Podcast appearances and mentions of Van Gelder

Discover More ATW!In this episode, Smyly, Corey and Van Gelder discuss Man United's impressive performance in their 1-1 draw with Arsenal. They also preview the UCL Round of 16 second leg fixturesAfter The Whistle: Dominate The ConversationA GCR Production - Africa's Premiere Podcast Network

Ophthalmology Editor-in-Chief, Russell Van Gelder, MD, PhD, and our new Associate Editor, Laura Downie, BOptom, PhD, guest host this special episode introducing “Ophthalmology Reviews.”  Ophthalmology Reviews is a new section in our flagship journal for structured systematic reviews and meta-analyses. The two editors discuss the importance of these reviews in our field and what our journal is looking for from authors in these types of submissions. For more information, read their recent editorial in Ophthalmology, “Gargantua, The Scholarship of Synthesis and the Evolution of the Ophthalmology Family Journals” and review our Guide for Authors section on Systematic Reviews and Meta-analysis. If you have any questions about submissions, please contact the editorial staff at aaojournal@aao.org. Gargantua, The Scholarship of Synthesis and the Evolution of the Ophthalmology Family Journals. Van Gelder, Russell N. Downie, Laura E. Ophthalmology, Volume 132, Issue 1, 12 – 13.

Discover More ATW!In this episode, Smyly and Van Gelder debate Jamie Carragher's controversial comments about AFCON. They also discuss Mo Salah's chances of winning the Ballon d'Or, Arsenal's failing title chances, Man United's extreme cost cutting exercise and the Serie A title race.After The Whistle: Dominate The ConversationA GCR Production - Africa's Premiere Podcast Network

In de Democratische Republiek Congo maakt de rebellengroep M23 een opvallend snelle en zeer bloedige opmars. Correspondent Elles van Gelder reisde er naartoe en sprak onder andere met de politiek leider van de rebellenbeweging, die net als zoveel andere machthebbers in het verleden het oog hebben laten vallen op de kostbare grondstoffen in de regio. En ondertussen dood en verderf zaaien.  Maar, benadrukt Elles, er speelt veel meer. En nu de ogen van de wereld gericht zijn op andere oorlogen en geopolitieke conflicten ziet M23, met steun van Rwanda, kans om zijn slag te slaan.  Reageren? Mail dedag@nos.nl Presentatie en montage: Elisabeth Steinz Redactie: Judith van de Hulsbeek

Discover More ATW!In this episode Smyly and Van Gelder discuss whether Ruben Amorim is capable of turning Man United's season around and who is to blame for their current state following their defeat to Tottenham. They also discuss Chelsea's steady decline since December after their heavy loss against Brighton.After The Whistle: Dominate The ConversationA GCR Production - Africa's Premiere Podcast Network

An den Rändern des Jazz und aus dem Dschungel der Neuveröffentlichungen: Jan Lundgren & Yamandu Costa: Inner Spirits | Reinier Baas & Ben van Gelder: This is Water | Mike Stern: Echoes and other Songs | Tobias Hoffmann Jazz Orchestra: Innuendo | Sebastian Sternal: Turning Point (Sendung vom 17.10.)

This London born drummer started his music career in the mid 80s as drummer and co founder of cult space-rock band Ozric Tentacles. Juggling a busy gig and festival schedule along with art school commitments, he completed his degree at Middlesex Polytechnic in graphic design and then promptly returned to music. His influences range from John Bonham, Phil Colins, Sly Dunbar, Steve Gadd, Billy Cobbam, Bernard Purdie, Alphonse Mouson, Jeff Poccaro, Tony Williams and Lenny White. Joining Acid Jazz act The Sandals as lead guitarist in 1990 saw tours follow and soon after he was introduced to Acid Jazz' new signing Jamiroquai completing frontman JK's new live band line up as their drummer. The band was quickly signed to Sony and he went on to record on the classic chart topping debut Emergency on Planet Earth LP playing drums, some guitar and co-writing the song If I Like It I Do It. A hectic schedule of touring and worldwide promotion followed, including the release of singles Too Young To Die, Blow Your Mind and Emergency on Planet Earth. Leaving the band in 94 and together with musician mates, funky guitar maverick from The Brand New Heavies Simon Bartholomew and bass player Nick Seymour, they formed the supergroup Akimbo also signed to Acid Jazz label. The band headlined Londons' Soho Jazz festival two years running appearing at Ronnie Scotts and Madame JoJo's Deep funk sessions hosted by legendary rare funk Dj and collector Keb Darge. By 1999 Nick and Keb Darge started their own independent label Deep Funk Records. Other collaborations include soul jazz keyboardist Jessica Lauren, Nu soul prodigies Vannessa Simon and Omar, FBI, Raw Deal and The Superphonics. Countless gigs, sessions and jams continue to this day with many of Londons top funk and soul musicians.

Er was een verhitte discussie te zien bij het programma Oranjezomer. Toen het programma een incident bij EditieNL besprak, ging het hard tegen hard tussen Olcay Gulsen en Jack van Gelder. In het RTL4-programma was op de achtergrond een redactielid te zien dat zijn middelvinger opstak. Gulsen zat al lekker in de wedstrijd voordat het incident besproken werd, maar haar opmerking richting Van Gelder maakte de presentator "echt boos", viel programmamaker Paul Römer op. "Het werd echt een emotioneel spannend moment." Volgens Van Gelder huilt Gulsen "met de wolven" mee. "Het leuke van live-tv is dat je zit te wachten tot het een beetje spannend wordt, misloopt, van de rails gaat." Rennie Rijpma kan dat ook waarderen. "Het is vuurwerk op beeld", zegt de hoofdredacteur van AD. 

Elles van Gelder is journalist en correspondent. Ze werkt als correspondent Afrika voor de NOS en verschillende andere media. Ze maakt documentaires, radioreportages, en schrijft verhalen voor Vrij Nederland, NRC en De Standaard. Ook publiceerde ze in Time Magazine en The New York Times. In 2012 won ze de World Press Photo Multimedia Award voor haar drieluik over de nasleep van een bomaanslag in Johannesburg. Ze woont sinds 2007 in Zuid-Afrika, maar is nu even in Nederland. Atze de Vrieze gaat met Elles van Gelder in gesprek.

Did you know that some principles of code debugging can transform your tech team's productivity? Lisa van Gelder, a tech veteran with over 25 years of experience, shares her journey from debugging code to debugging entire teams.Lisa explains the concept of 'debugging' a tech team, akin to debugging code, which is crucial to identifying and resolving productivity and performance issues. She outlines the importance of metrics, specifically the DORA metrics and cycle time.Lisa advocates for a comprehensive debugging strategy involving data analysis and team conversations to uncover and address problems, emphasizing mastery, autonomy, purpose, and psychological safety as essential elements. The conversation also highlights challenges and best practices for managing small and large teams and the necessity of stakeholder communication when making changes to avoid negative consequences.If you are a tech leader, this conversation will give you insights on managing and improving your team's performance effectively, so tune in!"You really want to debug a team if you don't know what's going on. If you know what's going on, cool, hopefully, you can fix it. But if you don't know, that's when debugging comes into it. " ~ Lisa van Gelder In This Episode:- What is team debugging?- How to start team debugging- Interpreting metrics and team dynamics- Best practices for gathering data and team insights- Frameworks for interpreting data and understanding team issues- Debugging different team sizes- How to manage adverse debugging outcomes- When to debug a teamAnd much more!Resources Mentioned in the Episode:- Learn more about DORA metrics - https://cloud.google.com/blog/products/devops-sre/using-the-four-keys-to-measure-your-devops-performance- Buy “Drive: The Surprising Truth About What Motivates Us” by Daniel Pink - https://a.co/d/4OtPnKA Connect with Lisa van Gelder :- LinkedIn - https://www.linkedin.com/in/lisa-van-gelder - Twitter - https://twitter.com/lisa_van_gelderConnect with Debbie Madden:- Website - https://www.stride.build/- LinkedIn – https://www.linkedin.com/in/debbiemadden1/- LinkedIn - https://www.linkedin.com/company/stride-consulting/

Alex van Gelder is the CEO and Founder of Clear Timber Analytics and joins us from the The Netherlands. Clear Timber Analytics provides accurate tools to help foresters with their daily duties by translating modern technology, such as high-resolution drone imagery and advanced data analytics, into reports that allow foresters to precisely target resources. Come have a listen to learn more about Clear Timber Analytics' bark beetle detection, growing stock analysis, forest disturbance analysis, and harvest data visualization solutions.

Uit onderzoek van Ipsos I&O in opdracht van de Volkskrant blijkt dat kiezers de afgelopen zes maanden negatiever zijn geworden over asielzoekers. Waar de helft van de Nederlanders afgelopen najaar het onze morele plicht vond om vluchtelingen op te vangen, is dat nu nog 39 procent. Journalist Sjirk Kuijper schrok van deze bevindingen. "Er wordt gewezen naar de invloed van de media. Ik spreek maar namens de kranten: wij doen ons best om feitelijke informatie te geven", aldus Kuijper. "Als ik naar mijn eigen kring kijk, zien zij de talkshows als de journalistiek. Maar daar wordt een toon gezet, wordt een beeld geschapen en gaat het om wie het hardst schreeuwt." Bovendien zou het tijdens de verkiezingstijd vooral zijn gegaan over migratie. "Wat ik het meest bedrieglijke vind, is dat het meer zou moeten gaan over arbeidsmigratie. Maar daar hakt BBB en VVD niet op, omdat hun achterban dat niet wil. En dus wordt de indruk gewekt asiel zo'n enorm probleem is." In vergelijking met andere Europese landen is Nederland namelijk helemaal niet "koploper" wat betreft opvang. Henrike van Gelder, hoofdredacteur van KidsWeek en andere titels, was niet verrast, mede door hoe PVV ervoor staat in de peilingen. "Ook als jongeren worden ondervraagd op welke partij ze zouden stemmen, wordt er ook heel rechts en populistisch gedacht", aldus Van Gelder. "Dat komt door bepaalde beeldvorming." Daarom pleit Van Gelder voor meer duiding en betere definiëring, evenals historische context van migratie. "Politici moeten voortdurend bevraagd worden op de feiten en niet alleen meningen en slogans", gaat Kuijper verder. Kuijper wil vooral dat deskundigen als Hein de Haas vaker aanschuiven bij talkshows. "Waarom zit hij niet elke week aan tafel om broodje-aapverhalen te weerleggen?" 

Warning! Pineapple on pizza is discussed in this podcast. We're back in Motorbike Racing's finest eatery – and the name suggestions have started! On this occasion, Greg Haines is accompanied by The Netherlands' online racer/commentator Niek van Gelder and none other than reigning British Superbike Champion Tommy Bridewell, who briefly leaves the table to attend to wildlife matters!Conversation topics range from Tommy's move from Ducati to Honda (was it just for the money?) to the time he deliberately duffed up Christian Iddon in the woods at Cadwell Park! Plus: do the guys have a favourite film?Follow @GregHainesTV on social media!X - https://x.com/greghainestvInsta - https://www.instagram.com/greghainestvYouTube - https://www.youtube.com/greghainestvContact Talking Away by email:TalkingAwayPodcast@gmail.com

De pro-Palestina-protesten op UvA hebben ertoe geleid dat een aantal faculteiten twee dagen geen college geven. De ME greep in tijdens de demonstratie, waarbij er veel vernield en beschadigd werd in de UvA-gebouwen. Ook journalisten werden geweerd bij de protesten. "Je ziet de chaos, je ziet dat daar iets aan de hand is. Dan vergaat alle nuance en gaat ook de boodschap verloren", reageert Henrike van Gelder, hoofdredacteur van KidsWeek, op de berichtgeving. "Het gaat vooral over het rellen. Ik denk niet dat dat in het belang is van de protesterende studenten." Bovendien is het onduidelijk of alle demonstranten werkelijk aan de UvA studeren. Journalist Tom Kleijn heeft met "verbazing" zitten kijken. "Wat willen ze nou precies? En wie zijn het nou?" Kleijn mist de "verantwoording" in het verhaal van de studenten. "Hoe houd je je eigen protest zuiver? Dat lijkt me een lastige opgave", reageert oud-Tweede Kamerlid Sjoerd Sjoerdsma. Het weren van journalisten bij het protest vindt Kleijn onbegrijpelijk. "Dan heb je de kans om jouw kant van het verhaal te vertellen en dan zeg je: je moet weggaan." Van Gelder merkt dat het wantrouwen richting journalisten al jaren opkomt. "Dat vind ik heel gevaarlijk." Met die reden kiezen steeds meer media ervoor om hun verslaggevers beter te beschermen, bijvoorbeeld door middel van bodycams en extra beveiliging. "Mensen voelen zich kennelijk niet gerepresenteerd in de media", stelt Van Gelder. Tim Hofman liet later weten de slachtoffers van politiegeweld aan het woord te willen laten, wat weer aanleiding was voor VVD-leider Yeşilgöz dat dat niet fair is. "Hiermee gooit ze olie op het vuur", vindt Sjoerdsma. Kleijn vindt het ook “onverstandig” van de minister. "Je moet je niet bemoeien met welke vragen journalisten stellen", aldus Kleijn. Verder in het Mediaforum: de banden van universiteiten met Israël en de verhuizing van het kantoor van Het Parool. 

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

Wil je weten hoe je een klein bedrijf tot een groot imperium maakt? Hoe als Oer Hollands bedrijf je toch Hypermodern kunt zijn?   Hoe je als jonge jongen met je broers een paar groentewinkels hebt en stap voor stap één van de duurzaamste bedrijven van de wereld (!) neerzet? En dat op het land waar je ouders ooit spruiten hebben verbouwd. Je met hard werken en de nodige nuchterheid en lef, een waar Experience Center groente & fruit neerzet.   Wil je antwoord op al deze vragen? Dan moet je zeker deze podcast luisteren, waar ik één van de grondleggers, Gerrit van Gelder een aantal vragen stelt.   Word geïnspireerd door deze rasondernemer.   Veel luisterplezier!   www.vanerkelreclame.nl www.vanerkel.nl

De Israëlische president Netanyahu wil Al Jazeera bannen, omdat de Arabische zender zijn kijkers zou opzetten tegen Israël. Al Jazeera doet namelijk kritisch verslag van de situatie in Gaza. Het Israëlische parlement heeft een wet aangenomen waardoor het ook echt mogelijk wordt om deze ban door te voeren. "Dit gaat wel heel ver", reageert politiek commentator Kees Boonman. "Ik ben bang dat de Israëlische bevolking geen toegang krijgt tot onafhankelijke berichtgeving", zegt Henrike van Gelder, hoofdredacteur van Kidsweek en Samsam. Volgens Van Gelder is het uitermate belangrijk dat "objectief nieuws" verkrijgbaar is. Daarnaast erkent Van Gelder dat Al Jazeera ongetwijfeld ook een kleur heeft. Politicoloog Pieter Hilhorst vindt het een "heel gevaarlijk" plan. "Het is een teken van de autocratische neiging die ontstaat in Israël", stelt hij. Verder in het Mediaforum: de verwarrende nieuwe Nutri-Score en de inmenging van Rusland in de Nederlandse politiek. 

Martin and Greg reflect on the episode #39 interview with Craig Van Gelder. They discuss the role of personality in theological work, the significance of vocational in-between periods, the challenge of relating the every-day to God's mission, tensions in North American missiology, problematic missioloigcal terminology, missional parenting, and more.

Martin Rodriguez sits down with Craig Van Gelder, professor emeritus of congregational mission at Luther Seminary. They discuss his experiences as a North American missiologist and church consultant who has made major contributions to missional ecclesiology, especially in the areas of cultural analysis, missional imagination, and pneumatology.

frans timmermans / ronald plasterk / limburgse vlaai / preventieakkoord / edward sturing

Vakbond de Algemene Onderwijsbond pleit voor volledig gratis lerarenopleidingen. Kan die maatregel een einde maken aan het personeelstekort in de sector? En: medewerkers in het onderwijs kregen vorig jaar een verhoging van de reiskostenvergoeding, een eenmalige uitkering en er structureel 10% extra salaris bij. Hoe lang zijn de vakbonden daarmee tevreden? Tamar van Gelder, voorzitter van de Algemene Onderwijsbond is te gast in BNR Zakendoen. Macro met Mujagic  Elke dag een intrigerende gedachtewisseling over de stand van de macro-economie. Op maandag en vrijdag gaat presentator Thomas van Zijl in gesprek met econoom Arnoud Boot, de rest van de week praat Van Zijl met econoom Edin Mujagić.  Beleggerspanel TSMC, Birkenstock, Goldman Sachs en Morgan Stanley kwamen én komen met cijfers deze week. EN: Wat is er nou waar van de geruchten over een overname van ABN Amro door Deutsche Bank? Dat bespreken we in het beleggerspanel, dat deze keer bestaat uit: - Koen Bender, Directeur Mercurius Vermogensbeheer  - Reinder Wietsma, Head of Investments bij IBS Capital  Contact & Abonneren  BNR Zakendoen zendt elke werkdag live uit van 11:00 tot 13:30 uur. Je kunt de redactie bereiken via e-mail.  Abonneren op de podcast van BNR Zakendoen kan via bnr.nl/zakendoen, of via Apple Podcast en Spotify. See omnystudio.com/listener for privacy information.

Hey everyone, thanks for your patience as we are a few hours late today! End of term is crazy as usual. Abigail from the Center for Entrepreneurship is with us today. We talk about where she is from, the benefits that the center provides, and what is upcoming with their programs and events. Make sure to check them out, and we will see you next term!

Het einde van het jaar nadert en het team van De Dag houdt zich een paar dagen schuil onder de kerstboom. We kijken terug op een intens nieuwsjaar, met helaas vaak somber stemmend nieuws. Een paar afleveringen van de podcast die ons in het bijzonder raakten, laten we deze laatste dagen graag nog eens horen. Ja, ze stemmen somber, maar ze laten ook iets moois zien: namelijk de kracht en waarde van onze correspondenten die met zoveel betrokkenheid, professionaliteit en soms gevaar voor eigen leven de ramp- en oorlogsgebieden introkken om de wereld, ons, de verhalen van daar te vertellen, te laten begrijpen  en doorvoelen.  Op 12 september vertelde Elles van Gelder in de podcast over haar bijzonder aangrijpende reis naar een plek waar maar weinig buitenlanders komen, op een paar kilometer afstand van waar volgens getuigen een genocide gaande is. Ze was aan de grens met Darfur en ze laat in de podcast getuigenissen horen die schokkend zijn - maar die volgens haar juist daarom gehoord moeten worden.  Reageren? Mail dedag@nos.nl

Artist Levi van Gelder joins us this week to fangirl over Lana and Trisha Paytas. We talk fan fiction, fandom, obsession as an artistic tool, and the ways digital technologies inform our identity creation. Follow Levi on instagram and check out his work here.FREE PALESTINETo stay up to date with MFMM follow us on instagram @multifemalemegamixTo buy our merch DM us on insta xxxIntro track by Whiterose Don't Go We'll Fund Them is a trans-led subscription-based fundraiser to support trans people in the Netherlands.Subscribe here or follow them on instagram.

Bijna dertien jaar geleden startte de Lycke van Boekel de groothandel Van Boekel AGF. Inmiddels heeft de groothandel drie Gazellen-awards voor het snelst groeiende bedrijf gewonnen en neemt het bedrijf het op tegen partijen als Van Gelder, Sligro en Hanos. Hoe concurreert het bedrijf ? En: hoe lang blijf je uniek als je een steeds groter bedrijf wordt? In ‘De top van Nederland' een uitgebreid gesprek met Lycke van Boekel. topvrouw van Boekel AGF Horeca-groothandel. Presentator Thomas van Zijl vraagt haar...  - of persoonlijke service aan klanten nodig is om te overleven  - hoe het bedrijf blijft groeien, ondanks verschillende crises en prijsverhogingen;  - hoe moeilijk het is om de gekregen NOW-steun terug te betalen;  - hoe belangrijk fulltime medewerkers zijn voor haar bedrijf;  - of uitbreiding naar het buitenland een vereiste is voor groei van het bedrijf in Nederland.  Over Van Boekel AGF  Van Boekel AGF is een horecagroothandel. Het bedrijf is gevestigd in Den Bosch en levert aan onder andere restaurantketens en hotels.   Over Thomas van Zijl  Thomas van Zijl is financieel journalist en presentator bij BNR. Hij presenteert dagelijks ‘BNR Zakendoen', het Nederlandse radioprogramma voor economisch nieuws en zakelijk inzicht, waar 'De top van Nederland' onderdeel van is. Ook is hij een van de makers van de podcast ‘Onder curatoren'.  Abonneer je op de podcast   Ga naar ‘De top van Nederland' en abonneer je op de podcast, ook te beluisteren via Apple Podcast en Spotify. See omnystudio.com/listener for privacy information.

Welkom bij De Derde Helft, de Eredivisie door de ogen van een stelletje amateurs én Jochem van Gelder. Met hem we blikken we terug op speelronde 12 en komen we vooral tot de conclusie dat Peter Bosz de omgekeerde Mr. Bean is.Volg De Derde Helft op YouTube, Instagram, TikTok en Twitter.---------

Tamar van Gelder (Zaandam, 1975) is voorzitter van de Algemene Onderwijsbond. Deze vakbond groeit, en dat is niet zo gek, want de problemen in het onderwijs stapelen zich op: er is een chronisch tekort aan goed opgeleide leerkrachten. En de politiek lijkt zich er amper voor te interesseren; het onderwerp speelt geen enkele rol bij de huidige verkiezingen. Terwijl er een Deltaplan nodig is om het tij te keren. Van Gelder is een bevlogen vakbondsvrouw, die komt uit een echte onderwijsfamilie. Haar grootvader stond aan de basis van de Middenschool, een experiment uit de jaren '70, waarbij alle leerlingen drie jaar lang hetzelfde programma volgden

Tamar van Gelder (Zaandam, 1975) is voorzitter van de Algemene Onderwijsbond. Deze vakbond groeit, en dat is niet zo gek, want de problemen in het onderwijs stapelen zich op: er is een chronisch tekort aan goed opgeleide leerkrachten. En de politiek lijkt zich er amper voor te interesseren; het onderwerp speelt geen enkele rol bij de huidige verkiezingen. Terwijl er een Deltaplan nodig is om het tij te keren. Van Gelder is een bevlogen vakbondsvrouw, die komt uit een echte onderwijsfamilie. Haar grootvader stond aan de basis van de Middenschool, een experiment uit de jaren '70, waarbij alle leerlingen drie jaar lang hetzelfde programma volgden

Aan tafel zitten Bas van Sluis, Henrike van Gelder en Spraakmaker is Nikki Korteweg. Van Gelder wil voor haar mediamoment stilstaan bij een cameraman en fixer die in Gaza werkt en onder andere voor Nieuwsuur een portret van een ambulancebroeder heeft gemaakt. Van Gelder: “We hebben al best wel lang, van heel dichtbij veel verhalen uit Gaza. Toen de oorlog uitbrak vond ik het opvallend dat er helemaal niet zoveel verhalen uit het gebied kwamen.” …”Ik wil niet op mijn geweten hebben dat iemand werkend voor Kidsweek iets overkomt.” Het mediamont van Van Sluis gaat over het Debat van het Noorden. Dat gaat namelijk niet door, omdat de meeste landelijke lijsttrekkers hebben afgezegd. Bas van Sluis: “Het is ronduit irritant dat ze niet willen komen.” “Ik vind dat je heel Nederland serieus moet nemen.” Interviews met lijstrekkers, met 20 dagen voor de verkiezingen zien we ze opdraven in kranten, op tv en in radio en podcast interviews. Maar op welke manier ondervraag je ze? Waar zet je als journalist op in, wat laat je liggen en hoe persoonlijk maak je de gesprekken?  “Henrike van Gelder: ‘Wat ze bij Nieuwsuur ook goed doen is dat ze kijken hoe een kandidaat zich heeft gedragen en op welke moties hij heeft gestemd in de Tweede Kamer. Dat zegt meer dan een partij programma.” Van sommige dingen wil je dat ze nooit veranderen of verdwijnen: NOS Teletekst is er zo een, vertrouwd en misschien wel een dagelijks ritueel in uw leven. Het kan namelijk weer jaren vooruit door de komst van een nieuw systeem. Van Sluis: “Ik kijk minimaal 20 keer per dag op teletekst.”

Welcome to America's leading higher education podcast where we talk trending legal, regulatory and compliance matters - EdUp Legal!  YOUR host is ⁠Deborah Solmor⁠ In this episode, her guests are Lara Flath and Amy Van Gelder, partners at Skadden, Arps, Slate, Meagher & Flom LLP and Affiliates   Today we take another look at the Supreme Court's recent decision on race conscious admissions policies in higher education. We hear from two experts and the co-authors of Potential Private Sector Implications of the Supreme Court's Affirmative Action Ruling. Listen in to #EdUpLegal. Making LegalEASY! Listen in each week to get the buzz on the trending higher education legal, regulatory, and compliance questions without the legalese.  Join YOUR EdUp community at ⁠The EdUp Experience⁠!  We make Education YOUR business   

Welcome to America's leading higher education podcast where we talk trending legal, regulatory and compliance matters - EdUp Legal!  YOUR host is ⁠Deborah Solmor⁠ In this episode, her guests are Lara Flath and Amy Van Gelder, partners at Skadden, Arps, Slate, Meagher & Flom LLP and Affiliates   Today we take another look at the Supreme Court's recent decision on race conscious admissions policies in higher education. We hear from two experts and the co-authors of Potential Private Sector Implications of the Supreme Court's Affirmative Action Ruling. Listen in to #EdUpLegal. Making LegalEASY! Listen in each week to get the buzz on the trending higher education legal, regulatory, and compliance questions without the legalese.  Join YOUR EdUp community at ⁠The EdUp Experience⁠!  We make Education YOUR business   

Pre-Retirement Planning for Business Owners, with Tony Van Gelder, Van Gelder Financial (North Fulton Business Radio, Episode 690) Tony Van Gelder, a Certified Financial Planner and Owner of Van Gelder Financial, joined the show to talk about his career journey, becoming a financial planner, how to choose a financial planner, the value of having an […] The post Pre-Retirement Planning for Business Owners, with Tony Van Gelder, Van Gelder Financial appeared first on Business RadioX ®.

Hoe reageert Amerika op de verklaring en überhaupt de rel rond zangeres Lizzo (en de bananenbar)? Daarover gaat het in RTL Boulevard en Stijn en Daniël hebben dat uiteraard voor je meegenomen in deze nieuwe TV-TALK. En in de Oranjezomer zegt Jack van Gelder twee keer gebeld te zijn en gevraagd te zijn aan te sluiten bij een politieke partij. En ook is Bla bla bla met Schaap gekeken (ja echt). Daar gaat Elise (Schaap, dus) zichzelf het Haags accent eigen maken. Mis 'm niet: iedere maandag tot en met vrijdag een nieuwe aflevering. Abonneer je dus vooral! En wil je iets met ons delen? Mail dan naar podcast.hart@talpanetwork.com. Of gebruik #TVTALK!See omnystudio.com/listener for privacy information.

Aan tafel zitten Hugo Logtenberg, Henrike van Gelder en Spraakmaker Stijn Fens In het Mediamoment van Van Gelder staan we stil bij het nieuws van gisteren dat Nederland fors is gedaald op de internationale ranglijst voor de naleving van kinderrechten. Hoe bericht je daarover voor de kinderen zelf? Van Gelder: "We brengen een gebalanceerd beeld" Logtenbergs Mediamoment gaat over een uitspraak van Joseph Borrel, Buitenlandchef van de Europese Unie over het belang van blijvende steun voor Oekraïne. Zijn oproep sneeuwt onder, maar waarom?  Drie dagen na de opmars van Prigozjin en de Wagner-groep richting Moskou, zijn er nog altijd meer vragen dan antwoorden. En ook de analyses van deskundigen lopen uiteen. Tasten we helemaal in het duister? Willen de media al te veel duiden? Vandaag is het precies 5 jaar geleden dat Femke Halsema werd voorgedragen als de burgemeester van onze hoofdstad. Dit weekend was er een uitgebreid profiel in NRC. Welk beeld kwam daaruit naar voren? Waarom focussen veel media op haar vrouw-zijn? Vragen we ook meer naar kwetsbaarheid van vrouwelijke burgemeesters? Logtenberg: "Zij is anders dan haar voorgangers" Een veelbesproken audio-opname van Donald Trump is uitgelekt. In de opname is te horen dat de oud-president zegt dat hij geheime documenten in handen heeft die niet officieel zijn vrijgegeven. De opname zou in 2021 zijn gemaakt, nadat hij zijn ambt had verlaten. Wat moeten media hiermee? En weten we waar dit vandaan komt?

In deze aflevering praat Benjamin met saxofonist en componist Ben van Gelder. Hij is een van de bekendste en meest gerespecteerde saxofonisten van Nederland en omstreken, vanuit de hele wereld komen jonge musici naar Nederland om bij hem te studeren. Op zijn nieuwe album ‘Manifold' laat hij zijn fascinatie voor het kerkorgel horen.

A tribute to Tina Turner opens a show featuring music characterized by a deliberate desire to blur the lines between jazz and other genres, be it pop, R&B, world music or church music, and to do so with the most wonderful arrangements. The playlist features Herbie Hancock; Don Braden; Selma Savolainen; Le Cri du Caire, Abdullah Miniawy, Erik Truffaz, Peter Corser; Ben Van Gelder; Matt Ulery; and Rajna Swaminathan. Detailed playlist at https://spinitron.com/RFB/pl/17442424/Mondo-Jazz (up to "Surrender Is Easier Said Than Done"). Happy listening!

studio sport / china / jan smit / volendam / hugo de jongeonze sponsor: chocolatemakers / code voor 10% korting: weereendagproductie: meer van dit / info@meervandit.nl / muziek: keez groenteman Hosted on Acast. See acast.com/privacy for more information.

In Episode 117 we discuss the song "Simple" in three different eras: 11/16/94, 02/20/03, and 08/06/21. Exploring the beauty in the song that bleeds into wild improv, we discuss how this song represents various aspects of Phish history while also serving as a launch pad to their dedication to in the moment evolution. From here we dive into a discussion of Van Gelder studios where we explore the CTI label and the evolution of Jazz in the late-1960's and early-1970s.Songs featured in this episode:Bobby Hutcherson: "Dave's Chant"McCoy Tyner: "His Blessings"Joe Farrell: "Moon Germs"Gabor Szabo: "Mizrab"Airto: "Fingers (El Rada)"Freddy Hubbard: "Suite Sioux"Thanks as always for listening and supporting!— — — Check us out on Apple Music: Beyond The Pond Podcast SongsYou can find us on Twitter: @_beyondthepondPlease check out Osiris Media at: OsirisPod.comPlease leave us a review on iTunes!Until then, we'll see you beyond the pond… Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 16 of the Big Red HockeyCast! This week's episode, Matthew Small '25 and Matthew Furman '24 discuss the Big Red's two losses this weekend and how the team can break the losing streak. Our special guest this episode is Mckenna Van Gelder '26, the forward from Ontario. Listen to this episode to hear her reaction to clinching a spot in the ECAC playoffs, her experience in the U18 World Championship, the GOAT debate, and much more!! Sin Bin (3:23) Slapshot (12:20) [Released February 9th, 2023] Connect with Big Red Sports Network: https://www.cornellbrsn.com/ Instagram/Twitter: @cornellbrsn Hosts: Matthew Small '25, Matthew Furman '24 Editor: Jane McNally '26 Producers: Michael Farkouh '24, Gabe Zolot '24, Matthew Furman '24, Jay Klein '23, and Abby Ruggiero '24

Jack van Gelder speelt overal de vermoorde onschuld als het gaat om de misstanden bij NOS Sport. Maar zijn eigen woorden uit het verleden doen je daar aan twijfelen. Deze week een speciale aflevering van De Communicado's met Lars vanuit Chili, waar hij af en toe telefonisch bereik en/of internet heeft. Victor neemt hem mee in de belangrijkste thema's en controverses die Nederland momenteel bezighouden (of bezig zouden móeten houden), van de SIRE-campagne en een uitspraak van Op1-presentator Natasja Gibbs tot opiniepanels die zich vermenigvuldigen als konijnen. Sandra vraagt zich af of Lars als communicado nog dingen opvalt in Zuid-Amerika. Heb jij ook een vraag of idee voor de podcast? Mail ons op vraaghetvicenlars@gmail.com en we bespreken je vraag misschien tijdens de volgende podcast. Tijdsindeling: 7m45 "apartheidsregime" en de controverse rond Natasja Gibbs | 19m07 alles wat je nog niet wist over opiniepanels | 35m54 Jack van Gelder en misstanden bij NOS Sport | 47m18 tune van de Week: De Nieuwste Show | 49m55 SIRE is wéér spraakmakend | 60m26 vraag het Vic & Lars Let op: de komende maand hebben we nog steeds winterstop. Maar misschien maken we af en toe een aflevering. Stay tuned! Shownotes:

Today I am joined by Josh Walsh of Jazz-Library.com to discover, learn, and play Ben Paterson's "My Shining Hour" from his album "Blues for Oscar" (a tribute to jazz legend Oscar Peterson.You should download the transcription to have it in your hands as you listen to our analysis.DOWNLOAD TRANSCRIPTIONDownbeat Magazine describes Ben, as 'As soulful a pianist/organist as exists anywhere.”Combining a joyful swing feel with an impeccable touch, Steinway Artist Ben Paterson has established himself as one of the most exciting pianists on the Jazz scene today, garnering international acclaim for his superb musicianship and engaging performances.  Originally from Philadelphia, Ben studied classical and jazz music before moving to the great city of Chicago, absorbing the unique blend of Jazz and Blues that can only be found in the Windy City.  Now based in New York, Ben is poised to bring his unique talents and style to a broader audience, performing regularly at top-notch venues around town and clubs and festivals worldwide. Starting in 2005, Ben was honored to join the band of NEA Jazz Master Von Freeman, performing with him regularly until Von's passing in August 2012. Other notable collaborations include work with Bobby Broom, Houston Person, Samara Joy, Johnny O'Neal, Red Holloway, Eldee young, Peter Bernstein, Jerry Weldon and Ed Cherry to name a few, with performances opening for groups like Steely Dan and B.B. King. In 2018 Ben was named the First Place Winner of the Ellis Marsalis International Jazz Piano Competition, with judges including Ellis and Branford Marsalis, Arturo O'Farrill, and Jonathan Batiste.  In 2019 he performed at Jazz at Lincoln Center as part of their tribute to Oscar Peterson, playing alongside John Clayton, Jeff Hamilton, and fellow pianists including Benny Green and Kenny Barron. Ben has released 7 CD's under his own name: Breathing Space (OA2 Records 2007) Blues For Oscar (Meetinghouse Records 2012), Essential Elements (MAXJAZZ 2013), For Once In My Life (Origin 2015), That Old Feeling (Cellar Live 2018), Live at Van Gelder's (Cellar Live 2018), and I'll Be Thanking Santa (Meetinghouse Records 2019)  Visit www.benpaterson.com for more information. Enjoy more music by Ben Paterson: https://www.benpaterson.com/musicWarm Regards,Dr. Bob LawrenceJazzPianoSkills.comSupport the show

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to!  Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks!  This week: swingin jazz fundamentals, summer nu-soul, bluegrass guitar, progressive fusion, musica italiana, vocal swing, South African Malaysian grooves and blues - prepare your ears folks it's another blinder from the one and only Courtney Pine!!1 Steve Davis – Encouragement 4'39Bluesthetic SMOKE SESSIONS Tr 1Steve Davis tb Geoffrey Keezer pno Christian McBride bs Willie Jones III dr Peter Bernstein gtr Steve Nelson vbsDavisAmazing live jazz captured again by NYC's fab Smoke Sessions: check the incredible lineup, close your eyes and you're there!!2 Grant Stewart – Bearcat 6'34Lighting of the Lamps CELLAR MUSIC GROUP Tr 7Grant Stewart tr Bruce Harris tpt David Wong bs Tardo Hammer pno Phil Stewart drJordanWhat a beautiful big-hearted sound from Grant's tenor!  Clifford Jordan blues style swing recorded in the legendary Van Gelder studio and you can hear it! 3 Reuben James – What U Need 3'36Tunnel Vision RUFIO RECORDS  Tr 7Reuben James dr bass gtr fxs Gareth Lockrane fl Reuben James vox / keys Ric Wilson vox Vanessa Butler bvsJames Lush flute from Gareth Lockrane on this cool summer mix from Birmingham's own Reuben James!“I'd just got married, I was in a happy place and the whole thing was improvised in the moment...a lot of songs come from pain, but this one comes from a lot of joy. It was a big vibe for me. I was just in a moment of bliss.” 4 John Scofield - Not Fade Away 5'43John Scofield ECM Tr10John Scofield gtrHardin/Petty  “A Buddy Holly song.  Phil Lesh of the Grateful Dead has invited me to play with him many times, playing mostly Dead tunes.  He played this one every night I think.  It's got that Bo Diddley beat.  If you don't know by now, rock'n'roll is here to stay!” JS5 Dan Schnelle - Unknown Territory 6'24Shine Thru OUTSIDE IN Tr 1Josh Nelson pno Jeff Babko keys Anthony Wilson gtr David Binney alto Alex Boneham bs Dan Schnelle drD SchnelleExciting 1st full length album from Dan one of LA's top session drummers: heaps of stunning energy with crazy cool keys touches from Jeff Babko - lovin this track!6 Moonchild - What you Wanted (Kiefer Remix) 3'26Starfruit TRU THOUGHTS Tr 9Amber Navran, Max Bryk, Andris Mattson Kiefer ShackelfordNavran/Bryk/Mattson/Shackelford/ KrstajicSoulful goodness to start your day right every single morning from LA trio Moonchild - lush grooves and nice keys!!  7 Tommaso Moretti – Italiano in America 7'54Inside Out BACE RECORDS Tr1Tommaso Moretti dr Ben Dillinger bs Jake Wark sx Edinho Gerber gtr MorettiVintage Musica Italiana fused with Chicago jazz from Italian drummer Tommaso with beautiful guitar soloing from Edinho! 8 Robin McKelle - I Must Have That Man 5'13I Must Have That Man SELF-RELEASE - Tr 1Aaron Goldberg pno Peter Slavov bs Mark McLean drMcHugh/FieldsGreat to have female songwriter Dorothy Fields on the episode.  Fast happenin' swing from the brilliant Robin and band, and fantastic piano solo from Aaron.   9 Simeon Davis group - Seven Come Wednesday 10'39Of Narratives and Nocturnes OUTSIDE IN MUSIC Tr 2Simeon Davis sx fl Tyler Thomas, Rachel Azbell vc Jonathan Shier tpt fl Maria Wellmann Alex Hand gtrHolly Holt keys Jake Chaffee bs Josh Parker dr Maxima Santana tb Jess Meadoer vn Aramis Fernandez percS DavisHypnotic South African/Malaysian Grooves from Cape Town to get you on your feet! 10 Jacob Garchik - Pastiche 4'47Assembly SELF RELEASE Tr 2Jacob Garchik tb Sam Newsome sx Jacob Sacks pno Thomas Morgan bs Dan Weiss drGarchik/ Hogoe Publishing ASCAPSoft blues centre hidden inside a hard swing shell from multi-talented Jacob who arranges for Kronos Quartet, Anne Sofie von Otter, Kd Lang, and plays with Lee Konitz, Steve Swallow + Mary Halvorson.      

Hub Culture's The Chronicle Discussions presents: The Jump 3 - Getting Grounded with Jon van Gelder, Global Head of Impact for Grounded. The Jump – Making Sense of the Future The Jump is a podcast created to help us understand the future and separate fact from fiction. The number of issues modern leaders must address is mind-blowing. The Jump cuts to the point and calls attention to the important changes in technology, politics, wellbeing, science, climate, and money that are impacting our lives and shaping our collective future. Join Forbes Columnist and founder of Accountability Inc., Rhett Power, and author and founder of Hub Culture, Stan Stalnaker, on this journey to make sense of the future. Recored live at NeueHouse Madison Square, New York City. July 14, 2022. Produced by: New Angel Productions

About our guests:Dr. Marleen Weulen Kranenbarghttps://research.vu.nl/en/persons/marleen-weulen-kranenbargDr. Joshua Jameshttps://dfir.science/ Papers or resources mentioned in this article:Weulen Kranenbarg, M., & Leukfeldt, R. (2021). Cybercrime in Context . Springer International Publishing.https://link.springer.com/book/10.1007/978-3-030-60527-8 Weulen Kranenbarg, M., Ruiter, S., & Van Gelder, J. L. (2021). Do cyber-birds flock together? Comparing deviance among social network members of cyber-dependent offenders and traditional offenders. European Journal of Criminology, 18(3), 386-406. Weulen Kranenbarg, M., van der Toolen, Y., & Weerman, F. (2022). Understanding cybercriminal behaviour among young people. Weulen Kranenbarg, M., Ruiter, S., Van Gelder, J. L., & Bernasco, W. (2018). Cyber-offending and traditional offending over the life-course: An empirical comparison. Journal of developmental and life-course criminology, 4(3), 343-364. Other:The episode with Dr. David Decary-Hetu is episode 55, you can go back a couple of episodes to find that or look here: https://cybercrimeology.com/episodes/dark-data-scraping-studying-on-the-dark-web-publishing-on-the-open-webI edited this episode a little more aggressively to get it down to 30 minutes, it may have lost a little of its smoothness, but it is concentrated goodness ;). 

Editor's Note: Download the audio version below and click here to subscribe to our newsletter.This week, Terry Van Gelder, president at AGT Technologies, discusses why, after more than 40 years in the construction industry, he turned his attention to hybrid greenhouses for the cannabis industry. Van Gelder's hybrid greenhouses have a dual membrane system; essentially, it's a building inside a building insulated by a constant flow of hot air. In 2019, the innovative design received an Edison Award for energy and sustainability. Van Gelder uses a commercial building system rather than traditional greenhouse framing. He says it gives cannabis operators the ability to build indoor grow facilities of any size, in any location without traditional greenhouse limitations. For example, the sealed, cleanroom laboratory environment guarantees the purity and safety of crops. The buildings are also stronger to better stand up to the elements. The buildings have some interesting features, like oil bath fans that eliminate airborne contaminants, a reflective coating to amplify natural daylight and the ability to mimic other climates. It sounds ambitious, but Van Gelder has come up with a way to replicate climates from anywhere around the world. Please make sure to like, subscribe and share the podcast. You could also help us out by giving the podcast a positive review. Finally, to email the podcast or suggest a potential guest, you can reach David Mantey at David @cannabisequipmentnews.com.

The Van Gelder family discusses how they paused their lives to work and travel throughout the country for a year through a program called Workaway. Follow their travels on at VGWalkabout on YouTube.Learn about Workaway here.

In this episode I chatted with the lovely Linda Van Gelder the secretary from the Stichting Buitenlandse Asielen (SBA) who are a non profit organisation based in the Netherlands.SBA is a foundation helping other animal shelters all around the world. They provide not only financial help for a guaranteed period of agreed time but they also assist with ways to make the shelters operate better, more efficiently and provide other vital support.Once the shelters are able to cope on their own and no longer need the help of SBA then they go it alone but SBA maintain contact and will lend further support if necessary and encourage the shelters to continue their positive work and are very happy when the shelters become self sufficient as it means they have helped them enough for them to do so.The SBA currently provides financial help and assistance for between 17-22 shelters around the world from places such as Colombia and Costa Rica in Central and South America. In Europe places such as Croatia, Greece, Hungary, Spain, Slovakia and the Torre Argentina Cat Sanctuary in Rome. SBA even help shelters as far away as Asia in Sri Lanka and Thailand.SBA was set up in 1983 by Mrs Diny Brummelman and has a cooperation agreement with the Dutch Government.The organisation relies on donations to keep operating and passes these much needed funds onto the various shelters receiving their support.You can find SBA on Instagram @stichtingbuitenlandseasielen and their new website is being created currently and you can find it when its operational on Stichting Buitenlandse Asielen is under construction but in the meantime check out their old website for more about this fantastic organisation! Organisation - Stichting Buitenlandse Asielen (s-b-a.info)Thanks for listening!Support the show (https://www.patreon.com/letschataboutcatspodcast)

In this episode, Sally Brown, homiletician and Elizabeth M. Engle Professor of Preaching and Worship at Princeton Theological Seminary, talks about these themes and more from her new book, Sunday's Sermon for Monday's World: Preaching to Shape Daring Witness, in which she shares ways preachers can help spark their hearer's sense of divine imagination.Sally A. Brown, PhD '01, is Princeton Seminary's Elizabeth M. Engle Professor of Preaching and Worship. She earned an MDiv from Gordon-Conwell Theological Seminary and a PhD from Princeton Theological Seminary. An ordained Presbyterian minister with more than 20 years of parish and non-parish pastoral experience prior to beginning her academic career, she continues to teach and preach in local congregations. Her academic interests include the theology and rhetoric of the cross in contemporary preaching, with attention to issues raised by feminist theology and postmodern theories of discourse; exploring the history, theology, and rhetoric of women's preaching in a range of cultural contexts; identifying trajectories of continuity and change in worship today, with attention to the what and why of Christian worship, theologically, as well as the difference context makes in worship practices; and hermeneutical theory and constructive practical theology. She teaches preaching and worship as well as a PhD seminar in theories of interpretation and constructive practical theology.Dayle Rounds (00:00): Can Sunday's sermon inspire listeners to practice Christian witness in their day-to-day life? In this episode, you will hear from Sally Brown, an ordained Presbyterian pastor and professor of preaching at Princeton Theological Seminary. She spoke with us about her new book, *Sunday's Sermon for Monday's World: Preaching to Shape Daring Witness*. Sally talks with us about how preaching can help people be agents of redemptive interruption and inspire others to exhibit the inclusive love, radical mercy, and restorative justice of God. Listen in to learn about embodied Christian witness, imagination theory, and sermons that have the capacity to influence action. Interlude (00:43): [percussive music, water droplet sound] You're listening to The Distillery at Princeton Theological Seminary. Dayle Rounds (00:47): Alright, Sally, thank you for sitting down today to talk with me about teaching preaching and about, particularly, your new book that has come out. I want to start our conversation, just to simply ask you what drew you to study homiletics in the beginning, and then to commit yourself to nurturing and teaching preaching all these years? Sally Brown (01:12): Thank you. That's always interesting for me to reflect on, finding myself now having taught preaching for 22, almost 23 years. I was in the ministry for 18 years -- non-parish for five and parish ministry for 13. It was early in the second call that I really started thinking more about my own preaching and felt that I really didn't know what I was doing. I had had exactly one course. I took the course at a time when actually I didn't believe that women were called to preach. So, you can imagine I didn't take it terribly seriously. But then, you know, one thing -- you change, and your mind is changed, and the Spirit changes your mind. And I realized I was called into the ministry, called to preach, called to the pulpit. And I found myself in a call where I was preaching regularly, not every week, but on a regular basis every month in three services. Sally Brown (02:15): And by the end of the morning, whatever I'd done, I'd done in the hearing of about 1100 people. And I was very self-conscious about how little I really understood what I was up there doing. So I took a seminar that was on preaching parables. And by about the end of the -- and this was at Princeton, continuing education, Tom Long was doing a seminar on preaching parables. And by the end of day one, I knew that whatever this was we were doing, which was really more homiletical theory and rethinking how we read a text, how we move from text to sermon, whatever this I wanted to be doing it. So one thing led to another, I did some tutorials, not only with Tom Long, but also Christine Smith. Just one-day tutorials. They gave me reading lists. I did the reading. We would have a conversation. We would listen to my own sermons and critique them. And, eventually I decided I wanted to at least, attempt to get into a PhD program and that happened. And, I, I guess the rest of this story is, is clear enough. My first call was to Lancaster Seminary, where I taught for three years. And I'm happy to say that the current homiletician there is a graduate of our program, Catherine Williams, and I worked with her on her dissertation, and then I moved to Princeton in 2001. Dayle Rounds (03:50): That's great. Thank you, Sally. The next thing I want to ask you is, so that's what drew you in, how you began to teach preaching. And then so through your career, when you've studied, you've written, you've, you've been teaching pastors -- what prompted the writing of this particular book *Sunday's Sermon for Monday's World?* What brought you and why did you write this? Sally Brown (04:17): I've always taught preaching, as I say to my students, with one foot in the congregation. You know, I think if you've spent enough years just immersed in congregational ministry, you always feel the interconnection between the sermon and the rest of life, the rest of parish life, you know, the rest of congregational life. But also, you get more conscious of what is it like for these people in the pews to step out the door. You know, by the time they get in their cars, do they even remember what the sermon was about? You know, and what can help people? What I'm hoping happens in the pulpit is that we hand people a lens on the basis of the texts we're preaching and the way we open it up for them. I hope that when I'm opening up is a lens into the world and the Monday-to-Saturday world, not just talking in sort of an echo chamber of Christian Sunday morning or Saturday night worship. I want their world to look different because of what happened in the sermon. Sally Brown (05:30): So that's always been a preoccupation of mine. And then it seemed to me that sermons had to get to be something more than memorable. They had to somehow become portable in the sense that, that you could grab that lens and look through it and see your world differently and recognize how God is working in that space. And you can be a participant in whatever God is doing to work redemptively in that moment in time that may be at work or school or in the cafeteria, or, you know, at the, you know, with the other soccer moms at the soccer field. And I got interested in what makes the sermon portable into the world of Monday-to-Saturday. So I began reading on the subject of how -- what inspires any human action. And I got interested in imagination theory because as Paul Ricoeur says, imagination is essential to all human action. Sally Brown (06:32): We mentally rehearse in a nanosecond, our choices in a situation, and then we choose. But there's this dynamic of imaginative rehearsal. And I wondered how could the sermon itself become part of the imaginative rehearsal for human action in the everyday world? I also then got interested in what is Christian witness because one of the dominant models over the last 15 years or so -- more than that, probably 20 years, 25 -- has been a missional approach that really emphasizes the witness of the whole congregation as a body that lives out and embodies forth Christian convictions in the world. But even insiders to the missional movement have said, what's happened to the witness of the individual? And the reason I think that's so important is that public worship really isn't so public anymore. A lot of people regard worship services, religious gatherings, as private, not public. Sally Brown (07:40): And so where are people likely to encounter a believable embodiment of Christian faith? Well, in individual lives, in the individual lives with the Christians they happen to rub shoulders with an ordinary space, any day of the week. So that became my interest. What's the connection between a sermon that develops this capacity for faith-shaped, imaginative rehearsal that influences the action that one might take on an ordinary day and an ordinary space, in a situation that maybe has some ethical edge to it, or calls for a way of exhibiting the -- what I call in the book, "the inclusive love, the radical mercy and the restorative justice of God." Interlude (08:39): [water droplet sound] Dayle Rounds (08:42): The other thing you lift up in the book and use as a lens, and that I have actually heard you talk about in your teaching and in the conversations we've had over the years, is you talk about "promise-grounded hope," and that's a key part of this book. But you came to that idea before you even wrote this book. So can you tell our listeners a little bit about what you mean about "promise-grounded hope"? What is it? And why is it so important? Sally Brown (09:13): Yeah, I do think that's a critical question and a critical point of departure in the work I do. I think, especially in this pandemic, we've really been conscious of how -- what is hope and where does it come from? And then we've been living through really a double viral pandemic, as the COVID pandemic exposed so many inequities that are traceable to systemic racism in American society, inequities in healthcare and access, and even vulnerability to the disease and to dying of it, all of that, connects to race and a long history here. So, where does hope come from? I've been very much influenced by what's sometimes called apocalyptic theology. And some of my other colleagues here represent that too. And the accent there is that hope comes from the God who promises again and again and again -- it happens in both the Hebrew scriptures of the Old Testament. It happens as well in the New Testament -- promises the renewal of all things, that God is bringing about a new creation, God promises to make all things new. And there are visions of what that new creation will look like. For example, you find it in Isaiah 65 and in other places in the Old Testament. You find it in Revelation, of course -- "And behold I saw a new heaven and a new earth." And then, Paul the apostle talks about "we are a new creation," or actually he simply says (it doesn't even use 'is'), he just says "behold, new creation." When he went, speaking of the risen Christ and our participation in the life of the risen Christ. So, what that does, if we can affirm in preaching, that God has promised and is bringing about a new creation, then what we're doing in preaching is to invite people, to see and participate in that reality. Sally Brown (11:27): In other words, we don't come up with the hope. Human optimism and endurance are powerful things. There's no question about that. And I don't mean to diminish the meaningfulness of human optimism and endurance, particularly during this pandemic. The endurance of people of color, through decades and now, hundreds of years of oppressive, systemic bias against them. And I don't mean to diminish that, but genuinely Christian hope anchors itself in the future that is already established in the risen Jesus Christ who's called the firstborn of the new creation. That God has already begun this transformed future. It is reaching out to meet us from the future. And I believe that the Spirit is at work all around us in the church and outside of the church, creating this ferment of transformation toward this renewal of all things -- all created things, not just humans, but the whole, the ecology in which we live, the environment, all creatures, all living things and, and even the inanimate. Sally Brown (12:44): So my understanding of preaching is that we preach anchored in the future. Every sermon is anchored in the future, in a sense, in the promise of God to bring about that renewal of all things. And then that enlists, maybe, our optimism and our endurance, but the hope doesn't, isn't something we have to generate. And we don't go into the pulpit to say, you know, we got to get it right, or the reign of God can't come. In other words, that makes us always pushing from behind and scolding people for their failures and telling them, do this, do this, do that. You know, we lengthened their to-do list, which was long enough when they came into church. I don't think that's what Christian preaching needs to do. First and foremost, it needs to announce that despite all, whatever may have happened to you this week, God is still at work and God's promises are good. Sally Brown (13:43): And the new creation has begun, and we have the opportunity to participate. So that a sermon says, because God promises (and then fill in the blank, depends very much on your text) we can. Rather than saying, we must, we ought, we should all the time. What do we now have the opportunity to be, to become, to do, to say, to create, because God's new creation is laying claim to the present and to us? So that's what I mean by promise-grounded hope. And the third chapter of *Sunday's Sermon Monday's World* is devoted to that. Dayle Rounds (14:23): You talk about wanting to anchor the sermon in that future reality, in that promise-grounded hope. And the book is about how we might preach that way. But the real purpose is -- I think -- is not just about the preacher's witness, but it's the sermon that then ignites, enlists, encourages the witness of the community of each individual that makes up that community, and how they can bear witness in their everyday lives, you know, Monday to Saturday. So you touched on it a little bit talking about Christian witness, but I wonder if you can spend a little more time about what does faithful Christian witness look like for you, for the average everyday person who's coming up and sitting in the pews on Sunday morning? What's a story or a description of that in your mind? Like, what are you -- what image are you using as you're writing this book for Christian witness? Sally Brown (15:26): What I have in mind is a person who is going about her everyday week, the roles she plays, as parent, maybe as a worker, as a volunteer, as a voter, maybe she's a board member for a nonprofit, whatever that person is doing. And just even in the most mundane kind of interactions, for instance, at a social event of some sort, and say that, she finds herself in the middle of a discussion, which involves some kind of belittling language say toward women, toward women's leadership or something. I would imagine her as a person who speaks up about that, and says, you know, I have trouble with the kind of language that diminishes women's capacity to lead, or to lead with authority. Their authority may look different. It may look more like achieving consensus to move forward, but I have trouble with diminishing women in this way. Sally Brown (16:48): So that just in an ordinary conversation, you would bear witness to go back to that, try to the inclusive, love the radical mercy, the restorative justice of God, maybe that's a restorative justice kind of comment? In, that you, you want to help us see differently aligned with a new creation in which women, as well as men are called into leadership and fullness of the use of their gifts. So, it can be just as mundane as that I do begin the book with some examples, which actually only one of the examples that I used is someone who consciously identified with the church, and that was Rosa Parks. I mentioned Rosa Parks and what she did. And actually there was a lot of activism on her part that led up to the day that she did not give up her seat. But in the moment because of the person she had become, and because of the person of faith that she was, she had courage to seize a moment that would make a difference that would change, shift the situation and challenge the status quo. Sally Brown (18:02): And then I speak of, for instance, the individual only known as the tank man, the young man who stood in front of a tank in Tiananmen Square in China. And then I mentioned a couple of others. What these have in common is that this person is actually acting as a couple of my colleagues put it in a book as agents of redemptive interruption. Well, actually the redemptive is my contribution, they talk about witness as acting as an agent of interruption of the status quo to bear witness to a transformed reality. The future that God is bringing about. And, so I talk about people -- and I want to see the people in the pew think of themselves as agents of redemptive interruption, potentially in an ordinary situation to shift things toward rightness, toward justice, and toward inclusivity, and toward mercy. Sally Brown (19:03): But that takes imagination. So then you roll it back to the Sunday, to the Sunday morning pulpit. And even behind that to the work and the study on the sermon and the sermon needs to be about how can we help people become imaginative, anchored in their faith tradition, anchored in understanding God's inclusive, love and radical mercy and restorative justice by, you know, being steeped in the stories and the metaphors of scripture and in the practices of faith and the church and individually. So you have all these resources and then like a jazz player, you draw on this deep tradition and you play out something new, something imaginative and something apt to the moment and the situation. That for me is embodied Christian witness in an everyday world that imaginative improvisational drawing out of a deep tradition. And my job is to help people inhabit that tradition as I draw them inside a story. Sally Brown (20:14): You know, we're not supposed to really -- I think we're not supposed to so much explain the stories of scripture as explore them and help other people to explore their dynamics. And I do think that an awful lot of emphasis has been on information. If we tell people -- if we give people enough information about what they ought to do, then they will act. Well, what if they need us to help them develop their imagination, rather than just stuff their head full of information? Because unless you are able to look imaginatively into the world and discern what I call the public presence of God, the presence of the Spirit, the possibilities of the Spirit in that setting, you don't need to flip through a manual, you know, sort of (this is a metaphor) flip through a manual and try to find the right injunction for that moment. Sally Brown (21:16): You need to be able to relate to it imaginatively, coming out of the stories of scripture that have shaped you. But I think often the missing move at the end of a sermon is, wow, what could this look like? An imaginative move on the part of the preacher. So too many sermons analyze a problem, apply, in some sense, the scripture and give the list of shoulds and oughts on the basis of the scripture. And then just say, "and may we go into the world as true disciples of Jesus"? Yeah. But show me what that looks like. What does that look like on Main Street? So I, I really encourage my preachers to spend at least one-fourth of the sermon toward its end saying, what might this look like in our community? What -- how could this change the way that we interact with neighbors of other cultures than our own? It might look like this. What if that? There are some preachers who do that exceptionally well. And one well-known one is Barbara Brown Taylor. She's just one of many who are doing this, have been doing this for a long time. Interlude (22:32): [water droplet sound] Dayle Rounds (22:34): In the book, too, when you unpack Christian witness, and you talk about it in terms of participation and imagination, you draw on the work of Craig Van Gelder and Dwight Zscheile. Can you say a little bit more about that? Go a little deeper into their work and how that has informed your understanding of what it means to be a Christian person bearing witness in the public square? Sally Brown (22:57): Yeah, it's partly Van Gelder and Zscheile, also Craig Dykstra and Dorothy Bass redefined Christian witness as participation. I think the imagination move comes particularly from Van Gelder and Zscheile. The participation move comes especially from Craig Dykstra and Dorothy Bass. And, so, so this is the idea that God has proceeded us into every situation. I sometimes say in sermons, no matter where we find ourselves, God got there first. And so then our job is to be alert to the possibilities that the Spirit of God is opening up in a situation for us to participate in the flow of God's redemptive, transforming grace expressed in the situation, or maybe just name it or bring it to bear, call it forth in a particular situation. So it's not that we bring God to a godless world. We go to meet God where God is already working in the world and in ordinary space. That's what I mean by participation, we participate in something that is already underway in the power of the spirit. Dayle Rounds (24:19): The thing that kept coming to mind to me was remembering... I had a class years ago on the gospel of Mark with Don Juel at Princeton Seminary. And in the crucifixion, when the temple curtain is torn, the phrase Don used was that God is on the loose, you know, so God has gone before us and, right, it's not us to bring God around, but to point out and to discover where God is already at work in the world. Sally Brown (24:49): [water droplet sound] Dayle Rounds (24:49): Another move you make toward the end of the book -- you do have an interesting chapter toward the end that I wanted to get to a little bit on metaphor. Because as you acknowledge in the book too, some people become squeamish about metaphor, but you really point to it as one particular preacher move or whatever -- that might allow us to bring it home to the witnesses who are in our pews as a way to maybe do that move. So, so what? You know, what does this mean? What does this look like? Can you say a little bit more about metaphor, maybe address the issue that why some people are uncomfortable with it and why you think it actually can be used well for preaching? Sally Brown (25:35): I think historically the theological mistrust of metaphor is that metaphor is a poetic device. Generally, it's something like, well... Let's take one that's been common in our conversation over this past year of the pandemic. People -- I guess you'd only say this in Christian circles, but -- people are saying these days, I've been living in exile so long. I'm really ready to get back to normal. Well, what are they alluding to there? They're alluding to a sense of displacement from whatever feels like home or normal. But they use the term 'exile.' Are they literally in exile? To be exiled is to be banned, you know, from one place to a foreign place. It's a major trope in scripture. There are literal -- there's a literal exile of the inhabitants of Jerusalem to Babylon and there's a return. Although home doesn't turn out to be, you know... Even home is, is kind of a metaphor. Sally Brown (26:45): And we use metaphors all the time in common speech. For example, we might say, in a discussion and it's ranging all over the place... You might say if you're trying to bring people back, "Let's get back to home base and deal with, you know, the problem at hand." Are you really asking everybody to go outside, find a baseball field and find home base? No, you're not. You're using a metaphor, but the metaphor evokes the whole kind of, you know, the game and we get it. We know that we need to get back to the place from which we start. So that's one. And I already used a metaphor actually in this conversation. I talked about, is preaching meant to hand us a rule book, sort of a pocket rule book for how to handle every conceivable situation is a crucial element of information. Sally Brown (27:40): Do we really, are we really expecting people to compose or are we composing a literal physical rule book? No, but you know what I'm talking about. And I say that I don't think that's what preaching is meant to do. So we use metaphors all the time. It's a very common way of communicating in shorthand with each other. And then there are some that, you know, are used so much that they're called dead metaphors because they're not really very interesting anymore because we've been using them for so long. Like, you know, I don't know, my father used to say, boy, it's hot as blazes today. You know, which was sort of a euphemism for hell. But, that that's obviously a metaphor, you know, is it, is it literal hell out, out on the sidewalk? No. So it's non-literal and theology has treated metaphor as therefore untrustworthy obfuscation you could say the same thing perfectly clearly. Like the philosopher, Paul Ricoeur, who I mentioned earlier in relation to imaginative rehearsal for action, also wrote a bit about, quite a bit about metaphor. And he says that a metaphor allows us to evoke a depth of understanding that literal language could not achieve. For example, I talk in the book about a sermon that's well-known already to at least some of the readers of the book, preached by Dr. Anna Carter Florence, way back before she was, when she was just a brand new, young pastor, she preached at General Assembly of the Presbyterian Church. And the sermon was called "At the River's Edge." She uses the story of Pharaoh's daughter, encountering the -- hearing this infant cry coming from a basket that's floating toward her on the river. The river's edge is the metaphor -- is one of the dominant metaphors of that sermon. And by the end of the sermon, we are... She places us all on the river's edge. And the river's edge is wherever we find ourselves in our ordinary lives. And the river that is life flows by and brings to us human identities and situations that we can't ignore, that we can't pretend not to hear, not to see. The river's edge is a place of being confronted with what is out there and making a decision about how we will act. So... and what's so powerful about it is that it's portable. After hearing that sermon, you recognize that you're on the edge of the river when something confronts you that you've got to deal with, you have to make an ethical decision about how to respond. So that's just one example of a metaphor and many, excellent preachers use metaphor. Dayle Rounds (30:43): That's great, Sally. What I want to ask you last is what do you hope the preacher, or just the person who picks up this book and reads it -- what do you hope they will receive by reading this and maybe have the courage to do? Sally Brown (30:59): I hope that preachers will have the courage to invite people into an imaginative engagement with stories in scripture, and also help people to reimagine their everyday world as the arena of God's constant transformative redemptive activity. And that preachers would help the people in the pews to see themselves as those potential agents of redemptive interruption in ordinary places. And it doesn't have to be as dramatic as being that the guy who stood in front of a tank in Tiananmen square. I think often it simply is looking for that opportunity in the ordinary situation to exercise mercy, inclusive love, and justice. To challenge the status quo in some way, with courage and with some imagination, and to be willing to get it wrong. I mean, improvisation is not an exact science. I guess if you ask any jazz player, for example, and I don't think improvisation is an exact science and some days it goes better than other days. But, I do think that we're called upon to be creative and inventive participants in what God is doing in the world. And I hope that preachers would be excited about that life-forming, vision-forming task and begin to use more imagination, more of the 'what if' and 'what might it look like here' kind of move. [percussive music in background] And that people in the pews would feel that transfer of energy that, you know, this sermon is finally handed to them, in the form of a new lens or a new metaphor or an animating story that helps them experience everyday life differently. So that would be my hope. I did teach out of the book this last semester, I heard some wonderful sermons from my students who really caught on to this idea of imaginative rehearsal and encouraging those in the pews to be agents of redemptive interruption in the world. Dayle Rounds (33:32): That's great. Thank you, Sally. Sally Brown (33:33): Thank you. I appreciated the conversation. Dayle Rounds (33:37): You've been listening to The Distillery. Interviews are conducted by me, Dayle Rounds. Sushama Austin-Conner (33:42): And me, Sushama Austin-Connor. Shari Oosting (33:44): And I'm Shari Oosting. Amar Peterman (33:45): I'm Amar Peterman, and I am in charge of production. Dayle Rounds (33:49): Like what you're hearing? Subscribe at Apple Podcasts, Stitcher, or your preferred podcast app. The Distillery is a production of Princeton Theological Seminary's Office of Continuing Education. You can find out more at thedistillery.ptsem.edu. Thanks for listening.  

A Dutch family's love affair with heritage Indian jewellery began with their mother Bernadette and continues on with my latest guest Noelle Van Gelder and her sister Fleur. The challenges of finding and valuing vintage fine jewellery in India makes this family's commitment to their work truly remarkable. Noelle takes us behind the scenes of how this unique family business based between the Netherlands and Jaipur was built and how she and her sister Fleur are strengthening it with their contemporary interpretation of the stunning heritage pieces they collect and study.Join the conversation below, on your favorite podcast app, Spotify or www.theindianedit.com and please take a second to rate us wherever you're listening so the voices of these inspiring women can be heard all over the world!SHOWNOTES FOR EPISODE 49:Find the fabulous Van Gelder Indian Jewellery at their website and instagramExplore their new Baoli collection based on the fascinating stepwells of IndiaPlease support the Van Gelder family charity by purchasing this little 20 euro charm bracelet which makes a wonderful gift at https://www.windowopp.com/collection/Books and other inspiration we discussed:The Golden Smile of India by Noelle's mother Bernadette Van GelderDesire and Devotion: Art from India, Nepal and Tibet: The John and Berthe Ford CollectionRijksmuseumFollow us on Instagram for more on our guests and everything we mentioned in this episode! Special thanks to Varun Dhabe and the team @ Boon Castle / Flying Carpet Productions for audio post-production engineering!