Podcasts about nihon

Fluent Fiction - Japanese: Rekindling Bonds: A Sibling Reunion at Setsubun Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-02-05-23-34-01-ja Story Transcript:Ja: 雪が深々と降り積もる冬の森の中、静かな癒しの場所があった。En: In the winter forest where the snow fell thickly and quietly piled up, there was a place of serene solace.Ja: そこは、伝統的な日本家屋が並ぶ、心を落ち着かせる静寂の場所だった。En: It was a calming place lined with traditional Nihon-kaoku, providing a peaceful retreat.Ja: そこに、かつて親しかったが今は遠ざかってしまった三人の兄妹が訪れた。En: Three siblings, who were once close but had now drifted apart, visited this place.Ja: リナ、カイト、ユキは久しぶりに再会した。En: Rina, Kaito, and Yuki reunited after a long time.Ja: リナは感情を表に出さないが、いつも兄弟を気にかけていた。En: Rina didn't show her emotions openly but always cared for her siblings.Ja: カイトはどこか頼りなさそうだが、リナに認められたいと願っている。En: Kaito, although somewhat unreliable, longed to be acknowledged by Rina.Ja: ユキは、ふたりの兄姉に見過ごされがちで、心に誤解を抱えていた。En: Yuki often felt overlooked by her older brother and sister and harbored misunderstandings in her heart.Ja: 節分の日が近づく中で、リナは決意した。En: As Setsubun approached, Rina made a decision.Ja: 「みんなで豆まきをして、過去の誤解を清算しよう。」En: "Let's do a bean-throwing ceremony together and clear up the misunderstandings of the past."Ja: ロウソクの光が揺れる囲炉裏の前で、リナは兄弟たちに思いを語り始めた。En: In front of the flickering light of the irori, Rina began to share her thoughts with her siblings.Ja: 玄関には小さな祭壇が設けられ、豆まきの準備がなされた。En: A small altar was set up at the entrance, and preparations for the bean-throwing ceremony were made.Ja: リナは小声で「鬼は外、福は内」と唱えながら、優しく豆を撒いた。En: Rina softly chanted "Oni wa soto, fuku wa uchi" while gently throwing beans.Ja: カイトもユキもそれにならった。En: Kaito and Yuki followed her lead.Ja: 最初はぎこちなかったかもしれない。En: It might have been awkward at first.Ja: しかし、豆を撒くごとに、それぞれの心からわだかまりが少しずつ溶けていくのを感じた。En: However, with each throw of the beans, they felt the resentment in their hearts gradually begin to melt away.Ja: 「どうして喧嘩ばかりだったんだろう」とカイトがつぶやいた。En: "Why were we always arguing?" muttered Kaito.Ja: 「全部、言いたかったんだ」とリナが応じる。En: "I wanted to say it all," responded Rina.Ja: そしてユキが涙ぐんで、「みんな私を無視してるのかと思った」と初めて自分の不安を打ち明けた。En: Then, Yuki, tearing up, confessed her anxiety for the first time, "I thought everyone was ignoring me."Ja: その瞬間、三人は互いを見つめ合い、微笑んだ。En: At that moment, the three looked at each other and smiled.Ja: 囲炉裏の火が暖かく燃え、彼らの頬を赤く染める。En: The fire in the irori burned warmly, turning their cheeks red.Ja: 外はまだ雪が降っていたが、室内には春の訪れを感じる暖かさがあった。En: Though it was still snowing outside, inside there was a warmth that heralded the arrival of spring.Ja: リナは欠けた想いの一部を解け、心を開いてみることにした。En: Rina decided to let go of part of the thoughts that had been weighing her down and opened her heart.Ja: 雪の音を聴きながら、温かいお茶と共に懐かしい思い出話をするうちに、三人は再び強い絆で結ばれていた。En: As they listened to the sound of the snow, sharing warm tea and nostalgic memories, the three were once again bound by a strong bond.Ja: 冬の冷たさも、節分の豆まきが醸し出す新しい春の旅立ちの前に、柔らかく溶けていった。En: The coldness of winter softly melted away before the new beginning of spring brought on by the Setsubun bean-throwing.Ja: こうして、兄妹は新たな一歩を共に踏み出すことになった。En: Thus, the siblings took a new step forward together.Ja: 心が暖かくなる瞬間を共にした彼らは、ただ静かにその幸福を噛みしめていた。En: Having shared a heartwarming moment, they quietly savored that happiness.Ja: 春の息吹が、もうすぐそこまで来ていた。En: The breath of spring was just around the corner. Vocabulary Words:serene: 静寂solace: 癒しdrifted apart: 遠ざかってreunited: 再会したharbored: 抱えていたapproached: 近づくflickering: 揺れるirori: 囲炉裏altar: 祭壇resentment: わだかまりmuttered: つぶやいたconfessed: 打ち明けたcheeks: 頬heralded: 訪れを感じるweighing: 欠けたnostalgic: 懐かしいmisunderstandings: 誤解cleared up: 清算しようsoftly: 小声でawed: ぎこちなかったmelt away: 溶けていくanxiety: 不安warmly: 暖かくignite: 燃えbound: 結ばれてstep forward: 踏み出すsavored: 噛みしめてbreath: 息吹heartwarming: 心が暖かくなるquietly savored: 静かに噛みしめて

Last time we spoke about the reunification of Xinjiang. In Yarkland, chaos erupted as inflation soared, forcing Chinese officials to retreat to fortified New City. As insurgents advanced, Colonel Chin's forces looted and fled, igniting violence against Uyghurs and Hindu moneylenders. By April, rebels captured Kashgar, fracturing Chinese control. Amid shifting alliances, Abdullah revealed a conflict among Muslim troops, leading to a brief Uyghur-Kirghiz unity against the Chinese. After the execution of leader Temur, Abdullah seized Yarkland, while Tawfiq Bay rallied forces, leaving the Tungans besieged amidst chaos. In the tumultuous landscape of 1930s Xinjiang, Ma Chongying's Tungan forces, alongside young Uyghur conscripts, captured Kumul and advanced toward Urumqi. Despite fierce battles, including a significant clash at Kitai, Sheng Shihtsai struggled to maintain control amid shifting loyalties and external pressures. As the TIRET emerged under Khoja Niyas Hajji, internal conflicts and Soviet interventions escalated. Ultimately, Ma Chongying retreated to Russia, leaving Sheng in power, but the region remained fraught with tension and uncertainty.   #136 Ishiwara Kanji Part 1: The Man who Began WW2? Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. “The board is set, the pieces are moving. We come to it at last, the great battle of our time.” Famously said by Gandalf the White. 1931 was the year the Japanese initiated a 15 year long war with China. For those of you who perhaps joined this podcast recently and don't know, I am Craig and I operate the Pacific War Channel on Youtube. I have been covering the 15 year long China War forever it seems, so when we finally reached this part in our larger story I sat down and thought about how to first tackle this. One thing I really believe needs to be said at the beginning, is a lot of what happened was put into motion by one man, Ishiwara Kanji. For those of you who joined my patreon or later listened to my Ishiwara Kanji series on my channel, this one might be a bit of a refresher. But for those of you who have never heard the name of this man, well let me tell you a story about how a single man caused WW2. Kanji Ishiwara was born on January 18, 1889, in Tsuruoka, located in Yamagata Prefecture, Japan. He was the second son of a policeman who hailed from a lineage of samurai that had historically served the Shonai Domain. This domain had a notable history, particularly during the Boshin War, where Ishiwara's clan supported the Tokugawa Shogunate. Following the defeat of the Shogunate, clans like Ishiwara's found themselves marginalized in the new political landscape of Meiji Era Japan. The power dynamics shifted significantly, with domains such as Choshu and Satsuma gaining the majority of influential governmental positions, while those that had aligned with the Shogunate were largely excluded from power. At the young age of 13, Ishiwara embarked on his military career by enrolling in a military preparatory school in Sendai. He continued his education for two years at the Central Military Preparatory School in Tokyo, where he honed his skills and knowledge in military affairs. In 1907, he entered the Imperial Japanese Military Academy as a member of its 21st class. After two years of rigorous training, he graduated in July 1909, receiving a commission as a Lieutenant and taking on the role of platoon commander in an infantry regiment stationed in the Tohoku region. In 1910, following Japan's annexation of Korea, Ishiwara's regiment was deployed to the Korean Peninsula, where he served in a small garrison in Ch'unch'on. His time there involved two years of occupation duty, during which he gained valuable experience in military operations and leadership. After returning to Tohoku in 1912, Ishiwara pursued further education and successfully passed the examinations required for entry into the Army Staff College in 1915. His dedication and exceptional performance were evident throughout his studies, culminating in his graduation at the top of his class in November 1918. This achievement earned him a prestigious place among the elite ranks of the Gunto Gumi, a distinguished group within the Japanese military, and he was honored with the imperial sword, a symbol of his status and accomplishments. In 1920, Ishiwara found himself facing a challenging assignment within the Department of Military Training. Eager for a change, he applied for service in China and was subsequently assigned to the Central China Garrison in Hankow. Over the course of a year, he traveled extensively through central China, immersing himself in the culture and landscape before returning to Tokyo in 1921. Upon his return, he took on the role of lecturer at the Army Staff College, where he shared his knowledge and experiences with aspiring military leaders. Despite his desire for another assignment in China, Ishiwara's superiors redirected him to Europe, a common practice for promising young officers at the time. He spent three years in Germany, where he dedicated himself to studying languages and military history. By 1925, at the age of 36 and having attained the rank of Major, he received a prestigious assignment to the faculty of the Army Staff College, where he lectured on the history of warfare. From the outset, Ishiwara distinguished himself as an unconventional officer. His eccentricities were well-known; he was often seen as argumentative and struggled with numerous health issues, including recurrent kidney infections, gastrointestinal problems, tympanitis, and other ailments that plagued him throughout his career. Additionally, his ancestry played a significant role in his military life, particularly in the context of the Japanese military's values during the 1930s. Officers from disgraced clans often felt compelled to demonstrate exceptional loyalty to the Emperor, striving to overcome the stigma associated with their lineage, a legacy of distrust that lingered from the early Meiji period. Ishiwara's character was marked by a certain oddity; he was a nonconformist with a fiercely independent spirit. Many biographers note that while he excelled academically, he often disregarded military decorum, particularly in terms of his dress and personal appearance. Early in his career, he voiced his concerns about perceived inequalities within the military, particularly the favoritism shown towards graduates of the staff college. Such outspoken criticism was considered reckless, yet it reflected his deep-seated beliefs. An avid reader, Ishiwara immersed himself in a wide range of subjects, including politics, religion, history, and philosophy, revealing a restless and inquisitive mind. His unconventional behavior and intellectual pursuits garnered attention from his peers, many of whom regarded him as a brilliant thinker. While military personnel are typically required to study military history, few pursue it with the same fervor as Ishiwara. He developed a profound obsession with understanding military history beyond the standard curriculum. His critical examination of the Russo-Japanese War led him to conclude that Japan's victory was largely a matter of luck. He believed that Japan had adopted the von Moltke strategy of annihilation, but the sheer size of Russia made it impossible to defeat them swiftly. Ishiwara posited that had Russia been better prepared, Japan would likely have faced defeat, and it was only through a unique set of circumstances that Japan avoided a protracted conflict. This realization prompted Ishiwara to advocate for a significant shift in Japan's defense planning, emphasizing the need to adapt to the realities of modern warfare. His studies extended to World War I, where he critically analyzed the distinctions between short and prolonged conflicts. He recognized that extended wars often evolved into total wars, where political, economic, and social factors became as crucial as military strategy. This line of thinking led him to categorize wars into two types: “kessenteki senso” (decisive war) and “jizokuteki senso” (continuous war). Ishiwara viewed these categories as part of a cyclical pattern throughout history, with each type influencing the other in a dynamic interplay. During his time in Germany, Ishiwara immersed himself in the study of prominent military theorists such as Carl von Clausewitz, Helmuth von Moltke, and Hans Delbrück. He found himself particularly captivated by Delbrück's concepts of Niederwerfungstrategie, or "strategy of annihilation," which emphasizes the importance of achieving victory through decisive battles, and Ermattungsstrategie, meaning "strategy of exhaustion," which focuses on wearing down the enemy over time. These theories resonated deeply with Ishiwara, as he recognized parallels between his own ideas and the insights presented in these influential works. This realization prompted him to analyze historical conflicts, viewing the Napoleonic Wars as the quintessential example of annihilation warfare, while interpreting the campaigns of Frederick the Great as emblematic of exhaustion warfare. As Ishiwara advanced in his studies, he became increasingly convinced, much like many of his contemporaries, that Japan and the United States were inevitably on a collision course toward war, driven by conflicting power dynamics and ideological differences. He anticipated that such a conflict would not be swift but rather a drawn-out struggle characterized by a strategy of exhaustion. However, this led him to grapple with a pressing dilemma: how could Japan effectively prepare for a prolonged war when its natural resources were evidently insufficient to sustain such an endeavor? This predicament prompted him to rethink the broader context of Asia. Ishiwara held a strong belief that Asia was a distinct entity, fundamentally different from the West, and he envisioned a future where Asian nations would liberate themselves and unite in solidarity. His enthusiasm was particularly ignited during the Xinhai Revolution of 1911, while he was a young cadet stationed in Korea. The prospect of China revitalizing itself filled him with hope. However, his later experiences in China led to a profound disillusionment. Throughout the 1920s, he encountered rampant banditry, conflicts during the warlord era, and pervasive chaos and disorder. The widespread poverty and instability he witnessed shattered his earlier optimistic vision of China's potential for progress and reform, leaving him with a more sobering understanding of the challenges facing the region. He wrote this during that time “Looking at the situation in China, I came to harbor grave doubts as to the political capacities of the chinese race and came to feel that, though they were a people of high cultural attainment, it was impossible for them to construct a modern state”. Despite his profound disappointment with the political issues plaguing China, he was equally appalled by the way his Japanese colleagues treated the Chinese people. He vividly recalled feelings of shame when he witnessed fellow colleagues in Hankow disembarking from rickshaws and carelessly tossing coins at the feet of the rickshaw pullers. This behavior struck him as not only disrespectful but also indicative of a broader attitude of racial superiority that he believed needed to be addressed. He frequently expressed in his writings that the Japanese needed to abandon their feelings of racial superiority. Ironically, he often juxtaposed this belief with his conviction that Japan had a duty to guide nations like China toward their rightful destiny. While he advocated for racial equality between Japan and China, he held a markedly different view regarding China's political landscape. Like many of his contemporaries, he believed that China required significant reform and modernization, which he felt Japan was uniquely positioned to facilitate. To Ishiwara, the pressing issue was that if Japan did not assist China in its development, Western powers would aggressively intervene, further subjugating the nation. He viewed Japan's role as one of liberation for China, rather than domination. Additionally, Ishiwara connected the impending conflict between Japan and the United States to the broader dynamics of Japan-China relations, suggesting that the outcome of this war would significantly impact the future interactions between the two nations. Ishiwara, like many Japanese military officers of his time, subscribed to the concept of Kokutai, a complex and multifaceted cultural phenomenon that served as a spiritual driving force within the Japanese military. The Kokutai can be understood as the essence of Japan's national character. Japan operated as a constitutional monarchy, embodying both the Kokutai (the national body or character) and Seitai (the governmental structure). This duality created a unique ideological framework: one aspect emphasized the traditional reverence for the emperor, while the other focused on the official government apparatus.   To simplify this intricate relationship, one might say, “Japan is governed simultaneously by the emperor and the government.” However, this characterization is inherently confusing, as it encapsulates a significant contradiction. Article 4 of the former Japanese constitution stated, “The emperor is the head of the empire, combining in himself the right of sovereignty, uniting the executive, legislative, and judicial branches of government, although subject to the consent of the imperial diet.” This provision suggests the existence of an absolute monarch who is nonetheless expected to heed the advice of democratically elected representatives, creating a paradox that would contribute to the tensions leading to the Pacific War. A critical issue that arose from this constitutional framework was that the military was explicitly stated to be under the control of the emperor, rather than the political diet. Consequently, many military leaders perceived themselves as being beholden to the Kokutai, an ideology that evolved significantly from the Meiji era into the Showa era. For instance, consider a high-ranking military officer who views the political elite as corrupt individuals who have effectively taken the emperor hostage, acting against his will and, by extension, against the will of the Japanese people. Such a perspective could lead to radical actions, including attempts to overthrow the government to restore what they believed to be the rightful authority of the emperor. This ideological conflict presents a fascinating and complex rabbit hole that merits further exploration. Ishiwara had a unique view of the Kokutai. In his early education he wrote this about his doubt on understanding it as a principal. “Even though I, myself, because of my training…had come to have an unshakeable faith in the kokutai I began to lack confidence that I could imparts this belief to others –to the common soldier, to the civilian, to non-Japanese”. Ishiwara grappled with a profound question: how could the concept of Kokutai—the national essence of Japan—be relevant beyond the borders of Japan? He pondered how its significance could extend beyond the specific national interests of Japan. If a Japanese soldier were to lay down his life for the Kokutai, what meaning would that sacrifice hold for individuals of different races and nationalities? Furthermore, he sought to understand how the Kokutai's universal value could be connected to other ideologies outside Japan. In his quest for answers, Ishiwara turned to Nichiren Buddhism. This spiritual framework allowed him to weave together his thoughts on warfare, historical narratives, and the national purpose of Japan. Interestingly, Ishiwara did not come from a religious background; he had briefly explored Christianity but did not pursue it further. Similarly, Shintoism did not fully resonate with his beliefs. Nichiren Buddhism, however, presented a compelling alternative. It is characterized by a strong sense of patriotism and an apocalyptic vision, positioning itself as a holy mission intended for all of humanity, with Japan at its center. This belief system embodies a quasi-ideology of world regeneration, casting Japan as a moral leader destined to guide others. Given this context, it is easy to see how the Kokutai and Nichiren Buddhism complemented each other seamlessly. By leveraging the principles of Nichiren Buddhism, Ishiwara envisioned a way to elevate the Kokutai from a strictly nationalistic doctrine to a more universal ideology that could resonate globally. His introduction to these ideas came through Tanaka Chigaku, a prominent figure in the Kokuchukai, or "National Pillar Society," which was a nationalist organization rooted in Nichiren Buddhism and based in Tokyo. This connection provided Ishiwara with a framework to articulate a vision of Japan that transcended its geographical boundaries, linking the Kokutai to a broader, more inclusive mission. After attending a public meeting held by Tanaka, he quickly converted to Kokuchukai and he would write down in his journal “I was attracted to the Nichiren faith's view of the kokutai”. Nichiren buddhism. One element of Kokuchukai's Nichirenism that strongly attracted Ishiwara was its aggressive passages. He justified much of Japan's military actions on the Asian continent by drawing parallels to Nichiren's concept of wielding the sword to uphold righteousness. He frequently quoted Nichiren's assertion that “the significance of the art of war appears in the wonderful law.” Ishiwara became deeply immersed in Nichiren's teachings and came to believe in its prophecy of a “Zendai mimon no dai toso,” or a titanic world conflict unprecedented in human history, akin to a global Armageddon. Following this conflict, he envisioned a period of universal and eternal peace under the harmony of “the wonderful law.” While in Germany, Ishiwara became convinced that if Japan and the United States were destined for war and the U.S. emerged victorious, the kokutai would be obliterated. He traveled back to Japan via the Trans-Siberian Railway, stopping in Harbin, where he met with Nichiren followers. He shared his thoughts on a “final war,” asserting that it would arise from religious prophecy and his military analysis. He cautioned that Japan must prepare for this impending conflict, declaring that “the final war is fast approaching.” Upon returning to Japan in 1925, he was filled with determination to lecture at the Army Staff College about this final war. His audience consisted of the army's promising young officers, to whom he taught about Frederican and Napoleonic campaigns, Moltke, World War I, and, of course, his insights on the looming conflict. The Army Staff College repeatedly requested him to expand his lectures due to their popularity. In 1927, he drafted an essay titled “Genzai oyobi shorai Nihon no kokubo / Japan's Present and Future National Defense,” in which he discussed the inevitable war between the U.S. and Japan. This essay garnered significant attention from his colleagues. Later, in April 1931, he briefed his fellow Kwantung officers using this essay, advocating for decisive action on the Asian mainland. In 1928, he was scheduled to give another course on European warfare, but he contracted influenza and had to take a leave of absence. As he was recovering, he developed tympanitis in his ear, which required a six-month hospitalization. This was just one of many health issues that would affect him over time. Eventually, he became involved in an elite study group focused on war theories, led by Major Suzuki. This group included young reformist officers who discussed political and military matters. He continued his work on the concept of total war and ultimately wrote “Sensoshi taikan / General Outline of the History of War,” which he presented as a lecture to Kwantung officers in Changch'un, Manchuria, on July 4, 1929. The work underwent revisions in 1931 and 1938 and was published as a book of the same title after 1941. As he began lecturing using Sensoshi taiken he also circulated amongst an inner circle within the Kwantung army “kokuun tenkai no konpon kokusakutaru man-mo mondai kaiketsuan / Plan for the solution of the Manchuria and Mongolia problem as a basic national policy to revolutionize our country's destiny”, what a title. As you might guess the plan called for occupying Manchuria in preparation for the upcoming war with America. By the way, all of his lectures and works would gain so much fame, he was asked in 1936 to adapt the materials for a text on military history for Emperor Hirohito.  The 1930s were a particularly tense period for Japan. The Japanese leadership perceived Marxism as a pervasive threat, believing it was undermining the nation. Many liberal voices argued that the military budget was excessive and called for cuts. To Ishiwara, this was madness; he questioned how Japan could afford to disarm. While Marxists claimed that communism would rescue Japan, liberals argued that true democracy was the answer. In contrast, Ishiwara and many in the military believed that the Kokutai would be Japan's salvation. Ishiwara advocated his final theories of warfare, asserting that the impending apocalypse would not lead to an American synthesis, but rather a decisive victory for the Japanese Kokutai that would unify the world. “Japan must be victorious not for the sake of her own national interest, but for the salvation of the world. The last war in human history is approaching, Nichiren's titanic world conflict, unprecedented in human history”. From the outset of his initial theories, Ishiwara was convinced that the final war would be characterized by a strategy of exhaustion. However, World War I and the advancements of the 1920s introduced new technologies like tanks, poison gas, and airplanes. The airplane, in particular, led Ishiwara to believe that the defensive stalemate observed in World War I was nearing its end. He argued that airpower could deliver bomb loads beyond all known defenses, including naval surface units, fortifications, and armies equipped with automatic weapons. Ishiwara predicted that the final war would unleash unimaginable horrors on the world's greatest cities. Cities like London, Shanghai, Paris, and even Tokyo could be devastated within a single day of the outbreak of hostilities. Air bombardment would deliver victory and he would be quite right about that in regards to what would happen to Japan. He believed such a war would be waged only once and “we will enter an age where war will become impossible because of the ultimate development of war technology”. Ishiwara contended that Japan should exert direct or indirect control over Manchuria and, to a lesser extent, certain regions of China. He claimed that Japan had a moral responsibility to the Asian continent and a unique connection to Manchuria and China. He emphasized the need to stabilize China, as its people faced threats from chaos, corruption, and conflict. Ishiwara argued that Japan would ultimately need to take a more proactive role in stabilizing China, especially in Manchuria, for the sake of peace and the well-being of the Chinese population. He wrote in 1930 “To save China, which has known no peace, is the mission of Japan, a mission, which, at the same time, is the only means for the salvation of Japan itself. To accomplish this task it is an urgent matter that the interference of the United States be eliminated”. Ironically, he was advocating that in order to prepare for a conflict with the US, Japan must take a stronger hand in Manchuria and China…which would probably force the United States to confront her. He advocated against the strategy of a decisive battle at sea, instead emphasizing a continental strategy. “If the worst comes about and the war at sea turns against us, if proper measures have been taken, Japanese forces on the Asian mainland can be made self-sufficient and the war continued.” Above all else, Manchuria was the key, alongside parts of Mongolia and China.  In 1931, he started advocating for reforms in China, suggesting that it would be beneficial for the country to accept guidance from Japan. He viewed China as Japan's most important ally in the event of a conflict with the United States. He argued that Japan should make every effort to avoid getting involved in a war with China and should strive to prevent any actions that might provoke such a situation. Yet as he continued his writing he began to see the diplomatic issues play out between China and Japan and came to the conclusion, “every attempt should be made to avoid provoking China, but in the event that it is impossible to bring about China's understanding, then Nanking should be swiftly attacked and north and central China occupied” way to go 0-60. His attitudes to Britain and Russia were quite similar, every effort should be made to remain friendly, but in the case of war Hong Kong and Malaya should be quickly occupied or in the case of the USSR, predetermined objectives inside Siberia should be seized quickly. Let's delve into the historical landscape of Manchuria during the late 1920s, a period marked by intense geopolitical maneuvering among Russia, China, and Japan. The region found itself caught in a complex struggle for dominance, exacerbated by the fragmentation of Chinese authority due to rampant warlordism. This instability effectively severed Manchuria's ties to the rest of China, creating an opportunity for Japan to solidify and expand its influence. The situation in Manchuria, often referred to as the "Manchurian Problem," revolved around a pivotal question for Japanese policymakers: How could Japan consolidate its hold over Manchuria and further its interests in the face of an increasingly assertive China? Japan identified three primary strategies to address this challenge: Control of the South Manchuria Railway: Securing this vital transportation artery would grant Japan significant leverage over southern Manchuria. However, this strategy was fraught with complications, as it necessitated ongoing confrontations with Chinese political forces that opposed Japanese dominance. Utilization of the Kwantung Army: This military force stationed in Manchuria was crucial for projecting Japanese power. Members of the Kwantung Army were particularly concerned about the Northern Expedition led by Chiang Kai-shek, which threatened the stability of their ally, Zhang Zuolin, known as the "Tiger of Manchuria." While Zhang had been cooperative and acted in Japan's interests, his support could not be guaranteed indefinitely. Japanese Colonization: This approach involved encouraging Japanese settlers to move into Manchuria, thereby establishing a demographic presence that could help legitimize Japan's claims to the territory. This method, often likened to a “filibuster,” aimed to create a Japanese cultural and economic foothold in the region. Each of these strategies presented distinct pathways forward, each with its own implications for the future of Manchuria and its relationship with China. The Kwantung Army, in particular, was increasingly alarmed by the rise of anti-Japanese sentiment as the Northern Expedition advanced northward. The army viewed Manchuria not only as a territory of strategic interest but also as a crucial buffer against the Soviet Union. The growing instability posed by Chiang Kai-shek's forces and the potential loss of influence over Zhang Zuolin were significant threats that needed to be addressed. Ultimately, many within the Kwantung Army believed that the only viable solution to secure Japan's interests in Manchuria would be to formally detach the region from China, a move that would likely require military intervention. This belief underscored the precarious balance of power in Manchuria during this tumultuous period and foreshadowed the escalating conflicts that would shape the region's future. In June 1927, senior officers of the Kwantung Army were summoned to a crucial meeting convened by Premier Tanaka Giichi. The primary objective of this gathering was to establish Japan's strategic policy regarding China and Manchuria. Within the ranks of the Kwantung Army, a more radical faction led by Colonel Komoto Daisaku was determined to eliminate Zhang Zuolin, who had increasingly become perceived as a significant barrier to Japanese ambitions in Manchuria. This faction's resolve culminated in the assassination of Zhang Zuolin in 1928, an event infamously known as the Huanggutun Incident, where a bomb was placed on the train tracks to ensure his demise. However, the outcome of this assassination did not unfold as the Kwantung Army officers had anticipated. Instead of the anticipated rise of their chosen puppet leader, General Yang Yuting, control of Manchuria fell to Zhang Zuolin's son, Zhang Xueliang. Unsurprisingly, Zhang Xueliang was deeply angered by the murder of his father and was far from compliant with Japanese interests. Consequently, the Kwantung Army found itself in a precarious position, as their aggressive policies in Manchuria backfired, leading to a situation that was even more unfavorable than before. The investigation into the assassination was notably half-hearted, resulting in the dismissal of Colonel Komoto from his position. This political fallout also led to the collapse of Tanaka's cabinet, leaving the Kwantung Army feeling both embarrassed and enraged over their diminished influence in Manchuria. The Japanese colonists residing in Manchuria, feeling increasingly threatened, began to call upon the Kwantung Army for protection against Chinese nationalists who sought to expel them from the region. In this climate of uncertainty, the Kwantung Army was left scrambling for strategies to detach Manchuria from Chinese control. In 1928, Lieutenant Colonel Ishiwara was consulted extensively by Kwantung officers regarding his perspectives on the Manchurian situation. Although he had not yet fully developed his Final War theory at this time, he articulated the fundamental principles behind it, emphasizing the urgent need for decisive action to assert control over Manchuria. Over the following years, Kwantung officers made concerted efforts to shape policy in favor of their interests in Manchuria, with Ishiwara's ideas gaining traction and stimulating discussions among his high-ranking peers. By October 1928, Ishiwara successfully secured a position on the Kwantung Army staff as an operations officer, with Colonel Komoto Daisaku as his primary supporter. Komoto recognized Ishiwara as the dynamic force needed to advance the aggressive Manchurian policies that the Kwantung Army sought to implement. This collaboration marked a significant turning point in the Kwantung Army's approach to Manchuria, as they aimed to solidify their control and influence in the region amidst growing tensions. When Ishiwara arrived at Port Arthur, he encountered a chaotic and demoralized atmosphere at the headquarters of the Kwantung Army. This turmoil was largely a consequence of the disastrous bombing of Zhang Zuolin, which had resulted in significant operational failures. The investigation into this assassination triggered numerous changes within the Kwantung Army's leadership, many of which were quite restrictive and stifling. Despite the catastrophic impact of the Zhang Zuolin incident on Komoto's career, he continued to advocate for a forceful resolution to the escalating Manchurian crisis. Ishiwara appeared to share this perspective, and during the early months of 1929, he collaborated closely with Komoto to devise military operations aimed at countering Chinese forces in the Mukden region. However, by the spring of 1929, Komoto's position became increasingly precarious, leading to his official dismissal. By May, he had been reassigned to a relatively insignificant divisional post in Japan, and by June, he was completely removed from the army. Nevertheless, this did not signify the end of his influence over Manchurian affairs. His successor was Lieutenant Colonel Itagaki Seishiro, a longtime associate of Ishiwara from their days at the Sendai Military Preparatory School. This connection suggested that while Komoto may have been sidelined, the strategic direction in Manchuria would continue to be shaped by familiar faces and longstanding relationships. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. A young, brilliant but perhaps insane man named Ishiwara Kanji began a fruitful military career. After spending considerable time in China, Ishiwara came to a dramatic conclusion, China needed to be saved, and to do so Japan needed to invade Manchuria. He began lecturing like minded youth and built a cult following, directing Japan towards war with China.  

ロスジャパ・スタイルで世界を旅する準備はOKですか？

2024 was a special year for Carnival and the Japan-New Orleans connection! Lafcadio Hearn's life & works inspired the theme for Rex Parade 2024: "The Two Worlds of Lafcadio Hearn - New Orleans & Japan". But why Hearn? What went into the float design? What other ways has Hearn left a lasting impact on both New Orleans & Japan? Find out today with a super-sized special Mardi Gras bonus episode, featuring insights from Rex historian/archivist Will French & historian/archivist emeritus Dr. Stephen Hales, Royal Artists float designer/artistic director Caroline Thomas, Lafcadio Hearn's great grandson Bon Koizumi,  legendary chef John Folse, Captain of the Krewe of Lafcadio John Kelly, JSNO's resident Lafcadio Hearn expert Matthew Smith, and even the Mayor of Matsue Akihito Uesada! Get ready for Mardi Gras 2025 by reflecting on this unique connection between New Orleans & Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Music Credits ------Background music provided by: Royalty Free Music by Giorgio Di Campo for Free Sound Music http://freesoundmusic.eu FreeSoundMusic on Youtube  Link to Original Sound Clip------ Audio Clip Credits ------Thanks to Dominic Massa & everyone at WYES for allowing us to use some of the audio from the below Rex Clips:Segment about Royal Artist & Float DesignFull 2024 Rex Ball Coverage (Krewe of Lafcadio/Nicholls State segment)Thanks to Matsue City Hall & Mayor Akihito Uesada for their video message below:Message from Matsue Mayor Akihito Uesada------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Hearn/Matsue/History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about Rex ------2024 Rex Parade/Float PDF with Full DesignsCaroline Thomas's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Today, I would like to talk about the traditional Japanese New Year. I think New Year Days (Oshoogatsu) is very special and the most important event for Japanese people. Families and relatives gather together to celebrate the New Year. And there are many traditional customs during the Japanese New Year. Please enjoy!

Today, I would like to talk about Christmas in Japan. Through this episode, you will learn how Japanese people celebrate Christmas. Please enjoy!

This season was a long one! The Krewe re-groups to reflect on Season 5 as a whole, and everything that went into it...  with a SPECIAL GUEST! Join us for one last audio journey in Season 5 as we discuss all the milestones, top moments, challenges, & fun anecdotes, in addition to a look ahead to Season 6 & listener feedback! Let's GO!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Three co-chairs of the Japan Confederation of A- and H-Bomb Sufferers Organizations, or Nihon Hidankyo, met with Norwegian Prime Minister Jonas Gahr Store in Oslo on Wednesday, the day after the Japanese hibakusha group received the 2024 Nobel Peace Prize.

Anthony Grasso is author of the just-released book Dual Justice: America's Divergent Approaches to Street and Corporate Crime

The 2024 Nobel Peace Prize will be awarded to the Japanese non-governmental organization, Nihon Hidankyo, for its 68-years of education and advocacy. The Nobel Peace Prize Committee recognized Nihon Hidankyo “for its efforts to achieve a world free of nuclear weapons and for demonstrating through witness testimony that nuclear weapons must never be used again.” Nihon Hidankyo is the Japanese Confederation of A- and H-Bomb Sufferers Organization. --- Support this podcast: https://podcasters.spotify.com/pod/show/ccnsupdate/support

How many original castles does Japan ACTUALLY have standing? Where is Japan's oldest castle located? When counting castles in Japan, do castle ruins factor in? The Krewe is joined by William de Lange, the author of An Encyclopedia of Japanese Castles & many other Japan-related publications, to get the answer to these questions and so many more!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Architecture & History Episodes ------Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ Links about William de Lange ------An Encyclopedia of Japanese Castles (Amazon)Japan Then & Now (Amazon, Released June 2024)Walking the Edo Sanpu (Amazon, Released August 2024)William's Website------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Akira Kawasaki, a senior official of the International Campaign to Abolish Nuclear Weapons, or ICAN, has praised the role being played by the Japan Confederation of A- and H-Bomb Sufferers Organizations, or Nihon Hidankyo, in the international community.

På YouTube: Nobels fredspris 2024: Nihon Hidankyō | Practice Norwegian (youtube.com) Støtt podkasten: Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/laernorsknaa⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donasjon (Paypal): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Doner (paypal.com)⁠⁠⁠⁠⁠ Epost: Laernorsknaa@gmail.com Episoden på nettstedet: https://laernorsknaa.com/nobels-fredspris-vinner-2024-nihon-hidankyo/ Bildet: Nihon Hidankyo's secretary general Terumi Tanaka speaking to youth about surviving the Atomic bombing of Hiroshima at a UN event in Vienna in 2007. Buroll, Wikimedia Commons.

Nobelova nagrada za mir za 2024. godinu dodijeljena je japanskoj organizaciji koja predstavlja preživjele žrtve atomskih bombi iz Hirošime i Nagasakija. Antinuklearna organizacija postala je prvi japanski dobitnik Nobelove nagrade za mir u posljednjih 50 godina.

12 October, the day after the announcement of the 2024 Nobel Peace Prize, we invited Jørgen Watne Frydnes, Chair of the Norwegian Nobel Committee to give a short lecture on awarding the prize to Nihon Hidankyo. Read more about the Japanese organisation Nihon Hidankyo here: https://peaceprizelaureates.nobelpeacecenter.org/en/laureate/2024-nihon-hidankyo

12 October, the day after the announcement of the 2024 Nobel Peace Prize, we invited a panel of experts to discuss the award of the prize to Nihon Hidankyo. You'll meet: • Tuva Widskjold, ICAN • Kjølv Egeland, senior researcher NORSAR • Mika Mayumi, leader of Oslo-department - No to Nuclear Weapons Nihon Hidankyo is awarded the peace prize for its efforts to achieve a world free of nuclear weapons and for demonstrating through witness testimony that nuclear weapons must never be used again.

Your daily news in under three minutes At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook

“The dream came true!” The prize came as a big surprise, says Masako Wada, a representative from the Japanese organisation Nihon Hidankyo, which works to achieve a world free of nuclear weapons. In this interview shortly after learning about the Nobel Peace Prize 2024, she shares her deep concerns on the world's backlash on nuclear disarmament, not least after Russia's full-scale invasion of Ukraine. “Rather than anger, I feel sorrow and fear how deep humans will fall into darkness.” Hosted on Acast. See acast.com/privacy for more information.

This one goes out to all the ladies out there... well, and the fellas too if you're interested! The Krewe sits down with avid shojo enthusiast Taryn of Manga Lela Instagram/TikTok fame to talk all things shojo. Together they explore the variety of shojo genres, some challenges faced in the shojo industry, & what makes shojo different from those rambunctious shonen titles! Don't miss out!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Anime/Manga/Pop Culture Episodes ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)City Pop & Yu ft. Yu Hayami (S3E14)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Pro Wrestling ft. Baliyan Akki (Part 2) (S3E6)Japanese Pro Wrestling ft. Baliyan Akki (Part 1) (S3E5)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Japanese Theme Parks ft. TDR Explorer (S2E4)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ Links about Taryn/Manga Lela------Taryn's LinksTaryn on TikTokTaryn on InstagramTaryn on Twitter/X------ JSNO Upcoming Events ------JSNO Event CalendarJapan Fest Sign-UpJSNO Annual Meeting RegistrationJoin JSNO Today!

Für den diesjährigen Friedensnobelpreis gab es 286 Kandidierende. Etliche wurden als Favoriten gehandelt, gekürt wurde aber eine Organisation, mit der kaum jemand gerechnet hatte: Nihon Hidankyo. Geehrt wurden damit Überlebende der Atombombenabwürfe auf Hiroshima und Nagasaki, die sich gegen Atomwaffen engagieren. Weitere Themen: (01:16) Friedensnobelpreis für Nihon Hidankyo aus Japan (14:36) Ukraine: Die Lage an der Front (21:23) FDP will integrierte Schule abschaffen (25:07) So bringen Pharmafirmen ihre Medikamente in ärmere Weltregionen (30:41) Armeefinanzierung: Kommission verzichtet auf eigene Vorschläge (35:00) Grossbritannien: Boris Johnson und seine Memoiren

durée : 00:55:31 - franceinfo: Les informés - Tous les jours, les informés débattent de l'actualité autour de Victor Matet.

Comitê Nobel enfatiza impacto global dos sobreviventes de bombardeios atômicos no Japão durante a Segunda Guerra Mundial; secretário-geral da ONU ressalta inspiração do testemunho do grupo para os esforços globais em favor de um mundo livre de armas nucleares.

durée : 00:19:41 - Journal de 12h30 - Le Nobel de la paix a été attribué ce matin à une organisation japonaise récompensée pour ses efforts en faveur d'un monde sans armes nucléaires.

Die japanische Organisation Nihon Hidankyo setzt sich gegen nukleare Aufrüstung weltweit ein. Bei der Nihon Hidankyo handelt es sich um eine Organisation, die sich zusammensetzt aus Überlebenden der Atombombenabwürfe auf Hiroshima und Nagasaki. Weitere Themen: - Pro und Contra zur Reform im Gesundheitswesen - Stadler Rail kämpft mit Lieferkettenproblemen - Bund will nicht, dass Mineure am Gotthardtunnel länger arbeiten - Tagesgespräch: Gesellschaftliche Transformation neu denken

durée : 00:19:41 - Journal de 12h30 - Le Nobel de la paix a été attribué ce matin à une organisation japonaise récompensée pour ses efforts en faveur d'un monde sans armes nucléaires.

Heute wurde der Friedensnobelreis an die japanische Organisation "Nihan Nidanyko" vergeben, Sie wurde damit für ihr Engagement gegen Atomwaffen ausgezeichnet. Dazu ein Gespräch mit ARD-Korrespondentin Julia Wäschenbach und ein Gespräch mit Clemens Verenkotte aus der BR-Politikredaktion. Moderation : Claudia Aichberger.

Fluent Fiction - Japanese: Typhoon Triumph: Unity and Memories at the Cultural Festival Find the full episode transcript, vocabulary words, and more:fluentfiction.org/typhoon-triumph-unity-and-memories-at-the-cultural-festival Story Transcript:Ja: 秋のある日、空は灰色の雲で覆われ、風は強く吹いていました。En: One autumn day, the sky was covered with gray clouds, and the wind was blowing strongly.Ja: 日本の高校では、年に一度の文化祭の準備が進んでいました。En: At a Nihon high school, preparations for the annual cultural festival were underway.Ja: 教室や廊下は色とりどりの装飾で飾られ、生徒たちのわくわくした声が響いていました。En: Classrooms and hallways were decorated with colorful decorations, and the excited voices of the students echoed.Ja: しかし外では、台風が近づいていました。En: However, outside, a typhoon was approaching.Ja: ヒロシは文化祭の準備委員のリーダーでした。En: Hiroshi was the leader of the cultural festival preparation committee.Ja: 彼は文化祭が彼の高校生活最後の楽しい思い出になることを願っていました。En: He hoped that the festival would become his last enjoyable memory of his high school life.Ja: しかし、台風の接近により、祭りの中止が検討されていました。En: However, due to the approaching typhoon, the possibility of canceling the festival was being considered.Ja: 彼の親友アイコは、不安ながらもヒロシを応援していました。En: His close friend Aiko was anxious but supported Hiroshi.Ja: 「なんとかこの祭りを成功させたい」とヒロシは決意して言いました。En: "I want to somehow make this festival a success," Hiroshi said with determination.Ja: しかし、学生会長のリョウは中止を支持していました。En: However, the student council president, Ryo, supported the cancellation.Ja: 「安全が一番だ」とリョウは言い、多くの生徒も彼に同意していました。En: "Safety comes first," said Ryo, and many students agreed with him.Ja: しかし、ヒロシはあきらめませんでした。En: Nevertheless, Hiroshi did not give up.Ja: 彼は生徒と先生を集め、提案しました。「行事を屋内で安全に開催しよう。En: He gathered students and teachers and proposed, "Let's hold the event safely indoors.Ja: 協力し合えばできるはずだよ」と。彼の熱意ある言葉は、多くの心を動かしました。En: If we cooperate, we should be able to do it." His passionate words moved many hearts.Ja: ヒロシの情熱に触発され、生徒たちは教室を片付け、机や椅子をうまく配置し直しました。En: Inspired by Hiroshi's enthusiasm, the students cleaned the classrooms and skillfully rearranged desks and chairs.Ja: 先生たちも協力して配置換えを手伝いました。En: The teachers also cooperated and helped with the reorganization.Ja: 学校はチームワークで明るく活気づきました。En: The school was brightened and energized through teamwork.Ja: 文化祭当日、風雨は強まっていましたが、校舎の中は明るく、音楽と笑い声で満ちていました。En: On the day of the cultural festival, the wind and rain had intensified, but inside the school building, it was bright and filled with music and laughter.Ja: ヒロシのスピーチは感動的で、みんなの心を一つにしました。En: Hiroshi's speech was moving and united everyone's hearts.Ja: 「この日のために準備した時間と労力は、大切な思い出となります」と彼は言い、みんなの拍手を浴びました。En: "The time and effort spent preparing for this day will become precious memories," he said, receiving applause from everyone.Ja: 祭りは無事に屋内で開催され、成功を収めました。En: The festival was successfully held indoors and was a success.Ja: 外は強い雨が降りしきる中、校舎の中では生徒たちが楽しみ、交流を深めました。En: Outside, it rained heavily, but inside the building, students enjoyed themselves and deepened their interactions.Ja: この経験を通して、ヒロシはリーダーシップの自信をつけ、共同の力の大切さを学びました。En: Through this experience, Hiroshi gained confidence in his leadership and learned the importance of collective effort.Ja: 文化祭は、雨の音をバックに終了しました。En: The cultural festival concluded with the sound of the rain in the background.Ja: その日のことは、生徒たちの心に強く刻まれ、彼らの友情と団結の証となりました。En: The events of that day were firmly imprinted in the students' hearts, serving as a testament to their friendship and unity.Ja: ヒロシ、アイコ、リョウもその一員であり、この経験を一緒に喜びました。En: Hiroshi, Aiko, and Ryo were all part of this, and they shared in the joy of the experience together. Vocabulary Words:autumn: 秋clouds: 雲approaching: 接近decorations: 装飾committee: 委員possibility: 可能性anxious: 不安determination: 決意cancellation: 中止safety: 安全gathered: 集めproposed: 提案enthusiasm: 熱意skillfully: うまくcleaned: 片付けreorganized: 配置換えintensified: 強まってspeech: スピーチapplause: 拍手confidence: 自信collective: 共同testament: 証leadership: リーダーシップunity: 団結memory: 思い出echoed: 響いてcooperate: 協力intensified: 強まってprecious: 大切imprinted: 刻まれ

Paipā makkusu to bīn no monogatariWe appreciate your support! Tune in for fresh episodes every week. Let's keep the conversation going,join our community, subscribe and grow with us!Support the showWelcome to 'Facts Or Nonsense Podcast,' where the past, present, and future converge in a symphony of discovery.

Historians Nathan Ledbetter & Dr. Samantha Perez rejoin the Krewe to continue our conversation on foreign-born samurai, this time highlighting the life of William Adams! In this episode, we explore his relationships with both Japanese & non-Japanese while in Japan, the similarities between William Adams's story & House of the Dragon (what?!), how he was a big inspiration for James Clavell's classic novel (and the adaptations) Shogun... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Joined by guest host Dr. Samantha Perez, the Krewe sits down with Princeton's Nathan Ledbetter to unpack how the term "samurai" evolved over the centuries and dig into foreign-born samurai, specifically Yasuke. Uncover everything they you need to know about the African samurai right here in this episode... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ History Episodes ------Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)------ Links about Nate ------Ubisoft's Echoes of History "Japan's First Unifier: Oda Nobunaga"Ubisoft's Echoes of History "Samurai vs Shinobi: The Tensho Iga War"Nate on BlueSky------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

When embarking on your mokuhanga journey, whether through making or collecting, one name stands out above the rest: (pause) Yoshida. The Yoshida family of artists have helped create some of the most important and exciting mokuhanga prints of the last 100 years. Their designs, techniques, and marketing transformed the perception of prints in Japan and around the world.   I speak with Dr. Monika Hinkel, Lecturer in the Arts of East Asia at SOAS (the School of Oriental and African Studies) at the University of London and an Academic Member of the Japan Research Centre. Dr. Hinkel is also the curator of the current exhibtion (at the time of recording)  about the Yoshida family of artists, titled Yoshida: Three Generations of Printmaking, being held at the Dulwich Picture Gallery in London, England.   Dr. Hinkel joins me to discuss the Yoshida family, from Hiroshi to Ayomi, the exhibition at the Dulwich Picture Gallery—the first of its kind in the United Kingdom—the Yoshida family's history, and their impact on the global art community.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Dulwich Picture Gallery - located in London, England the Dulwich Picture Gallery is the worlds first public "purpose-built" public art gallery founded in 1811.  Robert Rauschenberg (1925–2008) - was an American artist known for his innovative and boundary-defying work that blurred the lines between painting, sculpture, and everyday life. Emerging in the 1950s, Rauschenberg challenged the conventions of traditional art with his "Combines," a series of works that incorporated found objects, photographs, and non-traditional materials into paintings, creating dynamic, multi-dimensional pieces. Characterized by a spirit of experimentation and a desire to break down the distinctions between art and the real world, Rauschenberg played a crucial role in the transition from Abstract Expressionism to Pop Art. Charlene (1954) mixed media Pop Art - was an art movement from the 1950s and 1960s that incorporated imagery from popular culture, such as advertising, comic books, and consumer goods. It challenged traditional art by blurring the lines between high art and everyday life. Key figures like Andy Warhol and Roy Lichtenstein used bold colors and familiar icons to both celebrate and critique consumer culture, making Pop Art one of the most influential movements in modern art. Yoshida: Three Generations of Japanese Printmakers - is the current exhibition at the Dulwich Picture Gallery from June 19, 2024 -  November 3, 2024.  Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Kumoi Cherry Tree 23" x 29 1/8 " (1926) Yoshida Fujio (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Flower - B (1954) 15 3/4" x 10 5/8" Yoshida Tōshi (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature.  American Girl A (1954) 15 7/8" x 11 1/8" Yoshida Chizuko (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Jazz (1953) 15 3/4" x 11" Yoshida Hodaka (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures. Abstract (1958) 11" x 15 7/8" Yoshida Ayomi - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) woodblock installation  Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Spring Rain at Sakurada Gate (1952) 10 3/8" x 15 3/8" Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.    Impressionism - was an art movement that emerged in France in the late 19th century, characterized by a focus on capturing the fleeting effects of light and color in everyday scenes. Instead of detailed realism, Impressionist artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas used loose brushwork and vibrant colors to convey the atmosphere and momentary impressions of their subjects. This movement broke from traditional art by often painting en plein air (outdoors) and prioritizing personal perception over exact representation, leading to a revolutionary shift in modern art. Wassily Kandinsky (1866–1944) - was a key figure in the development of abstract art, known for using color and form to express emotions and ideas without representational content. His influential writings and innovative approach helped shape modern art, making him a central figure in movements like Expressionism and the Bauhaus. Stars (1938) 13 7/8" x 10 1/4" colour lithograph  Charles Freer (1854–1919) - was an American industrialist and art collector, best known for his significant contributions to the field of art through the establishment of the Freer Gallery of Art. Freer was a wealthy entrepreneur who made his fortune in the railroad industry. In his later years, he became an avid collector of art, particularly Asian art, including Chinese and Japanese ceramics, paintings, and sculptures. Nakagawa Hachiro (1877-1922) - was a close friend of Yoshida Hiroshi and traveled to the United States together for the first time in 1899. He was a yōga painter and showed primarily in Japan. Landcape in The Inland Sea 13.94" x 20.87" colour on watercolour  The Great Kanto Earthquake - struck Japan on September 1, 1923, with a magnitude of approximately 7.9. It devastated the Kanto region, including Tokyo and Yokohama, causing widespread destruction and fires that led to the deaths of over 100,000 people. The earthquake also resulted in significant infrastructure damage, homelessness, and economic disruption. In the aftermath, the disaster prompted major rebuilding efforts and urban planning changes. Additionally, the earthquake led to social and political unrest, including widespread anti-Korean sentiment, as rumors falsely blamed Korean immigrants for the disaster. Utagawa Hiroshige (1797-1858) - born in Edo, Hiroshige is famous for his landscape series of that burgeoning city. The most famous series being, One Hundred Famous Views of Edo (1856-1859), and the landcape series, Fifty-Three Stations of the Tōkaidō (1833-1834). His work highlights bokashi, and bright colours. More info about his work can be found, here.  Thirty Six Views of Mount Fuji No. 21 Lake at Hakone 14" x 9 1/4" Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies along the way early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he really began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese country-side, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Selection of Views of the Tokaido (1934) Bishu Seto Kilns 15 3/4"  x 10 3/8" Itō Shinsui (1898-1972) - Nihon-ga, and woodblock print artist and designer who worked for print publisher Watanabe Shōzaburō (1885-1962). Shinsui designed some of our most famous shin hanga, or “new” prints of the early 20th century. One of my favorites is “Fragrance of a Bath” 1930. Kasumi Teshigawara Arranging Chrysanthemums (1966) 21 7/8" x 16 1/2" Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.  Tama River in Musashi Province from 36 Views of Mount Fuji (1830-32) 9 7/8" x 14 7/8"  Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most important sōsaku hanga artists and promotor of the medium. His works are highly sought after today. More info, here. Nijubashi Bridge to the Imperial Palace from Scenes of Lost Tokyo (1945) 7.8" x 11.1" published by Uemura Masuro Tarō Okamoto (1911–1996) was a prominent Japanese artist known for his avant-garde works and dynamic use of color and form. His art, which includes painting, sculpture, and public installations like the "Tower of the Sun," often explores themes of chaos and modernity. Okamoto was influential in Japanese contemporary art and also made significant contributions as a writer and cultural commentator. More info, here.  Seashore (1976) lithograph 5.55" × 22.05" Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” St. Olaf College - is a private liberal arts college located in Northfield, Minnesota. Founded in 1874 by Norwegian-American settlers, it has a strong emphasis on a comprehensive liberal arts education, integrating rigorous academics with a commitment to fostering critical thinking, leadership, and global citizenship. The college is known for its vibrant community, strong programs in the humanities, social sciences, and natural sciences, and its affiliation with the Evangelical Lutheran Church in America (ELCA). St. Olaf is also recognized for its strong music program, including its acclaimed choir and music ensembles. More info, here. The Detroit Institute of Arts (DIA) -  is an art museum in Detroit, Michigan, founded in 1885. It is known for its extensive collection of artworks from various cultures and periods, including significant American, European, and African art. The DIA is particularly famous for Diego Rivera's Detroit Industry Murals and serves as a major cultural center with diverse exhibitions and educational programs. More info, here.   baren - is a Japanese word to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although baren have many variations.    Jeannie Kenmotsu, PhD - is the Arlene and Harold Schnitzer Curator of Asian Art at the Portland Art Museum in Portland, Oregon. She specializes in early modern Japanese art, with a focus on painting, illustrated books, and prints. Her interview with The Unfinished Print about her work about the Joryū Hanga Kyōkai can be found, here.    © Popular Wheat Productions opening and closing credit - by Gordon Lightfoot - Affair on 8th Avenue from the album Back Here On Earth (1968) on United Artists. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                        

What's your Japan version of "Ain't Dere No More"? Between changes within the megalopolis of Tokyo to the struggles of keeping countryside communities alive & thriving, Azby Brown returns to the podcast to discuss urban migration, depopulation, revitalization projects, centuries-old feuds raging on today... AND SO MUCH MORE!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Links about Azby ------KOJ Podcast S5E6 - Inside Japanese Homes & Architecture ft. Azby BrownAzby's WebsiteTitles by Azby (Amazon)Azby on Twitter/XAzby on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Joined by friend of the podcast and travel expert Rob Dyer of The Real Japan, the Krewe explores Hyogo Prefecture and everything it has to offer! From popular spots to secret gems, Rob reveals his insight into place he calls his second home, foods that are must eat, and things that are must do! Hell yes to zip lining into Godzilla's mouth! Don't miss out on this fun travel episode!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (01:15:10)------ Rob's Links ------The Real Japan WebsiteRob on TwitterThe Real Japan on FacebookThe Real Japan on InstagramHow to Travel in Japan Without Speaking Japanese (Audiobook)------ Past KOJ Travel Episodes ------Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Border Closures Couldn't Stop These Visas! ft. Rob Dyer & Allan Richarz (S3E11)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)------ JSNO Upcoming Events ------JSNO Event Calendar

Grab your bachi and join the Krewe as they sit down with Takumi Kato (加藤 拓三), world champion taiko drummer, to explore the sounds of taiko, his personal experiences and approaches to taiko, & his current adventure across the United States performing 1,000 times in all 50 states.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:26:27)------ Past KOJ Episodes on Music ------The Japanese Pop Music Scene ft. Patrick St. Michel (S5E10)Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo Lens (S4E1)City Pop & Yu ft. Yu Hayami (S3E14)Exploring Enka ft. Jerome White Jr aka ジェロ / Jero (S3E1)------ Links about Takumi Kato & Peaceful Forest ------Takumi Kato's Homepage (ENG)Donate to Support Takumi's Taiko InitiativeNHK World Program about Takumi Kato & "Peaceful Forest"Performance Here in New OrleansTakumi Kato on IGPeaceful Forest on IGTakumi on FacebookTakumi Kato on YouTube------ JSNO Upcoming Events ------JSNO Event Calendar