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On this week's episode of the Official Scottish Rugby Podcast host Caroline Blair is joined by ex-player and Player Development Manager, Ben Atiga, as well as Police Scotland's Communications Manager, Adiran Searle, to discuss the second phase of the Don't Be That Guy campaign. Listen to their conversation as they discuss how men can take responsibility for ending sexual violence by changing their attitudes and behaviours towards women as well as challenging those of their peers.
Today's episode welcome's Adrian Searle and Steven Carroll from Police Scotland to talk about the incredible award winning ‘Don't Be That Guy' campaign. THAT guy aims to reduce rape, serious sexual assault and harassment by having frank conversations with men about male sexual entitlement. It won the Drum Awards 2022 Public Sector campaign and is nominated for many more. ‘Don't be that guy' went viral with excess of 6 million views of the hero video. The microsite that-guy.co.uk was viewed excess of 160,000 page views. Adrian and Steven talk through the process of the campaign from understanding the challenge to the importance of the ‘north star' aka your behavioural goal or value proposition in execution. They share their tactics and how they shifted the narrative around this incredibly important subject. They share how they developed the challenge into a strategy and from there the strategy into powerful creative. The insight and the strength of the value proposition was integral to the success. They highlight how your communications should reflect your values – something we all strive for. Book recommendation Stephen recommends – How To Stay Sane: The School of Life by Philippa Perry Adrian Why We Buy: The Science of Shopping by Paco Underhiill Crime recommendation: Dark Winter – Look into his eyes and prepare to die by David Mark Guest Resources/useful links that-guy.co.uk 3 AHA moments Understanding the insight was step one and dedicated time to understanding the problems and seeking out the experts, capturing the insight and developing a clear narrative. Next step is to take the insight and turn it into a marketing strategy with a guiding north star – the proposition: Sexual violence starts long before you think it does and men have a key role in ending sexual violence by reflecting on their own behaviour and look out for their mates behaviour. Use the proposition across all agencies to ensure all content and creative is in sync. Use the strategy to ensure the creative stays objective not subjective. Bonus aha…. Using influencers to create shareable content – this proved to be enormously important as it captured a tone the target audience could relate to and using talented young men built credibility that helped ensure the phenomenal success in sharing the asset. Good briefing behind the value proposition so everyone is just as important when recruiting influencers – conversations at the start are crucial so everyone has clear expectations.
In episode 28 of the fine art photography podcast, we talk about the amazing collection of photographs owned by Sir Elton John and David Furnish. Sources "The Radical Eye review – Elton John's ravishing photography collection," Adrian Searle, 2016 https://www.theguardian.com/artanddesign/2016/nov/08/the-radical-eye-review-tate-modern-switch-house "Sir Elton John: ‘I collect for the beauty, not the value. I’m in awe of these things’", Sean O'Hagan, 2016 https://www.theguardian.com/artanddesign/2016/nov/13/elton-john-interview-i-collect-photographs-for-the-beauty-tate-modern-radical-eye Tate The Radical Eye: Room Guide https://www.tate.org.uk/whats-on/tate-modern/exhibition/radical-eye-modernist-photography-sir-elton-john-collection/radical "Elton John Wants to Open a Museum for His Art Collection, and 6 Other Takeaways From His Revealing New Memoir," Javier Pes, 2019 https://news.artnet.com/art-world/elton-john-lennon-warhol-1728039 Petapixel, "A Look Inside Elton John’s World Class Photo Collection" https://petapixel.com/2016/11/19/look-inside-elton-johns-world-class-photo-collection/ Inside Elton John's spectacular private photography collection cnn.com/style/article/elton-john-tate-modern-radical-eye-photography/index.html --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/keith-dotson/support
In episode 28 of the fine art photography podcast, we talk about the amazing collection of photographs owned by Sir Elton John and David Furnish. Sources "The Radical Eye review – Elton John's ravishing photography collection," Adrian Searle, 2016 https://www.theguardian.com/artanddesign/2016/nov/08/the-radical-eye-review-tate-modern-switch-house "Sir Elton John: ‘I collect for the beauty, not the value. I'm in awe of these things'", Sean O'Hagan, 2016 https://www.theguardian.com/artanddesign/2016/nov/13/elton-john-interview-i-collect-photographs-for-the-beauty-tate-modern-radical-eye Tate The Radical Eye: Room Guide https://www.tate.org.uk/whats-on/tate-modern/exhibition/radical-eye-modernist-photography-sir-elton-john-collection/radical "Elton John Wants to Open a Museum for His Art Collection, and 6 Other Takeaways From His Revealing New Memoir," Javier Pes, 2019 https://news.artnet.com/art-world/elton-john-lennon-warhol-1728039 Petapixel, "A Look Inside Elton John's World Class Photo Collection" https://petapixel.com/2016/11/19/look-inside-elton-johns-world-class-photo-collection/ Inside Elton John's spectacular private photography collection cnn.com/style/article/elton-john-tate-modern-radical-eye-photography/index.html --- Support this podcast: https://anchor.fm/keith-dotson/support
Lesley Manville, who was nominated for an Oscar for her last screen role in Phantom Thread, talks about her new film, Ordinary Love, which co-stars Liam Neeson and which explores the impact a diagnosis of breast cancer has upon an older couple. It was announced last night that the four artists shortlisted for this year’s Turner Prize are to share the £40,000 award after the contenders sent a letter to judges proposing they should win as a collective. One of the prize's judges, Alessio Antoniolli, discusses the panel’s decision, alongside critics Adrian Searle and Waldemar Januszczak who will consider the broader implications for arts prizes. An imagined film with vampires, witches and a girl gang is the story of Bat For Lashes' new album, Lost Girls. Natasha Khan discusses how moving to LA, 80s movies and falling in love shaped her fifth studio album, and her first after leaving a 10-year record deal. Presenter: Stig Abell Producer: Edwina Pitman
Mini Ráfaga sobre la diferencia entre el lenguaje, la verdad y el significado, a partir de una frase de Adrian Searle de su artículo “Mark Wallinger: Ecce Homo, A figure apart”. Esta cápsula forma parte de la serie número 100 que transmitió Radio UNAM durante noviembre de 2013. Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: María Sandoval y Juan Stack. Controles técnicos: Miguel Ángel Ferrini.
Bohemian Rhapsody, the new biopic of Queen frontman Freddie Mercury, is finally in cinemas after eight years in the making. During production, two leading actors quit the project before Rami Malek took on the role of Freddie Mercury, Kate Mossman considers if film is worth the wait.As he approaches his 80th birthday this week, the conductor and composer Howard Blake looks back over his career which has included more than 700 compositions, including the music for 65 films – most famously for The Snowman - and his Piano Concerto to mark Princess Diana's 30th birthday.The Hepworth Prize for Sculpture is worth £30,000 to the winning artist recognised for their contribution to contemporary sculpture. This week an exhibition opens at Hepworth Wakefield showing the shortlisted artists Michael Dean, Mona Hatoum, Magali Reus, Phillip Lai and Cerith Wyn Evans. Art critic Adrian Searle considers their work and what they tell us about sculpture in the UK today. Presenter: Kirsty Lang Producer: Kate Bullivant
Adrian Searle has been an art critic for The Guardian newspaper (UK) since 1996. He trained as a painter and soon began writing and broadcasting alongside his artistic practice. He has curated several exhibitions in the UK, Europe and the USA and continues to teach at art colleges in Britain and Europe. He lives in London. Lara Pawson writes commentary, essays and reviews for publication including ArtReview, Verso, Frieze, the Times Literary Supplement, The Financial Times, The Guardian and Wasafiri. She is the author of This is the Place to Be(2016) and In the Name of the People: Angola’s Forgotten Massacre (2016). She lives in London. Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.
Adrian Searle of The Guardian asks a panel of directors and curators from four global institutions
Roger Hiorns (artist, London); Kathrin Rhomberg (curator, Berlin); Adrian Searle (curator, writer & Chief Art Critic at The Guardian, London); Chaired by Tom Morton (curator & writer, London) at Frieze London 2009
In this audio recording Portuguese artist Julião Sarmento draws upon themes of memory, sexuality, transgression, morality and duality. He is in conversation with critic and writer Adrian Searle.
With Matthew d'Ancona Antonio Pappano, music director of the Royal Opera House, talks about Puccini's first great operatic success, Manon Lescaut. We review Devil's Knot, the latest film from Atom Egoyan. Based on a true story about the savage murders of three boys in Arkansas in 1993, the film stars Colin Firth as Ron Lax, the case's private investigator. Writer Anne Washburn talks about her play Mr Burns, where The Simpsons provide the narrative in a post-apocalyptic world, and pop songs assume a similarly revered cultural position. Art critic Adrian Searle discusses a large retrospective of Banksy's work including paintings, prints and sculptures. Street art is not included in the exhibition, which has been curated without the involvement of the mysterious artist. Producer Claire Bartleet.
Previous books such as Footnotes In Gaza established Joe Sacco’s international reputation as the world’s leading comics journalist. His latest graphic novel Journalism is a compelling set of cartoon-essays, in which he demonstrates the power of comic journalism to grasp at the truth. In conversation with event chair Adrian Searle, Sacco reveals what drives his work and why objective journalism is not always honest Journalism. Recorded live at the 2013 Edinburgh International Book Festival.
Previous books such as Footnotes In Gaza established Joe Sacco’s international reputation as the world’s leading comics journalist. His latest graphic novel Journalism is a compelling set of cartoon-essays, in which he demonstrates the power of comic journalism to grasp at the truth. In conversation with event chair Adrian Searle, Sacco reveals what drives his work and why objective journalism is not always honest Journalism. Recorded live at the 2013 Edinburgh International Book Festival.
Adrian Searle takes a walk across Chinese artist Ai Weiwei's latest installation at Tate Modern: 100 million porcelain sunflower seeds, each painstakingly handmade. A journey across a summer beach, or an expedition across a frozen desert?
In the latest instalment of his audio series, our art critic guides you around the 'knockout' new space – a historic gallery that has been completely overhauled, and filled with specially commissioned works by artists including Fiona Banner and Paul Morrison
Where can you see a mangled jet, writhing orgy and Afghan space station all in one place? At a new art exhibition at London's Gagosian Gallery, where an eye-popping collision of sex and technology pays homage to JG Ballard's dystopian vision. Adrian Searle gives us a guided tour In pictures: See images from the show here
Why has a veteran Californian artist arranged for a beautiful woman and her poodle to share an ear-shaped sofa? Fantasy has never seemed so real at the Sprüth Magers gallery in London, finds Adrian Searle
Adrian Searle finds the seven ages of man, from birth into a river of blood to death in the mouth of a fearsome-looking devil, are laid out in Grayson Perry's new work, The Walthamstow Tapestry
Adrian Searle is thrilled by the paintings of Californian artist Ed Ruscha, whose signs, cornstalks and burning gas stations offer a rare glimpse into the American mind
Standing in a room above a pub in east London, Adrian Searle is impressed by this hotly tipped American artist's first UK solo show – a cruise ship on a doomed voyage across the Atlantic
Adrian Searle pays close attention to the 'funny, serious and inscrutable' works arranged by artist Richard Wentworth for a new show at London's Lisson Gallery, cleverly connecting disparate works by the likes of Bridget Riley, Tony Cragg and Donald Judd
Adrian Searle takes a first look at Steve McQueen's new film, Giardini, at the Venice Biennale and is stunned by its ethereal melancholy
Some look saintly, some look cross ... Adrian Searle visits Francis Alÿs's tribute to Saint Fabiola at the National Portrait gallery
Join a disorientated Adrian Searle as he takes a walk around the Subversive Spaces exhibition at Manchester's Whitworth gallery, which features a brand-new installation by the German artist Gregor Schneider alongside several surrealist masterpieces
Bottoms up! Bottoms down … Adrian Searle relishes the bizarre circus of Annette Messager's articulated-disarticulated
Adrian Searle drowns in a sea of red as he admires the many faces of Daan van Golden's Study Giacometti, 2007
Adrian Searle takes a walk into Nothere, Balka's latest show at White Cube Mason's Yard
Adrian Searle assesses the Iranian painter YZ Kami's Untitled (Acharya) in the latest in his series on major contemporary artworks
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Mamma Andersson's Hangover, in London
The next instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Nancy Spero's Let the Priests Tremble, at the Reina Sofía in Madrid
The next instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Susan Hiller's From Here to Eternity, 2008
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Elmgreen and Dragset's Too Late, 2008
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Sun Yuan and Peng Yu's Old Persons Home, 2007
Dominique Gonzalez-Foerster's TH.2058 in Tate Modern's Turbine Hall is reviewed by Adrian Searle in his weekly audio series on major contemporary artworks
The next instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Tony Oursler's retrospective at the Lisson Gallery
The next instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Roger Hiorns' Seizure
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Nils Norman's Educational Facility No2, 2008, at the South London Gallery
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Marine Hugonnier's Untitled/Ernest Dumax's Secret Cottage
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Anya Gallaccio's That Open Space Within
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Swiss artist Pipilotti Rist's Gravity Be My Friend
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Dan Graham's Triangular Pavilion With Circular Cut-Out Variation H (2008) in Holland Park
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Jake and Dinos Chapman's Hell (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Tom Friedman's Untitled 2008
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Gelitin's Normally, Proceeding and Unrestricted With Without Title (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Richard Serra's Promenade (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Stephan Balkenhol's Man on Stand (2003)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Loris Gréaud's Cellar Door (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Gerhard Richter's Cage 6 (2006)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Christian Marclay's The Watch (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: John Currin's Bruges (2008)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: John Davies' Trafford Centre (2005)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Jackson Pollock's Phosphorescence (1947)
The latest instalment of Adrian Searle's weekly audio series on major contemporary artworks. This week: Roni Horn's Blue by Blue (2007)
The latest instalment of Adrian Searle's weekly audio series in which he comes face to face with major artworks. This week: Juan Muñoz's Shadow and Mouth
Adrian Searle begins a new weekly audio series in which he comes face to face with major artworks. This week: Peter Doig's Man Dressed As Bat (2007)
To coincide with Tate’s major Peter Doig retrospective exhibition, the artist is in conversation with Adrian Searle talking about his substantial body of work including paintings made in the last five years since his move to Trinidad in 2002.
The Guardian's Adrian Searle talks to artist Sophie Calle about her installation, Take Care of Yourself, on display at the Venice Biennale 2007.
Listen to Guardian critic Adrian Searle and Andrew Dickson discuss the finalists in the 2006 Turner prize, and show you around the exhibition.