Podcasts about rydingsvard

In this episode of The Art Career, Emily travels to Galerie Lelong & Co in Chelsea to sit down with gallerist Mary Sabbatino. Mary Sabbatino is Vice President and Partner of Galerie Lelong & Co., New York. She was appointed director of the New York location of Galerie Lelong & Co. in 1991 and became a gallery partner in 2007. In 2021, she was awarded the prestigious Chevalier de L'Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) from the Government of France. Championing a diverse roster of contemporary artists from throughout the world, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. Contributing to the overarching contemporary art scene, she served on the boards of ArtTable and the Executive Board of the Art Dealers' Association of America, during which she initiated and co-authored the ADAA's first code of ethics. Sabbatino served on the Selection Committee for Art Basel Miami Beach (2013-2020), the Art Basel Joint Selection Committee, and is a founding member of the Council for the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum, New York. In 2020, along with colleagues from international galleries, she initiated the platforms Galleries Curate and SOUTH SOUTH. In addition to fostering the careers and legacies of the gallery's artists, Sabbatino co-curated Art from Brazil in New York (1995) which presented the first solo exhibitions of the region's most vital figures—Waltercio Caldas, Cildo Meireles, Hélio Oiticica, Mira Schendel, and Tunga—and curated Juan Downey: Video Installations and Drawings (1995), at the Museo Bellas Artes, Santiago, Chile. The gallery is proud to have represented leading contemporary artists and estates for over twenty years, including Petah Coyne, Andy Goldsworthy, Jane Hammond, Alfredo Jaar, Cildo Meireles, the Estate of Ana Mendieta, Jaume Plensa, Kate Shepherd, the Estate of Nancy Spero, Ursula von Rydingsvard, and Krzysztof Wodiczko.About Galerie Lelong & CoSince 1991, Galerie Lelong & Co., New York, has championed a diverse roster of contemporary artists from throughout the world. Led by Mary Sabbatino, Vice President and Partner, the gallery has pioneered the community both in presenting a balanced roster of male and female artists, and artists from the Global South. The gallery's programming is noted for its political acuity and museum-quality exhibitions that include contemporary sculpture and installations, as well as its work with artists to help develop large-scale public art commissions beyond the gallery's walls. In tandem with the gallery's artists who present works that examine the human condition and collective consciousness, Galerie Lelong & Co. demonstrates its commitment to social justice and good citizenship through charitable initiatives and collaborations. Galerie Lelong & Co. is a member of the Art Dealers' Association of America, the most esteemed organization of art galleries in the United States.Free Resource for Artists!Want expert guidance on building your art career? Download Navigating the Art World: A Comprehensive Guide for Artists—a free resource covering essential industry insights, practical tips, and more. Get it here:⁠⁠ Download Now⁠⁠Links: ⁠⁠theartcareer.com⁠⁠Follow Galerie Lelong & Co: https://www.instagram.com/galerielelong/?hl=enFollow Mary Sabbatino: ⁠https://www.instagram.com/mary_sabbatino/?hl=enFollow us: ⁠⁠@theartcareer⁠⁠Host: ⁠⁠@emilymcelwreath_art⁠⁠Production + Creative Direction ⁠⁠@soniaruscoe⁠⁠Editing: ⁠⁠@benjamin.galloway⁠⁠ Join our community for exclusive updates, artist resources, and behind-the-scenes content! Sign up at ⁠⁠theartcareer.com⁠⁠ Never miss an episode! Subscribe & leave us a review on ⁠⁠Apple Podcasts⁠⁠ & ⁠⁠Spotify⁠⁠

Have you ever felt the magnetic pull towards the unknown realms of creativity, while the familiar clutches at your sleeves? That's where you'll find us in Pouch Cove, Newfoundland, ensconced in the James Baird Gallery's artist residency. Our latest gathering will come to you in 2 parts, minus the dearly missed Nathan Terbord, his spirit ever-present, delves into the heart of artistic innovation. Through a melding of voices—from the cobblestoned streets of Spain to the hustle of Philadelphia—we unravel the threads of comfort and courage that bind every artist's journey.Think scarcity stifles creativity? Think again! We challenge the more-is-better mindset as we celebrate the ingenuity and the power of creativity under constraint. We cover quotes from Louise Bourgeois, Agnes Martin, Dave Adey, Mark Rothko, Eva Hesse, Jerry Saltz, and Ursula von Rydingsvard. It's a call to arms for artists to embrace vulnerability and authenticity, to create not for applause but for the sheer necessity of expression.Our session wraps with a reflection on personal growth and its indelible mark on our craft. So refill your glass and settle in for an extended session of heartfelt artistic camaraderie, where the lessons shared promise to resonate with your creative spirit and perhaps even light the path for your next breakthrough.Artists in the episode:@Moksananda@francis.beaty@audreycha.art@jaclyn_gordyan@giannatesone@allisonhudsonart@bonny_thomassen_art (present but not in the episode)Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Lately, I've been considering the impact that engaging in creative practices can have on our daily lives. As we create we are regenerating our aliveness and exploring beyond the mind of what it means to be human. Some ways I've been leaning into more creativity in my life. Writing simple haiku's. 5/7/5 Wandering through the incredible Storm King Art Center in the Hudson River Valley of New York was awe inspiring.  A fortunate synchronicity that led to attending the recent opening in NYC (and meeting) globally acclaimed sculptor Ursula von Rydingsvard reminds us miracles are real and you CAN meet your heroes. Listen as I riff on how creativity is a way home to better understanding ourselves and the world. Art is a refuge. Love and light,

Season 10 continues with another INSPIRING guest!! Russell & Robert meet leading artist RACHEL FEINSTEIN from her studio in New York to discuss three decades of her artwork in sculpture, painting, drawing, performance and video.In this 1 hour 30 minutes special episode, we discuss Rachel's vivid childhood memories growing up in Miami, her early sculptures (including jewellery moulded from intimate parts of her body) and the influence of mentors such as Kiki Smith, Ursula von Rydingsvard, and Judy Pfaff. We explore the legacy and timeless relevance of fairytales and the way her work encompasses the richness and complexity of a woman's lifetime and the strong connection between her drawings and sculptures.In richly detailed sculptures and multipart installations, Rachel Feinstein investigates and challenges the concept of luxury as expressed in eighteenth- and nineteenth-century Europe, in the context of contemporary parallels. By synthesizing visual and societal opposites such as romance and pornography, elegance and kitsch, and the marvellous and the banal, she explores issues of taste and desire.We strongly recommend buying Rachel Feinstein's major monograph, published by Rizzoli (Click here to order). Look back at Rachel Feinstein's recent museum exhibition 'Maiden, Mother, Crone' by visiting The Jewish Museum's website (click here) and learn more at her gallery Gagosian's dedicated page. Follow @RachelFeinsteinStudio and @Gagosian on Instagram.We are SO excited to be back for series 10!! We decided to start it sooner because so many of you have been messaging us and we didn't want to leave you without new episodes!!! We will be with you for the rest of the summer and beyond!!! Also, don't forget to catch up on over 130 one-hour earlier episodes from the Talk Art podcast Seasons 1-9, our treasured archive of creative thinking.TALK ART BOOK is OUT NOW! Visit Waterstone's or The Margate Bookshop to buy our brand new book in the UK or Amazon or Bookshop.org in USA & Canada. Full list of links in our Linktree: https://linktr.ee/TalkArtFor images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

We discussed: - the desire to have something noteworthy to contribute to the world - form above all else - sadly, merit does not drive success - the joke that artist should marry a rich person - wood always tries to remember it is a tree - speaking the loudest through your work - the strength of a community when in school - fail spectacularly while in school - Artist residencies - the importance of building a network - remove the stigma on copying - how she got her work in museums - brand identity - the increased speed of the art world - the importance of responding to your materials - issues of gender and ethnicity in the art world   People + Places mentioned: The Pillars of the Earth, Novel by Ken Follett - https://ken-follett.com Hyperbolic geometry - https://en.wikipedia.org/wiki/Hyperbolic_geometry Anderson Ranch's Artists-in-Residence Program - https://www.andersonranch.org/programs/artists-in-residence-program/ Buffalo Creek Artist residency - https://www.buffalocreekart.com/residency/ Colin Wiencek - https://www.cwiencek.com Mark Tan - http://www.marktanstudio.com Giselle Hicks - https://www.gisellehicks.com When ideas have sex, TED Talk by Matt Ridley - https://www.ted.com/talks/matt_ridley_when_ideas_have_sex?language=en The Denver Art Museum - https://www.denverartmuseum.org Darrin Alfred - https://www.instagram.com/darrinalfred Tarra - https://tarra.co Jason McCloskey - https://www.q-co.design Joseph Walsh - https://www.josephwalshstudio.com Ursula von Rydingsvard - https://ursulavonrydingsvard.net Making a Seat at the Table Exhibition and Book - http://www.womenwoodworking.org/thebook   3 People that inspire her: Thomas Heatherwick - http://www.heatherwick.com Iris van Herpen - https://www.irisvanherpen.com Santiago Calatrava - https://www.calatrava.com Yuri Kobayashi - https://yurikobayashi.com Vivian Chiu - https://www.vivianchiudesigns.com   https://kishimotodesign.com https://www.q-co.design   Hosted by Matthew Dols http://www.matthewdols.com   Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org             and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no               Transcript available: https://wisefoolpod.com/transcript-for-episode-152-sculptural-furniture-functional-object-designer-laura-kishimoto-denver-co-usa/

We discussed: - the desire to have something noteworthy to contribute to the world - form above all else - sadly, merit does not drive success - the joke that artist should marry a rich person - wood always tries to remember it is a tree - speaking the loudest through your work - the strength of a community when in school - fail spectacularly while in school - Artist residencies - the importance of building a network - remove the stigma on copying - how she got her work in museums - brand identity - the increased speed of the art world - the importance of responding to your materials - issues of gender and ethnicity in the art world   People + Places mentioned: The Pillars of the Earth, Novel by Ken Follett - https://ken-follett.com Hyperbolic geometry - https://en.wikipedia.org/wiki/Hyperbolic_geometry Anderson Ranch's Artists-in-Residence Program - https://www.andersonranch.org/programs/artists-in-residence-program/ Buffalo Creek Artist residency - https://www.buffalocreekart.com/residency/ Colin Wiencek - https://www.cwiencek.com Mark Tan - http://www.marktanstudio.com Giselle Hicks - https://www.gisellehicks.com When ideas have sex, TED Talk by Matt Ridley - https://www.ted.com/talks/matt_ridley_when_ideas_have_sex?language=en The Denver Art Museum - https://www.denverartmuseum.org Darrin Alfred - https://www.instagram.com/darrinalfred Tarra - https://tarra.co Jason McCloskey - https://www.q-co.design Joseph Walsh - https://www.josephwalshstudio.com Ursula von Rydingsvard - https://ursulavonrydingsvard.net Making a Seat at the Table Exhibition and Book - http://www.womenwoodworking.org/thebook   3 People that inspire her: Thomas Heatherwick - http://www.heatherwick.com Iris van Herpen - https://www.irisvanherpen.com Santiago Calatrava - https://www.calatrava.com Yuri Kobayashi - https://yurikobayashi.com Vivian Chiu - https://www.vivianchiudesigns.com   https://kishimotodesign.com https://www.q-co.design   Hosted by Matthew Dols http://www.matthewdols.com   Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org   and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no   Transcript available: http://wisefoolpod.com/transcript-for-episode-152-sculptural-furniture-functional-object-designer-laura-kishimoto-denver-co-usa/

This episode, we welcome the legendary artist Ursula von Rydinsvard. Known for her highly personal and often monumental sculptures in cedar and bronze, Ursula has been working in Brooklyn, New York for the past 30 years. She has had numerous exhibitions around the world, including solo shows at the beautiful Yorkshire Sculpture Park in England, the 2015 Venice Biennale, and the amazing Fabric Workshop and Museum in Philadelphia. Her work is also in the permanent collections of museums including the Metropolitan Museum and MoMA in New York, the Boston Museum of Fine Arts, San Francisco MoMA, and the Walker Art Center in Minneapolis, just to name a few. And, to add to her massive list of accomplishments, Ursula was also inducted into the American Academy of Arts and Letters in 2008. For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

In this episode, Film Forum Presents the artist Ursula von Rydingsvard and Daniel Traub, filmmaker of the new documentary URSULA VON RYDINGSVARD: INTO HER OWN, from May 31st. Von Rydingsvard is one of the world’s greatest artists – and one among a small group of women – working in monumental sculpture. The film is currently available for home viewing in our Virtual Cinema, at www.filmforum.org. All rental fees support Film Forum. The Q&A was moderated by Molly Donovan, Curator of Contemporary Art at the National Gallery of Art in Washington, DC.

In URSULA VON RYDINGSVARD: INTO HER OWN filmmaker Daniel Traub nimbly illuminates the fascinating journey of Ursula von Rydingsvard – from her difficult early life in a family of nine emigrating to the US after five years in post-WWII German Displaced Persons camps, a traumatic first marriage, her arrival in 1970s New York to establish herself as an artist, and the staggering, triumphant body of work she subsequently produced. Von Rydingsvard is one of the few women in the world working in monumental sculpture. Von Rydingsvard’s work has been featured in the Venice Biennale and is held in the collections of some of the world’s great museums, including New York’s Museum of Modern Art, the Art Institute of Chicago, and the San Francisco Museum of Modern Art. But she may be best-known for the stunning “Scientia” at M.I.T. which evokes the power of nature and the firing of brain synapses. imposing pieces painstakingly crafted with complex surfaces. URSULA VON RYDINGSVARD: INTO HER OWN, goes behind the scenes with von Rydingsvard, as she and her collaborators – cutters, metalsmiths, and others – produce new work, including challenging commissions in copper and bronze. But the film also delves into the artist’s personal life, and how it has shaped her work. In conversations with curators, patrons, family, and fellow artists, we come to know von Rydingsvard as a driven but compassionate sculptor with a deep commitment to her art and the world around her. Director Daniel Traub joins us to talk about von Rydingsvard’s creative process and how the materials she uses to create her complex and challenging sculptures influence her artistic approach. For news and updates go to: intoherownfilm.com Social Media twitter.com/icarusfilms

February 14th, 2020 As part of The Artist's Lens series, co-presented with Hamptons Doc Fest. The Parrish hosted a special screening of Ursula von Rydingsvard: Into Her Own, directed by Daniel Traub. Followed by a conversation with Ursula Von Rydingsvard and Parrish Director Terrie Sultan. Ursula is a New York-based contemporary artist whose artworks encompasses sculpture and two-dimensional imagery. Her work, rooted in the sculpting of raw cedar, have been exhibited in galleries, museums and public spaces throughout the world. The film follows, from beginning to final installation, various recent commissions including those for MIT and Princeton University. It also explores her early struggles, passion and profound drive to become an artist. Told mostly through her own voice, the film includes interviews with colleagues, family members and close friends who offer additional perspective on her life and work.   Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

Amy Jacobs is an artist and extremely skilled paper maker who works with the nonprofit Dieu Donné as their Co-Director of Artistic Projects and Master Collaborator. She works with the institution to serve established and emerging artists through the collaborative creation of contemporary art using paper making. Amy talks about the vast potential of paper, from making a simple sheet to pulp painting to mold making and the rewards of collaborating with artists such as Ursula von Rydingsvard, Anne Hamilton, Jim Hodges, Erin Riley, and Carrie Moyer. Amy’s favorite tool is a good pair of sharp tweezers and the Fogg It nozzle.

Sculptor and three-time NEA grantee Ursula von Rydingsvard's art is unlike anything else. While she works with all manner of organic material—including the fourth stomach of a cow—von Rydingsvard is best known for creating large-scale, often monumental sculpture from 4x4 cedar beams. These are cut, stacked, assembled, glued, and laminated before being rubbed with graphite. The result are textured, many-faceted surfaces, work that's both sensuous and massive—that at once conveys solidity and movement. Born in Germany during World War II to a Polish mother and Ukrainian father who spent time in a Nazi labor camp, von Rydingsvard and her family made their way to the United States after years in refugee camps. She senses a connection between her work and Poland—much of her work is given Polish names—but the connections are so subtle that's she's unsure of their meanings herself. In this podcast, we talk about von Rydingsvard's four-decade long career. She explains how she makes her labor-intensive massive sculptures, her early years as an artist when she was poor but joyful about creating art, the importance of her NEA grants, coming to the U.S. as a child of seven, and why she began to make art with the fourth stomach of a cow.

Sculptor and three-time NEA grantee Ursula von Rydingsvard’s art is unlike anything else. While she works with all manner of organic material—including the fourth stomach of a cow—von Rydingsvard is best known for creating large-scale, often monumental sculpture from 4x4 cedar beams. These are cut, stacked, assembled, glued, and laminated before being rubbed with graphite. The result are textured, many-faceted surfaces, work that’s both sensuous and massive—that at once conveys solidity and movement. Born in Germany during World War II to a Polish mother and Ukrainian father who spent time in a Nazi labor camp, von Rydingsvard and her family made their way to the United States after years in refugee camps. She senses a connection between her work and Poland—much of her work is given Polish names—but the connections are so subtle that’s she’s unsure of their meanings herself. In this podcast, we talk about von Rydingsvard’s four-decade long career. She explains how she makes her labor-intensive massive sculptures, her early years as an artist when she was poor but joyful about creating art, the importance of her NEA grants, coming to the U.S. as a child of seven, and why she began to make art with the fourth stomach of a cow.

Kurt Andersen talks with the director Lynn Shelton about how conspiracy theories and improvisation figure into her new film, “Sword of Trust,” which stars Marc Maron. Michael Bowen felt isolated growing up, but then he saw the animated feature film “One Hundred and One Dalmatians,” and oddly enough, its villain, Cruella de Vil, gave him hope that he would fit in. And it can be hard to know what to make of Ursula von Rydingsvard’s spectacular sculptures, but the mystery of how they’re made is solved with a visit to her Brooklyn studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sculptor and three-time NEA grantee Ursula von Rydingsvard’s art is unlike anything else. While she works with all manner of organic material—including the fourth stomach of a cow—von Rydingsvard is best known for creating large-scale, often monumental sculpture from 4x4 cedar beams. These are cut, stacked, assembled, glued, and laminated before being rubbed with graphite. The result are textured, many-faceted surfaces, work that’s both sensuous and massive—that at once conveys solidity and movement. Born in Germany during World War II to a Polish mother and Ukrainian father who spent time in a Nazi labor camp, von Rydingsvard and her family made their way to the United States after years in refugee camps. She senses a connection between her work and Poland—much of her work is given Polish names—but the connections are so subtle that’s she’s unsure of their meanings herself. In this podcast, we talk about von Rydingsvard’s four-decade long career. She explains how she makes her labor-intensive massive sculptures, her early years as an artist when she was poor but joyful about creating art, the importance of her NEA grants, coming to the U.S. as a child of seven, and why she began to make art with the fourth stomach of a cow.

Sculptor and three-time NEA grantee Ursula von Rydingsvard’s art is unlike anything else. While she works with all manner of organic material—including the fourth stomach of a cow—von Rydingsvard is best known for creating large-scale, often monumental sculpture from 4x4 cedar beams. These are cut, stacked, assembled, glued, and laminated before being rubbed with graphite. The result are textured, many-faceted surfaces, work that’s both sensuous and massive—that at once conveys solidity and movement. Born in Germany during World War II to a Polish mother and Ukrainian father who spent time in a Nazi labor camp, von Rydingsvard and her family made their way to the United States after years in refugee camps. She senses a connection between her work and Poland—much of her work is given Polish names—but the connections are so subtle that’s she’s unsure of their meanings herself. In this podcast, we talk about von Rydingsvard’s four-decade long career. She explains how she makes her labor-intensive massive sculptures, her early years as an artist when she was poor but joyful about creating art, the importance of her NEA grants, coming to the U.S. as a child of seven, and why she began to make art with the fourth stomach of a cow.

Kurt Andersen talks with the director Lynn Shelton about how conspiracy theories and improvisation figure into her new film, “Sword of Trust,” which stars Marc Maron. Michael Bowen felt isolated growing up, but then he saw the animated feature film “One Hundred and One Dalmatians,” and oddly enough, its villain, Cruella de Vil, gave him hope that he would fit in. And it can be hard to know what to make of Ursula von Rydingsvard’s spectacular sculptures, but the mystery of how they’re made is solved with a visit to her Brooklyn studio.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Renowned sculptor Ursula von Rydingsvard discusses her unique art-making process using cedar beams that she and her studio assistants painstakingly cut and assemble, finishing them by rubbing powdered graphite into the work's textured surfaces.

The Crystal Bridges’ Prep Team installs Ursula von Rydingsvard’s Unraveling. A flood inspired the work, which the artist sees as a “drawing” in cedar. Some of the chainsaw-carved pieces weigh more than 300 pounds, making the process even more impressive.