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This London born drummer started his music career in the mid 80s as drummer and co founder of cult space-rock band Ozric Tentacles. Juggling a busy gig and festival schedule along with art school commitments, he completed his degree at Middlesex Polytechnic in graphic design and then promptly returned to music. His influences range from John Bonham, Phil Colins, Sly Dunbar, Steve Gadd, Billy Cobbam, Bernard Purdie, Alphonse Mouson, Jeff Poccaro, Tony Williams and Lenny White. Joining Acid Jazz act The Sandals as lead guitarist in 1990 saw tours follow and soon after he was introduced to Acid Jazz' new signing Jamiroquai completing frontman JK's new live band line up as their drummer. The band was quickly signed to Sony and he went on to record on the classic chart topping debut Emergency on Planet Earth LP playing drums, some guitar and co-writing the song If I Like It I Do It. A hectic schedule of touring and worldwide promotion followed, including the release of singles Too Young To Die, Blow Your Mind and Emergency on Planet Earth. Leaving the band in 94 and together with musician mates, funky guitar maverick from The Brand New Heavies Simon Bartholomew and bass player Nick Seymour, they formed the supergroup Akimbo also signed to Acid Jazz label. The band headlined Londons' Soho Jazz festival two years running appearing at Ronnie Scotts and Madame JoJo's Deep funk sessions hosted by legendary rare funk Dj and collector Keb Darge. By 1999 Nick and Keb Darge started their own independent label Deep Funk Records. Other collaborations include soul jazz keyboardist Jessica Lauren, Nu soul prodigies Vannessa Simon and Omar, FBI, Raw Deal and The Superphonics. Countless gigs, sessions and jams continue to this day with many of Londons top funk and soul musicians.
Today I will be speaking with Russell Potter, one of the founders of London's multiple award-winning, SODA studio. SODA has worked across London with several projects in Soho including the 5,110m2 regeneration of Walker's Court. Completed over eight years, the project created a new theater, restaurant, shops, flats, office space, and a restored home for Madame Jojo's nightclub. In north London, SODA created Green Rooms, the UK's first social enterprise hotel, providing affordable living accommodation and studio space for local artists in Wood Green, Haringey. In Silvertown in the Royal Docks, SODA worked with the GlA on a landmark retrofit of a Brutalist former beer factory, which now hosts a series of artist studios. SODA's most recent awards for their Liberty House include the Mixology Award for Workplace Interiors, the Dezeen Award for Large Workplace Interior, the Aya Award for Interior Architect of the Year, and the FX Award for Workplace Environment Large. In today's episode, we will be discussing: Winning work Working with your spouse Branding a Design Firm To learn more about Russell visit his: Website: https://sodastudio.co.uk/studio/ Instagram: https://www.instagram.com/sodalondon/ Twitter: https://twitter.com/i/flow/login?redirect_after_login=%2Fsodalondon ► Transcription: https://otter.ai/u/8i6yRtYf8pCIjQbYLubWTQY3tlk?utm_source=copy_url ► Feedback? Email us at podcast@businessofarchitecture.com ► Access your free training at http://SmartPracticeMethod.com/ ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call ► Subscribe to my YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture ******* For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/enoch.sears/ Website: https://www.businessofarchitecture.com/ Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/podcast iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz ******* Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com Download the FREE Architecture Firm Marketing Process Flowchart video here: http://freearchitectgift.com Come to my next live, in-person event: https://www.businessofarchitecture.com/live Carpe Diem!
From the Chevalier de Saint-Georges to the Merry Monarch to Madame Jojo and Madame Trenti, the district of Soho in London has played host to many of the naughtiest names in history. And now, we can include Kate Lister on that list.In this episode, join us for a walking tour of Soho with Katie Wignall from Look Up London. You can even follow along, just start off at the black and white hut on Soho Square: https://www.google.com/maps/d/u/0/edit?mid=1BQRD8E6Joc1xEniGomROdGSyKX6OLf0&usp=sharing*WARNING there are adult words and themes in this episode*Produced by Charlotte Long and Sophie Gee. Mixed by Anisha Deva.Betwixt the Sheets: The History of Sex, Scandal & Society. A podcast by History Hit.For more History Hit content, subscribe to our newsletters here. Hosted on Acast. See acast.com/privacy for more information.
So, one of the things about drag that i'm really fascinated by is the decision-making process behind crafting a drag character... Because, to me, deciding on who your drag character is - what they like, how they talk, how they present to the world - is a big commitment... almost like a marriage maybe? And, by that I mean you are committing to another person (or, ok, character) that will forever be associated with you. Because of this you've kind of got to make sure you think it through.... But, then, I guess, you run the risk of OVERTHINKING it (my signature move!).... To find out a little more about this I sat down to pick the brains of Ty Jeffries, the man behind the drag character Miss Hope Springs (an old-school, glamourous chanteuse).... We got together to talk about Madame JoJos, a legendary nightclub in London's Soho that closed in 2014 after being open continuously since the 60s... So, of course we talk all about the gentrification of Soho, the evolution of drag, and... what it's like to be a horny teenager on the train... Oh, and I should also say that there is a mention of Polari in this conversation, which is a slang language used by predominately gay men in the UK up until about the 60s when it started to fall out of favour... Do you have any memories of Madame JoJo's, or clubbing from your own queer scene that you want to share? Well, if you have please get in touch - I want to create the biggest online record of people's memories and stories - go to www.lostspacespodcast.com and find the section 'Share a Lost Space' and tell me what you got up to! Bonus points for embarrassing photos! You can also find me on Facebook (www.facebook.com/lostspacespod), Instagram (www.instagram.com/lostspacespod) and Twitter (www.twitter.com/lostspacespod) Find out more about Ty by following him on Twitter (https://twitter.com/TyJeffriesPiano), visiting his website (https://www.tyjeffries.com/), or visiting Miss Hope Springs' website (https://www.misshopesprings.com/) --- Send in a voice message: https://anchor.fm/k-anderson/message
Some folk talk about technology with an "emperor's new clothes" glee, as though it's a panacea for everything wrong with society. Others exhibit phobic terror, blaming technology – not how people use it – for human failings and foibles. Many see both a light and dark side, and there's increasing interest in the addictive nature of social media.For today's curious and playful guest Tim Arnold, technology, social media and our appendage-like mobile phones allow us to be "super connected" – enabling expression, conversation and connection. But with a potentially corrosive effect too.Tim is a singer songwriter and filmmaker who has self-released 22 albums after starting his music career leading 90’s British art rock band Jocasta.His new feature-length film and album Super Connected includes a single of the same name, released today. Watch the video here.Talking with Tim was fun and frank and fascinating. In this interview we cover:whether technology has made it easier or harder to make a living as an independent musicianhow a friend of Tim’s who is a mental health professional inspired Super Connected, and why Tim made his new film with Dixie McDevitt and Kate Aldertonwhat a "story concept album for the digital age" meanssocial media can have a corrosive effect on our mental health and can be a lifeline too,Tim's a creator, collaborator, interviewer (check out his weekly Super Connected Conversations podcast and YouTube series exploring the impact of technology on human psychology and society) – how does he manage his own mental bandwidth, prioritise or focus so as not to be overwhelmed?is Tim worried about big business and music industry behemoths muscling in where independent creators have been able to innovate?can Artificial Intelligence (AI) come up with music which stirs the soul?why Tim (joined by Stephen Fry) campaigned to save some of Soho's most loved community assets like Madame Jojo's and Soho Squarehow to get an invitation (everyone is welcome) to see the feature-length Super Connected film and whole album (go to https://superconnected.technology )Tim's work with the Sheffield Arts Lab – there's play and intrigue ahoy here!How to connect with Tim (website | Bandcamp | Twitter)This episode is a treat and a feast and I hope you'll enjoy it as much as I did.
It's a bleak start to the year for London's commuters travelling in on South Western Rail networks as more delays are to continue due to lack of staff. The guards who took part in the 27-day strike have been off duty for so long that they need to retrain for safety requirements. This put hundreds of trains out of action on Thursday and delays will continue into Friday. The Evening Standard's City Hall editor Ross Lydall joins The Leader podcast to explain what we could expect over the next few months - as well as some good news for companions of disabled passengers from London's mayor Sadiq Khan.Also, London's most well-known burlesque nightclub and gig venue Madame JoJo's which shut down in 2014 is going to reopen, the Standard's Arts Correspondent Rob Dex joins the Leader podcast.TRANSCRIPT:David Marsland Happy New Year and thanks for coming back to The Leader. We have a lot planned for the next few weeks, so make sure you subscribe through your favorite podcast provider and don't miss out. Now for the first time in 2020, from the Evening Standard in London, this is The Leader...Hi, I'm David Marsland. The RMT South Western Railway strike is over, but some of the guards have been off for so long they need retrained,Ross Lydall You wouldn't be happy to be coming back to work on a sort of chilly January first day back in the office. You're paying more for your travel and then you're standing on the platform waiting for the train to come and it doesn't come and you just think they just can't get any more ludicrous. David Marsland Our City Hall editor Ross Lydall on a miserable return to work for thousands and the fares have gone up too. Also, Robert Dex it'll be a bit of living history in a part of London that quite frankly is a bit careless with its history and is forever knocking things down and starting againDavid Marsland Arts Correspondent Robert Dex on the resurrection of Madame JoJo's. We welcome the return of a Soho icon.Taken from the Evening Standard editorial column This is The Leader for the whole thing pick up the newspaper or head to standard.co.uk/comment. In a moment the train debacle that's too serious to be a farce.The day had barely began at London Bridge station when the delay announcement started, a pretty miserable return to work for train commuters only made worse by this morning's average fare rise of 2.7%. That's a justified hike according to Robert Nesbitt from the Rail Delivery Group, which represents train companies Robert Nesbitt We're an industry like any other that's facing rising costs the staff bill, for example, but also fuel costs as well. What we want to do is we want to cover the day to day running costs of the railway to free up billions of pounds of investment for the public and private sector. But this is an average figure. It's still just below the rate of inflation and that's for the third year running.David Marsland But for some passengers using Southwestern Railways, the increased prices were compounded by cancellations, the aftershock of a 27 day strike by the RMT union, and our editorial column can't quite believe it.ES Comment The reason for the latest cancellations is the guards who inflicted the strike have been off duty for so long they need to be retrained to ensure that they are properly refreshed in terms of all necessary safety activities, the same applies to some drivers. the situation would be farcical if it were not so serious. It is yet another reminder of the damage caused by the union's... See acast.com/privacy for privacy and opt-out information.
Part Two of the fantastic evening with Franco and Holli, this time talking about what a critic is, does, why we need them and how we can all just get along. In detail: Why Do We Need Critcs?; What Are They Anyway?; Critic Doesn’t Mean Criticism; Judge What You See; Attaching Your Real Name to Reviews; Attitudes Changing After Writing; Separating Art from the Artist; Quality Control; Who Do We Listen To?; FringePick; On the Same Team; How To Receive Criticism; Being Honest; Not Here To Change Your Show; Don’t Interfere With the Process; Cabaret-Specific Behaviour; Write to Franco!; Cabaret Is Not a Niche; Burlesque Criticism is Very New; Financial Independence is Literary Freedom; Events of the Year; Madame Jojo’s; Royal Vauxhall Tavern’s Future; Bar Wotever; Facebook Real Name Debacle; Conchita Wurst and The Year of Drag; Draggy, Circusy Year; Panti Bliss And Her Amazing Speech; Snoop Dogg; Michael Gove Loves Chap Hop; The Bruno Story; Audience Member Really ENJOYS The Show; Being Flipped Off; Hen Party Puke; Alp Haydar is a Legend; Collective Awe; Tell the World About Greatness.About Franco:Since 2012, Franco Milazzo has been the publisher and editor-in-chief of This Is Cabaret, the only website shortlisted for a London Cabaret Award. The Daily Beast called him "a man with an encyclopedic knowledge of the city's cabaret culture," which was kind of them. When not penning withering or enthusiastic reviews for TIC of whichever show he stayed awake through the previous night, he can be found writing music, comedy, opera, theatre and food for Londonist. This votary of cabaret enjoys good books and walks by the sea.Website: www.thisiscabaret.comTwitter: https://twitter.com/thisiscabaretFacebook: https://www.facebook.com/ThisIsCabaretAbout Holli:Holli-Mae Johnson is the founder and editor of 21st Century Burlesque Magazine, a pioneering publication created seven years ago to unite, document and celebrate the global burlesque community. Holli is actively involved in the burlesque community on a day to day basis and is privately consulted by performers and producers at every level for promotion, critique, recommendations and encouragement. As a documenter and critic, she has seen countless burlesque and variety performances from across the world and provides an intimate perspective and insight into the lives and careers of burlesque’s greatest pioneers, performers and personalities.Website:http://21stcenturyburlesque.com/Twitter:https://twitter.com/burlesqueonlineFacebook:https://www.facebook.com/BurlesqueOnlinehttp://ia902707.us.archive.org/15/items/RKVB20FrancoHolliPart2/RKVB%2020%20-%20Franco%20%26%20Holli%20Part%202.mp3
Rosie sits down with Pi the Mime and his translator, Alexander Luttley, to talk about many mimey topics: Multiple Mimes; Not a Biochemist; Learning Multiple Mime Styles; No Hablo Espanol; The Only Discipline With No Words; Mimetic Proposals; Making a Show Quickly; All the Mimes; Multiple Mime Disorder; Mime Gender and Moving Around; Who Are You Sleeping With?; Labels Labels Labels; Expectations and Individuality; Powerful Labels or Restrictive Labels; Tribal, Social Animals Called Humans; Too Much Focus on Labels; Being Bad at Expected Behaviours; The Circle; All Lesbians Carry Lighters; The Gender-Bending, Burlesque Dancing Mime and the Catholic Priest; Accidental Gender Comments; Assumptions; Playing with Ideas and Cabaret Roulette (again!!); Arguing with Pi; Improv With Yourself; The Triangle; Kinsey, Scales and Volume Control; The Best Identity Crisis Ever; Cabaret is the Best; What Happened to Fun?; Exploration and Failure; Finger in the Pie; Performance Course with Pi; Carpeted Stages and Mime Murder; Audience Interaction Gets Cheeky. About Pi the Mime: Pi the Mime steps straight out of internationally trained performance artist Alexander Luttley’s imagination and onto any stage that’ll have him. Combining mime, clown, various forms of dance, circus and burlesque, Pi and the mimes have burst onto the scene with a full length production and a variety of sketches that have appeared all across the UK Cabaret and Theatre scene. As they approach a year and a half they also embark on a journey as ‘teachers’, combining Luttley’s wealth of training with what has become the recognisable Pi the mime style. With a passion for performance and an avid interest in fighting the restricitions of social labels upon the individual, Luttley and Pi look forward to popping up more often, and returning with Award Winning Production – Un Cas de Nostalgie – at Mimetic Festival 2014 in The Vaults (from 20th – 28th November 9:50pm). Pi and the Mimes can be seen at events including Cabaret Roulette, Luscious Cabaret, Whatnot Cabaret and Oh My Cabaret; at venues including Madame Jojo’s, House of Wolf, Shoreditch Town Hall, The Vaults and Roxy Bar and Screen; and alongside companies including Finger in the Pie, Juliette’s Rock ‘n’ Roll Circus and RIFT.Website: www.alexanderluttley.comFacebook: www.facebook.com/PiTheMimeTwitter: www.twitter.com/PiTheMimeMimetic Festival: http://www.mimeticfest.com/events/event/un-cas-de-nostalgie/http://ia601404.us.archive.org/29/items/RKVB15PiTheMime/RKVB%2015%20-%20Pi%20the%20Mime.mp3
Soup Sessions 2100hrs (BST)! Welcome to the Soup Sessions with a welcome return to Jo Wallace… Jo Wallace has been djing for the last 39 years and has no intention of stopping. She delights in inflicting her specialist brand of Motown, jazz, latin, hiphop and other ting onto unsuspecting punters. You can catch her at Madame JoJo’s in Soho where she guests at Snowboy’s ‘Good Foot’ on a regular basis. She also frequents the most salubrious shebeens up and down the country as well as in dingy basements dotted about Europe. Jo compiles for Motown and her ‘Motown Floorshakers’ and ‘Motown Love’ CDs can be found on Amazon along with her latest selection on CD, ‘Motown Northern Soul’. At this year’s Festival 6, Jo will be on the Stone Boat Stage with Ashley Beedle where they will deliver a 6 hour set entitled ‘A History of Black Dance Music’ – expect something very special!! Along with Ashley Beedle again, Jo has created a bespoke reggae track for Dean Chalkley’s & Harris Elliott’s hugely successful ‘Return of the Rudeboy’ exhibition at Somerset House, London. This is the first release on her newly launched reggae label, Ramrock – watch this space for more quality reggae selections….. x
2100HRS (BST)! Welcome to the Soup Sessions with a welcome return to Jo Wallace… Jo Wallace has been djing for the last 39 years and has no intention of stopping. She delights in inflicting her specialist brand of Motown, jazz, latin, hiphop and other ting onto unsuspecting punters. You can catch her at Madame JoJo’s in Soho where she guests at Snowboy’s ‘Good Foot’ on a regular basis. She also frequents the most salubrious shebeens up and down the country as well as in dingy basements dotted about Europe. Jo compiles for Motown and her ‘Motown Floorshakers’ and ‘Motown Love’ CDs can be found on Amazon along with her latest selection on CD, ‘Motown Northern Soul’. At this year’s Festival 6, Jo will be on the Stone Boat Stage with Ashley Beedle where they will deliver a 6 hour set entitled ‘A History of Black Dance Music’ – expect something very special!! Along with Ashley Beedle again, Jo has created a bespoke reggae track for Dean Chalkley’s & Harris Elliott’s hugely successful ‘Return of the Rudeboy‘ exhibition at Somerset House, London. This is the first release on her newly launched reggae label, Ramrock – watch this space for more quality reggae selections….. x RAMROCK RECORDS AT SOUNDCLOUD RAMROCK RECORDS AT JUNO REWIND The post 25.07.14 Soup Sessions with Jo Wallace appeared first on Radio Nova Lujon.
Soup Sessions 2100hrs (BST)! Welcome to the Soup Sessions with a welcome return to Jo Wallace… Jo Wallace has been djing for the last 39 years and has no intention of stopping. She delights in inflicting her specialist brand of Motown, jazz, latin, hiphop and other ting onto unsuspecting punters. You can catch her at Madame JoJo’s in Soho where she guests at Snowboy’s ‘Good Foot’ on a regular basis. She also frequents the most salubrious shebeens up and down the country as well as in dingy basements dotted about Europe. Jo compiles for Motown and her ‘Motown Floorshakers’ and ‘Motown Love’ CDs can be found on Amazon along with her latest selection on CD, ‘Motown Northern Soul’. At this year’s Festival 6, Jo will be on the Stone Boat Stage with Ashley Beedle where they will deliver a 6 hour set entitled ‘A History of Black Dance Music’ – expect something very special!! Along with Ashley Beedle again, Jo has created a bespoke reggae track for Dean Chalkley’s & Harris Elliott’s hugely successful ‘Return of the Rudeboy’ exhibition at Somerset House, London. This is the first release on her newly launched reggae label, Ramrock – watch this space for more quality reggae selections….. x
2100HRS (UK) Soup Sessions return for the wonderful Jo Wallace… “Jo Wallace started djing in 1976 and hasn’t stopped dropping the needle into the groove since. ‘Have records, will travel’ has allowed Jo to amble all over Europe and the UK to entertain like minded soul fanatics and the icing on the cake in 2013 was closing the Williams Green Stage @ Glastonbury after the Rolling Stones with her eclectic selection of Motown. Jo’s encyclopaedic knowledge of music trivia makes her a popular addition on any pub quiz team and has also lead to her being asked to compile for Universal/Motown. CD credits to date include Volumes 2-5 in the Soul Satisfaction series and most recently, ‘Motown Floorshakers’ in 2012. She also created the bespoke soundtracks for the ‘Versace’ and ‘Vivienne Westwood’ exhibitions @ the V&A, consulted on the Island & Motown 50th Anniversary celebrations and been a guest on Stuart McOnie’s ‘All Singing, All Dancing’ show on Radio 2 and also ‘Woman’s Hour’ on Radio 4. Her regular DJ residency is at Snowboy’s Friday night club ‘The Good Foot’ @ Madame JoJo’s… and her favourite radio station is Nova Lujon!” Not to be missed x TRACKLIST: 1. Four Tops – Love makes you human 2. Four Tops – Don’t bring back memories 3. Four Tops – Love Music 4. Salome De Balua – Outro Lugar 5. Dorothy Ashby – Little Sunflower 6. Della Reese – Compared to what 7. Kim Weston – Soul on Fire 8. Baby Washington – […] The post 23.10.13 Soup Sessions with Jo Wallace appeared first on Radio Nova Lujon.