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Japan has a reputation for being incredibly safe, but what does “safe” actually mean? The Krewe is joined by Jordan Green, aka AfroInJapan from YouTube & Instagram, to explore safety in Japan beyond just crime, including natural disasters, wildlife, xenophobia, & the considerations travelers & foreign residents should keep in mind. Does Japan live up to it's rep? You be the judge! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Jordan Green/AfroInJapan ------ AfroInJapan on YouTube AfroInJapan on Instagram AfroInJapan's "The Myth of Crime in Japan" ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
El axión guía experimentos que buscan convertir la materia oscura invisible en una señal eléctrica mediblePor Félix Riaño @LocutorCoVarios experimentos buscan una partícula hipotética mediante campos magnéticos, circuitos resonantes y mediciones del ruido electromagnético.La materia oscura representa cerca del 85 % de toda la materia del universo. No podemos verla porque no emite, refleja ni absorbe luz de una forma detectable. Conocemos sus efectos gravitatorios. Las galaxias giran y se agrupan como si estuvieran rodeadas por una masa invisible.Una posible explicación es el axión. Esta partícula hipotética tendría una masa diminuta y una interacción muy débil con la materia ordinaria. También podría comportarse como una onda que atraviesa la galaxia.Jessica Fry, investigadora doctoral del MIT, trabaja en dos experimentos dedicados a buscarla: ABRACADABRA y DMRadio. Sus instrumentos intentan convertir el paso de los axiones por un campo magnético en una corriente eléctrica medible. El reto consiste en separar esa corriente del ruido producido por el propio detector. ¿Cómo se reconoce una señal que jamás ha sido observada?Conocemos la forma de la señal, pero ignoramos su frecuencia.Nuestro protagonista casi no tendría masa, no brillaría y atravesaría la materia sin dejar una señal evidente. Se llama axión. Por ahora, existe como una propuesta de la física.Si los axiones forman la materia oscura, una enorme cantidad de ellos estaría pasando por la Tierra. Debido a su masa diminuta, se comportarían como una onda continua, en lugar de aparecer como partículas aisladas.La teoría ofrece una forma de buscarlos. Un axión que atraviese un campo magnético debería generar una corriente eléctrica oscilante. Esa corriente repetiría un ritmo relacionado con la masa del axión.Jessica Fry y otros integrantes del grupo de neutrinos y materia oscura del MIT intentan medir ese efecto. ABRACADABRA ya opera en esa universidad. DMRadio está en desarrollo en Stanford. Ambos experimentos funcionan como receptores construidos para captar una frecuencia todavía desconocida.La corriente esperada sería extremadamente pequeña. El calor mueve las partículas de los componentes electrónicos y produce fluctuaciones. Los cables, los aparatos cercanos y las comunicaciones humanas también generan actividad electromagnética. Hasta una vibración puede afectar una medición sensible.El detector debe diferenciar ese ruido de una oscilación causada por axiones. Los físicos conocen la forma general que tendría la señal. Desconocen su frecuencia exacta porque tampoco conocen la masa de la partícula. Además, ignoran con qué intensidad interactuaría con el campo magnético.Por esa razón, el instrumento debe revisar muchas frecuencias. Cada ajuste cubre una fracción del territorio posible. Una búsqueda más amplia requiere tiempo, estabilidad y mediciones repetidas.Una señal llamativa tampoco basta para anunciar un descubrimiento. El equipo tendría que descartar fallas, interferencias y fenómenos conocidos. Después, otro detector tendría que encontrar el mismo patrón. La dificultad está en demostrar que la señal viene del universo y no del laboratorio.ABRACADABRA y DMRadio usan circuitos resonantes para reforzar la corriente esperada. La resonancia ocurre cuando un sistema responde con mayor intensidad a una frecuencia concreta. Es el mismo principio que permite seleccionar una estación en una radio.El detector se ajusta a una frecuencia y registra la actividad eléctrica. Luego cambia el ajuste y repite la medición. Cada frecuencia corresponde a una posible masa del axión. Los amplificadores cuánticos ayudan a medir señales muy débiles, aunque también tienen que controlar el ruido.Otros experimentos cubren regiones diferentes. BabyIAXO va a buscar axiones producidos en el Sol. Va a emplear un imán de diez metros que va a funcionar cerca de −270 °C. Una plataforma móvil va a permitir que el instrumento siga al Sol durante unas doce horas diarias.La Tierra también puede servir como parte de un detector. Su campo magnético puede interactuar con axiones ultraligeros. El espacio entre la superficie y la ionosfera actúa como un resonador natural para ciertas frecuencias.Ninguno de estos proyectos ha confirmado la existencia del axión. Los resultados actuales permiten descartar algunas combinaciones de masa e intensidad de interacción. Esa reducción tiene valor científico: indica dónde ya se buscó y orienta las siguientes mediciones.El axión fue propuesto después de que Roberto Peccei y Helen Quinn plantearan una nueva simetría en 1977. Su objetivo original era resolver una dificultad del modelo que describe la fuerza nuclear fuerte. Steven Weinberg y Frank Wilczek identificaron de manera independiente la partícula asociada con esa propuesta y la llamaron axión.Más tarde, los físicos observaron que esta partícula también reunía propiedades adecuadas para explicar la materia oscura. Podría existir en grandes cantidades, permanecer estable y ejercer gravedad sin producir luz visible.Los experimentos actuales siguen estrategias complementarias. Los haloscopios buscan axiones pertenecientes al halo de materia oscura de la Vía Láctea. ABRACADABRA, DMRadio, ADMX, CAPP y HAYSTAC pertenecen a este campo de búsqueda. Los helioscopios, como BabyIAXO, buscan axiones que serían producidos dentro del Sol.Un equipo de las universidades de Kioto, Hiroshima y Nihon estudió otra opción. Sus cálculos indican que la cavidad formada por la Tierra y la ionosfera puede amplificar señales cerca de ocho hercios. El análisis de datos geomagnéticos obtenidos entre 2012 y 2022 no confirmó axiones. Sí estableció límites terrestres más estrictos para una región específica de masas. Cada estrategia examina una parte distinta del problema.El axión sigue siendo una hipótesis, pero ofrece una ruta concreta para estudiar la materia oscura. ABRACADABRA y DMRadio buscan su corriente eléctrica; BabyIAXO busca axiones solares; la Tierra sirve como resonador natural. Ningún resultado confirma todavía su existencia. Cuéntanos qué experimento te interesa más y sigue Flash Diario en Spotify para conocer nuevas búsquedas científicas explicadas con claridad y rigor. Bibliografía
Solo travel or group travel: is one really better for seeing Japan? The Krewe welcomes Ryotaro Sakurai back to the podcast to break down the pros and cons of both, from flexibility and independence to planning, convenience, and shared experiences. Plus, Ryotaro gives us a look at Umami Travel, the group tour company he's building and why he thinks there's room for a different kind of Japan travel experience. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Ryotaro & Umami Travel ------ Ryotaro's Japan YouTube Channel Ryotaro on IG Umami Travel Website Kessennuma Knitting INEtoAGAVE (Craft Sake) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
On the 81st anniversary of the US's nuclear attack on Hiroshima, host Bert Zipperer is in conversation with Mari Faines of the Bulletin of The Atomic Scientists and Steve Leeper of Physicians for Social Responsibility. They discuss all the human, ecological, and moral harms perpetuated by powers committed to a nuclear status quo. Faines writes, “There is no question the nuclear status quo upheld since 1945 is rooted in colonial systems of power and White supremacy that started centuries ago. But nuclear security scholarship that explicitly makes this connection and examines the harm resulting from this socio-political, cultural, economic, and ecological history is still incredibly limited.” Faines draws connections between militarism and justice movements and says that our current moment requires an intersectional approach to crises, local and existential. Leeper advocates for a “peace culture” as opposed to the “war culture” he sees as driving nuclear proliferation and Trump's MAGA movement. The path of peace, says Leeper, leads to universal health and well being, and that goes for all humanity and the non-human world. He will be speaking at a Lanterns for Peace event tonight, sponsored by Physicians for Social Responsibility. They also discuss the doomsday clock that is currently set to 85 seconds until midnight, how there's no such thing as a small nuclear weapon, nuclear power, and how to change the kitchen table conversation about nuclear weapons. Mari Faines serves as a Board Fellow for the Bulletin of The Atomic Scientists. Just prior, Faines served as a strategic advisor and policy expert at the U.S. Department of State working on AUKUS, the trilateral security agreement between Australia, the United Kingdom, and the United States. Prior to joining the State Department, she spent five years in the United Kingdom completing graduate work in Peace and Security studies, while working as a project manager for an international solutions corporation. Upon returning to the United States, she continued working at the intersection of nuclear nonproliferation policy and social justice issues. Faines has written for a multitude of publications and was a former podcast host. She remains engaged in global policy issues by volunteering with various advocacy organizations and has been recognized for many of these contributions over the past decade. Faines holds a Master's of Science (MSc) from SOAS University of London and a Bachelor's from Colgate University. Steve Leeper has spent about half of his 78 years in Japan. He began working as UN representative of Mayors for Peace in 2002. This led to his appointment in 2007 as chairman of the Hiroshima Peace Culture Foundation. He stepped down in 2013 to be a professor at Hiroshima Jogakuin University. He shifted from professor to visiting professor in 2015. He is co-founder of Peace Culture Village in Hiroshima and PEAC Institute in Montclair, NJ, Detroit, MI, and Atlanta, GA. He is a recipient of the Academia Prize from Kyoto University, the Tanimoto Peace Prize (Hiroshima's highest peace award), and an honorary doctorate from Hiroshima Jogakuin University. His publications include Hiroshima Resolution (bilingual), Nihon ga Sekai wo Suku (Japanese), Hiroshima wo Tsutaetai America-jin (Japanese), and Kakuheiki Haizetsu e no Michi (Japanese). Featured image of the aerial view of the flash of light from the Able Day explosion over Bikini Lagoon in 1946 via National Archives. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post There's No Better Time to Abolish Nukes appeared first on WORT-FM 89.9.
What goes into kicking off, planning out, & sustaining a podcast? The Krewe presented their lived experiences in podcasting, along with recommendations & tips for aspiring content creators in the US-Japan space, during a workshop on July 30, 2026 at the NAJAS (National Association of Japan-America Societies) National Conference. This episode is that workshop! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for NAJAS ------ NAJAS Website NAJAS Conference Website ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Fluent Fiction - Japanese: Moonlit Meditation: Finding Clarity in the Nihon Arupusu Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-29-22-34-01-ja Story Transcript:Ja: 夏の日差しが暖かく、山間の風が爽やかに吹き抜ける、日本アルプスのスピリチュアル・リトリート。En: A spiritual retreat nestled in the Nihon Arupusu, where the warmth of the summer sun and the refreshing mountain breeze gently pass through.Ja: ここに、ハルトとユキがいた。En: Here were Haruto and Yuki.Ja: ハルトは都会の忙しい生活から離れ、心の平和を求めてやって来た。En: Haruto had come seeking peace of mind, escaping from the busy city life.Ja: 毎日の仕事に追われる中で、静かな心を取り戻すことが彼の願いだった。En: Overwhelmed by his daily work, his wish was to regain a sense of tranquility.Ja: ユキはこのリトリートでアシスタントを務めていた。彼女は自由な芸術家であり、更なる創作のインスピレーションを求めていた。En: Yuki, serving as an assistant at this retreat, was a free-spirited artist in search of further inspiration for her creations.Ja: 伝統的な木造の建物と瞑想庭園が広がる美しい場所。En: A beautiful place stretched out with traditional wooden structures and meditation gardens.Ja: 周囲には青々とした樹々と小川のせせらぎが響く。En: Surrounding it were lush green trees and the gentle murmur of a stream.Ja: そんな中で開催されるウェルネス・ワークショップ。En: In such surroundings, a wellness workshop was held.Ja: 参加者たちが心を整え、リフレッシュするための時間だった。En: It was a time for participants to organize their minds and refresh themselves.Ja: 初めて会った時、ハルトとユキはそれぞれ悩みを抱えていた。En: When Haruto and Yuki first met, both were carrying their own burdens.Ja: ハルトは会社のルールに縛られ、心がなかなか解放されなかった。En: Haruto was bound by company rules, unable to liberate his heart.Ja: ユキは逆に、自分の芸術の行き詰まりに戸惑っていた。En: Conversely, Yuki was perplexed by her artistic block.Ja: ある夜、ユキは急遽、月明かりの下での瞑想会を企画した。En: One night, Yuki suddenly organized a meditation session under the moonlight.Ja: ハルトも参加することにした。En: Haruto decided to participate as well.Ja: 心の中の抵抗を抑え、流れてくる感覚に身を任せることを決めたのだ。En: He resolved to suppress the resistance within his heart and surrender himself to the flowing sensations.Ja: 彼の決断は大きな一歩だった。En: This decision was a significant step for him.Ja: 月の光が柔らかく地面を照らす中で、ユキは自分自身の旅路を語り始めた。En: Under the soft illumination of the moonlight, Yuki began to speak of her own journey.Ja: 「私も迷っていた。けれど、一緒に探していきましょう。」En: "I was lost too. But let's search together."Ja: その言葉にハルトの心がほぐれた。En: These words eased Haruto's heart.Ja: 静寂の中、二人は深い瞑想に入った。En: In the stillness, the two entered into a deep meditation.Ja: そして、ハルトの心の中に不思議な光が灯った。En: And within Haruto's heart, a mysterious light kindled.Ja: 彼は自分自身を見つめる新たな視点を得たのだ。En: He gained a new perspective in looking at himself.Ja: ユキはその様子を見て、自分の創作への情熱が再び目覚めるのを感じた。En: Witnessing this, Yuki felt her passion for her creations reignite.Ja: その翌日、ハルトは都会へと戻って行った。En: The next day, Haruto returned to the city.Ja: だが彼の中には、毎日の小さな変化を受け入れる準備が整っていた。En: But now he was prepared to embrace the small changes of everyday life.Ja: ユキもまた、新たな創作のインスピレーションを抱えて絵を描き始めた。En: Yuki also began painting, carrying newfound inspiration for her creations.Ja: 二人はそれぞれの道を歩みながらも、アルプスのその場所で見つけたものを心に抱いていた。En: Though they each walked their own paths, they held close what they had found at that place in the Arupusu.Ja: 心の奥に静かに流れる小川のように、彼らの選択は人生を豊かにしてくれると信じていた。En: Like a quietly flowing stream deep within their hearts, they believed that their choices would enrich their lives. Vocabulary Words:retreat: リトリートspiritual: スピリチュアルmeditation: 瞑想assistant: アシスタントmurmur: せせらぎworkshop: ワークショップburden: 悩みliberate: 解放perplexed: 戸惑ってblock: 行き詰まりorganize: 整えresistance: 抵抗illuminated: 照らすjourney: 旅路surrender: 任せるsignificant: 大きなmysterious: 不思議なignite: 目覚めるperspective: 視点embrace: 受け入れるinspiration: インスピレーションcreate: 創作aspiration: 願いsurrounding: 周囲kindled: 灯ったnourish: 豊かにtranquility: 静かな心enlighten: 見つめるrenew: リフレッシュreignite: 再び目覚める
Former LSU standout, NBA veteran, and professional basketball player Johnny O'Bryant III joins the Krewe to discuss his unique connections to Japan, from playing for the Ibaraki Robots in Japan's B.League to founding Noir Caesar, his own manga publishing company. We explore his experiences living and competing in Japan, how a lifelong passion for manga grew into a business, and what it takes to balance life as a professional athlete and entrepreneur. It's a conversation about basketball, Japanese culture, creativity, and chasing passions both on and off the court. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Johnny & Noir Caesar ------ Noir Caesar Website Johnny on IG B.League Website ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Fluent Fiction - Japanese: Laughter & Tradition: A Tea Ceremony With a Twist Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-23-07-38-19-ja Story Transcript:Ja: 夏の朝、静かな日本庭園。En: A summer morning in a quiet Nihon teien.Ja: 太陽が優しく照らしている。En: The sun gently illuminates the scene.Ja: 風が涼しく、小さな鯉の池がきらめく。En: The breeze is cool, and a small koi pond shimmers.Ja: 庭の片隅には和紙で覆われた茶室があり、中には畳が敷かれている。En: In the corner of the garden, there is a tea room covered with washi, inside which tatami mats are laid.Ja: 晴空の下、ハルキとミズキは茶道の練習をしている。En: Under the clear sky, Haruki and Mizuki are practicing the tea ceremony.Ja: ハルキは伝統に真面目で、ミズキに茶道の手順を教える。En: Haruki, serious about tradition, is teaching Mizuki the steps of the tea ceremony.Ja: しかし、ミズキは笑って、お茶をこぼしてしまう。En: However, Mizuki laughs and spills some tea.Ja: 「待って、これどうするんだっけ?」ミズキはクスクス笑って小声で言う。En: "Wait, what do I do next?" Mizuki says with a giggle in a small voice.Ja: ハルキは肩を落としたが、笑顔を忘れない。En: Haruki drops his shoulders but doesn't forget to smile.Ja: 「集中して、ミズキ。En: "Focus, Mizuki.Ja: 手順は…」とハルキは言う。En: The steps are..." says Haruki.Ja: 彼は実は少し緊張している。教えるのは今まで経験がない。En: He is actually a little nervous, as he has never had the experience of teaching.Ja: ミズキはハルキを見て、少しだけ真面目に。En: Mizuki looks at Haruki with a slightly more serious expression.Ja: 「ごめんね、ちゃんとやるから。」彼女はお茶碗を手に取り、真剣な顔をしてみせた。En: "I'm sorry, I'll do it properly." She picks up the teacup and makes a serious face.Ja: しかし、お茶を注ぐとき、また少しこぼれてしまった。En: However, when pouring the tea, she spills a little again.Ja: ハルキは深呼吸をして、笑った。En: Haruki takes a deep breath and laughs.Ja: 「まぁ、ミズキ、それも技術のうちかな。」En: "Well, Mizuki, perhaps that's part of the technique too."Ja: その後、ハルキは思い立った。En: After that, Haruki gets an idea.Ja: 「もう少し楽しくやろうか?」彼は半分ジョークを混ぜて手順を説明した。En: "Shall we make it a bit more fun?" He mixes in a bit of a joke while explaining the steps.Ja: ミズキもそれに応え、少しずつお茶を上手に入れるように。En: Mizuki responds to this, and gradually becomes better at pouring tea.Ja: 二人は一緒に笑いながら練習を続けた。En: The two continue to practice while laughing together.Ja: 緑茶の香りが漂う中、鳥の声が優しく鳴り響く。En: With the scent of green tea wafting around them, the gentle sounds of birds chirp.Ja: 予想外の瞬間が訪れた。En: An unexpected moment arrives.Ja: ミズキは突然、茶道のすべての動きを完璧に再現した。En: Suddenly, Mizuki perfectly recreates all the movements of the tea ceremony.Ja: 静かに、一切こぼれず、流れるように。En: Calmly, without spilling a single drop, in a flowing manner.Ja: ハルキは目を見開き、「すごい、ミズキ!」と声を上げた。En: Haruki's eyes widen as he exclaims, "Amazing, Mizuki!"Ja: ミズキは微笑み、「実は最初からやりたかったの。En: Mizuki smiles, "Actually, I wanted to do it right from the start.Ja: でも、おかしくて。En: But it was so funny.Ja: 本当は完璧にやってみせたかったんだ。」En: Really, I wanted to show I could do it perfectly."Ja: ハルキは少し赤くなって、「僕も初めてだから、少し緊張してたよ。」En: Haruki blushes a bit, "I was also nervous since it's my first time."Ja: 二人とも笑いながらお茶を楽しむ。En: Both of them laugh as they enjoy the tea.Ja: その日、ハルキは知った。ユーモアを加えれば、何事も楽しくなる。En: That day, Haruki learned that adding humor makes anything enjoyable.Ja: ミズキも学び、集中することの楽しさを知った。En: Mizuki also learned the joy of focusing.Ja: 庭の景色が優しく彼らを見守る。En: The garden scenery gently watches over them.Ja: その清々しい空気の中で、二人は友達としての絆を深めた。En: In that refreshing air, the two deepened their bond as friends.Ja: お茶を楽しむひととき、心も和んでいく。En: Enjoying a moment of tea together, their hearts also find peace. Vocabulary Words:quiet: 静かなilluminates: 照らしているshimmers: きらめくcorner: 片隅room: 茶室covered: 覆われたmat: 畳laid: 敷かれているfocus: 集中giggle: クスクス笑ってshoulders: 肩nervous: 緊張experience: 経験expression: 顔properly: ちゃんとtechnique: 技術deep breath: 深呼吸response: 応えgradually: 少しずつpractice: 練習chirp: 鳴り響くunexpected: 予想外recreates: 再現calmly: 静かにflowing: 流れるようにexclaims: 声を上げたblushes: 赤くなるhumor: ユーモアbond: 絆peace: 和んでいく
What role do Japan Societies and Japan-America Societies play in strengthening the relationship between the United States and Japan? In this episode, the Krewe sits down with Dr. Joshua Walker, former President and CEO of the Japan Society in New York, to discuss U.S.-Japan relations, the unique impact organizations of all sizes can have at every level of cultural exchange, and why local interactions remain essential to the partnership between both nations. We also explore what the future may hold for U.S.-Japan relations and how individuals and communities can help shape it. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Joshua & Japan Society ------ Joshua's LinkedIn Joshua's Book -- Japan: Beyond the Genkan (Amazon) Japan Society (NYC) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Fluent Fiction - Japanese: Under the Lanterns: Wishes of a Summer Night in Nihon Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-07-16-22-34-01-ja Story Transcript:Ja: 夏の夜、静かな日本の小さな町が活気に満ちた音と色に包まれていました。En: On a summer night, a quiet, small town in Nihon was wrapped in vibrant sounds and colors.Ja: 七夕のお祭りが始まり、屋台が通りに並び、紙の短冊が風に揺れています。En: The Tanabata festival had begun, with food stands lining the streets and paper strips swaying in the breeze.Ja: 提灯の明かりが夜空をほのかに照らし、泣き止まない今夜の星に新しい願いが込められていきます。En: The light from lanterns gently illuminated the night sky, adding new wishes to the stars that wouldn't stop crying tonight.Ja: サトルは、幻想的なこの町の一角で、少し緊張した面持ちで屋台に立っていました。En: Satoru stood a bit nervously at his food stand, in a corner of this dreamy town.Ja: 彼の家族は古くから商売をしていて、今は彼が一生懸命に助けているのです。En: His family had been in business for a long time, and now he was doing his best to help.Ja: 特に今夜は、少しでも多くのお客さんに商品を買ってほしいと思っています。En: Especially tonight, he hoped as many customers as possible would buy their products.Ja: しかし、派手な装飾の他の屋台に比べると、サトルの屋台はあまりに地味でした。En: However, compared to the other stands with flashy decorations, Satoru's stand was quite plain.Ja: その頃、賑やかな人込みの中で、エミと彼女の友人ナオコが笑い声を交わしながら歩いていました。En: Meanwhile, amidst the bustling crowd, Emi and her friend Naoko walked, exchanging laughter.Ja: 初めてこの町のお祭りに来たエミは、すべてが新鮮で、目に映るものすべてに興味を抱いていました。En: It was Emi's first time at this town's festival, and everything was fresh, sparking her curiosity in everything she laid eyes on.Ja: やがて、ナオコが別の方向に歩き始め、エミは賑わう人波でナオコを見失ってしまいました。En: Eventually, Naoko began walking in a different direction, and Emi lost sight of her in the swarming crowd.Ja: 一瞬のパニック。En: A moment of panic struck her.Ja: でも、エミは探求心に満ちていました。En: But Emi's curiosity was unyielding.Ja: 一方、サトルも自信を失いかけていました。En: On the other hand, Satoru was starting to lose confidence.Ja: そんなとき、ひとり寂しく立ち尽くしているエミを見つけ、彼女に声をかけてみることにしました。En: At that moment, he noticed Emi standing alone and decided to approach her.Ja: 「大丈夫ですか?En: "Are you okay?Ja: 友達を見つけるのを手伝いましょうか?En: Would you like help finding your friend?"Ja: 」エミはサトルの優しさに心を打たれ、一緒にお祭りを回ることになりました。En: Impressed by Satoru's kindness, Emi decided to walk around the festival with him.Ja: 二人は笑顔を交わしながら、お互いの話をし、少しずつ心を通わせていきます。En: As they exchanged smiles and shared stories, they gradually opened their hearts to each other.Ja: 提灯の下、夏の夜風が心地よく二人を包みます。En: Beneath the lanterns, the summer night breeze pleasantly enveloped them.Ja: 「ここで願い事を書いたらどうですか?En: "How about writing a wish here?"Ja: 」サトルが空になったブースを見つけ、そこにあった短冊を指さしました。En: Satoru suggested, pointing to a booth with empty strips of paper.Ja: エミは笑顔でうなずき、お互いに思いを込めた願いを短冊に書き加えました。En: Emi nodded with a smile, and they both added their thoughts and wishes to the paper strips.Ja: すると、突然の夏の雨。En: Suddenly, a summer rain showered down.Ja: 二人は同じ屋根の下に逃げ込むと、雨の音に耳を傾けながらさらに近づいていきました。En: They rushed under the same roof, listening to the sound of the rain as they drew closer.Ja: 雨が止んだころ、エミはサトルに微笑みました。En: When the rain stopped, Emi smiled at Satoru.Ja: 「明日もあなたの屋台に行ってもいい?En: "Can I come to your stand again tomorrow?"Ja: 」エミはサトルの手を軽く握りしめました。En: She lightly squeezed Satoru's hand.Ja: 「もっと手伝いたいなって。En: "I want to help more."Ja: 」やがて、エミは無事にナオコを見つけました。En: Eventually, Emi safely found Naoko again.Ja: そして二人で夜空を照らす花火を眺めつつ、サトルに手を振り、再会を約束しました。En: Together, they watched the fireworks lighting up the night sky, waving to Satoru and promising to meet again.Ja: その夜、サトルの胸には新しい自信と思いが生まれていました。En: That night, a new sense of confidence and thought blossomed in Satoru's heart.Ja: 翌日、お祭りは続き、サトルの屋台にはエミの元気な声が響いていました。En: The next day, the festival continued, and Emi's cheerful voice echoed at Satoru's stand.Ja: 彼女の言葉が、サトルに確信を与えていたのは間違いありません。En: Her words undoubtedly gave Satoru confidence.Ja: 提灯の下で始まった物語は、まだ終わりではありません。En: The story that began under the lanterns was not over yet.Ja: 彼らの願い事と共に、夏の星空が輝いていました。En: With their wishes, the summer stars shone brightly in the sky. Vocabulary Words:wrapped: 包まれてvibrant: 活気に満ちたilluminated: 照らしnervously: 緊張した面持ちでbusiness: 商売flashy: 派手なamidst: その頃swarming: 賑わうstruck: パニックunyielding: 満ちていましたlose confidence: 自信を失いかけてimpressed: 心を打たれenveloped: 包みますbooth: ブースstrips: 短冊shower: 雨roof: 屋根listening: 耳を傾けながらconfidence: 自信echoed: 響いていましたundoubtedly: 間違いありませんfireworks: 花火gently: ほのかにthoughts: 思いcuriosity: 興味bustling: 賑やかなgradually: 少しずつenveloped: 包みますpleasantly: 心地よくbreeze: 風
Season 7 is here! The Krewe kicks off the new season with language learner & content creator Kyle Metcalf, known for his viral street interviews in Japan where he practices his Japanese through conversation... until he's fluent in Japanese! Kyle joins us to share his Japanese language journey, how real conversations helped him build confidence & move towards fluency goals, practical advice for overcoming the fear of speaking, and what goes on behind the scenes of his popular street interview videos. Whether you're just beginning to learn Japanese or looking for inspiration to take your skills further, this episode is full of insights, encouragement, & plenty of fun stories. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Kyle ------ Kyle on Instagram Kyle on TikTok Kyle on YouTube Kyle's TEDx Talk (YouTube) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
SURPRISE! Season 7 is almost here! The Krewe has been grinding away, putting together a jam-packed line-up of spectacular guests & intriguing episode topics. This preview is packed with sneak peeks at what's to come in Season 7. Some snippets include: - Interviewing Kyle Metcalf in English about interviewing people in Japan until he's fluent in Japanese - Discovering the roles of Japan Societies big & small with Dr. Joshua Walker - Exploring the intersection of manga & basketball with pro basketball player & entrepreneur Johnny O'Bryant III - Debating the benefits of solo travel vs group travel with YouTuber & travel expert Ryotaro Sakurai of LifeBridge & Umami Travel - Finding out if Japan really is safe with Jordan Green aka AfroInJapan - Unearthing opportunities for intercultural exchange through the Fullbright Program with Dr. Rose Honegger - Indulging in some Kabuki theatre with Larry Kominz - Tapping into the creativity of cosplay with Maria of Oz Costumes - Teaching Japanese through the J-LEAP Program with Aina Kondo - Hitting the hiking trails of Tohoku with Quinlan of Go North Japan This is only HALF of what's to come this season... we got a lot more still in the works but gotta keep that unwrapped! So stay tuned for our season 7 premiere on July 10, 2026 and stick around for the rest of the season to find out what else we have in store on Season 7 of Krewe of Japan Podcast!! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Who's gonna be nihon ichi kakkoii, the coolest guy in Japan, this summer? STRIGGA & Dylan first discuss New Japan Pro Wrestling's recent set of events going back to Dominion and the G1 Qualifier show in Korakuen Hall and then transition to early G1 predictions after going through both blocks. They rate the blocks, participants and the composition of the tournament itself as some of the entrants raise questions regarding the internal logic of some choices. Another big talking point addresses the future top guy and where guys like Aaron Wolf, Yuya Uemura and Yuto-Ice fit in. While The Eastern Lariat voices some clear criticisms about New Japan, All Japan Pro Wrestling is met with much more content as the direction of the company seemingly has changed significantly within the last few months. STRIGGA & Dylan praise the junior division, the way matches and rivalries are set up and how most wrestlers on the roster have a clearly defined role. Join in for a detailed look at the two legacy promotions in Japan!
The Japan Confederation of A- and H-Bomb Sufferers Organizations, or Nihon Hidankyo, is set to make a decision next year on whether to maintain or dissolve itself, with hibakusha atomic bomb survivors entering their twilight years.
"Nihon wa mou nagain desuka?" ---How would you reply? [✐2. Andante] います、すみます、すんでいます“Have you been in Japan long?”[00:08]Hello, everyone. How are you doing?Where are you living now? If you are in Japan, then you say;“Nihon ni sunde imasu.”, not “Nihon ni sumimsu.” All right?Note: “sundeimasu“ indicates an action that is ongoing.Repeat after me[00:26]1. Where do you live?2. I live in Kobe.3. Where do you live now?4. I live in Sydney now.5. Where did you live before?6. I lived in Hiroshima before.7. Where do you want to live?8. Well, I want to live in Kyoto.[01:55]Now, please answer as follows.Where do you live?Japan→ I live in Japan.Ready?[02:07]1. Where do you live?Osaka→ I live in Osaka2. Where do you live?New York→ I live in New York3. Where do you live now?Saitama→ I live in Ssaitama now.4. Where do you live ?Hongkong→ I live in Hongkong5. Where do you live?Kobe→ It's Kobe.or→ I live in Kobe.[03:43]Now, you got a call from a friend.“Where are you?”Let's answer as follows.Where are you now?In front of the station→ I'm in front of the station.OK?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「にほんは もう ながいんですか」[00:08]みなさん、こんにちは。おげんきですか。みなさんは、いま、どこにすんでいますか。にほんですか。それなら、「にほんに すんでいます。」といいます。「にほんに すみます。」では ありませんよ。OKですね。Note: “すんでいます“ indicates an action that is ongoing.Repeat after me[00:26]1. どこに すんでいますか。2. こうべに すんでいます。3. いま、どこに すんでいますか。4. いま、シドニーに すんでいます。5. まえは、どこに すんでいましたか。6. まえは、ひろしまにすんでいました。7. どこに すみたいですか。8. そうですね、きょうとに すみたいです。[01:55]では つぎのように こたえてください。どこに すんでいますか。にほん→ にほんにすんでいます。いいですか。[02:07]1. どこに すんで いますか。おおさか→ おおさかに すんでいます。2. どこに すんでいますか。ニューヨーク→ ニューヨークに すんでいます。3. いま、どこに すんで いますか。さいたま→ いま さいたまに すんでいます。4. どこに すんでいるんですか。ほんこん→ ほんこんに すんでいます。5. おすまいは?こうべ→ こうべ です。または→ こうべに すんでいます。[03:43]さて、ともだちからでんわがきました。「いま、どこに いますか。」つぎのようにこたえましょう。いま、どこにいますか。えき(の)まえ→ えき(の)まえにいます。いいですか。[04:00]Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.
Konichiwa! It's been a while! We're back better than ever, where we talk about ya know Nick's trip to Japan and Krysta's surprise!linktr.ee/discontinuedgravy
With the 2026 FIFA World Cup just around the corner, Dan Orlowitz re-joins the Krewe to preview Japan's tournament outlook. We break down Samurai Blue's final roster, key players to watch, group-stage matchups, and what a successful World Cup would look like for Japan. Plus, Dan shares his predictions for the tournament's biggest surprises, disappointments, and who he thinks will be lifting the trophy when it's all said and done. Whether you're a diehard soccer fan or a once-every-four-years World Cup viewer, this episode is the perfect primer before kickoff. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Sports-Related Episodes ------ Bridging Communities Through MLB Players Trust ft. Amy Hever & Chris Capuano (S6E18) Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E6) Meet the J.League ft. Dan Orlowitz (S6E4) Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16) The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10) Talking Sumo ft. Andrew Freud (S1E8) ------ About Dan Orlowitz ------ Dan's Socials & Writings J-Talk Podcast ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order. As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China's glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan's most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Alytaus Jurgio Kunčino viešoji biblioteka vykdo projektą „WAKU WAKU NIHON“ ir kviečia pažinti Japonijos kultūrą, tradicijas ir šiuolaikinį meną.
Almost exactly one year after Season 6's Expo 2025 deep dive with Sachiko Yoshimura, the Krewe closes the loop with two people who were actually there. Lea Disimone & Bridget McCarthy served as Youth Ambassadors at the US Pavilion during Expo 2025 Osaka, and they share what the program was really like from the inside, from a day in the life to the lasting impact it left on them. Two New Orleans connections, one world's fair, and a conversation worth the wait. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Episodes ------ Expo 2025: Japan on the World Stage ft. Sachiko Yoshimura [S6E2] Hanging Out In Hyogo ft. Rob Dyer of The Real Japan [S5E14] Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) [S5E5] Explore Matsue ft. Nicholas McCullough [S4E19] Travel Hiroshima ft. Joy Jarman-Walsh [S4E4] Travel Aomori ft. Kay Allen & Megan DeVille [S3E17] Hungry For Travel ft. Shinichi of TabiEats [S3E15] Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel [S3E12] ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Jared and Anne Ladyem (anneladyem.com) return to the world of live-action Yakuza adaptations with a new take on Yakuza 1 that is handled much better than the previous live-action adaptation.
With NASA's Artemis II mission sending humans around the Moon for the first time since the 70s, we're bringing back one of our favorite episodes from 2024. The Krewe sat down with Dr. Kate Kitagawa of JAXA for a fascinating look at Japan's role in the global space race: from SLIM's pinpoint lunar landing to Japan's partnership in the Artemis program and beyond. If the Moon is on your mind right now, this one's for you. ++++++ OG Show Notes ++++++ Prepare for lift off as the Krewe sits down with returning guest Dr. Kate Kitagawa of JAXA to look deep into the past, present, and future of Japan's space program! From pencil rockets & SLIM landers to international collaborative efforts, discover Japan's role in exploring the far reaches of outer space. ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past Episodes with Dr. Kate Kitagawa ------ The Age of Lady Samurai (S01E12) ------ Links about JAXA & Dr. Kate Kitagawa ------ JAXA (English) on Twitter JAXA (Japanese) on Twitter JAXA on Instagram JAXA (English) on Facebook JAXA (Japanese) on Facebook JAXA Website (Japanese) JAXA Website (English) ISAS (English) on Twitter ISAS (Japanese) on Twitter ISAS on Instagram JAXA on YouTube JAXA Space Education Center Website (English) MMX Game Lunarcraft Game SLIM The Pinpoint Moon Landing Game Kate's Book "The Secret Lives of Numbers" Kate's Website ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Pokemon Day 2026 is here! Celebrate the 30th anniversary of Pokemon with the Krewe by reliving the 25th anniversary of Pokemon! lol Digging deep in the vault to pull out a special Pokemon Day throwback to Season 1, Episode 3 of the podcast... where we have the WHOLE OG Krewe freshly hatched out of our podcast Pokemon egg! ++++++ In this episode, the Krewe gathers to discuss the iconic Japanese media franchise, Pokémon! Celebrating its 25th anniversary this February, Pokémon is the highest grossing media franchise in the world! From its anime and games, to trading cards and mobile apps, Pokémon truly unites people from across the world. Tune in to this episode to hear the krewe discuss the history, major moments, and each krewe member's favorite Pokémon! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Pokemon/Nintendo Episodes ------ The History of Nintendo ft. Matt Alt (S4E18) The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3) The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2) We Love Pokemon: Celebrating 25 Years (S1E3) Why Japan? ft. Matt Alt (S1E1) ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Fluent Fiction - Japanese: Snowfall Bonds: Satoshi's Journey to Connection Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2026-02-25-08-38-20-ja Story Transcript:Ja: 木々に積もった雪が淡い光を反射し、静寂につつまれた朝。En: The snow piled on the trees reflected a faint light, enveloping the morning in silence.Ja: 生徒たちは伝統的な旅館に着きました。En: The students arrived at a traditional ryokan.Ja: ここは日本の古い木造建築、温かな灯りがもれる玄関が美しい場所です。En: It was a place of beautiful Nihon-style old wooden architecture, with warm light emanating from the entrance.Ja: サトシたちの冬休みの学校旅行の始まりです。En: This marked the beginning of Satoshi's winter school trip.Ja: サトシは静かな男の子です。En: Satoshi is a quiet boy.Ja: 心の中で自分の本当の興味を探していました。En: Inside, he was searching for his true interests.Ja: クラスメイトと一緒にいることは、彼には少し緊張します。En: Being with his classmates made him a little nervous.Ja: しかし、今回は違います。En: However, this time it was different.Ja: 彼は新しい自分を発見したいと思っています。En: He wanted to discover a new self.Ja: その朝、旅館の庭を歩くと、エミが話しかけてきました。En: That morning, while walking in the garden of the ryokan, Emi spoke to him.Ja: 彼女は明るくて冒険心に溢れています。En: She is bright and full of adventure.Ja: 「サトシ、一緒に写真を撮ろう!」エミは楽しそうに言いました。En: "Hey Satoshi, let's take a picture together!" Emi said cheerfully.Ja: サトシは少し驚きながらも、彼女の誘いに頷きました。En: Surprised but willing, Satoshi nodded at her invitation.Ja: 昼間、みんなは温泉に行きました。En: During the day, everyone went to the hot springs.Ja: 蒸気が心と体を温め、リラックスできます。En: The steam warmed their hearts and bodies, allowing relaxation.Ja: ここでサトシはハルトと一緒になります。En: Here, Satoshi was with Haruto.Ja: ハルトはいつも冗談を言って周りを笑わせますが、実は何かに悩んでいる様子もありました。En: Haruto always jokes and makes everyone laugh, but he also seemed to be troubled by something.Ja: 夜になり、いよいよ節分の儀式が始まります。En: As night fell, the setsubun ceremony began.Ja: サトシは少し不安でしたが、「鬼は外、福は内」と大きな声で叫びます。En: Satoshi felt a bit anxious but shouted loudly, "Oni wa soto, fuku wa uchi" (demons out, luck in).Ja: 豆を庭にまき、悪いものを追い出します。En: He scattered beans in the garden to drive away the bad.Ja: 突然、サトシの口から心の中の悩みがこぼれました。En: Suddenly, his inner worries spilled out.Ja: 「僕はみんなが好き…でも、どう人とつながればいいのかわからない。」En: "I like everyone... but I don't know how to connect with people."Ja: 一瞬、静寂が流れました。En: For a moment, silence passed.Ja: しかし、エミが優しく微笑んでサトシの肩を叩きました。En: However, Emi smiled gently and patted Satoshi's shoulder.Ja: 「大丈夫だよ、私たちは一緒だよ。」En: "It's okay, we're all together."Ja: ハルトも「そうそう、みんな同じ気持ちだよ!」と続けます。En: Haruto added, "Yeah, we all feel the same way!"Ja: サトシの胸に温かいものが広がりました。En: Warmth spread through Satoshi's heart.Ja: 彼は自分が受け入れられていると感じました。En: He felt accepted.Ja: クラスメイトの支えと理解が、彼の心を明るくしました。En: The support and understanding from his classmates brightened his heart.Ja: 旅行の終わり、サトシは自然と笑顔が増えていました。En: By the end of the trip, Satoshi's smiles naturally increased.Ja: 彼はこれからもっとクラスメイトと話してみよう、と思います。En: He thought he'll try talking more with his classmates from now on.Ja: 旅館を後にし、彼らは深い雪の中を歩きながら、更に繋がりを深めました。En: Leaving the ryokan, they walked through the deep snow, deepening their connections.Ja: サトシは小さな声で言いました。「ありがとう、みんな。」En: Satoshi said in a small voice, "Thank you, everyone."Ja: エミとハルトは微笑みながら、彼の肩を抱きしめます。En: Emi and Haruto smiled and wrapped their arms around his shoulder.Ja: 雪はゆっくり降り続け、その下で新しい友情の種が生まれました。En: The snow continued to fall slowly, and beneath it, the seeds of new friendship were born. Vocabulary Words:piled: 積もったfaint: 淡いsilence: 静寂traditional: 伝統的なemanating: もれるquiet: 静かなinterests: 興味adventure: 冒険心cheerfully: 楽しそうにinvitation: 誘いrelaxation: リラックスtroubled: 悩んでいるceremony: 儀式anxious: 不安shouted: 叫びますscattered: まきworries: 悩みconnect: つながるpat: 叩きましたacceptance: 受け入れられているunderstanding: 理解brightened: 明るくしましたnaturally: 自然とconnections: 繋がりmuttered: 小さな声で言いましたfriendship: 友情seeds: 種beneath: 下marked: 始まりenveloped: つつまれた
The Krewe wraps up Season 6 with an episode looking back at the highs, the lows, & what's to come! Join Doug & Jenn for listener feedback and behind-the-scenes stories as they put a bow on the 6th chapter of KOJ Podcast! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
In the spirit of Carnival season, here's a special bonus rebroadcast of our Mardi Gras Super-Sized Special released in January 2025 about a unique connection between New Orleans, Japan & Mardi Gras that took place in 2024! ++++++2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi, legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------30 Years, 2 Cities: The 2024 New Orleans-Matsue Exchange ft. Katherine Heller & Wade Trosclair (S6E11)From Tokyo to Treme: A Jazz Trombone Tale ft. Haruka Kikuchi (S6E10)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
From Astro Boy to Gundam to real-world robots like ASIMO and Pepper, Japan's fascination with robots runs deep. This week, the Krewe is joined by author, cultural commentator, & robot enthusiast Matt Alt to explore how robots became heroes instead of threats in Japanese pop culture and how those sci-fi dreams quietly shaped Japan's modern relationship with technology, AI, and everyday automation. From giant mecha and cyborg icons to robot cafés and beyond, we dig into why Japan seems so comfortable living alongside machines in an episode that's equal parts nostalgia, culture, and future tech.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Matt Alt Links ------Matt's WebsitePure Invention - Publisher's PageMatt's NewsletterPure Tokyoscope PodcastMatt on IG------ Past Matt Alt Episodes ------Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History of Nintendo ft. Matt Alt (S4E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)Why Japan ft. Matt Alt (S1E1)------ Past KOJ Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Before fully diving into 2026, the Krewe takes a minute (or 64) to reflect on Japan in 2025, recapping & remembering the good, the bad & the wacky. From the top news stories of 2025 to the year's biggest pop culture stand outs, this episode covers it all!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! Get your very own JAPAN BEAR SHELTER------ Past KOJ Episodes Referenced ------Crash Course in Japanese Politics ft. Tobias Harris of Japan Foresight (S6E13)Social Media & Perceptions of Japan (S6E8)Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E5)Meet the J.League ft. Dan Orlowitz (S6E4)Expo 2025: Japan on the World Stage ft. Sachiko Yoshimura (S6E2)Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Japan 2021: A Year in Review (S2E13)Japanese Theme Parks ft. TDR Explorer (S2E4)Greatest Anime of All-Time pt. 3: Modern Day Anime (2010-Present) (S1E18)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
The Krewe sits down with Amy Hever, Executive Director of the MLB Players Trust, and Chris Capuano, former MLB pitcher & Chair of the Players Trust Board, to explore how MLB players give back through community-driven initiatives. Discover the mission of the MLB Players Trust, player-led philanthropy, & how baseball continues to bridge cultures between Japan & the United States through youth programs, education initiatives, & meaningful cross-cultural engagement beyond the field.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ About MLB Players Trust ------MLB Players Trust WebsitePlaymakers Classic Info & TicketsMLB Players Trust on IGMLB Players Trust on X/TwitterMLB Players Trust on LinkedInMLB Players Trust on Facebook------ Past KOJ Traditional Japan Episodes ------Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E5)Meet the J.League ft. Dan Orlowitz (S6E4)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Japan is often described as having “spirituality without religion”, but what does that actually mean? In this episode, author Hiroko Yoda joins the Krewe to break down how spirituality quietly shapes everyday life in Japan, from nature and kami to shrines, folklore, and even anime. With personal stories and insights from her new book, Eight Million Ways to Happiness, this conversation offers a fresh look at happiness rooted in connection, not belief.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ About Hiroko Yoda ------Pre-Order Eight Million Ways to Happiness Today!Hiroko's Blog "Japan Happiness"Hiroko on InstagramHiroko on BlueSkyHiroko on X/Twitter------ Past KOJ Traditional Japan Episodes ------Japanese Tea Ceremony: A Living Tradition ft. Atsuko Mori of Camellia Tea Ceremony (S6E16)Rakugo: Comedy of a Cushion ft. Katsura Sunshine (S6E1)The Castles of Japan ft. William de Lange (S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko Drummer (S5E13)The Real World of Geisha ft. Peter Macintosh (S5E7)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)The Intricate Culture of Kimono ft. Rin of Mainichi Kimono (S4E7)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
The Krewe is joined by Atsuko Mori of Camellia Tea Ceremony in Kyoto for a deep dive into the Japanese tea ceremony. Together, they explore the experience itself, the tools and etiquette involved, what guests can expect, and why preserving this centuries-old tradition still matters today.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Traditional Japan Episodes ------Rakugo: Comedy of a Cushion ft. Katsura Sunshine (S6E1)The Castles of Japan ft. William de Lange (S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko Drummer (S5E13)The Real World of Geisha ft. Peter Macintosh (S5E7)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)The Intricate Culture of Kimono ft. Rin of Mainichi Kimono (S4E7)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)Talking Sumo ft. Andrew Freud (S1E8)------ About Camellia Tea Ceremony ------Camellia Tea Ceremony WebsiteCamellia on X/TwitterCamellia on InstagramCamellia on BlueSkyCamellia on YouTube------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
The Krewe sits down with Chris Madere (Baird Brewing) & Chris Poel (Shiokaze BrewLab) to explore Japan's growing craft beer scene. They discuss how Japan's drinking culture evolved beyond the big-name breweries, what daily life is like behind the brewhouse doors, the challenges small and foreign brewers face, and the innovations shaping the future of Japanese craft beer. A fun, informative look at the people driving Japan's craft beer boom.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past Food & Beverage Episodes ------Shochu 101 ft. Christopher Pelligrini (S6E7)Craving Ramen ft. Shinichi Mine of TabiEats (S4E11)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Sippin' Sake ft. Brian Ashcraft (S1E19)Talking Konbini: Irasshaimase! (S1E3)------ About Christopher & Honkaku Spirits ------Baird Brewing WebsiteBaird Brewing on IGBaird Brewing on FBShiokaze BrewLab (Nobuto) on IGShiokaze BrewLab Stand on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
This week, the Krewe is joined by Loretta Scott (aka KemushiChan on YouTube Channel) for a personal, insightful, and often funny look at what it's like raising kids in Japan as an American parent. We dig into birth experiences, cultural differences from the U.S., unexpected parenting moments, and tips for families living in or visiting Japan. Curious about family life abroad or considering a trip to Japan with the munchkins? This episode is packed with helpful insight just for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Loretta on InstagramKemushiChan YouTube Channel------ Past Language Learning Episodes ------Inside Japanese Language Schools ft. Langston Hill (S6E3)Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Japan's political scene is changing—from new parties rising in visibility to historic moments in national leadership—so the Krewe is bringing you a timely crash course. Political analyst Tobias Harris (Founder & Principal of Japan Foresight) joins the pod to break down the foundations of Japan's government system, how it compares to the U.S., and why voters view politics the way they do. We explore the major and emerging parties shaping the landscape, the issues driving debate today, and how international pressures and global events influence domestic policy. Tobias also sheds light on the media's role in shaping public perception and political accountability.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Japan ForesightObserving Japan on SubstackThe Iconoclast on AmazonTobias Harris on BlueSky------ Past History/Society Episodes ------The Castles of Japan ft. William de Lange S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Step into the world of tokusatsu with Ultraman Max director Takeshi Yagi! The Krewe chats with Yagi-san about the artistry, imagination, and behind-the-scenes magic that bring Ultraman and Japan's iconic heroes & monsters to life. Discover how tokusatsu continues to inspire fans around the world.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Takeshi Yagi ------Takeshi Yagi on InstagramTakeshi Yagi on X/TwitterTakeshi Yagi's WebsiteTakeshi Yagi's Blog (JP)Takeshi Yagi's New Book (Releasing Nov 19, 2025)Wikizilla Page on AKARI------ Past Tokusatsu/Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Is this the end of J-Horror, or has the legacy, inspired a new batch of directors gained new legs? Marc Canale and myself dig in to find out through the American remake boom, South Korean cinema and a wealth of fresh Japanese talent.
I join here as a co-host to Marc Canale who will guide me through the origins of J-Horror. Together in this episode we begin our journey through the evolution of J-Horror, tapping into the history and early work of the originators of the genre and coming out the other side, I hope, fully prepped for the onslaught of what's to come. Holy Smokes, today we discuss the auteurs, three of the top directors during the J-Horror boom and the films they crafted that shook a generation of genre fans to their very core.
I join here as a co-host to Marc Canale who will guide me through the origins of J-Horror. Together in this episode we begin our journey through the evolution of J-Horror, tapping into the history and early work of the originators of the genre and coming out the other side, I hope, fully prepped for the onslaught of what's to come.Today we explore the franchises. The retellings. The Japanese inclination to rework stories, films, etc. So, hold tight as we dip into Godzilla, Zatoichi, Ring, Ju-on and Tomie & so much more.
I join here as a co-host to Marc Canale who will guide me through the origins of J-Horror. Together in this episode we begin our journey through the evolution of J-Horror, tapping into the history and early work of the originators of the genre and coming out the other side, I hope, fully prepped for the onslaught of what's to come.You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comFollow me on Instagram.Follow me on Letterboxd.
In this week's episode, joined by 2024 New Orleans-Matsue Sister City Exchange Program participants Katherine Heller & Wade Trosclair, the Krewe looks back & celebrates 30 years of friendship between Matsue, Japan & New Orleans, Louisiana... a sister city relationship built on cultural exchange, mutual curiosity, &shared spirit. Together, they reflect on their time in Matsue during the exchange program, their experiences with host families, and the deep connections that form when two communities separated by an ocean come together.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Past Matsue/Sister City Episodes ------Lafcadio Hearn: 2024 King of Carnival (S5Bonus)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about the Exchange ------2024 Exchange Program Info/PicturesShogun Martial Arts Dojo (Katie's family's dojo)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
I would like to thank Patreon member Xizer for suggesting this one, as Xizer put it “An in depth look at General Kanji Ishiwara would be interesting. The man was the architect for the Mukden Incident that led to the Second Sino Japanese War, but he was vehemently opposed to the abuse and exploitation Japan's colonialism indulged in. His vocal condemnation of the brutality and excesses of the Imperial Japanese military foreign policy and Tojo in particular led to his removal, but he couldn't be executed for popularity in the rank and file. Even at the trials after the war he remained defiant, declaring that President Truman should be tried alongside the Axis War criminals for firebombing Japanese cities. He was truly a fascinating figure. Indeed Kanji Ishiwara is a fascinating character and his story has a startling impact on the Pacific War and global history as a whole. Now by the time I am reading this the script got out of hand, its a long one haha, so it might have to be a multi parter, but I want to limit the first part to Ishiwara and how the Mukden Incident occurred first. It might come further down the road but I will finish the story of this fascinating man later on after hitting up more Patrons desired subjects, without further adieu enjoy part one of Kanji Ishiwara. Kanji Ishiwara was born in Tsuruoka, Yamagata prefecture on January 18th of 1889. He was the second son of a policeman who was a descendent of a samurai family serving the Shonai Domain. His clan supported the Tokugawa Shogunate during the Boshin War and as a result of their defeat, alongside other Shogunal allied clans would see themselves shut off from larger governmental positions in Meiji Era Japan. Not to go too deep down that rabbit hole, but domains like Choshu and Satsuma would see the lionshare of higher positions, while domains who served on the opposite side would be cast out more. Ishiware began his army career at the military preparatory school in Sendai at the age of 13, followed up by 2 years at the Central military preparatory school in tokyo. In 1907 he entered the military academy as a member of its 21st class. He left the academy in july of 1909 with the commission of Lieutenant and an assignment as platoon commander of an infantry regiment in Tohoku. After the annexation of Korea in 1910 his regiment was shipped over to the peninsula and he served at Ch'unch'on in a small garrison. After two years of occupation duty, Ishiwara returned to Tohoku and in 1915 passed the examinations necessary to enter the Army Staff college. He held an outstanding record, graduating top of his class in november of 1918 and would be amongst the elite ranks of the Gunto Gumi, receiving the imperial sword. Now in 1920 he had a frustrating assignment with the department of military training he applied for service in China and received an assignment to the Central china garrison in Hankow. He spent a year traveling through central china before returning back to Tokyo in 1921 where he worked as a lecturer at the army staff college. He sought another China assignment, but his superiors sent him instead to Europe, as they did with all their promising young officers. He went to Germany for 3 years, studying languages and military history. In 1925, he was now a Major, 36 years of age and he received an assignment to the faculty of the army staff college to lecture about the history of war. Now from the very beginning of his character, Ishiwara proved himself a very unconventional officer. He was on the eccentric side, quite argumentative and burdened with a lot of health problems. He had multiple kidney infections, gastro-intestinal problems, tympanitis and other ailments that clawed at him. You also cant forget his ancestry which was important to the Japanese military even in the 1930s. Many of those that came from a disgraced clan had the habit of going above and beyond in terms of imperial loyalty, sort of like a way to rid themselves of the stigma of distrust that was seen in the early Meiji years. Ishiwara was a bit bizarre, he was nonconforming, quite an independent spirit you would say. Many biographers of his point out, while he held an outstanding record in his education, this went alongside things like his disregard for military punctilio, such as his dress and appearance. In his early career he spoke out against inequalities he saw within the military such as what he saw as favoritism for staff college graduates. Such talk was quite reckless. He read a lot about politics, religion, history and philosophy, he seemed to have quite the restless mind. His behavior drew attention from his colleagues, many deeming him brilliant. Now everyone in any military has to learn about military history, but not all seek to learn it outside the required readings and such. Ishiwara is one of those rare individuals who was obsessed with learning more about military history. He read about the Russo Japanese war and took quite a critical look at it. He believed the Japanese victory was due to a large part because of luck. He thought Japan had taken the von Moltke strategy of annihilation, but Russia was simply to large to be dislodged from Asia with a swift stroke. If Russia had preserved herself better, he believed Japan would have lost and it was only by a peculiar set of circumstances that Japan had avoided a war of endurance. Ishiwara believed if such a set of circumstance occurred again, Japan defense planning would need to change dramatically to base itself on the realities of modern warfare. This led him to read thoroughly about WW1 in europe and he looked critically at the differences between a short duration vs long duration war. How prolonged conflicts eventually became total wars where politics, economics and social order played larger roles, than just that of the military. This led him to think of categories for different types of war such as “kessenteki senso / decisive war” and “jizokuteki senso / continuous war”. He viewed these two types as flowing back and forth throughout history, in a cyclical rhythm. While in Germany he studied Clausewitz, von Moltke and the works of Hans Delbruck. He was particularly taken by Delbrucks niederwerfungstragie “strategy of annihilation, the decisive battle” and ermattungsstrategie “the strategy of exhaustion”. He could see his own theorizes more fleshed out in such works and took quite a liking to them. This brought him to analyze the Napoleonic war as the archetype of the war of annihilation and the wars of Frederick the Great as that of a war of exhaustion. Now further on in his studies, Ishiwara became convinced like many of his colleagues, that Japan and the United States for reasons of power and ideology were on a set course for war. He also concluded such a war would be a protracted one, that of a strategy of exhaustion. But how could Japan prepare for such a protracted war when her natural resources were so clearly inadequate. This led him to think more so about Asia. Ishiwara believed Asia was an entity distinctly different from the west. He held beliefs that Asia should be liberated and unite. During the Xinhai revolution of 1911, as a young cadet in Korea, Ishiwara was quite excited by the idea China might revitalize itself, but he became disillusioned during his time in China later. In the 1920's he dealt with bandits, warlord era conflicts, chaos and disorder, seeing poverty everywhere, all of this shattered his image of China progressing and reforming herself. He wrote this during that time “Looking at the situation in China, I came to harbor grave doubts as to the political capacities of the chinese race and came to feel that, though they were a people of high cultural attainment, it was impossible for them to construct a modern state”. Despite how disappointed he was with the political problems of China, he was likewise disgusted with how his Japanese colleagues treated the Chinese. He recalled feelings of shame when he saw fellow colleagues in Hankow descending from rickshaws and tossing coins to the ground at the rickshaw mens feet. He would constantly write of how the Japanese needed to shed their racial superiority feelings, but funny enough he would write this alongside his beliefs it was necessary for Japan to help guide nations like China to their destiny. While he may have held beliefs in racial equality between Japan and China, he certainly did not think the same of China's politics. Like the majority of his colleagues he believed China required reform and modernization that Japan should usher in. To Ishiwara the issue at hand was if Japan did not help China, the west would aggressively do so and thus subjugate her further. To Ishiwara China needed liberation. Ishiwara also linked the incoming war between Japan and the United States to play a large role for what would occur between China and Japan. Ishiwara like many Japanese officers held beliefs concerning the Kokutai. I will try to summarize exactly what the Kokutai is, but honestly its a unbelievably complex cultural phenomenon. The Kokutai was a spiritual motive force that influenced the Japanese military. It can be viewed as the national character of Japan. Japan was a constitutional monarchy that held the Kokutai (national body or character) and Seitai (government body/structure). Thus there was in reality two ideologies, one held the traditional belief focusing on that of the emperor and that of the official government. If I were to give you a overly confusing summary, I would tell you “Japan is run by the emperor and the government simultaneously” this of course if confusing as hell, and it should be. Article 4 of the former Japanese constitution held “the emperor is the head of the empire, combining in himself the right of sovereignty, uniting the executive, legislative and judicial branches of government, although subject to the consent of the imperial diet”. Its like saying you have an absolute monarch, but he will be listening and following the democratically elected people. This contradiction would lead to the Pacific War. A large issue that would emerge is that the constitution literally said the navy and army were controlled by the Emperor and not the political diet. Thus many in the military viewed themselves subject to the Kokutai, which as an ideology would evolve dramatically from the Meiji era to the Showa Era. For example, what if you are a military high ranking officer who views the political elites as nothing more than criminals, taking the emperor hostage against his will and thus against the will of the Japanese people. Well this might lead you to try and overthrow the government to make sure the Emperor was really in charge as you think he should be. A real rabbit hole I could go down. Ishiwara had a unique view of the Kokutai. In his early education he wrote this about his doubt on understanding it as a principal. “Even though I, myself, because of my training…had come to have an unshakeable faith in the kokutai I began to lack confidence that I could imparts this belief to others –to the common soldier, to the civilian, to non-Japanese”. His issue was how did the Kokutai apply outside Japan? How could its value transcend the national boundaries and interests of Japan? If a Japanese soldier was to sacrifice his life for the Kokutai, how did this take on any meaning for men of all races? How could the kokutai's supra-national value by linked to other outside ideologies? Ishiwara found some answers to these questions in Nichiren Buddhism. It seems here he was able to combine his conceptions about war, history and national purpose. Now Ishiwara did not come from a religious family. He dabbled in christianity for a bit, but did not pursue it. Shinto likewise did not sufficiently fulfill Shiwara' beliefs. Nichiren Buddhism is strongly patriotic, has a apocalyptic character to it and represents a holy mission to be the religion for all mankind with the center of propagation as Japan. There was this kind of quasi idea of world regeneration behind it with Japan as the moral righteous leader. Thus as you can imagine the Kokutai and Nichiren buddhism sort of fit like a glove in many ways. Utilizing Nichiren Buddhism, the kokutai could be raised from its purely national dogma and be amplified to the entire world. Ishiwara was introduced to all of this by Tanaka Chigaku who was part of the Kokuchukai “national pillar society” a nichiren nationalist organization with an HQ in tokyo. After attending a public meeting held by Tanaka, he quickly converted to Kokuchukai and he would write down in his journal “I was attracted to the Nichiren faith's view of the kokutai”. Nichiren buddhism. One aspect of Kokuchukai's nichirenism that greatly appealed to Ishiwara was its combative passages. Ishiwara would justify and attribute much of the military force Japan used on the asian continent drawing parallels to Nicherns idea of drawing the sword to defend righteousness. He often quoted nichirens statement “that the significance of the art of war appears in the wonderful law”. Ishiwara become engulfed by the nichiren doctrine and came to believe in its prediction that there would be a “Zendai mimon no dai toso / titanic world conflict, unprecedented in human history”, something like a global armageddon. After this would come a reign of universal and eternal peace under the harmony of “the wonderful law”. While in Germany Ishiwara became convinced that if Japan and the United States were destined for war and the US won that war, the kokutai would be destroyed. He took the trans-siberian railway enroute back to Japan and stopped in Harbin. There he met with Nichiren believers and he spoke to them about his idea of “a final war”. He stated he believed it would come through religious prediction and his military analysis. He warned everyone Japan must hasten herself for it and that “the final war is fast approaching”. Ishiwara came back to Japan in 1925 fired up with conviction to lecture at the army staff college about his final war. His audience was the army's bright and youthful officers. He taught them Frederican and Napoleonic campaigns, Moltke and WW1 and of course his thoughts on the future conflict before them all. The Army staff college continuously called for him to expand his lectures because they were so popular. Then in 1927 he drafted an essay titled “Genzai oyobi shorai Nihon no kokubo / Japan's present and future national defense”. Here he spoke about the inevitable war between the US and Japan. These were quite provocative and took a hell of a lot of attention from colleagues. Later on in april of 1931, he would brief his fellow Kwantung officers using the essay, arguing the need for decisive action on the asian mainland. In 1928 he would have given another course on European war, but he came down with influenza and was forced to take leave. As he was getting better he was hit with a case of tympanitis in his ear and had to be hospitalized for 6 months. It was to be one of many ailments that would grind at his health. He eventually was drawn into an elite study circle to talk about war theories led by Major Suzuki. The group consisted of young reformist type officers who talked about political and military issues. He carried on his work on the final war and eventually wrote “Sensoshi taikan / general outline of the history of war” which was delivered as a lecture before Kwantung officers at Changch'un in Manchuria on July 4th of 1929. It would receive revisions in 1931, 1938 and became a book of the same title after 1941. As he began lecturing using Sensoshi taiken he also circulated amongst an inner circle within the Kwantung army “kokuun tenkai no konpon kokusakutaru man-mo mondai kaiketsuan / Plan for the solution of the Manchuria and Mongolia problem as a basic national policy to revolutionize our country's destiny”, what a title. As you might guess the plan called for occupying Manchuria in preparation for the upcoming war with America. By the way, all of his lectures and works would gain so much fame, he was asked in 1936 to adapt the materials for a text on military history for Emperor Hirohito. Now the 1930's were quite a tense time for Japan. The Japanese leadership saw Marxism everywhere, and believed it was withering away their nation. Japanese liberal types were arguing the military budget was out of hand, many were calling for reduction. To Ishiwara it was insanity, how could Japan not arm itself? Marxists preached communism would save Japan; Liberals preached true democracy would save Japan; Ishiwara and many in the army preached the Kokutai would save Japan. Ishiwara preached his final war theories and that the coming apocalypse would not see an American synthesis, but a supreme victory for the Japanese kokutai that would unify the world. “Japan must be victorious not for the sake of her own national interest, but for the salvation of the world. The last war in human history is approaching, Nichiren's titanic world conflict, unprecedented in human history”. From the offset of his initial theories, Ishiwara believed the final war would be a strategy of exhaustion. But WW1 and the 1920's brought technological advances such as tanks, poison gas and the airplane. The airplane in particular made Ishiwara believe the defensive stalemate seen in WW1 was coming to an end. Airpower could deliver bomb loads past all known defenses such as naval surface units, fortresses, armies with automatic weapons. He believed the final war would see absolute horrors brought upon the greatest cities of the world. London, Shanghai, Paris even Tokyo would be wiped out within a day of the commencement of hostilities. Air bombardment would deliver victory and he would be quite right about that in regards to what would happen to Japan. He believed such a war would be waged only once and “we will enter an age where war will become impossible because of the ultimate development of war technology”. Ishiwara argued Japan must directly or indirectly control Manchuria and to a lesser degree over parts of China. He asserted Japan had a moral obligation to the asian continent and a special relationship to Manchuria and China. China must be stabilized, for her people were threatened by turmoil, corruption and conflict. He argued Japan would be eventually obliged for the sake of peace and the welfare of the Chinese people to take a more active effort to stabilize her, particularly in Manchuria. He wrote in 1930 “To save China, which has known no peace, is the mission of Japan, a mission, which, at the same time, is the only means for the salvation of Japan itself. To accomplish this task it is an urgent matter that the interference of the United States be eliminated”. Ironically, he was advocating that in order to prepare for a conflict with the US, Japan must take a stronger hand in Manchuria and China…which would probably force the United States to confront her. He advocated against the strategy of a decisive battle at sea, instead emphasizing a continental strategy. “If the worst comes about and the war at sea turns against us, if proper measures have been taken, Japanese forces on the Asian mainland can be made self-sufficient and the war continued.” Above all else, Manchuria was the key, alongside parts of Mongolia and China. In 1931 he began writing about how China needed to reform and it would be in her best interest to accept Japanese guidance. He saw China as the most valuable ally to be beside Japan in the event of war with the United States. If anything he argued Japan must try to not become involved in a war with China, every effort should be made to avoid provoking such an event. Yet as he continued his writing he began to see the diplomatic issues play out between China and Japan and came to the conclusion, “every attempt should be made to avoid provoking China, but in the event that it is impossible to bring about China's understanding, then Nanking should be swiftly attacked and north and central China occupied” way to go 0-60. His attitudes to Britain and Russia were quite similar, every effort should be made to remain friendly, but in the case of war Hong Kong and Malaya should be quickly occupied or in the case of the USSR, predetermined objectives inside Siberia should be seized quickly. Now lets talk about Manchuria, specifically Manchuria in the late 1920's. Manchuria was in a huge tug of war between Russia, China and Japan. Her ties to China proper were severed by years of warlordism allowing Japan to grow her position. For Japan, the quote “manchurian problem” as it would be known centered on a single question “how to consolidate and expand it under Japanese influence in the face of an expanding China”. Japan saw 3 viable methods, taking control over the south manchuria railway, using the kwantung army and Japanese colonists, the good old filibuster approach. Each of these 3 methods offered different approaches to the same problem which of course would have very different outcomes. Controlling the railway allowed quite a lot of control over southern Manchuria. The issue with this of course being Japan having to constantly fight off Chinese political efforts against such control. Zhang Zuolin, the Tiger of Manchuria and arguably greatest of the warlords of China held control over Manchuria and was firmly acting in Japanese interests, but for how long would he play ball? To the Kwantung Army members operating in and around Manchuria, the northern expedition of Chiang Kai-shek was getting out of hand and threatening Zhang Zuolin and thus their interests as well. Anti-Japanese sentiment was only getting worse as the northern expedition climbed north. The Kwangtung army sought more than anything to assert and retain their control over Manchuria, because it offered a buffer against the USSR. Anything that threatened that control had to be dealt with. Ultimately it was believed by many in the Kwantung Army that Manchuria would have to be separated officially from China and in order for this to occur, Japan would most likely need to use force. Senior officers of the Kwantung army were invited in June of 1927 for a meeting called upon by Premier Tanaka Giichi. The purpose of the meeting was to formulate Japan's policy toward China and Manchuria. A more radical Kwantung army group headed by Colonel Komoto Daisaku sought to eliminate Zhang Zuolin, as he was increasingly being seen as a major obstacle to Japanese ambitions in Manchuria. Well they would do just that in 1928 when Zhang Zuolin was assassinated via a bomb placed on train tracks known as the Huanggutun incident. The assassination did not work out as the Kwantung Army officers thought it would. Instead of their groomed puppet General Yang Yuting taking up the role as leader of Manchuria, it went instead to Zhang Zuolin's son, Zhang Xueliang, who lets just say was not too happy the Japanese had obviously killed his father. Thus the Kwantung Army did not assert the forceful policy they wanted in Manchuria, they had actually made it worse for them. The half-hearted investigation into those responsible for killing Zhang Zuolin, led to the removal of Colonel Komoto from his post. Tanaka's cabinet was toppled. The Kwantung army were now embarrassed and angry that their stance in Manchuria was weakened. The Japanese colonists within Manchuria felt more threatened and called more so upon the Kwantung army for protection against Chinese nationalists wishing to kick them out. The Kwantung army was grasping at straws trying to think of a way to sever Manchuria from China. In 1928, Ishiwara was a lt colonel and he was consulted in length by Kwantung officers about his views on the Manchurian problem. While he had not fully hashed out his Final War theory by this point, he nonetheless spoke about the fundamentals of it, arguing the necessity of taking action to control Manchuria. For the next few years, all efforts were made by Kwantung officers to influence policy towards Manchuria. Ishiwara's ideas were being stimulated and influencing the debate over Manchuria amongst his high ranking colleagues. In October of 1928, Ishiwara sought and received an appointment to the Kwantung army staff. The assignment was to be as an operations officer and his number one backer was Colonel Komoto Daisaku. It seemed Komoto saw Ishiwara as the firebrand necessary to push the Manchurian policies they wanted. When Ishiwara arrived at Port Arthur, he found the Kwantung Army HQ in a state of confusion and demoralization. This of course was a large part due to the cluster fuck of a failure from the bombing of Zhang Zuolin. The investigation into the assassination led to many shifts within the Kwantung army staff, many quite restrictive. Even though Komoto's career was shattered by the Zhang Zuolin failure, he kept arguing to his colleagues that the Manchurian crisis hamukdend to be resolved by force. Ishiwara it seems agreed with this and during the early months of 1929 worked alongside Komoto, planning operations against Chinese forces in the Mukden area. By spring of 1929, Komoto was officially being kicked out. By May he was relegated to a divisional backwater in Japan and by June he was out of the army. This did not mean however that he lost influence on Manchurian affairs. Komoto's replacement was Lt Colonel Itagaki Seishiro and old comrade of Ishiwara since Sendai military preparatory school. For the next two and a half years, Ishiwara and Itagaki worked alongside other Kwantung Army staff to solve the Manchurian problem as they saw it. By the mid 1931's the idea Manchuria needed to be seized via force was now the mainstream viewpoint for the Kwantung army in general. Ishiwara believed firmly that Japan could no longer stand idle in Manchuria, because every day that went by saw little by little, Japan relinquishing rights and interests in Manchuria to China, and at some point they would simply be kicked out. To “quit manchuria” would be a national disaster, they would lose their buffer state, the resources and the land for their booming population to emigrate to. Simply put Manchuria was the steroid keeping Japan alive, she needed it to continue to grow. Ishiwara would often say “manchuria provides Japan with breathing space” where have we heard that type of talk before?. To the military heads in Tokyo Ishikawa would often assert Manchuria had to be seized via force, because of the soviethreat of the USSR and communism as a whole “In view of the traditional russian policy in that area, once the soviets advanced into manchuria, it would become a base for the communization of asia. Not only would the internal stability of manchuria become impossible to maintain, but Japan would be unable to maintain its own national defense, and China's defenses, too, would become imperialized". The Army HQ in Tokyo likewise agreed Manchuria was the vital defensive line against the USSR. But unlike the Kwantung army who sought all of Manchuria, the heads in Tokyo sought to absorb southern Manchuria via the south manchurian railway and did not seek anything north of it. Ishiwara however assumed the only way Japan could prevent the USSR from placing pressure on southern Manchuria was no less that Japan having to occupy northern Manchuria and even further north towards the Amur River so Japan could control the mountain ranges flanking western and eastern frontiers of northern manchuria. Once Japan controlled northern Manchuria, Ishiwara stated in 1931 “With the solution of our defense problems in the north, we would then be free to plan an advance in any direction: to China proper, for example, or even to Southeast Asia”. Ishiwara took all of this a step further, after Manchuria was conquered, Japan would have to somehow administer and pacify the peoples of it. Ishiwara argued the stability of Manchuria would be developed through the special talents of various races living there. The Chinese would develop the small businesses in the region, the Koreans would use their paddy farming knowledge, etc. These racial ideas would contribute to the development of Manchukuo and the greater east asia co-prosperity sphere. But above all else, Manchuria would serve the interests of Japan, many of which would be exploitative and economic in nature. By early 1930 Ishiwara and Itagaki worked out a plan using the same strategy used during the Russo-Japanese war, a surprise night attack. The Kwantung army would assault the Liaoning area hitting important Chinese garrisons. The plans had to be meticulous as the Kwantung army was severely smaller than most of the Manchurian forces led by Zhang Xueliang. Around Mukden alone Zhang held 20,000 men well equipped with aircraft and tanks. Throughout all of Manchuria, if a war arose, Zhang could assemble roughly 250,000 troops to bear down on an enemy. The Kwantung army meanwhile could muster 10,000 men which were basically garrison units around the railway. They did not have significant aircraft nor mechanized forces at hand, and were pretty poorly equipped to boot. Ishiwara's answer to the disparity in forces called for the use of intelligence and rigorous training. He sought to perfect specific assault techniques so that when the conflict broke out, the Japanese would use lightning speed and effective concentration of force to overwhelm the Chinese. The plan overall was remarkably simplistic, wagering everything on dealing a crushing blow at the center of Zhang Xueliangs military powerbase at the Peitaying barracks at Mukden. If this fell, he predicted the enemy's morale would break, giving the Kwantung the necessary military and psychological momentum to subdue the surrounding areas. If the USSR got involved, the plan would have gone to utter shit. One important variable Ishiwara highlighted was the necessity to pull off the operation before any attempt to restructure the domestic order in Japan occurred. Ishiwara knew his arguments and those of his colleagues would influence the heads in Tokyo, and they had to act before they did. However the heads at Tokyo and the Kwantung army held very different perspectives on when to act. In June of 1931 the Central army HQ stated in its General Outline of a solution to the Manchurian problem “we must defer the question of military action for a whole year. During this time the foreign ministry would attempt to dampen anti japanese activities in manchuria through negotiations with the government of Nanking. In the meantime the government would launch an information campaign to try and drive acquiescence at home and aboard for military action ”. Ishiwara as you can imagine was very bitter about the idea of prolonging for a year and argued the international environment meant they must strike immediately. The Soviet 5 year plan was still in mid course; the US, Britain and France had yet to overcome their financial crisis and could offer limited resistance in the far east and most obviously the Nationalist regime in China was still busy in its unification efforts south of the Great wall, but that would change soon. If they waited a year all of this would change for the worse, the time was now or never to Ishiwara. In july of 1931 Ishiwara and Itagki organized a final major staff reconnaissance designed to get the newest Kwantung officers up to date with northern Manchuria. To cover for what they were doing they told high command it was a survey against the USSR, but it was of course to investigate the Chinese power in northern manchuria. On their return trip, the party heard of the disappearance of one Kwantung staff officer, captain Nakamura Shintaro. Ishiwara and the others found out when they reached Port Arthur and the rumor spread that Captain Nakamura had been killed by Chinese soldiers under “mysterious circumstances”. Now over the past few months there had been violent riots, murders, work strikes and other incidents occurring in Manchuria. The Nakamura affair flared all of these tensions up. Seeing the paint on the wall, Chinese and Japanese foreign ministries tried to negotiate the issue, but those at the central army HQ like Nagata Tetsuzan who were sympathetic to the impatience of their Kwantung colleagues felt compelled to aid them. For Ishiwara the issue was clear as he wrote “the Nakamura incident adds just one more issue to the others. What the army should do now is to ignore the foreign ministry and solve the problem by taking matters into its own hands”. And that is just what he did. The Kwantung officers took their forces outside the railway zone, which they had been restricted to and without waiting for approval from Itagaki who was in Japan at the time, initiated the steps to despatch an armored train and a mixed regiment of infantry and artillery forces to go to Mukden to get the Chinese military to help investigate the Nakamura disappearance. Tokyo got word of this and dispatched a telegram to stop their departure from the railway and to not use the Nakamura incident as a way to use force to solve the manchurian problem. For Ishiwara this was the last straw. On August 20th he sent a message to Nagata condemning the current diplomatic situation and that negotiations were an utter waste of time. “There is no way to settle the matter except by placing it in the hands of the army. If central hq finds it so difficult to trust its field personnel then it had better replace them with representatives more suitable to the conditions it imagines to exist in Manchuria”. Ishiwara doubled down and pushed for a plot to provoke military conflict outside of Mukden. As he wrote in almost a messianic Nichiren conviction ‘I will be the pillar of Japan; I will be the eyes of Japan; I will be the great vessel of Japan” . “Gekokujo / ruling from below” is a Japanese historical term referring to when subordinates defy or manipulate their superiors. Ishiwara and his like minded close colleagues were about to perform Gekokujo. On september 18th, 1931 a bomb was planted by the Kwantung army on the tracks of the south manchuria railway at Liutiaokou and it exploded. Japanese troops under the guise the bomb was a “chinese terrorist attack” moved to swiftly overrun the Peitaying barracks. Ishiwara's plot had finally unfolded.
The Krewe sits down with Haruka Kikuchi, a Japanese jazz trombonist making waves in New Orleans. From discovering jazz in Japan to second-lining through the Crescent City, Haruka shares her story of finding home through music — and how jazz bridges cultures across oceans. ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Past Music Episodes ------S5E13 - The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko DrummerS5E10 - The Japanese Pop Music Scene ft. Patrick St. MichelS4E1 - Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo LensS3E14 - City Pop & Yu ft. Yu HayamiS3E1 - Exploring Enka ft. Jerome White Jr aka ジェロ / Jero------ Links about Haruka ------Haruka's Website Haruka on IGHaruka on FacebookHaruka on YouTubeGoFundMe to Help Support Haruka's Family------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
DIY Enthusiast & the man behind "Anton in Japan" YouTube Channel, Anton Wörmann joins the Krewe to talk about akiya, Japan's abandoned home phenomenon, and how he's transforming them into stunning spaces. We dig into what it's like to buy, clear out, & renovate an akiya and how Anton's journey from fashion to DIY restoration is reshaping what “home” means in Japan.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! (00:53:00)------ Past Home & Architecture Episodes ------S5E15 - Change in Urban & Rural Japanese Communities ft. Azby BrownS5E6 - Inside Japanese Homes & Architecture ft. Azby BrownS3E2 - Buying Real Estate in Japan ft. Ziv Nakajima-Magen------ Links about Anton ------Anton in Japan YouTube ChannelAnton on IGAnton in Japan Website & ResourcesAnton on TikTokAnton's Live Master Class on Oct 12 @ 10am JST (Sign Up!)Anton's Akiya Master Class Program------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Ōama, aka Temmu Tennō, ascended the throne in the Kiyomihara Palace--a rennovated version of his mother's Later Okamoto Palace. Here he ruled with a tremendous amount of authority, continuing the leverage the Ritsuryo system to centralize power in the throne. We'll look at the layout of the palace, and also talk a little bit about what life was like for the members of the court who were serving Oama, and the state at large. For photos, diagrams, and more, see our blog at: https://sengokudaimyo.com/episode-134 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is episode 134: An Image of the Court at Kiyomihara Maro sat under the eaves of the hall to which he was assigned. The journey from Mino hadn't been so hard, but he was still far from his family, back home. He knew as much as they did that serving at the court of the Great Lord was a tremendous opportunity. He would be at the heart of the court, in the presence of those running the country, and he could learn a lot from them. After passing his internship, he would have a chance to prove himself. If he worked hard, he could look forward to continued promotion, with the greater stipend and influence that came with it. Maro had no illusions that he would someday be at the top of the court hierarchy, but perhaps he could make some modest improvements in his station. His elder brother was expected to inherit their father's position back in Mino, but the court provided a different opportunity. Maro had always been a quick learner, and had learned to read and write at an early age, devouring whatever knowledge he could get his hands on – and that had helped make him that much more desirable to the court. Now he was learning the ins and outs of how it worked, mostly by doing odd jobs while observing the various interactions, the politics, and the rhythm of it all. Life at the Court really was something. And yet he still felt homesick. And so here Maro sat, looking out at the full moon in the sky, its light so bright that he barely needed any other illumination. Maro wondered at the idea that his family might be looking up at the same moon at the very same time. As that image took hold, he could feel in the experience a poetic verse. He took out one of the wooden slips used for labels and notes, scraped off the previous writing, and began jotting down his composition. He only got through a couple of lines before he heard his name being called, and since he was on night duty he put down the brush and the wooden slip. Poetry would have to wait. With everything put back away, he rushed off to find out what new task awaited him. So here we are, the year is 673 and we are at the start of a new era. Ohoama, aka Temmu Tennou, had defeated his enemies and was now in the process of taking the reins of power and officially ascending the throne. In so doing he was moving the capital from Ohotsu, on the shores of Lake Biwa, back to Asuka. Arriving back, he took up residence in what is called the Shima palace for a few days, presumably as they prepared the Okamoto Palace for him. At the same time, we are told that a “palace” was erected for Ohoama south of the Okamoto Palace, and this was called the Kiyomihara Palace. I'd like to spend this episode talking about this Kiyomihara Palace, and what life was like there, not just for Ohoama but for his new court. While we talked about some of the other palaces, this is perhaps one of the better known from the archaeological record, and it is the backdrop for so much that happens. Ohoama is even known as the Sovereign from Kiyomihara. So let's talk about what the palace consisted of, and what it was, and a little bit about what life was like there. In addition to that, we've discussed in previous episodes how Ohoama's ascension to the throne kicked off a whole new era in the evolution of the Yamato state, with numerous innovations and new paradigms in the idea of the ruler and the court and their relationship – so it's worth taking a closer look at the setting where all of that was happening, so we can try and put ourselves in the shoes of those doing the work, and understand their daily grind, as it were. There is unfortunately plenty about the Kiyomihara Palace that we don't know - it isn't like there is a detailed account of the palace in the records - but its ruins are probably the most complete of all those found in Asuka. This makes sense, given that it would have been built over the earlier palace sites. In fact, for the most part, the Kiyomihara Palace is just the Later Okamoto Palace, in other words where Takara Hime, aka Saimei Tennou, ruled, but updated and expanded to fit Ohoama's and his court's needs. Archeological work in Asuka has done some tremendous work to help us understand the Asuka Palace Site. By studying the various post holes, ditches, and other evidence, along with occasionally discarded items, we have a general idea of the palace's shape, and when we combine this with what we know from other sites—the Naniwa Palace ruins in Ohosaka, the Fujiwara palace ruins in Kashihara, and the Heijo-kyo ruins in Nara, among others—along with an understanding of how palaces were being built on the continent, we are able to piece together what we think was going on. Of course these interpretations aren't unanimous, and there are parts that scholars will no doubt quibble over—such as the use of the Ebinoko compound, which I'll talk about in a bit—but in general we have a picture of what things probably looked like, at least from a layout perspective, and how the site may have been used. To start, let's go back for a moment to the Toyosaki Palace in Naniwa, the first palace purpose built for the new governmental system being brought over from the continent. This was the palace of Karu Ohokimi, aka Koutoku Tennou, uncle to Naka no Ohoye. It was built in the aftermath of the Isshin Incident of 645, an architectural centerpiece of the Taika reforms. As you may recall, this was a massive undertaking. This palace was largely rectangular, and consisted of three compounds from south to north, ranging from most to least public. Most people would enter from the south gate, later known as the Suzaku-mon, the gate of the crimson bird of the south, a pattern that would generally hold true for other palaces. Entering the compound, you would find yourself in the Choshuden, a space holding two pavilions with several rooms where officials could change into or out of their official robes. The gates to the Choshuden would open at sunrise for the clerks and functionaries would enter. At the northern end of the Choshuden was the Southern gate of the Chodoin, the main working area of the court. There were 14 halls, or Chodo, each one dedicated to a different ministry. The size of these halls varied, likely based on importance or at least the size of their government portfolio. Most of the middle area of the Chodoin was open, but at the northern end was the gate to the Dairi, the inner palace. This gate was flanked by two octagonal buildings, and it led to an area between the Chodoin and the Dairi where there sat the building that would become the Daigokuden. This was the main audience chamber for meetings with the sovereign, who would preside and make pronouncements in the early morning hours, at the start of the day. To the north of the Daigokuden was the rest of the Dairi, where the sovereign's personal quarters lay, including the quarters for his consorts and children, maintained by his personal servants.And there were other gates into and out of the Dairi—after all, the palace was so large you didn't want to have to go through the Choushuden and Choudouin just to get to the sovereign's quarters. Those who lived in the Dairi and those who worked there would be able to have their own entrances and exits. Let's contrast all of this with the Okamoto Palace in Asuka. More precisely the Later Okamoto Palace. This was the successor palace to the Itabuki palace, both of which were built for Takara Hime, aka Kougyouku—and by this point Saimei—Tennou. In fact, Itabuki palace burned down at the end of 654, just as Takara Hime came to the throne a second time. This palace was, in total, maybe the size of the Chodoin of the Toyosaki Palace, if that. For one thing, there wasn't as much flat land easily available in the valley, but for another, the builders maybe didn't think they needed quite that much space and that many buildings. You see, while the Toyosaki palace in Naniwa was likely meant to model the kind of infrastructure necessary for the Tang court, in Chang'an, Yamato was still building up its fledgling bureaucracy. It wasn't like there were a flood of reports and correspondences coming in from all over the archipelago that had to be handled by an army of clerks. At least not yet. The Okamoto palace, from what we can tell, was also a rectangle, once again facing south , on the east side of the Asuka river. This palace did not necessarily have the same kinds of dedicated spaces as the Toyosaki Palace. The main gate that we know of was in the south, leading to a courtyard with another building—possibly the Ohoandono, alternatively the Ohoyasumidono or the Daianden. This may have been an audience hall for meeting with public officials. The ground here was covered in gravel, a fairly common thing for palace compounds. Though we don't know exactly what the buildings looked like, we have some idea based on the size and number of post-holes. We also haven't found any ceramic tiles in or around the ruins so far, which suggests that Okamoto Palace did not have ceramic tile roofs as were common on temple architecture, but instead were likely covered with wooden shingles, like the Itabuki Palace that used to be in relatively the same spot. From an archeological perspective, any tiled building of this size leaves a lot of indications behind: over the years tiles fall off, break, get buried, etc. Even if, as was common, the court meticulously dismantled the buildings down and reused as much as they could, we would still expect to see some tiles or tile fragments in the ground where the pillars are found, and yet we find nothing of the sort. To the east and west of the Ohoandono were long, narrow structures, oriented north to south rather than east to west. These are thought to have been the offices where government officials could do their work. Moving into the northern section of the palace, the ground was paved with river stones. There were two large buildings with small wings, running east to west, lengthwise, and situated on the same line as the Ohoandono. These may have been what have been called the To no Andono, or outer Hall, and the Uchi no Andono, the inner hall, and they would have been used for ceremonies for those of the appropriate rank. The middle hall it seems was modified from its original form. While it was similar in size and footprint to the hall north of it, the western wing of the southern hall at some point was destroyed—whether on purpose or accidentally—and it was replaced with what appears to have been a pond. On each side of this central area we see more space for buildings, but only some of the post holes have so far been uncovered. There were other buildings further in the northernmost third of the compound that were likely for the sovereign's private usage, as well as a well, and what may have been a building for some kind of semi-private religious ceremony. This palace, the Okamoto Palace, was essentially what Ohoama started from when he relocated the capital back to Asuka – but when he ascended to the throne, he did make a few changes. Most notable was the creation of something called the ebinoko-kuruwa, the Ebinoko enclosure. This was to the southeast of the main palace, and had a rectangular wall surrounding one large building and two smaller ones. Interestingly, the buildings would appear to be oriented in a symmetrical shape that would suggest a southern entrance, like the other palace compounds we've been discussing, and yet the gate was to the west, opening to the area between the Ebinoko enclosure and the main palace. And based on postholes and other evidence, there appear to have been at least four other rectangular buildings stretching out to the south, outside of the walls. Some have theorized that the large building in the Ebinoko was an early form of the Daigokuden, a ceremonial hall where Ohoama held court, rather than reusing the facilities of the old Okamoto palace. Alternately, perhaps it was actually more like the buildings of the Chodoin in Naniwa, where the different departments of the court actually did business, but here with all of the officials working in one, single building. A third idea that others have suggested that this was actually Ohoama's private residence—again, somewhat odd given the size and shape and the fact that there were the seemingly larger facilities of the Okamoto palace already right there for the taking. So which is it? We do have a clue in the record of the 15th day of the 9th month of 672, and the lines following it. According to the Aston translation of the Nihon shoki: He removed his residence from the Palace of Shima to the Palace of Okamoto. In this year a Palace was erected south of the Palace of Okamoto, and the Emperor removed his residence thither that same winter. This was called the Palace of Kiyomibara in Asuka. So it does seem like something was built south of Okamoto and that is where Ohoama resided. It is somewhat uncommon for a sovereign to reuse an old palace like this. Traditionally, sovereigns had regularly moved to new palaces, seemingly because of the attempts to avoid ritual pollution associated with death. Of course, it had been a while since Takara hime had passed away, and Naka no Ohoye had moved everything to Ohotsu, but nonetheless, is it possible that the Ebinoko kuruwa was built to, in some way, give Ohoama new quarters? We may never know for sure. There are plenty of inconsistencies. For one, if it was meant as a residence, I would expect more buildings for his consorts and others. There are also some things to note about the account in the Nihon Shoki. For one thing, although the initial account calls this the Kiyomihara Palace, the Chronicles also suggest that it wouldn't actually get that name until the 20th day of the 7th month of 686, about 14 years later. That record describes how a new era name was also announced: the Akamitori, or red bird, era. I don't want to get too much into it right now, but suffice it to say that a red, three legged crow is often depicted as the symbol of the sun; and the important south gate of the palace, the Suzaku-mon, is named for the vermillion bird of the south, one of the four guardian animals. When this era name—more commonly read as “Shucho”, today, since era names are commonly red in on'yomi reading rather than kun'yomi—well, when it was declared, we are told that the palace was titled the Palace of Kiyomihara of Asuka. What are we to make of this? Well, today, it is assumed that the Kiyomihara palace refers to the Okamoto Palace starting from the creation of the Ebinoko-kuruwa and its occupation during what is assumed to be Ohoama's rule. Earlier in the Nihon Shoki we are told that Ohoama was known as the Kiyomihara sovereign, and so even though that name technically wasn't applied to the palace until later, it makes some sense just to assume it applied from the start of Ohoama's renovations. One more thing that I would point out. While we talked about the original Okamoto Palace and the newly built Ebinoko enclosure, they were arranged as though around a large open area, like a courtyard. The original palace stood at the north, where one could enter the south gate of the palace, and then the Ebinoko enclosure sat on the east side of the courtyard, with its western gate between the two. The southern and western sides of the courtyard, on the other hand, followed the snaking flow of the Asuka River. From about 675 to 681, on or about the 17th day of the first month of the year, it's recorded that the court held an annual archery shoot in the court of either the West or South Gate—which would seem to refer to this large area. This makes sense, as the space is large enough to accommodate plenty of room for the range and for others to watch The archery exhibition was held here, in the space between the two compounds, like clockwork until 681, when we are just told that it was held in the “Courtyard”, which feels like it is referring to an area inside the main compound of Kiyomihara. There are no more mentions of the tradition after 681, though there is an archery shoot in front of the South Gate on the 5th day of the 5th month of 685, but that was probably done as part of the regular 5/5 celebrations—a holiday today known as Kodomo no Hi, or Children's Day, but more traditionally known as Tango no Sekku, the Iris festival. Some form of celebration on this date seems to have occurred throughout East Asia up until the modern day. Whether the archery stopped or just became such a standard thing that it was no longer noteworthy in the record, I can't really say. However, one can possibly imagine what it was like, with all of the courtiers out there watching as the arrows shot down the field. The occasional twang of bows and the faint whistle as it sped towards its target, hitting the target with a sharp thwack. Murmurs from the crowd regarding how well—or how poorly—any given person was doing. Beyond the courtyard and what we know of the two compounds—the Kiyomihara palace and the Ebinoko Enclosure—there is plenty still to discover. There were likely other compounds around the palace, possibly as an extension of the palace. And then there were the temples: west, across the river, was Kawaradera, and north of the palace and surrounding compounds was Houkouji, or Asukadera. There is even some evidence on the northwest edge of the compounds, southwest from Asukadera, of an ancient garden surrounding several manmade ponds. And so, the entire valley appears to have been filled with buildings and official spaces , running up against and being constrained by the natural features of the valley itself. As I mentioned above, there just isn't that much buildable space in the Asuka valley, compared to other places like Naniwa. And this contributed to one of the other problems that the court would have experienced: according to tradition, the front of the palace and other buildings were all oriented south, but for this location, this meant that they didn't face the expansive fields of the Nara basin, but instead they faced the mountains themselves. All in all, there was not much room here to grow, and yet the government and the court had grown, at least by all accounts. Though, how much had the court grown? Maybe not as much as we might expect, despite Ohoama's ambitions. First of all there had been the purge of the powerful ministers at the head of the Afumi court, but there are some startling omissions in the records from the beginning of Ohoama's reign. There is no mention of the Daijin, or Great Minister. There is no Minister of the Right or Minister of the Left. There is no Inner Minister, and there is no Great Minister of State. There are mentions of the “kugyou”, or “Ministers of State”, which traditionally includes the Daijin, but there is no mention of the Daijin, suggesting that the “kugyou” of this time may have only referenced the heads of the 8 ministries of the Dajokan, the Council of State. What does this mean? Many scholars interpret this period as a time of extremely centralized power. Coming off of his military victory, Ohoama seems to have ridden a wave of support and control. Combine that with the continued absorption of Tang dynasty propaganda-slash-government theory that saw the sovereign—the emperor—as the central authority, and one can see how Ohoama may have been able to do something that few sovereigns in Japanese history were able to actually do, which is to wield real power. This may seem odd for a position translated into English most commonly as “Emperor,” but as we've seen, in glimpses through the way they are depicted in the Chronicles, or through the archaeological record, which shows different loci of power and authority across the archipelago in ancient times, the Ohokimi, later dubbed the Tennou or Sumera no Mikoto, was not necessarily all powerful. Not only did they have to contend with rivals to the throne, but even various court nobles who made their way into the centers of power. From figures like Takeuchi no Sukune, to the Ohotomo, the Mononobe, and more recently the Soga—in all of these cases various nobles often held considerable power, though often in tension with one another. Sources of authority also varied. There were the individual religious centers through which families exercised some ritual authority, while there was also more secular authority in the various court positions. The Ohokimi certainly were respected, from what we can tell, and had a powerful source of authority going back to at least the holy kami of Mt. Miwa. They even spread that authority through their kannushi, their priests, which they sent out as an extension of the state. But they weren't entirely independent, either. But Ohoama seems to have reached a point where he did hold a tremendous amount of authority. Because there is another telling omission from the chronciles: we don't see any more Soga members. With the death of Soga no Akaye, the Soga family's influence seems to have disappeared this reign. We also don't see that much about other prominent families compared to earlier: we see the Mononobe as ambassadors, and we see the Nakatomi are still conducting rituals. But we don't see any of them rising to the same positions as their forebears. Instead, we see a lot of focus on the Princely class—those members who claim some descent from a previous sovereign, or even the current sovereign, and how they, themselves, are divided up with their own system of ranks that are outside the civil service ranking system. Speaking of civil service, it does always strike me that the ranking systems of various east Asian courts very much resemble the way that, even today, many modern bureaucracies create wage scales for their civil servants. In the US the most common such scale is the GS or “General Schedule” pay system. In that system, positions are associated with a particular grade, between 1 and 15, and federal employees are also referred to in terms of those grades. Grade typically reflects some level of seniority and pay. It isn't a one-for-one analogy, of course: the court ranks in Yamato were handed out by the sovereign, or at least through their authority, as were the various court positions, though I doubt that Ohoama was spending much personal time approving promotions for a low level clerk writing down inventories and suchlike—but who knows. But it does emphasize that this system is built to be a centralized bureaucratic monarchy, based on the continental model, and it now seems to have come into its own. The court seems to have bought into the idea, and now, intentionally or not, much of their own position in society was directly tied to the autocratic whims of the monarch, or Ohoama himself. Indeed, some of the first records from the year 673 are focused on the court and court system. The very first thing this entailed: a banquet on the 7th day of the first month of the new year. We are told that it was a “drinking party” or “shuen”, and boy does that draw some parallels with modern Japanese companies. We aren't exactly given the form of this party, but we do have later examples. There was likely a formal start, with various nobles set out at assigned seats based on their rank. It was an official event, so officials would have been expected to wear the appropriate clothing, including their caps of rank, letting everyone know exactly who's who, and reinforcing the social hierarchy imposed by the rank system in the first place. I suspect that it started with ritual and formality. Later, you would have the after party, where people might more freely mingle and drink and recite poetry. This was both an official and social occasion, because there really wasn't much of a line drawn between the two. As a ritual, it displayed Ohoama's power over the state through his ability to host them all. As a social function it was an important time in the political life of the court, where everyone was together, and you could find your cliques and supporters. Drinking alcohol, while being something that many enjoy for its own sake, was also a kind of religious observance. Sake was made to be offered to the kami, as well as to be used at parties. It was made from rice, the staple on which the agricultural success of the archipelago was based, and which held a particularly sacred place in other rituals and ceremonies. And then there was the poetry. As would be true for much of Japanese history, poetry infused all aspects of life at the court, and being able to compose good poetry was just as important to one's social standing as reading, writing, and other such skills. There were generally two kinds of poetry practiced at the court. There was the traditional Japanese poetry, or waka, with alternating verses of 5 or 7 syllables—more properly morae, but no need to get into that. Then there was poetry composed in the Sinitic style. Known as “Kanshi”, which translates directly as “Han Poetry”, this mimics the poetic forms brought over in literature from the continent. It required a certain amount of education to be able to compose and was based on the characters, or kanji, used. Kanshi can generally be divided into at least two categories. There is the Kotaishi, or the Old Style Poetry, which consists of poetic form used prior to the Tang dynasty. Then there is Kintaishi, or Modern Style Poetry, which is based on the forms from the Tang dynasty and later. Kintaishi is usually recognized for adhering to more rules of structure and composition, usually using lines of 5 or 7 characters, while Kotaishi is more fluid and less concerned with specific rules and rhythms. Poetry was also not necessarily a solo activity. It was common in later eras to arrange poetry competition, where the court would divide itself, much like the bureaucracy, between the Left and the Right. Each group would compose poetry, often on a set theme, and then put up the poems they felt were the best against those of the other side and then the entire court would listen and judge. The only tangible reward, assuming the sovereign was not so moved as to do something extraordinary, was bragging rights. And yet, that social capital was important among the nobles of the court. Image was extremely important to individuals, and embarrassment could be a political death sentence. And so many would work hard at these poems to make sure that they were the best they could be. At this point, though, we are still in the early years of many of these traditions. The poetry that we have appears to be less formulaic than we see in later eras, when there were so many precedents to which one was expected to adhere. Poems could be about feeling and were not required to hearken back to previous poems and poetic allusions. By the way, official events like this are also one of the ways that we get compilations of poems, later on. These events would get transcribed and then later those poems would be referenced, particularly if they were noteworthy or by noteworthy individuals. This kind of event may have been where a lot of the poems from works like the Man'yoshu and the Kaifusou, the earliest compilations of Waka and Kanshi, respectively. At some point I”d love to dig into the poetry more in depth, but for the moment, I think it is best to leave it there. Now besides one's skills at poetry there were other skills that the court was interested in. The court system that they had lifted from the continent was based, at least theoretically, on the idea of a meritocracy. The monarch, of course, was judged to be worthy to rule through the mandate of Heaven, which often demonstrated itself early in the regime through the Emperor's forces defeating their enemies, much as Ohoama had defeated his rivals in the Afumi court. However, for the rest of the government, the sovereign needed to make sure that he had qualified individuals. From an early point in history, people recognized that not everyone born into power and wealth was necessarily the best person to help run things. If you could only find those of the greatest intellect, discernment, and moral compass, then those are the ones you would want to have running things, right? And this is fine in theory. However, determining who has those qualifications can be a bit tricky. We talked about this back in episodes 71 and 72 when we talked about the Han dynasty more generally. In that case, while the civil service exam was open to any person, the reality was that only those with enough wealth and leisure time could afford to study to take the test. And so while it did open up opportunities for some, it did not truly apply equally across all classes of people. And this was likely fine with most of the ruling class at the time, since there were also still theories that there were different classes of people, and it simply reinforced their ideas that those in the lower classes just didn't have the same capabilities that they had. In the Yamato court early in Ohoama's reign it isn't clear to me exactly how individuals were being chosen for service. We know that rank was handed out as a reward for service, varying with the individual. Ohoama handed out rank at the end of 672 to those who had helped him to come to power, and then, on the 29th day of the 2nd month of 673, just two days after he formally ascended the throne, we are told that he conferred cap-rank on those who had performed good service, each according to their situation. Of course, that is about how promotions were rewarded. But what about how people entered into service in the first place? How did you get introduced to a job in the bureaucracy in the first place? Well for that we have Ohoama's pronouncement on the first day of the fifth month. He addressed the court and set it up as follows: First, anyone who would take a government position would begin their career as an “ohotoneri”. These were low level functionaries who supported the various bureaus as guards, messengers, and whatever else was needed. Previously, this all would have fallen under the general term of “toneri”, who were those members of the nobility who had been sent to serve in the royal palace. Aston translates this as a “chamberlain”, and thus equates oho-toneri—literally “great toneri”—as “high chamberlain”, though I'm not sure if that was actually the distinction or not. It looks like the term “toneri” itself may pre-date the Ritsuryo system, but now was being more standardized, with expanded categories of “toneri” within the system itself. Interestingly, there is only one other example I could find of Ohotoneri before the reign of Ohoama and that was in the account of Waketakeru no Ohokimi, aka Yuryaku Tennou, which makes me think that might be an anachronism. We definitely see “toneri” used since just before that reign and continuously onward, and we see them in regards to not just the royal house, but as the functionaries and servants in various places and for other aristocratic families, but the “ohotoneri” seem to have been specifically connected to the royal family… and thus the state. Ohotoneri, despite being quote-unquote “great” toneri, were at the relative bottom of the hierarchy. They were the night shift, the guards, the messengers, and the general go-fers. They were essentially paid interns. As they did their tasks, they were learning about how the various offices and ministries worked, and they were demonstrating their own aptitude. Based on how they did, they would then be assigned to various offices as seemed most suitable. There were also offices that were staffed by women. Though separate and distinct, women also had a role in the palace and thus the maintenance of the court and the state. They were to be selected for service regardless of their age or even whether they were married or not, but they fell under a separate set of rules from the men, because, well, patriarchy. So that's what happened when people were selected to serve, but who was selected? The chronicles don't say explicitly until a decree about three years later in the 4th month of 676, when it was decreed that all those from provinces outside of the Home Provinces could enter the service of the sovereign, no matter their family's rank, whether Omi, Muraji, Tomo no Miyatsuko, or Kuni no Miyatsuko. They would also allow men of quote-unquote “distinguished ability” enter service, even though they were commoners. From that we can surmise that when they are talking about “all” people really they are talking about “all” the nobility—the only people for whom the Nihon Shoki was really intended, if you think about it. Thus, logically it would seem that prior to this only members of the nobility were allowed to enter government service—but there is even more. Because before this pronouncement in 676, only people in the Home Provinces were theoretically allowed to enter government service. The Home Provinces, or Kinai, are traditionally the five provinces of Yamato, Kawachi, Izumi, Yamashiro, and Settsu. At this point, though, Izumi was still a part of Kawachi, so it would have just been the four. These provinces were likely the first lands to really come under Yamato's direct control, and as such they all held a certain pride of place. This is also where we assume that the powerful families of Yamato had their strongholds. Certainly the Soga, the Mononobe, and the Ohotomo all had claim to traditional land in and around this region. When the court had moved to Ohotsu it would have been the first time in many years that the capital was moved out of the Home Provinces, which was probably a large part of the dissent expressed at the time. How would you like it if your job up and moved two states away and forced you to relocate with them, likely at your own expense? In 676, though, the court decreed that it would no longer restrict itself to noble families of the Home Provinces, but instead would open up service, and the lucrative stipends that came with it, to members of the nobility in the rest of the archipelago. This seems particularly intriguing given the two swords we have from the time of Waketakeru no Ohokimi, aka Yuryua Tennou, in the 5th century, where elites had served—or at least claimed to serve—at his court. It is possible that during his day the influence of Yamato was more expansive, and that influence contracted after him. Or it could be that it was a different type of service that they had provided. And then there is the comment in Ohoama's decree that the court would also allow men of “distinguished ability” to also enter service, even if they were commoners. How very progressive. This seems clearly designed to suggest the meritocratic system that was the ideal, even if it was only truly observed in the breach. I can't help but think about how this symbolizes the court's expanded control across the archipelago, and the idea that all of the archipelago was truly under their control. It also meant that they had opened up the candidate pool to a wider audience. Does that mean that they were growing the size of the government, too? I also can't help but wonder how the old guard took this—the traditional families from the Home Provinces who suddenly found themselves competing with people from the periphery. Did they see them as equals, or the equivalent of upstart country bumpkins? And let's not even get started on anyone who joined government service as a Commoner. On the other hand, I suspect these new functionaries would have owed their position even more directly to the sovereign and the court, and they might not have strong familial ties to the local area. This is all just theory, but seems to follow with Ohoama's general efforts at centralization and accretion of power and authority to himself whilst further building out the structure that his brother, Naka no Ohoye, had set up. Along those lines, at the same time that the sovereign opened up membership in the court to those outside of the Kinai region, he also meddled with the incomes of the various Princes and Ministers. He insisted that those Princes and Ministers who were receiving taxes from fiefs in the West—by which I assume is meant western Honshu, Shikoku, and Kyushu—they should instead get their income from fiefs in the East. So he was taking away the western fiefs and instead swapping them with eastern fiefs. Those western taxes could then, presumably, come straight into the government coffers, and the princes and ministers would be connected with land in the east, which I suspect meant they would be expected to invest in those fiefs and encourage them to produce. This feels like it goes along with something from two years earlier, in 675, the third year of Ohoama's reign. In the second month of that year he abolished the serfs granted to the various Uji back in 664, and he abolished any claims by Princes—Royal or otherwise—as well as Ministers and Temples to any mountains, marshes, islands, bays, woods, plains, and artificial ponds. It seems clear that he claimed the right of eminent domain to himself and the state. By extension, all land effectively belonged to Ohoama, and everyone else became, de facto, his tenants. They paid taxes up to him, and he had the right to grant or take away the land as he saw fit. I can't imagine that went over well with those who had lost their rights to those lands, but either he compensated in them in some other way or his power had grown such that they didn't dare to oppose him. Certainly not everyone was happy. In 677, Saita no Fubito no Nagura was banished to the island of Izu for apparently scoffing—or otherwise disrespecting—Ohoama. Well, it says his vehicle, but Aston notes that this is probably just a polite euphemism for the sovereign himself. But that rebuke seems to have been pretty light compared to two years earlier when a man—we aren't even given his name, assuming it was known, hiked up the hill east of the palace, cursed Ohoama, and then cut his own throat. How it was known that he had been cursing anyone isn't explained—though perhaps he had written it down or otherwise communicated his intentions. Either way, it was certainly a rebuke. But if it phased Ohoama, we can't tell. He did give those on duty that night a step in rank, presumably for the trauma they had experienced in dealing with everything. Possibly related—we are told that same month there was a great earthquake. So was that thought to be the curse being fulfilled? There is nothing to connect them except that the one immediately follows the other. And yet, Ohoama would continue to rule as he saw fit. In fact, he would rule roughly 14 years, in total, right up to his death in 686. A rather substantial reign compared to so many other sovereigns. And he would continue to make his mark. Next episode we will continue our journey through the reign of Ohoama, aka Temmu Tenno. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
With the end of the Jinshin War, Oama, posthumously known as Temmu Tenno, came to the throne. And though they would need a new Great Council of State, they continued to build up and bolster the Ritsuryo state. They were imagining a new Yamato based on continental models of what a state should look like, but also influenced by tradition. This episode we take a look at that reimagining in broad strokes, asking a few questions--what was Oama's relationship with his brother, and touching on the relationship of Nakatomi no Kamatari and his brother, Nakatomi no Kane. We also take a look at some of the literary propaganda that also helped to codify this new imaginary--the Nihon Shoki and the Kojiki. We also touch on other sourcesof information, like the Fudoki and Man'yoshu. For more information, check out our blog: https://sengokudaimyo.com/podcast/episode-133 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua, and this is episode 133: Reimagining Yamato As the bells of Houkouji tolled, Ohoama and his wife, Uno, surveyed the construction on going in the Asuka valley. Hordes of workers had been called up, and now they were working furiously towards the deadline of the new year. Where once stood the later Wokamoto palace of Takara Hime, aka Ohoama's mother, Saimei Tennou, now the land was being prepared for a palace on a much grander scale. And just as the palace was being remade, Ohoama's thoughts went beyond the valley, to the entire archipelago. His brother, Naka no Oe, had started something profound. Now here he was, helming the Ship of State, and Ohoama had plans of his own, built upon his brother's ideas. He would build a new state, ensuring that the reforms that started back in 645 would continue for generations. Greetings everyone and welcome back. As we dive back in, let's recap where we are. The year is now 673, and the fighting from the previous year—the Jinshin war—is over. Prince Ohoama and his Yoshino forces were victorious and he is now poised to ascend the throne in the recently built Palace of Kiyomihara, in Asuka. He will be known to future generations by his posthumous name: Temmu Tennou. Ohoama would go ahead and continue to centralize the government under the continental model. That said, he also would pay a not insignificant amount of attention to local tradition as well. His reign would lead to the establishment of the first permanent capital city: Fujiwara-kyo. He is also credited with initiating the projects collecting various historical records, which culminated in the Kojiki and the Nihon Shoki, the very chronicles on which this podcast is based – and both of which seem to have been designed specifically to promote the authority of the throne, specifically Ohoama and his descendants. Those descendants—the Temmu dynasty—would rule for almost a century, including four of the eight official female sovereigns (those eight become ten if you count the unofficial Himiko and Okinaga Tarashi-hime, aka Jingu Tennou). This dynasty would reign from the end of the Asuka period up through to the Nara period, and it would see the evolution of the Yamato state into the kingdom of Nihon—which is to say the kingdom of Japan. The politics of this period were also quite something. It is during this coming period that we see the rise of the famous Fujiwara family, who would come to dominate the political landscape. We also see the continued contact with the mainland, with numerous trade goods coming over, many of which would be included in the famous Shousouin storehouse of Toudaiji temple, in Nara. Buddhism would also thrive, with Kokubunji, or provincial temples, being set up in a network around the archipelago. There was also the building of the famous Daibutsu, or Giant Buddha statue, of Toudaiji. Art would also flourish. The Man'yoshu would be published at this time—a collection of around 4,500 Japanese poems, or waka. Meanwhile, the court would also focus on continental styles as well. From this point on, not only do we have more evidence of what was happening through the written record, but the writing itself changed. Different Sinitic characters were borrowed solely for their sound to help spell out Japanese words. These would eventually be simplified, and known as “kana”. The earliest use of these characters is known as “Man'yo-gana” because so many are traced back to the Man'yoshu itself. They would eventually be standardized and simplified, becoming the hiragana and katakana we know and use today. But in 673, all of this is still on the horizon. So this is a great time to pause for a bit in our journey through the chronicles and set the stage for this next, incredibly transformative period in the archipelago by going over these larger patterns in some depth, so that, as we start to go through this period we get a better idea of just what was happening, and perhaps why. That's what we'll do this episode. To start with, let's go back to the relationship between Naka no Oe and Ohoama. As far as we can tell, these brothers were fairly close to one another. Not only was Ohoama married to one of Naka no Oe's daughters, Princess Uno, he had actually taken as consort at least four of Naka no Oe's other daughters—all of which were Ohoama's nieces. In turn, one of Ohoama's own daughters, Princess Touchi, had been married off to Ohotomo, aka the ill-fated Koubun Tennou. On top of that, Naka no Oe and Ohoama both had taken as consorts daughters of Soga no Akaye, and both Ohotomo and Ohoama had consorts from Nakatomi—or Fujiwara—no Kamatari. This demonstrates just how interrelated everyone was at court, presumably as a means of strengthening the ties between them. Of course, as we've seen time and again, those ties were more symbolic than anything else, and certainly did not prevent the occasional use of violence, nor did it protect the fathers of those women from political repercussions when they found themselves on the wrong side. On the other hand, beyond the initial mention of their births, we don't see the two brothers together until Naka no Oe came to the throne. Why? Well, to be fair, we don't see much of anyone but the sovereign in the Chronicles unless there is a specific thing they are called out for—like an embassy, presenting something to the throne, etc. Even Naka no Oe often isn't mentioned directly, even when he was the Crown Prince and supposedly helping run the government. So that could be it. There are two apparent counter arguments to the idea that Naka no Oe and his brother, Ohoama, were tight. First is a mention in the Toushi Kaden, the Family History of the Fujiwara Family, about Ohoama thrusting a spear into a board, which rattled Naka no Oe enough that he was apparently wondering if he needed to have his own brother taken out. Then there is Ohoama's resignation at the time of Naka no Oe's death, presumably because he was warned that a plot was afoot, and that if he accepted Naka no Oe's offer to take the reins of the state in his own two hands then something—we aren't told what—would unfold. I can't rule out the idea that neither of those accounts is quite accurate either, however. It is possible that the Toushi Kaden account is embellished to heighten Fujiwara no Kamatari's own role as peacemaker between the brothers. I also have to wonder if the warning to Ohoama around Naka no Oe's death wasn't so much about Naka no Oe, but about his ministers. After all, they seem to have had no problem supporting the much younger—and likely more malleable—Prince Ohotomo. So it seems to me entirely possible that there were other threats that Ohoama was concerned with. That brings me to one of those ministers: Nakatomi no Kane. We talked about him before and during the war. He first showed up participating in ritual and speaking on kami matters. He would later rise to be one of the Great Ministers of State, and was one of the six ministers who had pledged themselves to Prince Ohotomo. At the end of the Jinshin War, he was put to death and his family was banished. That said, in period leading up to all of that, we spent a good amount of time with another Nakatomi: Nakatomi no Kamatari. He was the head of the Nakatomi clan and the Naidaijin, the Interior Minister, a special position placing him on par, or even above, the Ministers of the Left and Right, but which did not have a well defined portfolio noted in the literature. Interestingly, this position also doesn't seem to have survived Kamatari, at least in the short run. From the time of Naka no Oe, aka Tenji Tennou, to the time of Ohoama, aka Temmu Tennou, it seems that the office of Naidaijin fell out of favor, possibly due, in part, to Prince Ohotomo being raised to a different post, that of Dajou Daijin, placing him in charge of the Great Council of State. The Naidaijin role wouldn't be revived until 717 for Kamatari's grandson, Fujiwara no Fusasaki (interestingly, only three years before the completion of the Nihon Shoki). Nakatomi no Kane was, as far as we can tell, the brother to Kamatari. When Kamatari passed away, Kane seems to have taken on the role as head of the Nakatomi family and he was also made Minister of the Right. This mirrors, in its way, the relationship between Naka no Oe and Ohoama, and the common system of inheritance that would often go brother to brother. And yet, while Kamatari was a hero of the Taika era, Nakatomi no Kane was executed for his role in the Jinshin War. So in the context of the rise of the Fujiwaras to greater prominence later on in Ohoama's reign, it is significant that Kamatari's line would be set apart from the rest of the Nakatomi to the extent of giving it the new Fujiwara name. Although the Chronicles claim that the “Fujiwara” name was actually granted by Naka no Oe, there is a thought that this was granted posthumously, and may have even been retconned by later members of the family, possibly to distance themselves from Nakatomi no Kane and his role on the losing side of the Jinshin War, and tie themselves clearly to Kamatari and his founding role in Naka no Oe's and Ohoama's new vision, instead. This all brings me to my next point: the creation of the national histories. The projects that culminated in what we know today as the Kojiki and the Nihon Shoki are said to have been started under Ohoama's reign, though they wouldn't be finished until much later, well into the 8th century. A lot of what went into them was work under Ohoama's wife Uno, who succeeded him as Jitou Tennou, as well as her successors. Prince Toneri, one of Ohoama's sons, is said to have overseen the Nihon Shoki's compilation. Prince Toneri was son of Ohoama and princess Niitabe, one of Naka no Oe's daughters, and while he never sat the throne, himself, one of his sons would eventually do so. As such, we can see a strong royal hand on the project, even though the actual composition was probably by several teams of Chroniclers—we touched on this briefly back in Episode 131. The Kojiki, on the other hand, is said to have been written by Oho no Yasumaro based on the oral history that had been maintained by Hieda no Are. We don't know much about Hieda no Are—there are some that believe they may have been a woman, since a passage in a later work, the Seikyuuki, suggests that they were a member of the Sarume no Kimi family, descended from Ame no Uzume no Mikoto, who is said to have danced and helped lure Amaterasu out of the rock cave. And so they were particularly known for their role as shrine maidens—a particularly female role. That said, Are received the title of “toneri”, which is often assumed to be male, and there is nothing else that explicitly says they were not. Either way, Hieda no Are is said to have been commanded by the sovereign, Ohoama, to memorize the history of the nation, presumably to then perform it as needed, for the court. Only later was Oho no Yasumaro asked to write it down in what became known as the Kojiki. Both of these chronicles were attempts to organize the history of the nation and to put together all the stories in a way that would establish a foundation for the new state that was evolving out of ancient Yamato. A large part of that effort was going to be to justify those who were in power at the time—including both the royal family and the various noble houses at the time, including the powerful Fujiwara. Now, when we talk about how these histories were created to bolster the state, I want to be careful. It may not have necessarily been the case that the chroniclers were actively and consciously promoting a fictional account. From what we can tell, the chroniclers drew from a collection of stories, some written down in diaries and court records, works like the Baekje annals and continental histories, and some that were likely just memorized tales that were part of the general culture. There were a couple of existing histories—we are told, for example, that there was a Teiki and a Kyuji floating around, both attributed to the legendary Shotoku Taishi, and both supposedly including the royal lineage at least to Toyomike-kashikiya-hime, aka Suikou Tennou. However, the copies that were being passed around were apparently suspect, and we are told that there were inconsistencies. Which probably means that the way they told the story did not conform to the way that Ohoama and the royal family wanted it told, though it could also refer to the fact that different accounts had slight variations on the stories, many of which had probably started as oral traditions that were only later written down. It is also likely that there was only so much detail in those ancient texts, but we can't know for sure. The Sendai Kuji Hongi purports to be the text of the original Kyuuji, or Kyuujiki, but that claim is dubious, at best, though it may have used an older, no longer extant history to crib its own notes from. So there were probably some writings, already, but there was also so much more. There were stories from various familial records, stories told by various shrines about their kami and their histories, and stories passed down as local history that had never been captured, previously. All of this was good material for the project of creating an official national history that aimed to tell the whole story. To get an idea of what the Chroniclers of that time might have been going through, imagine that you have some 2,000 random facts about the United States, or any country of your choice, in no particular order—stories of heroes, presidents, wars, etc. On top of that, only a few of them ever give you any kind reference dates, and when they do, those dates are only in relationship to the presidents in office – the third year of the presidency of Roosevelt, for example - or maybe they reference another event. In addition, some of the facts have been lost, or they come from history books with a slightly different format. Or they come from diaries with different perspectives and takes on the same event. And then, without the aid of the Internet or any other reference material, you are asked to put all of that together into a coherent narrative. In all likelihood you would be able to generally construct many of the broad strokes. You would leverage what you know to be true and do your best to put things in place, but there is no guarantee that everything would be in the right order. And in places where there wasn't any clear through line, you may have needed to come up with your best, most plausible explanation and write that down. Also, imagine you had, in the interests of completeness, thrown in some of the more, shall we say, apocryphal stories. George Washington cutting down a cherry tree, for instance, or the story of Johnny Appleseed, or even the more fantastical stories of Davy Crockett. Without other reference points, would you know where they went, or how true they actually were? Add to all of that the lack of a referential calendar. The sexagesimal system helps for units of 60 years, but there was nothing comparable to a western calendar in use at the time. Instead, everything was based on the number of years in a given reign. So instead of thinking about it as “did this happen in 584 or 524?” it was more like “Did this happen in the years of the sovereign reigning from X palace or Y palace?” Now that said, there do appear to have been individuals whose job was to memorize the stories and the histories and recite them. We have, for example, the Kataribe, the guild of storytellers. It may have been out of this tradition that we get the eventual commission of the previously mentioned Hieda no Are, who was to memorize all of the historical events and recite them back, which I can only imagine would have been a kind of performance for the court, helping to reinforce the narrative. But still, as Are was putting everything together, what were the assumptions and guidelines they were working under? After all, there were no doubt certain truths, whether factual or not, that were pushed by the court. Things like the idea of an unbroken line of sovereigns going all the way back to the mythical founding, just like in continental stories. Or, the idea that worship centered from the beginning around the sun goddess, Amaterasu. There is plenty of evidence that while the early Wa people practiced various forms of sun worship, with traces found in their language as well as stories, cultural traditions, etc., it was not necessarily Amaterasu who was the primary deity of worship. Back in the Age of the Gods we talked about the creator deities, Izanagi and Izanami, and about the High god of Heaven, Takami Musubi, who seems to at one point been the most prominent central deity, but who had since been eclipsed, if you will, by the likes of Amaterasu. We also see evidence that there were other sun deities. The language around Sarutahiko no Ohokami suggests that he may have once been worshipped as a sun deity as well. And there is the early primacy of Mt. Miwa as a place of worship, and the spirit of Ohomononushi. This is to say nothing of Ohokuninushi, and all of his stories, up in Izumo. Furthermore, it seems telling that Amaterasu is not even central to the rituals conducted in the palace itself, which likely went back to an even earlier period. If Amaterasu were central, and the ancestral kami of the royal family since its inception, one would expect that Amaterasu would also be central to the rites carried out by her descendants in the royal palace. And yet most of her worship appears to have continued to be set apart from the palace ritual, and conducted out of Ise shrine (albeit after a certain point ceremonially led by a designated female member of the royal line). Even Ise shrine itself isn't the primary shrine in the Ise area—the Ichi-no-miya, or most important shrine, of Ise is actually said to be Tsubaki shrine, worshipping Saruta Hiko no Ohokami and Ame no Uzume. So how did Amaterasu come to be so central in Ohoama's vision? There are stories that say that worship at Ise Shrine—and worship of Amaterasu—was specifically conducted by Ohoama's wife during the Jinshin campaign. This is to say Ohoama's wife, primary consort, eventual queen and then queen regnant, Uno, later known as Jitou Tennou. Remember, Uno had fled with Ohoama and had been on the trail with him at first, but had stayed behind in Ise. Worship towards Ise seems to have later been counted as foundational to Ohoama and Uno's victory, and many suspect that they themselves may subsequently have encouraged greater worship of Amaterasu and placed her in the central position of sacral authority amongst the various kami. If so, that could explain why their histories focus so much on Amaterasu and her Heavenly descendant, from which the royal line claimed direct lineage. It might also be around this time that the story of Iwarebiko, aka Jimmu Tennou, and the conquest of Yamato from Himuka may have been introduced: telling how Iwarebiko justifiably took away the land from the descendants of Nigi Hayahi, and then connecting Iwarebiko, in an extremely loose fashion, to Mimaki Iiribiko no Mikoto, aka Sujin Tennou. Another influence on all of this was likely the continental concept that time is a circle, and history repeats itself. Chroniclers seeking to place events in a narrative context would have likely seen reflections of more recent events and used that to help order their compilation. And of course, if there were events that seemed to run counter to the truth as known by the court, well, those could be smoothed over. In this way, co-rulers were probably serialized, inconvenient interim rulers may have been excised altogether, and different dynasties, which may have only had tenuous connections, at best, were written down as direct lineal descendants. It also seems telling that the Chroniclers may have reduced the role of what appears to be matrilineal succession to a more patriarchal and patrilineal determination of legitimacy. Similarly, connections could be made for families to ancient ancestors through whom they were able to claim a certain proximity to the royal family. Likewise, rules for legitimacy could be imposed—or perhaps just assumed—for previous reigns, doing their best to bring them into harmony with the social norms and the cultural imaginaries of the late 7th and early 8th centuries. So that's the general context the Chroniclers were working under. But at this point it's illuminating to take a look at the two histories and how they differ, to see what we can understand about where those differences came from. The work of Hieda no Are, eventually recorded and written down as the Kojiki, seems to have dealt with history that was far enough back that it was likely hard to argue with—it isn't like there was anyone alive who could counter with their own facts. And the Kojiki reads as a fairly straightforward narrative, relatively speaking. The Nihon Shoki, on the other hand, is a different beast. While the Kojiki may have captured the official narrative, the Nihon Shoki seems to have been designed to include more—including some of the competing accounts. Thus you'll get a lot of things like “another source says…” with a different take on the same event. This is much more prevalent in the Age of the Gods, but still pops up occasionally throughout the rest of the text. Nonetheless, it is still very much focused on the royal line from Amaterasu down to Naka no Oe and Ohoama. Even their posthumous names, Tenji and Temmu, specifically reference Ten, also pronounced Ama, at the start of their names, in what appears to be a bid to further connect them to the sun goddess of Heavenly Brightness--Amaterasu. Both of these works have their own character, and while the dates they were presented to the throne—713 for the Kojiki and 720 for the Nihon Shoki—suggest that they were published in succession, there are those that argue that the Kojiki is largely a reaction against the Nihon Shoki. In all likelihood the contents of the Nihon Shoki were known to many people before it was presented. There were groups of Chroniclers involved, after all -- which meant teams of scribes pouring through sources, seeking out myths and legends, and generally trying to bring everything they could to the table. And there is no indication that this was done in secret. So it is quite possible that the writers of the Kojiki had seen some of the early drafts and cribbed from those notes. Some of the ways that the the history differ are in their portrayal of certain accounts. For example, the Kojiki presents Iwarebiko and the pacification of Yamato and archipelago more generally in terms of that mythical sovereign conversing with the spirits. And so he converses with, for instance, Ohomononushi, the deity of Mt. Miwa, a spirit whose name might be translated as the Great Lord of the Spirits, or “Mono”. This idea places the sovereign as an intercessor between the mortal and the spirit world. It hearkens back to earlier systems of sacral kingship, where power and authority came, at least in part, from supposed power of one's sacred sites and protective spirits. The Kojiki is also written in a much more vernacular style, using kanji and what we know of as man'yogana, the kanji used for their sound, rather than meaning, to provide a syllabary with which to write out Japanese words. This may have been done for similar reasons to why it was also used in the Man'yoshu itself—because the Kojiki was meant to be recited aloud, not just read for meaning. The Nihon Shoki, in contrast, is clearly attempting to emulate the continental style. It relies much more heavily on not just the characters but the grammar of Chinese, though not without its own idiosyncrasies. The Nihon Shoki incorporated classical references that mirrored the references found in the histories of the Tang and earlier dynasties. I suspect, for instance, that this is one of the main reasons that Naka no Oe and Ohoama are given the posthumous names of “Tenji” and “Temmu”. Tenji means something like the Wisdom of Heaven while Temmu is more like the Martial Virtue of Heaven. This immediately brings to mind, for me, the continental concepts of Wen and Wu—Culture and Warefare, or Bunbu in Japanese. This even mirrors the founding Zhou kings, King Wen and King Wu. Later, in the Han dynasty, you have Emperor Wu of Han, the grandson of Emperor Wen of Han, and Wu was considered to be one of the greatest emperors of the Han dynasty. And so I can't help but think that there was a similar attempt at mythmaking going on here, connecting these two reigns with the reigns of famous emperors of the continent. Of course, “Wu” was a popular name amongst the imperial dynasties from that period onward, with emperors of Jin, Chen, Liang, and others all being given the same name. This all accords with the way that the sovereign in the Nihon Shoki is less of a sacral king, interceding and speaking with the kami, and more along the continental model of an absolute ruler who ruled by divine right and heavenly mandate. The lands outside of Yamato are subdued and, except for the occasional uprising, stay subdued—or at least that is what the narrative would seemingly have us believe. Now, I would argue that these distinctions are not absolute. The Kojiki contains plenty of concepts of imperial trappings, and the Nihon Shoki contains plenty of examples of the sovereign playing a more traditional role. But it is something to consider in the broad strokes of what they are saying, and I would argue that it also speaks to the duality of what was going on in this period. Clearly the Ritsuryo State was built on the continental model, with an absolute ruler who ruled through a Heavenly mandate. And yet at the same time, we see Ohoama patronizing the traditional spiritual sites and kami worship, like the emphasis on Amaterasu and Ise shrine. Besides the Kojiki and the Nihon Shoki, we have one more set of official records that were compiled just as the major histories were beginning to be finished. These were the Fudoki. Fudoki were texts about the various provinces, and they include information on the various places, population, soil quality, as well as various local myths and legends attached to such things. Rather than supporting the royal lineage, the Fudoki were more geared towards supporting the process begun under Karu and Naka no Oe with the Ritsuryo system whereby knowledge of the archipelago was being centralized such that the State could know about its territories. Still, there are many times that the various Fudoki refer to different sovereigns, often to help situate a given event roughly within the historical narrative. The Fudoki were commissioned in 713. At least 48 chronicles were said to have been compiled, but only a handful of them remain extant today. Most are only partial texts, though even those can still contain significant information. We also have purported text from certain fudoki that were reprinted in later histories. The Shaku Nihongi seems to have been one such work, expressly commissioned to try and compile various older records that were likely aging and in danger of being lost altogether. However, there is a concern regarding just how faithful those later transcriptions might have been, meaning that we cannot rely on them, entirely. Still, they are an invaluable addition to our study of the history of this period. I mention all of this because much of this period seems dedicated to remaking the nation of Yamato into what we know as Japan. This evolution didn't happen overnight, and it seems clear that it started gradually, but had now come to a head. There is some consideration, though, that many of the things attributed to earlier reigns—the work done by Shotoku Taishi, for example, or even that of Naka no Oe—may have been embellished in this period. After all, consider the difference between Ohoama trying to institute something entirely new versus pointing back to a previous sovereign and claiming that he wasn't innovating, he was just following tradition. But there are still unmistakable signs of innovation in the following reigns. The creation of the first permanent capital city, for one. There was also the blending of Buddhist and local kami-based traditions. While Buddhism had been ascendant for a while, now, we see Ohoama seemingly paying equal homage to Amaterasu and the local kami. Even while instituting new fangled continental ideas, he is also hearkening back to traditions that I can only imagine helped assuage some of the fears of any traditionalists who saw the rapid speed at which the archipelago was adopting at least the trappings of continental imperial culture. Speaking of culture, there was one other work that we should probably mention, and that is the famous Man'yoshu—the collection of 10,000 Leaves. I mentioned this briefly earlier in the episode, but I do want to discuss it a bit, because as much as we may glean from the official histories, as well as the various fudoki texts, the Man'yoshu provides an invaluable view into the minds of the people of the time, and contains some incredibly useful tidbits of information that, when put together, help give us a better idea of what was happening during this period. The Man'yoshu is a collection of more than 4500 poems attributed to various historical figures, from sovereigns, such as Ohoama and Naka no Oe, to common soldiers. It is remarkable in that the poems are largely in native Japanese and are not using the Sinitic poetry styles that were popular with scholars of the time. These poems are waka, Japanese verse, which typically follows a pattern of repeating verses of 5-7-5 syllables or morae, ending with two lines of 7-7. The most simple of these are tanka—one top verse of 5-7-5, and one bottom verse of 7-7. However, the poems in the collection can vary quite a bit. They are also remarkable in that they are written in what we know as Man'yogana. That is to say they use Sinitic characters—kanji—but for their sound rather than their meaning in many cases. This practice allowed for much more nuanced writing, such that the author could be more certain that the correct meaning could be taken away, since Japanese grammar differs greatly from various Chinese languages, and leverages particles and suffixes that are non-existent in Sinitic script. Often times, when reading something like the Nihon Shoki, one has to infer the Japanese word order, particles, and suffixes from the text as a whole. This is common with any kanbun—a very Japanese style of Chinese writing that often requires its own study to fully understand. Meanwhile, the Man'yogana allowed someone to more easily sound out the letters in the Man'yoshu. This must have been important when morae or syllable count was important to the art form. Furthermore, it gives us tremendous insight into how spoken Japanese may have sounded back in the 8th century. And of course it is great that we have all of these poems, but almost more important is the other information contained in the collection. Most poems not only are attributed to a particular author, but they often give a brief introduction to lay out the circumstance in which the poem was composed. These poems are, in many ways, more straightforward than many later poetic styles, which relied much more heavily on so-called “pillow words”, poetic allusions, or callbacks to previous poems—not that they were completely devoid of such references, especially to other, often continental, works. Some poems are actually paired—a type of call and response. A man would often be expected to send a poem to a lady with whom he had recently had assignations, and she would often respond. Through such correspondence, preserved in the poetic record, we can see connections that might not be as clear in the various historical texts. Now, 4500 is a lot of poems and I'll be honest, I'm probably not going to be researching all of them for historical tidbits, but it is nonetheless important to understand. One should also be careful—while the poems are often attributed to various artists and famous persons, this may sometimes be misleading. The attribution may have been garbled or forgotten, and recreated. Most of the poems in the Man'yoshu are presented with at least some amount of framing around them. They are grouped loosely by various themes. We are then told, for each poem, the composer and the occasion for which it was created. Sometimes this may be as simple as “when they were out hunting”, but that still gives us some context on which to go by as for why the author was writing the poem in the first place. The poems themselves vary in size. There are short poems, or tanka, but also longer form chōka poems, with multiple verses. Some may allude to previous poems, but many of the poems are just about the author's feelings. Unlike haiku, they were not quite so proscribed in terms of “pillow words” or requisite seasonal descriptions. And yet these poems, just as much as the histories, were important in capturing some part of the cultural zeitgeist from that time. We can see what was considered popular or important, and it was there for future generations down until today. Ultimately the Kojiki would largely be overshadowed by the more comprehensive and prestigious seeming history in the Nihon Shoki. The Nihon Shoki would become the official history, inspiring future historical records, such as the Shoku Nihongi, the continuation of the records. The Man'yoshu, likewise, would be emulated, with future compilations like the Kokinshu. These, in turn, would impact the cultural imaginary of the time. They would shape people's ideas about the past, about art, and even about the nature of the kami themselves. During this period it is hard to understate just how much they were setting in place a new system. It is even difficult to tell how much of that system had actually been instituted by previous sovereigns, even though it's hard to tell how much that actually happened as opposed to simple claims by Ohoama and, later, Uno, to justify what they were doing. Up to this point, the Ritsuryou State and the various reforms had been an experiment, but under Ohoama we truly see that the new government upgrades would be fully installed. At the same time, we also see a shake up in the court. Those who had been loyal to Ohoama during the Jinshin conflict of 672 received various rewards—increased rank and stipend, for one thing. As famous individuals passed away, they were also granted posthumous rank, which might not seem like much, but it increased the family's prestige and that of the individual's descendants without actually handing out a higher level stipend that would be a drain on the coffers. All of this also continued to build up the elites' reliance on not just the court, but on the throne itself for their status, wealth, and position. Thus they had a vested interest in seeing that the project succeeded. And that is the world that we are about to dive into. Thank you, I know we didn't get into too much of the immediate history, and some of this is spoilers—after all, this took time and in the moment it could have turned out quite differently. What if Ohoama had gotten sick and died? What if there had been a rebellion? What if Silla or Tang had attacked? While we know what happened from the safety of our vantage point, far in the future, it is important to remember that at the time the people in the court didn't know what would happen next, so please keep that in mind. Next episode, we'll start to get into the actual events of the reign, starting with Ohoama's ascension to the throne at the newly built Kiyomihara palace in Asuka. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.