Podcasts about cathode ray tube

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Unique. Artists this episode include Black Hole Deity, Cathode Ray Tube, and Current Value. The post Ep. 391 – Nerds In Their Own Special Way first appeared on Fancy Pants Gangsters.

This week on the Talk Without Rhythm Podcast we have the last episode of the "classic" era of the BBC's A Ghost Story for Christmas - 1978's The Ice House. Pairing with it we have a 1979 episode of ITV's Playhouse series, Casting the Runes. It wasn't released on Christmas, but it was directed by Lawrence Gordon Clark and it was based off an M. R. James story. Close enough for me. [00:00] INTRO [02:18] Trick or Treat Radio Promo [03:35] RANDOM CONVERSATION [11:06] The Ice House (1978) Cathode Ray Tube [31:26] Casting the Runes (1979) Eofftv [54:01] FEEDBACK [01:03:00] ENDING MUSIC: To Cast the Runes by Canis Dirus Watch The Ice House (1978) Watch Casting the Runes (1979) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Kathy Joseph from Kathy Loves Physics joins me on The Amp Hour to discuss history and physics and we end up discussing the intricate history of the development of the Cathode Ray Tube. Read Kathy's Book The Lightning Tamers: https://tinyurl.com/TheLightningTamers https://www.youtube.com/@KathyLovesPhysics Forum: https://www.eevblog.com/forum/blog/eevblog-1577-history-of-cathode-ray-tubes-with-kathy-joseph/

What does artificial intelligence have to do with an outdated practice that involved blasting shoe stores with radiation? Trust me, there's a connection. Or at least I make one. See omnystudio.com/listener for privacy information.

Kathy Joseph from Kathy Loves Physics joins Dave on The Amp Hour to discuss history and physics and we end up discussing the intricate history of the development of the Cathode Ray Tube.

Foundations of Amateur Radio There's nothing quite as satisfying as the click of a well designed piece of equipment. It's something that tickles the brain and done well it makes the hairs stand up on the back of your neck. If time was on my side and I wasn't going somewhere else with this, I'd now regale you with research on the phenomenon, I'd explore the community of people building mechanical keyboards and those who restore equipment to their former glory, instead I'm encouraging you to dig whilst I talk about the second and third harmonics. This is about amateur radio after all. Over the years there has been a steady stream of commentary around the quality of handheld radios. Some suggest that the cheaper the radio, the worse it is. Given that these kinds of radios are often the very first purchase for an aspiring amateur it would be useful to have a go at exploring this. When a radio is designed the aim is for it to transmit exactly where it's intended to and only there. Any transmission that's not where you plan is considered a spurious emission. By carefully designing a circuit, by adding shielding, by filtering and other techniques these spurious emissions can be reduced or eliminated, but this costs money, either in the design stage, or in the cost of materials and manufacturing. It's logical to think that the cheaper the radio, the worse it is, but is it really true that a cheap radio has more spurious emissions than an expensive one? To give you an example of a spurious emission, consider an FM transmitter tuned to the 2m amateur band, let's say 146.5 MHz. If you key the radio and all is well, the radio will only transmit at that frequency, but that's not always the case. It turns out that if you were to listen on 293 MHz, you might discover that your radio is also transmitting there. If you're familiar with the amateur radio band plan, you'll know that 293 MHz is not allocated as an amateur frequency, so we're not allowed to transmit there, in fact, in Australia that frequency is reserved for the Australian Department of Defence, and there's an additional exclusion for the Murchison Radio-astronomy Observatory. 293 MHz isn't a random frequency. It's twice 146.5 MHz and it's called the second harmonic. There's more. If you multiply the base frequency by three, you end up at 439.5 MHz, the third harmonic. In Australia, that frequency falls into the amateur allocation as a second use, its primary use is again the Department of Defence. These two transmissions are examples of spurious emissions. To be clear, the transmitter is tuned to 146.5 MHz and these unintended extra signals come out of the radio at the same time. This is bad for several reasons, legal and otherwise. The first, obvious one, is that you're transmitting out of band, which as an amateur you already have no excuse for, since getting your license requires you to understand that this is strictly not allowed. The International Telecommunications Union, or ITU, has specific requirements for what's permitted in the way of spurious emissions from an amateur station. Spurious emissions also mean that there is energy being wasted. Instead of the signal only coming out at the intended frequency, some of it is appearing elsewhere, making the 5 Watts you paid for less effective than you hoped for. So, what's this got to do with the click I started with? Well, thanks to Randall, VK6WR, I have on loan a heavy box with a Cathode Ray Tube or Green CRT screen, lots of buttons and knobs and the ability to measure such spurious emissions. It's marked "HP 8920A RF Communications Test Set". Using this equipment is very satisfying. You switch it on and a fan starts whirring. After a moment you hear a beep, then the screen announces itself, almost as-if there's a PC in there somewhere - turns out that there is and the beep is the Power On Self Test, or POST beep. Originally released in 1992, this magic box can replace 22 instruments for transceiver testing. I started downloading user manuals, oh boy, there's lots to learn. Bringing back lots of memories, it even has a programming language, Instrument BASIC, to control it. Where have you been all my life? Turns out that in 1992 this piece of kit cost as much as my car. Anything for the hobby right? At the next HAMfest I'll be using it to measure as many handhelds as I can get my hands on and taking notes. I have no idea how many I'll be able to test, but I'm looking forward to putting some numbers against the repeated claims of quality and price. I can tell you that a couple of weeks ago I got together with Randall and Glynn VK6PAW and spent an enjoyable afternoon testing several radios and there are some surprising results already. Perhaps this is something you might attempt at your next community event, gather data, rather than opinions... I'm Onno VK6FLAB

Today's returning guest deejay is Raziel Panic. You can listen to Raziel's previous mix for Soundwave here. Raziel's last mix defied my expectations. I naively assumed he would share a mix much like the music Raziel records and performs as YouShriek. Einstürzende Neubauten and Kraftwerk was not a surprise. Arvo Pärt was unexpected. Kitaro caught me entirely off guard. And yet, where we are again, Raziel has delightfully baffled me. Today's mix is full of hypnotic melodies, haunting atmospheres, and evocative compositions. But those are just words. You have to experience Raziel's mix for yourself. Headphones are perfect. But if you are one of those fortunate few with a decent sound system, crank that sucker and let Raziel's mix rattle your windowpanes. Raziel has a few words about his mix below. Join us next week when our guest deejay will be Cole Peters. See you then. Karl from Angelspit is one of my most recent acquaintances. Drekka is one of my oldest, and Charles from Cathode Ray Tube was my randomly-selected college roommate / dorm flood survivor. caterina barbieri “Kara-Lis Coverdale - Fantas Morbida” Éliane Radigue “Jouet électronique” Ice Planet 9000 & Angelspit “The Aquestor” Laurie Spiegel “Sound Zones” Cathode Ray Tube “Ghost Ships” Drekka “Ekki gera fikniefnum,” --- Send in a voice message: https://podcasters.spotify.com/pod/show/soundwavemix/message

It's vacuum valves in the vacuum of space when the insanely prolific project progenitor, Cathode Ray Tube, returns to Space Couch to discuss electric renditions and human conditions! Sunday!

New old. Artists this episode include Dødsmaskin, Cathode Ray Tube, and Black Math Horseman. The post Ep. 374 – Familiar Fresh first appeared on Fancy Pants Gangsters.

New old. Artists this episode include Dødsmaskin, Cathode Ray Tube, and Black Math Horseman. The post Ep. 374 – Familiar Fresh first appeared on Fancy Pants Gangsters.

This week's guest Jochen Saueracker had some incredible stories to tell – the early decades of his career were spent as a sort of engineer and/or video art roadie for Nam June Paik, traveling all over the world installing complex towers of CRT monitors. Today, in addition to working closely with Shigeko Kubota's estate to steward her legacy and archive, Jochen works as part of an incredible workshop called Colorvac. Not only is Colorvac one of really just a handful of workshops still capable of maintaining old Cathode Ray Tube televisions, but Colorvac has refined some incredible unique methods and tools for “refreshing” CRT monitors – actually cracking open the tube, giving it a little tidy-up inside, replacing the electron gun, and resealing the vacuum tube. Mind blowing stuff. On top of all of this, Jochen is an artist in and of his own right. Tune in to hear Jochen's story, as well as some breaking news about the future of Colorvac!Links from the conversation with Jochen> See Colorvac in action: https://youtu.be/jQrbzapU0dU> Colorvac website: http://colorvac.de/> Jochen's art: http://jochensaueracker.de/Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Support us on Patreon https://www.patreon.com/gravywheelspod Listen here https://anchor.fm/gravy-wheels Twitter http://www.twitter.com/gravywheelspod Facebook https://www.facebook.com/Gravy-Wheels-111661373888368 Instagtam https://www.instagram.com/gravywheelspod/ https://teespring.com/stores/the-gravy-wheels-podcast Andrew https://twitter.com/goodtimesokay Frank https://twitter.com/FrankAndTheNub Hova https://twitter.com/YellingMadman Thanks to Javelin for the use of their song "Soda Popinski." Find them on Twitter at http://www.twitter.com/JavelinJamz Art by Tyler Edwards. Find more of his work on Instagram at http://instagram.com/tylertfo --- Support this podcast: https://anchor.fm/gravy-wheels/support

It’s 2021. Your grizzled veteran hosts now occasionally find themselves working together with interns and young colleagues that were born in this century. We’re not talking babies and kids here, these are functioning adults, and these creatures didn’t even exist when DeForest Kelley and Gene Siskel were doin’ stuff. Or, um, alive even. Just how wretched are these souls that missed the great CRT era? Just how much pity is appropriate for those whose eyes don’t even light up at the mention of those three letters? Really though, what is it that the “I don’t even know what that is”[...]

Finally, we dedicated a whole quiz to Philip Rivers. Then the usual features. You know the drill by now.

We got vacuum valves in the vacuum of space when CATHODE RAY TUBE hits the celestial chaise! Uncover the mellifluous mysteries of multi-faceted IDM idea-man! Comics and composition collide on this chapter of Space Couch!

Rudi Dornemann interviews author Ng Yi-Sheng about his short story collection Lion City, editor Jason Erik Lundberg about why Epigram Books published it, and reader Varun about why he decided to read the collection.   Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.

Rudi Dornemann interviews author Anoud about her short story "Kahramana" in the anthology Iraq + 100, editor Ra Page about why Comma Press commissioned and published the anthology, and reader (and futurist) Anna Simpson about why she picked up the book and what interested her in it.  Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.  The episode was edited and mastered by the Portland Pod, Maine's first commercial podcasting studio. Find them at PortlandPod.com.

Rudi Dornemann interviews author Daniel Braum about his short story collection The Night Marchers, editor Norman Prentiss about why Cemetery Dance Publications published it, and reader Michelle Souliere about why she decided to read the collection back to front rather than just sampling a few stories.   Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com. 

Linda Mannheim interviews author Leone Ross about her short story collection Come Let Us Sing Anyway, editor Jeremy Poynting about why Peepal Tree Press published Come Let Us Sing Anyway, and reader Joseph Bloncourt about why he decided to read the collection during his commute from the Bronx to Brooklyn.   Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.   

Linda Mannheim interviews author Joanna Walsh about her digital novella Seed, Visual Editions directors Britt Iverson and Anna Gerber  about why they chose seed for the digital publishing collaboration Editions at Play, and reader Emma Miles about why she decided to access Seed on her phone. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.   

Linda Mannheim interviews author Irenosen Okojie about her short story collection Speak Gigantular, editor Valerie Brandes talks about why Jacaranda Books decided to publish the collection, and reader  Yovanka Paquete Perdigao explains why she picked up Speak Gigantular and read it even though it is unlike the books she usually reads. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com. 

Linda Mannheim interviews author Preti Taneja about her novel We That Are Young, editor Sam Jordison talks about why Galley Beggar Press decided to publish the book, and reader Jackie Law explains why she loved the book and wants to persuade other people to read it. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com. 

Linda Mannheim interviews author Paul Scraton about his book Ghosts on the Shore, editor Gary Budden about why Influx Press decided to publish the book, and reader Matt Lancashire about why he picked up a copy of the book and read it. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com. 

Linda Mannheim interviews author Rowena Macdonald about why she wrote her first novel The Threat Level Remains Severe, editor Jane Aitken about why Aardvark Bureau decided to publish the book, and reader John Foyle about why he picked up a copy of the book in his library and read it. Music for Why Why Why is by Cathode Ray Tube.  You can find more of their music on CRTMusik.com.