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Mantha Camacho is the heart, mind, and soul behind EdtechEars. With an M.Ed. and over 20 years and counting as a proud educator and Special Education teacher, she knows exactly how to make tech work for every learner. Mantha's passion shines through her work as a former Teaching and Learning Coordinator for Kami, where she loved connecting with educators across the U.S. and internationally. She specializes in sharing practical, joyful training that empowers teachers to bring innovative solutions to their classrooms worldwide. ______________________________________________________________________ The Edupreneur: Your Blueprint To Jumpstart And Scale Your Education BusinessYou've spent years in the classroom, leading PD, designing curriculum, and transforming how students learn. Now, it's time to leverage that experience and build something for yourself. The Edupreneur isn't just another book; it's the playbook for educators who want to take their knowledge beyond the school walls and into a thriving business.I wrote this book because I've been where you are. I know what it's like to have the skills, the passion, and the drive but not know where to start. I break it all down: the mindset shifts, the business models, the pricing strategies, and the branding moves that will help you position yourself as a leader in this space.Inside, you'll learn how to:✅ Turn your expertise into income streams, without feeling like a sellout✅ Build a personal brand that commands respect (and top dollar)✅ Market your work in a way that feels natural and impactful✅ Navigate the business side of edupreneurship, from pricing to partnershipsWhether you want to consult, create courses, write books, or launch a podcast, this book will help you get there. Stop waiting for permission. Start building your own table.Grab your copy today and take control of your future.Buy it from EduMatch Publishing https://edumatch-publishing.myshopify.com/collections/new-releases/products/the-edupreneur-by-dr-will
Are you navigating the complexities of grief and caregiving? Dealing with the deterioration and passing of a loved one can be incredibly isolating. Furthermore, it's easy to feel lost when searching for ways to find Peace in loss. This episode offers profound wisdom from Japanese spiritual traditions to help you cope. First, we explore the concept of Kami, the infinite spiritual beings present in everything around us. This worldview fosters a deep sense of belongingness. Consequently, you realize you are never truly alone. You will discover the healing power of simple acts, such as taking an "awe walk." Moreover, learn why cultivating positivity and expressing gratitude are powerful sources for moving on and finding Peace in loss. The conversation illuminates how difficult emotions, like anger and sadness, do not disappear. Instead, they become part of your identity and your precious memories. We discuss how to achieve true Peace in loss. Discover actionable practices: The Healing Power of the "Awe Walk": How a simple walk outdoors can provide the necessary "big pause" to rebalance your emotions and mitigate burnout. The Wisdom of Impermanence: Understanding life and death through nature's cycles, and how this view helps you honor difficult memories. Cultivating Gratitude: Simple Japanese rituals (like Itadakimasu) that nourish a sense of belongingness, even during dark times. Whether you are a caregiver seeking strength or navigating a recent loss, this episode offers a compassionate and culturally rich path to finding your own peace and cultivating profound gratitude. Press play and start your healing journey today. This unique approach to loss helps you find your own infinite ways to happiness. Our Guest: Hiroko Yoda Hiroko is a Tokyo based translator and author. She specializes in re-contextualizing Japanese culture in a fun and engaging way for English readers. ++++++++++++++++++++++++++++++++++++++++ Related Episodes: Grief Speaks: Healing through Poetry Words for Forever: Love to Future Generations ++++++++++++++++++++++++++++++++++++++++ Sign Up for more Advice & Wisdom - email newsletter. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Please help us keep our show going by supporting our sponsors. Thank you. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Feeling overwhelmed? HelpTexts can be your pocket therapist. Going through a tough time? HelpTexts offers confidential support delivered straight to your phone via text message. Whether you're dealing with grief, caregiving stress, or just need a mental health boost, their expert-guided texts provide personalized tips and advice. Sign up for a year of support and get: Daily or twice-weekly texts tailored to your situation Actionable strategies to cope and move forward Support for those who care about you (optional) HelpTexts makes getting help easy and convenient. ++++++++++++++++++++++++++++++++++++++++ Make Your Brain Span Match Your LifeSpan Relevate from NeuroReserve I've been focusing a lot on taking care of my brain health, & I've found this supplement called RELEVATE to be incredibly helpful. It provides me with 17 nutrients that support brain function & help keep me sharp. Since you're someone I care about, I wanted to share this discovery with you. You can order it with my code: FM15 & get 15% OFF your order. With Relevate nutritional supplement, you get science-backed nutrition to help protect your brain power today and for years to come. You deserve a brain span that lasts as long as your lifespan. ++++++++++++++++++++++++++++++++++++++++ Join Fading Memories On Social Media! If you've enjoyed this episode, please share this podcast with other caregivers! You'll find us on social media at the following links. Instagram Twitter LinkedIn Facebook Contact Jen at hello@fadingmemoriespodcast.com or Visit us at www.FadingMemoriesPodcast.com
In October 2022, Melbourne-based former nurse Aaron Villanueva and his business partner leveraged expert consultancy to navigate the NDIS sector's highly regulated audit framework and establish their practice. - Sa episode ng May PERAan, kilalanin ang Melbourne-based former nurse Aaron Villanueva pati ng kanyang business partner na tinayo katulong ng mga consultants sa pag-intindi ng mga legal na usapin para mapasok nila ang napaka-strikto na sektor ng NDIS noong Oktubre 2022.
Hello Listeners!Dalam video review FnB kita kali ini, Rega dan Gitta akan mencoba dan membahas salah satu kuliner favorit banyak orang yaitu “Martabak Pecenongan”. Mereka akan mengulas mulai dari rasa, tekstur, hingga keunikan dari martabak ini apakah benar selegendaris yang dibicarakan banyak orang?Untuk lebih lengkapnya yuk dengarkan langsung di Channel Podcast Bingkai Suara Season 8 di Spotify dan Apple Podcast, juga Channel Youtube Bingkai Karya. Untuk update berita di Bingkai Karya kamu bisa kunjungi website kita di (http://www.bingkaikarya.com)Disclaimer:Konten review ini bukan hasil endorsement atau kerja sama berbayar dengan pihak manapun. Semua opini yang disampaikan sepenuhnya berdasarkan pengalaman pribadi dan penilaian objektif dari Tim Bingkai Karya.Kami selalu berusaha memberikan ulasan yang jujur dan transparan untuk membantu audiens mendapatkan informasi yang akurat. Jika ada perbedaan pengalaman, itu bisa terjadi karena preferensi dan kondisi masing-masing individu.Terima kasih sudah menonton dan mendukung!#HonestReview
This week, Wenzel and Colt talk about their time at their local anime/manga/pop culture convention: KAMI-CON! They discuss their impressions whether they're good or bad especially after not attending in 2025 along what they bought and ate and some funny encounters! ----------------------------------- Catch up on all of Season 9's episodes here: https://soundcloud.com/aychpodcast/sets/aych-season-9-2025?si=ca5cc0cefc3941699fa62b95af89752b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing ----------------------------------- Check out the entire AYCH Podcast Network! ► The Instruction Booklet: Video Game History Podcast! Want even more AYCH shows? Check out our full catalog playlists! soundcloud.com/aychpodcast/sets ----------------------------------- Twitch/Podcast Archive YT: www.youtube.com/@AYCHPodcast If you like what we're doing here, don't forget to leave us a review! You can also follow us on all of our social media below and tell us how we're doing: -- Bluesky: @aychpodcast.bsky.social -- Instagram: @aychpodcast -- TikTok: @aychpodcast -- Twitch: AllYouCanHear Leave us some suggestions in our Suggestion Box as well! goo.gl/forms/AHetCWQ2m7tHDigg1
Kami membahas perjalanan dari kak Ade Irma Suriajaya (Chacha) yang pada awalnya tidak mengenal matematika sama sekali hingga mendalami analytic number theory dan menjadi Associate Professor di Kyushu University.
Nie była wielką gwiazdą, ale w latach 50. do jej piosenek chętnie bawiono się na dancingach. Zresztą do jej muzyki tańczył nawet ówczesny premier. Nagrywała z Orkiestrą Polskiego Radia pod dyrekcją Jana Cajmera. Występowała też z sukcesami zagranicą. Pojawiała się epizodycznie w filmach.W tym odcinku "Z opolskiej estrady..." Maks Wieczorski opowiada o Barbarze Kicińskiej-Kamińskiej.
Hello Listeners!Dalam video review FnB kita kali ini, Amir dan Mauren akan mencoba dan membahas salah satu kuliner menarik yaitu “Taconesia”. Mereka akan mengulas rasa, tekstur, hingga overall experience dari makanan ini—apakah worth it untuk dicoba atau tidak?Untuk lebih lengkapnya yuk dengarkan langsung di Channel Podcast Bingkai Suara Season 8 di Spotify dan Apple Podcast, juga Channel Youtube Bingkai Karya. Untuk update berita di Bingkai Karya kamu bisa kunjungi website kita di (http://www.bingkaikarya.com)Disclaimer:Konten review ini bukan hasil endorsement atau kerja sama berbayar dengan pihak manapun. Semua opini yang disampaikan sepenuhnya berdasarkan pengalaman pribadi dan penilaian objektif dari Tim Bingkai Karya.Kami selalu berusaha memberikan ulasan yang jujur dan transparan untuk membantu audiens mendapatkan informasi yang akurat. Jika ada perbedaan pengalaman, itu bisa terjadi karena preferensi dan kondisi masing-masing individu.Terima kasih sudah menonton dan mendukung!#HonestReview
The Krewe wraps up Season 6 with an episode looking back at the highs, the lows, & what's to come! Join Doug & Jenn for listener feedback and behind-the-scenes stories as they put a bow on the 6th chapter of KOJ Podcast! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!
Nur noch ein kleines Stück, nur noch ein bisschen durchhalten! Auch wenn die Arme und Beine brennen und zittern, nur dieses eine Stückchen weiter oben warten ein Zelt und warme Suppe auf uns. Und dahinter, Stück für Stück, der Gipfel des legendären Kami! In Cairn wird geklettert, gegessen und recycelt, alles für den Traum von der Erstbesteigung. Auch Dom und Jochen konnten dem Ruf des Berges nicht widerstehen und haben sich gemeinsam in die Steilwände gehängt. Ob dabei Freuden- oder Schmerzensschreie vom Felsen widerhallten, hört ihr im Bericht ihrer Klettertour. Viel Spaß! Timecodes: 00:00:00 - Einleitung 00:05:13 - Rahmendaten und Grundlegendes 00:23:24 - Spielgeschwindigkeit, Rucksack, Zelt und Speicherpunkte 00:49:29 - Physiksimulation, Avas Negativität und Technik 01:24:28 - Fazit Wenn ihr uns abonnieren wollt, folgt einfach dem Link: https://www.gamespodcast.de/abo/ In dieser Folge zu hören: Dom & Jochen
Tegoroczna Monachijska Konferencja Bezpieczeństwa odbywała się w atmosferze wyraźnego napięcia. W Europie coraz częściej powraca pytanie, czy Stany Zjednoczone rzeczywiście pozostaną trwałym gwarantem bezpieczeństwa kontynentu. Dyskusje o możliwym ograniczeniu amerykańskiej obecności, o europejskich zdolnościach odstraszania czy o relacjach z Chinami przestały być tematem akademickiej debaty, stając się realnym elementem polityki.
Pembentukan Direktorat Jenderal (Dirjen) Pesantren dapat dibaca sebagai momentum strategis untuk melakukan reposisi dan reformulasi tata kelola pendidikan pesantren di Indonesia. Mengingat pesantren merupakan entitas pendidikan tertua yang memiliki legitimasi sosial, kultural, dan historis yang kuat, kebijakan ini bukan sekadar restrukturisasi birokrasi, tetapi langkah politik pendidikan yang berdampak sistemik. Kami akan bahas bersama Anggota Komisi VIII DPR RI Fraksi PKB, KH Maman Imanulhaq.
W „Podcaście o dziennikarstwie” gościem Aleksandry Sobczak jest Sławek Kamiński, fotoreporter, szef działu foto w „Gazecie Wyborczej”. Jakie trzy zdjęcia zrobione przez Sławka w świecie polskiej polityki zapadły mu najbardziej w pamięć? Skąd u naszego fotoreportera pasja do uwieczniania każdej miesięcznicy smoleńskiej? Jak wygląda praca fotografa prasowego w Sejmie? I jakie zmiany dla fotografów przyniosła technologia? Więcej podcastów na: https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.
V soutěži skikrosařek dnes bojuje nejmladší členka české výpravy na olympiádě v Itálii. Lucie Krausová se narodila na začátku roku 2008 a ve stejném měsíci pak její táta Tomáš Kraus vyhrál tři závody Světového poháru právě v této disciplíně. Dnes je v Livignu v roli trenéra své dcery. Že se Lucie dostane tak brzy na olympiádu, nečekal. „Je to pro mě šok. Olympiáda přišla o rok dva dřív, než by měla. Je to pro nás opravdu bonus a jsem rád, že do toho jde a má tu odvahu.“
W naszym studiu aktorka, wokalistka, autorka tekstów i kompozytorka, scenarzystka, aktywistka i osoba nieustraszona - Julia Kamińska. Spotykamy się przed naszym wspólnym spektaklem w Teatrze Komedia (6 marca 19:00), żeby porozmawiać o tym, jak trudno jest odpoczywać, o pączkach, o naszych najodważniejszych wyczynach oraz o tym, co pomaga opanować strach w impro. Na koniec quiz o rodzinnym mieście Julii - Gdańsku. Miłego słuchania! Cały repertuar Klancyka i bilety znajdziecie na klancyk.pl
V soutěži skikrosařek dnes bojuje nejmladší členka české výpravy na olympiádě v Itálii. Lucie Krausová se narodila na začátku roku 2008 a ve stejném měsíci pak její táta Tomáš Kraus vyhrál tři závody Světového poháru právě v této disciplíně. Dnes je v Livignu v roli trenéra své dcery. Že se Lucie dostane tak brzy na olympiádu, nečekal. „Je to pro mě šok. Olympiáda přišla o rok dva dřív, než by měla. Je to pro nás opravdu bonus a jsem rád, že do toho jde a má tu odvahu.“Všechny díly podcastu Seriál Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Hello Listeners!Dalam video review FnB kita kali ini, Dewi dan Lusi akan membahas dan mencicipi langsung menu snack yang sedang ramai jadi pilihan nongkrong yaitu “HAUS! Snack Tray”.Dewi dan Lusi akan mengulas mulai dari isi snack tray, rasa dari setiap menunya, porsi yang didapatkan, hingga apakah harganya worth it untuk dinikmati bersama teman atau keluarga.Untuk lebih lengkapnya yuk dengarkan langsung di Channel Podcast Bingkai Suara Season 8 di Spotify dan Apple Podcast, juga Channel YouTube Bingkai Karya. Untuk update berita di Bingkai Karya kamu bisa kunjungi website kita di www.bingkaikarya.comDisclaimer:Konten review ini bukan hasil endorsement atau kerja sama berbayar dengan pihak manapun. Semua opini yang disampaikan sepenuhnya berdasarkan pengalaman pribadi dan penilaian objektif kami.Kami selalu berusaha memberikan ulasan yang jujur dan transparan untuk membantu audiens mendapatkan informasi yang akurat. Jika ada perbedaan pengalaman, itu bisa terjadi karena preferensi dan kondisi masing-masing individu.Terima kasih sudah menonton dan mendukung! #HonestReview
Súhrn diania v kresťanskom svete od vedúceho redaktora Sveta kresťanstva Pavla Rábaru. V aktuálnom súhrne sa dozviete: - čo vieme o prvých pôstnych duchovných cvičeniach pre pápeža Leva XIV.; - k akej téme sa vyjadril kanadský kardinál Marc Ouellet - a že lefèbvristi odmietli ponuku Vatikánu.
Australia's sun can be harsh. And sunscreen is one key measure protecting us against harmful sun exposure. We asked three scientists about sunscreen facts, myths and choosing the right products. - Matahari Australia bisa sangat keras. Dan tabir surya adalah salah satu langkah kunci yang melindungi kita dari paparan sinar matahari yang berbahaya. Kami bertanya kepada tiga ilmuwan tentang fakta tabir surya, mitos, dan memilih produk yang tepat.
Today's guest is the founder of Scooter's Hunt Camp Scott was raised in the small town of Emmett, Id. Scott loves all sports and spent 6 years chasing dreams by playing college baseball. After that didn't pan out baseball he came back to Emmett working several different jobs trying to find my place. In 2006 the opportunity was presented to buy an Insurance Agency here in town. He now owns this agency, and this was a GOD thing as the freedom of being his own boss has given him much time with his sons. In 2007 Scott was introduced to Kami, a year later they were married. In 2010 & 2013 they welcomed 2 amazing sons into their tribe. I joke tribe as we are all registered in the Cherokee Nation. In 2021 Scott lost Kami to Breast Cancer. She was an angel here on earth, but God needed her with him. In 2000 Scott was given the vision to give back to kids through hunting. He was given a gift as a successful hunter. In fact, in 2001 he was named the Idaho State Bowhunters bowhunter of the year. Scott founded and now directs the Scooter's Youth Hunting Camp in Emmett. Over the 26 years of being a part of this ministry and mission field for kids. Scott is most proud of witnessing about his Savior and best friend "JESUS". Over 26 years Scott has had the honor of sharing God's goodness and putting a Shotgun, Bow, Muzzleloader and .22 rifle into the hands of over 6,000 kids. All for FREE and all through donations. It has been a labor of love for Scott. He works for the kids 24/7/365 as a volunteer. SYHC is 100% volunteer with no paid staff. The volunteers who show up for the camp are amazing and all get an Orange SYHC shirt. The volunteer crew has been coined the "ORANGE ARMY" with the past couple of years being 120+ strong. There is a joke around the area that Scooter has 4,000 nieces and nephews because of the interactions from this camp. In 2015 Scott added to the SYHC by creating "Hunting Dreams". This subchapter of the camp does 2 hunting trips a year for children who have suffered a life-threatening illness. One Bear hunt each spring and an Elk hunt each fall with everything donated to fully outfit the hunters. New Rifle, Binos, Scope, Rangefinder, Boots, clothes etc. etc. Then a whole week in God's country hunting and eating "Their" favorite menu. The crew processes the meat and a taxidermist does a bear rug and elk shoulder mount for a forever memory. Scott loves GOD, loves kids and loves being a servant. www.taurususa.com www.cva.com www.himtnjerky.com www.nukemhunting.com www.christianoutdoors.org www.citrusafe.com www.elimishieldhunt.com www.mossyoak.com
Hai Viewers! Kembali lagi podcast Helmy Yahya Bicara. Tamu saya kali ini, seorang dokter spesialis jiwa, dokter yang viral banget di media sosial, Elvine Gunawan.,dr., SpKJ, Founder Mental Hub Indonesia. Seru banget ngobrol sama dokter yang ngomongnya blak-blakan gini! Kami membahas banyak hal, mulai dari serba-serbi kerja sama anak-anak Gen Z sampai membahas soal parenting! Ternyata bukan hanya ibu-ibu loh yang wajib belajar parenting, tapi bapak-bapak juga! Simak selengkapnya kalau mau tercerahkan. Selamat menonton!
Kencan Dengan Tuhan - Minggu, 15 Februari 2026Bacaan: "Mengapakah engkau melihat selumbar di mata saudaramu, sedangkan balok di dalam matamu tidak engkau ketahui?" (Matius 7:3)Renungan: Suatu ketika ada satu keluarga tengah berada dalam perjalanan menuju sebuah kota. Lalu mereka singgah di satu kedai kecil untuk beristirahat. "Bapak dan keluarga mau ke mana?" tanya si pemilik kedai. Bapak itu memberitahukan tujuannya. "Oh, kota itu. Saya tahu," jawabnya. "Kalau begitu dapatkah Anda menceritakan bagaimana orang-orang yang ada di sana?" tanya kepala keluarga tersebut. Bukannya menjawab, pemilik kedai malah bertanya balik, "Orang-orang seperti apakah yang kalian temukan di tempat asal kalian?" "Mereka adalah orang-orang yang payah," isteri bapak itu segera menjawab. "Benar. Mereka senang bergosip, cuek, egois. Kami senang bisa pindah dari sana," jawab anak-anaknya. "Saya rasa kalian juga akan menemukan orang-orang dengan sikap yang sama di kota tujuan kalian nanti." Keesokan paginya, rombongan keluarga lain singgah ke kedai itu dan ingin ke kota yang sama seperti keluarga kemarin. Mereka pun menanyakan kepada pemilik kedai tentang sifat orang-orang yang nanti akan ditemui. "Jenis tetangga macam apa yang dulu kalian miliki?" pemilik kedai itu bertanya. "Mereka baik, suka menolong, peduli. Sebenarnya kami sangat berat hati meninggalkan tempat yang dulu itu," jawab pemimpin rombongan. Pemilik kedai menjawab, "Tenang, nanti kalian juga akan mendapat tetangga yang serupa." Salah satu alasan yang dikemukakan oleh para pegawai mengapa mereka mau berhenti bekerja dan pindah ke tempat lain adalah karena orang-orang di kantor mereka yang tidak bersahabat. "Di sini orang-orangnya suka menusuk dari belakang. Mereka berkompetisi dengan curang. Pribadinya tidak menyenangkan," begitulah ungkapan mereka. Namun yang menjadi masalah sebenarnya bukanlah orang-orang tapi kita sendiri. Selama kita tidak mau belajar mengerti, belajar rendah hati dan mengalah, ke mana pun kita pergi, di mana pun kita bekerja, kita memang akan senantiasa bertemu dengan orang-orang sulit'. Selama kita selalu melihat 'selumbar' di mata pihak lain, selalu mencari kekurangan dan kejelekan mereka, maka itulah yang akan kita dapatkan. Dengan kasih Tuhan, ubahlah sikap kita, maka situasi pun akan berubah dengan sendirinya. Tuhan Yesus memberkati. Doa:Tuhan Yesus, jadikanlah hatiku seperti hati-Mu, sehingga setiap orang yang berada dekat denganku akan merasa nyaman. Amin. (Dod)
Ratusan guru madrasah honorer menggelar aksi unjuk rasa dan beraudiensi dengan DPR untuk menuntut kejelasan status dan pengangkatan sebagai Pegawai Pemerintah dengan Perjanjian Kerja (PPPK), setelah mengabdi selama bertahun-tahun.Berdasarkan data Badan Kepegawaian Nasional (BKN) per 1 Februari 2026, dari total 6,69 juta Aparatur Sipil Negara (ASN), sebanyak 2,3 juta atau sekitar 34 persen merupakan ASN guru yang terdiri dari PNS, PPPK, dan PPPK paruh waktu. Sementara itu, jutaan lainnya masih berstatus guru honorer, bahkan sebagian hanya menerima gaji sekitar Rp200 ribu hingga Rp500 ribu per bulan.Lalu, solusi apa yang bisa ditawarkan untuk menjamin kesejahteraan dan kepastian status para guru honorer? Kami akan membahasnya dalam perbincangan bersama Kepala Bidang Advokasi Guru Perhimpunan Pendidikan dan Guru (P2G), Iman Zanatul Haeri.
Insiden penembakan menimpa pesawat Smart Air dengan nomor registrasi PK-SNR milik PT Smart Air Aviation di Kampung Danowage, Distrik Yaniruma, Kabupaten Boven Digoel, Papua Selatan, Rabu kemarin. Dalam peristiwa tersebut, pilot dan co-pilot dilaporkan meninggal dunia saat berupaya menyelamatkan diri, sementara 13 penumpang lainnya berhasil selamat. Bagaimana kondisi terkini di lokasi kejadian? Sejauh mana penanganan aparat keamanan dan situasi keamanan wilayah pasca-insiden?Kami akan membahasnya bersama Kepala Satgas Operasi Damai Cartenz 2026, Brigjen Pol Faizal Ramadhani, untuk mendapatkan penjelasan lengkap dan terbaru.
Like many migrants adjusting to a new life overseas, food became a powerful connection to home. After relocating to Melbourne, Chef Ben Roquero found himself missing familiar snacks from the Philippines, the golden, sesame-coated rice balls often enjoyed as dessert or merienda called buchi. What started as a simple longing for a taste of home eventually grew into something bigger. - Hindi inakala ng Melbourne-based Filipino chef na si Ben Roquero na ang pagka-takam sa buchi matapos lumipat sa Melbourne ang magiging daan at inspirasyon para sa isang negosyong patok hindi lang sa mga Pinoy at Asyano na nasa Australia.
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Send us a message!Let's explore the origins of Japanese mythology, from the creation of the islands to the emergence of the Gods. Music is by Alexander Nakarada.Support the show
From Astro Boy to Gundam to real-world robots like ASIMO and Pepper, Japan's fascination with robots runs deep. This week, the Krewe is joined by author, cultural commentator, & robot enthusiast Matt Alt to explore how robots became heroes instead of threats in Japanese pop culture and how those sci-fi dreams quietly shaped Japan's modern relationship with technology, AI, and everyday automation. From giant mecha and cyborg icons to robot cafés and beyond, we dig into why Japan seems so comfortable living alongside machines in an episode that's equal parts nostalgia, culture, and future tech.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Matt Alt Links ------Matt's WebsitePure Invention - Publisher's PageMatt's NewsletterPure Tokyoscope PodcastMatt on IG------ Past Matt Alt Episodes ------Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History of Nintendo ft. Matt Alt (S4E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)Why Japan ft. Matt Alt (S1E1)------ Past KOJ Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
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This episode we are talking about the Four Great Temples--Asukadera, Daikandaiji (aka Kudara Odera), Kawaradera, and Yakushiji. Much of the information, outside of the Nihon Shoki itself, comes from Donald F. McCallum's book: "The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan". For sources, photos, and more information, check out our blogpost at: https://sengokudaimyo.com/podcast/episode-142 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is episode 142: The Four Great Temples Rising up into the sky, the bronze spire atop the pagoda seemed to touch the heavens. The beams, doors, and railings were all painted bright red, with white walls, and green painted bars on the windows. At each level, the eaves swept out, covered in dark ceramic tiles, with shining bronze plaques covering the ends of the roof beams. At each corner, a bronze bell hung, chiming in the breeze. This pattern continued upwards, tier after tier. Around the base of the pagoda, throngs of government officials dressed in their formal robes of office moved past, flowing through the temple's central gates. As they passed, they looked up at the impressive tower, the largest of its kind in all of Yamato. From somewhere, a deep bell chimed, and the crowds made their way towards the lecture hall. There, the monks were prepared, with sutras and voices at the ready. Facing a sacred image, they would read through their sutras in unison. Their voices would carry through the great empty space and reverberate through the crowds—those that could get close enough to hear, anyway. The chanting created a musical cacophony. In that sea of human voices, one could almost sense something more—something spiritual. A power, that one could almost believe could hold at bay just about any disaster that could befall a person—or even the state itself. Alright, so this episode we are still in the reign of Ohoama, aka Temmu Tennou. I know we've already seen how that ends, but there is still a lot to cover. But before I go too far, I'd like to first give a shout out to Lisa for helping to support the show on Ko-Fi. I can't tell you how much we appreciate it. If you would like to support us as well, we'll have more information at the end of this, and every episode. We've talked about how the reign of Ohoama was a time where the court reinforced, but also subtly adjusted, the laws of the Ritsuryo state. They seem to have equally courted the Kami, Buddhism, and even continental ideas of yin and yang. Today we are going to dive into Buddhism and the State. More specifically, I want to talk about something called the Yondaiji, the Four Great Temples, and look at how these government temples, also known as "kanji" or "Tsukasa no dera" came to be, what we know about them from archaeological research, and the role they played in the State. This is going to probably recap things from earlier episodes. I am also drawing a lot from a book by Donald F. McCallum called, appropriately, "The Four Great Temples", which goes into a lot more detail than I'll be able to get into, here, but I recommend it for those who are really interested in this subject. Up to this point, we've talked a little about the relationship that the court had with Buddhism. By the late 7th century, Buddhism had spread throughout the archipelago, and there were many temples likely created by local elites. Sensoji, in Asakusa, Tokyo, claims a founding of 628, though it may have actually been founded sometime just after 645. There are other temples around Japan, far from the Home Provinces, which likewise had similar claims to being founded in the early to late 7th century, and I question how much a role the government had in each of them. . In 673, there were two temple-related mentions of note in the Chronicles. In one of Ohoama's earliest edicts he orders the copying of the Issaiko, the Buddhist canon, at Kawaradera. That same year, 673, Prince Mino and Ki no Omi no Katamaro—whom we discussed last episode—were sent to build Takechi temple, later known as Daikandaiji. I mention Daikandaiji specifically because while it was originally built as the Temple of Takechi, at some point took on that other name—"Daikandaiji", aka Ohotsukasa no Ohodera—which Aston translates as the "Great Temple of the Great Palace", as it appears to have specifically been designated as the great temple of the government. In other words, it is one of a few National Temples. And this became particularly important in the year 680, which is the year we are told the government stopped administering—and, more importantly, stopped funding—all but a handful of so-called "national temples". At this point, as I've mentioned, Buddhism was widespread enough that there were enough adherents that could maintain their own local temples. Of course, local elites likely found some cachet in funding temples, and communities of believers in various areas would likewise have been asked to provide funds as well. So the court accordingly declared that going forward, the government would only administer 2 or 3 national temples. For all other temples, if tthey had been granted the proceeds of sustenance-fiefs, those would be limited, from the first year to the last, of 30 years in total. As I read it, that indicates that if they had received the fiefs 15 years ago, they would be allowed to hold onto them for another 15 years, after which point they would need to find alternative sources of funding. The early national temples appear to be Daikandaiji and Kawaradera. Finally, there is Yakushiji, which Ohoama began construction on in 680 for his queen, Uno no Sarara, when she was ill—and just hold on to that for now. Interestingly, Asukadera, or Houkouji, in many ways the original national temple, was not designated as such in the new reorganization, but it would continue to be administered by the government as a temple in a special arrangement. That's why the original count in the Nihon Shoki mentions "2 or 3" national temples instead of four. These four temples are mentioned in the Shoku Nihongi, the Chronicles following the Nihon Shoki, as the Four Great Temples, or Yondaiji. Although that work wasn't compiled and published until the end of the 8th century, the term Yondaiji appears in an entry for 702, about five years after the last entry in the Nihon Shoki, and over a decade before its publication So at this point we're going to look at each of these "great" temples individually, plus a couple of other important ones, and what they tell us about the history of Buddhism, Buddhist temples, and the Yamato state at this point in Ohoama's reign. The first of these four temples, chronologically, is Asukadera. This is the temple originally built by the Soga, and the first major Buddhist temple built. Its layout shows three separate golden image halls, or kondou. And here we should probably recap something about the general layout of a Buddhist temple, so we can understand what we are talking about. The most important buildings in a Buddhist temple at this time were the kondou, the golden image halls; the pagoda, or stupa; and the koudou, or lecture hall. The golden image halls held golden Buddhist images—Buddhas, Boddhisatvas, Arthats, and more. These rooms are often somewhat dark, and would have been lit mainly by candles, as well as the sun coming through—though even then the sun often is obscured by overhanging rooves and latticework. Sometimes the doors would have small openings so that the sun's rays strike in a particular way at different times. All of this presents an image of bright gleaming gold in the darkness—a metaphor for the teachings of the Buddha, but also an intentionally awe inspiring display for those who came to view them and pray. The kondo were usually the first structures to be built for a temple, so if your temple had nothing else, it probably had an image hall. The next structure that one would probably build would be the stupa, or pagoda. A pagoda was a tower, in which were sometimes kept images, but more importantly, it would often hold some kind of relic. The idea of the stupa originated as a place to house relics—often bone fragments and teeth attributed to the Buddha, even if those were actually precious stones. Stupas were originally (and still, in many places) large mounds, but as Buddhism made its way over the Silk Road, these were replaced with multi-tiered towers. Pagodas are often 3 or 5 storeys, though the number of stories can go up to 7 or 9 or as low as 1. Once again, in a world where most buildings, other than perhaps a specially made lookout tower, were only one or maybe two stories in height, a three to five story pagoda must have been something to behold, especially covered with tiled eaves, adorned with bronze bells, and brightly painted in the continental fashion. In Europe I would point to similar uses of gold and ostentatious ornamentation on the cathedrals of the day, and even in churches more generally, if on a smaller scale. This is meant to impress and thus lend authority to the institution. And of course, because that institution was so closely aligned to the State, it gave the State authority as well. We mentioned, previously, how the monumental structures of the kofun had given way to the Buddhist temples as a form of ritual display. The last of the three buildings I would mention is the lecture hall, or Koudou. This would also likely have Buddhist images, but it was more of a functional hall for conducting rituals, including recitation of sutras and presenting Buddhist teachings. The koudou was often at the back or north end of the temple complex. In early Buddhist temple layouts, it was common to have everything in a straight line, more or less, and to remain symmetrical. So there would be a main gate through which one would enter. In front of you there you probably saw the pagoda. Beyond the pagoda was a path, and then the kondou, or image hall, typically with a lantern in front, and behind that was the koudou, or lecture hall. This was all typically oriented on a north-south axis, such that one would enter through the southern gate and walk north towards the lecture hall. The north-south orientation is likely another feature from the continent, where the most important buildings were often south-facing, and thus in the north of the compound. This was the same with the palace layout, and likely for similar reasons—not just cultural, but also practical. After all, the sun, in the northern hemisphere, remains slightly to the south, and so this would have provided the most light through the day. This layout was not strictly adhered to, however. For instance, if we look at Asukadera, you would enter through the southernmost gate and you were then met with another gate for an inner compound. This middle gate would lead you to a large courtyard, about 320 meters on a side, with a covered walkway, or gallery, along the entire circumference of the compound. Entering through the middle gate one would have first noticed the large pagoda and not one but three golden image halls. A path led to the pagoda, and then beyond from the pagoda to the central kondou. There is even a stone where a large bronze lantern was likely situated between the pagoda and the kondou. Based on archaeological evidence, it appears that there was originally just one image hall, directly north of the pagoda, but at a later date, they added two more kondou to the east and west of the pagoda. This has been compared to a temple layout found in Goguryeo, but given that these were likely later additions, and we know that Baekje artisans were involved, I suspect that is just later coincidence. Connecting the layout of the temples to continental examples has been a keen area of study for many scholars. The general theory is that temple layouts can help point to whether there was more of a Baekje, Silla, or Goguryeo influence during the construction of the temple, and what that might have meant for Yamato's international relations as well as various political factions in the court who may have leaned more towards one group or another. The last building at Asukadera, the koudou, or lecture hall, was directly north of the kondou, but you couldn't get there directly. The entire pagoda and image hall compound was separate from the lecture hall, which stood north and apart, though still on the temple grounds, which would have been surrounded by an outer wall. At this point, since we're talking about the layout of Asukadera and where it came from, I'm going to digress from the next of the four great temples and talk about two other early temples that are important for understanding Buddhist temple building at this time. So bear with me for this slight detour. The first of these is Shitennoji, the Temple of the Four Heavenly Kings, in modern Osaka. This temple is said to have been built in 593, and is attributed to Shotoku Taishi. Presumably he made a vow to do so during the war between the Soga and the Mononobe, which we discussed back in episode 91. As you may recall from that and earlier episodes, the Mononobe were considered to be against the idea of Buddhism, while the Soga were promoting it. Shitennouji was important, but doesn't show up in the Chronicles as much as other temples, and was all the way over in Naniwa. As such, I suspect that it was not considered a good candidate for "national" temple status at the time. Still, if we look at the original layout, Shitennoji is quite similar to what we see in Asukadera. Everything is on a north-south axis. You go through a middle gate to the inner compound. There you find a pagoda, and past that, a lantern and then the kondou. Unlike Asukadera, the koudou, or lecture hall, is incorporated into the back wall, such that the gallery continues from the middle gate around to either side, and then meets at the sides of the lecture hall. There are also east and west gates, as well as other buildings, but the main layout is pretty comparable. The second is another temple, which also lays claim to being founded by Prince Shotoku Taishi, and which was not included in the four great temples. This may have had to do with the fact that it wasn't in the Asuka valley, but also may have had to do with just the timing. That temple is the famous one known as Horyuji. Horyuji was founded on the site of the Ikaruga palace, said to have been the home of none other than Prince Umayado, aka Shotoku Taishi. As such, one imagines it was quite the prominent temple in its day. However, it was at a distance from the capital, and it also had the misfortune to have burned down in about 670, just before Ohoama ascended the throne, and it wasn't fully rebuilt until about 711, leaving a forty year gap where the temple was not necessarily at the forefront of Buddhism. Still, like Shitennoji, it is interesting to look at the original layout for Horyuji and compare it to Asukadera. First off, you have the same north-south orientation, and you have the same separate, internal compound for the image hall and the pagoda. Unlike in Asukadera, however, the kondou and the pagoda, which both faced south, were on an east-west axis, flanking the central pathway. Entering through the middle gate one would have seen a five storey pagoda on the left and the kondo on the right. The Koudou was outside the inner compound in the rear, along that central north-south axis. There is also evidence of two other buildings. One likely held a large bell—and possibly a drum—and the other was likely a sutra repository, where they could keep holy texts and various ritual implements. I will also note that, even though Horyuji burned down in 670 and was accordingly not that prominent during Ohoama's reign, it is absolutely worth visiting because substantial portions of those rebuilt buildings are still standing today. Indeed, both the Horyuji pagoda and kondou are among the oldest wooden buildings in the world. The central pillar of the pagoda was felled in 594 according to dendrochronological dating. The kondou was damaged by fire during a restoration in 1949, but about 15-20% of the original building from 670 still remains. Going back to the Great Temples, the next of these to be built was Kudara Ohodera. Kudara here means "Baekje", but this appears to refer more to the temple's location near the Kudara river, rather than to the kingdom of Baekje. Kudara Ohodera is remarkable in a couple of different ways. First off, there is the fact that it is the first temple with a firm royal lineage—that is to say a temple that claims to have been founded by the sovereign. Asukadera was founded by Soga no Umako, the Prime Minister, and though Prince Umayado is said to have been the Crown Prince, nonetheless, he never reigned as sovereign, though he was considered the founder of both Shitenouji and Houryuuji. Kudara Ohodera, however, is said to have been founded at the behest of Tamura, aka Jomei Tennou, who reigned from 629-641. The temple appears to get its start in a record dated to 639, and by 645 it appears to be fully operational. There is another tale of its founding—in the Daianji Engi, the history of Daianji, a successor temple to Kudara Ohodera, there is mention of a Kumagori Dojo, and many modern histories claim that this was the actual first temple, but there isn't much evidence. Donald McCallum, in his treatment of Kudara Ohodera's history in his book, "The Four Great Temples", suggests that the Kumagori Dojo story is likely a later legendary founding that got recorded, as there is scant evidence for it, and no mention of it in other records. On the actual founding of Kudara Ohodera, however, there does appear to be general agreement with the Nihon Shoki, despite some minor differences in the dates. The call to build Kudara Ohodera comes alongside Tamura's also building Kudara Palace. Kudara Ohodera was also built on a grand scale, and it is said to have had a nine-storey pagoda—almost double the size of a five-storey pagoda, which already towered over other buildings of the time. Despite all of this, for a long time it was unclear where Kudara Ohodera was actually situated. There were several sites proposed, but most recently archaeological research on Kibi Pond seems to have placed the temple there. At excavations on the southern side of the pond were found remnants of the foundations of two buildings, arranged in an east-west format. The western foundation would appear to be for a pagoda—but one much larger than any of the five storey pagodas we've seen elsewhere. And to the east was the foundation for what appears to be the kondo. This golden image hall, however, is likewise much larger than any other hall of this time. This arrangement would fit very well with a Houryuuji-like temple layout. There were also various other traces that were consistent with the early mid-7th century, which would coincide with the 639-645 dates for Kudara Ohodera's construction. Subsequent excavations appear to have found quarters for the priests, as well as at least part of a gallery wall and one gate, situated due south of the kondo. There may have been another gate south of the pagoda. The koudou, the lecture hall, may have been in the area that was later excavated to create the pond, and therefore we may never have any hard evidence of its location, despite numerous attempts to dig trenches to find more of the temple buildings. This probably also means that, similar to Shitennouji, the lecture hall was incorporated into the enclosing gallery wall rather than being outside, because if it was outside, then it likely would have been farther north and we would probably have seen some trace. As it is, the lack of any trace suggests that it was inside or part of the enclosure with the pagoda and kondou. The large size of this archeological site concurs with what we know about Kudara Ohodera, both in its description and in the fact that it is referred to as "Ohodera", or "Great Temple"—no other temple has really been given that name directly, though there are a few references to "Ohodera" that are ambiguous and might refer either to this temple or Asukadera.. Still, if this temple, sometimes also called Kibi Pond Temple due to its location, is *not* Kudara Ohodera then that just brings up more questions. How could there have been such a monumental Buddhist temple this close to Asuka and within the bounds of the later Fujiwara-kyo and yet nobody thinks to mention it? It doesn't appear to have been started and abandoned, as there were quite a few structures built. So if this isn't Kudara Temple then someone has some 'splaining to do. Indeed, McCallum notes that while there are some objections, the preponderance of evidence seems to lean greatly in favor of the Kibi Pond site for Kudara Ohodera. We still have yet to find the Kudara palace, however, so who knows. There are also questions about the construction as various architectural features are missing in ways that are not consistent with other sites. Some oddities, such as a seeming lack of rooftiles given the apparent size of the building, actually may be a point in favor of this being Kudara Ohodera, since we know that the temple was moved in 673 when Ohoama requested that they build the Takechi Ohodera, which appears to have been Kudara's successor temple. If they had reused the material from Kudara Ohodera to build, at least in part, Takechi Ohodera, that could explain why rooftiles and other such things are not present in the numbers expected at the Kibi Pond site. Takechi Ohodera is another bit of a mystery. I can't help but note that Takechi is the name given Ohoama's son who was with him on the front lines of the Jinshin no Ran. We also see a "Takechi no Agata-nushi", who is noted as the governor of the district of Takechi. In all cases here it is spelled "Taka-ichi", or "high market", and it is not an uncommon name—we even find a Miwa no Kimi no Takechimaro. In the record of the Jinshin no Ran it is noted that the governor of Takechi was possessed by the kami of Takechi and of Musa. These were named as Kotoshironushi and Ikuikazuchi. They claimed that they had been the kami that escorted Ohoama to Fuwa and saw him safely there. As such, donations were made to their shrines. Musa is an area in modern Takaichi district, which includes the area of Asuka, and is part of Kashihara city. The Takaichi Agata Jinja—or the Takechi District Shrine—sits in the Shijo area of Kashihara city, north of Mt. Unebi. There are several proposed locations for Takechi Ohodera, but despite excavations, no clear temple features have been found. As such, there isn't anything to clearly point to one or the other. What we do know is that Takechi Ohodera underwent another transformation. According to the Daianji Engi, the Takechi Ohodera was renamed to Daikandaiji in 677. There is no specific mention of this in the Nihon Shoki, other than a note that Takechi Ohodera was also known as Daikandaiji and a reference, in 679, of "fixing the names". Personally, I can't help but wonder if this is a case of a nickname becoming the name-in-fact. As I mentioned earlier in the episode, Daikandaijij, which can also be read as "Oho-tsukasa no Oho-tera" can be translated into something like Great Government Official Great Temple or Great Temple of the Royal Court. We do know the location of this temple in later years, but this is probably not exactly where Takechi Ohodera was originally built. For one thing, it is suspicious that the temple lines up exactly with the later grid for Fujiwara-kyo, the later capital city that was built north of Asuka. We also are told by the Daianji Engi that a nine storey pagoda and kondou were built between 697 and 707 CE. There are also notes about activities at the temple mentioned in the Shoku Nihongi for the same period. And yet there were also activities being held during that time which would not seem feasible if they were renovating in place. So likely the new construction was at a new site—possibly near the old site. And at this later site, the rooftiles were from a later period, closer to the period of the later construction and not really matching with earlier construction dates. So what did this temple of many names – Kudara Ohodera, then Takechi Ohodera, then Daikandaiji – actually look like? We probably have a layout for the original temple and the later temple. If Kibi Pond Temple is the original Kudara Ohodera, the original temple had the kondou and the pagoda on the same east-west axis, and likely had the koudou north of that – very Horyuji-like. But based on the layout at the later temple site, we have something quite different. From the central gate, there is a path straight towards the Kondou, with the Koudou directly north of that, and the nine-storey pagoda in an odd, off-set position, southeast of the kondou. This disrupts the symmetry even more than the Kudara Ohodera layout. There is some speculation that this asymmetry was temporary and that they planned to fill the other space but just never got around to it, but there is no indication that they had prepared for anything, either. Also odd is the fact that the koudou, the lecture hall, was the same size as the image hall, the kondou, and that was roughly the same size as the enormous hall at Toudaiji, which is really saying something. This really was a tremendous building, fitting for the main temple of the royal government. The third of the four great temples is Kawaradera, and this one is challenging to plot out chronologically as there isn't a lot of documentation. There is no exact date for the building of Kawaradera. There is a mention of it in 653, but the same entry in the Nihon Shoki also states that there are sources that claim it should be Yamadadera, instead. Based on other evidence, this actually seems more likely. Yamadadera is thought to have been the work of Soga no Kurayamada no Ishikawa no Maro, and it is where he eventually fled when accused of treason. It was founded in 641, according to the Joguki, the record of Prince Shotoku, but construction didn't actually start until2 years later, and monks only began to occupy it in 648. The following year, however, construction halted as that is when Ishikawa no Maro fled there and committed suicide. Construction was resumed in 663, but still took time. Still, even in the middle of this very long DIY project, it makes sense that there might be some activities in 653, even if construction was paused. Later the temple would be completed, and seems to have had powerful backing. Uno no Sarara, Ohoama's queen, was a granddaughter of Ishikawa no Maro, and so likely had a connection to the temple, but it never attained the status of a national temple the way the others had. As far as its layout—it was similar to Shitennouji, with the pagoda, kondo, and koudou all in a line on the north-south axis. Kawaradera was another matter. Though we aren't sure when it was built, exactly. If we discount the 653 date as applying to Yamadadera instead, then the first date we really see anything at Kawara is Kawara Palace, built for Takara Hime—aka Saimei Tennou—who took up residence there when the Itabuki Palace burned. Later it would be used for her mogari—her temporary interment. The next mention of a temple at Kawara isn't until this reign, in 673, when Ohoama had the Buddhist canon, the Issaiko, copied, as I noted at the top of the episode. So it must have been established and built some time before 673. Although we don't know when it was founded, we very clearly know where it was, as the foundations stones are still present, and quite clear—and unlike other Asuka era temples, it would stay in Asuka, rather than being removed up to the new capital at Heijo-kyo. Given everything else and its apparent importance, the lack of information on when Kawaradera was established is quite odd. McCallum suggests that this could have been deliberate as a way to help delegitimize the temple in the 8th century, but also admits that it may have just been due to the general problems with early record keeping back in the day and there may not have been a good record of why and when the temple was founded. The rooftiles are similar to those used during the time that the court was at Ohotsu. I would also note that there is a connection between the foundation stones and a quarry up near Ohotsu at what is, today, Ishiyamadera. That still doesn't tell us when Kawaradera was founded, as that could have been any time, and doesn't necessarily mean that it was during the time the court was in Ohotsu. Regardless of what textual evidence does or does not exist, the archaeological evidence is pretty staggering. Even today you can go and see some of the exposed foundation stones. This was a massive temple. There was a south gate and then a middle gate just north of that. The main enclosure was divided into two courtyards. In the first, just beyond the middle gate, at the north end was the middle kondo, while in the courtyard itself, facing each other on an east-west axis, was a western kondou and the temple pagoda. Past the middle kondou was a larger courtyard, with the koudou, or lecture hall, in the north, with a bell tower or sutra hall in the south west and southeast corners. The walls of the enclosure were made up of a covered gallery, and around the outside of the northern courtyard, containing the koudou, were smaller chambers believed to be the monks quarters, something we don't necessarily see at all of the other sites. Despite being an important temple, and one of the Four Great Temples during the Asuka periods, when the capital eventually moved to Heijo-kyo, in modern Nara, Kawaradera had the distinction of being the only one of the four that was not moved as well. All three of the other Great Temples had new compounds built in Heijo-kyo, and the temples were thus "transferred" to the new capital. Presumably that means that most of the monks and administration moved there, and those new temples took up the roles, duties, and responsibilities of the old temples. The temple complexes in Asuka were not necessarily destroyed or deconstructed, but instead were apparently left to their own devices, becoming reduced in status. Many of them fell into disrepair, and when disasters, such as fire, struck they were not rebuilt to the same extent as before, if at all. Kawaradera, however, appears to have not been transferred. It would eventually be replaced as one of the Four Great Temples by the temple of Koufukuji, which was specifically a temple for the Fujiwara family, who were having a bit of a moment in the Nara period. Some have speculated that Kawaradera was specifically left behind in Asuka for that reason—so that the Fujiwara family temple could sneak into the ranks of national temples. Or it may have been that Kawaradera had a particular connection to Takara Hime and the site of her interment. If it was a memorial temple to her, then perhaps it didn't seem appropriate to remove it from its physical location. McCallum also suggests that it was so powerful in its position in Asuka that it preferred to stay and keep its stipend-fiefs, perhaps believing that even the move to Heijo-kyo would be just another short fad, as had been Ohotsu and Fujiwara-kyo. Of course, if so, they were sorely mistaken. And so Kawaradera would eventually fade from the picture, but during the time of Ohoama's reign, and into that of his immediate successors, it seems that it certainly held some sway. The fourth of the Four Great Temples was the temple of Yakushiji—the temple of the Medicine Buddha. This is the latest temple of the bunch. Its construction was ordered in the year 680 in response to Ohoama's queen, Uno no Sarara, falling ill. And so he vowed to build a temple for her—specifically a temple to Yakushi Nyorai, the Medicine Buddha, whom we discussed last episode. That said, there is considerable time between the order to construct a temple and getting enough of it built to actually be functional. I haven't really touched on this, except when I briefly discussed Yamadadera and how long that took to build, but all of these temples were massive works, much more complicated than the traditional palace buildings. For the most part, palace architecture could be built relatively quickly with the tools and labor available. This was a good thing, seeing as how, for many years, the sovereign had moved again and again, either because of the previous sovereign's death in the palace or just because they chose a new location for a palace. As such, one couldn't spend years building a new palace. So palace buildings were simply made with wooden posts, sunk into the ground, with thatched roofs. In a few examples we see attempts to use wooden boards or tiles, but they weren't complicated. A temple, on the other hand, was something different. Temples were largely wood, but they were massive in size and their roofs were covered in heavy ceramic tiles. All of that weight had to be properly distributed on a strong base—simple posts were not likely to work. Instead they were built on raised stone foundations. That's great for us looking at them, today, but at the time it would have been an inordinate amount of labor. Hence why a temple like Yamadadera took so long to build. So Yakushiji may have been founded in 680, but was likely not finished until much later, which is why we don't really see it in the records for Ohoama's reign and why the order for national temples probably only states that there were just two or three. However, it would become one of the four great temples, and is also notable because, in its transfer to Heijokyo, it largely retained its shape and layout, meaning that you can go to it, today, and still get some sense of what it may have been like back in the Asuka period. Granted, there are certainly differences, but there are enough similarities that it is likely worth a visit. Many of the other temples were significantly modified when they were rebuilt in the new capital in Nara. The layout for Yakushiji is a basic rectangular layout. North of the central gate there is not one, but two pagodas, on an east-west axis from each other, flanking the path to the kondo, roughly in the center. Finally the koudou at the north end, built into the roofed gallery. The modern Yakushiji, a UNESCO world heritage site, maintains one of the pagodas from 730. Other buildings have been lost and rebuilt over the years. Today, the covered gallery only goes around half of the compound. This temple would be important, but mostly in the period following the current reign. This period of the four Great Temples perhaps gives us some insight into the relationship between Buddhism and the State. Early on, Buddhism was the province largely of the Soga family, and Soga no Umako was apparently the most powerful figure of his day. He founded Asukadera, and early temples weree founded by Soga or their associates, including Prince Umayado. McCallum points out that the National Temples, however, were, with one exception, founded by sovereigns. Kudara Ohodera was the first, Kawaradera was likely founded for Takara Hime, and Yakushiji was founded for Queen Uno. The only one of the four that wasn't expressly founded on a sovereign's order was that of Asukadera, the temple by Soga no Umako. This may explain why it was both included and excluded as a national temple in the Chronicles. After all, there is no doubting its importance, but the narrative of a single, strong, royal house is somewhat impeded by the idea that one of those temples was founded by what was, for all of his power and authority, a private individual. Ultimately they didn't include it in the edict and yet still acknowledged it as one of the Great Temples. McCallum also points out that these four may not have been fixed quite so early on. For example, on the matter of Houryuuji—there is a bronze plaque that mentions an "Ikaruga no Ohodera", suggesting that the Ikaruga Temple—that is to say Houryuuji, founded on the estates of Prince Umayado—was at one time granted that title. Of course, there are questions as to the exact date of the inscription, and whether or not they meant "Ohodera" in the later sense of a national temple or simply in the sense that it was large; and the term may have meant something else, earlier on. The roster of official temples, the Tsukasa no Tera or Kanji, would grow over time, but that is something for a later period. It is worth noting, though, that the Chronicles at this point seem to distinguish between three types or levels of temples at this time, based on other edicts that we see. There is also the matter of temple names. The first edict is from the 5th day of the 4th lunar month of 679, six years into Ohoama's reign. The declaration states that the court would consider the history of any temple with sustenance fiefs and add or remove them as appropriate. This suggests that there were temples with sustenance fiefs—that is, that had stipends based on lands whose official output went to their upkeep—and temples without such fiefs. The latter were likely more local temples, likely funded by local elites, possibly out of actual devotion, or an attempt to gain the power that Buddhism presumably brought, or possibly just in emulation of the central court, much as the peripheral elites had also constructed the keyhole shaped kofun. Along with the adjustments of stipends, we are also told that the administration quote-unquote "fixed" the names of the temples. This again goes to the government's control of the temples and Buddhism. McCallum suggests that what is meant here is that they moved away from locative names to Buddhist names for the temple; up to this point, temple names appear to be about the location of the temple. So we have Asuka dera, or Asuka Temple, built in Asuka. Kudara Ohodera is Kudara Great Temple because it was by the Kudara river and the Kudara palace. When it was moved to Takechi, they changed the name to Takechi temple. Kawaradera was at Kawara, while the temple we know as Houryuuji was known at the time as Ikaruga Temple—or possibly Ikaruga Great Temple. But later these temples would be known by their Buddhist names, so Asukadera is Houkouji. Kudara Ohodera becomes Daikandaiji—and in fact, it is after this point that we see Daikandaiji in the narrative. Ikaruga dera—though not one of the yondaiji, or four Great Temples—becomes Horyuuji. I'm not quite so sure about Kawaradera, but Yakushiji, which is founded after this decree, comes to us with a Buddhist name rather than just the name of a location. This change in name likely simplified, somewhat, the concept of moving, or transferring the temples. Rather than establishing a brand new temple with new administration and everything, they could build a new temple, but grant it the name and rights of the old temple. The old temple grounds could still be used and occupied—it was still *a* temple, but it was no longer *the* temple, at least for official purposes. It would be strange, however, to move the Asuka Temple up to the area of modern Nara city and still call it the Asuka Temple. The year after reassessing the stipends and fixing the names of the temples we get the edict about the 2 or 3 national temples. And we've mostly discussed that, but here I would just point out that it does add a third distinction to the types of temples. So we have temples with no stipends, temples with stipends—but they would only last for 30 years total after which they were expected to find new sources of funding—and the national temples, which would presumably receive funding through the government in perpetuity—or until the court changed its mind. So why do we care about any of this? Obviously Buddhism has had a huge impact on Japanese culture. However, this isn't just about the religion as an idea, but about the institutions. These temples—especially these great temples—contained a fair amount of wealth. It wasn't just the golden images, or the elaborate amount of work and materials that went into the creation of the buildings. There was also the sustenance-fiefs that were paying for the upkeep. These temples were also being managed by formal government administrators. They also performed rituals that the court relied on. Association with these temples was no doubt important. Later we see princes and other members of high status families taking high ranking positions, and the temples ended up cultivating their own power. Over time, the power of various Buddhist institutions would grow, often challenging or even rivaling the power of the court itself. There are a few other items from this reign that we see related to these temples and Buddhism, more generally. In 677 we see a Buddhist festival at Asukadera, where the entire canon was apparently reda out. The sovereign himself showed up and did obeisance to the Three Precious Things—an interesting bit of religious piety and humility. At the same time, he had all of the Princes and Ministers find one person each to renounce the world and become a monk or nun—both men and women were chosen, without apparent distinction. We are also assured that they all did so of their own volition, and weren't forced. In 679, we see a regulation on the clothing of priests and nuns, as well as the men and horses who accompanied them when they traveled. If priests are going around with a full on noble retinue, well, that probably says something about the status of priests—at least the abbots and heads of these institutions. 680 – A fire breaks out at the nunnery at Tachibana temple. Tachibanadera is situated south of Kawaradera, and similar to that temple, it seems to have previously been the site of a royal palace and also isn't recorded as being founded in the Nihon Shoki—it appears fully formed in this record. Tachibanadera's own records seem to suggest that it was founded in 606, and claims a founding by Shotoku Taishi. It is also said to be the site of the palace where Shotoku Taishi was born to his mother, Princess Anahobe no Hashibito, consort of Tachibana no Toyohi, aka Yomei Tennou. Shotoku Taishi is also the subject of the primary image of Tachibana temple, today. Although Tachibanadera wasn't one of the Four Great Temples, it was likely connected to one—Kawaradera. Not only was it built on the same north-south axis as Kawaradera, but some of the tiles are similar to Kawaradera's founding tiles. The layout was similar to Yamada-dera or Shitennouji, with the pagoda, kondou, and kooudou, all in a single north-south orientation. It is possible that Kawaradera was a monastery for male monks while Tachibanadera may have been the complementary nunnery for female initiates. 680 had a lot going on. In the 10th lunar month, the sovereign handed out alms to monks and nuns—silk and cloth. A month later, Ohoama vowed Yakushiji in hopes that it would help his wife, Queen Uno, who was unwell. He also granted a general amnesty, likely to just add further merit. Apparently it was successful, as she would go on to live for quite some time after that, even helping to take the reins of government when Ohoama himself fell ill. In 682, Princess Hidaka fell ill. 190 people, both men and women, were pardoned for capital or lesser crimes, in an attempt to make merit, and the following day we are told that over 140 people renounced the world at Daikandaiji—likely on the Princess's behalf. The year after that, 683, we see the sovereign making appointments to the official buddhist offices of Soujou, Soudzu, and Risshi—Doctors of the Law. This was probably a somewhat regular occurrence, though this is the first time we see the Risshi, it seems. The mention here is apparently due to the admonition given that "Those who control the monks and nuns should act according to the law." Definitely seems to be something there—perhaps a reason as to why the Soujou and Soudzu were being appointed. But the Nihon Shoki doesn't give us a lot more to go on other than speculation. Later that same year, in the 7th lunar month, we see priests and nuns gathered at the palace for the first ever ango, or retreat. An ango is where priests and nuns of different temples are brought together. The term refers to a practice said to come from the time of Shakyamuni, before there were temples. Shakyamuni's acolytes, who spent much of the year wandering, would return to one place during the rainy season. At that time they would listen and discuss Shakyamuni's teachings. In some sects, this practice of coming together would be particularly important, and it was a mark of honor for how many retreats a monk might have attended over the years. In 685, the court promoted Buddhism with an edict requiring every household to maintain a Buddhist altar, with a statue of the Buddha and a copy of a sutra inside. It is unclear to me if this was just for merit-making or what, but it must have been somewhat lucrative for the various temples, who would have likely been the source for said sutras, and, at least peripherally, the statues as well. Later that year, in the 4th lunar month, there was another ango at the palace. The month after that, Ohoama went to Asukadera and presented precious objects and worshipped. In the 8th lunar month Ohoama went to Joudouji – Aston claims this is Asukadera, also known as Houkouji—and the next day he visited Kawaradera and provided rice to the monks there. One month after that, Ohoama was feeling ill, so the court ordered Daikandaiji, Kawaradera, and Asukadera—the three Great Temples that were fully operational at that point—to chant sutras for his sake. In return they were granted various quantities of rice. Ohoama recovered for a time, but it was perhaps a precursor of what was to come. A month later a monk from Baekje and a lay monk were sent out to seek a medicinal herb known as white okera. Today, a similar compound is known in Chinese traditional medicine as Bái Zhú. A few months later Ohoama went to the medicinal herb garden of Shiranishiki, and a few weeks later he was presented with Bai Zhu, the boiled white okera. That same day, ritualists performed the Chikonsai, the "Calling of the Spirit". All of this seems to indicate the early onset of symptoms that may have been temporarily abated, but likely were part of the disease or illness that would eventually take his life. But we covered most of that last episode, and we are already dragging on longer than I expected, so I think I'm going to end it here. Coming up in the narrative, since I started to mention it, I'll probably take a look next at the founding of the new capital of Fujiwara kyo, and what that would mean, along with other initiatives that would outlive Ohoama. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
Cette semaine, on s'attaque avec enthousiasme à l'ascension du mont Kami dans la dernière production du studio Montpelliérain The Game Bakers. Après les très marquants Furi et Haven, Cairn raconte l'expédition d'Avaa, grimpeuse chevronnée, qui part à la conquête d'un sommet qui n'a encore jamais été atteint. En proposant un gameplay complètement original pour reproduire les sensations et les émotions de l'escalade, le titre réussit à provoquer une immersion d'une intensité redoutable. Nous avions tellement de choses à partager et à raconter à ce propos qu'on a préféré prendre le temps d'une émission entière.Jérémie Kletzkine, dans sa chronique jeux de société, nous parle de Insurrection.Chapitres :0:00 Intro4:12 Les news22:39 Le com des coms42:49 Cairn (partie 1)1:18:57 La chronique jeux de société : Insurrection1:24:23 Cairn (partie 2)1:51:01 La minute culturelle1:56:42 Cairn (partie 3)2:18:48 Et quand vous ne jouez pas, vous faites quoi ?Retrouvez toutes les chroniques de jérémie dans le podcast dédié Silence on Joue ! La chronique jeux de société (Lien RSS).Pour commenter cette émission, donner votre avis ou simplement discuter avec notre communauté, connectez-vous au serveur Discord de Silence on joue!Retrouvez Silence on Joue sur Twitch : https://www.twitch.tv/silenceonjoueSoutenez Silence on joue en vous abonnant à Libération avec notre offre spéciale à 6€ par mois : https://offre.liberation.fr/soj/Silence on joue ! c'est l'émission hebdo de jeux vidéo de Libération. Avec Erwan Cario et ses chroniqueurs Patrick Hellio, Julie Le Baron et Marius Chapuis.CRÉDITSSilence on joue ! est un podcast de Libération animé par Erwan Cario. Cet épisode a été enregistré le 30 janvier 2026 sur Discord. Réalisation : Erwan Cario. Générique : Marc Quatrociocchi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Episod 186 Audio Siar Keluar Sekejap membincangkan Rancangan Pendidikan Malaysia 2026–2035 yang diumumkan oleh Perdana Menteri, Dato' Seri Anwar Ibrahim, pada minggu lalu. Antara keputusan utama yang disentuh ialah cadangan kemasukan Darjah 1 pada usia enam tahun serta pelaksanaan Matriks Pembelajaran bagi murid Darjah 4 dan pelajar Tingkatan 3.Episod ini turut mengupas kes rasuah Angkatan Tentera Malaysia (ATM) yang mencatat sejarah apabila, buat pertama kalinya, bekas Panglima Angkatan Tentera Malaysia dan bekas Panglima Tentera Darat ditahan serta didakwa atas pertuduhan rasuah dan salah guna kuasa.Selain itu, perbincangan turut menyentuh Tahun Melawat Malaysia, yang menyaksikan Malaysia mengatasi Thailand dari segi jumlah pelawat. Namun, episod ini menekankan cabaran berterusan berkaitan perbelanjaan pelancong yang masih rendah di dalam negara.Bagi isu antarabangsa, Keluar Sekejap mengulas rancangan bekas Presiden Amerika Syarikat, Donald Trump, untuk mengadakan perbincangan segera berhubung usaha mengambil alih Greenland, serta cadangan penubuhan Board of Peace.Kami juga telah melancarkan Kelas Sekejap! Kelas Sekejap ialah Aplikasi Bahasa Inggeris Pertama di Malaysia Untuk Belajar Dengan Bertutur. Dikuasakan oleh AI - Pelajaran disesuaikan ikut minat, matlamat dan tahap anda. Muat turun di Apple Store dan Play Store sekarang!Ikuti Kelas Sekejap untuk pelancaran eksklusif hari ini!Instagram: https://www.instagram.com/kelas_sekejap TikTok: https://www.tiktok.com/@kelas_sekejap
Rindu random conversation TTYL? Kami pun rindu jugak! :( Late night ramblingsRembali bakal competitor Rembayung??Teori nama anak-anak T20, M40 dan B40Jangan masak waktu tengah marah!The art of cooking masakan MelayuRestoran Melayu high-endDilemma podcastersJangan lupa subscribe Youtube channel TTYL: Talk To You Later ! **Follow TTYL Socials**Instagram: @ttylpodcastYoutube: TTYL: Talk To You LaterTiktok: @ttyl.podcast
This bedtime story about Japanese mythology begins with the world creation myth by Amaterasu. Then we will explore Japan's spiritual tradition: Shinto, and its countless Kami. We will also follow the path of Emperor Jimmu's legendary journey, and discover beloved folktales like Momotaro and The Sparrow with the Slit Tongue, before closing with the powerful story of the 47 Ronin. #sleep #bedtimestory #asmr #sleepstory #mythology #japan Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: https://www.patreon.com/LightsOutLibrary621 Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69 Listen on Youtube: https://www.youtube.com/@LightsOutLibraryov ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg En Apple Podcasts: https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755 En Youtube: https://www.youtube.com/@LaBibliotecadelosSuenosov Learn more about your ad choices. Visit megaphone.fm/adchoices
The Mousedebaters talk Disney Would-You-Rathers.What begins as a perfectly normal episode quickly turns into a reminder that we should not be allowed to have microphones.Kami kicks things off by forcing Brittany and Luke to play “Guess the Disney movie based on its promo tagline” — a game that sounds fun until you realize that many of the official Disney taglines are wildly unhelpful and we are… mediocre under pressure.From there, we spiral into a round of Disney Would You Rather questions that say more about us than we're comfortable admitting, including:Would You Rather: Lick the entire Haunted Mansion queue handrail or ride the Storybook Canal Boats with your worst ex?Would You Rather: Be roasted to the point of tears by the Jungle Cruise Skipper or publicly reprimanded by a plaid vest?True to form, we're making questionable choices, revealing alarming personal preferences, and proving yet again that Disney fandom plus unchecked ADHD is a wild combination to record and put on the internet for everyone to hear.
Before fully diving into 2026, the Krewe takes a minute (or 64) to reflect on Japan in 2025, recapping & remembering the good, the bad & the wacky. From the top news stories of 2025 to the year's biggest pop culture stand outs, this episode covers it all!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! Get your very own JAPAN BEAR SHELTER------ Past KOJ Episodes Referenced ------Crash Course in Japanese Politics ft. Tobias Harris of Japan Foresight (S6E13)Social Media & Perceptions of Japan (S6E8)Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E5)Meet the J.League ft. Dan Orlowitz (S6E4)Expo 2025: Japan on the World Stage ft. Sachiko Yoshimura (S6E2)Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)Visiting Themed Cafes in Japan ft. Chris Nilghe of TDR Explorer (S4E15)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Japan 2021: A Year in Review (S2E13)Japanese Theme Parks ft. TDR Explorer (S2E4)Greatest Anime of All-Time pt. 3: Modern Day Anime (2010-Present) (S1E18)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Our friend and Thrive teammate, Kami, shares how practicing relational skills has strengthened her ability to use them in everyday life. She's also discovered that the more she practices these skills in her interactions with others, the more she sees our abundantly loving God reflected through her life.
Embrace the new year as a fresh start to set meaningful goals.Reflect on past experiences and lessons learned to shape your vision for the future. Focus on personal growth, cultivating relationships, and pursuing passions that ignite your spirit!
David and Jeanette Macasieb have loved singing and playing musical instruments since they were young. When they migrated to Australia, they gave their passion for music deeper meaning by sharing and celebrating Filipino culture through their performances. - Bata pa lang ang mag-asawang David at Jeanette Macasieb, mahilig na sa pagkanta at pagtugtog ng musical instruments kaya nang mag-migrate sa Australia, binigyan nila ng mas malalim na kahulugan ang pagmamahal sa musika sa pamamagitan ng pagbahagi at pagpapakilala ng kulturang Pilipino.
Kencan Dengan Tuhan - Selasa, 20 Januari 2026Bacaan: ".... Karena kami tidak mempunyai kekuatan untuk menghadapi laskar yang besar ini, yang datang menyerang kami. Kami tidak tahu apa yang harus kami lakukan, tetapi mata kami tertuju kepada-Mu." (2 Tawarikh 20:12)Renungan: Pada saat seorang pasien berobat ke rumah sakit harus siap dengan vonis apapun. Walau demikian, ada satu jenis vonis yang membuat siapapun tidak siap untuk menerimanya, yaitu jika pasien divonis penyakit terminal. Penyakit terminal adalah suatu keadaan di mana seseorang mengalami sakit yang tidak mempunyai harapan untuk sembuh yang diakibatkan kegagalan organ atau multiorgan sehingga sangat dekat proses kematian. Penyakit terminal bermacam-macam mulai kanker, alzheimer, komplikasi, dsb. Inti dari penyakit terminal adalah dokter sudah angkat tangan dan pasien hanya tinggal tunggu waktu kapan kematian datang menjemput. Sudah tidak ada sesuatu yang bisa dilakukan atau diupayakan lagi. Masalah dan tantangan hidup bisa terjadi kepada siapa saja. Namun selama kita masih bisa melakukan sesuatu untuk menghadapi masalah tersebut, kita tidak perlu khawatir. Tapi bagaimana jika semua jalan sudah buntu, sudah mentok, dan kita bahkan tidak tahu apa yang harus kita lakukan lagi? Seperti penyakit terminal, ini keadaan yang sangat gawat. Raja Yosafat pernah menghadapi "masalah terminal" seperti itu. Kerajaan Yehuda diserang oleh bani Moab, bani Amon, dan sepasukan orang Meunim. Menghadapi satu musuh saja berat, sekarang harus berhadapan dengan tiga musuh sekaligus dengan laskar yang sangat besar. Yosafat takut. Yosafat bahkan berada pada satu titik di mana ia tidak tahu lagi apa yang harus dia lakukan. Walau demikian masih ada satu hal yang bisa dilakukan Yosafat yaitu berseru kepada Tuhan! Justru ini adalah solusi terbaik untuk permasalahan yang dihadapinya. Terbukti, Tuhan ganti berperang bagi Yosafat dan memberi kemenangan besar kepada bangsa Yehuda. Jika saat ini kita dihadapkan dengan masalah yang rumit, yang mana kita bahkan tidak tahu lagi harus melakukan apa- apa, ingatlah bahwa kita masih punya Tuhan. Berserulah dan berharaplah kepada-Nya, maka pertolongan-Nya akan datang tepat pada waktu-Nya. Tuhan Yesus memberkati. Doa:Tuhan Yesus, aku percaya apapun masalah yang aku hadapi saat ini, kalau aku mau setia datang pada-Mu, maka semua akan baik-baik saja. Amin. (Dod).
Australia is known as the allergy capital of the world. Our diverse population also means that we express our religious beliefs, ethics, health and personal choices through the food we eat. We called on some experts to help us navigate all the labelling, certifications and resources that can inform our food choices. - Australia dikenal sebagai ibukota alergi dunia. Populasi kita yang beragam juga berarti bahwa kita mengekspresikan keyakinan agama, etika, kesehatan, dan pilihan pribadi kita melalui makanan yang kita makan. Kami meminta beberapa ahli untuk membantu kami menavigasi semua pelabelan, sertifikasi, dan sumber daya yang dapat menginformasikan pilihan makanan kami.
What Happened Kami and Eric Pt 2 by STAR 102.5/Des Moines
What Happened Kami and Eric Pt 1 by STAR 102.5/Des Moines
Episode 315: In this special anniversary episode, Vonda, Lori, Ellie, and Kami gather to celebrate six years of Business & Pleasure of Flowers. They share heartfelt (and hilarious) holiday stories, reflect on how “Amplify” shaped the past year—including the tariff pivot—and brainstorm what Flower Clique's Word of the Year for 2026 should be. The episode wraps with proud, goosebump moments: member wins, community connections, and the impact that keeps the team energized for what's next.Sponsored by: Flower CliqueFlower Clique Prep SchoolReal Life Retail Florist
The Krewe sits down with Amy Hever, Executive Director of the MLB Players Trust, and Chris Capuano, former MLB pitcher & Chair of the Players Trust Board, to explore how MLB players give back through community-driven initiatives. Discover the mission of the MLB Players Trust, player-led philanthropy, & how baseball continues to bridge cultures between Japan & the United States through youth programs, education initiatives, & meaningful cross-cultural engagement beyond the field.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ About MLB Players Trust ------MLB Players Trust WebsitePlaymakers Classic Info & TicketsMLB Players Trust on IGMLB Players Trust on X/TwitterMLB Players Trust on LinkedInMLB Players Trust on Facebook------ Past KOJ Traditional Japan Episodes ------Japanese Soccer on the World Stage ft. Dan Orlowitz (S6E5)Meet the J.League ft. Dan Orlowitz (S6E4)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)The Life of a Sumotori ft. 3-Time Grand Champion Konishiki Yasokichi (S4E10)Talking Sumo ft. Andrew Freud (S1E8)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!
Linked up with Guitaro5000 in New York and caught some special energy. Adrianna Mateo came through on the violin, Kami sparked the inspiration, and then Nory pulled up mid-session so we could go back and forth and finish with a cypher. Only in New York...LISTEN TO MY MUSIC:https://harrymackofficial.com/listenJOIN THE PATREON FAMILY:http://patreon.com/harrymackSHOP MY MERCH:https://shop.harrymackofficial.comHARRY MACK YOUTUBE CHANNEL: https://www.youtube.com/harrymackHARRY MACK CLIPS CHANNEL:https://www.youtube.com/channel/UCcnAEyz9VnlBL1DiQqliJkQWANT TO BE A SPONSOR?partnerships@harrymackofficial.comFOLLOW ME ON SOCIALS:TikTok: http://tiktok.com/@harrymackofficialFacebook: https://www.facebook.com/harrymackInstagram: https://www.instagram.com/harrymackTwitch: https://twitch.tv/harrymackofficialTwitter: https://twitter.com/harrymack
On this inspiring episode of the AART Podcast, host Chris Stafford sits down with acclaimed painter and author Kami Mendlik, whose work is celebrated for its vivid portrayal of nature, her masterful study of color, and her ability to capture the ever-shifting qualities of light and movement. Known for her immersive landscapes and her deeply intuitive approach to plein air painting, Kami shares how a lifelong connection to the outdoors has shaped her artistic vision and creative process. She dives into how color theory, environmental observation, and emotional resonance come together in her paintings—and how her recent writing further expands the conversation around art, seeing, and the creative life. This episode offers an intimate look at an artist dedicated to exploring the natural world and translating it into powerful visual storytelling. Whether you're an art enthusiast, painter, creative professional, or simply curious about the intersection of nature and artistic expression, this conversation will leave you inspired to see the world with new attention and appreciation. Tune in for an enriching, thoughtful exploration of color, creativity, and the practice of truly noticing.BIOThe painter and author Kami Mendlik. Kami's art portrays her lifelong passion for exploring nature, the study of color and her observations of light and movement. Kami was born in Jacksonville, North Carolina in 1973, the oldest of four children. Her mother Heidi Shervheim, was a homemaker who waited tables part time and became a talented quilter. And her father Robert Mendlik is an Army Veteran and former electrician who now spends his time in land conservation. A a small child the family moved to Minnesota adjacent to her grandparents 450 acre farm where Kami grew up surrounded by nature and agriculture. She says: “The respect that I have for nature and her awesomeness is beyond words. My desire to study and attempt to translate this, is why I paint.” Kami knew from an early age that she wanted to be a full time artist and her first mentor Mary Pettis guided her towards a career that would ultimately lead her to establishing the St Croix River School of Painting in Stillwater MN in 2008. Kami is internationally recognized as an artist and teacher winning numerous awards with gallery showings around the country. She is the author of “Color Relativity”, and creator of Planal Fruit. Kami lives with her husband Pete Hayes on 16 acre farm just North of Stillwater, where she converted a 100 year old hip roof barn into her studio. She has a son, Nick and daughter Paige.Kami's links:Website: https://www.kamimendlik.comInstagram: https://www.instagram.com/kamimendlik/Kami's favorite female artists: Kathie Wheeler Julie Davis Kathy Anderson Chula Beauregard Anne Larson Ann Watcher Carole Gray-Weilman Jane Hunt Kim Casebeer Carol Peebles Camille Przewodek (d) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comkeywords:Kami Mendlik, painter, author, landscape artist, plein air painting, color theory, nature art, light and movement in art, creative process, contemporary artists, AART podcast, Chris Stafford, artist interview, art inspiration, art and nature, visual storytelling, artistic observation, fine art podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.
On this inspiring episode of the AART Podcast, host Chris Stafford sits down with acclaimed painter and author Kami Mendlik, whose work is celebrated for its vivid portrayal of nature, her masterful study of color, and her ability to capture the ever-shifting qualities of light and movement. Known for her immersive landscapes and her deeply intuitive approach to plein air painting, Kami shares how a lifelong connection to the outdoors has shaped her artistic vision and creative process. She dives into how color theory, environmental observation, and emotional resonance come together in her paintings—and how her recent writing further expands the conversation around art, seeing, and the creative life. This episode offers an intimate look at an artist dedicated to exploring the natural world and translating it into powerful visual storytelling. Whether you're an art enthusiast, painter, creative professional, or simply curious about the intersection of nature and artistic expression, this conversation will leave you inspired to see the world with new attention and appreciation. Tune in for an enriching, thoughtful exploration of color, creativity, and the practice of truly noticing. BIOThe painter and author Kami Mendlik. Kami's art portrays her lifelong passion for exploring nature, the study of color and her observations of light and movement. Kami was born in Jacksonville, North Carolina in 1973, the oldest of four children. Her mother Heidi Shervheim, was a homemaker who waited tables part time and became a talented quilter. And her father Robert Mendlik is an Army Veteran and former electrician who now spends his time in land conservation. A a small child the family moved to Minnesota adjacent to her grandparents 450 acre farm where Kami grew up surrounded by nature and agriculture. She says: “The respect that I have for nature and her awesomeness is beyond words. My desire to study and attempt to translate this, is why I paint.” Kami knew from an early age that she wanted to be a full time artist and her first mentor Mary Pettis guided her towards a career that would ultimately lead her to establishing the St Croix River School of Painting in Stillwater MN in 2008. Kami is internationally recognized as an artist and teacher winning numerous awards with gallery showings around the country. She is the author of “Color Relativity”, and creator of Planal Fruit. Kami lives with her husband Pete Hayes on 16 acre farm just North of Stillwater, where she converted a 100 year old hip roof barn into her studio. She has a son, Nick and daughter Paige.Kami's links:Website: https://www.kamimendlik.comInstagram: https://www.instagram.com/kamimendlik/ Kami's favorite female artists: Kathie Wheeler Julie Davis Kathy Anderson Chula Beauregard Anne Larson Ann Watcher Carole Gray-Weilman Jane Hunt Kim Casebeer Carol Peebles Camille Przewodek (d) Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comkeywords:Kami Mendlik, painter, author, landscape artist, plein air painting, color theory, nature art, light and movement in art, creative process, contemporary artists, AART podcast, Chris Stafford, artist interview, art inspiration, art and nature, visual storytelling, artistic observation, fine art podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: hollowellstudios@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved
In this episode of Narcissist Apocalypse, we hear the advice and words of wisdom from past guests about their experiences of domestic violence, coercive control, and narcissistic abuse. In this volume, you'll hear from LANA, HAZEL, DAKOTA, AGATHA, EMMA JEAN, LADY C, TERRA, SATURDAY, PARIS, KAMI, MERLE, PAM, VALENTINE AND VIDA. Search for those names on the podcast player you use or come to our website at NARCISSISTAPOCALPSE.COM and use the search function there. If you want to be a guest on our survivor story podcast, please click here or send us an email at narcissistapocalypse@pm.me PODCAST RECOMMENDATIONS: Perfect Prey With Dr. Christine Cocchiola | Click Here The Covert Narcissism Podcast | Click Here Bitch is a Bad Word | Click Here When Dating Hurts Podcast | Click Here