Podcast appearances and mentions of Richard Serra

Roni Horn exhibit elevates her work at Beacon museum Memo to visitors at Dia Beacon's Roni Horn exhibition: Keep your heads up to avoid tripping or stubbing a toe. "Objects of Constancy," which weighs in at 300 pounds and looks like an oversized stick of licorice (or seven strands of intertwined rebar), rests in the middle of a walkway. Other dense works, made of cast lead, are tucked into a nook and also placed on the floor by the artist. "Mass Removal II" and "Mass Removal III," created with hand-hammering and a pneumatic drill, resemble elongated clamshells with scuffed-up interiors. The tops of four rocks-from-another-planet, an excerpt from the eight-piece Space Buttress series, look like petrified wood (one of which conveys the illusion of a knot). In contrast, the sides evoke moss-covered stone. "Things That Happen Again," another floor-based sculpture, consists of two shiny 1,752-pound copper cylinders placed at 90-degree angles. In a separate room, the cast iron pieces that make up "Post Work 3" resemble textured loudspeakers on poles and hint at an Easter Island vibe. "Vertical sculptures generally suggest the human form, just as horizontal works are often associated with landscapes," says curator Donna De Salvo. "Object of Consistency" (1980) "Post Work 3" (1986) "Things That Happen Again" (1986/90) "Space Buttress I" (1984-85) More than a sculptor, Horn installed this long-term exhibit that elevates her work into the pantheon of artists occupying permanent and semi-permanent spaces in the massive museum, like Donald Judd, Richard Serra and Andy Warhol. "Horn was friends with Serra, and Judd arranged for the permanent install of another version of 'Things That Happen Again' at Marfa [his 45,000-acre ranch and gallery in Texas], so she fits right in," says De Salvo. Of the exhibit's 23 works, nine are owned by Dia; the abstract color and texture studies hanging on the walls are on loan from the artist and her gallery. These framed works date to the mid-1980s. Horn deployed similar motifs and techniques in later, larger creations, says De Salvo. Building on a back-mounted sheet of paper, she created a second layer with smaller fragments of thicker, mottled paper arranged in a collage style covered with colorful, slate-like shapes seemingly outlined in black. Three works titled "Brooklyn Red" are accompanied by a couple of Brooklyn whites, Hamilton reds and Brooklyn grays. Some of the shapes seem three-dimensional, especially in "This 1," where the colored blotch looks bent like a butterfly wing. Horn enjoys pairing subjects, like the paper work "Untitled (Hamilton)," which looks like a couple of nuclear reactors. The objects in "Double I I' " and "Double N N' " seem more risque. In 2001 and 2002, as her international renown began to grow, Horn held two solo shows at the Dia Center for the Arts in Manhattan. Now, she's on the same level at Dia Beacon as Robert Ryman, Gerhard Richter and Louise Bourgeois. It's rare for a living artist to achieve such recognition (she is 69). "We've had a real commitment to her for more than 20 years," says De Salvo. "She's one of the major figures of her generation and there's a dialogue with our other artists on view." Dia Beacon, at 3 Beekman St., is open from 10 a.m. to 5 p.m. Friday to Monday. Admission is $20 ($18 seniors, $12 students and disabled visitors, $5 ages 5 to 11, free for members, ages 5 and younger and Beacon and Newburgh residents). See diaart.org.

Stanley Ulijaszek offers some reflections about swimming in Victoria in Australia on the coast at Queenscliffe. On a beautifulbeach, long and stretching towards a point to the left and another to theright, at Point Lonsdale. A swim with a Hopper-esque sailboat sailing in gentlebut business-like fashion, in front of the lighthouse that signals the pointwhere Australia lost a Prime Minister to the water and to the waves. RustCloud, Richard Serra, rusted iron slabs of sails sculpted by the wind. Strongerout there than here in gentle crawl parallel to the sandy shore. What three wordstell the world where I am? Iterative.underwrite.swimming. A day of sun andswimming to rain and a broken car key. From delight to distress and back again. 

Hello and welcome back to a new episode of Jo's Art History Podcast Bitesize. The week we deep dive into the life and work of the brilliant sculptor Richard Serra. Host: Jo McLaughlin Instagram: ⁠⁠https://www.instagram.com/josarthistory/⁠⁠ Website: ⁠⁠https://www.josarthistory.com/podcast⁠⁠ Email: ⁠⁠josarthistory@gmail.com⁠⁠ Please support the podcast by buying me a book from my Amazon Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_sha

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In this episode of Defining Hospitality, Dan interviews Alessia Genova, a noted interior design expert in the hospitality industry. Alessia shares her inspiring journey from starting as an intern at Tihany Design to becoming the company's principal and managing partner. With over 15 years of experience, Alessia discusses her passion for hospitality design, the importance of relationships and reputation, and the challenges and triumphs she encountered when taking over the company. The conversation offers valuable insights into maintaining high-quality standards, navigating career transitions, and balancing innovation with tradition in the design industry. She is an inspiration to hospitality professionals everywhere, you don't want to miss this episode!Takeaways: Identifying and communicating the mission behind what you do can energize and drive you and your team. In hospitality, for example, the goal might be to make people feel cared for during their journeys.Building strong, lasting relationships within your industry—whether with clients, colleagues, or vendors—can be a foundation for long-term success.Nurturing your team members and providing mentorship can foster a strong, supportive working environment. Encourage personal and professional growth through guidance and sharing knowledge.For firms with a rich legacy, it's essential to balance the respect for past accomplishments with the drive to innovate and explore new paths.The COVID-19 pandemic was described as a non-linear challenge, indicating the importance of adaptability. Leaders must stay flexible and manage unforeseen changes effectively.Focus on the quality of work and craftsmanship, from design to execution. Detailed project planning and immaculate attention to detail can set you apart.Quote of the Show: “Eventually you grow and you understand that having an understanding of these spaces will help you also design them in a certain way.” - Alessia GenovaLinks:LinkedIn: https://www.linkedin.com/in/alessia-genova-a28b742a/ Website: https://tihanydesign.com/Shout Outs:The Breakers https://www.thebreakers.com/ Beverly Hills Hotel https://www.dorchestercollection.com/los-angeles/the-beverly-hills-hotel Hilton https://www.hilton.com/en/brands/hilton-hotels/ Heart of House https://www.heartofthehouse.com/ Amber Hotel https://www.hotelamber.com/ Mandarin Hong Kong https://www.mandarinoriental.com/en/hong-kong/victoria-harbour Richard Serra https://gagosian.com/artists/richard-serra/ Le Cirque https://lecirque.com/ Ways to Tune In: Spotify: https://open.spotify.com/show/0A2XOJvb6mGqEPYJ5bilPXApple Podcasts: https://podcasts.apple.com/us/podcast/defining-hospitality-podcast/id1573596386Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuZGVmaW5pbmdob3NwaXRhbGl0eS5saXZlL2ZlZWQueG1sAmazon Music: ​​https://music.amazon.com/podcasts/8c904932-90fa-41c3-813e-1cb8f3c42419Transistor: https://www.defininghospitality.live/

Meet Diana Coopersmith, a fascinating and determined ironworker, who was one of the first few women to work on the Golden Gate Bridge. She's also an educator and change maker in the metalworking and welding industry, an iron sculptor, she's worked with the late artist, Richard Serra, she's a photographer and she's a mom! Tune in to hear her stories of being uplifted and sometimes, nearly falling hundreds of feet down to her end.  Take a listen to Diana's terrifying AND a hilarious stories about climbing the San Francisco city skyline!Photo credit: Diana CoopersmithCheck out Diana's work: https://www.dianacoopersmith.com/contactwelding ironworking local 378 crucible women gender expansive Support the Show.

To the landscape designer Edwina von Gal, gardening is much more than just seeding, planting, weeding, and watering; it's her life calling. Since starting her namesake firm in 1984 in East Hampton, on New York's Long Island, she has worked with, for, and/or alongside the likes of Calvin Klein, Larry Gagosian, Frank Gehry, Maya Lin, Annabelle Selldorf, Richard Serra, and Cindy Sherman, creating gardens that center on native species and engage in other nature-based land-care solutions. In 2008, von Gal founded the Azuero Earth Project in Panama to promote chemical-free reforestation with native trees on the Azuero Peninsula. Stemming out of this initiative, in 2013, she then founded the Perfect Earth Project to promote chemical-free, non-agricultural land management in the U.S. Her most recent effort, Two Thirds for the Birds, is a call-to-action to plant more native plants and eliminate pesticides, thus creating a greater food supply for birds.On the episode, she discusses the meditative qualities of gardening; reframing landscaping as “land care”; and why she sees herself not as a steward of land, but rather as a collaborator with it.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Edwina von Gal[15:32] William Cronon[15:32] Changes in the Land[15:32] Tiokasin Ghosthorse[24:04] Carl Sagan[24:04] The Demon-Haunted World[26:07] Perfect Earth Project[40:37] Two Thirds for the Birds[42:41] John Fitzpatrick[42:41] Cornell Lab of Ornithology[42:41] Merlin Bird ID[47:01] Garden Club of America[50:21] Diana Vreeland[51:09] Peter Sharp[51:09] Channel Gardens at Rockefeller Center[54:46] Frank Gehry[54:46] Biomuseo[54:46] Bruce Mau[56:32] Azuero Earth Project[1:00:37] Doug Tallamy[1:02:01] Nature's Best Hope[1:05:12] The High Line[1:05:12] Brooklyn Bridge Park[1:05:12] The Battery Conservancy[1:05:12] Brooklyn Museum

Kristina Velfu nos da los detalles

From his childhood in San Francisco's sand dunes to sitting in French cafes with Philip Glass and Samuel Beckett, Richard Serra reflects on his life and work during a 2011 conversation with Eleanor Wachtel. Best known for his evocative and monumental steel structures, you can find Serra's sculptural works all over the world, including his piece Titled Spheres in Toronto Pearson Airport. Serra died in March. He was 85.

Episode No. 651 features art historian Richard Shiff, curator and art historian Michelle White, and a clip from Kirk Varnedoe's 2003 National Gallery of Art Mellon Lectures.  Serra died last month at age 85. He may be the most honored sculptor of the post-war era. The Museum of Modern Art, New York, which holds the most important institutional collection of his art, has produced Serra retrospectives in 1986 and 2007. The Menil Collection organized a drawings retrospective in 2011; it traveled to the Metropolitan Museum of Art, New York, and to the San Francisco Museum of Modern Art, Serra's hometown museum. The most extensive survey of Serra's films and videotapes was presented by the Kunstmuseum Basel in 2017. Serra was a guest on Episode No. 18 of this program. Shiff is a professor at the University of Texas at Austin and the director of the Center for the Study of Modernism. He has written or contributed to books on Barnett Newman, Willem de Kooning, Donald Judd, and Serra, including "Forged Steel," which was published by Steidl and David Zwirner Books in 2016. White is a curator at the Menil Collection. With Bernice Rose and Gary Garrels she curated the 2011 Serra drawings retrospective.  Kirk Varnedoe was the chief curator of painting and sculpture at the Museum of Modern Art, New York from 1988 to 2001. He delivered the 2003 Mellon Lectures at the National Gallery of Art on the subject "Pictures of Nothing: Abstract Art Since Pollock." 

Kristina Velfu, nos cuenta los detalles

Hey Rubbish Fans! Get ready for a heavyweight episode! This week, we're diving into the life and work of the... The post Richard Serra and arty laws ep 119 appeared first on .

La primera parte del programa la dedicaremos, como siempre, a la actualidad. Comenzamos este segmento con el eclipse solar que tuvo lugar el pasado lunes en Norteamérica. Después, hablaremos de los constantes intentos de los medios de comunicación rusos por echarle la culpa a Ucrania sobre el atentado terrorista perpetrado cerca de Moscú el mes pasado, a pesar de que el ISIS-K reivindicó la autoría del atentado. Después, hablaremos de un estudio que indica que la mayoría de la gente se ve más joven que sus coetáneos. Y, para acabar: ¿qué producto se ha situado últimamente a la cabeza de la lista preferida por los ladrones españoles para sus robos? En el segmento Trending in Spain del programa, hablaremos de dos noticias de “peso”. En la primera noticia, discutiremos las causas del aumento de depresiones en adolescentes españoles. En la segunda noticia, recordaremos la desaparición de una enorme obra de arte del fallecido escultor Richard Serra en el Museo Reina Sofía de Madrid. Un inusual eclipse total de Sol oscurece Norteamérica Rusia insiste en implicar a Ucrania en el reciente atentado terrorista de Moscú La mayoría de gente cree que parece más joven que sus coetáneos El aceite de oliva sobrepasa al jamón ibérico como el producto que más roban en las tiendas españolas Se duplica en un año el número de adolescentes deprimidos El misterio del acero

The artist Richard Serra died recently, and I know he's considered a big deal in the art world, but honestly I've never really gotten what all the hype is about. I suppose I can appreciate the scale and the forms of some of the work in the same way that I can appreciate the architecture of Frank Gehry, but overall, it just never really grabbed me. Anyway, one of the posts that came up in my feed contained a quote by him that goes:“Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not interested in the notion that art serves something. Art is useless, not useful.”LINKSConversation with an Artist: Richard SerraRichard Serra - Talk with Charlie Rose (2001)Richard Serra on his Drawing (2011)If you enjoyed this Iteration, I would love it if you would share it with a friend or two. And if it resonated with you on some level, I'd love to know why. Email me at talkback@jefferysaddoris.com.CONNECT WITH MEWebsite: https://jefferysaddoris.com  Instagram: @jefferysaddorisEmail: talkback@jefferysaddoris.comSUBSCRIBESubscribe to Almost Everything with Jeffery Saddoris in your favorite podcast app. You can also subscribe to my newsletter on Substack.MUSICMusic For Workplaces by Jeffery Saddoris

This week we are joined by Lee Littlefield, Sundance Square Ambassador and Riff-A-Mania mastermind. Since the boys were off last week there are alot of things to get caught up on like Madonna, road trips, Richard Serra, and of course the state of downtown Fort Worth. Executive Producer of Show 569 – Jeremie Perez Spotify […] The post Show 569 – Lee Enters the Temple appeared first on The Jerry Jonestown Massacre.

Episode Notes Bibliography "Equal (2015)" - Dia Art Foundation. https://www.diaart.org/visit/visit/dia-beacon-beacon-new-york-usa/artwork/equal-2015-richard-serra "Equal (2015) by Richard Serra" - Artsy. https://www.artsy.net/artwork/richard-serra-equal "Equal" - Wikipedia. https://en.wikipedia.org/wiki/Equal_(sculpture) "Richard Serra: Sculpture, Prints, Drawings" - Gagosian. https://gagosian.com/artists/richard-serra/ "Richard Serra" - The Museum of Modern Art (MoMA). https://www.moma.org/artists/5345 "Richard Serra's ‘Equal' at David Zwirner, London" - Blouin ArtInfo. https://www.blouinartinfo.com/news/story/1251698/richard-serras-equal-at-david-zwirner-london "Richard Serra: Equal" - David Zwirner Gallery. https://www.davidzwirner.com/exhibitions/2015/richard-serra-equal "Equal by Richard Serra" - The Broad. https://www.thebroad.org/art/richard-serra/equal "Richard Serra" - Guggenheim Museum. https://www.guggenheim.org/artwork/artist/richard-serra "Equal" - Public Art Archive. https://www.publicartarchive.org/work/equal Find out more at https://three-minute-modernist.pinecast.co

Tony Bechara, April 29 2018, ©Maku-Lopez Tony Bechara's dynamic, color-saturated paintings create a pure field of physical perception. You can see a walk through of his show here. Each canvas is meticulously painted with multicolor areas of quarter-inch squares. Using strips of masking tape, Bechara arranges carefully formulated hues into a playful and invigorating optical surface, made up of a multitude of small colored units. The work's overall rhythm is determined by a process that is systemic but designed to allow combinations of color to emerge by chance. Bechara cites influences across art history, including the colors of Matisse and Vuillard, the pointillism of Seurat and Signac, traditions of weaving and crafting, the precision of hard-edge abstraction, and the famed Byzantine-era mosaics at Ravenna. These influences are evidenced in Bechara's approach to painting: he uses a tile-like grid as the basis for his explorations into the principles of color usage, particularly the intersection of organization and randomness. The division of the surface of the painting into small modular boxes is similar to pixels; the gaze is constantly in motion. Bechara presents the viewer with their retinal and neurological relationship to color, balancing one's immediate impression of hue and the overarching logic of pattern. Tony Bechara was born in Puerto Rico in 1942 and today lives and works in New York City. A graduate of Georgetown University, Bechara attended Georgetown Law School and New York University before later studying at the Sorbonne in Paris and the New York School of Visual Art, benefiting in particular from the lessons of Richard Serra and Joseph Raphael. In the 1970s and 80s, Bechara was included in exhibitions organized by the Boulder, Colorado based Criss-Cross pattern printing collective and featured work in the group exhibition ‘Islamic Allusions' at the Alternative Museum in New York. His work was included in the 1975 Biennial Exhibition at the Whitney Museum of American Art, New York. In 1980 he was granted a fellowship by the National Endowment for the Arts, and in 1981 he was included in ‘The Shaped Field: Eccentric Formats' at MoMA PS1 in New York. Bechara has had solo exhibitions at the Alternative Museum in 1988; Artists Space in New York in 1993; and el Museo del Arte Puerto Rico in 2008. Recently, Bechara has participated in exhibitions ‘With Pleasure: Pattern and Decoration in American Art, 1972-1985; Museum of Contemporary Art, Los Angeles, CA, USA (2019), which travelled to the Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, USA (2021); ‘Point of Departure: Abstraction 1958-Present', Sheldon Museum of Art, Lincoln, NE, USA (2021); and ‘Artists Choose Parrish', Parrish Art Museum, NY, USA (2023).His work can be found in numerous public and private collections including the Metropolitan Museum of Art, New York, NY, USA; El Museo del Barrio, New York, NY, USA; el Museo del Arte, San Juan, Puerto Rico; the Sheldon Museum of Art, University of Nebraska, Lincoln NE, USA; Aldrich Contemporary Art Museum, Ridgefield, CT, USA; and the Massachusetts Institute of Technology, Cambridge, MA, USA. Tony Bechara, Abstract Composition, 1970-71 Acrylic on canvas, 208.6 x 166.4 x 2.9 cm82 1/8 x 65 1/2 x 1 1/8 in Collection of the Metropolitan Museum of Art, New York, NY, USA ©Tony Bechara, Courtesy Lisson Gallery. Tony Bechara, Random 28 (Blue version), 2023 Acrylic on canvas, 152.4 x 152.4 ©Tony Bechara, Courtesy Lisson Gallery. Tony Bechara, Perseus, 2010, Acrylic on canvas, 152.4 x 152.4 x 3.8 cm 60 x 60 x 1 1/2 ©Tony Bechara, Courtesy Lisson Gallery

California's rainy season is ending, but did SoCal get enough rain and snow to avoid water restrictions? CA fast food workers are now paid a $20 hourly minimum wage. Famed sculptor Richard Serra, whose work is displayed in SoCal, died last week at 85. Plus, more. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com.  Support the show: https://laist.com

Richard Serra, one of the greatest artists of the past 50 years, a linchpin of the post-minimalist scene in late 1960s and early 1970s New York and later the creator of vast steel ellipses and spirals, died on Tuesday 26 March. We mark the passing of this titan of sculpture with Donna De Salvo, the senior adjunct curator of special projects at the Dia Foundation, whose Dia Beacon space has several major works by Serra on permanent view. There are a host of exhibitions focusing on expressionist art in the US and Europe in 2024 and in this episode we focus on two of them. The first ever Käthe Kollwitz retrospective in New York is taking place at the Museum of Modern Art or MoMA, while other shows dedicated to her are taking place in Frankfurt and Stockholm. We speak to Starr Figura, the curator of MoMA's show, which opens this weekend, about Kollwitz's extraordinary work and life. Then, we talk to Natalia Sidlina, the curator of Expressionists: Kandinsky, Münter and the Blue Rider, a major survey opening at Tate Modern next month of the German Expressionist group, which looks anew at the deep friendships that formed the basis of the group, their international outlook and their multidisciplinary output.Richard Serra's work is on long-term view across five galleries at Dia Beacon, New York, US.Käthe Kollwitz, Museum of Modern Art, New York, 31 March-20 July; Städel Museum, Frankfurt, until 9 June; SMK – National Gallery of Denmark, Copenhagen, 7 November-25 February 2025.Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern, London, 25 April-20 October 2024; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February 2025.Further expressionist exhibitions in 2024: The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, until 27 May; Munch to Kirchner: The Heins Collection of Modern and Expressionist Art, Dallas Museum of Art, Texas, US, until 5 January 2025; Munch and Kirchner: Anxiety and Expression, Yale University Art Gallery, New Haven, Connecticut, US, until 23 June; Erich Heckel, Museum of Fine Arts Ghent, Belgium, 12 October-25 January 2025. Hosted on Acast. See acast.com/privacy for more information.

Episode Notes Support our Patreon - https://www.patreon.com/3MinModernist Bibliography Serra, Richard. Writings/Interviews. Edited by Douglas Crimp, University of Chicago Press, 1994. Serra, Richard, and Kynaston McShine. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007. Serra, Richard, and Hal Foster. Richard Serra, Sculpture. Guggenheim Museum, 1992. Foster, Hal. "The Return of the Real: Richard Serra's Drawings." October, vol. 58, 1991, pp. 31-41. Brenson, Michael. "ART VIEW; Richard Serra: The Space Between." The New York Times, 9 Nov. 1986, www.nytimes.com/1986/11/09/arts/art-view-richard-serra-the-space-between.html. Kimmelman, Michael. "Richard Serra, Sculptor: Constructing New Worlds with Steel." The New York Times, 29 Mar. 1987, www.nytimes.com/1987/03/29/arts/art-view-richard-serra-sculptor-constructing-new-worlds-with-steel.html. Hobbs, Robert. "Richard Serra." Artforum International, vol. 32, no. 9, 1994, pp. 82–87. Ellegood, Anne, et al. Focus: Richard Serra. The Museum of Contemporary Art, Los Angeles, 2006. Goldberg, Vicki. "Serra's Public Art: Challenge and Awe." The New York Times, 16 June 1985, www.nytimes.com/1985/06/16/arts/art-view-serra-s-public-art-challenge-and-awe.html. Kertess, Klaus. Richard Serra Sculpture: Forty Years. Museum of Modern Art, 2007. McShine, Kynaston, and Lynne Cooke. Richard Serra Drawing: A Retrospective. The Menil Collection, 2011. Zelevansky, Lynn. "Richard Serra's 'Prop Pieces': An Interview." Artforum International, vol. 20, no. 7, 1982, pp. 30–35. Krauss, Rosalind E. "The Originality of the Avant-Garde and Other Modernist Myths." The MIT Press, 1985. Kramer, Hilton. "The Art World's Giant with the Flair of a Lilliputian." The New York Times, 20 Mar. 1983, www.nytimes.com/1983/03/20/arts/the-art-world-s-giant-with-the-flair-of-a-lilliputian.html. Kimmelman, Michael. "Experiencing Richard Serra's Mammoth 'Intersection'." The New York Times, 11 Oct. 1992, www.nytimes.com/1992/10/11/arts/art-experiencing-richard-serra-s-mammoth-intersection.html. Find out more at https://three-minute-modernist.pinecast.co

In this week's episode, Patrick and Tommie welcome back friend and returning guest Danielle LePage, Patrick apologizes for the technical problems, they discuss the Nex Benedict autopsy report and the safety (or lack thereof) for trans kids in school, go rat-catching with the Ca Rater Mallorqui, wish a Happy Birthday to singer Sarah Vaughan and film director Quentin Tarantino, Danielle talks about her new experience as a stage manager, they review the art of late sculptor Richard Serra, celebrate World Theatre Day, eat some paella, have a cup of Joe, and debate the new Florida law banning young teenagers from social media. (Part 2 will be released next week.)

Sí, al primer volumen de cuentos que publicó Augusto Monterroso lo llamó "Obras completas (y otros cuentos)" (Alianza). No se confundan con el título  porque fue su debut literario, pero qué debut. Ahí estaba su mítico cuento "El dinosaurio", el más corto de la historia, siete palabras "Cuando despertó, el dinosaurio todavía estaba allí".  También había otros cuentos míticos en esta primera aparición literaria del escritor guatemalteco: "Vacas", "Mr Taylor" u "Obras completas", que no es un todo, sino sólo un cuento. De Augusto Monterroso hemos hablado con Leticia Sánchez Ruiz , autora de "Fragmentos del mapa del tesoro: la biblioteca personal de Augusto Monterroso" (Pez de Plata). En 2008 la viuda de Monterroso, Bárbara Jacob, donó la biblioteca personal del escritor a la Universidad de Oviedo, y allí están para el que la quiera visitar con sus nueve mil volúmenes y sus cinco toneladas de peso. Y la genialidad de Leticia Sánchez ha sido convertirse en una especie de detective entre los libros de Monterroso y contarnos sus preferencias, sus subrayados, sus manías, sus correcciones, lo consejos que dejaba en los márgenes de los libros, sus rectificaciones de malas traducciones. Es tan maravilloso que llega un momento que crees que Monterroso es un personaje de una novela escrita por Leticia Sánchez Ruiz. Además de Monterroso han entrado en la Biblioteca hoy por hoy los libros que Antonio Martínez Asensio ha relacionado con la actualidad: "Obra maestra" de Juan Tallón (Anagrama) por l muerte de Richard Serra, y por las fechas de Semana Santa, ha entrado por primera vez "La Santa Biblia" (Editorial San Pablo)  y  "El testamento de María" de Colm Toibin (Lumen) . La invitada, Leticia Sánchez Ruiz, ha donado tres libros en nombres de Augusto Monterroso: "El ingenioso hidalgo D. Quijote de la Mancha" de Miguel de Cervantes (Alfaguara), "Popol Vuh" Anónimo (Alianza Editorial) y "Obras completas" de Jorge Luis Borges (Emecé). Las novedades que hoy ha traído el empleado de la biblioteca Pepe Rubio han sido "La península de las casas vacías" de David Uclés (Siruela) y "Las bestias" de Gijs Wilbrink (Bunkerbooks). Pascual Donate  ha rescatado de la redacción el libro "De guerra en guerra: de 1914 a Ucrania" del filósofo francés Edgar Morin (Popular). Por último Antonio Martínez Asensio ha incorporado la novela que protagonizará su programa "Un libro , una hora", "Mi Antonia " Willa Cather (Alba). Y nos quedan los oyentes que han sumado: 'Tea Rooms: Mujeres obreras', de Luisa Carnés. 'Tengo miedo torero', de Pedro Lemebel y 'Mi amiga brillante', de Elena Ferrante.

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For the last couple of years, journalist Fortesa Latifi has been reporting on the stories of the grown up children of parenting influencers. Her latest documentary and article from Cosmopolitan offers a startling look behind the camera — and how some sharenters are addressing the criticism or making the decision to stop using their children in content creation. Plus, CBC producer Lise Hosein pays tribute to the late American sculptor Richard Serra — who died this past Tuesday at the age of 85 — by giving her first-person account of visiting one of his more obscure site-specific works, Shift, located on a private farm north of Toronto.

(00:00:39) Er ist freischaffender Illustrator, Metzger und Dozent für Illustration: Martin Oesch war heute Morgen unser Gast. (00:16:05) In diesem Stück läuft vieles schief: Robert Ickes «Die Ärztin» feiert Premiere am Luzerner Theater. (00:20:14) Er hat die Stahlskulpturen grossgemacht in der Kunst: Ein Nachruf auf Richard Serra. (00:24:32) Sie war eine der wichtigsten Philosophinnen des deutschsprachigen Raums: Ein Nachruf auf Annemarie Pieper. (00:29:04) Widerwillig zum Helden: Im Kinofilm «One Life» spielt Antony Hopkins den bescheidenen Mann.

Hoje celebramos a arte do agora falecido Richard Serra, o escultor que deu leveza ao aço e ao ferro.

Er war eine der populärsten Bildhauer des 20. und 21. Jahrhunderts – Richard Serra. gestern wurde bekannt, dass der Amerikaner im Alter von 85 Jahren verstorben ist.

Mass Casualty Commission reaction, Bridge questions, Afghan family arrives, Thai marriage equality bill, Richard Serra obituary, and more.

Aquesta matinada, hem conegut la mort als 85 anys de l'escultor Richard Serra.

El escritor Juan Tallón y el arquitecto David García Asenjo reflexionan sobre el trabajo de este escultor, y sobre la misteriosa desaparición de la obra Equal-Pararell / Guernica Bengasi

En el siglo IX, el Conde de Barcelona le encargó a su hija que ocupara un territorio para repoblarlo, mapearlo, estudiarlo, fundar en él iglesias, convertir a infieles y cristianizarlo. Para ello la convirtió en 'La abadesa', que así se llama la nueva película de Antonio Chavarrías. Con él y con Daniela Brown, la abadesa en cuestión, entramos a una cinta que trata los problemas a los que ya se enfrentaban las mujeres hace 1.200 años y que muestra cómo se han mantenido durante siglos. Seguimos hablando de arte sacro porque con Martín Llade vamos a conocer a brillantes religiosas de la historia: compositoras, autoras e intérpretes. Nos despedimos del escultor estadounidense Richard Serra, conocido por sus monumentales esculturas, sobre todo de acero. Recordamos su exposición permanente en el Museo Guggenheim en Bilbao o el Muro de la Verneda. Y celebramos el día del teatro con, entre otras cosas, la adaptación de 'Tea Rooms' que se podrá ver esta noche en La 2 de TVE y de la cual nos avanza la encargada de adaptarla, Itziar Garzón. Escuchar audio

Bundesrat schlägt zwei Varianten zur neuen AHV-Finanzierung vor, Tote bei Flixbus-Unglück, Run auf EM-Tickets, US-Künstler Richard Serra gestorben

Fischer, Karin www.deutschlandfunk.de, Kultur heute

Bochum, Saarbrücken, Berlin: In vielen deutschen Städten stehen riesige Skulpturen aus rostigem Stahl, geschaffen vom US-Amerikaner Richard Serra. Heute gilt er als einer der wichtigsten Bildhauer. Er starb im Alter von 85 Jahren. Wurth, Laura Helena www.deutschlandfunkkultur.de, Studio 9

Lemke, Kirsten www.deutschlandfunkkultur.de, Studio 9

This is one of those full-circle stories that makes our dusty hearts glow a little brighter. It's the tale of big art that emerged from a fossil-filled trash heap, came to life in Black Rock City, then returned to its source as a proud symbol of what a community can accomplish together.Tahoe Mack, a Las Vegas artist, tells the story of the Black Rock City Honoraria art piece she started when she was 15 years old. Her final Girl Scouts project became, oh, so much more. Over a few years, she learned to weld, fundraise, and work with acclaimed artists Dana Albany and Luis Varelo-Rico.Her vision drew attention to an urban park with a rich archaeological history. Built from metal detritus that had accumulated there, “The Monumental Mammoth” dazzled Burners in Black Rock City 2019, and is now a permanent installation at a trailhead near the fossil field that inspired it all, and forged new connections between dozens of people.https://www.tahoemariemack.com/themounumentalmammothhttps://protectorsoftulesprings.org/monumental-mammoth-projecthttps://www.danaalbanyart.com/mammothhttps://burningman.org/podcast/dana-albany-dreaming-in-metal-and-glass LIVE.BURNINGMAN.ORG

In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structure of the workshop, how artists get to work there, and Julie Mehretu, Julie Mehretu, and Julie Mehretu. They also talk about Chris' side hustle as an artist and his intricate paper collages. Josef Albers. White Line Square IV, 1966. 53.3 x 53.3 cm (21 x 21 in.). 2011. The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York; ©Gemini G.E.L. and the Artist. Chris Santa Maria wrangling prints at Gemini G.E.L. at Joni Moisant Weyl, New York. Sidney Felsen, co-founder of Gemini G.E.L. Photo by Alex Berliner. Gemini G.E.L. at Joni Moisant Weyl, 535 West 24th Street, third floor, New York. ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria hanging Julie Mehretu's print at Art Basel Miami, 2019. Julie Mehretu's etching installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Analia Saban working at Gemini workshop. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Robert Rauschenberg working on the limestone for Waves from the Stoned Moon series with Stanley Grinstein in the background. Photograph by Sidney B. Felsen, 1969. From the collection of Getty Research Institute. Jasper Johns deleting imagery from a lithography plate for Cicada, November 1981. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Richard Serra at work on his etchings and Paintstik compositions, November 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Ellsworth Kelly (left) and NGA curator Mark Rosenthal at Gemini; Ellsworth canceling a print from the Portrait Series, February 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Works by Richard Serra and Julie Mehretu at the IFPDA Print Fair, October 2023. ©Gemini G.E.L., Los Angeles, California. Joni Weyl and Sidney Felsen at the 2019 IFPDA Print Fair, New York. Tacita Dean at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Roy Lichtenstein at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at Gemini G.E.L.'s booth at the IFPDA Print Fair, October 2023.         Tacita Dean. LA Magic Hour 1, 2021. Hand-drawn, multi-color blend lithograph. 29 7/8 x 29 7/8 in. (75.88 x 75.88 cm). ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria. Field 31, 2023. Paper college on 4-ply ragboard. 10 x 10 in. Chris Santa Maria's studio. Chris Santa Maria's studio. Chris Santa Maria. President Trump, 2020. Paper collage. 72 x 72 in. Chris Santa Maria. No. 5, 2014. Paper collage on MDF. 58 x 60 in. in the window of Jim Kempner Fine Art, New York. Ellsworth Kelly. The River (state), 2003 and River II, 2005. Lithographs. Installed during the exhibition Ellsworth Kelly: The Rivers, October 25–December 8, 2007 at Gemini G.E.L. at Joni Moisant Weyl, New York. Julie Mehretu's etchings installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Bruce Nauman in the curating room canceling a copperplate by drawing a sharp tool across it to destroy the image with assistance from William Padien, 1983. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Works by Ann Hamilton and Tacita Dean in the exhibition at the New York gallery, Selected Works by Gemini Artists. January 2–February 24, 2024. ©Gemini G.E.L., Los Angeles, California. Daniel Buren at Gemini workshop, August 1988. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001.   USEFUL LINKS Gemini G.E.L. at Joni Moisant Weyl. | (joniweyl.com) Gemini G.E.L. Graphic Editions Limited (geminigel.com) Chris Santa Maria Instagram accounts @chrisantamaria @geminigel @joniweyl    

In this podcast transcript, hosts Jamie and Kurt start with casual banter about daily life and pet ownership. They share exciting news about their guest appearance on another podcast called 'Practice Practice', featured on Evelyn Lee's platform The Practice of Architecture. They further discuss how their recording timetable has been accelerated. Jamie praises Kurt's recent architectural sketch. They explain the intention and process behind sketching and executing their designs. They also discuss their admiration for Richard Serra's architectural sculptures, while also expressing their gratitude towards the responses they've received from school students on related sketch assignments.00:00 Introduction and Casual Banter00:42 Exciting News: Guest Appearance on Another Podcast02:51 Reminiscing About Past Collaborations03:11 Dividing Responsibilities and Reflecting on Podcast Seasons03:39 Appreciation for Evelyn's Podcast and Anticipation for Next Season03:57 Behind the Scenes: Podcast Recording Challenges07:11 True Crime: A Guilty Pleasure12:04 Student Sketches: A Professor's Perspective22:43 Sketching from Memory: A Personal Reflection39:59 Conclusion: Tying it All Together Support the showBuy some Coffee! Support the Show!https://ko-fi.com/coffeesketchpodcast/shop Our Links Follow Jamie on Instagram - https://www.instagram.com/falloutstudio/ Follow Kurt on Instagram - https://www.instagram.com/kurtneiswender/ Kurt's Practice - https://www.instagram.com/urbancolabarchitecture/ Coffee Sketch on Twitter - https://twitter.com/coffeesketch Jamie on Twitter - https://twitter.com/falloutstudio Kurt on Twitter - https://twitter.com/kurtneiswender

In this episode, Errol Reuben Fernandes, head of horticulture at the Horniman Museum & Gardens, chooses all the elements he would like in his fantasy garden, from the wonder of Trebah Garden in Cornwall and the sense of discovery exploring a wonderful wasteland near his childhood home, to a swimming pond with jetty and a giant sculpture by Richard Serra. Discover his top picks of shade-loving plants and tips on how to make a microforest, and find out which garden visitors would be banned from his dream space. Talking Gardens is created by the team at Gardens Illustrated magazine. Find out more about Errol and the Horniman Museum Gardens, as well as more great garden inspiration and planting ideas at www.gardensillustrated.com Enjoying this podcast? Tell a friend, make sure to like, leave a review or comment, and let us know who you would like to hear talking about their dream garden. You can also follow us so you never miss an episode. Show notes Trebah Garden, Cornwall Brownfield gardens Plant pick: Hydrangea aspera ‘Koki'  Artist Richard Serra Photographer Juergen Teller  Artist Joan Mitchell Fulham Palace Garden Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we have a special episode, a double feature with our sister podcast Platemark in which we release our interviews with Luther Davis from Powerhouse Arts in Brooklyn. In Miranda's talk with Luther, they go over his life before Powerhouse, how he started his career as a collaborative printer by being dropped into the deep end printing a huge Richard Serra etching, what he's learned from collaborating with 65 to 100 artists a year, and why he thinks we're in the golden age of print. And when you're done listening to this episode, check out Ann's wonderful conversation with Luther on Platemark about what things are like now at Powerhouse Arts. And finally, if you want more Ann and Miranda collaborations and you're going to be at Print Week in New York, join us on Friday, October 27th from 10 am at the IFPDA Print Fair VIP Lounge for a BYOB coffee meet and greet among print friends. Hope to see you there! Luther Davis on Instagram @luther.printshop Powerhouse Arts Print Shop www.powerhousearts.org/print-shop/ YOUTUBE www.youtube.com/channel/UCOMIT3guY5PjHj1M7GApouw MERCH www.teepublic.com/user/helloprintfriend WEBSITE www.helloprintfriend.com Instagram www.instagram.com/helloprintfriend ✨patreon✨ www.patreon.com/helloprintfriend Our sponsor, Speedball www.speedballart.com Our sponsor, Legion Paper www.legionpaper.com/

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects.For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city's most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Philip Glass, Keith Sonnier, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass' ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11.http://www.dickielandry.comhttps://unseenworlds.com/collections/dickie-landrywww.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast

John Wall Barger's poems and critical writing have appeared in American Poetry Review, Kenyon Review Online, Zyzzyva, Rattle, The Cincinnati Review, The Hopkins Review, The Iowa Review, Poetry Ireland Review, and Best of the Best Canadian Poetry. His poem, “Smog Mother,” was co-winner of The Malahat Review's 2017 Long Poem Prize. His fifth collection of poems, Resurrection Fail (Spuyten Duvyil Press, 2022) was a finalist for the Raymond Souster Poetry Award, the Eric Hoffer Book Award, and the Grayson Book Prize. His latest collection, Smog Mother, just came out (Palimpsest Press, 2022). He is a contract editor at Frontenac House, and teaches Creative Writing at The University of the Arts in Philadelphia.Richard Serra | MoMA---The Way of a Pilgrim and the Pilgrim Continues His Way---Support TBAS by becoming a patron!!!! - https://www.patreon.com/bestadviceshow---Call Zak with your advice @ 844-935-BEST---IG: @bestadviceshow & @muzacharyTWITTER: @muzacharybestadvice.show

Take the first step and schedule a call with us at wealthwisdomfp.com.   Quick. Call the coin flip. Heads or Tails?   Heads: Focus on making more money. You can't cut your way to wealth. Just make more and more money and everything will work out.   Tails: Parkinson's Law means that every penny you earn will get spent if you don't be proactive with shifting your focus to keeping more money.   Feel like a coin flying through the air, one nanosecond on heads and the next on tails???   Despite their vileness, banks have this one figured out!   And we reveal their secrets in this episode so that you can finally pick a side - heads or tails - make more or keep more.   Show highlights include: How do banks really make money? How do banks keep your money? Could you reclaim the banking function in your life and business?     Links mentioned in the episode: https://youtu.be/XT36mVZSO5s Secrets to the Most Profitable Businesses https://youtu.be/Vqst3KfyoSo Why I Don't Save My Money in a Savings Account (and Where I Save Instead) https://youtube.com/playlist?list=PL-TdbcVNkUZgbLJYfD5lkstKweQYjHyGq The Playlist we reference   Sources: Andrew Lewis: https://www.metafilter.com/95152/Userdriven-discontent#3256046 Richard Serra and Carlota Fay Schoolman: https://web.archive.org/web/20180816160913/http://www2.nau.edu/~d-ctel/mediaPlayer/artPlayer/courses/ART300/pov1_ch1/transcript.htm https://fred.stlouisfed.org/series/W537RC1A027NBEA