Podcasts about gagosian

Romuald Hazoumè, artiste béninois de renommée internationale, expose pour la première fois à Athènes. Peinture, sculpture, photographie, une œuvre foisonnante mise en lumière dans l'un des berceaux de la civilisation occidentale au sein d'une exposition intitulée « Les fleurs du mâle ». L'artiste y interroge le monde contemporain et la violence des hommes, mais célèbre aussi l'amour. Une exposition à découvrir à la galerie Gagosian du 11 mars au 26 avril. Reportage à Athènes de notre correspondante. À écouter dans Le Reportage culture«La Bouche du Roi», l'œuvre emblématique de Romuald Hazoumé

Romuald Hazoumè, artiste béninois de renommée internationale, expose pour la première fois à Athènes. Peinture, sculpture, photographie, une œuvre foisonnante mise en lumière dans l'un des berceaux de la civilisation occidentale au sein d'une exposition intitulée « Les fleurs du mâle ». L'artiste y interroge le monde contemporain et la violence des hommes, mais célèbre aussi l'amour. Une exposition à découvrir à la galerie Gagosian du 11 mars au 26 avril. Reportage à Athènes de notre correspondante. À écouter dans Le Reportage culture«La Bouche du Roi», l'œuvre emblématique de Romuald Hazoumé

The Oscar-nominated director Bennett Miller, celebrated for films like "Capote", "Moneyball" and "Foxcatcher", speaks to Eve Jackson about his new AI-generated art. The filmmaker is showcasing his new photographic prints at Paris's Gagosian gallery. The exhibition blends artificial intelligence technology with traditional photo aesthetics. The works were created using the image creator DALL•E.

In the latest OLD NEWS roundup with Emily Colucci of Filthy Dreams, we start by revisiting our prior, charged exchanged about Louis CK, in which Emily was admittedly a bit of an apologist for him, which alienated some listeners- in this case, while we don't land on the same page, we do air out our respective perspectives, and Emily dubs herself a contrarian. This leads to a brief discussion of the culture of heterodoxy, which promotes viewing issues from multiple angles as opposed to just your typical ideology; Emily's interest in what she calls ‘the trash aesthetic,' the pinnacle of which she explored by braving a late-October rally at Madison Square Garden featuring you-know-which-politician as the headliner, an event she ultimately describes as surprisingly boring; Emily's own article (appearing in the Oct. 12th OLD NEWS), “GAGOSIAN-BRANDED STICKER MADE ME HATE NAN GOLDIN'S “YOU NEVER DID ANYTHING WRONG,' in which she critiques Goldin's exhibition at Gagosian through the highly distorted lens of being made to cover up her phone's camera lens with a Gagosian-branded sticker (and Emily now knows the impact of her blog post about it- which is that the gallery's not going to do the sticker cover-up anymore); Emily shares her admiration for Goldin, not only her art but also her activism, through P.A.I.N. as well as that related to A.I.D.S. To hear this episode in its entirety, including bonus content on Gary Indiana, Libbie Mugrabi and more, go to: patreon.com/theconversationpod where you can support the podcast for as little as $1 a month

This week, three artist interviews: Carsten Höller on his book of games, Takashi Murakami on his new work, and Valeria Luiselli and Leo Heiblum on their Dia sound installation. Höller is the author of a book featuring 336 games that can be played alone, in pairs or in groups, without any props. He tells Ben Luke about art and play and his perennial quest for unpredictability. Takashi Murakami has been in London this week for the opening of his exhibition, Japanese Art History à la Takashi Murakami, at Gagosian. We speak to him about the show and his fascination with the television series Shōgun. And this episode's Work of the Week is Echoes from the Borderlands, a sound installation created by Valeria Luiselli, Ricardo Giraldo and Leo Heiblum, which was unveiled at Dia Chelsea in New York this week. Valeria and Leo join us to tell us more about the project.Book of Games by Carsten Höller, edited by Stefanie Hessler and Hans Ulrich Obrist, Taschen, 760 pp, £40 or $50 (hb)Japanese Art History à la Takashi Murakami, Gagosian, Grosvenor Hill, London, until 8 March 2025.Echoes from the Borderlands: Study Two, Dia Chelsea, New York, until 1 March 2025. Hosted on Acast. See acast.com/privacy for more information.

We visit two new London exhibitions. ‘Japanese Art History à la Takashi Murakami' at Gagosian's Grosvenor Hill outpost offers the contemporary artist's interpretations of Edo-era artworks. We sit down with Murakami to discuss AI, where he finds inspiration and the atmosphere that he likes to create in his studio. Plus, we meet the curator of ‘Electric Dreams' at London's Tate Modern. See omnystudio.com/listener for privacy information.

I am so excited to say that my guest on the GWA Podcast is the renowned German painter, Katharina Grosse. Hailed for her site-specific paintings which she spray-paints onto rocks, walls, landscapes and architecture, Grosse's works explode with luminous colour. Working both indoor and outdoor, she upends all traditions when it comes to painting: dissolving framing devices, vantage points, or a clear indication of where a work begins and ends. Witness one of her all-engulfing work in person, and your perspective constantly shifts: from afar they feel like giant swathes of colour, but up close, details of the paint reveal themselves. Grosse is architect, sculptor and painter all at once. In her words, she aims to ‘reset' what painting is and can be. But while she employs the artforms in the most imaginative and inventive ways, she also gets us to think about their histories and traditions – for example, how we could compare her work to an all-encompassing painted renaissance chapel in Florence, something that became apparent to her on a year abroad to Italy in her youth. Fascinated by colour and light since childhood, Grosse was raised at a pivotal moment in German history. Born in 1961 in Freiberg, West Germany, but often visited family in East Germany, she grew p in a post-Second World War society – when artists were grappling with the identity of German art. As a teen she studied in Cambridge in the UK, before completing her studies at the University of Fine Arts Müster and Fine Arts Dusseldorf. She then went to live in Marseille and Florence, where she was an artist in residence at the Villa Romana… Today, she lives and works in Berlin, and has gone onto have some of the most important, mind-expanding exhibitions of the 21st century – from a installation at the Venice Biennale in 2015, to transforming the Historic Hall of Hamburger Bahnhof; her Colossal takeover at Sydney's Carriageworks and, for MoMA PS1, spray painting reds and whites on a former military site in the Rockaways. Today we meet her at her current exhibition at Gagosian in New York – titled Pie Sell, Lee Slip, Eel Lips – where she is exhibiting an extraordinary collection of works that she calls Studio Paintings – and I can't wait to find out more. -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

A conversation with renowned photographer Jeff Wall. Wall's work transforms everyday moments into cinematic, almost painterly scenes. His latest exhibition at Gagosian's 541 West 24th Street location in New York runs November 8 to December 21. In that exhibit, he explores themes of memory, artifice, and narrative through his unique approach to staged and ‘near-documentary' photography. https://gagosian.com/exhibitions/2024/jeff-wall/https://gagosian.com/artists/jeff-wall/

Benjamin is back. In a special (and sadly Nate-free) episode we have occasion to sit down with Jonas Wood on the eve of his exhibition opening at Gagosian, London. Jonas and Benjamin discuss his recent travels, his new paintings and being a dad who's an artist. We also do our best Huberman impression and discuss our workout and recovery routines on the road. In a special, special twist we are then joined by Jonas' family - his wife the ceramicist Shio Kusaka and their awesome kids Momo and Kiki. Shio and the kids discuss what it's like to have themselves and their work depicted in Jonas' paintings and how much fun it is traveling as a family. All that, and more ON THE ONLY ART PODCAST! --- Support this podcast: https://podcasters.spotify.com/pod/show/benjamin-godsill/support

It's Frieze week!!! We meet painter Jonas Wood to discuss his new solo exhibitions with Gagosian in London.Gagosian is pleased to present an exhibition of new paintings by Jonas Wood, opening at the Grosvenor Hill gallery in London on October 7, 2024. These works see Wood extend the unmistakable visual language that he has developed over two decades, exploring the dynamics of color, pattern, and space through the treatment of recurring subjects, including plants, family, and interiors. At once exuberant and obsessive, intimate and imaginative, the paintings on view—like much of Wood's work—are marked by the interplay of apparent opposites.Wood's compositions are characterized by sudden disjunctures, the collision of contrasting graphic passages, and sly shifts of scale and perspective, all within a compressed picture plane. These qualities grow out of his elaborate studio process: the artist works from photographs that he frequently alters and collages by hand, which, in turn, form the basis for preparatory drawings from which the paintings derive. Through these stages, he transforms volumes, surfaces, and textures into dense blocks of pattern and vibrant color.A feeling of intimacy is palpable, too, in the portrait of Wood's wife (the artist Shio Kusaka) and their two children, titled Shio, Momo, and Kiki with Leaf Masks. Based on a photograph taken in the couple's shared studio, the painting presents a playful moment, with the kids, in their pajamas, and Kusaka holding up masks improvised from large leaves taken off one of the copious plants around them, as if dressing up as one of his paintings. Other works on view represent family through their creations rather than as themselves: Wall of Fame portrays a wall from Wood's studio crowded with his children's art; Shio Shrine imagines a compact staging of work Kusaka made over the course of two decades; and Still Life with Coffee and Minibook features paintings by the children as well as a book of Kusaka's art, arranged among potted plants and a cup of coffee. These works entail a deft intermixing of subject and object, making and staging, art and life.Concurrent with the exhibition, Wood is taking over Gagosian Burlington Arcade from October 7 to November 23, 2024. Wallpaper and prints by the artist are on view in the gallery, while posters, artist-designed hats, and books, including a new catalogue that accompanies Wood's exhibition at Grosvenor Hill, are available in the Gagosian Shop.Jonas Wood's new solo exhibition runs from October 7–November 23, 2024 at Gagosian, Grosvenor Hill, London, W1K 3QD.His concurrent solo of prints and books runs for the same dates at Gagosian, Burlington Arcade, London, W1J OQJ.Jonas' new print will launch exclusively from www.countereditions.com at the end of October to fundraise for the charity Choose Love.Follow @JonasBRWood Visit @Gagosian and learn more: https://gagosian.com/exhibitions/2024/jonas-wood/ Hosted on Acast. See acast.com/privacy for more information.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

At the start of September, a massive chunk of the international art world descended on South Korea for a bounty of high-profile art offerings. The marquee event was Frieze Seoul, in its third edition, at the Coex convention center in the luxe Gangnam district, running alongside the long-established Korea International Art Fair. But they represented just one element of the action. All over Seoul, museums and galleries were opening big shows, angling for attention. Samsung's Leeum museum hosted an Anicka Yi blowout and a superb show of young artists curated by Rirkrit Tiravanija. The beauty giant Amorepacific welcomed Elmgreen & Dragset at a museum in the basement of its David Chipperfield–designed headquarters, while Gagosian set up shop with a Derrick Adams exhibition on the ground floor. Up above, local heavyweights came out swinging—PKM with Yoo Youngkuk, Pace with the potent pairing of Lee Ufan and Mark Rothko, and Jason Haam with Urs Fischer. Celebrities were everywhere. Parties were everywhere. No one seemed to be sleeping. Everyone was on the move. And the festivities were not confined to Seoul. The esteemed Gwangju Biennale inaugurated its 15th edition in that southern city the day after the fairs opened, a sharp, tough show curated by the Frenchman Nicolas Borriaud that ran alongside more than 30 national pavilions. And along the country's southern coast, the latest Busan Biennale also drew crowds, with more than 60 artists selected by its curators, Vera Mey and Philippe Pirotte. There was so much happening that it was impossible to see it all—even with a dedicated driver—which many VIPs had—and even if you were willing to forgo moments of rest. This week, Artnet Pro editor Andrew Russeth is joined by London-based reporter and co-author of the Asia Pivot newsletter Vivienne Chow to discuss the art, the food, and everything in between.

Welcome back to PART 5 of my series ‘Art of the Deal' and the final episode of Season 3. This time I'm taking you on a whistle-stop tour of the life of contemporary mega dealer Larry Gagosian. Larry Gagosian, best known as the founder and owner of Gagosian Gallery, a now chain of 19 galleries and spaces across the world, is arguably one of the greatest living dealers ever to grace the art world . In this episode I discuss Gagosian's humble beginnings, his venture into the art world and a rise within in industry which is nothing short of sensational. Enjoy!! Thank you so much to everyone who has listened to the podcast.  We'll be back soon after a short and well deserved break! Links to resources used: ⁠https://en.wikipedia.org/wiki/Larry_Gagosian⁠ ⁠https://www.wsj.com/articles/larry-gagosian-board-succession-11668624005⁠ ⁠https://www.theartnewspaper.com/2022/11/16/larry-gagosian-announces-new-board-of-directors-including-lvmh-director-delphine-arnault-and-actor-sofia-coppola⁠ ⁠https://www.newyorker.com/magazine/2023/07/31/larry-gagosian-profile⁠ ⁠https://www.ft.com/content/eefe7a73-7798-4e56-b8f9-70c35a9e68e9⁠ Host: Jo McLaughlin Instagram: ⁠⁠https://www.instagram.com/josarthistory/⁠⁠ Website: ⁠⁠https://www.josarthistory.com/podcast

Dans cet extrait, Cécile Degos nous partage sa vision de la vision de la scénographieÀ propos de l'épisode : Avec une très belle expérience, Cécile Degos a travaillé auprès d'institutions que vous connaissez très bien comme La Bourse de Commerce, le musée Picasso, ou le Gugheneim de New York, pour n'en citer que quelque unes ! Une autre facette de son métier est le travail auprès des galeries d'art comme la Gagosian gallery et les maisons de vente telles que Christies. Rien que ça ! C'est donc une chance de l'accueillir à mon micro afin qu'elle nous raconte plus en détails de quoi est fait son métier passionnant.

Christo: Wrapped 1961 Volkswagen Beetle Saloon, 1963 – 2014 / Gagosian at Art Basel 2024 Unlimited. Basel (Switzerland), June 13, ...

A conversation with the celebrated artist Stanley Whitney. Known for his vibrant use of color and rhythmic compositions, Stanley will take us through the journey of his illustrious career, including its pivotal moments, challenges, and triumphs. Stanley currently has two major exhibitions of his work on view. First, a survey of new work titled "By the Love of Those Unloved" at Gagosian's 980 Madison Avenue location in New York. And second, a comprehensive retrospective titled  "How High the Moon," at the Buffalo AKG Art Museum."Stanley Whitney: By the Love of Those Unloved" Gagosian"Stanley Whitney: How High the Moon" Buffalo AKG Art MuseumProfile at Gagosian

Welcome back to PART 5 of my series ‘Art of the Deal' and the final episode of Season 3. This time I'm taking you on a whistle-stop tour of the life of contemporary mega dealer Larry Gagosian. Larry Gagosian, best known as the founder and owner of Gagosian Gallery, a now chain of 19 galleries and spaces across the world, is arguably one of the greatest living dealers ever to grace the art world . In this episode I discuss Gagosian's humble beginnings, his venture into the art world and a rise within in industry which is nothing short of sensational. Enjoy!! Thank you so much to everyone who has listened to the podcast.  We'll be back soon after a short and well deserved break! Links to resources used: https://en.wikipedia.org/wiki/Larry_Gagosian https://www.wsj.com/articles/larry-gagosian-board-succession-11668624005 https://www.theartnewspaper.com/2022/11/16/larry-gagosian-announces-new-board-of-directors-including-lvmh-director-delphine-arnault-and-actor-sofia-coppola https://www.newyorker.com/magazine/2023/07/31/larry-gagosian-profile https://www.ft.com/content/eefe7a73-7798-4e56-b8f9-70c35a9e68e9 Host: Jo McLaughlin Instagram: ⁠https://www.instagram.com/josarthistory/⁠ Website: ⁠https://www.josarthistory.com/podcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/jos-art-history-podcast/message

A conversation with Jim Shaw, an artist known for his eclectic approach and profound commentary on contemporary culture. Jim's expansive body of work spans a variety of media, from large-scale paintings to intricate drawings, each piece offering a window into his rich and complex imagination. Throughout his career, Jim has drawn heavily on post-war popular advertising, using the familiar visuals of mid-century America as a backdrop for his exploration of society's undercurrents. In the conversation, we delve into Jim's fascination with the juxtaposition of invented religions—creating narratives that blur the lines between reality and fiction, and challenge our perceptions of belief and ideology. We also get an inside look at his inspirations and working process, revealing how historical influences and personal experiences shape his artistic vision. In addition, we discuss the work that is currently captivating audiences at several major exhibitions, including Gagosian in London, the Palazzo Diedo in Venice, and the Museum of Contemporary Art Antwerp. These shows collectively present a comprehensive view of his artistic journey and the themes that continue to drive his work.https://gagosian.com/artists/jim-shaw/https://gagosian.com/exhibitions/2024/jim-shaw/https://berggruenarts.org/https://www.muhka.be/en/exhibitions/jim-shaw-the-ties-that-bind/

And we are BACK! Benjamin and Nate discuss Frieze NY 2024 and ALL the events in NYC last week. We are then joined by curator, writer, fashion icon and Gagosian employee Antwaun Sargent to discuss his career and current role in the art world. This is a fascinating and in depth interview with a key figure in the contemporary art market. All that AND MORE on THE ONLY ART PODCAST --- Support this podcast: https://podcasters.spotify.com/pod/show/benjamin-godsill/support

A conversation with artist Rick Lowe. Renowned for his pioneering work with Project Row Houses in Houston, Lowe's creative endeavors have reshaped the landscape of contemporary art and in 2014 earned him a MacArthur Fellowship. In our conversation, we explore the concept of social sculpture and its ability to transcend traditional art boundaries to catalyze societal transformation. We also explore Lowe's personal evolution, including his celebrated return to painting and his current exhibit in Venice.https://www.ricklowe.com/https://gagosian.com/artists/rick-lowe/https://gagosian.com/news/museum-exhibitions/rick-lowe-the-arch-within-the-arc-museo-di-palazzo-grimani-venice/https://projectrowhouses.org/https://www.macfound.org/fellows/class-of-2014/rick-lowe

Episode Notes Bibliography "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture) "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/ "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345 "Richard Serra's ‘Equal' at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal Find out more at https://three-minute-modernist.pinecast.co

We meet artist Li Hei Di on the eve of their debut UK solo exhibition 700 Nights of Winter at Pippy Houldsworth Gallery, London.In new paintings, Li explores primal, sexual urges with their signature fluid application of paint. Balanced on a knife edge between abstraction and representation, paintings feature figures that swim in and out of view beneath diaphanous veils of paint; each layer offers a different world, or a portal to an altered oneiric space, guided by desire and emotion. Multiple perspectives collide and overlap, creating dynamic compositions that offer manifold realities within a single work. Luminescent orbs appear as though submerged in deep water, giving the compositions a nebulous quality.Li's multidisciplinary practice is concerned with repressed desire, rooted in personal experiences of navigating hetero-normative environments that obstruct open expressions of queerness. Their work eschews rigid sexual codes and gender categories in favour of a liberated approach to fantasy and beauty, which exists apart from hierarchical and dominant social structures. For Li, the dichotomous relationship between sexual arousal and repression finds a parallel in the covert ways in which erotic love flourishes on cold winter nights, as bodies become entangled in pursuit of warmth, lost but for the other. The existential threat posed to romantic love by the culture of narcissism engendered under globalised capitalism sets the stage in Li's work for the negation of the self, in the radical recognition of another, as espoused in the writings of cultural theorist Byung-Chul Han.This commingling of two entities is found not only in humankind but in the natural world too, and Li's work explores the role animal pollinators play in the reproductive lives of plants. Such co-evolved relationships encapsulate the exuberance of life in connection with erotic activity and, therefore, death.In this new body of work Li also investigates the ways in which desire manifests and, notably, declines under the ‘pharmacopornographic regime', a term coined by philosopher Paul B. Preciado to describe the intersection of the pharmaceutical and pornographic industries. Li Hei Di (b. 1997, Shenyang, China) lives and works in London and received her MA in Painting from the Royal College of Art and a BA (Hons) from Chelsea College of Arts and the Maryland Institute College of Art. In 2024, Li will have a solo exhibition at Pond Society, Shanghai and will be part of a group exhibition at Le Consortium, Dijon. Recent exhibitions include Kohn Gallery, Los Angeles, CA (2023); X Museum Triennial, Beijing (2023); Marguo, Paris (2023); Green Family Art Foundation, Dallas (2023), TX; CICA Vancouver (2023); Gagosian, Hong Kong (2023), and Pippy Houldsworth Gallery, London (2023), amongst others.Li Hei Di's new solo exhibition runs from 15th March - until 20th April 2024. Free entry.Follow @Plum_Black_Field and @PippyHouldsworthGalleryVisit: https://www.houldsworth.co.uk/exhibitions/146-li-hei-di-700-nights-of-winter/press_release_text/ Hosted on Acast. See acast.com/privacy for more information.

A conversation with Lissa McClure, Executive Director of the Woodman Family Foundation about the life and work of Francesca Woodman and her organization's new partnership with Gagosian Gallery to represent Woodman's work beginning with an exhibition at Gagosian's 555 West 24th Street location in New York which opens March 13. In the conversation, Lissa discusses Woodman's prodigious work, her fondness for allegory, her fascination with surrealism, and the legacy that the organization is focused on preserving and growing.https://woodmanfoundation.org/https://gagosian.com/exhibitions/2024/francesca-woodman/

Stanley Whitney talks to Ben Luke about his influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Whitney, ​​born in Philadelphia in 1946, makes abstract paintings that feature interlocking rectangles, squares and bands of paint whose intense colours hum with musical resonance and rhythm. Rigorously structured yet full of improvisation and unexpected incident, his paintings are both arresting and slow-burning: they grab you with their bold hues and hold you with their complex harmonies and dissonances, their sense of constant movement. He is particularly known for his square-format paintings of the past two decades but his career has been a lifelong search for a distinctive form of painting—one that, as he has said, is defiantly abstract yet contains “the complexity of the world”. He reflects on his encounters with an early mentor, Philip Guston; being painted by Barkley Hendricks, a fellow student at Yale; and his close friendship with David Hammons. He discusses his love of Paul Cezanne, Vincent van Gogh, Paolo Veronese and Henri Matisse, as well as the work of Gees Bend quilters. And explains how he connects this deep love of painting to musical greats including Miles Davis, Charlie Parker and Charlie Mingus. Plus he discusses in detail his life in the studio and answers our usual questions, including “what is art for?”Stanley Whitney: How High the Moon, Buffalo AKG Art Museum, Buffalo, US, 9 February-27 May; Walker Art Center, Minneapolis, US, 14 November-16 March 2025; Institute of Contemporary Art /Boston, US, 17 April 2025–1 September 2025; Stanley Whitney: Dear Paris, Gagosian, Paris, until 28 February. Hosted on Acast. See acast.com/privacy for more information.

Art Sense welcomes back professor, entrepreneur and author Magnus Resch to discuss his latest book “How to Collect Art”. In his latest work, Resch provides a detailed playbook for aspiring art collectors who are eager to start a collection, but have little or no knowledge of galleries, auctions, art fairs or art advisors.

Nate and Benjamin discuss meals that were, dueling Gagosian gallery dinners and other tidbits from the artworld. All that AND MORE on THE ONLY ART PODCAST --- Support this podcast: https://podcasters.spotify.com/pod/show/benjamin-godsill/support

Derek Blasberg, a dynamic force in the worlds of fashion and media, boasts a multifaceted career as a writer, editor, and a New York Times bestselling author. Previously YouTube's head of fashion and beauty and director of public figures, Blasberg transformed the platform, earning praise from industry luminaries like Tom Ford. His influence extends to the Gagosian Gallery, where he spearheaded the relaunch of Gagosian Quarterly and collaborated with renowned image makers, especially in celebrating the life and work of legendary American photographer Richard Avedon. After his 2023 Gagosian landmark exhibition Avedon 100 in New York, Blasberg follows with the launch of Iconic Avedon: A Centennial Celebration of Richard Avedon in Paris on January 22, 2024. A graduate of NYU with degrees in dramatic literature and journalism, Blasberg comments on his journey from Vogue assistant to front-row favorite, underlining his extroversion, passion for the fashion industry, and the importance of never saying no—and that's what's contemporary. Episode Highlights: Sweet nostalgia: Blasberg remembers his upbringing in St. Louis, Missouri, as typical and all-American, but not one that facilitated a knowledge of fashion from the get-go. Surrounded by manuscripts: With a mother who was the managing editor of a medical journal, Blasberg had his first connection to documents and texts through medicine and later as a prolific note-passer at school.  Contrasts: “I had a fundamental lack of understanding or loose grasp of the fashion industry, as I now know it today,” Blasberg says. Beginnings: Being predigital but a natural extrovert, Blasberg found an agency and advocated for himself, with his first foray into the fashion world writing biographies for models, later working for Vogue and W magazines.  Hired and fired from Vogue: Blasberg calls it an educational process and experience, even though managing and assisting “was probably not the best fit for me.” The evolving role of the journalist: Though the traditional writer role doesn't exist in the same form it did two decades ago, Blasberg sees the ability to express oneself in written language as more important than ever.  Do readers exist?: Regardless of form, people may not be reading but are still consuming content and “still curious what people have to say and what they have to write,” Blasberg notes. Bazaar Models: Blasberg's books explore successful models and muses in a form that fuses literature, journalism, and sheer curiosity about the lives of talents. Man About Town: Blasberg has a unique freedom and independence in navigating the fashion industry, which he sees as a result of open-minded optimism.  Perspective as a “trader in culture”: Blasberg notes that live streams, online and resale marketplaces, and influencer culture are ways in which the fashion industry, in particular, has changed over the course of just the last few years.  Full-circle moment: A career highlight is the Paris centennial celebration of Richard Avedon, Blasberg's childhood hero.  Driven by passion: Inspired by icons like Richard Avedon and Marilyn Monroe, Blasberg's work at the Gagosian Gallery is unique in its capability to portray other elements of culture and history, such as the Civil Rights Movement. His enthusiasm for the subject matter shines through.  What's contemporary now: For Blasberg, it's never saying ‘no.'

Annie Cohen-Solal, writer and social historian, Distinguished Professor at Bocconi University in Milan. She spoke at the University of Scranton on March 28, 2023, about her recent study, "Picasso the Foreigner: An Artist in France, 1900-1973," issued by Farrar, Straus and Giroux. www.fsgbooks.com/ www.anniecohensolal.com/ Gagosian is presenting the exhibition, "A Foreigner Called Picasso," curated by Annie Cohen-Solal and Verane Tasseau at 522 West 21st Street in New York through February 10, 2024. www.gagosian.com/

Part of our mission with Making Media is to highlight great content across the internet. Today, we're sharing our favorite pieces of media from the past year and to help us sift through the deluge of content, we have a special returning guest - media aficionado Web Barr. Web is a multiple-time Webby Award and Communication Arts-winning producer at National Geographic magazine, he was Head of Content at Meet Cute, and is currently building something new in the media industry called Hi Barr. He is one of the best curators of content we know. We each select one book or article, one film or TV show, and one non-Colossus podcast. Please enjoy this yearly media roundup with Web Barr and make sure to check out his newsletter and new podcast. For the full show notes, transcript, and links to the best content to learn more, check out the episode page here. ----- Making Media is a property of Colossus, LLC. For more episodes of Making Media, visit joincolossus.com/episodes. Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @ReustleMatt | @domcooke | @MakingMediaPod | @JoinColossus  Show Notes: (00:00:23) - First question (00:00:33) - Discussion on Hi Barr Weekly Letter Up to 11 (00:02:02) - Web's Favorite Article of the Year (00:03:53) - Discussion on the Art Market and Gagosian's Influence (00:05:39) - Reflections on the New Yorker's Journalism (00:09:31) - Dom's Book Pick of the Year (00:11:26) - Learning from the Restaurant Business (00:14:52) - The Wager: A Book Recommendation (00:18:56) - Favorite Movie of the Year: Oppenheimer (00:22:10) - TV Show Review: All the Light We Cannot See (00:26:44) - Movie Review: The Killer (00:30:13) - Favorite Comedy Movie Discussion (00:30:49) - Webb's Favorite Podcast: Rick Rubin's Tetragrammaton (00:33:05) - The Power of Rick Rubin's Podcast (00:39:39) - Dom's Favorite Podcast: Hodinkee's Talking Watches (00:41:06) - The Uniqueness of Hodinkee's Talking Watches (00:47:51) - The Challenge of Growing Podcasts (00:49:26) - Blank Check Podcast. Wrapping Up the Year's Recommendations Learn more about your ad choices. Visit megaphone.fm/adchoices

What I learned from reading How Larry Gagosian Reshaped The Art World by Patrick Radden Keefe. ----Get access to the World's Most Valuable Notebook for Founders at FoundersNotes.com----(4:00) The dealer has been so successful selling art to masters of the universe that he has become one of them.(5:45) We think of genius as being complicated, but geniuses have the fewest moving parts. Gagosian is simple. He's basically a shark, a feeding machine.(6:00) A novice is easily spotted because they do too much. Too many ingredients, too many movements. Too much explanation. A master uses the fewest motions required to fulfill their intention.(10:00) His own publicist described him as “A Real Killer”(12:00) The Invisible Billionaire: Daniel Ludwig by Jerry Shields. (Founders #292)(17:30) There is always a blueprint. Joseph Duveen was the art dealer to the Robber Barons. Biographies of Duveen:Duveen: A Life in Art Secrets Of An Art Dealer Duveen The Artful Partners: The Secret Association of Bernard Berenson and Joseph Duveen (18:00) Numerous friends of Gagosian caution me not to mistake this merry-go-round of parties and galas and super yacht cruises for a life of leisure. This guy is always working. This motherfucker works 24/7. The parties are marketing showcases in disguise.(19:00) The Taste of Luxury: Bernard Arnault and the Moet-Hennessy Louis Vuitton Story by Nadege Forestier and Nazanine Ravai. (Founders #296)(19:30) The best way to raise the price of something is to say that you would never sell it.(23:00) If Gagosian possesses one secret weapon that has equipped him for success it might be his disinhibition.(33:00) The niche Gagosian pursued was seen —at the time —as low status. The secondary business was perceived as a backwater by dealers. It was considered a bit distasteful.(42:00) He disdains formal meetings. He finds bureaucracy and protocol dull. There is no hierarchy. There is Larry and then everyone else.(44:00) Gagosian reaps huge profits from asymmetries of information.(51:00) Art is just money on the walls.(54:00) David Geffen is still as liquid as the day is long.(56:00) The competitive drive of self-made billionaires does not go into remission once they've made their fortune.----Get access to the World's Most Valuable Notebook for Founders at Founders Notes.com----“I have listened to every episode released and look forward to every episode that comes out. The only criticism I would have is that after each podcast I usually want to buy the book because I am interested, so my poor wallet suffers.” — GarethBe like Gareth. Buy a book: All the books featured on Founders Podcast

The London-based artist, master potter, and author Edmund de Waal has an astoundingly astute sense for the inner lives of objects. Each of his works, whether in clay or stone, is imbued with a certain alchemy, embodying traces of far-away or long-ago ancestors, ideas, and histories. This fall, two exhibitions featuring his artworks are on view at Gagosian in New York (through October 28): “to light, and then return,” which pairs his pieces with tintypes and platinum prints by Sally Mann, and “this must be the place,” a solo presentation displaying his porcelain vessels poetically arranged in vitrines, as well as stone benches carved from marble. As respected for his writing as he is for his pots, de Waal is the author of 20th Century Ceramics (2003), The Pot Book (2011), The White Road (2015), Letters to Camondo (2021), and, perhaps most notably, the New York Times bestseller The Hare with Amber Eyes (2010). All that de Waal does is part of one long continuum: He views his pots and texts as a single, rigorously sculpted body of work and ongoing conversation across time.On this episode, de Waal talks about his infatuation with Japan, his affinity for the life and work of the Japanese-American artist Isamu Noguchi (1904-1988), and the roles of rhythm and breath in his work.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:28] Edmund de Waal[03:43] Paul Celan[08:12] 2023 Isamu Noguchi Award[08:17] Gagosian[08:20] “this must be the place” [08:22] “to light, and then return”[09:09] Twentieth-Century Ceramics[09:20] The Pot Book[18:23] “Letters to Camondo” Exhibition[20:32] Sally Mann[20:48] The Hare with Amber Eyes[28:00] “The Hare with Amber Eyes” Exhibition[30:56] “Playing with Fire: Edmund de Waal and Axel Salto” Exhibition[40:24] Dr. Sen no Sōshitsu[52:48] The White Road[52:49] Letters to Camondo[01:06:33] In Memory Of: Designing Contemporary Memorials

A conversation with artist and author Edmund de Waal. De Waal's artwork is characterized by large collections of his handmade pottery which are carefully arranged within specially-designed vitrines, while his books, like his New York Times Bestseller “The Hare with Amber Eyes”, examine the past through the personal stories that objects can tell. Themes of origin, belonging, memory, and legacy permeate all of his work.https://gagosian.com/exhibitions/2023/edmund-de-waal-this-must-be-the-place/https://gagosian.com/exhibitions/2023/to-light-and-then-return-edmund-de-waal-and-sally-mann/https://www.edmunddewaal.com/

This special episode features return-guest-but-more-co-host Deb Klowden Mann to discuss the recent New Yorker profile of mega-dealer Larry Gagosian. Deb starts us off by updating us on her closing of her eponymous gallery due to multiple health issues, which made the work unsustainable. We follow that update with our discussion of the article, including: Our respective histories with Gagosian and/or his collectors mentioned in the article; how Gagosian's decision to allow the profile may be because it humanizes him to the audience, but also, as Deb proposes, to make him and the gallery more appealing to younger artists they could possibly take on; Deb sites a book from the early ‘80s, “The Art Dealers: The Powers Behind the Scene Tell How the Art World Really Works,” which illustrates how when it comes to collectors treating art as investments, it's been happening for nearly 200 years; how the funding that goes to high-priced artworks sometimes comes from the same people who fund grants/grant foundations, Deb suggests, and she advocates for a more transparent, as well as more evenly distributed financial model for the art world(s); Gagosian's gallery courtship of the English artist Issy Wood, and what that scenario points to as far as his courtship process, the future of the gallery and his legacy plans, and the vulnerability apparent in that dynamic; Deb's desire for more really well researched and written pieces (like this one by Patrick Radden Keefe) about how everything works in the art world; and finally, Deb brings up the book The Art of Death as a counterpoint to one's amassing of power and wealth to stave off mortality, because in many cultures up until the 1800's, one of the main functions of art was in fact to help people understand death as part of life and prepare them for it.

In this episode of The Living Artist, Preston interviews the phenomenal Kelly Huang. Kelly is the Founder of KCH Advisory (a full-service Art Advisory), the Chief Curator for Arkive, and a VIP Representative for Art Basel in San Francisco. Kelly has also been the Co-Director of Gagosian San Francisco, spent 10 years as an Art Advisor at Zlot Buell & Associates, and started the illustrious Gold Art Prize that awards and honors the skill and achievements of AAPI artists. Kelly sits down with Preston to share stories from her 20 years of experience in the art world. She discusses the exciting new Arkive platform that is "democratizing art curation", her passion for art advising and developing a meaningful and personalized art collecting experience, the Gold Art Prize and recognizing AAPI artists in an impactful way, expanding artistic awareness by bringing art to more public forums, establishing a unique connection with her collectors, her work with Art Basel and Gagosian, and so much more. Enjoy this broad and extremely informative conversation with the amazing Kelly Huang! If you would like to read more about Kelly, you can visit: https://www.kchadvisory.com. You can also check out her work with Arkive, and apply to be a member here: https://arkive.net For more information on Preston M. Smith and his artwork, visit https://www.pmsartwork.com, or follow him on Instagram at https://www.instagram.com/pmsartwork (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at https://www.youtube.com/c/pmsartwork. The Living Artist makes the top of the Audible Blog's List of the Best Art Podcasts to listen to For Artists! Check it! Thrilled to announce that Artwork Archive just included The Living Artist on their list of the The Best Art Podcasts of 2021! Check it out. Excited that Agora Group International Fine Art included The Living Artist on its list of The Best Art Podcasts To Listen To (coming in at #5). Huge thank you to Feedspot for choosing The Living Artist for their list of the Top 70 Art Podcasts You Must Follow in 2023. It is a huge honor to have made this amazing list (coming in at #8) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at https://blog.feedspot.com/art_podcasts. Podcast theme music: "Music by Jason Shaw on Audionautix.com"

A conversation with Flavin Judd, Artistic Director of the Judd Foundation and son of the late artist Donald Judd. Donald Judd passed away nearly thirty years ago, but his presence still looms over the art world today through his writings, his artwork and the spaces he created as permanent homes for his work. It was Judd who brought the art world to Marfa in the early 1970s triggering a cultural transformation of the West Texas town. The conversation takes a look at the artist's origins, his philosophies, the stressful early days of the foundation and the show of Donald Judd work on display now through July 14 at Gagosian's Madison Avenue locations in New York.https://juddfoundation.org/https://gagosian.com/exhibitions/2023/donald-judd-980-madison-avenue/

Ben Luke talks to Jacqueline Humphries about her influences—from writers to film-makers, musicians and, of course, other artists—and the cultural experiences that have shaped her life and work. Humphries, born in 1960 in New Orleans, US, and now based in New York, is an artist who has pushed painting into new territories. She is mindful of the medium's history but embraces technologies and explores their impact on this time-honoured discipline. Her practice, which now stretches across five decades from the late 1980s to today, is rigorous, irreverent and consistently surprising. She discusses the early influence of Édouard Manet and a late revelation about Caravaggio, key relationships with fellow painters like Charlene von Heyl, her admiration of The Fall's Mark E. Smith, and her fascination with the video game Dwarf Fortress. Plus she answers our usual questions, including the ultimate: What is art for?Jacqueline Humphries, Modern Art, Helmet Row and Bury Street, London, until 22 July; We Smell Gas, Reena Spaulings, New York, until 25 June; From Andy Warhol to Kara Walker: Scenes from the Collection, Museum Brandhorst, Munich, Germany, until 14 July; To Bend the Ear of the Outer World: Conversations on contemporary abstract painting, Gagosian, London, until 25 August. Hosted on Acast. See acast.com/privacy for more information.

As a midweek bonus for listeners, we have a recording of Craig's panel discussion from NFT.NYC 2023 titled "Art: Bridging the Digital and the Physical". Craig served as the moderator of the panel and was joined by Luli Sulichin who is a conceptual visual artist whose practice focuses on physical artwork while incorporating the benefits of web3 and Luca Bertolani who is the cofounder of Aesthetes - a European based web3 company providing solutions for artists looking to enter the growing space of phygitals. The conversation provides a variety of perspectives about the convergence of the digital and physical art worlds.https://lulisulichin.com/https://aesthetes.com/https://www.nft.nyc/

THIS WEEK on the GWA Podcast, I interview one of the most exciting artists working in the world right now, Anna Weyant. From girls on the cusp of adolescence swept up in an eerie atmosphere to dollshouses with doors only slightly ajar, the subjects of Weyant's paintings are nothing short of haunting, humorous, witty, and tense. Rooted in a style that feels like a cross between Old Master Painting and the unnerving perfection of Disney animations, Weyant's works feel at once familiar, but starkly detached, leaving us to question if they are scenes from the real world, the past, or the ones in our head?  Often centred on a young girl – often waiting, thinking, watching or screaming who appears to be around the pre-teen and teenage years described as the “most frivolous and the most intense periods of human experience – Weyant's paintings are full of contradictions. Unrooted in place and time, they sit on a threshold between good/evil, absent/present, strength/vulnerability, being watched/ watching, historic and the contemporary. And, by grounding her work in the traditional genre of still lifes and portraits – genres only afforded to women who were restricted to large-scale history painting before the 19th century – she allows us to question what we already know and don't know from these historic paintings, or,  what we know and don't know about our female protagonist and her own experiences.  Based in New York, and educated at RISD, Weyant, despite being 27, has already held shows to acclaim in the city. Last November, she took over Gagosian's spaces with 7 new works – one as large as 9 feet tall, alongside many of her drawings – and I can't wait to find out more.  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

May 15 is the 100th birthday of renowned American photographer Richard Avedon. A new exhibition at Gagosian, Avedon 100, celebrates his centennial by presenting a collection of his photographs selected by over 150 people, from Spike Lee, Brooke Shields, Elton John, and more. Sarah Elizabeth Lewis, professor and art and cultural historian who wrote an essay for the exhibition catalog, joins us to discuss the importance of Avedon's work in the history of photography. Avedon 100 is open through June 24.  

Larry Gagosian in Conversation with Glenn Fuhrman in NYC --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

We meet Péjú Oshin, a British-Nigerian curator, writer and lecturer born and raised in London. Her work sits at the intersection of art, style & culture with a keen interest in liminal theory and diasporic narratives. Core to her practice is working with visual artists, brands and people globally. Since starting her career working in arts & culture in 2015, Péjú has worked broadly in engaging audiences through public programming, exhibitions, and outdoor art projects in a number of cultural spaces and institutions with a history of supporting artists at various stages of their careers. Péjú is the curator of the forthcoming Gagosain exhibition Rites of Passage which brings together nineteen artists with shared histories of migration.Her previous work and projects include managing the delivery of the Workshop Artists in Residence programme, curating live performance Stillness: We Invoke the Black to Rest (2020), Beyond Boundaries (2021), Late at Tate Britain: Life Between Islands (2021), Late at Tate Britain: Hew Locke (2022) and in-person and online programming at Tate. Leading Barbican's first Young Curators Group (2019-2020) and delivering a number of public-facing events at Wellcome Collection in response to exhibitions such as Living with Buildings and Being Human. As a writer, Péjú has written texts for artists which have been used in exhibitions and solo presentations of artists internationally. She has also been commissioned to write for various platforms and published her first collection of poetry and prose Between Words & Space (2021) which explores performativity, a fear of vulnerability both in public and private spheres and relationships in their varying complexities through the nuances of culture, liminality and where we find home.In 2021 Péjú was shortlisted for the Forbes 30 Under 30 Europe list in the Arts & Culture category and nominated and selected for one of fifteen memberships to AWITA sponsored by Martin Millers Gin, the Adara Foundation and Hauser & Wirth (2021). Péjú currently works at @Gagosian as Associate Director (2022 - present), is an Associate Lecturer at Central Saint Martins. She previously worked at Tate (2018-2022) most recently as Curator: Young People's Programmes.Follow @PejuOshin on InstagramVisit: www.pejuoshin.com and https://gagosian.com/exhibitions/2023/rites-of-passage/ Hosted on Acast. See acast.com/privacy for more information.

“When you take weird risks and opportunities, weird shit presents itself,” says Shawn Kolodny, whose large-scale installations are strange in all the right ways. Using polished steel as his primary medium, the Miami artist is known for his “balls,” reflective sculptures that exist somewhere between the realms of art, science, and magic. On this week's podcast episode, host and NOT REAL ART founder Scott “Sourdough” Power sits down with Shawn to discuss the artist's winding journey from business to industrial design to fine art. With an MBA under his belt, Shawn approaches his fine art career with an entrepreneur's mindset, explaining that he sees himself as the CEO of his own small venture. “I always look at the artist as an entrepreneur,” he tells Scott. “You're basically a small business where [you're] in charge of marketing, [you're] in charge of social outreach, [you're] in charge of inventory, [you're] in charge of general finances. Oh, by the way, [you're] also creating the stuff.”Realizing that many creatives lack basic business skills, Shawn created Ballsy, a podcast that investigates the habits and growth hacks of profitable artists. As the host, Shawn interviews financially successful artists to find out how they “got the balls” to sell their work and make art their career. “I look at every artist as a small business,” he says. “Whether that means [they're in the] Gagosian or whether that means they're on Etsy, every artist is a small business.” Tuning in, you'll learn more about Shawn's thought-provoking work and his nonlinear path into the art world. Shawn and Scott talk about the inherent value of constraints, the difference between a job, a career, and a calling, and how artists can get out of their own way by “falling forward.” Find out how you can grow the balls to sell your work by hitting the play button on our episode with Shawn Kolodny below. In Today's Podcast EpisodeShawn Kolodny discusses…How he became known for his “balls”The essential role of the sphere in his installation workA technical overview of his creative process and materialsThe evolving iterations of his art practice over the yearsHis unique journey into the arts and how he learned to “problem-solve with purpose”Tips for structuring your workflow and scheduling your responsibilitiesThe power of reinventing yourself while still making money from what you're known forWhy branding and audience are inherent parts of an artist's businessThe myth of “overnight success” and promoting the value of the hard slogFor more information, please visit http://notrealart.com/shawn-kolodny

Anna Weyant is a Canadian-born painter who lives in New York. She holds a BFA in painting from the Rhode Island School of Design and studied at the China Academy of Art in Hangzhou. She is the youngest artist represented by Gagosian Gallery and in 2022, she had her debut solo show with Gagosian (which featured a painting of Eileen). She and Eileen discuss the ins and outs of her artistic practice — and for the first time, she publicly opens up about her boyfriend and dating life, the backlash she's received, sexism in the art world, and how it all affects her mental health.     Check Out squarespace.com/goingmental for a free trial, and when you're ready to launch, use OFFER CODE: GOINGMENTAL to save 10% off your first purchase of a website or domain.   For listeners of the show, Dipsea is offering an extended 30 day free trial when you go to DipseaStories.com/mental. That's 30 days of fulla ccess for free.   This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/GOINGMENTAL to get 10% off your first month and get on your way to being your best self.  Show links:   Follow @eileen on Instagram Follow @killerandasweetthang on Instagram Follow @eileeninparis on TikTok  More information at: Goingmental.com     Produced by Dear Media.

Péjú Oshin is the Associate Director of Gagosian Gallery and curator of Rites of Passage the exhibition featuring work by nineteen contemporary artists who share a history of migration.Rites of Passage explores the idea of “liminal space,” a coinage of anthropologist Arnold van Gennep (1873–1957). It is structured in correspondence with liminality's three stages: separation, transition, and return. Each of these phases addresses the act of movement, not only through individual experience, but also in the broader context of community. The exhibition examines the status of postcolonial Black identity, specifically the “triple consciousness” experienced by members of the African diaspora when encountering counterparts who identify with local majority populations. Péjú shares the personal and professional journey behind curating this exhibition, plus the impact and legacy of BLM 2020 on her previous role as Curator of Young People's Programmes at Tate and beyond. We round up exploring the visible public positioning of a curator and how the contemporary media landscape informs working practices.Shade Podcast is written, hosted and produced by Lou MensahMusic Shaded is composed by Brian Jackson Thank you for listening and for supporting Shade, a Black independent art show via Patreon and Ko-fiShade InstagramShade websiteRites of Passage at Gagosian Péjú Oshin InstagramSee you next time! Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

Roe Ethridge is one of our favorite photographers of all time. His new book American Polychronic shows both his commercial and editorial work over the last two decades. We spoke to him from his home studio in New York about Chris in Chicago on set for FX's The Bear, Matty Matheson ordering a fifty-piece nigiri set at Nobu, the origins of Roe's name, growing up in the south, seeing Pavements first show in Atlanta, sweaters over a collared shirt, the unique sequencing of his work, InDesign>Quark, falling ass first into artistic photography, the 1990's refrigerator, losing weight by quitting alcohol, his boyish good looks, how to pull off flip flops with socks, some Gagosian stories, and we help sell some pieces from his Roe by Roe Etheridge collection. instagram.com/roeethridge twitter.com/donetodeath twitter.com/themjeans  --- Support this podcast: https://anchor.fm/howlonggone/support

In Episode 109 of Totally Deep Podcast, Doug Stenclik and Randy Young of www.cripplecreekbc.com bring you the lowdown on the world of uphill and backcountry skiing and boarding. Gear, technique, fashion, jargon, guests, and assorted spray from folks who know how to earn it in the backcountry. The world's best backcountry skiing podcast. The wheelhouse of Totally Deep expands in this episode when Doug and Randy interview Mark Grotjahn, a noted American artist who also happens to backcountry ski. Or, maybe, for TDP purposes, we have a backcountry skier who happens to be an artist. No matter, Grothjahn brings a unique and welcome perspective to the ski scene that embodies his broad vision of seeing the world. Gagosian.com writes about his art, "Grotjahn combines gesture and geometry with abstraction and figuration in visually dynamic paintings, sculptures, and works on paper. Each of his series reflects a range of art-historical influences and unfolds in almost obsessive permutations." You can learn more about Grotjahn and his art here. But the story doesn't end there. Grotjahn, a powder snow lover, also has a soft spot for DPS skis. More on that in a bit. Recently, Grtotjahn opened an exhibit titled Backcountry. "In Backcountry, he continues to draw inspiration from rural landscapes and his ski touring and fly-fishing adventures in the backcountry of western Colorado," writes Gagosian.com. Along with the exhibit, Cripple Creek Backcountry, Grotjahn, and DPS released a limited edition series of skis featuring Grotjahn's art on the topsheets: the new ski is known as the Mark Grotjahn DPS 50 Kitchens Ski. This also marks the release of a new DPS powder ski, the Kaizen 112.  On Episode 109 of the Totally Deep Podcast: Racecourse setting. The DPS/Grotjahn creation. Skinning vs Sorels: skinning wins. The emotional progression while ascending.  Creating Backcountry. Topsheet designs: monochromes with DPS. Backcountry passion and the quiver. Thanks for listening and joining us for the 2022-2023 season.  And remember: be safe out there.  More info about TDP at Totally Deep Podcast Blog on Cripplecreekbc.com or wildsnow.com. Comments: info@cripplecreekbc.com. Or leave a voicemail: 970-510-0450 Backcountry Skiing, Uphill Skiing, Rando (skimo?) Racing, Splitboarding, it's all uphill from here.

Gregory Crewdson's photographs have entered the American visual lexicon, taking their place alongside the paintings of Edward Hopper and the films of Alfred Hitchcock and David Lynch as indelible evocations of a silent psychological interzone between the everyday and the uncanny. Often working with a large team, Crewdson typically plans each image with meticulous attention to detail, orchestrating light, color, and production design to conjure dreamlike scenes infused with mystery and suspense. While the small-town settings of many of Crewdson's images are broadly familiar, he is careful to avoid signifiers of identifiable sites and moments, establishing a world outside time.Born in Brooklyn, New York, Crewdson is a graduate of SUNY Purchase and the Yale University School of Art, where he is now director of graduate studies in photography. He lives and works in New York and Massachusetts. In a career spanning more than three decades, he has produced a succession of widely acclaimed bodies of work, from Natural Wonder (1992–97) to Cathedral of the Pines (2013–14). Beneath the Roses (2003–08), a series of pictures that took nearly ten years to complete—and which employed a crew of more than one hundred people—was the subject of the 2012 feature documentary Gregory Crewdson: Brief Encounters, by Ben Shapiro.Crewdson's emblematic series Twilight (1998–2002) ushers the viewer into a nocturnal arena of alienation and desire that is at once forbidding and darkly magnetic. In these lush photographs, the elements intervene unexpectedly and alarmingly into suburban domestic space. Crewdson's psychological realism is tempered in these images by their heightened theatricality, while themes of memory and imagination, the banal and the fantastic, function in concert with a narrative of pain and redemption that runs through American history and its picturing.Cathedral of the Pines, which was first exhibited at Gagosian in New York in 2016, depicts unnamed figures situated in the forests around the town of Becket, Massachusetts. In scenes that evoke nineteenth-century American and European history paintings, the works' subjects appear traumatized by mysterious events or suspended in a fugue state. Working with a small crew to maintain an intimate and immediate atmosphere, the artist also used people close to him as models. But even once we know who “plays” the protagonists, their actions remain cryptic and their relationships unclear. “There are no answers here,” states the artist, “only questions.” The 2018–19 series An Eclipse of Moths is set amid down-at-heel postindustrial locations including an abandoned factory and a disused taxi depot. They serve as backdrops for Crewdson's enigmatic dramas of decay and potential rebirth.Gregory's most recent body of work, Eveningside (2021-2022), was shot in B&W and formed the centrepiece of a retrospective trilogy of work, alongside Cathedral of the Pines and An Eclipse of Moths, in a major exhibition at Galerie D'Italia in Turin from October 2022 until January 2023. A older series called Fireflies (1996) was also included as ‘both connective tissue and counterpoint…'. A book, also entitled Eveningside, was published to accompany the show. On episode 198, Gregory discusses, among other things:The three phases of his creative processWhy he chose B&W for EveningsideHis transition from film to digitalThe abiding themes in his workHow every artist has one story to tellFalling in love with photography from day oneHis love of moviesThe significance of nudity in his workAllowing for ‘a certain kind of unexpected beauty and mystery' to come out of the processWindowsNever being quite satisfied with the resultsThe relationship between true beauty and sadnessThe act of making a picture being an act of seperation from the worldThe way in which the subjects of his work always seem disconnected and alone…And how that references the act of making the picture.ReferencedThe Night of the HunterThe Last Picture ShowMankRomaRick SandsLaurie Simmonds Gallery | Instagram“I've said many times, I feel like every artist has one story to tell and that central story is told through an artists lifetime, and when you come of age in your early twenties you're confronted with movies and artwork that you love or you hate and you're defined in a certain way as a kind of aesthetic being, and then you spend your life sort of working out those things, and trying to find yourself within that frame of influences.”

Art! Patriarchy! New York City! Childbirth! My friend, Sarah Hoover, former Gagosian gallery director turned writer, comes on the pod today to talk about her experience with postpartum depression, her understanding of art history through the lens of feminism, the medical-industrial complex and the terrifying history behind women's healthcare. Sarah also gives a peek into her upcoming memoir, Motherload. A Sony Music Entertainment, Somethin' Else, and Bitch Era Media production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life on this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices