in contact? Email us: looksandbooksco@gmail.com Cover artwork by the wonderful @laurelmaeart on Instagram.

Welcome back to Looks and Books with Cat & Olly! Gird your loins everyone because today's episode is a doozy: that's right, we're discussing all things The Devil Wears Prada! ...The film, not the book. Yet. We'll get to that. Join us for a very special episode of Looks and The Book (you know, the one that should be left on the table wth the flowers) as we sit down and watch one of our favourite films of all time... with only a few technical difficulties and pedantic criticisms along the way. We hope you enjoy! DON'T FORGET that the book we'll be discussing in next week's 'Reading Is Fundamental' bookclub is The Devil Wears Prada (obviously) by Lauren Weisberger! Be sure to join in and share your thoughts, and by all means, move at a glacial pace - you know how that thrills us. Find us on Twitter: @looksandbooksco Cat's Twitter/Instagram: @catandtheodore Olly's Twitter: @ollypenderghast | IG: oliverwearing Want to get in contact? Email us: looksandbooksco@gmail.com Cover artwork by the supremely talented @laurelmaeart on Instagram.

Our resident book reviewer, Catherine Raynes, gives us her thoughts on: The President is Missing by James Patterson and Bill Clinton, Penguin $37When Life Gives you Lululemons by Lauren Weisberger, HarperCollins $33LISTEN TO HER VERDICTS ABOVE 

There is very little I love more than getting away. For anyone who loves to escape, this is your episode. Stephanie Rosenbloom and I talk about Alone Time, her book on solo travel. Through the four seasons, she travels to four cities (including her hometown for a staycation) and shares what she finds by traveling alone. As a fan of solo travel as much as I am of exploring with others, I was enchanted. Anyone who wants to travel to write must listen. And then, Lauren Weisberger talks about the wild and crazy world of the uber wealthy in Connecticut that she explored in When Life Gives You Lululemons, the third book in the Devil Wears Prada world, where we follow the first assistant to Miranda Priestly, Emily Charlton ten years after the end of DWP. It's such a fun book, and our conversation was a total delight. Enjoy a diverting listen this week and then have some fun writing about the world away from your doorstep. Show Notes with Links | Sponsored by the SLP Patreon See acast.com/privacy for privacy and opt-out information.

Welcome to the every other week installment of what I read and what I am currently reading. Books Mentioned: The Wicked Deep by Shea Ernshaw Small Town Siren by Lexi Blake Siren in the City by Lexi Blake Siren Enslaved by Lexi Blake Bro Code by Kendall Ryan The Last Black Unicorn by Tiffany Haddish Laura & Emma by Kate Greathead Crazy Rich Asians by Kevin Kwan When Life Gives you Lululemons by Lauren Weisberger

Renée Ahdieh, New York Times best-selling author of The Wrath and the Dawn series, and whose new series kicks off with the release of Flame in the Mist, out May 16, joins me to talk about straddling two worlds poorly, finding the music in language, fearless internet personas, id books, and publishing as a ‘pride-swallowing siege.’ (Plus, a cameo from Sarah Nicole Lemon, author of Done Dirt Cheap!)   Renee Ahdieh Show Notes Explosions in the Sky Sheherazade Op. 35, a symphonic suite composed by Nikolai Rimsky-Korsakov Nas The Story of Doctor Doolittle by Hugh Lofting Nancy Drew by Carolyn Keene Sarah Nicole Lemon J.K. Rowling Star Wars score by John Williams Gustav Holst’s The Planets The Imperial March by John Williams Mars, Bringer of War by Gustav Holst Anything You Can Do, I Can Do Better,featured in Annie, Get Your Gun Tool Metallica Human Bell Mogwai Godspeed You Black Emperor Done Dirt Cheap by Sarah Nicole Lemon The 30-second bit of "Blue Moon" by Beck, which I wanted to write a book about "S&M" by Metallica "The Black Album" by Metallica FictionPress The Brothers Karamazov by Fyodor Dostoyevsky Bridget Jones Diary by Helen Fielding The Devil Wears Prada by Lauren Weisberger  The Hunger Games by Suzanne Collins Twilight by Stephenie Meyer The Babysitter’s Club by Ann M. Martin The Queen of the Damned by Anne Rice Crime and Punishment by Fydor Dostoyevsky Zorro by Isabel Allende Chronicle of a Death Foretold by Gabriel García Márquez Get Out (movie) 13 Reasons Why by Jay Asher (and the Netflix Show) Chekhov’s Gun Bluebeard Sir Richard Burton The Arabian Nights translated by Husain Haddawy The Song of the Lioness series by Tamara Pierce Twelfth Night by William Shakespeare Mulan (movie) A Book of Five Rings by Miyamoto Musashi Sengoku and Muromachi periods of Japanese history Sign up for the First Draft Newsletter!

www.latheatrebites.com 8/10 Based on the bestselling novel by Lauren Weisberger, the 2006 film earned its star Meryl Streep an Oscar nod and a Golden Globe win for her portrayal of the world's most demanding boss. Now, the Cinderella tale of a frumpy-to-fierce fashion magazine intern gets a musical makeover. Taken from the Website. Jan 28, 2016 – May 8, 2016

On this week's episode of The Cine-Files, Steve Morris and John Rocha finish their exploration of THE DEVIL WEARS PRADA with Part 2 of their conversation on this film starring Anne Hathaway, Emily Blunt, Stanley Tucci, Adrian Grenier and Meryl Streep. The sequel to this modern classic is in theaters now and Steve and John thought it was the perfect time to revisit the original movie. Directed by David Frankel and produced by Wendy Finerman. The screenplay, written by Aline Brosh McKenna, is based on the 2003 novel by Lauren Weisberger. The film follows Andy Sachs (Hathaway), an aspiring journalist who gets a job at a fashion magazine but finds herself at the mercy of her demanding editor, Miranda Priestly (Streep). Steve and John go thru the movie scene by scene and break down the direction, acting, storylines, cinematography, score, themes, message, their final thoughts and more.If you haven't seen this incredible film you can buy or stream it right here: https://amzn.to/4dHp3CMPurchase any film we feature at https://www.cine-files.netFacebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarkThis episode is sponsored by/brought to you by the following sponsors:TRUDIAGNOSTIC. Epigenetic Experts &
Aging Authorities that provide DNA based insights for aging, nutrition & more! At TruDiagnostic, we are firm believers that harnessing the power of epigenetic data can help the world live longer and healthier lives! Our TruHealth test ensures your nutritional, metabolic, immune, and cognitive health are functioning at their peak to support longevity goals. Our TruAge test helps you track those goals and stay ahead of the aging curve by measuring your biological age, speed of aging, and key longevity metrics. Try out TRUDIAGNOSTIC's services today at: www.trudiagnostic.comBETTER HELP: BetterHelp is the world's largest online therapy service, facilitating millions of video sessions, voice calls, chats, and messages between therapists and members every month. Visit them at: www.betterhelp.comQUINCE: Quince is an affordable luxury brand that sells high-quality fashion and home goods at radically low prices— direct from the factory floor. The company has pioneered a manufacturer-to-consumer (M2C) retail model in which factories produce inventory on a near just-in-time basis and ship their goods directly to consumers' doorsteps, cutting out financial and environmental waste. Check out their products at: www.quince.comHIMS: Hims is a one-stop telehealth service for men's wellness and care, providing treatment options for hair loss, ED & more. Visit them and check out their wide array of treatment options at: www.hims.comFOLLOW:Follow John Rocha: @therochasaysFollow Steve Morris: @srmorrisFollow us on Twitter @cine_filesFollow us on Instagram @thecinefilespodcastOur Sponsors:* Check out BetterHelp and use my code betterhelp.com for a great deal: https://www.betterhelp.com* Check out Hims and use my code hims.com/CINEFILES for a great deal: https://www.hims.com* Check out TruDiagnostic and use my code CINEFILES20 for a great deal: https://www.trudiagnostic.com* Check out TruDiagnostic and use my code CINEFILES20 for a great deal: https://www.trudiagnostic.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's episode of The Cine-Files, Steve Morris and John Rocha begin their exploration of THE DEVIL WEARS PRADA starring Anne Hathaway, Emily Blunt, Stanley Tucci, Adrian Grenier and Meryl Streep. The sequel to this modern classic is in theaters now and Steve and John thought it was the perfect time to revisit the original movie. Directed by David Frankel and produced by Wendy Finerman. The screenplay, written by Aline Brosh McKenna, is based on the 2003 novel by Lauren Weisberger. The film follows Andy Sachs (Hathaway), an aspiring journalist who gets a job at a fashion magazine but finds herself at the mercy of her demanding editor, Miranda Priestly (Streep). Steve and John go thru the movie scene by scene and break down the direction, acting, storylines, cinematography, score, themes, message, philosophical debates and more.If you haven't seen this incredible film you can buy or stream it right here: https://amzn.to/4dHp3CMPurchase any film we feature at https://www.cine-files.netFacebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarkThis episode is sponsored by/brought to you by the following sponsors:TRUDIAGNOSTIC. Epigenetic Experts &
Aging Authorities that provide DNA based insights for aging, nutrition & more! At TruDiagnostic, we are firm believers that harnessing the power of epigenetic data can help the world live longer and healthier lives! Our TruHealth test ensures your nutritional, metabolic, immune, and cognitive health are functioning at their peak to support longevity goals. Our TruAge test helps you track those goals and stay ahead of the aging curve by measuring your biological age, speed of aging, and key longevity metrics. Try out TRUDIAGNOSTIC's services today at: www.trudiagnostic.comBETTER HELP: BetterHelp is the world's largest online therapy service, facilitating millions of video sessions, voice calls, chats, and messages between therapists and members every month. Visit them at: www.betterhelp.comQUINCE: Quince is an affordable luxury brand that sells high-quality fashion and home goods at radically low prices— direct from the factory floor. The company has pioneered a manufacturer-to-consumer (M2C) retail model in which factories produce inventory on a near just-in-time basis and ship their goods directly to consumers' doorsteps, cutting out financial and environmental waste. Check out their products at: www.quince.comHIMS: Hims is a one-stop telehealth service for men's wellness and care, providing treatment options for hair loss, ED & more. Visit them and check out their wide array of treatment options at: www.hims.comFOLLOW:Follow John Rocha: @therochasaysFollow Steve Morris: @srmorrisFollow us on Twitter @cine_filesFollow us on Instagram @thecinefilespodcastOur Sponsors:* Check out BetterHelp and use my code betterhelp.com for a great deal: https://www.betterhelp.com* Check out Hims and use my code hims.com/CINEFILES for a great deal: https://www.hims.com* Check out TruDiagnostic and use my code CINEFILES20 for a great deal: https://www.trudiagnostic.com* Check out TruDiagnostic and use my code CINEFILES20 for a great deal: https://www.trudiagnostic.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy