Artworks that are three dimensional objects
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3 episodes with sculptural
4 episodes with sculptural
4 episodes with sculptural
2 episodes with sculptural
2 episodes with sculptural
2 episodes with sculptural
2 episodes with sculptural
4 episodes with sculptural
3 episodes with sculptural
This week, Wes and Todd talk with Kristen Egan. Kristen discusses sourcing gourds, carving masks, New Contemporary Folk Art, the area where she lives in Pennsylvania, sense of place, other materials she incorporates into her masks and sculptures, totems, the catalyst to carve gourds, air drying paper clay, repetition & referencing past work, birds, research, process, art show titles, Alfred University, being open to new experiences, foundation, Goggleworks, Arch Enemy Arts, Instagram, the compulsion to create selling art, commissions, production, pricing, perfectionism, evolution & experimentation, work/life balance, bagpipes, weird bagpipe experiences, procrastination, being a life long learner, and collectors previews. Join us for a lovely and fun conversation with Kristen Egan! Check out Kristen's exquisite work at her website www.kristenegan.com Follow Kristen on social media: Instagram - www.instagram.com/kristeneganart/@kristeneganart Facebook - www.facebook.com/kristeneganart
This evening and all next week, we'll present a buffet of news specials, produced by the mighty WORT Local News team. On this Thursday, December 21 edition of the news, News Director Chali Pittman guides us through some highlights of this year's coverage on the arts and culture beat. What follows are stories that made us perk up our ears. We'll hear about... musical trucks, a tintype photography, deaf theatre, fish curation, and the magic of orphaned spaces. Join us for more prerecorded specials next Monday, December 25 through Monday, January 1. Happy holidays - and thanks for joining us in 2023!
Emergence by This Is Loop is an immersive sculptural art installation in the form of a roofless rotunda made up of angled mirrors surrounded by dancing lights that react and change to a sound field of recorded human voices exploring the fine line between order and chaos. This Is Loop is a collaborative partnership between Visual Artists Harriet Lumby and Allan Hayes who worked with the national audio description charity VocalEyes on the recorded audio description for Emergence which is available through NaviLens codes that can be found on the sculptural art instillation. RNIB Connect Radio's Toby Davey caught up with Harriet and Allan (Al) from their studio in Somerset to find out more about This Is Loop, their sculptural art installation Emergence and why they wanted to work with VocalEyes to make the sculptural art installation accessible to blind and partially sighted people through the recorded audio description. Emergence by This Is Loop is currently touring around the country at various locations and events where you will be able to immerse yourself in the full experience of this sculptural art installation and listen to the recorded audio description. Current dates for 2023 / 2024: Leicester, The Circle, Welford Walk - 13 to 23 December 2023 Bristol Light Festival - 2 to 11 February 2024. For more about This Is Loop and to find out about their work do visit their website - https://thisisloop.co.uk Image shows a photo graph of the installation 'Emergence'
Is it possible to pursue your passion for quirky interiors and make it a viable business? Come listen to my conversation with Rachel Donath who proves it's not only possible, but that you can reach great heights in the process. In this episode, she shares how she got her business off the ground without any external funding (or debt), the key to scaling in the design world when you've never worked in the industry before, and why she doesn't want to outsource posting on Instagram. Plus, much more! Rachel is open and generous about her journey, and the lessons she's learned along the way. An episode not to be missed. Listen now…
“That's My Stop,” a project that aims to transform bus stops in Midtown with functional, custom art pieces, is looking for artist submissions, and we explain how to apply. Plus, Tommy Bottoms takes the spotlight in our series, “Speaking of Poetry, and artist Olu Amoda and curator Kate Driscoll discuss “Scavenging and Scanning: Sculptural Exploration of the Earth's Belly,” on view at the Hudgens Center through October 28th.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Anti-bird nests, Sculptural atonement, Yeast overlords, Antebellum horde, Coriolis lies, Concrete secrets, World record rescue. Jennifer, Angie, and Bradley discuss the curated links for the week of 7/21/2023. Please consider supporting this ad-free content on Patreon.
Mandy Quadrio id one of ten contempered artists whose works are featured in the 2023 Yalingwa Between Waves at the Australian Centre for Contemporary Art (3rd of July - 3rd of September 2023).
What does it take to become a full-time potter and find your unique voice in the world of pottery? Join me as I chat with the talented Ashley Bevington about her journey from taking a ceramics class in undergrad to diving headfirst into the world of full-time pottery making. Ashley shares her captivating story of creating ice cream-themed pottery and the importance of staying true to oneself while taking inspiration from others. Together, we explore the challenges Ashley has faced since going full-time, the significance of maintaining a structured schedule, and how her everyday life and experiences shape her pottery. We also discuss her thought-provoking sculptural pottery, which deals with coping mechanisms, and the valuable insights she gained during her residency at Watershed. Ashley's heartfelt story demonstrates the power of incorporating moments from life into one's art. In this engaging conversation, Ashley and I also dive into the process of discovering her unique voice in pottery. We discuss how staying true to yourself while learning from others can lead to finding your individual artistic voice. By questioning her creations and focusing on what she enjoys, Ashley found her pottery niche. We also touch on the importance of embracing overwhelming moments and pushing yourself to try new things to evolve your voice even further. Don't miss out on the upcoming 3 day find your pottery voice workshop Join the 3 Day Find Your Pottery Voice Workshop on June 12th - June 14th by clicking here shapingyourpottery.com/3dayworkshop Take this Free Quiz to see how close you are to finding your pottery voice click here to take the quiz shapingyourpottery.com/quiz Follow me on Instagram @nictorres_pottery
A conversation with artist Loriel Beltrán. Beltrán is a Venezuelan American painter based in Miami who creates captivating paintings through a unique and labor-intensive process which involves pouring layers upon layers of paint into a form. Once dried, the block of dried paint is sliced into thin strips and reassembled on a flat surface. The result is unique and mesmerizing. Beltran sits down to talk about his unique process, its origins and his new show at Lehman Maupin in New York. https://www.lehmannmaupin.com/exhibitions/loriel-beltranhttp://www.lorielbeltran.com/
Wesley Brown is a ceramicist working in East Stroudsburg, PA. Wes holds a BFA from Bowling Green State University and an MFA from Indiana University-Bloomington. Through a combination of hand building and wheel throwing Wes creates vessels in clay that are a meeting place for both the sculptural and functional. http://ThePottersCast.com/915
It's been a long time since UK-born, NYC-residing visual artist and all-around geezer Phil Toledano, AKA Mister Enthusiast, graced OT: — too long, honestly. We started our interview with a clear direction and purpose, to grill him about weird cars, oddball watches and the latest trends in jumpsuits, but our conversation quickly veered very left of centre. Sure, we spoke to Phil about many of these topics, as well as his upcoming watch venture, the fabled four-way collab and his love of all things Italian. Like your watches with a dash of community inclusion? Try our Discord . Show Notes: https://www.otpodcast.com.au/show-notes Derry Girls Trailer The Last of Us Trailer Mister Enthusiast on Instagram When we chatted with Phil back in 2020 All Creatures Great and Small trailer Fauda trailer How to follow us: Instagram: @ot.podcast Facebook: @OTPODCASTAU Follow hosts: @fkscholz + @andygreenlive on Instagram. Send us an email: otthepodcast@gmail.com If you liked our podcast - please remember to like/share and subscribe.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Rebecca Evans, Curator of Decorative Arts and Design, as she looks at Virginia Leonard's bold ceramic sculptural work, Such is the situation when one has a gammy leg, 2021 as part of Bewilderness: Recent Acquisitions. For more information visit agsa.sa.gov.au Image: Virginia Leonard, New Zealand, born 1965, Such is the situation when one has a gammy leg, 2021, Auckland, Aotearoa (New Zealand), clay, gold, resin, 82.0 x 60.0 x 60.0 cm; Edward Minton Newman Bequest and Ceramics Fund 2022, Art Gallery of South Australia, © Virginia Leonard.
Jolyon Collier is a philanthropist, artist, and President & Founder of Counting Coral, a nonprofit dedicated to coral reef restoration through sculptures that house coral nurseries to grow more resilient coral. You can watch the video about the Counting Coral - Project Fiji installation here. Counting Coral is a 501-(c)(3) certified nonprofit dedicated to reef restoration. Counting Coral designs, builds, donates, and installs stainless steel sculptural coral nurseries specifically designed to grow climate resilient coral. These intricately designed sculptures create both an underwater park and a coral nursery, where fragile reef systems can be rebuilt and protected amongst the awe and attention from tourists. Counting Coral is working towards diminishing the massive and devastating effects of coral loss by changing the way coral gardener's garden coral. Our new approach to reef restoration is to harvest climate resilient coral and place them on our sculptures that are specifically designed to protect coral from predators. These precious and valuable corals will be kept safe and allowed to grow to spawning maturity, this coral will then naturally propagate valuable ecosystems. Counting Coral is leading the development of Sculptural Coral Banks, a new and advanced method to aid coral growth. Sculptural coral banks are designed with coral propagation in mind. These beautiful structures are multi-functional, tackling previous issues in restoration and tourism. Their sculptures are planted out with climate-resilient coral, developing into a coral bank over time. Their coral banks will naturally propagate reef systems, whilst maintaining a healthy coral supply for harvesting when needed.
American art museums and galleries now have the privileged opportunity of exhibiting illustrious postcolonial artist Pritika Chowdhry's new mixed media collection. Go to https://www.pritikachowdhry.com/post/bangladesh-independence-day to find out more. Pritika Chowdhry LLC Swami Vivekananda Way, Chicago, Illinois 60603, United States Website https://www.pritikachowdhry.com Email prc.pressagency@gmail.com
We connect with ceramicist Jarred Pfeiffer, making functional and sculptural ceramics. We talk about early entry into ceramics, his specific style of work, working in a series, instruction philosophies, some advice for beginners and where people can find his work. https://www.facebook.com/JarredPfeifferCeramicshttps://www.instagram.com/jarredpfeifferYou can find more conversations, food reviews, live music and events on our website https://lacrosselocal.com.
This week (11/11 & 11/13) ART ON THE AIR features mixed-media, sculptural textile artist, Susan Hensel, whose embroidery reaches across digital and manual platforms to exploit the physics of light producing playful and beautiful works of art. Our spotlight is on the Beach Boys tribute band, “Sail On” with band member Mike Williamson discussing their November 14th concert in Munster at 7pm for Lakeshore Concerts. Tune in on Sunday at 7pm on Lakeshore Public Radio 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicradio.org/programs/art-air, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM or listen on the web at WVLP.org . Listen to past ART ON THE AIR shows at lakeshorepublicradio.org/programs/art-air or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.org Send your questions about our show to AOTA@brech.com LIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: anchor, NPR ONE, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR. https://www.lakeshorepublicradio.org/show/art-on-the-air/2022-10-18/art-on-the-air-november-13-2022
In the episode, "Opening Up About Process and Pain with Sculptural Artist and Mental Health Advocate, Kellie Gillespie (S4, E11)" sculptural artist and mental health advocate Kellie Gillespie is interested in deepening the conversations within and between art and mental health. Kellie holds an MFA from Rinehart School of Sculpture at Maryland Institute College of Art, and her work focuses on issues specifically associated with mental health, as well as the concepts of recovery and survivorship. Kellie specializes in the use of everyday found and forgotten objects, often unappreciated, and strives to show their hidden value. In this way, her artwork aims to portray: “the potential in that which is broken, the value in the castaway, and the importance in the forgotten.”Kellie wishes to break the negative connotations surrounding the subject of mental illness allowing those who have suffered to insert their own stories in the art and make their own related connection. Kellie discusses the intensive preparation and physically demanding fabrication of the work and how that lends to its final result, as she embraces the tedious, repetitive production of a piece. Crediting art with saving her life, she shares about her own journey through her battles with mental distress and recovery. In the interview, Kellie reviews a few of her powerful pieces that explore the controversial landscape of eating disorders, self-harm, alcoholism, anxiety and depression.To view Kellie Gillespie's work, visit her website at: www.kelliegillespie.comOr follow her on: Instagram: @kellie.gillespie.art and Facebook: @kelliegillespieart#mentalhealthawareness #sculpture #installationart #sculptureinstallation #foundobject #prescriptionbottles #discardedbysociety #recycled #upcycle #installation #multiplicity #mentalhealthart #foundobjectart #artofvisuals #infinityroom #immersiveartDon't forget to subscribe to the Not As Crazy As You Think YouTube channel @SicilianoJenAnd please visit my website at: www.jengaitasiciliano.comConnect: Instagram: @ jengaitaLinkedIn: @ jensicilianoTwitter: @ jsiciliano
Cette histoire est avant tout celle de son créateur, Serge Mouille ! Un passionné du métal, un grand technicien mais aussi un enseignant très dévoué, Serge Mouille est l'un des créateurs de luminaires français les plus connus ! Encore aujourd'hui toutes ses collections sont éditées en France, de façon artisanale, exactement comme dans les années 50 et toujours par des passionnés. Et ça j'ai eu l'occasion de le voir de mes propres yeux lorsque Didier Delpiroux et sa fille Julia - aujourd'hui à la tête des ateliers Serge Mouille - m'ont accueilli pour la visite des ateliers à Chateau Thierry. Une journée incroyable durant laquelle j'ai pu poser toute mes questions et qui m'a surtout permis de réaliser que Serge Mouille avait mis dans ses luminaires, la finesse de travail d'un orfèvre. Le lampadaire 3 bras de Serge Mouille fait partie des pièces iconiques du design. Sculptural, il se déploie dans l'espace à la façon des mobiles de Calder et lorsqu'on l'allume il permet de projeter une lumière douce dans différentes directions. Toute l'histoire en 10 minutes à peine ! Cet épisode a été réalisé grâce à la complicité de Plendi by Vinci Construction. >> SUIVEZ MOI SUR INSTAGRAM @ouestlebeau >> Le compte instagram : @sergemouilleofficial >> Le site internet : serge-mouille.com / pour acheter les luminaires : luminairesergemouille.fr >> Le livre de Pierre Emile Pralus >> Pour écouter les épisodes : Apple Podcasts, Spotify, Deezer et sur le site de HOME Magazine 48h avant tout le monde ! >> Inscrivez-vous à la NEWSLETTER pour recevoir (2x mois) le beau dans votre boite mail >> CREDITS Où est le beau ? est un Podcast créé et réalisé par Hélène Aguilar Edition et montage : Paco Del Rosso Identité graphique : Catherine Sofia Charte graphique : Isabelle Denis
BG and Jon catch up, and then jump on the phone with Vince Cathcart in Puyallup, WA. Vince is an OG concrete gangster, he's been pushing the limits of concrete mix designs for nearly 2 decades. He's used his knowledge of concrete performance to help achieve the innovative sculptural pieces he creates. He's been playing with Kodiak Pro Maker Mix and having phenomenal results. https://www.kodiakpro.com/blogs/news/vince-cathcart-vc-studio-inc-sculptural-concrete-and-the-difference-uhpc-makes https://vcstudioinc.com vince@vcstudioinc.com (206) 200-3546 *** CONCRETE HOEDOWN IN THE HOLLER / OCT 14-15, 2022 / McEWEN, TN *** THIS IS IT, THE CONCRETE SOCIAL EVENT OF THE YEAR! Join Jon Schuler, Dusty Baker, and Brandon Gore in McEwen, TN, October 14th and 15th, 2022, for the ‘Concrete Hoedown in the Holler!' What is the ‘Concrete Hoedown'? It's 2 days of concrete camaraderie, making, learning, games, and debauchery. This event is being held at Dusty Baker's beautiful studio in McEwen, TN. It's not a training class, but you'll undoubtedly pick up some new techniques, tips, and tricks. It's not a sales pitch, but we'll demonstrate Kodiak Pro products. It's not a rock concert, but there will be loud music and beer. It's 2 days you'll look forward to every year. The Challenge for 2022, should you choose to accept it: Redneck Concrete Skee-Ball Day 1 - we will form teams and work together to build forms for projectiles. There will be various demonstrations throughout the day on mixing, casting, and curing. In the afternoon we will cast various mix designs for the projectiles, as well as some targets for a rifle competition on Day 2. In the evening we'll gather on the HollerCrete Saloon and around the fire-pit. Day 2 - we will de-mold and process the projects and targets. There will be demonstrations on sealing. In the afternoon we will proceed to launch concrete projectiles into a field of targets, and shoot concrete targets to see how various mix designs fare. In the evening we'll gather on the HollerCrete Saloon and around the fire-pit. The cost of admission is $999, but that INCLUDES a $250 credit towards a full pallet of Maker Mix or RADmix - OR - a $150 credit towards a half pallet of Maker Mix or RADmix. This is an event not to be missed, we hope to see you there! REGISTER ONLINE: https://www.kodiakpro.com/products/concrete-hoedown-in-the-holler-october-14-15-2022-mcewen-tn Want to continue the conversation? First things first, LIKE us on Facebook https://www.facebook.com/kodiakpromaterials to receive notifications on new products, tutorials, and events- Then join the private Kodiak Pro Discussion Group to ask questions pertaining to concrete countertops, sinks, and furniture, and/or Kodiak Pro products https://www.facebook.com/groups/kodiakpro Send us your postal address and we will mail you a ‘Concrete Gangster' sticker! If you want to purchase the absolute best materials to create cutting edge concrete designs, visit www.KodiakPro.com Follow us on Instagram: Concrete Podcast http://www.instagram.com/concretepodcast Kodiak Pro http://www.instagram.com/kodiak_pro
BG and Jon catch up, and then jump on the phone with Vince Cathcart in Puyallup, WA. Vince is an OG concrete gangster, he's been pushing the limits of concrete mix designs for nearly 2 decades. He's used his knowledge of concrete performance to help achieve the innovative sculptural pieces he creates. He's been playing with Kodiak Pro Maker Mix and having phenomenal results. https://www.kodiakpro.com/blogs/news/vince-cathcart-vc-studio-inc-sculptural-concrete-and-the-difference-uhpc-makes https://vcstudioinc.com vince@vcstudioinc.com (206) 200-3546 *** CONCRETE HOEDOWN IN THE HOLLER / OCT 14-15, 2022 / McEWEN, TN *** THIS IS IT, THE CONCRETE SOCIAL EVENT OF THE YEAR! Join Jon Schuler, Dusty Baker, and Brandon Gore in McEwen, TN, October 14th and 15th, 2022, for the ‘Concrete Hoedown in the Holler!' What is the ‘Concrete Hoedown'? It's 2 days of concrete camaraderie, making, learning, games, and debauchery. This event is being held at Dusty Baker's beautiful studio in McEwen, TN. It's not a training class, but you'll undoubtedly pick up some new techniques, tips, and tricks. It's not a sales pitch, but we'll demonstrate Kodiak Pro products. It's not a rock concert, but there will be loud music and beer. It's 2 days you'll look forward to every year. The Challenge for 2022, should you choose to accept it: Redneck Concrete Skee-Ball Day 1 - we will form teams and work together to build forms for projectiles. There will be various demonstrations throughout the day on mixing, casting, and curing. In the afternoon we will cast various mix designs for the projectiles, as well as some targets for a rifle competition on Day 2. In the evening we'll gather on the HollerCrete Saloon and around the fire-pit. Day 2 - we will de-mold and process the projects and targets. There will be demonstrations on sealing. In the afternoon we will proceed to launch concrete projectiles into a field of targets, and shoot concrete targets to see how various mix designs fare. In the evening we'll gather on the HollerCrete Saloon and around the fire-pit. The cost of admission is $999, but that INCLUDES a $250 credit towards a full pallet of Maker Mix or RADmix - OR - a $150 credit towards a half pallet of Maker Mix or RADmix. This is an event not to be missed, we hope to see you there! REGISTER ONLINE: https://www.kodiakpro.com/products/concrete-hoedown-in-the-holler-october-14-15-2022-mcewen-tn Want to continue the conversation? First things first, LIKE us on Facebook https://www.facebook.com/kodiakpromaterials to receive notifications on new products, tutorials, and events- Then join the private Kodiak Pro Discussion Group to ask questions pertaining to concrete countertops, sinks, and furniture, and/or Kodiak Pro products https://www.facebook.com/groups/kodiakpro Send us your postal address and we will mail you a ‘Concrete Gangster' sticker! If you want to purchase the absolute best materials to create cutting edge concrete designs, visit www.KodiakPro.com Follow us on Instagram: Concrete Podcast http://www.instagram.com/concretepodcast Kodiak Pro http://www.instagram.com/kodiak_pro
From sketch books to glassware, lighting or toilets, Zach Puchowitz's raw aesthetic, in combination with humorous, self-reflective drawings and scribbled thoughts, are inspired by daily life, inner psyche struggles, low-brow art, subculture and guys from the neighborhood. From his Hot Rod Derby Cars to his Punished Head series to The Idiots, The Kennys and Billy B., Puchowitz's stunning sculpting skills continue to amaze fans and collectors alike. Even the Corning Museum of Glass (CMOG), Corning, New York, couldn't resist Puchowitz's work and recently acquired his Hot Rod Derby Car #2 for its permanent collection. This functional pipe in the form of a hollow, colorless flameworked car features a bald eagle, two conical black and colorless headlights with diamond-patterning, and a rectangular red-, white-, and yellow-striped license plate reading “WOODY” applied to back. The main character is a flameworked rider with rubber boots, exposed midriff, red fabric bandana, black mohawk with red and yellow tips, and the Anarchy symbol on one side of his head. Currently living and working in Barcelona, Spain, Puchowitz first experienced glassmaking in 1998. He became addicted very quickly and built his first lampworking studio in ‘99 as well as began studying glass at the Tyler School of Art. While learning that “the glass moves when it's hot,” the artist was able to develop his understanding of the arts and glass as a material. He sharpened his hand skills in flameworking and furnace glass studio processes while developing his signature aesthetic. After graduating in 2003, Puchowitz spent a year in Burlington, Vermont, as a resident artist at local glass shops. Needing more perspective, he traveled throughout Europe for three months while he grew out his beard and pondered life. He worked alongside with the late Venetian Maestro, ELio Quarisa, as his teaching assistant. Upon returning to his native Philadelphia, and after shaving his face, Puchowitz established his own multiformat glass shop. In 2007, he began transforming the space that would later become Ouchkick. Since then, Puchowitz has dabbled in different avenues of the conventional glass artist by returning to his Alma mater to present slide lectures and teaching at local glass shops. The artist has exhibited his work at galleries in Philadelphia, NYC, LA, Denver, SOFA Chicago, Scope Miami as well as many other unconventional events and marketplaces, becoming well-known in the subculture of heady art and glass making. Puchowitz will be throwing down a few weekend workshops in Barcelona. The classes will run from 12 – 8 p.m. on Saturday and Sunday. Workshops include demos, torch time with instruction, glass, etc. Only six seats are available per class: June 11, 12 – Pipemaking 101 workshop; June 25, 26 – Pipemaking 101 workshop; and July 2, 3 – Pro Class –Sculpting. To apply, send an email to ouchkickstudio@gmail.com. Please put 101 in the subject title and indicate your level of glass experience. Any questions or to find out more details feel free to DM on Instagram @ouchkick. Puchowitz will also teach a workshop in 2023 at CMOG.
Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Russell Kelty, Curator of Asian Art, introduces Pure Form: Japanese sculptural ceramics. For more information visit agsa.sa.gov.au Image: Matsutani Fumio, born Ehime prefecture 1975, Yellow (Ou), 2021, Ehime prefecture, stoneware, 43.2 x 52.3 x 28.2 cm; Collection of Raphy Star, © Matsutani Fumio, photo: Grant Hancock
This week, Wes and Todd talk with Nicole Grosjean. Nicole talks about growing up and exploring art in the mountains of Colorado, winning an art scholarship to the Rocky Mountain College of Art & Design, sculpture, galleries, working with a ceramicist as a production artist, deciding to do paper art, process, incorporating LED lights in her work, finding her voice, inspiration, finding community, social media, fan art, jewelry, Guillermo del Toro, pocket watches, pricing, how she sells her art, exploring new materials, Illustrator & Photoshop, challenges in business, prints versus originals, overcoming challenges, commissions, fairy fossils, and making the work for yourself.Join us for an inspirational conversation with Nicole Grosjean.Check out Nicole's stunning work at her website www.paperfauna.comFollow Nicole Grosjean on Social Media:On Instagram - www.instagram.com/nicolegrosjean/@nicolegrosjeanSee Nicole's work in person at Balefire Goods in June. Opening June 10th from 4-7pm. Balefire Good is located at 7513 Grandview, Arvada, CO 80002. www.balefiregoods.comCatch Nicole's work at Valkarie Gallery – www.valkariefineart.com
Ed Murray is an accomplished associate and architect who has led a wide range of projects for independent owners and international brands across the entire hospitality spectrum, including luxury hotels, banqueting and conference venues, resorts & spas. The latest of which is Westin London City, which he and his team are working on renovating a history-riddled property elsewhere in London. For this episode of DESIGN POD, sponsored by Minotti London, Murrary joins Hamish Kilburn and co-host Harriet Forde to discuss fluid architecture – as well as what modern studio life looks and feels like at Dexter Moren Associates. See acast.com/privacy for privacy and opt-out information.
“Ikigai is the concept of living joyfully and with meaning. It is identifying that intersection of what you love, what you're good at, what you can get paid for, and what the world needs.” Cathleen Klibanoff is a sculptural painter and storyteller who lives in Asheville, NC, with her husband, son, and two dogs. She is a published artist and writer. She has shown at the FemArt Gallery in Jacksonville, FL, Indianapolis Art Center, Foundations Gallery, Asheville Regional Airport, and the Grand Bohemian Gallery in Asheville. Learn more about Cathleen on CathleenKlibArt.com. Follow her on Instagram. Sponsor Today's episode is sponsored by: Together Women Rise is dedicated to ensuring that every woman and girl has the opportunity to live freely, pursue her dreams, and reach her full potential. We are a powerful community of women and allies engaged in learning, giving, and community building. Visit TogetherWomenRise.org to learn more and join us! Picked Cherries social podcasting app is the destination for the best podcast listening experience for all listeners. Download the app for FREE on Google Play and the App Store. Share podcasts like never before with Picked Cherries. Learn more at PickedCherries.com. Find Us Online! Website: iamJulietHahn.com Instagram: @iamjuliethahn Twitter: @iamjuliethahn LinkedIn: Juliet Hahn FB: @iamjuliethahn Fireside: Juliet Hahn Clubhouse: @iamjuliethahn YouTube: Juliet Hahn
Uma Ghosh is a Dubai based award winning former TV producer/ presenter and now a certified health and holistic beauty educator and entrepreneur whose dream is to make every woman feel beautiful inside out.Uma is certified in Sculptural facelift, facial Gua Sha, health coaching, facial reflexology and many more holistic beauty modalities. She has her own line of beauty tools – Uma Ghosh Beauty Tools and recently ventured out to into educating professionals too with her Academy Pro- Age Aesthetics Academy.LINKS:Uma's WebsiteUma's InstagramGua Sha StoneUma's Online CoursesHolistic Skin Masterclass Pro-Age Aesthetics Academy
On the Feb. 11 program, join Genevieve Randall, Shannon Claire and guests for lively conversations about: an art exhibition in Hastings; new production in Beatrice; art exhibitions in Scottsbluff; events in Kearney; a new production in York; and the Nebraska Chamber Players season. Also, listen to some poetry by Wendy Hind and hear about "Fiddler on the Roof" in Omaha.
On the Feb. 11 program, join Genevieve Randall, Shannon Claire and guests for lively conversations about: an art exhibition in Hastings; new production in Beatrice; art exhibitions in Scottsbluff; events in Kearney; a new production in York; and the Nebraska Chamber Players season. Also, listen to some poetry by Wendy Hind and hear about "Fiddler on the Roof" in Omaha.
This episode is also available as a blog post: https://thecitylife.org/2022/01/31/museum-of-arts-and-design-to-mount-exhibition-of-detroit-based-artist-chris-schancks-otherworldly-sculptural-furniture/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Ana Young is an interdisciplinary artist represented by Curatorial and Co. She is wise, articulate, and an intelligent thoughtful painter. We learned a lot from this conversation. We spoke to her before we were asked to open the Movers and Shakers exhibition by Louise Chircop, it was just a. coincidence we talked about it in the podcast, and then Louise approached us the next day! We had the best chat with Ana about being a woman in the arts, her art education as a mature student, her sculptural works, and much more. Thanks, Ana, we loved talking to you. 'My wall works and 3d constructions are informed by my relationship to the natural world connections between time, silence, and memory. recording via Plein air notations I observe changes in light, volume, space within a particular locale painting are a process of addition/ attrition, they grow skins. A sense of delay occurs as I go back and forth, facilitating processes of change. The paintings acquire their own rhythm. Stillness, optical sensations moments of entering a particular space are critical to their resolution.Sculptural constructions encompass the human traits of accumulation and collecting the idea of the "wunderkammer", voyaging and discovery, and the humble everyday utensils and paraphernalia are grouped in uncategorised assemblages constructed, they question temporal and associative versions of past physical presences and emotional states we are left to puzzle their connective roles these " remains" and simple fragments speculate and offer the possibility of new stories beyond their physical entities.'
Teresa Dorey (BFA Concordia University 2018) is an interdisciplinary artist and designer based in Tiohtià:ke/Montreal. Her practice involves understanding the body through haptics and intimate interactions with objects, materiality and research. Dorey has participated in residencies, and been published and exhibited across Canada as well as recently in Milan, Italy during Design Week. She has been the recipient of various grants, most recently from Canada Council for the Arts and Conseil des arts et des lettres du Québec.
Show Notes:0:57 - Houston, Texas1:06 and 1:31 - Houston International Quilt Festival1:07 - The post of Allie at the Houston International Quilt Festival 1:38 - Harry Potter 1:44 - Dumbledore3:41 - The Midnight Quilter YouTube channel3:43 - Angela Walters 3:55 - JoAnn Fabrics3:56 - Fat quarters4:55 - The Midnight Quilter YouTube channel5:17 - Examples of 1930s quilts and its colours 6:31 - Three Musketeers 7:16 - Embroidery7:36 - The Midnight Quilter 8:36 - Angela Walters 9:38 - Allie's zebra quilt9:48 - Applique 10:29 - Aurifil Thread10:50, 10:54, 10:58 and 11:32 - Applique 11:36 - Houston International Quilt Festival 11:49 and 11:58 - Applique 12:14 - Allie's quilt hanging behind her while we were recording the episode 12:49 - Allie's Seaglass Quilt course13:04 - Example of Allie's Seaglass Quilt project13:21 and 13:38 - Applique 16:15 - Pantographs16:25 - Supermarket Sweeps 18:27 - The Lucey, APQS longarm machine 19:15 - Allie's Seaglass Quilt course19:38 - The Lucey, APQS longarm machine 24:39 - Tula Pink's Zuma fabric collection24:51 - Seaglass quilt by Allie24:59 - EPP (English Paper Piecing)26:59 - Allie's aquarium 26:22 - Allie's crab, Donna28:52 - I Saw What You Did podcast28:09 - Pita chips29:10 - Pretzels29:15 - Flying geese29:24 - Moda Fabrics, Bella Solids 29:52 - Rashida Coleman Hale 30:03 - Houston International Quilt Festival30:07 - Giucy Giuce's collections, Nonna and Pietra 30:16 - Fiddlehead quilt store 30:17 - Maine 31:14 - Aurifil Thread31:26 - [FPP] Foundation paper piecing31:32 - Pantograph31:39 - Free motion quilting 32:22 - Iva Steiner of Schnig Schnag Quilts and More (@schnigschnagquiltsandmore)32:54 - UFOvember event hosted by Geeky Bobbin 32:57 - Bobbie of Geeky Bobbin (@geekybobbin)33:11 - Craftsy33:40 - QuiltCon34:06 - Sculptural embroidery 34:11 - Meredith Woolnough34:40 - Thread painting 35:15 - Meredith Woolnough of Meredith Woolnough (@meredithwoolnough)35:28 - Amber Share of Subpar Parks (@SubparParks)36:09 - Han Cao of Hanwriting (@hanwriting)36:43 and 36:27 - Octopod Squad and signup waitlistFollow Allie: Instagram - @exhaustedoctopushttps://exhaustedoctopus.com/Follow us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the-weekendquilter.com/Anna: @waxandwanestudiohttps://www.waxandwanestudio.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko
William Smart has made a reputation since establishing his practice in 1997. From modest beginnings, he has received numerous awards for projects, including his own studio and apartment in Alexandria, Sydney. Sculptural and poetic, Smart fashions bricks like they were clay in his hands.
The duo, Ladies Who Wood, is comprised of Stacy Motte and Eleanor Ingrid Rose. Stacy and Eleanor have known each other since they both lived in San Francisco. They then attended grad school at the same university and have really been a collaborating duo since. Their collaboration currently focuses on the many ways that women have been erased from craft throughout history and they make sculptural pieces that speak to that. This episode will be followed up with individual episodes with each artist. In the meant time, you can follow along with Ladies Who Wood on Instagram.
Bi-national artist, Briana Trujillo, moves between two places: the United States and Mexico. She is inspired by life in both places where people migrate constantly. Her work embraces traditional fine woodworking skills but is infused with a creative and sculptural impulse. Traveling frequently between the two countries, she draws inspiration from contrasting elements of the routine created by both nations, blending geometric styles and tones into something aesthetically stimulating to engage her viewers. Each of her pieces explores a different image of her understanding of this transborder culture. You can follow along with Briana both on Instagram and her Website.
Susan Barrett, President of Barrett Barrera Projects, stopped by to talk with Nancy about the projects they are involved in. Susan Barrett A piece from Freedom is for Everybody Among the topics discussed is the exhibition Freedom is for Everybody, an exhibition of work by Swedish-American artist Michele Pred. In her artistic practice, Pred uses sculpture, assemblage and performance to uncover the cultural and political meaning behind everyday objects, with a concentration on feminist themes such as equal pay, reproductive rights, and personal security. As Pred's work implores us, now more than ever we must raise our voices to protect the freedom of all bodies, especially those historically disempowered. Sculptural pieces from a series titled Power of the Purse include vintage purses emblazoned in neon with phrases culled from the current social resistance movements, such as Time's Up (2018) and call us to both reflection and action. In this context, the vintage mid-century purses become symbols not only of the modern economic power women hold and the possibilities for change that come with it, but also reminders of that critical era in the women's movement. A pair of vintage shoes dotted with unwanted, expired and placebo birth control pills, In Our Shoes (2013) underscores the continuing and growing impediments to fair, safe and affordable access to birth control and other women's services in the United States. Also discussed is James Turrell's ORCA (Blue-Red), which is open for viewings by appointment only, Thursday - Saturday, 12 pm - 5 pm. James Turrell, ORCA (Blue and Red), 1969
Joyce Lin is an artist and designer passionate about making furniture and sculptural objects that deconstruct material, form, and the ever-shifting relationship between humans and their environment. Joyce currently lives and works in Houston, TX and was a 2019 artist in residence at the Houston Center for Contemporary Craft. You can follow along with Joyce's work on Instagram and her Website.
Sculptural woodturner based in NW Ireland......inspired by the shapes, textures, and materials I find along the coastSupport the show (https://www.patreon.com/WoodturnersWorldwide)
Karen is a professor in the art department at Edinboro University of Pennsylvania, where she has been teaching all levels of Woodworking and Furniture Design since 2004. She holds a BA in Studio art and an MFA in Furniture Design. The furniture and sculptural objects she designs and builds have been exhibited across the US. You can follow along with Karen on Instagram and her Website.
Asia and her friend Brigette is in the pod. Brigette is a master with her hands and gives us the scoop on this ancient art of facial sculpting. East meets west with this modern day Esthetician as she opens up in CONFESSIONS OF AN ESTHETICiAN, with TWO confessional thats not only practical but for your safety *** Although facial sculpting is holistic, Facial Sculpting is not suited for pregnant or breastfeeding women and those suffering from oral disease, autoimmune disorder, bleeding gums, thyroid disease and who have had injections in the last 3 weeks. Maria is back from her sabbatical and puts a horoscope spin on the couples pf 90 DAY FIANCE in the REALITEA REVIEW If you like what Asia is doing of learned something new, tell 3 friends and leave her a 5 star review with a excellent review :) Follow her on INSTAGRAM or TIK TOK --- Send in a voice message: https://anchor.fm/asia-demarcos/message
We discussed: - the desire to have something noteworthy to contribute to the world - form above all else - sadly, merit does not drive success - the joke that artist should marry a rich person - wood always tries to remember it is a tree - speaking the loudest through your work - the strength of a community when in school - fail spectacularly while in school - Artist residencies - the importance of building a network - remove the stigma on copying - how she got her work in museums - brand identity - the increased speed of the art world - the importance of responding to your materials - issues of gender and ethnicity in the art world People + Places mentioned: The Pillars of the Earth, Novel by Ken Follett - https://ken-follett.com Hyperbolic geometry - https://en.wikipedia.org/wiki/Hyperbolic_geometry Anderson Ranch's Artists-in-Residence Program - https://www.andersonranch.org/programs/artists-in-residence-program/ Buffalo Creek Artist residency - https://www.buffalocreekart.com/residency/ Colin Wiencek - https://www.cwiencek.com Mark Tan - http://www.marktanstudio.com Giselle Hicks - https://www.gisellehicks.com When ideas have sex, TED Talk by Matt Ridley - https://www.ted.com/talks/matt_ridley_when_ideas_have_sex?language=en The Denver Art Museum - https://www.denverartmuseum.org Darrin Alfred - https://www.instagram.com/darrinalfred Tarra - https://tarra.co Jason McCloskey - https://www.q-co.design Joseph Walsh - https://www.josephwalshstudio.com Ursula von Rydingsvard - https://ursulavonrydingsvard.net Making a Seat at the Table Exhibition and Book - http://www.womenwoodworking.org/thebook 3 People that inspire her: Thomas Heatherwick - http://www.heatherwick.com Iris van Herpen - https://www.irisvanherpen.com Santiago Calatrava - https://www.calatrava.com Yuri Kobayashi - https://yurikobayashi.com Vivian Chiu - https://www.vivianchiudesigns.com https://kishimotodesign.com https://www.q-co.design Hosted by Matthew Dols http://www.matthewdols.com Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no Transcript available: https://wisefoolpod.com/transcript-for-episode-152-sculptural-furniture-functional-object-designer-laura-kishimoto-denver-co-usa/
We discussed: - the desire to have something noteworthy to contribute to the world - form above all else - sadly, merit does not drive success - the joke that artist should marry a rich person - wood always tries to remember it is a tree - speaking the loudest through your work - the strength of a community when in school - fail spectacularly while in school - Artist residencies - the importance of building a network - remove the stigma on copying - how she got her work in museums - brand identity - the increased speed of the art world - the importance of responding to your materials - issues of gender and ethnicity in the art world People + Places mentioned: The Pillars of the Earth, Novel by Ken Follett - https://ken-follett.com Hyperbolic geometry - https://en.wikipedia.org/wiki/Hyperbolic_geometry Anderson Ranch's Artists-in-Residence Program - https://www.andersonranch.org/programs/artists-in-residence-program/ Buffalo Creek Artist residency - https://www.buffalocreekart.com/residency/ Colin Wiencek - https://www.cwiencek.com Mark Tan - http://www.marktanstudio.com Giselle Hicks - https://www.gisellehicks.com When ideas have sex, TED Talk by Matt Ridley - https://www.ted.com/talks/matt_ridley_when_ideas_have_sex?language=en The Denver Art Museum - https://www.denverartmuseum.org Darrin Alfred - https://www.instagram.com/darrinalfred Tarra - https://tarra.co Jason McCloskey - https://www.q-co.design Joseph Walsh - https://www.josephwalshstudio.com Ursula von Rydingsvard - https://ursulavonrydingsvard.net Making a Seat at the Table Exhibition and Book - http://www.womenwoodworking.org/thebook 3 People that inspire her: Thomas Heatherwick - http://www.heatherwick.com Iris van Herpen - https://www.irisvanherpen.com Santiago Calatrava - https://www.calatrava.com Yuri Kobayashi - https://yurikobayashi.com Vivian Chiu - https://www.vivianchiudesigns.com https://kishimotodesign.com https://www.q-co.design Hosted by Matthew Dols http://www.matthewdols.com Supported in part by: EEA Grants from Iceland, Liechtenstein + Norway https://eeagrants.org and we appreciate the assistance of our partners in this project: Hunt Kastner - https://huntkastner.com Kunstsentrene i Norge - https://www.kunstsentrene.no Transcript available: http://wisefoolpod.com/transcript-for-episode-152-sculptural-furniture-functional-object-designer-laura-kishimoto-denver-co-usa/
Cette histoire est avant tout celle de son créateur, Serge Mouille ! Un passionné du métal, un grand technicien mais aussi un enseignant très dévoué, Serge Mouille est l'un des créateurs de luminaires français les plus connus ! Encore aujourd'hui toutes ses collections sont éditées en France, de façon artisanale, exactement comme dans les années 50 et toujours par des passionnés. Et ça j'ai eu l'occasion de le voir de mes propres yeux lorsque Didier Delpiroux et sa fille Julia - aujourd'hui à la tête des ateliers Serge Mouille - m'ont accueilli pour la visite des ateliers à Chateau Thierry. Une journée incroyable durant laquelle j'ai pu poser toute mes questions et qui m'a surtout permis de réaliser que Serge Mouille avait mis dans ses luminaires, la finesse de travail d'un orfèvre. Le lampadaire 3 bras de Serge Mouille fait partie des pièces iconiques du design. Sculptural, il se déploie dans l'espace à la façon des mobiles de Calder et lorsqu'on l'allume il permet de projeter une lumière douce dans différentes directions. Toute l'histoire en 10 minutes à peine ! Cet épisode a été réalisé grâce à la complicité de Plendi by Vinci Construction. >> SUIVEZ MOI SUR INSTAGRAM @ouestlebeau >> Le compte instagram : @sergemouilleofficial >> Le site internet : serge-mouille.com / pour acheter les luminaires : luminairesergemouille.fr >> Le livre de Pierre Emile Pralus >> Pour écouter les épisodes : Apple Podcasts, Spotify, Deezer et sur le site Elle Deco >> Inscrivez-vous à la NEWSLETTER pour recevoir (2x mois) le beau dans votre boite mail >> CREDITS Où est le beau ? est un Podcast créé et réalisé par Hélène Aguilar Edition et montage : Paco Del Rosso Identité graphique : Catherine Sofia Charte graphique : Isabelle Denis
Thank you for listening to this track produced by the Art Gallery of South Australia. Join Director Rhana Devenport as she discusses a major new sculptural acquisition on display in Gallery 17. For more information please visit agsa.sa.gov.au Photo: Saul Steed
Today, Lucy Branch talks to Jason deCaires Taylor, who is a sculptor, environmentalist, and professional underwater photographer. He has permanent site-specific work spanning several continents and predominantly explores submerged and tidal-marine environments. He's the only sculptor in the series who does not work in bronze, but I can't hold that against him because his work is utterly fascinating. He has a deep understanding of the crisis that humanity is facing with the damage that they're doing to the environment. The fact he enables expression of this through his underwater sculpture is well worth listening to. Join us and BE INSPIRED BY SCULPTURE. You can find images of Jason deCaires Taylor's work and a transcription of the interview at the Sculpture Vulture Blog - SCULPTURE VULTURE If you are looking for a new book, the novel mentioned in this interview is currently available free from Sculpture Vulture. This podcast was brought to you by Antique Bronze, Specialists in the Conservation and Restoration of Sculptural and Architectural Features Snippet from the interview: Lucy: Have you always been creative? Jason: No, not necessarily. No, I actually started my art career much, much later on in life. I studied sculpture at university, but then, after that, I sort of did a whole range of different professions, none of which were particularly creative. But it was only later on in life that I managed to, you know, make it a full-time profession. Lucy: What sent you off to art school then? Jason: Oh, yeah, certainly. I mean I come from a family that...you know, there's many, many painters and sculptors and, generally we've always been involved, in some way, in the creative arts. But yeah, I think it was a really, sort of, natural choice for me to go to university. You know, when you're at that age and you're, sort of, weighing up all the different options of what to do in life, I kind of just went with what I enjoyed the most and what I loved doing, and it was certainly art. Lucy: So, a family, being artistic, who were quite happy for you to do that. That's not always the case. Jason: No, I was very lucky. You know, I had parents that really encouraged me to, sort of, follow my own vocation. Yeah, some people are not as fortunate but, for me, it kind of really worked out. Lucy: What did you do after you left university? Jason: Many different things. It was quite, sort of, an interesting path. I mean I studied sculpture and ceramics at Camberwell College of Arts. And after that, I actually had that dreaded feeling, like, "Oh my god, you know, how am I going to make a living out of this?" I actually found it quite... you know, the equation of taking on jobs maybe that I didn't like too much but they paid the bills. I always wanted the creative part to be free and not constrained in any way, which, I suppose, everybody does. But, practically speaking, it's not always possible. So, I really turned against that and I thought, "I'm just going to try some other different types of jobs and see what I enjoy doing."
In their debut interview as Artblog Radio's newest host, Logan Cryer speaks with Jordan Deal, emerging artist exhibiting alongside Joy Feasley and Paul Swenbeck in "Hissed gently in silence, a dream of Flight" at Fleisher-Ollman gallery.
In their debut interview as Artblog Radio's newest host, Logan Cryer speaks with Jordan Deal, emerging artist exhibiting alongside Joy Feasley and Paul Swenbeck in "Hissed gently in silence, a dream of Flight" at Fleisher-Ollman gallery.
Working under the pseudonym Zhu Ohmu, Melbourne ceramicist Rose Wei makes striking organic decorative vessels. Zhu makes the most incredible and almost visceral pieces of ceramic and all done with no formal training. During our chat we dive into how the lack of formal training has actually been a key asset to what she has accomplished. We hear Zhu's thoughts on having a mindset of play and experimentation and how having an openness to failure creates new opportunities and chances for innovation. We dig into getting past a creative block and some fantastic and practical advice that Zhu shares on the topic. We of course hear the ins and outs of her process including some unique ways of getting in the creative zone, doing photoshoots remotely over zoom and an OnProcess first for what she listens to while she works. Introducing: Zhu Ohmu On Sculptural Ceramics Zhu Ohmu zhuohmu.com Links Plantsukuroi Symmetrical Faces Gallery Sally Dan-Cuthburt Quotes "I entered ceramics from a mindset of play and experimentation." "Ceramics had that intimacy of touch that just felt so right to me." "[Ceramics] is the most direct and simple method for interacting with a physical material, pressure is applied and the clay responds." "If I had gone to a ceramics course and asked the teacher that I want to make the pots that I make today, the teacher would say no, that's not possible." "Art is life and life is art" - Original Theme Music by Devin Luke - devinlukemusic.com Stay In Touch onprocess.com @onprocesspodcast If this episode helped you in any way, we would love your support. The best way to support us is by Subscribing to the show in iTunes and writing us a review. Thanks for listening.
Kathryn is a multidisciplinary artist who works at the intersection of sculpture, installation, drawing and photography. She expands works beyond their physicality using shadow, reflection, light, dimension, gesture, line, and space. Whether through her sculptures, outdoor installations, photography or ink drawings, revealing the underbelly, not veiling it, is her specialty, From her Artist Statement, she writes, "As a plastic surgeon's daughter, suturing and slicing come naturally after frequently observing surgeries. Sculptural materials are often twisted, tethered, stretched, and sutured, embodiments of human frailty and need for visibility beyond the aesthetic gaze." She has received sponsorships from the European Cultural Center (2019), Ajuntament de Gandia (2020), European Cultural Academy, Council of Europe (2016), the Ministries of Art and Culture of France and Poland (2015, 2014), and the US Embassies (2015). Select awards include the United Nations Harmony for Peace Award (2010); Honorable Mention, Rocky Mountain Biennial 2020; Best of Show, Colorado History Museum (2010), and Best of Mixed Media, Artslant ('14-18). Find her work at http://www.kathryndhart.com/
A lecture by Lara Pucci (BSR; Nottingham).
Pleats, please? Whether you're broad chested or rake thin, it's pleats and darts that will ensure you look your best. In this episode, we explore their technical merits at Huntsman in Savile Row and drop in for an appointment with Mr Luca Rubinacci – the man behind modern tailoring's most generously pleated trousers.
On this episode of our podcast, Sophie Derrick shares her creative journey and how she got started with using her skin as the canvas in her vibrant work. We discuss: How Sophie's work evolved Overcoming negative voices and criticism from Art School Trusting your intuition when it comes to your work + more www.createmagazine.com/podcast
Welding refers to the fabrication process that causes materials such as metals, thermoplastics, and others to coalesce. It is an important process for constructing various objects and structures. Welding is mostly applied in building construction and creation of functional objects, but welding can be used for works of art, such as sculptures. Sculptural welding requires extensive knowledge and skill because it involves welding materials of different shapes and colors. Matt DeCoursey has a discussion about the art business with guest, Jay Lockett of Stainless Floral and Jay Fabwerks—the CEO, Janitor, Social Media Manager and HR Generalist of his own company. After becoming a skilled welder, Lockett decided he didn’t want to work for anyone, so he started his own business. He did many of the standard welding jobs but, He also tried his hand at sculptural art when trying to win back the heart of a girl. While he didn't manage to win her back, he did come to realize his proficiency in stainless steel art. This led him to begin another facet of his welding business, creating art with welding. His most prized piece is the Titanium Diamond Eternity Rose that costs $250,000. Intrigued why it costs so much? Tune in to this podcast to find out! Learn more about: Full Scale: https://fullscale.io/ Stackify: https://stackify.com/ JAYFABWERKS: http://www.jayfabwerks.com/ Stainless Floral: https://stainlessfloral.com/ GigaBook: https://gigabook.com Follow us on Instagram: https://www.instagram.com/startuphustlepodcast/ Subscribe to our YouTube channel: https://www.youtube.com/channel/UCDXy14X95mzCpGSHyDvvoVg Follow us on TikTok: https://www.tiktok.com/@startuphustle
Before departing for a creative career in jewelry design, Dana Busch enjoyed a professional career as a doctor in clinical health psychology. After completing a masters program in art therapy, she chose to focus on public health, and spent her career in medical centers creating programs focusing on lifestyle choices for patients with chronic conditions. While she enjoyed helping her patients with programs she developed, she left the corporate politics and bureaucracy behind to reinvent her purpose through her own jewelry design company, Dana Busch Designs. Borrowing the practice in art exhibits, Dana creates collections, and uses descriptive titles for each piece, which are influenced by the colors and patterns in the gems she hand selects for each piece. Each titled piece is a reflection of the natural landscapes for which they’re named. By incorporating picturesque, patterned, and texturally interesting gemstones and fossils, Dana’s jewelry designs combine colorful and sculptural aspects that celebrate the beauty of the desert southwest, scenic reflections of nature, and images influenced through her international travels. You can find Dana’s jewelry on her website, danabuschdesigns.com, as well as at medicinemangallery.com Dana will be exhibiting in Tucson at the JCK Show; Dana Busch Designs JCK Tucson 2020 JW Marriott Starr Pass Booth 319 February 5-8, 2020
Toni Losey ceramicist from Dartmouth, NS, received her BFA from NSCAD, 2018. While there, Toni's 15 years as a studio potter helped develop a body of sculptural work. Toni has shown at SOFA Chicago, NCECA, and many private and public galleries. Tony was published in Ceramics Monthly and teaches at NSCAD.
Welcome to Episode 115 of the Podcast and the Arts and Wellness Wednesdays. Today I will be sharing about two dress sculptures that I created, and look at the story behind them. You will be able to check them out on my blog and website in the next few days. On Wednesdays we focus on the Arts and how it can impact our health and well-being. I will be talking with artists, looking at activities that you can do to be more creative across the board and for those who are carers tips and strategies that you can use. I will also be sharing reviews, resources and other insights. I will be looking at the nuggets that the artists share and see how we can apply it in some way to our own lives, what ever your interests. The Print Exhibition is in full swing and you can see a peek HERE, For the T-Shirt Exhibition you can check it out HERE For information on arts events in Barbados check out the Barbados Visual Arts event online Magazine Published by Corrie Scott. You can also find me in other places on social media: YouTube Instagram Pinterest Website Blog Twitter Facebook --- Send in a voice message: https://anchor.fm/realityarts/message
Sculptor featured at Brisbane Street Art Festival Leonie Rhodes joins Ed as this week's studio artist, piano duo ZOFO on their latest show of pieces inspired by artworks, and AGNSW curator Hannah Hutchison on the constructed worlds of Jeffrey Smart.
Sculptor featured at Brisbane Street Art Festival Leonie Rhodes joins Ed as this week's studio artist, piano duo ZOFO on their latest show of pieces inspired by artworks, and AGNSW curator Hannah Hutchison on the constructed worlds of Jeffrey Smart.
Welcome to the Elevator World News Podcast. This week’s news podcast is sponsored by elevatorbooks.com: www.elevatorbooks.com KPF-DESIGNED SCULPTURAL TOWER UNVEILED IN SHANGHAI CBD SOHO Gubei, a 38-story office tower with a 12-story retail podium inspired by Constantin Brâncuși's "Endless Column" sculpture, debuted in the Shanghai central business district (CBD) in February, architect Kohn Pedersen Fox (KPF) announced. The client was SOHO China, and Chairman Pan Shiyi and KPF President James von Kemperer were among approximately 1,000 in attendance at the grand opening that included the unveiling of Shiyi's personal photography exhibit. von Kemperer compared the building to a "giant piece of public art." Its design consists of four stacked volumes and a series of shifted grids that create a density of wall surface to reduce glare and enhance shade from the sun. Image credit: Courtesy of KPF To read the full transcript of today's podcast, visit: elevatorworld.com/news Subscribe to the Podcast: iTunes│Google Play|SoundCloud│Stitcher│TuneIn
Jonathan Gilmore (City University of New York) “Material, Medium and Sculptural Imagining” 27 February, 16:00-18:00, Room 246, Senate House.
Wedding Free for ALL! - Episode #200 Pause and subscribe! Take a screenshot and share! Join our Facebook Group Timelines and Checklists www.fromringtoveil.com/checklists It’s our 200th show!!! Today we are giving you lots of fun and interesting info. From questions to trends and newsworthy weddings. Questions and Topics: *What is the proper etiquette for inviting guest to the shower that live more than an hour or so away? They will be invited to the wedding but do you do the shower too? *Dresses w/pockets *Balloons on veils *Cotton Candy bouquets; Puppies as bouquets *How to tell your bridesmaids that they are pissing you off but in a nice way *Simple, intimate, yet meaningful wedding ideas *Shoe do’s and don’ts for brides and bridesmaids. IN THE NEWS: Las Vegas wedding chapel offering Dunkin Donuts themed weddings Cemetery Was the Right Vibe for a Glamour Goth Wedding Facebook Wedding Shaming groups are the nasty new trend taking over social media TREND REPORT: “The new way to brand your wedding can’t be seen—it must be smelled. Custom blends of perfumes and essential oils are crafted especially for the occasion.” “Couples are using the invitations to make a bold statement about their upcoming celebration, sending everything from uniquely crafted boxed correspondence to custom video messages.” “Sculptural is the name of the game, with couples hiring pro cake bakers to create unexpected shapes and varying sized tiers – so much so, it’s hard to tell if they’re wedding cakes or art installations.” Suits and jumpsuits on Bridesmaids Secret/Destination Elopements – like celebrities Neon Signage Gold dresses, floral, colors(ful) Weed weddings Grazing stations, sharing platters Edible displays...canapé towers, doughnut walls, FACT CHECK: Marriages are on the decline with millennials. Getting hitched? Atlanta named America’s 4th best place for weddings Of the 182 cities on the list, WalletHub ranked Orlando at the very top, followed by Las Vegas and Los Angeles. Seattle Metro Area Wedding Planning Resource Guide ( http://fromringtoveil.com/rgpaperback ) ( http://fromringtoveil.com/rgkindle ) FRTV Swag www.fromringtoveil.com/tee Join our Facebook Group Subscribe to the podcast: { Apple Podcasts }{ Spotify }{ Stitcher }{ Youtube } { iHeartradio }{ Alexa }{ CastBox }{ GooglePodcasts } -Until next time, No Stress No Worries Keep Calm and Listen On -
Dream Home Movement: Renovation, Property Investment, Interior Design, DIY, Gardening
What if your furniture was also a piece of art?Gardening/Landscaping/Mornington Peninsula /Real Estate/Selling Property/Financial LiteracyIn this episode, we explore Sculptural Furniture with Luke Neil of Luke David Designs.Luke uses upcycled material to create his truly beautiful, yet practical works of art.Luke and his work have been featured in The Eye Creative Magazine and the Home Team series.Please note that this episode doesn't feature our usual Finance and Property Geek Out segments with Carl and Tara. They will be back next episode.**This episode of the Dream Home Movement was recorded live at the RPPFM**Follow Luke Neil and Luke David DesignFacebookInstagramWebFollow the Dream Home MovementFacebookInstagram Follow Tara Vandeligt FacebookInstagramJoin the conversation in the Building Dreams. Mornington Peninsula Facebook Group Follow Carl & Jo VioletaFacebookInstagramWeb
“Just turn up”. As a creative, some days are amazing. You’re thrilled. You’re excited. You’re inspired. You’re in your happy place and you can’t wait to build, craft, create. Some days are tougher. Some days you can barely open the door. Creativity is a habit, and the most important thing [ … ]
Professor Rita Volpe, Roma Tre University On January 14 1506 the statue group of the Laocoon was discovered in a vineyard on the Esquiline Hill in Rome. It was almost intact and recognized at once as the same work of art which Pliny the Elder consid...
next_generation 7.0: SENSORIK | Symposium 14.06.2017 to 18.06.2017 With an exciting lecture program enriched the festival »next_generation 7.0 SENSORIK« Over five days and five nights, next_generation 7.0 offered an exciting and packed program on the latest positions on topics such as »Fixed Media«, »Spatial Music« and »Live-Electronics«, showing off the current creativity of the younger generation of producers in the context of technology and art. /// 14.06.2017 bis 18.06.2017 Mit einem spannenden Vortragsprogramm bereicherte das Festival »next_generation 7.0 SENSORIK« An fünf Tagen und fünf Nächten bot next_generation 7.0 ein spannendes und dichtes Programm über die neuesten Positionen zu den Themen »Fixed Media«, »Raummusik« und »Live-Elektronik«. Damit garantierte next_generation 7.0 eine repräsentative Übersicht über das aktuelle kreative Schaffen der kommenden Komponierendengeneration im Kontext von Technologie und Kunst.
Creativity in Focus interviews artist Beverly Oliwa and she will be talking about how to turn t-shirts into sculptural art. Beverly uses Paverpol as a textile hardener in order to make her sculptures Beverly has her course at Curious Mondo: How to Create Indoor/Outdoor Sculptures for Beginners using Paverpol Here are some of the [...]
Creativity in Focus interviews artist Beverly Oliwa and she will be talking about how to turn t-shirts into sculptural art. Beverly uses Paverpol as a textile hardener in order to make her sculptures Beverly has her course at Curious Mondo: How to Create Indoor/Outdoor Sculptures for Beginners using Paverpol Here are some of the [...]
Philadelphia native Charles Sheeler (1883-1965) is recognized as one of the founding figures of American modernism. Initially trained in impressionist landscape painting, he experimented early in his career with compositions inspired by European modernism before developing a linear, hard-edge style now known as Precisionism. Sheeler is best known for his powerful and compelling images of the Machine Age—stark paintings and photographs of skyscrapers, factories, and power plants—that he created while working in the 1920s and 1930s. Less known, and even lesser studied, is that he worked from 1926 to 1931 as a fashion and portrait photographer for Condé Nast. The body of work he produced during this time, mainly for Vanity Fair and Vogue, has been almost universally dismissed by scholars of American modernism as purely commercial, the results of a painter's "day job," and nothing more. Charles Sheeler contends that Sheeler's fashion and portrait photography was instrumental to the artist's developing modernist aesthetic. Over the course of his time at Condé Nast, Sheeler's fashion photography increasingly incorporated the structural design of abstraction: rhythmic patterning, dramatic contrast, and abstract compositions. The subjects of Sheeler's fashion and portrait photography appear pared down to their barest essentials, as sculptural objects composed of line, form, and light. The objective, distant, and rigorously formal style that Sheeler developed at Condé Nast would eventually be applied to all of his artistic forays: architectural, industrial, and vernacular. Kirsten Jensen is the Gerry and Marguerite Lenfest Chief Curator at the James A. Michener Art Museum. Shawn Waldron is the former Senior Director of Archives and Records at Conde Nast. Description courtesy of University of Pennsylvania Press.
Visit EOFire.com for complete show notes of every Podcast episode. A leader in industrial design, entrepreneur Martin is the founder of KEEN® Footwear and Focal Upright™. Sculptural form and natural structures inspire his design aesthetic, helping him create many of the market trends and innovative products used today.
Lanré, who is Yoruba, works with recycled materials and his art communicates a message about our fragile globe being overwhelmed by waste. His sculptures are labor intensive, and here in Philadelphia he worked with North Philadelphia community members in "sewing circles" to fabricate the individual components (he refers to them as "bricks" to build a skyscraper) that will go into his big new sculpture, which debuts on Friday. The piece is a memorial to loss, which is experienced in a personal way by all.
Lanré, who is Yoruba, works with recycled materials and his art communicates a message about our fragile globe being overwhelmed by waste. His sculptures are labor intensive, and here in Philadelphia he worked with North Philadelphia community members in "sewing circles" to fabricate the individual components (he refers to them as "bricks" to build a skyscraper) that will go into his big new sculpture, which debuts on Friday. The piece is a memorial to loss, which is experienced in a personal way by all.
Moana supervising animator Malcon Pierce shares the story of how he fell in love with and began working in animation, and what he learned truly made something take on the trademark look and feel of “classic Disney”.
Bay Area composer Clark Suprynowicz is CEO/Artistic Director of Future Fires, the new 2017 SF cultural platform uniting art, music, & technology. Artists/creators from around the world produce groundbreaking work using robotics, VR, drones, and much more.TRANSCRIPTSpeaker 1:Method to the madness is next and you're listening to method to the madness, a weekly public affairs show on k a l x, Berkeley Celebrating Bay area innovators. I'm your host, Lisa Keifer, and today I'm interviewing Clark superannuates, award-winning bay area composer, musician and teacher. He is now CEO and artistic director of future fires. He'll be talking to us [00:00:30] today about what that is. Welcome to the show. Clark. Thank you so much. I'm so happy you're on the show to tell us about future fires. First of all, can you explain what it is? Speaker 2:Sure. It's hard to talk about what it is without talking about the origins. So I've noticed that art and technology is an emerging domain that you can trace its roots back to the 60s and even even before that. But I think a lot of people recognize in recent years there just extraordinary things happening with virtual [00:01:00] reality, augmented reality, three d projection mapping, robotics, wearables, even aerial light shows created with drones and what all these things have in common is that they have become tools that artists are working with creatively. And my personal belief is that if you stick around for a couple of years and watch this whole phenomenon, I think we'll, we will recognize these times we're living in now as a time of incredible imagination and people mixing it up and, [00:01:30] and trying to figure out this whole thing. But emerging out of it, I, I think I'm not the only one that sees this. Speaker 2:There's this whole emerging new activity of artistic practice, future fires is just to get to, like that part is, um, a large scale festival of art and technology that I've been putting together with a really great team over the last couple of years. And who are these people on your team? Yeah, well we've got an amazing advisory panel that gets back to the kind of origin story. When I started working on this a few years ago, I spoke to Pam Winfrey [00:02:00] who has been a curator at the exploratorium since 1979 and she said, well, not only do I think this is a great idea, but I'll be on your advisory panel. And people kept saying that. Um, so we've got a really great group of people from the arts side, from the business side, a large event management. I've got a partner in the business, Scott Lipsett who um, started a great media company that you can find online called driver digital. Speaker 2:And so he understands the whole capture and distribution [00:02:30] of media part, which is very important to create a live event these days. Cause that's as much an online phenomenon as it is something that you experienced physically when you show up as to the team that I'm actually working with that are putting on the event. John Mitchell was a producer right here at the Greek theater in your backyard for five years and then moved over and worked with the Superbowl 50 this last year. And his next posting right after that was to come and work with me and a few other people he brought along from a Superbowl 50, which the marketing director [00:03:00] there and the person that's doing our sponsorship management. So there are those folks and we've got a wonderful guy, Patrick Haynes, who Scott, a production company of his own, which gets back to the online media part of this and David brassard as our CFO kind of taking care of the money stuff. Speaker 2:So it's a really great kind of lean mean team and we're starting to work with the midway and pure 70 partners in San Francisco. Those are revenue partners. The location. Yeah, frequency. How often is this going to happen? Where's it going to happen? What is your vision for that? Yeah, I, [00:03:30] we've got some really great stuff brewing for early 2017 with both artists and dates from our venue partners. So serving you definitely pure 70 a and the midway. The midway is actually had really wonderful 2,500 person venue with sort of five rooms that orbit around one large one and they're just getting their permits together and have started doing events there. So those are our partners and we plan to do events at the midway until we move over to pure 70 so will it be completely indoors? Actually both of them in Nice weather provide the opportunity [00:04:00] to do inside and outside. Speaker 2:And is it once a year? How do you envision this? We're, we're looking at doing several events a year with kind of a bump in the middle of the larger one will be in the summer months and probably the way things look now we'll be staying at the midway for the first year and moving over to per 70 when we are drawing large enough crowds first. Right. And then start rolling out these programs. How much will it cost to go to one of these events? Well, we're trying to keep things affordable. I think running [00:04:30] underneath the surface of all of this is the awareness a lot of us have that the arts community has really been under fire here in the bay area for quite a while now with rising rents. And uh, we don't want to put on an event with some astronomical ticket price just to pay for it. Speaker 2:So we are carefully having conversations with sponsors, making people share our vision and helping to pay for it that way, which is a model that should be familiar to anybody that's been to Coachella for instance, or maker fair. So that's part of what's driving [00:05:00] revenue for it. And of course campaigners that still [inaudible] that's closed now and we've, we put some money in the bank from that. And I guess the other thing I would say is we're having some really great conversations with people now and it's taken a while to get here and uh, just sort of spread the word about what we're doing, but talking to some of the people in the bay area that can afford to reach into their pockets and kind of [inaudible] investors funding. That's right. But if there are people listening to this and they've got a lot of money in their checking account [00:05:30] and they think this sounds exciting, please reach out to future fires.com. Speaker 2:Right. So you're looking for you still looking for we, we raised investment, uh, last year and I think we did really well and got to a nice place. And that and it's sort of an ongoing first raise of capital who's paying for all of this and, and it's worth contrasting a bit with the nonprofit model, which I'm very familiar with and I've worked with a lot of great organizations in the bay area and done some grant writing of my own. It just seemed like as we tried [00:06:00] to figure out why there is not right now a large amount of art and technology in the bay area. That part of the answer is that people have been working usually with the nonprofit model coming from the museum and gallery sort of side of things. God bless SF Moma and the Gagosian gallery and all of those people. But it just seemed to us to do a really large festive event and bring in people from around the world with high production values and really do it properly that it was probably better to model it after some of these larger festival. Speaker 3:So like [00:06:30] a for profit model. Yeah, that's okay. You've composed several operas, you, you come from a kind of a classical and jazz background and can you talk about those changes you saw coming some time ago and how that informed your work and in doing this event that combines art and technology? Speaker 2:You're right, I've done a lot of work collaboratively in the bay area and for whatever crazy reason as a composer I tend to gravitate to these large scale projects that take some years to realize and [00:07:00] you wind up doing grant writing and sitting in our whole lot of production meetings and doing a lot of collaboration. I guess I would say I like the collaboration part of it that's always attracted me maybe because it partly gets me out of my room, a lot of artist spend time alone and uh, I enjoy the social part of it. I like hearing people's ideas and helping you know, solve problems together. So to get to this project after doing the operas that you talk about and being involved in these often multidisciplinary projects for [00:07:30] years I was going back and forth between Europe and the u s about three and a half, four years ago and more and more people were sending me this really interesting project in my inbox. Speaker 2:You know, things would show up and I'm sure you've seen things on the creators project or somebody sent you a link from time to time. And what was interesting is every time I looked at these projects and I saw some amazing piece involving projection mapping on the side of a building for example, or I mentioned earlier, an aerial drone based light show or [00:08:00] you know, data monopolies work with no such thing as an example of an amazing melding of the musical world and somebody who's an amazing visual designer and I was seeing these projects and I was noticing every time I would look to see where they were, they were in Tokyo, they were in Paris, they were in Berlin, they were in Italy, they were in London and they were not in the bay area. Now we have an incredible technological community here of course, and a lot of innovation going on. And there are people doing remarkable work in art in tech here, but that doesn't mean they have a large scale platform [00:08:30] for that. Uh, we've got some wonderful colleagues in the gray area foundation and Coda, Mae and projects that occasionally do occur at Swissnex or Dork about San Francisco. One of our advisors is the person that started Dork Bot San Francisco, wonderful meetup group. These are places where you can see some remarkable art in tech projects and they're great. They're in an intimate setting and we're just looking to expand that Speaker 3:and a lot of people talk about um, burning man's influence on these Speaker 2:art and tech installations as well. Yeah, we have an interesting connection [00:09:00] to a number of the people that do large scale sculptures through Jeff Whitmore at the midway, urban new partner that I mentioned and a couple of other people that are kind of orbiting around that are in that community. Yeah, that's been one of the great things about this actually is finding all the overlap and all the excitement that is going on. As we discussed this with different people, it really is much more common than not when we get into a room and talk to people about this, that they're just supportive in every way they can be. Tell me about a few of the artists that you are working with for the future [00:09:30] fires project. Yeah, sure. I'll mention a couple others, a wonderful group called fuse and I would recommend people check them out online. Speaker 2:You could probably find the most easily through the piece that we're looking to bring here next year called Laos, l. J. O, s, w. I think they're just outside Medina in Italy and I actually got to visit them when I was first starting this project. Wonderful Bunch of guys as sometimes happens with the sort of work they're working in architect's offices together because they're kind of brilliance [00:10:00] and creativity and coding talent is appreciated there and it helps them make a living while they're doing this stuff on the side and they have brought that and a whole collection of pieces to festivals all around Europe and this will be their first time coming to the bay area. The piece they're bringing, the one that I mentioned called Laos is a generative piece. It involves real time graphics that are responding to a dancer and aerialist that as part of that piece. Speaker 2:And I'm very interested in that work where you actually have a human element. It's not [00:10:30] just a question of pushing a button and making something run, but there's something really warm and organic and unpredictable and wonderful and complicated about what happens when you get human beings, whether that's musical or whether that's dance or having the audience in some way trigger or influence what's going on. That's really interesting. And one of the, one of your fascinating just things. Who are you working with on that technology piece of that? A, just to speak as someone here in the bay area or a couple of people that have become, uh, good friends of ours and are doing wonderful creative work, future cities, lab [00:11:00] in Dogpatch, South San Francisco. Again, people that have a background in architecture, but people may have seen their work at Yerba Buena Center. They've had two different pieces installed there over the last year and a half. Speaker 2:Their work is interactive and they tend to gravitate toward these large scale exhibits. Sculptural works, and they're starting to do very well and getting a some recognition. They've commissioned in Washington, D C for a new piece. They're working, so that would be an example and another possibly not as well known, but I'm sure he will be. [00:11:30] There's a fellow here on a Fulbright, I think at SFAI and his name is Ken Byock Berber. I'm going to actually spell that in case anybody wants to look up his work. It's B U Y U K B E r B e r by barber, and he's been all over the place. I don't know when that guy sleeps since he got here. He said work presented down in La at a festival there recently. He's working with immersive environments and VR and all sorts of light-based art. We've got a whole family of people that [00:12:00] we're in touch with. Probably the best thing to do is visit our website. Speaker 1:If you're just tuning in, you're listening to method to the madness, a weekly public affairs show on k a l x Berkeley Celebrating Bay area innovators. Today, I'm interviewing Clark [inaudible], the CEO and artistic director of future fires. What is the mission of future fires? Are you trying to reach a new demographic? Speaker 2:[00:12:30] Well, there's two parts to that. Through the people were finding a connection to and people that are interested in what we're doing and there's our mission, which is related. I would say the audience, we're finding this really broad, it's a primarily youth related event that we're putting on. If you talk to our marketing director, she'll tell you that you need to get really specific about who you're reaching out to and the kind of messaging you do. It's not my area of expertise, but she knows what she's talking about. Speaker 1:So you are focusing on a demographic. Speaker 2:Yeah, sure. You kind of have to and [00:13:00] and also it just makes sense because of the niche that we see or the vacuum in the bay area we're looking for primarily people in 20s and thirties and uh, that's, that's the event that we see missing a lot of the people, you know, you referenced a burning man earlier, people that are going to Coachella, people that are going to burning man, people that might make the trip down to Austin to south by southwest. A lot of uh, young people that are very creative and they might be working in the tech industry, they might have a design background, they might be art students. They might [00:13:30] just be incredibly rabid fans of music and large events. It's, it's that younger audience that, that primarily this is geared toward. But there is also, I am told again by people that know marketing, there's a secondary demographic and we're certainly welcoming people in that are forties fifties sixties and had been around the bay area long enough to see all the evolution that's happened Speaker 1:and who have the deep pockets. Speaker 2:Yeah, sure. That doesn't, that doesn't hurt. I guess I would say one other thing on this topic too, which is important, which is, [00:14:00] uh, I mentioned earlier a lot of people being priced out of the bay area that are in the arts. I think it's really a wonderful thing about this project that it's the only place I know of where technology and the arts are really shaking hands and getting along. You've got artists that are embracing code software and hardware, the increasingly intuitive interfaces that make it possible to do creative work. If you're coming from the creative side and people that have, uh, companies and are working with this frontier technology that is more and more emerging, [00:14:30] they're looking for opportunities to show off with the stuff can do their creative people too. They may not be artists by day and that may not be their, their primary skill set, but they're happy to partner with people that can show off what can be done with what they're innovating. An example of that would be the great incubator program that's been going on at autodesk now for a couple of years. And one of the, that's kind of in our family, a nuclear practice, been there several times working on projects that their incubator program. Speaker 3:What's an example of how you're moving music forward [00:15:00] in this tech plus art scenario? Speaker 2:Yeah. Well I don't want, I don't want to come off as someone that's masterminding something that's already going on. I think we're in more than the position of curating and trying to provide a stage for a lot of wonderful stuff, so I can name some people that I admire and that we hope to see on our stages. I'm in Tobin who actually lives right here in Marin of flying Lotus, who's from London. I mentioned no such thing. These are artists that are not only creating some great music, but if you look at what [00:15:30] they've been doing visually, you see 'em that they've been paying a lot of attention to that and they're looking to be innovative and experimental and have a lot of fun too with what their audiences looking at as well as hearing. I guess the band tool would be another example and that's an interesting thing to bring up because the artists from Turkey that I mentioned, Ken [inaudible] who is right now at SFAI, he created a all the visuals for their last touring show. Speaker 2:And if you look at a tool online, I believe the first video that bobs up shows you the visuals that our artists and residents created for their last touring show. [00:16:00] And that was a really delightful discovery for me cause they write, I do come from a music background, but at the time that I started working on this, I was thinking of music as another category that we needed to represent just as we would represent VR or fashion and tech. And I realized that that was all wrong. Actually. If you look at what's going on in the music world, people are more and more embracing the visual design that's possible with these kinds of tools. And why is that? Part of it is that we're looking at a generation that experiences things as much online [00:16:30] as they do live. And if you're a musical performer, even if you're someone that strums in Acoustic Guitar, which is a great thing to, uh, you need to have some visual signifier out there, something that lets people know who you are and, uh, it's only natural, I think that people would be exploring more and more how to tell a story visually and start developing some kind of language there and using that as a creative medium in its own right. Speaker 2:So I think that's part of it. And I also think that these tools have arisen, [00:17:00] projection art for example, or VR and people are naturally eager to see what they could do with that if they're coming from the musical side. You know, I think it's great too, to go to a concert and watch a cellist who's playing sublime music and be able to focus on that one element alone. I hope that that never goes away, but it's just undeniable that there's a whole new generation of musical artists that are embracing the possibility of really creating a visual feast. Speaker 3:I was just reading the transcript of t bone Burnett [00:17:30] keynoted dress at the Americanafest this September. And, and he talks about the challenge that we face with technology and says it has no aesthetics or ethics and he kind of insinuates that Internet technology has a prison. So it was really kind of a contrast when I saw what you were doing and yeah, Speaker 2:and yet I understand there's so many people in the arts, I think that feel under siege and there's a whole phenomenon in our culture of [00:18:00] the arts in general being marginalized. One of the members of our team has made the point and I think it's quite a positive and constructive one that what we can do here, and I hope we do as we build this is provided a different and very positive role model for younger people who are trying to figure out what to do with their lives. And being an artist as it's usually defined, it just doesn't look like a very good option at the moment. But if you see people that are doing things with code and involved in these remarkable collaborations and, and making a [00:18:30] decent paycheck, which is something we hope to enable, you know, through this, this sort of work. Um, that's pretty great. That's pretty interesting. If you're 11, 12, 13 years old and you were thinking, well, I don't know that I really want to go into banking. I don't know that I really want to be a lawyer. Speaker 3:Then there's the issue of arts in the schools today. There's so little of it. Whereas when I was growing up, we had choices of instruments. We had choir, we had plenty of arts for free. Yeah. To go that same path today takes a lot of money and time [00:19:00] that um, most people don't have. That's right. So when you're talking about young people with coding, it's something they can do and they can do it inexpensively. Right. Speaker 2:I really believe too, as I said at the beginning of our time here, that this phenomenon is really emerging too. It's very easy to look at what's happening now in 2016 and, and go, well, that's pretty cool. You know, I, I, I think I see some interesting work going on there, but if you just project forward considering how fast things have moved, how much more powerful processing is now, [00:19:30] how much more intuitive the interfaces are that are available to artists and this kind of body of work and uh, and a practice that has started to emerge. I just think there's huge potential there for anybody young today looking for something creative to do. And again, that's not ever going to take away the beauty of what t bone Burnett does or ry Cooder or any number of wonderful instrumentalists. Speaker 3:Where do you see future fires like in five years? Do you think it's going to evolve into something else? Speaker 2:Well, I can tell you that our [00:20:00] venue partner, the midway is really working hard to make their new venue in south San Francisco, a center for community and for the arts and for innovation. And so I have to kind of put my answer together with what they have in mind. And that's a really nice thing to do. Partnership is a great thing. If it's the right kind of partnership, they would like us to stick around for years and work with them and build up the audience at the, at the midway at, at pier 70, they all serve in public works for people [00:20:30] who have seen shows there. And uh, Jeff has, uh, been working recently with the people that do shows at the mint. So just because those guys have been in event production for a long time in San Francisco, there's a lot of opportunity there to do shows both large, uh, small and medium with, so we want to this, I'm not because we intend to take over the world, but just because we naturally think, uh, interest is there and will emerge more and more as we create a chance for people to come out to a large event. [inaudible] Speaker 3:what will you be doing for [00:21:00] artists? Speaker 2:I hope we do a lot for us. I hope we provide an opportunity for them to do what they do. I'm more than they have now. We'll hope we provide a, a chance for people coming from overseas that until now have not had a chance to, uh, do what they do at a major media arts festival in the bay area because there hasn't been one. Um, but above and beyond that, I would say some thing that's kind of interesting to me and, and uh, I, uh, it really will not cost as much to do this and yet it turns out it would be slightly [00:21:30] revolutionary if you look at some of the online portals where you can go and watch art and tech, let's just say that there are places you can go and watch these projects online. And I happen to know from the artists that they haven't received a dime for the videos that have been produced and put up there. And we would like to change that. I mean, even if you can institute kind of a Pandora model or even do a bit better than that and give a few pennies on the dollar to artists that are partnering with us and giving content. I can tell you as an artist myself, it's great to have a little passive [00:22:00] income showing up in your mailbox every, every month. Speaker 3:I want to talk about your background. Sure. Because I don't know if everybody knows about you, but not only have you written operas, but you're still teaching jazz at the Berkeley Jazz workshop. That's correct. You founded the music theater project at c space. I mean you have, you have an amazing background in music, so that makes it particularly interesting to me that you would get involved in something like this because you really know what you're talking about in terms of [00:22:30] 20th century music and to move forward in the 21st century with that kind of background is really powerful. Speaker 2:Thanks that, that's very flattering. I, I am doing this with some other people and I think I've mentioned some of them already and I, I, it's important to stress I'm, I would be a little crazy to try to do this all on my own and I'm not sure anybody has the skill set to do large event production of something that pulls together these different worlds without a whole lot of help. So I've got some great people around me. But as far as on a personal [00:23:00] level in the jazz education that you mentioned, yeah, the Berkeley jazz workshops go on and on and they're easy to find online. I'm also teaching a class at the jazz school that's coming up for those who are interested in that. Part of what I'm doing, it's now called the California Jazz Academy and they've got great programming happening over there with a lot of remarkable musicians coming through. Speaker 2:And also a, this is a fun month for me. The Oakland symphony is playing a piece of mine as part of their opening concert. They're playing a piece called red states, blue states that I did as part of the under construction series for [00:23:30] the Berkeley symphony about eight years ago. And because of the election season coming up, I think Michael Morgan thought that would be an interesting piece to put on the program. So it, so I'm, I've got sort of a curtain raiser and then it's Elgar and Mauler on that program. Yeah, yeah, yeah, yeah. If you go to Oakland symphony, you can see they're opening concerts coming up. So that's pretty exciting. Speaker 4:[inaudible] Speaker 3:[00:24:30] and you grew up on the east coast and you came here in 1982 what brought you to California and the bay area? Speaker 2:I moved out here. I was just telling somebody this the other day I moved to with a drummer and my bass and his 10 speed bike and his drum set in my Volkswagen beetle. I really don't know how that's possible, but it's true. We did that and I landed here because I was looking for a place to play music professionally and I got pretty [00:25:00] lucky. Um, there was a basis here in the bay area that I got to know who moved back to Belgium about five months after I got here. And he basically gave me all this work and I bought them a box of cigars. So I had a really nice introduction to what was then an extremely vibrant jazz scene in the bay area. And I made a living between that and teaching for the next decade. And, but toward the end of the 1980s I started moving more and more toward composing. And that launched me into a lot of the collaboration that I was talking about earlier, which suits me really well. I like working [00:25:30] with creative minds and groups of people. Speaker 3:Yes. Is it unusual to find jazz composers and jazz performers in the opera world and the more classical world? Is that unusual? Speaker 2:Less so, certainly than it was a few decades. Speaker 3:But when you started, was it unusual for someone to come out of [inaudible] Speaker 2:Morgan? Actually, I think at the time that I was doing that, there was some other composer, Stevens Tookie comes to mind. Paul Dresher here in the bay area as an electric guitar. Originally people that were not coming from a background of classical piano or strictly [00:26:00] conservatory. Great to hear you say here, it might be a little more coming out of America than Europe. Sure. And it only makes sense because if you grew up listening to hip hop or listening to rock or w or world music and that's what you love and then you get interested in theater and you get interested in the vocal tradition, you're going to bring those things with you and you're going to be looking for ways to work with the music you love and the things that are relevant. Speaker 3:Can you think it's really great what you're doing with the future fires because it's allowing people to not get pigeonholed. [00:26:30] You're a cellist or a, you're a dancer or you're a software programmer. It's just an opening. I'm looking forward to it. Yeah. Speaker 2:Well, there are so many remarkable people. You asked me to mention a few of the artists and there are many more of them that are on our website. We're really building what I see as, as a family of people with common interests that are doing just really remarkable inspired work and each one of them individually week by week, month by month is is off working wherever they are. You know, here in the bay area or in London or [00:27:00] in France, and they're thinking about the possibilities that are emerging from this domain of work and pushing the envelope all the time, who's just new great stuff popping up Speaker 3:and, and this kind of innovation. Will this be unlike anything anywhere in the world when it starts up? Speaker 2:No. Again, I, I want to avoid sounding like we're, I'm doing something that's never been done before. I think what's unique about this is that the barrier has not seen a large stage for this kind of work and opportunity with high production does. Yeah, I [00:27:30] think it is time, but there are are great festivals. The Stripe Festival in Eindhoven for instance, which happens in Holland every year is one that comes to mind or the Berlin by an alley. There are plenty of arts electronic. Oh, somebody on our advisory panel is started future lab in 1979 at our select Ronica and I'm, I've mentioned a few times now these drone based area light shows, that's Horst Horner that actually pioneered that with Intel and that's an amazing thing. You can see samples of that work online. Speaker 3:Is this something that's going to be coming up in [00:28:00] future fires next year, Speaker 2:this next year because it's, it's not only financially ambitious but you run into problems in the United States with the FAA. I've talked to Horst about it a lot. We think we might be able to eventually do it at pier 70 because there's such a huge parking area there and also it's under the authority of the port rather than the city of San Francisco and things are just a little bit looser there. So uh, we hope to do that. Speaker 3:Let's say I go to this pier 70 event next year, will I be sitting, walking, participating? What is the Speaker 2:both at the midway [00:28:30] and later when we moved to pure 70, we're going to have, it actually depends on the event. I'll give an example where we are in discussion with the Gerta Institute and a Berlin based artist named Robert Hankie, who has also done work at gray area foundation. He does just remarkable laser light shows. It kind of elevates that whole world that some people know from discos and so on to a whole nother realm. He's just an amazing artist and that will be a seated program. It will be really like a concert. People will come in and experience what he's doing for about 55 so [00:29:00] it will be one thing at a time. Sorry. So we're, we're doing some smaller events and Robert Hankie would be an example. We might present a few other artists that night, but that would be at the midway. A few thousand people relatively contained over a night or two when we moved to pier 70 which was an enormous space for those who haven't seen it. It's just remarkable. That will be largely a standing room and provide the opportunity to present potentially dozens of artists. Speaker 3:That's great. Yeah. If you could just tell us again what your website is for future fires. [00:29:30] Sure. It's future fires.com oh, that's easy. And again, it's the first of its kind of large scale interactive art and technology festival that's coming up in 2017 we're so happy to have you on the program. Thank you so Speaker 1:much for taking the time. You've been listening to method to the madness, a weekly public affairs show on k a l x Berkeley Celebrating Bay area innovators. Speaker 4:Tune in again next Friday at noon. See acast.com/privacy for privacy and opt-out information.
A leader in industrial design, entrepreneur Martin is the founder of KEEN® Footwear and Focal Upright™. Sculptural form and natural structures inspire his design aesthetic, helping him create many of the market trends and innovative products used today.
Sculptural basketry artist, Matt Tommy talks about breaking the starving artist mentality and going after greatness. We also chat about Kanye West, toilet paper thieves and time travel. And we share some fun new happenings in the Asheville Folk community.
June 11, 2015. Printmaker and book artist Alice Austin discussed her exploration of different book structures, both historic and modern. Her unique books satisfy a curiosity of book binding history while her editions celebrate pattern and color. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6834
A new Renaissance, a Golden Age - Whatever you call it, Paris in the second half of the 19th century saw a greater number of master sculptors doing work in more unprecedented ways than the world had seen since the early Florentine Renaissance. This episode takes a look as several sculptors and highlights their individual originalities as well as their relation to each other.
Sculptural artist Dario Robleto is famous for spinning and shaping unconventional materials — from dinosaur fossils to pulverized vintage records, from swamp root to cramp bark. He joins words and objects in a way that distills meaning at once social, poetic, and scientific. He reveals how objects can become meditations on love, war, and healing.
Caleb Duarte works with a combination of found materials, architectural building supplies, painting and drawing to create temporary installations and "sculptural paintings" that evoke poignant narratives of home, shelter and displacement.
This Educator Guide corresponds with the "Caleb Duarte” video from KQED Spark.
Gregory Levine, UC Berkeley
Gregory Levine, UC Berkeley
Albert Paley talks about New Jersey Transit Sculptural Proposal 1, in the Albert Paley in the 21st century exhibition, on view at the Memorial Art Gallery, May 2-June 27, 2010.
GET CLE CREDIT for this episode. Quick Takes IP and the Olympics Sculptural works, photographs and subsequent uses Album Integrity in the age of digital downloads Love Music? Support Grammy Foundation & MusiCares Show notes Some quick takes and follow … Read the rest The post Olympic trademarks, album integrity, and more. appeared first on Entertainment Law Update.
What was Old is New Again. A Meeting of Art and Scholarship | Conference Fri, 21.11.2008 – Sun, 23.11.2008 Although Islam has prohibited sculpturing, the grand master of all Ottoman architects, namely Sinan, was able to surmount this ban skillfully. He regarded the limitations as a challenge for his creativeness. During his half a century long career as the chief architect of Ottoman Empire, he transformed bridges, aqueducts, small buildings, and grandiose complexes into enduring monuments. The aesthetics of these works went far beyond his contemporaries and his predecessors. Architecture was the language he used to express, not only the religious believes, but also his artistic creativity. By the end of the 16th century, Istanbul, where he gave most of his works, became “Sinan’s Istanbul”. This paper aims to reveal the art and science that is the essence of his achievement. Every religion, political ideology, philosophy, and scientific theory embodies a set of structured beliefs. These belief systems maintain a symbiotic liaison with the arts. Throughout history, communal beliefs have relied on music, theater, painting, and dance in order to propagate accepted doctrines, and the arts in turn have shaped the articles of faith. The conference brings together artists and scholars in an unusual forum. The arts addressed deal primarily with media, the major art form that has only come to the fore in recent decades. The scholarship concerns antique matters, such as Sumerian music, early Egyptian medicine, and the omens, codes of law, and creation myths of Mesopotamia. The divergent perspectives of the participants augur well for innovative ideas emerging from this close encounter between scholarship, the arts, and the belief systems of early and modern times.
Sculptural malevolence featuring Jon Rubin of Malevolent Creation. Recorded at the Chicago stop of the Death by Decibels tour at the Logan Square Auditorium. Keep your eyes open for our next contest - you'll be able to win the Doom Dough sculptures created by Jon and Johnny in this video!
Camille Rose Garcia talks about the sculptures in her exhibition Tragic Kingdom: the Art of Camille Rose Garcia. In association with Tragic Kingdom: The Art of Camille Rose Garcia, the San Jose Museum of Art is presenting a series of videos filmed on location at her home and studio in Southern California. The videos will include a personal tour of each series of artworks in the exhibition, as well as, video of Camille Rose Garcia painting, discussing the making of her book, and preparing for her exhibition. Additional videos will be released in the weeks following the opening of the exhibition. To keep up-to-date subscribe here or on our YouTube channel at: www.youtube.com/sanjosemuseumofart. The San Jose Museum of Art presents the first major museum exhibition outside of Los Angeles of Camille Rose Garcia, an artist emerging from the Los Angeles underground scene, whose narrative-based works express an acute political consciousness. The artist's seemingly light-hearted paintings and drawings of charming cartoon-like characters actually depict dark tales of violence, corruption and greed, and seek to comment on the turmoil of contemporary society. Her first museum solo exhibition surveys her work with an emphasis on her most recent creations, showcasing paintings, drawings, sketchbooks, prints, sculpture, and site-specific installations, and is complemented by a book-length catalogue.
Eric Shanes takes us through David Smith’s life and artistic development and then conducts an informal tour of the exhibition.
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